WEBVTT - CZM Book Club: Everything that Isn't Winter, by Margaret Killjoy, Part One

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<v Speaker 1>Cal Zone Media book Club, book Club, book Club, book Club,

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<v Speaker 1>Solstice book.

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<v Speaker 2>Club, that's what people always call this. It's a Solstale

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<v Speaker 2>book Club.

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<v Speaker 1>Hello and welcome to Cool Zone Media book Club, the

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<v Speaker 1>only podcast where you don't have to do the reading

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<v Speaker 1>because I do it for you. I'm your host, Margaret Kiljoy.

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<v Speaker 1>And this week and next week I have a story

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<v Speaker 1>that I wrote. Happy Solstice, everyone, to honor the dark,

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<v Speaker 1>to celebrate the return of the light, and to indulge

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<v Speaker 1>yourselves in the legacy of storytelling and gift giving. I'm

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<v Speaker 1>going to share first of two parts of one of

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<v Speaker 1>my own stories. Next week you'll get the second half.

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<v Speaker 1>And this story means a lot to me. This story

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<v Speaker 1>is called Everything that Isn't Winter, which is a okay,

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<v Speaker 1>look it takes place in Beltane, but it's called Everything

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<v Speaker 1>that Isn't Winter and it's about how one relates to

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<v Speaker 1>the season of winter. And I don't know this one.

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<v Speaker 1>It means a lot to me because I wrote it

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<v Speaker 1>at the end of the Clarion West Workshop for Short

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<v Speaker 1>story Writing and it was kind of my like, I

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<v Speaker 1>have learned so much about craft and I've been writing

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<v Speaker 1>at a somewhat professional level for a little while before that,

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<v Speaker 1>but this story was still, like on a craft level,

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<v Speaker 1>really important to me. And also it was one of

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<v Speaker 1>my first big short story sales. It sold to tour

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<v Speaker 1>dot com in I think twenty fifteen and really kind

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<v Speaker 1>of helped set my career up. So this is a

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<v Speaker 1>different kind of Christmas story, But what are we here

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<v Speaker 1>if non traditional? It's still got found family, It's got

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<v Speaker 1>self actualization and enough winter to justify the choice, and

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<v Speaker 1>I hope you all enjoy it. Everything that Isn't Winter

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<v Speaker 1>by Margaret Kiljoy. The evening sky was a spring gray,

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<v Speaker 1>which is different than a winter gray, and the soft

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<v Speaker 1>light that came down through the clouds lit up the festival.

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<v Speaker 1>Fires danced and people danced, and my boyfriend was dancing

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<v Speaker 1>with a woman who was there to work the harvest.

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<v Speaker 1>They were hitting it off. It looked like everything was

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<v Speaker 1>perfect in what was left of the world. At the

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<v Speaker 1>in Between Lodge, we picked most of our tea leaves

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<v Speaker 1>on beltane. Traditionally, the first flush is in March and

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<v Speaker 1>the second is in June. But traditionally tea was imported

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<v Speaker 1>from Asia, and obviously we hadn't had contact with anywhere

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<v Speaker 1>that far away in decades, so While we do a

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<v Speaker 1>modest first flush and second flush, most of what we

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<v Speaker 1>grow is what you'd call jarling in between. We grow

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<v Speaker 1>it in the middle of what used to be called

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<v Speaker 1>Washington State, so it's not really jarling at all. Just

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<v Speaker 1>in between. I sipped from a ceramic cup of mushroom

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<v Speaker 1>tea weak enough that it just sharpened me up, made

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<v Speaker 1>me aware of patterns of bodies and light. I wasn't

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<v Speaker 1>on duty, but I was on call, and my rifle

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<v Speaker 1>was stacked at the guard post by the eastern gate,

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<v Speaker 1>so I didn't get any further into another realm than

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<v Speaker 1>just the one cup of tea. We'd adulterated the mushroom

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<v Speaker 1>with oolong from the first flush, and the pleasant and

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<v Speaker 1>revolting tastes fought in my throat a little war between

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<v Speaker 1>caffeine and psilocybin. The band played war songs on guitars

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<v Speaker 1>and fiddles and drums. The handsome men of the choir

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<v Speaker 1>sang the songs I'd fought to, songs I relish, songs

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<v Speaker 1>that transport us from the world of the living to

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<v Speaker 1>that liminal space of both battle and sex where we

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<v Speaker 1>make and take life. My bare feet were in earth,

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<v Speaker 1>the mountain wind in my hair. My boyfriend's dance partner

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<v Speaker 1>wandered to the edge of the crowd, and I went

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<v Speaker 1>to stand beside her. You must be aiden, She turned

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<v Speaker 1>toward me. I am, Khalil was just talking about you. You.

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<v Speaker 1>Khalil was still dancing, now alone, thick legs kicking out

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<v Speaker 1>as he spun. He was awkward and completely in his element.

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<v Speaker 1>I love him, I said, I gathered as much.

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<v Speaker 2>She said.

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<v Speaker 1>She was watching him the same way I watched him.

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<v Speaker 1>You should sleep with him, I said. She turned toward me.

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<v Speaker 1>The spark's gone, I said, has been for years. I

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<v Speaker 1>can get late easily enough, but it isn't as easy

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<v Speaker 1>for him. She was just staring at me. I've never

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<v Speaker 1>been good with reading faces. I saw myself and the

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<v Speaker 1>firelight reflected and dancing in her green eyes. That's how

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<v Speaker 1>it works for me, anyway, I went on. Whenever I

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<v Speaker 1>sleep with someone else, it just makes me want him

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<v Speaker 1>all the more. You should sleep with him. An autumnal

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<v Speaker 1>smell broke my train of thought. Autumnal smells had no

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<v Speaker 1>place during Beltane, but there it was, amidst the ambient

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<v Speaker 1>scent of the tea fields, the iron sweat of the dancers,

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<v Speaker 1>the pines smoke. A voice carried through the evening sense

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<v Speaker 1>fire burning tea plants. The smell was burning tea plants.

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<v Speaker 1>I ran for my rifle, snatched it up, and went

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<v Speaker 1>into the rows toward the growing pillar of smoke. It

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<v Speaker 1>started off as a Doric column, shifting to Atlas holding

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<v Speaker 1>the world on his shoulders.

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<v Speaker 2>By the time I reached it.

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<v Speaker 1>It was yigdrassil, the world tree, thick and ropey and

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<v Speaker 1>holding up every one of the worlds. There was no lightning,

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<v Speaker 1>no likely cause, but arson. I ran toward the edge

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<v Speaker 1>of the forest, beyond the fields, to search for culprits.

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<v Speaker 1>At night we see movement. In the day, we see shape,

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<v Speaker 1>but in the gloaming we see nothing. I saw nothing.

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<v Speaker 1>It took fifty of us to cut a fire break

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<v Speaker 1>to keep the blaze from spreading, tearing into tea plants

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<v Speaker 1>with machetes while the fire tore into our livelihood. The

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<v Speaker 1>band played because what else can you do? Of the

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<v Speaker 1>hundred rooms in the lodge, ours was in the northeast corner,

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<v Speaker 1>closest to the fields in the forest. The poster bed

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<v Speaker 1>was ancient, had been ancient before the apocalypse. It had

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<v Speaker 1>been through worse than we ever had. The tea had

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<v Speaker 1>worn off, but spring nights of their own magic. I'll

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<v Speaker 1>never understand or forgive. And there was no cell in

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<v Speaker 1>my body that was feeling sober or responsible. Calil was

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<v Speaker 1>on his side, staring out the window at the burned

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<v Speaker 1>fields lit by the moon and the dark woods. The

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<v Speaker 1>moon couldn't light. I stood in the door. I'm sorry,

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<v Speaker 1>he said, it's fine. I said, it wasn't. It's just

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<v Speaker 1>that it's bell tine, it's spring, sex and flowers and

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<v Speaker 1>all that shit. I should want you. It's fine, I said,

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<v Speaker 1>it wasn't. I've never much cared for spring.

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<v Speaker 2>That part was true.

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<v Speaker 1>You look beautiful tonight, he said, But he was looking

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<v Speaker 1>at the forest. He didn't look at me much anymore.

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<v Speaker 1>What about that woman, the one you were dancing with,

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<v Speaker 1>I asked, the one who avoided me after you scared

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<v Speaker 1>her off?

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<v Speaker 2>That one?

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<v Speaker 1>It's fine, he said. There wasn't much more to say.

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<v Speaker 1>I left our room and I left him there, and

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<v Speaker 1>I went to go sleep at the guard post. But

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<v Speaker 1>do you know what won't leave you on a cold

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<v Speaker 1>night to go to sleep alone in the barracks and

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<v Speaker 1>deal with their attachment issues? Because they are loving and

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<v Speaker 1>steadfast and forever.

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<v Speaker 2>That's right.

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<v Speaker 1>It's the goods and services advertised on this show, unless

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<v Speaker 1>it's gambling. Please don't do that. Gambling does not love

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<v Speaker 1>you back, and we're back. First light found me in

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<v Speaker 1>the forest with Barley, our scout. Sword fern grew up

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<v Speaker 1>from the ground. Maidenhair fern grew out of the rock

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<v Speaker 1>walls of gullies, and Usnia hung from every limb of

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<v Speaker 1>every tree in handsome gouts of green. We walked along

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<v Speaker 1>down cedared trees in the wet fog. I didn't follow

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<v Speaker 1>Bartley's footsteps, not exactly, because one person leaves tracks, but

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<v Speaker 1>two people leave trails. The forest is something I know.

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<v Speaker 1>A rifle is something I know. Violence I know. We

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<v Speaker 1>stopped to break our fast under the boughs of an

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<v Speaker 1>old growth black cottonwood that towered over much of the

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<v Speaker 1>rest of the forest. We ate jerky, tough but fresh,

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<v Speaker 1>and we passed a thermas of tea, just tea. You

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<v Speaker 1>lost the trail, didn't you, I asked, Never was one,

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<v Speaker 1>Bartley said. Bartley had a lazy eye, was always looking

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<v Speaker 1>out to the side, like she was a prey animal.

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<v Speaker 1>Gray and white ran through her. Otherwise black hair, and

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<v Speaker 1>she was old enough that she should have remembered the

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<v Speaker 1>old world. She always swore she didn't that. The first

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<v Speaker 1>thing she remembered was being alone in the woods, barely

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<v Speaker 1>post pupessant, as she cut up a deer. Her life

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<v Speaker 1>had begun at the same time, so many lives had ended.

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<v Speaker 1>A lot of people her age are like that. Khalil

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<v Speaker 1>and I, our lives had begun with our berths. The

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<v Speaker 1>next year, in the post collapse baby boom, a lot

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<v Speaker 1>of danger meant a lot of kids got born. What

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<v Speaker 1>are we doing, then, I asked, If I was going

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<v Speaker 1>to raid us, i'd have camped up this hill. Bartley said,

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<v Speaker 1>there's a spring up there, one you can drink from,

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<v Speaker 1>and a few open cliff faces that let you spy

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<v Speaker 1>on us. Why do you think they did it, I asked,

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<v Speaker 1>Bartley shrugged. People don't like it when other people have

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<v Speaker 1>nice things. The in Between Lodge was nice. There was

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<v Speaker 1>no denying that we were a collective of fifty five adults,

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<v Speaker 1>forty children, and another sixteen people half way between those

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<v Speaker 1>two categories. We'd raised up the lodge ten years back,

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<v Speaker 1>just as the New World settled into place and drew

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<v Speaker 1>its political borders, just as I'd left my teenaged years.

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<v Speaker 1>We grew tea, and we played our part in the

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<v Speaker 1>New World's mutual aid network of a few interdependent city states, communes,

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<v Speaker 1>and hamlets. We sold, gave or traded provisions to people

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<v Speaker 1>passing through the old railway tunnel, and we guarded Stampede

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<v Speaker 1>Pass the eastern edge of the New World. Well, mostly

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<v Speaker 1>Bartley and I guarded Stampede Pass. Everyone could fight, everyone

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<v Speaker 1>stood watch in rotation, but Bartley handled terrain and tracking

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<v Speaker 1>while I ran tactics. Who made this jerky? Bartley asked,

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<v Speaker 1>And what the hell kind of not tasty animal died.

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<v Speaker 2>To make it?

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<v Speaker 1>You grumpy? I asked, damn right? Bartley said, I'm hungover

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<v Speaker 1>and I didn't even get to sleep between drunken. Now

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<v Speaker 1>she shook the thermos and we're out of tea. We caught

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<v Speaker 1>him with his dick in the wind. It wasn't luck.

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<v Speaker 1>We'd been waiting around for almost an hour for him

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<v Speaker 1>to do something like fall asleep or get up to piss.

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<v Speaker 1>Bartley had been right. He'd been camped up on the ledge,

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<v Speaker 1>camouflaged by a bush, watching the in between with glare

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<v Speaker 1>free binoculars. He was under fed, or maybe he was

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<v Speaker 1>just built that way, and he kept scratching at his

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<v Speaker 1>scalp like he was lousy, younger than me, less than

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<v Speaker 1>half Bartley's age, and he had all the bushcraft of

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<v Speaker 1>a city kid. His clothes were wrong for the west

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<v Speaker 1>side of the mountains, too urban, too old world. There

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<v Speaker 1>he was pissing off the cliff when I walked out

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<v Speaker 1>from behind the tree with a rifle leveled at him.

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<v Speaker 1>I saw him think about dropping his dick and going

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<v Speaker 1>for his rifle, and I saw him realize that wasn't

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<v Speaker 1>going to work. He put his hands in the air.

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<v Speaker 1>If he was smart and his gang could afford it,

0:11:55.760 --> 0:11:59.200
<v Speaker 1>he had a radio set to automatic voice activated transmission,

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<v Speaker 1>and there was someone listening on the other end, but

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<v Speaker 1>he was too dumb to shave his lice infested hair.

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<v Speaker 1>I was pretty sure we'd got him cold. You're going

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<v Speaker 1>to tell me a lot of things, I said, You

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<v Speaker 1>tell me those things and you'll get supplies and a

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<v Speaker 1>one way trip on whatever caravan you want. I wouldn't

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<v Speaker 1>tell you the color of the lips of your mother's cunt.

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<v Speaker 1>I shot him. The rifle slammed into my shoulder. The

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<v Speaker 1>report scattered birds and hurt my ears.

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<v Speaker 2>The bullet hit.

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<v Speaker 1>Him in the neck and sent him tumbling over the

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<v Speaker 1>edge of the cliff. You kidding me, Bartley asked. Well,

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<v Speaker 1>I wasn't going to torture the kid, and he didn't

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<v Speaker 1>want to talk nice. Bartley shook her head. Now we've

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<v Speaker 1>got to go find him, you know, she said, search

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<v Speaker 1>his body. Maybe I'll have some tea. We eventually found

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<v Speaker 1>the wreckage of the man at the base of the cliff,

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<v Speaker 1>his ribs sprouting from his chest. The noon sun and

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<v Speaker 1>I both kept watch over the forest while Bartley combed

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<v Speaker 1>over the body. Help me lift him, Bartley said, I

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<v Speaker 1>got my hands under what was left of the bandit's

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<v Speaker 1>armpits and lifted his inside stripped down my leg. I'm

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<v Speaker 1>getting too old for this. The New world is getting

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<v Speaker 1>too old for this. I said it because it was

0:13:16.400 --> 0:13:18.880
<v Speaker 1>what people were supposed to think, but I didn't really

0:13:18.920 --> 0:13:23.560
<v Speaker 1>feel it. Peace didn't work for me. Battle is a

0:13:23.600 --> 0:13:26.680
<v Speaker 1>thing that gets into my gut, makes me desperate to live.

0:13:27.640 --> 0:13:30.280
<v Speaker 1>Love is a thing that gets into my gut makes

0:13:30.320 --> 0:13:34.559
<v Speaker 1>me wish I were dead. Bartley went through his pockets.

0:13:35.080 --> 0:13:38.000
<v Speaker 1>She pulled out a pack of cheap Naked Lady cards.

0:13:38.360 --> 0:13:41.839
<v Speaker 1>Threw them off into the forest. In another pocket, she

0:13:41.920 --> 0:13:46.280
<v Speaker 1>found a topo map. Last, she pulled out a radio.

0:13:46.440 --> 0:13:50.719
<v Speaker 1>She clicked it off. Hell, I said, they heard all

0:13:50.760 --> 0:13:55.640
<v Speaker 1>of that. Hell, indeed, what's the map? Tell us? I asked,

0:13:56.520 --> 0:13:59.280
<v Speaker 1>nothing's marked on it, but it's pretty zoomed in. Doesn't

0:13:59.280 --> 0:14:02.840
<v Speaker 1>cover more than a thirty five square kilometers. Since the

0:14:02.880 --> 0:14:04.880
<v Speaker 1>in between isn't the center of it, I figure there

0:14:04.920 --> 0:14:08.079
<v Speaker 1>camp might be. Puts it halfway between here and the tunnel.

0:14:09.160 --> 0:14:11.400
<v Speaker 1>They know where we are, I said, but we don't

0:14:11.400 --> 0:14:14.319
<v Speaker 1>know where they are. And do you know who else

0:14:14.720 --> 0:14:18.160
<v Speaker 1>knows where you are? It's the third parties that sell

0:14:18.200 --> 0:14:22.160
<v Speaker 1>ads on our podcast. And just a reminder, you can

0:14:22.160 --> 0:14:24.040
<v Speaker 1>sign up for Coolers on media at any time for

0:14:24.040 --> 0:14:25.640
<v Speaker 1>an ad free listening experience.

0:14:26.520 --> 0:14:40.040
<v Speaker 2>Here's ads and we're back.

0:14:43.880 --> 0:14:46.760
<v Speaker 1>They might hit us tonight. I bet the fire was

0:14:46.800 --> 0:14:47.680
<v Speaker 1>just to flush us out.

0:14:47.720 --> 0:14:48.120
<v Speaker 2>I said.

0:14:48.600 --> 0:14:50.720
<v Speaker 1>They set this kid here to see how we organized

0:14:50.720 --> 0:14:55.120
<v Speaker 1>our defense. What's the plan? You know, I'd hate for

0:14:55.160 --> 0:14:57.920
<v Speaker 1>you to go out alone, but maybe I've got to

0:14:57.960 --> 0:15:02.280
<v Speaker 1>go out alone. Bartley said, I'll go warn everyone, set patrols,

0:15:02.400 --> 0:15:05.400
<v Speaker 1>get children to shelter, and I'll make it back up

0:15:05.400 --> 0:15:07.120
<v Speaker 1>here and to range and call it in. Once I

0:15:07.160 --> 0:15:10.440
<v Speaker 1>figured out where they are, we started down the hill.

0:15:11.000 --> 0:15:13.720
<v Speaker 1>The sun was halfway to the horizon. It was cutting

0:15:13.800 --> 0:15:16.920
<v Speaker 1>into my eyes and baking that kid's blood into my clothes.

0:15:17.720 --> 0:15:20.240
<v Speaker 1>We stepped out from the trees and scrambled down to

0:15:20.280 --> 0:15:23.200
<v Speaker 1>the railroad tracks about a kilometer east of the in between.

0:15:24.080 --> 0:15:26.720
<v Speaker 1>Bartley came with me. The half a kilometer or so,

0:15:26.960 --> 0:15:33.720
<v Speaker 1>our paths overlapped. I always liked walking tracks, Bartley said, yeah,

0:15:33.880 --> 0:15:37.640
<v Speaker 1>I asked. I wasn't really curious, but I preferred to

0:15:37.680 --> 0:15:39.560
<v Speaker 1>listen to her speak, then listen to my heart beat

0:15:39.600 --> 0:15:42.320
<v Speaker 1>a rhythmically, like it always did after I shot somebody.

0:15:43.280 --> 0:15:45.800
<v Speaker 1>Doc says it's just jitters what some of the old

0:15:45.840 --> 0:15:47.680
<v Speaker 1>books called generalized anxiety.

0:15:48.560 --> 0:15:50.120
<v Speaker 2>I say, it's me getting off light.

0:15:50.280 --> 0:15:55.520
<v Speaker 1>Karmically speaking, Roads are hell, Bartley said, because they're easy.

0:15:55.680 --> 0:15:57.920
<v Speaker 1>It's easy to make a road, right, You just get

0:15:57.920 --> 0:15:59.560
<v Speaker 1>a bunch of people to walk somewhere a lot.

0:15:59.600 --> 0:16:02.320
<v Speaker 2>That'll make a road. You walk a road, it's easy.

0:16:02.440 --> 0:16:05.200
<v Speaker 1>Lulls you to sleep, and there's some asshole hiding with

0:16:05.240 --> 0:16:07.000
<v Speaker 1>a gun, and you don't even notice it because you're

0:16:07.000 --> 0:16:11.680
<v Speaker 1>lost in your head. Roads are hell. Sounds like me

0:16:11.720 --> 0:16:16.640
<v Speaker 1>and Khalil. We fell into habit made a road railroads.

0:16:16.680 --> 0:16:19.560
<v Speaker 1>Though railroads are great, Bartley went on, they're hard to make,

0:16:19.760 --> 0:16:22.960
<v Speaker 1>they're hard to walk. They're so specialized, and the best

0:16:22.960 --> 0:16:26.160
<v Speaker 1>part is that they're specialized for something that doesn't exist anymore.

0:16:26.720 --> 0:16:29.680
<v Speaker 1>These things weren't made for our cow drawn box cars

0:16:29.760 --> 0:16:32.920
<v Speaker 1>or our little rail bikes. They were made for kilometer

0:16:33.040 --> 0:16:36.760
<v Speaker 1>long chains of cars pulled by the sheer strength of coal.

0:16:37.480 --> 0:16:40.320
<v Speaker 1>When you're using something specialized and you're using it wrong,

0:16:40.760 --> 0:16:42.040
<v Speaker 1>that's the beauty in life.

0:16:43.560 --> 0:16:44.680
<v Speaker 2>I thought you were grumpy.

0:16:44.920 --> 0:16:48.440
<v Speaker 1>I said, I was grumpy, and Bartley said, but now

0:16:48.480 --> 0:16:53.280
<v Speaker 1>I'm walking on railroad tracks. We built the in between

0:16:53.720 --> 0:16:57.240
<v Speaker 1>in the narrow valley below the pass. The Green River

0:16:57.360 --> 0:17:01.320
<v Speaker 1>guarded our north, the mountains are south. A road from

0:17:01.360 --> 0:17:03.880
<v Speaker 1>the west met its end at the door to the lodge,

0:17:04.200 --> 0:17:07.440
<v Speaker 1>and a railroad ran the whole of our land. We

0:17:07.440 --> 0:17:12.200
<v Speaker 1>were unwalled. We were unwalled for a thousand reasons. We

0:17:12.280 --> 0:17:15.840
<v Speaker 1>were unwalled because we were peaceful. We were unwalled because,

0:17:15.880 --> 0:17:19.120
<v Speaker 1>though increasingly rare, mortars and grenades and rockets were still

0:17:19.160 --> 0:17:22.479
<v Speaker 1>a part of this world. Even some helicopters had survived

0:17:22.520 --> 0:17:25.640
<v Speaker 1>the electromagnetic waves that had wiped so much technology from

0:17:25.640 --> 0:17:28.280
<v Speaker 1>the earth, as I had heard it, and such vehicles

0:17:28.280 --> 0:17:31.960
<v Speaker 1>have no respect for walls. We were unwalled, because a

0:17:32.000 --> 0:17:34.800
<v Speaker 1>stone wall blinds the defender as much as the attacker.

0:17:35.560 --> 0:17:38.359
<v Speaker 1>We gated the road and the railway, but those gates

0:17:38.400 --> 0:17:42.800
<v Speaker 1>remained open during daylight. Khalil was waiting by the gate

0:17:42.880 --> 0:17:45.720
<v Speaker 1>for me when I got back. He had that pick

0:17:45.800 --> 0:17:48.600
<v Speaker 1>in his short afro. The one the trader had told

0:17:48.640 --> 0:17:51.280
<v Speaker 1>me was tortoiseshell, and who was I to say it

0:17:51.359 --> 0:17:54.200
<v Speaker 1>wasn't the one Khalil had told me it was lucky,

0:17:54.800 --> 0:17:58.040
<v Speaker 1>And who was I to say it wasn't. He saw

0:17:58.080 --> 0:18:02.000
<v Speaker 1>me coming, and a smile split across's beard. The smile

0:18:02.119 --> 0:18:04.439
<v Speaker 1>got bigger the closer I got, until I was in

0:18:04.520 --> 0:18:08.840
<v Speaker 1>his arms. We heard a shot, he said, hours ago,

0:18:10.280 --> 0:18:14.080
<v Speaker 1>I shot somebody. I said, I was so small in

0:18:14.119 --> 0:18:16.760
<v Speaker 1>his embrace, he was one of the only people in

0:18:16.800 --> 0:18:19.040
<v Speaker 1>the world who was large enough to make me small.

0:18:20.320 --> 0:18:23.160
<v Speaker 1>He kissed my forehead, and I tilted my neck up

0:18:23.440 --> 0:18:26.600
<v Speaker 1>and looked in those black brown eyes behind his glasses,

0:18:27.000 --> 0:18:30.119
<v Speaker 1>those eyes the same color as mine, And I kissed

0:18:30.160 --> 0:18:33.720
<v Speaker 1>him on the mouth. You all right, he asked, at last,

0:18:34.560 --> 0:18:37.719
<v Speaker 1>I'm all right. It took hours. I've been waiting for

0:18:37.760 --> 0:18:41.280
<v Speaker 1>you for hours. I pulled away, set my rifle down

0:18:41.320 --> 0:18:44.920
<v Speaker 1>at the guard post. The crows stood sentinel on the gate.

0:18:46.119 --> 0:18:50.040
<v Speaker 1>I can't handle you worrying about me. I said it

0:18:50.119 --> 0:18:53.680
<v Speaker 1>was the right thing to say, because it was true.

0:18:53.760 --> 0:18:57.520
<v Speaker 1>It was the wrong thing to say, because I loved him.

0:18:57.920 --> 0:18:59.920
<v Speaker 1>He lifted his glasses, rubbed at his eyes.

0:19:01.119 --> 0:19:04.000
<v Speaker 2>I know, he said. He walked away.

0:19:05.480 --> 0:19:08.399
<v Speaker 1>My eyes lingered on his back, and I still felt small.

0:19:09.160 --> 0:19:12.640
<v Speaker 1>The wind wailed across the fields of Tea. I got

0:19:12.680 --> 0:19:15.280
<v Speaker 1>the children and the infirm into the bomb shelter, a

0:19:15.359 --> 0:19:18.000
<v Speaker 1>one hundred year old relic of a paranoid generation that

0:19:18.080 --> 0:19:21.560
<v Speaker 1>had been right about the apocalypse, just wrong about its timing.

0:19:22.440 --> 0:19:26.560
<v Speaker 1>Then set out organizing an all hands watch. Fifteen people

0:19:26.560 --> 0:19:29.920
<v Speaker 1>were on at all times, no able bodied adults exempted

0:19:29.960 --> 0:19:32.919
<v Speaker 1>from taking a shift. No one liked it, but no

0:19:32.960 --> 0:19:36.200
<v Speaker 1>one complained. I don't tell the cooks what to feed us,

0:19:36.520 --> 0:19:38.479
<v Speaker 1>and I don't tell Doc how to sew us up,

0:19:38.480 --> 0:19:41.760
<v Speaker 1>and I don't tell Khalil or the other horticulturalists when

0:19:41.800 --> 0:19:46.080
<v Speaker 1>to conscript us into the fields for a harvest. It

0:19:46.119 --> 0:19:49.000
<v Speaker 1>was late enough in spring that the sun lingered low

0:19:49.040 --> 0:19:53.000
<v Speaker 1>in the sky, and I found myself cleaning rifles and

0:19:53.040 --> 0:19:57.000
<v Speaker 1>counting bullets, which left me with nothing to do with

0:19:57.040 --> 0:20:00.440
<v Speaker 1>my brain but to run my conversation with Khalil over

0:20:00.640 --> 0:20:03.320
<v Speaker 1>and over in my mind. Like I was locked in

0:20:03.359 --> 0:20:06.000
<v Speaker 1>the computer room in the basement with a video running

0:20:06.040 --> 0:20:09.040
<v Speaker 1>on an endless loop. I could turn my head away,

0:20:09.080 --> 0:20:12.760
<v Speaker 1>but I could still hear everything watching a video. Though

0:20:12.960 --> 0:20:15.040
<v Speaker 1>I could wait until the sun went down and the

0:20:15.040 --> 0:20:18.679
<v Speaker 1>solar stopped and the computer died. There wasn't such an

0:20:18.680 --> 0:20:20.320
<v Speaker 1>easy way out of my head.

0:20:22.000 --> 0:20:23.959
<v Speaker 2>Done Dun, dun.

0:20:24.480 --> 0:20:27.200
<v Speaker 1>What's gonna happen? What's gonna happen to the in between lodge?

0:20:27.280 --> 0:20:29.919
<v Speaker 1>There's people who are maybe attacking it or was it

0:20:30.000 --> 0:20:34.199
<v Speaker 1>just the one kid who knowss You'll know? In a

0:20:34.240 --> 0:20:36.919
<v Speaker 1>week there were of you go and find this story

0:20:36.960 --> 0:20:39.639
<v Speaker 1>and read it elsewhere, like for example, in my book

0:20:39.800 --> 0:20:42.200
<v Speaker 1>we Won't Be Here Tomorrow and other stories available from

0:20:42.200 --> 0:20:45.760
<v Speaker 1>ak Press, or honestly it's free on tour dot com,

0:20:45.800 --> 0:20:49.119
<v Speaker 1>who first published it. But you could also wait for

0:20:49.200 --> 0:20:53.120
<v Speaker 1>a week. And Hazel, who helps me pick out the stories,

0:20:53.240 --> 0:20:55.359
<v Speaker 1>suggested we do this one this week because it's one

0:20:55.359 --> 0:20:57.879
<v Speaker 1>of their favorites and they relate a lot to Aiden

0:20:57.960 --> 0:21:03.200
<v Speaker 1>trying to navigate love and hypervigilance. Quote to quote, Hazel.

0:21:04.520 --> 0:21:06.679
<v Speaker 1>I know this one is set during the springtime, but

0:21:06.720 --> 0:21:08.520
<v Speaker 1>I hope you enjoy the world building and that the

0:21:08.520 --> 0:21:11.720
<v Speaker 1>story still feels on brand for the season, and tune

0:21:11.760 --> 0:21:13.520
<v Speaker 1>back in next week for the second half of the

0:21:13.560 --> 0:21:17.000
<v Speaker 1>story as we finish everything that isn't Winter by me,

0:21:17.240 --> 0:21:20.840
<v Speaker 1>margor Kiljoy. You can find me online searching my name

0:21:21.040 --> 0:21:23.639
<v Speaker 1>on Blue Sky and Instagram. Those are the only social

0:21:23.640 --> 0:21:26.440
<v Speaker 1>media as I still have. I dream of the day

0:21:26.840 --> 0:21:29.000
<v Speaker 1>where you go and look and I'm not there because

0:21:29.000 --> 0:21:31.960
<v Speaker 1>I've quit, but I haven't yet. And you can also

0:21:32.000 --> 0:21:35.199
<v Speaker 1>find me on substack. I have a newsletter there I

0:21:35.280 --> 0:21:39.040
<v Speaker 1>post almost every week and almost all the posts are

0:21:39.080 --> 0:21:41.680
<v Speaker 1>free and from all of us here at cool Zone.

0:21:41.720 --> 0:21:44.240
<v Speaker 1>We hope you have a cool, good holiday season and

0:21:44.280 --> 0:21:46.920
<v Speaker 1>that you stay warm, stay safe, and stay on your

0:21:46.960 --> 0:21:50.239
<v Speaker 1>in laws, good sides. Happy Solstice, glad tidings and med

0:21:50.320 --> 0:21:53.240
<v Speaker 1>the coming light find you with peace and solace for

0:21:53.320 --> 0:21:55.120
<v Speaker 1>the new year. All right bye.

0:21:57.080 --> 0:21:59.040
<v Speaker 2>It could happen here as a production of cool Zone

0:21:59.119 --> 0:22:01.480
<v Speaker 2>Media podcast from cool Zone Media.

0:22:01.560 --> 0:22:04.199
<v Speaker 1>Visit our website cool Zonemedia dot com or check us

0:22:04.200 --> 0:22:07.040
<v Speaker 1>out on the iHeartRadio app, Apple podcasts, or wherever you

0:22:07.119 --> 0:22:09.880
<v Speaker 1>listen to podcasts. You can find sources where it could

0:22:09.880 --> 0:22:13.919
<v Speaker 1>happen here, updated monthly at coolzonemedia dot com slash sources.

0:22:14.000 --> 0:22:14.840
<v Speaker 1>Thanks for listening.