WEBVTT - #Throwback Episode - w/ Lyor Cohen and Kevin Liles | (Ep.41)

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<v Speaker 1>Oh yeah, what's up? Y'all?

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<v Speaker 2>Was going on?

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<v Speaker 1>Brother Rado.

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<v Speaker 2>He's a legendary Queen's rapper.

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<v Speaker 1>Hey hangs agree? Is your boy in OII?

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<v Speaker 3>He's a Miami hip hop pioneer. What Up is dj

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<v Speaker 3>e f N Together they drink it up with some

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<v Speaker 3>of the biggest players in music.

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<v Speaker 2>And sports, you know what I mean, the most.

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<v Speaker 3>Professional, unprofessional podcast and your number one source for drum facts.

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<v Speaker 1>This is drinks Champer. Every day is New Year's Eve.

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<v Speaker 1>That's yo, y'alla, y'all yo, it's your boy in o

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<v Speaker 1>What up is DJ F It is drink chas motherfucking

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<v Speaker 1>badcast ba And right now I have to properly introduce

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<v Speaker 1>these two icons in my in my eyes, definitely one

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<v Speaker 1>of the people who the motivators of the culture, people

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<v Speaker 1>who pushed the kulture forward, people who stood by the artists.

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<v Speaker 1>How I remember being down with them. I never sold under

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<v Speaker 1>one hundred thousand my first week.

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<v Speaker 2>They may shure your autist.

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<v Speaker 1>When they get behind them, they're now calling their selves

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<v Speaker 1>servants and they richest have How do you get richer

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<v Speaker 1>and get more humble at the same time is something

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<v Speaker 1>that me and you.

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<v Speaker 2>Have to learn because you're a greedy bastard, because I'm.

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<v Speaker 1>A greedy a fact. Right now, we got two of

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<v Speaker 1>my favorite CEOs, two people who helped made me a

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<v Speaker 1>man when I was coming from boy to being a

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<v Speaker 1>man and having money and not knowing what to do

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<v Speaker 1>it to people who shape and mold me and told

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<v Speaker 1>me go out there and bust your ass. And it's

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<v Speaker 1>only right.

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<v Speaker 4>We're in a conference room, executives.

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<v Speaker 5>Let's make some noise for Leo calls Carol Lews.

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<v Speaker 1>God, damn, goddamnit, Leo, you got you got one of

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<v Speaker 1>the best hip hop stories I ever in my life.

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<v Speaker 1>And my whole a luxurious nineteen years was. I remember

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<v Speaker 1>when Jo Rule was getting like kind of played out

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<v Speaker 1>and you didn't clear a record for Fat Joe and

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<v Speaker 1>I did a jar RUVIDI right. And you know, most

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<v Speaker 1>executives they want to meet with you and they say.

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<v Speaker 2>You know, if you come along, But Leo said.

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<v Speaker 1>Bring your whole crew. He said, bring your whole crew.

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<v Speaker 1>And he gets this job Rule video and he comes

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<v Speaker 1>to meet to be a Right Track studio and he

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<v Speaker 1>has all my boys there. He puts the video in

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<v Speaker 1>and he goes, how do you like this video? I say,

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<v Speaker 1>you know I like myself. So I'm looking at myself.

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<v Speaker 1>I'm like, he said, do you know what I think?

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<v Speaker 1>I said no, he said, I think it's popcorn. At

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<v Speaker 1>the time, I like popcorn. So I was like, popcorn

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<v Speaker 1>is cool, and he goes, Jo rule won't exist in

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<v Speaker 1>four months because of the records he's doing. Why would

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<v Speaker 1>I invest in Nori for nor to be like Jorol?

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<v Speaker 1>So he said to me, Nori, if I cut you

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<v Speaker 1>right now, what would you bleed? And I said blood?

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<v Speaker 1>And he said, now ask me the question, Nori. So

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<v Speaker 1>I said, Lee off, I cut you right now, what

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<v Speaker 1>would you bleed? He said, run dmc sucker And then

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<v Speaker 1>he asked me the question again. He said, so, Nori,

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<v Speaker 1>if I cut you right now, what would you bleed?

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<v Speaker 1>I said, super Doug and he said exactly. The car

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<v Speaker 1>service is downstairs.

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<v Speaker 6>See my job.

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<v Speaker 1>Old video made me go see for real. And if

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<v Speaker 1>it wasn't for that exact move, I wouldn't have one

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<v Speaker 1>of the biggest hits of my life, which is nothing homeboy,

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<v Speaker 1>I came to party, Let's make some noise.

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<v Speaker 2>Why do you keep it so real with your artists

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<v Speaker 2>like that?

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<v Speaker 1>Like you could have you could have you could have

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<v Speaker 1>you could have like said it to me like nicer,

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<v Speaker 1>but you didn't.

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<v Speaker 6>So I want to do to you and to my artists,

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<v Speaker 6>to my comrades, how I want to be done on

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<v Speaker 6>that wasn't that was in English? Let's do that again?

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<v Speaker 6>Can someone help me? What's it saying?

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<v Speaker 4>You try to do onto others how you would want

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<v Speaker 4>to be done to yourself?

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<v Speaker 6>So I only want the truth. I'm so tired of

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<v Speaker 6>the cryptic language. I was telling people upstairs, there's this

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<v Speaker 6>guy that I love in the door and his name

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<v Speaker 6>is Joaqum. And he used to say to me, it's

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<v Speaker 6>all good. And I used to say, what the fuck

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<v Speaker 6>does that mean? I want to shoot a DMX video tomorrow?

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<v Speaker 6>He would say it's all good, and I'm I'm so

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<v Speaker 6>exhausted trying to figure out what people mean. I just

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<v Speaker 6>want people to tell me exactly how I'm doing.

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<v Speaker 1>I just did a speech upstairs.

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<v Speaker 6>I go to Kevin. I said one to ten. He

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<v Speaker 6>said four. I said, I said, how do I get

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<v Speaker 6>it to a ten next time? Okay, that's it. He

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<v Speaker 6>didn't say it, Oh, it's a nine point five five.

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<v Speaker 6>And you know what I'm saying, Because I just want

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<v Speaker 6>to I want to improve, so you know, when you're

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<v Speaker 6>on stage or when you're doing this, you want people

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<v Speaker 6>around you that give you constructive criticism. You want to

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<v Speaker 6>be the biggest, the best podcast in the world. That's

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<v Speaker 6>so anyhow, That's basically the reason why I keep it

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<v Speaker 6>so gully is that's how I want it done to me.

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<v Speaker 6>The reason why I never walked around with security guards

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<v Speaker 6>is real thorough people have Plan B, C, D, N E.

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<v Speaker 6>You don't get in trouble with thorough people if you

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<v Speaker 6>allow them the ability to go to their Plan B.

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<v Speaker 6>If you retard their ability to go to Plan B,

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<v Speaker 6>that's when you get in trouble. That's when you have

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<v Speaker 6>to walk around with security guards. Okay, but you can't

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<v Speaker 6>be mad at me when I tell you your records are

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<v Speaker 6>stiff over no one cares or spinning it because then

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<v Speaker 6>they could go to Plan B. But when you tell

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<v Speaker 6>them a stiff record, oh it's working, I need a

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<v Speaker 6>few more weeks, and it just gets deeper and deeper,

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<v Speaker 6>and you get colder and colder. That's when you get

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<v Speaker 6>in trouble. So I've always kept it very, very honest

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<v Speaker 6>and direct because that's just how I wanted.

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<v Speaker 7>That's it's a beautiful thing now, Kevin Laws keV, I

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<v Speaker 7>remember me being on the label and you did something

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<v Speaker 7>that was like so important. You You made us stay

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<v Speaker 7>on the road like the Red Man's, the Method Man's,

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<v Speaker 7>the Noriega's, the Camerons, the Jewel Santana, the freeways at

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<v Speaker 7>that time, and like we wouldn't get like the other

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<v Speaker 7>side named. We were like I want to say b list,

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<v Speaker 7>but not b lists, you know what I'm saying. Let's

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<v Speaker 7>not say be listen on the rise on the rise,

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<v Speaker 7>And so we probably meted, never got the two million

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<v Speaker 7>dollar bunchets, but.

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<v Speaker 1>We would make that two million, but we would earn

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<v Speaker 1>that two million, and it was almost like you felt better,

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<v Speaker 1>like you know what going out there?

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<v Speaker 2>Why was that your approach?

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<v Speaker 1>Like the artist has to hit the road and touch

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<v Speaker 1>them babies and and kiss kiss girlfriends and other people's girlfriends.

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<v Speaker 8>And I think what was important for me man I

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<v Speaker 8>being a former artist, being being out on the road.

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<v Speaker 8>If you don't touch it, how you know what the

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<v Speaker 8>baggy feels like, how you know what the smell like?

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<v Speaker 6>You know what I mean?

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<v Speaker 1>So I wanted you guys to always touch your fans.

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<v Speaker 2>We like baggies, nor.

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<v Speaker 1>What's the new slogan? Fu the cake? We want the

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<v Speaker 1>bands you.

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<v Speaker 2>Okay, don't. We don't got the champagne yet, all right,

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<v Speaker 2>So I'm sorry.

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<v Speaker 8>So it was just all about you guys, not not

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<v Speaker 8>being distorted. You know, sometimes you have a hit record

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<v Speaker 8>and you go by the big house and you sit

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<v Speaker 8>up in the house with your friends and then you

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<v Speaker 8>forget you know, really what made it, you know what

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<v Speaker 8>I mean, and what it felt like to have that

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<v Speaker 8>fan and even to this day is why the guys

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<v Speaker 8>that you're name they can all go around the world

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<v Speaker 8>and make a living to that day because you kept

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<v Speaker 8>touching the fans, kept touching the bag, and that was

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<v Speaker 8>part of it. And now it's a loss.

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<v Speaker 1>You know.

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<v Speaker 8>Now you got labels, they'll say his. We're not worried

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<v Speaker 8>about your tour, don't. We're not involved in that. That's

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<v Speaker 8>your money.

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<v Speaker 2>You know.

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<v Speaker 8>If you fuck up on that, you fucking our money

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<v Speaker 8>up too. So we got to make sure three sixty

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<v Speaker 8>three and six degree that you're always working. I never managed,

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<v Speaker 8>nor never managed any of the guys, but I always

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<v Speaker 8>managed you. When shit went down, I got the call.

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<v Speaker 8>I don't get what was going down when it went down.

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<v Speaker 8>I got that call, so it was always in the road.

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<v Speaker 8>Was a good friend to us.

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<v Speaker 2>Okay, So now how hard was it for you guys?

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<v Speaker 1>Because at one point when I thought def Jam, I

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<v Speaker 1>thought leol Kevin Russell?

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<v Speaker 2>So how how how hard.

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<v Speaker 1>Was it when it was like, you know, I know

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<v Speaker 1>you went to Atlantic first before you started three hundred,

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<v Speaker 1>But how hard was that decision to say I'm gonna

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<v Speaker 1>leave the place that you basically built?

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<v Speaker 6>So let's be clear that I sold the company to Universal,

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<v Speaker 6>and I went to Island and Mercury and formed We

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<v Speaker 6>founded Island Deaf Champ. So before Atlantic, there was five

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<v Speaker 6>years you conveniently forgot. So listen, if you're not busy

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<v Speaker 6>being born, you're busy dying. So that was beautiful. We

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<v Speaker 6>make coffee table books. I flipped through the pages. I

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<v Speaker 6>see friendly faces and moments in time that I adore

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<v Speaker 6>and love. But I'm about the present. So you know

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<v Speaker 6>that whatn'ce was, it was a beautiful memory. It's nice

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<v Speaker 6>that people recognize me and give me that for my contribution.

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<v Speaker 6>But I don't live I don't you come to my house.

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<v Speaker 6>There's no f yi, this is who I once was. Okay,

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<v Speaker 6>don't live off the past. No, So I'm only focused

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<v Speaker 6>right here and right now. I want to continue, continue

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<v Speaker 6>to contribute, be a great partner to Kevin and my artists.

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<v Speaker 6>And until I can't contribute, I'm going to be on

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<v Speaker 6>the court. And when I'm on the court and I

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<v Speaker 6>go for that read, You're going to get tapped by

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<v Speaker 6>my elbows. Okay, simple as that. You know, it's funny,

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<v Speaker 6>how about you? It's funny.

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<v Speaker 8>You know.

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<v Speaker 1>I came.

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<v Speaker 8>I was from Baltimore, so me coming and as an intern,

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<v Speaker 8>you get me coming up. We all thought of his

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<v Speaker 8>intern Russell was a intention was mikey is.

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<v Speaker 1>Are working at radio Shack, and then Russell Simmons hired

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<v Speaker 1>them from Radio Shack.

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<v Speaker 8>Tower Records, Tower Records, shout out the guy. You know

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<v Speaker 8>the thing with me, all of us, you kind us open.

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<v Speaker 8>We blent death can it's not even a thing. And

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<v Speaker 8>selling the company didn't mean we didn't still love and

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<v Speaker 8>live for the company. Building a new company. But now

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<v Speaker 8>the deft and music didn't mean that we left hip

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<v Speaker 8>hop our responsibility and always totally are I really only

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<v Speaker 8>want to do this with him, you know what I

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<v Speaker 8>mean at the end of the day. But we got

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<v Speaker 8>to continue to build the pyramid so we can continue

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<v Speaker 8>to get bigger and employ more people and keep the

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<v Speaker 8>culture moving.

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<v Speaker 1>So we never stopped. And I think right now what

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<v Speaker 1>you're seeing.

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<v Speaker 8>As a servants of young people who are living in

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<v Speaker 8>today because they were native to the internet. Sometimes we

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<v Speaker 8>get caught up in our memories or what we did,

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<v Speaker 8>and it impedes our possibilities because anything is possible for

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<v Speaker 8>anybody to be alive today and don't feel anything as possible.

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<v Speaker 8>So when Lea said, Yo, we want to do it again.

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<v Speaker 8>You want to do another record company?

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<v Speaker 1>I said, hell, yeah, we could. Now thought it was

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<v Speaker 1>crazy to do it. I said, yeah, let's do it.

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<v Speaker 8>So to me, if we're not reinventing ourselves every day,

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<v Speaker 8>making ourselves better, putting more tools in our toolbox, I

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<v Speaker 8>don't think we're gonna build bigger houses and better houses

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<v Speaker 8>and more places for people that live and growing.

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<v Speaker 6>So Kevin's always thinking about others. And I so appreciate that.

0:12:35.200 --> 0:12:37.800
<v Speaker 6>I just gave a speech for one thousand people upstairs

0:12:38.240 --> 0:12:41.000
<v Speaker 6>and I made reference to the Cold Crush Brothers.

0:12:40.960 --> 0:12:44.880
<v Speaker 2>And nobody knew what else I was about to say.

0:12:45.040 --> 0:12:48.679
<v Speaker 6>So bold a smack, a man with his gun kiss

0:12:48.720 --> 0:12:51.880
<v Speaker 6>his woman. This his mother and don't even run now

0:12:52.000 --> 0:12:56.640
<v Speaker 6>that's boor and I had to hold that. Come on,

0:12:56.880 --> 0:13:00.160
<v Speaker 6>they're going to see me wrapping here to explain who

0:13:00.280 --> 0:13:03.240
<v Speaker 6>the cold the panel with Charlie Chase too.

0:13:05.520 --> 0:13:06.160
<v Speaker 2>One person.

0:13:06.440 --> 0:13:08.400
<v Speaker 1>I remember this is this is one of the best

0:13:08.480 --> 0:13:11.400
<v Speaker 1>days of my life, right, me and you was trying

0:13:11.400 --> 0:13:13.840
<v Speaker 1>to do business since nineteen ninety eight when I was

0:13:13.880 --> 0:13:15.800
<v Speaker 1>on penalty records and you realized that I was the

0:13:15.840 --> 0:13:17.320
<v Speaker 1>only one moving on penalty records.

0:13:17.360 --> 0:13:18.920
<v Speaker 2>I think he was trying to buy penalty at.

0:13:18.800 --> 0:13:20.600
<v Speaker 1>First, and then he said, look it, I'm just getting nory,

0:13:20.720 --> 0:13:26.920
<v Speaker 1>which is a smart move. So we was trying to

0:13:26.960 --> 0:13:29.160
<v Speaker 1>do business for years. And then when I finally get

0:13:29.840 --> 0:13:34.680
<v Speaker 1>to death Jam, I signed the papers and I believe

0:13:34.679 --> 0:13:37.840
<v Speaker 1>you had crystal there. I believe you had some crystal there.

0:13:38.280 --> 0:13:41.040
<v Speaker 1>And I smoked the blunt in the war room. It

0:13:41.080 --> 0:13:42.880
<v Speaker 1>wasn't your office, it was the war room. I smoked

0:13:42.920 --> 0:13:45.200
<v Speaker 1>the blunt. Then you took like two hits and then

0:13:45.240 --> 0:13:47.440
<v Speaker 1>I asked you, leo, what's that picture right there? And

0:13:47.480 --> 0:13:49.320
<v Speaker 1>it was you on the run DMC tour and your

0:13:49.640 --> 0:13:52.079
<v Speaker 1>nose is bloody, and I said you.

0:13:52.040 --> 0:13:53.280
<v Speaker 2>Had a fight. He said no.

0:13:53.320 --> 0:14:00.160
<v Speaker 1>I sniffed cocaine all night.

0:13:58.920 --> 0:14:02.040
<v Speaker 6>And listen, I just classic back in the disco fever,

0:14:04.400 --> 0:14:04.960
<v Speaker 6>you got mad.

0:14:04.880 --> 0:14:12.600
<v Speaker 2>Kids, we got with sixteen heard that, man, you've been.

0:14:12.520 --> 0:14:19.600
<v Speaker 6>Fucking so sorry talking about the blow right, So back

0:14:19.600 --> 0:14:21.200
<v Speaker 6>in the disco fever days.

0:14:21.040 --> 0:14:21.480
<v Speaker 2>Let's get to me.

0:14:21.560 --> 0:14:25.080
<v Speaker 6>I don't think anybody actually knows about the disco fever

0:14:25.160 --> 0:14:29.200
<v Speaker 6>one sixty ninth in Jerome and Sweet Gee was the

0:14:29.280 --> 0:14:32.720
<v Speaker 6>doorman and the host. We used to there was no

0:14:32.760 --> 0:14:37.240
<v Speaker 6>one that didn't have one hundred dollars bill dancing. That's

0:14:37.280 --> 0:14:40.880
<v Speaker 6>how we danced like that. So it wasn't because I

0:14:41.000 --> 0:14:42.760
<v Speaker 6>was sniffing blow. We're all sniffing.

0:14:46.560 --> 0:14:49.000
<v Speaker 1>I just thought that story was zeal because I'm sitting

0:14:49.040 --> 0:14:50.800
<v Speaker 1>there expecting him to say no, I had to fight

0:14:50.800 --> 0:14:53.720
<v Speaker 1>with my DMC's like, nah, we didn't tell you to

0:14:53.720 --> 0:14:55.200
<v Speaker 1>bring it all, but we're glad.

0:14:57.880 --> 0:14:58.480
<v Speaker 2>With ice.

0:14:58.800 --> 0:15:00.920
<v Speaker 1>Please come on to win. You know he's your biggest fan.

0:15:00.960 --> 0:15:06.400
<v Speaker 1>By the way, who are you? What are you doing here?

0:15:07.600 --> 0:15:12.760
<v Speaker 1>That's what they all doing so and I remember you

0:15:13.240 --> 0:15:17.040
<v Speaker 1>was the first person Leon to tell me I had

0:15:17.120 --> 0:15:19.200
<v Speaker 1>radio skills, and I bring it back.

0:15:19.760 --> 0:15:20.880
<v Speaker 2>I'm fresh a membering.

0:15:21.120 --> 0:15:23.480
<v Speaker 1>It was a time at depth Jam where nobody was

0:15:23.480 --> 0:15:26.800
<v Speaker 1>messing with Starr and Black, why nobody would go up.

0:15:26.680 --> 0:15:29.960
<v Speaker 2>There, and he had he had this.

0:15:30.160 --> 0:15:33.000
<v Speaker 1>Prodigy the week before, and when he had mentioned my name,

0:15:33.360 --> 0:15:35.800
<v Speaker 1>I just was furious. So I did not buy to

0:15:35.960 --> 0:15:39.040
<v Speaker 1>death gam rules. And I went up there and I

0:15:39.120 --> 0:15:41.240
<v Speaker 1>handled Star like you know, I don't mean like handling,

0:15:41.320 --> 0:15:42.720
<v Speaker 1>but you know what I'm saying like, I.

0:15:44.200 --> 0:15:47.560
<v Speaker 2>Destroyed the interview. And Leo called me and said, you

0:15:47.640 --> 0:15:50.880
<v Speaker 2>must come to the office now. And I said, Leo,

0:15:51.080 --> 0:15:53.920
<v Speaker 2>I'm mad, tired. He's like, and I'm hungry.

0:15:54.000 --> 0:15:56.840
<v Speaker 1>He goes say that again. He said you must come

0:15:56.880 --> 0:15:59.440
<v Speaker 1>to the office now, and I said, I'm tired and

0:15:59.480 --> 0:16:00.000
<v Speaker 1>I'm hungry.

0:16:00.040 --> 0:16:02.600
<v Speaker 2>He said, First off, he said, you must eat the

0:16:03.240 --> 0:16:03.920
<v Speaker 2>pink tea cup.

0:16:04.240 --> 0:16:06.560
<v Speaker 1>He preferred me to pink tea cup, you said me,

0:16:06.560 --> 0:16:09.880
<v Speaker 1>and Russell's to sniff coco like this sleep.

0:16:10.000 --> 0:16:16.320
<v Speaker 2>I always remember your coach stories, my love, you called me.

0:16:16.400 --> 0:16:19.000
<v Speaker 2>And then when I got can you imagine hold on ahead?

0:16:19.040 --> 0:16:23.560
<v Speaker 6>Can you imagine that vegan eating yoga twisted?

0:16:23.600 --> 0:16:25.720
<v Speaker 1>And Russell used to eat.

0:16:25.760 --> 0:16:27.600
<v Speaker 6>Three meals a day at the pink tea cup.

0:16:28.160 --> 0:16:28.800
<v Speaker 1>He issued, what.

0:16:30.960 --> 0:16:32.240
<v Speaker 2>Poor pinknuckles?

0:16:36.640 --> 0:16:40.120
<v Speaker 1>He said, and they had to eat the pic But

0:16:40.200 --> 0:16:43.000
<v Speaker 1>you told me, you said, because it was something that

0:16:43.360 --> 0:16:46.080
<v Speaker 1>squarked in that interview with you know, Star was the

0:16:46.160 --> 0:16:48.240
<v Speaker 1>man in New York at the time, and he controlled

0:16:48.240 --> 0:16:50.680
<v Speaker 1>the interview. But it was something that I did when

0:16:50.680 --> 0:16:53.120
<v Speaker 1>I controlled, when I flipped it back on Star, and

0:16:53.480 --> 0:16:56.080
<v Speaker 1>you was like, I believe you said, I want you

0:16:56.120 --> 0:16:59.440
<v Speaker 1>to start the artist development Company. It was something like that.

0:16:59.480 --> 0:17:02.240
<v Speaker 1>But this so that this what led to this is

0:17:02.280 --> 0:17:09.640
<v Speaker 1>responsible for Drink's. But how like we got dayDay here,

0:17:11.200 --> 0:17:15.800
<v Speaker 1>you guys are involving, evolving with these new artists. Now,

0:17:15.920 --> 0:17:18.639
<v Speaker 1>how do you find these artists? Are they hot or

0:17:18.680 --> 0:17:22.840
<v Speaker 1>do somebody bring them to you? Or so let me

0:17:23.040 --> 0:17:25.240
<v Speaker 1>let me explain to you how day they work. Let's

0:17:25.240 --> 0:17:28.320
<v Speaker 1>go day. They had a record.

0:17:28.480 --> 0:17:33.800
<v Speaker 6>In a very specific and important club that was starting

0:17:33.840 --> 0:17:41.240
<v Speaker 6>to work. And when our ain't our executive, very talented

0:17:41.359 --> 0:17:46.600
<v Speaker 6>partner of our Selene brought us the record, he said,

0:17:47.160 --> 0:17:51.240
<v Speaker 6>I just want you to listen to the patience of

0:17:51.359 --> 0:17:57.480
<v Speaker 6>how this man raps. And there was something so beautifully

0:17:58.000 --> 0:18:01.200
<v Speaker 6>patient about how he went on to some of those

0:18:01.280 --> 0:18:05.280
<v Speaker 6>phrases and those words. It was obvious that he was

0:18:05.440 --> 0:18:06.200
<v Speaker 6>very talented.

0:18:07.040 --> 0:18:10.920
<v Speaker 2>And so I'm daddy, let me just tell you something

0:18:10.920 --> 0:18:11.600
<v Speaker 2>about man.

0:18:13.119 --> 0:18:18.560
<v Speaker 1>You with two order people who if you listen, you

0:18:18.680 --> 0:18:21.479
<v Speaker 1>can be the most successful person ever. But what's going

0:18:21.560 --> 0:18:24.679
<v Speaker 1>to happen is success is gonna fuck with you, and

0:18:24.720 --> 0:18:28.040
<v Speaker 1>it's gonna tell you you ain't gotta listen because we

0:18:28.160 --> 0:18:30.760
<v Speaker 1>all go through it. You got to listen. You gotta

0:18:30.840 --> 0:18:33.359
<v Speaker 1>go crazy to know that you're you're not crazy. You

0:18:33.440 --> 0:18:36.600
<v Speaker 1>gotta go crazy once, right, you went crazy? Ready, look

0:18:36.600 --> 0:18:42.560
<v Speaker 1>like you already some time? But who are you from?

0:18:42.600 --> 0:18:43.080
<v Speaker 2>In Atlanta?

0:18:43.560 --> 0:18:48.959
<v Speaker 9>From fourth word of Atlanta boulevard sound rough? You know,

0:18:49.200 --> 0:18:49.680
<v Speaker 9>it's real.

0:18:50.560 --> 0:18:54.720
<v Speaker 2>That's what's up. That's what fourth fourth word? Okay?

0:18:54.800 --> 0:18:56.760
<v Speaker 1>And now, so how did you get How did you

0:18:56.800 --> 0:18:58.000
<v Speaker 1>get involved with three hundred?

0:18:59.640 --> 0:19:02.520
<v Speaker 9>I had got involved with three hundred through Knitty Beats.

0:19:02.920 --> 0:19:06.520
<v Speaker 9>You know, shout out Nitty, you know, but Nitty had

0:19:06.560 --> 0:19:11.200
<v Speaker 9>a strong relationship with Kevin No, so shout out Kevin loud,

0:19:11.440 --> 0:19:14.639
<v Speaker 9>you know. So you know, I guess they had a

0:19:14.680 --> 0:19:19.879
<v Speaker 9>great relationship. And you know, by my talent heaven with

0:19:20.480 --> 0:19:22.679
<v Speaker 9>Nitty Beats, I guess you know, they linked up with

0:19:22.760 --> 0:19:25.960
<v Speaker 9>Kevin and you know how this situation happened. But I

0:19:25.960 --> 0:19:29.000
<v Speaker 9>appreciate them, you know, and I appreciate the team for

0:19:29.080 --> 0:19:29.640
<v Speaker 9>working hard.

0:19:29.680 --> 0:19:31.840
<v Speaker 1>You know, we're here. They for hard to have you here.

0:19:31.840 --> 0:19:33.600
<v Speaker 1>We don't even have new artists here, but Lee all

0:19:33.640 --> 0:19:34.960
<v Speaker 1>put us foot down. And I can't say.

0:19:36.520 --> 0:19:37.200
<v Speaker 2>I can't say.

0:19:38.600 --> 0:19:40.359
<v Speaker 4>The record was popping in one particular club.

0:19:40.400 --> 0:19:41.040
<v Speaker 1>What club was that?

0:19:42.320 --> 0:19:43.880
<v Speaker 2>Shout out? Look, Coral Look.

0:19:44.359 --> 0:19:48.320
<v Speaker 1>Okay, okay, that's what's up. Very important, man, I'm just

0:19:48.320 --> 0:19:51.479
<v Speaker 1>telling you. Man, let me take over off. Let me

0:19:51.600 --> 0:19:55.480
<v Speaker 1>just explain something to you. First of all, I'm humbled

0:19:56.040 --> 0:20:00.480
<v Speaker 1>to be here, oh man. I mean always mes arise.

0:20:02.480 --> 0:20:08.320
<v Speaker 6>When someone actually wants to hear my words.

0:20:06.720 --> 0:20:08.040
<v Speaker 2>It's I'm humbled.

0:20:08.240 --> 0:20:09.959
<v Speaker 1>He imitates you. That's how much we want to hear

0:20:10.800 --> 0:20:12.800
<v Speaker 1>I don't. I don't take it for granted, ignori.

0:20:13.000 --> 0:20:17.199
<v Speaker 6>So bravo to you, and bravo to you, Bravo to

0:20:17.280 --> 0:20:17.920
<v Speaker 6>your whole crew.

0:20:18.000 --> 0:20:24.720
<v Speaker 2>Let's hear it. We also got large on the building.

0:20:24.880 --> 0:20:36.000
<v Speaker 6>Yeah, I must say, you're busy being born and the

0:20:36.000 --> 0:20:40.960
<v Speaker 6>fact that you are understanding the new digital era, that

0:20:41.080 --> 0:20:44.600
<v Speaker 6>this is a powerful radio station and you don't need

0:20:44.640 --> 0:20:49.600
<v Speaker 6>a signal exactly. You decided to get some fucking champagne

0:20:49.640 --> 0:20:53.280
<v Speaker 6>and some liquor and get your man here and and

0:20:53.280 --> 0:20:57.280
<v Speaker 6>and do a podcast. The amount of influence and power

0:20:57.760 --> 0:21:02.240
<v Speaker 6>that you have by your voice, your interviews, and your

0:21:02.280 --> 0:21:06.280
<v Speaker 6>perspective is just fabulous because you know what it is.

0:21:06.359 --> 0:21:09.200
<v Speaker 1>Leo see, a lot of a lot of media has

0:21:09.280 --> 0:21:11.600
<v Speaker 1>never been a part of the culture. So this is

0:21:11.640 --> 0:21:15.200
<v Speaker 1>now people reporting the culture from inside the culture.

0:21:15.400 --> 0:21:19.280
<v Speaker 2>It's like if Jordan's will pick myself to Jordan, but.

0:21:20.440 --> 0:21:24.080
<v Speaker 1>Maybe maybe it's okay, yeah, okay, maybe after Jordan plays

0:21:24.080 --> 0:21:26.760
<v Speaker 1>the game. If Jordan is interviewing the artist, it's like,

0:21:27.320 --> 0:21:29.439
<v Speaker 1>some people consider it cheating, but it's about time real

0:21:29.560 --> 0:21:32.600
<v Speaker 1>niggas found a way to cheat. This makes.

0:21:33.359 --> 0:21:34.840
<v Speaker 2>I know I chose well.

0:21:34.920 --> 0:21:37.600
<v Speaker 1>Listen, if I had a nineteen career, a nineteen year career,

0:21:37.880 --> 0:21:40.960
<v Speaker 1>and I wasn't being cool with everybody, like it all

0:21:41.000 --> 0:21:43.600
<v Speaker 1>makes sense now, Like I always kept great relationships. I

0:21:43.600 --> 0:21:46.440
<v Speaker 1>always like to tell people that, you know what I'm saying,

0:21:46.440 --> 0:21:49.560
<v Speaker 1>like Kevin changed my heart, my life.

0:21:49.680 --> 0:21:53.800
<v Speaker 2>Gracious Racis so it's gracious.

0:21:53.960 --> 0:21:55.320
<v Speaker 1>You can come to us now. We know you did

0:21:55.359 --> 0:21:59.159
<v Speaker 1>rap Radar. It's a mistake. Well there's a mistake. They

0:21:59.240 --> 0:22:01.280
<v Speaker 1>was born and almost go to sleep there. They weren't

0:22:01.280 --> 0:22:03.639
<v Speaker 1>got sorry about it, but make some noise for you

0:22:03.680 --> 0:22:07.880
<v Speaker 1>being here. We got Kevin out and Lee on together.

0:22:07.880 --> 0:22:09.359
<v Speaker 1>I'm sorry yelly. You know, I just got to take it.

0:22:09.440 --> 0:22:11.600
<v Speaker 1>You know they number three, they number they did down there.

0:22:11.640 --> 0:22:14.680
<v Speaker 1>You know they they mad that. You know, a guy

0:22:14.720 --> 0:22:18.720
<v Speaker 1>who never went to college is running their job better.

0:22:19.520 --> 0:22:24.320
<v Speaker 1>But who But listen, man, you guys have been I

0:22:24.400 --> 0:22:28.920
<v Speaker 1>love this DMX story where DMX jaw was broke and

0:22:28.960 --> 0:22:31.600
<v Speaker 1>you hate rhymes for you and you still knew he

0:22:31.720 --> 0:22:32.200
<v Speaker 1>was a star.

0:22:32.560 --> 0:22:33.879
<v Speaker 2>What is Joe Wyatt?

0:22:35.040 --> 0:22:37.120
<v Speaker 1>If you got seat through a vision like you knew

0:22:37.160 --> 0:22:39.000
<v Speaker 1>that every every rapper.

0:22:40.240 --> 0:22:44.040
<v Speaker 6>So the real story was I drove up to Yonkers

0:22:44.200 --> 0:22:48.720
<v Speaker 6>with IRV because he wanted us to hear him.

0:22:49.040 --> 0:22:50.600
<v Speaker 2>By two thirty, he still.

0:22:50.400 --> 0:22:53.320
<v Speaker 6>Wasn't there, and the rough Riders were trying to present

0:22:53.480 --> 0:22:55.520
<v Speaker 6>every calm dick compared they had.

0:22:56.000 --> 0:22:56.879
<v Speaker 1>They that beats a.

0:22:56.960 --> 0:23:02.160
<v Speaker 2>Man spit sixteen, don't worry on his way. We got

0:23:02.160 --> 0:23:03.080
<v Speaker 2>the Pizza man there.

0:23:04.200 --> 0:23:13.160
<v Speaker 6>Finally X showed up, mouth wired shut, obviously in pain,

0:23:13.440 --> 0:23:16.720
<v Speaker 6>and started rapping, and all the rappers the pizza man

0:23:17.400 --> 0:23:19.480
<v Speaker 6>ran out the door and.

0:23:19.600 --> 0:23:20.800
<v Speaker 1>They just got shook.

0:23:22.240 --> 0:23:25.480
<v Speaker 6>And I like to say, if my mother was there

0:23:25.520 --> 0:23:27.480
<v Speaker 6>with me, she would have said, that's the one.

0:23:28.400 --> 0:23:29.440
<v Speaker 2>It's that obvious.

0:23:29.520 --> 0:23:31.920
<v Speaker 6>The air changed when he walked in the room, even

0:23:32.800 --> 0:23:36.320
<v Speaker 6>even with the jaw wire. It was special. It was

0:23:36.640 --> 0:23:40.960
<v Speaker 6>special special. Oh, I got the hair on my back

0:23:41.000 --> 0:23:42.199
<v Speaker 6>of my neck just stood up.

0:23:42.960 --> 0:23:46.200
<v Speaker 1>And then was it your idea to say I'm gonna

0:23:46.280 --> 0:23:51.000
<v Speaker 1>drop two albums this year? I think it was Kevin's idea.

0:23:51.240 --> 0:23:56.200
<v Speaker 1>I'm not taking all the It was definitely as I did.

0:23:56.760 --> 0:24:01.960
<v Speaker 8>And and I'll tell a story for him. DMX didn't

0:24:01.960 --> 0:24:04.639
<v Speaker 8>put on an album. He changed culture. He did the

0:24:04.760 --> 0:24:10.200
<v Speaker 8>first album changed culture. So part of being a good

0:24:10.560 --> 0:24:14.200
<v Speaker 8>person is to ride the wave. And so and a

0:24:14.240 --> 0:24:17.359
<v Speaker 8>lot of people X had one hundred records. X X

0:24:17.400 --> 0:24:21.159
<v Speaker 8>felt rapping was his job. X L I wake up

0:24:21.200 --> 0:24:23.440
<v Speaker 8>every day, I'm gonna do three or four songs, five

0:24:23.480 --> 0:24:24.040
<v Speaker 8>or six songs.

0:24:24.200 --> 0:24:26.280
<v Speaker 1>He took it. A lot of people X crazy.

0:24:26.280 --> 0:24:29.920
<v Speaker 8>We know a guy, you know, but but his work

0:24:29.960 --> 0:24:33.480
<v Speaker 8>ethic when it came to him doing music, he got

0:24:33.480 --> 0:24:36.920
<v Speaker 8>he got a bibble, X got a bibble of good

0:24:36.960 --> 0:24:39.919
<v Speaker 8>and bad, right or wrong. And so the world was

0:24:39.960 --> 0:24:44.679
<v Speaker 8>ready for it. And Leo said, you know, let's do

0:24:44.760 --> 0:24:47.080
<v Speaker 8>what that's that's throw them while we them and they

0:24:47.240 --> 0:24:49.240
<v Speaker 8>they got us. They can't do what we do. And

0:24:49.560 --> 0:24:51.400
<v Speaker 8>X came out. But then a lot of artists try

0:24:51.440 --> 0:24:52.760
<v Speaker 8>to keep trying to kept trying to do it.

0:24:53.000 --> 0:24:56.879
<v Speaker 1>Nobody, nobody was successful. But it I'm gonna give you.

0:24:56.920 --> 0:24:58.360
<v Speaker 2>I'm gonna give you some real.

0:24:59.160 --> 0:25:02.800
<v Speaker 6>You want the inside, I'm.

0:25:01.440 --> 0:25:01.919
<v Speaker 1>Going to give you.

0:25:02.000 --> 0:25:03.840
<v Speaker 6>I'm going to give you the inside. I was about

0:25:03.840 --> 0:25:06.640
<v Speaker 6>to give up the game. I was about to retire.

0:25:07.119 --> 0:25:11.000
<v Speaker 6>What No, Just before X I was about to retire,

0:25:11.720 --> 0:25:18.159
<v Speaker 6>Puffy made everything technicolor and shiny, and bad boy was

0:25:18.240 --> 0:25:23.200
<v Speaker 6>running shit on the shiny technicolor shit and def jam

0:25:23.600 --> 0:25:27.720
<v Speaker 6>represents black and white and shades of gray. And I

0:25:27.760 --> 0:25:29.880
<v Speaker 6>looked at my crew and I said, man, I don't

0:25:29.880 --> 0:25:33.080
<v Speaker 6>think I can contribute anymore.

0:25:34.600 --> 0:25:37.760
<v Speaker 2>And then I found X just.

0:25:37.720 --> 0:25:42.840
<v Speaker 6>When Puffy made the Locks technicolor, and that's when I

0:25:42.880 --> 0:25:47.680
<v Speaker 6>knew I had to pull out on him and start shooting.

0:25:48.440 --> 0:25:51.600
<v Speaker 1>Okay, I carried in my breast pocket.

0:25:51.840 --> 0:25:56.520
<v Speaker 2>A black and white photo of the album cover, a polaroid.

0:25:57.240 --> 0:25:59.640
<v Speaker 1>It was X black and white. You remember that?

0:26:00.400 --> 0:26:03.879
<v Speaker 6>And I said, this is the reason why I'm still

0:26:03.920 --> 0:26:08.400
<v Speaker 6>gonna do this, because I was so infuriated of what

0:26:08.480 --> 0:26:13.800
<v Speaker 6>they did to the Locks. Remember the Locks streaked motherfuckers, Yes,

0:26:14.000 --> 0:26:17.120
<v Speaker 6>And they turned them into some high technicolor ship.

0:26:17.640 --> 0:26:22.280
<v Speaker 2>And that was when we said enough is enough. And

0:26:22.320 --> 0:26:24.080
<v Speaker 2>that's when X came on the scene.

0:26:24.160 --> 0:26:27.080
<v Speaker 1>Because I remember even the video, the first video looked

0:26:27.080 --> 0:26:28.680
<v Speaker 1>like nobody cared.

0:26:28.920 --> 0:26:30.720
<v Speaker 2>It looked like Williams messed it up.

0:26:30.840 --> 0:26:34.000
<v Speaker 10>We cared so bad.

0:26:34.200 --> 0:26:36.320
<v Speaker 2>But what I'm saying it was so authentic.

0:26:36.480 --> 0:26:40.480
<v Speaker 1>It was like at that time, you know, videos was cousted,

0:26:40.640 --> 0:26:42.840
<v Speaker 1>it was costed, and for them to have like the

0:26:43.280 --> 0:26:45.800
<v Speaker 1>record was exploding but the video was black and white.

0:26:46.000 --> 0:26:46.399
<v Speaker 2>I'm like, what.

0:26:48.160 --> 0:26:50.800
<v Speaker 1>They got a scheme and then the whole thing came out.

0:26:50.840 --> 0:26:53.080
<v Speaker 1>But that was that was awesome. That was amazing. He

0:26:53.640 --> 0:26:56.000
<v Speaker 1>X and shout out to Earth got X.

0:26:56.840 --> 0:27:00.040
<v Speaker 8>I mean we was doing fourth three two win and

0:27:00.560 --> 0:27:03.080
<v Speaker 8>a yo X gotta going on that record. You know,

0:27:03.080 --> 0:27:06.199
<v Speaker 8>it was an l ll redman mathe man, and so

0:27:06.240 --> 0:27:11.840
<v Speaker 8>I had to go talk to everybody sorry, And when

0:27:11.880 --> 0:27:16.080
<v Speaker 8>he says stay out the door, everybody looked at me

0:27:16.119 --> 0:27:19.960
<v Speaker 8>and said, jeez, it was it was nothing you knew

0:27:20.000 --> 0:27:22.040
<v Speaker 8>at that moment, you know what I mean. He was

0:27:22.640 --> 0:27:26.240
<v Speaker 8>the next and you you just imagine all those Toddy

0:27:26.280 --> 0:27:29.400
<v Speaker 8>and the original Wee Boy to Math at that time

0:27:29.480 --> 0:27:30.439
<v Speaker 8>and ready the town that this.

0:27:30.600 --> 0:27:34.480
<v Speaker 6>Kid stay out listen, NOORI, We're gonna have to do

0:27:34.520 --> 0:27:40.560
<v Speaker 6>this under you know multiple sequences. Man, you got I

0:27:40.640 --> 0:27:43.720
<v Speaker 6>got a long career here. Day is going to be

0:27:43.760 --> 0:27:47.520
<v Speaker 6>in the spot for a long time. Kevin's not going anywhere,

0:27:47.960 --> 0:27:50.800
<v Speaker 6>So invite us back and we'll come back and chop

0:27:50.840 --> 0:27:52.920
<v Speaker 6>it up with you and give you some more stories. Okay,

0:27:53.000 --> 0:28:00.199
<v Speaker 6>nor can I say that short.

0:28:00.119 --> 0:28:02.600
<v Speaker 1>Want yet?

0:28:03.840 --> 0:28:08.320
<v Speaker 2>Don't hurry up. It's a radio.

0:28:10.000 --> 0:28:11.840
<v Speaker 4>You said that Russell was an intern for someone who

0:28:11.840 --> 0:28:15.119
<v Speaker 4>did he intern for Russell almost started.

0:28:14.840 --> 0:28:17.520
<v Speaker 8>From the bottom. Yeah, you know, because you know him

0:28:17.560 --> 0:28:20.239
<v Speaker 8>and Rick, you know what, we're partners and everything. But

0:28:20.960 --> 0:28:23.159
<v Speaker 8>I wanted to say some of you didn't even notice story.

0:28:23.640 --> 0:28:27.119
<v Speaker 8>The first thing you said today was not about your record,

0:28:27.560 --> 0:28:32.320
<v Speaker 8>not about a how hot you are anything. You said

0:28:32.359 --> 0:28:35.760
<v Speaker 8>you gotta listen, gotta listen, and to just at a

0:28:35.840 --> 0:28:38.320
<v Speaker 8>redendum to listening.

0:28:38.080 --> 0:28:44.640
<v Speaker 1>Said I never heard that. I want to.

0:28:44.720 --> 0:28:47.920
<v Speaker 8>I want to honestly say, like when.

0:28:47.720 --> 0:28:48.640
<v Speaker 1>You finally.

0:28:50.520 --> 0:28:53.080
<v Speaker 2>When you find an artist, when you.

0:28:53.040 --> 0:28:56.760
<v Speaker 8>Find an artist, uh that does listen, you're willing to

0:28:56.800 --> 0:28:59.280
<v Speaker 8>do anything for It was nothing I couldn't call you

0:28:59.320 --> 0:29:01.400
<v Speaker 8>and get you to do you and there's nothing that

0:29:01.440 --> 0:29:02.560
<v Speaker 8>you can call me and get me to do in

0:29:02.640 --> 0:29:07.360
<v Speaker 8>this moment right here. They that that's appreciate it coming

0:29:07.360 --> 0:29:09.840
<v Speaker 8>from somebody that had it every which way.

0:29:10.040 --> 0:29:12.880
<v Speaker 1>You know what I mean that you can have ups, downs, rounds.

0:29:13.360 --> 0:29:16.080
<v Speaker 8>I remember we were doing the Nothing record and I said, Yo,

0:29:16.120 --> 0:29:16.800
<v Speaker 8>we need to put.

0:29:16.600 --> 0:29:20.360
<v Speaker 2>More that and.

0:29:20.320 --> 0:29:22.320
<v Speaker 1>They had to go convince him. Listen, you go to

0:29:22.480 --> 0:29:26.800
<v Speaker 1>the fucking studio and you you're right, You're right, and

0:29:28.120 --> 0:29:31.000
<v Speaker 1>that's the real, really something And I'm just you know.

0:29:32.080 --> 0:29:32.400
<v Speaker 9>I want to.

0:29:32.440 --> 0:29:33.160
<v Speaker 2>I want to say this.

0:29:35.440 --> 0:29:36.440
<v Speaker 1>Speaking of that quote.

0:29:36.520 --> 0:29:39.240
<v Speaker 9>You just where he was speaking on like Kevin Lowell

0:29:39.880 --> 0:29:43.280
<v Speaker 9>told me that you remember that it was in the label.

0:29:43.480 --> 0:29:46.280
<v Speaker 9>You know it was like all you got to do

0:29:46.360 --> 0:29:50.600
<v Speaker 9>is listen. So I tell all my friends that from now,

0:29:51.080 --> 0:29:52.360
<v Speaker 9>like all my friends that.

0:29:53.800 --> 0:29:56.120
<v Speaker 2>Drinking at got my go.

0:29:58.440 --> 0:29:59.880
<v Speaker 1>We ain't drinking right now.

0:30:02.600 --> 0:30:07.800
<v Speaker 2>Because I learned this in France. You know what I

0:30:08.920 --> 0:30:12.240
<v Speaker 2>got class? I got class rich people. Yeah, that's all

0:30:12.600 --> 0:30:14.320
<v Speaker 2>that's like doing in France. I haven't been a friends,

0:30:14.560 --> 0:30:20.200
<v Speaker 2>but I will be. I want to.

0:30:20.240 --> 0:30:23.040
<v Speaker 6>I want to propose the toast, please. I want to

0:30:23.080 --> 0:30:28.080
<v Speaker 6>propose the toast to Let's make sure that we get

0:30:28.120 --> 0:30:32.240
<v Speaker 6>out and vote, because you want to know about sucking

0:30:32.320 --> 0:30:35.280
<v Speaker 6>up the game. If we don't go out and vote,

0:30:35.680 --> 0:30:38.480
<v Speaker 6>it's going to be problematic. Okay, we talked.

0:30:38.280 --> 0:30:39.120
<v Speaker 4>About it last night with.

0:30:43.080 --> 0:30:43.280
<v Speaker 8>Vote.

0:30:43.320 --> 0:30:50.080
<v Speaker 2>What the fus up with you? So we've got Trump supporters?

0:30:50.120 --> 0:30:53.080
<v Speaker 2>That means whatever?

0:30:53.160 --> 0:30:55.440
<v Speaker 1>My listening because this is this is something that's very

0:30:55.520 --> 0:30:58.760
<v Speaker 1>important to me because you know, you guys are obviously.

0:30:59.800 --> 0:31:00.720
<v Speaker 2>Were I want to be.

0:31:01.400 --> 0:31:06.000
<v Speaker 1>But how do you what you wish for? But how

0:31:06.040 --> 0:31:09.000
<v Speaker 1>do you guys make you know, have a great career,

0:31:09.480 --> 0:31:13.000
<v Speaker 1>make this money, but still have the same drive. Like

0:31:13.160 --> 0:31:15.239
<v Speaker 1>I don't want to rap no more because I'm not

0:31:15.280 --> 0:31:16.760
<v Speaker 1>doing it one hundred percent no more.

0:31:17.440 --> 0:31:19.400
<v Speaker 2>So I've got to do other things.

0:31:19.560 --> 0:31:22.120
<v Speaker 1>So I choose not to spit rhymes no more for

0:31:22.200 --> 0:31:25.040
<v Speaker 1>now you So did you see me in five months? Withoutum?

0:31:28.920 --> 0:31:31.840
<v Speaker 1>But you guys seem like like I did a call

0:31:31.880 --> 0:31:35.280
<v Speaker 1>with Leo recently and I called him a mogul and

0:31:35.360 --> 0:31:38.240
<v Speaker 1>Leo said, was cool. But I like to be called

0:31:38.240 --> 0:31:42.200
<v Speaker 1>a servant like that thing that that struck our audience.

0:31:42.240 --> 0:31:43.440
<v Speaker 2>Everybody kept hitting us.

0:31:44.240 --> 0:31:47.760
<v Speaker 1>All wants to be called a servant, but something humble,

0:31:48.040 --> 0:31:51.120
<v Speaker 1>humble servant, Like how do you guys be so successful,

0:31:51.200 --> 0:31:53.640
<v Speaker 1>have these accolades, but still have the same drive.

0:31:55.280 --> 0:31:55.760
<v Speaker 2>Mm hmmm.

0:31:57.600 --> 0:32:02.280
<v Speaker 6>So I love what I do, so I have no interest.

0:32:02.680 --> 0:32:07.160
<v Speaker 6>I remember when I sold deaf Champ, and I sold

0:32:07.160 --> 0:32:10.960
<v Speaker 6>it for a big number. The next week, I was

0:32:11.000 --> 0:32:15.440
<v Speaker 6>on the plane to a convention in Miami and the

0:32:15.520 --> 0:32:18.719
<v Speaker 6>whole plane was full of people going to convention. And

0:32:18.760 --> 0:32:22.360
<v Speaker 6>I walked down the hallway just stapping people up, saying

0:32:22.360 --> 0:32:23.040
<v Speaker 6>what up, what up?

0:32:23.040 --> 0:32:23.440
<v Speaker 2>What up?

0:32:24.040 --> 0:32:26.080
<v Speaker 6>And they all looked at me and said, didn't you

0:32:26.160 --> 0:32:28.640
<v Speaker 6>just get papered up? What are you coming to this

0:32:28.760 --> 0:32:31.440
<v Speaker 6>convention for. Aren't you supposed to go to a beach somewhere?

0:32:32.120 --> 0:32:36.040
<v Speaker 6>And I said, you know, when you think about a.

0:32:35.960 --> 0:32:39.400
<v Speaker 1>Beach, it's just a hot, dusty, dirty place.

0:32:41.080 --> 0:32:43.680
<v Speaker 6>You just want to know that you could go when

0:32:43.760 --> 0:32:46.880
<v Speaker 6>you can go when you But I love doing this shit.

0:32:47.640 --> 0:32:50.360
<v Speaker 6>It's the thought process that you could go to the beach.

0:32:50.440 --> 0:32:54.160
<v Speaker 6>I don't sit in the sun in that dusty, dirty beach,

0:32:55.880 --> 0:33:00.200
<v Speaker 6>but it's a nice imagination to have. What I love

0:33:00.320 --> 0:33:04.320
<v Speaker 6>doing is waking up every morning working with my partner Kevin,

0:33:05.240 --> 0:33:11.920
<v Speaker 6>working and finding new wonderful talent like day day. Just

0:33:12.200 --> 0:33:18.480
<v Speaker 6>I just love being inspired by Raina, who who runs

0:33:18.520 --> 0:33:20.160
<v Speaker 6>our marketing department there.

0:33:21.160 --> 0:33:26.320
<v Speaker 2>So it just I guess it's a career versus a job.

0:33:26.880 --> 0:33:29.640
<v Speaker 1>And so I like to continue with this doing this

0:33:29.760 --> 0:33:33.200
<v Speaker 1>thing and YouTube can uh did diddo.

0:33:33.680 --> 0:33:36.640
<v Speaker 8>But it gets like a little bit more serious to

0:33:36.720 --> 0:33:43.600
<v Speaker 8>me because, like you gotta understand, I'm not raising rappers

0:33:43.680 --> 0:33:48.520
<v Speaker 8>or singers or either men that have kids that have

0:33:48.600 --> 0:33:50.680
<v Speaker 8>to be influential in their lives.

0:33:50.400 --> 0:33:52.160
<v Speaker 1>And most of them don't have all this, and most

0:33:52.240 --> 0:33:52.680
<v Speaker 1>of them.

0:33:52.600 --> 0:33:53.240
<v Speaker 2>So you.

0:33:54.960 --> 0:33:57.480
<v Speaker 8>Know, I don't called uncle dad all that kind of

0:33:57.480 --> 0:34:02.720
<v Speaker 8>shit before, And so I look at it as with

0:34:02.880 --> 0:34:07.960
<v Speaker 8>success comes more responsibility. So I wasn't raised by myself.

0:34:08.560 --> 0:34:11.319
<v Speaker 8>So anything, anybody, if I get money with you, you're

0:34:11.320 --> 0:34:13.520
<v Speaker 8>gonna have a different kind of respect for me when

0:34:13.560 --> 0:34:15.440
<v Speaker 8>I tell you some grow man shit, you know what

0:34:15.480 --> 0:34:19.120
<v Speaker 8>I mean. So to me, I think, really our responsibility

0:34:19.960 --> 0:34:23.399
<v Speaker 8>is to give you guys a platform and an opportunity

0:34:23.560 --> 0:34:29.359
<v Speaker 8>and support and conversation and just stewardship to be better people.

0:34:29.400 --> 0:34:30.080
<v Speaker 1>You know, in life.

0:34:30.080 --> 0:34:33.240
<v Speaker 8>So it's not how can I'm not a record exactly,

0:34:33.239 --> 0:34:36.160
<v Speaker 8>I'm gonna said, I'm somebody who is a life changer.

0:34:36.200 --> 0:34:36.320
<v Speaker 1>You know.

0:34:36.440 --> 0:34:39.240
<v Speaker 8>Really, if you get with us, we're gonna change your life.

0:34:40.440 --> 0:34:42.279
<v Speaker 8>You're gonna be a better man. I can't say you're

0:34:42.280 --> 0:34:45.000
<v Speaker 8>gonna tell a million records, but you definitely will be

0:34:45.040 --> 0:34:45.560
<v Speaker 8>a better man.

0:34:45.760 --> 0:34:48.120
<v Speaker 1>But I remember one point when lee All had left

0:34:48.120 --> 0:34:50.600
<v Speaker 1>and went to Atlantic and you were still kind of

0:34:50.640 --> 0:34:52.399
<v Speaker 1>like in depth jam and it was like the La

0:34:52.520 --> 0:34:55.400
<v Speaker 1>Read thing. And I remember having a meeting with you

0:34:55.440 --> 0:34:57.520
<v Speaker 1>and I was like, he was like, No, everything's gonna

0:34:57.520 --> 0:34:59.120
<v Speaker 1>be all right, Everything's gonna be But I knew you

0:34:59.200 --> 0:35:01.799
<v Speaker 1>was lying. You were like lying to me, but in

0:35:01.800 --> 0:35:04.719
<v Speaker 1>a good way, Like look normal, we're going to get

0:35:04.719 --> 0:35:07.200
<v Speaker 1>the funk about him not working with this guy. But

0:35:07.520 --> 0:35:09.920
<v Speaker 1>I can't say that to you, like I know that

0:35:10.000 --> 0:35:13.799
<v Speaker 1>was a weird period for you. Was it because La

0:35:14.000 --> 0:35:17.879
<v Speaker 1>is a friend that wasn't there?

0:35:17.960 --> 0:35:18.000
<v Speaker 8>No?

0:35:18.080 --> 0:35:19.120
<v Speaker 1>It always was always.

0:35:19.640 --> 0:35:21.560
<v Speaker 8>I got an award for Song of the Year in

0:35:21.640 --> 0:35:31.839
<v Speaker 8>nineteen ninety six, week right, Yeah, I want to go there.

0:35:34.040 --> 0:35:36.000
<v Speaker 1>You know it's true.

0:35:37.440 --> 0:35:39.640
<v Speaker 2>I look at told us that the record.

0:35:39.320 --> 0:35:46.080
<v Speaker 8>Now he wrote it, so not so that the thing

0:35:46.360 --> 0:35:53.560
<v Speaker 8>was And again this was grown Kevin. I had the

0:35:53.600 --> 0:35:57.960
<v Speaker 8>house when Leah left. I had the house. It's my house, right,

0:35:58.480 --> 0:36:02.840
<v Speaker 8>but the landlord gave him the keys. Now, keV, it

0:36:03.000 --> 0:36:04.080
<v Speaker 8>was always your house.

0:36:06.040 --> 0:36:09.799
<v Speaker 11>Let's talk so so so, what I'm not gonna do

0:36:10.640 --> 0:36:14.360
<v Speaker 11>is allow an industry to put me in a position,

0:36:14.560 --> 0:36:16.600
<v Speaker 11>to put l A in a position where.

0:36:16.800 --> 0:36:19.759
<v Speaker 8>The house would get destroyed and divided. I love death

0:36:19.800 --> 0:36:22.920
<v Speaker 8>Jam too much. I love the people there too much.

0:36:23.960 --> 0:36:26.000
<v Speaker 8>There was no way that I was gonna let oh,

0:36:26.120 --> 0:36:28.000
<v Speaker 8>let's put them in a cage and see what, see

0:36:28.000 --> 0:36:31.040
<v Speaker 8>what happens. I ain't doing that, Ain't that guy.

0:36:31.120 --> 0:36:32.560
<v Speaker 1>I'm just want to point out, this is the most

0:36:32.560 --> 0:36:41.520
<v Speaker 1>woman we ever had a drink camp that lets you know.

0:36:40.880 --> 0:36:41.399
<v Speaker 2>The right thing.

0:36:41.640 --> 0:36:43.839
<v Speaker 1>Sorry you shout out to women.

0:36:45.200 --> 0:36:46.440
<v Speaker 2>I bring that and say that.

0:36:46.680 --> 0:36:49.400
<v Speaker 8>So what I what I felt was and that's a

0:36:49.960 --> 0:36:53.400
<v Speaker 8>la Listen. The best thing for us to do is

0:36:53.440 --> 0:36:58.759
<v Speaker 8>to have one voice, one way, one mission, and I

0:36:58.800 --> 0:37:00.560
<v Speaker 8>would like that for be yours.

0:37:01.120 --> 0:37:02.839
<v Speaker 1>I can't do. I'm not gonna do that to something

0:37:02.880 --> 0:37:03.239
<v Speaker 1>we love.

0:37:03.600 --> 0:37:03.799
<v Speaker 2>Now.

0:37:03.840 --> 0:37:05.640
<v Speaker 8>A lot of people were like, you shouldn't have did that,

0:37:05.920 --> 0:37:07.680
<v Speaker 8>you you know, bah blah this, and they wanted me

0:37:07.719 --> 0:37:09.879
<v Speaker 8>to whatever, but I could. I couldn't talk to my man.

0:37:09.920 --> 0:37:12.719
<v Speaker 8>My man was non compete, all that kind of shit

0:37:12.800 --> 0:37:15.480
<v Speaker 8>going on with him. So to me, it was more

0:37:15.520 --> 0:37:18.040
<v Speaker 8>so about what's best for death Jam, right, And I

0:37:18.080 --> 0:37:21.400
<v Speaker 8>thought one way, one thought, you know what's best for

0:37:21.400 --> 0:37:23.799
<v Speaker 8>death Jam. That's why left. I never know it will

0:37:23.840 --> 0:37:27.120
<v Speaker 8>That's that's a falsehood. Near la even today we all

0:37:27.120 --> 0:37:28.799
<v Speaker 8>one hundred you know all right?

0:37:28.880 --> 0:37:30.440
<v Speaker 1>Now, how do you feel about death Jam? Now do

0:37:30.520 --> 0:37:33.680
<v Speaker 1>you ever look at it and be like, oh, do

0:37:33.800 --> 0:37:35.000
<v Speaker 1>you look at it and be like that's what the

0:37:35.040 --> 0:37:37.040
<v Speaker 1>fuck they get? How about this? How you look at

0:37:37.080 --> 0:37:39.239
<v Speaker 1>it and we leave it at that? I'll look at

0:37:39.320 --> 0:37:42.239
<v Speaker 1>y'all like y'all death jam still like I'm caught in

0:37:42.280 --> 0:37:44.319
<v Speaker 1>the time zone. Like when I think death Jam, I

0:37:44.360 --> 0:37:48.560
<v Speaker 1>think you le'll Russell like, you know what, Let me

0:37:48.600 --> 0:37:51.520
<v Speaker 1>tell you something one seventy varick And am.

0:37:51.440 --> 0:37:52.760
<v Speaker 2>I saying this correct?

0:37:52.360 --> 0:37:56.440
<v Speaker 1>One sixty varick save so many rappers lives.

0:37:56.560 --> 0:37:57.680
<v Speaker 2>Let me tell y'all something.

0:37:58.400 --> 0:38:01.320
<v Speaker 1>And this I have never I have never said this publicly,

0:38:01.800 --> 0:38:04.560
<v Speaker 1>but one sixty Barbreck was a place where it was

0:38:04.600 --> 0:38:07.520
<v Speaker 1>death Jam. It was when I first got to started

0:38:07.520 --> 0:38:10.240
<v Speaker 1>going to depth Jam. But they had rushed associated labels

0:38:10.239 --> 0:38:12.680
<v Speaker 1>in there. They had the violator, so you didn't have

0:38:12.840 --> 0:38:14.200
<v Speaker 1>to actually be on depth Jam.

0:38:14.239 --> 0:38:17.080
<v Speaker 2>But you can roll dice in the one sixty barrack.

0:38:17.360 --> 0:38:19.680
<v Speaker 1>You didn't get your haircut in one sixty Varick, and

0:38:19.719 --> 0:38:22.719
<v Speaker 1>you can also buy weed in one sixty Barrack.

0:38:22.760 --> 0:38:26.880
<v Speaker 12>So artists didn't have to like yo, you think.

0:38:26.719 --> 0:38:30.120
<v Speaker 1>About it when you first get signed, they get a check,

0:38:30.360 --> 0:38:33.080
<v Speaker 1>but there's nothing that makes you that person that you

0:38:33.520 --> 0:38:34.640
<v Speaker 1>just you just sold.

0:38:34.360 --> 0:38:35.239
<v Speaker 2>To them that you are.

0:38:36.080 --> 0:38:38.360
<v Speaker 1>So you're still streets. And that's why so many people

0:38:38.360 --> 0:38:40.520
<v Speaker 1>get a check and then they catch a case because

0:38:40.880 --> 0:38:42.720
<v Speaker 1>they catch a case cause they still in the streets.

0:38:42.760 --> 0:38:46.279
<v Speaker 1>But that place right there gave artists a place to

0:38:46.320 --> 0:38:48.719
<v Speaker 1>get the fuck out the hood, but still kind of

0:38:48.760 --> 0:38:50.920
<v Speaker 1>beat hood because you go buy weed there. Let's make the.

0:38:53.600 --> 0:38:54.399
<v Speaker 2>That record for the.

0:38:54.360 --> 0:38:57.319
<v Speaker 8>Record in my next life as a politician. I don't

0:38:57.360 --> 0:39:00.560
<v Speaker 8>know what he's talking about, but I wanted to want

0:39:00.560 --> 0:39:03.279
<v Speaker 8>to say one of the Lyric's points were less create

0:39:03.320 --> 0:39:06.839
<v Speaker 8>an environment that was about art.

0:39:07.520 --> 0:39:10.320
<v Speaker 2>We always like that environment was done on purpose?

0:39:10.840 --> 0:39:11.760
<v Speaker 1>Was it done on purpose?

0:39:12.120 --> 0:39:15.480
<v Speaker 8>The outlay, how everything was, the you know, management records,

0:39:15.560 --> 0:39:17.480
<v Speaker 8>everything was right here.

0:39:18.760 --> 0:39:19.520
<v Speaker 1>It was It was crazy.

0:39:19.640 --> 0:39:30.880
<v Speaker 8>I remember a time it was me Redman, Lebron, James Mellow, Uh, Scarface, Ludacrous.

0:39:31.080 --> 0:39:33.279
<v Speaker 1>You never know. People came no matter where they were.

0:39:33.200 --> 0:39:36.360
<v Speaker 10>They just came to hang out, to hang out.

0:39:36.360 --> 0:39:39.040
<v Speaker 1>A video video that mad challenges. We'd ad a two

0:39:39.120 --> 0:39:39.920
<v Speaker 1>or three in the morning.

0:39:40.560 --> 0:39:42.879
<v Speaker 8>It was just a place where people and that that's

0:39:42.920 --> 0:39:47.240
<v Speaker 8>just something Lyric has always wanted us to not felt

0:39:47.239 --> 0:39:49.200
<v Speaker 8>like we was working, but it felt like we.

0:39:49.040 --> 0:39:51.080
<v Speaker 1>Was communion, you know, being in the community.

0:39:51.120 --> 0:39:51.279
<v Speaker 2>You know.

0:39:51.360 --> 0:39:53.719
<v Speaker 1>Then when I went to the other building, it felt corporate,

0:39:54.360 --> 0:39:58.320
<v Speaker 1>like it was we sold the company. It was also

0:39:58.360 --> 0:40:00.720
<v Speaker 1>when one sixty fabric, that was when they were still

0:40:00.760 --> 0:40:03.640
<v Speaker 1>all that makes sense. But you I just want you

0:40:03.640 --> 0:40:06.200
<v Speaker 1>guys to know you saved a lot of rappers lives,

0:40:06.200 --> 0:40:10.400
<v Speaker 1>maybe indirectly or not, or straight up directly because that

0:40:10.520 --> 0:40:10.759
<v Speaker 1>was a.

0:40:10.719 --> 0:40:13.480
<v Speaker 2>Hangout at one point. That was the place. Like I

0:40:13.520 --> 0:40:15.120
<v Speaker 2>was on Violator, they would be like, yo, you know,

0:40:15.280 --> 0:40:16.080
<v Speaker 2>just come one.

0:40:16.040 --> 0:40:19.319
<v Speaker 1>Sixty Arrect and I'm talking about every artist Wu Tang

0:40:19.360 --> 0:40:20.840
<v Speaker 1>would be up there. They was on loud, but they

0:40:20.880 --> 0:40:22.680
<v Speaker 1>would still be up there, you know what I'm saying.

0:40:22.719 --> 0:40:24.960
<v Speaker 1>And it was like and when I got older, I

0:40:25.000 --> 0:40:27.960
<v Speaker 1>was like, yo, they created the hood that was in Manhattan.

0:40:28.480 --> 0:40:30.920
<v Speaker 1>It was in the city. For us. That ship was

0:40:31.120 --> 0:40:33.520
<v Speaker 1>the illis envinement. We need to make a documentary about that.

0:40:33.640 --> 0:40:47.520
<v Speaker 1>We'll cut you in so three hundred I heard you guys,

0:40:47.680 --> 0:40:52.279
<v Speaker 1>desks are in the middle of the whole. You guys like,

0:40:52.360 --> 0:40:55.560
<v Speaker 1>that's front line ship. Why do you guys want to

0:40:55.640 --> 0:40:56.960
<v Speaker 1>fuck it? Was?

0:40:57.000 --> 0:40:58.200
<v Speaker 2>It motivation.

0:40:59.400 --> 0:41:00.160
<v Speaker 3>Or know.

0:41:00.880 --> 0:41:01.520
<v Speaker 1>Here's the thing.

0:41:03.360 --> 0:41:11.760
<v Speaker 6>We never felt like outwardly facing things. We're representative of

0:41:12.400 --> 0:41:18.359
<v Speaker 6>our influence, in our power, so we are very understated.

0:41:19.880 --> 0:41:23.840
<v Speaker 6>Period are all the office you referred to was comfortable,

0:41:23.880 --> 0:41:29.640
<v Speaker 6>but was understated. It was homie, So rock paper scissor.

0:41:29.960 --> 0:41:32.520
<v Speaker 6>We go for the homie and not for the flashy.

0:41:33.600 --> 0:41:36.439
<v Speaker 6>We want people to come in and recognize that work

0:41:36.520 --> 0:41:40.799
<v Speaker 6>is getting done, not that we're putting our feet up

0:41:40.840 --> 0:41:44.560
<v Speaker 6>on very expensive desk. We want all the money to

0:41:44.680 --> 0:41:50.319
<v Speaker 6>stay on the screen. We don't want to waste money by,

0:41:51.160 --> 0:41:55.879
<v Speaker 6>you know, trying to act important because we have flashier

0:41:56.040 --> 0:41:58.960
<v Speaker 6>offices or bigger cars.

0:42:00.239 --> 0:42:04.560
<v Speaker 1>It we're past that. We're in the rubber band stage. Okay,

0:42:04.719 --> 0:42:10.640
<v Speaker 1>in the work in the street stage. I'm taking that.

0:42:11.920 --> 0:42:13.239
<v Speaker 2>So now the young Doug.

0:42:13.280 --> 0:42:15.600
<v Speaker 1>I want to speak about young Doug because at one

0:42:15.640 --> 0:42:18.040
<v Speaker 1>point it kind of seemed like young Doug was actually

0:42:18.200 --> 0:42:20.960
<v Speaker 1>on babies, cash money. Then he seemed like he was

0:42:21.000 --> 0:42:24.000
<v Speaker 1>with Gucci Man, and then he seemed like and it

0:42:24.080 --> 0:42:27.680
<v Speaker 1>was like when you stepped in, it kind of made him.

0:42:28.280 --> 0:42:30.799
<v Speaker 1>It seemed like he's whole. Now it seemed like you

0:42:30.960 --> 0:42:33.680
<v Speaker 1>was the right choice. Now was he originally signed at

0:42:33.680 --> 0:42:35.000
<v Speaker 1>three hundred from the beginning.

0:42:35.640 --> 0:42:42.960
<v Speaker 6>He was signed to Gucci, and Gucci signed his action

0:42:43.160 --> 0:42:48.480
<v Speaker 6>to us, and we didn't feel that we needed to

0:42:48.600 --> 0:42:54.360
<v Speaker 6>run around, and it wasn't critical to us that everybody

0:42:54.440 --> 0:42:59.359
<v Speaker 6>knew and had to know. You know, you know, when

0:42:59.400 --> 0:43:00.560
<v Speaker 6>I went to the Red Parrot.

0:43:02.400 --> 0:43:04.320
<v Speaker 2>This is real, old school New York City.

0:43:04.960 --> 0:43:10.280
<v Speaker 6>Continue, when Fat Cat came and he sat in that corner,

0:43:11.719 --> 0:43:12.400
<v Speaker 6>he didn't.

0:43:12.160 --> 0:43:13.560
<v Speaker 2>Just bring up he didn't.

0:43:13.760 --> 0:43:16.880
<v Speaker 1>He didn't. He didn't. He didn't advertise that he was

0:43:16.960 --> 0:43:21.759
<v Speaker 1>Fat Cat. But and it's more powerful who's the guy

0:43:21.800 --> 0:43:22.320
<v Speaker 1>in the corner.

0:43:25.360 --> 0:43:29.359
<v Speaker 6>So I like when people put their name, our name

0:43:29.560 --> 0:43:34.920
<v Speaker 6>in their mouth because of the understated thing that we

0:43:35.040 --> 0:43:39.360
<v Speaker 6>got going. You know, it's silly when I see people

0:43:39.560 --> 0:43:44.440
<v Speaker 6>rolling with big security guys, big big, stupid security guys.

0:43:44.920 --> 0:43:48.800
<v Speaker 6>The first ones to run, the first one.

0:43:49.920 --> 0:43:52.920
<v Speaker 2>Okay, it's that little guy. It's that little guy you

0:43:53.000 --> 0:43:56.200
<v Speaker 2>got to be worried about. Right, It's a little guy

0:43:56.280 --> 0:43:58.919
<v Speaker 2>that you got to be worried about. You're gonna spill

0:43:58.920 --> 0:44:01.520
<v Speaker 2>it now that you said that. Okay, all right, this

0:44:01.600 --> 0:44:02.239
<v Speaker 2>is my friend Twin.

0:44:02.280 --> 0:44:04.000
<v Speaker 1>He went to Vegas with eighty dollars and came back

0:44:04.000 --> 0:44:06.239
<v Speaker 1>with twenty. He's the brocus Bridge boy, he got a

0:44:06.280 --> 0:44:08.840
<v Speaker 1>good heart, he got a good hawk. My nigga Brokes

0:44:08.920 --> 0:44:11.399
<v Speaker 1>richest guy.

0:44:10.080 --> 0:44:13.880
<v Speaker 2>To say, famous and rich kid. Thank you very hard,

0:44:14.080 --> 0:44:14.440
<v Speaker 2>thank you.

0:44:14.520 --> 0:44:16.080
<v Speaker 1>Yeah they are they are.

0:44:19.120 --> 0:44:19.879
<v Speaker 2>On Q see.

0:44:20.120 --> 0:44:24.239
<v Speaker 1>So and now three hundred is it? Is it three

0:44:24.360 --> 0:44:27.480
<v Speaker 1>sixty based company or people? Can you know, get down

0:44:27.480 --> 0:44:33.320
<v Speaker 1>with three hundred and contract sixty. We believe in three sixty.

0:44:33.360 --> 0:44:36.320
<v Speaker 2>We want to be partners, partners, not you know, and

0:44:36.440 --> 0:44:38.960
<v Speaker 2>we don't want to open up the barbecue restaurant and

0:44:39.000 --> 0:44:41.439
<v Speaker 2>then you start selling barbecue shots out the back.

0:44:42.200 --> 0:44:43.520
<v Speaker 1>You want to be involved in every We want to

0:44:43.520 --> 0:44:45.080
<v Speaker 1>be involved in everything, you know.

0:44:46.400 --> 0:44:48.640
<v Speaker 4>But there is the negative connotation to the whole You.

0:44:48.640 --> 0:44:52.480
<v Speaker 6>Don't care about that. We don't pay any attention to

0:44:52.560 --> 0:44:53.799
<v Speaker 6>the connotation.

0:44:53.560 --> 0:44:55.040
<v Speaker 4>Because we go to work, right.

0:44:55.680 --> 0:44:58.440
<v Speaker 6>Show has a negative because people, yeah, no, no, it

0:44:59.440 --> 0:45:03.600
<v Speaker 6>is a negative connotation because no one did it before us.

0:45:04.280 --> 0:45:07.600
<v Speaker 6>So that's why it has a negative connotation. And and

0:45:08.800 --> 0:45:13.680
<v Speaker 6>you know the reality is we want to be just partners.

0:45:14.120 --> 0:45:17.319
<v Speaker 6>You know, if we're going to invest our capital, our

0:45:17.400 --> 0:45:21.319
<v Speaker 6>sweat equity. If you ask me, I'm going to open

0:45:21.400 --> 0:45:25.000
<v Speaker 6>up a restaurant and I need some capital, what do

0:45:25.000 --> 0:45:31.719
<v Speaker 6>you think the capital usually represents fifty to fifty right ownership. Now,

0:45:31.719 --> 0:45:35.920
<v Speaker 6>imagine if I wasn't just capital. You came to me

0:45:35.960 --> 0:45:37.799
<v Speaker 6>and said, you know, I don't know anything about the

0:45:37.840 --> 0:45:38.680
<v Speaker 6>restaurant business.

0:45:38.719 --> 0:45:40.759
<v Speaker 2>You know about the restaurant business, but I got this

0:45:40.840 --> 0:45:41.440
<v Speaker 2>great idea.

0:45:41.520 --> 0:45:44.280
<v Speaker 6>So not only am I putting up capital, I'm putting

0:45:44.320 --> 0:45:45.759
<v Speaker 6>a sweat capital too.

0:45:46.640 --> 0:45:49.399
<v Speaker 1>Time is money, you know, So I just I want

0:45:49.440 --> 0:45:49.960
<v Speaker 1>to be if you.

0:45:50.080 --> 0:45:55.000
<v Speaker 6>If it's successful and everybody loves the barbecue, then we

0:45:55.200 --> 0:45:58.600
<v Speaker 6>go together and say let's make some barbecue sucks and.

0:45:58.560 --> 0:46:00.799
<v Speaker 8>We But we've been doing it foot interrupt you. We've

0:46:00.800 --> 0:46:05.400
<v Speaker 8>been doing it forever with the right artists. They always

0:46:05.440 --> 0:46:09.720
<v Speaker 8>wanted us to be.

0:46:08.040 --> 0:46:10.600
<v Speaker 1>Because essentially it's like your management. It's not only like

0:46:10.719 --> 0:46:14.920
<v Speaker 1>the game. Listen, yea. Even with young.

0:46:14.719 --> 0:46:19.840
<v Speaker 8>Boy, I care who he's opening for, what time is

0:46:19.880 --> 0:46:22.319
<v Speaker 8>he going on? That's not that most record people don't.

0:46:22.440 --> 0:46:23.920
<v Speaker 8>By the way, most of them don't even show up,

0:46:24.239 --> 0:46:27.640
<v Speaker 8>you know what I mean. So so the reality of

0:46:27.640 --> 0:46:32.120
<v Speaker 8>it is the conversations we have in uh seed funder

0:46:33.280 --> 0:46:36.000
<v Speaker 8>early conversations. But you have to want to be my

0:46:36.040 --> 0:46:39.600
<v Speaker 8>partner right now. And the labels built to have different

0:46:39.680 --> 0:46:41.799
<v Speaker 8>kinds of deals for different kinds of people, whether you

0:46:41.800 --> 0:46:44.240
<v Speaker 8>want to be an entrepreneur, start your own label, whether

0:46:44.239 --> 0:46:47.120
<v Speaker 8>you want to be a straight artist, or but we

0:46:47.360 --> 0:46:51.840
<v Speaker 8>have to be involved in your life. Fuck rap, fucking singing.

0:46:52.280 --> 0:46:53.759
<v Speaker 8>We have to be involved in your life when you

0:46:53.800 --> 0:46:55.360
<v Speaker 8>wake up in the morning. We want to see that

0:46:55.360 --> 0:46:57.080
<v Speaker 8>at your fucking table. We want to be on your

0:46:57.080 --> 0:46:57.760
<v Speaker 8>board of the rats.

0:46:57.880 --> 0:47:00.480
<v Speaker 1>Now that that involves movies that involved I don't give

0:47:00.640 --> 0:47:02.439
<v Speaker 1>what you're doing. Do what what?

0:47:02.440 --> 0:47:07.360
<v Speaker 8>What haven't we really done in any particular way. Business

0:47:07.440 --> 0:47:08.759
<v Speaker 8>is business. But at the end of the day, if

0:47:08.760 --> 0:47:10.160
<v Speaker 8>I'm going to invest in you and you're going to

0:47:10.200 --> 0:47:12.160
<v Speaker 8>invest in me, then we will eat with each other.

0:47:12.239 --> 0:47:13.759
<v Speaker 2>But l comes to you right now.

0:47:13.800 --> 0:47:16.800
<v Speaker 1>It says Kevin Lows, I want to put out a record,

0:47:17.800 --> 0:47:20.719
<v Speaker 1>and I only trust you and Leo. We talk about it.

0:47:20.719 --> 0:47:23.320
<v Speaker 2>Will be it'll be an honor to put out his record,

0:47:23.719 --> 0:47:24.680
<v Speaker 2>a fucking honor.

0:47:25.160 --> 0:47:30.600
<v Speaker 8>Yeah, we talked about it too, North.

0:47:31.920 --> 0:47:32.080
<v Speaker 1>I know.

0:47:36.760 --> 0:47:36.920
<v Speaker 6>You know.

0:47:37.360 --> 0:47:38.000
<v Speaker 1>Here's the thing.

0:47:38.520 --> 0:47:43.000
<v Speaker 6>We live in the unique world of digital distribution. So

0:47:43.280 --> 0:47:45.360
<v Speaker 6>I don't have to go so far on the limb

0:47:46.080 --> 0:47:49.440
<v Speaker 6>to make a bunch of them and then spend a

0:47:49.440 --> 0:47:52.120
<v Speaker 6>bunch of money to buy that real estate in the

0:47:52.360 --> 0:47:55.120
<v Speaker 6>record store so we could get it on in a

0:47:55.280 --> 0:48:01.120
<v Speaker 6>very inexpensive way that you could test the market in

0:48:01.200 --> 0:48:05.480
<v Speaker 6>a innocent, honest, but effective way.

0:48:07.160 --> 0:48:09.200
<v Speaker 1>I like this too. This is my favorite one so far.

0:48:09.400 --> 0:48:09.919
<v Speaker 2>I'm just saying.

0:48:10.400 --> 0:48:15.880
<v Speaker 1>I'm just saying, man, you know these are my my guys.

0:48:15.920 --> 0:48:19.120
<v Speaker 2>A lot of CEOs they talked indirect to me.

0:48:19.320 --> 0:48:21.680
<v Speaker 1>The reason why I appreciate our relationship with both of

0:48:21.719 --> 0:48:24.919
<v Speaker 1>you guys is you even when I didn't like it,

0:48:25.120 --> 0:48:27.360
<v Speaker 1>even when I didn't let First of all, this is

0:48:27.600 --> 0:48:30.640
<v Speaker 1>one of the funniest stories. Was Fat Joe is trying

0:48:30.680 --> 0:48:33.520
<v Speaker 1>to clear a job rule record, right. So Fat Joe

0:48:33.640 --> 0:48:36.600
<v Speaker 1>calls me and goes, Yo, I'm going to bring the gangsters.

0:48:36.120 --> 0:48:38.480
<v Speaker 2>People up there, and I'm going to see Leo Cans right.

0:48:38.680 --> 0:48:39.560
<v Speaker 2>I'm like, don't do that.

0:48:39.640 --> 0:48:43.800
<v Speaker 1>Fast, but Fat Joe's does it anyway, right, So he goes,

0:48:44.080 --> 0:48:47.000
<v Speaker 1>I used to be Santa Claus for Russell Simmons ten

0:48:47.080 --> 0:48:48.520
<v Speaker 1>years straight his kids.

0:48:48.920 --> 0:48:49.680
<v Speaker 2>So he said.

0:48:49.680 --> 0:48:51.719
<v Speaker 1>He goes to see Leo and he's like, le all,

0:48:51.760 --> 0:48:56.640
<v Speaker 1>you gotta clear the record, and Leo said, no.

0:48:57.960 --> 0:49:00.120
<v Speaker 2>You forgot one other part of it.

0:49:00.719 --> 0:49:04.960
<v Speaker 6>I tell people, listen, in all due respect, the answer

0:49:05.000 --> 0:49:08.480
<v Speaker 6>is no. And when you open the window up and

0:49:08.600 --> 0:49:11.440
<v Speaker 6>fling me out the window and I'm just about to

0:49:11.480 --> 0:49:12.280
<v Speaker 6>hit the concrete.

0:49:12.320 --> 0:49:13.680
<v Speaker 1>The answer is still gonna be nom.

0:49:15.239 --> 0:49:17.879
<v Speaker 6>So if it was gonna be different than I could

0:49:17.920 --> 0:49:21.120
<v Speaker 6>understand you intimidating. But since it's not gonna be, you're

0:49:21.120 --> 0:49:23.239
<v Speaker 6>gonna have to actually fling me out and find out,

0:49:23.320 --> 0:49:25.520
<v Speaker 6>and then you're gonna end up in jail and fucked up.

0:49:26.280 --> 0:49:28.200
<v Speaker 6>It's gonna be a sad day all the way around.

0:49:29.600 --> 0:49:34.439
<v Speaker 6>And so they know, unbelievable. It's not no to get

0:49:34.440 --> 0:49:37.560
<v Speaker 6>a yes. It's a no because it's no. It's with

0:49:37.800 --> 0:49:39.480
<v Speaker 6>respect no, you know.

0:49:40.239 --> 0:49:43.279
<v Speaker 1>And that's what makes you guys, hands down, that's what

0:49:43.360 --> 0:49:47.720
<v Speaker 1>that's the longevity you guys are having is a direct

0:49:47.800 --> 0:49:52.040
<v Speaker 1>effect through the realness that when artists, when you tell

0:49:52.120 --> 0:49:55.479
<v Speaker 1>artists when they're younger, like so much things that you you,

0:49:55.480 --> 0:49:58.560
<v Speaker 1>you guys both have taught me. Uh and I'll probably

0:49:58.640 --> 0:50:02.080
<v Speaker 1>acted like I didn't listen back then, but I applied

0:50:02.440 --> 0:50:05.080
<v Speaker 1>to my everyday life, like I don't apply math to

0:50:05.320 --> 0:50:07.879
<v Speaker 1>my everyday life, but I applied things that you guys taught.

0:50:08.160 --> 0:50:10.440
<v Speaker 1>Like the first time when me and Lee all tried

0:50:10.480 --> 0:50:13.439
<v Speaker 1>to do business, he said to me, what are you doing?

0:50:13.440 --> 0:50:15.680
<v Speaker 2>Today, I said a pun video. He said, I'll be there.

0:50:15.880 --> 0:50:16.279
<v Speaker 2>Hung up.

0:50:16.360 --> 0:50:19.920
<v Speaker 1>Nigga never asked for no information. Nigga never asked what states,

0:50:20.560 --> 0:50:23.719
<v Speaker 1>which city. He said, I'll be there, and I was like,

0:50:24.320 --> 0:50:27.680
<v Speaker 1>what that futad? An hour later he pulled up and

0:50:27.719 --> 0:50:29.399
<v Speaker 1>you pulled up with Ja Ru. It's the first time

0:50:29.480 --> 0:50:31.440
<v Speaker 1>I ever met Javu, who's one of my best friends

0:50:31.520 --> 0:50:33.799
<v Speaker 1>right now, and he pulled up with Java in the

0:50:33.800 --> 0:50:39.440
<v Speaker 1>town call. That's my man. But why when you want something,

0:50:39.920 --> 0:50:43.120
<v Speaker 1>you just you find no way in the way you

0:50:43.160 --> 0:50:44.680
<v Speaker 1>get what the hell you want?

0:50:44.920 --> 0:50:45.279
<v Speaker 2>I don't know.

0:50:45.360 --> 0:50:50.960
<v Speaker 6>That's pretty obvious ansor you know it's I think that.

0:50:53.120 --> 0:50:54.080
<v Speaker 1>I'm a hard worker.

0:50:55.280 --> 0:50:59.160
<v Speaker 6>I was raised right shout out to my parents in

0:50:59.200 --> 0:51:04.680
<v Speaker 6>my family, and I don't want to ever embarrass them

0:51:04.880 --> 0:51:06.400
<v Speaker 6>or embarrass my family.

0:51:07.080 --> 0:51:09.120
<v Speaker 1>And let me put it to you this way.

0:51:09.160 --> 0:51:12.359
<v Speaker 6>You're never going to go in the locker room and

0:51:12.400 --> 0:51:15.319
<v Speaker 6>say what the fuck happened to you? You didn't show up.

0:51:17.520 --> 0:51:21.120
<v Speaker 6>I'm the right person. If you have time, I'll tell

0:51:21.160 --> 0:51:24.760
<v Speaker 6>you the real story. So you know how I'm funny,

0:51:24.800 --> 0:51:28.480
<v Speaker 6>my accent is and you know how my name is spelled.

0:51:29.360 --> 0:51:33.000
<v Speaker 6>So when I touched down in America and I was

0:51:33.040 --> 0:51:37.360
<v Speaker 6>in a public school and after school program. They're choosing

0:51:37.440 --> 0:51:44.600
<v Speaker 6>baseball teams, and motherfuckers chose me last because of my

0:51:44.680 --> 0:51:48.200
<v Speaker 6>funny name and my funny accent. But I caught every

0:51:48.239 --> 0:51:52.520
<v Speaker 6>fucking ball and I put everybody out the last time

0:51:52.960 --> 0:51:56.279
<v Speaker 6>I was called last. So that's why, you know, I

0:51:56.360 --> 0:52:00.239
<v Speaker 6>just have to work harder. I'm not that intelligent, I'm

0:52:00.280 --> 0:52:04.800
<v Speaker 6>not that you know. I don't have an insane gift,

0:52:04.880 --> 0:52:07.879
<v Speaker 6>but I'm ready to put it on people and work very,

0:52:08.000 --> 0:52:10.640
<v Speaker 6>very hard on the movie.

0:52:10.680 --> 0:52:15.480
<v Speaker 2>Man.

0:52:19.760 --> 0:52:23.839
<v Speaker 1>I want to take it from the Run DMC days because, like,

0:52:23.920 --> 0:52:26.400
<v Speaker 1>can you give us a run DMC story because you

0:52:26.520 --> 0:52:31.800
<v Speaker 1>was a road manager, right, I'm proud. I'm proud.

0:52:32.719 --> 0:52:33.000
<v Speaker 13>Uh.

0:52:34.160 --> 0:52:38.120
<v Speaker 6>The thing that I use every single day more than

0:52:38.239 --> 0:52:42.360
<v Speaker 6>anything was my road manager, my road experience, like Kevin

0:52:42.480 --> 0:52:46.120
<v Speaker 6>was referring to the road. My road experience separates me

0:52:46.200 --> 0:52:50.319
<v Speaker 6>from all those other people I compete with every day.

0:52:50.880 --> 0:52:53.920
<v Speaker 6>So we have so many stories, from going up to

0:52:54.960 --> 0:53:02.640
<v Speaker 6>Detroit and witnessing the young boys to Long Beach when

0:53:02.680 --> 0:53:07.720
<v Speaker 6>all shit broke out and we're on the nightly news,

0:53:09.719 --> 0:53:15.880
<v Speaker 6>the live aid and performing in front of that historic show.

0:53:16.960 --> 0:53:20.880
<v Speaker 6>So many many beautiful stories. But I guess the biggest

0:53:20.920 --> 0:53:25.319
<v Speaker 6>and most important story that tells you the fabric of

0:53:25.360 --> 0:53:29.360
<v Speaker 6>who I am and the fabric of what we represent.

0:53:30.080 --> 0:53:33.880
<v Speaker 6>And remember we represent the blue collar, the hard working.

0:53:35.080 --> 0:53:39.600
<v Speaker 6>Is when we were selling two Joe Louis's back to back,

0:53:40.239 --> 0:53:43.640
<v Speaker 6>two gardens, back to back, the spectrum, back to back.

0:53:44.360 --> 0:53:51.760
<v Speaker 6>Our clique on the road was five Joey, d Jay, Runnie,

0:53:51.840 --> 0:53:56.960
<v Speaker 6>Ray and Leor. We didn't have an entourage, big security guides.

0:53:57.640 --> 0:54:03.400
<v Speaker 6>We carried our own luggage and before the curtain dropped

0:54:03.400 --> 0:54:05.880
<v Speaker 6>and the music was finished, we're in the car on

0:54:05.920 --> 0:54:10.640
<v Speaker 6>the way to the next city. So you know, all

0:54:10.920 --> 0:54:14.759
<v Speaker 6>when I look at all these new rappers with their

0:54:15.200 --> 0:54:19.920
<v Speaker 6>you know, fifty people entourage and these big security guards

0:54:19.960 --> 0:54:22.440
<v Speaker 6>that all you have to say is boo and this

0:54:22.640 --> 0:54:33.759
<v Speaker 6>start running running. It's it's like clowns security. And so

0:54:34.640 --> 0:54:37.440
<v Speaker 6>that's the greatest story is we never missed a gig

0:54:37.640 --> 0:54:38.720
<v Speaker 6>in three and a half years.

0:54:38.800 --> 0:54:41.480
<v Speaker 1>Told me, okay, one gig one night.

0:54:41.600 --> 0:54:46.640
<v Speaker 6>We did five shows in three different cities, three different states,

0:54:47.200 --> 0:54:52.120
<v Speaker 6>five shows in three different states. We were mobile, we

0:54:52.160 --> 0:54:55.480
<v Speaker 6>stayed out of trouble and we were onto the next city.

0:54:55.800 --> 0:54:59.200
<v Speaker 1>And that's you know, you know, we were and grateful.

0:54:59.600 --> 0:55:02.000
<v Speaker 2>Remember Fish spot. We used to eat that La pesca.

0:55:01.760 --> 0:55:06.200
<v Speaker 1>Do absolutely absolutely that fish soup man. Fish.

0:55:09.080 --> 0:55:12.000
<v Speaker 6>Watch Nori's face when I first shorted the fish shop.

0:55:13.520 --> 0:55:14.439
<v Speaker 1>I'm not doing that.

0:55:15.440 --> 0:55:18.759
<v Speaker 2>I'm looking like that. And then I gave spoon. I

0:55:18.840 --> 0:55:20.800
<v Speaker 2>gave him a spoon and then boy.

0:55:20.960 --> 0:55:24.240
<v Speaker 1>I was turned out from the fish soup spot. Every meeting,

0:55:24.440 --> 0:55:26.960
<v Speaker 1>every meeting we had was around lunch.

0:55:27.400 --> 0:55:31.600
<v Speaker 6>Why is noy he always booking.

0:55:34.080 --> 0:55:35.120
<v Speaker 1>Pesca do no?

0:55:35.120 --> 0:55:35.279
<v Speaker 2>No?

0:55:35.320 --> 0:55:37.440
<v Speaker 1>This is this is one time right. I thought I

0:55:37.520 --> 0:55:41.600
<v Speaker 1>was the man because this is when Leo walks into

0:55:41.680 --> 0:55:43.920
<v Speaker 1>the door, they say fish man like this. It was

0:55:43.960 --> 0:55:46.160
<v Speaker 1>like some big ship. So I started going there a lot.

0:55:46.480 --> 0:55:48.480
<v Speaker 1>So I wanted to take Leo out one day and

0:55:48.520 --> 0:55:50.839
<v Speaker 1>I was like, yo, and I took care of the bill.

0:55:51.239 --> 0:55:54.279
<v Speaker 1>Lee all like your hold on whore you.

0:55:54.760 --> 0:55:56.040
<v Speaker 2>Who you gave him?

0:55:56.080 --> 0:56:01.279
<v Speaker 1>The bill called the ball. Yo. When the person's the man,

0:56:01.320 --> 0:56:03.879
<v Speaker 1>you gotta let them be the man. You can't try

0:56:03.880 --> 0:56:05.800
<v Speaker 1>to creep up with me. I learned their life lesson

0:56:05.800 --> 0:56:08.399
<v Speaker 1>that day. Leo was pissed, not at me, He's mad

0:56:08.480 --> 0:56:10.160
<v Speaker 1>at them, like this is my spot. I don't care

0:56:10.200 --> 0:56:12.719
<v Speaker 1>how much he comes here. Remember I'm the guy who

0:56:12.719 --> 0:56:15.520
<v Speaker 1>brunk man show that respect.

0:56:16.000 --> 0:56:18.879
<v Speaker 6>This is real, Sonori, I'm gonna I'm going to say

0:56:18.920 --> 0:56:19.839
<v Speaker 6>something before I leave.

0:56:19.960 --> 0:56:22.560
<v Speaker 1>Okay, thank you for Kevin and Day they are going

0:56:22.640 --> 0:56:24.239
<v Speaker 1>to stay. Don't to keep it going.

0:56:24.320 --> 0:56:30.040
<v Speaker 6>So here's my thing. So what's the year twenty sixteen? Yes,

0:56:30.080 --> 0:56:31.799
<v Speaker 6>I believe, Okay, I don't know.

0:56:31.840 --> 0:56:37.920
<v Speaker 2>I don't even know. I only think about records. I

0:56:37.960 --> 0:56:39.080
<v Speaker 2>know this is you know.

0:56:41.680 --> 0:56:44.480
<v Speaker 6>You know I'm pre sucker MC So that's how I

0:56:44.480 --> 0:56:46.600
<v Speaker 6>think about time. Is that eighty two eighty three?

0:56:47.080 --> 0:56:50.920
<v Speaker 1>You know? So I don't know if you've read.

0:56:50.680 --> 0:56:54.600
<v Speaker 6>The recent report of the Youth of the rib A

0:56:55.800 --> 0:56:59.800
<v Speaker 6>where for the first time in eighteen years, the business

0:56:59.840 --> 0:57:07.239
<v Speaker 6>has has grown. I'm telling you, and I'm telling everybody

0:57:07.280 --> 0:57:12.640
<v Speaker 6>that listens, if you're an entrepreneur and you want to

0:57:12.680 --> 0:57:15.400
<v Speaker 6>get into a great business, not a good business, and

0:57:15.440 --> 0:57:21.040
<v Speaker 6>get papered up, get into the music business, the record business.

0:57:21.520 --> 0:57:25.240
<v Speaker 6>For the last two decades, the business has been shrinking

0:57:25.640 --> 0:57:30.920
<v Speaker 6>and consolidating. So there are no deaf JEMs, no islands,

0:57:30.960 --> 0:57:36.280
<v Speaker 6>no motowns, no A and M's, no.

0:57:36.320 --> 0:57:41.760
<v Speaker 1>Chrysalis's boutiques, boutiques.

0:57:43.800 --> 0:57:47.360
<v Speaker 2>This is a time for you to cobble together a

0:57:47.400 --> 0:57:52.960
<v Speaker 2>little capital because it's not expensive and find stunning talent

0:57:53.960 --> 0:57:55.800
<v Speaker 2>and putting them out in the marketplace.

0:57:56.360 --> 0:57:58.320
<v Speaker 1>This is the moment in time.

0:57:58.440 --> 0:58:04.880
<v Speaker 6>I've never seen a more fertile business environment as it

0:58:04.960 --> 0:58:09.840
<v Speaker 6>is today. So your listeners, I know they love the

0:58:09.840 --> 0:58:13.680
<v Speaker 6>nostalgia and the fun that you guys have, but all serious,

0:58:14.520 --> 0:58:15.880
<v Speaker 6>all jokes aside.

0:58:16.680 --> 0:58:17.840
<v Speaker 2>I do want to leave.

0:58:17.760 --> 0:58:25.960
<v Speaker 6>You and your viewership with the absolute clarity that what

0:58:26.160 --> 0:58:31.280
<v Speaker 6>better business that you can go tonight and record someone

0:58:31.760 --> 0:58:35.080
<v Speaker 6>ship it the next day all around the world at

0:58:35.240 --> 0:58:42.160
<v Speaker 6>zero costs, no manufacturing costs, no shipping costs, no obsolescence,

0:58:42.240 --> 0:58:48.480
<v Speaker 6>no inventory, no everything digital and inexpensive and very efficient.

0:58:48.880 --> 0:58:52.840
<v Speaker 6>Remember we used to make videos that cost us money

0:58:53.240 --> 0:58:57.960
<v Speaker 6>to promote our songs. Now there's a YouTube that you

0:58:58.080 --> 0:58:59.720
<v Speaker 6>put the video Now, this.

0:58:59.720 --> 0:59:04.600
<v Speaker 1>Makes noise for abe you can get. You just put

0:59:04.640 --> 0:59:07.120
<v Speaker 1>a video up and get paid for it.

0:59:08.040 --> 0:59:13.960
<v Speaker 6>So I'm just saying, man, I'm tired of the highly

0:59:14.080 --> 0:59:16.160
<v Speaker 6>concentrated industry.

0:59:17.080 --> 0:59:19.600
<v Speaker 2>Now is the time. You may be too late if

0:59:19.640 --> 0:59:23.480
<v Speaker 2>you keep waiting to get this paper.

0:59:23.600 --> 0:59:24.840
<v Speaker 1>There's a lot of paper.

0:59:24.520 --> 0:59:27.360
<v Speaker 6>Out here, and this is a great business, and I

0:59:27.440 --> 0:59:31.280
<v Speaker 6>want you and your consumers to recognize how great of

0:59:31.320 --> 0:59:32.800
<v Speaker 6>a business this cops.

0:59:32.960 --> 0:59:34.760
<v Speaker 1>You enjoy streaming you think streaming.

0:59:35.000 --> 0:59:40.720
<v Speaker 6>Streaming is such a friendly and wonderful consumer proposition. All

0:59:40.760 --> 0:59:44.240
<v Speaker 6>the world's music for ten dollars a month. And it's

0:59:44.280 --> 0:59:48.320
<v Speaker 6>the first iteration. My daughter doesn't want to hear classical

0:59:48.440 --> 0:59:51.400
<v Speaker 6>music or African music.

0:59:51.760 --> 0:59:53.000
<v Speaker 2>She likes the pop hits.

0:59:53.280 --> 0:59:58.040
<v Speaker 6>Maybe as we iterate that business, her bill would be

0:59:58.080 --> 1:00:01.360
<v Speaker 6>three bucks a month and she only gets the top hits.

1:00:02.080 --> 1:00:05.360
<v Speaker 6>So it's just the infancy. You know that streaming is

1:00:05.400 --> 1:00:10.400
<v Speaker 6>only a two three percent penetration, so just imagine when

1:00:10.440 --> 1:00:15.400
<v Speaker 6>it's fifty percent penetration. So don't have just Kevin and

1:00:15.440 --> 1:00:19.120
<v Speaker 6>I be the only paper up motherfuckers out here. Okay,

1:00:19.160 --> 1:00:21.520
<v Speaker 6>we don't want to be by ourselves. We want other

1:00:21.560 --> 1:00:26.360
<v Speaker 6>people to hang out with. We want other people to

1:00:26.520 --> 1:00:32.479
<v Speaker 6>seize the opportunity of this environment and start creating new

1:00:33.000 --> 1:00:39.200
<v Speaker 6>special companies that you know are culturally significant and healthy

1:00:39.280 --> 1:00:42.320
<v Speaker 6>for artists and and creators.

1:00:43.240 --> 1:00:47.440
<v Speaker 2>So thank you, beautiful, thank.

1:00:47.240 --> 1:00:51.600
<v Speaker 6>You, Thank you guys that you're in good hands with

1:00:51.720 --> 1:00:52.320
<v Speaker 6>Kevin KAMV.

1:00:52.440 --> 1:00:53.360
<v Speaker 2>Before you go, we got.

1:00:53.280 --> 1:00:56.200
<v Speaker 1>To take a picture over before you come on. If

1:00:56.200 --> 1:01:01.920
<v Speaker 1>you don't stop, nothing, we're dreaming.

1:01:02.640 --> 1:01:22.040
<v Speaker 2>Okay, Okay, thank you, give thank you so much. Of course,

1:01:24.360 --> 1:01:31.680
<v Speaker 2>more people, you know what I mean, more minutes. Come on,

1:01:32.240 --> 1:01:33.680
<v Speaker 2>come on, thank you kem come on. I need I

1:01:33.680 --> 1:01:34.880
<v Speaker 2>need to buy myself anyway.

1:01:35.840 --> 1:01:37.880
<v Speaker 1>You know you bro Radar after the dirt you know

1:01:37.960 --> 1:01:40.640
<v Speaker 1>they was, they was dead before you got on the podcast.

1:01:40.920 --> 1:01:41.880
<v Speaker 2>You helped them out the dirt.

1:01:42.160 --> 1:01:42.560
<v Speaker 10>Stop this.

1:01:42.840 --> 1:01:43.200
<v Speaker 2>You did?

1:01:43.360 --> 1:01:44.160
<v Speaker 1>You did, you did.

1:01:44.680 --> 1:01:46.600
<v Speaker 2>That's why I called you immediately in the morning. I said,

1:01:46.600 --> 1:01:54.160
<v Speaker 2>hold on, hold on, So Kevin lives Bortimore's finance.

1:01:55.480 --> 1:01:56.760
<v Speaker 1>Yeah, so keV.

1:01:56.840 --> 1:02:00.320
<v Speaker 5>And and I know we we we we we we.

1:02:00.120 --> 1:02:02.560
<v Speaker 2>Touched on it a little bit earlier.

1:02:03.760 --> 1:02:07.920
<v Speaker 1>Yeah, I do whatever. Yeah, but the love for the

1:02:08.000 --> 1:02:10.520
<v Speaker 1>game has to with boy Jamar Bouce.

1:02:11.160 --> 1:02:13.680
<v Speaker 2>Yeah. I was about to tell them come in, but

1:02:15.800 --> 1:02:17.880
<v Speaker 2>how how many years have you been in the game?

1:02:18.000 --> 1:02:21.360
<v Speaker 1>Cap? Thirty two and you still love it the same way?

1:02:21.880 --> 1:02:24.480
<v Speaker 1>Or sometimes you wake up and be like this, you

1:02:24.560 --> 1:02:26.360
<v Speaker 1>got to want to take a break sometimes when I

1:02:26.520 --> 1:02:28.680
<v Speaker 1>when I my critical moment.

1:02:28.680 --> 1:02:34.080
<v Speaker 8>Was uh, when I left that jam you know that?

1:02:34.680 --> 1:02:41.200
<v Speaker 8>And then when in two thousand and nine when I said, Yo,

1:02:41.480 --> 1:02:44.280
<v Speaker 8>the business is about to change and y'all y'all making decisions.

1:02:44.520 --> 1:02:45.120
<v Speaker 1>There's a chairman.

1:02:45.160 --> 1:02:48.120
<v Speaker 8>I'm saying, yo, the decisions that we're making, I don't

1:02:48.160 --> 1:02:51.240
<v Speaker 8>know if I could continue the same way, you know

1:02:51.240 --> 1:02:52.440
<v Speaker 8>what I mean? And I said, so I had to

1:02:52.440 --> 1:02:55.200
<v Speaker 8>go hug some trees, had to go to hug some

1:02:55.240 --> 1:03:00.000
<v Speaker 8>trees walk on the dirty saying, and I said, I'm out.

1:03:00.000 --> 1:03:02.360
<v Speaker 8>People know I left in two thousand and nine. I said, yeah,

1:03:02.520 --> 1:03:09.520
<v Speaker 8>you know what, I'm good. But then you know, the

1:03:09.600 --> 1:03:12.160
<v Speaker 8>whole trade thing happened. And you know he was his

1:03:13.120 --> 1:03:14.600
<v Speaker 8>manager was one of my interns.

1:03:14.680 --> 1:03:15.880
<v Speaker 2>Talk about songs.

1:03:15.960 --> 1:03:18.560
<v Speaker 1>Yes, yes, And he said, y'all, I gotta fire my

1:03:18.560 --> 1:03:20.440
<v Speaker 1>manager said, man, why are you gonna fire him? You

1:03:20.440 --> 1:03:21.800
<v Speaker 1>should really work it out.

1:03:22.800 --> 1:03:27.320
<v Speaker 8>And so he said, y'all, I need you to uh

1:03:27.760 --> 1:03:28.200
<v Speaker 8>do a marrier.

1:03:28.200 --> 1:03:29.160
<v Speaker 1>I said, yeah, I'm not doing that.

1:03:30.120 --> 1:03:32.480
<v Speaker 2>And you like that groundwork more like management?

1:03:32.720 --> 1:03:33.320
<v Speaker 1>Do you do?

1:03:33.320 --> 1:03:34.120
<v Speaker 2>You enjoy it?

1:03:34.720 --> 1:03:39.640
<v Speaker 8>You gotta understand, Nord. I enjoyed being beside talent. I

1:03:39.720 --> 1:03:42.200
<v Speaker 8>enjoyed being signed brothers. When should go down, you know,

1:03:42.280 --> 1:03:46.600
<v Speaker 8>go down. I'm just enjoyed being around and next to people,

1:03:46.680 --> 1:03:47.919
<v Speaker 8>you know what I mean. So to me, I don't

1:03:47.960 --> 1:03:49.920
<v Speaker 8>know how to I really was where I got lost.

1:03:50.000 --> 1:03:52.280
<v Speaker 8>I'm sitting in our rey tower. All I had to

1:03:52.280 --> 1:03:56.000
<v Speaker 8>do was go around the country and fix problems. But

1:03:56.120 --> 1:04:00.880
<v Speaker 8>I tell you we should sign this artist named Chris Brown,

1:04:01.680 --> 1:04:04.480
<v Speaker 8>and you say he's not going to be I can't do.

1:04:04.480 --> 1:04:05.200
<v Speaker 1>I don't know what tell you.

1:04:05.360 --> 1:04:06.240
<v Speaker 2>I remember because.

1:04:08.000 --> 1:04:12.200
<v Speaker 8>I said, no name, but my girl manager them. I said,

1:04:12.240 --> 1:04:13.720
<v Speaker 8>you wish you to sign him, you don't want to sign him?

1:04:13.920 --> 1:04:19.160
<v Speaker 8>Then I tell you, yo, Rick shout to Rick. Rick

1:04:20.160 --> 1:04:26.480
<v Speaker 8>is one of those y'all you don't want to continue with.

1:04:27.120 --> 1:04:29.680
<v Speaker 8>You know, I was at that moment and you want

1:04:29.680 --> 1:04:32.240
<v Speaker 8>me to stand next to the motherfucker's putting their feet.

1:04:32.000 --> 1:04:34.240
<v Speaker 1>Over the head and I don't know. I don't know

1:04:34.280 --> 1:04:35.680
<v Speaker 1>what that ship. I don't do.

1:04:36.280 --> 1:04:38.439
<v Speaker 8>So my thing was I wanted to be with Arton

1:04:39.200 --> 1:04:40.520
<v Speaker 8>and so when I left, it was like.

1:04:42.280 --> 1:04:43.280
<v Speaker 1>I had to find myself.

1:04:43.280 --> 1:04:44.880
<v Speaker 8>And really, at the end of the day, I can't

1:04:44.880 --> 1:04:47.680
<v Speaker 8>go anywhere because even to this day, I still talk

1:04:47.760 --> 1:04:50.760
<v Speaker 8>to Todd, I still talk the whole I still talk

1:04:50.840 --> 1:04:53.120
<v Speaker 8>to X, I still talk to Jack, I still talk

1:04:53.160 --> 1:04:54.040
<v Speaker 8>to your silly ass.

1:04:54.120 --> 1:04:54.600
<v Speaker 2>That's why.

1:04:56.160 --> 1:04:57.680
<v Speaker 8>At the end of the day, that's so I don't

1:04:57.680 --> 1:04:58.920
<v Speaker 8>know how to get out of it, because it's in me.

1:04:59.200 --> 1:05:02.120
<v Speaker 8>You're give us someth I'm a I'm a former artist,

1:05:02.200 --> 1:05:04.840
<v Speaker 8>a DJ. When I was president of def JAM, I

1:05:04.880 --> 1:05:07.280
<v Speaker 8>had twelve hundreds in my office. Everybody noticed that we

1:05:07.480 --> 1:05:10.080
<v Speaker 8>we used to fuck Maryland and hang out and look

1:05:10.120 --> 1:05:13.520
<v Speaker 8>and I'm miss blessed Pop, I'm miss blessed.

1:05:15.240 --> 1:05:18.800
<v Speaker 1>Gotta be Twin. I can't even be mad. You find

1:05:18.840 --> 1:05:20.800
<v Speaker 1>out it's Twin, You're like, he got eight dollars in

1:05:20.880 --> 1:05:21.280
<v Speaker 1>his pocket.

1:05:21.320 --> 1:05:24.960
<v Speaker 2>He fucked up good You got twenty, but he he

1:05:25.040 --> 1:05:27.720
<v Speaker 2>got good. Heart. We get my tip.

1:05:28.240 --> 1:05:31.360
<v Speaker 1>Kevin Lowsman, I really appreciate you coming hanging out with

1:05:31.520 --> 1:05:33.920
<v Speaker 1>us because you guys are so important to the culture.

1:05:34.320 --> 1:05:36.280
<v Speaker 1>I love what you guys are doing at three hundred

1:05:36.400 --> 1:05:38.920
<v Speaker 1>because I just I just love the fact that you

1:05:39.000 --> 1:05:41.280
<v Speaker 1>guys can make all this money, have all the success,

1:05:41.320 --> 1:05:44.560
<v Speaker 1>and then still want to be the people that help

1:05:44.720 --> 1:05:49.280
<v Speaker 1>the artists push forward. And that's that because at the

1:05:49.360 --> 1:05:51.440
<v Speaker 1>end of the day, it could have been like it's

1:05:51.480 --> 1:05:53.400
<v Speaker 1>just all about us, fuck y'all. But it's like you

1:05:53.520 --> 1:05:57.600
<v Speaker 1>guys is like, like, I know these artists don't know

1:05:57.680 --> 1:06:02.080
<v Speaker 1>who you are, and that's what would it like. For instance,

1:06:02.200 --> 1:06:03.800
<v Speaker 1>like if Mellie Man will put me on a care

1:06:03.840 --> 1:06:07.240
<v Speaker 1>restaurant put me on, it's like, all right, cool, you know.

1:06:07.360 --> 1:06:08.760
<v Speaker 2>Exactly who he is. Whatever.

1:06:08.920 --> 1:06:12.240
<v Speaker 1>But Kev's history is so rich Leo, history is so rich,

1:06:12.320 --> 1:06:14.520
<v Speaker 1>and they don't really bring it up. It's not like

1:06:14.600 --> 1:06:16.160
<v Speaker 1>they go to the artist and be like, you know,

1:06:16.280 --> 1:06:17.760
<v Speaker 1>I made such and such and such.

1:06:17.960 --> 1:06:20.000
<v Speaker 2>They don't really live on the past like they said.

1:06:20.360 --> 1:06:21.880
<v Speaker 1>So I know that's why I gave that love of

1:06:21.920 --> 1:06:24.840
<v Speaker 1>to day day because I'm like, yo, listen if you listen,

1:06:25.280 --> 1:06:26.920
<v Speaker 1>because it's going to come a time Like I just

1:06:27.160 --> 1:06:27.680
<v Speaker 1>keeping it real.

1:06:27.720 --> 1:06:29.880
<v Speaker 2>I don't give for who you are, nobody.

1:06:30.080 --> 1:06:32.840
<v Speaker 1>There's not a book that says you got zero account

1:06:32.920 --> 1:06:34.800
<v Speaker 1>in your account today and then tomorrow you got four

1:06:34.880 --> 1:06:38.040
<v Speaker 1>hundred and twenty thousand, and how to act after that

1:06:38.120 --> 1:06:40.280
<v Speaker 1>four hundred and twenty thousand clears, like you know, when

1:06:40.280 --> 1:06:43.240
<v Speaker 1>it's pending, you're looking like, oh shit, like is it coming?

1:06:43.320 --> 1:06:45.880
<v Speaker 2>But when it fucking really clears, you like I got

1:06:45.960 --> 1:06:48.600
<v Speaker 2>four hundred and I could really do some shit.

1:06:48.680 --> 1:06:50.960
<v Speaker 1>And then you start you stop listening to them because

1:06:51.000 --> 1:06:52.880
<v Speaker 1>you think you did it on your own. I mean

1:06:52.960 --> 1:06:55.800
<v Speaker 1>that's artist syndrome one on what you know what I'm saying, like,

1:06:56.080 --> 1:06:59.560
<v Speaker 1>h and it's crazy because it might happen to you too,

1:06:59.760 --> 1:07:03.200
<v Speaker 1>or three many times it happened to me three times

1:07:04.440 --> 1:07:09.120
<v Speaker 1>up you know, put up Tommy Boy then Depth Jam,

1:07:09.160 --> 1:07:10.800
<v Speaker 1>you know what I mean? And Depth Jam was like

1:07:10.840 --> 1:07:14.000
<v Speaker 1>playing for the Yankees at that time, Like it was

1:07:14.360 --> 1:07:17.440
<v Speaker 1>truly like playing for the Yankees. It was like, like

1:07:17.560 --> 1:07:21.200
<v Speaker 1>I said, like I never went on tour that many times,

1:07:21.280 --> 1:07:24.000
<v Speaker 1>Like Kevin Lowles came to me and was like, look, motherfucker,

1:07:24.720 --> 1:07:28.080
<v Speaker 1>we we here, but we need to be here and

1:07:28.600 --> 1:07:30.840
<v Speaker 1>you might not see your family for the next two months.

1:07:30.880 --> 1:07:33.720
<v Speaker 2>You can fly him out though, fly them out, but

1:07:34.280 --> 1:07:37.000
<v Speaker 2>that that does that still exist in hip hop.

1:07:37.240 --> 1:07:39.520
<v Speaker 8>I'm glad you Every year we put out a new

1:07:39.600 --> 1:07:42.400
<v Speaker 8>artist tour. We put out Young Hustle Tour last year.

1:07:42.840 --> 1:07:45.160
<v Speaker 8>Now we're dropping the Birth of a New Nation tour

1:07:45.280 --> 1:07:50.480
<v Speaker 8>with Shot Lizzie Day Day and P and b Rock

1:07:50.720 --> 1:07:53.520
<v Speaker 8>goes out in November, A P and b Rock. We're

1:07:53.600 --> 1:07:57.560
<v Speaker 8>always gonna invest in the street because what I hope

1:07:57.600 --> 1:08:00.320
<v Speaker 8>to find in the city is the next Nor, the

1:08:00.440 --> 1:08:02.520
<v Speaker 8>next P and b Rock, the next Shock, Lizzie, the

1:08:02.600 --> 1:08:04.880
<v Speaker 8>next day they and we go to every city. I

1:08:04.920 --> 1:08:09.080
<v Speaker 8>don't just invite fans, I invite hustlers, invite the artists.

1:08:09.080 --> 1:08:11.440
<v Speaker 8>I'm like, whoever making noise in the town, come out

1:08:11.480 --> 1:08:13.080
<v Speaker 8>and hang out with us. But you're gonna look at

1:08:13.120 --> 1:08:14.720
<v Speaker 8>my ship and you wanna tell me how i' gonna

1:08:14.720 --> 1:08:16.960
<v Speaker 8>break my ship in your marketplace and we're gonna.

1:08:16.760 --> 1:08:19.040
<v Speaker 1>Get money together. And that to me, you can't you

1:08:19.120 --> 1:08:20.559
<v Speaker 1>get no better than.

1:08:20.520 --> 1:08:24.320
<v Speaker 8>That because again, like day, they still growing, so he

1:08:24.400 --> 1:08:26.720
<v Speaker 8>don't really know how to engage like Norrid, like I

1:08:26.760 --> 1:08:28.400
<v Speaker 8>want Noorid to fuck with them all.

1:08:28.960 --> 1:08:29.439
<v Speaker 1>I want him to.

1:08:29.680 --> 1:08:31.280
<v Speaker 2>I want to win your artist development partner.

1:08:32.720 --> 1:08:33.759
<v Speaker 10>You know you don't.

1:08:35.560 --> 1:08:39.800
<v Speaker 14>I ask somebody for nothing eighty four. But I'm saying like,

1:08:40.120 --> 1:08:41.920
<v Speaker 14>like to me, I want I want people.

1:08:43.240 --> 1:08:44.960
<v Speaker 8>The reason we do this tour because I want young

1:08:45.000 --> 1:08:48.240
<v Speaker 8>artists to know that we believe that through touching your fans,

1:08:48.600 --> 1:08:49.240
<v Speaker 8>you become.

1:08:49.160 --> 1:08:52.400
<v Speaker 1>Art, not just a record, right, And that's that's the difference.

1:08:52.439 --> 1:08:54.519
<v Speaker 1>We're not. We're not pop music like that, you know

1:08:54.560 --> 1:08:55.759
<v Speaker 1>what I mean. We got to get on our street.

1:08:55.840 --> 1:08:57.760
<v Speaker 1>We have to be in the street because I feel

1:08:57.800 --> 1:08:59.400
<v Speaker 1>like I feel like that too, because I feel like

1:08:59.800 --> 1:09:01.960
<v Speaker 1>I lot of times these artists don't have training, like

1:09:02.040 --> 1:09:04.519
<v Speaker 1>they don't have they don't have somebody like me, Like

1:09:04.720 --> 1:09:09.160
<v Speaker 1>like I remember seeing young Dog go to Serious Satellite

1:09:09.360 --> 1:09:11.760
<v Speaker 1>and I was I remember seeing like him saying, y'

1:09:11.800 --> 1:09:13.680
<v Speaker 1>I'm gonna play the record and then Lee all going

1:09:13.720 --> 1:09:16.040
<v Speaker 1>to Sway and going to his air and I.

1:09:16.120 --> 1:09:19.360
<v Speaker 2>Was just like, people don't care that much. No more

1:09:19.800 --> 1:09:22.280
<v Speaker 2>like you're the only company that fucking kids like that,

1:09:22.600 --> 1:09:23.600
<v Speaker 2>Like you.

1:09:23.640 --> 1:09:26.240
<v Speaker 8>Know, shout out to Atlantic Records. I think I think

1:09:26.320 --> 1:09:29.840
<v Speaker 8>Cos and Julie kids, we give them a pass.

1:09:29.920 --> 1:09:41.479
<v Speaker 5>But so man, Kevin Lewles was, oh, ja Kins came

1:09:41.520 --> 1:09:43.120
<v Speaker 5>in you straight from the gym?

1:09:44.560 --> 1:09:47.240
<v Speaker 15>Y how you look like you're coming from the gym

1:09:47.360 --> 1:09:57.400
<v Speaker 15>and you drunk? I'm no kids out of control on

1:09:58.680 --> 1:10:00.800
<v Speaker 15>Jadakins hold.

1:10:00.960 --> 1:10:04.960
<v Speaker 1>I want to say something about real quick. So part

1:10:05.000 --> 1:10:07.639
<v Speaker 1>of part of our culture.

1:10:08.320 --> 1:10:12.120
<v Speaker 8>Even if you weren't signed a Death Jam or three

1:10:12.240 --> 1:10:16.000
<v Speaker 8>hundred or any of that ship, that straight, any.

1:10:15.840 --> 1:10:16.560
<v Speaker 1>Of that ship going on.

1:10:17.800 --> 1:10:21.040
<v Speaker 14>If you hip hop, you respect hip hop. I could

1:10:21.080 --> 1:10:24.080
<v Speaker 14>call kiss and say, Yo, this is what I'm thinking,

1:10:24.640 --> 1:10:26.519
<v Speaker 14>This is what what what? This is what he can

1:10:26.560 --> 1:10:28.519
<v Speaker 14>call me to and he can check me and say, yo,

1:10:29.080 --> 1:10:33.160
<v Speaker 14>why y'all do that? And that to me is when

1:10:33.200 --> 1:10:37.360
<v Speaker 14>you talk about true motherfucker's real people. This dude right here,

1:10:37.880 --> 1:10:40.080
<v Speaker 14>he knew and by the way, show up.

1:10:40.640 --> 1:10:43.160
<v Speaker 8>He ain't got to worry about about homeboy and Mam,

1:10:43.240 --> 1:10:44.200
<v Speaker 8>I talked you about evolution.

1:10:45.240 --> 1:10:46.559
<v Speaker 1>He's not a rapper. He's a man.

1:10:47.400 --> 1:10:52.760
<v Speaker 8>Y'all gotta stop like giving titles to real people like that.

1:10:52.880 --> 1:10:54.160
<v Speaker 1>You know, this guy's a man.

1:10:54.800 --> 1:10:58.639
<v Speaker 14>He's going to go around and influence lots of people

1:10:58.800 --> 1:11:01.840
<v Speaker 14>through his music, through his love, through his art, and

1:11:02.000 --> 1:11:04.839
<v Speaker 14>that to me, he belongs in the Smithsonian Institute.

1:11:05.800 --> 1:11:10.960
<v Speaker 1>My nigga, that's that's that's love, right, love?

1:11:11.240 --> 1:11:11.840
<v Speaker 2>That was love.

1:11:12.880 --> 1:11:20.720
<v Speaker 1>We gotta do a show the million Vanilla. I know, yeah,

1:11:21.240 --> 1:11:23.599
<v Speaker 1>I don't know that out here.

1:11:24.080 --> 1:11:28.400
<v Speaker 2>I'm here, kids, Hold on where you going? You can click? Okay?

1:11:28.439 --> 1:11:31.400
<v Speaker 2>All right, my bad? You're doing you see we got

1:11:31.600 --> 1:11:33.800
<v Speaker 2>an executive room. We have the executives. You know what

1:11:33.800 --> 1:11:36.760
<v Speaker 2>I mean? Cats jump back cases.

1:11:41.800 --> 1:11:43.200
<v Speaker 8>All right here? Please?

1:11:47.880 --> 1:11:52.360
<v Speaker 2>Yoh the last one? Got it?

1:11:54.920 --> 1:11:55.960
<v Speaker 1>All right? Your love?

1:11:56.240 --> 1:11:58.920
<v Speaker 2>Say so?

1:11:59.080 --> 1:12:04.040
<v Speaker 1>Classic? Ja the kiss? What's going on?

1:12:04.240 --> 1:12:04.599
<v Speaker 3>My brother?

1:12:05.040 --> 1:12:05.320
<v Speaker 1>Baby?

1:12:05.760 --> 1:12:07.000
<v Speaker 2>Did we just rob beats together?

1:12:07.120 --> 1:12:11.320
<v Speaker 1>You know you you went for the real you had Listen.

1:12:11.439 --> 1:12:12.439
<v Speaker 2>I came back with a bag.

1:12:12.560 --> 1:12:15.160
<v Speaker 1>He came back with bags and the plug and Lee's

1:12:15.200 --> 1:12:17.280
<v Speaker 1>trying to hold it. Lee, don't get to attached to

1:12:17.360 --> 1:12:17.840
<v Speaker 1>my back.

1:12:19.040 --> 1:12:21.400
<v Speaker 2>Your word, you got your hat, you got my ship.

1:12:21.439 --> 1:12:24.000
<v Speaker 2>I'm watching you, yo.

1:12:24.120 --> 1:12:25.880
<v Speaker 1>What's going on? Kiss? Yo?

1:12:26.040 --> 1:12:27.320
<v Speaker 2>You know what I thought about the other day.

1:12:28.640 --> 1:12:31.679
<v Speaker 1>I said, we gotta do a not not a reality show,

1:12:31.760 --> 1:12:35.800
<v Speaker 1>but like a scripted show. Everybody loves Jada Kiss. Shut

1:12:35.920 --> 1:12:36.200
<v Speaker 1>it up.

1:12:36.320 --> 1:12:45.920
<v Speaker 16>You got the connect right now, let's get that. Oh yeah, yeah, yeah, yeah, Okay,

1:12:46.439 --> 1:12:47.519
<v Speaker 16>this is twin, you know twins.

1:12:47.640 --> 1:12:52.040
<v Speaker 2>Jada Kiss. He broke me everywhere, He broke his nigga

1:12:52.160 --> 1:12:53.680
<v Speaker 2>that we got down with us. But he got a

1:12:53.720 --> 1:12:55.679
<v Speaker 2>good heart. He gotta kill heart.

1:12:56.160 --> 1:12:57.920
<v Speaker 8>Hold on, you want to do this, Jaden Nor on

1:12:58.000 --> 1:13:00.880
<v Speaker 8>TV to be in here in personne and you consider

1:13:00.920 --> 1:13:02.080
<v Speaker 8>with my friends and I'm drunk.

1:13:01.920 --> 1:13:03.040
<v Speaker 2>You're allowed on my mic.

1:13:06.840 --> 1:13:08.240
<v Speaker 1>Kicking out the episode.

1:13:08.280 --> 1:13:11.280
<v Speaker 2>Let's get let's get your life together, your life.

1:13:11.120 --> 1:13:13.400
<v Speaker 17>Together, Jay the kish Man. You just got off the

1:13:13.439 --> 1:13:15.519
<v Speaker 17>Bad Boy tour. Yeah yeah, he just came off the

1:13:15.600 --> 1:13:16.280
<v Speaker 17>Bad Boy tour.

1:13:16.520 --> 1:13:16.880
<v Speaker 2>Uh huh.

1:13:17.360 --> 1:13:20.680
<v Speaker 17>It was a great, great family reunion. Great you know

1:13:20.720 --> 1:13:22.679
<v Speaker 17>what I mean. Everybody's in a great space.

1:13:22.800 --> 1:13:23.000
<v Speaker 1>It was.

1:13:23.200 --> 1:13:27.479
<v Speaker 2>It went real, very successful. Yesterday I seen something very interesting.

1:13:27.640 --> 1:13:29.560
<v Speaker 2>We was at the college pick up to college. He

1:13:29.600 --> 1:13:32.800
<v Speaker 2>got his own camp inside the students and I walked

1:13:32.840 --> 1:13:35.479
<v Speaker 2>into a conversation and it's you and Mace there and

1:13:35.560 --> 1:13:37.000
<v Speaker 2>Maces like, I'll do your ship.

1:13:37.160 --> 1:13:38.840
<v Speaker 1>But I ain't going to the breakfast club. And I

1:13:38.960 --> 1:13:41.400
<v Speaker 1>was like, he was like, because I'll be wanting to fight.

1:13:41.800 --> 1:13:43.800
<v Speaker 1>Did me say he be wanting to fight? That was

1:13:43.880 --> 1:13:49.200
<v Speaker 1>exact word. I be wanting to fight, and don't be.

1:13:51.479 --> 1:13:54.479
<v Speaker 2>I ain't gonna bro said hold on, I said, Mace,

1:13:54.880 --> 1:13:57.960
<v Speaker 2>it's crazy. I think Mace he about that life.

1:13:58.000 --> 1:13:58.880
<v Speaker 1>Oh no, lord, you think so?

1:13:59.479 --> 1:14:02.360
<v Speaker 2>I eat squat ma ain't got beef for some.

1:14:03.280 --> 1:14:04.040
<v Speaker 1>I don't even know what.

1:14:05.120 --> 1:14:08.679
<v Speaker 17>Probably it probably was. They probably don't talk too kindly

1:14:08.760 --> 1:14:11.000
<v Speaker 17>of him up there, Sean. I don't really know what

1:14:11.120 --> 1:14:15.640
<v Speaker 17>the was his breakfast club, the strepan se Is. We

1:14:15.760 --> 1:14:18.200
<v Speaker 17>heard him say, here do the drink champs though. That's right,

1:14:18.280 --> 1:14:21.120
<v Speaker 17>big up, mates, we want you here. Then you can

1:14:21.160 --> 1:14:25.320
<v Speaker 17>fight whoever you want over here. It's okay, we don't mind.

1:14:25.400 --> 1:14:26.200
<v Speaker 1>I was just playing mats.

1:14:26.200 --> 1:14:26.320
<v Speaker 6>You know.

1:14:26.479 --> 1:14:28.040
<v Speaker 1>I've seen him in St K the other day.

1:14:28.760 --> 1:14:29.840
<v Speaker 2>We sat there, chopped it up.

1:14:30.240 --> 1:14:32.160
<v Speaker 1>It was awkward because I did offer him a drink,

1:14:32.400 --> 1:14:35.240
<v Speaker 1>not out of disrespect. That's what you do, That's what

1:14:35.360 --> 1:14:36.920
<v Speaker 1>I do now. He just looked at me like no,

1:14:37.080 --> 1:14:38.640
<v Speaker 1>and I was like, oh yeah, I forgot, you know,

1:14:38.760 --> 1:14:40.479
<v Speaker 1>the whole thing. But I want to pick up. I

1:14:40.520 --> 1:14:44.000
<v Speaker 1>want to pick up the Bad Boy Reunion tour because

1:14:44.200 --> 1:14:48.479
<v Speaker 1>I went to see y'all out in Vegas, Yo, and

1:14:48.600 --> 1:14:50.640
<v Speaker 1>you guys were very professional.

1:14:50.760 --> 1:14:51.720
<v Speaker 2>Like I'm talking about.

1:14:51.560 --> 1:14:55.240
<v Speaker 1>Everybody I was on time that was dead before there

1:14:55.320 --> 1:14:59.919
<v Speaker 1>was a prayer that happened, like that ship was flawless.

1:15:00.280 --> 1:15:03.240
<v Speaker 17>Noah did a big shout out, that big shout out

1:15:03.240 --> 1:15:04.200
<v Speaker 17>to the whole staffy.

1:15:04.760 --> 1:15:07.320
<v Speaker 2>It was really like a theatrical play that to him,

1:15:07.479 --> 1:15:08.400
<v Speaker 2>you know what I mean, it was a.

1:15:08.760 --> 1:15:12.360
<v Speaker 17>It was a nineties hip hop medley of you know,

1:15:12.479 --> 1:15:15.840
<v Speaker 17>the hits that was made back then. But the structure

1:15:15.880 --> 1:15:17.960
<v Speaker 17>in the format of it, like he said, it was

1:15:18.040 --> 1:15:21.240
<v Speaker 17>like it's like a play. Like everybody on time, anybody

1:15:21.439 --> 1:15:22.960
<v Speaker 17>backstage getting miked up.

1:15:23.400 --> 1:15:24.840
<v Speaker 2>It went very successful.

1:15:24.880 --> 1:15:26.880
<v Speaker 17>It was a good I actually want to do some

1:15:27.040 --> 1:15:29.200
<v Speaker 17>more because I'm trying to furnish this new house.

1:15:29.240 --> 1:15:35.280
<v Speaker 2>I just let's make them more. Get the motherfucker, yo.

1:15:35.360 --> 1:15:43.240
<v Speaker 2>Listen my nigga k K in the building. Listen nominee, listen, listen.

1:15:43.520 --> 1:15:46.519
<v Speaker 1>Opposite, and ain't nobody credit card in this room, right,

1:15:46.560 --> 1:15:47.519
<v Speaker 1>it's a Valut credit card.

1:15:47.560 --> 1:15:49.280
<v Speaker 2>We're gonna charge. We're gonna smoke and charge it.

1:15:49.360 --> 1:15:58.320
<v Speaker 1>The revault trying to see him. I'll see you, nigga,

1:15:58.720 --> 1:15:59.679
<v Speaker 1>this is going down.

1:16:00.400 --> 1:16:01.120
<v Speaker 2>Listen to Revolt.

1:16:01.640 --> 1:16:03.320
<v Speaker 1>You know, man, I just want to pick up a

1:16:03.400 --> 1:16:07.240
<v Speaker 1>volt this conference because since like Mixed Show, Power Summing,

1:16:07.720 --> 1:16:11.680
<v Speaker 1>I haven't even if there has been like fake conferences.

1:16:11.200 --> 1:16:13.439
<v Speaker 2>I haven't been a part of them. And when I

1:16:13.680 --> 1:16:16.000
<v Speaker 2>was a part of them or came, it was not

1:16:16.120 --> 1:16:16.599
<v Speaker 2>put together.

1:16:16.720 --> 1:16:17.320
<v Speaker 1>Like last night.

1:16:17.360 --> 1:16:18.920
<v Speaker 2>I just walked through the lobby. I got to see you.

1:16:19.040 --> 1:16:21.599
<v Speaker 1>I got to see Jim Jones, I got to see

1:16:21.640 --> 1:16:25.280
<v Speaker 1>to Harry, I got to see DJ Quick Quicksilver, I

1:16:25.360 --> 1:16:28.000
<v Speaker 1>got to see Esak. I got to see Clark. Can't

1:16:28.040 --> 1:16:30.000
<v Speaker 1>Clark can't be Clark can't scare because.

1:16:29.800 --> 1:16:31.719
<v Speaker 2>One of my I know, Clark Kent starts.

1:16:31.720 --> 1:16:33.320
<v Speaker 1>You know what I'm saying. He's sill, a little, he

1:16:33.439 --> 1:16:35.040
<v Speaker 1>a little nervous at the drink champ. But were getting

1:16:35.080 --> 1:16:38.240
<v Speaker 1>your ass on here, clock But bick up to everybody,

1:16:38.240 --> 1:16:40.080
<v Speaker 1>because that's what the music business.

1:16:40.120 --> 1:16:40.320
<v Speaker 8>You know.

1:16:40.560 --> 1:16:40.720
<v Speaker 2>You know.

1:16:41.040 --> 1:16:44.680
<v Speaker 1>One of the uh, one of the best nights I

1:16:44.760 --> 1:16:46.800
<v Speaker 1>ever had in my life was when Hot ninety Hot

1:16:46.920 --> 1:16:49.760
<v Speaker 1>ninety seven had something called hot Night in Jamaica.

1:16:49.439 --> 1:16:50.160
<v Speaker 8>You always tell me.

1:16:50.360 --> 1:16:53.000
<v Speaker 1>And they flew out there, and they flew out there

1:16:53.000 --> 1:16:55.360
<v Speaker 1>and we had no choice, like Whole, like this is

1:16:55.400 --> 1:17:00.519
<v Speaker 1>a true story. Hole the other rooms was wasn't was booked,

1:17:00.560 --> 1:17:03.519
<v Speaker 1>so Whole had to stay in the same hotel as us, Jamain,

1:17:03.720 --> 1:17:05.720
<v Speaker 1>we had to stay in the same hotel, like we're

1:17:05.800 --> 1:17:08.680
<v Speaker 1>all in one hotel. And it just it got a

1:17:08.800 --> 1:17:11.280
<v Speaker 1>chance for people to meet each other, like all right,

1:17:11.360 --> 1:17:12.840
<v Speaker 1>who I want you on the record? You and your

1:17:12.880 --> 1:17:14.960
<v Speaker 1>answer or you wanted me on record, I ain't answer.

1:17:15.080 --> 1:17:17.320
<v Speaker 1>Now we just sitting down drinking red stripes.

1:17:17.640 --> 1:17:18.240
<v Speaker 2>You know what I'm saying.

1:17:19.080 --> 1:17:21.920
<v Speaker 1>And you're like, oh, but and that's what this reminded

1:17:21.960 --> 1:17:24.519
<v Speaker 1>me of this music conference. It was like, you know,

1:17:25.600 --> 1:17:28.599
<v Speaker 1>I spoke to Jo Rul had flew out here, uh

1:17:29.000 --> 1:17:32.040
<v Speaker 1>DMX is out here, and it's like, I think with

1:17:32.200 --> 1:17:34.840
<v Speaker 1>Alda is doing is an awesome thing. This is this

1:17:35.000 --> 1:17:36.840
<v Speaker 1>is an awesome thing. They bringing it back to the essens.

1:17:37.200 --> 1:17:38.439
<v Speaker 1>You think that's important for us?

1:17:38.680 --> 1:17:43.400
<v Speaker 2>Definitely important for us. It's not even important for us.

1:17:43.560 --> 1:17:46.880
<v Speaker 17>It's important for the culture. Is important for the new

1:17:47.040 --> 1:17:50.840
<v Speaker 17>artists to know how to how what we went through,

1:17:50.920 --> 1:17:54.680
<v Speaker 17>and how the structure and and the networking.

1:17:55.240 --> 1:17:58.280
<v Speaker 2>The bigger, the bigger picture of this hip hop industry.

1:17:58.280 --> 1:17:59.880
<v Speaker 17>You know what I mean than just being an artist,

1:18:00.040 --> 1:18:02.880
<v Speaker 17>of being a producer, how to get longevity, how to

1:18:03.000 --> 1:18:05.200
<v Speaker 17>be in there for years, how to shut up your

1:18:05.320 --> 1:18:07.880
<v Speaker 17>build your brand and get your revenue right, you know

1:18:07.920 --> 1:18:08.280
<v Speaker 17>what I mean?

1:18:09.400 --> 1:18:14.240
<v Speaker 1>When I got to New York, I'm gonna have to

1:18:14.280 --> 1:18:15.640
<v Speaker 1>cut you off because nobody asked you.

1:18:21.840 --> 1:18:22.760
<v Speaker 2>You know, I don't know.

1:18:24.000 --> 1:18:25.640
<v Speaker 1>I didn't know neither. But for the record, let me

1:18:25.720 --> 1:18:28.680
<v Speaker 1>just explain this. What happened was we were supposed to

1:18:28.720 --> 1:18:31.720
<v Speaker 1>do Jo Rule earlier, and we were supposed to do

1:18:31.880 --> 1:18:32.280
<v Speaker 1>Kiss at that.

1:18:32.439 --> 1:18:33.519
<v Speaker 2>We're supposed to do this.

1:18:33.720 --> 1:18:34.439
<v Speaker 1>What really happened.

1:18:36.439 --> 1:18:39.120
<v Speaker 8>Yeah, you're right, I missed it because that has something

1:18:39.160 --> 1:18:39.360
<v Speaker 8>to do.

1:18:42.080 --> 1:18:45.040
<v Speaker 1>The job. Did he like, Yo, I'm gonna do you

1:18:45.200 --> 1:18:47.680
<v Speaker 1>in job? Well, that's how it happened, and that's how

1:18:47.720 --> 1:18:49.960
<v Speaker 1>it happened. And because of the episode, we got Dog

1:18:50.080 --> 1:18:57.639
<v Speaker 1>Pound with Tony Ya mixing the birth Level Collabo dream

1:18:57.760 --> 1:19:00.040
<v Speaker 1>Chance and you're still on the Collaboro drink chants could be.

1:19:02.720 --> 1:19:04.200
<v Speaker 2>But you know what, kiss, you know what, you know

1:19:04.240 --> 1:19:06.080
<v Speaker 2>what the crazy thing is? You know, I want to

1:19:06.120 --> 1:19:06.360
<v Speaker 2>thank you.

1:19:06.560 --> 1:19:08.680
<v Speaker 1>I want to thank all the artists because at the

1:19:08.760 --> 1:19:11.200
<v Speaker 1>end of the day, you know, style chic, I mean,

1:19:11.600 --> 1:19:15.000
<v Speaker 1>just everybody who participated in Drink Chance because me and

1:19:15.080 --> 1:19:17.479
<v Speaker 1>my partner dj e F and we had an idea

1:19:17.520 --> 1:19:19.919
<v Speaker 1>of what we was going to do, but we freestyled everything,

1:19:20.240 --> 1:19:22.000
<v Speaker 1>and y'all could have shut us down.

1:19:22.040 --> 1:19:24.160
<v Speaker 2>Y'all could have been like, nigga whatever, you know what

1:19:24.160 --> 1:19:24.559
<v Speaker 2>I'm saying.

1:19:24.880 --> 1:19:28.040
<v Speaker 1>And you know, Fat Joe was our first episode that

1:19:28.160 --> 1:19:31.519
<v Speaker 1>we put out. It wasn't the first one. The first

1:19:31.560 --> 1:19:36.280
<v Speaker 1>Woe recorded was Kenny Anderson and then like I really

1:19:36.400 --> 1:19:38.439
<v Speaker 1>call my friends like you know what I'm saying. So

1:19:39.160 --> 1:19:41.960
<v Speaker 1>you know, like when I ask people they eat ass

1:19:42.240 --> 1:19:44.160
<v Speaker 1>or how many abortions they had, Like a lot of

1:19:44.200 --> 1:19:51.240
<v Speaker 1>people can't got Avatar, but a lot of people like

1:19:51.360 --> 1:19:53.719
<v Speaker 1>they can't ask Fat Joe that you know what I'm saying.

1:19:53.960 --> 1:19:54.400
<v Speaker 1>They can't.

1:19:55.080 --> 1:19:59.960
<v Speaker 2>Freddie Bees, Freddie Bees, Jason, Freddie Versus.

1:20:00.040 --> 1:20:02.240
<v Speaker 1>He said, okay, yeah, yo yo, y're your Dominic You're

1:20:02.240 --> 1:20:03.440
<v Speaker 1>beating Dominican.

1:20:04.560 --> 1:20:05.000
<v Speaker 8>Texas.

1:20:05.760 --> 1:20:06.439
<v Speaker 1>He got sweat.

1:20:08.880 --> 1:20:16.759
<v Speaker 2>That's what I do, That's what I do, he texted

1:20:16.880 --> 1:20:17.800
<v Speaker 2>the Mdican.

1:20:23.680 --> 1:20:30.800
<v Speaker 1>Wrote he wrote it, I would have said, it's.

1:20:29.040 --> 1:20:30.160
<v Speaker 2>A specially gifts.

1:20:30.320 --> 1:20:34.800
<v Speaker 1>You got a special meal in dominicant I don't know

1:20:35.000 --> 1:20:37.200
<v Speaker 1>that in Dominican.

1:20:38.280 --> 1:20:41.400
<v Speaker 2>I ain't tell you popped that. No no, no, believe it.

1:20:41.600 --> 1:20:43.519
<v Speaker 2>Let me get cold. We can't do that, Jada kiss man.

1:20:43.560 --> 1:20:44.479
<v Speaker 2>He's a portant nikmas.

1:20:44.680 --> 1:20:47.240
<v Speaker 1>You know what we got them excuse him? N a bottles,

1:20:48.400 --> 1:20:50.439
<v Speaker 1>big yelling j f N.

1:20:50.560 --> 1:20:53.800
<v Speaker 17>You got a big yellow from the drink Chimps barbecue

1:20:54.120 --> 1:20:57.439
<v Speaker 17>because somehow the Moat people came to the studio.

1:20:58.080 --> 1:21:00.920
<v Speaker 2>He gave me the big josket, They gave me the cast.

1:21:01.000 --> 1:21:03.800
<v Speaker 2>We know how that happened, y'all.

1:21:04.360 --> 1:21:06.080
<v Speaker 1>That's the physical way I saw one of this. This

1:21:06.240 --> 1:21:09.040
<v Speaker 1>is the here's the thing, like, because midget don't want

1:21:09.080 --> 1:21:11.680
<v Speaker 1>to be called midgets no more. So I don't want

1:21:11.880 --> 1:21:12.439
<v Speaker 1>little people.

1:21:12.560 --> 1:21:15.000
<v Speaker 2>I don't want that world to just go away.

1:21:15.680 --> 1:21:22.479
<v Speaker 8>So yeah, so.

1:21:24.160 --> 1:21:27.680
<v Speaker 1>So those bottles of my way, it's called you know,

1:21:29.960 --> 1:21:32.920
<v Speaker 1>no disrespect to the community. Don't mean that no more,

1:21:33.920 --> 1:21:34.320
<v Speaker 1>no more.

1:21:34.840 --> 1:21:36.360
<v Speaker 2>You know what I'm saying. On YouTube, I saw that

1:21:36.439 --> 1:21:37.840
<v Speaker 2>nig can take your bottle.

1:21:37.880 --> 1:21:39.280
<v Speaker 10>He had to get you another one the next day

1:21:39.280 --> 1:21:39.719
<v Speaker 10>he brought.

1:21:39.680 --> 1:21:42.200
<v Speaker 1>Oh yeah on and yeah, yeah, that was my that

1:21:42.360 --> 1:21:44.080
<v Speaker 1>was my man. We just finished whinning.

1:21:44.240 --> 1:21:46.360
<v Speaker 17>That was because there's a tournament on my block that

1:21:46.600 --> 1:21:50.439
<v Speaker 17>though called him midnight Basketball tournament and we had just

1:21:50.520 --> 1:21:51.400
<v Speaker 17>finished playing.

1:21:51.200 --> 1:21:54.599
<v Speaker 2>Basketball at midnight. Yeah, they gotta niggas get shot y'all.

1:21:57.000 --> 1:22:01.160
<v Speaker 1>Basketball and bullets. I heard of this, so the chip thought,

1:22:01.800 --> 1:22:03.800
<v Speaker 1>and I was over there talking to one of my

1:22:03.920 --> 1:22:06.960
<v Speaker 1>men's and he can just pop my I mean, the

1:22:07.000 --> 1:22:08.240
<v Speaker 1>bottle was already popular.

1:22:08.360 --> 1:22:11.560
<v Speaker 2>You gotta I don't even drink, just start indulging.

1:22:11.640 --> 1:22:14.720
<v Speaker 1>And I had, Yeah, he's my man, though, White mak

1:22:14.800 --> 1:22:17.200
<v Speaker 1>he actually got namage off that he got about bigger

1:22:17.280 --> 1:22:17.760
<v Speaker 1>White Mark.

1:22:17.920 --> 1:22:21.280
<v Speaker 2>My mom's called me one day and said, on this

1:22:21.400 --> 1:22:22.040
<v Speaker 2>white boy.

1:22:21.960 --> 1:22:22.160
<v Speaker 1>On the.

1:22:27.000 --> 1:22:31.160
<v Speaker 2>I'm talking about real good assistant just not getting paid

1:22:31.240 --> 1:22:34.040
<v Speaker 2>this week. I gotta teach this.

1:22:34.360 --> 1:22:34.639
<v Speaker 8>I gotta.

1:22:35.280 --> 1:22:38.719
<v Speaker 1>I gotta teach you balance level spelled backwards, his level.

1:22:38.920 --> 1:22:41.320
<v Speaker 1>You gotta balance it, you know what I mean?

1:22:43.280 --> 1:22:44.519
<v Speaker 2>What's going on in hip hop?

1:22:45.040 --> 1:22:48.280
<v Speaker 1>Have you what you ever think that what's going on

1:22:48.640 --> 1:22:52.920
<v Speaker 1>in Philly was even possible, like because it's kind of

1:22:53.000 --> 1:22:54.120
<v Speaker 1>sad when you think about it.

1:22:54.240 --> 1:22:58.320
<v Speaker 17>On all sides, anything's possible though with this fucking ship,

1:22:59.040 --> 1:22:59.719
<v Speaker 17>I mean anything.

1:23:02.520 --> 1:23:04.519
<v Speaker 1>Yeah, that was.

1:23:04.560 --> 1:23:07.840
<v Speaker 2>Actually the only discrepancy of the tour, that incident in Philly.

1:23:07.920 --> 1:23:10.160
<v Speaker 1>That's the only thing that happen a bad boy.

1:23:11.760 --> 1:23:14.360
<v Speaker 2>So so what happened? So what happened in your opinion,

1:23:14.479 --> 1:23:14.680
<v Speaker 2>like I.

1:23:14.680 --> 1:23:15.479
<v Speaker 1>Mean I was in my room.

1:23:15.520 --> 1:23:17.400
<v Speaker 17>I ain't actually see it, but I guess it was

1:23:17.479 --> 1:23:23.000
<v Speaker 17>some type of altercation with somebody from Meeks Camping Single, right.

1:23:24.160 --> 1:23:25.880
<v Speaker 2>Yeah, So it's it's it's like, you.

1:23:25.960 --> 1:23:30.360
<v Speaker 1>Know, when y'all was battling the rock and even battling

1:23:30.439 --> 1:23:33.320
<v Speaker 1>the state property at or even g unit, it felt

1:23:33.439 --> 1:23:37.720
<v Speaker 1>like there was no hands that you know what I'm saying.

1:23:37.760 --> 1:23:39.040
<v Speaker 2>It was put on anybody so.

1:23:39.439 --> 1:23:44.799
<v Speaker 1>As not to cut you off. Yet those those times

1:23:45.000 --> 1:23:48.040
<v Speaker 1>was really though if you actually because it was when

1:23:48.120 --> 1:23:51.519
<v Speaker 1>those somebody could have really gotten the felt put.

1:23:51.400 --> 1:23:53.519
<v Speaker 2>It down back then, you know what I mean. So

1:23:53.680 --> 1:23:56.240
<v Speaker 2>it was it was like more intensive you asked me.

1:23:56.400 --> 1:24:00.760
<v Speaker 2>Then Now with the internet, because for when you had

1:24:00.800 --> 1:24:01.600
<v Speaker 2>a problem.

1:24:01.320 --> 1:24:04.120
<v Speaker 1>You had to see a nigga go to the studio.

1:24:04.760 --> 1:24:08.000
<v Speaker 2>Now you can just go on Twitter and you can stay.

1:24:07.760 --> 1:24:10.160
<v Speaker 1>In the crib in the cribb and fight you ship

1:24:10.240 --> 1:24:11.120
<v Speaker 1>from behind the people.

1:24:11.720 --> 1:24:12.479
<v Speaker 2>So it's a different.

1:24:12.640 --> 1:24:14.960
<v Speaker 4>It's different, but you know, and they're fighting for the camera.

1:24:15.400 --> 1:24:18.880
<v Speaker 17>It stays on wax right, it's therapeutic for hip hop.

1:24:19.400 --> 1:24:22.519
<v Speaker 17>Your hands on and people start getting something, you know,

1:24:22.720 --> 1:24:25.800
<v Speaker 17>struck vigorously, it can go a different way.

1:24:25.960 --> 1:24:28.360
<v Speaker 2>Great word, I love that word. Bigorous, you're gonna add

1:24:28.360 --> 1:24:29.840
<v Speaker 2>it to your No, No, I got that already.

1:24:29.880 --> 1:24:36.599
<v Speaker 1>Vigorously and enthusiastic, been been in my in my what's

1:24:36.640 --> 1:24:40.599
<v Speaker 1>it called bacolar With that three big words.

1:24:40.360 --> 1:24:41.960
<v Speaker 2>I used aga use them all right now?

1:24:42.160 --> 1:24:44.479
<v Speaker 1>You know what what's the other word?

1:24:45.040 --> 1:24:45.080
<v Speaker 2>On?

1:24:45.240 --> 1:24:52.840
<v Speaker 1>Told us? Because you know conscrewed, corroborate, corroborate. You know

1:24:52.920 --> 1:24:59.160
<v Speaker 1>we learned words on this podcast correlate. SOI me here

1:24:59.520 --> 1:24:59.800
<v Speaker 1>say that.

1:25:00.240 --> 1:25:02.240
<v Speaker 4>Uh uh correlate.

1:25:09.560 --> 1:25:12.040
<v Speaker 2>That means running. Just what y'all I don't know that is?

1:25:12.600 --> 1:25:14.639
<v Speaker 1>That is mister Lee from Star Rocks Clothing.

1:25:16.160 --> 1:25:17.200
<v Speaker 10>I'm here, man, I'm telling.

1:25:17.360 --> 1:25:19.880
<v Speaker 1>I'm telling for rolling them, they should buy his clothes line.

1:25:20.320 --> 1:25:23.080
<v Speaker 2>Just put him on his clothes line is hard. Yeah,

1:25:23.160 --> 1:25:24.160
<v Speaker 2>let's do it. But don't do it.

1:25:24.680 --> 1:25:27.120
<v Speaker 1>Juice balls, No cas, you just opened up Brooklyn.

1:25:27.000 --> 1:25:29.000
<v Speaker 17>Ye shout out to b K. We opened one on

1:25:29.120 --> 1:25:32.759
<v Speaker 17>Malcolm X. All right, Yeah, we're working.

1:25:32.880 --> 1:25:33.840
<v Speaker 1>Can we get that in Miami?

1:25:33.880 --> 1:25:36.040
<v Speaker 2>We need to do that, definitely.

1:25:36.320 --> 1:25:36.360
<v Speaker 8>No.

1:25:39.160 --> 1:25:41.719
<v Speaker 1>I was gonna get in, but then we started drinking camps.

1:25:41.760 --> 1:25:44.080
<v Speaker 2>That's like, I may not it may not relate perfect.

1:25:44.560 --> 1:25:47.040
<v Speaker 1>You need the details. Juice in the morning. Juice up

1:25:47.040 --> 1:25:47.439
<v Speaker 1>in the morning.

1:25:47.520 --> 1:25:49.519
<v Speaker 2>We get drunk in the morning.

1:25:49.680 --> 1:25:53.040
<v Speaker 1>We not you know, if we open up a juice

1:25:53.160 --> 1:25:57.400
<v Speaker 1>or drink chaps for life, A right, a drink Champ

1:25:57.720 --> 1:26:02.200
<v Speaker 1>drinks for life. So in the daytime juice up you

1:26:02.240 --> 1:26:05.880
<v Speaker 1>will get a little tiger. But then at nighttime just tiger,

1:26:06.040 --> 1:26:09.759
<v Speaker 1>googong boggy. All of this and all of the foulers

1:26:09.960 --> 1:26:12.960
<v Speaker 1>lookers in the worlds. It just brings you under the table,

1:26:13.040 --> 1:26:17.800
<v Speaker 1>the bummers. Yeah, you just gotta get under the alright, twin,

1:26:18.240 --> 1:26:19.639
<v Speaker 1>I like, I like to do your job.

1:26:20.200 --> 1:26:24.120
<v Speaker 2>Your job. It's just snap. So Jada kiss man, what what?

1:26:24.320 --> 1:26:24.360
<v Speaker 8>What?

1:26:24.479 --> 1:26:27.479
<v Speaker 2>What's going on? So are you doing a juice Bobby?

1:26:28.120 --> 1:26:30.160
<v Speaker 1>I heard something like a m t V or something

1:26:30.200 --> 1:26:32.960
<v Speaker 1>that greenlit some ship. You and camera Cameron got some ship.

1:26:33.000 --> 1:26:35.360
<v Speaker 1>And then also y'all got a juice bar ship.

1:26:35.960 --> 1:26:38.560
<v Speaker 17>I think we got one of the I think we

1:26:38.640 --> 1:26:41.240
<v Speaker 17>got we ain't talks. We ain't talks with MTV to

1:26:41.560 --> 1:26:42.360
<v Speaker 17>make something happen.

1:26:42.560 --> 1:26:46.880
<v Speaker 2>Oh, niggas really lit up. I thought y'all was playing well, man,

1:26:46.960 --> 1:26:50.519
<v Speaker 2>I ain't got nothing to do with that. Look, ain't

1:26:50.560 --> 1:26:51.799
<v Speaker 2>look bigga, I ain't smoking.

1:26:51.920 --> 1:27:02.080
<v Speaker 1>It sounds like somebody nuke gets the what they said that?

1:27:03.240 --> 1:27:04.480
<v Speaker 2>Yeah, y'all motherfuckers.

1:27:05.240 --> 1:27:08.360
<v Speaker 1>This is loud nigga. That ship ain't doing nothing. That

1:27:08.520 --> 1:27:12.760
<v Speaker 1>covering this is we're smoking live on Revolt man. Fuck

1:27:12.800 --> 1:27:18.120
<v Speaker 1>it about to get the sprinkle, yo. So look, I

1:27:18.200 --> 1:27:20.760
<v Speaker 1>just want to throw this out there. The Boat the

1:27:20.840 --> 1:27:29.640
<v Speaker 1>Bogie nominees are Mac Miller, Joe Budd, Post Malone, n

1:27:29.720 --> 1:27:37.400
<v Speaker 1>O r E, my nigga K Wow Spot and listen

1:27:37.479 --> 1:27:39.760
<v Speaker 1>a lot of people don't know who K is, but

1:27:39.880 --> 1:27:43.680
<v Speaker 1>he the bogie nigga of the years. I'm gonna throw

1:27:43.720 --> 1:27:45.439
<v Speaker 1>that out there. Come on, shout out to Instagram and

1:27:45.520 --> 1:27:53.360
<v Speaker 1>all that. Come on, Yo, I stopped smoking. I stopped

1:27:53.360 --> 1:27:56.439
<v Speaker 1>smoking for like six months and K didn't talk to

1:27:56.520 --> 1:27:57.559
<v Speaker 1>me that those six months.

1:27:58.720 --> 1:28:02.760
<v Speaker 12>That that was the that was the new I was

1:28:03.000 --> 1:28:08.200
<v Speaker 12>feeling that K was like, I like you, butther nigga

1:28:08.240 --> 1:28:10.160
<v Speaker 12>with the other nigga A you know what I'm saying,

1:28:10.160 --> 1:28:11.280
<v Speaker 12>that's my nigga, K Man.

1:28:11.560 --> 1:28:14.400
<v Speaker 2>Okay, you've been you know. That's the first nominee for

1:28:14.479 --> 1:28:18.200
<v Speaker 2>anything in him in the Dream Champions Award.

1:28:18.240 --> 1:28:21.320
<v Speaker 1>You know we're giving Puff is also nominated for ass

1:28:21.520 --> 1:28:21.880
<v Speaker 1>of the Year.

1:28:22.000 --> 1:28:25.439
<v Speaker 2>You're gonna eat gonna Yeah, you didn't gets in the man.

1:28:25.560 --> 1:28:27.880
<v Speaker 1>He's that dominated for the year.

1:28:28.960 --> 1:28:32.320
<v Speaker 2>But kay, you know, I feel like the years are crazy, y'all. Fight.

1:28:33.200 --> 1:28:35.120
<v Speaker 1>A lot of niggas been hitting me like Jack Jordan

1:28:35.200 --> 1:28:37.559
<v Speaker 1>have been hitting me like yo, yeah he like yo.

1:28:39.520 --> 1:28:41.720
<v Speaker 1>You know, Puff can't win that award over me. And

1:28:41.840 --> 1:28:44.080
<v Speaker 1>I'm like, whoever nicer to me that night, nigga? You know,

1:28:44.160 --> 1:28:46.519
<v Speaker 1>we might give it to him, But look, k K

1:28:46.720 --> 1:28:49.679
<v Speaker 1>is a real boge. Nigga of the Year for years.

1:28:49.760 --> 1:28:51.960
<v Speaker 1>I've been seeing this nigga listen, and we know what

1:28:52.000 --> 1:28:54.320
<v Speaker 1>I want to. I want to promote you more because

1:28:55.360 --> 1:28:57.719
<v Speaker 1>I see you and Jada together.

1:28:58.000 --> 1:28:58.200
<v Speaker 2>Y'all.

1:28:58.320 --> 1:29:01.960
<v Speaker 1>Loyalty is serious. That's really your your friend from the

1:29:02.120 --> 1:29:06.080
<v Speaker 1>from from getting me seeing third grade ship miss E

1:29:06.200 --> 1:29:06.840
<v Speaker 1>Banks class.

1:29:07.360 --> 1:29:09.719
<v Speaker 2>Yeah, that's what it's about, though, a lot of people

1:29:09.760 --> 1:29:11.360
<v Speaker 2>don't have that now and then keep you you know

1:29:11.400 --> 1:29:13.760
<v Speaker 2>what I'm saying, We're gonna get blow up.

1:29:13.800 --> 1:29:14.120
<v Speaker 1>Niggas.

1:29:14.120 --> 1:29:17.120
<v Speaker 2>Gotta put the tower under the door and be quiet.

1:29:17.680 --> 1:29:21.439
<v Speaker 1>God, but God, that's how it is, though. You know,

1:29:21.760 --> 1:29:22.880
<v Speaker 1>loyalty is everything.

1:29:23.320 --> 1:29:27.120
<v Speaker 2>You bogness though, because he's working out, he's looking good.

1:29:27.520 --> 1:29:29.639
<v Speaker 1>Yeah, you gotta get back. You see on the tread

1:29:30.120 --> 1:29:33.000
<v Speaker 1>with the bogie. Yeah, my bog next way the water

1:29:33.080 --> 1:29:37.479
<v Speaker 1>is supposed to go on the train. Get on the trade.

1:29:37.520 --> 1:29:37.640
<v Speaker 8>Man.

1:29:37.680 --> 1:29:38.680
<v Speaker 1>I got a light one up.

1:29:38.960 --> 1:29:43.719
<v Speaker 2>It's bad track Smoker Bogey.

1:29:43.760 --> 1:29:47.479
<v Speaker 1>After running Canyon, I smoke the bogie during running enough.

1:29:48.360 --> 1:29:51.439
<v Speaker 1>After I got up, I was like, yeah, man, you know,

1:29:51.439 --> 1:29:55.639
<v Speaker 1>I mean too, I do the same thing. Basketball, Come

1:29:55.640 --> 1:30:03.360
<v Speaker 1>on Eve, nobody all that shut it up. Yo, Yo,

1:30:03.400 --> 1:30:05.840
<v Speaker 1>it's okay man. I want to honor you because you're

1:30:05.840 --> 1:30:09.719
<v Speaker 1>coming up. We're still doing the Drink Champs Awards January second,

1:30:10.000 --> 1:30:12.320
<v Speaker 1>for all the people that's that's the Hangover Awards is

1:30:12.360 --> 1:30:16.240
<v Speaker 1>the day after New Year's so so we're trying to

1:30:16.320 --> 1:30:19.120
<v Speaker 1>catch everybody that's in puff House. When y'all leave puff

1:30:19.200 --> 1:30:22.320
<v Speaker 1>House come to the Drink Champs, and we're gonna broadcast this.

1:30:22.439 --> 1:30:26.000
<v Speaker 1>We dead seriously, Oh, I forgot buster is a bogie nominee.

1:30:26.520 --> 1:30:30.000
<v Speaker 1>Uh we have to ask either. Edie thinks he got it,

1:30:30.080 --> 1:30:34.120
<v Speaker 1>but we're not sure. I'm just saying, look, I'm just

1:30:34.200 --> 1:30:37.400
<v Speaker 1>saying I'm gonna keep it real because I want to

1:30:37.439 --> 1:30:40.080
<v Speaker 1>give it the because puff Puff got bad and you

1:30:40.240 --> 1:30:42.080
<v Speaker 1>just he proposed it to Angeline.

1:30:42.600 --> 1:30:42.680
<v Speaker 4>Yo.

1:30:42.800 --> 1:30:42.920
<v Speaker 2>Yo.

1:30:43.000 --> 1:30:45.320
<v Speaker 1>Yeah, we had Angela on the other day. He was

1:30:45.360 --> 1:30:48.280
<v Speaker 1>like this, Eddie asked Angelie start getting red.

1:30:48.400 --> 1:30:50.120
<v Speaker 2>He's like, I'll eat your ass like.

1:30:53.360 --> 1:30:58.880
<v Speaker 1>Man, he got Yeah, we found niggas over oh ship

1:30:59.439 --> 1:31:00.639
<v Speaker 1>that looked like the police.

1:31:04.600 --> 1:31:05.759
<v Speaker 2>You know me, I'm so watching.

1:31:06.200 --> 1:31:13.040
<v Speaker 8>I was up. Come on, you see.

1:31:16.880 --> 1:31:21.160
<v Speaker 1>Not sit down now, we're putting you on the podcast.

1:31:20.840 --> 1:31:22.799
<v Speaker 2>For resch knowl what's history?

1:31:22.840 --> 1:31:23.040
<v Speaker 8>You got?

1:31:23.240 --> 1:31:23.280
<v Speaker 1>No?

1:31:23.800 --> 1:31:29.479
<v Speaker 2>No? No? Oh lord yeah yeah.

1:31:29.720 --> 1:31:30.840
<v Speaker 1>Oh he's from a vote.

1:31:30.960 --> 1:31:31.679
<v Speaker 8>You know what you're doing.

1:31:32.120 --> 1:31:33.720
<v Speaker 2>You know, ain't brother, you can't even do this?

1:31:33.880 --> 1:31:35.280
<v Speaker 1>Yeah, I know the ouse.

1:31:35.920 --> 1:31:39.800
<v Speaker 2>Sit down, No, no, Sean Bress, come on, Oh this

1:31:40.040 --> 1:31:41.280
<v Speaker 2>industry ship, this is sharp.

1:31:41.360 --> 1:31:44.519
<v Speaker 1>Brad's everybody ran bad Boy for eighteen years.

1:31:44.760 --> 1:31:48.360
<v Speaker 2>Ye still running bad Boy. He do what he do

1:31:48.520 --> 1:31:48.800
<v Speaker 2>like he does.

1:31:48.880 --> 1:31:50.559
<v Speaker 1>We gotta do around the corner on the brook, keep

1:31:50.640 --> 1:31:55.280
<v Speaker 1>the pole, the percolator, hide hyd water. That nigga sitting

1:31:55.320 --> 1:31:57.439
<v Speaker 1>here dressing all right like he's down with signed out

1:31:59.720 --> 1:32:02.640
<v Speaker 1>listen press, tell these people what's going on.

1:32:02.880 --> 1:32:05.920
<v Speaker 10>Man, we're having a good weekend down here. I love

1:32:05.960 --> 1:32:08.120
<v Speaker 10>what you brothers is doing. Man, I love it.

1:32:08.160 --> 1:32:10.160
<v Speaker 13>If I didn't get a chance to say, if we

1:32:10.320 --> 1:32:12.960
<v Speaker 13>go back so far, knowing we go back so far,

1:32:13.040 --> 1:32:14.000
<v Speaker 13>I love what you'all doing.

1:32:14.040 --> 1:32:16.200
<v Speaker 1>Yeah, man, we appreciate you. But we want to show

1:32:16.280 --> 1:32:19.320
<v Speaker 1>you want to we like to interview people behind the scene. Okay,

1:32:19.400 --> 1:32:21.439
<v Speaker 1>because that's who you are and you make a lot

1:32:21.479 --> 1:32:24.280
<v Speaker 1>of things shake and bake. Just give these people a

1:32:24.280 --> 1:32:25.080
<v Speaker 1>little bit of history.

1:32:25.320 --> 1:32:28.280
<v Speaker 2>Are you and how you perform? Okay? Real quick?

1:32:28.320 --> 1:32:29.280
<v Speaker 1>Who's showing press?

1:32:29.360 --> 1:32:31.960
<v Speaker 10>Showing press? Go back intern bad boy.

1:32:35.360 --> 1:32:41.400
<v Speaker 13>A gentlemen, Lone moved on. Started my company Palmers. You

1:32:41.520 --> 1:32:45.479
<v Speaker 13>know it's instrumental, you know, and Puff is a is

1:32:45.520 --> 1:32:47.880
<v Speaker 13>a wonderful person because it's as long as you down

1:32:47.920 --> 1:32:50.760
<v Speaker 13>with Puff and you are all worker, you always going

1:32:50.840 --> 1:32:51.839
<v Speaker 13>to be part of the system.

1:32:52.040 --> 1:32:55.600
<v Speaker 10>And that's one leave even if you leave one like

1:32:55.640 --> 1:32:56.360
<v Speaker 10>like what you talk.

1:32:57.880 --> 1:32:58.679
<v Speaker 1>Still can't.

1:33:00.280 --> 1:33:03.439
<v Speaker 2>He's gonna doing So when when when.

1:33:03.320 --> 1:33:06.200
<v Speaker 10>We started poud Moves like like that was the account.

1:33:06.240 --> 1:33:08.160
<v Speaker 2>It was Moves, a marketing company.

1:33:09.479 --> 1:33:10.200
<v Speaker 1>Account in Miami.

1:33:10.320 --> 1:33:13.120
<v Speaker 10>Yeah, in Miami. Like like this is my guy, right, Eddie?

1:33:13.560 --> 1:33:15.280
<v Speaker 1>Like like my guy you know he's the ass eater.

1:33:15.400 --> 1:33:18.040
<v Speaker 1>Now he's not Eddie, Eddie God.

1:33:17.960 --> 1:33:20.559
<v Speaker 13>I under saying something. I said, what's up to Eddie?

1:33:20.680 --> 1:33:22.760
<v Speaker 13>I said, ed you're looking young? I said, we got

1:33:22.840 --> 1:33:24.519
<v Speaker 13>all the gray hair? You black?

1:33:24.920 --> 1:33:27.719
<v Speaker 10>He was like, because I'm eating I said.

1:33:27.600 --> 1:33:41.280
<v Speaker 1>That, Biggs, just look look, we're doing the File Awards show.

1:33:41.280 --> 1:33:44.439
<v Speaker 1>It's called the Poiles Awardship showever, right, so we're gonna

1:33:44.479 --> 1:33:45.400
<v Speaker 1>mock all the awards.

1:33:45.640 --> 1:33:45.800
<v Speaker 2>Right.

1:33:46.520 --> 1:33:49.559
<v Speaker 1>So I never spoke to Puff about this at all, Okay,

1:33:50.040 --> 1:33:53.760
<v Speaker 1>but I mean he might hear about it now, but

1:33:54.760 --> 1:33:56.679
<v Speaker 1>he thinks he should win. Asked either of the year

1:33:57.240 --> 1:33:59.920
<v Speaker 1>of the year over Puff. I just feel like Puff

1:34:00.120 --> 1:34:04.200
<v Speaker 1>is ask the bad bitches. He got he he asked

1:34:04.240 --> 1:34:06.439
<v Speaker 1>that mountains mountains.

1:34:10.520 --> 1:34:12.840
<v Speaker 16>But who you need to get to ask you if

1:34:12.880 --> 1:34:18.679
<v Speaker 16>you want to get it, and I think you should

1:34:18.720 --> 1:34:19.519
<v Speaker 16>get that little.

1:34:24.160 --> 1:34:28.200
<v Speaker 2>Do Sean Press? He asked, what we're doing it?

1:34:28.320 --> 1:34:29.400
<v Speaker 8>You're like like, I.

1:34:31.439 --> 1:34:37.759
<v Speaker 1>Like, turn to the Global Spin Awards. Yes, Global spind Awards.

1:34:38.080 --> 1:34:38.720
<v Speaker 1>That is your ship.

1:34:38.760 --> 1:34:40.120
<v Speaker 2>That's right, that's the people who know.

1:34:40.160 --> 1:34:43.120
<v Speaker 1>Global spind Awards award show dedicated to the DJs. We

1:34:43.200 --> 1:34:46.919
<v Speaker 1>got the War show dedicated to foulship, but the dedicated

1:34:47.000 --> 1:34:49.000
<v Speaker 1>to speak about that Global Spin Awards.

1:34:49.040 --> 1:34:51.960
<v Speaker 13>We recognized the unrecognized with all the dj is the

1:34:52.080 --> 1:34:55.640
<v Speaker 13>most influenced. You guys in the game, you know who

1:34:55.800 --> 1:34:58.639
<v Speaker 13>who who never really got this shot, who never would

1:34:58.680 --> 1:34:59.880
<v Speaker 13>put up on that platform.

1:35:00.120 --> 1:35:01.559
<v Speaker 10>So the Global Spin Awards is.

1:35:01.640 --> 1:35:06.719
<v Speaker 13>The Grammys for the DJs, and we did the nominations yesterday,

1:35:07.520 --> 1:35:09.960
<v Speaker 13>real big, so all the DJs around the country right

1:35:10.040 --> 1:35:13.479
<v Speaker 13>now celebrating social media is going crazy. My man, kiss

1:35:13.640 --> 1:35:15.680
<v Speaker 13>you was there last year when y'all came in and

1:35:16.439 --> 1:35:21.280
<v Speaker 13>we had Swiss Beats hosts last year and gave them

1:35:21.280 --> 1:35:23.920
<v Speaker 13>I think it was fifty million records sold, so everybody

1:35:24.040 --> 1:35:25.080
<v Speaker 13>from Rough Riders came.

1:35:25.200 --> 1:35:27.519
<v Speaker 10>So, I mean, it's a love fest.

1:35:27.760 --> 1:35:31.960
<v Speaker 13>But it's recognizing to me the most important influences in

1:35:32.040 --> 1:35:33.320
<v Speaker 13>the game, which are the DJs.

1:35:34.320 --> 1:35:36.320
<v Speaker 1>I'm ready for my order. Yeah, yeah, you need to

1:35:36.360 --> 1:35:38.400
<v Speaker 1>get you need to get a great bed of water, so.

1:35:40.000 --> 1:35:40.320
<v Speaker 2>Something.

1:35:40.520 --> 1:35:42.639
<v Speaker 1>But y'all knew each other a long time, so impressed.

1:35:42.640 --> 1:35:45.360
<v Speaker 1>You're a very instrumental person in this industry. And you

1:35:45.439 --> 1:35:47.760
<v Speaker 1>know that's what a podcast, that's what we're trying to

1:35:47.800 --> 1:35:49.639
<v Speaker 1>do here, is we want to keep our legends alive.

1:35:49.960 --> 1:35:51.800
<v Speaker 2>Our music. So much the.

1:35:51.880 --> 1:35:55.360
<v Speaker 1>Minute somebody does something or somebody you know, they find

1:35:55.400 --> 1:35:57.800
<v Speaker 1>out this, we just kill our own legends. That is

1:35:57.920 --> 1:36:00.600
<v Speaker 1>so bad in our culture. So what we want to

1:36:00.640 --> 1:36:03.400
<v Speaker 1>do the purpose of our podcast to keep our legends alive,

1:36:03.920 --> 1:36:07.439
<v Speaker 1>especially especially the people that's behind the scenes, because yeah,

1:36:07.479 --> 1:36:09.800
<v Speaker 1>we're the fourth front as artists. But you know what,

1:36:10.080 --> 1:36:12.920
<v Speaker 1>an artist ain't shipped without five people behind him, and

1:36:13.160 --> 1:36:15.599
<v Speaker 1>sometimes people don't recognize those five people behind.

1:36:15.400 --> 1:36:16.440
<v Speaker 2>Him and those positions.

1:36:16.800 --> 1:36:20.400
<v Speaker 1>So that's why we interviewed Leon and Kevin Lyles earlier

1:36:20.479 --> 1:36:22.840
<v Speaker 1>because a lot of people, you know, they just think

1:36:22.880 --> 1:36:24.960
<v Speaker 1>that they're just the check writers when they're a lot.

1:36:24.880 --> 1:36:26.320
<v Speaker 2>More to it. And the same thing with you.

1:36:26.680 --> 1:36:29.439
<v Speaker 1>It's like, you know, we appreciate you people like that.

1:36:29.560 --> 1:36:30.120
<v Speaker 2>You know what I'm saying.

1:36:30.120 --> 1:36:32.160
<v Speaker 1>We appreciate and we want to look at Jada kids

1:36:32.200 --> 1:36:32.719
<v Speaker 1>trying to slide.

1:36:32.920 --> 1:36:33.679
<v Speaker 2>We've seen you, nigga.

1:36:33.720 --> 1:36:37.400
<v Speaker 1>Now you got you got a nice assistant.

1:36:37.920 --> 1:36:40.679
<v Speaker 2>Listen, you ain't from youngkins at all. Let's keep it real.

1:36:42.200 --> 1:36:45.800
<v Speaker 1>From bankman like a motherfucker, right, come on, come on,

1:36:47.000 --> 1:36:50.200
<v Speaker 1>got good assistance. Yo, ain't gonna lie Leo Kohn's and

1:36:50.320 --> 1:36:52.040
<v Speaker 1>Kevin Lows bruing the most females.

1:36:52.360 --> 1:36:52.519
<v Speaker 8>Is that?

1:36:52.760 --> 1:36:53.559
<v Speaker 2>Is that not accurate?

1:36:53.880 --> 1:36:54.080
<v Speaker 1>Yeah?

1:36:54.439 --> 1:36:55.760
<v Speaker 10>I mean they bought the most money.

1:36:55.840 --> 1:37:04.479
<v Speaker 2>To make sense, How did how did you get started

1:37:04.520 --> 1:37:05.080
<v Speaker 2>with bad Boy?

1:37:05.320 --> 1:37:07.320
<v Speaker 10>In turn? In turn? I did it.

1:37:07.400 --> 1:37:09.760
<v Speaker 13>I did it the way it should be done. You

1:37:09.880 --> 1:37:12.320
<v Speaker 13>started at the bottom, that's what you. Yeah, like like

1:37:12.720 --> 1:37:15.439
<v Speaker 13>anything that's handed to you, you don't you don't appreciate it.

1:37:15.600 --> 1:37:18.040
<v Speaker 13>And when Bad Boy in the early days and kiss,

1:37:18.400 --> 1:37:19.840
<v Speaker 13>I mean it's nineteenth Street.

1:37:20.320 --> 1:37:22.479
<v Speaker 10>The office was the size of this room right here,

1:37:22.680 --> 1:37:26.759
<v Speaker 10>like everybody was working there, you know, big shot off.

1:37:26.840 --> 1:37:28.720
<v Speaker 10>If y'all don't mind to to some of the day

1:37:28.800 --> 1:37:30.760
<v Speaker 10>one June Balloon.

1:37:32.280 --> 1:37:35.240
<v Speaker 1>Sharing the butcher are single marriage.

1:37:35.280 --> 1:37:37.280
<v Speaker 10>There you go, super Marrio where you at?

1:37:38.160 --> 1:37:40.040
<v Speaker 13>Man Like those are the guys who brought me in

1:37:40.600 --> 1:37:44.639
<v Speaker 13>and gave me my platform. Then you know, moving forward,

1:37:44.680 --> 1:37:46.920
<v Speaker 13>we had guys like Malcolm MIBs, all these dudes who

1:37:47.040 --> 1:37:49.280
<v Speaker 13>really put work in the game to get Bad Boy.

1:37:49.520 --> 1:37:51.160
<v Speaker 1>To to to where your day.

1:37:51.560 --> 1:37:54.400
<v Speaker 2>There you go, Cacorn, she was in the beginning.

1:37:54.560 --> 1:38:01.000
<v Speaker 13>No barrowe Barrow JB around here somewhere. That's who y'all

1:38:01.040 --> 1:38:04.120
<v Speaker 13>should snatch up. But you are too smooth because you

1:38:04.200 --> 1:38:08.400
<v Speaker 13>know Jason Jay Jeff is extra smooth. Hold on, no,

1:38:09.280 --> 1:38:10.480
<v Speaker 13>that was Jeff Burrows.

1:38:10.120 --> 1:38:16.320
<v Speaker 1>Walking b a meth. Don't walk in the building. God damn,

1:38:16.360 --> 1:38:17.640
<v Speaker 1>we did Jzu yesterday too.

1:38:17.720 --> 1:38:17.960
<v Speaker 3>There was.

1:38:19.479 --> 1:38:21.360
<v Speaker 1>Nay yesterday.

1:38:21.800 --> 1:38:26.880
<v Speaker 4>We gotta shout out the street team cats out there

1:38:26.920 --> 1:38:28.040
<v Speaker 4>too that we wrapped four Oh.

1:38:28.080 --> 1:38:30.519
<v Speaker 13>Yeah, like I mean, and you know I come from

1:38:30.560 --> 1:38:34.040
<v Speaker 13>the Street Team days. I come from from handing out flyers.

1:38:33.680 --> 1:38:38.120
<v Speaker 1>Waving saying that is is that possible for the Street

1:38:38.160 --> 1:38:42.479
<v Speaker 1>Team to exist again? Because the online market, there's a

1:38:42.520 --> 1:38:44.720
<v Speaker 1>way to know it's it's definitely.

1:38:45.439 --> 1:38:46.320
<v Speaker 2>A lane for it.

1:38:46.439 --> 1:38:50.439
<v Speaker 17>But the labels, the artists got to formulate their own

1:38:50.479 --> 1:38:53.439
<v Speaker 17>Street Team. They want you to just go there, go

1:38:53.560 --> 1:38:56.400
<v Speaker 17>in the conference room, sitting in front of the screen,

1:38:57.200 --> 1:38:58.879
<v Speaker 17>and that's the new Street Team.

1:38:58.800 --> 1:39:00.840
<v Speaker 2>Like you know what I'm saying, that's the new ship like.

1:39:00.960 --> 1:39:03.280
<v Speaker 10>But but it's nothing like the real.

1:39:05.000 --> 1:39:05.599
<v Speaker 1>On the ground.

1:39:05.760 --> 1:39:08.960
<v Speaker 10>And that's what the Street Team was like. Put it

1:39:09.040 --> 1:39:11.120
<v Speaker 10>this way, it'd be albums.

1:39:10.760 --> 1:39:14.519
<v Speaker 18>Coming out now I don't even know they just they

1:39:14.720 --> 1:39:17.600
<v Speaker 18>just here. Back in the days, you drive down this

1:39:18.000 --> 1:39:22.800
<v Speaker 18>you knew ready you was getting on the train.

1:39:23.400 --> 1:39:24.120
<v Speaker 2>We was hitting you.

1:39:24.640 --> 1:39:26.800
<v Speaker 10>You know, you driving down the West Side highways.

1:39:26.880 --> 1:39:28.400
<v Speaker 2>Postal balls up. It's crazy.

1:39:28.439 --> 1:39:29.920
<v Speaker 4>And when you had the team in each market, you

1:39:30.080 --> 1:39:31.360
<v Speaker 4>you had the post of that market.

1:39:31.479 --> 1:39:32.280
<v Speaker 1>And that's what it was.

1:39:32.880 --> 1:39:33.519
<v Speaker 10>That's what it was.

1:39:33.600 --> 1:39:35.760
<v Speaker 13>I could I could call you, E I could call

1:39:36.240 --> 1:39:40.120
<v Speaker 13>at any given moment, you know what's going on in

1:39:40.200 --> 1:39:42.680
<v Speaker 13>Miami or I need I need to know who.

1:39:42.760 --> 1:39:44.599
<v Speaker 2>Do you think the Internet killed the Street Team?

1:39:45.160 --> 1:39:46.720
<v Speaker 10>No, I think what made it.

1:39:46.880 --> 1:39:52.559
<v Speaker 19>It made made the money. It was giving out different breads.

1:39:53.280 --> 1:39:55.760
<v Speaker 19>But the n O R E and the kissing game

1:39:55.880 --> 1:39:58.680
<v Speaker 19>of all them budgets. These new niggas that never know

1:39:58.880 --> 1:40:01.080
<v Speaker 19>that nig the budget.

1:40:05.280 --> 1:40:09.000
<v Speaker 1>So I'm looking at these niggas budget right now taking

1:40:09.080 --> 1:40:10.320
<v Speaker 1>a hit, they dead it.

1:40:11.080 --> 1:40:13.080
<v Speaker 17>If I can just send an artist to the office

1:40:13.120 --> 1:40:17.000
<v Speaker 17>and do it internet blast, that's way cheaper than there.

1:40:17.040 --> 1:40:19.080
<v Speaker 17>You go a group of dudes that go in the

1:40:19.240 --> 1:40:22.920
<v Speaker 17>van or go up the East coast, hit the whole highway,

1:40:23.040 --> 1:40:25.800
<v Speaker 17>hit the subway, hit shampoo out there.

1:40:25.840 --> 1:40:26.439
<v Speaker 1>He's still doing it.

1:40:27.720 --> 1:40:29.720
<v Speaker 2>Is like the last Man.

1:40:30.320 --> 1:40:34.160
<v Speaker 1>He's about that in a minute. He's my nigga.

1:40:34.160 --> 1:40:37.479
<v Speaker 13>I see, I'm gonna tell you all your artists up

1:40:37.560 --> 1:40:40.320
<v Speaker 13>and coming, get your boys together, because I'm you know,

1:40:40.439 --> 1:40:43.360
<v Speaker 13>I'm a firm believer in grassroots. I'm a firm believer

1:40:43.400 --> 1:40:45.880
<v Speaker 13>in touching the people. I'm a firm believer in the DJs.

1:40:46.200 --> 1:40:48.559
<v Speaker 13>Get out there, put your hustle in. I noticed social

1:40:48.640 --> 1:40:52.840
<v Speaker 13>media everybody working on a million but go ahead, go

1:40:53.120 --> 1:40:54.720
<v Speaker 13>hands on, you got to do.

1:40:54.840 --> 1:40:56.960
<v Speaker 1>We did the poster boards and remember.

1:40:57.040 --> 1:40:59.880
<v Speaker 2>That was that was you was you.

1:41:02.120 --> 1:41:05.040
<v Speaker 1>Been on the street team and die want the best.

1:41:05.080 --> 1:41:10.400
<v Speaker 1>You look at stickers like that's all him, Like ef

1:41:10.479 --> 1:41:13.360
<v Speaker 1>it comes from that, and he's here. He's still a

1:41:13.479 --> 1:41:16.599
<v Speaker 1>guy who wants to play vinyl. He's a pyiod. He's

1:41:16.600 --> 1:41:17.559
<v Speaker 1>a hip hop purist.

1:41:17.760 --> 1:41:17.960
<v Speaker 2>That's what.

1:41:18.200 --> 1:41:18.400
<v Speaker 1>That's what.

1:41:18.560 --> 1:41:20.679
<v Speaker 2>That's what. That's what. I call him a hip hop purist.

1:41:21.120 --> 1:41:25.040
<v Speaker 1>And you know that's different from these people like these people.

1:41:25.040 --> 1:41:27.600
<v Speaker 2>Just know a computer like he he what's going on?

1:41:27.680 --> 1:41:28.960
<v Speaker 2>You're taking batteries from all right?

1:41:29.120 --> 1:41:32.400
<v Speaker 1>So he's the type of guy like he appreciates the

1:41:32.479 --> 1:41:35.080
<v Speaker 1>old school. What happened with the old school presented?

1:41:35.320 --> 1:41:40.120
<v Speaker 2>You know what I mean? That's niggas panel. Niggas got

1:41:40.240 --> 1:41:44.120
<v Speaker 2>niggas get we get in Hollywood and had no starts

1:41:44.200 --> 1:41:44.880
<v Speaker 2>in one hour.

1:41:45.080 --> 1:41:47.439
<v Speaker 1>We have to end this and I don't know what

1:41:47.560 --> 1:41:48.120
<v Speaker 1>word that is?

1:41:48.240 --> 1:41:48.320
<v Speaker 2>Right?

1:41:48.400 --> 1:41:51.559
<v Speaker 1>That five fifteen? That wasn't you miss?

1:41:52.040 --> 1:41:54.080
<v Speaker 2>What time is it? I don't know how to tell time?

1:41:55.439 --> 1:41:55.559
<v Speaker 17>Right?

1:41:55.680 --> 1:41:56.599
<v Speaker 2>Cool? We got to five.

1:41:56.680 --> 1:41:57.519
<v Speaker 1>We're gonna use.

1:41:57.479 --> 1:41:58.880
<v Speaker 2>Every goddamn minute of it.

1:42:00.200 --> 1:42:00.400
<v Speaker 1>Damn.

1:42:00.680 --> 1:42:02.719
<v Speaker 15>I'm I'm coming to support you on the panels because

1:42:02.720 --> 1:42:03.959
<v Speaker 15>you're on the panel, cause should.

1:42:03.720 --> 1:42:04.439
<v Speaker 1>Be on the panel too.

1:42:04.720 --> 1:42:05.720
<v Speaker 2>I'm not a d D.

1:42:08.320 --> 1:42:10.800
<v Speaker 1>A certain point I gotta like if I'm sitting around

1:42:10.840 --> 1:42:12.479
<v Speaker 1>and it's nothing happened. I'm just.

1:42:15.960 --> 1:42:17.400
<v Speaker 2>Ship real like, you know.

1:42:17.479 --> 1:42:19.280
<v Speaker 1>That's what they gave me an up north, they gave

1:42:19.320 --> 1:42:22.160
<v Speaker 1>me Thursday and they said that nigga, he got too

1:42:22.280 --> 1:42:25.360
<v Speaker 1>much energy. Let's calm him down. My moms came to

1:42:25.360 --> 1:42:25.960
<v Speaker 1>see me one day.

1:42:26.000 --> 1:42:32.880
<v Speaker 2>I want Thursday. And that's how yo.

1:42:33.040 --> 1:42:35.759
<v Speaker 1>You know what I'm talking about. My mom's just talking

1:42:35.840 --> 1:42:42.400
<v Speaker 1>to me and I'm talking back, just my mouth. I'm like, mom, good,

1:42:42.439 --> 1:42:49.680
<v Speaker 1>what about my mom's call the warden whatever that yo,

1:42:49.880 --> 1:42:54.240
<v Speaker 1>I'm getting. I'm calling out Shopton. That's not my son.

1:42:54.439 --> 1:42:56.439
<v Speaker 2>I just met, you know he nigga, you fight too much.

1:42:56.560 --> 1:42:59.120
<v Speaker 1>Nigga hit you that thorough thing. That's a rerail.

1:42:59.560 --> 1:43:00.320
<v Speaker 2>I don't want there.

1:43:00.640 --> 1:43:01.599
<v Speaker 1>I'm sorry. I went somewhere.

1:43:01.720 --> 1:43:01.880
<v Speaker 2>Dog.

1:43:03.960 --> 1:43:07.200
<v Speaker 1>She's about the bottles, the niggas. The niggas is just

1:43:07.320 --> 1:43:09.559
<v Speaker 1>jail niggas. It's got jail.

1:43:09.720 --> 1:43:11.519
<v Speaker 2>My nigga right here, got just jail right.

1:43:11.520 --> 1:43:19.200
<v Speaker 1>At my nigga. He just got locked down. Bejus feel

1:43:19.320 --> 1:43:21.120
<v Speaker 1>like and it feels like the niggas. I would hang

1:43:21.160 --> 1:43:23.800
<v Speaker 1>out with the yard, both him and Kay, both boge

1:43:23.960 --> 1:43:26.439
<v Speaker 1>niggas like that. That would have been my section. The

1:43:26.520 --> 1:43:27.080
<v Speaker 1>booby section.

1:43:27.200 --> 1:43:31.760
<v Speaker 2>In the section we had a movie section, they do

1:43:31.960 --> 1:43:32.839
<v Speaker 2>us in the showers.

1:43:32.880 --> 1:43:34.839
<v Speaker 1>You remember they said, yo, you gotta smoke them cigarettes

1:43:34.880 --> 1:43:38.960
<v Speaker 1>and the showers. That's yeah, that's foue Yo. Listen, Sean Prayers.

1:43:39.000 --> 1:43:40.439
<v Speaker 2>I can't thank you more than enough.

1:43:40.520 --> 1:43:45.800
<v Speaker 1>Make sure we want you to shout out. We want

1:43:45.840 --> 1:43:48.800
<v Speaker 1>you to shout out to your Instagram, your company because

1:43:48.840 --> 1:43:50.519
<v Speaker 1>we want the people to follow you, King Chi.

1:43:51.080 --> 1:43:51.880
<v Speaker 2>We want people to know.

1:43:51.960 --> 1:43:54.280
<v Speaker 1>How important that this is behind the scenes, because the

1:43:54.400 --> 1:43:59.519
<v Speaker 1>artists are great, but its artist can't be great by himself. Now,

1:43:59.600 --> 1:44:00.719
<v Speaker 1>that's what saying.

1:44:00.760 --> 1:44:03.880
<v Speaker 10>And honestly, I'll be remiss.

1:44:03.880 --> 1:44:06.880
<v Speaker 2>If if if I don't know what that worship miss meaning.

1:44:08.080 --> 1:44:10.439
<v Speaker 10>No, I mean, it's just a big word that I

1:44:10.560 --> 1:44:12.320
<v Speaker 10>felt it was necessary to say at the.

1:44:12.360 --> 1:44:15.599
<v Speaker 2>Moment, Okay, but if I didn't mention it what it means.

1:44:15.960 --> 1:44:21.040
<v Speaker 13>Yeah, y'all need to get your show like me. Like

1:44:21.200 --> 1:44:24.120
<v Speaker 13>that's that's my mentor right there, So y'all need hard pier.

1:44:24.560 --> 1:44:27.080
<v Speaker 13>Y'all could find me a Global Spend three sixty five.

1:44:27.280 --> 1:44:30.400
<v Speaker 13>At Global Spend three sixty five, follow the movement. Shout

1:44:30.439 --> 1:44:32.920
<v Speaker 13>out to all of the DJs who were just nominated

1:44:33.160 --> 1:44:34.679
<v Speaker 13>for this year's Global Spin Awards.

1:44:34.880 --> 1:44:38.680
<v Speaker 10>Shout out to the whole Revolt staff. I seen Ramond.

1:44:38.479 --> 1:44:39.160
<v Speaker 1>Duke's in here.

1:44:39.600 --> 1:44:42.759
<v Speaker 13>My man, Aubrey Derrick Ferguson just dragged me into something

1:44:42.800 --> 1:44:46.479
<v Speaker 13>overn vote, thank you and thanks for having me much.

1:44:46.439 --> 1:44:50.120
<v Speaker 1>Love, kiss you know all right? Cool, we got about

1:44:50.160 --> 1:44:51.800
<v Speaker 1>four more minutes yo show. Thank you so much.

1:44:51.840 --> 1:44:53.360
<v Speaker 2>Man. We need to flick with it right quick, right,

1:44:53.479 --> 1:44:54.639
<v Speaker 2>let's get a flick ahead.

1:44:54.920 --> 1:44:57.840
<v Speaker 1>Hey, come on with drained all right, cool fast on

1:44:57.920 --> 1:44:58.240
<v Speaker 1>the camera.

1:44:59.160 --> 1:45:00.960
<v Speaker 2>I feel like a boss gonna sitting down in the chair.

1:45:03.600 --> 1:45:03.960
<v Speaker 2>I'm trying.

1:45:04.080 --> 1:45:06.160
<v Speaker 1>I'm trying to let Jada kids smell the bogie this

1:45:06.280 --> 1:45:10.799
<v Speaker 1>niggas nuts you the only nigga I get a bogie

1:45:10.960 --> 1:45:15.000
<v Speaker 1>pass with. I ain't gonna fron Ray Kahn. Let me

1:45:15.040 --> 1:45:17.360
<v Speaker 1>smoke bogi's on this tour bus too. I was like

1:45:17.640 --> 1:45:22.640
<v Speaker 1>everybody's looking at me like damned up, like like you

1:45:22.720 --> 1:45:24.719
<v Speaker 1>get a bogie pass, I get a bogie back because

1:45:25.000 --> 1:45:27.720
<v Speaker 1>like like Newport owe me money, like in real light,

1:45:27.840 --> 1:45:31.600
<v Speaker 1>like I really do change them, nigga say, you.

1:45:31.600 --> 1:45:33.760
<v Speaker 2>Know what the crazy ship is. Newport could have just

1:45:33.840 --> 1:45:36.600
<v Speaker 2>sent me a cart and and I would have been like,

1:45:36.880 --> 1:45:39.960
<v Speaker 2>I fuck with you. Them niggas ain't even send me

1:45:40.040 --> 1:45:43.160
<v Speaker 2>a carton. They ain't even say, my nigga.

1:45:42.920 --> 1:45:45.479
<v Speaker 1>You holding us down. So I switched. I smoke camel

1:45:45.520 --> 1:45:51.040
<v Speaker 1>crush now yo, nah, I'm putting it out there right now.

1:45:52.120 --> 1:45:56.840
<v Speaker 1>Crush camel crush, n r E and the drink chance.

1:45:56.880 --> 1:45:58.880
<v Speaker 1>I'm sorry, I throw I'm not none of that sh

1:45:59.479 --> 1:46:03.120
<v Speaker 1>camel for nah. Now you know why, because yo, my throat.

1:46:03.200 --> 1:46:05.240
<v Speaker 1>The nigga met the man told me a long time ago.

1:46:05.320 --> 1:46:07.840
<v Speaker 1>He was like, I'll performed one night. He's like, your

1:46:07.880 --> 1:46:09.880
<v Speaker 1>ship is fucked up right. I was like, yeah, he's

1:46:09.920 --> 1:46:11.960
<v Speaker 1>like new Ports. I said, oh ship, He said, for

1:46:12.040 --> 1:46:18.880
<v Speaker 1>your voice. Always smoke white people's cigarettes, real caml So

1:46:19.960 --> 1:46:24.520
<v Speaker 1>you know camel MeV smoke cal No memoke Marlborough lights.

1:46:26.000 --> 1:46:29.080
<v Speaker 2>Even that's no, I ain't gonna front. The lights are.

1:46:29.080 --> 1:46:33.320
<v Speaker 1>Actually good, like especially if you're drinking, you drinking light

1:46:34.200 --> 1:46:36.599
<v Speaker 1>because a lot of white girls drink smoking as well,

1:46:37.240 --> 1:46:39.080
<v Speaker 1>so they're gonna it's gonna always be around. If you

1:46:39.160 --> 1:46:41.000
<v Speaker 1>hang out in the white white sections, you gotta be

1:46:41.040 --> 1:46:42.880
<v Speaker 1>in the white white seton. If you're in the white

1:46:42.920 --> 1:46:47.200
<v Speaker 1>section and they smoking Newports, get the get out of there,

1:46:47.840 --> 1:46:50.240
<v Speaker 1>get out of it. Who wants a white person that

1:46:50.880 --> 1:46:53.639
<v Speaker 1>wants to be black, like I want a white person

1:46:53.720 --> 1:46:55.920
<v Speaker 1>that want to be white. That ship works for me.

1:46:56.400 --> 1:46:59.200
<v Speaker 1>I'm sorry, man, here, we're gonna go in this. We're

1:46:59.200 --> 1:47:01.519
<v Speaker 1>gonna go support you in the podcast. You know my

1:47:01.640 --> 1:47:02.000
<v Speaker 1>A D D.

1:47:02.479 --> 1:47:07.080
<v Speaker 2>But and I might this is my thing. My thing

1:47:07.360 --> 1:47:10.720
<v Speaker 2>is I want to get kicked out. So I'm gonna.

1:47:13.680 --> 1:47:16.679
<v Speaker 1>You're talking about, I'm gonna just go to the panel.

1:47:16.720 --> 1:47:17.519
<v Speaker 2>But it makes him.

1:47:21.560 --> 1:47:24.280
<v Speaker 1>Listen, man, this was a classic episode by the way.

1:47:24.520 --> 1:47:27.080
<v Speaker 1>We had Leo Kohns, we had Kevin Lyles, we had

1:47:27.200 --> 1:47:29.360
<v Speaker 1>day Day. You know, Day Day got seventeen kids and

1:47:29.400 --> 1:47:31.599
<v Speaker 1>he twenty two. The fact due.

1:47:38.520 --> 1:47:40.200
<v Speaker 2>You just made that's a drunk factor. You don't know

1:47:40.320 --> 1:47:45.560
<v Speaker 2>none of that I got you. Come on, man, you

1:47:45.600 --> 1:47:46.559
<v Speaker 2>don't know he is actuate.

1:47:48.200 --> 1:47:49.960
<v Speaker 1>Let's pop that bottle because we gotta get ready for

1:47:50.040 --> 1:47:52.760
<v Speaker 1>EFN D e FN. It's the first panel you your panel.

1:47:52.840 --> 1:47:55.200
<v Speaker 1>Nigga riches a panel. Nigga has a panel Nigga. But

1:47:55.320 --> 1:47:55.960
<v Speaker 1>it's the first time.

1:47:56.000 --> 1:47:58.479
<v Speaker 2>I'm gonna watch y'all on the panel, and I want

1:47:58.520 --> 1:48:00.320
<v Speaker 2>to make panel watch. I'm a panel watch.

1:48:00.360 --> 1:48:03.240
<v Speaker 1>He rup. I'm gonna watch her up and you know what,

1:48:03.720 --> 1:48:05.639
<v Speaker 1>Jada kiss, thank you for being on the Drink.

1:48:05.520 --> 1:48:08.240
<v Speaker 2>Champs again again again. But you know, we got to

1:48:08.280 --> 1:48:08.519
<v Speaker 2>do a.

1:48:08.680 --> 1:48:13.839
<v Speaker 1>Special Jada Kiss Drink Champs edition where.

1:48:13.680 --> 1:48:16.840
<v Speaker 2>We go through all your bars. So it's gonna be

1:48:16.920 --> 1:48:18.240
<v Speaker 2>like a thousand hour interview.

1:48:18.920 --> 1:48:22.840
<v Speaker 1>It's gonna be for you take breaks. We're gonna we're

1:48:22.840 --> 1:48:25.240
<v Speaker 1>gonna do like a marathon. It's gonna be like a

1:48:25.400 --> 1:48:29.639
<v Speaker 1>thousand Jadakiss bars. Because Yo, you know what tax Stone said.

1:48:30.600 --> 1:48:33.360
<v Speaker 1>He said you could raise kids off of Jadakiss bars.

1:48:34.160 --> 1:48:36.719
<v Speaker 2>That was the hardest compliment I ever heard in my life.

1:48:37.200 --> 1:48:39.200
<v Speaker 1>I should have called you that moment. I don't know

1:48:39.240 --> 1:48:41.600
<v Speaker 1>why I didn't, But I'm calling you now, like in

1:48:41.720 --> 1:48:42.080
<v Speaker 1>my mind.

1:48:42.160 --> 1:48:42.559
<v Speaker 10>It's just not.

1:48:44.160 --> 1:48:46.479
<v Speaker 1>In my mind. It just like in my mind it

1:48:46.600 --> 1:48:52.960
<v Speaker 1>happened yesterday. So I'm like, you ain't make up call

1:48:53.080 --> 1:49:00.439
<v Speaker 1>you is. But Yo, that is the biggest calling you

1:49:00.560 --> 1:49:03.719
<v Speaker 1>now the way my memory is set up. But Jada

1:49:03.800 --> 1:49:06.240
<v Speaker 1>Kiss man, I can't thank you enough because again, you

1:49:06.439 --> 1:49:08.400
<v Speaker 1>was one of the second episodes we ever did.

1:49:08.600 --> 1:49:10.400
<v Speaker 2>You and job Bru we got fucked.

1:49:10.120 --> 1:49:14.320
<v Speaker 1>Up, We got up and got more fun.

1:49:15.960 --> 1:49:18.320
<v Speaker 2>Nigga have me in the I eight ready to throw up.

1:49:18.400 --> 1:49:20.080
<v Speaker 2>He was like like, ya, I want you to see

1:49:20.160 --> 1:49:20.479
<v Speaker 2>this ship.

1:49:20.720 --> 1:49:22.680
<v Speaker 1>I'm like, bigger, I don't even want to be here,

1:49:23.240 --> 1:49:25.600
<v Speaker 1>like you got me ready to earl like I'm on

1:49:25.720 --> 1:49:29.200
<v Speaker 1>great invention scream machine. But Jada, kiss you, my boy.

1:49:29.280 --> 1:49:30.720
<v Speaker 1>Let me just let me just say this before we

1:49:30.760 --> 1:49:33.880
<v Speaker 1>get up out of here. They ain't a lot of

1:49:33.960 --> 1:49:36.920
<v Speaker 1>people that I consider my brothers. They ain't a lot

1:49:36.920 --> 1:49:39.400
<v Speaker 1>of people I consider my friends. They ain't a lot

1:49:39.439 --> 1:49:45.400
<v Speaker 1>of people I consider family and the locks all of them.

1:49:45.920 --> 1:49:47.600
<v Speaker 1>You know, I might be closer to the kids, so

1:49:47.680 --> 1:49:52.599
<v Speaker 1>closer the styles, but I'm all of them. I represent

1:49:52.680 --> 1:49:56.000
<v Speaker 1>all of them, you know, Sikh as well. And they

1:49:56.000 --> 1:49:59.880
<v Speaker 1>ain't a lot of people who's pure, genuine and since

1:50:00.080 --> 1:50:01.400
<v Speaker 1>here like they are.

1:50:02.920 --> 1:50:03.919
<v Speaker 2>We went to Yonkers.

1:50:04.439 --> 1:50:08.599
<v Speaker 1>It was a little scary because because they the elevators

1:50:08.640 --> 1:50:09.280
<v Speaker 1>wasn't even working.

1:50:09.960 --> 1:50:13.920
<v Speaker 4>But we did a studio looks crazy, that looks it

1:50:14.040 --> 1:50:14.519
<v Speaker 4>looks like so.

1:50:18.200 --> 1:50:18.519
<v Speaker 8>Yo yo.

1:50:20.280 --> 1:50:22.040
<v Speaker 1>That's how you know for a nigga doing record with

1:50:22.160 --> 1:50:25.040
<v Speaker 1>y'all and go to y'all studio like they gotta trust

1:50:25.120 --> 1:50:30.360
<v Speaker 1>y'all studio. I love Ross Rose and my brother he

1:50:30.439 --> 1:50:36.400
<v Speaker 1>pulled so he got to like the second floor. Swiss

1:50:36.560 --> 1:50:38.960
<v Speaker 1>your kiss, this email me this email.

1:50:44.640 --> 1:50:45.120
<v Speaker 8>Love drink.

1:50:49.520 --> 1:50:51.720
<v Speaker 1>Yeah, your hats got my hand phone right, Don't give

1:50:51.760 --> 1:50:52.040
<v Speaker 1>me like that.

1:50:56.640 --> 1:50:56.680
<v Speaker 13>I