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Speaker 1: So it's late.

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Speaker 2: You know, we're.

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Speaker 3: A couple pills in. We've just been dropping pills. It's me,

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Speaker 3: it's Kirby Pucket, and it's uh, Donna Tello from Ninja Turtles,

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Speaker 3: and we're building this platform bed with drawers with like

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Speaker 3: you know, storage, built in storage. And Donatello turns to

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Speaker 3: me and uh, he takes another pill and he goes,

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Speaker 3: we're taking these pills that are like magic pill.

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Speaker 1: You're not. It's just one. You just take one. Yeah,

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Speaker 1: you're not supposed to keep taking them. Mm hmm, you

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Speaker 1: can't go. Well, what we're getting is this I can't

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Speaker 1: understand the matrix again. What we're getting is this hologram

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Speaker 1: effect where the matrix appears like flickers in and out. No,

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Speaker 1: we could see both because we're taking one then the other.

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Speaker 1: Than then oh as long as you're alternating, Yeah, that's great.

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Speaker 1: And I thought you met you were taking two red

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Speaker 1: pills in a row, so you understand the matrix. And

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Speaker 1: then it's like, now you really understand. But anyway, Donna

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Speaker 1: tell turns me. He's very scared, and he says, where's

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Speaker 1: Kirby And we hear Kirby Pucket of Minnesota Twins into

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Speaker 1: the marg. Yeah, and we.

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Speaker 3: Sort of have built these drawers around him and done

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Speaker 3: a very good job of sealing it up, and we

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Speaker 3: don't really know how to get him out, and we're

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Speaker 3: both pretty scared and what we actually and.

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Speaker 1: He dips big time, and so the thing is probably

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Speaker 1: filling up with He ate with chow.

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Speaker 3: Yes, he ate a lot of the chaw juice, but

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Speaker 3: some of it he just couldn't fit down his gullet,

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Speaker 3: and it is he had a huge plug in starting

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Speaker 3: to a lot of people don't know this, but inside

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Speaker 3: a platform bed, it's very moist and it's a great

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Speaker 3: environment to sort of breed more chaw juice, and that's

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Speaker 3: able to multiply. So he's getting surrounded and thinks he's

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Speaker 3: gonna die, and Donatello has this brainstorm or I think

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Speaker 3: it was my idea and is able to flick one

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Speaker 3: of the pills in under the mattress and when Kirby

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Speaker 3: takes it, he realizes there is.

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Speaker 1: No platform bad right, and he punched it out.

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Speaker 3: Yeah, And he punches out because he was just surrounded

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Speaker 3: by like wires and numbers.

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Speaker 1: I noticed you have switched to Kodiak long cut.

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Speaker 3: Yeah, Well, the short cut was no longer cutting it

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Speaker 3: for me. I used to think more teeny pieces were

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Speaker 3: going to give me a richer buzz, yes, yes, and

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Speaker 3: a more authentic turbato.

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Speaker 1: They would go the little short ones will sometimes go

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Speaker 1: inside my lip.

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Speaker 3: And what I find is I'm finding those things for weeks.

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Speaker 3: Yes that I'm waking up in the middle of the night.

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Speaker 1: What is that?

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Speaker 3: And it's crawled somewhere up inside my sinuses, which it's

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Speaker 3: a killer buzz. It lights me up, puts me on

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Speaker 3: the fucking moon. I'm on planet Mars, just you know,

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Speaker 3: on a freaking jet ski just gunning it. But that's

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Speaker 3: not always what I want at five in the morning

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Speaker 3: when I've got to wake up really early the next

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Speaker 3: day to pick up my kids from school because I

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Speaker 3: left them there the night before. So uh, it's a

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Speaker 3: it's a mixed bag. But the long cut has been

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Speaker 3: better for me. I like to floss it like a

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Speaker 3: piece of spaghetti, Like put it in my nose and

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Speaker 3: then out my.

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Speaker 1: Mouth, and I sort of pulled floss it like you

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Speaker 1: would do with spaghetti.

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Speaker 3: Yeah, you know, you fluss spaghetti inside your nose and

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Speaker 3: mouth and you sort of are pulling it back and forth.

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Speaker 3: Well I'm doing that with the long cutter back, and

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Speaker 3: it's not only a hit at parties, it's a hit

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Speaker 3: for me personally.

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Speaker 1: Hey, welcome industry.

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Speaker 3: You called show biz?

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Speaker 1: What up? What up? Ah?

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Speaker 3: Whoa what a fucking corker. We got four you listeners

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Speaker 3: waiting and it's almost over the way and we're almost

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Speaker 3: about to introduce our guests, and Hayes just had one

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Speaker 3: more thing he wanted to talk about that was going

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Speaker 3: to take a while before we address these guests. And

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Speaker 3: they don't mind.

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Speaker 1: No, I can do it. I can do it another episode.

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Speaker 3: Oh okay, then we'll just introduce them. It's uh, two

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Speaker 3: guys there, Uh, Dave and Mike. They don't need wedding dates,

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Speaker 3: but they do need your ears for laughing at their jokes.

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Speaker 2: Well, thank you.

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Speaker 4: Hey, yeah, that was a great intro, just.

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Speaker 2: A general Dave and Mike here. Yeah, yeah, no last

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Speaker 2: names required, no last names?

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Speaker 1: Was that Dave?

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Speaker 3: Is that Mike who's gives a ship?

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Speaker 1: You know?

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Speaker 2: The voice sound the same. They're about the same height,

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Speaker 2: do heights? Heights don't really come through on the podcast,

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Speaker 2: do they.

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Speaker 1: We have we've had some.

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Speaker 2: You can tell it can can a listener tell who's tall.

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Speaker 3: We've had complaints to sometimes, right, Garrett, so quiet, right,

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Speaker 3: so far from the mic.

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Speaker 4: Yeah, it's actually a reverse compensation. That makes sense, That

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Speaker 4: makes sense.

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Speaker 1: So really, the louder you are, the smaller you are

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Speaker 1: what you would think would be.

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Speaker 4: Right the opposite exactly. What's the shortest guest you've had

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Speaker 4: for me?

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Speaker 1: Uh?

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Speaker 3: Probably Polly Pocket. We had her in here, a huge voice. Yeah,

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Speaker 3: she shrieks and she actually is able to get near

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Speaker 3: the bike because she'll crawl right into your shirt pocket.

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Speaker 1: Yeah, and she will really do some tricks bear. Yeah,

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Speaker 1: she goes, she goes to work, mm hmm wrench is

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Speaker 1: that nipple? Yeah, and but then it is popping out

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Speaker 1: so hard that she has to be ready to Like.

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Speaker 3: I didn't know what happened to me could happen to

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Speaker 3: me from the part of the body that she was

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Speaker 3: doing what she was doing too, But it can and

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Speaker 3: it did. Wow, So I gotta turn back anytime.

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Speaker 2: Crank it up now it's too loud.

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Speaker 4: That's all in your ears, so we won't hear the

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Speaker 4: different turn turn up for.

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Speaker 1: What for the show? Turn up for me were.

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Speaker 5: Man, we weren't going to use last names, but that's

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Speaker 5: Mike hand Man, and it was you guys were on

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Speaker 5: almost a hundred episodes.

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Speaker 2: Told in the green room. I couldn't believe it.

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Speaker 1: Yeah, And I just think about everything that's happened since,

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Speaker 1: and like all this stuff.

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Speaker 3: The ways that life has changed. You guys are both

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Speaker 3: you know, huge now.

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Speaker 2: Two Avengers movies have come and gone. Yeah, yeah, so

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Speaker 2: are we new and forgot?

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Speaker 4: Right?

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Speaker 2: Yeah, spider Man has changed spider.

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Speaker 3: Man two new spider Man since Yeah.

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Speaker 2: Spider Man right.

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Speaker 4: And then in Mike and I his career personally, the

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Speaker 4: number of movies we've seen.

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Speaker 1: That has decreased for me, Yeah, you've seen.

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Speaker 4: Fewer movies since one hundred episodes ago.

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Speaker 1: Yeah, then you had seen one hundred episodes ago year

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Speaker 1: to year? Which ones did you not see anymore?

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Speaker 4: Not so much that we watched a bunch of rewind.

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Speaker 2: Oh wow, but you have to pay if you go

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Speaker 2: down the arc Light ArcLight Cinema dome.

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Speaker 1: So you saw a movie about a dead shark named

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Speaker 1: Jaws who came back to life.

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Speaker 2: Very inspiring story.

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Speaker 3: Oh yeah, that's like when you play a country song backwards.

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Speaker 1: Yeah, I know about that. No, what's that?

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Speaker 3: Oh uh? It's actually a pretty good experience. You get

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Speaker 3: your dog back, you get your wife back.

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Speaker 2: Yeah, now that's an old America's Funniest People joke. I

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Speaker 2: remember Dave Cooler throwing to that. Hey, fuck you man,

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Speaker 2: did we have a problem with that last time?

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Speaker 1: I tried to be nice.

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Speaker 3: He is because I said spider Man's and he was

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Speaker 3: like spider Man, right, spider Man.

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Speaker 1: He's saying, it's like America's Funniest People. What was something

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Speaker 1: that the funniest people?

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Speaker 3: And then he asked me what the rest of the

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Speaker 3: joke was, and then he told me what the joke

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Speaker 3: is from. So is that being nice? You tell me

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Speaker 3: Dave you know him better than I do.

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Speaker 4: I mean, I've known him for years. He's a details man.

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Speaker 4: I don't think he meant maga.

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Speaker 1: Yeah, he's get very detail time.

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Speaker 3: Hey guys, so we didn't really know what to do

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Speaker 3: with you on the episode.

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Speaker 1: That's nice.

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Speaker 3: We didn't discuss it.

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Speaker 1: That's always nice. Let's do figure it out on its underwater.

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Speaker 3: I've been pretty busy. So we usually have a phone

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Speaker 3: call during the week that we talk about, like what

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Speaker 3: we're going to do with the guest or something. But

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Speaker 3: Hayes didn't answer his phone in his voicemail box is

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Speaker 3: always full.

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Speaker 4: No worries.

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Speaker 1: Let's workshop then, so he sent me an email. I'll

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Speaker 1: call myself and say note to self by way here.

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Speaker 3: This morning he sent me an email saying like, you

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Speaker 3: know what we might do, and I'm just gonna read

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Speaker 3: it on your right here.

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Speaker 1: Okay, when did you get here? Like three hours ago?

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Speaker 3: Yes, I've just been circling a lot looking for parking.

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Speaker 2: So and you were taking an uber too, which is

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Speaker 2: that's got to wrack up.

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Speaker 4: Yeah, but for me it's worth it. Conversation you don't

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Speaker 4: want to get out of when you get free phone charging, yeah.

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Speaker 3: That's yeah, that's worth a lot.

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Speaker 1: And so you at home your dad, well, yes, your

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Speaker 1: dad charges you a lot at home.

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Speaker 3: Well, and he doesn't. I have a very limited access

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Speaker 3: to play, you know, the way that a lot of

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Speaker 3: fire Star is through extension cords. So I'm not allowed

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Speaker 3: to have an extension cord that runs into the basement.

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Speaker 3: And there are no native outlets down there, and so

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Speaker 3: I do have to sort of be up on this

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Speaker 3: top step with my arm.

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Speaker 1: Out the door.

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Speaker 3: Yeah, and because if you let it, just see me

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Speaker 3: stomp on it.

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Speaker 1: Because if you let it go, it's your dad.

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Speaker 3: Yes, if I do let it go. And also if

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Speaker 3: he sees that I got my arm out reaching towards

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Speaker 3: the plug, he will come stomp on my arm.

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Speaker 2: Do you have a rule or does he have a

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Speaker 2: rule at the house that if it's on the floor,

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Speaker 2: it's mine?

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Speaker 3: Uh yeah, yeah, if it's I mean, he says, if

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Speaker 3: it's on the floor, it's not yours.

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Speaker 2: Yeah, right, it's a little closer. You're the same, Yeah,

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Speaker 2: growing up and down its dead.

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Speaker 1: And it gets stomped.

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Speaker 3: Yeah, it's dad stuff. And my dog hates that rule

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Speaker 3: because the dog feels like traditionally the floor is his domain.

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Speaker 3: He's so close to it. So here's the email from Hayes.

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Speaker 1: Who's your dog?

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Speaker 5: Oh?

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Speaker 1: H do you don't know him? I know that. It's

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Speaker 1: just weird. I don't like it was I never heard

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Speaker 1: who he is. He's like a.

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Speaker 3: He's like a all right, you know that Melissa Ethard

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Speaker 3: song come to my window? My dog loves that song. Okay,

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Speaker 3: So here's the email from Hayes. It says birthday boys ideas.

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Speaker 1: These are just some ideas. Sometimes I'll be thinking about

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Speaker 1: the show and I'll be like, it's actually a really

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Speaker 1: good way to think of.

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Speaker 3: Ideas since ninety percent of the time, this is how

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Speaker 3: we come up with what we do for the show

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Speaker 3: is hey sends an email like this and I say no, no, no, yes,

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Speaker 3: and then I act like it was half my idea.

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Speaker 1: So he says, anyway, it's good, just exercise.

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Speaker 3: I guess he must have re listened to the first

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Speaker 3: Energized your Brain, re listened to the first episode, and

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Speaker 3: he says, here's the headline. Isn't an idea. We didn't

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Speaker 3: really have any big bits in the first one worth referencing.

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Speaker 1: I don't think, not much.

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Speaker 3: So that he says, Hanford's there to promote.

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Speaker 1: People didn't like it.

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Speaker 3: Yeah, it got pretty crazy at the end. I remember,

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Speaker 3: Hanford's there to promote the John Lennon podcast.

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Speaker 4: That's not true.

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Speaker 2: That's I mean, I can talk about it. I'm not

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Speaker 2: here to promote. I'm okay. That's here to engage.

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Speaker 1: That's on me.

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Speaker 3: That's that's a misunderstanding based on you emailing and guys.

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Speaker 3: I have a new podcast coming out, and I don't

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Speaker 3: want to make.

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Speaker 4: It make me feel because I have nothing to.

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Speaker 1: Misunderstanding. That's a misunderstanding for me too, because I thought

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Speaker 1: that he has a John Lennon, but we'll read the thing.

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Speaker 3: Yeah, here's the idea. Hanford's there to promote the John

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Speaker 3: Lennon Podcas.

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Speaker 2: Questions for Lennon, I should say, is on howel and

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Speaker 2: and use promo code lenin you get a month free.

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Speaker 2: But this is.

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Speaker 1: Use okay Now, I'm okay. I was on your side.

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Speaker 3: That's the one thing that helmets on here talking. Never

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Speaker 3: talk about another promo code on this show. That's food

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Speaker 3: out of my daughter's mouth. Now this is for Howl,

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Speaker 3: my dog's mouth. Speaking of howl, remember that part of

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Speaker 3: the song where she sort of howls, Yeah.

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Speaker 2: Sid Way Battle, I'm gonna take this opportunity to talk

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Speaker 2: about the guests. We've got the dough Boys show up,

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Speaker 2: and she said, Bennett is there, Frank?

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Speaker 1: I would love to have you. I hope you do

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Speaker 1: some more right now.

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Speaker 2: It's a six episode series that it's on Howl and

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Speaker 2: it's basically an vice podcast, So you might want to hear.

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Speaker 3: This six episodes before, Oh my god, six whole episodes.

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Speaker 3: Are you exhausted?

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Speaker 1: And so many more than that.

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Speaker 2: I'm refreshed, I'm ready to do more. I think it's

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Speaker 2: gonna be a lot of fun. If we can keep going.

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Speaker 3: Yeah, it's you've already done, you know, and do it

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Speaker 3: every week. Try doing it every week. You'll see what

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Speaker 3: real podcast is miserable. Hanford's there to promote the John

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Speaker 3: Lennon podcast, and Dave's there to promote like fifteen other

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Speaker 3: things which we pay way more attention to and play

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Speaker 3: fake clips from and stuff. So that's the idea is

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Speaker 3: like you are trying to promote it. Can't do that

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Speaker 3: idea now because you just basically did our promotion trying

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Speaker 3: to do it, and we'd just be like, hold on, Dave,

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Speaker 3: didn't you have something else? And then we sort of

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Speaker 3: would be doing a joke. But is that too much

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Speaker 3: pressure on Dave?

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Speaker 4: No, I get some stuff.

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Speaker 2: It's tough to come up with a clip on the spot.

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Speaker 3: Do you want to do one? Yeah, you'll just get

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Speaker 3: a taste of what that episode would have been where

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Speaker 3: obviously not going to do that episode now. Hanford kind

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Speaker 3: of ruined it because he didn't let me finish. Sure,

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Speaker 3: and we'll just do one. And so Dave, actually, before

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Speaker 3: we get into Mike's thing, Dave, you had a cool

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Speaker 3: new thing coming.

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Speaker 4: Yeah, well, I've been getting into the digital space.

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Speaker 3: Oh wow, Oh, Wow.

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Speaker 4: A lot of people think dettling, you know, yeah, exactly

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Speaker 4: worked out great. Yeah, worked out great. And I think

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Speaker 4: a lot of times to people think traditional media, traditional media,

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Speaker 4: that's where the money is, that's where the future is. No,

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Speaker 4: I'm in the digital space. So I've been doing a

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Speaker 4: lot of Facebook live streaming. That's huge. Your margins there

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Speaker 4: is huge. I have a show called Chicks Talking Dudes.

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Speaker 1: Wow.

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Speaker 4: Yeah, and then there's.

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Speaker 3: And it's hosted by me.

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Speaker 4: Yeah, and it's most you're the chicks. Well, I mean

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Speaker 4: I have a series of hot chicks on to talk dudes.

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Speaker 3: Uh huh, and you're one of the dudes.

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Speaker 4: No, No, I am the host your time. I just

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Speaker 4: have the gift of gap.

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Speaker 1: Yeah.

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Speaker 3: Well should we hear a clip from that?

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Speaker 1: Yeah?

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Speaker 3: Sure, yeah, let's play a clip and that's what we

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Speaker 3: would have done.

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Speaker 4: That would have been great.

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Speaker 1: The Facebook live thing was a good choice. It's so

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Speaker 1: like now sixteen in that big way.

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Speaker 3: I'll tell you truth. As Kevin get in here, he

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Speaker 3: is always here when I don't want him here, and

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Speaker 3: you never hear when I do. Kevin comes in to

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Speaker 3: take pictures.

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Speaker 4: The way you shouted that reminded me of the home

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Speaker 4: Alone fit yeah.

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Speaker 2: Yeah, I didn't know if you guys had seen that,

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Speaker 2: but you got We all have seen the Home Alone movie.

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Speaker 3: I actually rewound it, so I don't know what happened.

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Speaker 1: You did it. It's about a boy.

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Speaker 3: It's funny because family doesn't like it.

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Speaker 4: Again, Blockbuster loves when you rewind, and then arc lays

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Speaker 4: charges the extra to rewind the movie. Yeah, I don't

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Speaker 4: get it.

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Speaker 2: If there's less, it's not that much after.

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Speaker 4: Yeah, no, it's what is it twenty five bucks?

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Speaker 1: Yeah?

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Speaker 2: Ticket on top of that already sixteen dollars.

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Speaker 1: Ticket is a step.

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Speaker 2: But I don't want to get into how they run.

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Speaker 4: Their business or your finance my business.

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Speaker 3: I heard a rumor about them.

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Speaker 1: I won't say it. Yes I did.

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Speaker 3: Yes, I heard from one of the top executives in

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Speaker 3: the city.

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Speaker 4: Whoa did you have a general wom?

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Speaker 3: I had a drive on waiting for me at the lot? Is?

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Speaker 3: Can you guys fall asleep anymore without a drive on

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Speaker 3: waiting for you?

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Speaker 1: A lot?

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Speaker 4: And I'll tell you what. It depends what lot you're in.

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Speaker 4: You can a lot about how important your meeting m.

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Speaker 3: Yeah, it's true, Kevin. Can we do Facebook live?

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Speaker 1: Please?

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Speaker 3: I usually if they tell me to park at level

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Speaker 3: three or below.

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Speaker 1: I just turn around. Let's just do it for one second.

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Speaker 4: Yeah, that's that's interesting because a lot of people are

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Speaker 4: trying to see how many viewers they can accumulate. Yes,

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Speaker 4: but as kind of a high concept play.

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Speaker 3: Kevin's been begging us to do Facebook Live and we've told.

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Speaker 1: Them then, So now I want to. I'm in the

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Speaker 1: mood to do it very for the first time ever.

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Speaker 2: So I confess something. I don't know what Facebook Live is.

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Speaker 1: Okay, I love that about it. And now I'm back

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Speaker 1: on your style.

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Speaker 2: I mean, I am so behind technology.

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Speaker 4: That is so analog.

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Speaker 1: Yeah.

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Speaker 3: What's so cool about Mike is he's sort of the guy.

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Speaker 1: Who sleeps through class.

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Speaker 4: Yeah.

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Speaker 1: Now was this John Lennon? I wonder because he's from

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Speaker 1: the other like before technical.

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Speaker 2: Yes, yeah, talk about John Lennon. We can talk about

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Speaker 2: the you know, the format of the show. We can

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Speaker 2: talk about how many.

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Speaker 3: Before we get into that. I thought Dave was working

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Speaker 3: on something and we would have done that.

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Speaker 1: That would be great.

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Speaker 2: I do wonder about the clips.

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Speaker 1: You I just wanted to.

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Speaker 2: I just want to keys a bit. Does anyone hearing this?

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Speaker 3: Huh?

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Speaker 1: Yeah?

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Speaker 3: Well I just Cody was here he'd be freaking out.

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Speaker 1: YEA. My concern is we like that one was good?

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Speaker 1: Are really fourteen more of those? You know?

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Speaker 4: It's your cast? Mm hmm, I mean all I can.

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Speaker 4: I mean I probably just I got more where that

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Speaker 4: came from.

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Speaker 1: I want to come up.

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Speaker 3: We're going to throw you some like oh I would

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Speaker 3: have got or I would have gotten him halfway there. Yeah,

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Speaker 3: I would have gone like, well you got that, you

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Speaker 3: got that meatball sub shop. And then he would have

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Speaker 3: given me like a funny name, hopefully, and then I

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Speaker 3: would have been like, and aren't all the meatball subs

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Speaker 3: named after different celebrities? And then he would have hopefully

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Speaker 3: been able to come up with something off of that.

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Speaker 1: I mean, I'm basically doing a big hopefully you know

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Speaker 1: what I mean.

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Speaker 2: Yeah, Well, and you can cut your work in half

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Speaker 2: because these days, the you know, after show, the recap

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Speaker 2: shows are so big. So it's oh, you've got chicks

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Speaker 2: talking dudes and then I got the chicktok.

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Speaker 3: You know recap show, Oh yeah, talking to talking dude.

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Speaker 1: So you're doing half the work. You're a lot of

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Speaker 1: the re very.

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Speaker 3: Good extra are is it all of them? And like yeah,

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Speaker 3: and aren't we talking. You know, Kevin, isn't there a

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Speaker 3: thing where we're talking about your subshet.

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Speaker 1: You hold out your camera and you like do a

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Speaker 1: little smile like I'm on Facebook Live and then I'm

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Speaker 1: not on Facebook Live.

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Speaker 3: Yeah, come on, Kevin, this is Facebook Live and welcome

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Speaker 3: to Facebook Live where you're live with two of the

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Speaker 3: birthday boys, Mike and Dave. And should I do the

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Speaker 3: wedding dates joke again?

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Speaker 1: Yeah?

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Speaker 4: Yes, that was like when you read that was our

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Speaker 4: biggest head.

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Speaker 1: I'm Mark Zuckerberg.

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Speaker 2: I you know, so you do know about this social

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Speaker 2: media social network? Is what I meant to say.

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Speaker 1: You said you didn't know what it was.

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Speaker 2: Well, when a camera's point, I mean, I hear Facebook,

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Speaker 2: I'll just start talking about Mark zucker Hello.

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Speaker 1: I'm out of that. I'm out of the mood.

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Speaker 3: And Nuckerberg and hey, is if you wanted to create

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Speaker 3: a mass book live.

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Speaker 1: You would have created Facebook Live.

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Speaker 4: Good the time is? What's that from? That's from something?

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Speaker 1: Yes, it was going to be fun if it had

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Speaker 1: been the when we first, when I was first like

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Speaker 1: let's do Facebook Live, if it had been like ready

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Speaker 1: to go instead of like oh let me get the Facebook,

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00:20:07,240 --> 00:20:09,359
Speaker 1: you know, like then that would have been really nice.

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Speaker 1: That could have been really funny.

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Speaker 3: Think I would have had a good time doing that. Yeah,

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00:20:13,080 --> 00:20:15,320
Speaker 3: where we would have been doing Facebook Live and maybe

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Speaker 3: our fans could have enjoyed us. But the way Kevin

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Speaker 3: executed made it not worth doing.

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Speaker 1: So let's just bail on the whole thing.

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Speaker 3: Please stop pointing that at me. Let's just stop terminate it,

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Speaker 3: and let's get onto the second idea that Hayes had.

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Speaker 4: Okay, so let's trap on the first idea.

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Speaker 3: So, yeah, that's a wrap on the first da.

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Speaker 1: I imagine we can always come back. We love callbacks.

448
00:20:40,960 --> 00:20:42,439
Speaker 1: We love callbacks.

449
00:20:41,880 --> 00:20:44,720
Speaker 4: Oh, this is what happens when I am properly.

450
00:20:44,840 --> 00:20:45,760
Speaker 1: Yeah, this is what happens.

451
00:20:45,800 --> 00:20:46,560
Speaker 4: I freeze up.

452
00:20:46,600 --> 00:20:49,240
Speaker 1: You freeze up. This is my concern about idea one.

453
00:20:49,359 --> 00:20:54,200
Speaker 4: Yeah, because like, because you're saying, specifically, what's the name

454
00:20:54,400 --> 00:20:57,000
Speaker 4: of a sandwich that has a meatball on it and

455
00:20:57,080 --> 00:20:59,440
Speaker 4: has a sun dried tomato wrapping.

456
00:20:59,160 --> 00:21:01,000
Speaker 3: And it's named after celebrity?

457
00:21:01,080 --> 00:21:04,640
Speaker 1: Yeah, oh, Pitbull's big.

458
00:21:04,640 --> 00:21:08,800
Speaker 4: If you can work pit Bull in there, that's pretty good. Wait,

459
00:21:08,840 --> 00:21:10,480
Speaker 4: but I have to work him into it. It can't

460
00:21:10,520 --> 00:21:12,680
Speaker 4: just be called the pit bull the pit ball because

461
00:21:12,720 --> 00:21:13,119
Speaker 4: the meat.

462
00:21:13,040 --> 00:21:14,480
Speaker 2: I think that's yeah, I think that's all.

463
00:21:16,080 --> 00:21:16,240
Speaker 3: This.

464
00:21:16,680 --> 00:21:21,640
Speaker 4: Yeah right, and that's good and it's just a sun

465
00:21:21,680 --> 00:21:24,119
Speaker 4: dried to mabe go to my beat bow drop a

466
00:21:24,240 --> 00:21:25,800
Speaker 4: dry meatball one time.

467
00:21:27,240 --> 00:21:29,320
Speaker 3: Eating this with a kode ac and so you can

468
00:21:29,400 --> 00:21:31,280
Speaker 3: really do almost the entire song.

469
00:21:31,920 --> 00:21:32,080
Speaker 1: You know.

470
00:21:32,200 --> 00:21:35,040
Speaker 4: That was maybe we should do ideas. I don't want

471
00:21:35,040 --> 00:21:35,680
Speaker 4: to hear anymore.

472
00:21:35,840 --> 00:21:38,600
Speaker 3: Yeah, go ahead, it'll it'll be good for this one. Well,

473
00:21:38,640 --> 00:21:40,320
Speaker 3: let's just hear this would be good because I think

474
00:21:40,359 --> 00:21:44,080
Speaker 3: we wouldn't do it. Really, no, I mean we're gonna

475
00:21:44,119 --> 00:21:46,840
Speaker 3: do it, but just a taste, right, just a taste.

476
00:21:47,160 --> 00:21:49,320
Speaker 3: We heard they challenge us to a game with two

477
00:21:49,359 --> 00:21:51,760
Speaker 3: on two basketball, So we play with them in the

478
00:21:51,800 --> 00:21:54,040
Speaker 3: studio and we commentate on how the game is going.

479
00:21:54,160 --> 00:21:57,760
Speaker 1: And here's how excited I was about that idea? Is

480
00:21:57,800 --> 00:21:59,119
Speaker 1: my uh is this on?

481
00:22:00,000 --> 00:22:00,119
Speaker 2: Oh?

482
00:22:00,200 --> 00:22:04,040
Speaker 1: Yes, this is good. I got me so excited. The

483
00:22:04,119 --> 00:22:05,919
Speaker 1: idea had that I brought a basketball?

484
00:22:08,200 --> 00:22:10,359
Speaker 4: All right, how about did you bring any sneakers?

485
00:22:14,800 --> 00:22:17,040
Speaker 1: Your fingers? Quite your fingers?

486
00:22:17,680 --> 00:22:20,879
Speaker 4: I was hoping he had a sneaker, you know. I

487
00:22:21,320 --> 00:22:23,600
Speaker 4: my sneakers are quieter than that. I'll let you in

488
00:22:25,040 --> 00:22:29,120
Speaker 4: because I listened. I listened to all the howl casts

489
00:22:29,320 --> 00:22:32,560
Speaker 4: shooting it and oh that was good.

490
00:22:33,400 --> 00:22:35,960
Speaker 2: Oh, hold on, I had a ex I brought a

491
00:22:36,000 --> 00:22:36,960
Speaker 2: whistle we can use.

492
00:22:37,280 --> 00:22:39,840
Speaker 3: Oh that's a foul onto Mike hand.

493
00:22:40,000 --> 00:22:41,840
Speaker 4: First, well, this is a John Lennon thing.

494
00:22:41,960 --> 00:22:47,960
Speaker 6: Okay, whoa why?

495
00:22:48,160 --> 00:22:53,159
Speaker 3: And that's probably based on one of my shots that reaction, No,

496
00:22:53,280 --> 00:22:54,879
Speaker 3: that's for the I think that was for the whistle.

497
00:22:55,119 --> 00:22:57,320
Speaker 2: This is this is me after I take my you know,

498
00:22:57,359 --> 00:23:01,000
Speaker 2: my free throw miss?

499
00:23:01,560 --> 00:23:07,320
Speaker 3: Yeah okay, and then brick City and this is and

500
00:23:07,359 --> 00:23:10,440
Speaker 3: this is me after I just break Dave's ankles.

501
00:23:12,119 --> 00:23:15,840
Speaker 4: See wow, you kind of threw your voice.

502
00:23:16,040 --> 00:23:18,399
Speaker 2: You break your ankle and then sorry jump away.

503
00:23:19,800 --> 00:23:20,240
Speaker 1: This is a.

504
00:23:20,200 --> 00:23:24,280
Speaker 4: Clip, uh short clip from the locker room after the

505
00:23:24,320 --> 00:23:25,760
Speaker 4: game when I go into the shower.

506
00:23:30,000 --> 00:23:30,080
Speaker 1: You.

507
00:23:30,359 --> 00:23:31,520
Speaker 2: I am so sorry.

508
00:23:31,760 --> 00:23:35,840
Speaker 1: I thought I was sound. Wait you have to whistle

509
00:23:37,160 --> 00:23:40,000
Speaker 1: to get back to that. Yeah, and now you have

510
00:23:40,040 --> 00:23:42,639
Speaker 1: to take two shots. First free throw ye? Let me

511
00:23:42,880 --> 00:23:44,439
Speaker 1: wait he gets shots? White? Is it? Dad?

512
00:23:44,920 --> 00:23:45,639
Speaker 2: Here's my second?

513
00:23:45,760 --> 00:23:49,200
Speaker 1: Ye? Okay, no day, because they know he's gonna miss,

514
00:23:49,359 --> 00:23:51,719
Speaker 1: he has to take the shots and he gets crickets

515
00:23:53,040 --> 00:23:55,440
Speaker 1: no mic drop him.

516
00:23:55,600 --> 00:23:56,560
Speaker 4: Wow, that was great.

517
00:23:57,600 --> 00:24:01,399
Speaker 3: That's really fun. So and then what else were you

518
00:24:01,440 --> 00:24:03,800
Speaker 3: going to say during the game, Haze, this is kind

519
00:24:03,800 --> 00:24:04,520
Speaker 3: of your baby.

520
00:24:04,800 --> 00:24:10,280
Speaker 1: I'd be like, here we go and through the legs. Hey, hey,

521
00:24:10,320 --> 00:24:10,920
Speaker 1: pass it to.

522
00:24:10,880 --> 00:24:16,679
Speaker 3: Me over here. Oh nice, thanks for the past Now I'm.

523
00:24:17,119 --> 00:24:20,000
Speaker 1: Now I'm going to the hoop and I jump it up.

524
00:24:20,160 --> 00:24:31,680
Speaker 3: And Ali you smash see yeah, and that sound the sound,

525
00:24:31,720 --> 00:24:34,919
Speaker 3: of course, was this is the ball breaking Haze's nose.

526
00:24:35,800 --> 00:24:40,560
Speaker 1: And this is a backboard which I think, oh, kind

527
00:24:40,600 --> 00:24:42,840
Speaker 1: of clank like an old barrel.

528
00:24:43,240 --> 00:24:44,280
Speaker 4: It's a very loose rim.

529
00:24:45,040 --> 00:24:46,360
Speaker 3: That's when I'm goofing around.

530
00:24:48,640 --> 00:24:50,360
Speaker 4: Yeah, if you're not trying your hardest.

531
00:24:50,280 --> 00:24:53,080
Speaker 1: Well, I'm like pretending that so everyone knows the picture taking,

532
00:24:53,400 --> 00:24:57,280
Speaker 1: the picture taking has been proceeding. I think it's a video.

533
00:24:59,400 --> 00:25:00,000
Speaker 1: Is this Facebook?

534
00:25:02,240 --> 00:25:06,560
Speaker 4: He doesn't have a good sight line to pasture microphone, No, Kevin,

535
00:25:07,560 --> 00:25:12,240
Speaker 4: you can only do Facebook life through to enable It's. Yeah.

536
00:25:12,440 --> 00:25:17,919
Speaker 3: It creates a lot of anxiety for me, and it

537
00:25:17,960 --> 00:25:20,040
Speaker 3: makes it hard for me to do the show, and

538
00:25:20,080 --> 00:25:22,399
Speaker 3: it makes me hard for me to live my life really,

539
00:25:22,600 --> 00:25:27,240
Speaker 3: because anxiety is something I'm grappling with overall. So if

540
00:25:27,240 --> 00:25:28,720
Speaker 3: we could be done with the pictures, or if you

541
00:25:28,720 --> 00:25:32,080
Speaker 3: need one more, let's say we're doing one more now, right,

542
00:25:32,119 --> 00:25:37,240
Speaker 3: do you need one more, you're all set? Okay, Well

543
00:25:37,320 --> 00:25:40,160
Speaker 3: then I think we're officially done. And thanks for coming in, Kevin,

544
00:25:40,240 --> 00:25:42,560
Speaker 3: and thanks for Facebook living even though it didn't go.

545
00:25:42,800 --> 00:25:49,160
Speaker 1: Yeah Kevin, No, no, don't cram.

546
00:25:49,520 --> 00:25:51,200
Speaker 2: Okay, he's capping the lens.

547
00:25:51,200 --> 00:25:55,400
Speaker 1: We're good. Okay, my basketball isn't working anymore.

548
00:25:56,400 --> 00:25:58,000
Speaker 2: Did it only work when Kevin was in the room?

549
00:25:58,040 --> 00:25:59,200
Speaker 2: Does he have that energy feel?

550
00:25:59,359 --> 00:26:01,439
Speaker 3: I could imagine that people would be glad it's not

551
00:26:01,520 --> 00:26:02,520
Speaker 3: working anymore.

552
00:26:04,440 --> 00:26:05,920
Speaker 2: So that's a reality. I can't imagine.

553
00:26:06,160 --> 00:26:13,200
Speaker 3: Oh really, you got to get into my headspace, man, Yeah, gotta.

554
00:26:12,720 --> 00:26:15,320
Speaker 4: Can you imagine my god?

555
00:26:15,640 --> 00:26:17,679
Speaker 3: No? No, thank you? Yeah, you don't want to be

556
00:26:17,800 --> 00:26:23,679
Speaker 3: up in this this there be monsters, the treasure mat, yeah.

557
00:26:23,600 --> 00:26:25,879
Speaker 4: The RB next. You know, it feels like you're in

558
00:26:25,880 --> 00:26:27,639
Speaker 4: the upside you guys talk like a pirate.

559
00:26:27,640 --> 00:26:29,240
Speaker 3: Oh gosh, the upside down.

560
00:26:29,680 --> 00:26:30,680
Speaker 4: You're in the upside down.

561
00:26:30,840 --> 00:26:33,320
Speaker 3: Have you seen the Stranger Things shirt?

562
00:26:34,000 --> 00:26:36,760
Speaker 4: The shirt? Yeah, I was, I was about to say

563
00:26:36,840 --> 00:26:38,160
Speaker 4: yes prematurely.

564
00:26:38,240 --> 00:26:43,880
Speaker 3: Have you guys seen it where Will's name is upside down?

565
00:26:45,520 --> 00:26:46,680
Speaker 4: You know the listing of names.

566
00:26:47,520 --> 00:26:50,639
Speaker 3: I love this holy ship, but I've never seen a

567
00:26:50,680 --> 00:26:53,880
Speaker 3: twist on it like this, because in the show. He's

568
00:26:53,920 --> 00:27:00,399
Speaker 3: in the upside down, right and the name guys, whoever

569
00:27:00,480 --> 00:27:01,240
Speaker 3: came up with that?

570
00:27:01,480 --> 00:27:05,240
Speaker 1: You should do the Wait, Mike, just listen to my

571
00:27:05,240 --> 00:27:08,600
Speaker 1: idea for one second. Used you beetle shirt like that?

572
00:27:08,640 --> 00:27:15,520
Speaker 1: It says John right and lean in and asking and questions.

573
00:27:15,760 --> 00:27:17,399
Speaker 2: That's good, that's great. We could do a T shirt

574
00:27:17,400 --> 00:27:18,120
Speaker 2: that could be cool.

575
00:27:18,160 --> 00:27:20,600
Speaker 3: And if one of those is upside down, you know.

576
00:27:22,760 --> 00:27:27,240
Speaker 6: Yeah, yeah, yeah, yeah, yeah, I like that because people

577
00:27:27,280 --> 00:27:31,680
Speaker 6: would have seen stranger things, well or at least the sure, at.

578
00:27:31,640 --> 00:27:34,399
Speaker 4: Least the Yeah, they're the two hits of the summer.

579
00:27:34,480 --> 00:27:36,840
Speaker 2: Save bar T shirts are always a hit in the summer.

580
00:27:36,880 --> 00:27:40,000
Speaker 4: Well you know what that is? That's a mashup? Yes

581
00:27:40,640 --> 00:27:45,760
Speaker 4: and again and the digital speed DJ culture. Sure, you're

582
00:27:45,800 --> 00:27:50,400
Speaker 4: mixing digital space DJ culture. People love mashup DJ scribble.

583
00:27:51,720 --> 00:27:53,800
Speaker 3: I remember when he taught me how to crab scratch.

584
00:27:54,760 --> 00:27:55,480
Speaker 1: So there.

585
00:27:55,520 --> 00:28:01,040
Speaker 7: Hayes has a third idea, please stop coffee.

586
00:28:01,880 --> 00:28:04,840
Speaker 1: I don't remember this one. This one says I was

587
00:28:04,920 --> 00:28:06,600
Speaker 1: peaking on the ellithical. Yeah.

588
00:28:06,640 --> 00:28:10,080
Speaker 3: This is when Hayes just sort of blacks out and

589
00:28:10,160 --> 00:28:15,280
Speaker 3: becomes like almost a beam of light. Since we're two

590
00:28:15,359 --> 00:28:18,960
Speaker 3: pairs of white guys, which is a recurring theme on

591
00:28:19,040 --> 00:28:24,320
Speaker 3: the show. Can we talk about diversity for a second,

592
00:28:24,640 --> 00:28:27,639
Speaker 3: I'll finish his idea. Since we're two pairs of white guys,

593
00:28:27,640 --> 00:28:32,160
Speaker 3: we form a plan to eliminate the dough Boys. Would

594
00:28:32,200 --> 00:28:34,080
Speaker 3: you guys be comfortable with that? I know one of

595
00:28:34,080 --> 00:28:35,119
Speaker 3: them is friends with you.

596
00:28:35,080 --> 00:28:38,680
Speaker 2: Those are yeah, I'm which one. We won't say which one.

597
00:28:38,760 --> 00:28:41,440
Speaker 1: We normally clear first with you guys ahead of time.

598
00:28:41,520 --> 00:28:43,840
Speaker 3: But do you think it was intentional that the one

599
00:28:43,880 --> 00:28:48,080
Speaker 3: time they've actually tried to schedule me to do dough Boys,

600
00:28:48,200 --> 00:28:50,920
Speaker 3: they did it at the exact time that we've recorded

601
00:28:50,960 --> 00:28:53,480
Speaker 3: Hollywood Handbook every week for the past three years.

602
00:28:53,520 --> 00:28:55,880
Speaker 1: And then we told them and they know that we

603
00:28:56,080 --> 00:28:57,560
Speaker 1: try to get the show.

604
00:28:57,400 --> 00:28:59,960
Speaker 3: Yes, and we've invited them and said if there's any

605
00:29:00,040 --> 00:29:02,280
Speaker 3: Saturday at eleven you can do, And then they were like,

606
00:29:02,320 --> 00:29:04,040
Speaker 3: can you do Saturday eleven for dough Boys?

607
00:29:04,080 --> 00:29:06,240
Speaker 1: We really want to get you on that.

608
00:29:06,240 --> 00:29:08,160
Speaker 4: That makes it because normally they record at night.

609
00:29:08,400 --> 00:29:09,640
Speaker 2: They make you the problem.

610
00:29:09,760 --> 00:29:14,120
Speaker 3: Oh, I know because I listen. I listen to the

611
00:29:14,160 --> 00:29:19,000
Speaker 3: never ending parade of clowns who guessed on that show.

612
00:29:21,280 --> 00:29:23,360
Speaker 2: You know it's okay, we've been both.

613
00:29:23,160 --> 00:29:23,560
Speaker 1: Of us, have.

614
00:29:25,480 --> 00:29:25,560
Speaker 7: It?

615
00:29:25,600 --> 00:29:29,320
Speaker 1: Does end sometimes and the parade ends for like a second,

616
00:29:29,520 --> 00:29:32,240
Speaker 1: they take a quick break in the parade, or there's

617
00:29:32,240 --> 00:29:35,960
Speaker 1: just like a part of the parade you like.

618
00:29:34,800 --> 00:29:40,080
Speaker 4: Like, you know, clowns can be fun Clowns can be funny.

619
00:29:40,080 --> 00:29:42,520
Speaker 2: Oh yeah, a never ending parade of clowns is to.

620
00:29:44,000 --> 00:29:47,600
Speaker 1: Drill. Oh yeah, Red Bastard.

621
00:29:47,720 --> 00:29:49,240
Speaker 3: Do you them about Red Bastard?

622
00:29:50,120 --> 00:29:50,320
Speaker 1: No?

623
00:29:50,840 --> 00:29:54,080
Speaker 3: Oh, he's doing incredible space work. If you want to

624
00:29:54,120 --> 00:29:59,320
Speaker 3: see a show that challenges your idea of like what entertainment.

625
00:29:58,880 --> 00:30:05,160
Speaker 7: Might be clowning, yeah, watch Stranger Things and then go

626
00:30:05,280 --> 00:30:09,240
Speaker 7: check out Red Bastard and ask them about this shirt.

627
00:30:10,480 --> 00:30:15,200
Speaker 3: Bbaight actually has that shirt, which is a cool confluenceive

628
00:30:15,400 --> 00:30:21,040
Speaker 3: that's an interesting confluence of cultural iconography.

629
00:30:21,240 --> 00:30:25,880
Speaker 1: So what else am I gonna say?

630
00:30:26,080 --> 00:30:27,720
Speaker 3: Oh yeah, do we want to do a plan to

631
00:30:27,720 --> 00:30:28,440
Speaker 3: bring down dough Boys?

632
00:30:28,520 --> 00:30:31,120
Speaker 1: Is it better to be here's a question for you guys.

633
00:30:31,400 --> 00:30:34,200
Speaker 1: Is it better to be like constantly being dicked around

634
00:30:34,240 --> 00:30:37,479
Speaker 1: about scheduling for you getting on for like a person

635
00:30:37,520 --> 00:30:40,880
Speaker 1: getting on dough Boys, to be like entertained as a

636
00:30:40,920 --> 00:30:44,680
Speaker 1: guest but never actually on the show, or just not

637
00:30:44,880 --> 00:30:45,560
Speaker 1: considered at.

638
00:30:45,520 --> 00:30:47,960
Speaker 2: All because once oh yeah, well not in the.

639
00:30:47,880 --> 00:30:51,080
Speaker 3: Conversation should it be like they just don't know who

640
00:30:51,120 --> 00:30:51,360
Speaker 3: I am.

641
00:30:51,440 --> 00:30:52,800
Speaker 2: You want to be on the radar. You want to

642
00:30:52,800 --> 00:30:55,000
Speaker 2: be on the Okay, you.

643
00:30:54,960 --> 00:30:57,400
Speaker 1: Think to just be totally ignored is not as good

644
00:30:57,440 --> 00:30:58,920
Speaker 1: as being approused.

645
00:30:59,680 --> 00:31:01,560
Speaker 3: I think, which one are you do you have going on?

646
00:31:01,600 --> 00:31:01,880
Speaker 7: Hayes?

647
00:31:02,040 --> 00:31:04,240
Speaker 1: It's neither of these, is me.

648
00:31:07,400 --> 00:31:10,120
Speaker 2: It has to be one or the other, either ignored.

649
00:31:11,600 --> 00:31:14,160
Speaker 3: The only third option is you're a guest like you've.

650
00:31:14,280 --> 00:31:16,400
Speaker 2: That's a tough one because you do it and you're done,

651
00:31:16,400 --> 00:31:18,960
Speaker 2: and now you're off the radar for.

652
00:31:18,920 --> 00:31:19,520
Speaker 1: A great reason.

653
00:31:19,600 --> 00:31:21,760
Speaker 2: Well, but you get the bomb, you get the bump,

654
00:31:21,800 --> 00:31:23,320
Speaker 2: and you get to that's true. You get a few

655
00:31:23,360 --> 00:31:24,160
Speaker 2: Twitter bumps.

656
00:31:24,440 --> 00:31:30,400
Speaker 3: Yeah, when you guys did it, what was the sort of.

657
00:31:32,040 --> 00:31:32,800
Speaker 1: Like afterwards?

658
00:31:32,880 --> 00:31:37,360
Speaker 3: Well, I mean you must have been drowning in it.

659
00:31:37,520 --> 00:31:43,200
Speaker 2: Yeare you talking about the restaurant. I wasn't drowning in

660
00:31:43,240 --> 00:31:49,719
Speaker 2: any restaurant materials. I had a very sizeable puzzy restaurant.

661
00:31:49,920 --> 00:31:52,640
Speaker 2: I went to a Chipotle restaurant for the show.

662
00:31:53,560 --> 00:31:57,200
Speaker 3: For the show, okay, because I know puzzy restaurant is

663
00:31:57,200 --> 00:31:58,240
Speaker 3: what Hayes calls.

664
00:31:58,120 --> 00:32:06,840
Speaker 1: The club, right, Yeah, that's a class hometown buffet.

665
00:32:04,760 --> 00:32:06,280
Speaker 2: And you go right for the dessert menu. I never

666
00:32:06,360 --> 00:32:07,160
Speaker 2: understood what that meant.

667
00:32:07,200 --> 00:32:08,320
Speaker 1: Yeah, I got to the chocolate bout.

668
00:32:08,960 --> 00:32:11,920
Speaker 3: He's the kind of guy who he's dessert first.

669
00:32:12,960 --> 00:32:15,120
Speaker 2: That that's pretty good I'm getting.

670
00:32:16,200 --> 00:32:19,280
Speaker 1: I'm a dirty boy today. I woke up this morning

671
00:32:19,320 --> 00:32:20,920
Speaker 1: and I knew I was going to be a dirty boy.

672
00:32:20,960 --> 00:32:27,400
Speaker 3: He's been being fresh, which honestly, I'm just happy to

673
00:32:27,480 --> 00:32:32,160
Speaker 3: see him kind of wake up and just have something.

674
00:32:32,200 --> 00:32:37,400
Speaker 3: He's definitely better. Well, he's been morose. I mean, anyone

675
00:32:37,400 --> 00:32:41,280
Speaker 3: who listens to the show knows that Hayes has barely

676
00:32:41,440 --> 00:32:47,520
Speaker 3: participated for a few months now. He's kind of given

677
00:32:47,600 --> 00:32:49,480
Speaker 3: up on the show and in some ways given up

678
00:32:49,520 --> 00:32:50,040
Speaker 3: on himself.

679
00:32:50,280 --> 00:32:51,320
Speaker 2: Yes, what happened?

680
00:32:52,200 --> 00:32:53,840
Speaker 4: Uh stepping right in?

681
00:32:55,000 --> 00:32:57,360
Speaker 1: Yes, no, thank you.

682
00:32:57,720 --> 00:32:59,760
Speaker 2: I don't want to use this language like what's morose

683
00:32:59,800 --> 00:33:02,360
Speaker 2: and who's had not been here? What happened?

684
00:33:02,840 --> 00:33:03,080
Speaker 1: Yeah?

685
00:33:04,160 --> 00:33:04,840
Speaker 3: Hey fuck you?

686
00:33:05,240 --> 00:33:07,600
Speaker 2: No, no, no, no, because it feels like the way you've

687
00:33:07,640 --> 00:33:10,200
Speaker 2: been doing things shown is tiptoeing around a problem. When

688
00:33:10,320 --> 00:33:12,760
Speaker 2: this person sitting next to me, who I've grown to

689
00:33:12,880 --> 00:33:15,720
Speaker 2: like over this podcast, the last.

690
00:33:15,520 --> 00:33:19,680
Speaker 4: Nobody attention some straight now, and any psychiatrist would tell

691
00:33:19,720 --> 00:33:20,800
Speaker 4: you just get in there.

692
00:33:20,880 --> 00:33:24,000
Speaker 1: Yeah, yeah, you have a gun. Yeah, give me that.

693
00:33:24,160 --> 00:33:26,640
Speaker 3: What's wrong with you?

694
00:33:26,640 --> 00:33:29,280
Speaker 2: You tell me? Is what any psychoic is it?

695
00:33:29,360 --> 00:33:30,080
Speaker 4: Slit in time?

696
00:33:32,240 --> 00:33:39,720
Speaker 1: Somebody took my bed oh oh, hay again mm hmm, well.

697
00:33:39,720 --> 00:33:42,280
Speaker 2: Let's break that down. Somebody took it to sleep in,

698
00:33:42,440 --> 00:33:44,120
Speaker 2: or they somebody sleeping in there.

699
00:33:44,440 --> 00:33:46,800
Speaker 1: I only hope that it is at least being slept in.

700
00:33:46,960 --> 00:33:50,440
Speaker 3: The piece of furniture is gone. This is not a metaphor. Yeah, no,

701
00:33:50,560 --> 00:33:55,560
Speaker 3: he's he's been dealing with this, hayes. I didn't know.

702
00:33:56,160 --> 00:33:57,960
Speaker 1: So now I just have I have to push the

703
00:33:57,960 --> 00:33:59,960
Speaker 1: bedside tables together. That's a lot of shit.

704
00:34:01,480 --> 00:34:05,520
Speaker 2: And you just sit up. You're sleeping sitting up, and

705
00:34:05,560 --> 00:34:07,360
Speaker 2: then well that's no way to get aid.

706
00:34:07,720 --> 00:34:08,239
Speaker 1: Sits up.

707
00:34:08,320 --> 00:34:12,440
Speaker 3: He sits up, and he sleeps holding a spoon, and

708
00:34:12,520 --> 00:34:15,480
Speaker 3: every time he actually falls asleep, the spoon cloud is

709
00:34:15,520 --> 00:34:17,640
Speaker 3: on the floor. He wakes back up. That says that

710
00:34:17,680 --> 00:34:19,680
Speaker 3: it gives him twenty two usable hours in a day,

711
00:34:21,200 --> 00:34:24,000
Speaker 3: and then a lot of your body's recovery actually occurs

712
00:34:24,080 --> 00:34:25,960
Speaker 3: during the process of falling asleep.

713
00:34:26,040 --> 00:34:29,560
Speaker 1: But itself is no value. And I could barely hold

714
00:34:29,600 --> 00:34:32,919
Speaker 1: his spoon when I'm awake. Yeah, yeah, well, when I'm

715
00:34:32,960 --> 00:34:36,320
Speaker 1: like at my freshest. Yeah, let alone. When I'm sleepy,

716
00:34:36,400 --> 00:34:38,120
Speaker 1: it just kind of glances off my hand.

717
00:34:38,320 --> 00:34:40,279
Speaker 3: Well, are we going to finally talk about the rheumatism?

718
00:34:41,280 --> 00:34:43,200
Speaker 1: No, okay, you can ask me one thing about it.

719
00:34:44,640 --> 00:34:47,040
Speaker 3: What is it?

720
00:34:47,040 --> 00:34:54,480
Speaker 1: It's like it's short for bed, like bedroom, Like it's

721
00:34:54,520 --> 00:34:57,399
Speaker 1: what happens when like you in your room is sick.

722
00:34:57,480 --> 00:34:59,080
Speaker 4: My bedroom is sick because there's no bed.

723
00:34:59,120 --> 00:34:59,560
Speaker 7: And then.

724
00:35:01,000 --> 00:35:07,560
Speaker 1: Mm hmmm room autism. Yeah, yeah, I don't think that

725
00:35:07,960 --> 00:35:14,200
Speaker 1: as being sick. It actually makes you or it like

726
00:35:14,360 --> 00:35:16,360
Speaker 1: it gives you like super power, you know. It's like

727
00:35:16,480 --> 00:35:17,480
Speaker 1: kind of superpower.

728
00:35:17,680 --> 00:35:20,040
Speaker 4: Is the same as rumatoid arthritis.

729
00:35:20,880 --> 00:35:25,440
Speaker 2: Uh, room altoid. Yeah, it's when you try, you know,

730
00:35:25,440 --> 00:35:27,799
Speaker 2: when you spill an altoid's box all over, which is

731
00:35:28,760 --> 00:35:30,279
Speaker 2: next to not impossible.

732
00:35:31,000 --> 00:35:33,080
Speaker 1: Oh yeah, it's so easy to do.

733
00:35:33,239 --> 00:35:36,839
Speaker 3: No then, and when you open it, they're just immediately everywhere.

734
00:35:36,960 --> 00:35:39,280
Speaker 2: Yeah, it's just you know, take a screenshot of somebody.

735
00:35:39,640 --> 00:35:41,560
Speaker 2: Screenshots snapshot somebody opening one.

736
00:35:41,560 --> 00:35:44,720
Speaker 1: You're gonna see, especially when your hands are like fists,

737
00:35:44,760 --> 00:35:46,399
Speaker 1: like kind of half fists all the time. Right.

738
00:35:46,440 --> 00:35:48,680
Speaker 3: Oh yeah, and good luck if you're in your girlfriend's

739
00:35:48,680 --> 00:35:52,200
Speaker 3: neighbors car ever getting invited back into that situation again

740
00:35:52,280 --> 00:35:54,000
Speaker 3: where your girlfriends and neighbor is going to give you a.

741
00:35:53,960 --> 00:35:54,440
Speaker 1: Ride, and.

742
00:35:56,440 --> 00:35:58,279
Speaker 2: Hey, why is it always that the neighbor has the

743
00:35:58,320 --> 00:35:59,000
Speaker 2: cleanest car?

744
00:35:59,160 --> 00:35:59,440
Speaker 1: Oh?

745
00:35:59,640 --> 00:36:04,200
Speaker 3: You know, dude, thank you. Finally we're hitting.

746
00:36:04,280 --> 00:36:06,120
Speaker 1: But something we can about.

747
00:36:06,160 --> 00:36:08,799
Speaker 2: Is it something that keep going grass is greener thing?

748
00:36:08,920 --> 00:36:12,440
Speaker 2: Or is it always your fucking neighbors car is so clean?

749
00:36:12,560 --> 00:36:14,800
Speaker 4: Yeah, they have the vacuum.

750
00:36:14,840 --> 00:36:17,919
Speaker 3: I know, they got the vacuum right there inside the car.

751
00:36:18,200 --> 00:36:18,399
Speaker 4: Yep.

752
00:36:18,440 --> 00:36:20,560
Speaker 2: And they're the only person on the block. It seems

753
00:36:20,600 --> 00:36:22,400
Speaker 2: not to be a cognizant of the you know, the

754
00:36:22,440 --> 00:36:23,120
Speaker 2: water problem.

755
00:36:23,239 --> 00:36:27,600
Speaker 3: Yeah, oh please, Yeah, what a lush, beautiful lawn.

756
00:36:27,840 --> 00:36:34,200
Speaker 2: You know you're referring to Zica, not in this instance,

757
00:36:34,239 --> 00:36:36,560
Speaker 2: but the other times generally.

758
00:36:36,600 --> 00:36:40,560
Speaker 4: I usually around the Olympics, right, Hey, hey, did anyone

759
00:36:40,560 --> 00:36:40,840
Speaker 4: see that?

760
00:36:40,920 --> 00:36:42,360
Speaker 1: Your thing is that Zekea's in the water.

761
00:36:42,880 --> 00:36:44,440
Speaker 4: Yeah, yeah, that's my understanding.

762
00:36:44,719 --> 00:36:46,560
Speaker 2: And at the Olympics they were, Yeah, we've heard about

763
00:36:46,600 --> 00:36:48,319
Speaker 2: it almost every single commercial break.

764
00:36:48,719 --> 00:36:53,000
Speaker 4: Yeah, only and only during the commercial breaks. Costas wouldn't

765
00:36:53,000 --> 00:36:55,800
Speaker 4: shut up red Eye or Pink.

766
00:36:55,600 --> 00:36:56,160
Speaker 1: Eye or whatever.

767
00:36:56,200 --> 00:36:58,719
Speaker 4: Hell doing that now he's got Zekea on the brain

768
00:36:58,880 --> 00:36:59,880
Speaker 4: competing rants.

769
00:37:00,440 --> 00:37:02,959
Speaker 2: I didn't understand during the Olympics when the commercials would

770
00:37:02,960 --> 00:37:04,560
Speaker 2: have the picture and picture on the bottom and they

771
00:37:04,600 --> 00:37:06,840
Speaker 2: just seem to let Costas go off on whatever he wanted.

772
00:37:07,040 --> 00:37:08,680
Speaker 3: Yeah, you didn't understand that.

773
00:37:08,760 --> 00:37:10,440
Speaker 2: I didn't understand why that was happening.

774
00:37:10,560 --> 00:37:11,320
Speaker 3: I didn't understand.

775
00:37:11,360 --> 00:37:15,120
Speaker 1: Now I I you rant now or take a second

776
00:37:15,120 --> 00:37:17,719
Speaker 1: to think of a good rant rant Sam.

777
00:37:17,560 --> 00:37:19,560
Speaker 4: While he's thinking. By the way, to answer your question

778
00:37:20,040 --> 00:37:23,520
Speaker 4: about the pussy, my wife and I sexual relations remained

779
00:37:23,600 --> 00:37:25,960
Speaker 4: unchanged before and after the podcast.

780
00:37:25,920 --> 00:37:30,080
Speaker 2: Right, yeah, but you tell them what they were before.

781
00:37:29,800 --> 00:37:37,520
Speaker 1: Frequent, Yeah, yeah, heavy, Yeah, you're right. I'm gonna order

782
00:37:37,560 --> 00:37:43,280
Speaker 1: a sandwich. Does anyone want anything that's not a it's polite,

783
00:37:43,400 --> 00:37:46,920
Speaker 1: it's not a rant. Well, where are you going? It

784
00:37:46,960 --> 00:37:48,960
Speaker 1: is kind of and also since we you know, we

785
00:37:48,960 --> 00:37:50,640
Speaker 1: were saying earlier that we did want to do some

786
00:37:50,680 --> 00:37:53,840
Speaker 1: callbacks later and why don't you say a meatball? Side?

787
00:37:53,960 --> 00:37:56,320
Speaker 4: Well, and then I'll say I'll take a pitball.

788
00:37:56,520 --> 00:37:59,000
Speaker 1: You know how much we love callbacks, especially to be

789
00:37:59,120 --> 00:38:00,719
Speaker 1: like that's our show. Oh you know what I mean?

790
00:38:01,480 --> 00:38:06,279
Speaker 1: Ordering that, you know, yes, yeah, right, picture and if that, yeah,

791
00:38:06,280 --> 00:38:09,640
Speaker 1: it would be thank you. Dave. Dave was minding dribbling

792
00:38:09,640 --> 00:38:11,439
Speaker 1: a basketball, because now it would be a great time

793
00:38:11,440 --> 00:38:13,279
Speaker 1: for me to bring my basketball back out. But it's

794
00:38:13,320 --> 00:38:25,720
Speaker 1: not working. As soon as Kevin left the room.

795
00:38:20,520 --> 00:38:22,640
Speaker 4: I can't believe they left that guy and went to France.

796
00:38:23,680 --> 00:38:25,919
Speaker 4: Actually they don't get to France. They end up in Florida.

797
00:38:27,239 --> 00:38:33,080
Speaker 1: Kevin, get my basketball, Get my basketball again. Fix it, Kevin.

798
00:38:33,120 --> 00:38:37,040
Speaker 3: I'm sorry it was so nasty to you before.

799
00:38:37,120 --> 00:38:38,160
Speaker 1: It's not about you.

800
00:38:38,120 --> 00:38:43,120
Speaker 3: It's no, it's for me. What I have to do

801
00:38:43,200 --> 00:38:48,480
Speaker 3: is just accept, Hey, I'm feeling uncomfortable. Kevin's over my shoulder. Uh,

802
00:38:49,200 --> 00:38:51,440
Speaker 3: and that's a feeling that I have and it's okay.

803
00:38:52,520 --> 00:38:55,160
Speaker 3: Instead of associating that feeling with this makes me want

804
00:38:55,160 --> 00:38:59,799
Speaker 3: to hurt Kevin, you want to hurt myself and going

805
00:38:59,840 --> 00:39:04,440
Speaker 3: down through this hole, you know, rabbit hole I've often considered,

806
00:39:05,120 --> 00:39:06,520
Speaker 3: like the one you have on. I wish we could

807
00:39:06,520 --> 00:39:07,919
Speaker 3: get a picture of Kevin's T shirt.

808
00:39:09,040 --> 00:39:11,239
Speaker 2: Sorry, sorry, so I'm just I always want to know

809
00:39:11,239 --> 00:39:12,759
Speaker 2: if I could do that fast, and I guess I can.

810
00:39:13,080 --> 00:39:18,120
Speaker 1: WHOA, I can dribble quickly fastly. Oh my god, Mike,

811
00:39:18,200 --> 00:39:21,280
Speaker 1: that's too many three pointers. I should take this skill

812
00:39:21,280 --> 00:39:22,160
Speaker 1: over the David Busters.

813
00:39:22,160 --> 00:39:23,400
Speaker 2: I'd win the whole ticket booth.

814
00:39:24,640 --> 00:39:26,920
Speaker 3: It's not a booth, really, it's that room.

815
00:39:27,320 --> 00:39:28,319
Speaker 1: It's that nice well.

816
00:39:29,280 --> 00:39:32,319
Speaker 3: Ticket booth is like where you buy tickets, right right,

817
00:39:32,360 --> 00:39:34,279
Speaker 3: I guess I would be buying the the prize booth.

818
00:39:34,640 --> 00:39:37,399
Speaker 1: Prize booth. Yeah, it's but it.

819
00:39:37,320 --> 00:39:40,439
Speaker 2: Is, like I said, a prize room. Yeah you want

820
00:39:40,440 --> 00:39:41,720
Speaker 2: to Hey, you want saying booth.

821
00:39:41,920 --> 00:39:48,160
Speaker 3: They think it's a booth. No, that's because powers booth.

822
00:39:49,360 --> 00:39:50,919
Speaker 3: Remember powers booth.

823
00:39:51,200 --> 00:39:52,760
Speaker 4: That would be a great one on one.

824
00:39:52,840 --> 00:39:55,080
Speaker 3: Deadwood was like Shakespeare, go ahead.

825
00:39:55,040 --> 00:40:02,720
Speaker 4: John Wilkes versus powers. Oh no, first kissing, Yeah, kissing

826
00:40:03,960 --> 00:40:08,240
Speaker 4: and no weapons. I'll take kissing. Put my money on kissing.

827
00:40:08,400 --> 00:40:10,000
Speaker 3: I hate to get us all in trouble. But what

828
00:40:10,000 --> 00:40:13,400
Speaker 3: do you guys do during the national anthem?

829
00:40:13,440 --> 00:40:16,680
Speaker 4: Now or pre k huh?

830
00:40:16,680 --> 00:40:17,719
Speaker 1: What do you do? Oh?

831
00:40:17,800 --> 00:40:21,080
Speaker 3: Count luis k m hm, same time?

832
00:40:21,160 --> 00:40:21,759
Speaker 1: I will Yeah.

833
00:40:21,800 --> 00:40:24,759
Speaker 2: That was Normally look up the lyrics on my phone

834
00:40:24,800 --> 00:40:27,080
Speaker 2: so I can sing along and I'm you know, got

835
00:40:27,120 --> 00:40:29,600
Speaker 2: my head and my phone and by the time I'm

836
00:40:29,960 --> 00:40:31,440
Speaker 2: fire the thing out, by the time I get to

837
00:40:31,520 --> 00:40:32,920
Speaker 2: the right site, the right you.

838
00:40:32,840 --> 00:40:35,680
Speaker 4: Know, genius lyrics usually go to genius right, so you

839
00:40:35,680 --> 00:40:36,960
Speaker 4: can know the meaning of the words.

840
00:40:37,640 --> 00:40:39,879
Speaker 1: Metro lyrics and by a metro lyrics. Yeah.

841
00:40:39,960 --> 00:40:42,240
Speaker 2: By that time, you know, we're already in the first

842
00:40:42,280 --> 00:40:43,560
Speaker 2: free throw, so I'm done.

843
00:40:47,120 --> 00:40:47,799
Speaker 3: Yeah, me too.

844
00:40:50,520 --> 00:40:52,000
Speaker 1: Do you have a thing that you like to do?

845
00:40:53,880 --> 00:40:56,600
Speaker 1: Usually when you ask a question, it's because because.

846
00:40:56,320 --> 00:40:58,759
Speaker 3: I've got like this whole thing getting queued up, and

847
00:40:58,800 --> 00:41:01,160
Speaker 3: I sort of let people flail around your waiting there.

848
00:41:01,320 --> 00:41:03,680
Speaker 3: They're like trying to come up with what I thought

849
00:41:03,680 --> 00:41:06,279
Speaker 3: of something good before I had the same one of

850
00:41:06,320 --> 00:41:07,600
Speaker 3: those times, Buddy.

851
00:41:07,440 --> 00:41:13,040
Speaker 4: I boo, I've booed. I booed before, I booed after,

852
00:41:13,239 --> 00:41:16,239
Speaker 4: but now I just booed during. And it's a lot

853
00:41:16,239 --> 00:41:20,160
Speaker 4: of people think it's anti American sentiment. I'm booing all

854
00:41:20,239 --> 00:41:23,600
Speaker 4: the people who are neil, who are sitting, who are

855
00:41:24,280 --> 00:41:27,719
Speaker 4: turning the other direction or whatever they do now, And

856
00:41:28,960 --> 00:41:32,560
Speaker 4: it's my stand. And if it gets misinterpreted.

857
00:41:32,000 --> 00:41:34,600
Speaker 3: People, I got a couple ideas of what I could say.

858
00:41:34,640 --> 00:41:37,960
Speaker 1: I do. I do mine, oh, because I worry that

859
00:41:37,960 --> 00:41:41,600
Speaker 1: that mine might get stepped on. And it's really good, okay,

860
00:41:41,640 --> 00:41:46,360
Speaker 1: because mine, Yeah, all right, mine's awesome. I like people

861
00:41:46,400 --> 00:41:49,480
Speaker 1: get mad about the way I salute the national anthem,

862
00:41:49,840 --> 00:41:53,359
Speaker 1: but my heart is is in my dick.

863
00:41:54,280 --> 00:41:59,520
Speaker 3: Oh, yes, Oh yep, I well, so one of mine

864
00:41:59,520 --> 00:42:03,040
Speaker 3: would be uh in the neighborhood of that, which is

865
00:42:03,080 --> 00:42:05,200
Speaker 3: like and I don't want to get any more specific

866
00:42:05,239 --> 00:42:07,360
Speaker 3: than this is I just go The only thing I

867
00:42:07,400 --> 00:42:09,600
Speaker 3: know about the national anthem is a great time to

868
00:42:09,600 --> 00:42:12,480
Speaker 3: squeeze one. And I wasn't gonna say what I mean

869
00:42:12,560 --> 00:42:14,680
Speaker 3: by that. I just go for me, it's a great

870
00:42:14,680 --> 00:42:15,600
Speaker 3: time to squeeze one.

871
00:42:16,760 --> 00:42:18,000
Speaker 1: You'll say the other ideas.

872
00:42:18,120 --> 00:42:20,520
Speaker 3: I go, I sing what I think should be the

873
00:42:20,600 --> 00:42:23,680
Speaker 3: national anthem, and then I do, like, whatever, let's do that.

874
00:42:24,200 --> 00:42:25,120
Speaker 3: Do you want to do that one?

875
00:42:25,360 --> 00:42:25,759
Speaker 1: All right?

876
00:42:26,160 --> 00:42:27,920
Speaker 3: And then do you have an idea what it should be?

877
00:42:28,360 --> 00:42:32,160
Speaker 3: I mean you could do like I'm in the neighborhood.

878
00:42:31,760 --> 00:42:34,040
Speaker 1: Like a Nelly song. Oh. I thought it was gonna

879
00:42:34,080 --> 00:42:36,800
Speaker 1: be like to the tune of it, but with lyrics differently,

880
00:42:36,960 --> 00:42:38,640
Speaker 1: the weird l oh.

881
00:42:39,680 --> 00:42:41,480
Speaker 3: Oh, I was gonna weird ale it. I was thinking,

882
00:42:41,520 --> 00:42:45,440
Speaker 3: I like singing like North Barkley or something. Now, okay,

883
00:42:45,480 --> 00:42:49,440
Speaker 3: so I'm doing so I go like, uh, all right,

884
00:42:49,520 --> 00:42:54,680
Speaker 3: I'm all right, Oh hey.

885
00:42:54,920 --> 00:42:59,160
Speaker 2: Over there, it's not Rhylan great?

886
00:42:59,440 --> 00:42:59,759
Speaker 1: Is that?

887
00:43:00,760 --> 00:43:01,000
Speaker 3: Wait?

888
00:43:02,920 --> 00:43:06,640
Speaker 2: Well, you'd want to maybe at least, but you want

889
00:43:06,640 --> 00:43:10,239
Speaker 2: to keep the words c maybe pick a word that

890
00:43:10,719 --> 00:43:11,360
Speaker 2: is relata.

891
00:43:11,719 --> 00:43:15,560
Speaker 3: Oh hey, over there, we're still in the zone.

892
00:43:16,080 --> 00:43:17,200
Speaker 1: Is that Nick.

893
00:43:17,120 --> 00:43:26,279
Speaker 3: From Doe Boys? He recognize him. I'll go say, hi,

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00:43:26,719 --> 00:43:30,040
Speaker 3: I love that show. I mean, that's essentially what our

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00:43:30,080 --> 00:43:39,640
Speaker 3: national anthem is at this point. Yes, Yes, it's dough Boys.

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00:43:39,920 --> 00:43:42,840
Speaker 1: Bye.

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00:43:46,840 --> 00:43:49,600
Speaker 4: This has been an ear Wolf production executive produced by

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00:43:49,640 --> 00:43:51,240
Speaker 4: Scott Ackerman and Chris Bannon.

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00:43:51,480 --> 00:44:00,319
Speaker 3: For more information and content, visit earwolf dot com.