1 00:00:00,800 --> 00:00:04,320 Speaker 1: On today's episode of News, we're talking about rowdy minecraft 2 00:00:04,400 --> 00:00:08,799 Speaker 1: movie audiences. We're talking about the con Film Festival. We're 3 00:00:08,800 --> 00:00:13,600 Speaker 1: talking about MCU leeks. We're talking about a new category 4 00:00:13,640 --> 00:00:14,240 Speaker 1: for the Oscars. 5 00:00:14,280 --> 00:00:14,840 Speaker 2: All that and more. 6 00:00:30,360 --> 00:00:32,800 Speaker 1: Hello, my name is Jason Concepcion. 7 00:00:32,560 --> 00:00:35,560 Speaker 2: And I'm Merseay Night a new Sabrina coffe and on 8 00:00:35,840 --> 00:00:37,639 Speaker 2: fortnite and. 9 00:00:37,640 --> 00:00:39,560 Speaker 1: Welcome back to next ra vision of the podcast where 10 00:00:39,560 --> 00:00:43,040 Speaker 1: we dive deep dear Ribord shows, movies, comics and pop culture. 11 00:00:43,280 --> 00:00:45,160 Speaker 1: Coming to you from My Heart podcast where we're bringing 12 00:00:45,200 --> 00:00:48,360 Speaker 1: you three episodes a week every Tuesday, Wednesday and Thursday plus. 13 00:00:48,120 --> 00:00:51,360 Speaker 2: News, which is this episode. And in today's previously on episode, 14 00:00:51,400 --> 00:00:52,600 Speaker 2: we are newsing it up. 15 00:00:52,840 --> 00:00:55,560 Speaker 3: No no, no, no no news. No no no, no, no no 16 00:00:55,560 --> 00:00:56,360 Speaker 3: no news. 17 00:00:57,240 --> 00:00:59,320 Speaker 2: We're catching up on the biggest geeky news of the 18 00:00:59,320 --> 00:01:04,200 Speaker 2: week in lineup announced for the can Film Festival, which 19 00:01:04,200 --> 00:01:06,679 Speaker 2: is big for me and Jason with cinephiles. We like 20 00:01:06,720 --> 00:01:08,800 Speaker 2: the kind of stuff's right and also. 21 00:01:10,600 --> 00:01:11,479 Speaker 3: It's cinema. 22 00:01:11,520 --> 00:01:15,280 Speaker 2: And if you do not enjoy leaks, then we will 23 00:01:15,319 --> 00:01:17,240 Speaker 2: give you a heads up. But that is a leak 24 00:01:17,920 --> 00:01:22,399 Speaker 2: from the London set of Avengers Doomsday, a photograph that 25 00:01:22,520 --> 00:01:25,559 Speaker 2: seems to be confirming some things that we thought might happen. 26 00:01:25,880 --> 00:01:34,960 Speaker 1: Yes, first up, Minecraft movie audiences, y'all need to calm down, 27 00:01:35,200 --> 00:01:39,679 Speaker 1: because apparently the crowds are so rowdy with people throwing 28 00:01:39,720 --> 00:01:45,800 Speaker 1: popcorn and yelling things and being wild that theaters have 29 00:01:46,000 --> 00:01:51,520 Speaker 1: had to now issue warnings that telling telling the youngsters 30 00:01:51,920 --> 00:01:57,040 Speaker 1: to calm down. The Minecraft massive, massive hit. That's even 31 00:01:57,480 --> 00:02:01,360 Speaker 1: outstripping the early pace of the Nintendo movie when I 32 00:02:01,440 --> 00:02:04,040 Speaker 1: was at least last year or so. 33 00:02:04,160 --> 00:02:05,880 Speaker 2: This is a hit. This is a huge hit, like 34 00:02:05,920 --> 00:02:09,320 Speaker 2: a game changing hit, biggest opening for a video game 35 00:02:09,360 --> 00:02:11,880 Speaker 2: movie of all time. It is going to head into 36 00:02:12,120 --> 00:02:14,400 Speaker 2: its second weekend that is right now if you are 37 00:02:14,440 --> 00:02:17,320 Speaker 2: listening to this, and it will cross two hundred million 38 00:02:17,360 --> 00:02:20,840 Speaker 2: dollars domestically and three hundred and fifty million dollars globally. 39 00:02:21,280 --> 00:02:24,120 Speaker 2: So yes, I gotta say. Look, and it's gonna be 40 00:02:24,120 --> 00:02:25,960 Speaker 2: the highest grossing US release of the year so far. 41 00:02:26,040 --> 00:02:27,959 Speaker 2: It's going to be interesting to see where this goes. Look, 42 00:02:27,960 --> 00:02:31,559 Speaker 2: I gotta be honest, Okay, I did work in a cinema, 43 00:02:31,600 --> 00:02:35,600 Speaker 2: and I do think that cinema workers are underloved and 44 00:02:35,720 --> 00:02:38,440 Speaker 2: undervalued and that they should not have to be cleaning 45 00:02:38,440 --> 00:02:42,600 Speaker 2: this mess up. But saying that, saying that all you 46 00:02:42,720 --> 00:02:44,880 Speaker 2: adults who are out here like, oh my god, this 47 00:02:44,919 --> 00:02:47,880 Speaker 2: is ruining my cinematic experience. You aren't going to watch 48 00:02:47,880 --> 00:02:48,840 Speaker 2: the Minecraft movie. 49 00:02:49,160 --> 00:02:51,200 Speaker 3: I've seen it twice. You were not going there. 50 00:02:51,400 --> 00:02:54,000 Speaker 2: You don't know what a chicken jockey is. These children 51 00:02:54,040 --> 00:02:56,320 Speaker 2: have been locked in their houses for four years. 52 00:02:56,040 --> 00:02:58,359 Speaker 3: Because of a pandemic. They didn't go to high school. 53 00:02:58,440 --> 00:02:59,680 Speaker 3: They're always on the internet. 54 00:03:00,080 --> 00:03:02,440 Speaker 2: Say you want them to go back to theaters to 55 00:03:02,480 --> 00:03:04,320 Speaker 2: support cinema, and you know what. 56 00:03:04,400 --> 00:03:05,520 Speaker 3: Now they're doing it. 57 00:03:05,520 --> 00:03:08,440 Speaker 2: It is well, as common said, it's basically like a 58 00:03:08,560 --> 00:03:10,040 Speaker 2: Rocky horror picture show screening. 59 00:03:10,080 --> 00:03:12,160 Speaker 1: I'm gonna push back lightly on that. That's fine as 60 00:03:12,200 --> 00:03:14,160 Speaker 1: a person who used to go to those Rocky horrors 61 00:03:14,560 --> 00:03:19,200 Speaker 1: quite a bit. The thing about the Rocky horror dynamic 62 00:03:20,400 --> 00:03:27,120 Speaker 1: was it really only came about years and years after 63 00:03:27,160 --> 00:03:30,440 Speaker 1: the movie had been in the judging like multiple year, 64 00:03:30,639 --> 00:03:35,520 Speaker 1: like a decade to a decade before had emerged. You 65 00:03:35,520 --> 00:03:39,080 Speaker 1: go there, You go there with the idea that we're 66 00:03:39,080 --> 00:03:40,920 Speaker 1: gonna get our little squirt guns out, We're gonna have 67 00:03:40,960 --> 00:03:43,960 Speaker 1: the umbrellas when you fucking throwing rice at that, everybody 68 00:03:44,080 --> 00:03:47,040 Speaker 1: understands that this is a first run movie, so that's different. 69 00:03:47,120 --> 00:03:47,920 Speaker 3: Yes, that's true. 70 00:03:48,040 --> 00:03:52,040 Speaker 1: That said, I do agree with you that, come on, 71 00:03:52,120 --> 00:03:53,000 Speaker 1: that's fucking minecraft. 72 00:03:53,760 --> 00:03:54,840 Speaker 2: It's not Oppenheimer. 73 00:03:55,080 --> 00:03:56,880 Speaker 1: You know, this is a good it is a good 74 00:03:56,920 --> 00:03:59,200 Speaker 1: problem to have people are coming to the theaters. But 75 00:03:59,440 --> 00:04:04,800 Speaker 1: I will say that zooming out. This is part of 76 00:04:04,840 --> 00:04:11,160 Speaker 1: the challenge of live you know, of in person cinemas 77 00:04:11,240 --> 00:04:14,280 Speaker 1: right now, is how do you create an experience that 78 00:04:14,920 --> 00:04:20,159 Speaker 1: is enough like being at home and having that ability 79 00:04:20,160 --> 00:04:23,799 Speaker 1: to just lock in on what you're seeing, while also 80 00:04:23,920 --> 00:04:26,320 Speaker 1: capturing the energy. Because I think that that is the 81 00:04:26,360 --> 00:04:30,800 Speaker 1: balance that these theater theater owners are trying to strike 82 00:04:30,880 --> 00:04:33,320 Speaker 1: with the better seats and the better and the better 83 00:04:33,520 --> 00:04:36,840 Speaker 1: you know environment, and the and the more stringent rules 84 00:04:36,839 --> 00:04:40,960 Speaker 1: about being quiet because getting people out of their homes 85 00:04:41,040 --> 00:04:44,120 Speaker 1: is difficult now and everybody wants a different experience. 86 00:04:44,360 --> 00:04:48,039 Speaker 2: I think something, and I think this is the point. 87 00:04:48,200 --> 00:04:51,200 Speaker 2: Right If you'll go into an AMC and you're going 88 00:04:51,200 --> 00:04:53,520 Speaker 2: to see this and at five dollars on Tuesday, you're 89 00:04:53,520 --> 00:04:55,120 Speaker 2: going to get some rowdy kids. You know what I 90 00:04:55,160 --> 00:04:58,240 Speaker 2: have come to accept as somebody who loves the cinematic experience, 91 00:04:58,640 --> 00:05:00,719 Speaker 2: I'm going to see somebody on that phone and it 92 00:05:00,880 --> 00:05:02,919 Speaker 2: stresses me out. That's part of the reason why I 93 00:05:03,080 --> 00:05:05,800 Speaker 2: like to sit in front of the screen because nobody 94 00:05:05,880 --> 00:05:07,479 Speaker 2: can put their phone on in front of me. But 95 00:05:07,520 --> 00:05:09,719 Speaker 2: you know what, that's the era we're living in now. 96 00:05:09,920 --> 00:05:12,520 Speaker 2: But what I think that you touched on that is happening. 97 00:05:12,520 --> 00:05:15,720 Speaker 2: And I actually, you know, before Mike's were I was 98 00:05:15,760 --> 00:05:18,960 Speaker 2: talking about this, Like, the Alamo Draft House sent out 99 00:05:18,960 --> 00:05:21,400 Speaker 2: an email and they said, hey, if you want to 100 00:05:21,400 --> 00:05:24,640 Speaker 2: come and see the Minecraft movie, no interruptions, come see 101 00:05:24,680 --> 00:05:26,960 Speaker 2: it with us mart And it's true because at the 102 00:05:27,000 --> 00:05:29,919 Speaker 2: Alamo draft House sometimes me and Joel won't even go 103 00:05:30,000 --> 00:05:32,159 Speaker 2: there because you can't even be having a little laugh. 104 00:05:32,400 --> 00:05:34,560 Speaker 3: If you laugh too loud, you might piss someone off. 105 00:05:34,720 --> 00:05:37,360 Speaker 2: But if I'm going to see the nineteen fifty four 106 00:05:37,600 --> 00:05:40,440 Speaker 2: classic Godzilla, then I'll go and see it at the 107 00:05:40,520 --> 00:05:42,359 Speaker 2: Alamo draft House because I want to be able to 108 00:05:42,400 --> 00:05:45,599 Speaker 2: immerse myself in the beautiful black and white cinematography, the 109 00:05:45,720 --> 00:05:47,279 Speaker 2: emotional heft of the movie. 110 00:05:47,400 --> 00:05:49,600 Speaker 3: Now, I will also say my biggest. 111 00:05:49,240 --> 00:05:51,880 Speaker 2: Issue with people who are trying to on the most part, 112 00:05:51,960 --> 00:05:53,960 Speaker 2: not like my sweet friend Mark, who's very thoughtful about 113 00:05:53,960 --> 00:05:56,200 Speaker 2: this stuff, who we talk deeply about the workers at 114 00:05:56,200 --> 00:05:59,120 Speaker 2: the cinemas, but a lot of like adults are like, oh, 115 00:05:59,200 --> 00:06:01,080 Speaker 2: you know, it's not yeah, the cinema workers have to 116 00:06:01,080 --> 00:06:02,560 Speaker 2: clean it up. It's ruining it for everyone. 117 00:06:02,680 --> 00:06:03,040 Speaker 3: Guys. 118 00:06:03,360 --> 00:06:05,720 Speaker 2: I go to the AMC so often. I am a 119 00:06:05,839 --> 00:06:08,520 Speaker 2: huge proponent of going to the movie theater. And guess what, 120 00:06:08,920 --> 00:06:12,760 Speaker 2: every time I go to a main like chain cinema 121 00:06:13,000 --> 00:06:16,599 Speaker 2: like the AMC, you adult motherfuckers in whatever movie theater 122 00:06:16,800 --> 00:06:19,800 Speaker 2: are trashing that screen. And if you want to complain 123 00:06:19,800 --> 00:06:22,320 Speaker 2: about these kids trashing that screen, you start cleaning up 124 00:06:22,360 --> 00:06:24,760 Speaker 2: after yourself. Because I end up cleaning up after the 125 00:06:24,800 --> 00:06:27,520 Speaker 2: movie theaters because I'm so shocked by how you would 126 00:06:27,560 --> 00:06:29,919 Speaker 2: just leave a popcorn on the floor. So, if you 127 00:06:29,960 --> 00:06:31,640 Speaker 2: want to learn one thing from this, and you want 128 00:06:31,640 --> 00:06:34,280 Speaker 2: to be better than the kids, the Minecraft kids who 129 00:06:34,279 --> 00:06:36,839 Speaker 2: are basically just the new gentle Minions kid. If you 130 00:06:36,839 --> 00:06:39,280 Speaker 2: didn't know about that, google it because that was hilarious. 131 00:06:39,839 --> 00:06:43,560 Speaker 2: But then you can start by actually helping yourself and 132 00:06:43,680 --> 00:06:46,160 Speaker 2: helping the people there by cleaning up after yourself, because 133 00:06:46,160 --> 00:06:48,159 Speaker 2: none of you do that when you go to ama AMC. 134 00:06:48,320 --> 00:06:50,240 Speaker 2: And if you want to go, like Jason said, and 135 00:06:50,279 --> 00:06:52,280 Speaker 2: you don't want to see a phone and you don't 136 00:06:52,360 --> 00:06:54,320 Speaker 2: want to hear a kid talking, and you want to 137 00:06:54,360 --> 00:06:57,320 Speaker 2: watch a beautiful o Zoo movie like good Morning, go 138 00:06:57,360 --> 00:07:00,080 Speaker 2: and support a rep theater because those are amazing and. 139 00:07:00,120 --> 00:07:00,680 Speaker 3: You can do it. 140 00:07:00,839 --> 00:07:04,000 Speaker 2: I think it's about different experiences for different people. My nephew, 141 00:07:04,160 --> 00:07:06,200 Speaker 2: he only goes and see movie in forty X. 142 00:07:06,440 --> 00:07:08,440 Speaker 3: I don't need that. I don't want to be punched 143 00:07:08,480 --> 00:07:10,120 Speaker 3: in the back. I went to see. 144 00:07:11,120 --> 00:07:13,320 Speaker 2: Smells Sprayed into my now stral. 145 00:07:13,520 --> 00:07:15,720 Speaker 3: I don't want cinema water in my mouth. 146 00:07:15,800 --> 00:07:18,520 Speaker 2: But for him, an eleven year old, that's his dream experience. 147 00:07:18,600 --> 00:07:21,800 Speaker 2: Different experiences for different people. And right now, as Jared 148 00:07:21,840 --> 00:07:24,160 Speaker 2: has said, this is a party for kids and they're 149 00:07:24,200 --> 00:07:25,720 Speaker 2: loving it. If you don't want to go, go see 150 00:07:25,760 --> 00:07:27,760 Speaker 2: it at the Alamo Draft House, or go see it 151 00:07:27,760 --> 00:07:29,920 Speaker 2: at like nine in the morning when no kids are there. 152 00:07:30,360 --> 00:07:35,960 Speaker 1: That's right up next. Con Who Film Festival lineup has 153 00:07:36,000 --> 00:07:41,160 Speaker 1: been announced, with new films by Wes Anderson, Spike Lee, 154 00:07:41,280 --> 00:07:45,120 Speaker 1: Richard Link Latter ari Astor premiering. The lineup for the 155 00:07:45,240 --> 00:07:49,880 Speaker 1: seventy eighth con Film Festival has some bangers in it, 156 00:07:49,920 --> 00:07:53,800 Speaker 1: so Wes Anderson's new film The Phoenician scheme is debuting 157 00:07:53,800 --> 00:07:58,000 Speaker 1: there Richard link Letter's Nouvelle Vague ari Astors Eddington, and 158 00:07:58,000 --> 00:07:58,720 Speaker 1: it's Spike. 159 00:07:58,560 --> 00:08:01,160 Speaker 3: Lee with I'm very excited about this. 160 00:08:01,280 --> 00:08:01,960 Speaker 2: Let me just say this. 161 00:08:02,360 --> 00:08:06,400 Speaker 1: I know some people who have seen screenings of Spike 162 00:08:06,480 --> 00:08:11,520 Speaker 1: Lee and Denzel Washington's adaptation of Akira Currosaw was nineteen 163 00:08:11,520 --> 00:08:12,520 Speaker 1: sixty three. 164 00:08:12,960 --> 00:08:16,040 Speaker 3: Bang Your Bang Your Crime. 165 00:08:15,760 --> 00:08:19,280 Speaker 1: Masterpiece High and Low, and I was like, I'm worried 166 00:08:19,320 --> 00:08:22,000 Speaker 1: because the last time Spike Lee adapted a movie, Old Boy, 167 00:08:22,280 --> 00:08:25,119 Speaker 1: it made me want to forget that. I even knew 168 00:08:25,120 --> 00:08:29,840 Speaker 1: both versions of the movie existed, and apparently they said, no, 169 00:08:29,960 --> 00:08:32,679 Speaker 1: Spike is in his wheelhouse with High and Low, so 170 00:08:32,760 --> 00:08:33,959 Speaker 1: get excited for that. 171 00:08:34,280 --> 00:08:37,240 Speaker 2: I'm very excited about this too because something I learned 172 00:08:37,240 --> 00:08:39,760 Speaker 2: from going to the Academy Museum, and they have this 173 00:08:39,880 --> 00:08:43,120 Speaker 2: room where directors will put all of their intions and 174 00:08:43,160 --> 00:08:45,200 Speaker 2: basically just show off that cool stuff. And the first 175 00:08:45,200 --> 00:08:48,000 Speaker 2: one was Spike Lee. He had Prince's guitar. But I 176 00:08:48,160 --> 00:08:51,560 Speaker 2: learned that Akira Crosau was a huge Spike Lee fan, 177 00:08:51,760 --> 00:08:54,120 Speaker 2: and the two of them got to me and he 178 00:08:54,160 --> 00:08:56,959 Speaker 2: had signed posters from Akira Crosawa. So I love the 179 00:08:57,040 --> 00:09:01,200 Speaker 2: idea that he knows what he's doing with this one. 180 00:09:01,240 --> 00:09:04,080 Speaker 2: He knows the creator, he knows the movie well. And 181 00:09:04,120 --> 00:09:07,160 Speaker 2: I love Denzel Washington. I'm very excited for this one. 182 00:09:07,200 --> 00:09:09,760 Speaker 2: I think you love Yeah. High and Low's one of 183 00:09:09,800 --> 00:09:11,640 Speaker 2: the most incredible. 184 00:09:11,040 --> 00:09:14,040 Speaker 1: Recursive I think if you only know Crusola for the 185 00:09:14,360 --> 00:09:20,000 Speaker 1: kind of samurai move, watch High and Low. It's it's amazing. 186 00:09:20,120 --> 00:09:25,040 Speaker 1: And there's a sequence involving a train that is just 187 00:09:25,559 --> 00:09:28,120 Speaker 1: like it is sinema. 188 00:09:27,760 --> 00:09:32,160 Speaker 2: Pure cinema cinema. 189 00:09:32,200 --> 00:09:34,320 Speaker 3: Also, I will say, in the. 190 00:09:34,240 --> 00:09:37,960 Speaker 2: Non competition type movies, we'll also get Mission Impossible there 191 00:09:38,200 --> 00:09:41,080 Speaker 2: the final reckoning that's gonna be its big debut. I'm 192 00:09:41,080 --> 00:09:43,120 Speaker 2: sure Tom Cruise will probably do some kind of crazy 193 00:09:43,120 --> 00:09:48,319 Speaker 2: parachuting onto the beautiful beaches of southern France. Yeah, I 194 00:09:48,400 --> 00:09:50,719 Speaker 2: can invite me and Jason will come. We'll go, We'll 195 00:09:50,760 --> 00:09:51,800 Speaker 2: go to the south of France. 196 00:09:51,880 --> 00:09:52,400 Speaker 3: I love it. 197 00:09:52,600 --> 00:09:53,079 Speaker 2: I'm in it. 198 00:09:53,160 --> 00:09:56,120 Speaker 1: By the way, Spike's Old Boy. It's the only Spike 199 00:09:56,200 --> 00:10:00,319 Speaker 1: movie that wasn't stamped a Spike Lee joint. He knew 200 00:10:00,320 --> 00:10:03,960 Speaker 1: the stand he was, he knew that he he knew 201 00:10:03,960 --> 00:10:08,600 Speaker 1: that he fumbled it up. Next, Avengers Doomsday set leak 202 00:10:08,720 --> 00:10:09,760 Speaker 1: here it is folks. 203 00:10:11,160 --> 00:10:12,920 Speaker 2: Leak if you don't like the leak, if you want 204 00:10:12,920 --> 00:10:14,520 Speaker 2: to go and blind, okay, but here's the leak. 205 00:10:15,080 --> 00:10:18,800 Speaker 1: Here's the leak, so leaked images from the London set 206 00:10:18,800 --> 00:10:21,640 Speaker 1: of Avengers Doomsday. Folks, here it is. 207 00:10:21,679 --> 00:10:25,880 Speaker 3: That's the right. Why this movie so soon? What's going on? 208 00:10:26,160 --> 00:10:28,160 Speaker 3: What's going on with that? There are a bunch of 209 00:10:28,160 --> 00:10:29,600 Speaker 3: other movies that's supposed to come out. 210 00:10:29,679 --> 00:10:38,520 Speaker 1: West Blade shows uh, the exterior of everybody's favorite Westchester 211 00:10:39,320 --> 00:10:43,600 Speaker 1: prep school and Xavier School Forgifted Youngsters after what appears 212 00:10:43,679 --> 00:10:47,320 Speaker 1: to be a battle taking place around the x Mansion. 213 00:10:47,360 --> 00:10:50,400 Speaker 1: And of course we understand that in this in this 214 00:10:50,440 --> 00:10:53,240 Speaker 1: film because of the the chair reveal from a few 215 00:10:53,240 --> 00:10:57,240 Speaker 1: weeks ago that there's gonna be multiple ex actors in this, 216 00:10:57,360 --> 00:11:01,040 Speaker 1: including Allen Cumming, Rebecca Romain, Patrick, Stuart Dy McKellen, and 217 00:11:01,280 --> 00:11:04,240 Speaker 1: so on. It begs the question, is this gonna be 218 00:11:04,280 --> 00:11:07,120 Speaker 1: Avengers versus x Men? I sense no. But one thing 219 00:11:07,280 --> 00:11:09,760 Speaker 1: I am sure is gonna happen, and I'm kind of 220 00:11:09,800 --> 00:11:13,400 Speaker 1: bummed about, is that we are now. I think this 221 00:11:14,200 --> 00:11:19,520 Speaker 1: could very possibly Avengers Doomsday represent the Fifth Fifth. It's 222 00:11:19,559 --> 00:11:20,319 Speaker 1: either fourth or five. 223 00:11:20,440 --> 00:11:23,000 Speaker 3: I think it's fifth. Let this man just die, guys. 224 00:11:23,240 --> 00:11:29,640 Speaker 1: Les screen of death from Charles Exavior, Guys, can we 225 00:11:29,800 --> 00:11:32,120 Speaker 1: let Charles live? What? Man? 226 00:11:32,360 --> 00:11:33,319 Speaker 3: I have my issues with. 227 00:11:33,360 --> 00:11:36,280 Speaker 2: Charles, but no, it's too many man. Also like let 228 00:11:36,280 --> 00:11:38,320 Speaker 2: Patrick stewartt like, is he gonna be in the movie 229 00:11:38,400 --> 00:11:39,800 Speaker 2: or is he just here to die? I don't know 230 00:11:39,840 --> 00:11:44,000 Speaker 2: either way given miss check. But I will say this 231 00:11:44,160 --> 00:11:47,280 Speaker 2: makes a lot of sense. Probably goes along with what 232 00:11:47,360 --> 00:11:48,760 Speaker 2: we thought, which is that a lot of the X 233 00:11:48,800 --> 00:11:51,480 Speaker 2: Men will die early, kind of like X Men first Class, 234 00:11:51,800 --> 00:11:55,840 Speaker 2: and then that will likely lead to whatever happens in Doomsday. Yeah. 235 00:11:55,880 --> 00:11:57,800 Speaker 3: I mean it's hilarious because the. 236 00:11:57,880 --> 00:12:01,480 Speaker 2: Set photos look like the X Mansion lego that I'm 237 00:12:01,520 --> 00:12:04,000 Speaker 2: currently building, which has a big battle outside it. So 238 00:12:04,000 --> 00:12:06,760 Speaker 2: I'm like, great corporate synergy, guys. But yeah, I didn't 239 00:12:06,760 --> 00:12:08,920 Speaker 2: know they were filming this movie already. That that's speeding 240 00:12:09,000 --> 00:12:11,120 Speaker 2: through it. Man, So we're probably gonna see this. This 241 00:12:11,160 --> 00:12:12,320 Speaker 2: one might actually get made. 242 00:12:12,360 --> 00:12:12,680 Speaker 3: Guys. 243 00:12:14,160 --> 00:12:15,800 Speaker 1: Uh, We're gonna take a short break and we'll be 244 00:12:15,800 --> 00:12:17,160 Speaker 1: back with Oscar. 245 00:12:31,520 --> 00:12:33,640 Speaker 3: And we're back, folks. 246 00:12:33,960 --> 00:12:36,439 Speaker 1: We've been saying it for a long time. We've been 247 00:12:36,480 --> 00:12:39,240 Speaker 1: asking for it, asking for it. Rosie has been out 248 00:12:39,280 --> 00:12:42,880 Speaker 1: here banging this drum, I have happened. Your Film Academy 249 00:12:43,400 --> 00:12:49,600 Speaker 1: will now offer the Stunt Design Award for one hundred 250 00:12:49,720 --> 00:12:53,920 Speaker 1: years of the Academy Awards from the From an article 251 00:12:53,960 --> 00:12:57,120 Speaker 1: on the Hollywood Reporter quote, the push within the Academy 252 00:12:57,120 --> 00:12:59,160 Speaker 1: for a stunt design Oscar was led by stunt performer 253 00:12:59,200 --> 00:13:03,680 Speaker 1: turned director producer David Leach, who not coincidentally helmed the 254 00:13:03,720 --> 00:13:06,360 Speaker 1: stunt centric twenty twenty four film. 255 00:13:06,400 --> 00:13:07,199 Speaker 3: The Fall Guys. 256 00:13:07,200 --> 00:13:09,400 Speaker 1: So this is this is great. We've been asking for 257 00:13:09,480 --> 00:13:12,480 Speaker 1: this for a while and it's here, and honestly. 258 00:13:12,080 --> 00:13:14,520 Speaker 2: This is actually I think the way that they posed 259 00:13:14,520 --> 00:13:16,640 Speaker 2: this in Hollywood Porter is very interesting because they said 260 00:13:16,640 --> 00:13:19,120 Speaker 2: not coincidentally and honestly, like The Fall Guy, me and 261 00:13:19,200 --> 00:13:21,839 Speaker 2: Jason have both said, go watch. It's actually really fun movie. 262 00:13:21,920 --> 00:13:23,600 Speaker 3: It's fun. They didn't do a great. 263 00:13:23,440 --> 00:13:25,440 Speaker 2: Job with the promo. But I think all of that 264 00:13:25,480 --> 00:13:27,840 Speaker 2: is irrelevant because I do think the point of the 265 00:13:27,920 --> 00:13:31,880 Speaker 2: movie was to make them make a stunt oscar. That 266 00:13:32,040 --> 00:13:33,160 Speaker 2: is what the investment was. 267 00:13:33,160 --> 00:13:34,160 Speaker 3: It They broke. 268 00:13:33,960 --> 00:13:37,600 Speaker 2: A world record on barrel rolling a car in that movie. 269 00:13:37,760 --> 00:13:40,840 Speaker 2: They did so many incredible stunts. They had Winston Duke 270 00:13:40,880 --> 00:13:44,920 Speaker 2: playing a brilliant stunt coordinator, They had Ryan Goslink who 271 00:13:44,960 --> 00:13:47,560 Speaker 2: did some really incredible stunts. They had Emily Blunt doing 272 00:13:47,559 --> 00:13:50,360 Speaker 2: great fight work, and then you had a ray of 273 00:13:50,440 --> 00:13:55,880 Speaker 2: incredible stunt design Chris including Chris O'Hara who is from 274 00:13:55,960 --> 00:14:00,439 Speaker 2: Stunts Unlimited. And then they had Emily Blunt and Ryan 275 00:14:00,440 --> 00:14:05,080 Speaker 2: Gosling basically do a proto presentation of what a Stunt 276 00:14:05,080 --> 00:14:07,040 Speaker 2: Design Award would look like. So I think this was 277 00:14:07,040 --> 00:14:08,640 Speaker 2: always the purpose of the movie. I think it's a 278 00:14:08,640 --> 00:14:11,920 Speaker 2: fun movie. Leach is literally like one of the most 279 00:14:11,920 --> 00:14:16,080 Speaker 2: influential filmmakers from John Wick to Deadpool two. You know, 280 00:14:16,160 --> 00:14:18,160 Speaker 2: this is a guy who has changed to it. It's 281 00:14:18,160 --> 00:14:21,640 Speaker 2: looking shouldn't have been this long, especially when you think 282 00:14:21,640 --> 00:14:25,120 Speaker 2: about someone like Buster Keaton working one hundred years ago 283 00:14:25,160 --> 00:14:28,800 Speaker 2: who was doing dar Robinson's like people who were establishing 284 00:14:28,840 --> 00:14:31,720 Speaker 2: this work. But it's a huge moment and I think 285 00:14:32,200 --> 00:14:34,680 Speaker 2: that it's really interesting. It will be the twenty twenty 286 00:14:34,680 --> 00:14:37,400 Speaker 2: seven oscars so movies that release in twenty twenty six, 287 00:14:37,760 --> 00:14:39,680 Speaker 2: and I'm very excited because I think this will give 288 00:14:39,720 --> 00:14:42,200 Speaker 2: a little push to any movies that are being made 289 00:14:42,280 --> 00:14:47,360 Speaker 2: right now to make sure that they include some really 290 00:14:47,400 --> 00:14:51,120 Speaker 2: fantastic stunt work, because you know winning an Oscar, as 291 00:14:51,160 --> 00:14:53,560 Speaker 2: me and Jason have talked about many times. It's up 292 00:14:53,640 --> 00:14:56,960 Speaker 2: there on one of the highest awards, hardest awards to win. 293 00:14:57,120 --> 00:14:58,880 Speaker 2: Like there are ways you you know, you can be 294 00:14:59,000 --> 00:15:03,600 Speaker 2: Tai Kaway, Tit sleep, you know, nominated for implement Short Film. 295 00:15:03,600 --> 00:15:05,280 Speaker 2: It can happen, but you're still gotta make a short film. 296 00:15:05,320 --> 00:15:07,080 Speaker 2: You're still got to do it. Stunts is going to 297 00:15:07,120 --> 00:15:09,480 Speaker 2: be a way for action movies and Hollywood movies that 298 00:15:09,560 --> 00:15:11,840 Speaker 2: often do not get a look in at the Oscars 299 00:15:12,120 --> 00:15:16,280 Speaker 2: to really showcase the incredible work that happens. 300 00:15:16,720 --> 00:15:21,320 Speaker 1: I think they should open this award by giving some 301 00:15:21,760 --> 00:15:24,800 Speaker 1: great stunt performance. I think Dar Robinson is the one. 302 00:15:24,880 --> 00:15:29,359 Speaker 3: But yes, Dar Robinson like the honorary. 303 00:15:29,640 --> 00:15:31,640 Speaker 1: Yes, and I think they should give him a lifetime 304 00:15:31,680 --> 00:15:35,120 Speaker 1: achievement posthumously. He passed away doing a stunt. 305 00:15:36,040 --> 00:15:36,880 Speaker 3: But if. 306 00:15:38,200 --> 00:15:41,160 Speaker 1: I think they should honor some stunt person, like for me, 307 00:15:41,200 --> 00:15:43,320 Speaker 1: it would be dark just because of the amount of 308 00:15:43,400 --> 00:15:46,400 Speaker 1: stunts that he created that are now part of the lexico. 309 00:15:46,480 --> 00:15:51,240 Speaker 1: Like if you've ever seen a person fall attached to 310 00:15:51,480 --> 00:15:55,200 Speaker 1: a cable around their leg and the cable like stops them, 311 00:15:55,400 --> 00:15:59,560 Speaker 1: decelerates them as they're falling. Yeah, that's Dar Robinson invented 312 00:15:59,560 --> 00:16:01,800 Speaker 1: that gas and it's in so many things. 313 00:16:01,600 --> 00:16:05,080 Speaker 2: We have, even the Fall. They do this at the 314 00:16:05,200 --> 00:16:08,240 Speaker 2: end of four Guy as an homage where he does 315 00:16:08,240 --> 00:16:10,600 Speaker 2: the freefroll from the helicopter, but he did it three 316 00:16:10,640 --> 00:16:12,120 Speaker 2: hundred and eleven feet. 317 00:16:12,600 --> 00:16:13,520 Speaker 3: That's a world record. 318 00:16:13,560 --> 00:16:16,120 Speaker 2: He was a stunt double for Christopher Plumber, for Steve McQueen, 319 00:16:16,160 --> 00:16:18,520 Speaker 2: for Clint Eastwood. Like that is a man. I think 320 00:16:18,520 --> 00:16:21,280 Speaker 2: you're absolutely right. I'm like, you could give a few out. 321 00:16:21,480 --> 00:16:23,720 Speaker 2: I'd like to see a little you know, looking at 322 00:16:23,720 --> 00:16:27,080 Speaker 2: the stunt design of the classic silent cinema and I 323 00:16:27,120 --> 00:16:30,800 Speaker 2: think it is long overdue and I'm very excited to 324 00:16:30,840 --> 00:16:34,040 Speaker 2: see if this will bring some of the older action 325 00:16:34,240 --> 00:16:38,240 Speaker 2: stars out of retirement or you know, someone like a 326 00:16:38,320 --> 00:16:40,920 Speaker 2: Jean claud van Dam. That man's just making straight to 327 00:16:41,040 --> 00:16:44,120 Speaker 2: VOD movies that most of them are like. He just 328 00:16:44,240 --> 00:16:47,480 Speaker 2: he's like he's like taking He's like out there, he's 329 00:16:47,520 --> 00:16:50,440 Speaker 2: like taking down some generic gangsters. But that man is 330 00:16:50,480 --> 00:16:53,120 Speaker 2: a legend, Like bring him back, bring Onnold to Watchenegger back. 331 00:16:53,120 --> 00:16:54,880 Speaker 2: They're not going to be doing their own stunts, but 332 00:16:54,920 --> 00:16:58,640 Speaker 2: you could build a fantastic stunt movie around them with 333 00:16:58,760 --> 00:17:02,400 Speaker 2: the notion that potentially you could be an Oscar contention. 334 00:17:02,520 --> 00:17:03,800 Speaker 2: So yes, I'm very excited. 335 00:17:04,080 --> 00:17:04,600 Speaker 3: I love this. 336 00:17:05,119 --> 00:17:06,760 Speaker 2: Thank you to everyone who worked for this. I think 337 00:17:06,840 --> 00:17:09,680 Speaker 2: Vulture as well and New York Magnazine needs a shout 338 00:17:09,720 --> 00:17:14,160 Speaker 2: out because they essentially created an award for stump people 339 00:17:14,160 --> 00:17:17,119 Speaker 2: because the Oscars didn't. So that was definitely laying a trail. 340 00:17:17,160 --> 00:17:18,160 Speaker 2: And yeah, it's gonna be great. 341 00:17:19,520 --> 00:17:22,760 Speaker 3: And finally, in most saving the. 342 00:17:22,680 --> 00:17:26,280 Speaker 1: Best Fortnite Festival is kicking off this week and the 343 00:17:26,359 --> 00:17:31,760 Speaker 1: season eight pass comes with you know, a Fortnite implemented 344 00:17:31,800 --> 00:17:35,199 Speaker 1: this kind of jam system where uh you know, you 345 00:17:35,240 --> 00:17:39,520 Speaker 1: could uh enter like emote music mode with a bunch 346 00:17:39,600 --> 00:17:41,719 Speaker 1: of different people and like DJ and have like one 347 00:17:41,720 --> 00:17:43,400 Speaker 1: person be the drummer and one person be the DJ 348 00:17:43,480 --> 00:17:45,280 Speaker 1: and one person be the vocalist. You can do that 349 00:17:45,320 --> 00:17:49,399 Speaker 1: with Sabrina Carpenter. Now she enters the game alongside the 350 00:17:49,520 --> 00:17:52,840 Speaker 1: likes of Travis Scott, the likes of Galactus God, likes 351 00:17:52,840 --> 00:17:57,800 Speaker 1: of Batman to be immortalized in the ip zoo. 352 00:17:58,440 --> 00:18:00,439 Speaker 3: That is sweetwnight. 353 00:18:01,400 --> 00:18:04,000 Speaker 1: What There's been some fantastic memes already. 354 00:18:04,960 --> 00:18:08,119 Speaker 2: I was sending I was sending Jason Lees yesterday like 355 00:18:08,280 --> 00:18:09,199 Speaker 2: every time I saw it. 356 00:18:09,440 --> 00:18:09,840 Speaker 3: That one. 357 00:18:09,880 --> 00:18:14,160 Speaker 2: My favorite one is the very famous part of Sabrina 358 00:18:14,160 --> 00:18:17,320 Speaker 2: Carpenter's shows where she does the Juno pos where she 359 00:18:17,400 --> 00:18:19,480 Speaker 2: kind of does some kind of sexual situation. 360 00:18:19,840 --> 00:18:21,320 Speaker 3: But in this. 361 00:18:21,280 --> 00:18:23,280 Speaker 2: Version when she gets to that line and the show, 362 00:18:23,320 --> 00:18:24,960 Speaker 2: she just snipes someone in the head. 363 00:18:25,240 --> 00:18:26,280 Speaker 3: And I was like yes. 364 00:18:26,480 --> 00:18:30,639 Speaker 2: And then my favorite thing the super producer calm And 365 00:18:30,720 --> 00:18:34,240 Speaker 2: pointed out to me is like the Sabrina Carpenter girls 366 00:18:34,280 --> 00:18:36,480 Speaker 2: like won't fight each other, so like when they see 367 00:18:36,520 --> 00:18:37,960 Speaker 2: each other, they're like teaming up. 368 00:18:38,000 --> 00:18:39,520 Speaker 3: They're like, hey, it's me Sabrina. 369 00:18:39,680 --> 00:18:42,840 Speaker 1: Well they'll start they'll start like they'll start like emoting 370 00:18:43,119 --> 00:18:46,160 Speaker 1: do it. And there's somebody who's not a Sabrina comes 371 00:18:46,240 --> 00:18:46,879 Speaker 1: into the group. 372 00:18:46,960 --> 00:18:49,400 Speaker 2: They just killed that and continue going. 373 00:18:50,359 --> 00:18:52,520 Speaker 3: They said, let me dance to Espresso. 374 00:18:54,080 --> 00:18:56,200 Speaker 2: In the next few episodes of X Ray Vision, we're 375 00:18:56,240 --> 00:18:59,440 Speaker 2: breaking down the season finale of Dead Everyone again on Thursday, 376 00:18:59,520 --> 00:19:03,440 Speaker 2: and next we begin our journey with and Or season two. Wednesday, 377 00:19:03,440 --> 00:19:06,320 Speaker 2: we will have our full recaps of the first three episodes, 378 00:19:06,320 --> 00:19:08,360 Speaker 2: and Friday will do a deep dive with a full 379 00:19:08,440 --> 00:19:12,840 Speaker 2: Jedi Council roundtable discussion. Plus we break down a little 380 00:19:12,840 --> 00:19:15,280 Speaker 2: more backstory on the Thunderbolts with our book Club episode 381 00:19:15,320 --> 00:19:18,479 Speaker 2: on Thursday, covering the first issue with the Thunderbolts from 382 00:19:18,520 --> 00:19:19,359 Speaker 2: nineteen ninety seven. 383 00:19:19,440 --> 00:19:20,679 Speaker 1: Thanks for listening to you Next. 384 00:19:20,520 --> 00:19:22,399 Speaker 3: Week by x ray. 385 00:19:22,480 --> 00:19:25,159 Speaker 1: Vision is hosted by Jason Concepcion and Rosie Night and 386 00:19:25,200 --> 00:19:26,920 Speaker 1: as a production of iHeart Podcast. 387 00:19:27,280 --> 00:19:30,880 Speaker 2: Our executive producers are Joel Monique and Aaron Kaufman. 388 00:19:31,119 --> 00:19:33,160 Speaker 1: Our supervising producer is Abusafar. 389 00:19:33,520 --> 00:19:37,480 Speaker 2: Our producers are Carmen Laurent, Dean Jonathan and Fay Wack. 390 00:19:37,600 --> 00:19:40,360 Speaker 1: A theme song is by Brian Vasquez, with alternate theme 391 00:19:40,440 --> 00:19:41,679 Speaker 1: songs by Aaron Kaufman. 392 00:19:41,880 --> 00:19:45,240 Speaker 2: Special thanks to Soul Rubin, Chris Lord, Kenny Goodman and 393 00:19:45,320 --> 00:19:47,119 Speaker 2: Heidi our discord moderator.