WEBVTT - Thor: Love and Thunder + Ms. Marvel Eps 4 & 5

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<v Speaker 1>Folks, get your popcorn buttered, get your fountain drink ready,

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<v Speaker 1>because there's gonna be some spoilers from the Thor Love

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<v Speaker 1>and Thunder movie out in theaters now. If you have

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<v Speaker 1>not seen Thor Love and Thunder, for God's sakes, do

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<v Speaker 1>not listen to this podcast this section in which we

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<v Speaker 1>talk about that movie until you have seen the movie.

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<v Speaker 1>Please do that. Go watch the movie. Lots of spoilers

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<v Speaker 1>in here for Thor Love and Thunder and Miss Marvel

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<v Speaker 1>episodes four and five, so please see that stuff before

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<v Speaker 1>you've listened here. Hello, my name is Jasoncepcion, and welcome

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<v Speaker 1>to X ray Vision The Crooked Podcast, where we dive

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<v Speaker 1>deep into your favorite shows, movies, comics, and pop culture.

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<v Speaker 1>In today's episode, on the previously on news segment, we're

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<v Speaker 1>be talking about the Paper Girls trailer, the adaptation of

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<v Speaker 1>the beloved Brian Cavaon Cliff Chang comic book from Image Comics.

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<v Speaker 1>We're gonna talk about some Stranger Things spin off news

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<v Speaker 1>from the Duffer Brothers, and then we're gonna be catching

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<v Speaker 1>up on Miss Marvel episodes four and five. In the airlock,

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<v Speaker 1>we're diving all the way deep into Thor Love and thunder,

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<v Speaker 1>and of course, if you want to jump around, check

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<v Speaker 1>out the timestamps in the show notes to find all

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<v Speaker 1>the things that we talk about and enjoining me. Now

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<v Speaker 1>we're back baby after a week layoff, filling her mind

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<v Speaker 1>library with ever more information, ever more wisdom to give

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<v Speaker 1>to the people. Is the number one comics encyclopedia, now

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<v Speaker 1>overflowing with things to tell you. It's a great Rosie, diight, Rosie,

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<v Speaker 1>how are you. I'm good.

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<v Speaker 2>I was happy to be back. We needed the one

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<v Speaker 2>week break.

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<v Speaker 1>But now we needed anything good.

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<v Speaker 2>I actually I did too much work, sadly, but I

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<v Speaker 2>also did do I did go away for like two days,

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<v Speaker 2>so that was nice.

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<v Speaker 1>Nice. Yeah, I uh, I went to the desert and.

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<v Speaker 2>Those are where I went, just after you.

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<v Speaker 1>I gotta tell you. It was like one hundred and

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<v Speaker 1>thirteen degrees every day, but it was also very very relaxing,

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<v Speaker 1>and I enjoyed it. Yeah.

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<v Speaker 2>Whenever I whenever I go to the desert, I feel

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<v Speaker 2>like Superman. I'm like I am being powered up by

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<v Speaker 2>the yellow sun. Like the desert. There's something about it

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<v Speaker 2>where I'm just like this heat is nourishing me. I'm

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<v Speaker 2>probably getting like shriveled and old, but I feel empowered.

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<v Speaker 2>I love the desert.

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<v Speaker 1>Thank you Desert, I too love it, folks. Let's get

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<v Speaker 1>into the news.

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<v Speaker 2>Paper Girl trailer.

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<v Speaker 1>The trailer for Amazon Primes paper Girls dropped this week again,

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<v Speaker 1>an abdaptation from the comic series of the same name

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<v Speaker 1>by Brian Cavon illustration art by Cliff Chang. It is

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<v Speaker 1>a show about four paper delivery girls like twelve or

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<v Speaker 1>thirteen year olds in nineteen eighty eight, who are pulled

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<v Speaker 1>into a time traveling adventure where they encounter future versions

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<v Speaker 1>of themselves. It's time copying in the way that their

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<v Speaker 1>time traveling is kind of against the law, and it's

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<v Speaker 1>a great if you want to dive into a completely

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<v Speaker 1>original comics world. Paper Girls on Image Comics is their

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<v Speaker 1>few The show comes out on July twenty ninth. I

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<v Speaker 1>was I thought the trailer looked fantastic. The color scheme,

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<v Speaker 1>it reminds me so much of the comic. It seems

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<v Speaker 1>like they nailed the casting. Uh, and I'm really excited

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<v Speaker 1>about it. What were your thoughts?

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<v Speaker 2>Yeah, I'm I'm so impressed by everything to do with

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<v Speaker 2>this show, Like from the moment that they first revealed

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<v Speaker 2>the cast to this trailer. They just Amazon. Something we

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<v Speaker 2>can say about whoever's making these shows at Amazon. They

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<v Speaker 2>know when to totally commit to the comics like this,

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<v Speaker 2>and they know when to distance themselves like the boys,

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<v Speaker 2>and we find of said this and this is like

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<v Speaker 2>so incredible to see Cliff's visual language and landscape board

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<v Speaker 2>to the screen, especially in the colors, because Paper Girl

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<v Speaker 2>uses coloring in a very specific way. Their colors by

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<v Speaker 2>Matt Wilson are just astonishing in that book, and they're

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<v Speaker 2>used in a very narrative, important way. And it's just

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<v Speaker 2>also like one of the coolest looking books. I remember

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<v Speaker 2>working in a comic shop when it was coming out,

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<v Speaker 2>and you just wanted to get those Neon issues every time,

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<v Speaker 2>like the beautiful covers. And yeah, this is one where

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<v Speaker 2>I would say, read it now, or if the trailer

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<v Speaker 2>looks really enticing to you, wait and then you can

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<v Speaker 2>be surprised when you watch the show. I also something

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<v Speaker 2>that I think is really cool about this, when we

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<v Speaker 2>talk about committing to the comics, something that Amazon pr

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<v Speaker 2>is doing here which is really incredible. Every single time

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<v Speaker 2>they write about Paper Girls, they shout out Brian Cavaughan,

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<v Speaker 2>and they shout out Cliff Chang and they are adding

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<v Speaker 2>them and they are saying, these are the people who

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<v Speaker 2>made this, these are the people, this is the reason

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<v Speaker 2>this exists. So I think this could be a real

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<v Speaker 2>step forward when it comes to how closely connected the

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<v Speaker 2>creators are to the show. Also, images create our own

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<v Speaker 2>creat so this is about to say this is their brand.

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<v Speaker 1>Is Brian Cavon. It's so much image comics exactly.

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<v Speaker 2>So I'm really excited. I think it looks great. I'm

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<v Speaker 2>very stoked to see that on the Internet. Like there

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<v Speaker 2>was a lot of people who were like, oh, this

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<v Speaker 2>looks like Stranger Things, but the Paper Girl's fandom has been.

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<v Speaker 3>There being like, well, actually and correctly. So a great

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<v Speaker 3>point to bring up because it's it's interesting.

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<v Speaker 1>We just I just got done with Stranger Things season four.

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<v Speaker 1>I think uh many of us have. Uh. It's a

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<v Speaker 1>show set in the eighties with lots of eighties references

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<v Speaker 1>that clearly UH is inspired by you know, the work

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<v Speaker 1>of Steven Spielberg and other kind of why A movies

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<v Speaker 1>of the era, kids on bikes having an adventure and

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<v Speaker 1>for both And so I was wondering, well, watching the

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<v Speaker 1>trailer and then going back and flipping through the first

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<v Speaker 1>couple of issues of Paper Girls on image. I wonder

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<v Speaker 1>how much the success of Stranger Things affected voices that

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<v Speaker 1>they made in the show, because you know, I mean

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<v Speaker 1>the opening of the comic, there's like a reference to

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<v Speaker 1>the Challenger explosion. There's all these pop culture need these references.

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<v Speaker 1>There's a kid dressed as Freddy Krueger, like you know,

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<v Speaker 1>in the opening, in the opening pages, and all of

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<v Speaker 1>that would feel I think, pretty Stranger Things into those

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<v Speaker 1>who are not initiated to the comics or weren't reading

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<v Speaker 1>the comics at the time. So I wonder, I really

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<v Speaker 1>wonder how much the showrunners and the production team either

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<v Speaker 1>leaned into the eighties references the stuff that's on the page,

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<v Speaker 1>or leaned away from those choices, not wanting to, you know,

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<v Speaker 1>ride on a wave that has been created by another show.

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<v Speaker 2>I think it's really interesting to think about because I

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<v Speaker 2>think that there's probably no way that Paper Girls gets

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<v Speaker 2>made into a TV show at all without Stranger Things,

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<v Speaker 2>or less not this speedily. So thank you Stranger Things,

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<v Speaker 2>because I wanted a Paper Girls show, probably more than

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<v Speaker 2>most other comic book shows. But Paper Girls did come out,

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<v Speaker 2>you know, almost a year before the first issue of

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<v Speaker 2>Paper Girls came out almost a year before Stranger Things.

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<v Speaker 2>My gut says, you cannot. The point of Paper Girls

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<v Speaker 2>as well as Strange Things is that to evoke that nostalgia.

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<v Speaker 2>The question is do they do it in the Stranger

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<v Speaker 2>Things way, which is like, look at this thing that

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<v Speaker 2>is from that era, or do they do it in

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<v Speaker 2>tone and ship. I would love to see them evoke

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<v Speaker 2>different parts of the eighties that we don't necessarily get

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<v Speaker 2>to see in the same way, So I'll be really

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<v Speaker 2>I think that's one of the most interesting things to

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<v Speaker 2>look for as we go into the show, is like

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<v Speaker 2>what do they do to separate themselves from Stranger Things,

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<v Speaker 2>And not in a negative way, just because this is

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<v Speaker 2>a unique, different kind of story. So I'm very interested.

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<v Speaker 1>Yeah, not in a negative way at all, but just

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<v Speaker 1>understanding like how storytellers, you know, like to work is

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<v Speaker 1>you always want to do something that is your own,

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<v Speaker 1>even if you're working in the same time period, the

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<v Speaker 1>same milieu that you know, there's certain references to historical

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<v Speaker 1>events from nineteen eighty eight, there are not you know,

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<v Speaker 1>it's going to be unavoidable, and of course, like Stranger

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<v Speaker 1>Things is in eighty six, so there is a little

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<v Speaker 1>bit of air gap in terms of years.

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<v Speaker 2>Oh yeah, point. But let's Stranger Things for the late A.

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<v Speaker 1>You know, I'd imagine if I was if I was

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<v Speaker 1>working on this, I'd be like, I don't know, this

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<v Speaker 1>is like fun, but like Stranger Things did this, so

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<v Speaker 1>I don't know. I would just be fascinated to know,

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<v Speaker 1>like what the conversation was speaking of Stranger Things. Uh.

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<v Speaker 1>Matt and Ross Duffer, the Duffer Brothers, creators of these

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<v Speaker 1>Stranger Things television program on the Netflix streaming platform, have

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<v Speaker 1>announced per Deadline that they have launched their own company,

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<v Speaker 1>upside Down Pictures, and they are working on producing as

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<v Speaker 1>Stranger Things spinoff. Per Deadline, following the record breaking release

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<v Speaker 1>of the two final episodes of Stranger Things Season four,

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<v Speaker 1>creators Matt and Rosstuffer have formed upside Down Pictures and

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<v Speaker 1>recommitted to Netflix with several new projects. Those include a

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<v Speaker 1>live action series adaptation of Death Note, the famed Japanese

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<v Speaker 1>manga and anime written by Tuscumi Oba and with illustrations

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<v Speaker 1>by Taki shi Obada. An original series from creators Jeffrey

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<v Speaker 1>Addis and Will Matthews. Dark Crystal Resistance could come out

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<v Speaker 1>of upside Down Pictures, a series adaptation of Stephen king

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<v Speaker 1>At Peter Straub's nineteen eighty four novel The Taosman, which

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<v Speaker 1>speaking as a king head excited for that one. A

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<v Speaker 1>new stage play set within the world in Mythology of

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<v Speaker 1>Stranger Things, produced by UK based stage producer Sonya Friedman,

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<v Speaker 1>and the aforementioned live act Stranger Things spin off based

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<v Speaker 1>on an original idea by the Duff Brothers, with upside

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<v Speaker 1>Down and twenty one Laps producing. Uh, this just makes

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<v Speaker 1>a lot of sense. You know, this is by I

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<v Speaker 1>think any measure, although with Netflix it's hard to understand

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<v Speaker 1>what measure what is right by the bye, just anecdotally

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<v Speaker 1>knowing all the people who are talking about this show

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<v Speaker 1>and who have watched it, and understanding what Netflix the hit,

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<v Speaker 1>what it means as a hit to Netflix, it just

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<v Speaker 1>makes sense to do this. And Uh, I'm excited. Listen,

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<v Speaker 1>give let's give Steve, Let's.

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<v Speaker 2>Give Stephen Dustin spin off.

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<v Speaker 1>Bring step and Dustin spin off. Is that not what

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<v Speaker 1>we want?

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<v Speaker 2>That's not the people.

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<v Speaker 4>I was always going to say a spoiler, I'll save

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<v Speaker 4>that from when we actually don't about Stranger Things.

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<v Speaker 2>Yes, that's what the people want. I am intrigued by this.

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<v Speaker 2>I think that was a cool like talisman easter egg

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<v Speaker 2>as well in the volume of The Stranger Things New season,

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<v Speaker 2>So that's kind of a fun lead in kind of

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<v Speaker 2>doing that Mike Flannagan world within the world sort of thing.

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<v Speaker 2>I I'm wary of that first, the first announcement the

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<v Speaker 2>Death Note adaptation Netflix before, but let's you know what goes.

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<v Speaker 2>I'm open to it. There's been plenty of brilliant already

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<v Speaker 2>Death Note adaptations in Japan, so it's not going to

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<v Speaker 2>take those away, and maybe it'll add something really cool

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<v Speaker 2>or new. I love anything like why a kid storytelling

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<v Speaker 2>that's like and we'll talk about that more when we

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<v Speaker 2>talk about Thoor like that. I'm a sucker for that.

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<v Speaker 2>So the notion that we could see a new core

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<v Speaker 2>version of that, I'm open to it. I'm open to it.

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<v Speaker 2>I love Dark Crystal Age of Resistance. That was like

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<v Speaker 2>one of my favorite TV shows in the last few

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<v Speaker 2>years because it's, Oh my god, it is like so good.

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<v Speaker 2>When you watch it, you almost cannot believe it's real.

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<v Speaker 2>It is. Oh, it's so on. You're gonna love it

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<v Speaker 2>so much. I know everything you love and you're just

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<v Speaker 2>gonna love it.

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<v Speaker 1>It is so the original Dark Crystal movie.

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<v Speaker 2>It's like, imagine that, but it's a prestige TV show

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<v Speaker 2>with like a never ending budget and everything is there's

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<v Speaker 2>obviously incredible CG but there's a lot of practical puppet tree.

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<v Speaker 2>So it is just like that's my ultimate I wish

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<v Speaker 2>they would renew it show that got canceled. So the

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<v Speaker 2>idea that that team teaming up with the Stranger Things team,

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<v Speaker 2>who was obviously so influenced by that error of filmmaking,

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<v Speaker 2>I think that's really exciting, and we will be.

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<v Speaker 1>Talking about Stranger Things more on an upcoming episode. I

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<v Speaker 1>gotta say, just as a quick knee jerk reaction, this

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<v Speaker 1>was my favorite season of Stranger Things for Yeah, primarily

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<v Speaker 1>because we've were finally like fleshing out the lore of

0:13:55.520 --> 0:13:58.200
<v Speaker 1>the world and you know, we're both big like world

0:13:58.240 --> 0:14:02.199
<v Speaker 1>building rules people and just understanding more about the upside down,

0:14:02.800 --> 0:14:06.280
<v Speaker 1>how the mind flawer works, Vecna's role in all of

0:14:06.320 --> 0:14:09.320
<v Speaker 1>this stuff. That was really fun to learn about all

0:14:09.400 --> 0:14:09.800
<v Speaker 1>that stuff.

0:14:09.880 --> 0:14:12.240
<v Speaker 2>Yeah, it also brings in two of my favorite things,

0:14:12.320 --> 0:14:16.400
<v Speaker 2>which is like I absolutely love horror storytelling and like

0:14:16.520 --> 0:14:19.520
<v Speaker 2>fantasy horror, and that is brought in in such an

0:14:19.560 --> 0:14:23.600
<v Speaker 2>expansive and unexpected way here. And also I thought the

0:14:23.640 --> 0:14:27.800
<v Speaker 2>satanic panic aspect of the show and the storytelling, that

0:14:27.960 --> 0:14:29.800
<v Speaker 2>is something that really speaks to me, that notion of

0:14:29.840 --> 0:14:33.000
<v Speaker 2>like being othered. And I thought that Joseph Quinn as

0:14:33.120 --> 0:14:35.160
<v Speaker 2>Eddie is just like, that's got to be one of

0:14:35.200 --> 0:14:39.080
<v Speaker 2>my favorite characters from a TV show in ever, and

0:14:39.160 --> 0:14:42.600
<v Speaker 2>I saw so much love there for him, so like, I, yeah,

0:14:42.640 --> 0:14:45.920
<v Speaker 2>it's this feels again. It's been a little while since

0:14:45.960 --> 0:14:47.480
<v Speaker 2>we've had one of those moments where you feel like

0:14:47.600 --> 0:14:50.960
<v Speaker 2>everybody's talking about it. Yeah, you know, so it's it's

0:14:51.040 --> 0:14:53.600
<v Speaker 2>kind of been wild since we've had Yeah, it's been

0:14:53.680 --> 0:14:56.440
<v Speaker 2>fun to see that everyone getting excited about it for

0:14:56.480 --> 0:14:58.840
<v Speaker 2>the good reasons, so that it's all it's all because

0:14:59.080 --> 0:15:01.800
<v Speaker 2>people are passionate. So it's been exciting to be a

0:15:01.800 --> 0:15:02.560
<v Speaker 2>part of that again.

0:15:03.320 --> 0:15:09.160
<v Speaker 1>Miss Marvel episodes four and five the Lightning recap of both.

0:15:09.440 --> 0:15:14.880
<v Speaker 1>Let's start with episode four, titled Seeing Red and basically

0:15:14.920 --> 0:15:17.480
<v Speaker 1>here's what you need to know. Kamala goes to Karachi.

0:15:17.640 --> 0:15:22.320
<v Speaker 1>She meets up with her nanny and some cousins. She

0:15:22.440 --> 0:15:25.840
<v Speaker 1>meets Kareem, a member of the Red Daggers and learns

0:15:25.840 --> 0:15:29.040
<v Speaker 1>about the Red Daggers, this group that has been working

0:15:29.080 --> 0:15:32.440
<v Speaker 1>behind the scenes over there. She goes to Kamala goes

0:15:32.480 --> 0:15:36.240
<v Speaker 1>to Red Dagger headquarters where she meets the leaders of

0:15:36.280 --> 0:15:40.000
<v Speaker 1>the group. We learn more about the realm of the

0:15:40.000 --> 0:15:47.720
<v Speaker 1>Clandestines come from, and then fucking the Department of Damage

0:15:47.720 --> 0:15:51.080
<v Speaker 1>Control absolutely fumbles the fucking.

0:15:50.800 --> 0:15:52.640
<v Speaker 2>Bag once again once again.

0:15:52.680 --> 0:15:56.960
<v Speaker 1>Once it's like, you can just you can just take

0:15:57.000 --> 0:15:59.640
<v Speaker 1>them to their cells. You don't have to be assholes

0:15:59.640 --> 0:16:03.600
<v Speaker 1>about it anyway. The Department of Damage Control are escorting

0:16:04.040 --> 0:16:07.520
<v Speaker 1>Najama and her group to their cells, but they have

0:16:07.600 --> 0:16:10.720
<v Speaker 1>to be really racist about it, and this leads to

0:16:10.760 --> 0:16:16.440
<v Speaker 1>a big fight and Najima and the Clandestines escape. Walid

0:16:16.560 --> 0:16:25.040
<v Speaker 1>is killed in a fight back in Karachi, and we

0:16:25.080 --> 0:16:29.240
<v Speaker 1>see a portal open and Kamala goes through and arrives

0:16:29.600 --> 0:16:32.080
<v Speaker 1>That faithful night back in nineteen forty seven, when Sana

0:16:32.160 --> 0:16:34.920
<v Speaker 1>followed a trail of stars to her father and Aisha disappeared.

0:16:34.960 --> 0:16:38.240
<v Speaker 1>Onto episode five, we open on newsreel footage from August

0:16:38.320 --> 0:16:41.920
<v Speaker 1>nineteen forty seven, the eve of India's independence and the

0:16:41.960 --> 0:16:45.560
<v Speaker 1>creation of the state of Pakistan. We see India's leader

0:16:45.880 --> 0:16:49.560
<v Speaker 1>Nehru and Pakistan's leader and founding figure Muhammad Ali Jina

0:16:49.560 --> 0:16:52.120
<v Speaker 1>making speeches, and then we see crowds of people on

0:16:52.160 --> 0:16:55.920
<v Speaker 1>the move as these two states are created, and Hindus

0:16:56.520 --> 0:16:59.160
<v Speaker 1>who are living in what will soon become Pakistan are

0:16:59.240 --> 0:17:05.680
<v Speaker 1>leaving for India and Muslims in India leaving for Pakistan.

0:17:06.640 --> 0:17:14.760
<v Speaker 1>Of course, this process, historical process which was I believe

0:17:15.200 --> 0:17:18.399
<v Speaker 1>the largest mass migration of people in history, in the

0:17:18.440 --> 0:17:20.359
<v Speaker 1>history of the world, talking millions of people in the

0:17:20.359 --> 0:17:25.880
<v Speaker 1>move was accompanied by a lot of violence, a lot

0:17:25.880 --> 0:17:30.680
<v Speaker 1>of destruction, and a lot of heartache for people who

0:17:30.720 --> 0:17:33.760
<v Speaker 1>for generations had been living in a place, living in

0:17:33.800 --> 0:17:37.320
<v Speaker 1>the place that their family had lived in for generations,

0:17:37.359 --> 0:17:40.120
<v Speaker 1>all of a sudden forced to uproot themselves and move.

0:17:40.720 --> 0:17:43.240
<v Speaker 1>That's a historical context. We arrive in nineteen forty two

0:17:43.280 --> 0:17:47.520
<v Speaker 1>flashback from this newsreel footage. British troops are pursuing Kamala's

0:17:47.520 --> 0:17:53.120
<v Speaker 1>great grandmother, Aisha through the forest. She suddenly turns and

0:17:53.560 --> 0:17:57.600
<v Speaker 1>does something which takes down the soldier. Later, we see

0:17:57.640 --> 0:18:01.679
<v Speaker 1>an activist handing out handbills and talking to a crowd

0:18:01.720 --> 0:18:07.040
<v Speaker 1>about the independence movement. Agitating this crowd of eager locals

0:18:07.480 --> 0:18:11.480
<v Speaker 1>about why they should be an independent nation and how

0:18:11.480 --> 0:18:15.520
<v Speaker 1>they can do that with the least amount of chaos

0:18:15.600 --> 0:18:18.359
<v Speaker 1>and rioting possible. And then all of a sudden, British

0:18:18.359 --> 0:18:21.560
<v Speaker 1>shoops arrive, and of course they've got Indian auxiliaries also,

0:18:22.160 --> 0:18:24.880
<v Speaker 1>and they don't want people talking about this, so they

0:18:24.880 --> 0:18:29.840
<v Speaker 1>disperse the crowd using force. Aisha later is wearing the

0:18:29.880 --> 0:18:32.520
<v Speaker 1>bangal and we see her wearing the bangle. She's sleeping

0:18:32.560 --> 0:18:36.840
<v Speaker 1>in a field. Turns out that's this man's field. His

0:18:36.920 --> 0:18:41.639
<v Speaker 1>name is Hassan, and he wakes her up and he's like, hey,

0:18:41.840 --> 0:18:43.320
<v Speaker 1>you know, if you want to, my house is right

0:18:43.359 --> 0:18:45.520
<v Speaker 1>over here, if you want to come in and get

0:18:45.560 --> 0:18:47.639
<v Speaker 1>something to eat and rest in there. That night, she

0:18:47.680 --> 0:18:51.920
<v Speaker 1>comes in and very very very reluctantly eats dinner, which

0:18:53.320 --> 0:18:55.640
<v Speaker 1>you don't have to tell me twise, if you're offering food,

0:18:55.640 --> 0:19:01.200
<v Speaker 1>I'm eating. Aisha doesn't talk much, and it's we understand why,

0:19:01.240 --> 0:19:03.640
<v Speaker 1>of course, but Hassan does not. It's clear that she's

0:19:03.680 --> 0:19:07.920
<v Speaker 1>not from around here. It's also clear that she's not British,

0:19:07.960 --> 0:19:14.680
<v Speaker 1>So who is she? What's her deal? Aisha's very closed

0:19:14.920 --> 0:19:20.720
<v Speaker 1>lipped about this, but eventually she reveals that she likes

0:19:20.720 --> 0:19:24.320
<v Speaker 1>Hassan grows roses and she thinks are great. That gets

0:19:24.359 --> 0:19:28.400
<v Speaker 1>them talking. Now they introduce themselves and she is Aisha.

0:19:28.520 --> 0:19:32.040
<v Speaker 1>We know he is Hassan. We just learned that. And folks,

0:19:32.160 --> 0:19:33.920
<v Speaker 1>you can tell right away by the way they're looking

0:19:33.920 --> 0:19:36.560
<v Speaker 1>at each other they're gonna make babies. And it happens.

0:19:36.840 --> 0:19:41.440
<v Speaker 1>In the very next scene. We fast forward to Aisha

0:19:41.480 --> 0:19:46.200
<v Speaker 1>has got Hassan's roses in her hair. They are being

0:19:46.359 --> 0:19:48.840
<v Speaker 1>very loving to each other. A camera bound pans down

0:19:48.840 --> 0:19:51.199
<v Speaker 1>and guess what it's baby on board time That is

0:19:52.080 --> 0:19:57.240
<v Speaker 1>within that belly is Sna Kamala's grandmother. The growing family

0:19:57.280 --> 0:20:00.280
<v Speaker 1>is at peace, and we fast forward years later see

0:20:01.119 --> 0:20:05.080
<v Speaker 1>snap playing with Aisha's Bengal as a BBC radio reports

0:20:05.119 --> 0:20:07.879
<v Speaker 1>on the violence that is gripping the country. This is

0:20:07.920 --> 0:20:11.560
<v Speaker 1>post independence now and the partition is taking place or

0:20:12.080 --> 0:20:16.359
<v Speaker 1>around the time of independence. As this mass migration is

0:20:16.400 --> 0:20:21.320
<v Speaker 1>taking place, Hassan is upset. He is Muslim. He lives

0:20:21.359 --> 0:20:26.479
<v Speaker 1>in what will become India. Already, people in the village

0:20:26.480 --> 0:20:28.520
<v Speaker 1>that he and his family have lived in for many

0:20:28.600 --> 0:20:31.320
<v Speaker 1>years are being shunned by certain members of the community.

0:20:31.400 --> 0:20:34.880
<v Speaker 1>Although there is also a lot of generosity within that community,

0:20:36.240 --> 0:20:39.679
<v Speaker 1>and he is angry because he's really grappling with the

0:20:39.840 --> 0:20:42.919
<v Speaker 1>very real possibility that he's going to have to flee

0:20:43.760 --> 0:20:46.600
<v Speaker 1>the home that has been his home for generations. A

0:20:46.680 --> 0:20:50.000
<v Speaker 1>villager comes to offer them some food, and he rejects it.

0:20:50.119 --> 0:20:55.720
<v Speaker 1>He's angry about it. That night, Aisha meets Nadama out

0:20:55.720 --> 0:20:57.800
<v Speaker 1>in the field and we learned that Asha's been hiding

0:20:57.920 --> 0:21:02.400
<v Speaker 1>from her fellow clandestine's. Najama has been searching for Aetia

0:21:02.640 --> 0:21:06.320
<v Speaker 1>for years, it seems like, and her plan is the

0:21:06.320 --> 0:21:09.040
<v Speaker 1>same as it is present day. She wants to use

0:21:09.080 --> 0:21:11.480
<v Speaker 1>the bangle to return everybody home. They want to go

0:21:11.520 --> 0:21:15.040
<v Speaker 1>back to their the dimension they've been exiled from. I

0:21:15.119 --> 0:21:18.360
<v Speaker 1>was just like, oh the bangle, Yeah, I hit it

0:21:19.040 --> 0:21:21.800
<v Speaker 1>because you know, there's all the there's all this, you know,

0:21:21.840 --> 0:21:24.639
<v Speaker 1>there's all this movement of people's riots going on, a

0:21:24.640 --> 0:21:27.960
<v Speaker 1>lot of chaos because of the independence movement, and you know,

0:21:28.000 --> 0:21:30.280
<v Speaker 1>I got to look for it. And I'll tell you what,

0:21:30.320 --> 0:21:32.800
<v Speaker 1>I'll text you when I find it. I'll look for it, okay,

0:21:33.880 --> 0:21:37.720
<v Speaker 1>and I'll let you know. And then Najamas like you

0:21:37.800 --> 0:21:41.720
<v Speaker 1>have until the end of day tomorrow, and that's when

0:21:42.359 --> 0:21:45.119
<v Speaker 1>you better have it. I usually goes back this on

0:21:45.320 --> 0:21:47.520
<v Speaker 1>and urges him to flee. It's time to go. We

0:21:47.600 --> 0:21:49.520
<v Speaker 1>got to go. The riots are getting closer. I know

0:21:49.600 --> 0:21:51.640
<v Speaker 1>this farmhouse has been in your family and you don't

0:21:51.640 --> 0:21:57.240
<v Speaker 1>want to leave it and it's really painful. But you've

0:21:57.280 --> 0:22:02.600
<v Speaker 1>got a growing family. Now we have to do it.

0:22:02.680 --> 0:22:04.520
<v Speaker 1>They hit the road. I should gives son on the

0:22:04.560 --> 0:22:07.600
<v Speaker 1>Bengal for protection. The family heads off for the last

0:22:07.640 --> 0:22:12.120
<v Speaker 1>train out of town. On the road, Hassan, who uses

0:22:12.160 --> 0:22:15.480
<v Speaker 1>a cane he's got an injured leg, is struggling. He

0:22:15.560 --> 0:22:17.399
<v Speaker 1>asks who Ai Shud was talking to out in the

0:22:17.440 --> 0:22:20.800
<v Speaker 1>field the other night, and Aisha is like, okay, let

0:22:20.800 --> 0:22:23.480
<v Speaker 1>me show you some shows us on the Bengal gives

0:22:23.560 --> 0:22:25.720
<v Speaker 1>us a very short demo of what it can do,

0:22:25.760 --> 0:22:28.840
<v Speaker 1>which is basically like a little telescoping feature and it lights.

0:22:28.680 --> 0:22:31.680
<v Speaker 2>Up and it's very fancy.

0:22:33.000 --> 0:22:36.000
<v Speaker 1>We learned through this process in this scene that Hassan,

0:22:36.960 --> 0:22:41.560
<v Speaker 1>like many guys, is not a big He has a

0:22:41.560 --> 0:22:44.359
<v Speaker 1>lot to say about politics and stuff, but in terms

0:22:44.400 --> 0:22:50.679
<v Speaker 1>of like deep questions with a partner, has clearly not

0:22:50.920 --> 0:22:54.840
<v Speaker 1>asked a lot of questions. This beautiful, gorgeous, intelligent woman

0:22:54.960 --> 0:23:00.720
<v Speaker 1>showed up in his field one day with no past,

0:23:01.359 --> 0:23:06.240
<v Speaker 1>not talking about where she's from or anything. And it's

0:23:06.320 --> 0:23:10.359
<v Speaker 1>not until now apparently like one or two years later,

0:23:10.440 --> 0:23:14.520
<v Speaker 1>because Sanna is like a toddler, right that he now

0:23:14.640 --> 0:23:18.320
<v Speaker 1>begins to ask questions about, like real questions about any

0:23:18.520 --> 0:23:22.840
<v Speaker 1>So this bangel, what's going on with this? I wanted

0:23:23.119 --> 0:23:26.280
<v Speaker 1>it's I wanted to talk about something since it was

0:23:26.400 --> 0:23:27.359
<v Speaker 1>just the fourth of July.

0:23:27.760 --> 0:23:30.200
<v Speaker 2>As you know, Rosie, I do know I was.

0:23:30.320 --> 0:23:34.359
<v Speaker 1>As a as a as a member of our of

0:23:34.400 --> 0:23:40.200
<v Speaker 1>our extended family, our English cousin, Rosie, I've been thinking

0:23:40.200 --> 0:23:42.560
<v Speaker 1>a lot about about the way. You know. It's like

0:23:42.600 --> 0:23:46.960
<v Speaker 1>you often hear when people critique colonialism. You'll often hear

0:23:47.520 --> 0:23:51.440
<v Speaker 1>like defenders of colonialism say kind of shritly, like, hey,

0:23:51.960 --> 0:23:55.879
<v Speaker 1>sure it wasn't ideal all the time, but look like

0:23:56.359 --> 0:24:00.720
<v Speaker 1>India has the post office, they have this away system,

0:24:00.760 --> 0:24:05.920
<v Speaker 1>they have these beautiful harbors, they have this parliamentary system

0:24:05.920 --> 0:24:08.720
<v Speaker 1>of government, they have like all these this civil service

0:24:08.760 --> 0:24:10.639
<v Speaker 1>and all this stuff that's like very fleshed out. And

0:24:10.640 --> 0:24:16.760
<v Speaker 1>that's because of the legacy that English rule left there.

0:24:16.800 --> 0:24:19.159
<v Speaker 1>And while it wasn't always great, look look at the

0:24:19.240 --> 0:24:23.639
<v Speaker 1>positives that left behind, which like all that stuff is

0:24:23.640 --> 0:24:26.240
<v Speaker 1>there because the English were there. That's true. At the

0:24:26.280 --> 0:24:33.160
<v Speaker 1>same time, it's like, uh, you know, the economics of colonialism,

0:24:33.200 --> 0:24:36.560
<v Speaker 1>it's it's different for many cases. And I'm by no

0:24:36.680 --> 0:24:38.879
<v Speaker 1>means an expert, but i will say, like the basics

0:24:39.280 --> 0:24:43.639
<v Speaker 1>were the English and the English were not. You know,

0:24:43.640 --> 0:24:46.240
<v Speaker 1>the Dutch were there, the Portuguese were there, France was

0:24:46.280 --> 0:24:52.119
<v Speaker 1>there also, but the English came to dominate India. The

0:24:52.280 --> 0:24:59.080
<v Speaker 1>English system of colonialism was they extract natural resources, gems,

0:24:59.160 --> 0:25:05.480
<v Speaker 1>you know, text ales, t et cetera, and take it

0:25:05.720 --> 0:25:11.440
<v Speaker 1>very for a very cheap price as all England. Right essentially, right,

0:25:11.480 --> 0:25:14.159
<v Speaker 1>but you know, like there's an investment of money, like

0:25:14.680 --> 0:25:17.240
<v Speaker 1>to like go and send people there. Anyway, they extract

0:25:17.240 --> 0:25:21.280
<v Speaker 1>the natural resources, they send to England where they produced

0:25:21.359 --> 0:25:24.880
<v Speaker 1>finished goods that they would then sell to this captive

0:25:24.920 --> 0:25:27.479
<v Speaker 1>market of India where they can't buy anything else. They

0:25:27.480 --> 0:25:32.640
<v Speaker 1>have to buy stuff from England. Right, So what you're

0:25:32.640 --> 0:25:35.840
<v Speaker 1>basically looking at is, I mean, you could call it theft,

0:25:36.160 --> 0:25:38.479
<v Speaker 1>but on a massive, massive scale, like a oh your

0:25:38.560 --> 0:25:41.960
<v Speaker 1>scale to the point where you need a railroad to

0:25:42.080 --> 0:25:45.359
<v Speaker 1>transport all the stuff you're taking to the harbor, and

0:25:45.400 --> 0:25:47.320
<v Speaker 1>you need ships to take that home, and you need

0:25:47.359 --> 0:25:51.080
<v Speaker 1>this massive like management system that becomes a civil service

0:25:51.480 --> 0:25:53.879
<v Speaker 1>to keep track of all that stuff. And you need

0:25:54.040 --> 0:25:56.760
<v Speaker 1>a postal service because you need to be in communication

0:25:56.840 --> 0:25:59.040
<v Speaker 1>with all these people who are extracting all this wealth

0:25:59.080 --> 0:26:01.199
<v Speaker 1>out of there and then selling the finished goods and

0:26:01.200 --> 0:26:04.119
<v Speaker 1>taking that wealth back also. And so really when you

0:26:04.359 --> 0:26:06.600
<v Speaker 1>when people say, oh, but look at the post office

0:26:06.640 --> 0:26:09.640
<v Speaker 1>and look at all the railways and stuff, it's kind

0:26:09.680 --> 0:26:11.720
<v Speaker 1>of like if I was a bank robber and I

0:26:11.760 --> 0:26:14.000
<v Speaker 1>tunneled into a bank and I stole all the money,

0:26:14.560 --> 0:26:18.240
<v Speaker 1>if I came back like now there's a tunnel forty

0:26:18.320 --> 0:26:20.959
<v Speaker 1>fifty years later, say oh, I noticed you made a

0:26:21.000 --> 0:26:24.160
<v Speaker 1>subway out of the tunnel that I dug. You're welcome.

0:26:24.720 --> 0:26:27.920
<v Speaker 2>Yeah, No, that's exactly what it is. I mean, it's colonialism.

0:26:28.040 --> 0:26:32.600
<v Speaker 2>Is like the most horrendous and vile crime in England

0:26:32.680 --> 0:26:36.280
<v Speaker 2>is like one of its absolute worst perpetrators. Like it's

0:26:36.359 --> 0:26:39.439
<v Speaker 2>so awful, and I just and it's it's kind of

0:26:40.040 --> 0:26:42.320
<v Speaker 2>it's really strange as well because like when at least

0:26:42.359 --> 0:26:44.000
<v Speaker 2>when I was in school, I don't think it's changed

0:26:44.080 --> 0:26:46.520
<v Speaker 2>very much. They don't really teach you anything about it,

0:26:47.040 --> 0:26:50.520
<v Speaker 2>like most feature anything country partition, and they don't. They

0:26:50.520 --> 0:26:54.320
<v Speaker 2>don't even do the version where it's like, well, at

0:26:54.400 --> 0:26:56.320
<v Speaker 2>least where I went to school, which was like a

0:26:56.480 --> 0:27:00.399
<v Speaker 2>very like poor working class neighborhood where there was people

0:27:00.440 --> 0:27:03.680
<v Speaker 2>from all over the world, like they a lot of

0:27:03.680 --> 0:27:06.399
<v Speaker 2>whom came there because of what England had done to

0:27:06.480 --> 0:27:10.840
<v Speaker 2>their countries during colonialism and like because of colonialism. But

0:27:11.000 --> 0:27:13.240
<v Speaker 2>like they didn't even do the version where they were

0:27:13.240 --> 0:27:16.240
<v Speaker 2>like we were like generous benefactors. They just like skip

0:27:16.320 --> 0:27:18.199
<v Speaker 2>over it because they know that even if you like

0:27:18.320 --> 0:27:22.160
<v Speaker 2>scrape the tiniest bit of it off. I think it's

0:27:22.200 --> 0:27:25.440
<v Speaker 2>like in that way, like Miss Marvel. By talking about

0:27:25.440 --> 0:27:30.360
<v Speaker 2>partition and kind of generally even broaching this period, it's

0:27:30.400 --> 0:27:32.960
<v Speaker 2>doing that thing that comic books have always done that

0:27:33.000 --> 0:27:36.200
<v Speaker 2>we love, which is like using a story to tell

0:27:36.240 --> 0:27:39.679
<v Speaker 2>like an analogous import shine of light on, like an

0:27:39.680 --> 0:27:42.639
<v Speaker 2>important moment in history. But instead of doing it in

0:27:42.680 --> 0:27:45.639
<v Speaker 2>a way that's analogous, they're actually just talking about it

0:27:45.720 --> 0:27:48.480
<v Speaker 2>and setting it during this time. And like the creative

0:27:48.520 --> 0:27:52.360
<v Speaker 2>team actually shared Bisha Ali, I saw share it. This

0:27:52.480 --> 0:27:54.240
<v Speaker 2>reading list they made, we can put it in the

0:27:54.240 --> 0:27:58.760
<v Speaker 2>show notes of readings on partition by all different kinds

0:27:58.800 --> 0:28:01.000
<v Speaker 2>of people's like so, and I think it's like a

0:28:01.000 --> 0:28:04.240
<v Speaker 2>really interesting, cool expansion of that where they're not just

0:28:04.280 --> 0:28:07.119
<v Speaker 2>saying like, oh, we wrote about this thing, you should

0:28:07.160 --> 0:28:08.679
<v Speaker 2>go and learn about it. They're like, here are the

0:28:08.720 --> 0:28:11.240
<v Speaker 2>things that helped us learn about it, and and now

0:28:11.320 --> 0:28:15.120
<v Speaker 2>you can't too. So I'm glad that there are stories

0:28:15.240 --> 0:28:16.919
<v Speaker 2>about this because yeah, just terribly.

0:28:16.680 --> 0:28:19.200
<v Speaker 1>There's gonna be there's gonna be a significant amount of

0:28:19.240 --> 0:28:22.000
<v Speaker 1>people who learn about this of this event and this

0:28:22.080 --> 0:28:24.359
<v Speaker 1>period of history in this part of the world because

0:28:24.359 --> 0:28:27.480
<v Speaker 1>of the show. And I think that is broadly positive.

0:28:29.320 --> 0:28:32.760
<v Speaker 1>And you know, partition is it is a it is

0:28:32.800 --> 0:28:36.119
<v Speaker 1>a subject of ongoing scholarship, like as you speak, like

0:28:36.240 --> 0:28:43.160
<v Speaker 1>it has been kind of overlooked both in the region

0:28:43.520 --> 0:28:47.480
<v Speaker 1>and and in the west in the region because it's

0:28:47.480 --> 0:28:51.080
<v Speaker 1>such a painful topic with like a lot of a

0:28:51.120 --> 0:28:55.120
<v Speaker 1>lot of bad history attached to it. Yeah again, like

0:28:55.240 --> 0:29:00.520
<v Speaker 1>millions died during this extremely violent and chaotic like event,

0:29:00.680 --> 0:29:02.080
<v Speaker 1>Like it was bad.

0:29:02.560 --> 0:29:05.320
<v Speaker 2>Yeah, And I think there's been really good This is

0:29:05.400 --> 0:29:08.520
<v Speaker 2>like a really nuanced topic, like anything about this. So

0:29:08.560 --> 0:29:12.560
<v Speaker 2>there's been people who've loved this version of part of

0:29:12.920 --> 0:29:14.840
<v Speaker 2>the way Miss Marvel has represented it and feel like

0:29:14.920 --> 0:29:18.160
<v Speaker 2>it's super representative and bringing this like moment I've forgotten

0:29:18.160 --> 0:29:20.240
<v Speaker 2>moment in history to life. And there's been people who

0:29:20.280 --> 0:29:24.160
<v Speaker 2>don't feel like it's actually representative of their experience at all.

0:29:24.240 --> 0:29:27.000
<v Speaker 2>So that's the notion of all of these things, right, Yeah,

0:29:27.000 --> 0:29:30.080
<v Speaker 2>it's the two sides of trying to tell this huge

0:29:30.120 --> 0:29:32.120
<v Speaker 2>story in like a thirty minute episode.

0:29:32.200 --> 0:29:34.480
<v Speaker 1>Let's talk about that too before we get back to

0:29:34.520 --> 0:29:37.120
<v Speaker 1>the recap, because this is another thing I've been thinking

0:29:37.160 --> 0:29:42.200
<v Speaker 1>about a lot, which is Yeah, on Reddit and elsewhere,

0:29:42.400 --> 0:29:51.120
<v Speaker 1>there's all these threads that are like basically being like,

0:29:52.200 --> 0:29:57.440
<v Speaker 1>I'm not a bigot, but miss Marvel just doesn't speak

0:29:57.480 --> 0:30:00.960
<v Speaker 1>to me. Here are the reasons why which and listen,

0:30:01.680 --> 0:30:04.720
<v Speaker 1>certain people like things or they don't like things. There's

0:30:04.960 --> 0:30:07.440
<v Speaker 1>yeah wrong with that. I will say that. I will

0:30:07.440 --> 0:30:09.960
<v Speaker 1>say that, like, and I'm not trying to speak for

0:30:10.320 --> 0:30:16.640
<v Speaker 1>the uh Pakistani or Indian fans of the show or like,

0:30:16.800 --> 0:30:19.200
<v Speaker 1>you know, pop culture fans in general. I'm speaking as

0:30:19.200 --> 0:30:22.640
<v Speaker 1>a as a person of color who loves nerd shit.

0:30:23.200 --> 0:30:29.120
<v Speaker 1>It it feels a little like, uh, it feels a

0:30:29.120 --> 0:30:33.000
<v Speaker 1>little weird when people are so loudly like, well, it

0:30:33.040 --> 0:30:36.800
<v Speaker 1>doesn't speak to me. Considering like you know, as a

0:30:36.800 --> 0:30:39.560
<v Speaker 1>as a again as a nerd, as a nerd of color,

0:30:39.680 --> 0:30:43.160
<v Speaker 1>like you just know you I have to growing up

0:30:43.160 --> 0:30:46.360
<v Speaker 1>and watching shows including now you basically have to eat

0:30:46.640 --> 0:30:49.760
<v Speaker 1>what they make you, you know, like there's no choice.

0:30:49.840 --> 0:30:52.800
<v Speaker 1>And so as when you were talking about like how

0:30:53.160 --> 0:30:56.960
<v Speaker 1>the kind of obliquely talking about like the steaks for

0:30:57.120 --> 0:31:02.000
<v Speaker 1>fans like who are looking to see their experiences mirrored

0:31:02.000 --> 0:31:06.280
<v Speaker 1>in this show and are either satisfied or disappointed. I

0:31:06.320 --> 0:31:09.480
<v Speaker 1>think that that is it. Just when there are so

0:31:09.760 --> 0:31:13.320
<v Speaker 1>few opportunities to see something like that, all of a

0:31:13.320 --> 0:31:15.920
<v Speaker 1>sudden it carries more weight. Like if this was like

0:31:16.040 --> 0:31:20.560
<v Speaker 1>Peaky Blinders or something right and it's stiffed and people

0:31:20.560 --> 0:31:22.200
<v Speaker 1>were like, well fuck it, I don't you know, I

0:31:22.480 --> 0:31:27.200
<v Speaker 1>don't really care about like early twentieth century Anglo Irish

0:31:27.320 --> 0:31:34.520
<v Speaker 1>like Mafia Shiit Gang, people would not there would not

0:31:34.640 --> 0:31:37.680
<v Speaker 1>be an uproar from the community that is looking to

0:31:37.720 --> 0:31:41.680
<v Speaker 1>see themselves reflected in that Anglo Irish story, because guess what,

0:31:41.720 --> 0:31:44.000
<v Speaker 1>You're going to get a million other Anglo Irish stories

0:31:44.440 --> 0:31:47.240
<v Speaker 1>like you could go fucking watch Boondock Saints or something

0:31:47.280 --> 0:31:49.920
<v Speaker 1>I don't know, like that's or departed you know, like

0:31:50.680 --> 0:31:56.880
<v Speaker 1>it's there's a million things, but you know right, yeah,

0:31:56.920 --> 0:32:00.360
<v Speaker 1>It's like listen when when crazy rich I've told this

0:32:00.360 --> 0:32:02.720
<v Speaker 1>story before, I'll tell it again, crazy rich Asians came out.

0:32:02.720 --> 0:32:06.600
<v Speaker 1>I didn't like it, Okay, I did. I the theme,

0:32:06.720 --> 0:32:09.440
<v Speaker 1>the story is subject matter very very rich people doing

0:32:09.520 --> 0:32:11.040
<v Speaker 1>very very rich shit. It just doesn't speak to me.

0:32:11.080 --> 0:32:16.040
<v Speaker 1>It's not my thing. At the same time, not knowing

0:32:16.320 --> 0:32:22.320
<v Speaker 1>when we would get another major Hollywood budget movie starring

0:32:22.400 --> 0:32:25.560
<v Speaker 1>Asian people, and in fact it would not be until

0:32:25.640 --> 0:32:28.160
<v Speaker 1>years later Shangchi the legitd of the Ten Rings, I

0:32:28.280 --> 0:32:30.760
<v Speaker 1>was like, not, I'm not going to be out there

0:32:30.760 --> 0:32:33.200
<v Speaker 1>being like, you know, fuck this movie. I don't like it.

0:32:33.280 --> 0:32:38.640
<v Speaker 1>I was just not going to do that now, was

0:32:38.680 --> 0:32:41.760
<v Speaker 1>I like not speaking my mind? Yeah? But also like,

0:32:41.800 --> 0:32:45.959
<v Speaker 1>those are the those are the kind of issues that

0:32:46.000 --> 0:32:49.200
<v Speaker 1>you have to weigh when you're just not used to

0:32:49.240 --> 0:32:53.200
<v Speaker 1>seeing yourself or your stories reflected in the broader pop culture.

0:32:53.560 --> 0:32:55.040
<v Speaker 2>I think that's one of the I think that's a

0:32:55.120 --> 0:33:00.800
<v Speaker 2>really interesting and very very true balance we all strike.

0:33:02.000 --> 0:33:06.920
<v Speaker 2>I have yet to watch a Marvel movie focused solely

0:33:06.960 --> 0:33:10.240
<v Speaker 2>around a solo female character that I have enjoyed or

0:33:10.240 --> 0:33:12.480
<v Speaker 2>that has spoken to me I was not a fan,

0:33:12.840 --> 0:33:15.120
<v Speaker 2>particularly of Captain Marvel, and I was not really a

0:33:15.160 --> 0:33:17.320
<v Speaker 2>huge fan of Black Widow. But you know, I love

0:33:17.320 --> 0:33:19.800
<v Speaker 2>the MCU and there's twenty five movies or whatever and

0:33:19.880 --> 0:33:22.200
<v Speaker 2>a million TV shows, so I can find different things

0:33:22.200 --> 0:33:25.560
<v Speaker 2>that do speak to me. But again, I wasn't out

0:33:25.560 --> 0:33:28.880
<v Speaker 2>here like boo Captain Marvel because you realize, you're like,

0:33:28.880 --> 0:33:31.760
<v Speaker 2>it took them ten years to do this anyway, it's

0:33:31.840 --> 0:33:33.720
<v Speaker 2>and the way that they're doing it, Like sure, I

0:33:33.720 --> 0:33:36.440
<v Speaker 2>would have rather that it was a Monica Rambo movie

0:33:36.480 --> 0:33:38.600
<v Speaker 2>Like that, to me is the movie I wanted to see.

0:33:38.720 --> 0:33:41.400
<v Speaker 2>But I'm gonna be stoked that this means a lot

0:33:41.440 --> 0:33:41.920
<v Speaker 2>to people.

0:33:43.200 --> 0:33:47.200
<v Speaker 1>Yeah. Again, it's just like the fullness of one's chest

0:33:47.360 --> 0:33:52.360
<v Speaker 1>when announcing that this a certain thing that stars, you know,

0:33:53.360 --> 0:34:00.760
<v Speaker 1>a South Asian cast that is culturally Muslim religious, you know,

0:34:01.240 --> 0:34:06.400
<v Speaker 1>based on very very uniquely based and heavily based on

0:34:06.880 --> 0:34:13.319
<v Speaker 1>Pakistani culture, the Muslim religion. To then go, well, thiss

0:34:13.400 --> 0:34:17.920
<v Speaker 1>isten speaking to me, It's just I'm not saying little.

0:34:18.000 --> 0:34:18.840
<v Speaker 1>I'm not saying it.

0:34:18.880 --> 0:34:22.239
<v Speaker 2>I'm not saying also, I'm not saying it's a dog whistle. Yeah,

0:34:22.520 --> 0:34:25.920
<v Speaker 2>but I am saying that I think that it is

0:34:26.400 --> 0:34:29.840
<v Speaker 2>very interesting to see the stories that that is said about.

0:34:30.120 --> 0:34:32.680
<v Speaker 2>Nobody's like, oh, Captain America doesn't speak to me because

0:34:32.719 --> 0:34:35.120
<v Speaker 2>I wasn't given a super soldier serum and turned into

0:34:35.120 --> 0:34:39.000
<v Speaker 2>a super soldier. No, it's like, this doesn't speak to

0:34:39.000 --> 0:34:42.200
<v Speaker 2>you because most likely you're very used to being catered to,

0:34:42.600 --> 0:34:45.839
<v Speaker 2>and that actually is I think that these stories they

0:34:45.840 --> 0:34:47.719
<v Speaker 2>don't need to speak to you because there's so many.

0:34:47.760 --> 0:34:49.680
<v Speaker 2>But also if the best thing about them is if

0:34:49.719 --> 0:34:52.279
<v Speaker 2>you let yourself open up, maybe it will speak to it.

0:34:52.400 --> 0:34:55.160
<v Speaker 1>I think it just give it as a universal story exactly.

0:34:55.440 --> 0:34:58.239
<v Speaker 1>You know. It's it's kind of it's like, uh, if

0:34:59.560 --> 0:35:02.560
<v Speaker 1>if you're if we all live in this massive house together, right,

0:35:02.560 --> 0:35:05.000
<v Speaker 1>and there's one hundred pictures of the wall, and a

0:35:05.160 --> 0:35:08.879
<v Speaker 1>hundred of them are like people that look like you,

0:35:09.200 --> 0:35:11.520
<v Speaker 1>and then we change it so that like five of

0:35:11.560 --> 0:35:14.879
<v Speaker 1>them are people that don't look like you, maybe you'd

0:35:14.880 --> 0:35:16.759
<v Speaker 1>be like, oh, yeah, let's slip that's still. But then

0:35:16.800 --> 0:35:20.440
<v Speaker 1>if we get to like say ten or fifteen pictures

0:35:20.480 --> 0:35:22.960
<v Speaker 1>out of the hundred, now all of a sudden, people

0:35:23.000 --> 0:35:25.359
<v Speaker 1>are like, well, let's pump the brake. We don't want

0:35:25.360 --> 0:35:27.759
<v Speaker 1>to change this over and I think there's a lot

0:35:27.760 --> 0:35:29.520
<v Speaker 1>of that going on, not just about this show, but

0:35:29.560 --> 0:35:32.000
<v Speaker 1>in the broader culture. Okay, back to the train station

0:35:32.160 --> 0:35:36.160
<v Speaker 1>nineteen forty seven. It is a fucking mess, as one

0:35:36.200 --> 0:35:39.879
<v Speaker 1>would expect. Aisha, Hassan, and son Up push their way

0:35:39.880 --> 0:35:45.800
<v Speaker 1>through the crowds, but Aisha gets a feeling that something

0:35:45.840 --> 0:35:48.319
<v Speaker 1>is amiss and she looks and she sees Nagama through

0:35:48.360 --> 0:35:50.880
<v Speaker 1>the crowd, so she breaks off because she's afraid Najamen

0:35:50.920 --> 0:35:54.080
<v Speaker 1>is about to attack. What if my husband and daughter

0:35:54.120 --> 0:35:59.279
<v Speaker 1>are killed or innocent people are killed, And she goes

0:35:59.320 --> 0:36:02.000
<v Speaker 1>off to try and lure her away from her family.

0:36:02.160 --> 0:36:04.120
<v Speaker 1>She's speaking to her, but then Najman's like, I don't

0:36:04.120 --> 0:36:06.320
<v Speaker 1>want to hear it and stabs Aisa and then walks off.

0:36:06.560 --> 0:36:09.960
<v Speaker 2>She's like, my what the fuck? She takes advantage of

0:36:10.000 --> 0:36:12.320
<v Speaker 2>the chaos. I mean, there's one place you can stab

0:36:12.400 --> 0:36:16.680
<v Speaker 2>someone and walk off stab as brutal walks off.

0:36:17.320 --> 0:36:20.520
<v Speaker 1>Meanwhile, Hassan has lost track of his daughter in this

0:36:20.640 --> 0:36:26.279
<v Speaker 1>boiling massive refugees, Aisha is dying. She's looking at a

0:36:26.320 --> 0:36:30.200
<v Speaker 1>photo of her and Hassan and sona like standing in

0:36:30.239 --> 0:36:34.000
<v Speaker 1>the field, and she says, what you seek is seeking

0:36:34.040 --> 0:36:37.000
<v Speaker 1>you and then the Bengal glows and drops to the

0:36:37.040 --> 0:36:40.320
<v Speaker 1>ground as Aisha is losing her strength. And in that moment,

0:36:40.360 --> 0:36:43.919
<v Speaker 1>as the Bengal hits the ground, the portal opens, which

0:36:43.960 --> 0:36:47.640
<v Speaker 1>we saw open elsewhere in present day Karachi, and Kamala

0:36:47.719 --> 0:36:51.840
<v Speaker 1>arrives in nineteen forty seven. She finds her great grandmother dying.

0:36:52.560 --> 0:36:55.440
<v Speaker 1>I used to thinks Kamala is actually adult. It's not

0:36:55.560 --> 0:37:00.640
<v Speaker 1>her daughter, and it's unclear actually that she actually gets

0:37:00.640 --> 0:37:04.480
<v Speaker 1>who she is as she's dying, but she in her

0:37:04.600 --> 0:37:08.239
<v Speaker 1>final moments asks Kamala to save her family, and then

0:37:08.280 --> 0:37:12.440
<v Speaker 1>she dies. Kamala finds her grandmother her infant grandmother in

0:37:12.440 --> 0:37:14.560
<v Speaker 1>the crowd and is about to use her light powers

0:37:14.600 --> 0:37:16.759
<v Speaker 1>to get them to walk above the crowd so they

0:37:16.800 --> 0:37:21.879
<v Speaker 1>can get to the train. When there's like a they're

0:37:21.960 --> 0:37:24.320
<v Speaker 1>disrupted for a second, and the sna we see is

0:37:24.360 --> 0:37:26.880
<v Speaker 1>infatuated with the light and can control it in some

0:37:27.000 --> 0:37:28.640
<v Speaker 1>kind of way, is playing with it in a way

0:37:28.680 --> 0:37:33.239
<v Speaker 1>that is unique. Kamala is looking on at this in amazement,

0:37:33.840 --> 0:37:36.640
<v Speaker 1>and this light show allows Hassan to find his daughter.

0:37:37.080 --> 0:37:39.440
<v Speaker 1>He sees the glow and he guts over to it

0:37:39.480 --> 0:37:42.480
<v Speaker 1>and he finds her. We're going to talk about what

0:37:42.520 --> 0:37:45.320
<v Speaker 1>this means for time travel in a second. Then the

0:37:45.800 --> 0:37:50.080
<v Speaker 1>bangle glows and Kamala is transported back to present day Karachi,

0:37:50.480 --> 0:37:56.879
<v Speaker 1>where a portal is opening to the newer dimension. Here

0:37:56.960 --> 0:37:59.719
<v Speaker 1>is Nadama that she's about to watch her plans come

0:37:59.760 --> 0:38:03.120
<v Speaker 1>to filment. They're about to be able to go home,

0:38:03.760 --> 0:38:09.719
<v Speaker 1>but as the Clandestines touch the veil, they die. One

0:38:09.760 --> 0:38:14.120
<v Speaker 1>of one of Najama's number, Furia touches it and turns

0:38:14.120 --> 0:38:16.920
<v Speaker 1>to bone and ash. Kamala tries to shoot light at

0:38:16.920 --> 0:38:20.040
<v Speaker 1>the veil to close it. Red Dagger comes up, is like,

0:38:20.120 --> 0:38:22.799
<v Speaker 1>I'll help by evacuating, like all, there's a bunch of

0:38:22.800 --> 0:38:24.600
<v Speaker 1>civilians in the area. This took place, like in a

0:38:25.000 --> 0:38:29.640
<v Speaker 1>market area of Karachi. It starts evacuating people, and Kamala

0:38:29.719 --> 0:38:32.440
<v Speaker 1>is like you get to Nagama. She's like, you got

0:38:32.480 --> 0:38:35.880
<v Speaker 1>to help me close this thing. Like I understand, like

0:38:35.960 --> 0:38:37.520
<v Speaker 1>you want to go home all this stuff, but we

0:38:37.680 --> 0:38:40.880
<v Speaker 1>could we could lose everything, uh, And they have it

0:38:40.920 --> 0:38:43.239
<v Speaker 1>out right there, and then finally Najamas like, okay, I

0:38:43.280 --> 0:38:47.000
<v Speaker 1>get it, Like I agree, and I know how to

0:38:47.000 --> 0:38:49.680
<v Speaker 1>close the veil, and she steps forward and touches it

0:38:49.719 --> 0:38:55.480
<v Speaker 1>and she dies. Uh, and the veil seals just as

0:38:55.640 --> 0:38:59.719
<v Speaker 1>Nagama's powers are transferred across the world to comrad over

0:38:59.800 --> 0:39:05.480
<v Speaker 1>in Jersey City. As the veil closes, Weniva and Sada,

0:39:06.120 --> 0:39:10.759
<v Speaker 1>the adult elderly sonat walk up just in time as

0:39:10.800 --> 0:39:13.799
<v Speaker 1>it's all over. It's all over, and they show up

0:39:14.040 --> 0:39:17.399
<v Speaker 1>later a Snat shows Kamala pictures of her mom when

0:39:17.400 --> 0:39:20.320
<v Speaker 1>she was her age. Miniba was a huge fan of Bonjovi,

0:39:20.360 --> 0:39:23.400
<v Speaker 1>which we already know Sana, And there's this really like

0:39:23.560 --> 0:39:30.920
<v Speaker 1>wonderful mothers and Daughters seen generationally of Snat and Muniba

0:39:31.200 --> 0:39:36.520
<v Speaker 1>rebuilding their relationship through their relationship with Kamala, which I

0:39:36.680 --> 0:39:41.200
<v Speaker 1>just found to be wonderful. Like this is what this

0:39:41.480 --> 0:39:44.959
<v Speaker 1>show does well, is stuff like this, like really well

0:39:45.160 --> 0:39:45.400
<v Speaker 1>the I.

0:39:45.520 --> 0:39:48.759
<v Speaker 2>Too plays Manieba is just so brilliant, and like the

0:39:49.280 --> 0:39:51.600
<v Speaker 2>writing team does something. I really love this episode where

0:39:51.600 --> 0:39:54.840
<v Speaker 2>it would have been really easy to have this episode

0:39:55.040 --> 0:39:59.520
<v Speaker 2>introduce more conflict, but instead Maniba sees Kamala using her powers,

0:40:00.000 --> 0:40:04.319
<v Speaker 2>realizes what her mother's son was saying was true, and

0:40:04.400 --> 0:40:07.200
<v Speaker 2>just apologizes and then they're just like a team. And

0:40:07.280 --> 0:40:10.200
<v Speaker 2>I thought that was really nice because that's the right thing.

0:40:10.400 --> 0:40:15.440
<v Speaker 2>And Manieba is so impressed when she realizes that Kamala

0:40:15.560 --> 0:40:18.240
<v Speaker 2>is a superhero, which I thought was like really cute.

0:40:18.320 --> 0:40:21.880
<v Speaker 2>She doesn't tell her off or anything, She's just like wow,

0:40:22.440 --> 0:40:24.800
<v Speaker 2>and I just I really like that. And I think

0:40:25.000 --> 0:40:27.359
<v Speaker 2>this is like a very low key no one cares

0:40:27.360 --> 0:40:29.759
<v Speaker 2>about apart from me theory. But from the beginning of

0:40:29.800 --> 0:40:33.600
<v Speaker 2>this show, I thought they were establishing a space where

0:40:33.640 --> 0:40:38.239
<v Speaker 2>like Manieba would design Kamala's superhero costume. And I do

0:40:38.320 --> 0:40:41.600
<v Speaker 2>think after this episode that that's what we'll see next week,

0:40:41.640 --> 0:40:43.040
<v Speaker 2>which I think is just so cute.

0:40:43.120 --> 0:40:47.759
<v Speaker 1>Another X ray Vision prediction, get ready else That one's on.

0:40:47.760 --> 0:40:50.560
<v Speaker 2>The low stakes, but full of heart, Full of heart.

0:40:51.360 --> 0:40:53.680
<v Speaker 1>Back in Jersey City, Bruno is at work at the

0:40:53.719 --> 0:40:58.120
<v Speaker 1>store when camraon waylays him in the alley as he's

0:40:58.120 --> 0:41:01.040
<v Speaker 1>taking out trash. Korra's like, I need your help, and

0:41:01.080 --> 0:41:03.799
<v Speaker 1>the two of course make a very awkward pair uh,

0:41:04.120 --> 0:41:09.120
<v Speaker 1>camraon being Kamala's kind of crush, Kamala being Bruno's one

0:41:09.160 --> 0:41:14.600
<v Speaker 1>hundred percent definite crush uh. And it gets even more

0:41:14.640 --> 0:41:18.680
<v Speaker 1>awkward with comfront admits that he thought Bruno's name was

0:41:18.760 --> 0:41:23.000
<v Speaker 1>Brian from he's been calling him that like a law.

0:41:24.200 --> 0:41:26.560
<v Speaker 1>I will say, like as a person who's bad with

0:41:26.680 --> 0:41:32.080
<v Speaker 1>names that I have done, I've got a system now,

0:41:32.320 --> 0:41:34.840
<v Speaker 1>but I've like had numerous encounters with.

0:41:34.920 --> 0:41:38.839
<v Speaker 2>People you are feeling represented where it's like, fuck, I

0:41:39.000 --> 0:41:41.279
<v Speaker 2>one hundred percent should know this person's name by it.

0:41:41.360 --> 0:41:44.839
<v Speaker 1>Yeah, it's ridiculous that I don't know it. And Cameras

0:41:44.880 --> 0:41:46.239
<v Speaker 1>I figure out how to figure it out.

0:41:46.360 --> 0:41:50.279
<v Speaker 2>In Cameron's defense, like every time they've met, it's been

0:41:50.360 --> 0:41:55.000
<v Speaker 2>like a life threatening situation, like trying to introduce his

0:41:55.560 --> 0:42:00.680
<v Speaker 2>immortal gin mother to Kamala, who man may not be him,

0:42:00.719 --> 0:42:03.359
<v Speaker 2>Like you know, Bruno, I feel like in this case

0:42:03.360 --> 0:42:05.000
<v Speaker 2>he could. He does a good job while he just

0:42:05.040 --> 0:42:07.640
<v Speaker 2>like makes a joke about it because I'm like, truly, Bruno,

0:42:07.719 --> 0:42:09.879
<v Speaker 2>get over it, and they just good for them.

0:42:10.000 --> 0:42:13.120
<v Speaker 1>They do get So they go up to Bruno's apartment

0:42:13.360 --> 0:42:18.400
<v Speaker 1>and Camraan is like, listen, I need to stay put

0:42:18.640 --> 0:42:21.600
<v Speaker 1>because my mom needs to come back and find me.

0:42:21.719 --> 0:42:25.239
<v Speaker 1>He doesn't know that Najama is dead. And as they

0:42:25.280 --> 0:42:28.120
<v Speaker 1>are just kind of discussing their next move, they look

0:42:28.120 --> 0:42:29.760
<v Speaker 1>out the window and they see one of those damage

0:42:29.800 --> 0:42:35.759
<v Speaker 1>control Stark drones like lurking outside and comeron uses his clan,

0:42:36.000 --> 0:42:39.400
<v Speaker 1>his new clandestine powers to knock the drone down, and

0:42:39.440 --> 0:42:44.040
<v Speaker 1>we are onto the season finale of Miss Marvel.

0:42:43.920 --> 0:42:47.640
<v Speaker 2>After the drone blows up the socle q where Bruno works.

0:42:49.480 --> 0:42:55.319
<v Speaker 1>So let's okay, here's my this is. We were talking

0:42:55.320 --> 0:43:03.600
<v Speaker 1>about this offline. Okay, So Endgame established an MCU time

0:43:03.760 --> 0:43:11.360
<v Speaker 1>travel structure, by which right, It's not like Looper or

0:43:11.440 --> 0:43:15.400
<v Speaker 1>the Terminator where you go back in time and if

0:43:16.320 --> 0:43:19.560
<v Speaker 1>I find past you and I cut off their hand

0:43:19.680 --> 0:43:22.920
<v Speaker 1>all of a sudden, you know, like back to the future,

0:43:23.040 --> 0:43:25.760
<v Speaker 1>your hand falls off or you know, or you fade

0:43:25.800 --> 0:43:28.720
<v Speaker 1>out of a picture. What happens is if you change something,

0:43:29.280 --> 0:43:32.200
<v Speaker 1>it starts a whole new timeline, and that timeline goes.

0:43:32.080 --> 0:43:34.160
<v Speaker 2>On unless you change it back, which is what happened

0:43:34.200 --> 0:43:34.479
<v Speaker 2>in Anger.

0:43:34.640 --> 0:43:38.560
<v Speaker 1>Unless you change it back. But even then we can parsel.

0:43:38.960 --> 0:43:42.000
<v Speaker 1>We can parse that because I think it's interesting to parse.

0:43:42.239 --> 0:43:50.240
<v Speaker 1>But so what happened here is is Kamala's grandmother's life

0:43:50.680 --> 0:43:58.920
<v Speaker 1>was apparently saved by Kamala, who time traveled back because

0:43:58.960 --> 0:44:04.520
<v Speaker 1>of the dropped Bango to nineteen forty seven to reunite

0:44:04.719 --> 0:44:10.719
<v Speaker 1>her grandmother with her great grandfather so that she could

0:44:10.719 --> 0:44:12.839
<v Speaker 1>be raised and then so her mother could be born,

0:44:12.920 --> 0:44:16.239
<v Speaker 1>and so then she could eventually be born and then

0:44:16.280 --> 0:44:18.480
<v Speaker 1>go back and say and then go back and save

0:44:18.520 --> 0:44:22.920
<v Speaker 1>it again. So the way it is implied in the show,

0:44:22.960 --> 0:44:29.640
<v Speaker 1>and the way that Marvel's official recap, written by Marvel

0:44:29.719 --> 0:44:35.120
<v Speaker 1>editor Rachel Page, makes it seem is that it's like

0:44:35.200 --> 0:44:40.640
<v Speaker 1>a back to the Future dominator style closed time loop

0:44:40.680 --> 0:44:44.279
<v Speaker 1>where Kamala has always gone back and will always go back,

0:44:44.320 --> 0:44:47.200
<v Speaker 1>and has always gone back. We would imagine infinite times

0:44:47.239 --> 0:44:50.680
<v Speaker 1>before this she has done this exact thing and nothing

0:44:50.760 --> 0:44:55.480
<v Speaker 1>can change it. Is it that or is it like

0:44:55.520 --> 0:44:58.440
<v Speaker 1>the endgame thing where she went back and either a

0:45:00.120 --> 0:45:05.040
<v Speaker 1>arted an alternate timeline. So Kamala one, the Bengal has dropped,

0:45:05.160 --> 0:45:08.840
<v Speaker 1>goes back through the portal, saves her grandmother. It's creating

0:45:08.880 --> 0:45:13.799
<v Speaker 1>an alternate timeline in which Kamala two does the same thing,

0:45:14.239 --> 0:45:17.520
<v Speaker 1>starting a new timeline in which Kamala three. You know, like,

0:45:17.960 --> 0:45:24.480
<v Speaker 1>is it that or is it still like endgame? But

0:45:26.239 --> 0:45:29.640
<v Speaker 1>because now here is where it gets this is a

0:45:29.680 --> 0:45:33.600
<v Speaker 1>little tricky. But like so in endgame, right that you

0:45:33.600 --> 0:45:35.520
<v Speaker 1>know the stuff that they stole they put back a

0:45:35.560 --> 0:45:39.960
<v Speaker 1>second later. Now I would argue that you're still changing things.

0:45:40.000 --> 0:45:43.160
<v Speaker 1>You're killing bacteria, you're serving things interest, the world is

0:45:43.200 --> 0:45:46.320
<v Speaker 1>still changing, you're countering people on the way there, maybe

0:45:46.320 --> 0:45:52.880
<v Speaker 1>somebody that is two seconds later. Yeah, like there's a

0:45:52.920 --> 0:45:58.359
<v Speaker 1>bunch of stuff, right, the timeline is significantly Like you're

0:45:58.360 --> 0:46:01.879
<v Speaker 1>playing with stuff and it's still remained the same, Right,

0:46:02.280 --> 0:46:05.040
<v Speaker 1>So maybe what happened. So the alternate version of the

0:46:05.120 --> 0:46:09.720
<v Speaker 1>endgame version is that Hassan was always going to find Sonat.

0:46:09.800 --> 0:46:11.759
<v Speaker 1>He was really not that far from her, right, he

0:46:11.880 --> 0:46:14.319
<v Speaker 1>was calling her name. He was always going to find her.

0:46:15.120 --> 0:46:16.920
<v Speaker 1>They were always going to get on the train together.

0:46:17.440 --> 0:46:23.760
<v Speaker 1>And this is the first time that Kamala has done

0:46:23.920 --> 0:46:25.840
<v Speaker 1>this thing where she goes back to the past. But

0:46:25.920 --> 0:46:28.520
<v Speaker 1>she actually didn't significantly change anything. She was just there.

0:46:28.600 --> 0:46:31.560
<v Speaker 1>Nobody actually saw her except the grandmother who doesn't remember,

0:46:32.000 --> 0:46:36.000
<v Speaker 1>and so therefore nothing changed and no timeline was branched.

0:46:36.680 --> 0:46:39.600
<v Speaker 2>I think so, I think it is a closed terminate,

0:46:39.680 --> 0:46:40.239
<v Speaker 2>a time loop.

0:46:40.360 --> 0:46:42.600
<v Speaker 1>I also think I think that that is what they

0:46:42.600 --> 0:46:43.400
<v Speaker 1>intend for it to be.

0:46:43.520 --> 0:46:46.480
<v Speaker 2>I think it is, but I do think that so

0:46:46.600 --> 0:46:48.960
<v Speaker 2>I will say off the endgame, yeah might much of

0:46:49.080 --> 0:46:54.520
<v Speaker 2>many of us. I tried to understand the endgame time

0:46:54.560 --> 0:46:57.839
<v Speaker 2>travel logic. I wrote an I call Esquire breaking it

0:46:57.880 --> 0:47:02.720
<v Speaker 2>all down right, It is the very much and narratively

0:47:02.880 --> 0:47:08.279
<v Speaker 2>it's a duex Macinas style decision, like it's something they

0:47:08.320 --> 0:47:10.680
<v Speaker 2>created for the show that the Russo Brothers have regularly

0:47:11.080 --> 0:47:14.959
<v Speaker 2>changed or contradicted in like answers. Since so, I don't

0:47:15.000 --> 0:47:18.160
<v Speaker 2>know how like tight it is when you really think

0:47:18.200 --> 0:47:21.200
<v Speaker 2>about it, because like you said, like if you're taking

0:47:21.239 --> 0:47:25.400
<v Speaker 2>the stones but then you're putting them back, that allegedly

0:47:25.440 --> 0:47:27.680
<v Speaker 2>would stop the timeline and make it the same. But

0:47:27.920 --> 0:47:30.000
<v Speaker 2>how come then Steve Rodgers can go back and live

0:47:30.000 --> 0:47:33.319
<v Speaker 2>an entirely different life, entirely change the timeline. That doesn't

0:47:33.360 --> 0:47:36.319
<v Speaker 2>make any sense. Also, Steve, I got lots of well

0:47:36.360 --> 0:47:39.200
<v Speaker 2>about that choice, the same things that you didn't do,

0:47:39.600 --> 0:47:40.320
<v Speaker 2>But why will.

0:47:40.200 --> 0:47:42.480
<v Speaker 1>The same here? I will say that Steve one hundred

0:47:42.480 --> 0:47:44.400
<v Speaker 1>percent must have created another timeline.

0:47:44.480 --> 0:47:46.440
<v Speaker 2>Yeah, no question, absolutely question.

0:47:46.520 --> 0:47:49.280
<v Speaker 1>There's another timeline because of he was there for years.

0:47:49.320 --> 0:47:52.799
<v Speaker 2>Literally like ninety years, like and okay, so one thing

0:47:52.840 --> 0:47:55.600
<v Speaker 2>I will say, I don't know how this would work.

0:47:55.600 --> 0:47:57.839
<v Speaker 2>But if we look at the Infinity gems and when

0:47:57.920 --> 0:47:59.600
<v Speaker 2>the ancient one talks about it, I think they say

0:47:59.600 --> 0:48:05.000
<v Speaker 2>that they gems essentially they like stabilize the timeline that

0:48:05.000 --> 0:48:07.000
<v Speaker 2>they're in, right, and that's why you've got to put

0:48:07.000 --> 0:48:10.600
<v Speaker 2>them back to not separate off a timeline. What if

0:48:10.680 --> 0:48:17.440
<v Speaker 2>the bangle, in its artifact nature stabilizes the timeline, so

0:48:17.520 --> 0:48:20.359
<v Speaker 2>the fact that like it gets dropped and Kamala finds it,

0:48:20.480 --> 0:48:23.319
<v Speaker 2>that's the thing that always putting back. It's like, as

0:48:23.360 --> 0:48:27.880
<v Speaker 2>long as the bangle is the the thing that is there,

0:48:28.480 --> 0:48:30.880
<v Speaker 2>that timeline stays the same, even if it's like a

0:48:30.920 --> 0:48:31.919
<v Speaker 2>closed time loop.

0:48:32.320 --> 0:48:34.360
<v Speaker 1>I thought about that too, and I thought about, like

0:48:35.000 --> 0:48:36.960
<v Speaker 1>if that is what it is, and I think that

0:48:37.040 --> 0:48:45.360
<v Speaker 1>is heavily suggested right, Therefore it's this written in stone event,

0:48:45.680 --> 0:48:48.319
<v Speaker 1>Kamala is always going to do this. I think that

0:48:48.360 --> 0:48:52.080
<v Speaker 1>there's a world in which, like much like hiding in

0:48:52.120 --> 0:48:56.520
<v Speaker 1>Apocalypse in the Loki Show, hides you from the eyes

0:48:56.640 --> 0:49:02.120
<v Speaker 1>of the Tva, there's a world which, like some time

0:49:02.280 --> 0:49:06.440
<v Speaker 1>traveling figure who one hundred percent wants to know the

0:49:06.520 --> 0:49:09.480
<v Speaker 1>safest place in the universe to hide out in or

0:49:09.560 --> 0:49:12.640
<v Speaker 1>to hide something, you know, because we've seen in comics

0:49:12.680 --> 0:49:15.680
<v Speaker 1>and various other stories where you hide, you know, you

0:49:15.680 --> 0:49:18.520
<v Speaker 1>you magically hide something, you can shrink it down, hide

0:49:18.560 --> 0:49:21.200
<v Speaker 1>it in a person you know, like or magically hide

0:49:21.200 --> 0:49:23.080
<v Speaker 1>it in a person. If you want to hide something

0:49:23.320 --> 0:49:26.440
<v Speaker 1>or or find out where the safest place like in

0:49:26.480 --> 0:49:30.359
<v Speaker 1>the multiverse almost is it is right next to Kamala Khan,

0:49:30.480 --> 0:49:34.799
<v Speaker 1>who cannot die time. She is immortal during this there

0:49:34.880 --> 0:49:39.359
<v Speaker 1>is no way that anything bad can happen. She is

0:49:39.800 --> 0:49:42.680
<v Speaker 1>unkillable during this time.

0:49:42.800 --> 0:49:45.120
<v Speaker 2>The thing I find most interesting about from her.

0:49:45.040 --> 0:49:49.120
<v Speaker 1>Baby from being born, even her parents, like the entire

0:49:49.200 --> 0:49:52.840
<v Speaker 1>time that they come to the States, nothing can happen

0:49:52.880 --> 0:49:55.560
<v Speaker 1>to them that will stop them from having this child.

0:49:55.960 --> 0:49:59.560
<v Speaker 1>You could hide, you could hide some magically something within

0:49:59.600 --> 0:50:02.800
<v Speaker 1>their the forums that could never be found or destroyed

0:50:02.880 --> 0:50:06.239
<v Speaker 1>or anything, because they one must do this.

0:50:06.640 --> 0:50:08.719
<v Speaker 2>Yeah, that's the thing I find most interesting about this

0:50:08.880 --> 0:50:12.480
<v Speaker 2>choice is like one, I feel like it's like it's

0:50:12.520 --> 0:50:15.600
<v Speaker 2>really interesting and I felt like it was very evocative

0:50:15.640 --> 0:50:18.160
<v Speaker 2>at the end of last episode where we knew that

0:50:18.320 --> 0:50:20.000
<v Speaker 2>once she got there that it was gonna be her

0:50:20.200 --> 0:50:23.000
<v Speaker 2>the Trail of Stars, right, But like it does really

0:50:23.040 --> 0:50:26.960
<v Speaker 2>remove Kamala from the ground level superhero thing, which is

0:50:27.840 --> 0:50:30.279
<v Speaker 2>the which is what she always was was this kind

0:50:30.280 --> 0:50:33.120
<v Speaker 2>of ground level Spider Man style superhero. But what I

0:50:33.160 --> 0:50:36.200
<v Speaker 2>think is really interesting about this is like usually when

0:50:36.239 --> 0:50:39.000
<v Speaker 2>we see these stories, it's because somebody is doing something

0:50:39.440 --> 0:50:42.440
<v Speaker 2>to put that timeline in danger, which is like back

0:50:42.480 --> 0:50:45.280
<v Speaker 2>to the future, you're gonna be eraised, something's gonna happen.

0:50:45.600 --> 0:50:48.680
<v Speaker 2>That means you're gonna be erased, or you know, Terminator,

0:50:48.960 --> 0:50:51.520
<v Speaker 2>something's gonna happen, and you need to do something to

0:50:51.600 --> 0:50:54.160
<v Speaker 2>stop the timeline from being disrupted so you can still

0:50:54.200 --> 0:50:56.280
<v Speaker 2>be here to stop it. It's also the most recent

0:50:56.480 --> 0:50:58.600
<v Speaker 2>series of Umbrella Academy gets into this idea of like

0:50:58.640 --> 0:51:01.920
<v Speaker 2>a grandfather paradox for everything to keep going. What is

0:51:01.960 --> 0:51:04.720
<v Speaker 2>really interesting about this is that is not what happened

0:51:04.719 --> 0:51:07.400
<v Speaker 2>in this series. There was never a threat to it.

0:51:07.480 --> 0:51:09.839
<v Speaker 2>What we were seeing was just Kamala learn about it

0:51:09.880 --> 0:51:11.640
<v Speaker 2>for the first time, which is more of like a

0:51:11.640 --> 0:51:14.560
<v Speaker 2>Bill and Ted logic almost. It's I find it very

0:51:14.560 --> 0:51:18.080
<v Speaker 2>interesting because it raises a lot of questions, and I

0:51:18.120 --> 0:51:22.040
<v Speaker 2>feel like they are questions that were probably like, oh,

0:51:22.040 --> 0:51:24.880
<v Speaker 2>we'll answer that in a couple of movies or something.

0:51:25.400 --> 0:51:29.880
<v Speaker 1>My hot take is that if it indeed is this

0:51:29.960 --> 0:51:33.600
<v Speaker 1>closed loop destiny thing, eventually they're gonna wreck on this

0:51:34.080 --> 0:51:38.040
<v Speaker 1>just because and this is like takes us out of

0:51:38.120 --> 0:51:42.000
<v Speaker 1>like the interior reality of the story and it's more

0:51:42.040 --> 0:51:44.799
<v Speaker 1>of like a taste thing for me personally, which which

0:51:44.880 --> 0:51:51.759
<v Speaker 1>is this negates Kamala's heroes journey and her agency. It

0:51:51.840 --> 0:51:53.880
<v Speaker 1>was always going to happen, So it kind of doesn't

0:51:53.920 --> 0:51:56.239
<v Speaker 1>matter any of the choices she made because she was

0:51:56.280 --> 0:51:58.239
<v Speaker 1>always going to end up in this place, Which is

0:51:58.320 --> 0:52:03.880
<v Speaker 1>why as mess and as kind of disx machine as

0:52:03.920 --> 0:52:08.520
<v Speaker 1>the endgame system of time travel is, I actually like

0:52:08.600 --> 0:52:12.040
<v Speaker 1>it because it makes the choices matter. Yeah, what you

0:52:12.200 --> 0:52:15.000
<v Speaker 1>choose to do when you go back in time actually

0:52:15.160 --> 0:52:18.399
<v Speaker 1>matters because you're trying to accomplish a goal that isn't

0:52:18.440 --> 0:52:20.440
<v Speaker 1>set in stone, that it's very in flux.

0:52:20.840 --> 0:52:22.680
<v Speaker 2>I think the argument. Okay, so this is like I've

0:52:22.680 --> 0:52:24.480
<v Speaker 2>been thinking about this lot because I think you're totally right,

0:52:24.480 --> 0:52:27.919
<v Speaker 2>and I also think it's there was a really great

0:52:27.960 --> 0:52:30.840
<v Speaker 2>piece that somebody at nerdiced. I think it was Mariam

0:52:31.000 --> 0:52:35.120
<v Speaker 2>wrote about the connection between Kamala and the Gin and

0:52:35.239 --> 0:52:39.719
<v Speaker 2>kind of like what that really means in Western storytelling

0:52:39.800 --> 0:52:42.160
<v Speaker 2>and the kind of Orientalist history of that kind of stuff.

0:52:42.520 --> 0:52:45.080
<v Speaker 2>I don't necessarily love the idea that Kamala is the

0:52:45.080 --> 0:52:49.160
<v Speaker 2>one who gets the preordained history, the preordained fate it feels,

0:52:49.520 --> 0:52:51.640
<v Speaker 2>like you said, like it could take away some of

0:52:51.680 --> 0:52:55.120
<v Speaker 2>that agency. Well, I will say one, I'm very interested

0:52:55.120 --> 0:52:57.000
<v Speaker 2>to see what happens next episode because it feels like

0:52:57.200 --> 0:53:00.839
<v Speaker 2>every loose end has been tied up. So I want

0:53:00.840 --> 0:53:01.880
<v Speaker 2>to know.

0:53:02.000 --> 0:53:02.520
<v Speaker 1>I want to know.

0:53:02.680 --> 0:53:04.440
<v Speaker 2>But the one thing I will say, you know what

0:53:04.480 --> 0:53:08.279
<v Speaker 2>we see here that happens at the end that seemingly

0:53:08.800 --> 0:53:11.040
<v Speaker 2>we don't know if it would have happened before because

0:53:11.040 --> 0:53:16.000
<v Speaker 2>the big change here comes essentially Kamala. That the difference

0:53:16.040 --> 0:53:21.480
<v Speaker 2>in this version is that Kamala makes her family come together,

0:53:22.280 --> 0:53:25.080
<v Speaker 2>but with an honesty about and the truth of like

0:53:25.400 --> 0:53:29.799
<v Speaker 2>what happened, and Sna wasn't imagining things, you know, And

0:53:29.880 --> 0:53:33.640
<v Speaker 2>I think like that might be the journey that they

0:53:33.680 --> 0:53:35.680
<v Speaker 2>were on, which in a way again brings it back

0:53:35.680 --> 0:53:38.080
<v Speaker 2>to street level. But I do find it very interesting

0:53:38.080 --> 0:53:41.480
<v Speaker 2>because like maybe that happens in every time loop, maybe

0:53:41.480 --> 0:53:43.640
<v Speaker 2>they always end up there, but I think Sunna kind

0:53:43.640 --> 0:53:46.640
<v Speaker 2>of hints at the idea that they didn't. I also

0:53:46.680 --> 0:53:48.920
<v Speaker 2>think with any time travel story, and.

0:53:48.800 --> 0:53:51.080
<v Speaker 1>We talked it, there is really.

0:53:50.800 --> 0:53:53.520
<v Speaker 2>Every time travel story. Also, you know what every time

0:53:53.560 --> 0:53:56.200
<v Speaker 2>travel story. Anyone who writes a time travel story, this

0:53:56.239 --> 0:53:58.160
<v Speaker 2>is what they want you to do. Oh, they time

0:53:58.200 --> 0:54:01.080
<v Speaker 2>traveled and that's it. Are you to think about this

0:54:01.120 --> 0:54:04.360
<v Speaker 2>stuff any ever one you think about time loops or paradoxes.

0:54:04.400 --> 0:54:06.520
<v Speaker 1>It's like that. It's like that scene in Looper Ye

0:54:06.719 --> 0:54:10.160
<v Speaker 1>Diner where the two versions of the same character like, listen,

0:54:10.200 --> 0:54:12.839
<v Speaker 1>if we start talking about how it works, We're going

0:54:12.920 --> 0:54:16.960
<v Speaker 1>to have straw wrappers as diagrams and we're gonna be

0:54:17.000 --> 0:54:18.920
<v Speaker 1>here for three hours. We're gonna go and it's like,

0:54:19.200 --> 0:54:19.880
<v Speaker 1>talk about it.

0:54:19.880 --> 0:54:22.319
<v Speaker 2>It's my favorite. Thing is like what's everyone's favorite? My

0:54:22.360 --> 0:54:25.080
<v Speaker 2>favorite is like, which kind of this is kind of

0:54:25.160 --> 0:54:27.200
<v Speaker 2>like it, but they don't get into the power of it,

0:54:27.239 --> 0:54:29.960
<v Speaker 2>which is like I like the Bill and Ted style,

0:54:30.080 --> 0:54:32.640
<v Speaker 2>which is if you know you can travel into the

0:54:32.680 --> 0:54:35.279
<v Speaker 2>future or the past, you can think of anything and

0:54:35.360 --> 0:54:38.200
<v Speaker 2>it comes true, and that kind of it's a self

0:54:38.200 --> 0:54:40.239
<v Speaker 2>fulfilling prophecy. So at the end of Bill and Ted,

0:54:40.680 --> 0:54:43.440
<v Speaker 2>they'll say like, oh, you know, we're going to trap

0:54:43.480 --> 0:54:45.680
<v Speaker 2>you in a cage and the cage falls down from

0:54:45.680 --> 0:54:47.560
<v Speaker 2>the sky. At the end of this, when we defeat you,

0:54:47.840 --> 0:54:49.839
<v Speaker 2>we'll be able to prepare this this and this I

0:54:49.920 --> 0:54:51.319
<v Speaker 2>like it. I like it kind of like you can

0:54:51.400 --> 0:54:53.960
<v Speaker 2>use it almost as a magical power, because anything that

0:54:54.000 --> 0:54:55.560
<v Speaker 2>you say you're going to do in the future, you've

0:54:55.560 --> 0:54:58.759
<v Speaker 2>already done. And this is kind of like that but reversed,

0:54:59.280 --> 0:55:02.600
<v Speaker 2>but we never really see the power impact. Yeah, I'm

0:55:02.719 --> 0:55:05.040
<v Speaker 2>so interested to see what happens in the finale because

0:55:05.080 --> 0:55:08.760
<v Speaker 2>I feel like it's either going to be very intimate,

0:55:08.800 --> 0:55:10.840
<v Speaker 2>which this show has kind of been but has strayed

0:55:10.840 --> 0:55:12.600
<v Speaker 2>away from in the last couple of episodes, Like the

0:55:12.640 --> 0:55:15.040
<v Speaker 2>first two episodes of this season are still some of

0:55:15.040 --> 0:55:18.000
<v Speaker 2>my favorite MCU. That's what I wonder.

0:55:18.200 --> 0:55:21.000
<v Speaker 1>We're gonna get the big, big show down with damage Control. Yeah.

0:55:21.120 --> 0:55:23.000
<v Speaker 2>My hope for that this is not a theory, this

0:55:23.040 --> 0:55:24.920
<v Speaker 2>is a wish and I don't think it's gonna happen.

0:55:25.239 --> 0:55:27.160
<v Speaker 2>My hope for that is, like I hope that this

0:55:27.239 --> 0:55:30.440
<v Speaker 2>version of damage control just gets absolutely decimated at the

0:55:30.560 --> 0:55:33.240
<v Speaker 2>end of the finale. I do not like damage control

0:55:33.360 --> 0:55:35.960
<v Speaker 2>as like the MCU's version of like ice. I like

0:55:36.080 --> 0:55:39.640
<v Speaker 2>damage control as like weird. They're just like a building

0:55:39.640 --> 0:55:42.680
<v Speaker 2>company that fixes stuff after they get broken. I hope

0:55:42.680 --> 0:55:43.240
<v Speaker 2>that this.

0:55:43.120 --> 0:55:45.960
<v Speaker 1>Is there is why I think that that is not

0:55:46.080 --> 0:55:51.120
<v Speaker 1>going to go I know, and why I think it's

0:55:51.120 --> 0:55:55.040
<v Speaker 1>actually a little interesting if I didn't love the way

0:55:55.080 --> 0:55:59.440
<v Speaker 1>they did it. In episode four, we now have robots

0:55:59.440 --> 0:56:03.160
<v Speaker 1>that look for powered people, run by run by a

0:56:03.200 --> 0:56:11.719
<v Speaker 1>government agency that is openly antagonistic towards powered people, to

0:56:11.760 --> 0:56:14.200
<v Speaker 1>the point where the rank and file are even just

0:56:14.280 --> 0:56:17.239
<v Speaker 1>shitty to to the people that they have in there

0:56:17.880 --> 0:56:25.719
<v Speaker 1>in their jails. It feels, I mean, we're like the

0:56:25.800 --> 0:56:27.440
<v Speaker 1>sentinels are here, like it's.

0:56:27.400 --> 0:56:35.240
<v Speaker 5>Yeah, it's always happen, okay, just like we already like here,

0:56:35.400 --> 0:56:37.880
<v Speaker 5>here are the here are the autonomous drones that are

0:56:37.880 --> 0:56:38.719
<v Speaker 5>looking for people.

0:56:38.760 --> 0:56:40.120
<v Speaker 1>They're doing it right now.

0:56:40.760 --> 0:56:43.400
<v Speaker 2>So I'm gonna ask you one. I think you're right,

0:56:43.440 --> 0:56:44.640
<v Speaker 2>and I think it's very.

0:56:45.040 --> 0:56:47.880
<v Speaker 1>I think this is the Sentinel. I think this, I

0:56:47.920 --> 0:56:51.120
<v Speaker 1>think merge and we get the Sentinel program.

0:56:50.920 --> 0:56:54.279
<v Speaker 2>St I think it's very like somewhere. I think it's

0:56:54.360 --> 0:56:57.400
<v Speaker 2>very likely that next week in the finale, here's the

0:56:57.400 --> 0:57:00.000
<v Speaker 2>outrageous prediction. But I think you're right. I think next

0:57:00.080 --> 0:57:03.760
<v Speaker 2>week somebody might even call it a Sentinel drone or something,

0:57:03.800 --> 0:57:05.719
<v Speaker 2>a stark Sentinel. Also, I'm going to ask you a

0:57:05.719 --> 0:57:07.560
<v Speaker 2>second question because this just came to my mind. It's

0:57:07.600 --> 0:57:10.440
<v Speaker 2>completely bonkers, but I feel like it's quite likely. Now

0:57:10.440 --> 0:57:12.520
<v Speaker 2>you've brought this up, so we know that all of

0:57:12.560 --> 0:57:15.399
<v Speaker 2>this misuse of Stark technology is going to play into

0:57:15.480 --> 0:57:18.280
<v Speaker 2>Armor Wars, right, but they have kept very quiet about

0:57:18.280 --> 0:57:20.440
<v Speaker 2>what Armor is going to be about, and we know

0:57:20.520 --> 0:57:22.360
<v Speaker 2>that Rody's going to be in it. But do you

0:57:22.440 --> 0:57:26.600
<v Speaker 2>think that if that's the case, Armor Wars takes on

0:57:26.680 --> 0:57:30.320
<v Speaker 2>a more important role in like introducing sentinels and the

0:57:30.360 --> 0:57:33.760
<v Speaker 2>notion of like X like X Men's style oppression of

0:57:33.800 --> 0:57:36.960
<v Speaker 2>powered people. And that's what Rody is fighting against is

0:57:37.000 --> 0:57:39.560
<v Speaker 2>the use of Stark Tech for Sentinel technology.

0:57:40.040 --> 0:57:42.080
<v Speaker 1>I think that that's on the table. And I had

0:57:42.120 --> 0:57:47.080
<v Speaker 1>another thought about just as I was rewatching this episode

0:57:47.120 --> 0:57:49.160
<v Speaker 1>and being like, holy shit, like we're doing it like

0:57:49.200 --> 0:57:51.960
<v Speaker 1>these are I know it's very very very early days,

0:57:51.960 --> 0:57:55.000
<v Speaker 1>but this is basically what the Sentinel program is. We've

0:57:55.040 --> 0:57:59.000
<v Speaker 1>often talked, We've talked ad nauseum for anybody about how

0:57:59.080 --> 0:58:01.040
<v Speaker 1>could they do it, how they bring the dex Men in,

0:58:01.120 --> 0:58:03.880
<v Speaker 1>How is it going to be because of Westfield? Is

0:58:03.920 --> 0:58:08.080
<v Speaker 1>it gonna be because of because of the Blip? Is

0:58:08.080 --> 0:58:11.720
<v Speaker 1>it gonna be interdimensional? Are they already here or is

0:58:11.760 --> 0:58:15.720
<v Speaker 1>it magic? And I think there's a world in which

0:58:15.920 --> 0:58:20.120
<v Speaker 1>you program right using Star Tech you program these autonomous

0:58:20.920 --> 0:58:24.320
<v Speaker 1>robots who get smarter and smarter and smarter in learning

0:58:24.400 --> 0:58:26.440
<v Speaker 1>how to detect people, and all of a sudden they go,

0:58:26.520 --> 0:58:30.120
<v Speaker 1>oh wait, there's a bunch of them here in upstate

0:58:30.160 --> 0:58:34.320
<v Speaker 1>New York that we found that nobody knew about that

0:58:34.360 --> 0:58:36.760
<v Speaker 1>have been like underground this. They've already done it with

0:58:36.800 --> 0:58:40.560
<v Speaker 1>the eternals, and maybe they wouldn't do it exactly like

0:58:40.640 --> 0:58:42.960
<v Speaker 1>that again, but I do think that that is a

0:58:43.000 --> 0:58:45.479
<v Speaker 1>doorway they could walk through if they wanted to, where

0:58:45.920 --> 0:58:53.720
<v Speaker 1>this increasingly powerful sentinel system discovers mutants. And just to

0:58:53.760 --> 0:58:57.320
<v Speaker 1>backtrack for one second, in this is gonna seem like

0:58:57.320 --> 0:58:59.920
<v Speaker 1>an aside, but I swear it is. And Captain America

0:59:00.040 --> 0:59:03.600
<v Speaker 1>inn Soldier, right, there's that there's the scene where uh,

0:59:03.920 --> 0:59:07.400
<v Speaker 1>you know, they take a cap and Nat and take

0:59:07.680 --> 0:59:09.520
<v Speaker 1>sit well to the roof, right, and they throw them off,

0:59:09.760 --> 0:59:11.720
<v Speaker 1>and then Sam brings him back, and all of a

0:59:11.720 --> 0:59:14.160
<v Speaker 1>sudden he spills and he's like, yeah, you know, we've

0:59:14.600 --> 0:59:17.880
<v Speaker 1>this algorithm. It's looking for power for people who are

0:59:17.920 --> 0:59:20.760
<v Speaker 1>in the threats still and Strange is one of them. Right,

0:59:21.160 --> 0:59:24.920
<v Speaker 1>How the fuck did the algorithm know that Stephen Strange

0:59:24.920 --> 0:59:27.640
<v Speaker 1>was up to Stephen Strange was up to literally nothing

0:59:27.840 --> 0:59:33.200
<v Speaker 1>at that time. So Ratcon they well, definitely reckcon because

0:59:33.200 --> 0:59:35.320
<v Speaker 1>that was like an easter egg to get people excited.

0:59:35.360 --> 0:59:38.240
<v Speaker 1>At the same time, How does how does comic book

0:59:38.280 --> 0:59:41.400
<v Speaker 1>storytelling work? That is ongoing storytelling work? It works because

0:59:41.400 --> 0:59:43.360
<v Speaker 1>creators look back and they go, here's a weird thing.

0:59:43.600 --> 0:59:45.000
<v Speaker 1>I wonder if I can blow this up and make

0:59:45.040 --> 0:59:48.720
<v Speaker 1>this something. Yeah, in the interior reality of the MCU,

0:59:49.200 --> 0:59:52.600
<v Speaker 1>there was already a computer eight years ago that was

0:59:52.640 --> 0:59:56.800
<v Speaker 1>predicting who would be powered threats. So like in the

0:59:56.840 --> 1:00:00.640
<v Speaker 1>interior reality the MCU, this technology already exists. No, I

1:00:00.680 --> 1:00:04.760
<v Speaker 1>think it's so impossible that it could that. Much like

1:00:05.280 --> 1:00:07.320
<v Speaker 1>Jasper Sidwell knew that Dandri Strange was going to be

1:00:07.320 --> 1:00:09.800
<v Speaker 1>a player years before he would ever be a player,

1:00:10.960 --> 1:00:15.280
<v Speaker 1>Maybe there's this ongoing project that eventually will discover people

1:00:15.320 --> 1:00:17.160
<v Speaker 1>who are not even on the radar right now. Yeah,

1:00:17.160 --> 1:00:18.080
<v Speaker 1>and that are in this world.

1:00:18.200 --> 1:00:20.280
<v Speaker 2>Also, I think you're so. I think you're absolutely right.

1:00:20.280 --> 1:00:22.480
<v Speaker 2>I can't believe you've turned me back onto the I'm

1:00:22.600 --> 1:00:25.400
<v Speaker 2>like such a Dane McDuffie stand not every week, I'm

1:00:25.400 --> 1:00:27.720
<v Speaker 2>like watching this and I'm just like damage control would

1:00:27.720 --> 1:00:29.800
<v Speaker 2>never but you're right. Once you bring the X Men

1:00:29.800 --> 1:00:31.720
<v Speaker 2>into it, I'm like, oh, this is actually very interesting.

1:00:31.840 --> 1:00:33.400
<v Speaker 2>I think you're right as well, because what have they

1:00:33.480 --> 1:00:35.880
<v Speaker 2>been doing the whole time that they've been doing this

1:00:35.920 --> 1:00:37.840
<v Speaker 2>thing that I talk about every week, so get ready

1:00:37.880 --> 1:00:40.440
<v Speaker 2>to hear it again. I've been thinking it's about secret Wars,

1:00:40.440 --> 1:00:43.320
<v Speaker 2>but I think maybe it is about introducing the X Men,

1:00:43.560 --> 1:00:45.520
<v Speaker 2>because what they've done in every single movie in this

1:00:45.600 --> 1:00:50.880
<v Speaker 2>phase shang Chi, you know what was there? Oh, it's

1:00:50.920 --> 1:00:53.560
<v Speaker 2>a secret group of people you've never known about, who

1:00:53.560 --> 1:00:55.600
<v Speaker 2>are not on the radar, who have a certain way

1:00:55.640 --> 1:00:59.320
<v Speaker 2>of fighting. Miss Marvel. Oh, there's this whole secret, hidden

1:00:59.360 --> 1:01:01.720
<v Speaker 2>group of people or who live behind the veil in

1:01:01.720 --> 1:01:05.840
<v Speaker 2>a hidden world. Maybe that they have some secret powers

1:01:05.880 --> 1:01:09.640
<v Speaker 2>you don't know about setting up this idea that all

1:01:09.680 --> 1:01:13.320
<v Speaker 2>around us are these worlds of powered people that we

1:01:13.400 --> 1:01:16.480
<v Speaker 2>do not know. And the Eternals is another one, you know,

1:01:16.600 --> 1:01:18.400
<v Speaker 2>and that very much took on a kind of almost

1:01:18.440 --> 1:01:21.920
<v Speaker 2>Inhumans esque storytelling of like they've been here for so long,

1:01:22.520 --> 1:01:26.080
<v Speaker 2>so it really would fit in with what they're doing

1:01:27.680 --> 1:01:30.880
<v Speaker 2>to introduce an enclave. Also, we've talked about this before,

1:01:30.880 --> 1:01:34.280
<v Speaker 2>but like Professor Xavier and Augean Gray. Either of them

1:01:34.360 --> 1:01:37.560
<v Speaker 2>is powerful enough to essentially use their psychic powers to

1:01:37.640 --> 1:01:39.120
<v Speaker 2>stop people knowing about them.

1:01:39.320 --> 1:01:42.640
<v Speaker 1>They're very, very adept at doing that. Tune into this

1:01:42.720 --> 1:01:45.600
<v Speaker 1>space to find out if we're right, and if we're not,

1:01:45.760 --> 1:01:46.320
<v Speaker 1>just forget it.

1:01:47.680 --> 1:01:49.880
<v Speaker 2>We've never said sentinels, We've.

1:01:49.680 --> 1:01:58.880
<v Speaker 1>Never said that. Up next door, Love and Thunder, kids,

1:01:59.160 --> 1:02:01.960
<v Speaker 1>get the popcorn, now hit me tell you the story

1:02:02.080 --> 1:02:02.480
<v Speaker 1>of the.

1:02:02.440 --> 1:02:06.680
<v Speaker 2>Space viking Thor. He was no ordinary man.

1:02:07.360 --> 1:02:11.080
<v Speaker 1>He was a god. After fading planet Earth for the

1:02:11.160 --> 1:02:14.080
<v Speaker 1>five hundredth time, Thaw set off on a new journey.

1:02:14.520 --> 1:02:15.520
<v Speaker 6>Will he cut in shape?

1:02:16.600 --> 1:02:22.080
<v Speaker 1>He went from dead bard to god board, and after.

1:02:21.880 --> 1:02:26.760
<v Speaker 3>All that, he reclaimed his title as the one and

1:02:26.880 --> 1:02:28.160
<v Speaker 3>only thor.

1:02:29.800 --> 1:02:38.120
<v Speaker 2>Oh spook too soon, Jane.

1:02:36.480 --> 1:02:39.200
<v Speaker 1>Folks were stepping off the goat boat into the shadow

1:02:39.320 --> 1:02:41.440
<v Speaker 1>realm to break down Thor. Love and Thunder, which is

1:02:41.480 --> 1:02:45.320
<v Speaker 1>in theaters now, directed of course, by TAIKOA. Tit, written

1:02:45.320 --> 1:02:48.440
<v Speaker 1>by Takowa Tit and Jennifer Robinson, produced by Kevin Feige

1:02:48.440 --> 1:02:51.720
<v Speaker 1>and Brad Winderbaum, and starring all of our favorite people.

1:02:51.760 --> 1:02:54.880
<v Speaker 1>Once again, we opened somewhere in space. Our friend Corg

1:02:55.720 --> 1:02:59.520
<v Speaker 1>is narrating the story to date. After the events of

1:02:59.520 --> 1:03:04.000
<v Speaker 1>Avengers Endgame and the victorious fight to undo Thanos's step.

1:03:04.480 --> 1:03:09.360
<v Speaker 1>Thor went to space to just get healthy. It didn't

1:03:09.840 --> 1:03:12.240
<v Speaker 1>just mean losing weight. It means his mental health, it

1:03:12.320 --> 1:03:14.720
<v Speaker 1>means his physical health. He just wants to feel better

1:03:14.760 --> 1:03:17.280
<v Speaker 1>about himself, and that's what he went to space to

1:03:17.320 --> 1:03:19.400
<v Speaker 1>do with his friend Court. And it took a while,

1:03:19.560 --> 1:03:23.560
<v Speaker 1>but with some dedication, a healthier outlook, some exercise, some

1:03:23.680 --> 1:03:27.560
<v Speaker 1>regular meditation, and of course the company of his now

1:03:28.000 --> 1:03:32.400
<v Speaker 1>very close friends, the Guardians of the Galaxy, Thor becomes fitter,

1:03:32.560 --> 1:03:36.959
<v Speaker 1>a more at peace former god of Thunder. We find

1:03:37.000 --> 1:03:39.919
<v Speaker 1>Thor and the Guardians and the process of evicting some

1:03:40.400 --> 1:03:45.520
<v Speaker 1>rodent alien bandits from a temple that they have occupied

1:03:46.120 --> 1:03:51.080
<v Speaker 1>and stolen, essentially from a native population. In the end,

1:03:51.680 --> 1:03:54.920
<v Speaker 1>Thor does find it necessary to destroy the temple to

1:03:55.080 --> 1:03:59.240
<v Speaker 1>liberate it, and the indigenous population are more or less pleased.

1:03:59.240 --> 1:04:01.040
<v Speaker 1>They would prefer not to talk about the fact that

1:04:01.080 --> 1:04:06.400
<v Speaker 1>temples destroyed, but they're kind of thankful. And it's very

1:04:06.400 --> 1:04:09.960
<v Speaker 1>clear from this that adventures such as these have been

1:04:10.000 --> 1:04:13.440
<v Speaker 1>a regular thing for the Guardians and Thor, who have

1:04:13.520 --> 1:04:16.640
<v Speaker 1>been at this for a while. This kind of this

1:04:16.760 --> 1:04:19.880
<v Speaker 1>kind of adventuring these kind of fights where the guardians

1:04:19.880 --> 1:04:22.160
<v Speaker 1>are fighting, and then thora Is the big Gun, comes

1:04:22.160 --> 1:04:26.480
<v Speaker 1>in with his own catchphrase. But now Thor has a

1:04:26.520 --> 1:04:30.880
<v Speaker 1>new mission, and that is to hunt down the god

1:04:30.920 --> 1:04:35.919
<v Speaker 1>Butcher that slayed the gods of this planet. Speaking of

1:04:36.400 --> 1:04:40.240
<v Speaker 1>that god Butcher in the past, long long long ago

1:04:40.440 --> 1:04:44.720
<v Speaker 1>and some far off world, Gore and his daughter are

1:04:46.000 --> 1:04:50.080
<v Speaker 1>staggering through an endless desert and they are praying to

1:04:50.120 --> 1:04:54.560
<v Speaker 1>their gods, who it turns out, have abandoned not only

1:04:54.600 --> 1:04:57.160
<v Speaker 1>Gore and his daughter, but their entire people.

1:04:57.000 --> 1:05:00.000
<v Speaker 2>Which probably mention is dies we didn't explicitly.

1:05:00.720 --> 1:05:04.200
<v Speaker 1>His daughter passes away in the desert, Gore finds the

1:05:04.200 --> 1:05:07.960
<v Speaker 1>garden of his people's God. Turns out he's a pretty

1:05:08.080 --> 1:05:12.760
<v Speaker 1>petty person, very vindictive, not at all caring about the

1:05:12.760 --> 1:05:17.640
<v Speaker 1>people who worship him. And Gore comes to this beautiful

1:05:17.680 --> 1:05:22.680
<v Speaker 1>garden in the moments right after his god had killed

1:05:23.280 --> 1:05:26.320
<v Speaker 1>some creature who is wielding the Necro Sword, which is

1:05:26.720 --> 1:05:31.120
<v Speaker 1>an ancient blade made of symbiote stuff that is capable

1:05:31.160 --> 1:05:35.520
<v Speaker 1>of killing God's This god is like, you know, I

1:05:35.520 --> 1:05:37.680
<v Speaker 1>don't care about you, I don't care about your people.

1:05:39.360 --> 1:05:42.000
<v Speaker 1>I'll get more people. That's how it works, so you're

1:05:42.040 --> 1:05:46.480
<v Speaker 1>annoying and I'm going to kill you now. And as

1:05:46.520 --> 1:05:49.360
<v Speaker 1>the god is about to kill Gore, the Necro Sword

1:05:49.640 --> 1:05:54.160
<v Speaker 1>chooses Gore as its next wielder, and Gore slays this god,

1:05:54.560 --> 1:05:58.720
<v Speaker 1>and right then and there dedicates his life as the

1:05:58.720 --> 1:06:01.920
<v Speaker 1>wielder of the Necro Sword to killing all gods everywhere

1:06:01.960 --> 1:06:06.000
<v Speaker 1>across the universe. Back to Thor and our friends Thor

1:06:06.160 --> 1:06:09.880
<v Speaker 1>and Cork say goodbye to the Guardians. They are getting

1:06:09.920 --> 1:06:13.480
<v Speaker 1>ready to leave this planet. The natives of the planet

1:06:13.600 --> 1:06:17.480
<v Speaker 1>are like, oh, thank you for saving Slash destroying our temple.

1:06:18.000 --> 1:06:22.000
<v Speaker 1>We'd like to give you this gift of two huge

1:06:22.160 --> 1:06:26.720
<v Speaker 1>goats that scream all the time as a thank you,

1:06:27.160 --> 1:06:30.080
<v Speaker 1>but clearly also because we want to get rid of them.

1:06:30.440 --> 1:06:32.320
<v Speaker 1>And Thora is like, thank you so much. I love

1:06:32.400 --> 1:06:34.960
<v Speaker 1>these goats. I will name them tooth Nasher and tooth Grinder.

1:06:35.680 --> 1:06:39.680
<v Speaker 1>They then travel to a snowy world. Corgan Thor do

1:06:40.120 --> 1:06:43.520
<v Speaker 1>where because they got a message from Sif, And there

1:06:43.600 --> 1:06:46.600
<v Speaker 1>they find a dead god, a huge dead god, this

1:06:46.720 --> 1:06:49.760
<v Speaker 1>dragon like god that we saw in the trailer. Faligar

1:06:49.840 --> 1:06:53.600
<v Speaker 1>the Behemoth has been slain by Gore, the god Butcher,

1:06:53.920 --> 1:06:56.560
<v Speaker 1>and there in the field of war. In front of

1:06:56.640 --> 1:07:01.280
<v Speaker 1>Faligar is our good friend, the warrior Sif, who is

1:07:01.400 --> 1:07:04.240
<v Speaker 1>grievously injured and has had her arm cut off, and

1:07:04.280 --> 1:07:07.280
<v Speaker 1>she sees Thoris. She's like, oh my god, thank god, Thor,

1:07:07.400 --> 1:07:10.400
<v Speaker 1>it's you. I died in battle. Look at me, like,

1:07:11.360 --> 1:07:14.080
<v Speaker 1>I'm going to Valhalla. This is awesome. This is what

1:07:14.160 --> 1:07:17.040
<v Speaker 1>asked guardian warriors dream about, is dying in battle and

1:07:17.080 --> 1:07:19.560
<v Speaker 1>going to Valhalla. And I'm about to go, and it's

1:07:19.600 --> 1:07:21.760
<v Speaker 1>great to see your face in the moments before I go.

1:07:22.040 --> 1:07:24.720
<v Speaker 1>And Thor is like, the battle is like long over.

1:07:25.120 --> 1:07:28.040
<v Speaker 1>If you die now, you actually won't go to Valhalla,

1:07:28.120 --> 1:07:31.360
<v Speaker 1>so sorry to spoil that for you. It's it's like fuck.

1:07:32.400 --> 1:07:35.440
<v Speaker 1>So then Siff is like, okay, then just take me

1:07:35.600 --> 1:07:38.560
<v Speaker 1>back to wherever you're going. They grab Sif and they

1:07:38.560 --> 1:07:42.320
<v Speaker 1>buy Frost back to Earth. Meanwhile, back on Earth, our

1:07:42.360 --> 1:07:45.880
<v Speaker 1>good friend, doctor Jane Foster, is now a successful public

1:07:45.920 --> 1:07:52.440
<v Speaker 1>intellectual and the author of a very influential and successful

1:07:52.640 --> 1:07:57.600
<v Speaker 1>book about physics. Unfortunately, she's also in the fight of

1:07:57.640 --> 1:08:02.200
<v Speaker 1>her life against cancer. Her friend and former assistant Darcy Lewis,

1:08:03.000 --> 1:08:05.320
<v Speaker 1>is there to kind of like support her through this.

1:08:06.120 --> 1:08:08.800
<v Speaker 1>We recently saw Darcy, of course, taking part in the

1:08:08.800 --> 1:08:12.720
<v Speaker 1>government response to the Westview incident in Wanda Vision. She's

1:08:12.760 --> 1:08:15.200
<v Speaker 1>there to support her friend Jane, but of course Jane's

1:08:15.200 --> 1:08:19.679
<v Speaker 1>cancer is stage four, which is the final stage. Darcy,

1:08:20.400 --> 1:08:23.320
<v Speaker 1>at her wits end, contacts their old friend, the brilliant

1:08:23.320 --> 1:08:26.559
<v Speaker 1>doctor Eric Selvig, who of course has been with us

1:08:27.280 --> 1:08:30.759
<v Speaker 1>since Thor and the Avengers and etc. And he agrees

1:08:30.920 --> 1:08:34.920
<v Speaker 1>also that he just doesn't know. He's not a medical doctor,

1:08:35.200 --> 1:08:37.600
<v Speaker 1>but he looks at the scans and looks at the

1:08:37.680 --> 1:08:39.800
<v Speaker 1>data and says, I'm not sure what we can do

1:08:39.880 --> 1:08:42.559
<v Speaker 1>for Jane. But one day, Jane, here's a voice calling

1:08:42.640 --> 1:08:45.000
<v Speaker 1>her to new Asgard is the voice of Mulnir. Much

1:08:45.040 --> 1:08:46.920
<v Speaker 1>like in the comics, we find out that Munier has

1:08:46.960 --> 1:08:51.400
<v Speaker 1>some sort of some sort of consciousness. Now Thor's hammer

1:08:51.479 --> 1:08:53.799
<v Speaker 1>forged from the magical Uru by the power vote himself.

1:08:53.800 --> 1:08:56.000
<v Speaker 1>And then we need to back up here because we

1:08:56.040 --> 1:08:59.680
<v Speaker 1>get a flashback about what Jane and Thor had been

1:08:59.760 --> 1:09:03.519
<v Speaker 1>up too between Thor the Dark World in Ragrok. So

1:09:03.720 --> 1:09:06.080
<v Speaker 1>after the events of Dark World, Thor and Jane moved

1:09:06.080 --> 1:09:09.599
<v Speaker 1>in together very much in love. So deep and pure

1:09:10.880 --> 1:09:15.160
<v Speaker 1>was their love for each other that it actually imprinted

1:09:15.200 --> 1:09:20.839
<v Speaker 1>itself into Mulnar. Their love became like a magical spell.

1:09:21.400 --> 1:09:26.960
<v Speaker 1>But as often happens, Jane and Thor grew apart. They

1:09:27.000 --> 1:09:29.880
<v Speaker 1>started arguing a little bit, hanging out different places, and

1:09:29.920 --> 1:09:34.599
<v Speaker 1>then eventually they broke up unhappily, but they did do so,

1:09:35.000 --> 1:09:38.519
<v Speaker 1>but the magic of their bond remained imprinted on Mulner.

1:09:38.520 --> 1:09:41.920
<v Speaker 1>Now back to the present, Jane, desperately sick, she travels

1:09:41.960 --> 1:09:44.719
<v Speaker 1>to new Asgarden, Norway, where the pieces of Thor's hammer

1:09:44.760 --> 1:09:48.000
<v Speaker 1>are kept like under a little dome. They're immovable, of course,

1:09:48.320 --> 1:09:51.240
<v Speaker 1>unless you're worthy enough to move them. That is the

1:09:51.360 --> 1:09:54.400
<v Speaker 1>very place where they fell after Hella crushed them in

1:09:54.439 --> 1:09:57.320
<v Speaker 1>the opening act of Thor Ragnrok. And then Jane comes

1:09:57.320 --> 1:10:02.080
<v Speaker 1>and then the pieces assemble themselves into the hammer, which Jane,

1:10:02.760 --> 1:10:06.679
<v Speaker 1>as the worthy wielder of nil Nerd, lifts, thus becoming

1:10:06.720 --> 1:10:10.360
<v Speaker 1>worthy of the power of Thor. In New Asgard, we

1:10:10.400 --> 1:10:13.200
<v Speaker 1>see that King Valkyrie's reign has been great. It's actually

1:10:13.200 --> 1:10:17.280
<v Speaker 1>been pretty good. Like it's very very peaceful, and on

1:10:17.320 --> 1:10:20.280
<v Speaker 1>the economic front things are going great. It's a tourist destination.

1:10:20.320 --> 1:10:24.120
<v Speaker 1>People are coming through all the time. It appears that

1:10:24.160 --> 1:10:27.160
<v Speaker 1>they have a kind of like Norwegian style European style,

1:10:27.320 --> 1:10:32.439
<v Speaker 1>like healthcare and system, because everybody seems very well taken

1:10:32.479 --> 1:10:35.720
<v Speaker 1>care of and everything's great. Unfortunately, it is also very

1:10:35.840 --> 1:10:40.560
<v Speaker 1>very boring. King Valkyrie has to sit through endless meetings

1:10:40.640 --> 1:10:43.080
<v Speaker 1>all day and she's bored by this. Our friend Meek

1:10:43.360 --> 1:10:47.120
<v Speaker 1>at least seems very satisfied in their role as a

1:10:47.160 --> 1:10:50.960
<v Speaker 1>member of the King's cabinet, but overall King Valkyrie is

1:10:51.920 --> 1:10:54.919
<v Speaker 1>a little like is this all there is to life?

1:10:55.160 --> 1:10:57.879
<v Speaker 1>Thor Korg and the Goats arrive back in New Asgard,

1:10:58.080 --> 1:11:01.640
<v Speaker 1>and the very night they arrive, go strikes because this

1:11:01.800 --> 1:11:04.080
<v Speaker 1>is the next target on his list. He's killing gods.

1:11:04.360 --> 1:11:07.120
<v Speaker 1>He wants to kill the gods and New Asgard. King Valkyrie,

1:11:07.160 --> 1:11:13.400
<v Speaker 1>Thorns and whoa mighty Jane Foster fight the minions of

1:11:13.439 --> 1:11:17.040
<v Speaker 1>Gore and repel them, but unfortunately the god Butcher also escaped,

1:11:17.080 --> 1:11:21.080
<v Speaker 1>with like two dozen as Guardian kids among them. Heimdahl's

1:11:21.120 --> 1:11:25.519
<v Speaker 1>son Axel named for Axel Rose, apparently, who has similar

1:11:25.600 --> 1:11:28.519
<v Speaker 1>powers to his late father, but hopefully is better at

1:11:28.600 --> 1:11:32.719
<v Speaker 1>using them, unlike Himdahal, who missed every single fucking threat

1:11:32.840 --> 1:11:35.280
<v Speaker 1>in every movie he was ever in. I rest my

1:11:35.360 --> 1:11:38.840
<v Speaker 1>case that's enough about Himdhal. I won't speak. That's why

1:11:38.960 --> 1:11:41.519
<v Speaker 1>I won't. Let's not speak ill of him, Heimdahl, you

1:11:41.520 --> 1:11:43.760
<v Speaker 1>did a bad job, but let's move on. Well, we

1:11:43.800 --> 1:11:49.080
<v Speaker 1>love you. Love you. Now. Through Axel's powers, Thor is

1:11:49.120 --> 1:11:54.040
<v Speaker 1>able to basically astral project to where Axel is. They

1:11:54.120 --> 1:11:58.519
<v Speaker 1>find out through the kids that Gore is heading to

1:11:58.920 --> 1:12:03.639
<v Speaker 1>or hanging out at the Shadow Realm, and so Thor,

1:12:04.439 --> 1:12:07.760
<v Speaker 1>King Valkyrie and my Jane Foster are like, Okay, we

1:12:07.800 --> 1:12:10.519
<v Speaker 1>need to we need to go there and stop Thor

1:12:10.560 --> 1:12:15.559
<v Speaker 1>and rescue the kids. Now, Thor, King v Jane and Korg.

1:12:15.640 --> 1:12:18.680
<v Speaker 1>That's a good start, but we need more. They need

1:12:18.680 --> 1:12:20.840
<v Speaker 1>an army. So Thor is like, I know where we

1:12:20.880 --> 1:12:23.120
<v Speaker 1>can get one. Let's go to Omnipotent City, which is

1:12:23.200 --> 1:12:31.040
<v Speaker 1>like the Las Vegas of the gods. Supposedly they're there

1:12:31.520 --> 1:12:35.439
<v Speaker 1>like doing god governmental work, but they're never doing that

1:12:37.479 --> 1:12:41.439
<v Speaker 1>Adam Nipputen City. Zeus is like the big daddy rock

1:12:41.479 --> 1:12:43.800
<v Speaker 1>star of all the six one six gods. He holds

1:12:43.840 --> 1:12:46.400
<v Speaker 1>sway there and he's pretty much like a dirt bag

1:12:47.040 --> 1:12:51.920
<v Speaker 1>whose current calling is fucking and drinking his way through

1:12:52.040 --> 1:12:57.400
<v Speaker 1>the anxiety of the ongoing Gore menace. Zeus very aggressively

1:12:57.439 --> 1:12:59.960
<v Speaker 1>does not want to help Thor and is in fact

1:13:00.120 --> 1:13:02.519
<v Speaker 1>terrified of Gore and would prefer to just hide here

1:13:02.520 --> 1:13:05.280
<v Speaker 1>in a city, having orgies and drinking wine and not

1:13:05.320 --> 1:13:10.160
<v Speaker 1>doing anything. So that's your answer, Thor, take it or

1:13:10.240 --> 1:13:14.639
<v Speaker 1>leave it. Our heroes decide that's not good enough. They

1:13:15.520 --> 1:13:19.920
<v Speaker 1>fight Zeus. In the course of the fight, korg Is

1:13:20.479 --> 1:13:25.040
<v Speaker 1>turned to Rubble, very very scary moment here where I

1:13:25.240 --> 1:13:27.160
<v Speaker 1>was like, oh, fuck, corg is dead.

1:13:28.200 --> 1:13:30.360
<v Speaker 2>They definitely want you to think that Thor thinks that

1:13:30.880 --> 1:13:31.400
<v Speaker 2>Thor thinks.

1:13:31.640 --> 1:13:34.479
<v Speaker 1>My whole movie theater thought it. It was very very

1:13:34.520 --> 1:13:37.599
<v Speaker 1>bummed out for a little hum. Don't worry corg Is.

1:13:38.600 --> 1:13:41.439
<v Speaker 1>I'm not gonna say, okay, but corg is alive. At

1:13:41.439 --> 1:13:43.439
<v Speaker 1>the end of the fight, though, Zeus has a big

1:13:43.439 --> 1:13:45.559
<v Speaker 1>old hole blown in his chest thanks to his own

1:13:45.680 --> 1:13:49.719
<v Speaker 1>lightning bolt weapon, which are heroes take for themselves because

1:13:50.439 --> 1:13:52.800
<v Speaker 1>that's the only backup they have and now they're down

1:13:52.880 --> 1:13:55.320
<v Speaker 1>Corg so they need all the help they can get.

1:13:55.840 --> 1:13:58.920
<v Speaker 1>In the course of the argument and fight with Zeus

1:13:59.000 --> 1:14:05.200
<v Speaker 1>in a city, our heroes realize that Gore's endgame is

1:14:05.240 --> 1:14:08.600
<v Speaker 1>to reach Eternity, who is like a Genie at the

1:14:08.600 --> 1:14:10.160
<v Speaker 1>center of the universe. You can think of him as

1:14:10.560 --> 1:14:14.320
<v Speaker 1>essentially and if you reach Attorney, whoever can get there.

1:14:14.479 --> 1:14:16.400
<v Speaker 1>No one's ever gotten there, but if you can get there,

1:14:17.960 --> 1:14:22.800
<v Speaker 1>Attornity will grant you one reality altering wish, and we

1:14:22.880 --> 1:14:25.519
<v Speaker 1>can assume that if Gore gets there his wishes, all

1:14:25.760 --> 1:14:27.800
<v Speaker 1>God's be dead and there will be a genocide of

1:14:27.840 --> 1:14:32.680
<v Speaker 1>God's across the universe. Okay. Meanwhile, Jane's cancer, which has

1:14:32.760 --> 1:14:36.599
<v Speaker 1>never truly banished, much like in the comics, reasserts itself

1:14:37.520 --> 1:14:39.760
<v Speaker 1>now while Jane is holding Milner. She has the power

1:14:39.840 --> 1:14:44.640
<v Speaker 1>for but it comes at a price because it weakens

1:14:44.960 --> 1:14:50.080
<v Speaker 1>her defenses, makes her weaker when she's not holding Milner,

1:14:50.200 --> 1:14:53.600
<v Speaker 1>and thus speeding her towards her death. Jane begins to

1:14:53.680 --> 1:14:57.400
<v Speaker 1>weaken dramatically after our heroes fight Gore in the Shadow Realm.

1:14:58.240 --> 1:15:01.479
<v Speaker 1>It's clear that she cannot continue. Thora's heartbroken at just

1:15:01.560 --> 1:15:05.360
<v Speaker 1>the thought of losing Jane. Hear their love has been rekindled,

1:15:05.520 --> 1:15:08.559
<v Speaker 1>and now he's about to lose her before he can

1:15:08.600 --> 1:15:13.439
<v Speaker 1>even get to spend time with her again. Jane, to

1:15:13.479 --> 1:15:17.559
<v Speaker 1>Thor's relief, goes back to Earth to basically wait out

1:15:17.560 --> 1:15:19.840
<v Speaker 1>her final hours This is some of the best stuff

1:15:19.880 --> 1:15:23.519
<v Speaker 1>in this movie, the Jane Thor stuff. It's crazy that like,

1:15:25.000 --> 1:15:27.760
<v Speaker 1>ten years after, I mean, you know, after the first

1:15:27.800 --> 1:15:31.920
<v Speaker 1>Thor movie, we're now like paying off this relationship in

1:15:31.960 --> 1:15:33.320
<v Speaker 1>a way that feels like really.

1:15:33.120 --> 1:15:35.679
<v Speaker 2>Great, definitely, And I think something they do that's really

1:15:35.720 --> 1:15:40.280
<v Speaker 2>heartbreaking but amazing and this is like they really make

1:15:40.360 --> 1:15:44.080
<v Speaker 2>it very explicit that the reason that Thor and Jane's

1:15:44.080 --> 1:15:46.920
<v Speaker 2>relationship failed is because they both loved each other so

1:15:47.080 --> 1:15:49.960
<v Speaker 2>much that they started to put up walls because they

1:15:50.000 --> 1:15:53.360
<v Speaker 2>were terrified of losing each other. And then in this

1:15:53.560 --> 1:15:57.519
<v Speaker 2>moment where Thor is reunited with Jane and they share

1:15:57.560 --> 1:15:59.880
<v Speaker 2>this honesty and they're both holding the mantle of th

1:16:00.120 --> 1:16:02.680
<v Speaker 2>Or and they say, well, Thor says, you know what,

1:16:02.880 --> 1:16:05.160
<v Speaker 2>I don't want to be scared of that anymore. I

1:16:05.160 --> 1:16:06.800
<v Speaker 2>want to be with you. And Jane's like, well, I've

1:16:06.840 --> 1:16:10.960
<v Speaker 2>got cancer, and Thor's like, look, I'm not doing this.

1:16:11.200 --> 1:16:13.760
<v Speaker 2>I love you. Go and stay in the hospital, like

1:16:13.960 --> 1:16:16.240
<v Speaker 2>we will sort this out, but don't you be picking

1:16:16.280 --> 1:16:20.519
<v Speaker 2>up that hammer again. And it's like it's so it's

1:16:20.600 --> 1:16:23.400
<v Speaker 2>so well done, and I love the relationship in this

1:16:23.479 --> 1:16:25.840
<v Speaker 2>and I totally understand why this is the movie where

1:16:25.920 --> 1:16:29.320
<v Speaker 2>Natalie Portman came back. Like, Jane gets so much great

1:16:29.360 --> 1:16:32.960
<v Speaker 2>stuff in not just like heroically, but also emotionally.

1:16:33.320 --> 1:16:36.600
<v Speaker 1>There's also Thors. Well. The other thing I liked about it,

1:16:36.640 --> 1:16:41.559
<v Speaker 1>how is how it built on Thors again very dude

1:16:42.040 --> 1:16:49.519
<v Speaker 1>like inability to access like his feelings of hurt and pain.

1:16:49.600 --> 1:16:52.560
<v Speaker 1>You know, we saw it in Thor the Dark World. Yeah,

1:16:52.600 --> 1:16:54.880
<v Speaker 1>we saw the way he responded to his mom's death.

1:16:54.920 --> 1:16:58.160
<v Speaker 1>We saw the way he responded to the events of

1:16:58.240 --> 1:17:00.479
<v Speaker 1>Infinity War and the opening of End Game, where he's

1:17:00.520 --> 1:17:04.680
<v Speaker 1>just like a shattered person, unable to grapple with his

1:17:04.680 --> 1:17:08.080
<v Speaker 1>failure to save his mother, unable to grapple with their

1:17:08.400 --> 1:17:12.599
<v Speaker 1>his and the Avengers failure to save half the living

1:17:12.680 --> 1:17:16.639
<v Speaker 1>things in the entire universe, and he's just crushed by this.

1:17:17.000 --> 1:17:21.280
<v Speaker 1>And here even again as he's urging Jane to go

1:17:21.439 --> 1:17:25.799
<v Speaker 1>home and like and seek medical care and stop picking

1:17:25.880 --> 1:17:29.519
<v Speaker 1>up this hammer that is making her powerful but at

1:17:29.520 --> 1:17:33.639
<v Speaker 1>the same time making the cancer more powerful, he's also

1:17:34.720 --> 1:17:40.640
<v Speaker 1>in this very very human way he is unable to

1:17:40.920 --> 1:17:47.040
<v Speaker 1>like acknowledge that Jane will die like he's still holding

1:17:47.560 --> 1:17:50.960
<v Speaker 1>and again a very human way as anybody who's like

1:17:51.080 --> 1:17:55.400
<v Speaker 1>ever dealt with somebody having like a like an illness

1:17:55.439 --> 1:17:55.640
<v Speaker 1>like this.

1:17:55.960 --> 1:17:58.679
<v Speaker 2>Yeah, it's like, oh, you got to fight, Like you can't.

1:17:58.560 --> 1:18:00.360
<v Speaker 1>Keep doing it. You have to go home and you know,

1:18:00.520 --> 1:18:03.400
<v Speaker 1>like you can fight for every day and we can

1:18:03.439 --> 1:18:07.920
<v Speaker 1>spill and and Thor still has that. That is where

1:18:07.920 --> 1:18:11.559
<v Speaker 1>Thor's mind is at. He has not even begun to

1:18:11.840 --> 1:18:16.120
<v Speaker 1>accept that he could lose Jane. And and it's really

1:18:16.800 --> 1:18:21.640
<v Speaker 1>humane and heartbreaking. Thor tracks Gore and the kids to

1:18:21.720 --> 1:18:26.120
<v Speaker 1>the Temple of Attorney and we get this great moment where.

1:18:26.240 --> 1:18:29.439
<v Speaker 2>It's like one of maybe my favorite ever.

1:18:29.800 --> 1:18:37.240
<v Speaker 1>It's this is why Tiger is great, because he balances

1:18:37.320 --> 1:18:44.360
<v Speaker 1>just fun and creativity and wacky humor with epic action

1:18:44.680 --> 1:18:52.280
<v Speaker 1>and real like emotional weight. So Thor uh, he's he's

1:18:52.280 --> 1:18:55.439
<v Speaker 1>with the kids and he has them all pick up

1:18:55.600 --> 1:18:57.599
<v Speaker 1>something that they can use as his weapons. Some have

1:18:57.880 --> 1:19:00.400
<v Speaker 1>like a stuffed animal, Others have picked up like some

1:19:00.439 --> 1:19:02.200
<v Speaker 1>stick that they found or a rock or a brick

1:19:02.280 --> 1:19:06.519
<v Speaker 1>or whatever. And then, much like Odin did centuries ago,

1:19:07.040 --> 1:19:12.080
<v Speaker 1>Thor bestows for a limited time only his power on

1:19:12.320 --> 1:19:15.880
<v Speaker 1>all these as guardian kids, so that together they are

1:19:15.920 --> 1:19:19.759
<v Speaker 1>wielding the power of Thor. And they opened a huge

1:19:20.080 --> 1:19:24.360
<v Speaker 1>can of whoop ass on Gore, who, despite getting molly

1:19:24.400 --> 1:19:27.719
<v Speaker 1>wopped all around the temple, does manage to break through

1:19:27.800 --> 1:19:31.439
<v Speaker 1>to Eternity and crawl through to make his wish. So

1:19:31.479 --> 1:19:35.360
<v Speaker 1>the kids are fighting Gore's shadow monsters of black berserkers.

1:19:35.600 --> 1:19:39.120
<v Speaker 1>Thor is fighting Gore but steadily losing, and just in

1:19:39.160 --> 1:19:41.479
<v Speaker 1>the moment where it seems like Thor is about to

1:19:41.479 --> 1:19:44.719
<v Speaker 1>get his head cut off by the necro sword, Jane

1:19:44.760 --> 1:19:52.280
<v Speaker 1>shows up and beats Gore's fucking ass. Unfortunately, the byfrost

1:19:52.360 --> 1:19:54.840
<v Speaker 1>does manage to drill through to the realm of Eternity

1:19:55.120 --> 1:19:57.200
<v Speaker 1>while all of this is going on, and Jane has

1:19:57.240 --> 1:20:01.160
<v Speaker 1>spent the very last of her strength, and so Gore

1:20:01.479 --> 1:20:06.400
<v Speaker 1>goes through to Eternity. Jane dies in Thor's arm, heartbreakingly,

1:20:06.520 --> 1:20:12.519
<v Speaker 1>turning to gold dust and drifting away. Thor confronts Gore

1:20:13.479 --> 1:20:17.080
<v Speaker 1>right in front of Eternity in this water realm that

1:20:17.120 --> 1:20:20.360
<v Speaker 1>looks like something. It honestly looks like one of the

1:20:20.360 --> 1:20:23.720
<v Speaker 1>boss fights from Elden Ring. That's it. It looked beautiful.

1:20:23.840 --> 1:20:27.439
<v Speaker 2>So what happens? They go through to Eternity and Gore

1:20:27.600 --> 1:20:30.639
<v Speaker 2>is gonna both of them and he but Thor says

1:20:30.680 --> 1:20:33.599
<v Speaker 2>I'm gonna like, fuck you, you on wish, make your wish.

1:20:33.840 --> 1:20:36.400
<v Speaker 2>I'm gonna spend the last moments with the woman that

1:20:36.439 --> 1:20:39.080
<v Speaker 2>I love. And he's like, you could do the same,

1:20:39.360 --> 1:20:41.840
<v Speaker 2>you could bring back your door. And then and then

1:20:41.880 --> 1:20:44.880
<v Speaker 2>Gore says, and then Gore is like, He's like, but

1:20:44.960 --> 1:20:48.120
<v Speaker 2>she'd be alone, And just before Jane dies, she's like, no,

1:20:48.200 --> 1:20:50.599
<v Speaker 2>she wouldn't. And that's like, and that's when they make

1:20:50.640 --> 1:20:54.760
<v Speaker 2>the agreement or whatever that Thor was gonna raise his kid, and.

1:20:54.680 --> 1:20:59.600
<v Speaker 1>That's what that's what happens. So Gore passes away, but

1:20:59.760 --> 1:21:02.280
<v Speaker 1>not before with tears in his eyes, he sees that

1:21:02.360 --> 1:21:06.519
<v Speaker 1>his daughter has come back to life, and it's clear

1:21:06.640 --> 1:21:09.360
<v Speaker 1>by the very fact that she now exists once again

1:21:09.840 --> 1:21:13.599
<v Speaker 1>that he accepts that this girl will be entrusted in

1:21:13.640 --> 1:21:17.439
<v Speaker 1>Thor's care. We flash forward Coorg narrates his relationship with

1:21:17.960 --> 1:21:20.120
<v Speaker 1>another Cronan. It turns out that all Cronans are male,

1:21:20.640 --> 1:21:24.720
<v Speaker 1>and this Cronan, Dwyane, he's fallen in love with him,

1:21:24.800 --> 1:21:29.120
<v Speaker 1>and all Cronans to pro create, they go into the

1:21:29.120 --> 1:21:31.720
<v Speaker 1>heart of a volcano where they hold hands and then

1:21:31.760 --> 1:21:33.920
<v Speaker 1>create a baby. And so together they do this and

1:21:33.960 --> 1:21:37.920
<v Speaker 1>they father a beautiful Cronan child. As the film ends,

1:21:38.560 --> 1:21:41.439
<v Speaker 1>Korg still narrating, we see that Thor stay true to

1:21:41.479 --> 1:21:44.880
<v Speaker 1>his word. He and the girl, now named Love. Together

1:21:44.920 --> 1:21:48.200
<v Speaker 1>they are known as Love and Thunder are adventuring amongst

1:21:48.240 --> 1:21:50.519
<v Speaker 1>the stars, as Thor has been doing with the Guardians

1:21:50.520 --> 1:21:53.240
<v Speaker 1>of the Galaxy to open the film, and just doing

1:21:53.320 --> 1:21:57.200
<v Speaker 1>good across the galaxy. And we close with this big

1:21:57.520 --> 1:22:02.360
<v Speaker 1>splashy logo of Love and Thunder, and in that which

1:22:02.400 --> 1:22:08.240
<v Speaker 1>is like a really cool surprise to realize that, oh,

1:22:08.360 --> 1:22:11.840
<v Speaker 1>this is like, weirdly, this entire movie weirdly is like

1:22:11.880 --> 1:22:17.800
<v Speaker 1>a prequel to the Love and Thunder relationship, that is

1:22:17.920 --> 1:22:20.080
<v Speaker 1>Thor and his daughter Love.

1:22:21.280 --> 1:22:24.040
<v Speaker 2>Yeah, I love this so much. And also something that's

1:22:24.080 --> 1:22:26.800
<v Speaker 2>really cool is like we can get into it a

1:22:26.800 --> 1:22:31.320
<v Speaker 2>bit deeper later. But in the first established notion of

1:22:31.360 --> 1:22:35.639
<v Speaker 2>Thor having a daughter was in the next Avengers movie

1:22:35.680 --> 1:22:38.200
<v Speaker 2>from two thousand and eight, Next Avengers Heroes of Tomorrow,

1:22:38.320 --> 1:22:41.840
<v Speaker 2>and in that she's called Torn, and Torn means Thor's love.

1:22:42.280 --> 1:22:45.800
<v Speaker 2>So I think like DELI kind of continuing that tradition here,

1:22:45.840 --> 1:22:47.360
<v Speaker 2>which I think is really cool.

1:22:48.200 --> 1:22:52.679
<v Speaker 1>That Toran is the daughter of Thor and sif Yes,

1:22:53.120 --> 1:22:55.600
<v Speaker 1>who throughout the comics and a little bit in the

1:22:55.680 --> 1:22:59.720
<v Speaker 1>movies have had it on again, off again, on again,

1:22:59.760 --> 1:23:03.160
<v Speaker 1>off agin on again, offship all throughout time. In the

1:23:03.200 --> 1:23:06.880
<v Speaker 1>comics much more. You know, it's like pretty much like

1:23:06.960 --> 1:23:11.680
<v Speaker 1>Sif has a crush on Thor, and Thor occasionally reciprocates

1:23:11.680 --> 1:23:16.880
<v Speaker 1>but mostly doesn't. So we go to our first stinger.

1:23:17.439 --> 1:23:20.080
<v Speaker 1>We see Zeus. He is pissed. He's got a hole

1:23:20.120 --> 1:23:22.680
<v Speaker 1>in his chest. It's mending, but he's still got this

1:23:22.720 --> 1:23:26.160
<v Speaker 1>big hole in his chest and he's got one of

1:23:26.200 --> 1:23:30.719
<v Speaker 1>his servants that's looking after it. He is talking about

1:23:30.880 --> 1:23:38.240
<v Speaker 1>Thor and how Thor did all this stuff and put

1:23:38.360 --> 1:23:40.280
<v Speaker 1>up punched a hole through his chest, and how he

1:23:40.360 --> 1:23:42.400
<v Speaker 1>was happy just kind of like chilling out and up

1:23:42.479 --> 1:23:46.200
<v Speaker 1>nipping and city drinking wine. But now he's he's back

1:23:46.400 --> 1:23:49.000
<v Speaker 1>to being the vengeful god that he always was, and

1:23:49.040 --> 1:23:53.960
<v Speaker 1>he's mad and he wants to strike back. And I'm

1:23:54.040 --> 1:23:56.080
<v Speaker 1>talking to you, my son, are you going to be

1:23:56.520 --> 1:23:59.479
<v Speaker 1>the instrument of my vengeance? And the camera pans over

1:23:59.600 --> 1:24:04.240
<v Speaker 1>and it's his son Hercules, who's like, Yep, I'm gonna do.

1:24:04.240 --> 1:24:06.960
<v Speaker 4>It, And also who is can we Just like Brett

1:24:06.960 --> 1:24:11.920
<v Speaker 4>Goldstein from Tea, it's one of the most shocking castings

1:24:12.040 --> 1:24:15.720
<v Speaker 4>of all time. I am so excited to see him

1:24:15.760 --> 1:24:16.799
<v Speaker 4>get Marvel buff.

1:24:16.600 --> 1:24:18.920
<v Speaker 2>Because you have to be buff, they see have to

1:24:18.960 --> 1:24:20.040
<v Speaker 2>be you have to be buff.

1:24:20.320 --> 1:24:23.760
<v Speaker 1>They did c GI him? Did they see Gi Helmsworth,

1:24:23.880 --> 1:24:26.680
<v Speaker 1>Because I gotta say, some of those lats looked at

1:24:26.720 --> 1:24:27.200
<v Speaker 1>you like.

1:24:28.680 --> 1:24:33.080
<v Speaker 2>The Marvel Dyer, as Kamel spoke about, is a a

1:24:33.320 --> 1:24:37.679
<v Speaker 2>truly terrifying thing. And and and they I think before

1:24:37.680 --> 1:24:39.519
<v Speaker 2>they made these movies they're probably not allowed to drink

1:24:39.560 --> 1:24:42.040
<v Speaker 2>water for like two days because they have to have

1:24:42.120 --> 1:24:45.760
<v Speaker 2>that muscle definition that comes only from dehydration. But I

1:24:45.760 --> 1:24:47.720
<v Speaker 2>would have been I mean, thoughs a god, so a

1:24:47.720 --> 1:24:51.960
<v Speaker 2>little bit of CG would it would make sense? But yeah, Brett,

1:24:52.200 --> 1:24:55.599
<v Speaker 2>very c G. Understandably, Hercules is a mammoth man.

1:24:55.880 --> 1:25:00.280
<v Speaker 1>Hercules is here baby. No, of course, Hercules, Hercules and

1:25:00.360 --> 1:25:04.960
<v Speaker 1>Thor fight a lot in their early incarnation. In hercules

1:25:05.120 --> 1:25:08.680
<v Speaker 1>early incarnations in the Marvel Comics universe, they fight all

1:25:08.720 --> 1:25:12.519
<v Speaker 1>the time. But of course Hercules, as often happens, it's

1:25:12.560 --> 1:25:15.000
<v Speaker 1>a misunderstanding and he's a good guy anyway. And then

1:25:15.040 --> 1:25:19.559
<v Speaker 1>he eventually does become a longtime member of the Avengers.

1:25:19.040 --> 1:25:21.080
<v Speaker 2>And of course was there Jacket Avengers.

1:25:21.840 --> 1:25:27.000
<v Speaker 1>It was there drunkenly during the Masters of Evil invasion

1:25:27.120 --> 1:25:30.920
<v Speaker 1>of the Avengers mansion that Rosie and I love so much.

1:25:30.960 --> 1:25:35.160
<v Speaker 1>This was during the reign of Janet van Dyne as

1:25:35.240 --> 1:25:39.479
<v Speaker 1>leader of Leader of the Avengers. Anyway, in our second stinger,

1:25:40.040 --> 1:25:46.040
<v Speaker 1>we see a beautiful green landscape glimmering golden hall on

1:25:46.120 --> 1:25:49.160
<v Speaker 1>a hill and Jane Foster has arrived in this place

1:25:49.200 --> 1:25:53.879
<v Speaker 1>and can only be Valhalla, the realm where as Guardian

1:25:53.960 --> 1:25:57.599
<v Speaker 1>warriors go when they die courageously in battle. As Jane

1:25:59.000 --> 1:26:02.880
<v Speaker 1>very very obvious just has who is there to welcome her?

1:26:03.200 --> 1:26:08.479
<v Speaker 1>It's heimdahal Hella. Guess what We're going up there to

1:26:08.560 --> 1:26:12.320
<v Speaker 1>that hole on the hill, and and then we were off, folks,

1:26:12.360 --> 1:26:15.799
<v Speaker 1>and that is the end of our film. Uh. Some thoughts, Rosie,

1:26:15.880 --> 1:26:17.240
<v Speaker 1>Your thoughts.

1:26:17.200 --> 1:26:22.280
<v Speaker 2>Well, I really loved this movie. Like for me, it

1:26:22.439 --> 1:26:24.879
<v Speaker 2>just it worked for me on a lot of levels.

1:26:24.920 --> 1:26:28.559
<v Speaker 2>Like I I really love stories about kids and stuff

1:26:28.600 --> 1:26:31.040
<v Speaker 2>like that. I think that's my eighties baby and me

1:26:31.280 --> 1:26:34.639
<v Speaker 2>like so, I loved I thought Kieran al Dyer's axe

1:26:34.640 --> 1:26:36.479
<v Speaker 2>Al was so great, and I loved that kind of

1:26:36.520 --> 1:26:39.679
<v Speaker 2>nod of like Axel being the chosen name and Heimdel

1:26:39.720 --> 1:26:42.080
<v Speaker 2>had named them astrid and stuff. There was so much

1:26:42.080 --> 1:26:46.840
<v Speaker 2>fun stuff. I loved how creepy Christian Bale was. I

1:26:46.880 --> 1:26:49.760
<v Speaker 2>thought he was so scary, and I loved.

1:26:49.560 --> 1:26:51.960
<v Speaker 1>I had one Yeah, if I had one critique, it's

1:26:52.040 --> 1:26:55.320
<v Speaker 1>like more Gore. That was like right, we were.

1:26:55.040 --> 1:26:58.720
<v Speaker 2>So good and like needed so many creepy moments they were.

1:26:58.800 --> 1:27:01.880
<v Speaker 2>He was really channeling the child Catcher from Chitty Chitty

1:27:01.920 --> 1:27:05.560
<v Speaker 2>Bang Bang. This movie I really love like it balances.

1:27:05.760 --> 1:27:07.400
<v Speaker 2>It does one of my favorite things. It's kind of

1:27:07.520 --> 1:27:09.880
<v Speaker 2>in a way, it's kind of like a Chazam in

1:27:09.960 --> 1:27:13.559
<v Speaker 2>the MCU, but like the Shazam movie had these really creepy,

1:27:13.560 --> 1:27:17.080
<v Speaker 2>scary horror elements, but then this really fun family aspect,

1:27:17.400 --> 1:27:19.240
<v Speaker 2>and I feel like if I was a kid, I mean,

1:27:19.280 --> 1:27:20.920
<v Speaker 2>I loved horror stuff when I was a kid, But

1:27:20.960 --> 1:27:23.240
<v Speaker 2>if you're a kid and you're a bit spooked by

1:27:23.280 --> 1:27:26.479
<v Speaker 2>the scary stuff, you will get the biggest payoff of

1:27:26.479 --> 1:27:28.920
<v Speaker 2>your life when you get to that battle sequence. Like that,

1:27:29.040 --> 1:27:32.040
<v Speaker 2>to me, that balance between the family fun. There's also

1:27:32.120 --> 1:27:38.000
<v Speaker 2>like I found the overall arc of Thor's story like

1:27:38.160 --> 1:27:42.639
<v Speaker 2>very moving, and I thought that they did a really

1:27:42.640 --> 1:27:46.200
<v Speaker 2>good job in terms of the stinger of kind of

1:27:46.560 --> 1:27:48.320
<v Speaker 2>and we'll talk about that more in a minute, but like,

1:27:48.360 --> 1:27:50.439
<v Speaker 2>they do a good job. I didn't feel like anything

1:27:50.640 --> 1:27:54.679
<v Speaker 2>was done to get an emotional reaction for no reason.

1:27:54.720 --> 1:27:57.160
<v Speaker 2>I felt like it was very well thought out and

1:27:57.320 --> 1:28:00.920
<v Speaker 2>fun and wacky and wild and like so much guns

1:28:00.960 --> 1:28:03.880
<v Speaker 2>and roses in this movie, but it just works so well,

1:28:04.080 --> 1:28:07.240
<v Speaker 2>and like Taiker, just like they spent that money budget

1:28:07.240 --> 1:28:09.080
<v Speaker 2>on that and they're gonna make it back. I was

1:28:09.120 --> 1:28:11.160
<v Speaker 2>looking at going to see it on Friday, and it

1:28:11.280 --> 1:28:14.639
<v Speaker 2>sold out at like every cinema Emmy, like almost Spider

1:28:14.680 --> 1:28:17.479
<v Speaker 2>Man levels, and so I'm really excited for people to

1:28:17.520 --> 1:28:18.719
<v Speaker 2>see it same.

1:28:18.880 --> 1:28:23.120
<v Speaker 1>I really it is. It's my favorite movie of this phase.

1:28:24.080 --> 1:28:29.000
<v Speaker 1>It is. I mean, listen, you know I've talked about

1:28:29.000 --> 1:28:32.680
<v Speaker 1>a million times. I'm a lifelong comics fan. I love

1:28:32.800 --> 1:28:37.120
<v Speaker 1>MCU movies. I love the bad Ones. Like I'm also

1:28:37.240 --> 1:28:40.160
<v Speaker 1>a big Taicho wat fan. I think that I don't

1:28:40.200 --> 1:28:48.200
<v Speaker 1>know that anybody again can quite match the mix of humor, action,

1:28:48.600 --> 1:28:53.040
<v Speaker 1>and emotion that he particularly brings to it. Like the

1:28:53.080 --> 1:28:55.760
<v Speaker 1>opening of Thor Ragnarok. I remember I remember watching it,

1:28:55.800 --> 1:28:59.760
<v Speaker 1>and that that monologue that Thor has in front of

1:28:59.800 --> 1:29:02.960
<v Speaker 1>sir in the cage where he's talking about all the

1:29:02.960 --> 1:29:04.360
<v Speaker 1>stuff that he's been doing.

1:29:04.160 --> 1:29:07.599
<v Speaker 2>And he's like, oh, I'm just spinning like it is.

1:29:07.680 --> 1:29:15.000
<v Speaker 1>Like it's it. It gives you story. It is incredibly funny,

1:29:15.400 --> 1:29:21.400
<v Speaker 1>and it was. And it was simultaneously completely unlike anything

1:29:21.400 --> 1:29:23.960
<v Speaker 1>that Thor had done in Dark World, and Thor won

1:29:24.080 --> 1:29:25.360
<v Speaker 1>right that was a more serious Thor.

1:29:25.479 --> 1:29:26.800
<v Speaker 2>This is like not that.

1:29:27.640 --> 1:29:32.559
<v Speaker 1>And it also felt of a piece with the character

1:29:32.600 --> 1:29:35.040
<v Speaker 1>that had been established in that it was not jarring,

1:29:35.080 --> 1:29:37.719
<v Speaker 1>It wasn't like the funny was this guy. It felt

1:29:38.000 --> 1:29:40.720
<v Speaker 1>like a different facet of a character we had or

1:29:40.800 --> 1:29:43.599
<v Speaker 1>a own, but was completely unexpected and funny. And that

1:29:43.680 --> 1:29:48.000
<v Speaker 1>continues in Yes, where we're getting new facets to characters

1:29:48.000 --> 1:29:50.439
<v Speaker 1>that we know and love, but we're seeing them in

1:29:50.520 --> 1:29:57.760
<v Speaker 1>the in this really unique, funny, unexpected way that I

1:29:57.800 --> 1:30:02.240
<v Speaker 1>think only type in the MCU is this is doing

1:30:02.280 --> 1:30:05.040
<v Speaker 1>in this particular way. I just love you stuff me too.

1:30:05.080 --> 1:30:07.240
<v Speaker 2>And something I really love about this is it's like

1:30:07.320 --> 1:30:10.479
<v Speaker 2>it's like Gragnarok, but it's not like Ragnarok and the

1:30:10.600 --> 1:30:13.320
<v Speaker 2>kid aspects of this stuff, which is something Tiger does

1:30:13.320 --> 1:30:15.760
<v Speaker 2>so well, it feels much more like he's channeling his

1:30:15.880 --> 1:30:18.439
<v Speaker 2>early stuff like Boy or Hunt for the Wilder People

1:30:18.720 --> 1:30:22.640
<v Speaker 2>that charm of like the unexpected kid character that you

1:30:22.760 --> 1:30:28.000
<v Speaker 2>actually like who is relatable and funny and sassy and

1:30:28.040 --> 1:30:31.960
<v Speaker 2>like weird. And I loved where we left thora at

1:30:32.000 --> 1:30:35.960
<v Speaker 2>the end of this movie, and I loved this kind

1:30:35.960 --> 1:30:39.160
<v Speaker 2>of notion of of him carrying mole near and Love

1:30:39.240 --> 1:30:42.479
<v Speaker 2>carrying Stormbreaker and that just and she has cool like

1:30:42.520 --> 1:30:45.439
<v Speaker 2>cyclops powers where she can shoot lasers out of her eyes.

1:30:45.640 --> 1:30:50.080
<v Speaker 2>And something I thought was really cool was when they

1:30:50.520 --> 1:30:54.920
<v Speaker 2>mentioned they say he calls Carl, calls her like the

1:30:55.040 --> 1:30:58.400
<v Speaker 2>girl born of Eternity, which one just sounds really cool,

1:30:58.640 --> 1:31:01.439
<v Speaker 2>but feels like this is film that I think kind

1:31:01.439 --> 1:31:04.160
<v Speaker 2>of like Doctor Strange too, which I really liked as well,

1:31:04.200 --> 1:31:07.120
<v Speaker 2>But like this feels like a kind of a new phase,

1:31:07.160 --> 1:31:10.439
<v Speaker 2>which is like movies that are just allowed to stand

1:31:10.479 --> 1:31:14.120
<v Speaker 2>by themselves and just be crazy, wild, fun adventures. But

1:31:14.360 --> 1:31:17.280
<v Speaker 2>if there's one thing that feels obviously like it's gonna stick,

1:31:17.280 --> 1:31:20.400
<v Speaker 2>it's going to be Love. But also I think that

1:31:20.520 --> 1:31:24.800
<v Speaker 2>notion of her having cosmic beginnings is going to be

1:31:24.840 --> 1:31:28.040
<v Speaker 2>important and is essentially going to establish her as like

1:31:28.080 --> 1:31:30.920
<v Speaker 2>a force that can help in the future when we

1:31:31.000 --> 1:31:36.040
<v Speaker 2>inevitably start to see more epoch Eon celestials. Whoever else

1:31:36.439 --> 1:31:38.880
<v Speaker 2>this is someone who's standing next to her, you know,

1:31:39.040 --> 1:31:41.160
<v Speaker 2>Uncle Flora as she calls him, who is the god

1:31:41.160 --> 1:31:44.080
<v Speaker 2>of Thunder. That's going to be able, They're gonna be

1:31:44.120 --> 1:31:45.880
<v Speaker 2>able to put up a fight against these kind of

1:31:45.920 --> 1:31:46.920
<v Speaker 2>cosmic elders.

1:31:47.200 --> 1:31:51.040
<v Speaker 1>Yeah, to take a moment, Rosie, to tell us about

1:31:51.120 --> 1:31:55.479
<v Speaker 1>Eternity and some of those cosmic elder characters that we

1:31:55.560 --> 1:31:58.600
<v Speaker 1>see in the Temple of Attorney. Eh, yeah, you know

1:31:58.640 --> 1:32:01.439
<v Speaker 1>the heads we see them in the trailer, including a

1:32:01.479 --> 1:32:06.720
<v Speaker 1>watcher perhaps who are to other figures there, like, tell

1:32:06.800 --> 1:32:11.120
<v Speaker 1>us about what the role that these super super weird cosmic,

1:32:11.240 --> 1:32:13.360
<v Speaker 1>super cosmic gods play in the MCU.

1:32:13.479 --> 1:32:17.479
<v Speaker 2>Okay, so Eternity is like incredibly cool and was actually

1:32:17.520 --> 1:32:20.080
<v Speaker 2>brought to life in the movie. If you've watched this now,

1:32:20.120 --> 1:32:21.599
<v Speaker 2>which I hope you have, if you're listening to this,

1:32:22.240 --> 1:32:23.559
<v Speaker 2>or if you haven't, you can go and google the

1:32:23.560 --> 1:32:28.120
<v Speaker 2>comic because they brought it to life. Basically identically is

1:32:28.160 --> 1:32:30.559
<v Speaker 2>brought to life as kind of this like walking being

1:32:30.680 --> 1:32:33.760
<v Speaker 2>made of space and time. It's it's really impeccable to

1:32:33.760 --> 1:32:35.840
<v Speaker 2>see and this is old. This is a sixties character,

1:32:35.880 --> 1:32:39.719
<v Speaker 2>no surprise, because it's absolutely out there created by Stanley

1:32:39.720 --> 1:32:43.719
<v Speaker 2>and Steve Dicko to icons first appeared in Strange Tales

1:32:43.720 --> 1:32:46.320
<v Speaker 2>one thirty eight, which was in sixty five, I believe.

1:32:46.960 --> 1:32:50.840
<v Speaker 2>And so it depends which canon. But basically Eternity is

1:32:50.880 --> 1:32:53.920
<v Speaker 2>sort of like the beginning of all things Eternity and infinity,

1:32:54.120 --> 1:32:57.679
<v Speaker 2>and in the Marvel Universe, different universes are created out

1:32:57.680 --> 1:33:02.919
<v Speaker 2>of them and from of them. My understanding is Attorney

1:33:03.000 --> 1:33:07.360
<v Speaker 2>currently is basically the living representation of the six one six,

1:33:07.600 --> 1:33:13.320
<v Speaker 2>which I think is jevery so interesting. It's everything right, yeah,

1:33:13.360 --> 1:33:16.800
<v Speaker 2>And then we actually so they they've had Attorney has

1:33:16.840 --> 1:33:19.599
<v Speaker 2>had many children in the comics because, like you said

1:33:19.600 --> 1:33:21.880
<v Speaker 2>something earlier which I just loved, Jason, where you were

1:33:21.920 --> 1:33:24.960
<v Speaker 2>basically like, the reason comics are good is somebody sees

1:33:25.000 --> 1:33:27.120
<v Speaker 2>something weird and says, oh, what can I do that?

1:33:27.240 --> 1:33:29.160
<v Speaker 2>How can I blow up? This is a great example

1:33:29.200 --> 1:33:31.920
<v Speaker 2>of that. So Attorney's had a bunch of kids. Most

1:33:31.960 --> 1:33:36.559
<v Speaker 2>famously is Eon, who we thought might have been one

1:33:36.560 --> 1:33:39.040
<v Speaker 2>of the statues. We're still not sure if it's Eon

1:33:39.120 --> 1:33:42.479
<v Speaker 2>or EON's daughter, so Attorney's grand daughter Epoch, and these

1:33:42.479 --> 1:33:47.920
<v Speaker 2>are all essentially these like abstract entities that represent huge

1:33:47.960 --> 1:33:52.280
<v Speaker 2>beginnings and your ends in the Marvel universe Eon and Epoch.

1:33:52.360 --> 1:33:54.160
<v Speaker 2>If you're like, oh, that sounds like something you guys

1:33:54.200 --> 1:33:57.280
<v Speaker 2>have talked about before, that's because they are the creators

1:33:57.280 --> 1:34:02.200
<v Speaker 2>of the Nega Bands, which we hyperphesized is something being

1:34:02.240 --> 1:34:04.439
<v Speaker 2>adapted in Miss Marvel with the Bengals. I still believe

1:34:04.479 --> 1:34:06.360
<v Speaker 2>that is the case. We saw the bangle on a

1:34:06.439 --> 1:34:11.840
<v Speaker 2>cree arm. Yeah, so eternity like only usually turns up

1:34:11.880 --> 1:34:15.080
<v Speaker 2>when there's like a terrible Fanos level threat, which is

1:34:15.120 --> 1:34:17.439
<v Speaker 2>why he would have been able to be there for Gore.

1:34:18.040 --> 1:34:20.680
<v Speaker 2>And I just thought this was like so cool, the

1:34:20.800 --> 1:34:23.760
<v Speaker 2>wish thing I think they created for this movie, which

1:34:23.800 --> 1:34:26.719
<v Speaker 2>also feels very relevant with the Miss Marvel reveals recently.

1:34:27.240 --> 1:34:29.960
<v Speaker 2>But I just thought I couldn't believe how well done

1:34:30.000 --> 1:34:33.519
<v Speaker 2>this was. And I think that the notion something that

1:34:33.600 --> 1:34:36.599
<v Speaker 2>Zeus says in the Stinger, which is very funny because

1:34:36.600 --> 1:34:40.680
<v Speaker 2>it's like it essentially sets up this notion of the

1:34:40.760 --> 1:34:45.320
<v Speaker 2>old gods versus the New gods, Jack Derby, but also

1:34:45.880 --> 1:34:48.960
<v Speaker 2>it sets up this idea that like something that you

1:34:49.000 --> 1:34:52.800
<v Speaker 2>know many comic book fans and academics and storytellers have

1:34:52.920 --> 1:34:56.720
<v Speaker 2>put forward this notion Grant Morrison being one of them,

1:34:56.760 --> 1:34:59.240
<v Speaker 2>and it's been taken in kind of this ongoing conversation.

1:34:59.680 --> 1:35:04.160
<v Speaker 2>Are superheroes the modern pantheon of gods? Is that what

1:35:04.240 --> 1:35:06.400
<v Speaker 2>they are? Because we've created these stories and we've put

1:35:06.439 --> 1:35:09.360
<v Speaker 2>them on this place, and now we worship them, you know,

1:35:09.720 --> 1:35:12.320
<v Speaker 2>on the TV and all these things. This is making

1:35:12.360 --> 1:35:15.719
<v Speaker 2>that text in the MCU where we're gonna see Zeus

1:35:15.720 --> 1:35:18.439
<v Speaker 2>wants his attention back. So we're going to have the

1:35:18.479 --> 1:35:22.120
<v Speaker 2>pantheon potentially some of those gods from the Ennead that

1:35:22.200 --> 1:35:27.040
<v Speaker 2>we saw in you know, Moonnight, We're gonna see a

1:35:27.160 --> 1:35:33.120
<v Speaker 2>version where the more traditional mythological gods are pitting themselves

1:35:33.160 --> 1:35:35.800
<v Speaker 2>against what they see as new gods, these people in

1:35:35.800 --> 1:35:39.120
<v Speaker 2>the sky, superheroes. I think it will be very interesting

1:35:39.200 --> 1:35:45.640
<v Speaker 2>to see how Eternity and the actual most ancient creatures

1:35:46.880 --> 1:35:48.920
<v Speaker 2>deal with that. And also something else I thought was

1:35:48.960 --> 1:35:52.000
<v Speaker 2>really interesting to throw it back to my absolute favorite eternals.

1:35:52.120 --> 1:35:54.400
<v Speaker 2>Thank you to everyone who always is like commenting, like

1:35:54.560 --> 1:35:57.080
<v Speaker 2>don't stop talking about Eternals, Like I do it for

1:35:57.120 --> 1:36:00.479
<v Speaker 2>you guys. But like the one statue that we didn't

1:36:00.600 --> 1:36:04.600
<v Speaker 2>see in the trailer that was there was a celestial

1:36:06.080 --> 1:36:09.000
<v Speaker 2>So I think that implies with that notion that like

1:36:09.040 --> 1:36:12.000
<v Speaker 2>the celestials are that ancient as they are in the comics,

1:36:12.000 --> 1:36:15.040
<v Speaker 2>and I think we're just entering into a really interesting

1:36:15.720 --> 1:36:20.320
<v Speaker 2>world of like gods. But also it's much more like

1:36:20.479 --> 1:36:22.960
<v Speaker 2>meta texture than I realized, because I think we are

1:36:23.040 --> 1:36:26.080
<v Speaker 2>going to be looking at that more boys style conversation

1:36:26.240 --> 1:36:28.200
<v Speaker 2>of like, are these the modern gods?

1:36:28.360 --> 1:36:31.840
<v Speaker 1>Are these people we see? We do see a pair

1:36:31.880 --> 1:36:36.479
<v Speaker 1>of celestials as our difference speed the goat boat out

1:36:36.479 --> 1:36:39.040
<v Speaker 1>of them. I los see that we see a couple

1:36:39.080 --> 1:36:41.880
<v Speaker 1>of celestials who were too big to fit inside the

1:36:41.920 --> 1:36:45.080
<v Speaker 1>whole of God's just kind of like what so Yeah.

1:36:45.600 --> 1:36:48.599
<v Speaker 2>So that I wonder if that hints that when we

1:36:48.640 --> 1:36:51.080
<v Speaker 2>think about that old gods, it's not just Zeus and

1:36:51.160 --> 1:36:53.120
<v Speaker 2>Dionysus and all the ones that we know, right I

1:36:53.280 --> 1:36:56.440
<v Speaker 2>maybe in a Marvel universe, Yeah, it's also the celestials.

1:36:56.479 --> 1:36:59.280
<v Speaker 2>It's eternity, you know, Attorney's chilling. They seem pretty chill.

1:36:59.439 --> 1:37:01.599
<v Speaker 2>And also I feel like in the grand scheme of things,

1:37:01.800 --> 1:37:04.960
<v Speaker 2>Turney probably pretty happy that that was the wish, like

1:37:05.640 --> 1:37:11.040
<v Speaker 2>birthing a child that's gonna attend maybe do good, but generally,

1:37:11.080 --> 1:37:13.400
<v Speaker 2>I think, yeah, I think that's where we're going, is

1:37:13.439 --> 1:37:16.920
<v Speaker 2>seeing these kind of ancient deities want to take back

1:37:16.960 --> 1:37:19.559
<v Speaker 2>their power from the soups.

1:37:19.880 --> 1:37:24.719
<v Speaker 1>Let me ask you this. In the comics, Jane uh

1:37:25.360 --> 1:37:30.880
<v Speaker 1>It becomes a member of the Congress of of Worlds,

1:37:30.960 --> 1:37:35.000
<v Speaker 1>which is kind of like a parliament of God's essentially

1:37:35.160 --> 1:37:40.160
<v Speaker 1>governing body. I wonder if, I wonder if valhal is

1:37:40.160 --> 1:37:41.760
<v Speaker 1>gonna be a little like that. I don't know what

1:37:41.840 --> 1:37:44.840
<v Speaker 1>they do, but and I would have met well Odin

1:37:44.880 --> 1:37:46.559
<v Speaker 1>actually probably would Odin get there.

1:37:47.000 --> 1:37:47.559
<v Speaker 3>I don't know.

1:37:47.680 --> 1:37:50.519
<v Speaker 2>He just wasn I don't think so, I don't think right,

1:37:50.560 --> 1:37:54.720
<v Speaker 2>he just kind of draw. So I'm gonna this is

1:37:54.760 --> 1:37:57.080
<v Speaker 2>We're gonna we're gonna double dip theories here so that

1:37:57.080 --> 1:37:58.120
<v Speaker 2>we cover this double.

1:37:57.920 --> 1:38:00.280
<v Speaker 1>Li because I do think I love that we've the

1:38:00.360 --> 1:38:02.040
<v Speaker 1>last of Jane, and I certainly don't think.

1:38:02.000 --> 1:38:07.000
<v Speaker 2>I don't think so. But I think another version that

1:38:07.160 --> 1:38:10.160
<v Speaker 2>is equally as likely. In the comics, Jane goes to

1:38:10.240 --> 1:38:13.680
<v Speaker 2>Valhalla because they think that she died, they allow her

1:38:13.720 --> 1:38:16.360
<v Speaker 2>to go like they did here, but Jane goes back

1:38:16.920 --> 1:38:19.920
<v Speaker 2>to Earth and then after that she ends up becoming

1:38:20.000 --> 1:38:23.639
<v Speaker 2>a valkyrie. And I think there's actually a Jane Foster

1:38:23.720 --> 1:38:28.320
<v Speaker 2>Valkyrie comic, and I think that is very likely as well,

1:38:28.640 --> 1:38:32.120
<v Speaker 2>because I don't think if you're an Alie Portman, yeah,

1:38:32.439 --> 1:38:35.080
<v Speaker 2>and you come back and you get to hold the

1:38:35.160 --> 1:38:37.240
<v Speaker 2>hammer and wear the armor, which by the way, looked

1:38:37.280 --> 1:38:40.960
<v Speaker 2>fucking banging like they bought Suscil Daughterman's like stuff to life.

1:38:41.000 --> 1:38:43.559
<v Speaker 2>And Russell and Jason were both at the premiere, which

1:38:43.600 --> 1:38:47.000
<v Speaker 2>is so great, and like, I don't know if you're

1:38:47.080 --> 1:38:48.800
<v Speaker 2>just like, yeah, I'm chilled to be on like a

1:38:48.840 --> 1:38:53.000
<v Speaker 2>cosmic Council. I bet you're like, so, what's the next superhero? Like,

1:38:53.040 --> 1:38:55.120
<v Speaker 2>who is next? I want to So I think we

1:38:55.160 --> 1:38:58.599
<v Speaker 2>could see a Valkyrie where we have Jane Foster as

1:38:58.640 --> 1:39:03.320
<v Speaker 2>Valkyrie or some kind of super heroic iteration that is

1:39:03.360 --> 1:39:06.240
<v Speaker 2>more connected like Valhalla. And I also think as well,

1:39:06.320 --> 1:39:08.240
<v Speaker 2>like I just think that this isn't going to be

1:39:08.240 --> 1:39:10.800
<v Speaker 2>the end of I don't think so Jane, And here's

1:39:10.800 --> 1:39:12.360
<v Speaker 2>what's relationship.

1:39:12.160 --> 1:39:17.360
<v Speaker 1>Here's my here's my prediction. This is based on absolutely zero.

1:39:17.680 --> 1:39:20.920
<v Speaker 1>This won't happen. But this is me just fan ficking

1:39:20.960 --> 1:39:25.120
<v Speaker 1>in real time. Odin doesn't get to Valhalla. It's like

1:39:25.160 --> 1:39:27.599
<v Speaker 1>a you know it was he he dropped dead. It's

1:39:27.640 --> 1:39:30.720
<v Speaker 1>a it's a it was a you know, a close call.

1:39:30.760 --> 1:39:33.760
<v Speaker 1>But they went to var and did and looked at

1:39:33.760 --> 1:39:35.840
<v Speaker 1>it on video replay and decided he didn't actually die

1:39:35.880 --> 1:39:39.280
<v Speaker 1>in battle, so he's got to go to straight hell. Uh.

1:39:40.080 --> 1:39:42.640
<v Speaker 1>Thor and Hercules of course have their square off at

1:39:42.640 --> 1:39:45.519
<v Speaker 1>the beginning of four or five, but then they decided

1:39:45.560 --> 1:39:49.879
<v Speaker 1>team up. With King Valkyrie's help, they managed to contact

1:39:49.960 --> 1:39:54.400
<v Speaker 1>Jane and Heimdahl in Valhalla, and then it's a mission

1:39:54.400 --> 1:39:57.960
<v Speaker 1>in the afterlife to charge into Hell and rescue Odin. Oh,

1:39:58.000 --> 1:39:59.040
<v Speaker 1>I love the help.

1:39:59.320 --> 1:40:01.519
<v Speaker 2>Okay, I'm gonna take all of that. I think I

1:40:01.880 --> 1:40:04.040
<v Speaker 2>love all of that. But instead I'm going to flip

1:40:04.120 --> 1:40:07.000
<v Speaker 2>it at the end and what they have to actually

1:40:07.040 --> 1:40:09.479
<v Speaker 2>stop Odin because he's so pissed about not being in

1:40:09.560 --> 1:40:12.240
<v Speaker 2>Valhalla that he's teamed up with like Zeus, he's a

1:40:12.520 --> 1:40:13.479
<v Speaker 2>petty guy, man.

1:40:13.640 --> 1:40:15.880
<v Speaker 1>I could see. I could see open News who's having

1:40:15.960 --> 1:40:18.240
<v Speaker 1>a very very complicated relationship.

1:40:18.320 --> 1:40:20.479
<v Speaker 2>I love that, and I think that you're onto something

1:40:20.520 --> 1:40:24.639
<v Speaker 2>because I mean with Ragnarok Tyker basically just establish this anyway,

1:40:24.640 --> 1:40:28.120
<v Speaker 2>but this very much once again establishes Thor as like

1:40:28.600 --> 1:40:32.000
<v Speaker 2>the place for cosmic stuff. The place for weird stuff.

1:40:32.120 --> 1:40:34.240
<v Speaker 2>They would do a whole movie in hell Cirta. The

1:40:34.360 --> 1:40:39.120
<v Speaker 2>beginning is essentially already leaning into that kind of aesthetic

1:40:39.200 --> 1:40:44.400
<v Speaker 2>and narrative, and like, I hope that. I think when

1:40:44.400 --> 1:40:46.639
<v Speaker 2>they announced that Sif was going to be in this movie,

1:40:47.160 --> 1:40:49.880
<v Speaker 2>and you know, when Testa did her speech at San

1:40:49.880 --> 1:40:52.040
<v Speaker 2>Diego Comic Con and said, you know, King Valkyrie's gonna

1:40:52.040 --> 1:40:53.479
<v Speaker 2>find a queen, I think a lot of people were

1:40:53.520 --> 1:40:56.040
<v Speaker 2>hoping that would be like a love connection. I really

1:40:56.080 --> 1:40:59.040
<v Speaker 2>hope that whatever the next Thor movie is, or maybe

1:40:59.040 --> 1:41:01.800
<v Speaker 2>wherever we see King Valkyrie before again, I would like

1:41:01.840 --> 1:41:03.880
<v Speaker 2>to see. You know, they did a really good job

1:41:03.920 --> 1:41:06.560
<v Speaker 2>talking about queerness in this movie and establishing like the

1:41:06.640 --> 1:41:08.840
<v Speaker 2>queerness of the Cronins and stuff, But I would love

1:41:08.880 --> 1:41:12.000
<v Speaker 2>to actually get to see that explored a little bit

1:41:12.040 --> 1:41:16.280
<v Speaker 2>more for Valkyrie, like that love romance finding that again,

1:41:16.439 --> 1:41:18.720
<v Speaker 2>just like thought after she lost the person that she

1:41:18.880 --> 1:41:22.720
<v Speaker 2>loved in battle, you know, I would love to see

1:41:22.720 --> 1:41:25.840
<v Speaker 2>her get a chance to like find someone to connect

1:41:25.880 --> 1:41:27.960
<v Speaker 2>with and like go around doing like cool.

1:41:28.040 --> 1:41:31.880
<v Speaker 1>Battles Necro Sword. Where do we see it again?

1:41:32.040 --> 1:41:32.120
<v Speaker 2>What?

1:41:32.439 --> 1:41:34.479
<v Speaker 1>Or because this is good, let's talk about this. This

1:41:34.520 --> 1:41:36.680
<v Speaker 1>is actually not the last we've seen, the netcor sort

1:41:36.680 --> 1:41:38.960
<v Speaker 1>of appears to be destroyed, although pieces of it.

1:41:39.160 --> 1:41:42.040
<v Speaker 2>Yeah, it seems like pieces of it actually went into Molnio,

1:41:42.080 --> 1:41:44.920
<v Speaker 2>which I found very interesting. Okay, so let's talk about

1:41:44.960 --> 1:41:46.280
<v Speaker 2>this because I think this is going to be a

1:41:46.280 --> 1:41:50.280
<v Speaker 2>big talking point right in the comics. It was established

1:41:50.360 --> 1:41:53.640
<v Speaker 2>in the recent Donnie Kates Ryan Stegmann Venom series. I

1:41:53.680 --> 1:41:57.840
<v Speaker 2>think Venom issue four that the Necrosorders we knew it

1:41:57.880 --> 1:41:59.800
<v Speaker 2>from Thor, God of Thunder, which we talked about a lot.

1:42:00.160 --> 1:42:07.000
<v Speaker 2>Revik Jason Narron was actually the first all Black the Necrosord,

1:42:07.240 --> 1:42:10.880
<v Speaker 2>and it was manifested by Null. Who is this like

1:42:10.960 --> 1:42:15.559
<v Speaker 2>another ancient Eldritch kind of deity. Now, I would say,

1:42:15.640 --> 1:42:18.000
<v Speaker 2>I think it's pretty fair to say that in this

1:42:18.080 --> 1:42:24.040
<v Speaker 2>movie they very much want to say that the Necrosord

1:42:24.120 --> 1:42:26.559
<v Speaker 2>is like not a living because in the comics, the

1:42:26.600 --> 1:42:29.840
<v Speaker 2>Necrosord is literally a symbia, and people who have the

1:42:29.880 --> 1:42:33.400
<v Speaker 2>symbia can manifest a separate symbia that is the Necrosord.

1:42:33.960 --> 1:42:35.559
<v Speaker 2>I think they very clearly want you to be like,

1:42:35.720 --> 1:42:38.519
<v Speaker 2>this is a shadow thing, Like this isn't a symbia,

1:42:38.640 --> 1:42:43.080
<v Speaker 2>this isn't connected to Venom blah, blah blah. But that said,

1:42:43.240 --> 1:42:45.519
<v Speaker 2>this is very much like that early version that we

1:42:45.560 --> 1:42:47.479
<v Speaker 2>saw in God of Thunder, which this whole movie is

1:42:47.479 --> 1:42:50.400
<v Speaker 2>basically taken from. So I think there's definitely a way

1:42:50.439 --> 1:42:54.240
<v Speaker 2>in the future that this was just like an early version,

1:42:54.320 --> 1:42:56.599
<v Speaker 2>or that's how it manifested for Gore, who had this

1:42:56.680 --> 1:42:59.479
<v Speaker 2>connection to the shadow realm once he got corrupted, which,

1:42:59.520 --> 1:43:02.320
<v Speaker 2>by the way, hilariously deep cut their shadow realm is

1:43:02.360 --> 1:43:05.400
<v Speaker 2>like barely even in any Marvel comics. I just that

1:43:05.560 --> 1:43:08.920
<v Speaker 2>was like the best Tiger deep cut. But yeah, I

1:43:09.000 --> 1:43:12.200
<v Speaker 2>think it could not necessarily be retcon because I think

1:43:12.240 --> 1:43:15.240
<v Speaker 2>this was probably always the purpose. But I think that

1:43:15.320 --> 1:43:17.439
<v Speaker 2>in the future we should still see it take on

1:43:17.479 --> 1:43:20.840
<v Speaker 2>those symbiotic tendencies, because I do think a lot of people,

1:43:20.880 --> 1:43:23.639
<v Speaker 2>a lot of fans, they assume that once they announced

1:43:23.640 --> 1:43:26.880
<v Speaker 2>this so close after the reveal in Venom, yeah, that

1:43:26.920 --> 1:43:30.040
<v Speaker 2>this was going to be Symbia's. They've kept it open,

1:43:30.080 --> 1:43:31.960
<v Speaker 2>so you could in the future say, oh, it kind

1:43:31.960 --> 1:43:35.240
<v Speaker 2>of was, But it's definitely there's nothing textual here to

1:43:35.240 --> 1:43:37.120
<v Speaker 2>say this is a Symbia or this is And also

1:43:37.120 --> 1:43:40.439
<v Speaker 2>the Necrosord is more of a standard weapon that can

1:43:40.479 --> 1:43:45.040
<v Speaker 2>weird shadows rather than being something that obviously replicates venom.

1:43:45.320 --> 1:43:48.679
<v Speaker 1>I will say it does. It does you know, kind

1:43:48.680 --> 1:43:51.720
<v Speaker 1>of like the Dark Hole. It does imprint itself.

1:43:51.680 --> 1:43:54.599
<v Speaker 2>And yeah, very much like the Dark Cord.

1:43:54.600 --> 1:43:56.680
<v Speaker 1>It corrupt very much like it. Very much like there

1:43:56.680 --> 1:44:00.400
<v Speaker 1>are all. It corrupts the wielder and you know, to

1:44:00.520 --> 1:44:04.640
<v Speaker 1>get it kind of into the weeds about like IP strategy.

1:44:05.400 --> 1:44:08.000
<v Speaker 1>It may not be the symbiote, that might not be

1:44:08.040 --> 1:44:12.040
<v Speaker 1>the plan, but it gives him the option exactly symbiote

1:44:12.280 --> 1:44:17.160
<v Speaker 1>to do a non non symbiote if they so wish

1:44:17.280 --> 1:44:17.800
<v Speaker 1>to do that.

1:44:18.080 --> 1:44:21.000
<v Speaker 2>We know that there is a version or there is

1:44:21.040 --> 1:44:24.240
<v Speaker 2>a tiny droplet of the venom symbia in a stinger

1:44:24.280 --> 1:44:27.680
<v Speaker 2>with another Ted LASSU member. By the way, Marvel was like,

1:44:27.720 --> 1:44:31.080
<v Speaker 2>we're gonna do that Ted making it into the mc

1:44:31.360 --> 1:44:33.040
<v Speaker 2>They were like, it's dandy. I mean that has to

1:44:33.080 --> 1:44:34.680
<v Speaker 2>be he has to come back. There's no way that

1:44:34.800 --> 1:44:38.760
<v Speaker 2>was just a cameo. But that venom symbia lives in

1:44:38.840 --> 1:44:41.439
<v Speaker 2>the MCU, in our version of it. In our world.

1:44:41.840 --> 1:44:44.919
<v Speaker 2>Now we have this necrosord that is already manifesting symbia

1:44:45.360 --> 1:44:51.040
<v Speaker 2>style shadows and monsters and beings. It does not seem

1:44:51.200 --> 1:44:54.719
<v Speaker 2>very hard to imagine that those two things could come

1:44:54.800 --> 1:45:01.479
<v Speaker 2>together and create a non Tom Hardy's chaotic and van.

1:45:01.439 --> 1:45:03.160
<v Speaker 1>Now let me ask you, and let me ask you this.

1:45:03.240 --> 1:45:06.400
<v Speaker 1>We have in your favorite MCU movie of all time,

1:45:06.439 --> 1:45:09.599
<v Speaker 1>the Eternals. In the state of that film, we saw

1:45:09.720 --> 1:45:15.559
<v Speaker 1>Dane Whitman the comics Black Knight come into possession finally

1:45:15.640 --> 1:45:19.839
<v Speaker 1>of the Ebony Blade, which when they showed it rippled

1:45:20.040 --> 1:45:24.639
<v Speaker 1>in obition, it was very symbial like, now we've got

1:45:24.640 --> 1:45:31.600
<v Speaker 1>these two black swords in the MCU proper. Obviously, the

1:45:31.640 --> 1:45:35.960
<v Speaker 1>Black Blade is you know, Arthurian legend magical except does

1:45:36.000 --> 1:45:40.559
<v Speaker 1>correct people, that does corrupt people also, So I wonder

1:45:41.040 --> 1:45:45.920
<v Speaker 1>how they if there is either a connection or if

1:45:45.960 --> 1:45:49.000
<v Speaker 1>there's going to be very definite ways that they define

1:45:49.080 --> 1:45:51.160
<v Speaker 1>these two swords differently from each other.

1:45:51.439 --> 1:45:55.519
<v Speaker 2>So I I realized Slash Free lun Slash kind of

1:45:55.520 --> 1:45:57.880
<v Speaker 2>cemented something today when I was writing about this, and

1:45:57.920 --> 1:45:59.720
<v Speaker 2>a piece that you will inevitably be able to read

1:45:59.720 --> 1:46:02.920
<v Speaker 2>when this comes out about the necrosord. Right, So very interestingly,

1:46:03.680 --> 1:46:10.840
<v Speaker 2>in Thor Ragnarok, Hella's blades are called necroswords, and that

1:46:11.000 --> 1:46:15.160
<v Speaker 2>is confirmed in what If that the helmet the reason

1:46:15.160 --> 1:46:17.679
<v Speaker 2>it can shape shift and control the swords is because

1:46:17.720 --> 1:46:20.320
<v Speaker 2>it is a necrosord, right. So I obviously it's not

1:46:20.320 --> 1:46:21.920
<v Speaker 2>the version we've seen in the comics, and it doesn't

1:46:21.960 --> 1:46:23.880
<v Speaker 2>seem to be connected to this, But I think the

1:46:23.920 --> 1:46:26.120
<v Speaker 2>notion is going to be Like in the comics, there

1:46:26.120 --> 1:46:30.240
<v Speaker 2>are many necro swords, and I think that whatever we whatever,

1:46:30.400 --> 1:46:31.960
<v Speaker 2>I think the Ebony Blade is going to be the

1:46:32.040 --> 1:46:35.320
<v Speaker 2>first necrosword. Maybe that's the one that was created by Null.

1:46:35.760 --> 1:46:38.599
<v Speaker 2>I think that we're gonna and there's already multiple things

1:46:38.640 --> 1:46:42.839
<v Speaker 2>called necroswords in the MCU now, both introduced by Tiger

1:46:42.840 --> 1:46:46.240
<v Speaker 2>and then confirmed by what If. So I think that

1:46:46.240 --> 1:46:48.960
<v Speaker 2>that Ebony Blade rip all that can't be a coincidence,

1:46:50.000 --> 1:46:51.000
<v Speaker 2>just like no Way.

1:46:51.040 --> 1:46:56.680
<v Speaker 1>I agree. I Finally, the question that everybody wants to know,

1:46:56.720 --> 1:47:01.880
<v Speaker 1>where do we rank this movie in the pantheon? I

1:47:01.880 --> 1:47:06.759
<v Speaker 1>will go first. I I don't have a number ranking.

1:47:06.800 --> 1:47:08.760
<v Speaker 1>I want to see it again before I give it

1:47:08.840 --> 1:47:12.400
<v Speaker 1>like a top five, top eight, top ten ranking. That said,

1:47:15.800 --> 1:47:18.320
<v Speaker 1>I don't think it's better than Ragnarok, but I have

1:47:18.400 --> 1:47:21.679
<v Speaker 1>it right there in whatever tier, which is the top

1:47:21.800 --> 1:47:25.960
<v Speaker 1>tier of MCU movies, which for me is like Ragnarok

1:47:26.840 --> 1:47:33.519
<v Speaker 1>Winter Soldier Infinny were in game, et cetera. Like I

1:47:33.600 --> 1:47:37.519
<v Speaker 1>have it there because I think it's so fun and

1:47:37.560 --> 1:47:39.840
<v Speaker 1>original and really great. Like I have it right there,

1:47:39.880 --> 1:47:42.479
<v Speaker 1>not better than Ragnarrock, but in the tier, whatever tier

1:47:42.600 --> 1:47:45.680
<v Speaker 1>you want to put Ragnarok in, it's right there with it.

1:47:45.760 --> 1:47:48.120
<v Speaker 2>Where do you get you mine's exactly the same, Like

1:47:48.160 --> 1:47:50.360
<v Speaker 2>my my, that top tier for me is like a

1:47:50.360 --> 1:47:52.679
<v Speaker 2>little bit different. You know, obviously the A Tunnels does

1:47:52.720 --> 1:47:57.160
<v Speaker 2>sneak in that, but like you know, Ragnarok is up

1:47:57.200 --> 1:48:01.120
<v Speaker 2>there for me. Like I absolutely loved Doctor Strange in

1:48:01.120 --> 1:48:03.760
<v Speaker 2>the Multiverse of Madness. I'm definitely being like catered to

1:48:03.880 --> 1:48:07.400
<v Speaker 2>in this weird kind of like strange adventure phase. But

1:48:07.560 --> 1:48:12.680
<v Speaker 2>also like, yeah, this is whatever that top tier is this.

1:48:12.840 --> 1:48:19.000
<v Speaker 2>I agree Ragnarok had that like you couldn't you couldn't

1:48:19.320 --> 1:48:21.800
<v Speaker 2>see it coming and you could never know what it

1:48:21.960 --> 1:48:25.559
<v Speaker 2>was and that made it like so impactful. But definitely

1:48:25.560 --> 1:48:30.760
<v Speaker 2>like Ragnarok Black Panther that top tier. But the first

1:48:30.840 --> 1:48:33.879
<v Speaker 2>twenty minutes of shan Chi that's just like the opening.

1:48:34.560 --> 1:48:37.760
<v Speaker 2>But yeah, like this is definitely in that top tier

1:48:37.800 --> 1:48:41.120
<v Speaker 2>for me, and I'm I'm really excited for people to

1:48:41.120 --> 1:48:42.920
<v Speaker 2>see it. I think this is I saw it when

1:48:42.960 --> 1:48:47.519
<v Speaker 2>I saw Spider Man No Way Home when I came

1:48:47.520 --> 1:48:50.920
<v Speaker 2>out of the theater. I saw it obviously at screening,

1:48:50.920 --> 1:48:52.200
<v Speaker 2>and that's how we talked about it, but like I

1:48:52.240 --> 1:48:58.240
<v Speaker 2>went to see it again and there were so many kids,

1:48:58.320 --> 1:49:01.720
<v Speaker 2>every little kid, every gender, every kind of kid, in

1:49:01.800 --> 1:49:04.240
<v Speaker 2>every kind of costume, in every kind of Spiderman T

1:49:04.360 --> 1:49:08.200
<v Speaker 2>shirt from like four to you know, twenty one, like

1:49:08.360 --> 1:49:11.000
<v Speaker 2>everyone that you could ever define as like a young person.

1:49:11.360 --> 1:49:14.519
<v Speaker 2>And that was so cool. And I feel like that

1:49:14.760 --> 1:49:19.880
<v Speaker 2>audience is gonna really love this movie, and I'm really

1:49:19.960 --> 1:49:23.919
<v Speaker 2>excited about that because like, yeah, we are the generation

1:49:24.080 --> 1:49:26.599
<v Speaker 2>that we're lucky enough to basically like come up and

1:49:26.640 --> 1:49:28.840
<v Speaker 2>be there when the MCU first happened in a way

1:49:28.880 --> 1:49:31.240
<v Speaker 2>that was noticeable to us because we'd lived through like

1:49:31.280 --> 1:49:33.200
<v Speaker 2>the nineties where there was like no superhor movies and

1:49:33.240 --> 1:49:38.599
<v Speaker 2>then we'd had you know, these incredible non Marvel Studios movies,

1:49:38.800 --> 1:49:41.000
<v Speaker 2>but like we got to feel that impact.

1:49:41.160 --> 1:49:43.280
<v Speaker 6>But they're a kid who like that's all they've ever

1:49:43.360 --> 1:49:46.120
<v Speaker 6>known as like blockbusters, and I kind of love the

1:49:46.160 --> 1:49:49.519
<v Speaker 6>notion that this might be their favorite, this might be

1:49:49.560 --> 1:49:52.280
<v Speaker 6>the one that really gets them excited and that makes

1:49:52.320 --> 1:49:54.360
<v Speaker 6>them want to be a superhero or want to read

1:49:54.400 --> 1:49:57.320
<v Speaker 6>more about superheroes and stuff that that just.

1:49:57.320 --> 1:50:00.080
<v Speaker 2>Warms my heart. I'm a grandma that way.

1:50:02.840 --> 1:50:05.160
<v Speaker 1>Well, you know what's one of my favorite things, Rosie

1:50:05.320 --> 1:50:09.720
<v Speaker 1>is hosting this podcast with you. I say, another great one.

1:50:09.760 --> 1:50:12.080
<v Speaker 1>It's great to be back after a week off. Rosie.

1:50:12.840 --> 1:50:16.160
<v Speaker 1>What do you have to plug? What's going on with Godzilla?

1:50:17.080 --> 1:50:21.160
<v Speaker 1>What is happening in your life and career that you

1:50:21.240 --> 1:50:23.280
<v Speaker 1>can take part in that we can read, that, we

1:50:23.320 --> 1:50:24.280
<v Speaker 1>can watch it, we can listen to.

1:50:24.439 --> 1:50:26.920
<v Speaker 2>Well, I will have lots of thought because going up,

1:50:27.000 --> 1:50:29.680
<v Speaker 2>no surprises. I'm also got Miss Marvel stuff going up.

1:50:29.720 --> 1:50:32.479
<v Speaker 2>You can find that nerdist IGN also doing a lot

1:50:32.520 --> 1:50:34.840
<v Speaker 2>of anime coverage IGN. I know I got a lot

1:50:34.840 --> 1:50:37.640
<v Speaker 2>of manga and anime lovers out there who listen to

1:50:37.680 --> 1:50:40.760
<v Speaker 2>this podcast. So that's really cool. That's been nice to

1:50:40.800 --> 1:50:45.879
<v Speaker 2>dip into Godzilla Versus Batchel. The final order cutoff has passed,

1:50:46.000 --> 1:50:47.760
<v Speaker 2>but that does not mean that you cannot go to

1:50:47.800 --> 1:50:49.519
<v Speaker 2>your comic shop and say, hey, I would like a

1:50:49.520 --> 1:50:53.280
<v Speaker 2>copy of Godzilla Versus Batchel of Rivals, which we found

1:50:53.280 --> 1:50:56.160
<v Speaker 2>out sold very well in pre orders. Thank you so much.

1:50:56.200 --> 1:50:58.439
<v Speaker 2>To everyone who pre ordered, and it's going to be

1:50:58.439 --> 1:51:01.160
<v Speaker 2>really exciting. We're going to be doing sie. We are

1:51:01.200 --> 1:51:02.840
<v Speaker 2>going to be doing an x ray Vision giveaway that

1:51:02.920 --> 1:51:04.880
<v Speaker 2>we will have more information about soon.

1:51:05.479 --> 1:51:12.400
<v Speaker 1>That's right, we're going to be air dropping Godzilla Batra.

1:51:12.840 --> 1:51:15.479
<v Speaker 1>We're gonna be dropping it over your home when this

1:51:15.640 --> 1:51:18.120
<v Speaker 1>time it comes out, Folks, stay tuned right here, because

1:51:18.120 --> 1:51:20.559
<v Speaker 1>we're going to be delivering it to you in a

1:51:20.600 --> 1:51:27.400
<v Speaker 1>major way. Folks. Check out the show notes for the

1:51:27.439 --> 1:51:29.759
<v Speaker 1>listener's guide to Extra Vision, where we provide more details

1:51:29.800 --> 1:51:32.200
<v Speaker 1>on everything that we talk about in each and every episode.

1:51:32.240 --> 1:51:35.720
<v Speaker 1>Next week, we're back on Friday, July fifteenth to the

1:51:35.720 --> 1:51:39.479
<v Speaker 1>Miss Marvel finale, a bunch of TV ketchup including the Boys,

1:51:40.120 --> 1:51:45.519
<v Speaker 1>and more exciting housekeeping announcement, x ray Vision. The YouTube

1:51:45.560 --> 1:51:48.800
<v Speaker 1>page will be moving from Uncultured on YouTube to its

1:51:48.800 --> 1:51:53.120
<v Speaker 1>own channel starting this week. Xtra Vision will be taking

1:51:53.160 --> 1:51:55.880
<v Speaker 1>over the Takeline YouTube channel as the dedicated x ray

1:51:55.960 --> 1:52:00.799
<v Speaker 1>Vision channel, So check there for all the video versions

1:52:00.840 --> 1:52:04.240
<v Speaker 1>of the podcast, as well as different video content that

1:52:04.320 --> 1:52:07.040
<v Speaker 1>we will be releasing each and every week. Please subscribe.

1:52:07.360 --> 1:52:11.719
<v Speaker 1>If you have thor loven thunder questions, send us an email.

1:52:11.920 --> 1:52:14.519
<v Speaker 1>X ray at Crooked dot com. Or any questions about

1:52:14.560 --> 1:52:19.720
<v Speaker 1>anything whatsoever reach out on social We may have a

1:52:19.840 --> 1:52:22.479
<v Speaker 1>time to answer them in a mail bag segment coming

1:52:22.560 --> 1:52:24.639
<v Speaker 1>up next week. But of course we'd love to hear

1:52:24.680 --> 1:52:26.840
<v Speaker 1>from you. Love to hear your questions. Don't forget also

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<v Speaker 1>rate and review us x ray Vision five stars. We

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1:52:35.680 --> 1:52:37.439
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1:52:37.439 --> 1:52:39.320
<v Speaker 1>five star ratings. That's what we need, that's what we love.

1:52:40.040 --> 1:52:41.920
<v Speaker 1>X ray Vision is a Crooked Media production. The show

1:52:41.960 --> 1:52:43.760
<v Speaker 1>is produced by Chris Lorden soul Rubin. The show is

1:52:43.800 --> 1:52:46.760
<v Speaker 1>executive produced by myself and Sandy's Rhard Are editing and

1:52:46.800 --> 1:52:51.120
<v Speaker 1>sound designers by Facilla's Photopoulos. Dilon Villanueva and Matt Degroup

1:52:51.120 --> 1:52:54.360
<v Speaker 1>provide video production support. Alex Rella for to handle social media.

1:52:54.439 --> 1:52:57.760
<v Speaker 1>Thank you Brian Vasquez for thee music. See you Next

1:52:57.880 --> 1:53:02.920
<v Speaker 1>Time by folks