WEBVTT - I’ll make you some coffee (S4 E20 "Luke Can See Her Face”)

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<v Speaker 1>I am all in. Oh that's you. I am all

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<v Speaker 1>in with Scott Patterson an I Heeart radio podcast. Hi kids,

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<v Speaker 1>Hi hie, Oh my god, happen Luke can see your face?

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<v Speaker 1>What is going on with the episode? Wow? I mean,

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<v Speaker 1>there's a lot of pack, so many words. There's just

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<v Speaker 1>too much to even deal with. It's so much. You

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<v Speaker 1>said when you just said when Luke can see your face?

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<v Speaker 1>I literally was like, yeah, I know you can. My

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<v Speaker 1>camera's on. And then oh my god, that's the title

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<v Speaker 1>of the episode or not Luke. That must be a

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<v Speaker 1>stay on the street. People on the streets say Luke. Yeah. Yeah,

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<v Speaker 1>they say Luke. Yeah. Tori Spelling said she answers to Donna,

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<v Speaker 1>so you can answer them. I do, I do. I

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<v Speaker 1>look and I turn and there they are. You know,

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<v Speaker 1>it's wonderful. It's all wonderful. But why Wow, what an episode? Wow?

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<v Speaker 1>Season four just taken over all right. Here's the synopsis.

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<v Speaker 1>Luke decides to make some changes in his love life

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<v Speaker 1>after listening to an inspiring tape and reading books about love.

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<v Speaker 1>Liz and tj announced are going to get married and

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<v Speaker 1>have a Renaissance themed wedding in the town square. Then

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<v Speaker 1>Jess comes into town and admits he's trying to avoid

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<v Speaker 1>Rory after dropping the L word. Lori lia is stressed

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<v Speaker 1>out about the breakup and the end and stresses everyone

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<v Speaker 1>else too. Meanwhile, Paris makes a decision about her and

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<v Speaker 1>Asher's future. Did anyone knows? At the end? On Netflix,

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<v Speaker 1>it said like, two more episodes left of the season

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<v Speaker 1>when you hit next? Did you notice that? No? Yeah,

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<v Speaker 1>so you know how like it always like speeds through

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<v Speaker 1>and it's like, oh, like I can hit next. They

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<v Speaker 1>said two more left of season, like two more episodes

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<v Speaker 1>left of season four. I was like, well, this is

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<v Speaker 1>exciting it and Netflix says that it takes all my

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<v Speaker 1>season to end. It has all my strength to not

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<v Speaker 1>watch the next one. Yeah, you can't do it. You

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<v Speaker 1>can't do it. It will quit. Scott, is it coming

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<v Speaker 1>back to you? Like? No, none of this. I remember

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<v Speaker 1>none of this. I remember God, and least of all

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<v Speaker 1>I the strip club shocked me. I couldn't believe that

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<v Speaker 1>I did that scene. And I just don't remember any

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<v Speaker 1>of it. I don't remember any of it. I don't remember.

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<v Speaker 1>This was literally your episode. Like there's a lot of luke,

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<v Speaker 1>a lot of luke. This is luke this whole episode

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<v Speaker 1>is Luke like, it's all you WoT next? Oh really,

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<v Speaker 1>I don't even want to say. Here's the thing. This

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<v Speaker 1>goes to show how great Lauren is because she had

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<v Speaker 1>to do that. She has to carry every show, right,

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<v Speaker 1>She's in like more scenes than anybody. Yeah, and it's

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<v Speaker 1>hard to do it. You know, it's like really hard

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<v Speaker 1>to be in so many scenes because of the you know,

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<v Speaker 1>the tone that you have to hit and if and

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<v Speaker 1>if you're off on one scene and I think, and

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<v Speaker 1>we'll get into this because I was. I think I

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<v Speaker 1>was really off on one particular scene that we'll talk about.

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<v Speaker 1>I can't wait to hear about. Well, we'll we'll you know,

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<v Speaker 1>hash it out when we get there. But but it's

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<v Speaker 1>hard to really kind of lay out that sort of

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<v Speaker 1>game plan. When you get the script and you see

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<v Speaker 1>her on all these scenes, it's like, you know, it's

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<v Speaker 1>you can fall into you know, these inevitable acting sort

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<v Speaker 1>of traps um if there are so many scenes and

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<v Speaker 1>you don't really plot your course through you can't wait

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<v Speaker 1>to hear about the like inside Baseball and I'm laughing, yeah,

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<v Speaker 1>because we had sales called us yesterday and they were like,

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<v Speaker 1>do you have a show where your home don't agree,

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<v Speaker 1>And I was like, I'm on it. It is called

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<v Speaker 1>I'm all it. We all disagree. I already was laughing

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<v Speaker 1>because I'm already like, disagree, disagree. Oh anyway, all I

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<v Speaker 1>have to do is listen to like any of the episodes.

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<v Speaker 1>But I don't. I can't wait to hear because I'm

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<v Speaker 1>going to see if we noticed it or if you're

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<v Speaker 1>just like hard on your performance. I hope you're not,

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<v Speaker 1>because you were outstanding. Oh no, I'm gonna I'm gonna

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<v Speaker 1>tear myself a new one. One particular scene. The rest

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<v Speaker 1>I'm fine with. Okay, I'm gonna be the one with

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<v Speaker 1>the boom box because literally I wrote down phenomenal performance

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<v Speaker 1>in that. Scott just entertained me for a good long

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<v Speaker 1>amount of time with a boom box. It's a good point.

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<v Speaker 1>If I was an actor, I would think that would

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<v Speaker 1>be the hardest scene ever her and effing nailed it.

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<v Speaker 1>I was like, I am not bored. I completely believe

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<v Speaker 1>it everything. I was like, he is acting with a

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<v Speaker 1>tape recorder. I wonder you that's the one that is

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<v Speaker 1>not the scene I'm referring to. I enjoyed that scene too.

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<v Speaker 1>That's that you are great, that's thank you. That's active listening.

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<v Speaker 1>Active listening. Um, so listening. That's like what teachers say, right,

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<v Speaker 1>So what does that mean? You're listening like you're in

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<v Speaker 1>it because you're listening. It's just thinking the thoughts. It's

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<v Speaker 1>like thinking the thoughts the character would think in that situation,

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<v Speaker 1>and the thoughts are always changing. And acting is listening.

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<v Speaker 1>It's listening. It's reacting to what you're listening to in

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<v Speaker 1>the moment and being truthful. That's all that scene comes

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<v Speaker 1>across across so believable because you're in it, like you're

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<v Speaker 1>really listening to I'm connected to that tape recorder. Wow,

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<v Speaker 1>And what is coming out of it? Yeah? Is it

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<v Speaker 1>not acting? Is it just living? Yeah? I guess it's yeah.

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<v Speaker 1>You try to do that living thing. Sometimes it's it's

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<v Speaker 1>hard in the acting, you know, I know we're getting

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<v Speaker 1>a little wonky, but it's interesting. I'm I'm interested. Yeah,

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<v Speaker 1>it's I don't know. I think if you can live

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<v Speaker 1>the role, it's better, right, Not that you have to.

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<v Speaker 1>I mean there's a lot, there's a lot of press.

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<v Speaker 1>Brian cox Is is after Jeremy strong succession. He's like

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<v Speaker 1>this guy won't let it go on set, and it's

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<v Speaker 1>like two methody. It's like what Dustin Hoffman did in

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<v Speaker 1>Marathon Man and Laurence Olivier criticized. It's like, yeah, you know,

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<v Speaker 1>young man, just learn how to act, you know, you

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<v Speaker 1>don't have to live it, you know, twenty four seven,

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<v Speaker 1>that kind of thing. But it's like everybody has their process, right,

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<v Speaker 1>every you've got to respect everybody's process. So, um, and

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<v Speaker 1>you can't argue with the results right from from what

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<v Speaker 1>Jeremy Strong's doing. And and I know Brian and I

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<v Speaker 1>know how gifted an actor he is, um and and

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<v Speaker 1>so he just has a process. But he's been doing

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<v Speaker 1>it a lot longer than Jeremy Strong's been doing it, right, Um,

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<v Speaker 1>So maybe one day Jeremy Strong got to that point

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<v Speaker 1>where he it's just you know, part of his process

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<v Speaker 1>is not living it all the time on set, but

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<v Speaker 1>that's just how he works. Yeah, well, and I want

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<v Speaker 1>to and you gotta respect it. That's what I was

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<v Speaker 1>going to say, A commitment. Yeah, people do what they're

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<v Speaker 1>gonna do, just if it's even if it's not your

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<v Speaker 1>way right right right. I don't know, I feel like

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<v Speaker 1>and I could be wrong about Lauren because I don't

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<v Speaker 1>know her, but I feel like there's a lot of

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<v Speaker 1>Laura Lae in Lauren, even just when I see her

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<v Speaker 1>in interviews. I'm like, that's a lot of lorel And

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<v Speaker 1>we do know you. There's a lot of Luke in Scott. Yeah.

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<v Speaker 1>And I stayed in character, you know, while I was

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<v Speaker 1>on set because it was it was so far away

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<v Speaker 1>from me and that you know, that energy and that

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<v Speaker 1>type of concentration. I had to maintain it throughout the

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<v Speaker 1>shooting day. Yeah, yeah, I kind of let if you

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<v Speaker 1>let it go. Man, It's just like and then after

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<v Speaker 1>nine years and coming back doing the episode the Netflix thing, man,

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<v Speaker 1>I had no clue. I was scared. Interesting. I don't

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<v Speaker 1>know this guy anymore. I've changed so much and maybe

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<v Speaker 1>he's changed so much, but it took me a little

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<v Speaker 1>bit to get him back, get the scent back. Yeah.

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<v Speaker 1>How many years later? Was it? Nine? I can't wait

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<v Speaker 1>to break down the movies. But yeah, so Laura lies

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<v Speaker 1>a cat lady, I guess we'll start that was that

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<v Speaker 1>was good stuff, really funny, good cat acting. And I

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<v Speaker 1>will say the phone call acting does not bother me

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<v Speaker 1>on this show. It's like I'm used to it. It

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<v Speaker 1>doesn't take me out like it's fine. Well, they do

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<v Speaker 1>it so often that you know people are bound to

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<v Speaker 1>get great at it. But it's still but it's still

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<v Speaker 1>it's still that Gilmore cadence. It's still the Gilmore energy,

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<v Speaker 1>it still has the humor. Can you remember if you

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<v Speaker 1>I mean, you don't have as many it'd more be

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<v Speaker 1>a question for Alexis and Lauren what phone calls? Did

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<v Speaker 1>they do them together? So they would shoot it with

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<v Speaker 1>just another person a stand in or whatever? Well, yeah,

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<v Speaker 1>or you know, somebody reading off camera, because you know

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<v Speaker 1>if usually those two were there all the time so

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<v Speaker 1>they can give each other the lines. I mean, there

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<v Speaker 1>weren't a lot of off days for either one of them,

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<v Speaker 1>so they were together in the scenes all the time.

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<v Speaker 1>So but now that they're splitting it up and doing

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<v Speaker 1>this different locations in Yale and Lorialize at our house,

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<v Speaker 1>So that's different, right. Can you imagine if in real

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<v Speaker 1>life they did I mean I believe that they totally

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<v Speaker 1>love each other, but can you imagine if you were

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<v Speaker 1>in that many scenes together working together with someone you

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<v Speaker 1>did not like, oh I've done that, I've done that.

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<v Speaker 1>It's hard. That's acting. Yeah. I mean it's like working

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<v Speaker 1>with somebody you don't like either, like deal with it

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<v Speaker 1>the same same. Yes, I'm trying to think if there's

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<v Speaker 1>anyone we work with that I really don't like, but

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<v Speaker 1>I can't think of it. I mean other than down,

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<v Speaker 1>you know, I really don't like Amy was like, I

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<v Speaker 1>must really love Amy. We call each other at ten

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<v Speaker 1>pms and no, we all actually love each other. And

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<v Speaker 1>Scott included, you should see our text, chambe I think

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<v Speaker 1>we should. Like people saw our text, they would just

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<v Speaker 1>kee their pants. They would actually, did anyone notice like

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<v Speaker 1>the little itty bitty cell phone, Like it's so weird

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<v Speaker 1>to me, like raise a little itty dy right? It

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<v Speaker 1>wasn't it a flip phone? Isn't a little tiny flip phone?

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<v Speaker 1>I feel like hers was even like not a flip phone.

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<v Speaker 1>It was just like this idiot I had a phone

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<v Speaker 1>one time before they were like, you know, before you

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<v Speaker 1>did emails, and I saw it was a little one

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<v Speaker 1>inch like it was just a little um okay. Relatable

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<v Speaker 1>hashtag relatable Lorelai leaving herself messages of the things she

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<v Speaker 1>has to do. Do you guys, ever, text yourself to

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<v Speaker 1>remind yourself of things I've done that. Yeah, Oh, I

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<v Speaker 1>just put in my notes page. Well I don't know

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<v Speaker 1>how to use that, but if I'm yeah, I do that.

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<v Speaker 1>But like sometimes I just text myself because if it's

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<v Speaker 1>like a link too, I just text myself. Like literally, yesterday,

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<v Speaker 1>I'm laying on my couch here in my office and

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<v Speaker 1>it's two thirty and my phone goes off if there's

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<v Speaker 1>an alert, and I pick it up and I'm like,

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<v Speaker 1>I'm all like groggy, and I'm like, because I was

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<v Speaker 1>up early with my son and all that stuff, and

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<v Speaker 1>so I look at it says podcasting. Oh no, David

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<v Speaker 1>tay Luis. So I ran in the kitchen, you know,

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<v Speaker 1>and oh is that when you texted us and you're like,

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<v Speaker 1>is there a podcast? I was out of it, man,

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<v Speaker 1>I was nodding out. I can't wait for people to

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<v Speaker 1>listen to that on this week though. We can tell

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<v Speaker 1>you is We got a text from Scott after that

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<v Speaker 1>said that was epic. He's epic. It was because this

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<v Speaker 1>morning we had one of these this morning and we

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<v Speaker 1>call it Gilmore. They call it I a AI I am,

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<v Speaker 1>and I call it Gilmore and I'm like Gilmore at

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<v Speaker 1>ten and then someone's like we rescheduled it, and I'm

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<v Speaker 1>like to what, like it was literally who's on first

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<v Speaker 1>to ten? Well it is said ten ten, we resled it.

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<v Speaker 1>Danyelle's email hasn't been working. I can't even talk about it.

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<v Speaker 1>It's gonna really put me in a spiral if we

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<v Speaker 1>talk about it. Here's what I want to say, Here's

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<v Speaker 1>what I want to say. Uh. When I took away

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<v Speaker 1>one of the things I took away from this episode

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<v Speaker 1>was how on earth did Michael and David day Louise

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<v Speaker 1>and even Peter Day Louise did not get their own

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<v Speaker 1>series together? I don't know. They are hysterical, Scott. I

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<v Speaker 1>literally agree because I was thinking this last night, right,

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<v Speaker 1>because I was like reading the transcripts from your interview

0:13:16.440 --> 0:13:20.920
<v Speaker 1>with David. Right, It's like the three of them were amazing.

0:13:21.160 --> 0:13:24.640
<v Speaker 1>Oh does Peter too, I mean, and in such a

0:13:24.640 --> 0:13:28.160
<v Speaker 1>different way. Twenty one Jump Street was like freaking iconic, right,

0:13:28.800 --> 0:13:32.760
<v Speaker 1>and they all look exactly this. Well. But but the

0:13:32.760 --> 0:13:37.199
<v Speaker 1>thing is they're they're all such strong personalities, they're all

0:13:37.280 --> 0:13:43.160
<v Speaker 1>so incredibly talented. They're also really funny guys and good guys. Totally.

0:13:43.440 --> 0:13:46.520
<v Speaker 1>Why didn't somebody sit them down and say, let's make

0:13:46.520 --> 0:13:49.240
<v Speaker 1>a deal. You guys need to either have your own

0:13:49.240 --> 0:13:52.880
<v Speaker 1>sitcom or your own single camera comedy show. Tara, it

0:13:52.920 --> 0:13:58.080
<v Speaker 1>would be Brotherly Love the adult version. Ye who dropped

0:13:58.080 --> 0:14:01.280
<v Speaker 1>the ball on that some network? And it's really not

0:14:01.320 --> 0:14:04.440
<v Speaker 1>too It's not too late, you know. I mean, I know,

0:14:04.520 --> 0:14:07.360
<v Speaker 1>I think Michael's not acting anymore. He emailed. I think

0:14:07.360 --> 0:14:10.240
<v Speaker 1>he emailed one of us that he's like just not

0:14:10.760 --> 0:14:14.800
<v Speaker 1>acting anymore. That's just soft. And this was like David

0:14:15.000 --> 0:14:18.960
<v Speaker 1>is on fire. The strip club scene was hysterical. I

0:14:19.160 --> 0:14:22.800
<v Speaker 1>laughed so hard. You know, the good host too. I

0:14:22.840 --> 0:14:25.600
<v Speaker 1>cannot wait for people to hear you guys, it's an illusion.

0:14:28.520 --> 0:14:30.840
<v Speaker 1>We'll get to it. I got so many mud questions

0:14:31.960 --> 0:14:34.440
<v Speaker 1>a couple of years before Wizards of Waverley Place too.

0:14:34.520 --> 0:14:36.840
<v Speaker 1>So yeah, because that was in two thousand and seven,

0:14:36.960 --> 0:14:39.160
<v Speaker 1>Is that right? Yeah? I think seven or a. Do

0:14:39.200 --> 0:14:42.600
<v Speaker 1>you think it's possible that they didn't want to work together? No,

0:14:42.960 --> 0:14:50.680
<v Speaker 1>I don't. I know, I don't either. I don't think so. No. Hey, everyone,

0:14:50.720 --> 0:14:54.640
<v Speaker 1>it's Bethany Frankel. We are reliving the best moments from

0:14:54.760 --> 0:14:57.400
<v Speaker 1>all the seasons of the Real Housewives on my new

0:14:57.440 --> 0:15:01.080
<v Speaker 1>podcast Rewives from the Table Flip New Jersey to the

0:15:01.160 --> 0:15:04.960
<v Speaker 1>craziest hills of Beverly. No city will be spared. And

0:15:05.080 --> 0:15:08.480
<v Speaker 1>I'm joined by my most fabulous celebrity friends that you

0:15:08.520 --> 0:15:11.600
<v Speaker 1>will never expect to help me break down the drama.

0:15:11.800 --> 0:15:17.280
<v Speaker 1>Kristin Channawi, Tori Spelling, Jerry Springer, Snookie, even Emmy winner

0:15:17.320 --> 0:15:20.920
<v Speaker 1>Elizabeth Moss. The list goes on and on. So let's

0:15:20.920 --> 0:15:23.920
<v Speaker 1>whoop it up and mention it all because you can

0:15:23.960 --> 0:15:27.200
<v Speaker 1>binge episodes of rewives right now with so much more

0:15:27.240 --> 0:15:31.120
<v Speaker 1>to come. Listen to rewives on the iHeartRadio app or

0:15:31.160 --> 0:15:35.720
<v Speaker 1>wherever you listen to your podcasts. One thing about the

0:15:35.760 --> 0:15:41.520
<v Speaker 1>opening credits, Milo was in them. There's that that you yeah,

0:15:41.560 --> 0:15:46.000
<v Speaker 1>that you know right away Milo and Jared are in

0:15:46.000 --> 0:15:50.120
<v Speaker 1>this episode. I was just like, oh, heck yeah, stoved.

0:15:50.200 --> 0:15:53.040
<v Speaker 1>Couldn't be like I literally wrote it down Milo on

0:15:53.160 --> 0:15:57.360
<v Speaker 1>opening credits exclamation points like Danielle wait, tell me when

0:15:57.400 --> 0:16:04.040
<v Speaker 1>this episode aired again. It aired on May fourth, two thousand. Sweeps. Dude, sweeps,

0:16:04.080 --> 0:16:08.320
<v Speaker 1>they know how to bring it sweeps. Yeah, okay, so

0:16:09.480 --> 0:16:11.960
<v Speaker 1>it's almost like every every episode in the season four

0:16:12.000 --> 0:16:16.080
<v Speaker 1>has been a sweeps episode. I totally agree. So okay,

0:16:16.120 --> 0:16:18.840
<v Speaker 1>So then we go Luke's opening the diner. Lore lies

0:16:18.880 --> 0:16:23.120
<v Speaker 1>on the steps. She's all jacked up on coffee, right,

0:16:23.160 --> 0:16:25.640
<v Speaker 1>like she she's already had the coffee, and then she

0:16:25.720 --> 0:16:29.840
<v Speaker 1>ran out right, yes, yeah, this is a mess. And

0:16:29.960 --> 0:16:32.800
<v Speaker 1>you make her eat oatmeal? I mean right away. We're

0:16:32.840 --> 0:16:37.520
<v Speaker 1>just seeing their connections. Yeah, yeah, they were. They had

0:16:37.560 --> 0:16:41.280
<v Speaker 1>a nice flow together. They just have a nice flow together. Yeah,

0:16:41.320 --> 0:16:45.480
<v Speaker 1>you know, um, because she's tough enough to take his grumpiness, yeah,

0:16:45.760 --> 0:16:50.240
<v Speaker 1>and his sarcasm, and but vulnerable enough to be delight

0:16:50.280 --> 0:16:52.520
<v Speaker 1>a delight, you know what I mean? And ell and

0:16:52.680 --> 0:17:00.800
<v Speaker 1>light King wants the one table right then realizes the

0:17:00.920 --> 0:17:04.160
<v Speaker 1>lighting over there is pretty good? Right? Did this stand

0:17:04.160 --> 0:17:07.679
<v Speaker 1>out to anybody else? How dressed up she is? I

0:17:07.680 --> 0:17:10.240
<v Speaker 1>mean she's wearing heels, like for all of us, like

0:17:10.400 --> 0:17:13.440
<v Speaker 1>after the pandemic, Like hard pants, you're like, who wears

0:17:13.960 --> 0:17:17.200
<v Speaker 1>literally wearing sweatpants as we speak, the same a fool

0:17:17.320 --> 0:17:20.119
<v Speaker 1>sweat set, Like how are you wearing sweatpants or hard pants?

0:17:20.160 --> 0:17:26.520
<v Speaker 1>Oh yeah, I never wear hard pants. If we go

0:17:26.560 --> 0:17:29.040
<v Speaker 1>out to sushi or something, I'll put on some hard pants.

0:17:29.080 --> 0:17:37.400
<v Speaker 1>But around the house, forget about it. Yea. And where

0:17:37.480 --> 0:17:42.120
<v Speaker 1>tracks is Harry? Because it's like it really stood out

0:17:42.160 --> 0:17:45.440
<v Speaker 1>to me. Now how pansy she is and then those heels,

0:17:45.680 --> 0:17:48.560
<v Speaker 1>I mean, she looks amazing. Like, yeah, shout out to

0:17:48.560 --> 0:17:51.040
<v Speaker 1>everybody who like joins me in being obsessed with this

0:17:51.080 --> 0:17:53.120
<v Speaker 1>fashion and thank you for telling me where to get

0:17:53.160 --> 0:18:03.240
<v Speaker 1>things because she's dressy, especially her five am I know. Wait, Okay,

0:18:03.280 --> 0:18:04.960
<v Speaker 1>so then we go to the inn and Michelle's on

0:18:04.960 --> 0:18:08.360
<v Speaker 1>the floor, which just was relatable. Again, I'm like, when

0:18:08.400 --> 0:18:11.080
<v Speaker 1>you're opening up something, how many times have we all

0:18:11.080 --> 0:18:16.280
<v Speaker 1>just been on the floor a day? So many like

0:18:16.320 --> 0:18:18.960
<v Speaker 1>we have so many jobs where there's just nothing there

0:18:19.240 --> 0:18:21.240
<v Speaker 1>and you literally like have a laptop and he was

0:18:21.280 --> 0:18:26.760
<v Speaker 1>like on the cement. I remember one time my therapist

0:18:26.840 --> 0:18:29.200
<v Speaker 1>told me, like a great way to like decompress for

0:18:29.240 --> 0:18:31.960
<v Speaker 1>your stress, and I actually have done this before is

0:18:32.000 --> 0:18:34.119
<v Speaker 1>you lay on the floor and you put your legs

0:18:34.200 --> 0:18:37.119
<v Speaker 1>up in like a tabletop position on the couch and

0:18:37.320 --> 0:18:40.880
<v Speaker 1>like like you put your legs up like yeah, yeah, saying,

0:18:41.040 --> 0:18:43.120
<v Speaker 1>so your your body's on the floor, but your legs

0:18:43.160 --> 0:18:45.399
<v Speaker 1>are on the couch. Okay, just sit there and it

0:18:45.520 --> 0:18:48.560
<v Speaker 1>like helps you like distress. You know what else you

0:18:48.600 --> 0:18:50.960
<v Speaker 1>can do is like is you can take these deep

0:18:50.960 --> 0:18:54.560
<v Speaker 1>breaths and just sort of let them out, like just

0:18:54.640 --> 0:18:57.840
<v Speaker 1>like just so you empty everything out. That's an acting

0:18:57.880 --> 0:19:03.080
<v Speaker 1>exercise laxation. Actually, what you just described is you get

0:19:03.119 --> 0:19:04.800
<v Speaker 1>on your back and you put your legs up on

0:19:04.840 --> 0:19:07.440
<v Speaker 1>the couch and you take deep breasts and just and

0:19:07.520 --> 0:19:09.399
<v Speaker 1>you go ruh and you just let everything out. You

0:19:09.400 --> 0:19:12.000
<v Speaker 1>do like twenty times your high as a kite from

0:19:12.119 --> 0:19:15.720
<v Speaker 1>from the hyperventilation, and you're relaxed as hell. So you

0:19:15.720 --> 0:19:18.040
<v Speaker 1>can get in front of a camera and just sort

0:19:18.080 --> 0:19:20.600
<v Speaker 1>of chill. Wait, should we all do it right now?

0:19:20.600 --> 0:19:23.840
<v Speaker 1>Everyone in their car? Absolutely ready? Did you say in

0:19:23.840 --> 0:19:28.400
<v Speaker 1>the car? Everyone in the car, everyone on their walks. Oh,

0:19:30.080 --> 0:19:31.960
<v Speaker 1>but you make it sound you make it sound like

0:19:32.000 --> 0:19:35.080
<v Speaker 1>a hippopotamus. Have you ever been in a yoga class

0:19:35.080 --> 0:19:39.359
<v Speaker 1>where they make you like exhale loud? Yes, you're just

0:19:39.440 --> 0:19:46.800
<v Speaker 1>like Scott. That reminds me you would have been great

0:19:46.840 --> 0:19:53.480
<v Speaker 1>in like finding Nemo. You sound like dor Let's do

0:19:53.520 --> 0:20:02.680
<v Speaker 1>another one? Here? Shall we? Here? You're go there you go?

0:20:03.520 --> 0:20:06.359
<v Speaker 1>You know what else? It's so funny, how like things

0:20:06.440 --> 0:20:08.480
<v Speaker 1>that make you feel dorky. I want everyone to do

0:20:08.520 --> 0:20:10.600
<v Speaker 1>it right now, because whenever I do a workout and

0:20:10.640 --> 0:20:16.880
<v Speaker 1>they're like pose, pose and I just skip them anyway.

0:20:17.400 --> 0:20:21.280
<v Speaker 1>So okay, So then Luke comes in and he's analyzing

0:20:21.320 --> 0:20:24.679
<v Speaker 1>the stairs with Tom, and Tom's all peoed about it,

0:20:24.680 --> 0:20:26.880
<v Speaker 1>and you guys are like, I'm not kid it singing

0:20:27.119 --> 0:20:29.600
<v Speaker 1>right right, don't don't come in here and kim its

0:20:30.720 --> 0:20:34.000
<v Speaker 1>and then oh, you don't usually see you know, you

0:20:34.000 --> 0:20:36.800
<v Speaker 1>don't usually see Luke back on his heels like that,

0:20:36.880 --> 0:20:39.840
<v Speaker 1>you know, no, which is which is why, which is

0:20:39.840 --> 0:20:42.480
<v Speaker 1>why Tom is such a good like sort of Luke

0:20:42.600 --> 0:20:46.040
<v Speaker 1>surrogate dad totally and an extension of Luke because he

0:20:46.040 --> 0:20:49.360
<v Speaker 1>respects him. He's he's a workingman. Right. Then we get

0:20:49.440 --> 0:20:52.360
<v Speaker 1>to what could be one of my favorite things ever

0:20:52.480 --> 0:20:58.439
<v Speaker 1>in all of Gilmore Girls. We go in and shell

0:20:58.960 --> 0:21:02.639
<v Speaker 1>shall I couldn't tell the shell the peltry supplier, the

0:21:02.680 --> 0:21:06.760
<v Speaker 1>shell sauceman or whatever, Yes, the poultry, and clearly Suki's

0:21:06.800 --> 0:21:10.120
<v Speaker 1>trying to like hook them up and lower light and

0:21:10.160 --> 0:21:16.200
<v Speaker 1>then the physical comedy body language between Scott and Lauren

0:21:16.400 --> 0:21:23.280
<v Speaker 1>slash Luke Lorelei. I literally was like it was so hilarious.

0:21:23.400 --> 0:21:26.080
<v Speaker 1>I mean when she's putting her armor in my armor, yeah,

0:21:26.080 --> 0:21:29.040
<v Speaker 1>and it's just all it's like hilarious and awkward and

0:21:29.080 --> 0:21:35.200
<v Speaker 1>amazing and then like she's all, don't touch my stomach. Hey,

0:21:35.240 --> 0:21:37.840
<v Speaker 1>what's this thing between I guess there's a thing between

0:21:37.920 --> 0:21:40.040
<v Speaker 1>Luke and Suki. They don't like each other too much,

0:21:40.800 --> 0:21:44.960
<v Speaker 1>because hey, look, you know she wasn't happy to see him.

0:21:45.119 --> 0:21:47.760
<v Speaker 1>I think they're mad. I don't know. I don't know.

0:21:47.840 --> 0:21:50.399
<v Speaker 1>Maybe him behind the k is there supposed to be.

0:21:50.880 --> 0:21:52.439
<v Speaker 1>I don't know. I was only in the show for

0:21:52.520 --> 0:21:55.119
<v Speaker 1>one hundred years, so how would I know. But I

0:21:55.200 --> 0:21:57.760
<v Speaker 1>think they're good. But I think they have their moments

0:21:57.800 --> 0:22:04.520
<v Speaker 1>because they're both in the culinary world, so yeah, little competition.

0:22:04.760 --> 0:22:07.200
<v Speaker 1>But he comes by to check out the kitchen. He's curious.

0:22:07.200 --> 0:22:10.400
<v Speaker 1>He's providing support. You know, he's not stealing ideas. He's

0:22:10.440 --> 0:22:14.840
<v Speaker 1>not like Steve job jobbing it going into Honeywell and

0:22:14.920 --> 0:22:19.000
<v Speaker 1>stealing the laptop idea or whatever. There was one part

0:22:19.040 --> 0:22:21.639
<v Speaker 1>in this scene that confused me. I'm sure, pretty sure.

0:22:21.680 --> 0:22:23.919
<v Speaker 1>It's the scene that Luke didn't know that she was

0:22:23.920 --> 0:22:27.280
<v Speaker 1>in a relationship. I don't know why I thought that

0:22:27.359 --> 0:22:32.679
<v Speaker 1>he knew. Luke didn't know that Laura yeah with um digger.

0:22:33.800 --> 0:22:36.639
<v Speaker 1>Oh yeah, because she kept it kind of on the

0:22:36.760 --> 0:22:39.239
<v Speaker 1>d L. I guess because he came to town and

0:22:39.320 --> 0:22:41.080
<v Speaker 1>like him and Luke kind of had that moment. I

0:22:41.119 --> 0:22:45.920
<v Speaker 1>assumed out right, yeah, we're sneaking around to say the least,

0:22:46.040 --> 0:22:48.680
<v Speaker 1>you know. Like I think just in that moment, because

0:22:48.680 --> 0:22:50.680
<v Speaker 1>of that scene in the car, like from a couple

0:22:50.760 --> 0:22:53.000
<v Speaker 1>episodes ago, I was like, wait, he didn't know they're

0:22:53.000 --> 0:22:56.080
<v Speaker 1>in a relationship. But it's just like yeah, like don

0:22:56.240 --> 0:23:01.080
<v Speaker 1>ll males like, oh, also doesn't I think on subconscious

0:23:01.200 --> 0:23:08.400
<v Speaker 1>level that's sort of inten Yeah that's me. But yeah,

0:23:08.440 --> 0:23:14.680
<v Speaker 1>I agree, I'm no simund Smund, right, I think I'm

0:23:14.680 --> 0:23:17.600
<v Speaker 1>a therapist. Yeah. I felt like she doesn't want him

0:23:17.640 --> 0:23:19.440
<v Speaker 1>to know, and she doesn't want to know about it

0:23:20.440 --> 0:23:23.119
<v Speaker 1>guts her every time she has to know about his stuff.

0:23:23.480 --> 0:23:26.280
<v Speaker 1>You don't remember the cruise and the marriage and the

0:23:26.280 --> 0:23:29.880
<v Speaker 1>divorce and how she was just so devastated. It's like yeah, whoa, yeah,

0:23:30.000 --> 0:23:36.040
<v Speaker 1>yeah that's true. Yeah. The funniest part lest we stop

0:23:36.119 --> 0:23:39.720
<v Speaker 1>cutting each other with our knives. The funniest part is

0:23:39.720 --> 0:23:43.960
<v Speaker 1>when they're they're talking. So after the sort of physical

0:23:44.280 --> 0:23:47.679
<v Speaker 1>awkward and then everybody leaves and it's just Luca Lorela

0:23:47.880 --> 0:23:52.280
<v Speaker 1>and then they like are talking and I think something like,

0:23:52.400 --> 0:23:55.040
<v Speaker 1>you're not destined to be alone and something about doctor

0:23:55.880 --> 0:24:02.320
<v Speaker 1>but you have shell and then you'd never want for chicken.

0:24:03.160 --> 0:24:07.040
<v Speaker 1>Oh god, their banter is as good as anybody's. He

0:24:07.040 --> 0:24:09.480
<v Speaker 1>can keep up. I venture to say this is the

0:24:09.520 --> 0:24:15.280
<v Speaker 1>best written episode, potentially of all Gilmour episodes. I agree.

0:24:14.920 --> 0:24:21.080
<v Speaker 1>Maybe maybe you're right. Oh god, no, unbelievable. Okay, So

0:24:21.119 --> 0:24:24.040
<v Speaker 1>now you got you got a double barrel of Palladino's

0:24:24.440 --> 0:24:30.320
<v Speaker 1>writing cranking it out. That is like the that's lethal,

0:24:30.800 --> 0:24:35.399
<v Speaker 1>that's not even fair. Yeah, it's like stop, Okay, we

0:24:35.400 --> 0:24:38.600
<v Speaker 1>can only handle that once in a while. Yep, I

0:24:38.640 --> 0:24:40.439
<v Speaker 1>agree with you. It's too good. Okay. So then we

0:24:40.560 --> 0:24:44.920
<v Speaker 1>go to Asher, which I thought he looked handsome. I

0:24:45.280 --> 0:24:47.840
<v Speaker 1>get it. Why the ladies love it. It's Michael Yorke.

0:24:48.000 --> 0:24:53.520
<v Speaker 1>He's the most dashing, charming actor ever. Yeah, he looks good.

0:24:53.520 --> 0:24:55.480
<v Speaker 1>I'm telling you go look go look at those old

0:24:55.480 --> 0:24:58.320
<v Speaker 1>photos of him and Raquel Welsh and three Musketeers. I mean,

0:24:58.680 --> 0:25:01.040
<v Speaker 1>the guy you forgot to do that. The guy's dashing.

0:25:01.840 --> 0:25:03.960
<v Speaker 1>People don't like when I google stuff while we're on

0:25:04.000 --> 0:25:08.480
<v Speaker 1>But dashing and talented and charming, and what do you

0:25:08.520 --> 0:25:14.520
<v Speaker 1>think of him asking Paris to go to Oxford Oh

0:25:14.520 --> 0:25:18.400
<v Speaker 1>why wouldn't he. I'm indifferent about it because I obviously

0:25:18.440 --> 0:25:20.800
<v Speaker 1>don't want them to be a real thing. But I'm

0:25:20.880 --> 0:25:23.480
<v Speaker 1>kind of like, oh, that's a big thing. If he

0:25:23.560 --> 0:25:27.720
<v Speaker 1>invited her to go to Oxford. Yeah, maybe he does

0:25:27.840 --> 0:25:31.359
<v Speaker 1>like her. Well, I don't want to jump ahead, but wow,

0:25:31.800 --> 0:25:34.639
<v Speaker 1>when when we get to the hospital, we'll save it.

0:25:34.680 --> 0:25:41.080
<v Speaker 1>But like, yow. Hey everyone, it's Dean Unglert and Kayla

0:25:41.119 --> 0:25:44.639
<v Speaker 1>Miller Keys and jaredhyn I'm I'm here. I'm here too, guys,

0:25:44.760 --> 0:25:47.960
<v Speaker 1>hosts of the new podcast. Help we suck at being

0:25:48.040 --> 0:25:52.359
<v Speaker 1>newlyweds because I guess we just don't suck at dating anymore. No,

0:25:52.680 --> 0:25:55.960
<v Speaker 1>I mean you're newly weds. I am not a newlywed anymore. Yeah,

0:25:56.000 --> 0:25:58.359
<v Speaker 1>I'm curious if I sucked at being a newlywed. I

0:25:58.359 --> 0:26:00.919
<v Speaker 1>don't think so. I mean, I'm made it to the altar,

0:26:01.160 --> 0:26:03.200
<v Speaker 1>and I am so happy to be joining you, guys.

0:26:03.200 --> 0:26:06.359
<v Speaker 1>I can't wait to talk about relationships, marriage and just

0:26:06.400 --> 0:26:08.879
<v Speaker 1>everything in between. It's about time we have someone smart

0:26:08.880 --> 0:26:11.359
<v Speaker 1>to join this podcast. It's too long between us. This

0:26:11.400 --> 0:26:14.080
<v Speaker 1>young lady's a broadcast journalism major. She knows what she's doing.

0:26:14.200 --> 0:26:16.359
<v Speaker 1>I'm so excited to be hosting a podcast with my

0:26:16.760 --> 0:26:20.160
<v Speaker 1>soon to be wife and of course my best friend Jared.

0:26:20.280 --> 0:26:22.080
<v Speaker 1>How's that going to make you feel? Working together? Now

0:26:22.280 --> 0:26:25.280
<v Speaker 1>you guys live together, we're together, going to get married. Yeah,

0:26:25.480 --> 0:26:27.360
<v Speaker 1>it'll be interesting. You think you need to get tired

0:26:27.359 --> 0:26:30.440
<v Speaker 1>of each other? Absolutely? Yes, be sure to listen to help.

0:26:30.520 --> 0:26:33.560
<v Speaker 1>We kept being nearly LEDs on the iHeartRadio app, Apple

0:26:33.600 --> 0:26:38.120
<v Speaker 1>Podcasts or wherever you listen to podcasts. Oh my god,

0:26:38.160 --> 0:26:40.880
<v Speaker 1>Oh my god. Okay, So then we have the scene

0:26:41.680 --> 0:26:47.800
<v Speaker 1>with Luke at the bookstore hiding it, didn't want anyone

0:26:47.840 --> 0:26:51.679
<v Speaker 1>to see, and then when he grabs the boombox, I'm like,

0:26:52.359 --> 0:26:56.840
<v Speaker 1>oh my god, what's happening and pops out the old cassette.

0:26:57.600 --> 0:27:00.560
<v Speaker 1>That's my favorite part is that it was an audio

0:27:00.560 --> 0:27:09.720
<v Speaker 1>tape with the workbook. Yeah he's really trying. Uh So

0:27:09.960 --> 0:27:12.840
<v Speaker 1>I thought this scene was like brilliant and I just wrote,

0:27:12.880 --> 0:27:16.680
<v Speaker 1>this must be so hard to do, Like how hard

0:27:16.800 --> 0:27:20.200
<v Speaker 1>was that to do? Just listen? You just listen. Are

0:27:20.200 --> 0:27:22.360
<v Speaker 1>they playing the tape back for you? Like? Are they

0:27:22.400 --> 0:27:26.359
<v Speaker 1>playing that exact audio? Oh? That's good. I think that

0:27:26.440 --> 0:27:30.840
<v Speaker 1>they were, And I think that boombox actually worked. Wow?

0:27:31.160 --> 0:27:36.359
<v Speaker 1>Was the boom box miked, I can't. No, I don't

0:27:36.440 --> 0:27:40.719
<v Speaker 1>remember that, but I do think that I was getting,

0:27:41.320 --> 0:27:44.639
<v Speaker 1>you know, the tape. I was. I was hearing it,

0:27:44.680 --> 0:27:46.640
<v Speaker 1>and because I think I insisted on it, I said,

0:27:46.680 --> 0:27:49.320
<v Speaker 1>I want to hear yeah, yeah, yeah, it because because

0:27:49.480 --> 0:27:52.560
<v Speaker 1>because how else can I respond? Yeah? And it was

0:27:52.600 --> 0:27:55.960
<v Speaker 1>so over the top it was great, like, yeah, now

0:27:56.000 --> 0:27:58.679
<v Speaker 1>I have a weird job that I don't think Jackie, Jackie,

0:27:58.720 --> 0:28:01.000
<v Speaker 1>I have all the faith in you. Jack He's our producer.

0:28:01.600 --> 0:28:04.600
<v Speaker 1>Who is the voice on the tape? I was wondering

0:28:05.200 --> 0:28:09.400
<v Speaker 1>question and I didn't start doing a deep dive. I'm

0:28:09.440 --> 0:28:12.960
<v Speaker 1>going to guess it was Christian Bail. Oh they got

0:28:13.040 --> 0:28:17.080
<v Speaker 1>Christian Bail. Is find outable a word, because I think

0:28:17.080 --> 0:28:22.479
<v Speaker 1>it's gonna be find outable. It's not, it's now it is.

0:28:22.960 --> 0:28:29.159
<v Speaker 1>It is so Scott. Can you when you watch that

0:28:29.200 --> 0:28:33.280
<v Speaker 1>where you like, huh really good? Yeah? I liked it.

0:28:33.280 --> 0:28:34.920
<v Speaker 1>I enjoyed it. I thought, yeah I did. I thought

0:28:34.920 --> 0:28:38.560
<v Speaker 1>I did a commendable job. I thought I was pleased.

0:28:38.600 --> 0:28:40.960
<v Speaker 1>I mean, I was like, this has to be hard,

0:28:41.600 --> 0:28:45.080
<v Speaker 1>and that was legit because I believed every second of it. Yeah,

0:28:45.080 --> 0:28:47.720
<v Speaker 1>I look, I didn't have a problem with any of

0:28:47.720 --> 0:28:50.560
<v Speaker 1>it except for one scene, Oh, I'm nervous, but we'll

0:28:50.600 --> 0:28:54.680
<v Speaker 1>get I'm nervous, so okay. So then Dean's working late

0:28:54.680 --> 0:28:58.800
<v Speaker 1>and we have the epic Lindsay Dean fight. Yeah that

0:28:58.920 --> 0:29:03.600
<v Speaker 1>was uncomf Yeah, you know, I got aside with Lindsay

0:29:03.600 --> 0:29:12.760
<v Speaker 1>on this one though, because oh no, no is working.

0:29:12.840 --> 0:29:19.040
<v Speaker 1>No no, no, okay, okay, hold on, guys, hold on

0:29:19.640 --> 0:29:21.800
<v Speaker 1>the fact that she's like, I want to go on

0:29:21.840 --> 0:29:25.400
<v Speaker 1>this double date with you, Like she is recognizing that

0:29:25.520 --> 0:29:29.080
<v Speaker 1>something is not right in their marriage. Like she's saying

0:29:29.160 --> 0:29:32.280
<v Speaker 1>that she's bored that Dean never calls her and that

0:29:32.480 --> 0:29:35.080
<v Speaker 1>she that he never thinks about her, and all she

0:29:35.200 --> 0:29:37.080
<v Speaker 1>wants him to do is to go on this double

0:29:37.360 --> 0:29:41.000
<v Speaker 1>date and he can't do it, and he's working because

0:29:41.040 --> 0:29:43.600
<v Speaker 1>he's trying to get her what she wants. I call

0:29:44.120 --> 0:29:48.280
<v Speaker 1>b s because if he really wanted to go, he

0:29:48.360 --> 0:29:52.160
<v Speaker 1>would have gone out of work on time or whatever. Like,

0:29:52.360 --> 0:29:54.640
<v Speaker 1>if he truly wanted to go on that double date

0:29:54.680 --> 0:29:57.240
<v Speaker 1>and spend time with her, he would make it happen

0:29:57.800 --> 0:30:00.720
<v Speaker 1>like he does with Rory. You know, I'm saying so

0:30:00.760 --> 0:30:04.200
<v Speaker 1>like in this situation, I was kind of like, oh,

0:30:04.280 --> 0:30:08.760
<v Speaker 1>Lindsay is definitely recognizing that something's off and that I

0:30:08.880 --> 0:30:11.400
<v Speaker 1>know something's off. He's playing pac Man all that. No,

0:30:11.440 --> 0:30:13.760
<v Speaker 1>I know totally, but she's just kind of like calling

0:30:13.840 --> 0:30:16.640
<v Speaker 1>his bluff. You know, she's calling his bluff right now.

0:30:17.000 --> 0:30:19.600
<v Speaker 1>But that's highly addictive. Pac Man's highly addictive. That's not

0:30:19.680 --> 0:30:21.760
<v Speaker 1>his fault when you put it that way. About the

0:30:21.800 --> 0:30:24.200
<v Speaker 1>double date that I agree with, I think it was

0:30:24.240 --> 0:30:26.160
<v Speaker 1>more of her line of like, I'm at home all

0:30:26.200 --> 0:30:28.320
<v Speaker 1>day and I'm bored, and he's like, well, I'm working.

0:30:28.400 --> 0:30:32.240
<v Speaker 1>That's the part that bothered me because yeah, but it's

0:30:32.280 --> 0:30:35.800
<v Speaker 1>but what she's saying is that called a check up

0:30:35.800 --> 0:30:38.720
<v Speaker 1>on me and she he does not care. He doesn't care,

0:30:39.000 --> 0:30:43.920
<v Speaker 1>Yeah at all, he does care. No, he doesn't. He

0:30:44.080 --> 0:30:46.959
<v Speaker 1>is not he's not getting that. He's not that indoor anymore.

0:30:47.000 --> 0:30:49.480
<v Speaker 1>But he does care because he's feeling like, I am

0:30:49.480 --> 0:30:53.280
<v Speaker 1>working all day long because you want a townhouse. No,

0:30:53.400 --> 0:30:55.120
<v Speaker 1>he's working all day long because he doesn't want to

0:30:55.160 --> 0:30:58.600
<v Speaker 1>be with her. Oh, I understand. Like if I totally

0:30:58.600 --> 0:31:01.800
<v Speaker 1>agree with that, I don't know. I think I think

0:31:01.840 --> 0:31:06.480
<v Speaker 1>he's trying both sides. Yeah, Scott, what do you think.

0:31:07.080 --> 0:31:11.320
<v Speaker 1>I think what's gnawing at him is the fact that

0:31:11.400 --> 0:31:17.920
<v Speaker 1>he has Rory concerned about his long term future with

0:31:18.040 --> 0:31:22.640
<v Speaker 1>his education, and he's probably you know, thinking he should

0:31:22.640 --> 0:31:27.480
<v Speaker 1>get back to college because she's right, right, I mean,

0:31:27.520 --> 0:31:31.080
<v Speaker 1>if he gets a degree. And I know this triggers

0:31:31.120 --> 0:31:33.880
<v Speaker 1>a lot of people in our in our audience about

0:31:34.520 --> 0:31:37.480
<v Speaker 1>you know, my opinion on education. But you know, even

0:31:37.480 --> 0:31:39.440
<v Speaker 1>if it doesn't lead to a high paying probably still

0:31:39.440 --> 0:31:42.400
<v Speaker 1>think it's a good idea. Uh. And you know, there

0:31:42.440 --> 0:31:44.040
<v Speaker 1>are a lot of ways to get an education without

0:31:44.040 --> 0:31:46.680
<v Speaker 1>going into tremendous amount of debt, right, you can, there's

0:31:46.760 --> 0:31:48.200
<v Speaker 1>there's a lot of you know, you can go to

0:31:48.200 --> 0:31:50.640
<v Speaker 1>the library and read on your anyway. Anyway. I just

0:31:50.720 --> 0:31:54.000
<v Speaker 1>think that what's gnawing at him is is the fact

0:31:54.040 --> 0:31:59.320
<v Speaker 1>that Rory has a long term vision for him and

0:32:00.240 --> 0:32:06.280
<v Speaker 1>it's not necessarily selfish, but it's for his own being,

0:32:06.400 --> 0:32:09.720
<v Speaker 1>his own happiness, his own long term happiness, his own

0:32:09.800 --> 0:32:14.479
<v Speaker 1>good and that's powerful, right, because it's not attached to

0:32:14.520 --> 0:32:17.840
<v Speaker 1>a romance anymore. And maybe a budding roman you know,

0:32:17.840 --> 0:32:22.680
<v Speaker 1>the romance is springing up again, but you know, and

0:32:22.920 --> 0:32:24.920
<v Speaker 1>plus on top of the fact that he's working that

0:32:25.000 --> 0:32:27.440
<v Speaker 1>extra job and getting that extra money because she wants

0:32:27.440 --> 0:32:29.520
<v Speaker 1>a townhouse. But he should not. But the thing is

0:32:29.880 --> 0:32:32.680
<v Speaker 1>I kind of agree with Danielle because he should want

0:32:32.680 --> 0:32:38.200
<v Speaker 1>the townhouse too for them. Yeah yeah, so why is

0:32:38.240 --> 0:32:41.120
<v Speaker 1>he settling and not doing the extra things it takes

0:32:41.520 --> 0:32:43.720
<v Speaker 1>and then being the great husband and checking in and

0:32:43.720 --> 0:32:45.640
<v Speaker 1>all that. So you know, I kind of see both

0:32:45.800 --> 0:32:49.560
<v Speaker 1>points of view. Just too young. Like if he was

0:32:49.600 --> 0:32:51.560
<v Speaker 1>working late too, would he be like, hey, I call

0:32:51.600 --> 0:32:53.680
<v Speaker 1>her instead of her showing up like hey, I'm so sorry,

0:32:53.720 --> 0:32:55.760
<v Speaker 1>Like I'm gonna be working late tonight like you'd usually give.

0:32:56.480 --> 0:33:00.960
<v Speaker 1>Just working he's like doing manual labor, like horror ass work.

0:33:01.480 --> 0:33:03.560
<v Speaker 1>And the last thing he's like, well, let me go

0:33:03.600 --> 0:33:08.440
<v Speaker 1>call my wife while I'm like literally yeah, but they're newlyweds, yeah,

0:33:09.520 --> 0:33:12.040
<v Speaker 1>thirty years. Also he doesn't if you we already know this.

0:33:12.320 --> 0:33:14.440
<v Speaker 1>If you say you're gonna be home at six pm,

0:33:14.480 --> 0:33:16.960
<v Speaker 1>and you're not gonna be home at six pm, like

0:33:17.440 --> 0:33:20.680
<v Speaker 1>you've deserved like your significant other, he's waiting for you,

0:33:20.800 --> 0:33:22.640
<v Speaker 1>deserves to get a call. Hey, I'm not gonna be

0:33:22.680 --> 0:33:25.120
<v Speaker 1>home till nine. I'm gonna work extra hours just to

0:33:25.480 --> 0:33:28.120
<v Speaker 1>save a little bit more. That is the right thing

0:33:28.200 --> 0:33:32.680
<v Speaker 1>to do. Yeah, communication is key. Lack of communication. No,

0:33:32.840 --> 0:33:38.600
<v Speaker 1>I like though I stand strong on this flag on

0:33:38.600 --> 0:33:40.120
<v Speaker 1>the play. We're gonna call a time out and we're

0:33:40.120 --> 0:33:42.200
<v Speaker 1>gonna go to Thank you, Scott, thank you so much

0:33:42.400 --> 0:33:45.680
<v Speaker 1>so Danielle. Yeah, her husband, I'm gonna give you two scenarios,

0:33:45.720 --> 0:33:49.240
<v Speaker 1>who works his ass off and is in the concert business,

0:33:49.520 --> 0:33:52.520
<v Speaker 1>so those shows go late. Drama happens all day, always

0:33:52.520 --> 0:33:57.000
<v Speaker 1>sends me a text, right, but he's working late, but

0:33:57.080 --> 0:33:59.680
<v Speaker 1>he tells me he's gonna be home late. Issue was

0:33:59.720 --> 0:34:03.480
<v Speaker 1>just he's not calling her my issues. He doesn't care

0:34:04.080 --> 0:34:10.040
<v Speaker 1>like we saw this episode. But God, no way, and

0:34:10.480 --> 0:34:14.359
<v Speaker 1>I hope, I hope this isn't cringe. But we do

0:34:14.400 --> 0:34:19.160
<v Speaker 1>not know what's going on behind closed doors so to speak. Right, No,

0:34:19.320 --> 0:34:22.600
<v Speaker 1>that's so we don't know if that activity is ongoing

0:34:22.719 --> 0:34:26.479
<v Speaker 1>or it's just stopped. Correct I I think Scott, that's

0:34:26.520 --> 0:34:28.520
<v Speaker 1>not cringe. That you make a good point in that

0:34:28.840 --> 0:34:33.719
<v Speaker 1>the mother's always around. She's fully nagging him, like it's

0:34:33.760 --> 0:34:37.800
<v Speaker 1>way too much like June Cleaver making the picnic basket whatever.

0:34:38.200 --> 0:34:41.640
<v Speaker 1>It's just also shout out to everybody who reminded us

0:34:41.760 --> 0:34:46.279
<v Speaker 1>of the episode, Oh my god, when Rory the old

0:34:46.320 --> 0:34:50.160
<v Speaker 1>TV show they watched, it's the names out of my head. Um,

0:34:50.160 --> 0:34:53.440
<v Speaker 1>everybody knows it's listening, don't get mad. Shout out to

0:34:53.480 --> 0:34:55.879
<v Speaker 1>that because that was an excellent point. Everyone's like, Dean

0:34:56.160 --> 0:35:01.440
<v Speaker 1>loves this life where he's you know, um, it's not

0:35:01.520 --> 0:35:03.719
<v Speaker 1>Doris Day, Who was it, Scott? Come on, come on,

0:35:03.680 --> 0:35:08.279
<v Speaker 1>I know no. So remember the episode Donna Dancing on

0:35:08.600 --> 0:35:13.080
<v Speaker 1>Donna her name is shown red. So shout out to

0:35:13.080 --> 0:35:15.080
<v Speaker 1>those people because that was a great call out that, like,

0:35:16.160 --> 0:35:19.000
<v Speaker 1>Dean loves the Donna Reed show life. So he does

0:35:19.160 --> 0:35:21.640
<v Speaker 1>like that with the picnic basket and the lunch. But

0:35:21.680 --> 0:35:25.200
<v Speaker 1>I think he thought he liked it. Oh yeah, from

0:35:25.600 --> 0:35:30.480
<v Speaker 1>back then he didn't like it, right, because Rory did

0:35:30.480 --> 0:35:33.080
<v Speaker 1>that whole deal. Yeah, but just that point, he doesn't

0:35:33.080 --> 0:35:35.520
<v Speaker 1>like it, don't doesn't like it, right, so he doesn't

0:35:35.560 --> 0:35:38.160
<v Speaker 1>like Lindsay, I get it, but also right, I think

0:35:38.200 --> 0:35:49.120
<v Speaker 1>Scott cringe. There's no bomb chicken, Yeah, which is very

0:35:49.120 --> 0:35:54.759
<v Speaker 1>concerning being that they're like nineteen years old. He's not

0:35:54.960 --> 0:36:00.520
<v Speaker 1>lying and that rabbit mom's always around yeah too. Yeah,

0:36:00.560 --> 0:36:04.160
<v Speaker 1>I don't know. I don't know, right, we go too

0:36:04.160 --> 0:36:11.640
<v Speaker 1>far yet again, broken down Lindsay and Dean. Yeah to

0:36:11.840 --> 0:36:14.279
<v Speaker 1>the as yeah as you can, but we just don't know.

0:36:14.400 --> 0:36:17.239
<v Speaker 1>We just don't know. It's like messy. Yeah. So then

0:36:17.920 --> 0:36:21.400
<v Speaker 1>Lukes and his truck with the audio tape and upcomes

0:36:22.000 --> 0:36:27.000
<v Speaker 1>his sister and TJS. I love them. That was a

0:36:27.120 --> 0:36:31.080
<v Speaker 1>terrific scene, the renaissance weathering, the two of them coming

0:36:31.120 --> 0:36:35.520
<v Speaker 1>in with all that energy and positivity and happiness and celebration.

0:36:35.880 --> 0:36:40.920
<v Speaker 1>And we're getting married next week right here in the

0:36:40.960 --> 0:36:44.000
<v Speaker 1>town square. We have nothing ready, but we're getting married,

0:36:44.000 --> 0:36:46.920
<v Speaker 1>and you're getting be my best man. And then he's like, obviously,

0:36:46.960 --> 0:36:49.000
<v Speaker 1>there's four hundred and twelve people ahead of you. You're

0:36:49.000 --> 0:36:54.120
<v Speaker 1>not my best man's, but you are invited to the

0:36:54.160 --> 0:36:58.400
<v Speaker 1>bat and then he goes, wait a minute, I smell

0:36:58.719 --> 0:37:04.480
<v Speaker 1>beer and he goes off. Physical The physicality is what

0:37:04.680 --> 0:37:09.240
<v Speaker 1>kills me with Michael day Louise. The physicality is so great,

0:37:09.320 --> 0:37:13.680
<v Speaker 1>the voice to the what a great characterization. Geez, man,

0:37:13.760 --> 0:37:15.359
<v Speaker 1>there should have been more of him, you know. That's

0:37:15.360 --> 0:37:18.200
<v Speaker 1>the thing. It's like, gosh, why isn't there more of him?

0:37:18.239 --> 0:37:20.440
<v Speaker 1>You know? And then you are being really sweet to

0:37:20.520 --> 0:37:24.960
<v Speaker 1>your sister. Yeah, like yeah, you really are. Luke's being

0:37:24.960 --> 0:37:27.680
<v Speaker 1>really sweet and you know, and then we find out

0:37:27.680 --> 0:37:31.319
<v Speaker 1>that Jess isn't coming, and that's obviously like, I think

0:37:31.320 --> 0:37:34.200
<v Speaker 1>we saw far more vulnerable Luke in this episode. He

0:37:34.239 --> 0:37:36.800
<v Speaker 1>was soft around the edges in a lot of places.

0:37:36.880 --> 0:37:39.120
<v Speaker 1>You know, Yeah, because you're trying to better yourself and

0:37:39.200 --> 0:37:44.280
<v Speaker 1>you're trying to figure out love making his family happy.

0:37:44.400 --> 0:37:47.200
<v Speaker 1>Like he's the one who went out, like Liz didn't

0:37:47.280 --> 0:37:51.440
<v Speaker 1>go to Jess's apartment like Luke what he wants to

0:37:51.480 --> 0:37:56.200
<v Speaker 1>make it work and and Jess comes because of because

0:37:56.200 --> 0:37:59.000
<v Speaker 1>of Luke. Yeah, we have to talk about that apartment

0:38:00.040 --> 0:38:05.840
<v Speaker 1>where we will disgusting. But first it's like Lorely and

0:38:05.920 --> 0:38:11.360
<v Speaker 1>Marie eating is one of the most unbelievable things. First

0:38:11.400 --> 0:38:14.600
<v Speaker 1>of all, nothing is grosser to me than a chicken

0:38:14.680 --> 0:38:19.239
<v Speaker 1>chow mate sandwich. I did agree with that? Is that?

0:38:19.400 --> 0:38:21.600
<v Speaker 1>Is that noodles in a sandwich like that? Yeah, that's

0:38:22.640 --> 0:38:26.560
<v Speaker 1>really good. What I've never heard of such thing. Have

0:38:26.680 --> 0:38:32.840
<v Speaker 1>you ever put spaghetti? Yes, oh that's good spaghetti. That's sandwich.

0:38:33.080 --> 0:38:35.680
<v Speaker 1>But that's the same thing. It's just different flavor. Yeah,

0:38:35.680 --> 0:38:40.960
<v Speaker 1>the flavors are different. Wait, you've put spaghetti left over

0:38:41.040 --> 0:38:43.959
<v Speaker 1>spaghetti the next day and put it into sandwich bread

0:38:44.000 --> 0:38:47.279
<v Speaker 1>and just oh you grind it. It's so good. Yeah,

0:38:47.400 --> 0:38:50.399
<v Speaker 1>how many carbs are you guys? Eating many. But it's

0:38:50.520 --> 0:38:57.560
<v Speaker 1>a lot, I guess and wanna and I don't have

0:38:57.600 --> 0:39:00.279
<v Speaker 1>to worry. Way you have to try that now, dude,

0:39:00.800 --> 0:39:04.200
<v Speaker 1>I don't even know just one bite is there in there?

0:39:04.280 --> 0:39:08.040
<v Speaker 1>Like sphett could be it can anything about it? When

0:39:08.040 --> 0:39:10.440
<v Speaker 1>you eat spaghetti, you like have a garlic bread or

0:39:10.520 --> 0:39:19.200
<v Speaker 1>you know, like eat chicken chow mate sandwich. Why not

0:39:19.600 --> 0:39:23.719
<v Speaker 1>where the funniest part is there's a call back to it,

0:39:24.040 --> 0:39:26.880
<v Speaker 1>So like, yeah, we learn about it and then I

0:39:26.880 --> 0:39:30.160
<v Speaker 1>think Luke says it again if he says it's a

0:39:30.280 --> 0:39:34.160
<v Speaker 1>Jess right, so are like he says it again? Yeah, yeah,

0:39:34.200 --> 0:39:37.160
<v Speaker 1>I think Jess is getting Yeah. So they were eating

0:39:37.280 --> 0:39:41.920
<v Speaker 1>nutter butters, tizza, chips and what were they eating during

0:39:41.960 --> 0:39:43.840
<v Speaker 1>the scene though it looked like they were putting like

0:39:43.920 --> 0:39:45.879
<v Speaker 1>wads of gum in their mouth or something. What were

0:39:45.880 --> 0:39:49.480
<v Speaker 1>they eating? Well, what was that? Was it taffy? Was

0:39:49.520 --> 0:39:52.480
<v Speaker 1>it salt water? Go back and look, yeah, we got

0:39:52.480 --> 0:39:55.120
<v Speaker 1>to go back. She kept like breaking Lola kept breaking

0:39:55.120 --> 0:39:58.480
<v Speaker 1>off this white sort of stretchy thing and shove it

0:39:58.480 --> 0:40:02.719
<v Speaker 1>in her mouth. Combo that was gagging. But if it

0:40:02.800 --> 0:40:07.479
<v Speaker 1>was like the Abba zappas or something. And we learned

0:40:07.480 --> 0:40:12.040
<v Speaker 1>that there's no Friday Night Dinner. Oh canceled, Yeah, especially

0:40:12.040 --> 0:40:14.360
<v Speaker 1>after last week, Like I thought that was a great

0:40:14.760 --> 0:40:16.719
<v Speaker 1>like follow up to the last week's episode of just

0:40:16.760 --> 0:40:19.640
<v Speaker 1>like they're not even in the episode, so like something's

0:40:19.680 --> 0:40:23.080
<v Speaker 1>going on. So I have a question. So because they

0:40:23.120 --> 0:40:26.480
<v Speaker 1>canceled Friday Night Dinner, they did a movie night, there's

0:40:26.719 --> 0:40:31.719
<v Speaker 1>they're still using VHS tapes, like we're DVDs not a

0:40:31.719 --> 0:40:33.560
<v Speaker 1>thing in two thousand and four, I think it was

0:40:33.600 --> 0:40:37.520
<v Speaker 1>like I think that's why I think, Yeah, I think

0:40:37.520 --> 0:40:40.040
<v Speaker 1>you could kind of go either way, like yeah, it

0:40:40.080 --> 0:40:45.799
<v Speaker 1>was like the yeah really really so I remember the

0:40:45.840 --> 0:40:51.920
<v Speaker 1>red Box was starting to be a thing. Oh yeahs

0:40:52.120 --> 0:40:54.200
<v Speaker 1>was still think two thousand and four. I'm trying to

0:40:54.200 --> 0:40:58.839
<v Speaker 1>think I was just when did Blockbuster? Yeah? Also, while

0:40:58.880 --> 0:41:01.680
<v Speaker 1>you guys look for house, Oh my god, Laura's wearing

0:41:01.719 --> 0:41:05.839
<v Speaker 1>this blouse that says it's only rock and roll. Two

0:41:05.880 --> 0:41:10.720
<v Speaker 1>thousand and ten, where is that yahouse? Yeah, two thousand

0:41:10.760 --> 0:41:13.240
<v Speaker 1>and ten was the end of Blockbuster. Yes, two thousand

0:41:13.239 --> 0:41:15.000
<v Speaker 1>and four it was. I think it was like two

0:41:15.000 --> 0:41:17.319
<v Speaker 1>thousand and four was like if the movie was already out,

0:41:17.400 --> 0:41:21.040
<v Speaker 1>you had a VHS. The newer movies were turning into DVDs.

0:41:21.600 --> 0:41:24.080
<v Speaker 1>So you were kind of in the middle. I just

0:41:24.160 --> 0:41:27.080
<v Speaker 1>heard if you still have your original Back to the

0:41:27.120 --> 0:41:30.319
<v Speaker 1>Future in the packaging VHS, it's worth like five hundred dollars.

0:41:30.560 --> 0:41:34.000
<v Speaker 1>I have all the Disney vhss, which apparently is worth

0:41:34.040 --> 0:41:35.759
<v Speaker 1>a lot if they have a special symbol on it.

0:41:35.800 --> 0:41:38.120
<v Speaker 1>So I need to go have the symbol. I need

0:41:38.200 --> 0:41:41.680
<v Speaker 1>to go. I have a box of just vhs Disney VHS,

0:41:41.719 --> 0:41:44.360
<v Speaker 1>so I need to go through. That was a Mark

0:41:44.640 --> 0:41:52.960
<v Speaker 1>Jacobs blouse. I believe, Wow, chic, super cool Mark Jacobs.

0:41:53.080 --> 0:41:56.000
<v Speaker 1>Oh no, that's a pink rocker t that said, it's

0:41:56.000 --> 0:41:58.719
<v Speaker 1>only rock and roll. So I still don't know totally

0:41:58.719 --> 0:42:01.160
<v Speaker 1>who did the blouse. I'm um it might be Mark Jacobs.

0:42:01.200 --> 0:42:05.080
<v Speaker 1>Also also, I will say something about your stylus on

0:42:05.120 --> 0:42:09.200
<v Speaker 1>this show. The fashion is much more expensive than Rory

0:42:09.239 --> 0:42:13.960
<v Speaker 1>and Lorla. I have the money for they are. I

0:42:13.960 --> 0:42:16.359
<v Speaker 1>mean when Rory was wearing the Moncler vest, I still

0:42:16.400 --> 0:42:22.840
<v Speaker 1>have regard. Yeah, little cafeteria and her vest was seven hus.

0:42:23.200 --> 0:42:26.399
<v Speaker 1>Well maybe it was in Emily and Richard present. True. True,

0:42:27.520 --> 0:42:29.720
<v Speaker 1>Actually that's a great point. They have a lot of money,

0:42:29.760 --> 0:42:34.000
<v Speaker 1>so they could get closed anyway. Um, should we have

0:42:34.080 --> 0:42:37.239
<v Speaker 1>chef right or make a chicken chamming sandwich. Here, I

0:42:37.280 --> 0:42:38.919
<v Speaker 1>have the episode pulled up. Do we want to see

0:42:38.920 --> 0:42:48.160
<v Speaker 1>what they're eating? Of course we do. Um, okay, can

0:42:48.200 --> 0:42:50.480
<v Speaker 1>you see this, I'll look at that blouse? Okay, yeah,

0:42:51.160 --> 0:42:53.840
<v Speaker 1>so what yeah? What do they have? Chinese food? Plus

0:42:53.920 --> 0:43:01.480
<v Speaker 1>there are butter sandwiches, but they were eating the nutter butter. No, no, no,

0:43:01.680 --> 0:43:04.560
<v Speaker 1>she's she's she's gonna start eating something there she goes,

0:43:04.680 --> 0:43:12.279
<v Speaker 1>she's getting it on. Oh yeah, oh I feel like eating. No,

0:43:12.480 --> 0:43:17.760
<v Speaker 1>I'm talking there, it is? What is? Then? It's nothing?

0:43:18.640 --> 0:43:21.480
<v Speaker 1>The fake eating is on a scale of fake eating,

0:43:21.480 --> 0:43:24.160
<v Speaker 1>it's a five. It's not the worst, but it's it's

0:43:24.200 --> 0:43:27.480
<v Speaker 1>not good. You don't think they're eating. They're fake eating.

0:43:27.840 --> 0:43:30.239
<v Speaker 1>There's a lot of like putting in your hand and

0:43:30.320 --> 0:43:32.520
<v Speaker 1>like moving your hands with it in it. Yeah, like

0:43:32.719 --> 0:43:35.520
<v Speaker 1>who eats a nutter? What is Rory eating? There? She's

0:43:35.520 --> 0:43:38.640
<v Speaker 1>eating a nutter butter right, or a sandwich. But here's

0:43:38.640 --> 0:43:43.319
<v Speaker 1>the thing. If you have to do multiple takes of

0:43:43.400 --> 0:43:46.080
<v Speaker 1>that scene and you have to eat during that scene,

0:43:46.120 --> 0:43:49.440
<v Speaker 1>you're not going to eat very much. That's Ory eating.

0:43:49.520 --> 0:43:55.680
<v Speaker 1>Like Rory's fake eating is so weird. And what is that?

0:43:55.719 --> 0:44:01.080
<v Speaker 1>It's a nutter? Butter with marshmallows. Yeah, that's that's small art. Look.

0:44:01.239 --> 0:44:04.359
<v Speaker 1>I did a scene once We're a breakfast scene where

0:44:04.360 --> 0:44:08.440
<v Speaker 1>I ate pancakes and I was famished. The character what

0:44:08.480 --> 0:44:10.120
<v Speaker 1>didn't say it was fanished, but I acted like I

0:44:10.160 --> 0:44:12.120
<v Speaker 1>was fanished. I did do that for half the day.

0:44:12.400 --> 0:44:21.160
<v Speaker 1>Oh my vomit. Yeah. So then Lorlie says gossip and

0:44:21.320 --> 0:44:26.719
<v Speaker 1>she gives the gossip about the fight the h and

0:44:27.040 --> 0:44:31.879
<v Speaker 1>somebody pricked up their ears right away. Yeah. I think

0:44:32.040 --> 0:44:36.160
<v Speaker 1>Roya heard that loud and clear, deep in her soul.

0:44:37.080 --> 0:44:40.000
<v Speaker 1>Then the moment Danielle has been waiting, Oh my god,

0:44:40.480 --> 0:44:44.080
<v Speaker 1>it was so bad. Yes, his apartment was vile. Okay,

0:44:46.200 --> 0:44:48.560
<v Speaker 1>let's now here. Here we are, now here we are.

0:44:49.640 --> 0:44:55.080
<v Speaker 1>I think this was a very very, very bad acting

0:44:55.239 --> 0:44:59.960
<v Speaker 1>job on my part. I thought I was unhinged, unnecessar

0:45:00.040 --> 0:45:04.160
<v Speaker 1>saily unhinged in this scene. I did not like what

0:45:04.320 --> 0:45:08.760
<v Speaker 1>I saw. I did not if I was directing this episode.

0:45:08.760 --> 0:45:11.000
<v Speaker 1>I was directing myself and I saw this in the dailies,

0:45:11.040 --> 0:45:12.960
<v Speaker 1>I would call myself and say, Scott, we need to

0:45:13.040 --> 0:45:16.279
<v Speaker 1>reshoot this, and you need to calm down a little bit,

0:45:16.400 --> 0:45:19.520
<v Speaker 1>you know, because it was just too much. Really, Yeah,

0:45:19.680 --> 0:45:22.120
<v Speaker 1>I was just like vibrating all over the place and yelling.

0:45:22.400 --> 0:45:25.360
<v Speaker 1>There was a door slam that was scary, door slam.

0:45:25.440 --> 0:45:26.840
<v Speaker 1>The whole thing. It was just too much. It was

0:45:26.920 --> 0:45:29.880
<v Speaker 1>too much. It was it was over the top and

0:45:30.400 --> 0:45:32.800
<v Speaker 1>I'm throwing a flag on that. I'm throwing a flag.

0:45:33.520 --> 0:45:35.719
<v Speaker 1>I don't know. I mean, it wasn't like you were

0:45:36.280 --> 0:45:39.040
<v Speaker 1>not happy. But I don't know. Is it that Milo

0:45:39.239 --> 0:45:42.759
<v Speaker 1>nailed it? Because the scene was great. I love when Yeah,

0:45:42.920 --> 0:45:45.560
<v Speaker 1>I think he was. I think he was great in it. Um.

0:45:46.160 --> 0:45:48.359
<v Speaker 1>But the thing is is he wasn't going to let

0:45:48.480 --> 0:45:52.640
<v Speaker 1>himself get caught up. He wasn't gonna let himself get riled.

0:45:52.680 --> 0:45:55.200
<v Speaker 1>The only way to save my butt in that scene

0:45:55.719 --> 0:45:59.359
<v Speaker 1>is if he gets involved and it starts escalating. Right.

0:46:00.280 --> 0:46:03.160
<v Speaker 1>But the fact that he didn't, that that he didn't

0:46:03.800 --> 0:46:06.080
<v Speaker 1>made me come off like I was unhinged, and I

0:46:06.160 --> 0:46:08.359
<v Speaker 1>just thought I thought it made me like the scene more.

0:46:08.600 --> 0:46:10.920
<v Speaker 1>I came in too hot. I just I came in

0:46:11.000 --> 0:46:13.800
<v Speaker 1>too hot and ramped up too much and it was

0:46:13.840 --> 0:46:16.320
<v Speaker 1>just too much. Like, who's going to respond to that

0:46:16.440 --> 0:46:19.440
<v Speaker 1>in a positive way? He did? He feel like it's

0:46:19.600 --> 0:46:22.640
<v Speaker 1>only Jess. I think that's why it worked. I think

0:46:22.640 --> 0:46:25.239
<v Speaker 1>it's I think it's one of those uh you know,

0:46:25.360 --> 0:46:27.960
<v Speaker 1>I was feeling it too much and showing it too

0:46:28.080 --> 0:46:31.000
<v Speaker 1>much and acting too hard. That's all throwing a flag

0:46:31.600 --> 0:46:33.759
<v Speaker 1>being honest with you. Didn't like it, I don't know.

0:46:34.000 --> 0:46:38.120
<v Speaker 1>I liked it. And I love when Jesse says I'll

0:46:38.160 --> 0:46:41.640
<v Speaker 1>catch the next one like this says you aren't coming, Well,

0:46:41.640 --> 0:46:43.800
<v Speaker 1>I'll catch the next one like that was that was funny.

0:46:44.800 --> 0:46:47.239
<v Speaker 1>I don't know. I liked this scene. I liked it

0:46:47.320 --> 0:46:50.600
<v Speaker 1>too because you said you owe me. Yeah, he did

0:46:50.719 --> 0:46:55.040
<v Speaker 1>say that it paid off the very next scene. I think. Okay,

0:46:55.120 --> 0:46:58.040
<v Speaker 1>So here's what I also think. I think this scene

0:46:58.160 --> 0:47:02.520
<v Speaker 1>fell victim to gilmore case. It didn't need it. This

0:47:02.760 --> 0:47:09.040
<v Speaker 1>scene could have breathed and and we could have taken

0:47:09.480 --> 0:47:11.920
<v Speaker 1>a lot more time in this scene to play out

0:47:11.960 --> 0:47:16.800
<v Speaker 1>these beats. I'm just technically and and and emotionally. I

0:47:16.880 --> 0:47:20.839
<v Speaker 1>thought it was just too fast to read. Who am

0:47:20.880 --> 0:47:22.799
<v Speaker 1>I to judge? You might be right, but I liked

0:47:22.840 --> 0:47:26.919
<v Speaker 1>it all. Well, yeah, what you like? It got away

0:47:26.960 --> 0:47:32.080
<v Speaker 1>with another one to wait, So then we go. I know,

0:47:32.160 --> 0:47:34.200
<v Speaker 1>we're at the diner and we've got the your to

0:47:34.280 --> 0:47:36.200
<v Speaker 1>do list versus my to do list, and all the

0:47:36.320 --> 0:47:38.479
<v Speaker 1>to do list, and is that when we realized Jess

0:47:38.560 --> 0:47:42.880
<v Speaker 1>made it Jess, Jess shows okay, all right, so it

0:47:43.000 --> 0:47:45.279
<v Speaker 1>worked finally. Way what was he reading? I didn't catch

0:47:45.360 --> 0:47:47.600
<v Speaker 1>that when I watched the episode because it was I

0:47:47.600 --> 0:47:50.080
<v Speaker 1>don't know what I wrote? What's LORELEI reading too? What

0:47:50.280 --> 0:47:52.239
<v Speaker 1>was Jess reading? At the strip club? When you shoot it?

0:47:52.560 --> 0:47:58.920
<v Speaker 1>O're not there yet there yet? Said? Comes first say

0:47:58.960 --> 0:48:01.600
<v Speaker 1>I'm going too fast again? I I'm too weird. That's

0:48:01.640 --> 0:48:06.759
<v Speaker 1>the problem, gilmore speed. So then we see Glenn. So

0:48:06.840 --> 0:48:11.480
<v Speaker 1>then we go over to to Yale. We see Glenn flirting,

0:48:12.360 --> 0:48:16.040
<v Speaker 1>and then we realize there's an emergency. Rory gets the call.

0:48:16.800 --> 0:48:19.600
<v Speaker 1>Can we can we just talk about Glenn? Please? Can

0:48:19.640 --> 0:48:22.960
<v Speaker 1>we just talk about how funny that guy is? What

0:48:23.040 --> 0:48:25.799
<v Speaker 1>did he say? You're stalking me? And he what did

0:48:25.840 --> 0:48:27.480
<v Speaker 1>he say? It's not stalking? What did he He's just

0:48:27.600 --> 0:48:33.799
<v Speaker 1>but you leave your your curtains open after her? He's

0:48:34.120 --> 0:48:36.040
<v Speaker 1>he's got the hard job because he's got a couple

0:48:36.080 --> 0:48:37.839
<v Speaker 1>of little lines, right, and he's got a nail them,

0:48:37.840 --> 0:48:40.960
<v Speaker 1>and he always nails them. I don't know, I love

0:48:41.480 --> 0:48:43.960
<v Speaker 1>that guy? Does I love this guy? So then we

0:48:44.080 --> 0:48:47.560
<v Speaker 1>see Jess and Luke interacting and Luke's eating dinner and

0:48:47.640 --> 0:48:49.200
<v Speaker 1>he says, eat what you like. I hear there's a

0:48:49.280 --> 0:48:53.600
<v Speaker 1>good chawman. So that was I like lauralized reaction when

0:48:53.680 --> 0:48:55.920
<v Speaker 1>Jess just like walked in and she's like, what like

0:48:57.280 --> 0:48:59.640
<v Speaker 1>when she's just sitting there? Is that the scene? Right?

0:49:00.000 --> 0:49:02.080
<v Speaker 1>Did I skipt? Yeah? Yeah, yeah, no, it was right

0:49:02.120 --> 0:49:04.839
<v Speaker 1>before the flirt, right before oh yeah yeah yeah yeah right.

0:49:06.719 --> 0:49:08.640
<v Speaker 1>And then we see Luke doing the dishes back with

0:49:08.760 --> 0:49:11.120
<v Speaker 1>the tapes again and we get the do you see

0:49:11.200 --> 0:49:16.360
<v Speaker 1>her face? What is fantasy? You see her face? I

0:49:16.480 --> 0:49:21.239
<v Speaker 1>just kept saying Laura la at the end of that scene,

0:49:21.239 --> 0:49:24.200
<v Speaker 1>Did I go whoa or something like that? Did I

0:49:24.280 --> 0:49:27.960
<v Speaker 1>go whoa? Something like that? Did I? I don't think so.

0:49:28.600 --> 0:49:30.840
<v Speaker 1>We kind of were just like, oh you did, like

0:49:30.960 --> 0:49:34.000
<v Speaker 1>bulb no, but something came out of my mouth. I

0:49:34.200 --> 0:49:40.040
<v Speaker 1>verbalized something wow, ah, good writing. Good scene. So then

0:49:40.480 --> 0:49:47.560
<v Speaker 1>we're at the hospital, Harris is losing her leap. Just

0:49:48.120 --> 0:49:51.200
<v Speaker 1>you don't you don't expect that from her, do you?

0:49:51.680 --> 0:49:54.960
<v Speaker 1>You just don't expect it? Didn't you feel like Emily

0:49:55.160 --> 0:49:56.960
<v Speaker 1>when Richard was in the hospital though, That's what it

0:49:56.960 --> 0:50:00.920
<v Speaker 1>reminded me of who That is a really great comparison. Yeah,

0:50:00.960 --> 0:50:04.919
<v Speaker 1>it's very similar. Yeah, when he had a heart attack. Yeah,

0:50:04.960 --> 0:50:06.839
<v Speaker 1>and I thought it was two things. First of all,

0:50:06.840 --> 0:50:09.919
<v Speaker 1>we get a mention of an anvil again, which I thought,

0:50:10.120 --> 0:50:12.480
<v Speaker 1>no way, now that I've learned what an anvil is

0:50:13.560 --> 0:50:17.680
<v Speaker 1>came back into my life. And then it really made

0:50:17.760 --> 0:50:21.680
<v Speaker 1>sense when she's she realized like he's old. Yeah, yeah,

0:50:22.920 --> 0:50:25.520
<v Speaker 1>and you're like, yeah, nobody I saw him. His eyes

0:50:25.560 --> 0:50:29.080
<v Speaker 1>were staring at the ceiling. He's only gurney, he was looking. Look.

0:50:32.320 --> 0:50:34.680
<v Speaker 1>I love what she says. I should be in a discotheq.

0:50:40.120 --> 0:50:43.160
<v Speaker 1>She Uh, she's all heart and soul. Did she that one?

0:50:44.800 --> 0:50:48.960
<v Speaker 1>I mean the guys in trouble? I want to dump him. Yeah, seriously,

0:50:49.040 --> 0:50:53.120
<v Speaker 1>it's like wow. But I was like, yeah, Harris, he's old. Yeah,

0:50:53.800 --> 0:50:56.839
<v Speaker 1>I will get to it. But she she she didn't

0:50:56.880 --> 0:51:01.200
<v Speaker 1>notice this beforehand, you know, exactly, like we're assuming there

0:51:01.320 --> 0:51:03.239
<v Speaker 1>she had to help him into the tub, you know,

0:51:03.440 --> 0:51:07.000
<v Speaker 1>but I think post coital, That's what I'm saying, we're

0:51:07.040 --> 0:51:11.680
<v Speaker 1>assuming they boum. So that's the whole basis of it.

0:51:12.040 --> 0:51:16.719
<v Speaker 1>Old cat naked. I think she likes like the old

0:51:16.800 --> 0:51:19.680
<v Speaker 1>scholarly side of him, but not like an Oh. In

0:51:20.360 --> 0:51:22.520
<v Speaker 1>a few years, I'm gonna have to kind of take

0:51:22.600 --> 0:51:25.680
<v Speaker 1>care of this. But we're thinking they are sixty and twenty, Like,

0:51:25.800 --> 0:51:30.240
<v Speaker 1>what is their age different? She has to be like nineteen,

0:51:30.480 --> 0:51:33.200
<v Speaker 1>Say she's twenty at the most, it's twenty. She's not

0:51:33.840 --> 0:51:36.800
<v Speaker 1>she could be seventeen or eighteen. No, she's not seventeen

0:51:36.840 --> 0:51:41.680
<v Speaker 1>because she's eighteen. Yeah, she's eighteen or nineteen nineteen. Okay, fine,

0:51:42.080 --> 0:51:46.560
<v Speaker 1>And what is he? He's Richard's age, it might be

0:51:46.680 --> 0:51:49.640
<v Speaker 1>more than that. And no, dude, no, he's in his sixties.

0:51:50.000 --> 0:51:53.600
<v Speaker 1>He's early sixties. So they are forty years apart. Yeah,

0:51:55.480 --> 0:51:58.400
<v Speaker 1>they have nothing to talk about. There's nothing, no conversation

0:51:58.480 --> 0:52:01.719
<v Speaker 1>they could possibly that's too many, too many years. It's yeah,

0:52:01.880 --> 0:52:08.680
<v Speaker 1>it is hm, it's her grandpa's Yeah, okay, So then

0:52:08.800 --> 0:52:12.040
<v Speaker 1>we go to because then the granddaughter shows up. That's

0:52:12.080 --> 0:52:18.120
<v Speaker 1>my granddaughter. And by the way, by the way, Rory's

0:52:18.160 --> 0:52:22.719
<v Speaker 1>never been funnier totally when when she was leaving, when

0:52:22.800 --> 0:52:25.200
<v Speaker 1>she you know, stepped in it with the granddaughter, you know,

0:52:25.520 --> 0:52:27.640
<v Speaker 1>realized it was granddaughter and like, well I got to

0:52:27.680 --> 0:52:31.840
<v Speaker 1>be going now by See that's the thing. That's the

0:52:31.920 --> 0:52:34.279
<v Speaker 1>thing I admire so much about Alexis is because she

0:52:34.360 --> 0:52:37.880
<v Speaker 1>stays relaxed through every year. She never lets her body

0:52:38.000 --> 0:52:41.000
<v Speaker 1>get all tense, and she never blows a scene or

0:52:41.080 --> 0:52:44.200
<v Speaker 1>blows a line because she's trying too hard. And that's

0:52:44.239 --> 0:52:46.800
<v Speaker 1>the thing. That's that's the takeaway from me is like,

0:52:47.200 --> 0:52:49.000
<v Speaker 1>if I'm the lead of a series and I've got

0:52:49.080 --> 0:52:51.759
<v Speaker 1>to be there every day and do this every time, man,

0:52:51.800 --> 0:52:54.360
<v Speaker 1>you better be relaxed. You can't go into Jesse's apartment

0:52:54.360 --> 0:52:57.320
<v Speaker 1>and be all tight and tense, interesting and interesting. You

0:52:57.400 --> 0:52:59.839
<v Speaker 1>can't do that. You just can't do that. That's bad.

0:53:00.760 --> 0:53:05.480
<v Speaker 1>But she's she's just great. She's she's just so she

0:53:05.640 --> 0:53:08.080
<v Speaker 1>still has the proper amount of energy for the scene. Right,

0:53:08.200 --> 0:53:11.480
<v Speaker 1>it's still alive and it's all happening, but she's so relaxed,

0:53:11.719 --> 0:53:15.040
<v Speaker 1>understated or it's very relaxed. Yeah, it's really nice. All right,

0:53:15.120 --> 0:53:18.399
<v Speaker 1>So we're we're got one thing. Before that, we got

0:53:18.520 --> 0:53:24.040
<v Speaker 1>Suki lore Lyne Michelle realizing laundry is isn't spelled wrong,

0:53:24.280 --> 0:53:26.399
<v Speaker 1>which it isn't, although I don't know how you spell

0:53:26.520 --> 0:53:33.200
<v Speaker 1>consumme also consummes gross, but uh, And then I think

0:53:33.280 --> 0:53:38.279
<v Speaker 1>we find out that the zucchini issue sleeping with the

0:53:38.440 --> 0:53:42.960
<v Speaker 1>zucchini and Davies of the grandparents and YadA YadA. Okay,

0:53:43.200 --> 0:53:47.040
<v Speaker 1>so now we go to the bachelor party and I

0:53:47.520 --> 0:53:50.000
<v Speaker 1>died when he said I spoon with your sister. And

0:53:50.120 --> 0:53:54.760
<v Speaker 1>Luke's just like and that the lap is an illusion

0:53:55.000 --> 0:54:01.759
<v Speaker 1>that was hysterical, the best stuff man. And then oh god, well,

0:54:02.040 --> 0:54:04.280
<v Speaker 1>Jess's in the bathroom and he says, use it before

0:54:04.360 --> 0:54:10.160
<v Speaker 1>the puking. Oh my gosh, Jess has his book. Did

0:54:10.280 --> 0:54:15.800
<v Speaker 1>Luke overreact to the lap dance offer? I feel like

0:54:15.960 --> 0:54:19.359
<v Speaker 1>that was a very lucris ye, like, yeah, you didn't

0:54:19.360 --> 0:54:22.560
<v Speaker 1>think it was an overreaction. It was too much. I

0:54:22.600 --> 0:54:24.560
<v Speaker 1>don't think anything was too much, only you think it

0:54:24.640 --> 0:54:29.200
<v Speaker 1>was too much. It's a free country. I ever right

0:54:29.239 --> 0:54:34.160
<v Speaker 1>to how I feel. So then we go back, Okay, disagree.

0:54:35.000 --> 0:54:37.320
<v Speaker 1>So before the Mud, we go back to the hospital.

0:54:37.360 --> 0:54:39.400
<v Speaker 1>I think, right, That's what made me, Yeah, was like

0:54:39.520 --> 0:54:42.320
<v Speaker 1>we like, this is the most ungilmore Girls scene. We

0:54:42.400 --> 0:54:46.320
<v Speaker 1>go from a strip club to a hospital, like usually

0:54:46.360 --> 0:54:49.880
<v Speaker 1>it's like stars Hollow to like Emily and Richards, you know,

0:54:50.560 --> 0:54:55.080
<v Speaker 1>and we think that Paris is gonna up. But this

0:54:55.280 --> 0:54:58.200
<v Speaker 1>is where this is where TJ takes us. I mean,

0:54:58.800 --> 0:55:00.759
<v Speaker 1>he just takes us into the the mud. Doesn't he

0:55:01.480 --> 0:55:05.080
<v Speaker 1>so good? They're so good. So we go back to

0:55:05.160 --> 0:55:07.319
<v Speaker 1>the hospital and this is where Paris and Roy are

0:55:07.680 --> 0:55:10.000
<v Speaker 1>having this heart to heart and we think they're going

0:55:10.080 --> 0:55:11.839
<v Speaker 1>to break up, and she goes in and I think

0:55:11.920 --> 0:55:15.200
<v Speaker 1>he said thank you angel. He called her angel. I mean,

0:55:15.760 --> 0:55:18.359
<v Speaker 1>dare I say it? He and I hate I hate

0:55:18.400 --> 0:55:21.279
<v Speaker 1>this term, but he kind of like gaslit her in

0:55:21.400 --> 0:55:25.000
<v Speaker 1>this a little bit. You mean you mean where He's like,

0:55:25.120 --> 0:55:28.279
<v Speaker 1>if you don't want to, I don't think that's gas No, no,

0:55:28.360 --> 0:55:32.960
<v Speaker 1>it wasn't gaslight. He realized that she was free. I

0:55:33.040 --> 0:55:36.640
<v Speaker 1>don't know, no, no, no. He picked up on her vibe,

0:55:36.640 --> 0:55:38.880
<v Speaker 1>but she was coming in too like dump the he

0:55:38.920 --> 0:55:42.040
<v Speaker 1>wanted to give her. He just was giving her an out. Yeah,

0:55:42.280 --> 0:55:45.239
<v Speaker 1>the wise man could feel the vibes. He knew what

0:55:45.360 --> 0:55:48.120
<v Speaker 1>she was thinking, and it was a gaslighter would have

0:55:48.160 --> 0:55:51.120
<v Speaker 1>been like a gaslighter would have been like, I've done

0:55:51.160 --> 0:55:53.279
<v Speaker 1>everything for you, and now that I had one bit

0:55:53.320 --> 0:55:56.640
<v Speaker 1>of Amgina, you're dumping me. You're the it's all your

0:55:56.719 --> 0:55:59.960
<v Speaker 1>fault like that you have Angina, like you know what? Yeah,

0:56:01.040 --> 0:56:03.799
<v Speaker 1>to me, he was like making I don't know when

0:56:03.840 --> 0:56:08.759
<v Speaker 1>he said, after all, I'm old, like I was to me.

0:56:08.880 --> 0:56:10.440
<v Speaker 1>I was just like he was just kind of like,

0:56:11.520 --> 0:56:13.759
<v Speaker 1>I don't know, but that's but that's the nature of

0:56:14.120 --> 0:56:19.200
<v Speaker 1>I guess his experience with young Yeah girls, true, this

0:56:19.360 --> 0:56:22.040
<v Speaker 1>happens time and time. This happens every semester. To him,

0:56:22.200 --> 0:56:25.560
<v Speaker 1>he sees it coming. He knows he probably ends up

0:56:25.600 --> 0:56:29.040
<v Speaker 1>in the hospital every semester because the girl is you know,

0:56:29.480 --> 0:56:32.520
<v Speaker 1>I don't know, to flights out and then he gets

0:56:32.600 --> 0:56:34.520
<v Speaker 1>low on electric lights, he passes out, He ends up

0:56:34.520 --> 0:56:36.960
<v Speaker 1>in the hospital. The girl wants a dumb It's like

0:56:37.000 --> 0:56:41.520
<v Speaker 1>he doesn't care. It's like, next time to be sweet

0:56:41.520 --> 0:56:43.080
<v Speaker 1>and give her the out. And he was very He's

0:56:43.120 --> 0:56:47.320
<v Speaker 1>like your wonderful company, but if you want to reassess,

0:56:48.360 --> 0:56:51.080
<v Speaker 1>and then she falls for it in the sense that

0:56:51.239 --> 0:56:54.719
<v Speaker 1>like he is so sweet and she's like no, like

0:56:55.200 --> 0:56:58.759
<v Speaker 1>she does genuinely like him. Yeah, really likes him. I

0:56:58.840 --> 0:57:02.359
<v Speaker 1>think they like each other. Although when it was a granddaughter,

0:57:03.120 --> 0:57:06.480
<v Speaker 1>she was so unfazed by two young students being in

0:57:06.560 --> 0:57:09.440
<v Speaker 1>the hospital for her grandfather, and I totally thought that

0:57:09.560 --> 0:57:14.320
<v Speaker 1>was a girlfriend at first, like, yeah, yeah, another daughter.

0:57:14.640 --> 0:57:17.480
<v Speaker 1>I just thought it was the daughter Asher Fleming been there,

0:57:17.840 --> 0:57:23.200
<v Speaker 1>done that. This happens every semester. Let's get let's get

0:57:24.480 --> 0:57:26.760
<v Speaker 1>the granddaughters. Like she's back, he's back in the hospital.

0:57:26.920 --> 0:57:33.520
<v Speaker 1>Two new girls. Literally, we're back at the bachelor party

0:57:33.640 --> 0:57:38.880
<v Speaker 1>with the mud, and wow, I tell you this is

0:57:39.000 --> 0:57:42.240
<v Speaker 1>pretty racy for Gilmore girls right here, and took an

0:57:42.280 --> 0:57:45.440
<v Speaker 1>aggressive turn with the fight, like all about walking down

0:57:45.520 --> 0:57:49.160
<v Speaker 1>the aisle, get Luke to do it right and then

0:57:49.440 --> 0:57:52.360
<v Speaker 1>fight and TJ was trying to do the right thing

0:57:52.440 --> 0:57:56.040
<v Speaker 1>by his you know, soon to be wife. Yeah, like

0:57:56.280 --> 0:57:59.720
<v Speaker 1>I wish, I wish Jess would walk her down the aisle,

0:58:00.120 --> 0:58:01.880
<v Speaker 1>you know, like that would have been a cute moment. Yeah,

0:58:01.920 --> 0:58:03.800
<v Speaker 1>but well yeah, I wish they didn't go to blows.

0:58:03.920 --> 0:58:11.560
<v Speaker 1>That was nearly wasn't nearly neally hilarious, but nearly had

0:58:11.640 --> 0:58:18.760
<v Speaker 1>to man handled us a little bit crazy way hilarious though,

0:58:19.080 --> 0:58:20.920
<v Speaker 1>And you have no memory of just that mud. I

0:58:21.040 --> 0:58:24.080
<v Speaker 1>do not remember a single second of that. Oh my god,

0:58:24.240 --> 0:58:27.800
<v Speaker 1>I just don't. That's why I was shocked when I

0:58:28.080 --> 0:58:30.040
<v Speaker 1>saw myself walk into that set. I was like, I

0:58:30.160 --> 0:58:33.240
<v Speaker 1>do not remember this because that's something you'd remember. You'd

0:58:33.240 --> 0:58:37.520
<v Speaker 1>think you'd remember the mud. Nope, and like being messy,

0:58:37.680 --> 0:58:41.360
<v Speaker 1>Well I wasn't. I I just don't remember any of it,

0:58:42.480 --> 0:58:44.400
<v Speaker 1>but I get it. I actually thought to myself, like,

0:58:44.600 --> 0:58:49.680
<v Speaker 1>if somebody said to me, do you remember episode season

0:58:49.800 --> 0:58:53.960
<v Speaker 1>one twelve of the podcast, I'd be like, no, no,

0:58:54.400 --> 0:58:57.040
<v Speaker 1>you said, blah blah. I'd be like, oh yeah, that

0:58:57.160 --> 0:59:00.280
<v Speaker 1>time we were laughing and we didn't a grand something.

0:59:00.520 --> 0:59:04.680
<v Speaker 1>I remember that. Oh my god. All right. So then

0:59:04.760 --> 0:59:07.200
<v Speaker 1>we go to the like garden, which I thought was

0:59:07.280 --> 0:59:12.160
<v Speaker 1>kind of a lovely cute thing, you know, where they're

0:59:12.160 --> 0:59:15.400
<v Speaker 1>all in the garden together and they're just I thought

0:59:15.440 --> 0:59:23.720
<v Speaker 1>that was actually really cute get ourselves when they said,

0:59:23.800 --> 0:59:26.520
<v Speaker 1>let's take something off of our plates and we decide

0:59:26.600 --> 0:59:30.920
<v Speaker 1>what you take off someone else's. Mm, that was cool.

0:59:31.800 --> 0:59:35.800
<v Speaker 1>Who said that? Remember they all they're all in the garden. Yeah,

0:59:35.800 --> 0:59:38.320
<v Speaker 1>they're looking at the stars, right. They know they've got

0:59:38.400 --> 0:59:40.840
<v Speaker 1>too much on their plates, so they're going to take

0:59:40.960 --> 0:59:45.120
<v Speaker 1>something off. Yeah, and they picked what it was, dropped

0:59:45.160 --> 0:59:47.880
<v Speaker 1>something off your list, and then they picked what it

0:59:48.080 --> 0:59:50.120
<v Speaker 1>was something, you know, each of them had a thing.

0:59:51.160 --> 0:59:57.840
<v Speaker 1>I thought that was cute. Hey dude, I'm David Lasher

0:59:58.120 --> 1:00:02.200
<v Speaker 1>and I'm Christine Taylor and host the podcast Hey Dude

1:00:02.360 --> 1:00:05.600
<v Speaker 1>the nineties called If You All Are nostalgic for the nineties.

1:00:05.640 --> 1:00:08.160
<v Speaker 1>We just wanted to make sure you didn't miss amazing

1:00:08.280 --> 1:00:12.280
<v Speaker 1>guests like the Brady Bunch cast reunion, the White Squall

1:00:12.400 --> 1:00:16.479
<v Speaker 1>cast reunion with Jeff Bridges. We've got Ben Stiller, We've

1:00:16.560 --> 1:00:20.440
<v Speaker 1>got the lead singer of Counting Crows, Adam Durrett's Jerry O'Connell.

1:00:20.560 --> 1:00:24.400
<v Speaker 1>We also had a Hey Dude cast reunion, So come

1:00:24.560 --> 1:00:26.960
<v Speaker 1>join us on Hey Dude the Nineties called. We have

1:00:27.240 --> 1:00:30.520
<v Speaker 1>so many more great guests coming up, so please come

1:00:30.600 --> 1:00:33.240
<v Speaker 1>back and join us. Listen to Hey Dude, the Nineties

1:00:33.280 --> 1:00:36.600
<v Speaker 1>called on the iHeartRadio app, Apple Podcasts or wherever you

1:00:36.720 --> 1:00:41.120
<v Speaker 1>listen to podcasts. Then we get to the one of

1:00:41.200 --> 1:00:45.600
<v Speaker 1>my favorites, Luke and Jess m I love him Luke

1:00:45.640 --> 1:00:48.280
<v Speaker 1>and Jess there may be some of my favorite to

1:00:48.400 --> 1:00:51.560
<v Speaker 1>be honest, And then and they talk about well, first

1:00:51.600 --> 1:00:54.600
<v Speaker 1>of all, we learned that he came because of Luke Yeah.

1:00:54.720 --> 1:00:57.000
<v Speaker 1>And then we also learned why he didn't come. To

1:00:57.160 --> 1:01:03.280
<v Speaker 1>begin with the I Love you Yeah because Rory my

1:01:03.360 --> 1:01:06.120
<v Speaker 1>favorite was a conversation between Luke and Jess and Luke

1:01:06.280 --> 1:01:09.520
<v Speaker 1>was like, and you just left, and Jesse was like, yeah,

1:01:09.680 --> 1:01:13.120
<v Speaker 1>I left. It was such a Luke move it was.

1:01:13.280 --> 1:01:17.240
<v Speaker 1>And then you give him the tapes. Oh my god.

1:01:17.440 --> 1:01:27.240
<v Speaker 1>Then then you go over to Laurelize. Wow, big move.

1:01:27.400 --> 1:01:30.960
<v Speaker 1>Made the move. He made the move. I grew a

1:01:31.120 --> 1:01:35.720
<v Speaker 1>pair and made a move. It was so smooth, smooth move.

1:01:37.320 --> 1:01:42.560
<v Speaker 1>It wasn't obvious, just so good. It was pretty good, right,

1:01:43.960 --> 1:01:46.120
<v Speaker 1>pretty good? It was. I want to know what I

1:01:46.200 --> 1:01:51.600
<v Speaker 1>wrote on my paper, slick smooth? Was it smooth? Ten? Ten? Ten?

1:01:52.000 --> 1:01:55.919
<v Speaker 1>This is a ten. The whole episode's a ten. Oh yeah,

1:01:56.200 --> 1:02:03.320
<v Speaker 1>I agree, this is a ten. Yeah. And her and

1:02:03.640 --> 1:02:05.880
<v Speaker 1>when she got in her cheap and she looked back

1:02:06.040 --> 1:02:11.040
<v Speaker 1>that last time with a smile in her face, was yeah.

1:02:12.760 --> 1:02:16.560
<v Speaker 1>You know, these two it's like they're so happy. They're

1:02:16.600 --> 1:02:20.840
<v Speaker 1>pretty happy because you could just feel that nervousness between

1:02:21.000 --> 1:02:22.320
<v Speaker 1>you know, you know when that when you're in that

1:02:22.440 --> 1:02:25.440
<v Speaker 1>situation and you ask somebody and it's like they said yes,

1:02:25.560 --> 1:02:27.920
<v Speaker 1>and you just you don't want to, you know, do

1:02:28.240 --> 1:02:31.560
<v Speaker 1>do you know, leap around and celebrate. You just you

1:02:31.640 --> 1:02:35.360
<v Speaker 1>have to contain your joy, right yeah? Yeah yeah, And

1:02:35.440 --> 1:02:38.040
<v Speaker 1>they were just both doing that. It's really fun, really

1:02:38.120 --> 1:02:42.120
<v Speaker 1>fun to watch. Ten. This episode was so good. I

1:02:42.280 --> 1:02:45.360
<v Speaker 1>actually can't get over it. It was so great. How

1:02:45.400 --> 1:02:48.200
<v Speaker 1>many zucchinis do you give it? At the very end,

1:02:48.280 --> 1:02:51.480
<v Speaker 1>when he gives the boom box, suggests, I know, I know,

1:02:52.000 --> 1:02:54.920
<v Speaker 1>Like he's like I figured out. Yeah. Can we just

1:02:55.080 --> 1:02:57.600
<v Speaker 1>sort of like, you know, look, you do your zucchinis,

1:02:57.600 --> 1:03:00.640
<v Speaker 1>I'm gonna do my boom boxes. Can we just agreed

1:03:00.680 --> 1:03:04.400
<v Speaker 1>that this is a ten? Yeah? Yes, everybody, Yes, I can. Yeah,

1:03:04.440 --> 1:03:09.480
<v Speaker 1>it's my boombox. As you do, how many whatever things

1:03:09.520 --> 1:03:12.000
<v Speaker 1>you're going to give it? Yeah? Ten? This is this

1:03:12.240 --> 1:03:14.160
<v Speaker 1>is a ten. This is a strong, This is like

1:03:14.240 --> 1:03:18.520
<v Speaker 1>a ten plus. Yeah, I agree. I didn't want it

1:03:18.600 --> 1:03:20.480
<v Speaker 1>to end. I wanted to watch. I can't even have

1:03:20.560 --> 1:03:22.840
<v Speaker 1>a favorite line because I literally said, this is the

1:03:22.880 --> 1:03:27.200
<v Speaker 1>best script of the entire series so far. I don't know.

1:03:27.320 --> 1:03:31.320
<v Speaker 1>My favorite line was Rory escaping to the elevator in

1:03:31.400 --> 1:03:36.920
<v Speaker 1>the hospital. She's cracking me up. I liked them when

1:03:37.040 --> 1:03:39.160
<v Speaker 1>Luke was responding to the tape and it's like I

1:03:39.320 --> 1:03:41.640
<v Speaker 1>feel angry. He's like, because I'm listening to this tape

1:03:41.640 --> 1:03:44.960
<v Speaker 1>and like he's back and forth with the tape. Mine

1:03:45.080 --> 1:03:48.080
<v Speaker 1>was similar a Luke line, um when he got the

1:03:49.120 --> 1:03:51.680
<v Speaker 1>tape and the workbook and he goes it doesn't get

1:03:51.800 --> 1:03:59.400
<v Speaker 1>lower than this. Again, here's another Here's another thing that

1:03:59.600 --> 1:04:04.120
<v Speaker 1>that at me watching alexis, why didn't somebody give her

1:04:04.240 --> 1:04:10.360
<v Speaker 1>a romantic comedy to star in? They did? Who? Who did? What? Big? Yes?

1:04:10.440 --> 1:04:13.439
<v Speaker 1>It's her traveling. Was she the star of that? Yeah?

1:04:13.920 --> 1:04:16.360
<v Speaker 1>Yeah she was. I never saw them, but she's the

1:04:16.520 --> 1:04:21.320
<v Speaker 1>lead of that film, The four four? Okay, so, but

1:04:21.480 --> 1:04:24.680
<v Speaker 1>she had the love story like she she had the

1:04:24.840 --> 1:04:28.200
<v Speaker 1>Greek There was a sequel to and was she? Was

1:04:28.280 --> 1:04:31.520
<v Speaker 1>she great in it? Yeah? Amazing? Okay, So where's the

1:04:31.600 --> 1:04:35.440
<v Speaker 1>rest of the movie offers? Why wasn't that girl? They

1:04:35.480 --> 1:04:38.240
<v Speaker 1>could have made her a big movie star? Right, I

1:04:38.280 --> 1:04:41.400
<v Speaker 1>don't get it. She's so she's so great in these

1:04:41.520 --> 1:04:46.960
<v Speaker 1>scenes and so funny and so likable, right, totally. I

1:04:47.640 --> 1:04:50.600
<v Speaker 1>don't understand why she didn't get a bigger career. And

1:04:50.760 --> 1:04:53.480
<v Speaker 1>she did. She's done very very well. Don't get me wrong.

1:04:53.800 --> 1:04:56.360
<v Speaker 1>She You're right, she has done very well. But she's

1:04:56.400 --> 1:05:00.600
<v Speaker 1>not Jennifer Lawrence. But she's in hand. She's in hand tale.

1:05:00.720 --> 1:05:03.160
<v Speaker 1>Wait a minute, Jennifer, No, there's Jennifer Lawrence is a

1:05:03.320 --> 1:05:06.439
<v Speaker 1>totally different type of person. She's not Emma Stone. See

1:05:06.480 --> 1:05:09.080
<v Speaker 1>what I'm saying is like Alexis is a big star,

1:05:09.160 --> 1:05:11.560
<v Speaker 1>and she's she was in Madman, she's in handmaids Tale,

1:05:11.560 --> 1:05:14.600
<v Speaker 1>all these things, but she's never she has not become

1:05:15.040 --> 1:05:18.400
<v Speaker 1>Emma Stone, Jennifer Lawrence. Those well, let me ask you this,

1:05:18.640 --> 1:05:21.160
<v Speaker 1>because they're movie stars. It's like, I feel like, sometimes

1:05:21.200 --> 1:05:24.120
<v Speaker 1>it's different when someone's on this show for seven seasons,

1:05:24.480 --> 1:05:27.480
<v Speaker 1>no kind of you can make that transition that happens.

1:05:27.600 --> 1:05:29.640
<v Speaker 1>But you're saying if they're only on a show for

1:05:29.760 --> 1:05:31.920
<v Speaker 1>one or two seasons, then they make the transition. Then

1:05:32.120 --> 1:05:34.720
<v Speaker 1>feel not so known as TV people because the people

1:05:34.760 --> 1:05:36.800
<v Speaker 1>you're listing, like Jennifer Lawrence, like she wasn't on a

1:05:36.840 --> 1:05:41.960
<v Speaker 1>show for like eight years, right, People people get used

1:05:42.000 --> 1:05:44.320
<v Speaker 1>to somebody like Alexis that they can see on television

1:05:44.400 --> 1:05:48.480
<v Speaker 1>for free. They're less likely to pay for crossover. I

1:05:48.480 --> 1:05:51.640
<v Speaker 1>don't know, but I just think she's so good with that.

1:05:51.840 --> 1:05:54.480
<v Speaker 1>She's so amazing, and she's so great at light comedy.

1:05:54.520 --> 1:05:56.800
<v Speaker 1>You know, there's like an Audrey Hepper. She's also so

1:05:57.000 --> 1:06:00.160
<v Speaker 1>good at handmaids Tale, her kid. Yeah, and it's not

1:06:01.360 --> 1:06:05.800
<v Speaker 1>it's not a comedy. That's well, I mean she's had

1:06:06.120 --> 1:06:09.280
<v Speaker 1>she's had a wonderful career. Yeah, and mad Man. She's

1:06:09.280 --> 1:06:11.240
<v Speaker 1>great too. I mean, if I was a producer of

1:06:11.320 --> 1:06:14.000
<v Speaker 1>films back then and work for a studio, I'd say, Man,

1:06:14.160 --> 1:06:16.439
<v Speaker 1>let's get her into these total films. I mean, let's

1:06:16.480 --> 1:06:21.000
<v Speaker 1>get her opposite. Well, give it time. It's not too late. True, true,

1:06:21.200 --> 1:06:24.840
<v Speaker 1>I don't I don't care. A tough business, Isn't it

1:06:26.840 --> 1:06:28.840
<v Speaker 1>like that day Louise has never had their own show,

1:06:29.960 --> 1:06:33.280
<v Speaker 1>you know, it's like, what man, the talent coming out

1:06:33.320 --> 1:06:39.160
<v Speaker 1>of this show smoking? Anyway? All right, so I think

1:06:39.200 --> 1:06:43.800
<v Speaker 1>we all agree that this was a wonderful episode. Season

1:06:43.880 --> 1:06:47.600
<v Speaker 1>four is just kicking ass and taking names people. Um,

1:06:49.120 --> 1:06:52.040
<v Speaker 1>all right, so one is the next. The next episode

1:06:52.280 --> 1:06:55.880
<v Speaker 1>is Season four episode twenty one. Were one away, two

1:06:55.920 --> 1:07:04.960
<v Speaker 1>away from end last week fights, this week tights. Draw

1:07:05.080 --> 1:07:08.680
<v Speaker 1>your own conclusions anyway. Thank you Tara, Thank you Danielle,

1:07:08.720 --> 1:07:12.040
<v Speaker 1>Thank you Amy. Who's no brushing her hair? What are

1:07:12.040 --> 1:07:14.640
<v Speaker 1>you just doing? My training? Gonna take a little break

1:07:14.760 --> 1:07:18.080
<v Speaker 1>before we're gonna take a little break before we we're

1:07:18.120 --> 1:07:21.080
<v Speaker 1>not what we're out and just do my hair? Okay,

1:07:22.640 --> 1:07:26.840
<v Speaker 1>all right, everybody, thanks for downloading. Best fans on the planet.

1:07:27.040 --> 1:07:30.720
<v Speaker 1>Thank you so much for your comments. Keep them coming, um,

1:07:31.560 --> 1:07:34.480
<v Speaker 1>keep them coming. For sure, and we'll see you next time.

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<v Speaker 1>Stay safe, hey everybody, and don't forget Follow us on

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<v Speaker 1>Instagram at I Am all In podcast and email us

1:08:11.560 --> 1:08:16.360
<v Speaker 1>at Gilmore at iHeartRadio dot com. Oh you're Gilmore fans.

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<v Speaker 1>If you're looking for the best cup of coffee in

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<v Speaker 1>the world, go to my website from my company scott

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<v Speaker 1>ep dot com, s C O. T. T YP dot com,

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<v Speaker 1>scottip dot com Grade one Specialty Coffee