WEBVTT - INTERVIEW: Jasmine Guy Talks Relationship With Tupac, Jada Pinkett Smith, Freaknik, Hollywood + More

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<v Speaker 1>Wait tail as up in the morning.

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<v Speaker 2>Breakfast Club Morning, everybody is DJ Envy just hilarious, Charlamage

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<v Speaker 2>the guy. We are to Breakfast Club and we got

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<v Speaker 2>a special guest in the building, the legendary Jasmine Guy.

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<v Speaker 1>Welcome back.

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<v Speaker 3>Good morning.

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<v Speaker 1>How you feeling.

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<v Speaker 3>I felt great.

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<v Speaker 4>I love doing your show the last time, and I

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<v Speaker 4>got a lot of positive feedback.

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<v Speaker 1>I love you come on.

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<v Speaker 4>It was a different kind of interview though than they

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<v Speaker 4>used to. My daddy was like, you were a little

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<v Speaker 4>too comfortable. You act like they were at your house. Champagne, right, yes,

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<v Speaker 4>champagne whatever that was.

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<v Speaker 3>I didn't even like it, and I was drinking that.

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<v Speaker 4>But my father said that you would put more in

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<v Speaker 4>when I was looking at Kadeen.

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<v Speaker 3>That's what he said.

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<v Speaker 4>He said, whenever you looked at Kadeen before, more in there.

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<v Speaker 4>So I'm I'm thinking, I'm just drinking one glass probably,

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<v Speaker 4>but I'm drinking anywhere.

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<v Speaker 3>It's something in the morning. Embarrassing, is that you talk

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<v Speaker 3>you just back there just laughing.

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<v Speaker 4>No, No, it was good because you ask questions that

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<v Speaker 4>people don't usually ask. You know, we get the same

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<v Speaker 4>questions over and over, especially about a different world, and

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<v Speaker 4>I just like that it went into other areas of

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<v Speaker 4>my life and my career and his too, because anybody

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<v Speaker 4>can look at any interviews we've done and get those answers.

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<v Speaker 3>It's the same answer, you know what I mean? So

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<v Speaker 3>can we talk about something else?

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<v Speaker 4>You know, we bring it to another element that hasn't

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<v Speaker 4>been explored with us.

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<v Speaker 1>And you've done so much more since since.

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<v Speaker 5>Absolutely, like right now you want your first yearlations.

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<v Speaker 3>She went for the Chronicles of Jessica Woos. Yes, that

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<v Speaker 3>was a trip.

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<v Speaker 4>So I was going to Mexico to hang out with

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<v Speaker 4>my girlfriends and I land and I get all these

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<v Speaker 4>checks from people saying congratulation on your Emmy nomination, and

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<v Speaker 4>I really thought people would messing with me.

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<v Speaker 3>I didn't even call them back. I said whatever.

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<v Speaker 4>I wouldn't even And then when I realized I really

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<v Speaker 4>had been nominated, I thought it was for the show Harlem. Okay, okay,

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<v Speaker 4>Chronicles of Jessica Woo I had done. It was before COVID.

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<v Speaker 4>It was a long time ago and I only worked

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<v Speaker 4>on it for a day. It was a very interesting

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<v Speaker 4>project to me because the production company was a couple,

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<v Speaker 4>a small black production company. The superhero in the in

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<v Speaker 4>the p had autism, but her powers that whatever put

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<v Speaker 4>her on the spectrum made her a superhero. Their daughter

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<v Speaker 4>had an autistic child anyway, So I said, well, I'll

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<v Speaker 4>do it because I know after this they're going to

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<v Speaker 4>need distribution.

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<v Speaker 3>And who knew that's what you know.

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<v Speaker 4>What I'm saying, my love for them and what I

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<v Speaker 4>know about you know, pitching ideas. You're gonna need a name.

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<v Speaker 4>I know, I've heard it all. And I said, well,

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<v Speaker 4>I'll be your name. This is gonna be good. And

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<v Speaker 4>it was a short series, like a wepisode series. The

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<v Speaker 4>other Oscar nomination I got was also from an independent

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<v Speaker 4>black company and it was my nephew Emmett, and I

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<v Speaker 4>played em matills aren't on the night that he was

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<v Speaker 4>taken from their home, and I was like, oh shit,

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<v Speaker 4>I do not want to go to Mississippi.

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<v Speaker 3>And I'm telling you.

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<v Speaker 4>We stayed right down the street from where he got abducted.

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<v Speaker 1>Missippi still got that same energy.

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<v Speaker 3>Thank you. I was gonna stay. I felt ghosts.

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<v Speaker 4>Yeah you know, And I did it and they got

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<v Speaker 4>nominated for an Oscar night when the director called me.

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<v Speaker 4>He was a graduate student from NYU Film School. His

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<v Speaker 4>mentors with Spike Lee and Casey Lemmon's right, beautiful brother,

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<v Speaker 4>and the and the crew and everybody.

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<v Speaker 3>I had a great artistic experience.

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<v Speaker 4>But when he told me we, you know, we got

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<v Speaker 4>nominated for an Oscar, I thought he was messing with me.

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<v Speaker 5>That's not a lot though, Like about how you know,

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<v Speaker 5>I guess black actors and actresses are conditioned in Hollywood

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<v Speaker 5>that when they get told that they're even nominated, they

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<v Speaker 5>don't believe it.

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<v Speaker 4>Well, when you ignored long enough, you got the message.

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<v Speaker 4>I got the message. If you're not nominating a differ world,

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<v Speaker 4>Debbie Allen, Susan fails our wardrobe department, any other actor

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<v Speaker 4>on that show. I stopped focusing on y'all giving me

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<v Speaker 4>my props.

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<v Speaker 3>I know who gives me my props.

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<v Speaker 4>And I told the actors, I said, we just gotta

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<v Speaker 4>be good, you know, forget all these accolades or whatever.

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<v Speaker 4>They obviously do you know how many times they said

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<v Speaker 4>to me, even on I think I did. Dennis Miller,

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<v Speaker 4>remember Dennis Randa a talk show. He started with, so

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<v Speaker 4>how does it feel being between number one and three?

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<v Speaker 3>And I was stunned because I just sat down.

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<v Speaker 4>You know, you come out all cute and whatever, and

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<v Speaker 4>I was like he said, that wasn't a good leader

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<v Speaker 4>in question, I said, no, it wasn't.

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<v Speaker 1>You're talking about cognye and cheers.

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<v Speaker 4>Everybody said we were number two because we came between them, Okay.

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<v Speaker 3>And that was the first question. That was the message.

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<v Speaker 4>That was the message that we got this actors as

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<v Speaker 4>you know, performers, and we never got our props for

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<v Speaker 4>not not just the acting, but it was Debbie Allen,

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<v Speaker 4>Susan fails me.

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<v Speaker 3>Three black women in charge of that show. You know

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<v Speaker 3>what I mean? We could have been on the.

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<v Speaker 4>Cover of Essence, and I just knew who really saw

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<v Speaker 4>us and who really understood us.

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<v Speaker 1>Why was that work for?

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<v Speaker 4>That's the same white motherfuckers.

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<v Speaker 1>Old up to day.

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<v Speaker 3>You came to the right shows. You can't say that word, so.

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<v Speaker 2>You can go back here the same white motherfuckers make

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<v Speaker 2>sure you forget just.

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<v Speaker 3>The same world. Just look.

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<v Speaker 4>Okay, So Carcy Warner, our producers also produced a show

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<v Speaker 4>with Whoopy Goldberg called Bag That Cafe Grace under Fire

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<v Speaker 4>in the Roseanne Show and the cos of the show, right,

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<v Speaker 4>so we're one of five.

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<v Speaker 3>They never asked us to do anything.

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<v Speaker 4>They asked Roseanne Barr to sing the national anthem in

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<v Speaker 4>which she grabbed her crotch because she can't sing. But

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<v Speaker 4>we got five singers on our show that you could

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<v Speaker 4>have had, don me kree. You know, never when we

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<v Speaker 4>got offered.

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<v Speaker 3>Things that would have I don't know. I just got things.

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<v Speaker 4>We got things on our own, and I never felt

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<v Speaker 4>a part of that network. Then when I saw what

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<v Speaker 4>happened with Friends, I was like, Yo, that would have

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<v Speaker 4>helped us. It would have helped us with work after

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<v Speaker 4>the show. It would have given us some props, you

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<v Speaker 4>know that we could have used for future projects.

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<v Speaker 3>I pitched a lot.

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<v Speaker 4>I have my own production company after a Different World.

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<v Speaker 4>All of my projects were rejected, but then I started

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<v Speaker 4>to see.

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<v Speaker 3>Them that was wow, which ones yeah that.

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<v Speaker 4>I had a TV idea about a young woman that

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<v Speaker 4>inherited a sweatshop in the garment district from her gay

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<v Speaker 4>friend that died of AIDS, and but she still saw

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<v Speaker 4>him as a ghost.

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<v Speaker 3>I had even talked to Rue Paul about being my ghost.

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<v Speaker 3>You know.

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<v Speaker 4>They was just everything was a reason not to do it.

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<v Speaker 4>But then I would see a white girl do it.

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<v Speaker 4>Then I had this idea about what was the name

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<v Speaker 4>of that spy show? It was a French movie, Independent movie,

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<v Speaker 4>and oh, okay, So I thought this would be fierce

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<v Speaker 4>well Robin Gibvens. So I wrote up a treatment for

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<v Speaker 4>a pilot version of it. No Robin Gibvens, but a

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<v Speaker 4>white American girl doing it. So I was like, well,

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<v Speaker 4>I know my ideas are valid, but I just started

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<v Speaker 4>divorcing myself like a bad relationship.

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<v Speaker 3>Stop asking for what you know you're not gonna get.

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<v Speaker 4>I didn't have a parking space like Don Johnson after

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<v Speaker 4>Miami Vice.

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<v Speaker 5>You know, he was the star of the number two

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<v Speaker 5>show on the network, one of the biggest shows on television.

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<v Speaker 5>Producer on it too, right, no o oh, thoughts you

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<v Speaker 5>reduce on it? No, but even even still, a star

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<v Speaker 5>of that show can't have a parking spot.

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<v Speaker 3>I had a parking spot, but he had a production deals.

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<v Speaker 4>When I'm saying after he did Miami Vice, he had

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<v Speaker 4>a production deal, you know.

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<v Speaker 3>And I don't know.

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<v Speaker 4>I just thought that we were we were ready and

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<v Speaker 4>well equipped to move on into other areas. I definitely

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<v Speaker 4>wanted to be a producer because I had met so

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<v Speaker 4>many people on the different and I wanted to bring

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<v Speaker 4>this writer with this director, you know, And the ideas

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<v Speaker 4>that I had were not being done. The Dorothy Dandrews story.

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<v Speaker 4>I pitched that for years. I had to educate first,

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<v Speaker 4>who's the earthy dying dright? I told him it wasn't condescending.

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<v Speaker 4>And I didn't want to say the black Marilyn Monroe

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<v Speaker 4>because that's all they understand is a black version of

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<v Speaker 4>what we already know. So I don't use that term

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<v Speaker 4>when I'm pitching. And the movie got done. It just

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<v Speaker 4>got done without me. And after a while, I said, Okay,

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<v Speaker 4>I understand, you.

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<v Speaker 3>Know what I mean. It's like a bad relationship.

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<v Speaker 4>After a while, you gotta understand, Okay, I ain't what

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<v Speaker 4>you want.

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<v Speaker 6>This is, and this is and so is all of

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<v Speaker 6>this and other things. I'm sure as what leads up

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<v Speaker 6>to Uncensored. Jasmae God Like.

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<v Speaker 3>Yeah, you know what, I'm still like.

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<v Speaker 4>I did uncensored because I did Intimate Portrait on lifetime.

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<v Speaker 4>I did Unsung, but they were in different decades of

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<v Speaker 4>my life. I mean, Intimate Portrait must have been in

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<v Speaker 4>my forties and then fifties, and now I'm in my sixties.

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<v Speaker 4>And I said, I may have a different perspective on

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<v Speaker 4>my truth. Same things happen, but I feel differently about them.

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<v Speaker 4>I have a different perspective, and I'm not. I'm trying

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<v Speaker 4>not to be so precious about my private life because

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<v Speaker 4>I really do this. When people get like, you know,

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<v Speaker 4>that's that's mine. I feel like I do enough with

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<v Speaker 4>my work for the public. That is my gift to

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<v Speaker 4>the audience, That is my way of communicating. You don't

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<v Speaker 4>need to know who I'm sleeping with their business, don't.

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<v Speaker 3>Need to be in the street.

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<v Speaker 2>You from that era, though, Like that era was you

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<v Speaker 2>didn't really see your favorite celebrity, favorite actress, favorite actor,

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<v Speaker 2>and when you did, everybody went bashit crazy because you

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<v Speaker 2>never did. Like our favorite celebrities growing up as kid,

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<v Speaker 2>we didn't know who they dated. We didn't know where

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<v Speaker 2>they went to eat, we didn't know where they lived,

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<v Speaker 2>We didn't know any of that. And that was part

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<v Speaker 2>of the mystique of them being a superstar, real celebrity.

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<v Speaker 3>But it's also private.

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<v Speaker 4>I don't feel like I didn't understand why celebrities were

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<v Speaker 4>saying private things. When nobody even asked you that.

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<v Speaker 3>You'll make you talk.

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<v Speaker 4>I'm like, why are you nobody asked? Nowadays, I so

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<v Speaker 4>with the oh, and I also get an Instagram.

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<v Speaker 3>I mean, I've had an account, but.

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<v Speaker 4>My makeup artist said when he went on my social

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<v Speaker 4>media that it was vented.

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<v Speaker 3>Not the vwork that I had not post.

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<v Speaker 4>I said, I don't know what to post. I don't

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<v Speaker 4>know what's interesting because work fulfill so many parts of me.

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<v Speaker 4>If I'm not working, I really don't have nothing to say.

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<v Speaker 4>What I did today, I colored, I did crossword puzzles.

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<v Speaker 2>People are into that, They're into your life outside of

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<v Speaker 2>just acting into what does Jasmine guy do? What does

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<v Speaker 2>she enjoy?

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<v Speaker 1>What is she like? You know, because we know who

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<v Speaker 1>you are on.

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<v Speaker 3>Like a humerus, boring.

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<v Speaker 2>People want to see that. They want to understand that.

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<v Speaker 2>They want to see what your life like. If you

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<v Speaker 2>just sit outside and you you knit all day, what

0:13:58.400 --> 0:13:58.880
<v Speaker 2>are you knitting?

0:13:59.000 --> 0:14:00.800
<v Speaker 1>Why? And to be honest, what calms you down?

0:14:00.800 --> 0:14:03.720
<v Speaker 2>Because maybe what calms you down helped calm me down.

0:14:04.240 --> 0:14:06.320
<v Speaker 2>Maybe something that you do can help guide me through

0:14:06.360 --> 0:14:08.880
<v Speaker 2>my life. So people are into what people.

0:14:08.640 --> 0:14:11.760
<v Speaker 6>Do, and now we need some boring shit because like

0:14:12.200 --> 0:14:15.760
<v Speaker 6>everybody's wilding out here I'm talking about So I'm interested

0:14:15.840 --> 0:14:16.679
<v Speaker 6>in what you be knitting.

0:14:19.840 --> 0:14:22.080
<v Speaker 3>I want to see my next staff can.

0:14:24.480 --> 0:14:27.000
<v Speaker 4>No, but it's kind of like that. I like calm

0:14:27.440 --> 0:14:31.160
<v Speaker 4>I love my friends. My favorite thing in the world

0:14:31.240 --> 0:14:33.400
<v Speaker 4>is when my friends come by my apartment. And I

0:14:33.400 --> 0:14:37.720
<v Speaker 4>live in Midtown in Atlanta, so I'm accessible because in

0:14:37.760 --> 0:14:41.120
<v Speaker 4>New York I used to have an apartment on seventy

0:14:41.200 --> 0:14:44.160
<v Speaker 4>eighth Street between Columbus and Central Park.

0:14:44.720 --> 0:14:45.880
<v Speaker 3>Everybody come through there.

0:14:46.160 --> 0:14:49.000
<v Speaker 4>If you lived in Queens, if you lived in Jersey,

0:14:49.520 --> 0:14:52.840
<v Speaker 4>you're gonna come by my and I love that, and

0:14:52.880 --> 0:14:56.160
<v Speaker 4>so that's one of my favorite things is having my

0:14:56.240 --> 0:14:56.880
<v Speaker 4>people over.

0:14:56.960 --> 0:15:00.760
<v Speaker 3>And I've been cooking to I've been watching TV.

0:15:01.120 --> 0:15:03.080
<v Speaker 2>People like to see what the judgmine got cooked.

0:15:03.120 --> 0:15:04.040
<v Speaker 1>What's your favorite meal?

0:15:04.920 --> 0:15:07.840
<v Speaker 3>Well, I'm trying to make the perfect chicken wing for me.

0:15:09.760 --> 0:15:12.600
<v Speaker 4>No, I've made them and make them every week, but

0:15:13.000 --> 0:15:17.240
<v Speaker 4>for me, other people eat them and they're okay, but

0:15:17.880 --> 0:15:19.680
<v Speaker 4>I want a certain consistency.

0:15:20.320 --> 0:15:20.640
<v Speaker 3>I think.

0:15:20.680 --> 0:15:23.400
<v Speaker 4>I'm I can't get a deep fire because of my apartment.

0:15:23.440 --> 0:15:26.280
<v Speaker 4>I can't have it on the on the patio. So

0:15:27.160 --> 0:15:31.280
<v Speaker 4>I've tried all different kinds. They're good, and I've done

0:15:31.320 --> 0:15:35.280
<v Speaker 4>the marinading and everything. Also, I've learned meatballs. I got

0:15:35.280 --> 0:15:41.000
<v Speaker 4>a good meatball let people like and it's a it's

0:15:41.360 --> 0:15:51.200
<v Speaker 4>real import I'll make you some turkey Teresa no, Chriso

0:15:51.360 --> 0:15:51.920
<v Speaker 4>sport too.

0:15:51.920 --> 0:15:56.680
<v Speaker 3>I make you some. But I gave a cheesecake.

0:15:56.920 --> 0:16:00.760
<v Speaker 4>So I'm using my mother's cheesecake recipe and I'm just

0:16:00.800 --> 0:16:03.960
<v Speaker 4>doing them over and over until I get it.

0:16:04.040 --> 0:16:05.520
<v Speaker 3>My daddy is my guinea pig.

0:16:05.600 --> 0:16:08.400
<v Speaker 4>He has to try out my food and give me notes,

0:16:09.080 --> 0:16:11.000
<v Speaker 4>tell me if it's dried, tell me if you know.

0:16:11.760 --> 0:16:16.080
<v Speaker 4>And my friend Jamala loves my cheesecakes. So I made

0:16:16.200 --> 0:16:20.400
<v Speaker 4>one for the house, gave it to her and I

0:16:20.480 --> 0:16:23.760
<v Speaker 4>was like, you know, let me know how it is

0:16:23.880 --> 0:16:26.520
<v Speaker 4>or whatever. She gave her mother one piece and she

0:16:26.720 --> 0:16:31.800
<v Speaker 4>ate the rest of it because she's had three whole

0:16:31.880 --> 0:16:32.840
<v Speaker 4>cheese cases.

0:16:34.360 --> 0:16:35.640
<v Speaker 3>Yes, I love anything.

0:16:35.960 --> 0:16:38.480
<v Speaker 4>I'm like, okay, Jamala, let me tell you what's in this,

0:16:38.800 --> 0:16:42.040
<v Speaker 4>because you kid. So she wrote a book about her daughter.

0:16:42.080 --> 0:16:45.920
<v Speaker 4>It's a children's book called Mommy, I Think I Have Diabetes.

0:16:47.000 --> 0:16:49.800
<v Speaker 4>She found out her daughter as diabetes, but it was

0:16:49.880 --> 0:16:50.680
<v Speaker 4>from her daughter.

0:16:51.640 --> 0:16:52.800
<v Speaker 3>This was a truth story.

0:16:53.360 --> 0:16:57.480
<v Speaker 4>She made a children's book, and I said, your second

0:16:57.480 --> 0:17:01.000
<v Speaker 4>book is going to be Mommy. I think you got

0:17:01.480 --> 0:17:02.600
<v Speaker 4>you beating.

0:17:02.400 --> 0:17:03.920
<v Speaker 3>Whole cheesecakes right.

0:17:08.600 --> 0:17:11.399
<v Speaker 4>I'm glad you like them and whatnot, but you know

0:17:11.520 --> 0:17:12.920
<v Speaker 4>you can't beating the whole one.

0:17:13.040 --> 0:17:15.520
<v Speaker 2>Yeah, I gotta ask you know you mentioned earlier that

0:17:15.800 --> 0:17:17.520
<v Speaker 2>you know when you do these interviews, people ask the

0:17:17.520 --> 0:17:20.840
<v Speaker 2>same questions about a different world. Are you tired of

0:17:20.880 --> 0:17:23.640
<v Speaker 2>being of talking about a different world since you had

0:17:23.800 --> 0:17:25.560
<v Speaker 2>I mean that was thirty years ago, but.

0:17:25.520 --> 0:17:27.320
<v Speaker 1>Then I sat seven thirty seven.

0:17:27.400 --> 0:17:27.640
<v Speaker 3>Wow.

0:17:27.880 --> 0:17:30.040
<v Speaker 2>But then I see you on the HBCU tours going

0:17:30.080 --> 0:17:32.359
<v Speaker 2>from school to school. I see you having those conversations.

0:17:32.359 --> 0:17:34.720
<v Speaker 2>Are you just done with talking about that part of

0:17:34.760 --> 0:17:35.320
<v Speaker 2>your life?

0:17:36.000 --> 0:17:38.119
<v Speaker 4>I'm not done with that part of my life because

0:17:38.160 --> 0:17:42.320
<v Speaker 4>people are exploring, They're asking me the same things. What's

0:17:42.320 --> 0:17:44.960
<v Speaker 4>your favorite episode? They want me to see the wedding show?

0:17:45.040 --> 0:17:45.640
<v Speaker 3>That wasn't my.

0:17:45.600 --> 0:17:50.760
<v Speaker 4>Favorite episode, that's your favorite episode. I love when the

0:17:50.840 --> 0:17:54.159
<v Speaker 4>kids ask questions. So we go to these schools. We

0:17:54.240 --> 0:17:57.719
<v Speaker 4>have a moderator this past when we just spell them

0:17:57.760 --> 0:18:00.719
<v Speaker 4>in Morehouse and Clark, we have seven of us. I

0:18:00.760 --> 0:18:04.040
<v Speaker 4>love that too. Usually it's no more than four of us.

0:18:04.960 --> 0:18:10.960
<v Speaker 4>And when the kids get to ask the questions, their.

0:18:10.840 --> 0:18:14.760
<v Speaker 3>Questions are different. They're not asking those same things.

0:18:14.800 --> 0:18:17.280
<v Speaker 4>I mean, really, you could do your research and know

0:18:17.400 --> 0:18:20.280
<v Speaker 4>the answer already, of course, but the kids are like

0:18:21.160 --> 0:18:22.920
<v Speaker 4>when you were nineteen.

0:18:23.960 --> 0:18:25.080
<v Speaker 3>Blah, blah blah.

0:18:25.400 --> 0:18:29.960
<v Speaker 4>When you first left home, what did you think about

0:18:30.000 --> 0:18:30.720
<v Speaker 4>your character?

0:18:31.119 --> 0:18:34.479
<v Speaker 3>I mean intelligence, especially them Spellman girls.

0:18:36.560 --> 0:18:40.360
<v Speaker 4>First of all, they acted like we were rock stars.

0:18:40.800 --> 0:18:43.640
<v Speaker 3>They were just open shame when we came out.

0:18:44.880 --> 0:18:52.200
<v Speaker 4>Then one girl said Miss Charnell, Miss Charnell, I want

0:18:52.280 --> 0:18:58.240
<v Speaker 4>to thank you for being a presence for dark skinned girls.

0:19:00.600 --> 0:19:05.920
<v Speaker 4>Miss Jasmine, thank you for showing me confidence. And Miss

0:19:06.040 --> 0:19:09.560
<v Speaker 4>cree thank you for being the odd ball.

0:19:11.560 --> 0:19:12.400
<v Speaker 3>That was her.

0:19:16.520 --> 0:19:17.480
<v Speaker 1>There you go. Thank you.

0:19:17.720 --> 0:19:22.800
<v Speaker 4>Yeah, she was saying, I see you and you helped

0:19:22.800 --> 0:19:23.439
<v Speaker 4>me see me.

0:19:25.760 --> 0:19:27.760
<v Speaker 3>And you don't know you're doing all that when you're

0:19:27.800 --> 0:19:30.080
<v Speaker 3>just playing your role, you know, But.

0:19:30.119 --> 0:19:32.639
<v Speaker 4>I know Debbie knew. I knew Debbie knew what she

0:19:32.800 --> 0:19:34.360
<v Speaker 4>was doing when she hired.

0:19:35.520 --> 0:19:40.919
<v Speaker 3>Korea and Sean. Now, that second season, it was very deliberate.

0:19:41.320 --> 0:19:42.160
<v Speaker 1>I was just talking.

0:19:41.960 --> 0:19:49.960
<v Speaker 5>About I was, yeah, what were you saying? We had

0:19:50.000 --> 0:19:53.000
<v Speaker 5>a whole conversation about who was the most beautiful on

0:19:53.080 --> 0:19:55.359
<v Speaker 5>a different world, and you know, he turned into that.

0:19:55.440 --> 0:19:57.000
<v Speaker 1>I was like, man, Kimberly Reeche was the one.

0:19:57.080 --> 0:19:58.320
<v Speaker 3>He was the one.

0:19:58.600 --> 0:20:00.000
<v Speaker 1>You think they should you.

0:20:00.000 --> 0:20:02.080
<v Speaker 2>I think there should be another show or maybe they

0:20:02.080 --> 0:20:04.560
<v Speaker 2>should relaunch it. And the reason is, last time I

0:20:04.600 --> 0:20:07.639
<v Speaker 2>tell you. The reason I went to college and HBCU

0:20:07.640 --> 0:20:09.879
<v Speaker 2>and Hampton was because I seen a different world and

0:20:09.920 --> 0:20:12.480
<v Speaker 2>I wanted that experience coming from Queen's right, I was like,

0:20:12.560 --> 0:20:16.360
<v Speaker 2>I want that. I don't know if people see that anymore,

0:20:16.440 --> 0:20:18.760
<v Speaker 2>if they see what a college looks like in the

0:20:18.840 --> 0:20:23.240
<v Speaker 2>experience and not just you know, the partying, but real life,

0:20:23.320 --> 0:20:26.800
<v Speaker 2>real situations and everything going on. I think that's missing.

0:20:27.400 --> 0:20:28.480
<v Speaker 3>It is not there.

0:20:29.760 --> 0:20:34.040
<v Speaker 4>And I thought when we did, you know, because when

0:20:34.080 --> 0:20:36.320
<v Speaker 4>I did a Different World, we were coming off school

0:20:36.400 --> 0:20:42.280
<v Speaker 4>days and it was you know, months in between the projects,

0:20:42.280 --> 0:20:44.439
<v Speaker 4>so it felt like we're a part of a wave.

0:20:45.119 --> 0:20:49.800
<v Speaker 4>I didn't know that it crested and was over because

0:20:49.880 --> 0:20:55.600
<v Speaker 4>Fox started with Rock Dutton Show, some bad show even

0:20:55.920 --> 0:20:58.919
<v Speaker 4>you know, before Martin, and once they got launched, they

0:20:59.000 --> 0:21:02.000
<v Speaker 4>dropped those black shit. Same with c W. You saw

0:21:02.040 --> 0:21:04.920
<v Speaker 4>what happened with the game. But I thought we were

0:21:05.080 --> 0:21:10.280
<v Speaker 4>part of a new, I don't know, a new entertainment

0:21:10.400 --> 0:21:12.359
<v Speaker 4>phase for black people.

0:21:13.000 --> 0:21:16.720
<v Speaker 1>It wasn't renaissance, but it was over after.

0:21:16.560 --> 0:21:19.320
<v Speaker 4>College we left, but they just snatched everybody off. They

0:21:19.359 --> 0:21:21.399
<v Speaker 4>couldn't wait to get our time slot.

0:21:22.320 --> 0:21:23.920
<v Speaker 1>Yeah, I've had a lot of conversations about that.

0:21:24.000 --> 0:21:26.640
<v Speaker 5>I feel like after the nineties it was an intentional

0:21:27.400 --> 0:21:30.199
<v Speaker 5>It was intentional and strategic by Hollywood to change the

0:21:30.240 --> 0:21:31.240
<v Speaker 5>image of black people.

0:21:31.800 --> 0:21:32.680
<v Speaker 1>I really feel that way.

0:21:32.880 --> 0:21:34.840
<v Speaker 3>We think so too. Charla made it.

0:21:34.800 --> 0:21:37.159
<v Speaker 5>Went from great scripted shows and people had jobs and

0:21:37.280 --> 0:21:39.880
<v Speaker 5>caribs to reality television.

0:21:40.240 --> 0:21:42.680
<v Speaker 4>Wait, they don't have to pay nobody until you make

0:21:42.760 --> 0:21:47.320
<v Speaker 4>it big or whatever. And now even with Harlem, and

0:21:47.359 --> 0:21:50.879
<v Speaker 4>I loved that show and I love doing it, and

0:21:50.920 --> 0:21:53.800
<v Speaker 4>I don't understand the streaming thing. Amazon had us for

0:21:53.880 --> 0:21:58.000
<v Speaker 4>ten ten episodes of first season eight, the second season,

0:21:58.080 --> 0:22:04.159
<v Speaker 4>this season six. So what you're doing, I don't know.

0:22:04.640 --> 0:22:08.920
<v Speaker 4>We have to do twenty two episodes a season. What

0:22:08.960 --> 0:22:12.880
<v Speaker 4>you're doing is you can't give anybody long enough work, right,

0:22:13.359 --> 0:22:16.880
<v Speaker 4>So the writers on a series, they're given enough four

0:22:16.960 --> 0:22:19.280
<v Speaker 4>or five months they're getting.

0:22:18.960 --> 0:22:25.080
<v Speaker 3>Paid, but now six, that's two months working.

0:22:26.560 --> 0:22:29.040
<v Speaker 4>I don't know, And I don't know why they're doing

0:22:29.080 --> 0:22:31.800
<v Speaker 4>it with Harlem because people like that show, you know

0:22:31.840 --> 0:22:32.359
<v Speaker 4>what I mean.

0:22:34.520 --> 0:22:36.560
<v Speaker 3>And it shows Harlem in a beautiful way.

0:22:36.600 --> 0:22:42.680
<v Speaker 4>It's vibrant and alive, and it's not gray and boarded

0:22:42.800 --> 0:22:47.159
<v Speaker 4>up like the Harms like you know, it ain't coulle

0:22:47.280 --> 0:22:51.240
<v Speaker 4>high and cornbread. Earl and me, Harlem, it's the celebration.

0:22:52.880 --> 0:22:55.960
<v Speaker 4>So I don't know why they're not committing. I find

0:22:56.000 --> 0:22:59.720
<v Speaker 4>it selfish that you don't give a show enough legs

0:22:59.760 --> 0:23:01.119
<v Speaker 4>to succeed.

0:23:02.280 --> 0:23:05.399
<v Speaker 3>And let Tracy Oliver do what she do.

0:23:06.640 --> 0:23:09.560
<v Speaker 2>I had so much influence, you know, Jamaine dup previous

0:23:09.600 --> 0:23:13.359
<v Speaker 2>said yesterday and on it. They did a Freaknik documentary,

0:23:13.560 --> 0:23:15.320
<v Speaker 2>Oh have you ever been a Freaknick?

0:23:15.640 --> 0:23:17.800
<v Speaker 4>No, I was in that la during that time, but

0:23:17.840 --> 0:23:21.720
<v Speaker 4>I've heard about it. They shutting down NY twenty. There

0:23:21.720 --> 0:23:23.880
<v Speaker 4>were a lot of babies made during that sure.

0:23:24.440 --> 0:23:28.119
<v Speaker 2>They said that actually Different World made Freaknick even bigger.

0:23:28.520 --> 0:23:30.360
<v Speaker 2>I guess you had an episode where the girls talked

0:23:30.359 --> 0:23:32.440
<v Speaker 2>about going to Freaknik and not telling their parents.

0:23:32.560 --> 0:23:35.800
<v Speaker 3>Oh yeah, the younger crew like Jada and them.

0:23:36.160 --> 0:23:40.239
<v Speaker 2>Yeah, And they said that amplified it a thousands, so

0:23:40.280 --> 0:23:41.000
<v Speaker 2>many people.

0:23:40.800 --> 0:23:42.720
<v Speaker 1>Watching Different World. It was like, we're going down to

0:23:42.760 --> 0:23:49.920
<v Speaker 1>freaking as you call some people to get pregnant. Paying

0:23:50.000 --> 0:23:52.320
<v Speaker 1>child's a question with God.

0:23:52.400 --> 0:23:55.440
<v Speaker 5>You find a sense of vindication in this award at

0:23:55.440 --> 0:23:56.320
<v Speaker 5>this stage of your career.

0:23:58.080 --> 0:23:59.359
<v Speaker 3>No, you know what I felt.

0:23:59.359 --> 0:24:02.200
<v Speaker 4>I was really surprised at how happy I was when

0:24:02.200 --> 0:24:06.199
<v Speaker 4>I when I got it, I really felt like I

0:24:06.280 --> 0:24:10.480
<v Speaker 4>won that award for a different world in Atlanta.

0:24:11.000 --> 0:24:11.280
<v Speaker 3>Wow.

0:24:11.320 --> 0:24:15.000
<v Speaker 4>And I say Atlanta because when I got to New York,

0:24:15.119 --> 0:24:18.840
<v Speaker 4>I had been trained that I had been poured into,

0:24:19.920 --> 0:24:24.679
<v Speaker 4>you know, with my dance schools, my teachers and performing

0:24:24.760 --> 0:24:25.359
<v Speaker 4>our school.

0:24:25.359 --> 0:24:28.600
<v Speaker 3>I went to my church, you know.

0:24:30.280 --> 0:24:35.840
<v Speaker 4>And then and I also knew that even though I

0:24:35.960 --> 0:24:38.800
<v Speaker 4>was glad that the show won, you know, Jessica, Wo,

0:24:39.280 --> 0:24:41.480
<v Speaker 4>I just felt like it was for a different world.

0:24:42.000 --> 0:24:44.240
<v Speaker 3>It's for what nobody you know.

0:24:45.160 --> 0:24:47.959
<v Speaker 5>Got back then you dedicated your award to a different word.

0:24:47.960 --> 0:24:49.960
<v Speaker 1>That's the reason why, just because you felt like, yeah.

0:24:49.760 --> 0:24:53.840
<v Speaker 4>I was like, this is ours because I know what

0:24:54.040 --> 0:24:57.120
<v Speaker 4>made that show good. And I know we didn't get

0:24:57.119 --> 0:25:07.720
<v Speaker 4>our props from white people. Five sixty Image Awards do

0:25:07.880 --> 0:25:09.639
<v Speaker 4>Soul Train Awards.

0:25:11.280 --> 0:25:12.880
<v Speaker 3>Because they know what that does.

0:25:12.880 --> 0:25:17.520
<v Speaker 4>It gives you power in the Hollywood system. We're not

0:25:17.560 --> 0:25:21.959
<v Speaker 4>giving them that. That's so disrespectful to me. It's not

0:25:22.040 --> 0:25:25.760
<v Speaker 4>like a person I could cuss out. It's just a

0:25:25.760 --> 0:25:32.359
<v Speaker 4>cloud of white people, like white Hollywood. Because if that

0:25:32.520 --> 0:25:35.920
<v Speaker 4>show would just look at what they do with friends

0:25:36.000 --> 0:25:38.240
<v Speaker 4>and what they did with living single, just look at

0:25:38.240 --> 0:25:45.320
<v Speaker 4>the publicity, how much money they made, they were at

0:25:45.359 --> 0:25:46.400
<v Speaker 4>the Golden Globes.

0:25:46.520 --> 0:25:51.760
<v Speaker 3>They got movies. We are no less talented.

0:25:52.440 --> 0:25:55.240
<v Speaker 4>And the writing was awesome on the Different World because

0:25:55.240 --> 0:25:58.280
<v Speaker 4>they're doing deep subjects, and hey, I have to keep

0:25:58.359 --> 0:26:04.520
<v Speaker 4>us funny because the network wanted us funny. They said, well,

0:26:04.520 --> 0:26:06.960
<v Speaker 4>if we're gonna do this age show, how are we

0:26:07.040 --> 0:26:10.399
<v Speaker 4>gonna make it funny? Well, maybe Whitley's gonna lose her

0:26:10.480 --> 0:26:12.879
<v Speaker 4>virginity during what's the B line?

0:26:13.640 --> 0:26:16.280
<v Speaker 3>That's gonna not make it so heavy?

0:26:16.359 --> 0:26:19.560
<v Speaker 4>You know, they have to do that for everything the

0:26:19.680 --> 0:26:23.119
<v Speaker 4>Riot show that they have to still mix in the humor.

0:26:23.880 --> 0:26:26.120
<v Speaker 4>And I think we did that well and that Susan

0:26:26.160 --> 0:26:33.960
<v Speaker 4>fails Hill. I'm so proud of lean Away and Easta

0:26:34.119 --> 0:26:40.960
<v Speaker 4>Ray to see them as showrunners and starring and.

0:26:40.800 --> 0:26:41.520
<v Speaker 3>This and that.

0:26:41.720 --> 0:26:44.920
<v Speaker 4>I'm like, Oh, they are fierce, and I hope they

0:26:44.960 --> 0:26:46.000
<v Speaker 4>get their props.

0:26:46.680 --> 0:26:49.920
<v Speaker 5>But I wonder, how do you think this recognition of

0:26:49.960 --> 0:26:53.680
<v Speaker 5>the award contributes to the broader conversation about diversity and

0:26:53.760 --> 0:26:57.080
<v Speaker 5>representation in Hollywood, especially for like O G veteran actresses

0:26:57.400 --> 0:27:00.840
<v Speaker 5>like yourself who've made significant contribution old a decade.

0:27:01.480 --> 0:27:03.280
<v Speaker 3>Okay, so what like.

0:27:03.280 --> 0:27:04.080
<v Speaker 1>What did this do? Like?

0:27:04.080 --> 0:27:06.240
<v Speaker 5>The award has to do something being that jaminer, I

0:27:06.280 --> 0:27:09.359
<v Speaker 5>can still be so good at this stage in her

0:27:09.400 --> 0:27:11.520
<v Speaker 5>career that she's still Oh.

0:27:11.600 --> 0:27:17.560
<v Speaker 4>Yes, it does feel validating. And I even said when

0:27:17.640 --> 0:27:21.240
<v Speaker 4>I accepted the award, you know, thank you for keeping

0:27:21.280 --> 0:27:25.719
<v Speaker 4>me in this community, because the creative community is my world,

0:27:26.240 --> 0:27:29.080
<v Speaker 4>whether it's in the New York or LA or Atlanta.

0:27:30.560 --> 0:27:35.639
<v Speaker 4>You know, valup my people, and you know, with the

0:27:35.680 --> 0:27:41.159
<v Speaker 4>pandemic and then six seven months on strike, I'm like,

0:27:41.280 --> 0:27:42.160
<v Speaker 4>I need to work.

0:27:42.200 --> 0:27:43.760
<v Speaker 3>I need to be with my people.

0:27:45.359 --> 0:27:50.720
<v Speaker 4>You know, I need other creatives. I need stories at lunchtime.

0:27:51.400 --> 0:27:55.520
<v Speaker 4>And that goes for everybody that goes for him makeup, wardrobe.

0:27:55.560 --> 0:28:01.520
<v Speaker 4>Everybody is expressing themselves and there's a spiritual connection to that.

0:28:02.080 --> 0:28:03.560
<v Speaker 3>So I did feel that way.

0:28:03.840 --> 0:28:09.840
<v Speaker 4>But it has been good to see my peers like

0:28:10.359 --> 0:28:16.520
<v Speaker 4>Regina King, Victoria Mahony, Sally richardson the Girls that I

0:28:16.640 --> 0:28:22.480
<v Speaker 4>was like acting with doing, like directing and killing it

0:28:22.560 --> 0:28:24.280
<v Speaker 4>like that, and Tasha.

0:28:24.000 --> 0:28:27.479
<v Speaker 3>Smith directed the last episode. I did a Harlem her

0:28:28.640 --> 0:28:31.760
<v Speaker 3>that's a nature of nature.

0:28:34.680 --> 0:28:43.400
<v Speaker 4>As my girl, we needed it. It was a very

0:28:43.480 --> 0:28:46.800
<v Speaker 4>long day. It was a long shooting day, and her

0:28:47.040 --> 0:28:53.120
<v Speaker 4>energy was and what I was so impressed with was

0:28:53.160 --> 0:28:58.280
<v Speaker 4>her technical acumen. She really knew her cameras, you really

0:28:58.360 --> 0:29:02.240
<v Speaker 4>knew what she wanted. She had to map out a

0:29:02.320 --> 0:29:05.720
<v Speaker 4>ten page scene, which is very long for you know,

0:29:07.680 --> 0:29:09.760
<v Speaker 4>anything for movie or TV scene.

0:29:11.320 --> 0:29:14.960
<v Speaker 3>And I don't know, she just did a beautiful job.

0:29:15.280 --> 0:29:17.960
<v Speaker 4>It was the only episode I've done on that show

0:29:18.000 --> 0:29:20.720
<v Speaker 4>where I saw other people, because all my episodes that

0:29:20.800 --> 0:29:23.880
<v Speaker 4>were Gray Spyers. She's my daughter, well i'm her mother,

0:29:24.000 --> 0:29:29.560
<v Speaker 4>I should say she's and everybody was there at this event,

0:29:29.880 --> 0:29:34.560
<v Speaker 4>so I got to see Debby Smith was there, Whoopee

0:29:34.720 --> 0:29:35.120
<v Speaker 4>was there.

0:29:37.960 --> 0:29:40.840
<v Speaker 3>I don't know what was exciting. I was kind of

0:29:40.880 --> 0:29:42.959
<v Speaker 3>fanned out too. Yeah, it's amazing.

0:29:42.960 --> 0:29:45.120
<v Speaker 2>I've seen a clip that was released from You Uncensored

0:29:45.160 --> 0:29:48.080
<v Speaker 2>and it talks about being a mixed child. Was that

0:29:48.240 --> 0:29:50.640
<v Speaker 2>very difficult in the industry going at that time where

0:29:51.040 --> 0:29:52.920
<v Speaker 2>you're going up for auditions and people are saying, well,

0:29:52.920 --> 0:29:54.960
<v Speaker 2>she's not white or and then well maybe she's not

0:29:55.000 --> 0:29:55.560
<v Speaker 2>black enough.

0:29:55.640 --> 0:29:57.360
<v Speaker 1>Was that difficult?

0:29:57.880 --> 0:29:58.040
<v Speaker 3>Well?

0:29:58.040 --> 0:30:01.600
<v Speaker 4>I always defined myself as black, but I didn't get

0:30:01.680 --> 0:30:05.240
<v Speaker 4>roles because I was too light sometimes or I got

0:30:05.960 --> 0:30:09.520
<v Speaker 4>like the my first after I left Alvin Ailey, I

0:30:09.600 --> 0:30:13.920
<v Speaker 4>did musical theater, Broadway and whatnot, and then I started

0:30:13.960 --> 0:30:22.440
<v Speaker 4>taking acting classes and going out for auditions, and I

0:30:22.520 --> 0:30:25.280
<v Speaker 4>played three hoes before I go with Ley. I'm just saying,

0:30:25.760 --> 0:30:30.880
<v Speaker 4>I asked my agent. I was like, is this normal? Yes,

0:30:31.600 --> 0:30:35.040
<v Speaker 4>I played a prostitute on the Equalizer. I played a

0:30:35.120 --> 0:30:38.320
<v Speaker 4>hoe on Loving, which was a soap opera back then,

0:30:38.880 --> 0:30:42.520
<v Speaker 4>and then on my third when I said, okay, is

0:30:42.560 --> 0:30:46.600
<v Speaker 4>this and I was nailing them whatever it is about

0:30:48.880 --> 0:30:53.120
<v Speaker 4>ship before I got back to my former I was like, okay.

0:30:53.040 --> 0:30:53.280
<v Speaker 5>But.

0:30:56.320 --> 0:30:59.840
<v Speaker 1>You into to be able to like really play a hope.

0:31:03.160 --> 0:31:06.280
<v Speaker 3>The way they write it.

0:31:06.800 --> 0:31:11.080
<v Speaker 4>They usually write I usually do sarcasm well, and they're

0:31:11.160 --> 0:31:12.840
<v Speaker 4>usually snarky.

0:31:13.200 --> 0:31:17.320
<v Speaker 3>You know. Now the other activities the.

0:31:17.080 --> 0:31:20.560
<v Speaker 4>I mean on the Equalizer, I was the whole that

0:31:21.200 --> 0:31:23.120
<v Speaker 4>they bought for.

0:31:23.280 --> 0:31:25.640
<v Speaker 3>The guy that just came out of prison.

0:31:26.800 --> 0:31:31.920
<v Speaker 4>Oh my god, this scene was nasty, and I'm like surprised,

0:31:31.960 --> 0:31:34.400
<v Speaker 4>and I come out and I'm supposed to do him

0:31:34.400 --> 0:31:37.760
<v Speaker 4>because he's just been in prison. And then in the

0:31:37.760 --> 0:31:42.640
<v Speaker 4>scene he starts coughing and I say, you catch something

0:31:42.760 --> 0:31:46.520
<v Speaker 4>nasty where you've been and he grasps me by the

0:31:46.600 --> 0:31:48.320
<v Speaker 4>hair and slams me.

0:31:52.360 --> 0:31:52.719
<v Speaker 1>Trauma.

0:31:56.560 --> 0:32:00.840
<v Speaker 4>I got a little too snarky. But the thing I

0:32:00.880 --> 0:32:03.280
<v Speaker 4>didn't know that that should have been blocked.

0:32:03.880 --> 0:32:07.040
<v Speaker 3>I didn't. It was one of my first acting jobs.

0:32:07.840 --> 0:32:10.560
<v Speaker 4>So because I'm a dancer, I was able to go,

0:32:10.800 --> 0:32:14.560
<v Speaker 4>you know, slam myself down. All you have to do is,

0:32:14.760 --> 0:32:17.360
<v Speaker 4>you know, and make it look like he was just

0:32:17.960 --> 0:32:20.960
<v Speaker 4>and then fall. And I did it over and over

0:32:21.000 --> 0:32:24.120
<v Speaker 4>and the director was like, are you okay. It wasn't

0:32:24.160 --> 0:32:27.000
<v Speaker 4>until after that I talked to some of my actress

0:32:27.040 --> 0:32:27.960
<v Speaker 4>friends and they were.

0:32:27.800 --> 0:32:33.040
<v Speaker 3>Like, nobody blocked you. Nobody. I said no, it was

0:32:33.120 --> 0:32:35.600
<v Speaker 3>just like a you know, a dance move or whatever.

0:32:35.680 --> 0:32:36.920
<v Speaker 3>But yeah.

0:32:37.640 --> 0:32:43.320
<v Speaker 4>Then when I auditioned for Whitley, first of all, they

0:32:43.360 --> 0:32:46.240
<v Speaker 4>didn't even have her name yet. It was Sydney slash Whitney,

0:32:46.640 --> 0:32:49.760
<v Speaker 4>a black Southern bell. I'm might things that make you

0:32:49.840 --> 0:32:55.360
<v Speaker 4>go a black Southern bell, you don't know say Anyway,

0:32:58.080 --> 0:32:58.480
<v Speaker 4>she was.

0:32:58.560 --> 0:33:01.719
<v Speaker 3>Hitting on her professor for the a in the scene

0:33:03.560 --> 0:33:08.360
<v Speaker 3>another horrorle. We're ruffles.

0:33:09.640 --> 0:33:11.719
<v Speaker 4>But when I got on the set, now she's a

0:33:11.800 --> 0:33:13.880
<v Speaker 4>virgin and she doesn't know what's going on.

0:33:14.600 --> 0:33:16.720
<v Speaker 3>It's just interesting because.

0:33:18.240 --> 0:33:21.640
<v Speaker 4>You play things based on who they tell you you're

0:33:21.640 --> 0:33:25.760
<v Speaker 4>supposed to be, and then as actors we often do

0:33:25.840 --> 0:33:29.520
<v Speaker 4>backstories and you know, make up something that got us

0:33:29.520 --> 0:33:32.520
<v Speaker 4>to this point. So we have something to lean on.

0:33:33.240 --> 0:33:36.360
<v Speaker 4>But yeah, I was thinking, Wow, I guess I'm just

0:33:36.400 --> 0:33:41.280
<v Speaker 4>gonna be. It wasn't that I was playing a horror prostitute.

0:33:41.480 --> 0:33:44.080
<v Speaker 4>It was just that I wanted to play all kinds

0:33:44.080 --> 0:33:44.840
<v Speaker 4>of characters.

0:33:44.960 --> 0:33:47.320
<v Speaker 3>Yeah, I've always wanted that.

0:33:47.560 --> 0:33:49.640
<v Speaker 2>YE got to ask a question, This is a personal question.

0:33:50.680 --> 0:33:53.720
<v Speaker 2>When you started off dancing as a child, right, did

0:33:53.760 --> 0:33:55.920
<v Speaker 2>you know what direction you wanted to go into? So

0:33:55.960 --> 0:33:58.520
<v Speaker 2>I got two girls that dance, right, and then I

0:33:58.600 --> 0:34:00.960
<v Speaker 2>travel all over the country day dance with these these

0:34:00.960 --> 0:34:03.320
<v Speaker 2>little babies, and I mean they are amazing. One one

0:34:03.360 --> 0:34:06.200
<v Speaker 2>first prize overall seven year old. Oh, one thousand girls,

0:34:06.240 --> 0:34:10.040
<v Speaker 2>first prize. But yeah, they get busy. They take it serious.

0:34:10.040 --> 0:34:13.680
<v Speaker 2>Six days a week, four hours a day, gymnastics, flipping,

0:34:13.880 --> 0:34:14.960
<v Speaker 2>backflip dancing.

0:34:15.239 --> 0:34:17.480
<v Speaker 1>Whoa, it's a lot.

0:34:17.520 --> 0:34:20.279
<v Speaker 2>But I've learned to love it, like really enjoy it.

0:34:20.600 --> 0:34:22.440
<v Speaker 2>But you know, as a dad, I always think like, well,

0:34:22.480 --> 0:34:25.640
<v Speaker 2>what's next after dancing? Like what do you do as

0:34:25.680 --> 0:34:28.200
<v Speaker 2>a dance Like when you get to high school and college?

0:34:28.239 --> 0:34:30.279
<v Speaker 2>Like what happens from that? Did you know what you

0:34:30.320 --> 0:34:32.200
<v Speaker 2>wanted to do going into alvin ALEI?

0:34:32.280 --> 0:34:36.920
<v Speaker 4>And Okay, So when I was a little kid, I thought.

0:34:37.280 --> 0:34:41.080
<v Speaker 4>I just kept asking for more classes, like once a week.

0:34:41.200 --> 0:34:45.279
<v Speaker 4>Saturday turned into three turned into five, you know. And

0:34:45.400 --> 0:34:49.719
<v Speaker 4>when I saw Alvin Ale and I saw revelations, I

0:34:49.880 --> 0:34:52.120
<v Speaker 4>realized that I could do this as a job. I

0:34:52.160 --> 0:34:55.520
<v Speaker 4>didn't realize that you could dance as a job other

0:34:55.600 --> 0:34:56.840
<v Speaker 4>than be a dance teacher.

0:34:56.920 --> 0:34:58.080
<v Speaker 3>That's all I was seeing.

0:34:59.640 --> 0:35:02.000
<v Speaker 4>And I I told my daddy, I said, I think

0:35:02.080 --> 0:35:03.920
<v Speaker 4>I have my calling.

0:35:05.680 --> 0:35:07.160
<v Speaker 3>I want to dance with Alvin Ailey.

0:35:07.880 --> 0:35:13.919
<v Speaker 4>So from twelve to seventeen, that was the trajectory, kind

0:35:13.960 --> 0:35:16.120
<v Speaker 4>of on the level where you are with your girls,

0:35:16.239 --> 0:35:19.840
<v Speaker 4>because I danced every day. After that, I went to

0:35:19.880 --> 0:35:24.799
<v Speaker 4>perform in arts high school, I joined Atlanta Ballet. I

0:35:24.840 --> 0:35:27.400
<v Speaker 4>went to North Carolina School of the Arts over the

0:35:27.480 --> 0:35:31.920
<v Speaker 4>summer because I knew that I was not technically proficient

0:35:32.960 --> 0:35:36.600
<v Speaker 4>enough to get into the Aley company, but I was

0:35:36.640 --> 0:35:39.920
<v Speaker 4>also performing. I played Anita in West Side Story and

0:35:40.719 --> 0:35:44.520
<v Speaker 4>I was young. I was like thirteen, and I could

0:35:44.520 --> 0:35:48.759
<v Speaker 4>already act and I could sing. But it was that

0:35:49.160 --> 0:35:52.239
<v Speaker 4>because you know, you can't fake dancing. You could either

0:35:52.320 --> 0:35:56.040
<v Speaker 4>dance or you can't. I mean, it's an athletic, you know.

0:35:57.360 --> 0:35:59.520
<v Speaker 4>So that's when I knew, do they want to do

0:35:59.600 --> 0:36:00.719
<v Speaker 4>it as a profession.

0:36:01.480 --> 0:36:03.319
<v Speaker 2>They don't know right now. One is seven, one is ten,

0:36:03.480 --> 0:36:06.600
<v Speaker 2>and they just enjoy it and they want more. And

0:36:06.640 --> 0:36:09.919
<v Speaker 2>it's not just ballet, it's not just open for and mad.

0:36:09.960 --> 0:36:13.400
<v Speaker 2>It's just it's everything. It's it's jazz, it's it's tap,

0:36:13.560 --> 0:36:15.640
<v Speaker 2>it's now they just started getting in their hip hop.

0:36:15.920 --> 0:36:18.520
<v Speaker 2>But for me, it's like I enjoy it because I

0:36:18.560 --> 0:36:20.600
<v Speaker 2>know where they are right. I know they're not gonna

0:36:20.600 --> 0:36:22.040
<v Speaker 2>want to go to their friend's house. I know they're

0:36:22.040 --> 0:36:23.719
<v Speaker 2>not gonna want to go to the mall because they

0:36:23.800 --> 0:36:24.400
<v Speaker 2>enjoyed so much.

0:36:24.440 --> 0:36:25.600
<v Speaker 1>School's over at two forty.

0:36:25.760 --> 0:36:28.279
<v Speaker 2>From three to seven, they dancing, seven, they come home,

0:36:28.360 --> 0:36:30.480
<v Speaker 2>do homework, They tired, and I enjoy it because I

0:36:30.520 --> 0:36:32.399
<v Speaker 2>like watching them like I'm the There's not too many

0:36:32.560 --> 0:36:35.160
<v Speaker 2>dads out there for some reason, but I'm the one

0:36:35.160 --> 0:36:37.960
<v Speaker 2>that's I know the routine and I'm spinning with them

0:36:38.000 --> 0:36:40.239
<v Speaker 2>because I if they enjoy it, I enjoy it. But

0:36:40.360 --> 0:36:43.120
<v Speaker 2>it's I feel like more people, more kids should get

0:36:43.120 --> 0:36:44.080
<v Speaker 2>into it because.

0:36:43.840 --> 0:36:46.399
<v Speaker 1>It's it's it's a it's a great art. Yeah, it's

0:36:46.400 --> 0:36:46.920
<v Speaker 1>a great art.

0:36:47.080 --> 0:36:54.080
<v Speaker 4>And they gave me my foundation for everything, discipline, being

0:36:54.160 --> 0:36:57.640
<v Speaker 4>on time, confidence, like even when I got a different world.

0:36:57.680 --> 0:37:02.440
<v Speaker 4>I remember one of our our scripts, she came up

0:37:02.440 --> 0:37:04.600
<v Speaker 4>to me and she said, are you a dancer?

0:37:04.680 --> 0:37:08.919
<v Speaker 3>And I was just standing there and I was like, yeah,

0:37:09.040 --> 0:37:11.560
<v Speaker 3>Like what gave me away? What?

0:37:12.680 --> 0:37:15.920
<v Speaker 4>I was always on time? I was always there waiting

0:37:15.920 --> 0:37:18.680
<v Speaker 4>for everybody else. I did not understand the way they

0:37:18.719 --> 0:37:22.480
<v Speaker 4>did it and all the breaks they take. I'm like,

0:37:22.560 --> 0:37:25.560
<v Speaker 4>what are we breaking for? We ain't done nothing right.

0:37:26.640 --> 0:37:30.920
<v Speaker 3>Dancers are the mules of the business.

0:37:31.280 --> 0:37:31.640
<v Speaker 1>Wow.

0:37:32.280 --> 0:37:34.439
<v Speaker 4>If the actors are coming out every now and then,

0:37:34.760 --> 0:37:37.960
<v Speaker 4>if we like when I did Fame, we were in

0:37:38.040 --> 0:37:43.719
<v Speaker 4>rehearsal or performing all day ten hours, actors going to

0:37:43.840 --> 0:37:47.719
<v Speaker 4>trailers are coming back. When we did School Days, you

0:37:47.719 --> 0:37:49.959
<v Speaker 4>couldn't be in that movie if you couldn't dance, sing

0:37:49.960 --> 0:37:52.279
<v Speaker 4>an act first of all. But that meant we all

0:37:52.320 --> 0:37:58.080
<v Speaker 4>came from theater we shot, we filmed the Uh well,

0:37:58.160 --> 0:38:00.400
<v Speaker 4>I mean we recorded the song on want to Be

0:38:00.440 --> 0:38:05.040
<v Speaker 4>Alone tonight after we filmed that day, and then they said, okay,

0:38:05.080 --> 0:38:07.880
<v Speaker 4>now you're going to the studio, and we went and

0:38:08.000 --> 0:38:11.120
<v Speaker 4>we learned the song and did it, and then we

0:38:11.760 --> 0:38:17.560
<v Speaker 4>learned the choreography and performed it. But that's how we do,

0:38:18.680 --> 0:38:22.400
<v Speaker 4>especially in New York and especially in theater. All my

0:38:22.640 --> 0:38:25.760
<v Speaker 4>dancing friends can sing and act. All my acting friends

0:38:25.840 --> 0:38:28.920
<v Speaker 4>can dance to sing. We had to be triple threats

0:38:28.960 --> 0:38:38.360
<v Speaker 4>to continue to work. You think them divers from Dreamgirls, Loretta, Divine, Shirley, Ralph, Jennifer.

0:38:38.040 --> 0:38:41.480
<v Speaker 3>Lewis you built for it? You know?

0:38:41.640 --> 0:38:44.400
<v Speaker 4>So when we go out there, we're not even asked

0:38:45.200 --> 0:38:48.600
<v Speaker 4>to work at our full potential, you know what I mean.

0:38:49.080 --> 0:38:51.680
<v Speaker 4>And your babies are gonna be like that too, and

0:38:51.840 --> 0:38:55.680
<v Speaker 4>whatever they do, because that kind of training is like

0:38:56.080 --> 0:38:56.840
<v Speaker 4>an athlete.

0:38:57.719 --> 0:38:59.839
<v Speaker 5>I want to talk about another training you've probably got.

0:39:00.120 --> 0:39:03.759
<v Speaker 5>You know, you carry yourself with a certain sense of legalness,

0:39:03.880 --> 0:39:06.640
<v Speaker 5>right and when you look at Debbie Allen, when you

0:39:06.680 --> 0:39:10.320
<v Speaker 5>look at fore Lisha Rashad, they have that same regal energy.

0:39:10.760 --> 0:39:11.960
<v Speaker 1>What did those two teach you?

0:39:12.719 --> 0:39:17.200
<v Speaker 4>Oh my gosh, everything, I mean, Debbie was ahead of me.

0:39:17.760 --> 0:39:23.000
<v Speaker 4>So every time people told me, well, you're mostly a dancer,

0:39:23.840 --> 0:39:27.040
<v Speaker 4>we don't know about you acting, or you're a comic actress,

0:39:27.239 --> 0:39:29.919
<v Speaker 4>we don't know about you doing drama, in my mind,

0:39:29.960 --> 0:39:33.000
<v Speaker 4>I go Debbie dead. I just let them tell me

0:39:33.080 --> 0:39:36.759
<v Speaker 4>what they thought I couldn't do. And it wasn't just

0:39:36.880 --> 0:39:39.759
<v Speaker 4>that I knew I could. She's already done it.

0:39:40.960 --> 0:39:42.120
<v Speaker 3>She just did it.

0:39:42.800 --> 0:39:46.640
<v Speaker 4>She had two lines in the Fame movie when you

0:39:46.680 --> 0:39:53.040
<v Speaker 4>see her next she's directing, choreographing the show she's producing.

0:39:55.200 --> 0:39:57.640
<v Speaker 3>You can't let other people tell you what you can do.

0:39:57.719 --> 0:39:58.200
<v Speaker 3>You don't know.

0:39:58.640 --> 0:40:02.120
<v Speaker 4>And the other mantra had, especially like when people were

0:40:03.120 --> 0:40:04.440
<v Speaker 4>certain choreographers.

0:40:05.320 --> 0:40:09.160
<v Speaker 3>You know, it's not a nice world, the dance world.

0:40:09.440 --> 0:40:12.560
<v Speaker 4>So they're reading me or cussing me out, whatever, And

0:40:12.600 --> 0:40:16.399
<v Speaker 4>I would say, you don't know, you're not God all

0:40:16.520 --> 0:40:20.040
<v Speaker 4>I in my mind, So I wouldn't cry because I

0:40:20.160 --> 0:40:22.319
<v Speaker 4>was like, don't you know, don't you stand up here

0:40:22.560 --> 0:40:25.759
<v Speaker 4>and let him make you cry, because he's saying, you know,

0:40:26.440 --> 0:40:29.680
<v Speaker 4>you think you're something, you'll never be anything.

0:40:29.719 --> 0:40:32.759
<v Speaker 3>And I was like, you don't know, you're not God,

0:40:32.920 --> 0:40:37.719
<v Speaker 3>that's right. How you gonna proclaim my destiny? You know?

0:40:38.080 --> 0:40:40.600
<v Speaker 4>So you have to be able to talk to yourself.

0:40:41.440 --> 0:40:44.799
<v Speaker 4>And Debbie is the same way, Felicia is the same way.

0:40:44.840 --> 0:40:48.520
<v Speaker 4>They have a sense of self. Because Debbie told me

0:40:48.600 --> 0:40:52.200
<v Speaker 4>about how they rejected her at North Carolina School of

0:40:52.200 --> 0:40:55.240
<v Speaker 4>the Yards because she didn't have a body for dance,

0:40:55.600 --> 0:40:57.200
<v Speaker 4>because she got a booty in whatever.

0:40:58.120 --> 0:41:00.480
<v Speaker 3>And she said and I took this booty all the

0:41:00.520 --> 0:41:01.440
<v Speaker 3>way to Broadway.

0:41:01.600 --> 0:41:06.520
<v Speaker 4>Darling. You know, okay, you don't want me in your school,

0:41:06.840 --> 0:41:10.280
<v Speaker 4>Well I'm gonna go to Howard and then I'm gonna

0:41:10.280 --> 0:41:14.600
<v Speaker 4>be on Broadway and then and then and then. You

0:41:14.640 --> 0:41:16.799
<v Speaker 4>can't let other people tell you what you are and

0:41:16.840 --> 0:41:20.680
<v Speaker 4>what you're not. Yeah, And I refuse that. I refuse

0:41:20.800 --> 0:41:25.799
<v Speaker 4>that on just a general level. Like there were little

0:41:25.920 --> 0:41:28.680
<v Speaker 4>dancers in my class that were great dancers, but a

0:41:28.680 --> 0:41:32.240
<v Speaker 4>little chunky or whatever. And I heard how the teachers

0:41:32.280 --> 0:41:37.320
<v Speaker 4>talked to them, you know, destroying them.

0:41:37.480 --> 0:41:38.319
<v Speaker 3>How dare you?

0:41:38.920 --> 0:41:42.120
<v Speaker 4>How dare you take your responsibility and do that to her?

0:41:42.480 --> 0:41:46.280
<v Speaker 4>You'll know what she's gonna be, and you're only gonna

0:41:46.280 --> 0:41:47.960
<v Speaker 4>go with skinny, tall people.

0:41:50.480 --> 0:41:51.440
<v Speaker 3>I just don't like that.

0:41:51.520 --> 0:41:54.680
<v Speaker 4>If you don't teach kids in art form, don't add

0:41:54.760 --> 0:41:58.360
<v Speaker 4>your bitter two cents to it because you didn't with

0:41:58.560 --> 0:41:59.440
<v Speaker 4>your fat ass.

0:42:00.760 --> 0:42:03.160
<v Speaker 5>That's not that's not politically correct. The political correct term

0:42:03.200 --> 0:42:03.680
<v Speaker 5>is big back.

0:42:04.040 --> 0:42:08.000
<v Speaker 3>No, it's not just do women say that or is

0:42:08.000 --> 0:42:08.840
<v Speaker 3>that a malt.

0:42:11.320 --> 0:42:11.840
<v Speaker 1>Discovered.

0:42:11.960 --> 0:42:20.760
<v Speaker 3>I'm not saying term ud think I'm gay he discovered.

0:42:20.840 --> 0:42:27.399
<v Speaker 3>I'm no, that baby got big bag go down right

0:42:27.520 --> 0:42:28.760
<v Speaker 3>coming from us that's.

0:42:32.800 --> 0:42:35.080
<v Speaker 4>It just comes up every now and then, and if

0:42:35.120 --> 0:42:37.600
<v Speaker 4>they don't see me with a man, like when I

0:42:37.800 --> 0:42:42.319
<v Speaker 4>was I was at an Oscar party of Georgia's and

0:42:42.400 --> 0:42:46.080
<v Speaker 4>I was dancing with Debbie and all the fame dancers

0:42:46.080 --> 0:42:48.520
<v Speaker 4>were there, like, you know, she keeps all her people.

0:42:49.000 --> 0:42:51.360
<v Speaker 4>They got me, you know photo the week me and

0:42:51.440 --> 0:42:54.560
<v Speaker 4>Debbie and they're talking about me and the hair salon.

0:42:55.320 --> 0:42:55.840
<v Speaker 3>I knew it.

0:42:55.960 --> 0:42:59.680
<v Speaker 4>I think they together, and Norm calls me he loved it.

0:43:00.320 --> 0:43:04.520
<v Speaker 3>I said, well, I'm single. I don't like that. He said, yeah,

0:43:04.560 --> 0:43:05.320
<v Speaker 3>that's some funny.

0:43:05.600 --> 0:43:10.600
<v Speaker 4>I said, funny for you because you're like, yeah, I'm

0:43:10.640 --> 0:43:14.399
<v Speaker 4>with Debbie and she's with Jasmine. And then it came

0:43:14.480 --> 0:43:18.359
<v Speaker 4>up when I was at a last you know, I

0:43:18.360 --> 0:43:19.279
<v Speaker 4>don't know what it is.

0:43:19.360 --> 0:43:23.560
<v Speaker 3>I don't care, but it's just I don't want to

0:43:23.640 --> 0:43:28.080
<v Speaker 3>have to undo it. Yeah. And then you know, in

0:43:28.160 --> 0:43:31.320
<v Speaker 3>New York it was I got hit on and stuff

0:43:31.400 --> 0:43:34.880
<v Speaker 3>and I was like, okay, but what made you think

0:43:34.960 --> 0:43:38.640
<v Speaker 3>that I like bother me?

0:43:38.880 --> 0:43:43.000
<v Speaker 4>You know, I was just developing into my womanhood.

0:43:47.040 --> 0:43:47.640
<v Speaker 3>I didn't.

0:43:50.760 --> 0:43:53.160
<v Speaker 4>And it was funk night and I would go there

0:43:53.200 --> 0:43:56.719
<v Speaker 4>by myself. Sometimes you can't always have somebody come with you.

0:43:56.719 --> 0:44:00.000
<v Speaker 4>You know, and so some sometimes I think it's because

0:44:00.120 --> 0:44:05.640
<v Speaker 4>I'm alone. And then, you know, my best friend at

0:44:05.680 --> 0:44:08.520
<v Speaker 4>a Lea's, we were walking through the park and unbeknownst

0:44:08.560 --> 0:44:11.399
<v Speaker 4>to us, we were walking in the.

0:44:10.800 --> 0:44:22.440
<v Speaker 3>Wooded gay area.

0:44:18.080 --> 0:44:33.640
<v Speaker 4>The valley, the jail, the okay, somebody's saw it there

0:44:34.200 --> 0:44:36.640
<v Speaker 4>and you didn't know we were in a certain area

0:44:36.760 --> 0:44:40.239
<v Speaker 4>or whatever, because I don't know. And then when I

0:44:40.280 --> 0:44:42.480
<v Speaker 4>got back to the school, they were like, you know,

0:44:42.640 --> 0:44:44.719
<v Speaker 4>they're saying that you and so and so, and I

0:44:44.800 --> 0:44:48.200
<v Speaker 4>was like, I don't even have a boyfriend.

0:44:48.520 --> 0:44:52.240
<v Speaker 3>How can I have a girlfriend? Okay, like I can't

0:44:52.280 --> 0:44:55.640
<v Speaker 3>even work. You know, it doesn't bother me.

0:44:55.760 --> 0:44:58.319
<v Speaker 4>But when I was younger, it did because I was

0:44:58.360 --> 0:45:01.120
<v Speaker 4>still developing.

0:45:00.600 --> 0:45:03.080
<v Speaker 3>And it was pulling up on you. I was developing

0:45:03.120 --> 0:45:07.040
<v Speaker 3>as a young woman. Yeah, would you ever do a memoir?

0:45:07.080 --> 0:45:08.680
<v Speaker 5>I know, I mean, you know you got done sensitly

0:45:08.680 --> 0:45:10.520
<v Speaker 5>coming out this weekend, But would you ever do a memoir?

0:45:12.680 --> 0:45:14.719
<v Speaker 4>I would need I would need some help, you know,

0:45:15.960 --> 0:45:17.840
<v Speaker 4>I would just need some help. I can't write it

0:45:17.920 --> 0:45:19.080
<v Speaker 4>myself by myself.

0:45:19.120 --> 0:45:21.200
<v Speaker 5>Oh yeah, yeah, most people get help with them memoir.

0:45:22.600 --> 0:45:25.920
<v Speaker 5>Because I loved reading Jada Pinkett's book Worthy, because like,

0:45:26.080 --> 0:45:27.480
<v Speaker 5>you know, and we were saying early and you were

0:45:27.480 --> 0:45:29.880
<v Speaker 5>saying it was such a privacy in the nineties.

0:45:29.880 --> 0:45:33.040
<v Speaker 1>So to get those stories from that era.

0:45:32.920 --> 0:45:36.279
<v Speaker 5>When she talks about you and you know, poking, just

0:45:36.360 --> 0:45:38.560
<v Speaker 5>yourll friendship, just that friendship of black Hollywood.

0:45:38.600 --> 0:45:39.920
<v Speaker 1>It's just like man.

0:45:40.800 --> 0:45:42.000
<v Speaker 3>And now I was like.

0:45:43.520 --> 0:45:46.359
<v Speaker 4>Privileged enough to hang with them because there's so much

0:45:46.440 --> 0:45:51.360
<v Speaker 4>younger than me, you know, and it was just easy.

0:45:52.320 --> 0:45:56.360
<v Speaker 4>You know, her birthday party and we went to The Dragonfly,

0:45:56.880 --> 0:45:58.799
<v Speaker 4>which was funk night that night.

0:46:00.080 --> 0:46:03.080
<v Speaker 3>He was an, I like me some funk.

0:46:03.200 --> 0:46:06.840
<v Speaker 4>Obviously, I'm like, it's fuck Nay, you're a Dragonfly. But

0:46:08.840 --> 0:46:15.239
<v Speaker 4>and you know, accepting of me because so I think,

0:46:16.000 --> 0:46:17.120
<v Speaker 4>hold is Jada fifty?

0:46:17.680 --> 0:46:18.719
<v Speaker 1>I don't know, let me look it up.

0:46:19.160 --> 0:46:20.680
<v Speaker 3>I think, well, I'm sixty two.

0:46:20.800 --> 0:46:24.480
<v Speaker 4>So when I'm on the show, I'm twenty five, twenty six,

0:46:24.600 --> 0:46:25.240
<v Speaker 4>twenty seven.

0:46:25.360 --> 0:46:31.799
<v Speaker 3>They eighteen nineteen. Yeah, so now it's not a big deal.

0:46:31.840 --> 0:46:35.120
<v Speaker 3>But back then, I wasn't hanging out with no you know.

0:46:35.440 --> 0:46:39.239
<v Speaker 4>I remember I went to a restaurant with Cree and

0:46:39.280 --> 0:46:41.880
<v Speaker 4>as we were walking to the restaurant, she said, do

0:46:42.000 --> 0:46:45.640
<v Speaker 4>they card? I said, card, I mean, I'd never I

0:46:45.680 --> 0:46:50.640
<v Speaker 4>had never been carded because eighteen, you know, I said,

0:46:50.640 --> 0:46:54.280
<v Speaker 4>how old are you? She said, I just turned eighteen.

0:46:54.360 --> 0:46:56.960
<v Speaker 4>I said, what the hell am I doing hanging out with?

0:46:57.160 --> 0:47:05.160
<v Speaker 3>Are you kidding me? Condeemed too. I saw them as kids.

0:47:05.800 --> 0:47:09.160
<v Speaker 4>I like grown ass men when I was young, thirty

0:47:09.360 --> 0:47:13.960
<v Speaker 4>thirty two, so that you know, it's like eighteen.

0:47:14.239 --> 0:47:14.560
<v Speaker 1>Yeah.

0:47:14.920 --> 0:47:20.799
<v Speaker 4>But now that they have embraced me yet, I appreciate

0:47:20.880 --> 0:47:26.120
<v Speaker 4>it because they kept me current and kept me interested

0:47:26.560 --> 0:47:27.400
<v Speaker 4>because they.

0:47:28.760 --> 0:47:32.279
<v Speaker 3>Jada and Cree are out the box thinkers. You know.

0:47:32.840 --> 0:47:35.960
<v Speaker 4>They bring creative ideas to the table that I never

0:47:35.960 --> 0:47:36.680
<v Speaker 4>would have thought of.

0:47:37.320 --> 0:47:38.120
<v Speaker 3>And I love that.

0:47:38.440 --> 0:47:45.200
<v Speaker 4>And and of course you know, keeps me laughing, Park.

0:47:45.040 --> 0:47:49.360
<v Speaker 3>And I would like that too. He always had ideas.

0:47:49.600 --> 0:47:55.320
<v Speaker 4>I felt so unaccomplished, you know, because he would say

0:47:55.400 --> 0:47:56.799
<v Speaker 4>something and then do it.

0:47:57.600 --> 0:47:59.279
<v Speaker 3>I would tell him an idea.

0:48:00.719 --> 0:48:03.680
<v Speaker 4>And not write it and not finish it, or it's

0:48:03.719 --> 0:48:10.040
<v Speaker 4>still like on my shelf. Mostly I wanted him to

0:48:10.120 --> 0:48:14.759
<v Speaker 4>know that I felt he was a great actor. And

0:48:14.800 --> 0:48:18.560
<v Speaker 4>I heard the murmurings of, oh, he's just being himself

0:48:18.680 --> 0:48:21.560
<v Speaker 4>or whatever. They're just writing on his fame as a rapper.

0:48:21.600 --> 0:48:26.080
<v Speaker 4>I said, everybody that raps ain't acting on there There

0:48:26.080 --> 0:48:29.120
<v Speaker 4>were a lot of rappers that had movies that man

0:48:29.160 --> 0:48:34.640
<v Speaker 4>can act. Yeah, I mean his performances were I have

0:48:34.680 --> 0:48:37.319
<v Speaker 4>to change. And I just wanted him to know that

0:48:38.200 --> 0:48:41.719
<v Speaker 4>and not listen to that. One time in Newsweek, they

0:48:41.800 --> 0:48:45.880
<v Speaker 4>used to have little blurbs like Star of the Week

0:48:46.000 --> 0:48:49.399
<v Speaker 4>or Celebrity of the week, just a little blurb, and

0:48:49.440 --> 0:48:53.480
<v Speaker 4>they said, and surprisingly handsome rapper.

0:48:54.200 --> 0:48:59.360
<v Speaker 3>I said, what the fuck is surprise? How insulting he was?

0:48:59.400 --> 0:49:02.279
<v Speaker 3>Find of shit? It wasn't.

0:49:07.239 --> 0:49:11.760
<v Speaker 4>Why was that surprising? He's supposed to be ugly because

0:49:11.800 --> 0:49:15.719
<v Speaker 4>he's a rapper. I found it racist. Then when I

0:49:15.800 --> 0:49:18.960
<v Speaker 4>got to when I won one of my Image awards

0:49:18.960 --> 0:49:22.319
<v Speaker 4>and I go to the press tent, there were two

0:49:22.719 --> 0:49:26.200
<v Speaker 4>little white girls there and all they did was ask

0:49:26.280 --> 0:49:29.520
<v Speaker 4>me about what I felt about Tupac getting an Image award.

0:49:31.640 --> 0:49:33.960
<v Speaker 3>Now, meanwhile, I have my award, it's my.

0:49:34.040 --> 0:49:39.360
<v Speaker 4>Sixth one, and I'm not even prepared to you know

0:49:39.400 --> 0:49:41.600
<v Speaker 4>how they'd like to bring up dirt when you had

0:49:41.600 --> 0:49:43.160
<v Speaker 4>a bread carpet.

0:49:43.719 --> 0:49:45.680
<v Speaker 3>And I was thinking, what are y'all doing here?

0:49:46.400 --> 0:49:51.480
<v Speaker 4>This is our party, you know, and you're crashing our

0:49:51.600 --> 0:49:55.000
<v Speaker 4>party and asking me to tell some dirt about somebody

0:49:55.000 --> 0:49:59.759
<v Speaker 4>else here. So I wasn't in the most receiving way.

0:50:01.560 --> 0:50:04.600
<v Speaker 4>They kept asking me if I thought he deserved an

0:50:04.600 --> 0:50:07.640
<v Speaker 4>image of Ward and I said, well, I don't know

0:50:07.680 --> 0:50:12.800
<v Speaker 4>what the controversy is. Well, you know, because of Dolorus,

0:50:12.840 --> 0:50:14.799
<v Speaker 4>Tucker and this, that and the other, and I didn't know.

0:50:14.840 --> 0:50:17.480
<v Speaker 4>And I said, well, can you tell me which songs

0:50:18.160 --> 0:50:22.000
<v Speaker 4>you're referring to? At the time, I had only heard

0:50:22.040 --> 0:50:24.799
<v Speaker 4>Dear Mama, Brenda had a baby and keep your head up.

0:50:25.080 --> 0:50:29.080
<v Speaker 4>I honestly didn't know what the controversy was about, because

0:50:29.280 --> 0:50:35.600
<v Speaker 4>these are all uplifting female And she said, well, I

0:50:35.640 --> 0:50:37.399
<v Speaker 4>don't know which song.

0:50:37.960 --> 0:50:39.120
<v Speaker 3>I haven't heard the CD.

0:50:39.200 --> 0:50:42.839
<v Speaker 4>I said, well, why don't you do your homework and

0:50:42.880 --> 0:50:46.520
<v Speaker 4>then come to me and asked me. I was so mad,

0:50:47.560 --> 0:50:50.239
<v Speaker 4>And in the back of the house there were two

0:50:50.280 --> 0:50:54.279
<v Speaker 4>brothers like this. They were from Jetton Ebony, you know,

0:50:54.960 --> 0:50:57.920
<v Speaker 4>because I'm like, how dare you come to our party,

0:50:58.840 --> 0:51:02.879
<v Speaker 4>insult our guests and don't even know what the hell

0:51:02.960 --> 0:51:03.880
<v Speaker 4>you talking about?

0:51:05.440 --> 0:51:06.680
<v Speaker 3>But I'm supposed to know.

0:51:08.600 --> 0:51:13.080
<v Speaker 4>They were on the radio those three songs, and they

0:51:13.200 --> 0:51:14.280
<v Speaker 4>come in like they.

0:51:14.920 --> 0:51:17.799
<v Speaker 3>Well, we just are bad. We just that may hell.

0:51:19.239 --> 0:51:21.120
<v Speaker 4>Oh my god. I was so glad. So the next

0:51:21.160 --> 0:51:23.759
<v Speaker 4>day I was in the LA times, I have my

0:51:24.000 --> 0:51:30.239
<v Speaker 4>ward up like this and my nostrils and I don't

0:51:30.280 --> 0:51:32.960
<v Speaker 4>know what they said, but my publicists called me and

0:51:33.040 --> 0:51:36.680
<v Speaker 4>she was like, you know, there are there are white

0:51:36.719 --> 0:51:39.799
<v Speaker 4>actresses that don't get hired because their breasts are too big.

0:51:39.880 --> 0:51:44.560
<v Speaker 4>I was like, first of all, I don't have to

0:51:44.640 --> 0:51:48.759
<v Speaker 4>run everything by you for me to speak. You know,

0:51:48.840 --> 0:51:49.799
<v Speaker 4>if you wanted to be.

0:51:49.800 --> 0:51:52.080
<v Speaker 3>By my side, you should have been by there. But

0:51:52.160 --> 0:51:56.800
<v Speaker 3>what was she gonna do? Interrupt me? You disrespecting us,

0:51:56.960 --> 0:52:01.359
<v Speaker 3>You disrespecting me and they and the faint.

0:52:01.440 --> 0:52:04.960
<v Speaker 4>He saw that article and heard that I stood up

0:52:05.000 --> 0:52:06.720
<v Speaker 4>for him, and.

0:52:06.560 --> 0:52:08.759
<v Speaker 3>She never forgot that.

0:52:09.840 --> 0:52:12.719
<v Speaker 4>And I think that's part of why she was cool

0:52:12.760 --> 0:52:14.880
<v Speaker 4>with him staying with.

0:52:14.760 --> 0:52:17.360
<v Speaker 1>Me after you got shut Yeah.

0:52:17.080 --> 0:52:20.560
<v Speaker 4>Because she didn't based on what they knew about me

0:52:20.680 --> 0:52:23.719
<v Speaker 4>and seeing me on the show, she didn't realize that.

0:52:23.840 --> 0:52:26.120
<v Speaker 3>I was like that, you know what I mean?

0:52:26.280 --> 0:52:32.879
<v Speaker 4>And they're very much soldiers in that. One of her

0:52:32.920 --> 0:52:35.920
<v Speaker 4>friends said, oh, you a soldier now, and I was like,

0:52:36.440 --> 0:52:37.879
<v Speaker 4>I'm sorry, are we at war?

0:52:39.000 --> 0:52:40.719
<v Speaker 3>I didn't know what she meant.

0:52:40.400 --> 0:52:42.560
<v Speaker 5>By were you afraid during that time? Like when you

0:52:42.600 --> 0:52:44.600
<v Speaker 5>took Pokin after he got shot? Did you feel like

0:52:44.920 --> 0:52:46.879
<v Speaker 5>what if they come looking for him.

0:52:46.920 --> 0:52:53.360
<v Speaker 4>And yeah, there were times because of the the regularity

0:52:53.440 --> 0:52:56.920
<v Speaker 4>of my going in and out of my apartment, I

0:52:57.040 --> 0:52:59.759
<v Speaker 4>felt like it would be easy if I had been

0:52:59.760 --> 0:53:02.239
<v Speaker 4>on radar for anybody.

0:53:01.760 --> 0:53:05.440
<v Speaker 3>To you know, follow me or come up. And so

0:53:05.560 --> 0:53:06.279
<v Speaker 3>there was that.

0:53:07.400 --> 0:53:09.960
<v Speaker 4>And I didn't live in a secured building like a

0:53:10.000 --> 0:53:19.319
<v Speaker 4>doorman building, and I was scared of but like I

0:53:19.360 --> 0:53:22.480
<v Speaker 4>had never seen a real bullet wound, just you know

0:53:22.960 --> 0:53:25.759
<v Speaker 4>on TV like NYPD Blue and when I.

0:53:25.719 --> 0:53:27.560
<v Speaker 3>Played a badass in this movie.

0:53:27.640 --> 0:53:31.480
<v Speaker 4>But I was concerned about that, you know, actually caring

0:53:31.520 --> 0:53:34.160
<v Speaker 4>for the wounds and making sure he was gonna be okay.

0:53:37.080 --> 0:53:38.279
<v Speaker 3>Yeah, he should have been in the.

0:53:38.239 --> 0:53:42.080
<v Speaker 4>Hospital for at least two or three more days on antibiotics.

0:53:42.239 --> 0:53:43.160
<v Speaker 1>Everybody has walked out.

0:53:43.160 --> 0:53:44.799
<v Speaker 2>He signed himself out, so you had to help him

0:53:44.800 --> 0:53:46.840
<v Speaker 2>out and help meet and help him get himself back together.

0:53:46.840 --> 0:53:50.759
<v Speaker 4>But he when he left Bellevue, he went to his

0:53:50.880 --> 0:53:56.520
<v Speaker 4>girlfriends and he realized it was equally accessible. He just

0:53:56.560 --> 0:54:00.520
<v Speaker 4>felt like a sitting duck in the hospital. But everybody

0:54:00.640 --> 0:54:04.600
<v Speaker 4>knew who he was at his girlfriends. Nobody knew that

0:54:04.640 --> 0:54:07.600
<v Speaker 4>we were friends. So him coming to my apartment was

0:54:07.680 --> 0:54:14.160
<v Speaker 4>more diary of Frank I just put food under the bookcase.

0:54:14.960 --> 0:54:17.839
<v Speaker 3>But yeah, it was on the down load.

0:54:18.719 --> 0:54:23.760
<v Speaker 4>I didn't know what kind of publicity might have come

0:54:23.800 --> 0:54:27.360
<v Speaker 4>from that, but it wasn't anything I was interested in publicizing.

0:54:27.480 --> 0:54:30.160
<v Speaker 4>So I just shut the family down.

0:54:30.400 --> 0:54:34.279
<v Speaker 3>I was like, did you tell anybody where those you knew?

0:54:34.360 --> 0:54:34.600
<v Speaker 1>You know?

0:54:35.000 --> 0:54:37.480
<v Speaker 3>Because I didn't do that for that reason.

0:54:38.120 --> 0:54:42.279
<v Speaker 4>It was a personal reason, and that was one of

0:54:42.320 --> 0:54:46.319
<v Speaker 4>those moments where you know, y'all don't get that, and

0:54:46.360 --> 0:54:49.880
<v Speaker 4>they they respected it all these years until the documentary,

0:54:50.320 --> 0:54:57.799
<v Speaker 4>they've been wanting to, I guess, thank me, but their

0:54:57.920 --> 0:55:01.160
<v Speaker 4>love and I'm part of that.

0:55:01.120 --> 0:55:03.040
<v Speaker 3>Family now has been enough.

0:55:03.680 --> 0:55:06.000
<v Speaker 4>I don't need public thanks for what I did on

0:55:06.040 --> 0:55:16.320
<v Speaker 4>a personal level. So it's interesting the documentary said, Okay, Jasmine,

0:55:16.520 --> 0:55:19.560
<v Speaker 4>you can talk about that part of it now, because

0:55:19.600 --> 0:55:22.600
<v Speaker 4>I really thought, well, just you know, I'll go to

0:55:22.640 --> 0:55:26.360
<v Speaker 4>my grave with certain things. Not because I'm ashamed, but

0:55:27.680 --> 0:55:30.759
<v Speaker 4>I don't like the exploitation factor of things that you

0:55:30.840 --> 0:55:34.000
<v Speaker 4>do in your personal life for your kids or for

0:55:34.360 --> 0:55:35.880
<v Speaker 4>people you love or whatever.

0:55:35.960 --> 0:55:38.080
<v Speaker 5>You know, it was your story, I mean, he said

0:55:38.120 --> 0:55:39.759
<v Speaker 5>in the doc Jaya talked about it in her book.

0:55:40.320 --> 0:55:43.600
<v Speaker 3>Yeah, this is a she called me and tell me

0:55:43.640 --> 0:55:46.360
<v Speaker 3>what was in the book. This is all I said.

0:55:46.560 --> 0:55:48.560
<v Speaker 3>I didn't talk about this about that.

0:55:48.719 --> 0:55:52.760
<v Speaker 4>And I really was calling her more for support because

0:55:52.800 --> 0:55:56.680
<v Speaker 4>when I wrote a fane's book, I didn't know all

0:55:56.680 --> 0:55:58.560
<v Speaker 4>the other stuff you have to do for a book,

0:56:01.080 --> 0:56:04.399
<v Speaker 4>bok tours, you know, And I just wanted to make

0:56:04.440 --> 0:56:09.240
<v Speaker 4>sure she was And there was a kind of loneliness

0:56:09.280 --> 0:56:17.320
<v Speaker 4>to her story to me, No jaj there's a loneliness

0:56:17.360 --> 0:56:21.359
<v Speaker 4>like the bigger and richer and you get more isolated,

0:56:22.360 --> 0:56:25.640
<v Speaker 4>you know, there's more things you can't do and you

0:56:25.680 --> 0:56:30.200
<v Speaker 4>always have to I don't know, so I just I

0:56:30.280 --> 0:56:32.719
<v Speaker 4>just didn't want her to feel that loneliness. She could

0:56:32.760 --> 0:56:36.640
<v Speaker 4>talk to me about whatever, because that was some It

0:56:36.760 --> 0:56:40.800
<v Speaker 4>was a lot of personal information. Her gauge is way

0:56:40.840 --> 0:56:43.600
<v Speaker 4>past mind. That's what I mean about the younger ones.

0:56:44.280 --> 0:56:47.600
<v Speaker 4>They showed me that I don't have to be that

0:56:47.719 --> 0:56:50.920
<v Speaker 4>old school about my press.

0:56:51.480 --> 0:56:52.239
<v Speaker 3>Let's go say you.

0:56:52.239 --> 0:56:55.040
<v Speaker 6>You didn't say you know, when Tupac stayed with you,

0:56:55.040 --> 0:56:57.120
<v Speaker 6>you saw that like you ain't gonna go in it

0:56:57.440 --> 0:56:57.799
<v Speaker 6>like that.

0:56:58.480 --> 0:56:59.880
<v Speaker 3>I didn't tell nobody.

0:57:01.040 --> 0:57:05.120
<v Speaker 4>Yeah, I mean when my family saw the documentary, my

0:57:05.239 --> 0:57:10.279
<v Speaker 4>best friend said what I told two people and they

0:57:10.280 --> 0:57:14.719
<v Speaker 4>both lived in New York because why tell somebody that

0:57:14.840 --> 0:57:17.840
<v Speaker 4>can get to me, because I did. I was worried

0:57:17.880 --> 0:57:22.400
<v Speaker 4>that anything could happen, you know. And those two people,

0:57:22.440 --> 0:57:24.280
<v Speaker 4>two of my friends that lived in New York, that

0:57:24.480 --> 0:57:28.440
<v Speaker 4>was it. So all my other friends, I just because

0:57:28.560 --> 0:57:32.920
<v Speaker 4>two weeks is on a long period for me not

0:57:33.000 --> 0:57:37.840
<v Speaker 4>to call you. I wasn't missed yet, you know, maybe

0:57:37.920 --> 0:57:38.920
<v Speaker 4>had It's been a month.

0:57:40.760 --> 0:57:41.040
<v Speaker 3>Yeah.

0:57:41.440 --> 0:57:43.920
<v Speaker 4>So now when that documentary came out, a lot of

0:57:43.960 --> 0:57:44.880
<v Speaker 4>my friends were like.

0:57:47.720 --> 0:57:50.960
<v Speaker 3>When did this happen? Were you staying? How come I didn't.

0:57:50.720 --> 0:57:53.480
<v Speaker 4>Know HD his girlfriend at the time. I have a

0:57:53.480 --> 0:57:57.480
<v Speaker 4>problem with that because that's part guy. So you know,

0:57:57.520 --> 0:57:59.720
<v Speaker 4>I have no idea child. I wasn't doing.

0:58:01.240 --> 0:58:03.600
<v Speaker 3>Twenty one, you know what I mean. I'm not like

0:58:05.240 --> 0:58:05.920
<v Speaker 3>your girlfriend.

0:58:06.840 --> 0:58:10.680
<v Speaker 4>And it was dire, it was I mean, he was

0:58:10.720 --> 0:58:15.720
<v Speaker 4>in trouble, yeah, and he was still open, like it

0:58:15.760 --> 0:58:19.840
<v Speaker 4>wasn't healed yet, you know. So I wasn't thinking about that. Yeah,

0:58:20.200 --> 0:58:21.680
<v Speaker 4>they got back together a thing.

0:58:22.520 --> 0:58:23.320
<v Speaker 3>They got back together.

0:58:24.040 --> 0:58:25.560
<v Speaker 1>Yeah, I'm sure you talk about this only since that.

0:58:25.680 --> 0:58:27.600
<v Speaker 5>This is my last question, like, when's the last time

0:58:27.600 --> 0:58:32.240
<v Speaker 5>you spoke to him? Like before you die, do you

0:58:32.240 --> 0:58:34.320
<v Speaker 5>remember the last conversation in your head or the last

0:58:34.360 --> 0:58:35.280
<v Speaker 5>time you saw him.

0:58:35.920 --> 0:58:39.880
<v Speaker 4>I was visiting a Feeny and Stone Mountain when they

0:58:39.880 --> 0:58:40.920
<v Speaker 4>had a house there.

0:58:42.280 --> 0:58:44.160
<v Speaker 3>And he came through. Now this is after he had

0:58:44.160 --> 0:58:47.600
<v Speaker 3>been in prison for eleven months. Okay, I've seen him

0:58:47.600 --> 0:58:50.880
<v Speaker 3>for a while. Yeah, so I saw him at the house.

0:58:50.920 --> 0:58:51.919
<v Speaker 3>That was the last time.

0:58:54.840 --> 0:58:56.800
<v Speaker 1>You remember the conversation or you don't, that's personal.

0:58:58.880 --> 0:59:01.480
<v Speaker 4>It was just like hey, you know, and he was like,

0:59:02.360 --> 0:59:03.920
<v Speaker 4>I'm strong now because he was.

0:59:03.960 --> 0:59:06.800
<v Speaker 3>He was, you know, infirmed.

0:59:07.440 --> 0:59:10.240
<v Speaker 4>So he wanted me to see his you know, little

0:59:10.320 --> 0:59:12.120
<v Speaker 4>prison push up muscles.

0:59:13.440 --> 0:59:15.960
<v Speaker 3>Because we're all black from doing it on you know,

0:59:16.000 --> 0:59:18.960
<v Speaker 3>he wanted. I was like, yeah, you look good.

0:59:20.040 --> 0:59:22.240
<v Speaker 4>And then he went out with his friends and you know,

0:59:23.040 --> 0:59:26.840
<v Speaker 4>I hung out with a fainting The thing that really

0:59:26.880 --> 0:59:32.160
<v Speaker 4>hurt my feelings about him getting shot like that. When

0:59:32.160 --> 0:59:37.080
<v Speaker 4>he was with me, I thought I was helping him

0:59:37.200 --> 0:59:41.000
<v Speaker 4>go to the next part of his life, like grow.

0:59:45.320 --> 0:59:48.760
<v Speaker 4>I was like, you're gonna get You're gonna go to prison,

0:59:48.920 --> 0:59:55.000
<v Speaker 4>and then you get shot again. And I knew that

0:59:55.080 --> 1:00:00.000
<v Speaker 4>second shooting wasn't the wounds he had the first time,

1:00:00.200 --> 1:00:02.040
<v Speaker 4>wearing his appendages.

1:00:02.360 --> 1:00:09.920
<v Speaker 3>Not in his lungs. I'm so disappointed.

1:00:14.800 --> 1:00:19.919
<v Speaker 6>Yeah, and he told me he was gonna it wasn't

1:00:19.920 --> 1:00:21.479
<v Speaker 6>gonna make it past twenty five.

1:00:21.520 --> 1:00:23.720
<v Speaker 3>I always thought he was just talking shit.

1:00:23.520 --> 1:00:24.120
<v Speaker 1>All the time.

1:00:25.440 --> 1:00:27.560
<v Speaker 3>That's legend. Put that in the book. I was like,

1:00:27.960 --> 1:00:31.840
<v Speaker 3>I'm not writing a book about you. I'm telling you that.

1:00:34.600 --> 1:00:38.840
<v Speaker 3>I'd be like, I'm never telling anybody anything about this experience.

1:00:40.680 --> 1:00:44.640
<v Speaker 4>Nah, you need to you know, blunt in the baptib like,

1:00:44.760 --> 1:00:46.120
<v Speaker 4>you need to put this in the book.

1:00:46.240 --> 1:00:46.720
<v Speaker 3>What am I?

1:00:46.840 --> 1:00:52.760
<v Speaker 4>You're fucking now, I'm you're a chronicler. Yeah, And he

1:00:52.880 --> 1:00:57.640
<v Speaker 4>kept telling me he was like twenty one, and I

1:00:57.680 --> 1:00:59.720
<v Speaker 4>really didn't understand that world.

1:01:00.120 --> 1:01:01.560
<v Speaker 3>He knew. I wasn't from it.

1:01:04.440 --> 1:01:06.640
<v Speaker 4>I thought it was ridiculous for him to say he

1:01:06.720 --> 1:01:11.240
<v Speaker 4>wasn't going to live past twenty five. I treated him

1:01:11.280 --> 1:01:15.560
<v Speaker 4>like I treated my little cousins that make these statements

1:01:15.600 --> 1:01:16.480
<v Speaker 4>about life.

1:01:18.800 --> 1:01:19.600
<v Speaker 3>So that hurts.

1:01:22.880 --> 1:01:24.440
<v Speaker 2>I can't wait people to hear your story.

1:01:24.520 --> 1:01:26.680
<v Speaker 1>You live the life guy. You got to watch him

1:01:26.720 --> 1:01:27.800
<v Speaker 1>since this Sunday.

1:01:27.760 --> 1:01:30.520
<v Speaker 2>March twenty four, Central TV one.

1:01:30.600 --> 1:01:32.640
<v Speaker 3>You gonna make me. I'm gonna take my lashes off

1:01:32.640 --> 1:01:38.160
<v Speaker 3>because I'm going to know yea with lashes if you.

1:01:38.120 --> 1:01:40.080
<v Speaker 1>Take them off and put them on ebit, No, I

1:01:40.160 --> 1:01:41.960
<v Speaker 1>forgot I got you.

1:01:42.120 --> 1:01:43.520
<v Speaker 3>I watch the going.

1:01:44.320 --> 1:01:46.800
<v Speaker 4>Make sure they know it's not roaches or a spider

1:01:46.840 --> 1:01:49.440
<v Speaker 4>because they like you, just put them on.

1:01:49.600 --> 1:01:54.440
<v Speaker 1>All My lesson for Jasmine guy.

1:01:54.520 --> 1:01:58.160
<v Speaker 5>Ladies, always the pleasure when guy love you so much. Lady,

1:01:58.560 --> 1:02:01.720
<v Speaker 5>you are a cultural We appreciate you so much, we

1:02:01.880 --> 1:02:02.600
<v Speaker 5>value you.

1:02:02.680 --> 1:02:03.640
<v Speaker 1>Just thank you always.

1:02:03.720 --> 1:02:04.480
<v Speaker 3>Now, thank you.

1:02:04.640 --> 1:02:06.560
<v Speaker 2>It's Jazmine Guy, It's the Breakfast Club.

1:02:06.600 --> 1:02:09.760
<v Speaker 1>Good morning, wake that ass up in the morning. The

1:02:09.880 --> 1:02:10.760
<v Speaker 1>Breakfast Club