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Speaker 1: Oh yeah, what's up? Y'all?

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Speaker 2: Was going on?

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Speaker 1: Brother Rado.

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Speaker 2: He's a legendary Queen's rapper.

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Speaker 1: Hey hangs agree? Is your boy in OII?

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Speaker 3: He's a Miami hip hop pioneer. What Up is dj

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Speaker 3: e f N Together they drink it up with some

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Speaker 3: of the biggest players in music.

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Speaker 2: And sports, you know what I mean, the most.

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Speaker 3: Professional, unprofessional podcast and your number one source for drum facts.

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Speaker 1: This is drinks Champer. Every day is New Year's Eve.

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Speaker 1: That's yo, y'alla, y'all yo, it's your boy in o

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Speaker 1: What up is DJ F It is drink chas motherfucking

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Speaker 1: badcast ba And right now I have to properly introduce

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Speaker 1: these two icons in my in my eyes, definitely one

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Speaker 1: of the people who the motivators of the culture, people

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Speaker 1: who pushed the kulture forward, people who stood by the artists.

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Speaker 1: How I remember being down with them. I never sold under

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Speaker 1: one hundred thousand my first week.

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Speaker 2: They may shure your autist.

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Speaker 1: When they get behind them, they're now calling their selves

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Speaker 1: servants and they richest have How do you get richer

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Speaker 1: and get more humble at the same time is something

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Speaker 1: that me and you.

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Speaker 2: Have to learn because you're a greedy bastard, because I'm.

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Speaker 1: A greedy a fact. Right now, we got two of

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Speaker 1: my favorite CEOs, two people who helped made me a

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Speaker 1: man when I was coming from boy to being a

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Speaker 1: man and having money and not knowing what to do

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Speaker 1: it to people who shape and mold me and told

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Speaker 1: me go out there and bust your ass. And it's

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Speaker 1: only right.

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Speaker 4: We're in a conference room, executives.

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Speaker 5: Let's make some noise for Leo calls Carol Lews.

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Speaker 1: God, damn, goddamnit, Leo, you got you got one of

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Speaker 1: the best hip hop stories I ever in my life.

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Speaker 1: And my whole a luxurious nineteen years was. I remember

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Speaker 1: when Jo Rule was getting like kind of played out

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Speaker 1: and you didn't clear a record for Fat Joe and

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Speaker 1: I did a jar RUVIDI right. And you know, most

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Speaker 1: executives they want to meet with you and they say.

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Speaker 2: You know, if you come along, But Leo said.

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Speaker 1: Bring your whole crew. He said, bring your whole crew.

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Speaker 1: And he gets this job Rule video and he comes

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Speaker 1: to meet to be a Right Track studio and he

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Speaker 1: has all my boys there. He puts the video in

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Speaker 1: and he goes, how do you like this video? I say,

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Speaker 1: you know I like myself. So I'm looking at myself.

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Speaker 1: I'm like, he said, do you know what I think?

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Speaker 1: I said no, he said, I think it's popcorn. At

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Speaker 1: the time, I like popcorn. So I was like, popcorn

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Speaker 1: is cool, and he goes, Jo rule won't exist in

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Speaker 1: four months because of the records he's doing. Why would

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Speaker 1: I invest in Nori for nor to be like Jorol?

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Speaker 1: So he said to me, Nori, if I cut you

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Speaker 1: right now, what would you bleed? And I said blood?

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Speaker 1: And he said, now ask me the question, Nori. So

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Speaker 1: I said, Lee off, I cut you right now, what

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Speaker 1: would you bleed? He said, run dmc sucker And then

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Speaker 1: he asked me the question again. He said, so, Nori,

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Speaker 1: if I cut you right now, what would you bleed?

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Speaker 1: I said, super Doug and he said exactly. The car

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Speaker 1: service is downstairs.

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Speaker 6: See my job.

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Speaker 1: Old video made me go see for real. And if

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Speaker 1: it wasn't for that exact move, I wouldn't have one

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Speaker 1: of the biggest hits of my life, which is nothing homeboy,

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Speaker 1: I came to party, Let's make some noise.

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Speaker 2: Why do you keep it so real with your artists

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Speaker 2: like that?

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Speaker 1: Like you could have you could have you could have

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Speaker 1: you could have like said it to me like nicer,

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Speaker 1: but you didn't.

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Speaker 6: So I want to do to you and to my artists,

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Speaker 6: to my comrades, how I want to be done on

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Speaker 6: that wasn't that was in English? Let's do that again?

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Speaker 6: Can someone help me? What's it saying?

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Speaker 4: You try to do onto others how you would want

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Speaker 4: to be done to yourself?

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Speaker 6: So I only want the truth. I'm so tired of

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Speaker 6: the cryptic language. I was telling people upstairs, there's this

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Speaker 6: guy that I love in the door and his name

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Speaker 6: is Joaqum. And he used to say to me, it's

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Speaker 6: all good. And I used to say, what the fuck

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Speaker 6: does that mean? I want to shoot a DMX video tomorrow?

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Speaker 6: He would say it's all good, and I'm I'm so

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Speaker 6: exhausted trying to figure out what people mean. I just

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Speaker 6: want people to tell me exactly how I'm doing.

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Speaker 1: I just did a speech upstairs.

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Speaker 6: I go to Kevin. I said one to ten. He

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Speaker 6: said four. I said, I said, how do I get

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Speaker 6: it to a ten next time? Okay, that's it. He

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Speaker 6: didn't say it, Oh, it's a nine point five five.

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Speaker 6: And you know what I'm saying, Because I just want

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Speaker 6: to I want to improve, so you know, when you're

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Speaker 6: on stage or when you're doing this, you want people

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Speaker 6: around you that give you constructive criticism. You want to

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Speaker 6: be the biggest, the best podcast in the world. That's

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Speaker 6: so anyhow, That's basically the reason why I keep it

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Speaker 6: so gully is that's how I want it done to me.

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Speaker 6: The reason why I never walked around with security guards

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Speaker 6: is real thorough people have Plan B, C, D, N E.

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Speaker 6: You don't get in trouble with thorough people if you

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Speaker 6: allow them the ability to go to their Plan B.

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Speaker 6: If you retard their ability to go to Plan B,

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Speaker 6: that's when you get in trouble. That's when you have

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Speaker 6: to walk around with security guards. Okay, but you can't

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Speaker 6: be mad at me when I tell you your records are

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Speaker 6: stiff over no one cares or spinning it because then

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Speaker 6: they could go to Plan B. But when you tell

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Speaker 6: them a stiff record, oh it's working, I need a

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Speaker 6: few more weeks, and it just gets deeper and deeper,

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Speaker 6: and you get colder and colder. That's when you get

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Speaker 6: in trouble. So I've always kept it very, very honest

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Speaker 6: and direct because that's just how I wanted.

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Speaker 7: That's it's a beautiful thing now, Kevin Laws keV, I

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Speaker 7: remember me being on the label and you did something

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Speaker 7: that was like so important. You You made us stay

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Speaker 7: on the road like the Red Man's, the Method Man's,

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Speaker 7: the Noriega's, the Camerons, the Jewel Santana, the freeways at

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Speaker 7: that time, and like we wouldn't get like the other

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Speaker 7: side named. We were like I want to say b list,

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Speaker 7: but not b lists, you know what I'm saying. Let's

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Speaker 7: not say be listen on the rise on the rise,

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Speaker 7: And so we probably meted, never got the two million

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Speaker 7: dollar bunchets, but.

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Speaker 1: We would make that two million, but we would earn

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Speaker 1: that two million, and it was almost like you felt better,

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Speaker 1: like you know what going out there?

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Speaker 2: Why was that your approach?

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Speaker 1: Like the artist has to hit the road and touch

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Speaker 1: them babies and and kiss kiss girlfriends and other people's girlfriends.

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Speaker 8: And I think what was important for me man I

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Speaker 8: being a former artist, being being out on the road.

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Speaker 8: If you don't touch it, how you know what the

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Speaker 8: baggy feels like, how you know what the smell like?

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Speaker 6: You know what I mean?

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Speaker 1: So I wanted you guys to always touch your fans.

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Speaker 2: We like baggies, nor.

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Speaker 1: What's the new slogan? Fu the cake? We want the

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Speaker 1: bands you.

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Speaker 2: Okay, don't. We don't got the champagne yet, all right,

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Speaker 2: So I'm sorry.

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Speaker 8: So it was just all about you guys, not not

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Speaker 8: being distorted. You know, sometimes you have a hit record

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Speaker 8: and you go by the big house and you sit

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Speaker 8: up in the house with your friends and then you

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Speaker 8: forget you know, really what made it, you know what

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Speaker 8: I mean, and what it felt like to have that

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Speaker 8: fan and even to this day is why the guys

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Speaker 8: that you're name they can all go around the world

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Speaker 8: and make a living to that day because you kept

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Speaker 8: touching the fans, kept touching the bag, and that was

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Speaker 8: part of it. And now it's a loss.

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Speaker 1: You know.

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Speaker 8: Now you got labels, they'll say his. We're not worried

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Speaker 8: about your tour, don't. We're not involved in that. That's

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Speaker 8: your money.

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Speaker 2: You know.

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Speaker 8: If you fuck up on that, you fucking our money

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Speaker 8: up too. So we got to make sure three sixty

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Speaker 8: three and six degree that you're always working. I never managed,

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Speaker 8: nor never managed any of the guys, but I always

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Speaker 8: managed you. When shit went down, I got the call.

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Speaker 8: I don't get what was going down when it went down.

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Speaker 8: I got that call, so it was always in the road.

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Speaker 8: Was a good friend to us.

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Speaker 2: Okay, So now how hard was it for you guys?

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Speaker 1: Because at one point when I thought def Jam, I

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Speaker 1: thought leol Kevin Russell?

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Speaker 2: So how how how hard.

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Speaker 1: Was it when it was like, you know, I know

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Speaker 1: you went to Atlantic first before you started three hundred,

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Speaker 1: But how hard was that decision to say I'm gonna

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Speaker 1: leave the place that you basically built?

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Speaker 6: So let's be clear that I sold the company to Universal,

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Speaker 6: and I went to Island and Mercury and formed We

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Speaker 6: founded Island Deaf Champ. So before Atlantic, there was five

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Speaker 6: years you conveniently forgot. So listen, if you're not busy

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Speaker 6: being born, you're busy dying. So that was beautiful. We

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Speaker 6: make coffee table books. I flipped through the pages. I

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Speaker 6: see friendly faces and moments in time that I adore

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Speaker 6: and love. But I'm about the present. So you know

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Speaker 6: that whatn'ce was, it was a beautiful memory. It's nice

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Speaker 6: that people recognize me and give me that for my contribution.

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Speaker 6: But I don't live I don't you come to my house.

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Speaker 6: There's no f yi, this is who I once was. Okay,

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Speaker 6: don't live off the past. No, So I'm only focused

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Speaker 6: right here and right now. I want to continue, continue

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Speaker 6: to contribute, be a great partner to Kevin and my artists.

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Speaker 6: And until I can't contribute, I'm going to be on

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Speaker 6: the court. And when I'm on the court and I

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Speaker 6: go for that read, You're going to get tapped by

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Speaker 6: my elbows. Okay, simple as that. You know, it's funny,

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Speaker 6: how about you? It's funny.

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Speaker 8: You know.

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Speaker 1: I came.

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Speaker 8: I was from Baltimore, so me coming and as an intern,

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Speaker 8: you get me coming up. We all thought of his

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Speaker 8: intern Russell was a intention was mikey is.

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Speaker 1: Are working at radio Shack, and then Russell Simmons hired

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Speaker 1: them from Radio Shack.

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Speaker 8: Tower Records, Tower Records, shout out the guy. You know

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Speaker 8: the thing with me, all of us, you kind us open.

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Speaker 8: We blent death can it's not even a thing. And

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Speaker 8: selling the company didn't mean we didn't still love and

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Speaker 8: live for the company. Building a new company. But now

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Speaker 8: the deft and music didn't mean that we left hip

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Speaker 8: hop our responsibility and always totally are I really only

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Speaker 8: want to do this with him, you know what I

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Speaker 8: mean at the end of the day. But we got

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Speaker 8: to continue to build the pyramid so we can continue

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Speaker 8: to get bigger and employ more people and keep the

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Speaker 8: culture moving.

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Speaker 1: So we never stopped. And I think right now what

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Speaker 1: you're seeing.

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Speaker 8: As a servants of young people who are living in

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Speaker 8: today because they were native to the internet. Sometimes we

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Speaker 8: get caught up in our memories or what we did,

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Speaker 8: and it impedes our possibilities because anything is possible for

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Speaker 8: anybody to be alive today and don't feel anything as possible.

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Speaker 8: So when Lea said, Yo, we want to do it again.

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Speaker 8: You want to do another record company?

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Speaker 1: I said, hell, yeah, we could. Now thought it was

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Speaker 1: crazy to do it. I said, yeah, let's do it.

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Speaker 8: So to me, if we're not reinventing ourselves every day,

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Speaker 8: making ourselves better, putting more tools in our toolbox, I

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Speaker 8: don't think we're gonna build bigger houses and better houses

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Speaker 8: and more places for people that live and growing.

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Speaker 6: So Kevin's always thinking about others. And I so appreciate that.

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Speaker 6: I just gave a speech for one thousand people upstairs

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Speaker 6: and I made reference to the Cold Crush Brothers.

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Speaker 2: And nobody knew what else I was about to say.

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Speaker 6: So bold a smack, a man with his gun kiss

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Speaker 6: his woman. This his mother and don't even run now

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Speaker 6: that's boor and I had to hold that. Come on,

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Speaker 6: they're going to see me wrapping here to explain who

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Speaker 6: the cold the panel with Charlie Chase too.

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Speaker 2: One person.

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Speaker 1: I remember this is this is one of the best

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Speaker 1: days of my life, right, me and you was trying

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Speaker 1: to do business since nineteen ninety eight when I was

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Speaker 1: on penalty records and you realized that I was the

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Speaker 1: only one moving on penalty records.

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Speaker 2: I think he was trying to buy penalty at.

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Speaker 1: First, and then he said, look it, I'm just getting nory,

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Speaker 1: which is a smart move. So we was trying to

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Speaker 1: do business for years. And then when I finally get

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Speaker 1: to death Jam, I signed the papers and I believe

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Speaker 1: you had crystal there. I believe you had some crystal there.

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Speaker 1: And I smoked the blunt in the war room. It

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Speaker 1: wasn't your office, it was the war room. I smoked

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Speaker 1: the blunt. Then you took like two hits and then

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Speaker 1: I asked you, leo, what's that picture right there? And

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Speaker 1: it was you on the run DMC tour and your

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Speaker 1: nose is bloody, and I said you.

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Speaker 2: Had a fight. He said no.

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Speaker 1: I sniffed cocaine all night.

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Speaker 6: And listen, I just classic back in the disco fever,

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Speaker 6: you got mad.

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Speaker 2: Kids, we got with sixteen heard that, man, you've been.

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Speaker 6: Fucking so sorry talking about the blow right, So back

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Speaker 6: in the disco fever days.

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Speaker 2: Let's get to me.

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Speaker 6: I don't think anybody actually knows about the disco fever

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Speaker 6: one sixty ninth in Jerome and Sweet Gee was the

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Speaker 6: doorman and the host. We used to there was no

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Speaker 6: one that didn't have one hundred dollars bill dancing. That's

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Speaker 6: how we danced like that. So it wasn't because I

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Speaker 6: was sniffing blow. We're all sniffing.

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Speaker 1: I just thought that story was zeal because I'm sitting

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Speaker 1: there expecting him to say no, I had to fight

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Speaker 1: with my DMC's like, nah, we didn't tell you to

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Speaker 1: bring it all, but we're glad.

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Speaker 2: With ice.

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Speaker 1: Please come on to win. You know he's your biggest fan.

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Speaker 1: By the way, who are you? What are you doing here?

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Speaker 1: That's what they all doing so and I remember you

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Speaker 1: was the first person Leon to tell me I had

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Speaker 1: radio skills, and I bring it back.

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Speaker 2: I'm fresh a membering.

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Speaker 1: It was a time at depth Jam where nobody was

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Speaker 1: messing with Starr and Black, why nobody would go up.

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Speaker 2: There, and he had he had this.

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Speaker 1: Prodigy the week before, and when he had mentioned my name,

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Speaker 1: I just was furious. So I did not buy to

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Speaker 1: death gam rules. And I went up there and I

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Speaker 1: handled Star like you know, I don't mean like handling,

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Speaker 1: but you know what I'm saying like, I.

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Speaker 2: Destroyed the interview. And Leo called me and said, you

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Speaker 2: must come to the office now. And I said, Leo,

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Speaker 2: I'm mad, tired. He's like, and I'm hungry.

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Speaker 1: He goes say that again. He said you must come

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Speaker 1: to the office now, and I said, I'm tired and

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Speaker 1: I'm hungry.

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Speaker 2: He said, First off, he said, you must eat the

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Speaker 2: pink tea cup.

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Speaker 1: He preferred me to pink tea cup, you said me,

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Speaker 1: and Russell's to sniff coco like this sleep.

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Speaker 2: I always remember your coach stories, my love, you called me.

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Speaker 2: And then when I got can you imagine hold on ahead?

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Speaker 6: Can you imagine that vegan eating yoga twisted?

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Speaker 1: And Russell used to eat.

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Speaker 6: Three meals a day at the pink tea cup.

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Speaker 1: He issued, what.

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Speaker 2: Poor pinknuckles?

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Speaker 1: He said, and they had to eat the pic But

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Speaker 1: you told me, you said, because it was something that

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Speaker 1: squarked in that interview with you know, Star was the

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Speaker 1: man in New York at the time, and he controlled

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Speaker 1: the interview. But it was something that I did when

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Speaker 1: I controlled, when I flipped it back on Star, and

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Speaker 1: you was like, I believe you said, I want you

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Speaker 1: to start the artist development Company. It was something like that.

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Speaker 1: But this so that this what led to this is

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Speaker 1: responsible for Drink's. But how like we got dayDay here,

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Speaker 1: you guys are involving, evolving with these new artists. Now,

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Speaker 1: how do you find these artists? Are they hot or

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Speaker 1: do somebody bring them to you? Or so let me

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Speaker 1: let me explain to you how day they work. Let's

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Speaker 1: go day. They had a record.

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Speaker 6: In a very specific and important club that was starting

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Speaker 6: to work. And when our ain't our executive, very talented

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Speaker 6: partner of our Selene brought us the record, he said,

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Speaker 6: I just want you to listen to the patience of

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Speaker 6: how this man raps. And there was something so beautifully

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Speaker 6: patient about how he went on to some of those

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Speaker 6: phrases and those words. It was obvious that he was

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Speaker 6: very talented.

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Speaker 2: And so I'm daddy, let me just tell you something

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Speaker 2: about man.

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Speaker 1: You with two order people who if you listen, you

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Speaker 1: can be the most successful person ever. But what's going

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Speaker 1: to happen is success is gonna fuck with you, and

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Speaker 1: it's gonna tell you you ain't gotta listen because we

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Speaker 1: all go through it. You got to listen. You gotta

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Speaker 1: go crazy to know that you're you're not crazy. You

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Speaker 1: gotta go crazy once, right, you went crazy? Ready, look

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Speaker 1: like you already some time? But who are you from?

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Speaker 2: In Atlanta?

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Speaker 9: From fourth word of Atlanta boulevard sound rough? You know,

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Speaker 9: it's real.

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Speaker 2: That's what's up. That's what fourth fourth word? Okay?

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Speaker 1: And now, so how did you get How did you

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Speaker 1: get involved with three hundred?

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Speaker 9: I had got involved with three hundred through Knitty Beats.

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Speaker 9: You know, shout out Nitty, you know, but Nitty had

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Speaker 9: a strong relationship with Kevin No, so shout out Kevin loud,

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Speaker 9: you know. So you know, I guess they had a

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Speaker 9: great relationship. And you know, by my talent heaven with

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Speaker 9: Nitty Beats, I guess you know, they linked up with

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Speaker 9: Kevin and you know how this situation happened. But I

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Speaker 9: appreciate them, you know, and I appreciate the team for

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Speaker 9: working hard.

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Speaker 1: You know, we're here. They for hard to have you here.

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Speaker 1: We don't even have new artists here, but Lee all

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Speaker 1: put us foot down. And I can't say.

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Speaker 2: I can't say.

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Speaker 4: The record was popping in one particular club.

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Speaker 1: What club was that?

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Speaker 2: Shout out? Look, Coral Look.

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Speaker 1: Okay, okay, that's what's up. Very important, man, I'm just

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Speaker 1: telling you. Man, let me take over off. Let me

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Speaker 1: just explain something to you. First of all, I'm humbled

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Speaker 1: to be here, oh man. I mean always mes arise.

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Speaker 6: When someone actually wants to hear my words.

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Speaker 2: It's I'm humbled.

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Speaker 1: He imitates you. That's how much we want to hear

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Speaker 1: I don't. I don't take it for granted, ignori.

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Speaker 6: So bravo to you, and bravo to you, Bravo to

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Speaker 6: your whole crew.

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Speaker 2: Let's hear it. We also got large on the building.

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Speaker 6: Yeah, I must say, you're busy being born and the

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Speaker 6: fact that you are understanding the new digital era, that

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Speaker 6: this is a powerful radio station and you don't need

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Speaker 6: a signal exactly. You decided to get some fucking champagne

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Speaker 6: and some liquor and get your man here and and

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Speaker 6: and do a podcast. The amount of influence and power

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Speaker 6: that you have by your voice, your interviews, and your

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Speaker 6: perspective is just fabulous because you know what it is.

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Speaker 1: Leo see, a lot of a lot of media has

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Speaker 1: never been a part of the culture. So this is

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Speaker 1: now people reporting the culture from inside the culture.

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Speaker 2: It's like if Jordan's will pick myself to Jordan, but.

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Speaker 1: Maybe maybe it's okay, yeah, okay, maybe after Jordan plays

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Speaker 1: the game. If Jordan is interviewing the artist, it's like,

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Speaker 1: some people consider it cheating, but it's about time real

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Speaker 1: niggas found a way to cheat. This makes.

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Speaker 2: I know I chose well.

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Speaker 1: Listen, if I had a nineteen career, a nineteen year career,

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Speaker 1: and I wasn't being cool with everybody, like it all

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Speaker 1: makes sense now, Like I always kept great relationships. I

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Speaker 1: always like to tell people that, you know what I'm saying,

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Speaker 1: like Kevin changed my heart, my life.

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Speaker 2: Gracious Racis so it's gracious.

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Speaker 1: You can come to us now. We know you did

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Speaker 1: rap Radar. It's a mistake. Well there's a mistake. They

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Speaker 1: was born and almost go to sleep there. They weren't

399
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Speaker 1: got sorry about it, but make some noise for you

400
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Speaker 1: being here. We got Kevin out and Lee on together.

401
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Speaker 1: I'm sorry yelly. You know, I just got to take it.

402
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Speaker 1: You know they number three, they number they did down there.

403
00:22:11,640 --> 00:22:14,680
Speaker 1: You know they they mad that. You know, a guy

404
00:22:14,720 --> 00:22:18,720
Speaker 1: who never went to college is running their job better.

405
00:22:19,520 --> 00:22:24,320
Speaker 1: But who But listen, man, you guys have been I

406
00:22:24,400 --> 00:22:28,920
Speaker 1: love this DMX story where DMX jaw was broke and

407
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Speaker 1: you hate rhymes for you and you still knew he

408
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Speaker 1: was a star.

409
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Speaker 2: What is Joe Wyatt?

410
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Speaker 1: If you got seat through a vision like you knew

411
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Speaker 1: that every every rapper.

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Speaker 6: So the real story was I drove up to Yonkers

413
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Speaker 6: with IRV because he wanted us to hear him.

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Speaker 2: By two thirty, he still.

415
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Speaker 6: Wasn't there, and the rough Riders were trying to present

416
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Speaker 6: every calm dick compared they had.

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Speaker 1: They that beats a.

418
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Speaker 2: Man spit sixteen, don't worry on his way. We got

419
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Speaker 2: the Pizza man there.

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Speaker 6: Finally X showed up, mouth wired shut, obviously in pain,

421
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Speaker 6: and started rapping, and all the rappers the pizza man

422
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Speaker 6: ran out the door and.

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Speaker 1: They just got shook.

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Speaker 6: And I like to say, if my mother was there

425
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Speaker 6: with me, she would have said, that's the one.

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Speaker 2: It's that obvious.

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Speaker 6: The air changed when he walked in the room, even

428
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Speaker 6: even with the jaw wire. It was special. It was

429
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Speaker 6: special special. Oh, I got the hair on my back

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Speaker 6: of my neck just stood up.

431
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Speaker 1: And then was it your idea to say I'm gonna

432
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Speaker 1: drop two albums this year? I think it was Kevin's idea.

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Speaker 1: I'm not taking all the It was definitely as I did.

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Speaker 8: And and I'll tell a story for him. DMX didn't

435
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Speaker 8: put on an album. He changed culture. He did the

436
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Speaker 8: first album changed culture. So part of being a good

437
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Speaker 8: person is to ride the wave. And so and a

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Speaker 8: lot of people X had one hundred records. X X

439
00:24:17,400 --> 00:24:21,159
Speaker 8: felt rapping was his job. X L I wake up

440
00:24:21,200 --> 00:24:23,440
Speaker 8: every day, I'm gonna do three or four songs, five

441
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Speaker 8: or six songs.

442
00:24:24,200 --> 00:24:26,280
Speaker 1: He took it. A lot of people X crazy.

443
00:24:26,280 --> 00:24:29,920
Speaker 8: We know a guy, you know, but but his work

444
00:24:29,960 --> 00:24:33,480
Speaker 8: ethic when it came to him doing music, he got

445
00:24:33,480 --> 00:24:36,920
Speaker 8: he got a bibble, X got a bibble of good

446
00:24:36,960 --> 00:24:39,919
Speaker 8: and bad, right or wrong. And so the world was

447
00:24:39,960 --> 00:24:44,679
Speaker 8: ready for it. And Leo said, you know, let's do

448
00:24:44,760 --> 00:24:47,080
Speaker 8: what that's that's throw them while we them and they

449
00:24:47,240 --> 00:24:49,240
Speaker 8: they got us. They can't do what we do. And

450
00:24:49,560 --> 00:24:51,400
Speaker 8: X came out. But then a lot of artists try

451
00:24:51,440 --> 00:24:52,760
Speaker 8: to keep trying to kept trying to do it.

452
00:24:53,000 --> 00:24:56,879
Speaker 1: Nobody, nobody was successful. But it I'm gonna give you.

453
00:24:56,920 --> 00:24:58,360
Speaker 2: I'm gonna give you some real.

454
00:24:59,160 --> 00:25:02,800
Speaker 6: You want the inside, I'm.

455
00:25:01,440 --> 00:25:01,919
Speaker 1: Going to give you.

456
00:25:02,000 --> 00:25:03,840
Speaker 6: I'm going to give you the inside. I was about

457
00:25:03,840 --> 00:25:06,640
Speaker 6: to give up the game. I was about to retire.

458
00:25:07,119 --> 00:25:11,000
Speaker 6: What No, Just before X I was about to retire,

459
00:25:11,720 --> 00:25:18,159
Speaker 6: Puffy made everything technicolor and shiny, and bad boy was

460
00:25:18,240 --> 00:25:23,200
Speaker 6: running shit on the shiny technicolor shit and def jam

461
00:25:23,600 --> 00:25:27,720
Speaker 6: represents black and white and shades of gray. And I

462
00:25:27,760 --> 00:25:29,880
Speaker 6: looked at my crew and I said, man, I don't

463
00:25:29,880 --> 00:25:33,080
Speaker 6: think I can contribute anymore.

464
00:25:34,600 --> 00:25:37,760
Speaker 2: And then I found X just.

465
00:25:37,720 --> 00:25:42,840
Speaker 6: When Puffy made the Locks technicolor, and that's when I

466
00:25:42,880 --> 00:25:47,680
Speaker 6: knew I had to pull out on him and start shooting.

467
00:25:48,440 --> 00:25:51,600
Speaker 1: Okay, I carried in my breast pocket.

468
00:25:51,840 --> 00:25:56,520
Speaker 2: A black and white photo of the album cover, a polaroid.

469
00:25:57,240 --> 00:25:59,640
Speaker 1: It was X black and white. You remember that?

470
00:26:00,400 --> 00:26:03,879
Speaker 6: And I said, this is the reason why I'm still

471
00:26:03,920 --> 00:26:08,400
Speaker 6: gonna do this, because I was so infuriated of what

472
00:26:08,480 --> 00:26:13,800
Speaker 6: they did to the Locks. Remember the Locks streaked motherfuckers, Yes,

473
00:26:14,000 --> 00:26:17,120
Speaker 6: And they turned them into some high technicolor ship.

474
00:26:17,640 --> 00:26:22,280
Speaker 2: And that was when we said enough is enough. And

475
00:26:22,320 --> 00:26:24,080
Speaker 2: that's when X came on the scene.

476
00:26:24,160 --> 00:26:27,080
Speaker 1: Because I remember even the video, the first video looked

477
00:26:27,080 --> 00:26:28,680
Speaker 1: like nobody cared.

478
00:26:28,920 --> 00:26:30,720
Speaker 2: It looked like Williams messed it up.

479
00:26:30,840 --> 00:26:34,000
Speaker 10: We cared so bad.

480
00:26:34,200 --> 00:26:36,320
Speaker 2: But what I'm saying it was so authentic.

481
00:26:36,480 --> 00:26:40,480
Speaker 1: It was like at that time, you know, videos was cousted,

482
00:26:40,640 --> 00:26:42,840
Speaker 1: it was costed, and for them to have like the

483
00:26:43,280 --> 00:26:45,800
Speaker 1: record was exploding but the video was black and white.

484
00:26:46,000 --> 00:26:46,399
Speaker 2: I'm like, what.

485
00:26:48,160 --> 00:26:50,800
Speaker 1: They got a scheme and then the whole thing came out.

486
00:26:50,840 --> 00:26:53,080
Speaker 1: But that was that was awesome. That was amazing. He

487
00:26:53,640 --> 00:26:56,000
Speaker 1: X and shout out to Earth got X.

488
00:26:56,840 --> 00:27:00,040
Speaker 8: I mean we was doing fourth three two win and

489
00:27:00,560 --> 00:27:03,080
Speaker 8: a yo X gotta going on that record. You know,

490
00:27:03,080 --> 00:27:06,199
Speaker 8: it was an l ll redman mathe man, and so

491
00:27:06,240 --> 00:27:11,840
Speaker 8: I had to go talk to everybody sorry, And when

492
00:27:11,880 --> 00:27:16,080
Speaker 8: he says stay out the door, everybody looked at me

493
00:27:16,119 --> 00:27:19,960
Speaker 8: and said, jeez, it was it was nothing you knew

494
00:27:20,000 --> 00:27:22,040
Speaker 8: at that moment, you know what I mean. He was

495
00:27:22,640 --> 00:27:26,240
Speaker 8: the next and you you just imagine all those Toddy

496
00:27:26,280 --> 00:27:29,400
Speaker 8: and the original Wee Boy to Math at that time

497
00:27:29,480 --> 00:27:30,439
Speaker 8: and ready the town that this.

498
00:27:30,600 --> 00:27:34,480
Speaker 6: Kid stay out listen, NOORI, We're gonna have to do

499
00:27:34,520 --> 00:27:40,560
Speaker 6: this under you know multiple sequences. Man, you got I

500
00:27:40,640 --> 00:27:43,720
Speaker 6: got a long career here. Day is going to be

501
00:27:43,760 --> 00:27:47,520
Speaker 6: in the spot for a long time. Kevin's not going anywhere,

502
00:27:47,960 --> 00:27:50,800
Speaker 6: So invite us back and we'll come back and chop

503
00:27:50,840 --> 00:27:52,920
Speaker 6: it up with you and give you some more stories. Okay,

504
00:27:53,000 --> 00:28:00,199
Speaker 6: nor can I say that short.

505
00:28:00,119 --> 00:28:02,600
Speaker 1: Want yet?

506
00:28:03,840 --> 00:28:08,320
Speaker 2: Don't hurry up. It's a radio.

507
00:28:10,000 --> 00:28:11,840
Speaker 4: You said that Russell was an intern for someone who

508
00:28:11,840 --> 00:28:15,119
Speaker 4: did he intern for Russell almost started.

509
00:28:14,840 --> 00:28:17,520
Speaker 8: From the bottom. Yeah, you know, because you know him

510
00:28:17,560 --> 00:28:20,239
Speaker 8: and Rick, you know what, we're partners and everything. But

511
00:28:20,960 --> 00:28:23,159
Speaker 8: I wanted to say some of you didn't even notice story.

512
00:28:23,640 --> 00:28:27,119
Speaker 8: The first thing you said today was not about your record,

513
00:28:27,560 --> 00:28:32,320
Speaker 8: not about a how hot you are anything. You said

514
00:28:32,359 --> 00:28:35,760
Speaker 8: you gotta listen, gotta listen, and to just at a

515
00:28:35,840 --> 00:28:38,320
Speaker 8: redendum to listening.

516
00:28:38,080 --> 00:28:44,640
Speaker 1: Said I never heard that. I want to.

517
00:28:44,720 --> 00:28:47,920
Speaker 8: I want to honestly say, like when.

518
00:28:47,720 --> 00:28:48,640
Speaker 1: You finally.

519
00:28:50,520 --> 00:28:53,080
Speaker 2: When you find an artist, when you.

520
00:28:53,040 --> 00:28:56,760
Speaker 8: Find an artist, uh that does listen, you're willing to

521
00:28:56,800 --> 00:28:59,280
Speaker 8: do anything for It was nothing I couldn't call you

522
00:28:59,320 --> 00:29:01,400
Speaker 8: and get you to do you and there's nothing that

523
00:29:01,440 --> 00:29:02,560
Speaker 8: you can call me and get me to do in

524
00:29:02,640 --> 00:29:07,360
Speaker 8: this moment right here. They that that's appreciate it coming

525
00:29:07,360 --> 00:29:09,840
Speaker 8: from somebody that had it every which way.

526
00:29:10,040 --> 00:29:12,880
Speaker 1: You know what I mean that you can have ups, downs, rounds.

527
00:29:13,360 --> 00:29:16,080
Speaker 8: I remember we were doing the Nothing record and I said, Yo,

528
00:29:16,120 --> 00:29:16,800
Speaker 8: we need to put.

529
00:29:16,600 --> 00:29:20,360
Speaker 2: More that and.

530
00:29:20,320 --> 00:29:22,320
Speaker 1: They had to go convince him. Listen, you go to

531
00:29:22,480 --> 00:29:26,800
Speaker 1: the fucking studio and you you're right, You're right, and

532
00:29:28,120 --> 00:29:31,000
Speaker 1: that's the real, really something And I'm just you know.

533
00:29:32,080 --> 00:29:32,400
Speaker 9: I want to.

534
00:29:32,440 --> 00:29:33,160
Speaker 2: I want to say this.

535
00:29:35,440 --> 00:29:36,440
Speaker 1: Speaking of that quote.

536
00:29:36,520 --> 00:29:39,240
Speaker 9: You just where he was speaking on like Kevin Lowell

537
00:29:39,880 --> 00:29:43,280
Speaker 9: told me that you remember that it was in the label.

538
00:29:43,480 --> 00:29:46,280
Speaker 9: You know it was like all you got to do

539
00:29:46,360 --> 00:29:50,600
Speaker 9: is listen. So I tell all my friends that from now,

540
00:29:51,080 --> 00:29:52,360
Speaker 9: like all my friends that.

541
00:29:53,800 --> 00:29:56,120
Speaker 2: Drinking at got my go.

542
00:29:58,440 --> 00:29:59,880
Speaker 1: We ain't drinking right now.

543
00:30:02,600 --> 00:30:07,800
Speaker 2: Because I learned this in France. You know what I

544
00:30:08,920 --> 00:30:12,240
Speaker 2: got class? I got class rich people. Yeah, that's all

545
00:30:12,600 --> 00:30:14,320
Speaker 2: that's like doing in France. I haven't been a friends,

546
00:30:14,560 --> 00:30:20,200
Speaker 2: but I will be. I want to.

547
00:30:20,240 --> 00:30:23,040
Speaker 6: I want to propose the toast, please. I want to

548
00:30:23,080 --> 00:30:28,080
Speaker 6: propose the toast to Let's make sure that we get

549
00:30:28,120 --> 00:30:32,240
Speaker 6: out and vote, because you want to know about sucking

550
00:30:32,320 --> 00:30:35,280
Speaker 6: up the game. If we don't go out and vote,

551
00:30:35,680 --> 00:30:38,480
Speaker 6: it's going to be problematic. Okay, we talked.

552
00:30:38,280 --> 00:30:39,120
Speaker 4: About it last night with.

553
00:30:43,080 --> 00:30:43,280
Speaker 8: Vote.

554
00:30:43,320 --> 00:30:50,080
Speaker 2: What the fus up with you? So we've got Trump supporters?

555
00:30:50,120 --> 00:30:53,080
Speaker 2: That means whatever?

556
00:30:53,160 --> 00:30:55,440
Speaker 1: My listening because this is this is something that's very

557
00:30:55,520 --> 00:30:58,760
Speaker 1: important to me because you know, you guys are obviously.

558
00:30:59,800 --> 00:31:00,720
Speaker 2: Were I want to be.

559
00:31:01,400 --> 00:31:06,000
Speaker 1: But how do you what you wish for? But how

560
00:31:06,040 --> 00:31:09,000
Speaker 1: do you guys make you know, have a great career,

561
00:31:09,480 --> 00:31:13,000
Speaker 1: make this money, but still have the same drive. Like

562
00:31:13,160 --> 00:31:15,239
Speaker 1: I don't want to rap no more because I'm not

563
00:31:15,280 --> 00:31:16,760
Speaker 1: doing it one hundred percent no more.

564
00:31:17,440 --> 00:31:19,400
Speaker 2: So I've got to do other things.

565
00:31:19,560 --> 00:31:22,120
Speaker 1: So I choose not to spit rhymes no more for

566
00:31:22,200 --> 00:31:25,040
Speaker 1: now you So did you see me in five months? Withoutum?

567
00:31:28,920 --> 00:31:31,840
Speaker 1: But you guys seem like like I did a call

568
00:31:31,880 --> 00:31:35,280
Speaker 1: with Leo recently and I called him a mogul and

569
00:31:35,360 --> 00:31:38,240
Speaker 1: Leo said, was cool. But I like to be called

570
00:31:38,240 --> 00:31:42,200
Speaker 1: a servant like that thing that that struck our audience.

571
00:31:42,240 --> 00:31:43,440
Speaker 2: Everybody kept hitting us.

572
00:31:44,240 --> 00:31:47,760
Speaker 1: All wants to be called a servant, but something humble,

573
00:31:48,040 --> 00:31:51,120
Speaker 1: humble servant, Like how do you guys be so successful,

574
00:31:51,200 --> 00:31:53,640
Speaker 1: have these accolades, but still have the same drive.

575
00:31:55,280 --> 00:31:55,760
Speaker 2: Mm hmmm.

576
00:31:57,600 --> 00:32:02,280
Speaker 6: So I love what I do, so I have no interest.

577
00:32:02,680 --> 00:32:07,160
Speaker 6: I remember when I sold deaf Champ, and I sold

578
00:32:07,160 --> 00:32:10,960
Speaker 6: it for a big number. The next week, I was

579
00:32:11,000 --> 00:32:15,440
Speaker 6: on the plane to a convention in Miami and the

580
00:32:15,520 --> 00:32:18,719
Speaker 6: whole plane was full of people going to convention. And

581
00:32:18,760 --> 00:32:22,360
Speaker 6: I walked down the hallway just stapping people up, saying

582
00:32:22,360 --> 00:32:23,040
Speaker 6: what up, what up?

583
00:32:23,040 --> 00:32:23,440
Speaker 2: What up?

584
00:32:24,040 --> 00:32:26,080
Speaker 6: And they all looked at me and said, didn't you

585
00:32:26,160 --> 00:32:28,640
Speaker 6: just get papered up? What are you coming to this

586
00:32:28,760 --> 00:32:31,440
Speaker 6: convention for. Aren't you supposed to go to a beach somewhere?

587
00:32:32,120 --> 00:32:36,040
Speaker 6: And I said, you know, when you think about a.

588
00:32:35,960 --> 00:32:39,400
Speaker 1: Beach, it's just a hot, dusty, dirty place.

589
00:32:41,080 --> 00:32:43,680
Speaker 6: You just want to know that you could go when

590
00:32:43,760 --> 00:32:46,880
Speaker 6: you can go when you But I love doing this shit.

591
00:32:47,640 --> 00:32:50,360
Speaker 6: It's the thought process that you could go to the beach.

592
00:32:50,440 --> 00:32:54,160
Speaker 6: I don't sit in the sun in that dusty, dirty beach,

593
00:32:55,880 --> 00:33:00,200
Speaker 6: but it's a nice imagination to have. What I love

594
00:33:00,320 --> 00:33:04,320
Speaker 6: doing is waking up every morning working with my partner Kevin,

595
00:33:05,240 --> 00:33:11,920
Speaker 6: working and finding new wonderful talent like day day. Just

596
00:33:12,200 --> 00:33:18,480
Speaker 6: I just love being inspired by Raina, who who runs

597
00:33:18,520 --> 00:33:20,160
Speaker 6: our marketing department there.

598
00:33:21,160 --> 00:33:26,320
Speaker 2: So it just I guess it's a career versus a job.

599
00:33:26,880 --> 00:33:29,640
Speaker 1: And so I like to continue with this doing this

600
00:33:29,760 --> 00:33:33,200
Speaker 1: thing and YouTube can uh did diddo.

601
00:33:33,680 --> 00:33:36,640
Speaker 8: But it gets like a little bit more serious to

602
00:33:36,720 --> 00:33:43,600
Speaker 8: me because, like you gotta understand, I'm not raising rappers

603
00:33:43,680 --> 00:33:48,520
Speaker 8: or singers or either men that have kids that have

604
00:33:48,600 --> 00:33:50,680
Speaker 8: to be influential in their lives.

605
00:33:50,400 --> 00:33:52,160
Speaker 1: And most of them don't have all this, and most

606
00:33:52,240 --> 00:33:52,680
Speaker 1: of them.

607
00:33:52,600 --> 00:33:53,240
Speaker 2: So you.

608
00:33:54,960 --> 00:33:57,480
Speaker 8: Know, I don't called uncle dad all that kind of

609
00:33:57,480 --> 00:34:02,720
Speaker 8: shit before, And so I look at it as with

610
00:34:02,880 --> 00:34:07,960
Speaker 8: success comes more responsibility. So I wasn't raised by myself.

611
00:34:08,560 --> 00:34:11,319
Speaker 8: So anything, anybody, if I get money with you, you're

612
00:34:11,320 --> 00:34:13,520
Speaker 8: gonna have a different kind of respect for me when

613
00:34:13,560 --> 00:34:15,440
Speaker 8: I tell you some grow man shit, you know what

614
00:34:15,480 --> 00:34:19,120
Speaker 8: I mean. So to me, I think, really our responsibility

615
00:34:19,960 --> 00:34:23,399
Speaker 8: is to give you guys a platform and an opportunity

616
00:34:23,560 --> 00:34:29,359
Speaker 8: and support and conversation and just stewardship to be better people.

617
00:34:29,400 --> 00:34:30,080
Speaker 1: You know, in life.

618
00:34:30,080 --> 00:34:33,240
Speaker 8: So it's not how can I'm not a record exactly,

619
00:34:33,239 --> 00:34:36,160
Speaker 8: I'm gonna said, I'm somebody who is a life changer.

620
00:34:36,200 --> 00:34:36,320
Speaker 1: You know.

621
00:34:36,440 --> 00:34:39,240
Speaker 8: Really, if you get with us, we're gonna change your life.

622
00:34:40,440 --> 00:34:42,279
Speaker 8: You're gonna be a better man. I can't say you're

623
00:34:42,280 --> 00:34:45,000
Speaker 8: gonna tell a million records, but you definitely will be

624
00:34:45,040 --> 00:34:45,560
Speaker 8: a better man.

625
00:34:45,760 --> 00:34:48,120
Speaker 1: But I remember one point when lee All had left

626
00:34:48,120 --> 00:34:50,600
Speaker 1: and went to Atlantic and you were still kind of

627
00:34:50,640 --> 00:34:52,399
Speaker 1: like in depth jam and it was like the La

628
00:34:52,520 --> 00:34:55,400
Speaker 1: Read thing. And I remember having a meeting with you

629
00:34:55,440 --> 00:34:57,520
Speaker 1: and I was like, he was like, No, everything's gonna

630
00:34:57,520 --> 00:34:59,120
Speaker 1: be all right, Everything's gonna be But I knew you

631
00:34:59,200 --> 00:35:01,799
Speaker 1: was lying. You were like lying to me, but in

632
00:35:01,800 --> 00:35:04,719
Speaker 1: a good way, Like look normal, we're going to get

633
00:35:04,719 --> 00:35:07,200
Speaker 1: the funk about him not working with this guy. But

634
00:35:07,520 --> 00:35:09,920
Speaker 1: I can't say that to you, like I know that

635
00:35:10,000 --> 00:35:13,799
Speaker 1: was a weird period for you. Was it because La

636
00:35:14,000 --> 00:35:17,879
Speaker 1: is a friend that wasn't there?

637
00:35:17,960 --> 00:35:18,000
Speaker 8: No?

638
00:35:18,080 --> 00:35:19,120
Speaker 1: It always was always.

639
00:35:19,640 --> 00:35:21,560
Speaker 8: I got an award for Song of the Year in

640
00:35:21,640 --> 00:35:31,839
Speaker 8: nineteen ninety six, week right, Yeah, I want to go there.

641
00:35:34,040 --> 00:35:36,000
Speaker 1: You know it's true.

642
00:35:37,440 --> 00:35:39,640
Speaker 2: I look at told us that the record.

643
00:35:39,320 --> 00:35:46,080
Speaker 8: Now he wrote it, so not so that the thing

644
00:35:46,360 --> 00:35:53,560
Speaker 8: was And again this was grown Kevin. I had the

645
00:35:53,600 --> 00:35:57,960
Speaker 8: house when Leah left. I had the house. It's my house, right,

646
00:35:58,480 --> 00:36:02,840
Speaker 8: but the landlord gave him the keys. Now, keV, it

647
00:36:03,000 --> 00:36:04,080
Speaker 8: was always your house.

648
00:36:06,040 --> 00:36:09,799
Speaker 11: Let's talk so so so, what I'm not gonna do

649
00:36:10,640 --> 00:36:14,360
Speaker 11: is allow an industry to put me in a position,

650
00:36:14,560 --> 00:36:16,600
Speaker 11: to put l A in a position where.

651
00:36:16,800 --> 00:36:19,759
Speaker 8: The house would get destroyed and divided. I love death

652
00:36:19,800 --> 00:36:22,920
Speaker 8: Jam too much. I love the people there too much.

653
00:36:23,960 --> 00:36:26,000
Speaker 8: There was no way that I was gonna let oh,

654
00:36:26,120 --> 00:36:28,000
Speaker 8: let's put them in a cage and see what, see

655
00:36:28,000 --> 00:36:31,040
Speaker 8: what happens. I ain't doing that, Ain't that guy.

656
00:36:31,120 --> 00:36:32,560
Speaker 1: I'm just want to point out, this is the most

657
00:36:32,560 --> 00:36:41,520
Speaker 1: woman we ever had a drink camp that lets you know.

658
00:36:40,880 --> 00:36:41,399
Speaker 2: The right thing.

659
00:36:41,640 --> 00:36:43,839
Speaker 1: Sorry you shout out to women.

660
00:36:45,200 --> 00:36:46,440
Speaker 2: I bring that and say that.

661
00:36:46,680 --> 00:36:49,400
Speaker 8: So what I what I felt was and that's a

662
00:36:49,960 --> 00:36:53,400
Speaker 8: la Listen. The best thing for us to do is

663
00:36:53,440 --> 00:36:58,759
Speaker 8: to have one voice, one way, one mission, and I

664
00:36:58,800 --> 00:37:00,560
Speaker 8: would like that for be yours.

665
00:37:01,120 --> 00:37:02,839
Speaker 1: I can't do. I'm not gonna do that to something

666
00:37:02,880 --> 00:37:03,239
Speaker 1: we love.

667
00:37:03,600 --> 00:37:03,799
Speaker 2: Now.

668
00:37:03,840 --> 00:37:05,640
Speaker 8: A lot of people were like, you shouldn't have did that,

669
00:37:05,920 --> 00:37:07,680
Speaker 8: you you know, bah blah this, and they wanted me

670
00:37:07,719 --> 00:37:09,879
Speaker 8: to whatever, but I could. I couldn't talk to my man.

671
00:37:09,920 --> 00:37:12,719
Speaker 8: My man was non compete, all that kind of shit

672
00:37:12,800 --> 00:37:15,480
Speaker 8: going on with him. So to me, it was more

673
00:37:15,520 --> 00:37:18,040
Speaker 8: so about what's best for death Jam, right, And I

674
00:37:18,080 --> 00:37:21,400
Speaker 8: thought one way, one thought, you know what's best for

675
00:37:21,400 --> 00:37:23,799
Speaker 8: death Jam. That's why left. I never know it will

676
00:37:23,840 --> 00:37:27,120
Speaker 8: That's that's a falsehood. Near la even today we all

677
00:37:27,120 --> 00:37:28,799
Speaker 8: one hundred you know all right?

678
00:37:28,880 --> 00:37:30,440
Speaker 1: Now, how do you feel about death Jam? Now do

679
00:37:30,520 --> 00:37:33,680
Speaker 1: you ever look at it and be like, oh, do

680
00:37:33,800 --> 00:37:35,000
Speaker 1: you look at it and be like that's what the

681
00:37:35,040 --> 00:37:37,040
Speaker 1: fuck they get? How about this? How you look at

682
00:37:37,080 --> 00:37:39,239
Speaker 1: it and we leave it at that? I'll look at

683
00:37:39,320 --> 00:37:42,239
Speaker 1: y'all like y'all death jam still like I'm caught in

684
00:37:42,280 --> 00:37:44,319
Speaker 1: the time zone. Like when I think death Jam, I

685
00:37:44,360 --> 00:37:48,560
Speaker 1: think you le'll Russell like, you know what, Let me

686
00:37:48,600 --> 00:37:51,520
Speaker 1: tell you something one seventy varick And am.

687
00:37:51,440 --> 00:37:52,760
Speaker 2: I saying this correct?

688
00:37:52,360 --> 00:37:56,440
Speaker 1: One sixty varick save so many rappers lives.

689
00:37:56,560 --> 00:37:57,680
Speaker 2: Let me tell y'all something.

690
00:37:58,400 --> 00:38:01,320
Speaker 1: And this I have never I have never said this publicly,

691
00:38:01,800 --> 00:38:04,560
Speaker 1: but one sixty Barbreck was a place where it was

692
00:38:04,600 --> 00:38:07,520
Speaker 1: death Jam. It was when I first got to started

693
00:38:07,520 --> 00:38:10,240
Speaker 1: going to depth Jam. But they had rushed associated labels

694
00:38:10,239 --> 00:38:12,680
Speaker 1: in there. They had the violator, so you didn't have

695
00:38:12,840 --> 00:38:14,200
Speaker 1: to actually be on depth Jam.

696
00:38:14,239 --> 00:38:17,080
Speaker 2: But you can roll dice in the one sixty barrack.

697
00:38:17,360 --> 00:38:19,680
Speaker 1: You didn't get your haircut in one sixty Varick, and

698
00:38:19,719 --> 00:38:22,719
Speaker 1: you can also buy weed in one sixty Barrack.

699
00:38:22,760 --> 00:38:26,880
Speaker 12: So artists didn't have to like yo, you think.

700
00:38:26,719 --> 00:38:30,120
Speaker 1: About it when you first get signed, they get a check,

701
00:38:30,360 --> 00:38:33,080
Speaker 1: but there's nothing that makes you that person that you

702
00:38:33,520 --> 00:38:34,640
Speaker 1: just you just sold.

703
00:38:34,360 --> 00:38:35,239
Speaker 2: To them that you are.

704
00:38:36,080 --> 00:38:38,360
Speaker 1: So you're still streets. And that's why so many people

705
00:38:38,360 --> 00:38:40,520
Speaker 1: get a check and then they catch a case because

706
00:38:40,880 --> 00:38:42,720
Speaker 1: they catch a case cause they still in the streets.

707
00:38:42,760 --> 00:38:46,279
Speaker 1: But that place right there gave artists a place to

708
00:38:46,320 --> 00:38:48,719
Speaker 1: get the fuck out the hood, but still kind of

709
00:38:48,760 --> 00:38:50,920
Speaker 1: beat hood because you go buy weed there. Let's make the.

710
00:38:53,600 --> 00:38:54,399
Speaker 2: That record for the.

711
00:38:54,360 --> 00:38:57,319
Speaker 8: Record in my next life as a politician. I don't

712
00:38:57,360 --> 00:39:00,560
Speaker 8: know what he's talking about, but I wanted to want

713
00:39:00,560 --> 00:39:03,279
Speaker 8: to say one of the Lyric's points were less create

714
00:39:03,320 --> 00:39:06,839
Speaker 8: an environment that was about art.

715
00:39:07,520 --> 00:39:10,320
Speaker 2: We always like that environment was done on purpose?

716
00:39:10,840 --> 00:39:11,760
Speaker 1: Was it done on purpose?

717
00:39:12,120 --> 00:39:15,480
Speaker 8: The outlay, how everything was, the you know, management records,

718
00:39:15,560 --> 00:39:17,480
Speaker 8: everything was right here.

719
00:39:18,760 --> 00:39:19,520
Speaker 1: It was It was crazy.

720
00:39:19,640 --> 00:39:30,880
Speaker 8: I remember a time it was me Redman, Lebron, James Mellow, Uh, Scarface, Ludacrous.

721
00:39:31,080 --> 00:39:33,279
Speaker 1: You never know. People came no matter where they were.

722
00:39:33,200 --> 00:39:36,360
Speaker 10: They just came to hang out, to hang out.

723
00:39:36,360 --> 00:39:39,040
Speaker 1: A video video that mad challenges. We'd ad a two

724
00:39:39,120 --> 00:39:39,920
Speaker 1: or three in the morning.

725
00:39:40,560 --> 00:39:42,879
Speaker 8: It was just a place where people and that that's

726
00:39:42,920 --> 00:39:47,240
Speaker 8: just something Lyric has always wanted us to not felt

727
00:39:47,239 --> 00:39:49,200
Speaker 8: like we was working, but it felt like we.

728
00:39:49,040 --> 00:39:51,080
Speaker 1: Was communion, you know, being in the community.

729
00:39:51,120 --> 00:39:51,279
Speaker 2: You know.

730
00:39:51,360 --> 00:39:53,719
Speaker 1: Then when I went to the other building, it felt corporate,

731
00:39:54,360 --> 00:39:58,320
Speaker 1: like it was we sold the company. It was also

732
00:39:58,360 --> 00:40:00,720
Speaker 1: when one sixty fabric, that was when they were still

733
00:40:00,760 --> 00:40:03,640
Speaker 1: all that makes sense. But you I just want you

734
00:40:03,640 --> 00:40:06,200
Speaker 1: guys to know you saved a lot of rappers lives,

735
00:40:06,200 --> 00:40:10,400
Speaker 1: maybe indirectly or not, or straight up directly because that

736
00:40:10,520 --> 00:40:10,759
Speaker 1: was a.

737
00:40:10,719 --> 00:40:13,480
Speaker 2: Hangout at one point. That was the place. Like I

738
00:40:13,520 --> 00:40:15,120
Speaker 2: was on Violator, they would be like, yo, you know,

739
00:40:15,280 --> 00:40:16,080
Speaker 2: just come one.

740
00:40:16,040 --> 00:40:19,319
Speaker 1: Sixty Arrect and I'm talking about every artist Wu Tang

741
00:40:19,360 --> 00:40:20,840
Speaker 1: would be up there. They was on loud, but they

742
00:40:20,880 --> 00:40:22,680
Speaker 1: would still be up there, you know what I'm saying.

743
00:40:22,719 --> 00:40:24,960
Speaker 1: And it was like and when I got older, I

744
00:40:25,000 --> 00:40:27,960
Speaker 1: was like, yo, they created the hood that was in Manhattan.

745
00:40:28,480 --> 00:40:30,920
Speaker 1: It was in the city. For us. That ship was

746
00:40:31,120 --> 00:40:33,520
Speaker 1: the illis envinement. We need to make a documentary about that.

747
00:40:33,640 --> 00:40:47,520
Speaker 1: We'll cut you in so three hundred I heard you guys,

748
00:40:47,680 --> 00:40:52,279
Speaker 1: desks are in the middle of the whole. You guys like,

749
00:40:52,360 --> 00:40:55,560
Speaker 1: that's front line ship. Why do you guys want to

750
00:40:55,640 --> 00:40:56,960
Speaker 1: fuck it? Was?

751
00:40:57,000 --> 00:40:58,200
Speaker 2: It motivation.

752
00:40:59,400 --> 00:41:00,160
Speaker 3: Or know.

753
00:41:00,880 --> 00:41:01,520
Speaker 1: Here's the thing.

754
00:41:03,360 --> 00:41:11,760
Speaker 6: We never felt like outwardly facing things. We're representative of

755
00:41:12,400 --> 00:41:18,359
Speaker 6: our influence, in our power, so we are very understated.

756
00:41:19,880 --> 00:41:23,840
Speaker 6: Period are all the office you referred to was comfortable,

757
00:41:23,880 --> 00:41:29,640
Speaker 6: but was understated. It was homie, So rock paper scissor.

758
00:41:29,960 --> 00:41:32,520
Speaker 6: We go for the homie and not for the flashy.

759
00:41:33,600 --> 00:41:36,439
Speaker 6: We want people to come in and recognize that work

760
00:41:36,520 --> 00:41:40,799
Speaker 6: is getting done, not that we're putting our feet up

761
00:41:40,840 --> 00:41:44,560
Speaker 6: on very expensive desk. We want all the money to

762
00:41:44,680 --> 00:41:50,319
Speaker 6: stay on the screen. We don't want to waste money by,

763
00:41:51,160 --> 00:41:55,879
Speaker 6: you know, trying to act important because we have flashier

764
00:41:56,040 --> 00:41:58,960
Speaker 6: offices or bigger cars.

765
00:42:00,239 --> 00:42:04,560
Speaker 1: It we're past that. We're in the rubber band stage. Okay,

766
00:42:04,719 --> 00:42:10,640
Speaker 1: in the work in the street stage. I'm taking that.

767
00:42:11,920 --> 00:42:13,239
Speaker 2: So now the young Doug.

768
00:42:13,280 --> 00:42:15,600
Speaker 1: I want to speak about young Doug because at one

769
00:42:15,640 --> 00:42:18,040
Speaker 1: point it kind of seemed like young Doug was actually

770
00:42:18,200 --> 00:42:20,960
Speaker 1: on babies, cash money. Then he seemed like he was

771
00:42:21,000 --> 00:42:24,000
Speaker 1: with Gucci Man, and then he seemed like and it

772
00:42:24,080 --> 00:42:27,680
Speaker 1: was like when you stepped in, it kind of made him.

773
00:42:28,280 --> 00:42:30,799
Speaker 1: It seemed like he's whole. Now it seemed like you

774
00:42:30,960 --> 00:42:33,680
Speaker 1: was the right choice. Now was he originally signed at

775
00:42:33,680 --> 00:42:35,000
Speaker 1: three hundred from the beginning.

776
00:42:35,640 --> 00:42:42,960
Speaker 6: He was signed to Gucci, and Gucci signed his action

777
00:42:43,160 --> 00:42:48,480
Speaker 6: to us, and we didn't feel that we needed to

778
00:42:48,600 --> 00:42:54,360
Speaker 6: run around, and it wasn't critical to us that everybody

779
00:42:54,440 --> 00:42:59,359
Speaker 6: knew and had to know. You know, you know, when

780
00:42:59,400 --> 00:43:00,560
Speaker 6: I went to the Red Parrot.

781
00:43:02,400 --> 00:43:04,320
Speaker 2: This is real, old school New York City.

782
00:43:04,960 --> 00:43:10,280
Speaker 6: Continue, when Fat Cat came and he sat in that corner,

783
00:43:11,719 --> 00:43:12,400
Speaker 6: he didn't.

784
00:43:12,160 --> 00:43:13,560
Speaker 2: Just bring up he didn't.

785
00:43:13,760 --> 00:43:16,880
Speaker 1: He didn't. He didn't. He didn't advertise that he was

786
00:43:16,960 --> 00:43:21,759
Speaker 1: Fat Cat. But and it's more powerful who's the guy

787
00:43:21,800 --> 00:43:22,320
Speaker 1: in the corner.

788
00:43:25,360 --> 00:43:29,359
Speaker 6: So I like when people put their name, our name

789
00:43:29,560 --> 00:43:34,920
Speaker 6: in their mouth because of the understated thing that we

790
00:43:35,040 --> 00:43:39,360
Speaker 6: got going. You know, it's silly when I see people

791
00:43:39,560 --> 00:43:44,440
Speaker 6: rolling with big security guys, big big, stupid security guys.

792
00:43:44,920 --> 00:43:48,800
Speaker 6: The first ones to run, the first one.

793
00:43:49,920 --> 00:43:52,920
Speaker 2: Okay, it's that little guy. It's that little guy you

794
00:43:53,000 --> 00:43:56,200
Speaker 2: got to be worried about. Right, It's a little guy

795
00:43:56,280 --> 00:43:58,919
Speaker 2: that you got to be worried about. You're gonna spill

796
00:43:58,920 --> 00:44:01,520
Speaker 2: it now that you said that. Okay, all right, this

797
00:44:01,600 --> 00:44:02,239
Speaker 2: is my friend Twin.

798
00:44:02,280 --> 00:44:04,000
Speaker 1: He went to Vegas with eighty dollars and came back

799
00:44:04,000 --> 00:44:06,239
Speaker 1: with twenty. He's the brocus Bridge boy, he got a

800
00:44:06,280 --> 00:44:08,840
Speaker 1: good heart, he got a good hawk. My nigga Brokes

801
00:44:08,920 --> 00:44:11,399
Speaker 1: richest guy.

802
00:44:10,080 --> 00:44:13,880
Speaker 2: To say, famous and rich kid. Thank you very hard,

803
00:44:14,080 --> 00:44:14,440
Speaker 2: thank you.

804
00:44:14,520 --> 00:44:16,080
Speaker 1: Yeah they are they are.

805
00:44:19,120 --> 00:44:19,879
Speaker 2: On Q see.

806
00:44:20,120 --> 00:44:24,239
Speaker 1: So and now three hundred is it? Is it three

807
00:44:24,360 --> 00:44:27,480
Speaker 1: sixty based company or people? Can you know, get down

808
00:44:27,480 --> 00:44:33,320
Speaker 1: with three hundred and contract sixty. We believe in three sixty.

809
00:44:33,360 --> 00:44:36,320
Speaker 2: We want to be partners, partners, not you know, and

810
00:44:36,440 --> 00:44:38,960
Speaker 2: we don't want to open up the barbecue restaurant and

811
00:44:39,000 --> 00:44:41,439
Speaker 2: then you start selling barbecue shots out the back.

812
00:44:42,200 --> 00:44:43,520
Speaker 1: You want to be involved in every We want to

813
00:44:43,520 --> 00:44:45,080
Speaker 1: be involved in everything, you know.

814
00:44:46,400 --> 00:44:48,640
Speaker 4: But there is the negative connotation to the whole You.

815
00:44:48,640 --> 00:44:52,480
Speaker 6: Don't care about that. We don't pay any attention to

816
00:44:52,560 --> 00:44:53,799
Speaker 6: the connotation.

817
00:44:53,560 --> 00:44:55,040
Speaker 4: Because we go to work, right.

818
00:44:55,680 --> 00:44:58,440
Speaker 6: Show has a negative because people, yeah, no, no, it

819
00:44:59,440 --> 00:45:03,600
Speaker 6: is a negative connotation because no one did it before us.

820
00:45:04,280 --> 00:45:07,600
Speaker 6: So that's why it has a negative connotation. And and

821
00:45:08,800 --> 00:45:13,680
Speaker 6: you know the reality is we want to be just partners.

822
00:45:14,120 --> 00:45:17,319
Speaker 6: You know, if we're going to invest our capital, our

823
00:45:17,400 --> 00:45:21,319
Speaker 6: sweat equity. If you ask me, I'm going to open

824
00:45:21,400 --> 00:45:25,000
Speaker 6: up a restaurant and I need some capital, what do

825
00:45:25,000 --> 00:45:31,719
Speaker 6: you think the capital usually represents fifty to fifty right ownership. Now,

826
00:45:31,719 --> 00:45:35,920
Speaker 6: imagine if I wasn't just capital. You came to me

827
00:45:35,960 --> 00:45:37,799
Speaker 6: and said, you know, I don't know anything about the

828
00:45:37,840 --> 00:45:38,680
Speaker 6: restaurant business.

829
00:45:38,719 --> 00:45:40,759
Speaker 2: You know about the restaurant business, but I got this

830
00:45:40,840 --> 00:45:41,440
Speaker 2: great idea.

831
00:45:41,520 --> 00:45:44,280
Speaker 6: So not only am I putting up capital, I'm putting

832
00:45:44,320 --> 00:45:45,759
Speaker 6: a sweat capital too.

833
00:45:46,640 --> 00:45:49,399
Speaker 1: Time is money, you know, So I just I want

834
00:45:49,440 --> 00:45:49,960
Speaker 1: to be if you.

835
00:45:50,080 --> 00:45:55,000
Speaker 6: If it's successful and everybody loves the barbecue, then we

836
00:45:55,200 --> 00:45:58,600
Speaker 6: go together and say let's make some barbecue sucks and.

837
00:45:58,560 --> 00:46:00,799
Speaker 8: We But we've been doing it foot interrupt you. We've

838
00:46:00,800 --> 00:46:05,400
Speaker 8: been doing it forever with the right artists. They always

839
00:46:05,440 --> 00:46:09,720
Speaker 8: wanted us to be.

840
00:46:08,040 --> 00:46:10,600
Speaker 1: Because essentially it's like your management. It's not only like

841
00:46:10,719 --> 00:46:14,920
Speaker 1: the game. Listen, yea. Even with young.

842
00:46:14,719 --> 00:46:19,840
Speaker 8: Boy, I care who he's opening for, what time is

843
00:46:19,880 --> 00:46:22,319
Speaker 8: he going on? That's not that most record people don't.

844
00:46:22,440 --> 00:46:23,920
Speaker 8: By the way, most of them don't even show up,

845
00:46:24,239 --> 00:46:27,640
Speaker 8: you know what I mean. So so the reality of

846
00:46:27,640 --> 00:46:32,120
Speaker 8: it is the conversations we have in uh seed funder

847
00:46:33,280 --> 00:46:36,000
Speaker 8: early conversations. But you have to want to be my

848
00:46:36,040 --> 00:46:39,600
Speaker 8: partner right now. And the labels built to have different

849
00:46:39,680 --> 00:46:41,799
Speaker 8: kinds of deals for different kinds of people, whether you

850
00:46:41,800 --> 00:46:44,240
Speaker 8: want to be an entrepreneur, start your own label, whether

851
00:46:44,239 --> 00:46:47,120
Speaker 8: you want to be a straight artist, or but we

852
00:46:47,360 --> 00:46:51,840
Speaker 8: have to be involved in your life. Fuck rap, fucking singing.

853
00:46:52,280 --> 00:46:53,759
Speaker 8: We have to be involved in your life when you

854
00:46:53,800 --> 00:46:55,360
Speaker 8: wake up in the morning. We want to see that

855
00:46:55,360 --> 00:46:57,080
Speaker 8: at your fucking table. We want to be on your

856
00:46:57,080 --> 00:46:57,760
Speaker 8: board of the rats.

857
00:46:57,880 --> 00:47:00,480
Speaker 1: Now that that involves movies that involved I don't give

858
00:47:00,640 --> 00:47:02,439
Speaker 1: what you're doing. Do what what?

859
00:47:02,440 --> 00:47:07,360
Speaker 8: What haven't we really done in any particular way. Business

860
00:47:07,440 --> 00:47:08,759
Speaker 8: is business. But at the end of the day, if

861
00:47:08,760 --> 00:47:10,160
Speaker 8: I'm going to invest in you and you're going to

862
00:47:10,200 --> 00:47:12,160
Speaker 8: invest in me, then we will eat with each other.

863
00:47:12,239 --> 00:47:13,759
Speaker 2: But l comes to you right now.

864
00:47:13,800 --> 00:47:16,800
Speaker 1: It says Kevin Lows, I want to put out a record,

865
00:47:17,800 --> 00:47:20,719
Speaker 1: and I only trust you and Leo. We talk about it.

866
00:47:20,719 --> 00:47:23,320
Speaker 2: Will be it'll be an honor to put out his record,

867
00:47:23,719 --> 00:47:24,680
Speaker 2: a fucking honor.

868
00:47:25,160 --> 00:47:30,600
Speaker 8: Yeah, we talked about it too, North.

869
00:47:31,920 --> 00:47:32,080
Speaker 1: I know.

870
00:47:36,760 --> 00:47:36,920
Speaker 6: You know.

871
00:47:37,360 --> 00:47:38,000
Speaker 1: Here's the thing.

872
00:47:38,520 --> 00:47:43,000
Speaker 6: We live in the unique world of digital distribution. So

873
00:47:43,280 --> 00:47:45,360
Speaker 6: I don't have to go so far on the limb

874
00:47:46,080 --> 00:47:49,440
Speaker 6: to make a bunch of them and then spend a

875
00:47:49,440 --> 00:47:52,120
Speaker 6: bunch of money to buy that real estate in the

876
00:47:52,360 --> 00:47:55,120
Speaker 6: record store so we could get it on in a

877
00:47:55,280 --> 00:48:01,120
Speaker 6: very inexpensive way that you could test the market in

878
00:48:01,200 --> 00:48:05,480
Speaker 6: a innocent, honest, but effective way.

879
00:48:07,160 --> 00:48:09,200
Speaker 1: I like this too. This is my favorite one so far.

880
00:48:09,400 --> 00:48:09,919
Speaker 2: I'm just saying.

881
00:48:10,400 --> 00:48:15,880
Speaker 1: I'm just saying, man, you know these are my my guys.

882
00:48:15,920 --> 00:48:19,120
Speaker 2: A lot of CEOs they talked indirect to me.

883
00:48:19,320 --> 00:48:21,680
Speaker 1: The reason why I appreciate our relationship with both of

884
00:48:21,719 --> 00:48:24,919
Speaker 1: you guys is you even when I didn't like it,

885
00:48:25,120 --> 00:48:27,360
Speaker 1: even when I didn't let First of all, this is

886
00:48:27,600 --> 00:48:30,640
Speaker 1: one of the funniest stories. Was Fat Joe is trying

887
00:48:30,680 --> 00:48:33,520
Speaker 1: to clear a job rule record, right. So Fat Joe

888
00:48:33,640 --> 00:48:36,600
Speaker 1: calls me and goes, Yo, I'm going to bring the gangsters.

889
00:48:36,120 --> 00:48:38,480
Speaker 2: People up there, and I'm going to see Leo Cans right.

890
00:48:38,680 --> 00:48:39,560
Speaker 2: I'm like, don't do that.

891
00:48:39,640 --> 00:48:43,800
Speaker 1: Fast, but Fat Joe's does it anyway, right, So he goes,

892
00:48:44,080 --> 00:48:47,000
Speaker 1: I used to be Santa Claus for Russell Simmons ten

893
00:48:47,080 --> 00:48:48,520
Speaker 1: years straight his kids.

894
00:48:48,920 --> 00:48:49,680
Speaker 2: So he said.

895
00:48:49,680 --> 00:48:51,719
Speaker 1: He goes to see Leo and he's like, le all,

896
00:48:51,760 --> 00:48:56,640
Speaker 1: you gotta clear the record, and Leo said, no.

897
00:48:57,960 --> 00:49:00,120
Speaker 2: You forgot one other part of it.

898
00:49:00,719 --> 00:49:04,960
Speaker 6: I tell people, listen, in all due respect, the answer

899
00:49:05,000 --> 00:49:08,480
Speaker 6: is no. And when you open the window up and

900
00:49:08,600 --> 00:49:11,440
Speaker 6: fling me out the window and I'm just about to

901
00:49:11,480 --> 00:49:12,280
Speaker 6: hit the concrete.

902
00:49:12,320 --> 00:49:13,680
Speaker 1: The answer is still gonna be nom.

903
00:49:15,239 --> 00:49:17,879
Speaker 6: So if it was gonna be different than I could

904
00:49:17,920 --> 00:49:21,120
Speaker 6: understand you intimidating. But since it's not gonna be, you're

905
00:49:21,120 --> 00:49:23,239
Speaker 6: gonna have to actually fling me out and find out,

906
00:49:23,320 --> 00:49:25,520
Speaker 6: and then you're gonna end up in jail and fucked up.

907
00:49:26,280 --> 00:49:28,200
Speaker 6: It's gonna be a sad day all the way around.

908
00:49:29,600 --> 00:49:34,439
Speaker 6: And so they know, unbelievable. It's not no to get

909
00:49:34,440 --> 00:49:37,560
Speaker 6: a yes. It's a no because it's no. It's with

910
00:49:37,800 --> 00:49:39,480
Speaker 6: respect no, you know.

911
00:49:40,239 --> 00:49:43,279
Speaker 1: And that's what makes you guys, hands down, that's what

912
00:49:43,360 --> 00:49:47,720
Speaker 1: that's the longevity you guys are having is a direct

913
00:49:47,800 --> 00:49:52,040
Speaker 1: effect through the realness that when artists, when you tell

914
00:49:52,120 --> 00:49:55,479
Speaker 1: artists when they're younger, like so much things that you you,

915
00:49:55,480 --> 00:49:58,560
Speaker 1: you guys both have taught me. Uh and I'll probably

916
00:49:58,640 --> 00:50:02,080
Speaker 1: acted like I didn't listen back then, but I applied

917
00:50:02,440 --> 00:50:05,080
Speaker 1: to my everyday life, like I don't apply math to

918
00:50:05,320 --> 00:50:07,879
Speaker 1: my everyday life, but I applied things that you guys taught.

919
00:50:08,160 --> 00:50:10,440
Speaker 1: Like the first time when me and Lee all tried

920
00:50:10,480 --> 00:50:13,439
Speaker 1: to do business, he said to me, what are you doing?

921
00:50:13,440 --> 00:50:15,680
Speaker 2: Today, I said a pun video. He said, I'll be there.

922
00:50:15,880 --> 00:50:16,279
Speaker 2: Hung up.

923
00:50:16,360 --> 00:50:19,920
Speaker 1: Nigga never asked for no information. Nigga never asked what states,

924
00:50:20,560 --> 00:50:23,719
Speaker 1: which city. He said, I'll be there, and I was like,

925
00:50:24,320 --> 00:50:27,680
Speaker 1: what that futad? An hour later he pulled up and

926
00:50:27,719 --> 00:50:29,399
Speaker 1: you pulled up with Ja Ru. It's the first time

927
00:50:29,480 --> 00:50:31,440
Speaker 1: I ever met Javu, who's one of my best friends

928
00:50:31,520 --> 00:50:33,799
Speaker 1: right now, and he pulled up with Java in the

929
00:50:33,800 --> 00:50:39,440
Speaker 1: town call. That's my man. But why when you want something,

930
00:50:39,920 --> 00:50:43,120
Speaker 1: you just you find no way in the way you

931
00:50:43,160 --> 00:50:44,680
Speaker 1: get what the hell you want?

932
00:50:44,920 --> 00:50:45,279
Speaker 2: I don't know.

933
00:50:45,360 --> 00:50:50,960
Speaker 6: That's pretty obvious ansor you know it's I think that.

934
00:50:53,120 --> 00:50:54,080
Speaker 1: I'm a hard worker.

935
00:50:55,280 --> 00:50:59,160
Speaker 6: I was raised right shout out to my parents in

936
00:50:59,200 --> 00:51:04,680
Speaker 6: my family, and I don't want to ever embarrass them

937
00:51:04,880 --> 00:51:06,400
Speaker 6: or embarrass my family.

938
00:51:07,080 --> 00:51:09,120
Speaker 1: And let me put it to you this way.

939
00:51:09,160 --> 00:51:12,359
Speaker 6: You're never going to go in the locker room and

940
00:51:12,400 --> 00:51:15,319
Speaker 6: say what the fuck happened to you? You didn't show up.

941
00:51:17,520 --> 00:51:21,120
Speaker 6: I'm the right person. If you have time, I'll tell

942
00:51:21,160 --> 00:51:24,760
Speaker 6: you the real story. So you know how I'm funny,

943
00:51:24,800 --> 00:51:28,480
Speaker 6: my accent is and you know how my name is spelled.

944
00:51:29,360 --> 00:51:33,000
Speaker 6: So when I touched down in America and I was

945
00:51:33,040 --> 00:51:37,360
Speaker 6: in a public school and after school program. They're choosing

946
00:51:37,440 --> 00:51:44,600
Speaker 6: baseball teams, and motherfuckers chose me last because of my

947
00:51:44,680 --> 00:51:48,200
Speaker 6: funny name and my funny accent. But I caught every

948
00:51:48,239 --> 00:51:52,520
Speaker 6: fucking ball and I put everybody out the last time

949
00:51:52,960 --> 00:51:56,279
Speaker 6: I was called last. So that's why, you know, I

950
00:51:56,360 --> 00:52:00,239
Speaker 6: just have to work harder. I'm not that intelligent, I'm

951
00:52:00,280 --> 00:52:04,800
Speaker 6: not that you know. I don't have an insane gift,

952
00:52:04,880 --> 00:52:07,879
Speaker 6: but I'm ready to put it on people and work very,

953
00:52:08,000 --> 00:52:10,640
Speaker 6: very hard on the movie.

954
00:52:10,680 --> 00:52:15,480
Speaker 2: Man.

955
00:52:19,760 --> 00:52:23,839
Speaker 1: I want to take it from the Run DMC days because, like,

956
00:52:23,920 --> 00:52:26,400
Speaker 1: can you give us a run DMC story because you

957
00:52:26,520 --> 00:52:31,800
Speaker 1: was a road manager, right, I'm proud. I'm proud.

958
00:52:32,719 --> 00:52:33,000
Speaker 13: Uh.

959
00:52:34,160 --> 00:52:38,120
Speaker 6: The thing that I use every single day more than

960
00:52:38,239 --> 00:52:42,360
Speaker 6: anything was my road manager, my road experience, like Kevin

961
00:52:42,480 --> 00:52:46,120
Speaker 6: was referring to the road. My road experience separates me

962
00:52:46,200 --> 00:52:50,319
Speaker 6: from all those other people I compete with every day.

963
00:52:50,880 --> 00:52:53,920
Speaker 6: So we have so many stories, from going up to

964
00:52:54,960 --> 00:53:02,640
Speaker 6: Detroit and witnessing the young boys to Long Beach when

965
00:53:02,680 --> 00:53:07,720
Speaker 6: all shit broke out and we're on the nightly news,

966
00:53:09,719 --> 00:53:15,880
Speaker 6: the live aid and performing in front of that historic show.

967
00:53:16,960 --> 00:53:20,880
Speaker 6: So many many beautiful stories. But I guess the biggest

968
00:53:20,920 --> 00:53:25,319
Speaker 6: and most important story that tells you the fabric of

969
00:53:25,360 --> 00:53:29,360
Speaker 6: who I am and the fabric of what we represent.

970
00:53:30,080 --> 00:53:33,880
Speaker 6: And remember we represent the blue collar, the hard working.

971
00:53:35,080 --> 00:53:39,600
Speaker 6: Is when we were selling two Joe Louis's back to back,

972
00:53:40,239 --> 00:53:43,640
Speaker 6: two gardens, back to back, the spectrum, back to back.

973
00:53:44,360 --> 00:53:51,760
Speaker 6: Our clique on the road was five Joey, d Jay, Runnie,

974
00:53:51,840 --> 00:53:56,960
Speaker 6: Ray and Leor. We didn't have an entourage, big security guides.

975
00:53:57,640 --> 00:54:03,400
Speaker 6: We carried our own luggage and before the curtain dropped

976
00:54:03,400 --> 00:54:05,880
Speaker 6: and the music was finished, we're in the car on

977
00:54:05,920 --> 00:54:10,640
Speaker 6: the way to the next city. So you know, all

978
00:54:10,920 --> 00:54:14,759
Speaker 6: when I look at all these new rappers with their

979
00:54:15,200 --> 00:54:19,920
Speaker 6: you know, fifty people entourage and these big security guards

980
00:54:19,960 --> 00:54:22,440
Speaker 6: that all you have to say is boo and this

981
00:54:22,640 --> 00:54:33,759
Speaker 6: start running running. It's it's like clowns security. And so

982
00:54:34,640 --> 00:54:37,440
Speaker 6: that's the greatest story is we never missed a gig

983
00:54:37,640 --> 00:54:38,720
Speaker 6: in three and a half years.

984
00:54:38,800 --> 00:54:41,480
Speaker 1: Told me, okay, one gig one night.

985
00:54:41,600 --> 00:54:46,640
Speaker 6: We did five shows in three different cities, three different states,

986
00:54:47,200 --> 00:54:52,120
Speaker 6: five shows in three different states. We were mobile, we

987
00:54:52,160 --> 00:54:55,480
Speaker 6: stayed out of trouble and we were onto the next city.

988
00:54:55,800 --> 00:54:59,200
Speaker 1: And that's you know, you know, we were and grateful.

989
00:54:59,600 --> 00:55:02,000
Speaker 2: Remember Fish spot. We used to eat that La pesca.

990
00:55:01,760 --> 00:55:06,200
Speaker 1: Do absolutely absolutely that fish soup man. Fish.

991
00:55:09,080 --> 00:55:12,000
Speaker 6: Watch Nori's face when I first shorted the fish shop.

992
00:55:13,520 --> 00:55:14,439
Speaker 1: I'm not doing that.

993
00:55:15,440 --> 00:55:18,759
Speaker 2: I'm looking like that. And then I gave spoon. I

994
00:55:18,840 --> 00:55:20,800
Speaker 2: gave him a spoon and then boy.

995
00:55:20,960 --> 00:55:24,240
Speaker 1: I was turned out from the fish soup spot. Every meeting,

996
00:55:24,440 --> 00:55:26,960
Speaker 1: every meeting we had was around lunch.

997
00:55:27,400 --> 00:55:31,600
Speaker 6: Why is noy he always booking.

998
00:55:34,080 --> 00:55:35,120
Speaker 1: Pesca do no?

999
00:55:35,120 --> 00:55:35,279
Speaker 2: No?

1000
00:55:35,320 --> 00:55:37,440
Speaker 1: This is this is one time right. I thought I

1001
00:55:37,520 --> 00:55:41,600
Speaker 1: was the man because this is when Leo walks into

1002
00:55:41,680 --> 00:55:43,920
Speaker 1: the door, they say fish man like this. It was

1003
00:55:43,960 --> 00:55:46,160
Speaker 1: like some big ship. So I started going there a lot.

1004
00:55:46,480 --> 00:55:48,480
Speaker 1: So I wanted to take Leo out one day and

1005
00:55:48,520 --> 00:55:50,839
Speaker 1: I was like, yo, and I took care of the bill.

1006
00:55:51,239 --> 00:55:54,279
Speaker 1: Lee all like your hold on whore you.

1007
00:55:54,760 --> 00:55:56,040
Speaker 2: Who you gave him?

1008
00:55:56,080 --> 00:56:01,279
Speaker 1: The bill called the ball. Yo. When the person's the man,

1009
00:56:01,320 --> 00:56:03,879
Speaker 1: you gotta let them be the man. You can't try

1010
00:56:03,880 --> 00:56:05,800
Speaker 1: to creep up with me. I learned their life lesson

1011
00:56:05,800 --> 00:56:08,399
Speaker 1: that day. Leo was pissed, not at me, He's mad

1012
00:56:08,480 --> 00:56:10,160
Speaker 1: at them, like this is my spot. I don't care

1013
00:56:10,200 --> 00:56:12,719
Speaker 1: how much he comes here. Remember I'm the guy who

1014
00:56:12,719 --> 00:56:15,520
Speaker 1: brunk man show that respect.

1015
00:56:16,000 --> 00:56:18,879
Speaker 6: This is real, Sonori, I'm gonna I'm going to say

1016
00:56:18,920 --> 00:56:19,839
Speaker 6: something before I leave.

1017
00:56:19,960 --> 00:56:22,560
Speaker 1: Okay, thank you for Kevin and Day they are going

1018
00:56:22,640 --> 00:56:24,239
Speaker 1: to stay. Don't to keep it going.

1019
00:56:24,320 --> 00:56:30,040
Speaker 6: So here's my thing. So what's the year twenty sixteen? Yes,

1020
00:56:30,080 --> 00:56:31,799
Speaker 6: I believe, Okay, I don't know.

1021
00:56:31,840 --> 00:56:37,920
Speaker 2: I don't even know. I only think about records. I

1022
00:56:37,960 --> 00:56:39,080
Speaker 2: know this is you know.

1023
00:56:41,680 --> 00:56:44,480
Speaker 6: You know I'm pre sucker MC So that's how I

1024
00:56:44,480 --> 00:56:46,600
Speaker 6: think about time. Is that eighty two eighty three?

1025
00:56:47,080 --> 00:56:50,920
Speaker 1: You know? So I don't know if you've read.

1026
00:56:50,680 --> 00:56:54,600
Speaker 6: The recent report of the Youth of the rib A

1027
00:56:55,800 --> 00:56:59,800
Speaker 6: where for the first time in eighteen years, the business

1028
00:56:59,840 --> 00:57:07,239
Speaker 6: has has grown. I'm telling you, and I'm telling everybody

1029
00:57:07,280 --> 00:57:12,640
Speaker 6: that listens, if you're an entrepreneur and you want to

1030
00:57:12,680 --> 00:57:15,400
Speaker 6: get into a great business, not a good business, and

1031
00:57:15,440 --> 00:57:21,040
Speaker 6: get papered up, get into the music business, the record business.

1032
00:57:21,520 --> 00:57:25,240
Speaker 6: For the last two decades, the business has been shrinking

1033
00:57:25,640 --> 00:57:30,920
Speaker 6: and consolidating. So there are no deaf JEMs, no islands,

1034
00:57:30,960 --> 00:57:36,280
Speaker 6: no motowns, no A and M's, no.

1035
00:57:36,320 --> 00:57:41,760
Speaker 1: Chrysalis's boutiques, boutiques.

1036
00:57:43,800 --> 00:57:47,360
Speaker 2: This is a time for you to cobble together a

1037
00:57:47,400 --> 00:57:52,960
Speaker 2: little capital because it's not expensive and find stunning talent

1038
00:57:53,960 --> 00:57:55,800
Speaker 2: and putting them out in the marketplace.

1039
00:57:56,360 --> 00:57:58,320
Speaker 1: This is the moment in time.

1040
00:57:58,440 --> 00:58:04,880
Speaker 6: I've never seen a more fertile business environment as it

1041
00:58:04,960 --> 00:58:09,840
Speaker 6: is today. So your listeners, I know they love the

1042
00:58:09,840 --> 00:58:13,680
Speaker 6: nostalgia and the fun that you guys have, but all serious,

1043
00:58:14,520 --> 00:58:15,880
Speaker 6: all jokes aside.

1044
00:58:16,680 --> 00:58:17,840
Speaker 2: I do want to leave.

1045
00:58:17,760 --> 00:58:25,960
Speaker 6: You and your viewership with the absolute clarity that what

1046
00:58:26,160 --> 00:58:31,280
Speaker 6: better business that you can go tonight and record someone

1047
00:58:31,760 --> 00:58:35,080
Speaker 6: ship it the next day all around the world at

1048
00:58:35,240 --> 00:58:42,160
Speaker 6: zero costs, no manufacturing costs, no shipping costs, no obsolescence,

1049
00:58:42,240 --> 00:58:48,480
Speaker 6: no inventory, no everything digital and inexpensive and very efficient.

1050
00:58:48,880 --> 00:58:52,840
Speaker 6: Remember we used to make videos that cost us money

1051
00:58:53,240 --> 00:58:57,960
Speaker 6: to promote our songs. Now there's a YouTube that you

1052
00:58:58,080 --> 00:58:59,720
Speaker 6: put the video Now, this.

1053
00:58:59,720 --> 00:59:04,600
Speaker 1: Makes noise for abe you can get. You just put

1054
00:59:04,640 --> 00:59:07,120
Speaker 1: a video up and get paid for it.

1055
00:59:08,040 --> 00:59:13,960
Speaker 6: So I'm just saying, man, I'm tired of the highly

1056
00:59:14,080 --> 00:59:16,160
Speaker 6: concentrated industry.

1057
00:59:17,080 --> 00:59:19,600
Speaker 2: Now is the time. You may be too late if

1058
00:59:19,640 --> 00:59:23,480
Speaker 2: you keep waiting to get this paper.

1059
00:59:23,600 --> 00:59:24,840
Speaker 1: There's a lot of paper.

1060
00:59:24,520 --> 00:59:27,360
Speaker 6: Out here, and this is a great business, and I

1061
00:59:27,440 --> 00:59:31,280
Speaker 6: want you and your consumers to recognize how great of

1062
00:59:31,320 --> 00:59:32,800
Speaker 6: a business this cops.

1063
00:59:32,960 --> 00:59:34,760
Speaker 1: You enjoy streaming you think streaming.

1064
00:59:35,000 --> 00:59:40,720
Speaker 6: Streaming is such a friendly and wonderful consumer proposition. All

1065
00:59:40,760 --> 00:59:44,240
Speaker 6: the world's music for ten dollars a month. And it's

1066
00:59:44,280 --> 00:59:48,320
Speaker 6: the first iteration. My daughter doesn't want to hear classical

1067
00:59:48,440 --> 00:59:51,400
Speaker 6: music or African music.

1068
00:59:51,760 --> 00:59:53,000
Speaker 2: She likes the pop hits.

1069
00:59:53,280 --> 00:59:58,040
Speaker 6: Maybe as we iterate that business, her bill would be

1070
00:59:58,080 --> 01:00:01,360
Speaker 6: three bucks a month and she only gets the top hits.

1071
01:00:02,080 --> 01:00:05,360
Speaker 6: So it's just the infancy. You know that streaming is

1072
01:00:05,400 --> 01:00:10,400
Speaker 6: only a two three percent penetration, so just imagine when

1073
01:00:10,440 --> 01:00:15,400
Speaker 6: it's fifty percent penetration. So don't have just Kevin and

1074
01:00:15,440 --> 01:00:19,120
Speaker 6: I be the only paper up motherfuckers out here. Okay,

1075
01:00:19,160 --> 01:00:21,520
Speaker 6: we don't want to be by ourselves. We want other

1076
01:00:21,560 --> 01:00:26,360
Speaker 6: people to hang out with. We want other people to

1077
01:00:26,520 --> 01:00:32,479
Speaker 6: seize the opportunity of this environment and start creating new

1078
01:00:33,000 --> 01:00:39,200
Speaker 6: special companies that you know are culturally significant and healthy

1079
01:00:39,280 --> 01:00:42,320
Speaker 6: for artists and and creators.

1080
01:00:43,240 --> 01:00:47,440
Speaker 2: So thank you, beautiful, thank.

1081
01:00:47,240 --> 01:00:51,600
Speaker 6: You, Thank you guys that you're in good hands with

1082
01:00:51,720 --> 01:00:52,320
Speaker 6: Kevin KAMV.

1083
01:00:52,440 --> 01:00:53,360
Speaker 2: Before you go, we got.

1084
01:00:53,280 --> 01:00:56,200
Speaker 1: To take a picture over before you come on. If

1085
01:00:56,200 --> 01:01:01,920
Speaker 1: you don't stop, nothing, we're dreaming.

1086
01:01:02,640 --> 01:01:22,040
Speaker 2: Okay, Okay, thank you, give thank you so much. Of course,

1087
01:01:24,360 --> 01:01:31,680
Speaker 2: more people, you know what I mean, more minutes. Come on,

1088
01:01:32,240 --> 01:01:33,680
Speaker 2: come on, thank you kem come on. I need I

1089
01:01:33,680 --> 01:01:34,880
Speaker 2: need to buy myself anyway.

1090
01:01:35,840 --> 01:01:37,880
Speaker 1: You know you bro Radar after the dirt you know

1091
01:01:37,960 --> 01:01:40,640
Speaker 1: they was, they was dead before you got on the podcast.

1092
01:01:40,920 --> 01:01:41,880
Speaker 2: You helped them out the dirt.

1093
01:01:42,160 --> 01:01:42,560
Speaker 10: Stop this.

1094
01:01:42,840 --> 01:01:43,200
Speaker 2: You did?

1095
01:01:43,360 --> 01:01:44,160
Speaker 1: You did, you did.

1096
01:01:44,680 --> 01:01:46,600
Speaker 2: That's why I called you immediately in the morning. I said,

1097
01:01:46,600 --> 01:01:54,160
Speaker 2: hold on, hold on, So Kevin lives Bortimore's finance.

1098
01:01:55,480 --> 01:01:56,760
Speaker 1: Yeah, so keV.

1099
01:01:56,840 --> 01:02:00,320
Speaker 5: And and I know we we we we we we.

1100
01:02:00,120 --> 01:02:02,560
Speaker 2: Touched on it a little bit earlier.

1101
01:02:03,760 --> 01:02:07,920
Speaker 1: Yeah, I do whatever. Yeah, but the love for the

1102
01:02:08,000 --> 01:02:10,520
Speaker 1: game has to with boy Jamar Bouce.

1103
01:02:11,160 --> 01:02:13,680
Speaker 2: Yeah. I was about to tell them come in, but

1104
01:02:15,800 --> 01:02:17,880
Speaker 2: how how many years have you been in the game?

1105
01:02:18,000 --> 01:02:21,360
Speaker 1: Cap? Thirty two and you still love it the same way?

1106
01:02:21,880 --> 01:02:24,480
Speaker 1: Or sometimes you wake up and be like this, you

1107
01:02:24,560 --> 01:02:26,360
Speaker 1: got to want to take a break sometimes when I

1108
01:02:26,520 --> 01:02:28,680
Speaker 1: when I my critical moment.

1109
01:02:28,680 --> 01:02:34,080
Speaker 8: Was uh, when I left that jam you know that?

1110
01:02:34,680 --> 01:02:41,200
Speaker 8: And then when in two thousand and nine when I said, Yo,

1111
01:02:41,480 --> 01:02:44,280
Speaker 8: the business is about to change and y'all y'all making decisions.

1112
01:02:44,520 --> 01:02:45,120
Speaker 1: There's a chairman.

1113
01:02:45,160 --> 01:02:48,120
Speaker 8: I'm saying, yo, the decisions that we're making, I don't

1114
01:02:48,160 --> 01:02:51,240
Speaker 8: know if I could continue the same way, you know

1115
01:02:51,240 --> 01:02:52,440
Speaker 8: what I mean? And I said, so I had to

1116
01:02:52,440 --> 01:02:55,200
Speaker 8: go hug some trees, had to go to hug some

1117
01:02:55,240 --> 01:03:00,000
Speaker 8: trees walk on the dirty saying, and I said, I'm out.

1118
01:03:00,000 --> 01:03:02,360
Speaker 8: People know I left in two thousand and nine. I said, yeah,

1119
01:03:02,520 --> 01:03:09,520
Speaker 8: you know what, I'm good. But then you know, the

1120
01:03:09,600 --> 01:03:12,160
Speaker 8: whole trade thing happened. And you know he was his

1121
01:03:13,120 --> 01:03:14,600
Speaker 8: manager was one of my interns.

1122
01:03:14,680 --> 01:03:15,880
Speaker 2: Talk about songs.

1123
01:03:15,960 --> 01:03:18,560
Speaker 1: Yes, yes, And he said, y'all, I gotta fire my

1124
01:03:18,560 --> 01:03:20,440
Speaker 1: manager said, man, why are you gonna fire him? You

1125
01:03:20,440 --> 01:03:21,800
Speaker 1: should really work it out.

1126
01:03:22,800 --> 01:03:27,320
Speaker 8: And so he said, y'all, I need you to uh

1127
01:03:27,760 --> 01:03:28,200
Speaker 8: do a marrier.

1128
01:03:28,200 --> 01:03:29,160
Speaker 1: I said, yeah, I'm not doing that.

1129
01:03:30,120 --> 01:03:32,480
Speaker 2: And you like that groundwork more like management?

1130
01:03:32,720 --> 01:03:33,320
Speaker 1: Do you do?

1131
01:03:33,320 --> 01:03:34,120
Speaker 2: You enjoy it?

1132
01:03:34,720 --> 01:03:39,640
Speaker 8: You gotta understand, Nord. I enjoyed being beside talent. I

1133
01:03:39,720 --> 01:03:42,200
Speaker 8: enjoyed being signed brothers. When should go down, you know,

1134
01:03:42,280 --> 01:03:46,600
Speaker 8: go down. I'm just enjoyed being around and next to people,

1135
01:03:46,680 --> 01:03:47,919
Speaker 8: you know what I mean. So to me, I don't

1136
01:03:47,960 --> 01:03:49,920
Speaker 8: know how to I really was where I got lost.

1137
01:03:50,000 --> 01:03:52,280
Speaker 8: I'm sitting in our rey tower. All I had to

1138
01:03:52,280 --> 01:03:56,000
Speaker 8: do was go around the country and fix problems. But

1139
01:03:56,120 --> 01:04:00,880
Speaker 8: I tell you we should sign this artist named Chris Brown,

1140
01:04:01,680 --> 01:04:04,480
Speaker 8: and you say he's not going to be I can't do.

1141
01:04:04,480 --> 01:04:05,200
Speaker 1: I don't know what tell you.

1142
01:04:05,360 --> 01:04:06,240
Speaker 2: I remember because.

1143
01:04:08,000 --> 01:04:12,200
Speaker 8: I said, no name, but my girl manager them. I said,

1144
01:04:12,240 --> 01:04:13,720
Speaker 8: you wish you to sign him, you don't want to sign him?

1145
01:04:13,920 --> 01:04:19,160
Speaker 8: Then I tell you, yo, Rick shout to Rick. Rick

1146
01:04:20,160 --> 01:04:26,480
Speaker 8: is one of those y'all you don't want to continue with.

1147
01:04:27,120 --> 01:04:29,680
Speaker 8: You know, I was at that moment and you want

1148
01:04:29,680 --> 01:04:32,240
Speaker 8: me to stand next to the motherfucker's putting their feet.

1149
01:04:32,000 --> 01:04:34,240
Speaker 1: Over the head and I don't know. I don't know

1150
01:04:34,280 --> 01:04:35,680
Speaker 1: what that ship. I don't do.

1151
01:04:36,280 --> 01:04:38,439
Speaker 8: So my thing was I wanted to be with Arton

1152
01:04:39,200 --> 01:04:40,520
Speaker 8: and so when I left, it was like.

1153
01:04:42,280 --> 01:04:43,280
Speaker 1: I had to find myself.

1154
01:04:43,280 --> 01:04:44,880
Speaker 8: And really, at the end of the day, I can't

1155
01:04:44,880 --> 01:04:47,680
Speaker 8: go anywhere because even to this day, I still talk

1156
01:04:47,760 --> 01:04:50,760
Speaker 8: to Todd, I still talk the whole I still talk

1157
01:04:50,840 --> 01:04:53,120
Speaker 8: to X, I still talk to Jack, I still talk

1158
01:04:53,160 --> 01:04:54,040
Speaker 8: to your silly ass.

1159
01:04:54,120 --> 01:04:54,600
Speaker 2: That's why.

1160
01:04:56,160 --> 01:04:57,680
Speaker 8: At the end of the day, that's so I don't

1161
01:04:57,680 --> 01:04:58,920
Speaker 8: know how to get out of it, because it's in me.

1162
01:04:59,200 --> 01:05:02,120
Speaker 8: You're give us someth I'm a I'm a former artist,

1163
01:05:02,200 --> 01:05:04,840
Speaker 8: a DJ. When I was president of def JAM, I

1164
01:05:04,880 --> 01:05:07,280
Speaker 8: had twelve hundreds in my office. Everybody noticed that we

1165
01:05:07,480 --> 01:05:10,080
Speaker 8: we used to fuck Maryland and hang out and look

1166
01:05:10,120 --> 01:05:13,520
Speaker 8: and I'm miss blessed Pop, I'm miss blessed.

1167
01:05:15,240 --> 01:05:18,800
Speaker 1: Gotta be Twin. I can't even be mad. You find

1168
01:05:18,840 --> 01:05:20,800
Speaker 1: out it's Twin, You're like, he got eight dollars in

1169
01:05:20,880 --> 01:05:21,280
Speaker 1: his pocket.

1170
01:05:21,320 --> 01:05:24,960
Speaker 2: He fucked up good You got twenty, but he he

1171
01:05:25,040 --> 01:05:27,720
Speaker 2: got good. Heart. We get my tip.

1172
01:05:28,240 --> 01:05:31,360
Speaker 1: Kevin Lowsman, I really appreciate you coming hanging out with

1173
01:05:31,520 --> 01:05:33,920
Speaker 1: us because you guys are so important to the culture.

1174
01:05:34,320 --> 01:05:36,280
Speaker 1: I love what you guys are doing at three hundred

1175
01:05:36,400 --> 01:05:38,920
Speaker 1: because I just I just love the fact that you

1176
01:05:39,000 --> 01:05:41,280
Speaker 1: guys can make all this money, have all the success,

1177
01:05:41,320 --> 01:05:44,560
Speaker 1: and then still want to be the people that help

1178
01:05:44,720 --> 01:05:49,280
Speaker 1: the artists push forward. And that's that because at the

1179
01:05:49,360 --> 01:05:51,440
Speaker 1: end of the day, it could have been like it's

1180
01:05:51,480 --> 01:05:53,400
Speaker 1: just all about us, fuck y'all. But it's like you

1181
01:05:53,520 --> 01:05:57,600
Speaker 1: guys is like, like, I know these artists don't know

1182
01:05:57,680 --> 01:06:02,080
Speaker 1: who you are, and that's what would it like. For instance,

1183
01:06:02,200 --> 01:06:03,800
Speaker 1: like if Mellie Man will put me on a care

1184
01:06:03,840 --> 01:06:07,240
Speaker 1: restaurant put me on, it's like, all right, cool, you know.

1185
01:06:07,360 --> 01:06:08,760
Speaker 2: Exactly who he is. Whatever.

1186
01:06:08,920 --> 01:06:12,240
Speaker 1: But Kev's history is so rich Leo, history is so rich,

1187
01:06:12,320 --> 01:06:14,520
Speaker 1: and they don't really bring it up. It's not like

1188
01:06:14,600 --> 01:06:16,160
Speaker 1: they go to the artist and be like, you know,

1189
01:06:16,280 --> 01:06:17,760
Speaker 1: I made such and such and such.

1190
01:06:17,960 --> 01:06:20,000
Speaker 2: They don't really live on the past like they said.

1191
01:06:20,360 --> 01:06:21,880
Speaker 1: So I know that's why I gave that love of

1192
01:06:21,920 --> 01:06:24,840
Speaker 1: to day day because I'm like, yo, listen if you listen,

1193
01:06:25,280 --> 01:06:26,920
Speaker 1: because it's going to come a time Like I just

1194
01:06:27,160 --> 01:06:27,680
Speaker 1: keeping it real.

1195
01:06:27,720 --> 01:06:29,880
Speaker 2: I don't give for who you are, nobody.

1196
01:06:30,080 --> 01:06:32,840
Speaker 1: There's not a book that says you got zero account

1197
01:06:32,920 --> 01:06:34,800
Speaker 1: in your account today and then tomorrow you got four

1198
01:06:34,880 --> 01:06:38,040
Speaker 1: hundred and twenty thousand, and how to act after that

1199
01:06:38,120 --> 01:06:40,280
Speaker 1: four hundred and twenty thousand clears, like you know, when

1200
01:06:40,280 --> 01:06:43,240
Speaker 1: it's pending, you're looking like, oh shit, like is it coming?

1201
01:06:43,320 --> 01:06:45,880
Speaker 2: But when it fucking really clears, you like I got

1202
01:06:45,960 --> 01:06:48,600
Speaker 2: four hundred and I could really do some shit.

1203
01:06:48,680 --> 01:06:50,960
Speaker 1: And then you start you stop listening to them because

1204
01:06:51,000 --> 01:06:52,880
Speaker 1: you think you did it on your own. I mean

1205
01:06:52,960 --> 01:06:55,800
Speaker 1: that's artist syndrome one on what you know what I'm saying, like,

1206
01:06:56,080 --> 01:06:59,560
Speaker 1: h and it's crazy because it might happen to you too,

1207
01:06:59,760 --> 01:07:03,200
Speaker 1: or three many times it happened to me three times

1208
01:07:04,440 --> 01:07:09,120
Speaker 1: up you know, put up Tommy Boy then Depth Jam,

1209
01:07:09,160 --> 01:07:10,800
Speaker 1: you know what I mean? And Depth Jam was like

1210
01:07:10,840 --> 01:07:14,000
Speaker 1: playing for the Yankees at that time, Like it was

1211
01:07:14,360 --> 01:07:17,440
Speaker 1: truly like playing for the Yankees. It was like, like

1212
01:07:17,560 --> 01:07:21,200
Speaker 1: I said, like I never went on tour that many times,

1213
01:07:21,280 --> 01:07:24,000
Speaker 1: Like Kevin Lowles came to me and was like, look, motherfucker,

1214
01:07:24,720 --> 01:07:28,080
Speaker 1: we we here, but we need to be here and

1215
01:07:28,600 --> 01:07:30,840
Speaker 1: you might not see your family for the next two months.

1216
01:07:30,880 --> 01:07:33,720
Speaker 2: You can fly him out though, fly them out, but

1217
01:07:34,280 --> 01:07:37,000
Speaker 2: that that does that still exist in hip hop.

1218
01:07:37,240 --> 01:07:39,520
Speaker 8: I'm glad you Every year we put out a new

1219
01:07:39,600 --> 01:07:42,400
Speaker 8: artist tour. We put out Young Hustle Tour last year.

1220
01:07:42,840 --> 01:07:45,160
Speaker 8: Now we're dropping the Birth of a New Nation tour

1221
01:07:45,280 --> 01:07:50,480
Speaker 8: with Shot Lizzie Day Day and P and b Rock

1222
01:07:50,720 --> 01:07:53,520
Speaker 8: goes out in November, A P and b Rock. We're

1223
01:07:53,600 --> 01:07:57,560
Speaker 8: always gonna invest in the street because what I hope

1224
01:07:57,600 --> 01:08:00,320
Speaker 8: to find in the city is the next Nor, the

1225
01:08:00,440 --> 01:08:02,520
Speaker 8: next P and b Rock, the next Shock, Lizzie, the

1226
01:08:02,600 --> 01:08:04,880
Speaker 8: next day they and we go to every city. I

1227
01:08:04,920 --> 01:08:09,080
Speaker 8: don't just invite fans, I invite hustlers, invite the artists.

1228
01:08:09,080 --> 01:08:11,440
Speaker 8: I'm like, whoever making noise in the town, come out

1229
01:08:11,480 --> 01:08:13,080
Speaker 8: and hang out with us. But you're gonna look at

1230
01:08:13,120 --> 01:08:14,720
Speaker 8: my ship and you wanna tell me how i' gonna

1231
01:08:14,720 --> 01:08:16,960
Speaker 8: break my ship in your marketplace and we're gonna.

1232
01:08:16,760 --> 01:08:19,040
Speaker 1: Get money together. And that to me, you can't you

1233
01:08:19,120 --> 01:08:20,559
Speaker 1: get no better than.

1234
01:08:20,520 --> 01:08:24,320
Speaker 8: That because again, like day, they still growing, so he

1235
01:08:24,400 --> 01:08:26,720
Speaker 8: don't really know how to engage like Norrid, like I

1236
01:08:26,760 --> 01:08:28,400
Speaker 8: want Noorid to fuck with them all.

1237
01:08:28,960 --> 01:08:29,439
Speaker 1: I want him to.

1238
01:08:29,680 --> 01:08:31,280
Speaker 2: I want to win your artist development partner.

1239
01:08:32,720 --> 01:08:33,759
Speaker 10: You know you don't.

1240
01:08:35,560 --> 01:08:39,800
Speaker 14: I ask somebody for nothing eighty four. But I'm saying like,

1241
01:08:40,120 --> 01:08:41,920
Speaker 14: like to me, I want I want people.

1242
01:08:43,240 --> 01:08:44,960
Speaker 8: The reason we do this tour because I want young

1243
01:08:45,000 --> 01:08:48,240
Speaker 8: artists to know that we believe that through touching your fans,

1244
01:08:48,600 --> 01:08:49,240
Speaker 8: you become.

1245
01:08:49,160 --> 01:08:52,400
Speaker 1: Art, not just a record, right, And that's that's the difference.

1246
01:08:52,439 --> 01:08:54,519
Speaker 1: We're not. We're not pop music like that, you know

1247
01:08:54,560 --> 01:08:55,759
Speaker 1: what I mean. We got to get on our street.

1248
01:08:55,840 --> 01:08:57,760
Speaker 1: We have to be in the street because I feel

1249
01:08:57,800 --> 01:08:59,400
Speaker 1: like I feel like that too, because I feel like

1250
01:08:59,800 --> 01:09:01,960
Speaker 1: I lot of times these artists don't have training, like

1251
01:09:02,040 --> 01:09:04,519
Speaker 1: they don't have they don't have somebody like me, Like

1252
01:09:04,720 --> 01:09:09,160
Speaker 1: like I remember seeing young Dog go to Serious Satellite

1253
01:09:09,360 --> 01:09:11,760
Speaker 1: and I was I remember seeing like him saying, y'

1254
01:09:11,800 --> 01:09:13,680
Speaker 1: I'm gonna play the record and then Lee all going

1255
01:09:13,720 --> 01:09:16,040
Speaker 1: to Sway and going to his air and I.

1256
01:09:16,120 --> 01:09:19,360
Speaker 2: Was just like, people don't care that much. No more

1257
01:09:19,800 --> 01:09:22,280
Speaker 2: like you're the only company that fucking kids like that,

1258
01:09:22,600 --> 01:09:23,600
Speaker 2: Like you.

1259
01:09:23,640 --> 01:09:26,240
Speaker 8: Know, shout out to Atlantic Records. I think I think

1260
01:09:26,320 --> 01:09:29,840
Speaker 8: Cos and Julie kids, we give them a pass.

1261
01:09:29,920 --> 01:09:41,479
Speaker 5: But so man, Kevin Lewles was, oh, ja Kins came

1262
01:09:41,520 --> 01:09:43,120
Speaker 5: in you straight from the gym?

1263
01:09:44,560 --> 01:09:47,240
Speaker 15: Y how you look like you're coming from the gym

1264
01:09:47,360 --> 01:09:57,400
Speaker 15: and you drunk? I'm no kids out of control on

1265
01:09:58,680 --> 01:10:00,800
Speaker 15: Jadakins hold.

1266
01:10:00,960 --> 01:10:04,960
Speaker 1: I want to say something about real quick. So part

1267
01:10:05,000 --> 01:10:07,639
Speaker 1: of part of our culture.

1268
01:10:08,320 --> 01:10:12,120
Speaker 8: Even if you weren't signed a Death Jam or three

1269
01:10:12,240 --> 01:10:16,000
Speaker 8: hundred or any of that ship, that straight, any.

1270
01:10:15,840 --> 01:10:16,560
Speaker 1: Of that ship going on.

1271
01:10:17,800 --> 01:10:21,040
Speaker 14: If you hip hop, you respect hip hop. I could

1272
01:10:21,080 --> 01:10:24,080
Speaker 14: call kiss and say, Yo, this is what I'm thinking,

1273
01:10:24,640 --> 01:10:26,519
Speaker 14: This is what what what? This is what he can

1274
01:10:26,560 --> 01:10:28,519
Speaker 14: call me to and he can check me and say, yo,

1275
01:10:29,080 --> 01:10:33,160
Speaker 14: why y'all do that? And that to me is when

1276
01:10:33,200 --> 01:10:37,360
Speaker 14: you talk about true motherfucker's real people. This dude right here,

1277
01:10:37,880 --> 01:10:40,080
Speaker 14: he knew and by the way, show up.

1278
01:10:40,640 --> 01:10:43,160
Speaker 8: He ain't got to worry about about homeboy and Mam,

1279
01:10:43,240 --> 01:10:44,200
Speaker 8: I talked you about evolution.

1280
01:10:45,240 --> 01:10:46,559
Speaker 1: He's not a rapper. He's a man.

1281
01:10:47,400 --> 01:10:52,760
Speaker 8: Y'all gotta stop like giving titles to real people like that.

1282
01:10:52,880 --> 01:10:54,160
Speaker 1: You know, this guy's a man.

1283
01:10:54,800 --> 01:10:58,639
Speaker 14: He's going to go around and influence lots of people

1284
01:10:58,800 --> 01:11:01,840
Speaker 14: through his music, through his love, through his art, and

1285
01:11:02,000 --> 01:11:04,839
Speaker 14: that to me, he belongs in the Smithsonian Institute.

1286
01:11:05,800 --> 01:11:10,960
Speaker 1: My nigga, that's that's that's love, right, love?

1287
01:11:11,240 --> 01:11:11,840
Speaker 2: That was love.

1288
01:11:12,880 --> 01:11:20,720
Speaker 1: We gotta do a show the million Vanilla. I know, yeah,

1289
01:11:21,240 --> 01:11:23,599
Speaker 1: I don't know that out here.

1290
01:11:24,080 --> 01:11:28,400
Speaker 2: I'm here, kids, Hold on where you going? You can click? Okay?

1291
01:11:28,439 --> 01:11:31,400
Speaker 2: All right, my bad? You're doing you see we got

1292
01:11:31,600 --> 01:11:33,800
Speaker 2: an executive room. We have the executives. You know what

1293
01:11:33,800 --> 01:11:36,760
Speaker 2: I mean? Cats jump back cases.

1294
01:11:41,800 --> 01:11:43,200
Speaker 8: All right here? Please?

1295
01:11:47,880 --> 01:11:52,360
Speaker 2: Yoh the last one? Got it?

1296
01:11:54,920 --> 01:11:55,960
Speaker 1: All right? Your love?

1297
01:11:56,240 --> 01:11:58,920
Speaker 2: Say so?

1298
01:11:59,080 --> 01:12:04,040
Speaker 1: Classic? Ja the kiss? What's going on?

1299
01:12:04,240 --> 01:12:04,599
Speaker 3: My brother?

1300
01:12:05,040 --> 01:12:05,320
Speaker 1: Baby?

1301
01:12:05,760 --> 01:12:07,000
Speaker 2: Did we just rob beats together?

1302
01:12:07,120 --> 01:12:11,320
Speaker 1: You know you you went for the real you had Listen.

1303
01:12:11,439 --> 01:12:12,439
Speaker 2: I came back with a bag.

1304
01:12:12,560 --> 01:12:15,160
Speaker 1: He came back with bags and the plug and Lee's

1305
01:12:15,200 --> 01:12:17,280
Speaker 1: trying to hold it. Lee, don't get to attached to

1306
01:12:17,360 --> 01:12:17,840
Speaker 1: my back.

1307
01:12:19,040 --> 01:12:21,400
Speaker 2: Your word, you got your hat, you got my ship.

1308
01:12:21,439 --> 01:12:24,000
Speaker 2: I'm watching you, yo.

1309
01:12:24,120 --> 01:12:25,880
Speaker 1: What's going on? Kiss? Yo?

1310
01:12:26,040 --> 01:12:27,320
Speaker 2: You know what I thought about the other day.

1311
01:12:28,640 --> 01:12:31,679
Speaker 1: I said, we gotta do a not not a reality show,

1312
01:12:31,760 --> 01:12:35,800
Speaker 1: but like a scripted show. Everybody loves Jada Kiss. Shut

1313
01:12:35,920 --> 01:12:36,200
Speaker 1: it up.

1314
01:12:36,320 --> 01:12:45,920
Speaker 16: You got the connect right now, let's get that. Oh yeah, yeah, yeah, yeah, Okay,

1315
01:12:46,439 --> 01:12:47,519
Speaker 16: this is twin, you know twins.

1316
01:12:47,640 --> 01:12:52,040
Speaker 2: Jada Kiss. He broke me everywhere, He broke his nigga

1317
01:12:52,160 --> 01:12:53,680
Speaker 2: that we got down with us. But he got a

1318
01:12:53,720 --> 01:12:55,679
Speaker 2: good heart. He gotta kill heart.

1319
01:12:56,160 --> 01:12:57,920
Speaker 8: Hold on, you want to do this, Jaden Nor on

1320
01:12:58,000 --> 01:13:00,880
Speaker 8: TV to be in here in personne and you consider

1321
01:13:00,920 --> 01:13:02,080
Speaker 8: with my friends and I'm drunk.

1322
01:13:01,920 --> 01:13:03,040
Speaker 2: You're allowed on my mic.

1323
01:13:06,840 --> 01:13:08,240
Speaker 1: Kicking out the episode.

1324
01:13:08,280 --> 01:13:11,280
Speaker 2: Let's get let's get your life together, your life.

1325
01:13:11,120 --> 01:13:13,400
Speaker 17: Together, Jay the kish Man. You just got off the

1326
01:13:13,439 --> 01:13:15,519
Speaker 17: Bad Boy tour. Yeah yeah, he just came off the

1327
01:13:15,600 --> 01:13:16,280
Speaker 17: Bad Boy tour.

1328
01:13:16,520 --> 01:13:16,880
Speaker 2: Uh huh.

1329
01:13:17,360 --> 01:13:20,680
Speaker 17: It was a great, great family reunion. Great you know

1330
01:13:20,720 --> 01:13:22,679
Speaker 17: what I mean. Everybody's in a great space.

1331
01:13:22,800 --> 01:13:23,000
Speaker 1: It was.

1332
01:13:23,200 --> 01:13:27,479
Speaker 2: It went real, very successful. Yesterday I seen something very interesting.

1333
01:13:27,640 --> 01:13:29,560
Speaker 2: We was at the college pick up to college. He

1334
01:13:29,600 --> 01:13:32,800
Speaker 2: got his own camp inside the students and I walked

1335
01:13:32,840 --> 01:13:35,479
Speaker 2: into a conversation and it's you and Mace there and

1336
01:13:35,560 --> 01:13:37,000
Speaker 2: Maces like, I'll do your ship.

1337
01:13:37,160 --> 01:13:38,840
Speaker 1: But I ain't going to the breakfast club. And I

1338
01:13:38,960 --> 01:13:41,400
Speaker 1: was like, he was like, because I'll be wanting to fight.

1339
01:13:41,800 --> 01:13:43,800
Speaker 1: Did me say he be wanting to fight? That was

1340
01:13:43,880 --> 01:13:49,200
Speaker 1: exact word. I be wanting to fight, and don't be.

1341
01:13:51,479 --> 01:13:54,479
Speaker 2: I ain't gonna bro said hold on, I said, Mace,

1342
01:13:54,880 --> 01:13:57,960
Speaker 2: it's crazy. I think Mace he about that life.

1343
01:13:58,000 --> 01:13:58,880
Speaker 1: Oh no, lord, you think so?

1344
01:13:59,479 --> 01:14:02,360
Speaker 2: I eat squat ma ain't got beef for some.

1345
01:14:03,280 --> 01:14:04,040
Speaker 1: I don't even know what.

1346
01:14:05,120 --> 01:14:08,679
Speaker 17: Probably it probably was. They probably don't talk too kindly

1347
01:14:08,760 --> 01:14:11,000
Speaker 17: of him up there, Sean. I don't really know what

1348
01:14:11,120 --> 01:14:15,640
Speaker 17: the was his breakfast club, the strepan se Is. We

1349
01:14:15,760 --> 01:14:18,200
Speaker 17: heard him say, here do the drink champs though. That's right,

1350
01:14:18,280 --> 01:14:21,120
Speaker 17: big up, mates, we want you here. Then you can

1351
01:14:21,160 --> 01:14:25,320
Speaker 17: fight whoever you want over here. It's okay, we don't mind.

1352
01:14:25,400 --> 01:14:26,200
Speaker 1: I was just playing mats.

1353
01:14:26,200 --> 01:14:26,320
Speaker 6: You know.

1354
01:14:26,479 --> 01:14:28,040
Speaker 1: I've seen him in St K the other day.

1355
01:14:28,760 --> 01:14:29,840
Speaker 2: We sat there, chopped it up.

1356
01:14:30,240 --> 01:14:32,160
Speaker 1: It was awkward because I did offer him a drink,

1357
01:14:32,400 --> 01:14:35,240
Speaker 1: not out of disrespect. That's what you do, That's what

1358
01:14:35,360 --> 01:14:36,920
Speaker 1: I do now. He just looked at me like no,

1359
01:14:37,080 --> 01:14:38,640
Speaker 1: and I was like, oh yeah, I forgot, you know,

1360
01:14:38,760 --> 01:14:40,479
Speaker 1: the whole thing. But I want to pick up. I

1361
01:14:40,520 --> 01:14:44,000
Speaker 1: want to pick up the Bad Boy Reunion tour because

1362
01:14:44,200 --> 01:14:48,479
Speaker 1: I went to see y'all out in Vegas, Yo, and

1363
01:14:48,600 --> 01:14:50,640
Speaker 1: you guys were very professional.

1364
01:14:50,760 --> 01:14:51,720
Speaker 2: Like I'm talking about.

1365
01:14:51,560 --> 01:14:55,240
Speaker 1: Everybody I was on time that was dead before there

1366
01:14:55,320 --> 01:14:59,919
Speaker 1: was a prayer that happened, like that ship was flawless.

1367
01:15:00,280 --> 01:15:03,240
Speaker 17: Noah did a big shout out, that big shout out

1368
01:15:03,240 --> 01:15:04,200
Speaker 17: to the whole staffy.

1369
01:15:04,760 --> 01:15:07,320
Speaker 2: It was really like a theatrical play that to him,

1370
01:15:07,479 --> 01:15:08,400
Speaker 2: you know what I mean, it was a.

1371
01:15:08,760 --> 01:15:12,360
Speaker 17: It was a nineties hip hop medley of you know,

1372
01:15:12,479 --> 01:15:15,840
Speaker 17: the hits that was made back then. But the structure

1373
01:15:15,880 --> 01:15:17,960
Speaker 17: in the format of it, like he said, it was

1374
01:15:18,040 --> 01:15:21,240
Speaker 17: like it's like a play. Like everybody on time, anybody

1375
01:15:21,439 --> 01:15:22,960
Speaker 17: backstage getting miked up.

1376
01:15:23,400 --> 01:15:24,840
Speaker 2: It went very successful.

1377
01:15:24,880 --> 01:15:26,880
Speaker 17: It was a good I actually want to do some

1378
01:15:27,040 --> 01:15:29,200
Speaker 17: more because I'm trying to furnish this new house.

1379
01:15:29,240 --> 01:15:35,280
Speaker 2: I just let's make them more. Get the motherfucker, yo.

1380
01:15:35,360 --> 01:15:43,240
Speaker 2: Listen my nigga k K in the building. Listen nominee, listen, listen.

1381
01:15:43,520 --> 01:15:46,519
Speaker 1: Opposite, and ain't nobody credit card in this room, right,

1382
01:15:46,560 --> 01:15:47,519
Speaker 1: it's a Valut credit card.

1383
01:15:47,560 --> 01:15:49,280
Speaker 2: We're gonna charge. We're gonna smoke and charge it.

1384
01:15:49,360 --> 01:15:58,320
Speaker 1: The revault trying to see him. I'll see you, nigga,

1385
01:15:58,720 --> 01:15:59,679
Speaker 1: this is going down.

1386
01:16:00,400 --> 01:16:01,120
Speaker 2: Listen to Revolt.

1387
01:16:01,640 --> 01:16:03,320
Speaker 1: You know, man, I just want to pick up a

1388
01:16:03,400 --> 01:16:07,240
Speaker 1: volt this conference because since like Mixed Show, Power Summing,

1389
01:16:07,720 --> 01:16:11,680
Speaker 1: I haven't even if there has been like fake conferences.

1390
01:16:11,200 --> 01:16:13,439
Speaker 2: I haven't been a part of them. And when I

1391
01:16:13,680 --> 01:16:16,000
Speaker 2: was a part of them or came, it was not

1392
01:16:16,120 --> 01:16:16,599
Speaker 2: put together.

1393
01:16:16,720 --> 01:16:17,320
Speaker 1: Like last night.

1394
01:16:17,360 --> 01:16:18,920
Speaker 2: I just walked through the lobby. I got to see you.

1395
01:16:19,040 --> 01:16:21,599
Speaker 1: I got to see Jim Jones, I got to see

1396
01:16:21,640 --> 01:16:25,280
Speaker 1: to Harry, I got to see DJ Quick Quicksilver, I

1397
01:16:25,360 --> 01:16:28,000
Speaker 1: got to see Esak. I got to see Clark. Can't

1398
01:16:28,040 --> 01:16:30,000
Speaker 1: Clark can't be Clark can't scare because.

1399
01:16:29,800 --> 01:16:31,719
Speaker 2: One of my I know, Clark Kent starts.

1400
01:16:31,720 --> 01:16:33,320
Speaker 1: You know what I'm saying. He's sill, a little, he

1401
01:16:33,439 --> 01:16:35,040
Speaker 1: a little nervous at the drink champ. But were getting

1402
01:16:35,080 --> 01:16:38,240
Speaker 1: your ass on here, clock But bick up to everybody,

1403
01:16:38,240 --> 01:16:40,080
Speaker 1: because that's what the music business.

1404
01:16:40,120 --> 01:16:40,320
Speaker 8: You know.

1405
01:16:40,560 --> 01:16:40,720
Speaker 2: You know.

1406
01:16:41,040 --> 01:16:44,680
Speaker 1: One of the uh, one of the best nights I

1407
01:16:44,760 --> 01:16:46,800
Speaker 1: ever had in my life was when Hot ninety Hot

1408
01:16:46,920 --> 01:16:49,760
Speaker 1: ninety seven had something called hot Night in Jamaica.

1409
01:16:49,439 --> 01:16:50,160
Speaker 8: You always tell me.

1410
01:16:50,360 --> 01:16:53,000
Speaker 1: And they flew out there, and they flew out there

1411
01:16:53,000 --> 01:16:55,360
Speaker 1: and we had no choice, like Whole, like this is

1412
01:16:55,400 --> 01:17:00,519
Speaker 1: a true story. Hole the other rooms was wasn't was booked,

1413
01:17:00,560 --> 01:17:03,519
Speaker 1: so Whole had to stay in the same hotel as us, Jamain,

1414
01:17:03,720 --> 01:17:05,720
Speaker 1: we had to stay in the same hotel, like we're

1415
01:17:05,800 --> 01:17:08,680
Speaker 1: all in one hotel. And it just it got a

1416
01:17:08,800 --> 01:17:11,280
Speaker 1: chance for people to meet each other, like all right,

1417
01:17:11,360 --> 01:17:12,840
Speaker 1: who I want you on the record? You and your

1418
01:17:12,880 --> 01:17:14,960
Speaker 1: answer or you wanted me on record, I ain't answer.

1419
01:17:15,080 --> 01:17:17,320
Speaker 1: Now we just sitting down drinking red stripes.

1420
01:17:17,640 --> 01:17:18,240
Speaker 2: You know what I'm saying.

1421
01:17:19,080 --> 01:17:21,920
Speaker 1: And you're like, oh, but and that's what this reminded

1422
01:17:21,960 --> 01:17:24,519
Speaker 1: me of this music conference. It was like, you know,

1423
01:17:25,600 --> 01:17:28,599
Speaker 1: I spoke to Jo Rul had flew out here, uh

1424
01:17:29,000 --> 01:17:32,040
Speaker 1: DMX is out here, and it's like, I think with

1425
01:17:32,200 --> 01:17:34,840
Speaker 1: Alda is doing is an awesome thing. This is this

1426
01:17:35,000 --> 01:17:36,840
Speaker 1: is an awesome thing. They bringing it back to the essens.

1427
01:17:37,200 --> 01:17:38,439
Speaker 1: You think that's important for us?

1428
01:17:38,680 --> 01:17:43,400
Speaker 2: Definitely important for us. It's not even important for us.

1429
01:17:43,560 --> 01:17:46,880
Speaker 17: It's important for the culture. Is important for the new

1430
01:17:47,040 --> 01:17:50,840
Speaker 17: artists to know how to how what we went through,

1431
01:17:50,920 --> 01:17:54,680
Speaker 17: and how the structure and and the networking.

1432
01:17:55,240 --> 01:17:58,280
Speaker 2: The bigger, the bigger picture of this hip hop industry.

1433
01:17:58,280 --> 01:17:59,880
Speaker 17: You know what I mean than just being an artist,

1434
01:18:00,040 --> 01:18:02,880
Speaker 17: of being a producer, how to get longevity, how to

1435
01:18:03,000 --> 01:18:05,200
Speaker 17: be in there for years, how to shut up your

1436
01:18:05,320 --> 01:18:07,880
Speaker 17: build your brand and get your revenue right, you know

1437
01:18:07,920 --> 01:18:08,280
Speaker 17: what I mean?

1438
01:18:09,400 --> 01:18:14,240
Speaker 1: When I got to New York, I'm gonna have to

1439
01:18:14,280 --> 01:18:15,640
Speaker 1: cut you off because nobody asked you.

1440
01:18:21,840 --> 01:18:22,760
Speaker 2: You know, I don't know.

1441
01:18:24,000 --> 01:18:25,640
Speaker 1: I didn't know neither. But for the record, let me

1442
01:18:25,720 --> 01:18:28,680
Speaker 1: just explain this. What happened was we were supposed to

1443
01:18:28,720 --> 01:18:31,720
Speaker 1: do Jo Rule earlier, and we were supposed to do

1444
01:18:31,880 --> 01:18:32,280
Speaker 1: Kiss at that.

1445
01:18:32,439 --> 01:18:33,519
Speaker 2: We're supposed to do this.

1446
01:18:33,720 --> 01:18:34,439
Speaker 1: What really happened.

1447
01:18:36,439 --> 01:18:39,120
Speaker 8: Yeah, you're right, I missed it because that has something

1448
01:18:39,160 --> 01:18:39,360
Speaker 8: to do.

1449
01:18:42,080 --> 01:18:45,040
Speaker 1: The job. Did he like, Yo, I'm gonna do you

1450
01:18:45,200 --> 01:18:47,680
Speaker 1: in job? Well, that's how it happened, and that's how

1451
01:18:47,720 --> 01:18:49,960
Speaker 1: it happened. And because of the episode, we got Dog

1452
01:18:50,080 --> 01:18:57,639
Speaker 1: Pound with Tony Ya mixing the birth Level Collabo dream

1453
01:18:57,760 --> 01:19:00,040
Speaker 1: Chance and you're still on the Collaboro drink chants could be.

1454
01:19:02,720 --> 01:19:04,200
Speaker 2: But you know what, kiss, you know what, you know

1455
01:19:04,240 --> 01:19:06,080
Speaker 2: what the crazy thing is? You know, I want to

1456
01:19:06,120 --> 01:19:06,360
Speaker 2: thank you.

1457
01:19:06,560 --> 01:19:08,680
Speaker 1: I want to thank all the artists because at the

1458
01:19:08,760 --> 01:19:11,200
Speaker 1: end of the day, you know, style chic, I mean,

1459
01:19:11,600 --> 01:19:15,000
Speaker 1: just everybody who participated in Drink Chance because me and

1460
01:19:15,080 --> 01:19:17,479
Speaker 1: my partner dj e F and we had an idea

1461
01:19:17,520 --> 01:19:19,919
Speaker 1: of what we was going to do, but we freestyled everything,

1462
01:19:20,240 --> 01:19:22,000
Speaker 1: and y'all could have shut us down.

1463
01:19:22,040 --> 01:19:24,160
Speaker 2: Y'all could have been like, nigga whatever, you know what

1464
01:19:24,160 --> 01:19:24,559
Speaker 2: I'm saying.

1465
01:19:24,880 --> 01:19:28,040
Speaker 1: And you know, Fat Joe was our first episode that

1466
01:19:28,160 --> 01:19:31,519
Speaker 1: we put out. It wasn't the first one. The first

1467
01:19:31,560 --> 01:19:36,280
Speaker 1: Woe recorded was Kenny Anderson and then like I really

1468
01:19:36,400 --> 01:19:38,439
Speaker 1: call my friends like you know what I'm saying. So

1469
01:19:39,160 --> 01:19:41,960
Speaker 1: you know, like when I ask people they eat ass

1470
01:19:42,240 --> 01:19:44,160
Speaker 1: or how many abortions they had, Like a lot of

1471
01:19:44,200 --> 01:19:51,240
Speaker 1: people can't got Avatar, but a lot of people like

1472
01:19:51,360 --> 01:19:53,719
Speaker 1: they can't ask Fat Joe that you know what I'm saying.

1473
01:19:53,960 --> 01:19:54,400
Speaker 1: They can't.

1474
01:19:55,080 --> 01:19:59,960
Speaker 2: Freddie Bees, Freddie Bees, Jason, Freddie Versus.

1475
01:20:00,040 --> 01:20:02,240
Speaker 1: He said, okay, yeah, yo yo, y're your Dominic You're

1476
01:20:02,240 --> 01:20:03,440
Speaker 1: beating Dominican.

1477
01:20:04,560 --> 01:20:05,000
Speaker 8: Texas.

1478
01:20:05,760 --> 01:20:06,439
Speaker 1: He got sweat.

1479
01:20:08,880 --> 01:20:16,759
Speaker 2: That's what I do, That's what I do, he texted

1480
01:20:16,880 --> 01:20:17,800
Speaker 2: the Mdican.

1481
01:20:23,680 --> 01:20:30,800
Speaker 1: Wrote he wrote it, I would have said, it's.

1482
01:20:29,040 --> 01:20:30,160
Speaker 2: A specially gifts.

1483
01:20:30,320 --> 01:20:34,800
Speaker 1: You got a special meal in dominicant I don't know

1484
01:20:35,000 --> 01:20:37,200
Speaker 1: that in Dominican.

1485
01:20:38,280 --> 01:20:41,400
Speaker 2: I ain't tell you popped that. No no, no, believe it.

1486
01:20:41,600 --> 01:20:43,519
Speaker 2: Let me get cold. We can't do that, Jada kiss man.

1487
01:20:43,560 --> 01:20:44,479
Speaker 2: He's a portant nikmas.

1488
01:20:44,680 --> 01:20:47,240
Speaker 1: You know what we got them excuse him? N a bottles,

1489
01:20:48,400 --> 01:20:50,439
Speaker 1: big yelling j f N.

1490
01:20:50,560 --> 01:20:53,800
Speaker 17: You got a big yellow from the drink Chimps barbecue

1491
01:20:54,120 --> 01:20:57,439
Speaker 17: because somehow the Moat people came to the studio.

1492
01:20:58,080 --> 01:21:00,920
Speaker 2: He gave me the big josket, They gave me the cast.

1493
01:21:01,000 --> 01:21:03,800
Speaker 2: We know how that happened, y'all.

1494
01:21:04,360 --> 01:21:06,080
Speaker 1: That's the physical way I saw one of this. This

1495
01:21:06,240 --> 01:21:09,040
Speaker 1: is the here's the thing, like, because midget don't want

1496
01:21:09,080 --> 01:21:11,680
Speaker 1: to be called midgets no more. So I don't want

1497
01:21:11,880 --> 01:21:12,439
Speaker 1: little people.

1498
01:21:12,560 --> 01:21:15,000
Speaker 2: I don't want that world to just go away.

1499
01:21:15,680 --> 01:21:22,479
Speaker 8: So yeah, so.

1500
01:21:24,160 --> 01:21:27,680
Speaker 1: So those bottles of my way, it's called you know,

1501
01:21:29,960 --> 01:21:32,920
Speaker 1: no disrespect to the community. Don't mean that no more,

1502
01:21:33,920 --> 01:21:34,320
Speaker 1: no more.

1503
01:21:34,840 --> 01:21:36,360
Speaker 2: You know what I'm saying. On YouTube, I saw that

1504
01:21:36,439 --> 01:21:37,840
Speaker 2: nig can take your bottle.

1505
01:21:37,880 --> 01:21:39,280
Speaker 10: He had to get you another one the next day

1506
01:21:39,280 --> 01:21:39,719
Speaker 10: he brought.

1507
01:21:39,680 --> 01:21:42,200
Speaker 1: Oh yeah on and yeah, yeah, that was my that

1508
01:21:42,360 --> 01:21:44,080
Speaker 1: was my man. We just finished whinning.

1509
01:21:44,240 --> 01:21:46,360
Speaker 17: That was because there's a tournament on my block that

1510
01:21:46,600 --> 01:21:50,439
Speaker 17: though called him midnight Basketball tournament and we had just

1511
01:21:50,520 --> 01:21:51,400
Speaker 17: finished playing.

1512
01:21:51,200 --> 01:21:54,599
Speaker 2: Basketball at midnight. Yeah, they gotta niggas get shot y'all.

1513
01:21:57,000 --> 01:22:01,160
Speaker 1: Basketball and bullets. I heard of this, so the chip thought,

1514
01:22:01,800 --> 01:22:03,800
Speaker 1: and I was over there talking to one of my

1515
01:22:03,920 --> 01:22:06,960
Speaker 1: men's and he can just pop my I mean, the

1516
01:22:07,000 --> 01:22:08,240
Speaker 1: bottle was already popular.

1517
01:22:08,360 --> 01:22:11,560
Speaker 2: You gotta I don't even drink, just start indulging.

1518
01:22:11,640 --> 01:22:14,720
Speaker 1: And I had, Yeah, he's my man, though, White mak

1519
01:22:14,800 --> 01:22:17,200
Speaker 1: he actually got namage off that he got about bigger

1520
01:22:17,280 --> 01:22:17,760
Speaker 1: White Mark.

1521
01:22:17,920 --> 01:22:21,280
Speaker 2: My mom's called me one day and said, on this

1522
01:22:21,400 --> 01:22:22,040
Speaker 2: white boy.

1523
01:22:21,960 --> 01:22:22,160
Speaker 1: On the.

1524
01:22:27,000 --> 01:22:31,160
Speaker 2: I'm talking about real good assistant just not getting paid

1525
01:22:31,240 --> 01:22:34,040
Speaker 2: this week. I gotta teach this.

1526
01:22:34,360 --> 01:22:34,639
Speaker 8: I gotta.

1527
01:22:35,280 --> 01:22:38,719
Speaker 1: I gotta teach you balance level spelled backwards, his level.

1528
01:22:38,920 --> 01:22:41,320
Speaker 1: You gotta balance it, you know what I mean?

1529
01:22:43,280 --> 01:22:44,519
Speaker 2: What's going on in hip hop?

1530
01:22:45,040 --> 01:22:48,280
Speaker 1: Have you what you ever think that what's going on

1531
01:22:48,640 --> 01:22:52,920
Speaker 1: in Philly was even possible, like because it's kind of

1532
01:22:53,000 --> 01:22:54,120
Speaker 1: sad when you think about it.

1533
01:22:54,240 --> 01:22:58,320
Speaker 17: On all sides, anything's possible though with this fucking ship,

1534
01:22:59,040 --> 01:22:59,719
Speaker 17: I mean anything.

1535
01:23:02,520 --> 01:23:04,519
Speaker 1: Yeah, that was.

1536
01:23:04,560 --> 01:23:07,840
Speaker 2: Actually the only discrepancy of the tour, that incident in Philly.

1537
01:23:07,920 --> 01:23:10,160
Speaker 1: That's the only thing that happen a bad boy.

1538
01:23:11,760 --> 01:23:14,360
Speaker 2: So so what happened? So what happened in your opinion,

1539
01:23:14,479 --> 01:23:14,680
Speaker 2: like I.

1540
01:23:14,680 --> 01:23:15,479
Speaker 1: Mean I was in my room.

1541
01:23:15,520 --> 01:23:17,400
Speaker 17: I ain't actually see it, but I guess it was

1542
01:23:17,479 --> 01:23:23,000
Speaker 17: some type of altercation with somebody from Meeks Camping Single, right.

1543
01:23:24,160 --> 01:23:25,880
Speaker 2: Yeah, So it's it's it's like, you.

1544
01:23:25,960 --> 01:23:30,360
Speaker 1: Know, when y'all was battling the rock and even battling

1545
01:23:30,439 --> 01:23:33,320
Speaker 1: the state property at or even g unit, it felt

1546
01:23:33,439 --> 01:23:37,720
Speaker 1: like there was no hands that you know what I'm saying.

1547
01:23:37,760 --> 01:23:39,040
Speaker 2: It was put on anybody so.

1548
01:23:39,439 --> 01:23:44,799
Speaker 1: As not to cut you off. Yet those those times

1549
01:23:45,000 --> 01:23:48,040
Speaker 1: was really though if you actually because it was when

1550
01:23:48,120 --> 01:23:51,519
Speaker 1: those somebody could have really gotten the felt put.

1551
01:23:51,400 --> 01:23:53,519
Speaker 2: It down back then, you know what I mean. So

1552
01:23:53,680 --> 01:23:56,240
Speaker 2: it was it was like more intensive you asked me.

1553
01:23:56,400 --> 01:24:00,760
Speaker 2: Then Now with the internet, because for when you had

1554
01:24:00,800 --> 01:24:01,600
Speaker 2: a problem.

1555
01:24:01,320 --> 01:24:04,120
Speaker 1: You had to see a nigga go to the studio.

1556
01:24:04,760 --> 01:24:08,000
Speaker 2: Now you can just go on Twitter and you can stay.

1557
01:24:07,760 --> 01:24:10,160
Speaker 1: In the crib in the cribb and fight you ship

1558
01:24:10,240 --> 01:24:11,120
Speaker 1: from behind the people.

1559
01:24:11,720 --> 01:24:12,479
Speaker 2: So it's a different.

1560
01:24:12,640 --> 01:24:14,960
Speaker 4: It's different, but you know, and they're fighting for the camera.

1561
01:24:15,400 --> 01:24:18,880
Speaker 17: It stays on wax right, it's therapeutic for hip hop.

1562
01:24:19,400 --> 01:24:22,519
Speaker 17: Your hands on and people start getting something, you know,

1563
01:24:22,720 --> 01:24:25,800
Speaker 17: struck vigorously, it can go a different way.

1564
01:24:25,960 --> 01:24:28,360
Speaker 2: Great word, I love that word. Bigorous, you're gonna add

1565
01:24:28,360 --> 01:24:29,840
Speaker 2: it to your No, No, I got that already.

1566
01:24:29,880 --> 01:24:36,599
Speaker 1: Vigorously and enthusiastic, been been in my in my what's

1567
01:24:36,640 --> 01:24:40,599
Speaker 1: it called bacolar With that three big words.

1568
01:24:40,360 --> 01:24:41,960
Speaker 2: I used aga use them all right now?

1569
01:24:42,160 --> 01:24:44,479
Speaker 1: You know what what's the other word?

1570
01:24:45,040 --> 01:24:45,080
Speaker 2: On?

1571
01:24:45,240 --> 01:24:52,840
Speaker 1: Told us? Because you know conscrewed, corroborate, corroborate. You know

1572
01:24:52,920 --> 01:24:59,160
Speaker 1: we learned words on this podcast correlate. SOI me here

1573
01:24:59,520 --> 01:24:59,800
Speaker 1: say that.

1574
01:25:00,240 --> 01:25:02,240
Speaker 4: Uh uh correlate.

1575
01:25:09,560 --> 01:25:12,040
Speaker 2: That means running. Just what y'all I don't know that is?

1576
01:25:12,600 --> 01:25:14,639
Speaker 1: That is mister Lee from Star Rocks Clothing.

1577
01:25:16,160 --> 01:25:17,200
Speaker 10: I'm here, man, I'm telling.

1578
01:25:17,360 --> 01:25:19,880
Speaker 1: I'm telling for rolling them, they should buy his clothes line.

1579
01:25:20,320 --> 01:25:23,080
Speaker 2: Just put him on his clothes line is hard. Yeah,

1580
01:25:23,160 --> 01:25:24,160
Speaker 2: let's do it. But don't do it.

1581
01:25:24,680 --> 01:25:27,120
Speaker 1: Juice balls, No cas, you just opened up Brooklyn.

1582
01:25:27,000 --> 01:25:29,000
Speaker 17: Ye shout out to b K. We opened one on

1583
01:25:29,120 --> 01:25:32,759
Speaker 17: Malcolm X. All right, Yeah, we're working.

1584
01:25:32,880 --> 01:25:33,840
Speaker 1: Can we get that in Miami?

1585
01:25:33,880 --> 01:25:36,040
Speaker 2: We need to do that, definitely.

1586
01:25:36,320 --> 01:25:36,360
Speaker 8: No.

1587
01:25:39,160 --> 01:25:41,719
Speaker 1: I was gonna get in, but then we started drinking camps.

1588
01:25:41,760 --> 01:25:44,080
Speaker 2: That's like, I may not it may not relate perfect.

1589
01:25:44,560 --> 01:25:47,040
Speaker 1: You need the details. Juice in the morning. Juice up

1590
01:25:47,040 --> 01:25:47,439
Speaker 1: in the morning.

1591
01:25:47,520 --> 01:25:49,519
Speaker 2: We get drunk in the morning.

1592
01:25:49,680 --> 01:25:53,040
Speaker 1: We not you know, if we open up a juice

1593
01:25:53,160 --> 01:25:57,400
Speaker 1: or drink chaps for life, A right, a drink Champ

1594
01:25:57,720 --> 01:26:02,200
Speaker 1: drinks for life. So in the daytime juice up you

1595
01:26:02,240 --> 01:26:05,880
Speaker 1: will get a little tiger. But then at nighttime just tiger,

1596
01:26:06,040 --> 01:26:09,759
Speaker 1: googong boggy. All of this and all of the foulers

1597
01:26:09,960 --> 01:26:12,960
Speaker 1: lookers in the worlds. It just brings you under the table,

1598
01:26:13,040 --> 01:26:17,800
Speaker 1: the bummers. Yeah, you just gotta get under the alright, twin,

1599
01:26:18,240 --> 01:26:19,639
Speaker 1: I like, I like to do your job.

1600
01:26:20,200 --> 01:26:24,120
Speaker 2: Your job. It's just snap. So Jada kiss man, what what?

1601
01:26:24,320 --> 01:26:24,360
Speaker 8: What?

1602
01:26:24,479 --> 01:26:27,479
Speaker 2: What's going on? So are you doing a juice Bobby?

1603
01:26:28,120 --> 01:26:30,160
Speaker 1: I heard something like a m t V or something

1604
01:26:30,200 --> 01:26:32,960
Speaker 1: that greenlit some ship. You and camera Cameron got some ship.

1605
01:26:33,000 --> 01:26:35,360
Speaker 1: And then also y'all got a juice bar ship.

1606
01:26:35,960 --> 01:26:38,560
Speaker 17: I think we got one of the I think we

1607
01:26:38,640 --> 01:26:41,240
Speaker 17: got we ain't talks. We ain't talks with MTV to

1608
01:26:41,560 --> 01:26:42,360
Speaker 17: make something happen.

1609
01:26:42,560 --> 01:26:46,880
Speaker 2: Oh, niggas really lit up. I thought y'all was playing well, man,

1610
01:26:46,960 --> 01:26:50,519
Speaker 2: I ain't got nothing to do with that. Look, ain't

1611
01:26:50,560 --> 01:26:51,799
Speaker 2: look bigga, I ain't smoking.

1612
01:26:51,920 --> 01:27:02,080
Speaker 1: It sounds like somebody nuke gets the what they said that?

1613
01:27:03,240 --> 01:27:04,480
Speaker 2: Yeah, y'all motherfuckers.

1614
01:27:05,240 --> 01:27:08,360
Speaker 1: This is loud nigga. That ship ain't doing nothing. That

1615
01:27:08,520 --> 01:27:12,760
Speaker 1: covering this is we're smoking live on Revolt man. Fuck

1616
01:27:12,800 --> 01:27:18,120
Speaker 1: it about to get the sprinkle, yo. So look, I

1617
01:27:18,200 --> 01:27:20,760
Speaker 1: just want to throw this out there. The Boat the

1618
01:27:20,840 --> 01:27:29,640
Speaker 1: Bogie nominees are Mac Miller, Joe Budd, Post Malone, n

1619
01:27:29,720 --> 01:27:37,400
Speaker 1: O r E, my nigga K Wow Spot and listen

1620
01:27:37,479 --> 01:27:39,760
Speaker 1: a lot of people don't know who K is, but

1621
01:27:39,880 --> 01:27:43,680
Speaker 1: he the bogie nigga of the years. I'm gonna throw

1622
01:27:43,720 --> 01:27:45,439
Speaker 1: that out there. Come on, shout out to Instagram and

1623
01:27:45,520 --> 01:27:53,360
Speaker 1: all that. Come on, Yo, I stopped smoking. I stopped

1624
01:27:53,360 --> 01:27:56,439
Speaker 1: smoking for like six months and K didn't talk to

1625
01:27:56,520 --> 01:27:57,559
Speaker 1: me that those six months.

1626
01:27:58,720 --> 01:28:02,760
Speaker 12: That that was the that was the new I was

1627
01:28:03,000 --> 01:28:08,200
Speaker 12: feeling that K was like, I like you, butther nigga

1628
01:28:08,240 --> 01:28:10,160
Speaker 12: with the other nigga A you know what I'm saying,

1629
01:28:10,160 --> 01:28:11,280
Speaker 12: that's my nigga, K Man.

1630
01:28:11,560 --> 01:28:14,400
Speaker 2: Okay, you've been you know. That's the first nominee for

1631
01:28:14,479 --> 01:28:18,200
Speaker 2: anything in him in the Dream Champions Award.

1632
01:28:18,240 --> 01:28:21,320
Speaker 1: You know we're giving Puff is also nominated for ass

1633
01:28:21,520 --> 01:28:21,880
Speaker 1: of the Year.

1634
01:28:22,000 --> 01:28:25,439
Speaker 2: You're gonna eat gonna Yeah, you didn't gets in the man.

1635
01:28:25,560 --> 01:28:27,880
Speaker 1: He's that dominated for the year.

1636
01:28:28,960 --> 01:28:32,320
Speaker 2: But kay, you know, I feel like the years are crazy, y'all. Fight.

1637
01:28:33,200 --> 01:28:35,120
Speaker 1: A lot of niggas been hitting me like Jack Jordan

1638
01:28:35,200 --> 01:28:37,559
Speaker 1: have been hitting me like yo, yeah he like yo.

1639
01:28:39,520 --> 01:28:41,720
Speaker 1: You know, Puff can't win that award over me. And

1640
01:28:41,840 --> 01:28:44,080
Speaker 1: I'm like, whoever nicer to me that night, nigga? You know,

1641
01:28:44,160 --> 01:28:46,519
Speaker 1: we might give it to him, But look, k K

1642
01:28:46,720 --> 01:28:49,679
Speaker 1: is a real boge. Nigga of the Year for years.

1643
01:28:49,760 --> 01:28:51,960
Speaker 1: I've been seeing this nigga listen, and we know what

1644
01:28:52,000 --> 01:28:54,320
Speaker 1: I want to. I want to promote you more because

1645
01:28:55,360 --> 01:28:57,719
Speaker 1: I see you and Jada together.

1646
01:28:58,000 --> 01:28:58,200
Speaker 2: Y'all.

1647
01:28:58,320 --> 01:29:01,960
Speaker 1: Loyalty is serious. That's really your your friend from the

1648
01:29:02,120 --> 01:29:06,080
Speaker 1: from from getting me seeing third grade ship miss E

1649
01:29:06,200 --> 01:29:06,840
Speaker 1: Banks class.

1650
01:29:07,360 --> 01:29:09,719
Speaker 2: Yeah, that's what it's about, though, a lot of people

1651
01:29:09,760 --> 01:29:11,360
Speaker 2: don't have that now and then keep you you know

1652
01:29:11,400 --> 01:29:13,760
Speaker 2: what I'm saying, We're gonna get blow up.

1653
01:29:13,800 --> 01:29:14,120
Speaker 1: Niggas.

1654
01:29:14,120 --> 01:29:17,120
Speaker 2: Gotta put the tower under the door and be quiet.

1655
01:29:17,680 --> 01:29:21,439
Speaker 1: God, but God, that's how it is, though. You know,

1656
01:29:21,760 --> 01:29:22,880
Speaker 1: loyalty is everything.

1657
01:29:23,320 --> 01:29:27,120
Speaker 2: You bogness though, because he's working out, he's looking good.

1658
01:29:27,520 --> 01:29:29,639
Speaker 1: Yeah, you gotta get back. You see on the tread

1659
01:29:30,120 --> 01:29:33,000
Speaker 1: with the bogie. Yeah, my bog next way the water

1660
01:29:33,080 --> 01:29:37,479
Speaker 1: is supposed to go on the train. Get on the trade.

1661
01:29:37,520 --> 01:29:37,640
Speaker 8: Man.

1662
01:29:37,680 --> 01:29:38,680
Speaker 1: I got a light one up.

1663
01:29:38,960 --> 01:29:43,719
Speaker 2: It's bad track Smoker Bogey.

1664
01:29:43,760 --> 01:29:47,479
Speaker 1: After running Canyon, I smoke the bogie during running enough.

1665
01:29:48,360 --> 01:29:51,439
Speaker 1: After I got up, I was like, yeah, man, you know,

1666
01:29:51,439 --> 01:29:55,639
Speaker 1: I mean too, I do the same thing. Basketball, Come

1667
01:29:55,640 --> 01:30:03,360
Speaker 1: on Eve, nobody all that shut it up. Yo, Yo,

1668
01:30:03,400 --> 01:30:05,840
Speaker 1: it's okay man. I want to honor you because you're

1669
01:30:05,840 --> 01:30:09,719
Speaker 1: coming up. We're still doing the Drink Champs Awards January second,

1670
01:30:10,000 --> 01:30:12,320
Speaker 1: for all the people that's that's the Hangover Awards is

1671
01:30:12,360 --> 01:30:16,240
Speaker 1: the day after New Year's so so we're trying to

1672
01:30:16,320 --> 01:30:19,120
Speaker 1: catch everybody that's in puff House. When y'all leave puff

1673
01:30:19,200 --> 01:30:22,320
Speaker 1: House come to the Drink Champs, and we're gonna broadcast this.

1674
01:30:22,439 --> 01:30:26,000
Speaker 1: We dead seriously, Oh, I forgot buster is a bogie nominee.

1675
01:30:26,520 --> 01:30:30,000
Speaker 1: Uh we have to ask either. Edie thinks he got it,

1676
01:30:30,080 --> 01:30:34,120
Speaker 1: but we're not sure. I'm just saying, look, I'm just

1677
01:30:34,200 --> 01:30:37,400
Speaker 1: saying I'm gonna keep it real because I want to

1678
01:30:37,439 --> 01:30:40,080
Speaker 1: give it the because puff Puff got bad and you

1679
01:30:40,240 --> 01:30:42,080
Speaker 1: just he proposed it to Angeline.

1680
01:30:42,600 --> 01:30:42,680
Speaker 4: Yo.

1681
01:30:42,800 --> 01:30:42,920
Speaker 2: Yo.

1682
01:30:43,000 --> 01:30:45,320
Speaker 1: Yeah, we had Angela on the other day. He was

1683
01:30:45,360 --> 01:30:48,280
Speaker 1: like this, Eddie asked Angelie start getting red.

1684
01:30:48,400 --> 01:30:50,120
Speaker 2: He's like, I'll eat your ass like.

1685
01:30:53,360 --> 01:30:58,880
Speaker 1: Man, he got Yeah, we found niggas over oh ship

1686
01:30:59,439 --> 01:31:00,639
Speaker 1: that looked like the police.

1687
01:31:04,600 --> 01:31:05,759
Speaker 2: You know me, I'm so watching.

1688
01:31:06,200 --> 01:31:13,040
Speaker 8: I was up. Come on, you see.

1689
01:31:16,880 --> 01:31:21,160
Speaker 1: Not sit down now, we're putting you on the podcast.

1690
01:31:20,840 --> 01:31:22,799
Speaker 2: For resch knowl what's history?

1691
01:31:22,840 --> 01:31:23,040
Speaker 8: You got?

1692
01:31:23,240 --> 01:31:23,280
Speaker 1: No?

1693
01:31:23,800 --> 01:31:29,479
Speaker 2: No? No? Oh lord yeah yeah.

1694
01:31:29,720 --> 01:31:30,840
Speaker 1: Oh he's from a vote.

1695
01:31:30,960 --> 01:31:31,679
Speaker 8: You know what you're doing.

1696
01:31:32,120 --> 01:31:33,720
Speaker 2: You know, ain't brother, you can't even do this?

1697
01:31:33,880 --> 01:31:35,280
Speaker 1: Yeah, I know the ouse.

1698
01:31:35,920 --> 01:31:39,800
Speaker 2: Sit down, No, no, Sean Bress, come on, Oh this

1699
01:31:40,040 --> 01:31:41,280
Speaker 2: industry ship, this is sharp.

1700
01:31:41,360 --> 01:31:44,519
Speaker 1: Brad's everybody ran bad Boy for eighteen years.

1701
01:31:44,760 --> 01:31:48,360
Speaker 2: Ye still running bad Boy. He do what he do

1702
01:31:48,520 --> 01:31:48,800
Speaker 2: like he does.

1703
01:31:48,880 --> 01:31:50,559
Speaker 1: We gotta do around the corner on the brook, keep

1704
01:31:50,640 --> 01:31:55,280
Speaker 1: the pole, the percolator, hide hyd water. That nigga sitting

1705
01:31:55,320 --> 01:31:57,439
Speaker 1: here dressing all right like he's down with signed out

1706
01:31:59,720 --> 01:32:02,640
Speaker 1: listen press, tell these people what's going on.

1707
01:32:02,880 --> 01:32:05,920
Speaker 10: Man, we're having a good weekend down here. I love

1708
01:32:05,960 --> 01:32:08,120
Speaker 10: what you brothers is doing. Man, I love it.

1709
01:32:08,160 --> 01:32:10,160
Speaker 13: If I didn't get a chance to say, if we

1710
01:32:10,320 --> 01:32:12,960
Speaker 13: go back so far, knowing we go back so far,

1711
01:32:13,040 --> 01:32:14,000
Speaker 13: I love what you'all doing.

1712
01:32:14,040 --> 01:32:16,200
Speaker 1: Yeah, man, we appreciate you. But we want to show

1713
01:32:16,280 --> 01:32:19,320
Speaker 1: you want to we like to interview people behind the scene. Okay,

1714
01:32:19,400 --> 01:32:21,439
Speaker 1: because that's who you are and you make a lot

1715
01:32:21,479 --> 01:32:24,280
Speaker 1: of things shake and bake. Just give these people a

1716
01:32:24,280 --> 01:32:25,080
Speaker 1: little bit of history.

1717
01:32:25,320 --> 01:32:28,280
Speaker 2: Are you and how you perform? Okay? Real quick?

1718
01:32:28,320 --> 01:32:29,280
Speaker 1: Who's showing press?

1719
01:32:29,360 --> 01:32:31,960
Speaker 10: Showing press? Go back intern bad boy.

1720
01:32:35,360 --> 01:32:41,400
Speaker 13: A gentlemen, Lone moved on. Started my company Palmers. You

1721
01:32:41,520 --> 01:32:45,479
Speaker 13: know it's instrumental, you know, and Puff is a is

1722
01:32:45,520 --> 01:32:47,880
Speaker 13: a wonderful person because it's as long as you down

1723
01:32:47,920 --> 01:32:50,760
Speaker 13: with Puff and you are all worker, you always going

1724
01:32:50,840 --> 01:32:51,839
Speaker 13: to be part of the system.

1725
01:32:52,040 --> 01:32:55,600
Speaker 10: And that's one leave even if you leave one like

1726
01:32:55,640 --> 01:32:56,360
Speaker 10: like what you talk.

1727
01:32:57,880 --> 01:32:58,679
Speaker 1: Still can't.

1728
01:33:00,280 --> 01:33:03,439
Speaker 2: He's gonna doing So when when when.

1729
01:33:03,320 --> 01:33:06,200
Speaker 10: We started poud Moves like like that was the account.

1730
01:33:06,240 --> 01:33:08,160
Speaker 2: It was Moves, a marketing company.

1731
01:33:09,479 --> 01:33:10,200
Speaker 1: Account in Miami.

1732
01:33:10,320 --> 01:33:13,120
Speaker 10: Yeah, in Miami. Like like this is my guy, right, Eddie?

1733
01:33:13,560 --> 01:33:15,280
Speaker 1: Like like my guy you know he's the ass eater.

1734
01:33:15,400 --> 01:33:18,040
Speaker 1: Now he's not Eddie, Eddie God.

1735
01:33:17,960 --> 01:33:20,559
Speaker 13: I under saying something. I said, what's up to Eddie?

1736
01:33:20,680 --> 01:33:22,760
Speaker 13: I said, ed you're looking young? I said, we got

1737
01:33:22,840 --> 01:33:24,519
Speaker 13: all the gray hair? You black?

1738
01:33:24,920 --> 01:33:27,719
Speaker 10: He was like, because I'm eating I said.

1739
01:33:27,600 --> 01:33:41,280
Speaker 1: That, Biggs, just look look, we're doing the File Awards show.

1740
01:33:41,280 --> 01:33:44,439
Speaker 1: It's called the Poiles Awardship showever, right, so we're gonna

1741
01:33:44,479 --> 01:33:45,400
Speaker 1: mock all the awards.

1742
01:33:45,640 --> 01:33:45,800
Speaker 2: Right.

1743
01:33:46,520 --> 01:33:49,559
Speaker 1: So I never spoke to Puff about this at all, Okay,

1744
01:33:50,040 --> 01:33:53,760
Speaker 1: but I mean he might hear about it now, but

1745
01:33:54,760 --> 01:33:56,679
Speaker 1: he thinks he should win. Asked either of the year

1746
01:33:57,240 --> 01:33:59,920
Speaker 1: of the year over Puff. I just feel like Puff

1747
01:34:00,120 --> 01:34:04,200
Speaker 1: is ask the bad bitches. He got he he asked

1748
01:34:04,240 --> 01:34:06,439
Speaker 1: that mountains mountains.

1749
01:34:10,520 --> 01:34:12,840
Speaker 16: But who you need to get to ask you if

1750
01:34:12,880 --> 01:34:18,679
Speaker 16: you want to get it, and I think you should

1751
01:34:18,720 --> 01:34:19,519
Speaker 16: get that little.

1752
01:34:24,160 --> 01:34:28,200
Speaker 2: Do Sean Press? He asked, what we're doing it?

1753
01:34:28,320 --> 01:34:29,400
Speaker 8: You're like like, I.

1754
01:34:31,439 --> 01:34:37,759
Speaker 1: Like, turn to the Global Spin Awards. Yes, Global spind Awards.

1755
01:34:38,080 --> 01:34:38,720
Speaker 1: That is your ship.

1756
01:34:38,760 --> 01:34:40,120
Speaker 2: That's right, that's the people who know.

1757
01:34:40,160 --> 01:34:43,120
Speaker 1: Global spind Awards award show dedicated to the DJs. We

1758
01:34:43,200 --> 01:34:46,919
Speaker 1: got the War show dedicated to foulship, but the dedicated

1759
01:34:47,000 --> 01:34:49,000
Speaker 1: to speak about that Global Spin Awards.

1760
01:34:49,040 --> 01:34:51,960
Speaker 13: We recognized the unrecognized with all the dj is the

1761
01:34:52,080 --> 01:34:55,640
Speaker 13: most influenced. You guys in the game, you know who

1762
01:34:55,800 --> 01:34:58,639
Speaker 13: who who never really got this shot, who never would

1763
01:34:58,680 --> 01:34:59,880
Speaker 13: put up on that platform.

1764
01:35:00,120 --> 01:35:01,559
Speaker 10: So the Global Spin Awards is.

1765
01:35:01,640 --> 01:35:06,719
Speaker 13: The Grammys for the DJs, and we did the nominations yesterday,

1766
01:35:07,520 --> 01:35:09,960
Speaker 13: real big, so all the DJs around the country right

1767
01:35:10,040 --> 01:35:13,479
Speaker 13: now celebrating social media is going crazy. My man, kiss

1768
01:35:13,640 --> 01:35:15,680
Speaker 13: you was there last year when y'all came in and

1769
01:35:16,439 --> 01:35:21,280
Speaker 13: we had Swiss Beats hosts last year and gave them

1770
01:35:21,280 --> 01:35:23,920
Speaker 13: I think it was fifty million records sold, so everybody

1771
01:35:24,040 --> 01:35:25,080
Speaker 13: from Rough Riders came.

1772
01:35:25,200 --> 01:35:27,519
Speaker 10: So, I mean, it's a love fest.

1773
01:35:27,760 --> 01:35:31,960
Speaker 13: But it's recognizing to me the most important influences in

1774
01:35:32,040 --> 01:35:33,320
Speaker 13: the game, which are the DJs.

1775
01:35:34,320 --> 01:35:36,320
Speaker 1: I'm ready for my order. Yeah, yeah, you need to

1776
01:35:36,360 --> 01:35:38,400
Speaker 1: get you need to get a great bed of water, so.

1777
01:35:40,000 --> 01:35:40,320
Speaker 2: Something.

1778
01:35:40,520 --> 01:35:42,639
Speaker 1: But y'all knew each other a long time, so impressed.

1779
01:35:42,640 --> 01:35:45,360
Speaker 1: You're a very instrumental person in this industry. And you

1780
01:35:45,439 --> 01:35:47,760
Speaker 1: know that's what a podcast, that's what we're trying to

1781
01:35:47,800 --> 01:35:49,639
Speaker 1: do here, is we want to keep our legends alive.

1782
01:35:49,960 --> 01:35:51,800
Speaker 2: Our music. So much the.

1783
01:35:51,880 --> 01:35:55,360
Speaker 1: Minute somebody does something or somebody you know, they find

1784
01:35:55,400 --> 01:35:57,800
Speaker 1: out this, we just kill our own legends. That is

1785
01:35:57,920 --> 01:36:00,600
Speaker 1: so bad in our culture. So what we want to

1786
01:36:00,640 --> 01:36:03,400
Speaker 1: do the purpose of our podcast to keep our legends alive,

1787
01:36:03,920 --> 01:36:07,439
Speaker 1: especially especially the people that's behind the scenes, because yeah,

1788
01:36:07,479 --> 01:36:09,800
Speaker 1: we're the fourth front as artists. But you know what,

1789
01:36:10,080 --> 01:36:12,920
Speaker 1: an artist ain't shipped without five people behind him, and

1790
01:36:13,160 --> 01:36:15,599
Speaker 1: sometimes people don't recognize those five people behind.

1791
01:36:15,400 --> 01:36:16,440
Speaker 2: Him and those positions.

1792
01:36:16,800 --> 01:36:20,400
Speaker 1: So that's why we interviewed Leon and Kevin Lyles earlier

1793
01:36:20,479 --> 01:36:22,840
Speaker 1: because a lot of people, you know, they just think

1794
01:36:22,880 --> 01:36:24,960
Speaker 1: that they're just the check writers when they're a lot.

1795
01:36:24,880 --> 01:36:26,320
Speaker 2: More to it. And the same thing with you.

1796
01:36:26,680 --> 01:36:29,439
Speaker 1: It's like, you know, we appreciate you people like that.

1797
01:36:29,560 --> 01:36:30,120
Speaker 2: You know what I'm saying.

1798
01:36:30,120 --> 01:36:32,160
Speaker 1: We appreciate and we want to look at Jada kids

1799
01:36:32,200 --> 01:36:32,719
Speaker 1: trying to slide.

1800
01:36:32,920 --> 01:36:33,679
Speaker 2: We've seen you, nigga.

1801
01:36:33,720 --> 01:36:37,400
Speaker 1: Now you got you got a nice assistant.

1802
01:36:37,920 --> 01:36:40,679
Speaker 2: Listen, you ain't from youngkins at all. Let's keep it real.

1803
01:36:42,200 --> 01:36:45,800
Speaker 1: From bankman like a motherfucker, right, come on, come on,

1804
01:36:47,000 --> 01:36:50,200
Speaker 1: got good assistance. Yo, ain't gonna lie Leo Kohn's and

1805
01:36:50,320 --> 01:36:52,040
Speaker 1: Kevin Lows bruing the most females.

1806
01:36:52,360 --> 01:36:52,519
Speaker 8: Is that?

1807
01:36:52,760 --> 01:36:53,559
Speaker 2: Is that not accurate?

1808
01:36:53,880 --> 01:36:54,080
Speaker 1: Yeah?

1809
01:36:54,439 --> 01:36:55,760
Speaker 10: I mean they bought the most money.

1810
01:36:55,840 --> 01:37:04,479
Speaker 2: To make sense, How did how did you get started

1811
01:37:04,520 --> 01:37:05,080
Speaker 2: with bad Boy?

1812
01:37:05,320 --> 01:37:07,320
Speaker 10: In turn? In turn? I did it.

1813
01:37:07,400 --> 01:37:09,760
Speaker 13: I did it the way it should be done. You

1814
01:37:09,880 --> 01:37:12,320
Speaker 13: started at the bottom, that's what you. Yeah, like like

1815
01:37:12,720 --> 01:37:15,439
Speaker 13: anything that's handed to you, you don't you don't appreciate it.

1816
01:37:15,600 --> 01:37:18,040
Speaker 13: And when Bad Boy in the early days and kiss,

1817
01:37:18,400 --> 01:37:19,840
Speaker 13: I mean it's nineteenth Street.

1818
01:37:20,320 --> 01:37:22,479
Speaker 10: The office was the size of this room right here,

1819
01:37:22,680 --> 01:37:26,759
Speaker 10: like everybody was working there, you know, big shot off.

1820
01:37:26,840 --> 01:37:28,720
Speaker 10: If y'all don't mind to to some of the day

1821
01:37:28,800 --> 01:37:30,760
Speaker 10: one June Balloon.

1822
01:37:32,280 --> 01:37:35,240
Speaker 1: Sharing the butcher are single marriage.

1823
01:37:35,280 --> 01:37:37,280
Speaker 10: There you go, super Marrio where you at?

1824
01:37:38,160 --> 01:37:40,040
Speaker 13: Man Like those are the guys who brought me in

1825
01:37:40,600 --> 01:37:44,639
Speaker 13: and gave me my platform. Then you know, moving forward,

1826
01:37:44,680 --> 01:37:46,920
Speaker 13: we had guys like Malcolm MIBs, all these dudes who

1827
01:37:47,040 --> 01:37:49,280
Speaker 13: really put work in the game to get Bad Boy.

1828
01:37:49,520 --> 01:37:51,160
Speaker 1: To to to where your day.

1829
01:37:51,560 --> 01:37:54,400
Speaker 2: There you go, Cacorn, she was in the beginning.

1830
01:37:54,560 --> 01:38:01,000
Speaker 13: No barrowe Barrow JB around here somewhere. That's who y'all

1831
01:38:01,040 --> 01:38:04,120
Speaker 13: should snatch up. But you are too smooth because you

1832
01:38:04,200 --> 01:38:08,400
Speaker 13: know Jason Jay Jeff is extra smooth. Hold on, no,

1833
01:38:09,280 --> 01:38:10,480
Speaker 13: that was Jeff Burrows.

1834
01:38:10,120 --> 01:38:16,320
Speaker 1: Walking b a meth. Don't walk in the building. God damn,

1835
01:38:16,360 --> 01:38:17,640
Speaker 1: we did Jzu yesterday too.

1836
01:38:17,720 --> 01:38:17,960
Speaker 3: There was.

1837
01:38:19,479 --> 01:38:21,360
Speaker 1: Nay yesterday.

1838
01:38:21,800 --> 01:38:26,880
Speaker 4: We gotta shout out the street team cats out there

1839
01:38:26,920 --> 01:38:28,040
Speaker 4: too that we wrapped four Oh.

1840
01:38:28,080 --> 01:38:30,519
Speaker 13: Yeah, like I mean, and you know I come from

1841
01:38:30,560 --> 01:38:34,040
Speaker 13: the Street Team days. I come from from handing out flyers.

1842
01:38:33,680 --> 01:38:38,120
Speaker 1: Waving saying that is is that possible for the Street

1843
01:38:38,160 --> 01:38:42,479
Speaker 1: Team to exist again? Because the online market, there's a

1844
01:38:42,520 --> 01:38:44,720
Speaker 1: way to know it's it's definitely.

1845
01:38:45,439 --> 01:38:46,320
Speaker 2: A lane for it.

1846
01:38:46,439 --> 01:38:50,439
Speaker 17: But the labels, the artists got to formulate their own

1847
01:38:50,479 --> 01:38:53,439
Speaker 17: Street Team. They want you to just go there, go

1848
01:38:53,560 --> 01:38:56,400
Speaker 17: in the conference room, sitting in front of the screen,

1849
01:38:57,200 --> 01:38:58,879
Speaker 17: and that's the new Street Team.

1850
01:38:58,800 --> 01:39:00,840
Speaker 2: Like you know what I'm saying, that's the new ship like.

1851
01:39:00,960 --> 01:39:03,280
Speaker 10: But but it's nothing like the real.

1852
01:39:05,000 --> 01:39:05,599
Speaker 1: On the ground.

1853
01:39:05,760 --> 01:39:08,960
Speaker 10: And that's what the Street Team was like. Put it

1854
01:39:09,040 --> 01:39:11,120
Speaker 10: this way, it'd be albums.

1855
01:39:10,760 --> 01:39:14,519
Speaker 18: Coming out now I don't even know they just they

1856
01:39:14,720 --> 01:39:17,600
Speaker 18: just here. Back in the days, you drive down this

1857
01:39:18,000 --> 01:39:22,800
Speaker 18: you knew ready you was getting on the train.

1858
01:39:23,400 --> 01:39:24,120
Speaker 2: We was hitting you.

1859
01:39:24,640 --> 01:39:26,800
Speaker 10: You know, you driving down the West Side highways.

1860
01:39:26,880 --> 01:39:28,400
Speaker 2: Postal balls up. It's crazy.

1861
01:39:28,439 --> 01:39:29,920
Speaker 4: And when you had the team in each market, you

1862
01:39:30,080 --> 01:39:31,360
Speaker 4: you had the post of that market.

1863
01:39:31,479 --> 01:39:32,280
Speaker 1: And that's what it was.

1864
01:39:32,880 --> 01:39:33,519
Speaker 10: That's what it was.

1865
01:39:33,600 --> 01:39:35,760
Speaker 13: I could I could call you, E I could call

1866
01:39:36,240 --> 01:39:40,120
Speaker 13: at any given moment, you know what's going on in

1867
01:39:40,200 --> 01:39:42,680
Speaker 13: Miami or I need I need to know who.

1868
01:39:42,760 --> 01:39:44,599
Speaker 2: Do you think the Internet killed the Street Team?

1869
01:39:45,160 --> 01:39:46,720
Speaker 10: No, I think what made it.

1870
01:39:46,880 --> 01:39:52,559
Speaker 19: It made made the money. It was giving out different breads.

1871
01:39:53,280 --> 01:39:55,760
Speaker 19: But the n O R E and the kissing game

1872
01:39:55,880 --> 01:39:58,680
Speaker 19: of all them budgets. These new niggas that never know

1873
01:39:58,880 --> 01:40:01,080
Speaker 19: that nig the budget.

1874
01:40:05,280 --> 01:40:09,000
Speaker 1: So I'm looking at these niggas budget right now taking

1875
01:40:09,080 --> 01:40:10,320
Speaker 1: a hit, they dead it.

1876
01:40:11,080 --> 01:40:13,080
Speaker 17: If I can just send an artist to the office

1877
01:40:13,120 --> 01:40:17,000
Speaker 17: and do it internet blast, that's way cheaper than there.

1878
01:40:17,040 --> 01:40:19,080
Speaker 17: You go a group of dudes that go in the

1879
01:40:19,240 --> 01:40:22,920
Speaker 17: van or go up the East coast, hit the whole highway,

1880
01:40:23,040 --> 01:40:25,800
Speaker 17: hit the subway, hit shampoo out there.

1881
01:40:25,840 --> 01:40:26,439
Speaker 1: He's still doing it.

1882
01:40:27,720 --> 01:40:29,720
Speaker 2: Is like the last Man.

1883
01:40:30,320 --> 01:40:34,160
Speaker 1: He's about that in a minute. He's my nigga.

1884
01:40:34,160 --> 01:40:37,479
Speaker 13: I see, I'm gonna tell you all your artists up

1885
01:40:37,560 --> 01:40:40,320
Speaker 13: and coming, get your boys together, because I'm you know,

1886
01:40:40,439 --> 01:40:43,360
Speaker 13: I'm a firm believer in grassroots. I'm a firm believer

1887
01:40:43,400 --> 01:40:45,880
Speaker 13: in touching the people. I'm a firm believer in the DJs.

1888
01:40:46,200 --> 01:40:48,559
Speaker 13: Get out there, put your hustle in. I noticed social

1889
01:40:48,640 --> 01:40:52,840
Speaker 13: media everybody working on a million but go ahead, go

1890
01:40:53,120 --> 01:40:54,720
Speaker 13: hands on, you got to do.

1891
01:40:54,840 --> 01:40:56,960
Speaker 1: We did the poster boards and remember.

1892
01:40:57,040 --> 01:40:59,880
Speaker 2: That was that was you was you.

1893
01:41:02,120 --> 01:41:05,040
Speaker 1: Been on the street team and die want the best.

1894
01:41:05,080 --> 01:41:10,400
Speaker 1: You look at stickers like that's all him, Like ef

1895
01:41:10,479 --> 01:41:13,360
Speaker 1: it comes from that, and he's here. He's still a

1896
01:41:13,479 --> 01:41:16,599
Speaker 1: guy who wants to play vinyl. He's a pyiod. He's

1897
01:41:16,600 --> 01:41:17,559
Speaker 1: a hip hop purist.

1898
01:41:17,760 --> 01:41:17,960
Speaker 2: That's what.

1899
01:41:18,200 --> 01:41:18,400
Speaker 1: That's what.

1900
01:41:18,560 --> 01:41:20,679
Speaker 2: That's what. That's what. I call him a hip hop purist.

1901
01:41:21,120 --> 01:41:25,040
Speaker 1: And you know that's different from these people like these people.

1902
01:41:25,040 --> 01:41:27,600
Speaker 2: Just know a computer like he he what's going on?

1903
01:41:27,680 --> 01:41:28,960
Speaker 2: You're taking batteries from all right?

1904
01:41:29,120 --> 01:41:32,400
Speaker 1: So he's the type of guy like he appreciates the

1905
01:41:32,479 --> 01:41:35,080
Speaker 1: old school. What happened with the old school presented?

1906
01:41:35,320 --> 01:41:40,120
Speaker 2: You know what I mean? That's niggas panel. Niggas got

1907
01:41:40,240 --> 01:41:44,120
Speaker 2: niggas get we get in Hollywood and had no starts

1908
01:41:44,200 --> 01:41:44,880
Speaker 2: in one hour.

1909
01:41:45,080 --> 01:41:47,439
Speaker 1: We have to end this and I don't know what

1910
01:41:47,560 --> 01:41:48,120
Speaker 1: word that is?

1911
01:41:48,240 --> 01:41:48,320
Speaker 2: Right?

1912
01:41:48,400 --> 01:41:51,559
Speaker 1: That five fifteen? That wasn't you miss?

1913
01:41:52,040 --> 01:41:54,080
Speaker 2: What time is it? I don't know how to tell time?

1914
01:41:55,439 --> 01:41:55,559
Speaker 17: Right?

1915
01:41:55,680 --> 01:41:56,599
Speaker 2: Cool? We got to five.

1916
01:41:56,680 --> 01:41:57,519
Speaker 1: We're gonna use.

1917
01:41:57,479 --> 01:41:58,880
Speaker 2: Every goddamn minute of it.

1918
01:42:00,200 --> 01:42:00,400
Speaker 1: Damn.

1919
01:42:00,680 --> 01:42:02,719
Speaker 15: I'm I'm coming to support you on the panels because

1920
01:42:02,720 --> 01:42:03,959
Speaker 15: you're on the panel, cause should.

1921
01:42:03,720 --> 01:42:04,439
Speaker 1: Be on the panel too.

1922
01:42:04,720 --> 01:42:05,720
Speaker 2: I'm not a d D.

1923
01:42:08,320 --> 01:42:10,800
Speaker 1: A certain point I gotta like if I'm sitting around

1924
01:42:10,840 --> 01:42:12,479
Speaker 1: and it's nothing happened. I'm just.

1925
01:42:15,960 --> 01:42:17,400
Speaker 2: Ship real like, you know.

1926
01:42:17,479 --> 01:42:19,280
Speaker 1: That's what they gave me an up north, they gave

1927
01:42:19,320 --> 01:42:22,160
Speaker 1: me Thursday and they said that nigga, he got too

1928
01:42:22,280 --> 01:42:25,360
Speaker 1: much energy. Let's calm him down. My moms came to

1929
01:42:25,360 --> 01:42:25,960
Speaker 1: see me one day.

1930
01:42:26,000 --> 01:42:32,880
Speaker 2: I want Thursday. And that's how yo.

1931
01:42:33,040 --> 01:42:35,759
Speaker 1: You know what I'm talking about. My mom's just talking

1932
01:42:35,840 --> 01:42:42,400
Speaker 1: to me and I'm talking back, just my mouth. I'm like, mom, good,

1933
01:42:42,439 --> 01:42:49,680
Speaker 1: what about my mom's call the warden whatever that yo,

1934
01:42:49,880 --> 01:42:54,240
Speaker 1: I'm getting. I'm calling out Shopton. That's not my son.

1935
01:42:54,439 --> 01:42:56,439
Speaker 2: I just met, you know he nigga, you fight too much.

1936
01:42:56,560 --> 01:42:59,120
Speaker 1: Nigga hit you that thorough thing. That's a rerail.

1937
01:42:59,560 --> 01:43:00,320
Speaker 2: I don't want there.

1938
01:43:00,640 --> 01:43:01,599
Speaker 1: I'm sorry. I went somewhere.

1939
01:43:01,720 --> 01:43:01,880
Speaker 2: Dog.

1940
01:43:03,960 --> 01:43:07,200
Speaker 1: She's about the bottles, the niggas. The niggas is just

1941
01:43:07,320 --> 01:43:09,559
Speaker 1: jail niggas. It's got jail.

1942
01:43:09,720 --> 01:43:11,519
Speaker 2: My nigga right here, got just jail right.

1943
01:43:11,520 --> 01:43:19,200
Speaker 1: At my nigga. He just got locked down. Bejus feel

1944
01:43:19,320 --> 01:43:21,120
Speaker 1: like and it feels like the niggas. I would hang

1945
01:43:21,160 --> 01:43:23,800
Speaker 1: out with the yard, both him and Kay, both boge

1946
01:43:23,960 --> 01:43:26,439
Speaker 1: niggas like that. That would have been my section. The

1947
01:43:26,520 --> 01:43:27,080
Speaker 1: booby section.

1948
01:43:27,200 --> 01:43:31,760
Speaker 2: In the section we had a movie section, they do

1949
01:43:31,960 --> 01:43:32,839
Speaker 2: us in the showers.

1950
01:43:32,880 --> 01:43:34,839
Speaker 1: You remember they said, yo, you gotta smoke them cigarettes

1951
01:43:34,880 --> 01:43:38,960
Speaker 1: and the showers. That's yeah, that's foue Yo. Listen, Sean Prayers.

1952
01:43:39,000 --> 01:43:40,439
Speaker 2: I can't thank you more than enough.

1953
01:43:40,520 --> 01:43:45,800
Speaker 1: Make sure we want you to shout out. We want

1954
01:43:45,840 --> 01:43:48,800
Speaker 1: you to shout out to your Instagram, your company because

1955
01:43:48,840 --> 01:43:50,519
Speaker 1: we want the people to follow you, King Chi.

1956
01:43:51,080 --> 01:43:51,880
Speaker 2: We want people to know.

1957
01:43:51,960 --> 01:43:54,280
Speaker 1: How important that this is behind the scenes, because the

1958
01:43:54,400 --> 01:43:59,519
Speaker 1: artists are great, but its artist can't be great by himself. Now,

1959
01:43:59,600 --> 01:44:00,719
Speaker 1: that's what saying.

1960
01:44:00,760 --> 01:44:03,880
Speaker 10: And honestly, I'll be remiss.

1961
01:44:03,880 --> 01:44:06,880
Speaker 2: If if if I don't know what that worship miss meaning.

1962
01:44:08,080 --> 01:44:10,439
Speaker 10: No, I mean, it's just a big word that I

1963
01:44:10,560 --> 01:44:12,320
Speaker 10: felt it was necessary to say at the.

1964
01:44:12,360 --> 01:44:15,599
Speaker 2: Moment, Okay, but if I didn't mention it what it means.

1965
01:44:15,960 --> 01:44:21,040
Speaker 13: Yeah, y'all need to get your show like me. Like

1966
01:44:21,200 --> 01:44:24,120
Speaker 13: that's that's my mentor right there, So y'all need hard pier.

1967
01:44:24,560 --> 01:44:27,080
Speaker 13: Y'all could find me a Global Spend three sixty five.

1968
01:44:27,280 --> 01:44:30,400
Speaker 13: At Global Spend three sixty five, follow the movement. Shout

1969
01:44:30,439 --> 01:44:32,920
Speaker 13: out to all of the DJs who were just nominated

1970
01:44:33,160 --> 01:44:34,679
Speaker 13: for this year's Global Spin Awards.

1971
01:44:34,880 --> 01:44:38,680
Speaker 10: Shout out to the whole Revolt staff. I seen Ramond.

1972
01:44:38,479 --> 01:44:39,160
Speaker 1: Duke's in here.

1973
01:44:39,600 --> 01:44:42,759
Speaker 13: My man, Aubrey Derrick Ferguson just dragged me into something

1974
01:44:42,800 --> 01:44:46,479
Speaker 13: overn vote, thank you and thanks for having me much.

1975
01:44:46,439 --> 01:44:50,120
Speaker 1: Love, kiss you know all right? Cool, we got about

1976
01:44:50,160 --> 01:44:51,800
Speaker 1: four more minutes yo show. Thank you so much.

1977
01:44:51,840 --> 01:44:53,360
Speaker 2: Man. We need to flick with it right quick, right,

1978
01:44:53,479 --> 01:44:54,639
Speaker 2: let's get a flick ahead.

1979
01:44:54,920 --> 01:44:57,840
Speaker 1: Hey, come on with drained all right, cool fast on

1980
01:44:57,920 --> 01:44:58,240
Speaker 1: the camera.

1981
01:44:59,160 --> 01:45:00,960
Speaker 2: I feel like a boss gonna sitting down in the chair.

1982
01:45:03,600 --> 01:45:03,960
Speaker 2: I'm trying.

1983
01:45:04,080 --> 01:45:06,160
Speaker 1: I'm trying to let Jada kids smell the bogie this

1984
01:45:06,280 --> 01:45:10,799
Speaker 1: niggas nuts you the only nigga I get a bogie

1985
01:45:10,960 --> 01:45:15,000
Speaker 1: pass with. I ain't gonna fron Ray Kahn. Let me

1986
01:45:15,040 --> 01:45:17,360
Speaker 1: smoke bogi's on this tour bus too. I was like

1987
01:45:17,640 --> 01:45:22,640
Speaker 1: everybody's looking at me like damned up, like like you

1988
01:45:22,720 --> 01:45:24,719
Speaker 1: get a bogie pass, I get a bogie back because

1989
01:45:25,000 --> 01:45:27,720
Speaker 1: like like Newport owe me money, like in real light,

1990
01:45:27,840 --> 01:45:31,600
Speaker 1: like I really do change them, nigga say, you.

1991
01:45:31,600 --> 01:45:33,760
Speaker 2: Know what the crazy ship is. Newport could have just

1992
01:45:33,840 --> 01:45:36,600
Speaker 2: sent me a cart and and I would have been like,

1993
01:45:36,880 --> 01:45:39,960
Speaker 2: I fuck with you. Them niggas ain't even send me

1994
01:45:40,040 --> 01:45:43,160
Speaker 2: a carton. They ain't even say, my nigga.

1995
01:45:42,920 --> 01:45:45,479
Speaker 1: You holding us down. So I switched. I smoke camel

1996
01:45:45,520 --> 01:45:51,040
Speaker 1: crush now yo, nah, I'm putting it out there right now.

1997
01:45:52,120 --> 01:45:56,840
Speaker 1: Crush camel crush, n r E and the drink chance.

1998
01:45:56,880 --> 01:45:58,880
Speaker 1: I'm sorry, I throw I'm not none of that sh

1999
01:45:59,479 --> 01:46:03,120
Speaker 1: camel for nah. Now you know why, because yo, my throat.

2000
01:46:03,200 --> 01:46:05,240
Speaker 1: The nigga met the man told me a long time ago.

2001
01:46:05,320 --> 01:46:07,840
Speaker 1: He was like, I'll performed one night. He's like, your

2002
01:46:07,880 --> 01:46:09,880
Speaker 1: ship is fucked up right. I was like, yeah, he's

2003
01:46:09,920 --> 01:46:11,960
Speaker 1: like new Ports. I said, oh ship, He said, for

2004
01:46:12,040 --> 01:46:18,880
Speaker 1: your voice. Always smoke white people's cigarettes, real caml So

2005
01:46:19,960 --> 01:46:24,520
Speaker 1: you know camel MeV smoke cal No memoke Marlborough lights.

2006
01:46:26,000 --> 01:46:29,080
Speaker 2: Even that's no, I ain't gonna front. The lights are.

2007
01:46:29,080 --> 01:46:33,320
Speaker 1: Actually good, like especially if you're drinking, you drinking light

2008
01:46:34,200 --> 01:46:36,599
Speaker 1: because a lot of white girls drink smoking as well,

2009
01:46:37,240 --> 01:46:39,080
Speaker 1: so they're gonna it's gonna always be around. If you

2010
01:46:39,160 --> 01:46:41,000
Speaker 1: hang out in the white white sections, you gotta be

2011
01:46:41,040 --> 01:46:42,880
Speaker 1: in the white white seton. If you're in the white

2012
01:46:42,920 --> 01:46:47,200
Speaker 1: section and they smoking Newports, get the get out of there,

2013
01:46:47,840 --> 01:46:50,240
Speaker 1: get out of it. Who wants a white person that

2014
01:46:50,880 --> 01:46:53,639
Speaker 1: wants to be black, like I want a white person

2015
01:46:53,720 --> 01:46:55,920
Speaker 1: that want to be white. That ship works for me.

2016
01:46:56,400 --> 01:46:59,200
Speaker 1: I'm sorry, man, here, we're gonna go in this. We're

2017
01:46:59,200 --> 01:47:01,519
Speaker 1: gonna go support you in the podcast. You know my

2018
01:47:01,640 --> 01:47:02,000
Speaker 1: A D D.

2019
01:47:02,479 --> 01:47:07,080
Speaker 2: But and I might this is my thing. My thing

2020
01:47:07,360 --> 01:47:10,720
Speaker 2: is I want to get kicked out. So I'm gonna.

2021
01:47:13,680 --> 01:47:16,679
Speaker 1: You're talking about, I'm gonna just go to the panel.

2022
01:47:16,720 --> 01:47:17,519
Speaker 2: But it makes him.

2023
01:47:21,560 --> 01:47:24,280
Speaker 1: Listen, man, this was a classic episode by the way.

2024
01:47:24,520 --> 01:47:27,080
Speaker 1: We had Leo Kohns, we had Kevin Lyles, we had

2025
01:47:27,200 --> 01:47:29,360
Speaker 1: day Day. You know, Day Day got seventeen kids and

2026
01:47:29,400 --> 01:47:31,599
Speaker 1: he twenty two. The fact due.

2027
01:47:38,520 --> 01:47:40,200
Speaker 2: You just made that's a drunk factor. You don't know

2028
01:47:40,320 --> 01:47:45,560
Speaker 2: none of that I got you. Come on, man, you

2029
01:47:45,600 --> 01:47:46,559
Speaker 2: don't know he is actuate.

2030
01:47:48,200 --> 01:47:49,960
Speaker 1: Let's pop that bottle because we gotta get ready for

2031
01:47:50,040 --> 01:47:52,760
Speaker 1: EFN D e FN. It's the first panel you your panel.

2032
01:47:52,840 --> 01:47:55,200
Speaker 1: Nigga riches a panel. Nigga has a panel Nigga. But

2033
01:47:55,320 --> 01:47:55,960
Speaker 1: it's the first time.

2034
01:47:56,000 --> 01:47:58,479
Speaker 2: I'm gonna watch y'all on the panel, and I want

2035
01:47:58,520 --> 01:48:00,320
Speaker 2: to make panel watch. I'm a panel watch.

2036
01:48:00,360 --> 01:48:03,240
Speaker 1: He rup. I'm gonna watch her up and you know what,

2037
01:48:03,720 --> 01:48:05,639
Speaker 1: Jada kiss, thank you for being on the Drink.

2038
01:48:05,520 --> 01:48:08,240
Speaker 2: Champs again again again. But you know, we got to

2039
01:48:08,280 --> 01:48:08,519
Speaker 2: do a.

2040
01:48:08,680 --> 01:48:13,839
Speaker 1: Special Jada Kiss Drink Champs edition where.

2041
01:48:13,680 --> 01:48:16,840
Speaker 2: We go through all your bars. So it's gonna be

2042
01:48:16,920 --> 01:48:18,240
Speaker 2: like a thousand hour interview.

2043
01:48:18,920 --> 01:48:22,840
Speaker 1: It's gonna be for you take breaks. We're gonna we're

2044
01:48:22,840 --> 01:48:25,240
Speaker 1: gonna do like a marathon. It's gonna be like a

2045
01:48:25,400 --> 01:48:29,639
Speaker 1: thousand Jadakiss bars. Because Yo, you know what tax Stone said.

2046
01:48:30,600 --> 01:48:33,360
Speaker 1: He said you could raise kids off of Jadakiss bars.

2047
01:48:34,160 --> 01:48:36,719
Speaker 2: That was the hardest compliment I ever heard in my life.

2048
01:48:37,200 --> 01:48:39,200
Speaker 1: I should have called you that moment. I don't know

2049
01:48:39,240 --> 01:48:41,600
Speaker 1: why I didn't, But I'm calling you now, like in

2050
01:48:41,720 --> 01:48:42,080
Speaker 1: my mind.

2051
01:48:42,160 --> 01:48:42,559
Speaker 10: It's just not.

2052
01:48:44,160 --> 01:48:46,479
Speaker 1: In my mind. It just like in my mind it

2053
01:48:46,600 --> 01:48:52,960
Speaker 1: happened yesterday. So I'm like, you ain't make up call

2054
01:48:53,080 --> 01:49:00,439
Speaker 1: you is. But Yo, that is the biggest calling you

2055
01:49:00,560 --> 01:49:03,719
Speaker 1: now the way my memory is set up. But Jada

2056
01:49:03,800 --> 01:49:06,240
Speaker 1: Kiss man, I can't thank you enough because again, you

2057
01:49:06,439 --> 01:49:08,400
Speaker 1: was one of the second episodes we ever did.

2058
01:49:08,600 --> 01:49:10,400
Speaker 2: You and job Bru we got fucked.

2059
01:49:10,120 --> 01:49:14,320
Speaker 1: Up, We got up and got more fun.

2060
01:49:15,960 --> 01:49:18,320
Speaker 2: Nigga have me in the I eight ready to throw up.

2061
01:49:18,400 --> 01:49:20,080
Speaker 2: He was like like, ya, I want you to see

2062
01:49:20,160 --> 01:49:20,479
Speaker 2: this ship.

2063
01:49:20,720 --> 01:49:22,680
Speaker 1: I'm like, bigger, I don't even want to be here,

2064
01:49:23,240 --> 01:49:25,600
Speaker 1: like you got me ready to earl like I'm on

2065
01:49:25,720 --> 01:49:29,200
Speaker 1: great invention scream machine. But Jada, kiss you, my boy.

2066
01:49:29,280 --> 01:49:30,720
Speaker 1: Let me just let me just say this before we

2067
01:49:30,760 --> 01:49:33,880
Speaker 1: get up out of here. They ain't a lot of

2068
01:49:33,960 --> 01:49:36,920
Speaker 1: people that I consider my brothers. They ain't a lot

2069
01:49:36,920 --> 01:49:39,400
Speaker 1: of people I consider my friends. They ain't a lot

2070
01:49:39,439 --> 01:49:45,400
Speaker 1: of people I consider family and the locks all of them.

2071
01:49:45,920 --> 01:49:47,600
Speaker 1: You know, I might be closer to the kids, so

2072
01:49:47,680 --> 01:49:52,599
Speaker 1: closer the styles, but I'm all of them. I represent

2073
01:49:52,680 --> 01:49:56,000
Speaker 1: all of them, you know, Sikh as well. And they

2074
01:49:56,000 --> 01:49:59,880
Speaker 1: ain't a lot of people who's pure, genuine and since

2075
01:50:00,080 --> 01:50:01,400
Speaker 1: here like they are.

2076
01:50:02,920 --> 01:50:03,919
Speaker 2: We went to Yonkers.

2077
01:50:04,439 --> 01:50:08,599
Speaker 1: It was a little scary because because they the elevators

2078
01:50:08,640 --> 01:50:09,280
Speaker 1: wasn't even working.

2079
01:50:09,960 --> 01:50:13,920
Speaker 4: But we did a studio looks crazy, that looks it

2080
01:50:14,040 --> 01:50:14,519
Speaker 4: looks like so.

2081
01:50:18,200 --> 01:50:18,519
Speaker 8: Yo yo.

2082
01:50:20,280 --> 01:50:22,040
Speaker 1: That's how you know for a nigga doing record with

2083
01:50:22,160 --> 01:50:25,040
Speaker 1: y'all and go to y'all studio like they gotta trust

2084
01:50:25,120 --> 01:50:30,360
Speaker 1: y'all studio. I love Ross Rose and my brother he

2085
01:50:30,439 --> 01:50:36,400
Speaker 1: pulled so he got to like the second floor. Swiss

2086
01:50:36,560 --> 01:50:38,960
Speaker 1: your kiss, this email me this email.

2087
01:50:44,640 --> 01:50:45,120
Speaker 8: Love drink.

2088
01:50:49,520 --> 01:50:51,720
Speaker 1: Yeah, your hats got my hand phone right, Don't give

2089
01:50:51,760 --> 01:50:52,040
Speaker 1: me like that.

2090
01:50:56,640 --> 01:50:56,680
Speaker 13: I