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Speaker 1: Look man, oh, I see you? Why bow and look

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Speaker 1: over there? How is that culture? Yes? Goodness Dingdal lost

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Speaker 1: culture rests calling well. First of all, it is a

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Speaker 1: great prosperous a moment in the culture, is a great

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Speaker 1: landmark day in world culture. It is the birthday of

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Speaker 1: Bone Yang and Rebecca Romaine and Stone. I think Ethan

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Speaker 1: Hawk shut up. It's a good birthday. And myself, not

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Speaker 1: including myself, I'm saying a lot of great people who

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Speaker 1: we love it in mire share a day with me. Wait,

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Speaker 1: there's one more that's like Sally Field, Sally phild And

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Speaker 1: I was just with Sam at brunch. I'm broadcasting live

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Speaker 1: from the Palm Springs Ace Hotel. I'm broadcasting live from

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Speaker 1: Hotel Chelsea, haunted place. Now talk about that? Is it

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Speaker 1: sort of Divicious killed his girlfriend here? You're kidding me?

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Speaker 1: That asshole? That asshole? What an asshole jerk? A Mandela

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Speaker 1: Poor lives here, Hattie Smith, Ryan Adams wort of song

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Speaker 1: about Hotel Chelsea. But we don't like him anymore. But

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Speaker 1: after what he did to Mandy more unforgivable. No, and

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Speaker 1: you can't cross Mandy. It's actually a real culture. It's

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Speaker 1: it's a lost culture. Is this thing like, it's real culture.

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Speaker 1: If you cross Mandy, you crossed us. What rule numbers

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Speaker 1: that too? That's real culture number two. That's way up there.

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Speaker 1: It's so important, you know. I would like to have

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Speaker 1: Mandy Moore on the podcast. I have so many things

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Speaker 1: to ask her. We need to get Adam Shankman to

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Speaker 1: like send in some questions and have it be like

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Speaker 1: a pseudo Walk to Remember reunion, because I told Adam

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Speaker 1: Shankman myself, I said the DVD commentary of A Walk

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Speaker 1: to Remember, it's Adam Shakeman, Mandy Moore, and Shane Wes.

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Speaker 1: The three of them are having a blast laughing at

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Speaker 1: Darryl Hannah's wigs. It is a who in half and

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Speaker 1: the three of them love each other. You can tell. Wait,

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Speaker 1: hold on. Something that gets lost in the conversation about

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Speaker 1: A Walk to Remember is dar mom Oh my god. Wow.

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Speaker 1: That needs to be more of a topic. And every

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Speaker 1: day called people don't talk about Darryl Hannah's wiggs from

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Speaker 1: that old movie from I Feel Like I Want to

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Speaker 1: Remember was one of the last times where Christian culture

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Speaker 1: and gay culture intersected, and then since then it's just

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Speaker 1: been a diverging path. Well, you know what I'll always

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Speaker 1: remember about. I want to remember it was late in

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Speaker 1: afternoon last four and soon wait what our vocalist of

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Speaker 1: Vocalista many more, Oh my god, the Tangled reprises. I'm

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Speaker 1: talking about the reprise for Mother Knows Best and when

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Speaker 1: Will My Life Began? Oh, don't even get me started now.

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Speaker 1: I'm rock hard thinking about the second reprise of That's

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Speaker 1: when My Life be games? Good luck to everyone in

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Speaker 1: this hotel. She literally touches grass or to use that

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Speaker 1: term from the Internet, for the first time and sings

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Speaker 1: It's perfect musical theater moment. Her emotions are so strong

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Speaker 1: that she has to say she has no other choice,

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Speaker 1: hitting the pause button. Smack. What is touches grass? Oh,

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Speaker 1: it's like when someone's like two online, you're like you

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Speaker 1: should touch go and touch grass. You know. I'm really

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Speaker 1: happy I know that now because I'll use that a lot.

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Speaker 1: But it's it's already on its way out, like people

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Speaker 1: are already using it too much. Well, shit, I just

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Speaker 1: fell on you just fell in love with it. It's

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Speaker 1: like what Eva Longoria says in Desperate Housewives, but we've

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Speaker 1: already fallen in love with her. Oh my god, it's

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Speaker 1: just like that that was a great art. Speaking of housewives,

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Speaker 1: I was just talking about Desperate house as the day.

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Speaker 1: Actually it's due for combat. I can feel it. I

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Speaker 1: can feel the ground swell of Desperate Housewives culture making

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Speaker 1: a huge return. Yeah, because I'll tell you what's back.

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Speaker 1: Funny satire. Um, it's been gone and now it's back.

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Speaker 1: We need social suburban satire now. Although I don't think

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Speaker 1: they can reboot it, because can you really give Felicity

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Speaker 1: of a job now, major criminal, big felon, huge Hollywood felon,

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Speaker 1: Felicity Hoffman. But I think she released one of the

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Speaker 1: better Hollywood apologies in the last five years. You think

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Speaker 1: this way. I thought her apology was nice and messed up.

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Speaker 1: That William H. Macy kind of not involved in that

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Speaker 1: sort of crucifixion, hands clean of the whole situation. Willie

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Speaker 1: definitely sucked off a dean. You know, he knew he

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Speaker 1: sucked off a dean. He walked down to college, you

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Speaker 1: pen and sucked the dean. And before we can say that,

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Speaker 1: starts saying that bravely, bravely, proudly and bravely, bravely new

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Speaker 1: use a touch of grass. Before we can bravely say

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Speaker 1: on Musculturis this that William H. Macy has been sucking

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Speaker 1: the cock of every dean in college industrial complex the

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Speaker 1: nation over, Then we can't say we're a podcast that

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Speaker 1: breaks ground. And speaking of podcasts that breakground today is

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Speaker 1: actually a huge deal in podcasting history because it's too

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Speaker 1: critically acclaimed podcasts sort of getting together to shoot the ship. Absolutely, well,

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Speaker 1: let's just keep it at that. I don't want to

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Speaker 1: limit us because I feel like the four of us

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Speaker 1: together this is I not want to really say this

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Speaker 1: and self label in this way, but this is powerful.

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Speaker 1: Not since Marcia Cross, even Terry Hatcher and I'm one

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Speaker 1: of America's biggest criminals. Felicity Huffman got together. Don't forget

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Speaker 1: nicolet Sheridan Honey, there's not a fifth and I'm sorry,

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Speaker 1: but she was supporting and had she known that, she

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Speaker 1: wouldn't have gotten too the trouble she got in. She

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Speaker 1: needed to know her place, She need to be thankful

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Speaker 1: she came there, hit her mark, do her sassy one liners,

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Speaker 1: and get the hell out. The fact that they even

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Speaker 1: gave her deep arcs was huge. It's true, and we

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Speaker 1: could get more into that because you know who they

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Speaker 1: throw around her name as as a potential Beverly Hills

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Speaker 1: cast member. Let's talk about it with our guests. Our

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Speaker 1: guests are so wonderful, incredible comedians, real hot wives of Elando,

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Speaker 1: real hot wives of Vegas and more, I mean incredible

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Speaker 1: actresses and writers in their own right. They also host

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Speaker 1: the truly iconic podcast bit Sesh, the kind of podcast

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Speaker 1: that you go on and then a hundred people come

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Speaker 1: out of the woodwork, as they say, and they say, wow,

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Speaker 1: you were on bitches. That was amazing, people from high school. Yeah,

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Speaker 1: that's the power. Damn, that's the power. Like we said,

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Speaker 1: they are the host of bitch That. We are so

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Speaker 1: happy and it was long overdo It's actually humiliating. It's

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Speaker 1: taken the song to get them on. But please welcome

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Speaker 1: into your ears. I hear on last culture as this

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Speaker 1: let's go, We're off. This does feel like a meeting

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Speaker 1: of the minds. I'm going to try not to. I'm

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Speaker 1: so excited to be here and with my brethren that

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Speaker 1: i feel like I don't want to talk too much,

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Speaker 1: you know, like I want to like, just why else

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Speaker 1: did we bring you on? You have to talk crucial

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Speaker 1: that you talk. No, But I'm so excited, I'll just

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Speaker 1: have like Diary of the Mouth. I'm trying to like

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Speaker 1: chill myself. I mean, look, we've already said that William H.

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Speaker 1: Macy sucks. I've been angry that he has really gotten

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Speaker 1: to the background and had no repercussions. He's on TV

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Speaker 1: left and right. Yeah, I want to say, guys, hi,

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Speaker 1: I'm so happy to be here. But I am wearing

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Speaker 1: a jumpsuit that last Halloween I pulled out two seconds

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Speaker 1: before my kids started took retreating. I took a piece

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Speaker 1: of tape, I wrote Felicity Huffman, innate whatever on here,

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Speaker 1: and I got an s a t prep book and

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Speaker 1: I walked out the house. And so it feels right

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Speaker 1: that I'm wearing this to to be with you all

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Speaker 1: on this incredible pod. Very so, did she do a

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Speaker 1: hard time? She did do a little time. I think

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Speaker 1: she did like fourteen dates. I'm not even kidding. I

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Speaker 1: think Lori did like two months. Yeah, Lori, you know,

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Speaker 1: got her daughter on like an a rowing machine, and

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Speaker 1: that costs more in the eyes of a lot. That's

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Speaker 1: soft time time, that's soft mochi bite time just really

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Speaker 1: pillowy and juicy and whatever. Well, that's like Hollywood prison.

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Speaker 1: It's true. But I'm ready to forgive. I don't know

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Speaker 1: about Lorie, but I'm ready forgive Felicity. I forgive them absolutely.

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Speaker 1: You know, forgiveness is a major part of the human condition,

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Speaker 1: and I'm so happy that we're talking about it here.

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Speaker 1: Forgiveness so important. When was the time that you forgave? Never?

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Speaker 1: Not once? Yeah, I heard that if this podcast all

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Speaker 1: of a sudden became very Burnet Brown, like you didn't

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Speaker 1: realize that we had pivoted, we get decided to TiVo

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Speaker 1: fifteen minutes before. It's more about humans run screaming. Berne

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Speaker 1: is not even about forgiveness though. Anyway, I don't understand Burnet,

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Speaker 1: and I know I'm alone in this and I'm going

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Speaker 1: to hear about it. No, it's okay, should be yeah, okay,

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Speaker 1: what's confusing? We don't have to unpack her. I just

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Speaker 1: the whole like vulnerability thing. I just I don't know.

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Speaker 1: It's She's not it for me in that world. And

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Speaker 1: I will go to every unaccredited spiritual healer in the

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Speaker 1: broken City. You I'll give anyone two dollars and take

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Speaker 1: their advice. But something about her hasn't grabbed me. Okay,

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Speaker 1: am no, no, no, no, no, no, You're not wrong

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Speaker 1: at all, because I think vulnerability became like the catch

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Speaker 1: all phrase in her work, and it's not the thing.

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Speaker 1: I don't think that's the thing she should be known for.

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Speaker 1: I think anything she should be known for shame, or

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Speaker 1: at least emotional linguistics, like the act of naming your

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Speaker 1: emotions as you feel them helps shape the experience of

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Speaker 1: what you're going through. Well, you have just said, I

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Speaker 1: have understood it so much more because both ability. I

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Speaker 1: was hanging my hat on that word, know what was

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Speaker 1: happening with it. But shame I can Okay, I'm recontextualize shame.

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Speaker 1: Shame I got, I would. I can hang my hat

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Speaker 1: on shame any day of the week. I get out,

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Speaker 1: I get a hat. Stand. I remember she came up

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Speaker 1: with her like HBO Max series that was recently out.

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Speaker 1: I drank a weed Seltzer, got out of notebook. I

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Speaker 1: was taking notes. Okay, I was like, all right, I'm here,

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Speaker 1: I'm ready to go, I'm in class. I paid more

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Speaker 1: attention to her as like a professor than any college course. Wow,

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Speaker 1: and you got a lot out of it, a lot? Okay,

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Speaker 1: I used to drive around this city of angels and

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Speaker 1: just play her books in the car and weep like

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Speaker 1: that was like when I couldn't afford therapy. Brown and

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Speaker 1: me and my car were just like, this is right,

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Speaker 1: this feels great. Yeah, that's incredible worth the price of gas. Meanwhile,

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Speaker 1: I have like a gift certificate to see a wizard,

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Speaker 1: and that is not a joke. So I think it's

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Speaker 1: time to who gave it to you? How much is

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Speaker 1: it for which wizard? My friend caught she's a dog

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Speaker 1: therapist and she gave me a certificate to a wizard,

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Speaker 1: and she's just like, he'll change your life. There's no

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Speaker 1: other He goes by wizard, and I wish I could

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Speaker 1: call him by any other aim a rose that smells.

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Speaker 1: He goes by wizard. So his name is wizard and

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Speaker 1: his occupation is yeah, wizardry, And you know again, I

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Speaker 1: will see anyone. So I'm looking forward to his teachings

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Speaker 1: at amazing two hour session. I don't know what's going

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Speaker 1: to happen there. But you haven't You haven't done yet. No, No,

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Speaker 1: I just had my gift certificate and it has to

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Speaker 1: print out. Amazing. What do you what do you hope

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Speaker 1: will or could happen. I mean, oh my gosh, there's

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Speaker 1: so many possibilities. Whatever this wizard says will be like

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Speaker 1: that's the thing I've needed this whole time, and I'm

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Speaker 1: so stupid and everything I've done up till now is

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Speaker 1: like a fraud, and so I hope for anything he

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Speaker 1: tells me, I'll latch onto. I'm sure have you guys

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Speaker 1: done the because now the big thing is terror readings

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Speaker 1: on apps like you Chat with the Terror. So I

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Speaker 1: downloaded Sanctuary in addition to other astrology stuff, and you

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Speaker 1: can pay for a dollar a minute or some some

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Speaker 1: people like five dollars a minute. Some people really charge up,

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Speaker 1: but um I did one. And this lady was like,

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Speaker 1: you should consider past life analysis. And I'm like, okay,

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Speaker 1: this has gone too far, but maybe should consider spending

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Speaker 1: more money here see bowen. When I hear that, I'm like,

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Speaker 1: wonderful and thank the right by my past? Is this

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Speaker 1: beautiful tarotok? The mysteries of love? What does that say?

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Speaker 1: Oracle decks, the greatest oracle deck of all time. You

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Speaker 1: pull your card today, show the cards, Daniel, just show

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Speaker 1: how gorgeous they are. Yes, this is the card that

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Speaker 1: I pulled today. I'm just gonna show you this is

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Speaker 1: important hope. Oh my god, that today and that's a

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Speaker 1: beautiful photo to that orchid is very gorgeous. Yes, I'm

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Speaker 1: gonna call it an orchid. Those cards were gorgeous, Cobalt

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Speaker 1: blue and goal. Yeah. Okay. So with the theme of

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Speaker 1: hope on today's episode, and then the theme of the

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Speaker 1: episode is of course hope forgiveness and hopefully betterment and

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Speaker 1: shame and shame, I want to say some names for you,

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Speaker 1: which this is what US Weekly reports, Okay, and this

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Speaker 1: was this is a report that just came out. I

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Speaker 1: don't know if we're seeing this. And again it is

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Speaker 1: way too early. And this is almost definitely. Of course

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Speaker 1: they've seen it. It was on my Google alert this morning.

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Speaker 1: But please proceed. I want to say these following names.

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Speaker 1: Brandy Glanville, Kyle Richards, Lisa vander Pump, Sutton Strack, Erica

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Speaker 1: Jane Garcel, friend of Doriet Kemsley. Do we have hope

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Speaker 1: for this? Is this possible? Can this happen? So? Ren

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Speaker 1: is not mentioned at all. She is not no, no, Diana,

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Speaker 1: no Crystal. Wow, you know what right? His rain right? Beautiful? Perfect?

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Speaker 1: I love the reintroduction of one Lisa vander Pump to

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Speaker 1: take everything off of its heels, like everybody feels like

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Speaker 1: it has to happen. Yeah, it feels nice. That feels

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Speaker 1: real good. I don't need Lisa back, Lisa vander Pump

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Speaker 1: back personally, but I'm ready to set sail to I

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Speaker 1: think she's a ghoul. Yeah, it's it's become very ghoulish.

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Speaker 1: It's become like it's become well, now it's like it's

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Speaker 1: there's a sort of thing where they're like, say it's

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Speaker 1: say it's say it's a Crystal all season about whatever

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Speaker 1: this dark thing was. And now I'm like, Tarna, Okay,

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Speaker 1: say it. What is it that Kathy said that was

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Speaker 1: so coolul crazy? What does it? Say it? Yeah, nobody will.

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Speaker 1: If you can't say it, you're off my screen. You

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Speaker 1: gotta say it. Crystal is just too normal to me.

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Speaker 1: I know moms that know her. I don't want that.

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Speaker 1: I don't want to have one connection to these people.

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Speaker 1: I appreciate her beauty as well. I mean, I love

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Speaker 1: something to feast my eyes upon and I you know

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Speaker 1: what I mean, And she is gorgeous, So for that

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Speaker 1: reason alone, I like her in the cast and I

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Speaker 1: do think she calls people out, you know, in a

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Speaker 1: way that some of the other girls don't. She's willing

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Speaker 1: to speak truth to power, which I enjoy. But she

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Speaker 1: is normal. She's someone i'd be friends with him. That's difficult.

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Speaker 1: But it's when she calls people is when it's a

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Speaker 1: good TV and she seems reticent and reluctant to do

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Speaker 1: that until she's shoved into the court, like she really

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Speaker 1: had to get backed up at the reunion for her

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Speaker 1: to blow up a it was this is what I'll say, Like,

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Speaker 1: when I knew it was going to be a bad

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Speaker 1: season for Kyle, I was like, oh no, like bummer,

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Speaker 1: I love Kyle. And then by the end, I was like, no,

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Speaker 1: she really needed to have a bad season, because this

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Speaker 1: is what I'll say about Kyle Richards. I don't think

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Speaker 1: I've ever heard anyone say the word me more like

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Speaker 1: everything is me. It only hurts me. It hurts me

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Speaker 1: when you do this. It's me, and I have to

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Speaker 1: deal with it. Me me me. Meanwhile, whenever anyone else

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Speaker 1: has any issues, she's sort of like, why are you

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Speaker 1: upset about that? Like dismissing every single thing Crystal said

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Speaker 1: all season at in regards to how she was feeling

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Speaker 1: and how she was experiencing things. She sort of does

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Speaker 1: it with Garcel to which you know not to say

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Speaker 1: too much, but there's a common thread there. It seems

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Speaker 1: like she has some blindness, will say, and I just

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Speaker 1: feel like there's a self centered nous, which in the

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Speaker 1: past has been cute, and now it's just like, no,

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Speaker 1: like you can't just do this queen bee thing anymore.

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Speaker 1: Like in an environment where these are not actually women

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Speaker 1: that are your natural friends anymore, they're like not scared

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Speaker 1: of you in the same way, and so they're going

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Speaker 1: to call out the fact that you center yourself constantly.

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Speaker 1: And I think that seems to be what Kathy Hilton's

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Speaker 1: biggest issue with her is is that no matter what,

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Speaker 1: it always is all about Kyle. And that's something you

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Speaker 1: learned to like stop doing, like in your mid twenties,

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Speaker 1: not your mid fifties. Wow. Well, you know they say

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Speaker 1: you get stuck at the age you get famous at.

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Speaker 1: That's what they do say. And these women, especially the

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Speaker 1: younger or Kim and Kyle, have been famous for a

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Speaker 1: very long time and they are all under the still

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Speaker 1: under the heavy foot of big Kath Big Kathy. She's

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Speaker 1: looming large over all of this. He was very from

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Speaker 1: this guy, from this guy, MoMA Cathy. Have any of

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Speaker 1: you ever met Kathy Hilton in person? I wouldn't, dare

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Speaker 1: I did. Wow. So I met her at an Emon

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Speaker 1: Marcus event a couple of weeks ago. Yeah, on a

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Speaker 1: shopping Spria. I was on a shop and actually I wasn't.

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Speaker 1: It was very much like it was like a fancy

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Speaker 1: weird It was pre Halloween and they were having like

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Speaker 1: a Christmas event and Lupine and was there most beautiful

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Speaker 1: woman I have ever seen in person, truly stunning. There

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Speaker 1: were other people there too, and then Kathy Hilton was there,

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Speaker 1: and I guess someone that works for her was like,

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Speaker 1: do you want to meet Kathy? And I was like,

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Speaker 1: oh my god, I guess, so I guess I have

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Speaker 1: to here I am I being asked. So I went

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Speaker 1: over to her, and like when she shakes her hand,

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Speaker 1: she looks you dead in the eyes and sort of

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Speaker 1: says hi, and then like expects you to say something,

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Speaker 1: And all I could get out was Hi, Kathy, it's

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Speaker 1: nice to meet you, and I just want to say

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Speaker 1: Team Kathy. And she goes and then someone next to

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Speaker 1: me was like, I actually know a mutual a friend

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Speaker 1: of yours. And she goes, oh, of course, of course yes,

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Speaker 1: and then she had a conversation with them. But all

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Speaker 1: I could say was team Cathy. And here's why she's

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Speaker 1: much scarier than you think she's going to be. I

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Speaker 1: believe that, I believe very intimidating, really much less cuddly,

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Speaker 1: less cuddly, it's less what a goof and more like,

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Speaker 1: oh my god. I was just gonna say, we've been

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Speaker 1: on such a journey with her because I think we

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Speaker 1: thought we knew Kathy and then she comes on the

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Speaker 1: show and we're all like, that's not the Cathy we thought,

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Speaker 1: like with this box fan and daughtering around and we

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Speaker 1: were so excited. It wasn't the Caty we thought that.

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Speaker 1: Then when she was unmasked as the Kathy we knew

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Speaker 1: her to be before, we're now also confused. So you

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Speaker 1: hear that in person she's tough. Is I'm taking it in,

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Speaker 1: you know? And it wasn't It wasn't even tough. It

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Speaker 1: wasn't even like she wasn't nice. She was like she

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Speaker 1: fully came over and shook my hand, took a picture

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Speaker 1: with us, and like then she went on her marry

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Speaker 1: a way. But I guess what I'm saying is in person,

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Speaker 1: it's an intimid dating vibe. Like it's not like, Hi,

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Speaker 1: it's not warm, It's very like in the way that

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Speaker 1: it's like her house is like, you know, very well decorated,

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Speaker 1: but there's like a coldness and how like calculated the

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Speaker 1: decoration is. Like That's kind of what I'm responding to

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Speaker 1: is it's like a very put together Beverly Hills woman

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Speaker 1: who's like in charge. Kyle on the other hand, Casey

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Speaker 1: and I have met Kyle and been in her house

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Speaker 1: and the one in in Cino, the one that that

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Speaker 1: it's like a mansion with a dog mansion side of it.

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Speaker 1: We've been there and Kyle could not be warmer. Yeah,

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Speaker 1: that makes sense. And she did do the splits on

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Speaker 1: that black and white parquet floor, which nobody at well

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Speaker 1: with Kathy. I feel like Kathy has the teeth obsession

356
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Speaker 1: is alarming, a huge red flag. The birth order is

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Speaker 1: important here to consider, and I feel like Cathy is

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Speaker 1: a perfect example of like her sinality determinism, where you're like,

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Speaker 1: can people really change? Maybe not? Maybe she is She's

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Speaker 1: always who she always was, and like and like what

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Speaker 1: Casey's saying, like she was not like the cuddly goof,

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Speaker 1: she never was that person. Like we caught like they

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Speaker 1: show caught her in that little moment where she seemed

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Speaker 1: to have like had a quirky little phase for a

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Speaker 1: few months. You know. Yeah, this is the brine Brown.

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Speaker 1: I want to listen to the thing about the Kathy

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Speaker 1: Hilton of it all is it is there is a

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Speaker 1: huge element of darkness here with the Paris Hilton school

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Speaker 1: of it all. And also I was recently watching the

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Speaker 1: Bling Ring documentary Yes so bo when I told you

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Speaker 1: about it last week, So there's a Netflix documentary and

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Speaker 1: obviously Paris Hilton was one of the people robbed by

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Speaker 1: the Bling Ring. And they're the point in the episode

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Speaker 1: where Paris is like sort of dancing like like sort

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Speaker 1: of you know, seductively and like maybe she's a little

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Speaker 1: drunk or whatever. This is like height of Paris, like

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Speaker 1: two thousand six seven. In the background is Kathy just

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Speaker 1: sort of standing there with arms folded, like smiling a smile.

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Speaker 1: And I'm like, this is not like I gotta bring

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Speaker 1: my fan with me. I wear slippers in the airport.

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00:21:22,600 --> 00:21:26,840
Speaker 1: Energy this is like a calculated family decision to have

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Speaker 1: the fame be this type of thing, you know, like

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Speaker 1: it's you know what I'm saying, Like it's not all

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00:21:32,080 --> 00:21:36,719
Speaker 1: peaches and creams. Yeah. And I also think, and I

385
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Speaker 1: feel like I've been saying this for a little while,

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Speaker 1: which is that like we don't get a Paris to

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Speaker 1: Hilton and a Baron Hilton. I don't know from but

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Speaker 1: we don't get those two I don't know from Nikki.

389
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Speaker 1: Is the title of that I don't. I don't know

390
00:21:54,200 --> 00:21:57,680
Speaker 1: from Nicki, But I don't you don't get those two

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Speaker 1: pieces of let's honestly be true garbage without somebody else,

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Speaker 1: you know. And I'm not saying we're all to blame

393
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Speaker 1: for our children. Who knows my child could be a

394
00:22:07,680 --> 00:22:10,600
Speaker 1: seo real killer and I refused to take responsibility for it.

395
00:22:11,080 --> 00:22:14,760
Speaker 1: But I just feel like it, like Carthy, I feel

396
00:22:14,800 --> 00:22:17,600
Speaker 1: Cathy looming over them. I don't it was fun to

397
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Speaker 1: see her us this dottering thing, and I do believe

398
00:22:20,000 --> 00:22:22,400
Speaker 1: that that is a part of her personality. But there

399
00:22:22,480 --> 00:22:27,080
Speaker 1: is darkness there. There's power play there. To talk about

400
00:22:27,160 --> 00:22:31,920
Speaker 1: darkness in a way that feels um like exceptional within

401
00:22:32,119 --> 00:22:37,120
Speaker 1: Housewives is wild bingo, like everybody's dark right for us

402
00:22:37,160 --> 00:22:40,399
Speaker 1: to really see that and all agree they're it's like,

403
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Speaker 1: you know what I do like about Kathy is how

404
00:22:43,560 --> 00:22:46,119
Speaker 1: for some reason her and Garcella is like exempt from

405
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Speaker 1: all her Like at no point was gonna like and

406
00:22:48,240 --> 00:22:50,680
Speaker 1: wait till what she said about Garcella and Kathy is

407
00:22:50,680 --> 00:22:53,840
Speaker 1: always in the corner with Carsella being liketh almost like

408
00:22:54,320 --> 00:22:58,560
Speaker 1: she's always pulling Garcella off, like you get it funny,

409
00:22:58,600 --> 00:23:02,000
Speaker 1: a little odd little pair there. But yeah, and I

410
00:23:02,040 --> 00:23:05,280
Speaker 1: always forget that Kathy and Crystal or BFF, like, oh

411
00:23:05,320 --> 00:23:07,359
Speaker 1: what's that about? It would seem that they had never

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Speaker 1: seen each other on the street. Remember when she came

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00:23:09,480 --> 00:23:11,520
Speaker 1: over to yeh, when she came over to visit was

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Speaker 1: like hey and then sat down and I was like, oh, y'all,

415
00:23:13,920 --> 00:23:17,760
Speaker 1: y'all just have Okay, here's a question. Is Beverly Hills

416
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Speaker 1: the darkest franchise? Yes, at this moment, yes, I think.

417
00:23:23,600 --> 00:23:26,000
Speaker 1: I for a while I thought Orange County was so

418
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Speaker 1: dark because that is a is a franchise built on

419
00:23:31,200 --> 00:23:33,680
Speaker 1: like it's a it's a house of cards, like there's

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00:23:33,760 --> 00:23:38,680
Speaker 1: no money, there's no culture, no culture in Orange County.

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Speaker 1: It's actually shocking. It's like a kitchen island is the culture. Yeah,

422
00:23:41,720 --> 00:23:43,639
Speaker 1: it's like we just redid the kitchen island, and that

423
00:23:43,720 --> 00:23:46,560
Speaker 1: kitchen island is made from cardboard. Like there's no like

424
00:23:46,600 --> 00:23:49,040
Speaker 1: if you took off the four mica it would be cardboard,

425
00:23:49,080 --> 00:23:53,119
Speaker 1: and there's no real structures, Like there's no money, there's

426
00:23:53,160 --> 00:23:57,639
Speaker 1: no personality, there's no there there. And so I find

427
00:23:57,680 --> 00:24:02,239
Speaker 1: that vacuum of like gravitas, you know what I mean,

428
00:24:02,280 --> 00:24:05,760
Speaker 1: Like that vacuum of anything real, like to be really

429
00:24:05,840 --> 00:24:09,520
Speaker 1: dark to me personally, it's like it's like it's taking

430
00:24:09,640 --> 00:24:13,960
Speaker 1: place in a you know, like a strip mall. Yes, literally,

431
00:24:14,480 --> 00:24:18,080
Speaker 1: but Beverly Hills has overtaken that right now. Beverly Hills has.

432
00:24:18,119 --> 00:24:20,840
Speaker 1: For me, it's the sisters elements, Like the three Sisters

433
00:24:20,840 --> 00:24:23,159
Speaker 1: were always saying there's like a Checkovian thing happening with

434
00:24:23,160 --> 00:24:26,680
Speaker 1: the three of them. There's something so dark with those sisters.

435
00:24:26,680 --> 00:24:28,480
Speaker 1: And when we go back to the limo ride and

436
00:24:28,480 --> 00:24:30,359
Speaker 1: you're an alcoholic and we see the whole thing, and

437
00:24:30,400 --> 00:24:33,200
Speaker 1: then we've got Rick is the real entrepreneur with real estate,

438
00:24:33,480 --> 00:24:36,120
Speaker 1: and then Maurizio. It's so much just going on there

439
00:24:36,200 --> 00:24:39,320
Speaker 1: that the family element to me takes us to another

440
00:24:39,480 --> 00:24:42,320
Speaker 1: level of darkness, and Beverly Hills is an incredibly dark place,

441
00:24:42,560 --> 00:24:45,760
Speaker 1: of course. Yeah, I mean from the beginning, what I've

442
00:24:45,760 --> 00:24:47,639
Speaker 1: actually really liked about it was it was about the

443
00:24:47,680 --> 00:24:49,960
Speaker 1: cracks in the China and like when when when they're

444
00:24:50,000 --> 00:24:52,000
Speaker 1: actually got revealed what was under there, It was like

445
00:24:52,119 --> 00:24:55,760
Speaker 1: fascinating because of the depths of how dark it was.

446
00:24:55,800 --> 00:24:58,320
Speaker 1: Like I think probably the darkest thing that's ever happened

447
00:24:58,359 --> 00:25:01,399
Speaker 1: on any house as franchise is Taylor Armstrong and Russell,

448
00:25:01,480 --> 00:25:03,800
Speaker 1: you know what I mean. Like that's because he's dead

449
00:25:03,880 --> 00:25:06,000
Speaker 1: and he was probably going to kill her had he lived.

450
00:25:06,400 --> 00:25:09,119
Speaker 1: That's like the base reality that we're working at. But

451
00:25:09,240 --> 00:25:11,040
Speaker 1: it does feel like and I will say this the

452
00:25:11,080 --> 00:25:13,840
Speaker 1: reason that Bowen and I love Potomac so much, and

453
00:25:13,880 --> 00:25:16,800
Speaker 1: not to say that Bowen and I don't acknowledge that

454
00:25:16,880 --> 00:25:20,160
Speaker 1: Potomac has been dark. It is probably at times at

455
00:25:20,200 --> 00:25:23,600
Speaker 1: one point anyway been the darkest. With some of the parents,

456
00:25:23,640 --> 00:25:28,840
Speaker 1: it gets dark, yeah, yes, but it's fun. That's funny,

457
00:25:29,040 --> 00:25:32,000
Speaker 1: and like it feels light Like I love that. Like

458
00:25:32,320 --> 00:25:35,399
Speaker 1: what I'm like kept up about at night is the

459
00:25:35,440 --> 00:25:38,480
Speaker 1: fact that Robin cannot put together a family Funday of

460
00:25:39,119 --> 00:25:42,240
Speaker 1: that family Funday. She couldn't even pay for a bounce

461
00:25:42,280 --> 00:25:46,800
Speaker 1: house nothing. Mama couldn't get a spread together like anything

462
00:25:46,840 --> 00:25:50,080
Speaker 1: on a folding table. Let me ask you guys this.

463
00:25:50,200 --> 00:25:52,320
Speaker 1: You know we've we've talked about this at length, but

464
00:25:52,320 --> 00:25:55,240
Speaker 1: I haven't heard your opinions. What do you think about

465
00:25:55,240 --> 00:25:59,880
Speaker 1: Ashley divorcing Michael? Like is this real? Like what's happening?

466
00:26:01,359 --> 00:26:06,320
Speaker 1: I think it's maybe just a whole gambit for Michael

467
00:26:06,400 --> 00:26:08,280
Speaker 1: Darby to be like, I don't want to be on

468
00:26:08,400 --> 00:26:12,640
Speaker 1: camera for the show anymore. Let's do something about that

469
00:26:12,720 --> 00:26:16,920
Speaker 1: and like kind of stage some whole divorce plot. I

470
00:26:16,960 --> 00:26:23,720
Speaker 1: don't know. Um, something about the call of Ashley getting

471
00:26:23,760 --> 00:26:25,800
Speaker 1: the call in the car on the drive home from

472
00:26:25,800 --> 00:26:28,720
Speaker 1: the family Fun Day event seemed a little off. Even

473
00:26:28,720 --> 00:26:31,680
Speaker 1: though that it seemed off, but I was like, oh,

474
00:26:31,720 --> 00:26:34,240
Speaker 1: but I couldn't tell, like the reality was a little

475
00:26:34,240 --> 00:26:35,720
Speaker 1: bit and we didn't know really where we were in

476
00:26:35,800 --> 00:26:39,040
Speaker 1: time and space or something about it. Huh Okay, So

477
00:26:39,080 --> 00:26:40,760
Speaker 1: I'm not I'm not alone in this. It was weird

478
00:26:40,800 --> 00:26:42,439
Speaker 1: that it ended like that. Yeah, it was like the

479
00:26:42,480 --> 00:26:44,320
Speaker 1: family Fun Day event happened, and then she's in the

480
00:26:44,359 --> 00:26:49,560
Speaker 1: car doing loops and like I just can't turning around

481
00:26:49,560 --> 00:26:53,560
Speaker 1: in a call to Saco and it was so odd.

482
00:26:54,119 --> 00:26:57,400
Speaker 1: It was so weird, and I will so my opinion

483
00:26:57,440 --> 00:26:59,639
Speaker 1: on this is I think it's a real divorce, but

484
00:26:59,680 --> 00:27:02,119
Speaker 1: I think it's not as complicated as they're making it

485
00:27:02,160 --> 00:27:04,760
Speaker 1: out to be. And that's where they're producing it for television,

486
00:27:04,760 --> 00:27:07,480
Speaker 1: which is that it's probably pretty cut and dry. She

487
00:27:07,560 --> 00:27:10,320
Speaker 1: certainly has like the amount of money she's getting worked out,

488
00:27:10,400 --> 00:27:12,600
Speaker 1: like you know what I mean, Like they they've known

489
00:27:12,640 --> 00:27:14,919
Speaker 1: they were getting divorced for a few years. I'm certain

490
00:27:14,960 --> 00:27:18,879
Speaker 1: of it, and they're probably just making it seem more contentious.

491
00:27:19,160 --> 00:27:21,040
Speaker 1: I don't know about that because the baby though, the

492
00:27:21,119 --> 00:27:25,320
Speaker 1: new kid. Yeah, but don't you think that Ashley's like,

493
00:27:25,359 --> 00:27:27,240
Speaker 1: you will give me these children? Like I think that

494
00:27:27,280 --> 00:27:29,280
Speaker 1: she has enough agency in that where it's like, even

495
00:27:29,320 --> 00:27:31,440
Speaker 1: if they were to break up, she was like, I'm

496
00:27:31,480 --> 00:27:33,680
Speaker 1: getting my kids out of this because that's ultimately why

497
00:27:33,720 --> 00:27:35,960
Speaker 1: I married you. That's all I'm getting young. Yeah, and

498
00:27:36,000 --> 00:27:38,359
Speaker 1: I don't think that he wants them full time, Like

499
00:27:38,359 --> 00:27:40,159
Speaker 1: I don't think there's an argument with you know, Like,

500
00:27:40,200 --> 00:27:42,040
Speaker 1: I just don't think he's interested. I mean, he's a

501
00:27:42,119 --> 00:27:45,680
Speaker 1: hundred I think of the yet he's the oldest living

502
00:27:45,680 --> 00:27:49,159
Speaker 1: man in Potomac. Have you felt a darker space in

503
00:27:49,240 --> 00:27:52,680
Speaker 1: that apartment on the ground picking up the toys it's

504
00:27:52,760 --> 00:27:55,840
Speaker 1: made of glass? Just something about him with that one beer.

505
00:27:56,000 --> 00:27:58,359
Speaker 1: The two of them love those coronas so much, and

506
00:27:58,440 --> 00:28:00,760
Speaker 1: it is so wild to watch them sit around drink

507
00:28:00,760 --> 00:28:04,760
Speaker 1: corona toys littered on the ground, an unsafe atmosphere for children.

508
00:28:05,640 --> 00:28:09,720
Speaker 1: Glass every mirrored, and glass everywhere you look. I'm so

509
00:28:09,840 --> 00:28:12,800
Speaker 1: upset in that apartment. Although despite all of this, back

510
00:28:12,800 --> 00:28:17,400
Speaker 1: to your earlier point, it is the lightest show. When

511
00:28:17,640 --> 00:28:20,879
Speaker 1: Candice breaks the fourth wall immediately and just says fourth well, no,

512
00:28:21,320 --> 00:28:24,119
Speaker 1: I screamed, I stopped the show. I broke in a sweat.

513
00:28:24,280 --> 00:28:26,680
Speaker 1: And then when she just they're so funny when she said,

514
00:28:26,680 --> 00:28:30,000
Speaker 1: not today, Satan, not today, neck, not today, ankles. We

515
00:28:30,040 --> 00:28:33,480
Speaker 1: don't have it. We don't don't have we don't have it,

516
00:28:34,080 --> 00:28:39,080
Speaker 1: We don't have it. Matt and I talked about this

517
00:28:39,160 --> 00:28:41,320
Speaker 1: last couple episodes, But like that moment in the dance

518
00:28:41,360 --> 00:28:43,719
Speaker 1: studio where she just breaks fourth wall and goes, what

519
00:28:43,760 --> 00:28:46,520
Speaker 1: are we doing? Yeah, looks at the camera says what

520
00:28:46,560 --> 00:28:50,920
Speaker 1: are we doing? So impactful, She saw it all I screamed,

521
00:28:51,200 --> 00:28:54,520
Speaker 1: screamed said last week with a certain Housewives memes that

522
00:28:54,560 --> 00:28:57,320
Speaker 1: we love like like like whenever say is like um,

523
00:28:57,360 --> 00:28:59,840
Speaker 1: I like the beat, or like bow and said when

524
00:28:59,880 --> 00:29:04,240
Speaker 1: the Daylight savings DURINGDA what if your son died? And

525
00:29:04,480 --> 00:29:08,040
Speaker 1: another one another one. Someone did a meme of Ariel

526
00:29:08,040 --> 00:29:12,320
Speaker 1: when she gets her voice back. I need Eric? Where

527
00:29:14,560 --> 00:29:21,400
Speaker 1: really good? I need Eric? I said. Whenever I get

528
00:29:21,440 --> 00:29:23,480
Speaker 1: into any argument with anyone, I'm getting up off the

529
00:29:23,520 --> 00:29:25,720
Speaker 1: floor out of my cross legged situation and saying I

530
00:29:25,760 --> 00:29:28,440
Speaker 1: need Eric, and I'm stomping out. I said. We latched

531
00:29:28,440 --> 00:29:32,800
Speaker 1: onto Doug Dog. I do remember when Andy called for Doug.

532
00:29:33,360 --> 00:29:35,080
Speaker 1: What do you want to do? Because what do you

533
00:29:35,080 --> 00:29:39,160
Speaker 1: want to do here? Doug kyles I. We did this

534
00:29:39,240 --> 00:29:42,680
Speaker 1: Halloween show about ten people dressed up as Doug. They

535
00:29:42,720 --> 00:29:46,160
Speaker 1: all had headsets. I was dying. It was like everybody

536
00:29:46,200 --> 00:29:49,640
Speaker 1: decided to be Andy Judge he did, he did. It

537
00:29:49,760 --> 00:29:55,040
Speaker 1: was just Doug, Doug, have your potatoes, Dug. Someone dressed

538
00:29:55,120 --> 00:29:58,680
Speaker 1: up as a chicken tender that Erica said, Crystal cris

539
00:30:00,240 --> 00:30:04,960
Speaker 1: God our friend Tim Murray, who's been on the podcast,

540
00:30:05,000 --> 00:30:07,560
Speaker 1: he came to a very crowded Halloween party the other

541
00:30:07,640 --> 00:30:11,200
Speaker 1: day as Kathy Hilton's Congo line. He had one person

542
00:30:11,240 --> 00:30:13,600
Speaker 1: in front of him, one person like he made like mannekins,

543
00:30:13,960 --> 00:30:15,400
Speaker 1: and there was one on his front and one on

544
00:30:15,440 --> 00:30:16,960
Speaker 1: his back, and he was like the party was too

545
00:30:17,000 --> 00:30:18,680
Speaker 1: crowded as it was, and he was like trying to

546
00:30:18,680 --> 00:30:21,320
Speaker 1: get through as Kathy Hilton's line. And I really think

547
00:30:21,360 --> 00:30:26,320
Speaker 1: that was Wow, that's great, beautiful. But back to Potomac.

548
00:30:26,320 --> 00:30:29,920
Speaker 1: I also love Karen and Giselle's relationship, Like, even though

549
00:30:29,920 --> 00:30:32,880
Speaker 1: it is obviously fraught, there is such humor and love

550
00:30:32,920 --> 00:30:36,760
Speaker 1: there that when they do get together, there's nothing funnier.

551
00:30:37,080 --> 00:30:40,120
Speaker 1: I think someone said to them, hey, stop, like just

552
00:30:40,280 --> 00:30:43,200
Speaker 1: please get together. We need it as an age, just

553
00:30:43,320 --> 00:30:46,400
Speaker 1: have to. And they're like fine, and it's so fun

554
00:30:46,640 --> 00:30:48,960
Speaker 1: and and there are It is all building towards a

555
00:30:49,120 --> 00:30:51,960
Speaker 1: Candice and Ashley sort of team up to Like it

556
00:30:51,960 --> 00:30:55,720
Speaker 1: feels like the old rivalries are breaking down and new

557
00:30:55,760 --> 00:30:58,480
Speaker 1: ones are formed, unexpected ones are forming in their place,

558
00:30:58,520 --> 00:31:01,040
Speaker 1: and they am not seggling right now. It's the Salt Lake,

559
00:31:01,040 --> 00:31:02,800
Speaker 1: but I feel like that's I was just thinking that

560
00:31:02,840 --> 00:31:06,480
Speaker 1: bone yes with Heather and Whitney kind of breaking off

561
00:31:06,600 --> 00:31:09,120
Speaker 1: and Lisa, what do you guys make of Salt Lake.

562
00:31:10,600 --> 00:31:13,200
Speaker 1: I'll be honest with you, it's actually becoming less fun

563
00:31:13,280 --> 00:31:16,240
Speaker 1: for me, just because I always struggle with a cast

564
00:31:16,280 --> 00:31:20,040
Speaker 1: of women that's really small, because especially when the dynamics

565
00:31:20,080 --> 00:31:23,560
Speaker 1: are so firm, like it's like Meredith and Lisa, it's

566
00:31:23,600 --> 00:31:26,840
Speaker 1: just not moving forward, and Heather and Whitney seemed to

567
00:31:26,960 --> 00:31:29,400
Speaker 1: not be moving forward. And with Jen it's kind of like,

568
00:31:29,720 --> 00:31:31,800
Speaker 1: I think all the juices sucked out of her scenes

569
00:31:31,840 --> 00:31:35,080
Speaker 1: actually because we know what happens and we know she's lying,

570
00:31:35,200 --> 00:31:37,360
Speaker 1: so she has no credibility, so therefore she's not a

571
00:31:37,400 --> 00:31:40,200
Speaker 1: grounded character in the show. And I don't I certainly

572
00:31:40,240 --> 00:31:44,400
Speaker 1: don't have fun watching her, nor do I enjoy where

573
00:31:44,440 --> 00:31:46,160
Speaker 1: it's gonna go, Like if it's if we're gonna go there,

574
00:31:46,240 --> 00:31:48,440
Speaker 1: let's get there. That's what I think about Salt Lake

575
00:31:48,480 --> 00:31:51,120
Speaker 1: right now, is it's moving slowly. Although I did enjoy

576
00:31:51,240 --> 00:31:54,080
Speaker 1: the Talent Show at least the beginnings of that. Someone

577
00:31:54,360 --> 00:31:58,080
Speaker 1: Danny Pellegrino and everything kind of described Whitney and Angie Harrington,

578
00:31:58,440 --> 00:32:01,880
Speaker 1: which by the way, that's a haunted situy. There their

579
00:32:01,960 --> 00:32:08,320
Speaker 1: dance toos being from Greg Gardens, and I that absolutely

580
00:32:08,720 --> 00:32:11,920
Speaker 1: it Gardens, but bones not a salt like stam, I

581
00:32:11,960 --> 00:32:18,080
Speaker 1: am right, but you more like the fun Potomac energy.

582
00:32:18,840 --> 00:32:22,000
Speaker 1: The Potomac energy is something that I feel like is

583
00:32:22,160 --> 00:32:25,760
Speaker 1: sorely missing from so many people's lives and my own.

584
00:32:25,880 --> 00:32:28,800
Speaker 1: I just it's the kind of television that's hard to find.

585
00:32:28,840 --> 00:32:32,080
Speaker 1: It's the I don't want that much reality TV. And

586
00:32:32,080 --> 00:32:33,800
Speaker 1: I'm not saying that in a snooty way. I'm just

587
00:32:33,840 --> 00:32:36,000
Speaker 1: going like, it's because I feel like it's hard to

588
00:32:36,120 --> 00:32:39,120
Speaker 1: arrive at that. There's there's an alchemy in Potomac that

589
00:32:39,200 --> 00:32:42,360
Speaker 1: is very, very, very very hard to land on. Well.

590
00:32:42,400 --> 00:32:48,120
Speaker 1: To have a person throw a taco party sprinkling writes

591
00:32:48,160 --> 00:32:53,920
Speaker 1: the passage whatever, and then not serve one taco like

592
00:32:54,120 --> 00:32:56,920
Speaker 1: that is you can't get that anywhere, Like, yeah, you

593
00:32:56,920 --> 00:33:00,040
Speaker 1: don't get that every like come on like that and

594
00:33:01,160 --> 00:33:03,920
Speaker 1: even and I feel like I'm so invested in in

595
00:33:04,080 --> 00:33:06,720
Speaker 1: in what's going on in that show, even though it

596
00:33:06,800 --> 00:33:09,240
Speaker 1: is like the lowest Steaks compared to a lot of

597
00:33:09,240 --> 00:33:13,040
Speaker 1: other shows. Like Ashley Darby showed up to an Essental

598
00:33:13,120 --> 00:33:15,880
Speaker 1: after party a month ago and I was just so

599
00:33:15,920 --> 00:33:17,960
Speaker 1: annoyed with her at the time in the show that

600
00:33:18,000 --> 00:33:23,520
Speaker 1: I was like, I'm not saying EI to her, like

601
00:33:23,520 --> 00:33:25,520
Speaker 1: like the spills over into my real life where I'm like,

602
00:33:25,960 --> 00:33:28,920
Speaker 1: I'm not and then I'm at at upfront, I've told

603
00:33:28,920 --> 00:33:31,160
Speaker 1: the story I made eye contact with Gazelle Bryant, and

604
00:33:31,640 --> 00:33:35,720
Speaker 1: I think she this is me assuming so much and

605
00:33:35,760 --> 00:33:38,600
Speaker 1: thinking so highly of myself. But I'm like, she knows

606
00:33:38,600 --> 00:33:41,560
Speaker 1: I've talked about her publicly. I think they do know.

607
00:33:42,800 --> 00:33:45,040
Speaker 1: But no, I don't know. But but wait, so so

608
00:33:45,120 --> 00:33:49,479
Speaker 1: you ladies like because like the iconic the podcast are

609
00:33:49,520 --> 00:33:51,680
Speaker 1: you and Danny? Like? You guys are the podcasts for

610
00:33:52,280 --> 00:33:54,960
Speaker 1: four Housewives? Do you do you get people reaching out

611
00:33:54,960 --> 00:33:57,440
Speaker 1: ever and like angry at you? You know, I I

612
00:33:57,480 --> 00:33:59,240
Speaker 1: don't say this sounds like I'm being funny, You're trying

613
00:33:59,240 --> 00:34:01,160
Speaker 1: to be rude. I don't think a lot of the

614
00:34:01,160 --> 00:34:04,560
Speaker 1: housewives can get at podcasts. And that's just a I

615
00:34:04,600 --> 00:34:09,360
Speaker 1: don't think they know how. Yeah, because if I like

616
00:34:09,440 --> 00:34:12,160
Speaker 1: post anything, I'll get some d ms, but it's like

617
00:34:12,320 --> 00:34:15,719
Speaker 1: nothing compared to what we've said. Also, remember how none

618
00:34:15,719 --> 00:34:17,719
Speaker 1: of the housewives in Beverly Hills could get through like

619
00:34:17,880 --> 00:34:21,040
Speaker 1: one page of a newspaper article, Like when they're like

620
00:34:21,280 --> 00:34:23,520
Speaker 1: something that they were cared about, you know, something that

621
00:34:23,560 --> 00:34:26,480
Speaker 1: they were like invested, Like I couldn't read Erica's that

622
00:34:26,600 --> 00:34:29,160
Speaker 1: whole article. I couldn't. She was the only one that

623
00:34:29,200 --> 00:34:31,640
Speaker 1: read like any of it. Well, Sutton read it, but

624
00:34:31,680 --> 00:34:34,440
Speaker 1: she took all morning. Yeah, exactly. So I think if

625
00:34:34,480 --> 00:34:36,800
Speaker 1: they feel that way about podcasts, like I can't listen

626
00:34:36,840 --> 00:34:41,320
Speaker 1: to all of this, like you know, Lisa, Lisa Wrenna

627
00:34:41,400 --> 00:34:44,880
Speaker 1: has has come after me a bit and she's watching

628
00:34:44,920 --> 00:34:47,319
Speaker 1: Watch What Happens Live and firing off d MS right

629
00:34:47,360 --> 00:34:50,920
Speaker 1: away whatever anyone's saying. She's she's at you. And it

630
00:34:51,200 --> 00:34:52,759
Speaker 1: was scary. I had to take a colon up in

631
00:34:52,960 --> 00:34:55,560
Speaker 1: She's got touch grass. She did. She was like, Danielle,

632
00:34:55,600 --> 00:34:57,239
Speaker 1: can you read this? I was like, I'll get through it,

633
00:34:57,280 --> 00:35:00,640
Speaker 1: like I'll figure it was so scary, honest. But I

634
00:35:00,640 --> 00:35:03,200
Speaker 1: guess we're asking like has it colored your interactions with

635
00:35:03,520 --> 00:35:06,719
Speaker 1: housewives that you've had, Like you know, we try not

636
00:35:06,800 --> 00:35:09,360
Speaker 1: to ever really interview them or fly too close to

637
00:35:09,400 --> 00:35:11,800
Speaker 1: the sun. I don't want to. I I just filmed

638
00:35:11,800 --> 00:35:13,920
Speaker 1: the video with Sonia where I pretended to be her intern.

639
00:35:14,000 --> 00:35:17,160
Speaker 1: But Sonia I put in a class over here. You know,

640
00:35:17,360 --> 00:35:20,560
Speaker 1: she's so fun and sweet, and I would feel the

641
00:35:20,600 --> 00:35:22,200
Speaker 1: same way about her, But I don't really want to

642
00:35:22,200 --> 00:35:24,960
Speaker 1: get to know these gals as much as I love them, sure,

643
00:35:25,040 --> 00:35:26,680
Speaker 1: and I also want to be able to talk about

644
00:35:26,719 --> 00:35:28,440
Speaker 1: them and not feel bad. So they also sort of

645
00:35:28,480 --> 00:35:32,080
Speaker 1: have to remain like characters in this great show that

646
00:35:32,120 --> 00:35:35,040
Speaker 1: I'm watching, as opposed to like real human beings. Then

647
00:35:35,160 --> 00:35:38,000
Speaker 1: like if it's like to me and it's but we

648
00:35:38,040 --> 00:35:40,239
Speaker 1: do love them, it's not like we're coming about this

649
00:35:40,320 --> 00:35:42,880
Speaker 1: from an angle of like, oh, these stupid idiots, Like

650
00:35:43,320 --> 00:35:45,560
Speaker 1: I have real love in my heart for the respect

651
00:35:45,680 --> 00:35:48,319
Speaker 1: human beings that put their lives on you know what

652
00:35:48,360 --> 00:35:50,719
Speaker 1: I mean, I don't and I change on them every day,

653
00:35:50,800 --> 00:35:53,920
Speaker 1: one eighty from week to week. So it's best if

654
00:35:53,960 --> 00:35:57,440
Speaker 1: I don't view them up close and personally, yeah, right,

655
00:35:58,080 --> 00:36:00,160
Speaker 1: and what while still remembering that they have to be

656
00:36:00,239 --> 00:36:03,840
Speaker 1: people first and not because I think that was the

657
00:36:03,880 --> 00:36:05,840
Speaker 1: thing I didn't watch too much Bravo Con stuff. I

658
00:36:05,840 --> 00:36:08,080
Speaker 1: know you guys said and you didn't send, but Ray

659
00:36:08,160 --> 00:36:10,160
Speaker 1: and Ira reported back to you on Bravo Con and

660
00:36:10,200 --> 00:36:15,359
Speaker 1: it was a great opposite to the field. But I

661
00:36:15,400 --> 00:36:18,440
Speaker 1: feel like the thing my takeaway from Bravo Con was

662
00:36:18,480 --> 00:36:21,240
Speaker 1: like the booing of Rehnna, Like all this other stuff

663
00:36:21,239 --> 00:36:24,680
Speaker 1: like just like the interactive element of that with the

664
00:36:24,719 --> 00:36:27,960
Speaker 1: fans there while certain conflicts were being sort of played

665
00:36:27,960 --> 00:36:31,959
Speaker 1: out on stage, there was something a little there's something

666
00:36:31,960 --> 00:36:34,120
Speaker 1: a little dissonant to me about that. I was like, Oh,

667
00:36:34,320 --> 00:36:40,759
Speaker 1: we're not used to this element in the normal Housewives scheme. Yeah,

668
00:36:40,800 --> 00:36:43,359
Speaker 1: the streams are kind of crossing. There's something happening where

669
00:36:43,360 --> 00:36:46,560
Speaker 1: it's like it is getting a bit I like them

670
00:36:46,600 --> 00:36:49,719
Speaker 1: to stay inside in the TV me too, that bad?

671
00:36:49,800 --> 00:36:51,880
Speaker 1: Is that wrong the thing? And watch my stories. I

672
00:36:51,920 --> 00:36:54,000
Speaker 1: want to watch my stories in my program, right, I

673
00:36:54,000 --> 00:36:57,120
Speaker 1: want to watch my stories. It's our soaps. Yeah, And

674
00:36:57,160 --> 00:36:58,879
Speaker 1: you know what it reminds me of now, it's it's

675
00:36:58,880 --> 00:37:01,520
Speaker 1: it's reminded me a lot of like the w WF,

676
00:37:01,880 --> 00:37:03,480
Speaker 1: you know what I mean, where it's just like it's

677
00:37:03,480 --> 00:37:06,000
Speaker 1: now become like an interactive element of it. It's like,

678
00:37:06,080 --> 00:37:08,520
Speaker 1: you know, they know to amp up their fans like

679
00:37:08,840 --> 00:37:11,680
Speaker 1: and that to me is like it's drifting away from

680
00:37:11,719 --> 00:37:15,440
Speaker 1: like what it is and more like for example, like

681
00:37:15,480 --> 00:37:18,839
Speaker 1: on the Beverly Hills reunion, I think we spent much

682
00:37:18,880 --> 00:37:21,480
Speaker 1: more time on social media things that happened after the

683
00:37:21,480 --> 00:37:24,880
Speaker 1: show than on things that happened on the show, you

684
00:37:24,920 --> 00:37:27,160
Speaker 1: know what I mean, Like, I don't think we even

685
00:37:27,200 --> 00:37:31,880
Speaker 1: discussed big plot points in the season, Like, but we

686
00:37:32,000 --> 00:37:35,600
Speaker 1: spent so much time on these bots. Like you know,

687
00:37:35,600 --> 00:37:44,520
Speaker 1: whose name wasn't even uttered? I knew it. I was Star.

688
00:37:46,640 --> 00:37:51,319
Speaker 1: Thank you his high note? Can he sing now? Can

689
00:37:52,800 --> 00:37:59,080
Speaker 1: Constantine Maroula? Thank you for that? A name we haven't heard.

690
00:38:00,280 --> 00:38:02,080
Speaker 1: Oh he just shot up out of bed. He was

691
00:38:02,080 --> 00:38:14,680
Speaker 1: like speaking of constantly, Marls. That's sort of a look

692
00:38:14,719 --> 00:38:17,600
Speaker 1: back and culture. And so this being your your first

693
00:38:17,600 --> 00:38:19,879
Speaker 1: appearance on the show, what we do is we ask

694
00:38:19,920 --> 00:38:22,040
Speaker 1: every single guest that rolls through, what was the culture

695
00:38:22,440 --> 00:38:24,880
Speaker 1: that made you say culture is for me? This is

696
00:38:24,920 --> 00:38:29,440
Speaker 1: the touchstone of Quickly Came Podcast last culture Ristas Danielle,

697
00:38:29,440 --> 00:38:31,880
Speaker 1: we will ask you first, what was the culture that

698
00:38:31,960 --> 00:38:35,120
Speaker 1: made you say culture was for you? For me growing

699
00:38:35,200 --> 00:38:38,959
Speaker 1: up in the eighties and nineties, I'm going to say,

700
00:38:39,040 --> 00:38:42,399
Speaker 1: like the original soap operas, you know what I mean?

701
00:38:42,920 --> 00:38:45,640
Speaker 1: I think what connects you to oh for sure, because

702
00:38:45,760 --> 00:38:48,799
Speaker 1: it's women living out loud, you know what I mean?

703
00:38:48,880 --> 00:38:53,719
Speaker 1: It was for me definitely, like the Susan Lucci and

704
00:38:53,760 --> 00:38:57,319
Speaker 1: the Dallas and the Dynasty and the like, just like

705
00:38:58,000 --> 00:39:01,200
Speaker 1: my favorite characters not being in an anyway likable or

706
00:39:01,280 --> 00:39:05,360
Speaker 1: anyway anything I could relate to, just these like wild

707
00:39:05,640 --> 00:39:09,120
Speaker 1: storylines and people screaming. Like I was six years old

708
00:39:09,200 --> 00:39:12,000
Speaker 1: watching General Hospital, Like my mom would just sit me

709
00:39:12,040 --> 00:39:14,120
Speaker 1: in front of it and be like have that. She

710
00:39:14,239 --> 00:39:18,160
Speaker 1: was like Luke and Laura are getting married. Watching my

711
00:39:18,200 --> 00:39:22,560
Speaker 1: mother was a massive all my children General Hospital exactly.

712
00:39:22,760 --> 00:39:24,719
Speaker 1: So it was just like that was in front of

713
00:39:24,719 --> 00:39:27,880
Speaker 1: me and I my girlfriend was watching like Smurfs and

714
00:39:28,920 --> 00:39:33,600
Speaker 1: Sesame Street, and I was like, fuck that ship. It's

715
00:39:33,640 --> 00:39:37,799
Speaker 1: like get me young and the restless, you know. And

716
00:39:37,920 --> 00:39:41,239
Speaker 1: sometimes what's great about living in the Valley, which I

717
00:39:41,600 --> 00:39:43,000
Speaker 1: now live in Glendale, but I used to live in

718
00:39:43,000 --> 00:39:44,800
Speaker 1: the Valley, and what was great about it is I

719
00:39:44,800 --> 00:39:46,920
Speaker 1: would see these soap opera stars that I used to

720
00:39:46,920 --> 00:39:53,080
Speaker 1: grow up with, like loving aged and pulled. But it's

721
00:39:53,120 --> 00:39:55,919
Speaker 1: gorgeous to see like the men and women. Like I said,

722
00:39:56,160 --> 00:39:58,880
Speaker 1: I saw Jack Wagner in a hot yoga class and

723
00:39:58,880 --> 00:40:09,000
Speaker 1: I almost ship, my this is life's old, Like not old,

724
00:40:09,040 --> 00:40:14,000
Speaker 1: I just mean like like time bound, whether I'm weathered

725
00:40:14,560 --> 00:40:18,359
Speaker 1: emotional relationships, paras, social or whatever with these people. Yes,

726
00:40:18,440 --> 00:40:21,280
Speaker 1: I think that to me at a very young age

727
00:40:21,400 --> 00:40:23,880
Speaker 1: was where I came up with the culture for me,

728
00:40:24,360 --> 00:40:27,719
Speaker 1: because they were in homes every single day, you know

729
00:40:27,719 --> 00:40:29,319
Speaker 1: what I mean. Like that was it's one thing to

730
00:40:29,360 --> 00:40:31,680
Speaker 1: be a TV star, and like I think that you know, people,

731
00:40:31,800 --> 00:40:34,600
Speaker 1: maybe obviously it's all blended now because what is anything?

732
00:40:34,640 --> 00:40:36,440
Speaker 1: What is a movie? What is a TV show? But

733
00:40:36,480 --> 00:40:38,600
Speaker 1: like people always said, like when you were a TV

734
00:40:38,640 --> 00:40:40,239
Speaker 1: star at a certain point, like people, you would be

735
00:40:40,239 --> 00:40:43,440
Speaker 1: approached differently, whereas like people are very afraid to approach

736
00:40:43,480 --> 00:40:45,600
Speaker 1: like a proper movie star, whereas a TV starts like,

737
00:40:45,600 --> 00:40:48,480
Speaker 1: oh my god, so these soap opera people, they must

738
00:40:48,560 --> 00:40:52,120
Speaker 1: get the and and the fandom obviously is was intense

739
00:40:52,160 --> 00:40:55,280
Speaker 1: with them when they were huge, but maybe that energy

740
00:40:55,320 --> 00:40:58,920
Speaker 1: has transferred over to the house fandom because that's what

741
00:40:59,080 --> 00:41:02,000
Speaker 1: that's where people think. It's such a perfect line. Yeah,

742
00:41:02,040 --> 00:41:04,040
Speaker 1: and Andy says that a lot. He talks about how

743
00:41:04,120 --> 00:41:06,759
Speaker 1: like the reason he even was interested in doing this

744
00:41:06,800 --> 00:41:09,360
Speaker 1: and like creating this, and obviously he wasn't like the

745
00:41:09,400 --> 00:41:11,200
Speaker 1: creator of it, but he has steered it in such

746
00:41:11,200 --> 00:41:13,919
Speaker 1: a way was because he loved soaps and missed them

747
00:41:14,000 --> 00:41:16,920
Speaker 1: because they don't occupy the same cultural space anymore. My

748
00:41:17,000 --> 00:41:20,080
Speaker 1: sister still watches soaps just like shocks me, like she's

749
00:41:20,080 --> 00:41:22,440
Speaker 1: still like keeping her Santa Barbara every day, you know

750
00:41:22,480 --> 00:41:23,919
Speaker 1: what I mean, Like I don't even have to rest

751
00:41:23,960 --> 00:41:26,279
Speaker 1: real television. I wouldn't even know where to begin and

752
00:41:26,520 --> 00:41:28,759
Speaker 1: where to get a soap opera like that, but like

753
00:41:29,000 --> 00:41:31,520
Speaker 1: some people still are asked. You'll see like the soap

754
00:41:31,560 --> 00:41:34,960
Speaker 1: opera Digest, which if I would beg my parents are

755
00:41:34,960 --> 00:41:36,720
Speaker 1: in the grocery store, I'd be like, can I please

756
00:41:36,880 --> 00:41:39,880
Speaker 1: get that? They'd be like, no, you can get Premiere

757
00:41:39,960 --> 00:41:44,120
Speaker 1: and I'd be like, fine, oh I was not Tiger,

758
00:41:44,280 --> 00:41:48,600
Speaker 1: and I was like, Premiere magazine, You've always been this person?

759
00:41:48,640 --> 00:41:52,520
Speaker 1: Then yeah, complete, that's beautiful. I think, thank you. Just

760
00:41:52,640 --> 00:41:56,120
Speaker 1: to have like your your like cultural focal like exactly

761
00:41:56,239 --> 00:42:00,279
Speaker 1: set for like at a very young age, perfect, that's

762
00:42:00,360 --> 00:42:03,440
Speaker 1: that's the dream. And so then to like create something

763
00:42:03,520 --> 00:42:06,640
Speaker 1: like Hot Wives must have been like a perfect like

764
00:42:06,880 --> 00:42:09,839
Speaker 1: meeting of those worlds too. Yes it was it still is,

765
00:42:09,960 --> 00:42:13,520
Speaker 1: you know what I mean. I love to watch people

766
00:42:13,640 --> 00:42:18,840
Speaker 1: that aren't perfect, living loudly and rashly, and so to

767
00:42:18,960 --> 00:42:22,760
Speaker 1: just get anything we did on Housewives, nothing is bigger

768
00:42:22,800 --> 00:42:24,680
Speaker 1: than the actual Housewives, you know what I mean, Like

769
00:42:24,840 --> 00:42:28,719
Speaker 1: anytime we we we did like a Casey's character through

770
00:42:28,800 --> 00:42:31,080
Speaker 1: like a party to like raise money for high heels

771
00:42:31,120 --> 00:42:37,480
Speaker 1: for dogs, and so it was one of those things

772
00:42:37,520 --> 00:42:39,759
Speaker 1: where it was like, then they're all throwing these like,

773
00:42:40,239 --> 00:42:42,680
Speaker 1: you know, Homeless not Toothless parties, like they all kind

774
00:42:42,680 --> 00:42:45,279
Speaker 1: of feel in this city like we're never we were

775
00:42:45,320 --> 00:42:47,359
Speaker 1: never bigger than the show itself. It's just you could

776
00:42:47,400 --> 00:42:51,520
Speaker 1: have been so respectful as as an homage Homeless not

777
00:42:51,560 --> 00:42:53,680
Speaker 1: Toothless could have happened on your show and everyone would

778
00:42:53,680 --> 00:42:55,319
Speaker 1: have been like, this is the funniest joke of the year,

779
00:42:55,360 --> 00:42:57,160
Speaker 1: and then it actually happened in real life and everyone

780
00:42:57,280 --> 00:42:59,759
Speaker 1: was like, Okay, wow, this is And I do think

781
00:42:59,760 --> 00:43:01,799
Speaker 1: that's why you still need to read. I'm sorry, like

782
00:43:02,280 --> 00:43:04,759
Speaker 1: I will sort of die of to read Stan unfortunately.

783
00:43:04,840 --> 00:43:07,400
Speaker 1: Like she does make me laugh the most, like the

784
00:43:07,440 --> 00:43:10,319
Speaker 1: way that she acts, the things that she says, like

785
00:43:10,440 --> 00:43:12,600
Speaker 1: the way that she wears her clothes even when it's

786
00:43:12,640 --> 00:43:15,200
Speaker 1: dark with her, like it's it's entertaining to me. And

787
00:43:15,239 --> 00:43:16,960
Speaker 1: I think if she weren't there, I would I would

788
00:43:16,960 --> 00:43:20,160
Speaker 1: be upset. She's giving us a lot of flavor and color.

789
00:43:20,200 --> 00:43:23,960
Speaker 1: Although maybe that's what a friend of is sometimes ultimately,

790
00:43:24,760 --> 00:43:27,919
Speaker 1: but I I love her too. Yeah, I love well.

791
00:43:27,920 --> 00:43:30,239
Speaker 1: What a gorgeous answer to the question that was that

792
00:43:30,320 --> 00:43:32,040
Speaker 1: was that was a good one and the connecting one

793
00:43:32,080 --> 00:43:35,640
Speaker 1: as well. Thank you, Thank you, Casey. What about you?

794
00:43:35,680 --> 00:43:37,440
Speaker 1: What's the culture that made you stay? Culture is for

795
00:43:37,480 --> 00:43:40,759
Speaker 1: you? You You know? I know this movie is kind of

796
00:43:40,840 --> 00:43:44,040
Speaker 1: cheesy and some people really don't love it, but I

797
00:43:44,040 --> 00:43:46,600
Speaker 1: I am obsessed and still am with the women of

798
00:43:46,640 --> 00:43:52,839
Speaker 1: the movie Clue oh good one. It touched me in

799
00:43:52,880 --> 00:43:56,480
Speaker 1: a way that I can't even express, Like seeing these

800
00:43:56,520 --> 00:43:59,320
Speaker 1: there was four comedians in it. I mean, obviously Madeline

801
00:43:59,320 --> 00:44:05,760
Speaker 1: con Leslie and Lauren it was like sexy and funny,

802
00:44:05,800 --> 00:44:09,200
Speaker 1: and then even Colleen camp who played the maid was hilarious.

803
00:44:09,800 --> 00:44:13,200
Speaker 1: Um and II Lean Brennan as Mrs Peacock. And for

804
00:44:13,239 --> 00:44:16,680
Speaker 1: some reason, that movie it lodged itself in my brain,

805
00:44:16,920 --> 00:44:19,399
Speaker 1: and I'm obsessed with all those women, and then kind

806
00:44:19,440 --> 00:44:24,839
Speaker 1: of became just obsessed with female performers. I also, I mean,

807
00:44:24,960 --> 00:44:27,000
Speaker 1: I guess this movie isn't quite what we're talking about

808
00:44:27,000 --> 00:44:29,680
Speaker 1: with like pop culture, but I got very into like

809
00:44:29,840 --> 00:44:32,400
Speaker 1: terms of endearment, like Shirley mcleane, like and then and

810
00:44:32,480 --> 00:44:34,759
Speaker 1: the death comes to realm. Like, I'm just into that

811
00:44:34,880 --> 00:44:40,960
Speaker 1: whole wheel of kind of female character actresses. I would say, yes, no,

812
00:44:41,120 --> 00:44:44,040
Speaker 1: that is formative. It was quite formative. I mean, is

813
00:44:44,040 --> 00:44:47,360
Speaker 1: there ever any casting that's ever been better than Leslie

814
00:44:47,360 --> 00:44:50,320
Speaker 1: and Lauren coming into play Terry Hatter's Mother and Desperate Housewives?

815
00:44:50,360 --> 00:44:54,000
Speaker 1: I mean that was perfect. It was perfect. But these

816
00:44:54,040 --> 00:44:56,719
Speaker 1: women are like that. That's who I feel like I

817
00:44:56,719 --> 00:44:59,960
Speaker 1: am watching on Housewives truly, are all these kind of

818
00:45:01,000 --> 00:45:03,399
Speaker 1: larger than life women who are funny and well they're

819
00:45:03,400 --> 00:45:06,359
Speaker 1: not allowed to be it anymore. I feel like they're

820
00:45:06,400 --> 00:45:08,920
Speaker 1: in my opinion, we just don't get they're sort of

821
00:45:08,960 --> 00:45:12,160
Speaker 1: relegated to these like smaller movies, you know that like

822
00:45:12,760 --> 00:45:15,399
Speaker 1: August oh Sage County or you know what I mean,

823
00:45:15,680 --> 00:45:18,080
Speaker 1: Like not every like will watch the people in the

824
00:45:18,120 --> 00:45:21,480
Speaker 1: culture will watch, but I will watch, you know, I'll

825
00:45:21,520 --> 00:45:24,240
Speaker 1: be like in the lining up day one for August

826
00:45:24,239 --> 00:45:28,040
Speaker 1: Osage County, you know, but like, you're not getting those

827
00:45:28,120 --> 00:45:30,239
Speaker 1: characters because and even I as a writer, like I

828
00:45:30,280 --> 00:45:33,960
Speaker 1: just get such pressure to write like likable, likable, likable, likable,

829
00:45:34,000 --> 00:45:36,600
Speaker 1: and it's like, but I like people that aren't likable.

830
00:45:36,640 --> 00:45:39,960
Speaker 1: I like people that aren't you know, that I like

831
00:45:40,080 --> 00:45:43,000
Speaker 1: watching these women fight. I it is the most soothing

832
00:45:43,120 --> 00:45:45,920
Speaker 1: sounds to me. I can fall asleep to them just screaming.

833
00:45:45,960 --> 00:45:49,040
Speaker 1: It's like waves upon the shore. But I love it

834
00:45:49,120 --> 00:45:51,440
Speaker 1: so much. Was like, how are you listening to that?

835
00:45:51,480 --> 00:45:53,719
Speaker 1: I'm like, I couldn't want to listen to anything more.

836
00:45:54,239 --> 00:45:56,560
Speaker 1: That's a beautiful sooth. I mean, I guess for some

837
00:45:56,640 --> 00:45:59,080
Speaker 1: reason she's coming to mind. I mean, not for some reason.

838
00:45:59,200 --> 00:46:01,799
Speaker 1: It makes sense. I think the only person who's like

839
00:46:02,239 --> 00:46:04,799
Speaker 1: being allowed to play that kind of person now is

840
00:46:04,840 --> 00:46:08,520
Speaker 1: like a Jennifer Coolidge, which amazing, we love no one

841
00:46:08,680 --> 00:46:11,600
Speaker 1: is complaining, but like, I wonder how she feels that

842
00:46:11,640 --> 00:46:13,040
Speaker 1: she just took like a rolling Stone interview that I'm

843
00:46:13,080 --> 00:46:15,200
Speaker 1: still reading and like it's really interesting, really fasting. But

844
00:46:15,280 --> 00:46:17,960
Speaker 1: she's but then you remember, oh right, she's also this

845
00:46:18,440 --> 00:46:23,839
Speaker 1: incredible comedic performer who is like was for a while

846
00:46:23,960 --> 00:46:28,280
Speaker 1: relegated to like Stiffler's mom or whatever and that, yeah,

847
00:46:28,400 --> 00:46:30,160
Speaker 1: and then now she's doing a great job of trying

848
00:46:30,160 --> 00:46:33,560
Speaker 1: to like recalibrate and balance those two things. But like,

849
00:46:33,640 --> 00:46:35,120
Speaker 1: you go back and watch her invest in show, and

850
00:46:35,120 --> 00:46:38,400
Speaker 1: her and Jane Lynch scenes are like incredible, and like

851
00:46:38,480 --> 00:46:42,280
Speaker 1: who could have done that. But yes, she's a terrific actress.

852
00:46:42,320 --> 00:46:45,440
Speaker 1: You're absolutely right, that kind of woman like Jennifer Coolidge

853
00:46:45,440 --> 00:46:47,080
Speaker 1: is who I feel like we got to grow up

854
00:46:47,080 --> 00:46:50,399
Speaker 1: watching like a lot more of that version, and now

855
00:46:50,400 --> 00:46:53,759
Speaker 1: there's only so many actresses who get to and they're

856
00:46:53,760 --> 00:46:57,560
Speaker 1: so relegated to like side characters the realtor, you know,

857
00:46:57,600 --> 00:46:59,160
Speaker 1: and not that I don't want to see the realtor,

858
00:46:59,200 --> 00:47:01,080
Speaker 1: but I but I do you think Mike White is

859
00:47:01,120 --> 00:47:03,880
Speaker 1: like he is all about kind of centering them in

860
00:47:03,920 --> 00:47:07,479
Speaker 1: a in an amazing way. But I wish yeah, because

861
00:47:07,840 --> 00:47:10,759
Speaker 1: the realtor, like what else did you know? Oh? Like

862
00:47:11,120 --> 00:47:13,680
Speaker 1: they're always like what are they? These characters are always

863
00:47:13,680 --> 00:47:21,360
Speaker 1: like the real right, I love I love a lawyer.

864
00:47:21,400 --> 00:47:25,360
Speaker 1: I love a county lawyer. Yeah, Like in Search Party,

865
00:47:25,480 --> 00:47:28,239
Speaker 1: that woman that was Oh my god, that woman was

866
00:47:29,000 --> 00:47:36,600
Speaker 1: incredible And I'm missing the greatest performance show on that character. Though.

867
00:47:36,600 --> 00:47:39,720
Speaker 1: Why can I not get an entire show on that character?

868
00:47:40,280 --> 00:47:42,560
Speaker 1: I want her. I don't feel like we need to

869
00:47:42,600 --> 00:47:45,560
Speaker 1: relegate her to just this county lawyer. I want to

870
00:47:45,560 --> 00:47:49,759
Speaker 1: see County lawyer goes home. Yes, it goes home, and

871
00:47:49,800 --> 00:47:53,839
Speaker 1: at a home, it doesn't count. Factor get increased or

872
00:47:53,880 --> 00:47:55,960
Speaker 1: do we see a break a different side of her

873
00:47:57,600 --> 00:48:00,719
Speaker 1: construction of the County Lawyer. That's the way we need

874
00:48:00,800 --> 00:48:06,080
Speaker 1: Laura dern at home and story. Yes, but this is

875
00:48:06,080 --> 00:48:08,080
Speaker 1: another reason why I loved Big Little Eyes and why

876
00:48:08,120 --> 00:48:10,200
Speaker 1: every time they're like, oh, we don't need another season,

877
00:48:10,239 --> 00:48:13,279
Speaker 1: I'm like, who's who are you speaking for? Don't not me?

878
00:48:13,800 --> 00:48:17,920
Speaker 1: Not me, Because even if it's not as quote unquote good,

879
00:48:18,160 --> 00:48:19,839
Speaker 1: you know what I mean, if it's not the masterpiece

880
00:48:19,840 --> 00:48:21,560
Speaker 1: that was the first season that was like an actual

881
00:48:21,560 --> 00:48:24,200
Speaker 1: assessment of something in the culture that needed like a

882
00:48:24,280 --> 00:48:26,960
Speaker 1: general like a real dramatic breakdown, which is like it

883
00:48:27,080 --> 00:48:30,800
Speaker 1: ended up being this like incredible piece on domestic violence

884
00:48:30,800 --> 00:48:32,120
Speaker 1: that I think no one thought it was going to

885
00:48:32,160 --> 00:48:34,080
Speaker 1: be at the beginning. And then the second season was

886
00:48:34,120 --> 00:48:36,439
Speaker 1: kind of more just like, Okay, it's pulp, it's Meryl

887
00:48:36,440 --> 00:48:39,160
Speaker 1: Streep screaming for no reason, you know whatever, It's still

888
00:48:39,200 --> 00:48:43,399
Speaker 1: Meryl strip screaming. And I'm fine with that. Yes, me too,

889
00:48:43,440 --> 00:48:45,440
Speaker 1: And it's like I don't need the mystery I think

890
00:48:45,440 --> 00:48:48,719
Speaker 1: people think we need. What is the mystery of the end.

891
00:48:48,760 --> 00:48:51,920
Speaker 1: If you give me some great fucking characters, I'll watch

892
00:48:51,960 --> 00:48:54,680
Speaker 1: them eat a eat a piece of you know meat.

893
00:48:54,800 --> 00:48:57,799
Speaker 1: I don't have a big I know, eat a eat

894
00:48:57,800 --> 00:49:03,920
Speaker 1: a baked potato with goddamn cavyahn't care exactly to speak

895
00:49:03,960 --> 00:49:05,960
Speaker 1: on white lotus for a second. Have you all watched

896
00:49:06,000 --> 00:49:09,400
Speaker 1: the first the first episode? Yes, every frame, I'm not

897
00:49:09,400 --> 00:49:11,120
Speaker 1: I'm not cut up, and please talk about it. But

898
00:49:11,400 --> 00:49:14,479
Speaker 1: there's there's only been the one. So there's been one. Okay,

899
00:49:14,480 --> 00:49:16,600
Speaker 1: I'm going to say something. Maybe it's a little bit unpopular,

900
00:49:16,920 --> 00:49:19,840
Speaker 1: but I feel like Jennifer Coolidge thinks we expect something

901
00:49:19,880 --> 00:49:21,920
Speaker 1: of her now and she's giving it's she's laying it

902
00:49:21,960 --> 00:49:24,680
Speaker 1: on a little thick. I think it's it's it's coming

903
00:49:24,960 --> 00:49:28,240
Speaker 1: across a little performed. It's almost coming off like Tanya

904
00:49:28,280 --> 00:49:30,319
Speaker 1: mcquad two point oh and the way where I'm like

905
00:49:30,320 --> 00:49:33,080
Speaker 1: to take a breath, I agree, but I think we

906
00:49:33,200 --> 00:49:34,759
Speaker 1: sort of set her up for that. I don't know

907
00:49:34,840 --> 00:49:37,240
Speaker 1: that she could totally win in that space as well.

908
00:49:37,719 --> 00:49:40,920
Speaker 1: Let's see, let's give it a b let's us also

909
00:49:41,000 --> 00:49:46,120
Speaker 1: take a breath and let you know, taking a breath. Okay,

910
00:49:46,120 --> 00:49:48,480
Speaker 1: we're all taking a breath because I hear you. And

911
00:49:48,560 --> 00:49:51,759
Speaker 1: yet you know, she gave us so much overseason, like

912
00:49:52,160 --> 00:49:54,000
Speaker 1: you know, the first episode, we didn't know what we

913
00:49:54,000 --> 00:49:56,200
Speaker 1: were for Coolidge. She could have just but then we

914
00:49:56,239 --> 00:49:58,040
Speaker 1: saw her in that scene where she's just like Mommy,

915
00:49:59,560 --> 00:50:03,520
Speaker 1: I'm mean, we got so many levels in that show

916
00:50:03,760 --> 00:50:06,600
Speaker 1: that like we don't know, we don't know that show

917
00:50:06,640 --> 00:50:08,799
Speaker 1: a levels machine. And I also love I think that

918
00:50:09,280 --> 00:50:11,400
Speaker 1: so basically Bowen and like the very first team you

919
00:50:11,480 --> 00:50:13,920
Speaker 1: find out that it's not just one guest that's that,

920
00:50:14,160 --> 00:50:16,440
Speaker 1: it's several guests that are which I feel like it's

921
00:50:16,480 --> 00:50:19,080
Speaker 1: Mike White being like as commenting on the thing of

922
00:50:19,120 --> 00:50:21,080
Speaker 1: like it's the second season, you want more, Okay, we'll

923
00:50:21,120 --> 00:50:24,040
Speaker 1: kill a couple more people. It won't be about that

924
00:50:24,160 --> 00:50:26,760
Speaker 1: at all, which is another thing I like about White Lettles.

925
00:50:26,840 --> 00:50:29,560
Speaker 1: It's like sort of masquerades as like this like murder mystery,

926
00:50:29,600 --> 00:50:33,440
Speaker 1: and then there's no element of this in terms of structure,

927
00:50:33,440 --> 00:50:35,439
Speaker 1: in terms of how you write a murder mystery. That's

928
00:50:35,480 --> 00:50:38,880
Speaker 1: not here. It's just the story of this and this

929
00:50:38,960 --> 00:50:41,880
Speaker 1: obviously the second no one's thinking about it at all

930
00:50:41,920 --> 00:50:44,759
Speaker 1: as you're watching it, Like, I don't need to that.

931
00:50:44,840 --> 00:50:47,120
Speaker 1: I would rather know what the thread count on the

932
00:50:47,120 --> 00:50:50,920
Speaker 1: towel is at this gorgeous I'm very interested in that

933
00:50:51,120 --> 00:50:54,239
Speaker 1: there was the first scene where Megan Fahey, who's by

934
00:50:54,280 --> 00:50:59,920
Speaker 1: the way, so I think she's becoming movie star moment,

935
00:51:00,040 --> 00:51:04,000
Speaker 1: Like yeah, probably after this, but she swims out into

936
00:51:04,040 --> 00:51:07,719
Speaker 1: the ocean bowing and like literally bumps up against a carcass.

937
00:51:08,239 --> 00:51:11,840
Speaker 1: Carcasses out on the ocean, carcass out there's this moment

938
00:51:11,960 --> 00:51:14,240
Speaker 1: of her like like what the fund is that? Because

939
00:51:14,239 --> 00:51:16,080
Speaker 1: she can feel this body and she looks and you

940
00:51:16,120 --> 00:51:18,799
Speaker 1: see the body float by, and her acting in it

941
00:51:18,880 --> 00:51:24,760
Speaker 1: is so good because you're just like it's like shock, disgusted, fear, panic,

942
00:51:24,920 --> 00:51:27,800
Speaker 1: and then like she's like physically flinging herself out of

943
00:51:27,800 --> 00:51:30,200
Speaker 1: the water trying to swim away. It's just like and

944
00:51:30,239 --> 00:51:31,759
Speaker 1: then it's like white lotus, you know what I mean.

945
00:51:31,800 --> 00:51:34,920
Speaker 1: Like immediately the next scene is the hotel manager being like, well,

946
00:51:34,920 --> 00:51:36,840
Speaker 1: I don't think we're liable because it happened in the water.

947
00:51:38,880 --> 00:51:42,080
Speaker 1: It's really really, it's really good. I mean, I think

948
00:51:42,080 --> 00:51:44,800
Speaker 1: that show is a home run. Are you guys watching

949
00:51:44,840 --> 00:51:48,960
Speaker 1: the Vow season two? No, but I hear it's worth

950
00:51:48,960 --> 00:51:53,640
Speaker 1: the watch because miss Thing is in it is because

951
00:51:53,640 --> 00:51:55,560
Speaker 1: I think that the first part ended in a in

952
00:51:55,640 --> 00:51:58,440
Speaker 1: like a sort of a loose messy way I think.

953
00:51:59,760 --> 00:52:04,320
Speaker 1: But what do you guys thought? Just see Nancy Salzman,

954
00:52:04,440 --> 00:52:06,600
Speaker 1: the woman that was his kind of counterpart. It's all

955
00:52:06,640 --> 00:52:11,000
Speaker 1: about Nancy, and it is just wild seeing her with

956
00:52:11,040 --> 00:52:14,640
Speaker 1: her ankle bracelet like Sete here with her hairless cat,

957
00:52:14,920 --> 00:52:20,000
Speaker 1: just puttering around like upstick. What you're hearing sounds bad,

958
00:52:20,120 --> 00:52:24,120
Speaker 1: but you're wanting to see it. You need it, you

959
00:52:24,200 --> 00:52:30,480
Speaker 1: need it. Have you guys been watching The Moll I

960
00:52:30,520 --> 00:52:32,719
Speaker 1: finished it. I finished it in like three days. It's

961
00:52:33,120 --> 00:52:38,680
Speaker 1: iconic TV. And Joy there's a character Joy who you

962
00:52:38,680 --> 00:52:41,200
Speaker 1: guys will love because she is Someone explained this to

963
00:52:41,239 --> 00:52:44,800
Speaker 1: me perfectly. She is a two thousand three era reality

964
00:52:44,920 --> 00:52:51,560
Speaker 1: villain plopped into phenomenal. She's confusing, she's confounding, she's a

965
00:52:51,560 --> 00:52:53,919
Speaker 1: little bit stupid, a little bit of a genius. All

966
00:52:53,960 --> 00:52:57,920
Speaker 1: it's all happening. It's like someone from like Early Survivor

967
00:52:58,120 --> 00:53:02,560
Speaker 1: or someone from um Early I don't know, like The Mole,

968
00:53:02,680 --> 00:53:05,000
Speaker 1: Like it's it's the show that was I remember the

969
00:53:05,120 --> 00:53:08,719
Speaker 1: mall being around circle like like when Survivor came out

970
00:53:08,760 --> 00:53:11,200
Speaker 1: was like another answer to Surer. I'm gonna say like

971
00:53:11,239 --> 00:53:14,920
Speaker 1: two thousand three, two thousand four, y and it's back

972
00:53:15,040 --> 00:53:17,600
Speaker 1: or has it always been going. It's been back. They

973
00:53:17,640 --> 00:53:19,879
Speaker 1: only did like four or five seasons of it back

974
00:53:19,880 --> 00:53:21,680
Speaker 1: in the day, and then it took a long break

975
00:53:21,840 --> 00:53:23,360
Speaker 1: and they tried to bring it back in like the

976
00:53:23,600 --> 00:53:27,640
Speaker 1: early didn't really work, didn't take off. I think it's

977
00:53:27,640 --> 00:53:29,319
Speaker 1: been a hit, and I think the whole it's a

978
00:53:29,440 --> 00:53:31,520
Speaker 1: it's a great watch the whole week through. You guys

979
00:53:31,960 --> 00:53:34,760
Speaker 1: love it. Where where am I finding it? Netflix stopped

980
00:53:34,760 --> 00:53:38,640
Speaker 1: their back? Netflix is back with them all? Can I

981
00:53:38,719 --> 00:53:41,879
Speaker 1: throw one more show into the mixing? It's so good.

982
00:53:42,000 --> 00:53:45,040
Speaker 1: I I feel I'm telling people, just person by person,

983
00:53:45,400 --> 00:53:49,759
Speaker 1: which is my kids a fucking star. I'm writing this

984
00:53:49,880 --> 00:53:52,920
Speaker 1: down on the greatest show of all time. They following

985
00:53:52,960 --> 00:53:58,080
Speaker 1: four children in their stage parents, each child more untalented

986
00:53:58,120 --> 00:54:01,560
Speaker 1: than the one before, with the exception of Shata, and

987
00:54:02,360 --> 00:54:05,920
Speaker 1: the parents are so wild, but you're also feeling with

988
00:54:05,960 --> 00:54:08,640
Speaker 1: the parents. You're crying, you're laughing. It is so sort

989
00:54:08,680 --> 00:54:11,239
Speaker 1: of father is throwing his daughter, his talentless daughter, a

990
00:54:11,360 --> 00:54:14,600
Speaker 1: gala to show her as a triple threat. She's ten.

991
00:54:15,080 --> 00:54:17,239
Speaker 1: He's working her out on a pool float so that

992
00:54:17,280 --> 00:54:18,719
Speaker 1: she could really get her card. You up to hit

993
00:54:18,760 --> 00:54:21,319
Speaker 1: the high note. It's what we want where am I

994
00:54:21,360 --> 00:54:28,640
Speaker 1: finding this? God? Where did I even? Not Discovery Plus?

995
00:54:28,640 --> 00:54:30,920
Speaker 1: To me, it's giving the TV guide channel where they

996
00:54:30,960 --> 00:54:33,400
Speaker 1: did show the show like up in the little like corner,

997
00:54:33,440 --> 00:54:38,080
Speaker 1: But you're mostly scrolling through what's on TV raising a star.

998
00:54:38,840 --> 00:54:47,880
Speaker 1: I'm so sorry, raising a fucking star on Star. I

999
00:54:47,920 --> 00:54:49,400
Speaker 1: think you should. You should get it. You should go

1000
00:54:49,440 --> 00:54:56,240
Speaker 1: and be a producer on that shows and where e

1001
00:54:57,800 --> 00:55:01,360
Speaker 1: never forget it's actually real culture number four eight. Never

1002
00:55:02,400 --> 00:55:07,120
Speaker 1: don't count e out because because if you ever want

1003
00:55:07,120 --> 00:55:09,640
Speaker 1: to just sit your ask down and be entertained for

1004
00:55:09,680 --> 00:55:12,120
Speaker 1: hours on end, it's the new top model. I'm sorry,

1005
00:55:12,120 --> 00:55:18,960
Speaker 1: but Tyler Henry Hollywood medium Tyler to you from zero

1006
00:55:19,200 --> 00:55:23,680
Speaker 1: to a hundred, like checking every box, twig psychic, as

1007
00:55:23,719 --> 00:55:26,160
Speaker 1: I call him lovingly. Do you believe him? Do you

1008
00:55:26,200 --> 00:55:31,560
Speaker 1: believe him that? I believe him? Um? I believe that he.

1009
00:55:32,520 --> 00:55:35,920
Speaker 1: I believe that he is good at intuiting, and I

1010
00:55:35,960 --> 00:55:38,520
Speaker 1: think that there's something to that. Do I think ghosts

1011
00:55:38,560 --> 00:55:42,919
Speaker 1: are coming to chat with him? For tea? I think

1012
00:55:42,920 --> 00:55:46,399
Speaker 1: it's a great touch that he doodles while the while

1013
00:55:46,400 --> 00:55:48,520
Speaker 1: the ghost is in the room. I think, actually that's

1014
00:55:48,880 --> 00:55:52,680
Speaker 1: that's actually a perfect thin layer of theater where it's

1015
00:55:52,719 --> 00:55:55,360
Speaker 1: like eyes of viewer. I'm like, oh, then that that

1016
00:55:55,440 --> 00:55:58,080
Speaker 1: must be that's so random, that must be important. Yes,

1017
00:55:59,280 --> 00:56:03,040
Speaker 1: any type of crop crop. I'm like, oh, I believe

1018
00:56:03,040 --> 00:56:05,040
Speaker 1: that's an excercent. Do you have anything that belonged to

1019
00:56:05,080 --> 00:56:07,399
Speaker 1: the person? And then the woman's like yes, and they

1020
00:56:07,440 --> 00:56:09,239
Speaker 1: give like an old knitted scarf. It's like, oh, I

1021
00:56:09,280 --> 00:56:15,239
Speaker 1: wonder if this is a grandparent. And he's just he's

1022
00:56:15,280 --> 00:56:17,400
Speaker 1: just in his like in his mind. You can't hear it,

1023
00:56:17,400 --> 00:56:20,120
Speaker 1: but he's saying himself and I got these motherfucker's Yeah,

1024
00:56:20,120 --> 00:56:21,920
Speaker 1: do you think That's what I was gonna ask you?

1025
00:56:21,960 --> 00:56:26,560
Speaker 1: Do you believe he believes? That's hard, that's interesting, that's

1026
00:56:26,640 --> 00:56:29,080
Speaker 1: really fun. That's a really fun thing to think about.

1027
00:56:29,080 --> 00:56:32,000
Speaker 1: I think he I think he believes, but I think

1028
00:56:32,120 --> 00:56:34,200
Speaker 1: I don't believe him when he says, I don't do

1029
00:56:34,239 --> 00:56:37,600
Speaker 1: any research on the person. That's my question. So it's

1030
00:56:37,600 --> 00:56:39,920
Speaker 1: so random when he does know who the person is,

1031
00:56:39,960 --> 00:56:41,520
Speaker 1: Like he came in and it was like literally like

1032
00:56:41,600 --> 00:56:43,840
Speaker 1: Kim Kardashians like, Hi, it's nice to meet you. I

1033
00:56:43,880 --> 00:56:45,759
Speaker 1: had never heard of this person. And then he met

1034
00:56:45,800 --> 00:56:49,000
Speaker 1: little Kim and he was like, oh my god, little Kim.

1035
00:56:49,160 --> 00:56:53,000
Speaker 1: I'm like Mama, which Kim is famous because that doesn't

1036
00:56:53,040 --> 00:56:56,440
Speaker 1: even look like little Kim anymore. You didn't know that

1037
00:56:56,520 --> 00:57:00,320
Speaker 1: was look him. No woman had a full head trance clam.

1038
00:57:00,440 --> 00:57:04,880
Speaker 1: She is on the call sheet, though, I wonder if

1039
00:57:04,920 --> 00:57:08,799
Speaker 1: he sees his call sheets? Are the ghost number one

1040
00:57:08,800 --> 00:57:15,040
Speaker 1: on the call sheet right through six? Number one is

1041
00:57:15,120 --> 00:57:20,640
Speaker 1: scarf Number two is ghosts number one? What I You

1042
00:57:20,680 --> 00:57:22,919
Speaker 1: know what though? I did when he first came out,

1043
00:57:23,000 --> 00:57:24,960
Speaker 1: like and it was like a thing that I think

1044
00:57:24,960 --> 00:57:26,240
Speaker 1: I said to Bow and I was like, we should

1045
00:57:26,240 --> 00:57:28,160
Speaker 1: get him what is when we're recording in person a lot.

1046
00:57:28,160 --> 00:57:29,720
Speaker 1: I was like, if we're ever in the same city

1047
00:57:29,720 --> 00:57:32,240
Speaker 1: as him, get him on the pod. We should do

1048
00:57:32,280 --> 00:57:34,560
Speaker 1: a podcast like an episode of Last Coach, which is

1049
00:57:34,720 --> 00:57:37,800
Speaker 1: him reading us, and then we'd see if we became

1050
00:57:37,800 --> 00:57:40,200
Speaker 1: believers because they can't edit it. You know what I mean?

1051
00:57:40,240 --> 00:57:42,040
Speaker 1: This is I'll tell you what I do. You wouldn't

1052
00:57:42,080 --> 00:57:44,680
Speaker 1: agree to do it anyway, but yeah, he probably wouldn't know.

1053
00:57:44,760 --> 00:57:47,200
Speaker 1: He wouldn't. But you know some people like when they

1054
00:57:47,480 --> 00:57:50,520
Speaker 1: like when Long Island Medium goes to like, oh she's

1055
00:57:50,600 --> 00:57:52,959
Speaker 1: very she's real. Yeah, when she goes to like Kelly

1056
00:57:53,240 --> 00:57:56,600
Speaker 1: Show and She's like, now, who has a son who

1057
00:57:56,640 --> 00:58:00,040
Speaker 1: passed from the chest, who passed from the chest, And

1058
00:58:00,360 --> 00:58:02,800
Speaker 1: like if a woman like devastating already ways in her hand,

1059
00:58:03,040 --> 00:58:05,960
Speaker 1: my daughter passed in the chest. Yeah, and she's connected

1060
00:58:06,000 --> 00:58:07,760
Speaker 1: with you. She wants to know. She forgives you, and

1061
00:58:09,120 --> 00:58:11,320
Speaker 1: I need you to be the Long Island meeting from

1062
00:58:11,520 --> 00:58:20,040
Speaker 1: bas from the chests. Okay, but can I say one

1063
00:58:20,120 --> 00:58:23,120
Speaker 1: thing about Tyler, just one quick anecdote, which is that

1064
00:58:23,240 --> 00:58:26,440
Speaker 1: So Alicia Cuthbert went and did the show and we

1065
00:58:26,480 --> 00:58:28,280
Speaker 1: have the same makeup artist and she went with her

1066
00:58:28,400 --> 00:58:30,400
Speaker 1: and they get there and she's touching her up and

1067
00:58:30,400 --> 00:58:32,160
Speaker 1: then they said to our makeup wartists, Kathleen, you need

1068
00:58:32,200 --> 00:58:33,480
Speaker 1: to step in the other room. And she's like, well,

1069
00:58:33,520 --> 00:58:35,360
Speaker 1: can I just stay here and watch the monitor because

1070
00:58:35,400 --> 00:58:39,440
Speaker 1: look we're reading, but the touch ups and she said no, no,

1071
00:58:39,560 --> 00:58:43,880
Speaker 1: Sometimes Tyler gets pulled. Someone else's energy will pull and

1072
00:58:44,000 --> 00:58:47,320
Speaker 1: he won't be able to read the person. So Kathy goes, Okay,

1073
00:58:47,320 --> 00:58:49,560
Speaker 1: I'll leave. So she leaves. She comes back and they

1074
00:58:49,600 --> 00:58:53,040
Speaker 1: don't see her. Now she's by the monitor and Tyler says, Julicia,

1075
00:58:53,080 --> 00:58:57,040
Speaker 1: I'm seeing a sister who's passed from Bavarian cancer, and

1076
00:58:57,080 --> 00:59:02,320
Speaker 1: Alicia's like no, and my makeup artist, Kathleen tears and

1077
00:59:02,400 --> 00:59:06,600
Speaker 1: apparently he was talking about Kathleen's sister and that, and

1078
00:59:07,040 --> 00:59:09,000
Speaker 1: he pulled and he goes he was so confused that

1079
00:59:09,040 --> 00:59:11,520
Speaker 1: it wasn't Alicia, and then Kathleen said she had to

1080
00:59:11,760 --> 00:59:13,560
Speaker 1: raise her hand, and then he spoke to her for

1081
00:59:13,600 --> 00:59:16,200
Speaker 1: a while. So I don't know. I'm just throwing that

1082
00:59:16,280 --> 00:59:19,080
Speaker 1: out there because I always found that something right. I

1083
00:59:19,120 --> 00:59:25,120
Speaker 1: definitely want to believe it. I'm so me too. I

1084
00:59:25,160 --> 00:59:28,680
Speaker 1: want to believe these things. I want to believe. I'm

1085
00:59:28,800 --> 00:59:33,040
Speaker 1: Mulder and Scully, but I think Bowen is more Scully.

1086
00:59:33,240 --> 00:59:38,120
Speaker 1: I'm a little Scully. I do think there's a Jillian Anderson.

1087
00:59:38,560 --> 00:59:42,920
Speaker 1: I think it's jilliant. Yeah. I think that because Bone

1088
00:59:43,000 --> 00:59:45,160
Speaker 1: was the astrology skeptic too, and I came in being

1089
00:59:45,160 --> 00:59:49,360
Speaker 1: like I'm open to the tides. Now I'm like into it.

1090
00:59:49,560 --> 00:59:54,600
Speaker 1: You are, Bowen. We have an amazing astrologist that really

1091
00:59:54,600 --> 00:59:58,440
Speaker 1: opened my eyes to everything. I think, really opened my ass.

1092
00:59:59,120 --> 01:00:04,960
Speaker 1: We have thought, every every every whole pried open through

1093
01:00:05,000 --> 01:00:08,280
Speaker 1: the stars and to the stars. Who was astrologist? Can

1094
01:00:08,320 --> 01:00:12,640
Speaker 1: you name them? Heidi Rose Robbins. First of all, that stomach.

1095
01:00:12,760 --> 01:00:16,240
Speaker 1: Can follow her on Instagram telling you Rose Robbins, She's

1096
01:00:16,280 --> 01:00:19,280
Speaker 1: the most normal, lovely, gorgeous woman we've been I've been

1097
01:00:19,280 --> 01:00:23,680
Speaker 1: seen her for seventeen years. Yes, and she has predicted

1098
01:00:23,720 --> 01:00:27,040
Speaker 1: things all manner of things, things that are dangerous to predict.

1099
01:00:27,840 --> 01:00:30,880
Speaker 1: I things that you're like, don't say that to them.

1100
01:00:31,240 --> 01:00:35,520
Speaker 1: I was having trouble conceiving a child and you know,

1101
01:00:35,720 --> 01:00:38,320
Speaker 1: doing things no. And she she looked me dead in

1102
01:00:38,320 --> 01:00:40,400
Speaker 1: the eyes and said, you're going to be pregnant this year.

1103
01:00:40,960 --> 01:00:44,640
Speaker 1: Wait and then and then I was, oh my god,

1104
01:00:45,080 --> 01:00:48,080
Speaker 1: it had been many years struggle things where it's like,

1105
01:00:48,880 --> 01:00:52,680
Speaker 1: but she's so talented, and I again, I'm I'm a

1106
01:00:52,680 --> 01:00:55,960
Speaker 1: bit of a scully. And she turned my world around

1107
01:00:56,040 --> 01:00:58,680
Speaker 1: and hence like this is literally like right by the

1108
01:00:58,720 --> 01:01:00,720
Speaker 1: first thing I do in the more and then all

1109
01:01:00,760 --> 01:01:02,640
Speaker 1: of a sudden, here we are at the podcast recording

1110
01:01:02,680 --> 01:01:06,720
Speaker 1: and the tarot cards were I am Danielle, but when

1111
01:01:06,720 --> 01:01:08,280
Speaker 1: you were like, I pulled the crazy card and it

1112
01:01:08,360 --> 01:01:15,320
Speaker 1: was hope are more like nuanced? That is a crazy

1113
01:01:15,360 --> 01:01:20,240
Speaker 1: card these days. Hopefully I know this is coming out

1114
01:01:20,240 --> 01:01:23,760
Speaker 1: a day after the damn mid terms. Let's hope audacity

1115
01:01:23,920 --> 01:01:37,120
Speaker 1: of the audacity truly. We loo a second ago about

1116
01:01:37,120 --> 01:01:40,080
Speaker 1: opening our ass. Today we're going to open our amouths

1117
01:01:40,440 --> 01:01:45,480
Speaker 1: to do what us BEAUTI and Icono gorgeous. Yeah, we've

1118
01:01:45,480 --> 01:01:48,439
Speaker 1: been doing this for seven years, so we're gonna open

1119
01:01:48,440 --> 01:01:51,720
Speaker 1: our mouths and flap our gums. In a segment we

1120
01:01:51,760 --> 01:01:53,560
Speaker 1: call I don't think so honey, which is a sixty

1121
01:01:53,600 --> 01:01:57,800
Speaker 1: second segment on our podcast that we use to employ.

1122
01:01:57,880 --> 01:01:59,400
Speaker 1: And I don't think it's money, which is a dragging

1123
01:01:59,400 --> 01:02:01,960
Speaker 1: of something in culture. I do have something. It's a

1124
01:02:01,960 --> 01:02:04,200
Speaker 1: harkening back to earlier in the episodes, but I don't

1125
01:02:04,240 --> 01:02:07,840
Speaker 1: think I can let this human being go any further

1126
01:02:08,000 --> 01:02:10,640
Speaker 1: without being dragged publicly on this podcast. We've alluded to

1127
01:02:10,680 --> 01:02:12,480
Speaker 1: not liking her that much before, but she needs to

1128
01:02:12,480 --> 01:02:15,960
Speaker 1: be I don't think so honeyed. Oh my god, that's incredible.

1129
01:02:16,160 --> 01:02:18,400
Speaker 1: This is Matt Rodgers is I don't think so honey.

1130
01:02:18,480 --> 01:02:21,440
Speaker 1: And as time starts new, I don't think so honey,

1131
01:02:21,760 --> 01:02:26,160
Speaker 1: Robin Dixon, Dixon, it has to stop because, oh my god,

1132
01:02:26,160 --> 01:02:28,080
Speaker 1: I can tell that this is yours too. I don't

1133
01:02:28,080 --> 01:02:29,880
Speaker 1: think money, Robin Dixon. How come there couldn't be a

1134
01:02:29,880 --> 01:02:33,200
Speaker 1: family funded You couldn't. You couldn't again a tray of chicken.

1135
01:02:33,480 --> 01:02:35,800
Speaker 1: What was happening? You couldn't get a kickball, We couldn't

1136
01:02:35,840 --> 01:02:39,360
Speaker 1: hire a ref w Dixon. I was so a piss

1137
01:02:39,440 --> 01:02:42,920
Speaker 1: that Wan Dixon was not now because he could have

1138
01:02:42,920 --> 01:02:45,360
Speaker 1: been the referee. He could have done something. Because God

1139
01:02:45,400 --> 01:02:48,120
Speaker 1: goes like what now, You're just you're gonna put Giselle

1140
01:02:48,280 --> 01:02:51,000
Speaker 1: in charge anytime? Just a charge's gonna run into chaos

1141
01:02:51,120 --> 01:02:53,760
Speaker 1: and hell a bounty house. I actually looked it up.

1142
01:02:53,760 --> 01:02:56,400
Speaker 1: It's three dollars for the day. Robin. I know money

1143
01:02:56,480 --> 01:02:58,840
Speaker 1: is tight every now and then, but and I don't

1144
01:02:58,840 --> 01:03:01,200
Speaker 1: know what the current financial he is, but you need

1145
01:03:01,240 --> 01:03:03,120
Speaker 1: to roll your ass out of bed. First of all,

1146
01:03:03,280 --> 01:03:06,120
Speaker 1: we had rout of bed from last season to what

1147
01:03:06,320 --> 01:03:09,200
Speaker 1: like like like get too potato sacks. I'm sorry, but

1148
01:03:09,280 --> 01:03:11,480
Speaker 1: it is not enough. We need to get you a

1149
01:03:11,520 --> 01:03:13,840
Speaker 1: red bull. We need to get Robin Dixon a cold brew.

1150
01:03:14,200 --> 01:03:16,080
Speaker 1: We need to wake her up. We need to splash

1151
01:03:16,120 --> 01:03:17,960
Speaker 1: some water on her face and get her off to

1152
01:03:18,000 --> 01:03:19,680
Speaker 1: the racist. Thank god you stuck up for Cantis. Is

1153
01:03:19,720 --> 01:03:21,400
Speaker 1: the only useful thing you've done in seasons. I don't

1154
01:03:21,440 --> 01:03:28,720
Speaker 1: think so, honey. The way you both jumped back in

1155
01:03:28,800 --> 01:03:32,320
Speaker 1: your chair, you both threw yourselves across roofs. It was

1156
01:03:32,400 --> 01:03:35,640
Speaker 1: shocking because Robin herself has no energy, so to see

1157
01:03:35,720 --> 01:03:40,360
Speaker 1: energy put toward and at Robin was just so. I

1158
01:03:40,360 --> 01:03:44,160
Speaker 1: didn't know where to go, and you went back. I

1159
01:03:44,240 --> 01:03:48,400
Speaker 1: went back. I loved it. I don't necessarily agree, but

1160
01:03:48,600 --> 01:03:53,400
Speaker 1: that's day. That's for another day. I will say I agree.

1161
01:03:53,640 --> 01:03:56,520
Speaker 1: My only note for Potomac overall is that taglines are

1162
01:03:56,600 --> 01:03:59,880
Speaker 1: are garbage this year. They're so bad. They got one

1163
01:04:00,080 --> 01:04:04,480
Speaker 1: totally wrong, and I think it's actually better. What was

1164
01:04:04,520 --> 01:04:07,400
Speaker 1: it I got Wendy's wrong. I know she's a friend

1165
01:04:07,400 --> 01:04:11,920
Speaker 1: of the pod, but I thought she said, you know

1166
01:04:12,440 --> 01:04:13,840
Speaker 1: what I think she said. I don't have it written

1167
01:04:13,880 --> 01:04:16,280
Speaker 1: down anymore, but it was like, I'm like, I've got

1168
01:04:16,280 --> 01:04:18,400
Speaker 1: a lot of power, but I've got no time. And

1169
01:04:18,440 --> 01:04:20,360
Speaker 1: I thought it was I've got no time for me.

1170
01:04:20,960 --> 01:04:29,400
Speaker 1: It's like, so I've got a lot of I believe

1171
01:04:29,480 --> 01:04:31,240
Speaker 1: that because I was like, well, she really doesn't have

1172
01:04:31,240 --> 01:04:35,000
Speaker 1: a lot of time for herself, but it was no

1173
01:04:35,520 --> 01:04:38,160
Speaker 1: time for me. But I thought it was no time

1174
01:04:38,240 --> 01:04:41,720
Speaker 1: for me. Listen back to it. But whenever the front

1175
01:04:41,880 --> 01:04:45,640
Speaker 1: front of it rhymes with me, I'm a Nigerian queen

1176
01:04:47,120 --> 01:04:48,960
Speaker 1: it was queen. It was like, but I thought it

1177
01:04:49,000 --> 01:04:55,880
Speaker 1: was I'm a Nigerian queen with no time for me. Yeah,

1178
01:04:55,920 --> 01:04:58,360
Speaker 1: the headlines really are rough. I think Canvas is as good,

1179
01:04:58,360 --> 01:05:01,080
Speaker 1: but I also can't remember it. I think I wrote

1180
01:05:01,080 --> 01:05:03,360
Speaker 1: it down but in my notes from last week's episode.

1181
01:05:03,360 --> 01:05:06,720
Speaker 1: But well, I don't know what it is either. But

1182
01:05:06,840 --> 01:05:09,640
Speaker 1: the structure for the last three seasons I think has

1183
01:05:09,680 --> 01:05:14,600
Speaker 1: been My now may be adjective, but my now is adjective.

1184
01:05:14,960 --> 01:05:19,640
Speaker 1: That's that's what it's been. Or Live. I love it

1185
01:05:20,440 --> 01:05:22,480
Speaker 1: a mad live. Can you see them all with the

1186
01:05:22,520 --> 01:05:27,960
Speaker 1: whiteboard out just coming up? I mean, my favorite thing

1187
01:05:28,040 --> 01:05:29,960
Speaker 1: is to imagine there are comedy rooms that they put

1188
01:05:30,000 --> 01:05:31,840
Speaker 1: together just to get pitched them all day. Like you

1189
01:05:31,840 --> 01:05:34,440
Speaker 1: ever bites Dr Tiffany Moon's candles. My bit was that

1190
01:05:34,480 --> 01:05:36,840
Speaker 1: she put a comedy room together to put the packaging

1191
01:05:36,880 --> 01:05:39,600
Speaker 1: together because there's a little jokes on them. There's so

1192
01:05:39,600 --> 01:05:41,720
Speaker 1: many little jokes on them. They're all named after like

1193
01:05:41,760 --> 01:05:47,640
Speaker 1: different drugs. Have you guys bought yourself any fresh Wolf? No,

1194
01:05:47,680 --> 01:05:50,840
Speaker 1: I'm not about fresh Wolf. I'm not interested in the kids. Okay,

1195
01:05:51,200 --> 01:05:55,520
Speaker 1: you're not interest in Budge College. Fudge College is amazing.

1196
01:05:55,600 --> 01:05:59,240
Speaker 1: Fudge College is iconic. Salt Like I will say, I

1197
01:05:59,240 --> 01:06:01,640
Speaker 1: can't just correct the record. I do love Salt Lake,

1198
01:06:01,720 --> 01:06:05,160
Speaker 1: and I'm loving Lisa Barlow even more than I ever have.

1199
01:06:05,440 --> 01:06:08,440
Speaker 1: She realized because Matt told me, and I think you're

1200
01:06:08,480 --> 01:06:11,720
Speaker 1: totally right. She does not She she's driving the story

1201
01:06:11,760 --> 01:06:15,040
Speaker 1: forward without looking like she's producing, Like you know, Jen,

1202
01:06:16,440 --> 01:06:19,640
Speaker 1: Heather and Meredith, I'll say, like they do a little

1203
01:06:19,680 --> 01:06:21,880
Speaker 1: too much meddling where it's like a little too like

1204
01:06:21,960 --> 01:06:29,640
Speaker 1: puppet Stringy Whitney. Whitney's hoeing journey, her helling journey. My

1205
01:06:29,800 --> 01:06:35,520
Speaker 1: phones were hurt, especially during my howing journey. Helen joy

1206
01:06:35,920 --> 01:06:39,160
Speaker 1: is that you talk. What is that? I don't know

1207
01:06:39,200 --> 01:06:43,720
Speaker 1: if it's botox or oh my god, botox or utah

1208
01:06:44,120 --> 01:06:48,720
Speaker 1: box a utah another table for you guys. That's really

1209
01:06:48,720 --> 01:06:54,080
Speaker 1: good to You had to name a lot of hot wives, yea, honestly,

1210
01:06:54,280 --> 01:06:57,440
Speaker 1: but okay, so but you guys are your pro Robin.

1211
01:06:58,440 --> 01:07:01,680
Speaker 1: I love her because again, and I wouldn't think someone's

1212
01:07:01,720 --> 01:07:04,440
Speaker 1: so sleepy I could get behind. Usually I like a

1213
01:07:04,480 --> 01:07:10,320
Speaker 1: more energetic wife. But they're but there's something about it.

1214
01:07:10,320 --> 01:07:12,880
Speaker 1: It's like, you know, it's like Steven Right as a comedian,

1215
01:07:12,920 --> 01:07:16,360
Speaker 1: you know what I mean. They're giving a very old reference,

1216
01:07:17,000 --> 01:07:20,760
Speaker 1: just a different way. Yeah. Yeah, she's a different kind

1217
01:07:20,760 --> 01:07:23,640
Speaker 1: of housewife. One that's barely I know. But that's a

1218
01:07:23,640 --> 01:07:27,200
Speaker 1: new flavor. We haven't seen that sleepy flavor before. I'm

1219
01:07:27,240 --> 01:07:31,360
Speaker 1: into it. We ordered her hats and we did you

1220
01:07:31,400 --> 01:07:36,560
Speaker 1: ever get them? I finally did, But when I tell

1221
01:07:36,640 --> 01:07:41,040
Speaker 1: you emails upon emails about we're going to think about

1222
01:07:41,080 --> 01:07:43,600
Speaker 1: getting them to you, it was so many updates and

1223
01:07:43,960 --> 01:07:46,600
Speaker 1: so many emails. It's just sent from her, like not

1224
01:07:46,720 --> 01:07:49,520
Speaker 1: even like a male chimp account, like just like like

1225
01:07:49,680 --> 01:07:54,000
Speaker 1: Robin Dixon like and she was just like, guys, I

1226
01:07:54,040 --> 01:07:57,200
Speaker 1: know I'm disappointing you, and I'm sorry. And then she

1227
01:07:57,280 --> 01:08:00,360
Speaker 1: was like, if you really need them, you can email me. Yeah,

1228
01:08:00,520 --> 01:08:03,919
Speaker 1: as opposed to them, we really need anything, just send

1229
01:08:03,920 --> 01:08:08,000
Speaker 1: my money on I really need if you really need them.

1230
01:08:08,480 --> 01:08:10,400
Speaker 1: She wasn't because it was the holiday season. She was like,

1231
01:08:10,440 --> 01:08:13,000
Speaker 1: if you really because everyone bought them for like gifts

1232
01:08:13,080 --> 01:08:15,480
Speaker 1: last year for holidays, and she was like, if you

1233
01:08:15,640 --> 01:08:18,920
Speaker 1: really need to buy Christmas, like, I can do my best.

1234
01:08:19,560 --> 01:08:21,320
Speaker 1: I mean. One of my favorite things Bone said on

1235
01:08:21,360 --> 01:08:24,120
Speaker 1: the pod was Robin is two hundred thousand dollars in debt.

1236
01:08:24,200 --> 01:08:28,120
Speaker 1: She can hat in a box. She can't, she can't,

1237
01:08:28,600 --> 01:08:33,200
Speaker 1: she can't listen. Are we all doing Housewives? I don't

1238
01:08:33,200 --> 01:08:36,400
Speaker 1: think so, honey, because I will gladly I mine was

1239
01:08:36,439 --> 01:08:39,479
Speaker 1: the Housewives. I don't think so honey. But Danielle, we're

1240
01:08:39,479 --> 01:08:41,639
Speaker 1: going to go together. We do have. It's a former

1241
01:08:41,680 --> 01:08:45,200
Speaker 1: housewife though. Oh you're gonna go together. I love it,

1242
01:08:45,439 --> 01:08:48,920
Speaker 1: really cool. I really like that. Okay, that's never never done.

1243
01:08:50,439 --> 01:08:53,080
Speaker 1: But first, yeah, you got it. Okay, this is Boone

1244
01:08:53,200 --> 01:08:55,240
Speaker 1: Yang's I don't think so, honey. His time on his

1245
01:08:55,320 --> 01:08:59,559
Speaker 1: birthday starts now. I don't think so honey. Trips to

1246
01:09:00,000 --> 01:09:03,200
Speaker 1: Arizona or to Zion. I think you are going too

1247
01:09:03,320 --> 01:09:05,599
Speaker 1: much to this part of the country that I don't.

1248
01:09:05,800 --> 01:09:09,120
Speaker 1: I don't think people really need to see you anymore.

1249
01:09:09,160 --> 01:09:11,160
Speaker 1: I think we understand what goes on there, and I'm

1250
01:09:11,200 --> 01:09:12,720
Speaker 1: not I'm not saying this in like a fly over

1251
01:09:12,800 --> 01:09:15,120
Speaker 1: state away as someone who grew up in Colorado. I

1252
01:09:15,280 --> 01:09:18,559
Speaker 1: just mean that, like the pandemic is sort of like

1253
01:09:19,400 --> 01:09:23,639
Speaker 1: allowing travel to happen again to far flung places. We're

1254
01:09:23,680 --> 01:09:26,960
Speaker 1: done with American designations. I don't think we need to

1255
01:09:26,960 --> 01:09:28,599
Speaker 1: say I think I think we've also just like run

1256
01:09:28,640 --> 01:09:33,599
Speaker 1: the tank on those places across shows, across franchises. Let's

1257
01:09:33,600 --> 01:09:37,280
Speaker 1: go back to UM, I'll say, at Turks and Caicos,

1258
01:09:37,360 --> 01:09:39,800
Speaker 1: not to you know, overlap there, but like, you know,

1259
01:09:39,920 --> 01:09:42,880
Speaker 1: let's let's leave the country. Let's get these women their passports,

1260
01:09:43,160 --> 01:09:45,600
Speaker 1: you know, renewed UM just so that they can for

1261
01:09:45,640 --> 01:09:47,560
Speaker 1: the betterment of their own lives. I feel I'm a

1262
01:09:47,600 --> 01:09:51,599
Speaker 1: little bit bored of the mainland destinations. Go to Hawaiian

1263
01:09:51,640 --> 01:09:53,680
Speaker 1: Let's go to Alaska at least if you're not going

1264
01:09:53,760 --> 01:09:55,559
Speaker 1: to leave the US. That's what I have to say.

1265
01:09:55,640 --> 01:09:57,719
Speaker 1: And that's why a minute, I think that I completely

1266
01:09:57,760 --> 01:10:00,120
Speaker 1: agree with you. Like even even the Real Housewives New

1267
01:10:00,160 --> 01:10:03,920
Speaker 1: Jersey Nashville trip that was fun, but like it's so American,

1268
01:10:03,960 --> 01:10:06,120
Speaker 1: and I'm like, let's go places we know. We can

1269
01:10:06,120 --> 01:10:08,679
Speaker 1: book Thailand, like we can do other things. Jen show

1270
01:10:08,800 --> 01:10:12,479
Speaker 1: cannot leave the country as a convicted felon. But then

1271
01:10:13,520 --> 01:10:16,720
Speaker 1: Jen stays home Hawaii. You're right, and Jen stays home. Yes,

1272
01:10:16,720 --> 01:10:19,479
Speaker 1: but I think why they could go to Alaska, we

1273
01:10:19,479 --> 01:10:22,200
Speaker 1: could go to New York City, would even be something,

1274
01:10:22,400 --> 01:10:26,360
Speaker 1: give us something. These airbnbs they're all blending together with

1275
01:10:26,400 --> 01:10:29,760
Speaker 1: the grill in the tope, grugs. I can't. I'm like,

1276
01:10:29,920 --> 01:10:33,160
Speaker 1: you know, or Mexico City. Have they have any of

1277
01:10:33,200 --> 01:10:35,760
Speaker 1: the women done? Mexico City? You know when we were

1278
01:10:35,800 --> 01:10:37,880
Speaker 1: there for New Year's I think we even said out loud,

1279
01:10:37,920 --> 01:10:41,479
Speaker 1: this would be a good housewife's trip. Absolutely can't go,

1280
01:10:42,000 --> 01:10:44,800
Speaker 1: she cannot. I'm not saying result. I'm saying for like

1281
01:10:44,840 --> 01:10:46,680
Speaker 1: a lot of this. And I know, I know we're

1282
01:10:46,720 --> 01:10:49,360
Speaker 1: coming out of pandemic stuff, but I feel like we

1283
01:10:49,439 --> 01:10:50,920
Speaker 1: got to mix it up again. I don't want to

1284
01:10:50,920 --> 01:10:54,680
Speaker 1: see an airbnb, not again. I can't that culture to me.

1285
01:10:54,720 --> 01:10:57,120
Speaker 1: I'm I'm all set. I'd like to see a hotel.

1286
01:10:57,200 --> 01:11:00,360
Speaker 1: I also think I'm wrapped. I'm a wrap on skiing.

1287
01:11:00,840 --> 01:11:03,120
Speaker 1: I don't want to see skiing anymore. Like I feel

1288
01:11:03,120 --> 01:11:05,720
Speaker 1: like I see skiing on Beverly Hills on Salt like

1289
01:11:05,760 --> 01:11:08,439
Speaker 1: they're these women are always skiing and I'm like, I

1290
01:11:08,560 --> 01:11:11,200
Speaker 1: understand this is a thing that turns them on, but

1291
01:11:11,240 --> 01:11:12,960
Speaker 1: no more skiing for me. I'd like to see them

1292
01:11:13,000 --> 01:11:15,240
Speaker 1: at the beach. I'm a wrap on them all pedaling

1293
01:11:15,240 --> 01:11:22,439
Speaker 1: a bike together and yeah, a drink bike. I'm dead

1294
01:11:20,880 --> 01:11:25,080
Speaker 1: and I'm done. Done. They were trying so hard to like.

1295
01:11:25,120 --> 01:11:27,360
Speaker 1: The Salt Lake City girls were quote unquote having so

1296
01:11:27,439 --> 01:11:33,040
Speaker 1: much fun. I'm like, y'all, don't y'all are gassing. Meredith

1297
01:11:33,080 --> 01:11:36,360
Speaker 1: Mars is not throwing whipping alcohol in someone's face. It

1298
01:11:36,479 --> 01:11:39,599
Speaker 1: was so painful. No, no, she is not. It's just

1299
01:11:39,600 --> 01:11:42,280
Speaker 1: not her energy. She would not engage in the activities

1300
01:11:42,320 --> 01:11:44,760
Speaker 1: such as this. Um but and I think that one's

1301
01:11:44,800 --> 01:11:48,000
Speaker 1: important for the culture. Thank you for offering it. Um So,

1302
01:11:48,000 --> 01:11:50,800
Speaker 1: So we're to understand that Daniel and Casey will do

1303
01:11:50,840 --> 01:11:55,000
Speaker 1: a joint. I don't think so, honey, huge, Yes, this

1304
01:11:55,520 --> 01:11:58,360
Speaker 1: Power of two Voices, because it's a big one. The

1305
01:11:58,400 --> 01:12:00,920
Speaker 1: Power of Two Voices is also a front runner for

1306
01:12:00,960 --> 01:12:05,680
Speaker 1: title of app The Power of Two Voices. How I

1307
01:12:05,760 --> 01:12:11,320
Speaker 1: keep tossing about your machine. Okay, so this is a joint.

1308
01:12:11,400 --> 01:12:13,920
Speaker 1: This is for the first time ever in Lost Culture history.

1309
01:12:14,000 --> 01:12:16,880
Speaker 1: But when how exciting is that to say? In the

1310
01:12:17,000 --> 01:12:19,280
Speaker 1: seven years of this program we have not the fact

1311
01:12:19,280 --> 01:12:23,000
Speaker 1: that they're still first, So so refreshing. Well. This podcast

1312
01:12:23,000 --> 01:12:25,680
Speaker 1: has received critical acclaim and has been cited in academic

1313
01:12:25,720 --> 01:12:28,200
Speaker 1: work for the host inside into the entertainment industry. That's

1314
01:12:28,200 --> 01:12:31,120
Speaker 1: on our Wikipedia page. We don't make the rules, nor

1315
01:12:31,200 --> 01:12:36,679
Speaker 1: do we edit the page. Um, but this is daniel Snyders.

1316
01:12:36,720 --> 01:12:39,479
Speaker 1: I don't think so, honey. Their time starts now. I

1317
01:12:39,520 --> 01:12:43,680
Speaker 1: don't think so, honey. Bethany Frankel, I think we've had

1318
01:12:43,800 --> 01:12:48,000
Speaker 1: enough with the tutorials. Number one, at least place yourself

1319
01:12:48,040 --> 01:12:50,639
Speaker 1: somewhere else than in your closet with cle messy kind

1320
01:12:50,640 --> 01:12:54,080
Speaker 1: of cabinet behind you. I'm all set with your new

1321
01:12:54,080 --> 01:12:59,439
Speaker 1: podcast idea, Danielle, this new podcast idea, how dare you?

1322
01:12:59,479 --> 01:13:02,200
Speaker 1: First of all, is it a conflict of interest for us?

1323
01:13:02,240 --> 01:13:04,840
Speaker 1: Of course it save some For the rest of us.

1324
01:13:04,880 --> 01:13:08,960
Speaker 1: We liked you when you were sort of humanitarian housewives.

1325
01:13:09,040 --> 01:13:10,800
Speaker 1: You say you're done with it, you've moved on. You

1326
01:13:10,840 --> 01:13:13,599
Speaker 1: don't need to be doing a rewatch, and you've named

1327
01:13:13,600 --> 01:13:18,240
Speaker 1: it rewise. I can't don't understand it. Also, you have

1328
01:13:18,280 --> 01:13:20,040
Speaker 1: to come when you were doing a Healthwives podcast, and

1329
01:13:20,040 --> 01:13:21,920
Speaker 1: I say this, you have to come from it with love.

1330
01:13:21,960 --> 01:13:24,960
Speaker 1: And you have such est sin. You look on the

1331
01:13:25,360 --> 01:13:28,120
Speaker 1: on the Healthwives with disdain and now you're trying to

1332
01:13:28,920 --> 01:13:30,800
Speaker 1: and I know you have a beauty line coming. That's

1333
01:13:30,800 --> 01:13:32,680
Speaker 1: why you're tearing Everyone else is down in luand al

1334
01:13:32,720 --> 01:13:34,920
Speaker 1: Step said, this is a failed pivot and that should

1335
01:13:34,920 --> 01:13:36,400
Speaker 1: be the name of my new memoir. But it is

1336
01:13:36,400 --> 01:13:39,760
Speaker 1: another failed pivot. Wow. And that is one minute, and

1337
01:13:39,880 --> 01:13:42,479
Speaker 1: that is this is this is something we really need

1338
01:13:42,560 --> 01:13:44,000
Speaker 1: to hear, because when I heard she was doing this,

1339
01:13:44,080 --> 01:13:48,479
Speaker 1: I too thought it was capital papathetic. Yes, she's lost,

1340
01:13:48,560 --> 01:13:51,920
Speaker 1: she's lost, she's lost, I thought, in the words of

1341
01:13:51,960 --> 01:13:56,080
Speaker 1: what she said to Jill, many jills are in many

1342
01:13:56,160 --> 01:14:02,120
Speaker 1: years ago. Get a hobby. That's the name, Frank. Yes,

1343
01:14:02,240 --> 01:14:04,760
Speaker 1: she's really spinning the wheels. And if you ever watch

1344
01:14:04,800 --> 01:14:08,719
Speaker 1: her on TikTok, that is a film that I would

1345
01:14:08,760 --> 01:14:11,040
Speaker 1: like to see one of these actresses you mentioned earlier

1346
01:14:11,080 --> 01:14:14,759
Speaker 1: take on, just like a ninety minute film of Bethany Frankel,

1347
01:14:14,840 --> 01:14:16,920
Speaker 1: the rise and fall of the past six months of

1348
01:14:16,920 --> 01:14:20,160
Speaker 1: her on TikTok taking on the establishment because she felt

1349
01:14:20,160 --> 01:14:23,760
Speaker 1: she was shadow band, committing to her small following, ultimately

1350
01:14:23,800 --> 01:14:27,240
Speaker 1: Decott deciding this isn't for me. I'm going to do podcast. Yes,

1351
01:14:27,680 --> 01:14:31,200
Speaker 1: we went from makeup tutorials to those makeup tutorials are insane.

1352
01:14:31,680 --> 01:14:34,080
Speaker 1: The lighting. I've only seen the lighting on them in

1353
01:14:34,160 --> 01:14:36,240
Speaker 1: quick and quick little moments. I'm like, oh, there's the

1354
01:14:36,280 --> 01:14:40,559
Speaker 1: setup is all wrong. Yeah. And also it's like it's

1355
01:14:40,560 --> 01:14:42,880
Speaker 1: okay to be like, the makeup tutorial is fun. It's

1356
01:14:42,880 --> 01:14:44,840
Speaker 1: not like a comments on appearance or anything. Because when

1357
01:14:44,880 --> 01:14:47,000
Speaker 1: you come up with like like for example, like when

1358
01:14:47,000 --> 01:14:48,400
Speaker 1: you're doing a weight loss thing and you show it

1359
01:14:48,479 --> 01:14:50,479
Speaker 1: before and after, like the drop it withdrew of it all,

1360
01:14:51,000 --> 01:14:52,559
Speaker 1: and you show it before and after, and the before

1361
01:14:52,560 --> 01:14:55,120
Speaker 1: and after looks the same, that's not us commenting on

1362
01:14:55,160 --> 01:14:57,560
Speaker 1: your physique. That's us commenting on your business. It's like

1363
01:14:57,680 --> 01:15:00,400
Speaker 1: it looks like so you've literally showed us up before

1364
01:15:00,400 --> 01:15:02,720
Speaker 1: and after, so now it's fair game. Bethany Frankel in

1365
01:15:02,880 --> 01:15:06,240
Speaker 1: Horrid Lightings doing a makeup tutorial and then not looking good.

1366
01:15:06,320 --> 01:15:08,400
Speaker 1: That is weird game for us to be able to say, hey, mom,

1367
01:15:08,479 --> 01:15:11,160
Speaker 1: I don't know a woman who brought a skinny girl

1368
01:15:11,280 --> 01:15:15,839
Speaker 1: is now attacking photoshop and women's body image. It's I'm

1369
01:15:15,880 --> 01:15:17,920
Speaker 1: I'm upset with myself that I didn't include that in

1370
01:15:17,920 --> 01:15:20,599
Speaker 1: my minute. She's trying to pivot and say like, well,

1371
01:15:20,640 --> 01:15:23,559
Speaker 1: skinny girl really isn't about way, Like it's like she's

1372
01:15:23,800 --> 01:15:25,800
Speaker 1: as opposed to Yeah, you know what that was at

1373
01:15:25,800 --> 01:15:27,840
Speaker 1: a time when I thought that was important, like either

1374
01:15:28,200 --> 01:15:30,439
Speaker 1: own it or don't own it, but she she's like

1375
01:15:30,439 --> 01:15:32,679
Speaker 1: trying to ride that line in the middle. And sorry,

1376
01:15:32,720 --> 01:15:36,519
Speaker 1: now we don't believe. I appreciate her humanitarian work, but

1377
01:15:36,560 --> 01:15:38,920
Speaker 1: it's interesting because I find it interesting. She can so

1378
01:15:39,080 --> 01:15:42,840
Speaker 1: show such great compassion, but it's always not to actual people,

1379
01:15:42,880 --> 01:15:45,160
Speaker 1: you know, people who are like dog people or she

1380
01:15:45,320 --> 01:15:47,519
Speaker 1: had a remove. I think she seems to have a

1381
01:15:47,600 --> 01:15:49,759
Speaker 1: very big she has a very big heart, and it's amazing,

1382
01:15:49,800 --> 01:15:53,080
Speaker 1: but there's something like in person, she's the least warm human.

1383
01:15:53,800 --> 01:15:58,000
Speaker 1: Oh no, it's it's um she is, and like one

1384
01:15:58,040 --> 01:16:00,840
Speaker 1: of those angiograms or whatever that it's like she is

1385
01:16:01,600 --> 01:16:04,920
Speaker 1: an achiever and she's an individualist where it's like her

1386
01:16:05,400 --> 01:16:09,719
Speaker 1: she's like putting the achievement in like sort of like

1387
01:16:10,720 --> 01:16:13,640
Speaker 1: altruistic thing of like here, I'm helping the people of

1388
01:16:13,640 --> 01:16:16,960
Speaker 1: Puerto Rico out. But it's like and I don't I

1389
01:16:16,960 --> 01:16:19,160
Speaker 1: don't like to accuse anyone of this, but it feels

1390
01:16:19,160 --> 01:16:22,439
Speaker 1: self serving. Well, I think anything she does, like even

1391
01:16:22,600 --> 01:16:24,920
Speaker 1: I'm glad she's doing it. Fine, let it be self serving,

1392
01:16:24,920 --> 01:16:28,400
Speaker 1: but it is like we can't acknowledge that, like she

1393
01:16:28,680 --> 01:16:30,640
Speaker 1: is helping I'm glad she has continued to do that,

1394
01:16:30,640 --> 01:16:33,519
Speaker 1: continue to self serve, but it is serving herself. Yeah,

1395
01:16:33,680 --> 01:16:36,280
Speaker 1: but I think that the difference is that when it

1396
01:16:36,400 --> 01:16:39,240
Speaker 1: is a large group of amorphous people, she's not seeing

1397
01:16:39,360 --> 01:16:42,120
Speaker 1: it's like she she can commit to that, but then

1398
01:16:42,160 --> 01:16:47,160
Speaker 1: in basic humanity, one on one interactions, she's actually quite cruel,

1399
01:16:47,800 --> 01:16:51,479
Speaker 1: like it's it goes beyond just like, oh, that's something

1400
01:16:51,560 --> 01:16:54,679
Speaker 1: nasty on housewives like lu Anne, Like I think when

1401
01:16:54,680 --> 01:16:56,600
Speaker 1: she came up for air years later and was like,

1402
01:16:56,640 --> 01:16:59,519
Speaker 1: oh no, the worst thing anyone's ever done to me

1403
01:17:00,240 --> 01:17:02,439
Speaker 1: was bring the cameras into that room and show me

1404
01:17:02,479 --> 01:17:06,320
Speaker 1: a text that obviously she had, like she had premeditated this,

1405
01:17:06,640 --> 01:17:08,840
Speaker 1: and on camera she showed me my husband was cheating

1406
01:17:08,880 --> 01:17:11,200
Speaker 1: on me. And I begged her not to. I said,

1407
01:17:11,240 --> 01:17:13,599
Speaker 1: don't do it. And of course now it made an

1408
01:17:13,720 --> 01:17:16,960
Speaker 1: iconic scene. Question mark, you know it made an iconic scene.

1409
01:17:17,600 --> 01:17:22,400
Speaker 1: I want you to to do this to me. Question But

1410
01:17:22,400 --> 01:17:25,360
Speaker 1: but that was the worst moment of her life, I

1411
01:17:25,400 --> 01:17:27,479
Speaker 1: will say, And this is a sketch that no one

1412
01:17:27,720 --> 01:17:29,880
Speaker 1: has to watch, no one. I'm not doing that thing

1413
01:17:29,880 --> 01:17:31,640
Speaker 1: where I'm like I wrote a sketch. We did a

1414
01:17:31,680 --> 01:17:34,080
Speaker 1: sketch last night, me and Sarah Sherman where we're jurors

1415
01:17:34,080 --> 01:17:36,880
Speaker 1: and we're screaming and everything we're reacting in this scary

1416
01:17:37,000 --> 01:17:40,560
Speaker 1: like oh no, no, no, please please don't But it's

1417
01:17:40,600 --> 01:17:44,519
Speaker 1: it was from the source of it all was Sarah

1418
01:17:44,520 --> 01:17:46,599
Speaker 1: and I were laughing at that moment in that string

1419
01:17:46,640 --> 01:17:50,400
Speaker 1: of episodes when Bethany tells Ramona about the cheating and

1420
01:17:50,439 --> 01:17:55,479
Speaker 1: then Ramona goes like Ramona just screams and runs to

1421
01:17:55,479 --> 01:17:57,360
Speaker 1: the bathrooms, just like, look at me, to look at

1422
01:17:57,400 --> 01:17:58,800
Speaker 1: herself in the mirror, look at me, look at me,

1423
01:18:00,120 --> 01:18:06,000
Speaker 1: so funny, look at me. I'm crying. Is so Sarah

1424
01:18:06,080 --> 01:18:13,200
Speaker 1: Sherman came on and she killed me. I love her, so,

1425
01:18:13,439 --> 01:18:16,519
Speaker 1: she said Lisa in his hair at Sutton's tracks. Was

1426
01:18:16,560 --> 01:18:23,600
Speaker 1: blown back by the speed of light, blown back by

1427
01:18:24,120 --> 01:18:28,479
Speaker 1: Sarah's at Star and she and Bow and her sisters

1428
01:18:28,520 --> 01:18:32,320
Speaker 1: at the show, love love, love, love her. Well, this

1429
01:18:32,439 --> 01:18:34,840
Speaker 1: has been pretty much everything I could have ever wanted

1430
01:18:34,840 --> 01:18:36,439
Speaker 1: it to be. It's been a long time coming for

1431
01:18:36,479 --> 01:18:40,519
Speaker 1: you guys to be on. When you will return, so

1432
01:18:40,640 --> 01:18:43,680
Speaker 1: much fun and hey, where can people get your podcast?

1433
01:18:44,720 --> 01:18:52,360
Speaker 1: All your podcast Netflix dot com, Netflix dot com. You're

1434
01:18:52,520 --> 01:18:55,320
Speaker 1: so lovely and warm. I love listening to you. You're

1435
01:18:55,680 --> 01:18:58,759
Speaker 1: just such a highlight in a light in this world,

1436
01:18:58,800 --> 01:19:02,320
Speaker 1: truly at an exaggeration. No, I love you guys so much.

1437
01:19:02,320 --> 01:19:05,200
Speaker 1: And even though we were both against each other for

1438
01:19:05,240 --> 01:19:09,840
Speaker 1: the people's choice, the words what a moment in history

1439
01:19:09,840 --> 01:19:12,040
Speaker 1: and we do we both do? We we both lost

1440
01:19:12,600 --> 01:19:14,960
Speaker 1: who one did it was? Was it like reasonably shady?

1441
01:19:15,240 --> 01:19:18,320
Speaker 1: I think something out something else like doctor's in the

1442
01:19:18,360 --> 01:19:22,680
Speaker 1: house or something. I don't know what it was. Danielle.

1443
01:19:23,320 --> 01:19:26,160
Speaker 1: Danielle bought a dress the day we were nominated. Yeah,

1444
01:19:26,160 --> 01:19:27,840
Speaker 1: I bought a dress and then they were like, yeah,

1445
01:19:27,960 --> 01:19:31,880
Speaker 1: only for us to find we were not invited. But

1446
01:19:31,920 --> 01:19:34,080
Speaker 1: that's okay, that's she used to buy address. Of course

1447
01:19:35,640 --> 01:19:40,760
Speaker 1: you were nominated for a And also wait, did wait

1448
01:19:40,800 --> 01:19:42,479
Speaker 1: one more thing? Did you know? I just did Melissa

1449
01:19:42,479 --> 01:19:46,040
Speaker 1: Gorgon's podcast and we are the best of friends now

1450
01:19:46,240 --> 01:19:47,760
Speaker 1: and I know I'm going to get drunk with her

1451
01:19:47,760 --> 01:19:49,680
Speaker 1: and her husband. You don't think she's going to be

1452
01:19:49,760 --> 01:19:54,880
Speaker 1: on Masked as a villain this year? I don't care, okay,

1453
01:19:56,080 --> 01:19:58,960
Speaker 1: because I am like, I am like and die Teresa.

1454
01:19:59,080 --> 01:20:03,760
Speaker 1: I I I am allergic to Teresa. Okay, No, I'm

1455
01:20:03,800 --> 01:20:08,080
Speaker 1: not Teresa Hive. But that's I guess that's for Part two.

1456
01:20:08,240 --> 01:20:10,320
Speaker 1: Guys are the best. Daniel and Casey, thank you so

1457
01:20:10,400 --> 01:20:13,200
Speaker 1: much for doing the show, Thank you for having us.

1458
01:20:13,280 --> 01:20:16,240
Speaker 1: We end every episode with a song. And today is

1459
01:20:16,320 --> 01:20:19,920
Speaker 1: a major day. It's bone Yank's birthday, so we sing

1460
01:20:19,960 --> 01:20:23,320
Speaker 1: the most famous song in the world for him. Happy

1461
01:20:23,680 --> 01:20:36,120
Speaker 1: Birthday is one of the most famous songs, like that

1462
01:20:37,040 --> 01:20:57,040
Speaker 1: Happy harde of America's Greatest Treasures National Treasure Day, And

1463
01:20:57,360 --> 01:21:03,960
Speaker 1: what do I want for Christmas? I don't want. It

1464
01:21:04,160 --> 01:21:08,120
Speaker 1: becomes like it becomes like like a mix, a mashup

1465
01:21:08,160 --> 01:21:13,800
Speaker 1: of songs. Come back, Come Come. That song is good,

1466
01:21:14,880 --> 01:21:17,519
Speaker 1: best songs I ever heard that song? Have you heard

1467
01:21:17,560 --> 01:21:21,880
Speaker 1: Brandy's the House by Yeah Yeah, like a house like

1468
01:21:21,960 --> 01:21:25,280
Speaker 1: it's a rap song though by Brandy Glenville by Brandi

1469
01:21:25,320 --> 01:21:28,160
Speaker 1: Glenville her so, oh my god. So everyone's gonna go

1470
01:21:28,200 --> 01:21:29,200
Speaker 1: stream now one right now,