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Speaker 1: I am all in. Oh that's you. I am all

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Speaker 1: in with Scott Patterson an I Heeart radio podcast. Hi kids,

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Speaker 1: Hi hie, Oh my god, happen Luke can see your face?

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Speaker 1: What is going on with the episode? Wow? I mean,

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Speaker 1: there's a lot of pack, so many words. There's just

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Speaker 1: too much to even deal with. It's so much. You

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Speaker 1: said when you just said when Luke can see your face?

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Speaker 1: I literally was like, yeah, I know you can. My

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Speaker 1: camera's on. And then oh my god, that's the title

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Speaker 1: of the episode or not Luke. That must be a

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Speaker 1: stay on the street. People on the streets say Luke. Yeah. Yeah,

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Speaker 1: they say Luke. Yeah. Tori Spelling said she answers to Donna,

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Speaker 1: so you can answer them. I do, I do. I

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Speaker 1: look and I turn and there they are. You know,

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Speaker 1: it's wonderful. It's all wonderful. But why Wow, what an episode? Wow?

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Speaker 1: Season four just taken over all right. Here's the synopsis.

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Speaker 1: Luke decides to make some changes in his love life

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Speaker 1: after listening to an inspiring tape and reading books about love.

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Speaker 1: Liz and tj announced are going to get married and

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Speaker 1: have a Renaissance themed wedding in the town square. Then

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Speaker 1: Jess comes into town and admits he's trying to avoid

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Speaker 1: Rory after dropping the L word. Lori lia is stressed

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Speaker 1: out about the breakup and the end and stresses everyone

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Speaker 1: else too. Meanwhile, Paris makes a decision about her and

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Speaker 1: Asher's future. Did anyone knows? At the end? On Netflix,

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Speaker 1: it said like, two more episodes left of the season

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Speaker 1: when you hit next? Did you notice that? No? Yeah,

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Speaker 1: so you know how like it always like speeds through

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Speaker 1: and it's like, oh, like I can hit next. They

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Speaker 1: said two more left of season, like two more episodes

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Speaker 1: left of season four. I was like, well, this is

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Speaker 1: exciting it and Netflix says that it takes all my

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Speaker 1: season to end. It has all my strength to not

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Speaker 1: watch the next one. Yeah, you can't do it. You

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Speaker 1: can't do it. It will quit. Scott, is it coming

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Speaker 1: back to you? Like? No, none of this. I remember

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Speaker 1: none of this. I remember God, and least of all

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Speaker 1: I the strip club shocked me. I couldn't believe that

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Speaker 1: I did that scene. And I just don't remember any

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Speaker 1: of it. I don't remember any of it. I don't remember.

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Speaker 1: This was literally your episode. Like there's a lot of luke,

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Speaker 1: a lot of luke. This is luke this whole episode

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Speaker 1: is Luke like, it's all you WoT next? Oh really,

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Speaker 1: I don't even want to say. Here's the thing. This

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Speaker 1: goes to show how great Lauren is because she had

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Speaker 1: to do that. She has to carry every show, right,

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Speaker 1: She's in like more scenes than anybody. Yeah, and it's

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Speaker 1: hard to do it. You know, it's like really hard

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Speaker 1: to be in so many scenes because of the you know,

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Speaker 1: the tone that you have to hit and if and

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Speaker 1: if you're off on one scene and I think, and

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Speaker 1: we'll get into this because I was. I think I

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Speaker 1: was really off on one particular scene that we'll talk about.

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Speaker 1: I can't wait to hear about. Well, we'll we'll you know,

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Speaker 1: hash it out when we get there. But but it's

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Speaker 1: hard to really kind of lay out that sort of

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Speaker 1: game plan. When you get the script and you see

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Speaker 1: her on all these scenes, it's like, you know, it's

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Speaker 1: you can fall into you know, these inevitable acting sort

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Speaker 1: of traps um if there are so many scenes and

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Speaker 1: you don't really plot your course through you can't wait

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Speaker 1: to hear about the like inside Baseball and I'm laughing, yeah,

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Speaker 1: because we had sales called us yesterday and they were like,

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Speaker 1: do you have a show where your home don't agree,

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Speaker 1: And I was like, I'm on it. It is called

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Speaker 1: I'm all it. We all disagree. I already was laughing

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Speaker 1: because I'm already like, disagree, disagree. Oh anyway, all I

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Speaker 1: have to do is listen to like any of the episodes.

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Speaker 1: But I don't. I can't wait to hear because I'm

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Speaker 1: going to see if we noticed it or if you're

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Speaker 1: just like hard on your performance. I hope you're not,

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Speaker 1: because you were outstanding. Oh no, I'm gonna I'm gonna

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Speaker 1: tear myself a new one. One particular scene. The rest

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Speaker 1: I'm fine with. Okay, I'm gonna be the one with

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Speaker 1: the boom box because literally I wrote down phenomenal performance

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Speaker 1: in that. Scott just entertained me for a good long

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Speaker 1: amount of time with a boom box. It's a good point.

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Speaker 1: If I was an actor, I would think that would

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Speaker 1: be the hardest scene ever her and effing nailed it.

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Speaker 1: I was like, I am not bored. I completely believe

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Speaker 1: it everything. I was like, he is acting with a

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Speaker 1: tape recorder. I wonder you that's the one that is

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Speaker 1: not the scene I'm referring to. I enjoyed that scene too.

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Speaker 1: That's that you are great, that's thank you. That's active listening.

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Speaker 1: Active listening. Um, so listening. That's like what teachers say, right,

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Speaker 1: So what does that mean? You're listening like you're in

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Speaker 1: it because you're listening. It's just thinking the thoughts. It's

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Speaker 1: like thinking the thoughts the character would think in that situation,

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Speaker 1: and the thoughts are always changing. And acting is listening.

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Speaker 1: It's listening. It's reacting to what you're listening to in

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Speaker 1: the moment and being truthful. That's all that scene comes

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Speaker 1: across across so believable because you're in it, like you're

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Speaker 1: really listening to I'm connected to that tape recorder. Wow,

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Speaker 1: And what is coming out of it? Yeah? Is it

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Speaker 1: not acting? Is it just living? Yeah? I guess it's yeah.

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Speaker 1: You try to do that living thing. Sometimes it's it's

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Speaker 1: hard in the acting, you know, I know we're getting

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Speaker 1: a little wonky, but it's interesting. I'm I'm interested. Yeah,

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Speaker 1: it's I don't know. I think if you can live

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Speaker 1: the role, it's better, right, Not that you have to.

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Speaker 1: I mean there's a lot, there's a lot of press.

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Speaker 1: Brian cox Is is after Jeremy strong succession. He's like

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Speaker 1: this guy won't let it go on set, and it's

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Speaker 1: like two methody. It's like what Dustin Hoffman did in

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Speaker 1: Marathon Man and Laurence Olivier criticized. It's like, yeah, you know,

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Speaker 1: young man, just learn how to act, you know, you

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Speaker 1: don't have to live it, you know, twenty four seven,

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Speaker 1: that kind of thing. But it's like everybody has their process, right,

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Speaker 1: every you've got to respect everybody's process. So, um, and

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Speaker 1: you can't argue with the results right from from what

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Speaker 1: Jeremy Strong's doing. And and I know Brian and I

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Speaker 1: know how gifted an actor he is, um and and

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Speaker 1: so he just has a process. But he's been doing

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Speaker 1: it a lot longer than Jeremy Strong's been doing it, right, Um,

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Speaker 1: So maybe one day Jeremy Strong got to that point

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Speaker 1: where he it's just you know, part of his process

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Speaker 1: is not living it all the time on set, but

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Speaker 1: that's just how he works. Yeah, well, and I want

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Speaker 1: to and you gotta respect it. That's what I was

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Speaker 1: going to say, A commitment. Yeah, people do what they're

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Speaker 1: gonna do, just if it's even if it's not your

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Speaker 1: way right right right. I don't know, I feel like

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Speaker 1: and I could be wrong about Lauren because I don't

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Speaker 1: know her, but I feel like there's a lot of

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Speaker 1: Laura Lae in Lauren, even just when I see her

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Speaker 1: in interviews. I'm like, that's a lot of lorel And

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Speaker 1: we do know you. There's a lot of Luke in Scott. Yeah.

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Speaker 1: And I stayed in character, you know, while I was

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Speaker 1: on set because it was it was so far away

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Speaker 1: from me and that you know, that energy and that

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Speaker 1: type of concentration. I had to maintain it throughout the

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Speaker 1: shooting day. Yeah, yeah, I kind of let if you

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Speaker 1: let it go. Man, It's just like and then after

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Speaker 1: nine years and coming back doing the episode the Netflix thing, man,

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Speaker 1: I had no clue. I was scared. Interesting. I don't

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Speaker 1: know this guy anymore. I've changed so much and maybe

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Speaker 1: he's changed so much, but it took me a little

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Speaker 1: bit to get him back, get the scent back. Yeah.

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Speaker 1: How many years later? Was it? Nine? I can't wait

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Speaker 1: to break down the movies. But yeah, so Laura lies

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Speaker 1: a cat lady, I guess we'll start that was that

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Speaker 1: was good stuff, really funny, good cat acting. And I

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Speaker 1: will say the phone call acting does not bother me

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Speaker 1: on this show. It's like I'm used to it. It

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Speaker 1: doesn't take me out like it's fine. Well, they do

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Speaker 1: it so often that you know people are bound to

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Speaker 1: get great at it. But it's still but it's still

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Speaker 1: it's still that Gilmore cadence. It's still the Gilmore energy,

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Speaker 1: it still has the humor. Can you remember if you

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Speaker 1: I mean, you don't have as many it'd more be

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Speaker 1: a question for Alexis and Lauren what phone calls? Did

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Speaker 1: they do them together? So they would shoot it with

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Speaker 1: just another person a stand in or whatever? Well, yeah,

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Speaker 1: or you know, somebody reading off camera, because you know

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Speaker 1: if usually those two were there all the time so

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Speaker 1: they can give each other the lines. I mean, there

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Speaker 1: weren't a lot of off days for either one of them,

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Speaker 1: so they were together in the scenes all the time.

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Speaker 1: So but now that they're splitting it up and doing

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Speaker 1: this different locations in Yale and Lorialize at our house,

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Speaker 1: So that's different, right. Can you imagine if in real

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Speaker 1: life they did I mean I believe that they totally

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Speaker 1: love each other, but can you imagine if you were

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Speaker 1: in that many scenes together working together with someone you

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Speaker 1: did not like, oh I've done that, I've done that.

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Speaker 1: It's hard. That's acting. Yeah. I mean it's like working

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Speaker 1: with somebody you don't like either, like deal with it

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Speaker 1: the same same. Yes, I'm trying to think if there's

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Speaker 1: anyone we work with that I really don't like, but

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Speaker 1: I can't think of it. I mean other than down,

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Speaker 1: you know, I really don't like Amy was like, I

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Speaker 1: must really love Amy. We call each other at ten

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Speaker 1: pms and no, we all actually love each other. And

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Speaker 1: Scott included, you should see our text, chambe I think

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Speaker 1: we should. Like people saw our text, they would just

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Speaker 1: kee their pants. They would actually, did anyone notice like

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Speaker 1: the little itty bitty cell phone, Like it's so weird

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Speaker 1: to me, like raise a little itty dy right? It

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Speaker 1: wasn't it a flip phone? Isn't a little tiny flip phone?

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Speaker 1: I feel like hers was even like not a flip phone.

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Speaker 1: It was just like this idiot I had a phone

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Speaker 1: one time before they were like, you know, before you

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Speaker 1: did emails, and I saw it was a little one

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Speaker 1: inch like it was just a little um okay. Relatable

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Speaker 1: hashtag relatable Lorelai leaving herself messages of the things she

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Speaker 1: has to do. Do you guys, ever, text yourself to

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Speaker 1: remind yourself of things I've done that. Yeah, Oh, I

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Speaker 1: just put in my notes page. Well I don't know

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Speaker 1: how to use that, but if I'm yeah, I do that.

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Speaker 1: But like sometimes I just text myself because if it's

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Speaker 1: like a link too, I just text myself. Like literally, yesterday,

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Speaker 1: I'm laying on my couch here in my office and

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Speaker 1: it's two thirty and my phone goes off if there's

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Speaker 1: an alert, and I pick it up and I'm like,

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Speaker 1: I'm all like groggy, and I'm like, because I was

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Speaker 1: up early with my son and all that stuff, and

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Speaker 1: so I look at it says podcasting. Oh no, David

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Speaker 1: tay Luis. So I ran in the kitchen, you know,

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Speaker 1: and oh is that when you texted us and you're like,

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Speaker 1: is there a podcast? I was out of it, man,

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Speaker 1: I was nodding out. I can't wait for people to

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Speaker 1: listen to that on this week though. We can tell

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Speaker 1: you is We got a text from Scott after that

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Speaker 1: said that was epic. He's epic. It was because this

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Speaker 1: morning we had one of these this morning and we

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Speaker 1: call it Gilmore. They call it I a AI I am,

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Speaker 1: and I call it Gilmore and I'm like Gilmore at

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Speaker 1: ten and then someone's like we rescheduled it, and I'm

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Speaker 1: like to what, like it was literally who's on first

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Speaker 1: to ten? Well it is said ten ten, we resled it.

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Speaker 1: Danyelle's email hasn't been working. I can't even talk about it.

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Speaker 1: It's gonna really put me in a spiral if we

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Speaker 1: talk about it. Here's what I want to say, Here's

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Speaker 1: what I want to say. Uh. When I took away

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Speaker 1: one of the things I took away from this episode

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Speaker 1: was how on earth did Michael and David day Louise

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Speaker 1: and even Peter Day Louise did not get their own

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Speaker 1: series together? I don't know. They are hysterical, Scott. I

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Speaker 1: literally agree because I was thinking this last night, right,

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Speaker 1: because I was like reading the transcripts from your interview

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Speaker 1: with David. Right, It's like the three of them were amazing.

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Speaker 1: Oh does Peter too, I mean, and in such a

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Speaker 1: different way. Twenty one Jump Street was like freaking iconic, right,

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Speaker 1: and they all look exactly this. Well. But but the

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Speaker 1: thing is they're they're all such strong personalities, they're all

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Speaker 1: so incredibly talented. They're also really funny guys and good guys. Totally.

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Speaker 1: Why didn't somebody sit them down and say, let's make

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Speaker 1: a deal. You guys need to either have your own

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Speaker 1: sitcom or your own single camera comedy show. Tara, it

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Speaker 1: would be Brotherly Love the adult version. Ye who dropped

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Speaker 1: the ball on that some network? And it's really not

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Speaker 1: too It's not too late, you know. I mean, I know,

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Speaker 1: I think Michael's not acting anymore. He emailed. I think

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Speaker 1: he emailed one of us that he's like just not

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Speaker 1: acting anymore. That's just soft. And this was like David

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Speaker 1: is on fire. The strip club scene was hysterical. I

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Speaker 1: laughed so hard. You know, the good host too. I

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Speaker 1: cannot wait for people to hear you guys, it's an illusion.

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Speaker 1: We'll get to it. I got so many mud questions

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Speaker 1: a couple of years before Wizards of Waverley Place too.

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Speaker 1: So yeah, because that was in two thousand and seven,

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Speaker 1: Is that right? Yeah? I think seven or a. Do

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Speaker 1: you think it's possible that they didn't want to work together? No,

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Speaker 1: I don't. I know, I don't either. I don't think so. No. Hey, everyone,

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Speaker 1: it's Bethany Frankel. We are reliving the best moments from

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Speaker 1: all the seasons of the Real Housewives on my new

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Speaker 1: podcast Rewives from the Table Flip New Jersey to the

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Speaker 1: craziest hills of Beverly. No city will be spared. And

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Speaker 1: I'm joined by my most fabulous celebrity friends that you

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Speaker 1: will never expect to help me break down the drama.

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Speaker 1: Kristin Channawi, Tori Spelling, Jerry Springer, Snookie, even Emmy winner

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Speaker 1: Elizabeth Moss. The list goes on and on. So let's

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Speaker 1: whoop it up and mention it all because you can

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Speaker 1: binge episodes of rewives right now with so much more

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Speaker 1: to come. Listen to rewives on the iHeartRadio app or

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Speaker 1: wherever you listen to your podcasts. One thing about the

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Speaker 1: opening credits, Milo was in them. There's that that you yeah,

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Speaker 1: that you know right away Milo and Jared are in

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Speaker 1: this episode. I was just like, oh, heck yeah, stoved.

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Speaker 1: Couldn't be like I literally wrote it down Milo on

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Speaker 1: opening credits exclamation points like Danielle wait, tell me when

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Speaker 1: this episode aired again. It aired on May fourth, two thousand. Sweeps. Dude, sweeps,

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Speaker 1: they know how to bring it sweeps. Yeah, okay, so

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Speaker 1: it's almost like every every episode in the season four

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Speaker 1: has been a sweeps episode. I totally agree. So okay,

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Speaker 1: So then we go Luke's opening the diner. Lore lies

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Speaker 1: on the steps. She's all jacked up on coffee, right,

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Speaker 1: like she she's already had the coffee, and then she

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Speaker 1: ran out right, yes, yeah, this is a mess. And

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Speaker 1: you make her eat oatmeal? I mean right away. We're

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Speaker 1: just seeing their connections. Yeah, yeah, they were. They had

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Speaker 1: a nice flow together. They just have a nice flow together. Yeah,

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Speaker 1: you know, um, because she's tough enough to take his grumpiness, yeah,

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Speaker 1: and his sarcasm, and but vulnerable enough to be delight

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Speaker 1: a delight, you know what I mean? And ell and

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Speaker 1: light King wants the one table right then realizes the

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Speaker 1: lighting over there is pretty good? Right? Did this stand

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Speaker 1: out to anybody else? How dressed up she is? I

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Speaker 1: mean she's wearing heels, like for all of us, like

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Speaker 1: after the pandemic, Like hard pants, you're like, who wears

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Speaker 1: literally wearing sweatpants as we speak, the same a fool

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Speaker 1: sweat set, Like how are you wearing sweatpants or hard pants?

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Speaker 1: Oh yeah, I never wear hard pants. If we go

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Speaker 1: out to sushi or something, I'll put on some hard pants.

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Speaker 1: But around the house, forget about it. Yea. And where

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Speaker 1: tracks is Harry? Because it's like it really stood out

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Speaker 1: to me. Now how pansy she is and then those heels,

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Speaker 1: I mean, she looks amazing. Like, yeah, shout out to

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Speaker 1: everybody who like joins me in being obsessed with this

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Speaker 1: fashion and thank you for telling me where to get

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Speaker 1: things because she's dressy, especially her five am I know. Wait, Okay,

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Speaker 1: so then we go to the inn and Michelle's on

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Speaker 1: the floor, which just was relatable. Again, I'm like, when

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Speaker 1: you're opening up something, how many times have we all

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Speaker 1: just been on the floor a day? So many like

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Speaker 1: we have so many jobs where there's just nothing there

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Speaker 1: and you literally like have a laptop and he was

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Speaker 1: like on the cement. I remember one time my therapist

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Speaker 1: told me, like a great way to like decompress for

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Speaker 1: your stress, and I actually have done this before is

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Speaker 1: you lay on the floor and you put your legs

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Speaker 1: up in like a tabletop position on the couch and

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Speaker 1: like like you put your legs up like yeah, yeah, saying,

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Speaker 1: so your your body's on the floor, but your legs

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Speaker 1: are on the couch. Okay, just sit there and it

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Speaker 1: like helps you like distress. You know what else you

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Speaker 1: can do is like is you can take these deep

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Speaker 1: breaths and just sort of let them out, like just

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Speaker 1: like just so you empty everything out. That's an acting

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Speaker 1: exercise laxation. Actually, what you just described is you get

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Speaker 1: on your back and you put your legs up on

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Speaker 1: the couch and you take deep breasts and just and

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Speaker 1: you go ruh and you just let everything out. You

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Speaker 1: do like twenty times your high as a kite from

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Speaker 1: from the hyperventilation, and you're relaxed as hell. So you

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Speaker 1: can get in front of a camera and just sort

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Speaker 1: of chill. Wait, should we all do it right now?

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Speaker 1: Everyone in their car? Absolutely ready? Did you say in

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Speaker 1: the car? Everyone in the car, everyone on their walks. Oh,

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Speaker 1: but you make it sound you make it sound like

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Speaker 1: a hippopotamus. Have you ever been in a yoga class

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Speaker 1: where they make you like exhale loud? Yes, you're just

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Speaker 1: like Scott. That reminds me you would have been great

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Speaker 1: in like finding Nemo. You sound like dor Let's do

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Speaker 1: another one? Here? Shall we? Here? You're go there you go?

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Speaker 1: You know what else? It's so funny, how like things

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Speaker 1: that make you feel dorky. I want everyone to do

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Speaker 1: it right now, because whenever I do a workout and

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Speaker 1: they're like pose, pose and I just skip them anyway.

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Speaker 1: So okay, So then Luke comes in and he's analyzing

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Speaker 1: the stairs with Tom, and Tom's all peoed about it,

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Speaker 1: and you guys are like, I'm not kid it singing

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Speaker 1: right right, don't don't come in here and kim its

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Speaker 1: and then oh, you don't usually see you know, you

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Speaker 1: don't usually see Luke back on his heels like that,

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Speaker 1: you know, no, which is which is why, which is

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Speaker 1: why Tom is such a good like sort of Luke

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Speaker 1: surrogate dad totally and an extension of Luke because he

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Speaker 1: respects him. He's he's a workingman. Right. Then we get

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Speaker 1: to what could be one of my favorite things ever

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Speaker 1: in all of Gilmore Girls. We go in and shell

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Speaker 1: shall I couldn't tell the shell the peltry supplier, the

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Speaker 1: shell sauceman or whatever, Yes, the poultry, and clearly Suki's

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Speaker 1: trying to like hook them up and lower light and

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Speaker 1: then the physical comedy body language between Scott and Lauren

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Speaker 1: slash Luke Lorelei. I literally was like it was so hilarious.

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Speaker 1: I mean when she's putting her armor in my armor, yeah,

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Speaker 1: and it's just all it's like hilarious and awkward and

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Speaker 1: amazing and then like she's all, don't touch my stomach. Hey,

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Speaker 1: what's this thing between I guess there's a thing between

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Speaker 1: Luke and Suki. They don't like each other too much,

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Speaker 1: because hey, look, you know she wasn't happy to see him.

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Speaker 1: I think they're mad. I don't know. I don't know.

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Speaker 1: Maybe him behind the k is there supposed to be.

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Speaker 1: I don't know. I was only in the show for

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Speaker 1: one hundred years, so how would I know. But I

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Speaker 1: think they're good. But I think they have their moments

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Speaker 1: because they're both in the culinary world, so yeah, little competition.

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Speaker 1: But he comes by to check out the kitchen. He's curious.

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Speaker 1: He's providing support. You know, he's not stealing ideas. He's

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Speaker 1: not like Steve job jobbing it going into Honeywell and

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Speaker 1: stealing the laptop idea or whatever. There was one part

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Speaker 1: in this scene that confused me. I'm sure, pretty sure.

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Speaker 1: It's the scene that Luke didn't know that she was

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Speaker 1: in a relationship. I don't know why I thought that

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Speaker 1: he knew. Luke didn't know that Laura yeah with um digger.

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Speaker 1: Oh yeah, because she kept it kind of on the

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Speaker 1: d L. I guess because he came to town and

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Speaker 1: like him and Luke kind of had that moment. I

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Speaker 1: assumed out right, yeah, we're sneaking around to say the least,

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Speaker 1: you know. Like I think just in that moment, because

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Speaker 1: of that scene in the car, like from a couple

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Speaker 1: episodes ago, I was like, wait, he didn't know they're

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Speaker 1: in a relationship. But it's just like yeah, like don

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Speaker 1: ll males like, oh, also doesn't I think on subconscious

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Speaker 1: level that's sort of inten Yeah that's me. But yeah,

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Speaker 1: I agree, I'm no simund Smund, right, I think I'm

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Speaker 1: a therapist. Yeah. I felt like she doesn't want him

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Speaker 1: to know, and she doesn't want to know about it

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Speaker 1: guts her every time she has to know about his stuff.

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Speaker 1: You don't remember the cruise and the marriage and the

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Speaker 1: divorce and how she was just so devastated. It's like yeah, whoa, yeah,

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Speaker 1: yeah that's true. Yeah. The funniest part lest we stop

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Speaker 1: cutting each other with our knives. The funniest part is

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Speaker 1: when they're they're talking. So after the sort of physical

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Speaker 1: awkward and then everybody leaves and it's just Luca Lorela

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Speaker 1: and then they like are talking and I think something like,

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Speaker 1: you're not destined to be alone and something about doctor

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Speaker 1: but you have shell and then you'd never want for chicken.

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Speaker 1: Oh god, their banter is as good as anybody's. He

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Speaker 1: can keep up. I venture to say this is the

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Speaker 1: best written episode, potentially of all Gilmour episodes. I agree.

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Speaker 1: Maybe maybe you're right. Oh god, no, unbelievable. Okay, So

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Speaker 1: now you got you got a double barrel of Palladino's

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Speaker 1: writing cranking it out. That is like the that's lethal,

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00:24:30,800 --> 00:24:35,399
Speaker 1: that's not even fair. Yeah, it's like stop, Okay, we

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Speaker 1: can only handle that once in a while. Yep, I

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Speaker 1: agree with you. It's too good. Okay. So then we

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Speaker 1: go to Asher, which I thought he looked handsome. I

400
00:24:45,280 --> 00:24:47,840
Speaker 1: get it. Why the ladies love it. It's Michael Yorke.

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Speaker 1: He's the most dashing, charming actor ever. Yeah, he looks good.

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00:24:53,520 --> 00:24:55,480
Speaker 1: I'm telling you go look go look at those old

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Speaker 1: photos of him and Raquel Welsh and three Musketeers. I mean,

404
00:24:58,680 --> 00:25:01,040
Speaker 1: the guy you forgot to do that. The guy's dashing.

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Speaker 1: People don't like when I google stuff while we're on

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Speaker 1: But dashing and talented and charming, and what do you

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Speaker 1: think of him asking Paris to go to Oxford Oh

408
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Speaker 1: why wouldn't he. I'm indifferent about it because I obviously

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Speaker 1: don't want them to be a real thing. But I'm

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Speaker 1: kind of like, oh, that's a big thing. If he

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Speaker 1: invited her to go to Oxford. Yeah, maybe he does

412
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Speaker 1: like her. Well, I don't want to jump ahead, but wow,

413
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Speaker 1: when when we get to the hospital, we'll save it.

414
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Speaker 1: But like, yow. Hey everyone, it's Dean Unglert and Kayla

415
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Speaker 1: Miller Keys and jaredhyn I'm I'm here. I'm here too, guys,

416
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Speaker 1: hosts of the new podcast. Help we suck at being

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Speaker 1: newlyweds because I guess we just don't suck at dating anymore. No,

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Speaker 1: I mean you're newly weds. I am not a newlywed anymore. Yeah,

419
00:25:56,000 --> 00:25:58,359
Speaker 1: I'm curious if I sucked at being a newlywed. I

420
00:25:58,359 --> 00:26:00,919
Speaker 1: don't think so. I mean, I'm made it to the altar,

421
00:26:01,160 --> 00:26:03,200
Speaker 1: and I am so happy to be joining you, guys.

422
00:26:03,200 --> 00:26:06,359
Speaker 1: I can't wait to talk about relationships, marriage and just

423
00:26:06,400 --> 00:26:08,879
Speaker 1: everything in between. It's about time we have someone smart

424
00:26:08,880 --> 00:26:11,359
Speaker 1: to join this podcast. It's too long between us. This

425
00:26:11,400 --> 00:26:14,080
Speaker 1: young lady's a broadcast journalism major. She knows what she's doing.

426
00:26:14,200 --> 00:26:16,359
Speaker 1: I'm so excited to be hosting a podcast with my

427
00:26:16,760 --> 00:26:20,160
Speaker 1: soon to be wife and of course my best friend Jared.

428
00:26:20,280 --> 00:26:22,080
Speaker 1: How's that going to make you feel? Working together? Now

429
00:26:22,280 --> 00:26:25,280
Speaker 1: you guys live together, we're together, going to get married. Yeah,

430
00:26:25,480 --> 00:26:27,360
Speaker 1: it'll be interesting. You think you need to get tired

431
00:26:27,359 --> 00:26:30,440
Speaker 1: of each other? Absolutely? Yes, be sure to listen to help.

432
00:26:30,520 --> 00:26:33,560
Speaker 1: We kept being nearly LEDs on the iHeartRadio app, Apple

433
00:26:33,600 --> 00:26:38,120
Speaker 1: Podcasts or wherever you listen to podcasts. Oh my god,

434
00:26:38,160 --> 00:26:40,880
Speaker 1: Oh my god. Okay, So then we have the scene

435
00:26:41,680 --> 00:26:47,800
Speaker 1: with Luke at the bookstore hiding it, didn't want anyone

436
00:26:47,840 --> 00:26:51,679
Speaker 1: to see, and then when he grabs the boombox, I'm like,

437
00:26:52,359 --> 00:26:56,840
Speaker 1: oh my god, what's happening and pops out the old cassette.

438
00:26:57,600 --> 00:27:00,560
Speaker 1: That's my favorite part is that it was an audio

439
00:27:00,560 --> 00:27:09,720
Speaker 1: tape with the workbook. Yeah he's really trying. Uh So

440
00:27:09,960 --> 00:27:12,840
Speaker 1: I thought this scene was like brilliant and I just wrote,

441
00:27:12,880 --> 00:27:16,680
Speaker 1: this must be so hard to do, Like how hard

442
00:27:16,800 --> 00:27:20,200
Speaker 1: was that to do? Just listen? You just listen. Are

443
00:27:20,200 --> 00:27:22,360
Speaker 1: they playing the tape back for you? Like? Are they

444
00:27:22,400 --> 00:27:26,359
Speaker 1: playing that exact audio? Oh? That's good. I think that

445
00:27:26,440 --> 00:27:30,840
Speaker 1: they were, And I think that boombox actually worked. Wow?

446
00:27:31,160 --> 00:27:36,359
Speaker 1: Was the boom box miked, I can't. No, I don't

447
00:27:36,440 --> 00:27:40,719
Speaker 1: remember that, but I do think that I was getting,

448
00:27:41,320 --> 00:27:44,639
Speaker 1: you know, the tape. I was. I was hearing it,

449
00:27:44,680 --> 00:27:46,640
Speaker 1: and because I think I insisted on it, I said,

450
00:27:46,680 --> 00:27:49,320
Speaker 1: I want to hear yeah, yeah, yeah, it because because

451
00:27:49,480 --> 00:27:52,560
Speaker 1: because how else can I respond? Yeah? And it was

452
00:27:52,600 --> 00:27:55,960
Speaker 1: so over the top it was great, like, yeah, now

453
00:27:56,000 --> 00:27:58,679
Speaker 1: I have a weird job that I don't think Jackie, Jackie,

454
00:27:58,720 --> 00:28:01,000
Speaker 1: I have all the faith in you. Jack He's our producer.

455
00:28:01,600 --> 00:28:04,600
Speaker 1: Who is the voice on the tape? I was wondering

456
00:28:05,200 --> 00:28:09,400
Speaker 1: question and I didn't start doing a deep dive. I'm

457
00:28:09,440 --> 00:28:12,960
Speaker 1: going to guess it was Christian Bail. Oh they got

458
00:28:13,040 --> 00:28:17,080
Speaker 1: Christian Bail. Is find outable a word, because I think

459
00:28:17,080 --> 00:28:22,479
Speaker 1: it's gonna be find outable. It's not, it's now it is.

460
00:28:22,960 --> 00:28:29,159
Speaker 1: It is so Scott. Can you when you watch that

461
00:28:29,200 --> 00:28:33,280
Speaker 1: where you like, huh really good? Yeah? I liked it.

462
00:28:33,280 --> 00:28:34,920
Speaker 1: I enjoyed it. I thought, yeah I did. I thought

463
00:28:34,920 --> 00:28:38,560
Speaker 1: I did a commendable job. I thought I was pleased.

464
00:28:38,600 --> 00:28:40,960
Speaker 1: I mean, I was like, this has to be hard,

465
00:28:41,600 --> 00:28:45,080
Speaker 1: and that was legit because I believed every second of it. Yeah,

466
00:28:45,080 --> 00:28:47,720
Speaker 1: I look, I didn't have a problem with any of

467
00:28:47,720 --> 00:28:50,560
Speaker 1: it except for one scene, Oh, I'm nervous, but we'll

468
00:28:50,600 --> 00:28:54,680
Speaker 1: get I'm nervous, so okay. So then Dean's working late

469
00:28:54,680 --> 00:28:58,800
Speaker 1: and we have the epic Lindsay Dean fight. Yeah that

470
00:28:58,920 --> 00:29:03,600
Speaker 1: was uncomf Yeah, you know, I got aside with Lindsay

471
00:29:03,600 --> 00:29:12,760
Speaker 1: on this one though, because oh no, no is working.

472
00:29:12,840 --> 00:29:19,040
Speaker 1: No no, no, okay, okay, hold on, guys, hold on

473
00:29:19,640 --> 00:29:21,800
Speaker 1: the fact that she's like, I want to go on

474
00:29:21,840 --> 00:29:25,400
Speaker 1: this double date with you, Like she is recognizing that

475
00:29:25,520 --> 00:29:29,080
Speaker 1: something is not right in their marriage. Like she's saying

476
00:29:29,160 --> 00:29:32,280
Speaker 1: that she's bored that Dean never calls her and that

477
00:29:32,480 --> 00:29:35,080
Speaker 1: she that he never thinks about her, and all she

478
00:29:35,200 --> 00:29:37,080
Speaker 1: wants him to do is to go on this double

479
00:29:37,360 --> 00:29:41,000
Speaker 1: date and he can't do it, and he's working because

480
00:29:41,040 --> 00:29:43,600
Speaker 1: he's trying to get her what she wants. I call

481
00:29:44,120 --> 00:29:48,280
Speaker 1: b s because if he really wanted to go, he

482
00:29:48,360 --> 00:29:52,160
Speaker 1: would have gone out of work on time or whatever. Like,

483
00:29:52,360 --> 00:29:54,640
Speaker 1: if he truly wanted to go on that double date

484
00:29:54,680 --> 00:29:57,240
Speaker 1: and spend time with her, he would make it happen

485
00:29:57,800 --> 00:30:00,720
Speaker 1: like he does with Rory. You know, I'm saying so

486
00:30:00,760 --> 00:30:04,200
Speaker 1: like in this situation, I was kind of like, oh,

487
00:30:04,280 --> 00:30:08,760
Speaker 1: Lindsay is definitely recognizing that something's off and that I

488
00:30:08,880 --> 00:30:11,400
Speaker 1: know something's off. He's playing pac Man all that. No,

489
00:30:11,440 --> 00:30:13,760
Speaker 1: I know totally, but she's just kind of like calling

490
00:30:13,840 --> 00:30:16,640
Speaker 1: his bluff. You know, she's calling his bluff right now.

491
00:30:17,000 --> 00:30:19,600
Speaker 1: But that's highly addictive. Pac Man's highly addictive. That's not

492
00:30:19,680 --> 00:30:21,760
Speaker 1: his fault when you put it that way. About the

493
00:30:21,800 --> 00:30:24,200
Speaker 1: double date that I agree with, I think it was

494
00:30:24,240 --> 00:30:26,160
Speaker 1: more of her line of like, I'm at home all

495
00:30:26,200 --> 00:30:28,320
Speaker 1: day and I'm bored, and he's like, well, I'm working.

496
00:30:28,400 --> 00:30:32,240
Speaker 1: That's the part that bothered me because yeah, but it's

497
00:30:32,280 --> 00:30:35,800
Speaker 1: but what she's saying is that called a check up

498
00:30:35,800 --> 00:30:38,720
Speaker 1: on me and she he does not care. He doesn't care,

499
00:30:39,000 --> 00:30:43,920
Speaker 1: Yeah at all, he does care. No, he doesn't. He

500
00:30:44,080 --> 00:30:46,959
Speaker 1: is not he's not getting that. He's not that indoor anymore.

501
00:30:47,000 --> 00:30:49,480
Speaker 1: But he does care because he's feeling like, I am

502
00:30:49,480 --> 00:30:53,280
Speaker 1: working all day long because you want a townhouse. No,

503
00:30:53,400 --> 00:30:55,120
Speaker 1: he's working all day long because he doesn't want to

504
00:30:55,160 --> 00:30:58,600
Speaker 1: be with her. Oh, I understand. Like if I totally

505
00:30:58,600 --> 00:31:01,800
Speaker 1: agree with that, I don't know. I think I think

506
00:31:01,840 --> 00:31:06,480
Speaker 1: he's trying both sides. Yeah, Scott, what do you think.

507
00:31:07,080 --> 00:31:11,320
Speaker 1: I think what's gnawing at him is the fact that

508
00:31:11,400 --> 00:31:17,920
Speaker 1: he has Rory concerned about his long term future with

509
00:31:18,040 --> 00:31:22,640
Speaker 1: his education, and he's probably you know, thinking he should

510
00:31:22,640 --> 00:31:27,480
Speaker 1: get back to college because she's right, right, I mean,

511
00:31:27,520 --> 00:31:31,080
Speaker 1: if he gets a degree. And I know this triggers

512
00:31:31,120 --> 00:31:33,880
Speaker 1: a lot of people in our in our audience about

513
00:31:34,520 --> 00:31:37,480
Speaker 1: you know, my opinion on education. But you know, even

514
00:31:37,480 --> 00:31:39,440
Speaker 1: if it doesn't lead to a high paying probably still

515
00:31:39,440 --> 00:31:42,400
Speaker 1: think it's a good idea. Uh. And you know, there

516
00:31:42,440 --> 00:31:44,040
Speaker 1: are a lot of ways to get an education without

517
00:31:44,040 --> 00:31:46,680
Speaker 1: going into tremendous amount of debt, right, you can, there's

518
00:31:46,760 --> 00:31:48,200
Speaker 1: there's a lot of you know, you can go to

519
00:31:48,200 --> 00:31:50,640
Speaker 1: the library and read on your anyway. Anyway. I just

520
00:31:50,720 --> 00:31:54,000
Speaker 1: think that what's gnawing at him is is the fact

521
00:31:54,040 --> 00:31:59,320
Speaker 1: that Rory has a long term vision for him and

522
00:32:00,240 --> 00:32:06,280
Speaker 1: it's not necessarily selfish, but it's for his own being,

523
00:32:06,400 --> 00:32:09,720
Speaker 1: his own happiness, his own long term happiness, his own

524
00:32:09,800 --> 00:32:14,479
Speaker 1: good and that's powerful, right, because it's not attached to

525
00:32:14,520 --> 00:32:17,840
Speaker 1: a romance anymore. And maybe a budding roman you know,

526
00:32:17,840 --> 00:32:22,680
Speaker 1: the romance is springing up again, but you know, and

527
00:32:22,920 --> 00:32:24,920
Speaker 1: plus on top of the fact that he's working that

528
00:32:25,000 --> 00:32:27,440
Speaker 1: extra job and getting that extra money because she wants

529
00:32:27,440 --> 00:32:29,520
Speaker 1: a townhouse. But he should not. But the thing is

530
00:32:29,880 --> 00:32:32,680
Speaker 1: I kind of agree with Danielle because he should want

531
00:32:32,680 --> 00:32:38,200
Speaker 1: the townhouse too for them. Yeah yeah, so why is

532
00:32:38,240 --> 00:32:41,120
Speaker 1: he settling and not doing the extra things it takes

533
00:32:41,520 --> 00:32:43,720
Speaker 1: and then being the great husband and checking in and

534
00:32:43,720 --> 00:32:45,640
Speaker 1: all that. So you know, I kind of see both

535
00:32:45,800 --> 00:32:49,560
Speaker 1: points of view. Just too young. Like if he was

536
00:32:49,600 --> 00:32:51,560
Speaker 1: working late too, would he be like, hey, I call

537
00:32:51,600 --> 00:32:53,680
Speaker 1: her instead of her showing up like hey, I'm so sorry,

538
00:32:53,720 --> 00:32:55,760
Speaker 1: Like I'm gonna be working late tonight like you'd usually give.

539
00:32:56,480 --> 00:33:00,960
Speaker 1: Just working he's like doing manual labor, like horror ass work.

540
00:33:01,480 --> 00:33:03,560
Speaker 1: And the last thing he's like, well, let me go

541
00:33:03,600 --> 00:33:08,440
Speaker 1: call my wife while I'm like literally yeah, but they're newlyweds, yeah,

542
00:33:09,520 --> 00:33:12,040
Speaker 1: thirty years. Also he doesn't if you we already know this.

543
00:33:12,320 --> 00:33:14,440
Speaker 1: If you say you're gonna be home at six pm,

544
00:33:14,480 --> 00:33:16,960
Speaker 1: and you're not gonna be home at six pm, like

545
00:33:17,440 --> 00:33:20,680
Speaker 1: you've deserved like your significant other, he's waiting for you,

546
00:33:20,800 --> 00:33:22,640
Speaker 1: deserves to get a call. Hey, I'm not gonna be

547
00:33:22,680 --> 00:33:25,120
Speaker 1: home till nine. I'm gonna work extra hours just to

548
00:33:25,480 --> 00:33:28,120
Speaker 1: save a little bit more. That is the right thing

549
00:33:28,200 --> 00:33:32,680
Speaker 1: to do. Yeah, communication is key. Lack of communication. No,

550
00:33:32,840 --> 00:33:38,600
Speaker 1: I like though I stand strong on this flag on

551
00:33:38,600 --> 00:33:40,120
Speaker 1: the play. We're gonna call a time out and we're

552
00:33:40,120 --> 00:33:42,200
Speaker 1: gonna go to Thank you, Scott, thank you so much

553
00:33:42,400 --> 00:33:45,680
Speaker 1: so Danielle. Yeah, her husband, I'm gonna give you two scenarios,

554
00:33:45,720 --> 00:33:49,240
Speaker 1: who works his ass off and is in the concert business,

555
00:33:49,520 --> 00:33:52,520
Speaker 1: so those shows go late. Drama happens all day, always

556
00:33:52,520 --> 00:33:57,000
Speaker 1: sends me a text, right, but he's working late, but

557
00:33:57,080 --> 00:33:59,680
Speaker 1: he tells me he's gonna be home late. Issue was

558
00:33:59,720 --> 00:34:03,480
Speaker 1: just he's not calling her my issues. He doesn't care

559
00:34:04,080 --> 00:34:10,040
Speaker 1: like we saw this episode. But God, no way, and

560
00:34:10,480 --> 00:34:14,359
Speaker 1: I hope, I hope this isn't cringe. But we do

561
00:34:14,400 --> 00:34:19,160
Speaker 1: not know what's going on behind closed doors so to speak. Right, No,

562
00:34:19,320 --> 00:34:22,600
Speaker 1: that's so we don't know if that activity is ongoing

563
00:34:22,719 --> 00:34:26,479
Speaker 1: or it's just stopped. Correct I I think Scott, that's

564
00:34:26,520 --> 00:34:28,520
Speaker 1: not cringe. That you make a good point in that

565
00:34:28,840 --> 00:34:33,719
Speaker 1: the mother's always around. She's fully nagging him, like it's

566
00:34:33,760 --> 00:34:37,800
Speaker 1: way too much like June Cleaver making the picnic basket whatever.

567
00:34:38,200 --> 00:34:41,640
Speaker 1: It's just also shout out to everybody who reminded us

568
00:34:41,760 --> 00:34:46,279
Speaker 1: of the episode, Oh my god, when Rory the old

569
00:34:46,320 --> 00:34:50,160
Speaker 1: TV show they watched, it's the names out of my head. Um,

570
00:34:50,160 --> 00:34:53,440
Speaker 1: everybody knows it's listening, don't get mad. Shout out to

571
00:34:53,480 --> 00:34:55,879
Speaker 1: that because that was an excellent point. Everyone's like, Dean

572
00:34:56,160 --> 00:35:01,440
Speaker 1: loves this life where he's you know, um, it's not

573
00:35:01,520 --> 00:35:03,719
Speaker 1: Doris Day, Who was it, Scott? Come on, come on,

574
00:35:03,680 --> 00:35:08,279
Speaker 1: I know no. So remember the episode Donna Dancing on

575
00:35:08,600 --> 00:35:13,080
Speaker 1: Donna her name is shown red. So shout out to

576
00:35:13,080 --> 00:35:15,080
Speaker 1: those people because that was a great call out that, like,

577
00:35:16,160 --> 00:35:19,000
Speaker 1: Dean loves the Donna Reed show life. So he does

578
00:35:19,160 --> 00:35:21,640
Speaker 1: like that with the picnic basket and the lunch. But

579
00:35:21,680 --> 00:35:25,200
Speaker 1: I think he thought he liked it. Oh yeah, from

580
00:35:25,600 --> 00:35:30,480
Speaker 1: back then he didn't like it, right, because Rory did

581
00:35:30,480 --> 00:35:33,080
Speaker 1: that whole deal. Yeah, but just that point, he doesn't

582
00:35:33,080 --> 00:35:35,520
Speaker 1: like it, don't doesn't like it, right, so he doesn't

583
00:35:35,560 --> 00:35:38,160
Speaker 1: like Lindsay, I get it, but also right, I think

584
00:35:38,200 --> 00:35:49,120
Speaker 1: Scott cringe. There's no bomb chicken, Yeah, which is very

585
00:35:49,120 --> 00:35:54,759
Speaker 1: concerning being that they're like nineteen years old. He's not

586
00:35:54,960 --> 00:36:00,520
Speaker 1: lying and that rabbit mom's always around yeah too. Yeah,

587
00:36:00,560 --> 00:36:04,160
Speaker 1: I don't know. I don't know, right, we go too

588
00:36:04,160 --> 00:36:11,640
Speaker 1: far yet again, broken down Lindsay and Dean. Yeah to

589
00:36:11,840 --> 00:36:14,279
Speaker 1: the as yeah as you can, but we just don't know.

590
00:36:14,400 --> 00:36:17,239
Speaker 1: We just don't know. It's like messy. Yeah. So then

591
00:36:17,920 --> 00:36:21,400
Speaker 1: Lukes and his truck with the audio tape and upcomes

592
00:36:22,000 --> 00:36:27,000
Speaker 1: his sister and TJS. I love them. That was a

593
00:36:27,120 --> 00:36:31,080
Speaker 1: terrific scene, the renaissance weathering, the two of them coming

594
00:36:31,120 --> 00:36:35,520
Speaker 1: in with all that energy and positivity and happiness and celebration.

595
00:36:35,880 --> 00:36:40,920
Speaker 1: And we're getting married next week right here in the

596
00:36:40,960 --> 00:36:44,000
Speaker 1: town square. We have nothing ready, but we're getting married,

597
00:36:44,000 --> 00:36:46,920
Speaker 1: and you're getting be my best man. And then he's like, obviously,

598
00:36:46,960 --> 00:36:49,000
Speaker 1: there's four hundred and twelve people ahead of you. You're

599
00:36:49,000 --> 00:36:54,120
Speaker 1: not my best man's, but you are invited to the

600
00:36:54,160 --> 00:36:58,400
Speaker 1: bat and then he goes, wait a minute, I smell

601
00:36:58,719 --> 00:37:04,480
Speaker 1: beer and he goes off. Physical The physicality is what

602
00:37:04,680 --> 00:37:09,240
Speaker 1: kills me with Michael day Louise. The physicality is so great,

603
00:37:09,320 --> 00:37:13,680
Speaker 1: the voice to the what a great characterization. Geez, man,

604
00:37:13,760 --> 00:37:15,359
Speaker 1: there should have been more of him, you know. That's

605
00:37:15,360 --> 00:37:18,200
Speaker 1: the thing. It's like, gosh, why isn't there more of him?

606
00:37:18,239 --> 00:37:20,440
Speaker 1: You know? And then you are being really sweet to

607
00:37:20,520 --> 00:37:24,960
Speaker 1: your sister. Yeah, like yeah, you really are. Luke's being

608
00:37:24,960 --> 00:37:27,680
Speaker 1: really sweet and you know, and then we find out

609
00:37:27,680 --> 00:37:31,319
Speaker 1: that Jess isn't coming, and that's obviously like, I think

610
00:37:31,320 --> 00:37:34,200
Speaker 1: we saw far more vulnerable Luke in this episode. He

611
00:37:34,239 --> 00:37:36,800
Speaker 1: was soft around the edges in a lot of places.

612
00:37:36,880 --> 00:37:39,120
Speaker 1: You know, Yeah, because you're trying to better yourself and

613
00:37:39,200 --> 00:37:44,280
Speaker 1: you're trying to figure out love making his family happy.

614
00:37:44,400 --> 00:37:47,200
Speaker 1: Like he's the one who went out, like Liz didn't

615
00:37:47,280 --> 00:37:51,440
Speaker 1: go to Jess's apartment like Luke what he wants to

616
00:37:51,480 --> 00:37:56,200
Speaker 1: make it work and and Jess comes because of because

617
00:37:56,200 --> 00:37:59,000
Speaker 1: of Luke. Yeah, we have to talk about that apartment

618
00:38:00,040 --> 00:38:05,840
Speaker 1: where we will disgusting. But first it's like Lorely and

619
00:38:05,920 --> 00:38:11,360
Speaker 1: Marie eating is one of the most unbelievable things. First

620
00:38:11,400 --> 00:38:14,600
Speaker 1: of all, nothing is grosser to me than a chicken

621
00:38:14,680 --> 00:38:19,239
Speaker 1: chow mate sandwich. I did agree with that? Is that?

622
00:38:19,400 --> 00:38:21,600
Speaker 1: Is that noodles in a sandwich like that? Yeah, that's

623
00:38:22,640 --> 00:38:26,560
Speaker 1: really good. What I've never heard of such thing. Have

624
00:38:26,680 --> 00:38:32,840
Speaker 1: you ever put spaghetti? Yes, oh that's good spaghetti. That's sandwich.

625
00:38:33,080 --> 00:38:35,680
Speaker 1: But that's the same thing. It's just different flavor. Yeah,

626
00:38:35,680 --> 00:38:40,960
Speaker 1: the flavors are different. Wait, you've put spaghetti left over

627
00:38:41,040 --> 00:38:43,959
Speaker 1: spaghetti the next day and put it into sandwich bread

628
00:38:44,000 --> 00:38:47,279
Speaker 1: and just oh you grind it. It's so good. Yeah,

629
00:38:47,400 --> 00:38:50,399
Speaker 1: how many carbs are you guys? Eating many. But it's

630
00:38:50,520 --> 00:38:57,560
Speaker 1: a lot, I guess and wanna and I don't have

631
00:38:57,600 --> 00:39:00,279
Speaker 1: to worry. Way you have to try that now, dude,

632
00:39:00,800 --> 00:39:04,200
Speaker 1: I don't even know just one bite is there in there?

633
00:39:04,280 --> 00:39:08,040
Speaker 1: Like sphett could be it can anything about it? When

634
00:39:08,040 --> 00:39:10,440
Speaker 1: you eat spaghetti, you like have a garlic bread or

635
00:39:10,520 --> 00:39:19,200
Speaker 1: you know, like eat chicken chow mate sandwich. Why not

636
00:39:19,600 --> 00:39:23,719
Speaker 1: where the funniest part is there's a call back to it,

637
00:39:24,040 --> 00:39:26,880
Speaker 1: So like, yeah, we learn about it and then I

638
00:39:26,880 --> 00:39:30,160
Speaker 1: think Luke says it again if he says it's a

639
00:39:30,280 --> 00:39:34,160
Speaker 1: Jess right, so are like he says it again? Yeah, yeah,

640
00:39:34,200 --> 00:39:37,160
Speaker 1: I think Jess is getting Yeah. So they were eating

641
00:39:37,280 --> 00:39:41,920
Speaker 1: nutter butters, tizza, chips and what were they eating during

642
00:39:41,960 --> 00:39:43,840
Speaker 1: the scene though it looked like they were putting like

643
00:39:43,920 --> 00:39:45,879
Speaker 1: wads of gum in their mouth or something. What were

644
00:39:45,880 --> 00:39:49,480
Speaker 1: they eating? Well, what was that? Was it taffy? Was

645
00:39:49,520 --> 00:39:52,480
Speaker 1: it salt water? Go back and look, yeah, we got

646
00:39:52,480 --> 00:39:55,120
Speaker 1: to go back. She kept like breaking Lola kept breaking

647
00:39:55,120 --> 00:39:58,480
Speaker 1: off this white sort of stretchy thing and shove it

648
00:39:58,480 --> 00:40:02,719
Speaker 1: in her mouth. Combo that was gagging. But if it

649
00:40:02,800 --> 00:40:07,479
Speaker 1: was like the Abba zappas or something. And we learned

650
00:40:07,480 --> 00:40:12,040
Speaker 1: that there's no Friday Night Dinner. Oh canceled, Yeah, especially

651
00:40:12,040 --> 00:40:14,360
Speaker 1: after last week, Like I thought that was a great

652
00:40:14,760 --> 00:40:16,719
Speaker 1: like follow up to the last week's episode of just

653
00:40:16,760 --> 00:40:19,640
Speaker 1: like they're not even in the episode, so like something's

654
00:40:19,680 --> 00:40:23,080
Speaker 1: going on. So I have a question. So because they

655
00:40:23,120 --> 00:40:26,480
Speaker 1: canceled Friday Night Dinner, they did a movie night, there's

656
00:40:26,719 --> 00:40:31,719
Speaker 1: they're still using VHS tapes, like we're DVDs not a

657
00:40:31,719 --> 00:40:33,560
Speaker 1: thing in two thousand and four, I think it was

658
00:40:33,600 --> 00:40:37,520
Speaker 1: like I think that's why I think, Yeah, I think

659
00:40:37,520 --> 00:40:40,040
Speaker 1: you could kind of go either way, like yeah, it

660
00:40:40,080 --> 00:40:45,799
Speaker 1: was like the yeah really really so I remember the

661
00:40:45,840 --> 00:40:51,920
Speaker 1: red Box was starting to be a thing. Oh yeahs

662
00:40:52,120 --> 00:40:54,200
Speaker 1: was still think two thousand and four. I'm trying to

663
00:40:54,200 --> 00:40:58,839
Speaker 1: think I was just when did Blockbuster? Yeah? Also, while

664
00:40:58,880 --> 00:41:01,680
Speaker 1: you guys look for house, Oh my god, Laura's wearing

665
00:41:01,719 --> 00:41:05,839
Speaker 1: this blouse that says it's only rock and roll. Two

666
00:41:05,880 --> 00:41:10,720
Speaker 1: thousand and ten, where is that yahouse? Yeah, two thousand

667
00:41:10,760 --> 00:41:13,240
Speaker 1: and ten was the end of Blockbuster. Yes, two thousand

668
00:41:13,239 --> 00:41:15,000
Speaker 1: and four it was. I think it was like two

669
00:41:15,000 --> 00:41:17,319
Speaker 1: thousand and four was like if the movie was already out,

670
00:41:17,400 --> 00:41:21,040
Speaker 1: you had a VHS. The newer movies were turning into DVDs.

671
00:41:21,600 --> 00:41:24,080
Speaker 1: So you were kind of in the middle. I just

672
00:41:24,160 --> 00:41:27,080
Speaker 1: heard if you still have your original Back to the

673
00:41:27,120 --> 00:41:30,319
Speaker 1: Future in the packaging VHS, it's worth like five hundred dollars.

674
00:41:30,560 --> 00:41:34,000
Speaker 1: I have all the Disney vhss, which apparently is worth

675
00:41:34,040 --> 00:41:35,759
Speaker 1: a lot if they have a special symbol on it.

676
00:41:35,800 --> 00:41:38,120
Speaker 1: So I need to go have the symbol. I need

677
00:41:38,200 --> 00:41:41,680
Speaker 1: to go. I have a box of just vhs Disney VHS,

678
00:41:41,719 --> 00:41:44,360
Speaker 1: so I need to go through. That was a Mark

679
00:41:44,640 --> 00:41:52,960
Speaker 1: Jacobs blouse. I believe, Wow, chic, super cool Mark Jacobs.

680
00:41:53,080 --> 00:41:56,000
Speaker 1: Oh no, that's a pink rocker t that said, it's

681
00:41:56,000 --> 00:41:58,719
Speaker 1: only rock and roll. So I still don't know totally

682
00:41:58,719 --> 00:42:01,160
Speaker 1: who did the blouse. I'm um it might be Mark Jacobs.

683
00:42:01,200 --> 00:42:05,080
Speaker 1: Also also, I will say something about your stylus on

684
00:42:05,120 --> 00:42:09,200
Speaker 1: this show. The fashion is much more expensive than Rory

685
00:42:09,239 --> 00:42:13,960
Speaker 1: and Lorla. I have the money for they are. I

686
00:42:13,960 --> 00:42:16,359
Speaker 1: mean when Rory was wearing the Moncler vest, I still

687
00:42:16,400 --> 00:42:22,840
Speaker 1: have regard. Yeah, little cafeteria and her vest was seven hus.

688
00:42:23,200 --> 00:42:26,399
Speaker 1: Well maybe it was in Emily and Richard present. True. True,

689
00:42:27,520 --> 00:42:29,720
Speaker 1: Actually that's a great point. They have a lot of money,

690
00:42:29,760 --> 00:42:34,000
Speaker 1: so they could get closed anyway. Um, should we have

691
00:42:34,080 --> 00:42:37,239
Speaker 1: chef right or make a chicken chamming sandwich. Here, I

692
00:42:37,280 --> 00:42:38,919
Speaker 1: have the episode pulled up. Do we want to see

693
00:42:38,920 --> 00:42:48,160
Speaker 1: what they're eating? Of course we do. Um, okay, can

694
00:42:48,200 --> 00:42:50,480
Speaker 1: you see this, I'll look at that blouse? Okay, yeah,

695
00:42:51,160 --> 00:42:53,840
Speaker 1: so what yeah? What do they have? Chinese food? Plus

696
00:42:53,920 --> 00:43:01,480
Speaker 1: there are butter sandwiches, but they were eating the nutter butter. No, no, no,

697
00:43:01,680 --> 00:43:04,560
Speaker 1: she's she's she's gonna start eating something there she goes,

698
00:43:04,680 --> 00:43:12,279
Speaker 1: she's getting it on. Oh yeah, oh I feel like eating. No,

699
00:43:12,480 --> 00:43:17,760
Speaker 1: I'm talking there, it is? What is? Then? It's nothing?

700
00:43:18,640 --> 00:43:21,480
Speaker 1: The fake eating is on a scale of fake eating,

701
00:43:21,480 --> 00:43:24,160
Speaker 1: it's a five. It's not the worst, but it's it's

702
00:43:24,200 --> 00:43:27,480
Speaker 1: not good. You don't think they're eating. They're fake eating.

703
00:43:27,840 --> 00:43:30,239
Speaker 1: There's a lot of like putting in your hand and

704
00:43:30,320 --> 00:43:32,520
Speaker 1: like moving your hands with it in it. Yeah, like

705
00:43:32,719 --> 00:43:35,520
Speaker 1: who eats a nutter? What is Rory eating? There? She's

706
00:43:35,520 --> 00:43:38,640
Speaker 1: eating a nutter butter right, or a sandwich. But here's

707
00:43:38,640 --> 00:43:43,319
Speaker 1: the thing. If you have to do multiple takes of

708
00:43:43,400 --> 00:43:46,080
Speaker 1: that scene and you have to eat during that scene,

709
00:43:46,120 --> 00:43:49,440
Speaker 1: you're not going to eat very much. That's Ory eating.

710
00:43:49,520 --> 00:43:55,680
Speaker 1: Like Rory's fake eating is so weird. And what is that?

711
00:43:55,719 --> 00:44:01,080
Speaker 1: It's a nutter? Butter with marshmallows. Yeah, that's that's small art. Look.

712
00:44:01,239 --> 00:44:04,359
Speaker 1: I did a scene once We're a breakfast scene where

713
00:44:04,360 --> 00:44:08,440
Speaker 1: I ate pancakes and I was famished. The character what

714
00:44:08,480 --> 00:44:10,120
Speaker 1: didn't say it was fanished, but I acted like I

715
00:44:10,160 --> 00:44:12,120
Speaker 1: was fanished. I did do that for half the day.

716
00:44:12,400 --> 00:44:21,160
Speaker 1: Oh my vomit. Yeah. So then Lorlie says gossip and

717
00:44:21,320 --> 00:44:26,719
Speaker 1: she gives the gossip about the fight the h and

718
00:44:27,040 --> 00:44:31,879
Speaker 1: somebody pricked up their ears right away. Yeah. I think

719
00:44:32,040 --> 00:44:36,160
Speaker 1: Roya heard that loud and clear, deep in her soul.

720
00:44:37,080 --> 00:44:40,000
Speaker 1: Then the moment Danielle has been waiting, Oh my god,

721
00:44:40,480 --> 00:44:44,080
Speaker 1: it was so bad. Yes, his apartment was vile. Okay,

722
00:44:46,200 --> 00:44:48,560
Speaker 1: let's now here. Here we are, now here we are.

723
00:44:49,640 --> 00:44:55,080
Speaker 1: I think this was a very very, very bad acting

724
00:44:55,239 --> 00:44:59,960
Speaker 1: job on my part. I thought I was unhinged, unnecessar

725
00:45:00,040 --> 00:45:04,160
Speaker 1: saily unhinged in this scene. I did not like what

726
00:45:04,320 --> 00:45:08,760
Speaker 1: I saw. I did not if I was directing this episode.

727
00:45:08,760 --> 00:45:11,000
Speaker 1: I was directing myself and I saw this in the dailies,

728
00:45:11,040 --> 00:45:12,960
Speaker 1: I would call myself and say, Scott, we need to

729
00:45:13,040 --> 00:45:16,279
Speaker 1: reshoot this, and you need to calm down a little bit,

730
00:45:16,400 --> 00:45:19,520
Speaker 1: you know, because it was just too much. Really, Yeah,

731
00:45:19,680 --> 00:45:22,120
Speaker 1: I was just like vibrating all over the place and yelling.

732
00:45:22,400 --> 00:45:25,360
Speaker 1: There was a door slam that was scary, door slam.

733
00:45:25,440 --> 00:45:26,840
Speaker 1: The whole thing. It was just too much. It was

734
00:45:26,920 --> 00:45:29,880
Speaker 1: too much. It was it was over the top and

735
00:45:30,400 --> 00:45:32,800
Speaker 1: I'm throwing a flag on that. I'm throwing a flag.

736
00:45:33,520 --> 00:45:35,719
Speaker 1: I don't know. I mean, it wasn't like you were

737
00:45:36,280 --> 00:45:39,040
Speaker 1: not happy. But I don't know. Is it that Milo

738
00:45:39,239 --> 00:45:42,759
Speaker 1: nailed it? Because the scene was great. I love when Yeah,

739
00:45:42,920 --> 00:45:45,560
Speaker 1: I think he was. I think he was great in it. Um.

740
00:45:46,160 --> 00:45:48,359
Speaker 1: But the thing is is he wasn't going to let

741
00:45:48,480 --> 00:45:52,640
Speaker 1: himself get caught up. He wasn't gonna let himself get riled.

742
00:45:52,680 --> 00:45:55,200
Speaker 1: The only way to save my butt in that scene

743
00:45:55,719 --> 00:45:59,359
Speaker 1: is if he gets involved and it starts escalating. Right.

744
00:46:00,280 --> 00:46:03,160
Speaker 1: But the fact that he didn't, that that he didn't

745
00:46:03,800 --> 00:46:06,080
Speaker 1: made me come off like I was unhinged, and I

746
00:46:06,160 --> 00:46:08,359
Speaker 1: just thought I thought it made me like the scene more.

747
00:46:08,600 --> 00:46:10,920
Speaker 1: I came in too hot. I just I came in

748
00:46:11,000 --> 00:46:13,800
Speaker 1: too hot and ramped up too much and it was

749
00:46:13,840 --> 00:46:16,320
Speaker 1: just too much. Like, who's going to respond to that

750
00:46:16,440 --> 00:46:19,440
Speaker 1: in a positive way? He did? He feel like it's

751
00:46:19,600 --> 00:46:22,640
Speaker 1: only Jess. I think that's why it worked. I think

752
00:46:22,640 --> 00:46:25,239
Speaker 1: it's I think it's one of those uh you know,

753
00:46:25,360 --> 00:46:27,960
Speaker 1: I was feeling it too much and showing it too

754
00:46:28,080 --> 00:46:31,000
Speaker 1: much and acting too hard. That's all throwing a flag

755
00:46:31,600 --> 00:46:33,759
Speaker 1: being honest with you. Didn't like it, I don't know.

756
00:46:34,000 --> 00:46:38,120
Speaker 1: I liked it. And I love when Jesse says I'll

757
00:46:38,160 --> 00:46:41,640
Speaker 1: catch the next one like this says you aren't coming, Well,

758
00:46:41,640 --> 00:46:43,800
Speaker 1: I'll catch the next one like that was that was funny.

759
00:46:44,800 --> 00:46:47,239
Speaker 1: I don't know. I liked this scene. I liked it

760
00:46:47,320 --> 00:46:50,600
Speaker 1: too because you said you owe me. Yeah, he did

761
00:46:50,719 --> 00:46:55,040
Speaker 1: say that it paid off the very next scene. I think. Okay,

762
00:46:55,120 --> 00:46:58,040
Speaker 1: So here's what I also think. I think this scene

763
00:46:58,160 --> 00:47:02,520
Speaker 1: fell victim to gilmore case. It didn't need it. This

764
00:47:02,760 --> 00:47:09,040
Speaker 1: scene could have breathed and and we could have taken

765
00:47:09,480 --> 00:47:11,920
Speaker 1: a lot more time in this scene to play out

766
00:47:11,960 --> 00:47:16,800
Speaker 1: these beats. I'm just technically and and and emotionally. I

767
00:47:16,880 --> 00:47:20,839
Speaker 1: thought it was just too fast to read. Who am

768
00:47:20,880 --> 00:47:22,799
Speaker 1: I to judge? You might be right, but I liked

769
00:47:22,840 --> 00:47:26,919
Speaker 1: it all. Well, yeah, what you like? It got away

770
00:47:26,960 --> 00:47:32,080
Speaker 1: with another one to wait, So then we go. I know,

771
00:47:32,160 --> 00:47:34,200
Speaker 1: we're at the diner and we've got the your to

772
00:47:34,280 --> 00:47:36,200
Speaker 1: do list versus my to do list, and all the

773
00:47:36,320 --> 00:47:38,479
Speaker 1: to do list, and is that when we realized Jess

774
00:47:38,560 --> 00:47:42,880
Speaker 1: made it Jess, Jess shows okay, all right, so it

775
00:47:43,000 --> 00:47:45,279
Speaker 1: worked finally. Way what was he reading? I didn't catch

776
00:47:45,360 --> 00:47:47,600
Speaker 1: that when I watched the episode because it was I

777
00:47:47,600 --> 00:47:50,080
Speaker 1: don't know what I wrote? What's LORELEI reading too? What

778
00:47:50,280 --> 00:47:52,239
Speaker 1: was Jess reading? At the strip club? When you shoot it?

779
00:47:52,560 --> 00:47:58,920
Speaker 1: O're not there yet there yet? Said? Comes first say

780
00:47:58,960 --> 00:48:01,600
Speaker 1: I'm going too fast again? I I'm too weird. That's

781
00:48:01,640 --> 00:48:06,759
Speaker 1: the problem, gilmore speed. So then we see Glenn. So

782
00:48:06,840 --> 00:48:11,480
Speaker 1: then we go over to to Yale. We see Glenn flirting,

783
00:48:12,360 --> 00:48:16,040
Speaker 1: and then we realize there's an emergency. Rory gets the call.

784
00:48:16,800 --> 00:48:19,600
Speaker 1: Can we can we just talk about Glenn? Please? Can

785
00:48:19,640 --> 00:48:22,960
Speaker 1: we just talk about how funny that guy is? What

786
00:48:23,040 --> 00:48:25,799
Speaker 1: did he say? You're stalking me? And he what did

787
00:48:25,840 --> 00:48:27,480
Speaker 1: he say? It's not stalking? What did he He's just

788
00:48:27,600 --> 00:48:33,799
Speaker 1: but you leave your your curtains open after her? He's

789
00:48:34,120 --> 00:48:36,040
Speaker 1: he's got the hard job because he's got a couple

790
00:48:36,080 --> 00:48:37,839
Speaker 1: of little lines, right, and he's got a nail them,

791
00:48:37,840 --> 00:48:40,960
Speaker 1: and he always nails them. I don't know, I love

792
00:48:41,480 --> 00:48:43,960
Speaker 1: that guy? Does I love this guy? So then we

793
00:48:44,080 --> 00:48:47,560
Speaker 1: see Jess and Luke interacting and Luke's eating dinner and

794
00:48:47,640 --> 00:48:49,200
Speaker 1: he says, eat what you like. I hear there's a

795
00:48:49,280 --> 00:48:53,600
Speaker 1: good chawman. So that was I like lauralized reaction when

796
00:48:53,680 --> 00:48:55,920
Speaker 1: Jess just like walked in and she's like, what like

797
00:48:57,280 --> 00:48:59,640
Speaker 1: when she's just sitting there? Is that the scene? Right?

798
00:49:00,000 --> 00:49:02,080
Speaker 1: Did I skipt? Yeah? Yeah, yeah, no, it was right

799
00:49:02,120 --> 00:49:04,839
Speaker 1: before the flirt, right before oh yeah yeah yeah yeah right.

800
00:49:06,719 --> 00:49:08,640
Speaker 1: And then we see Luke doing the dishes back with

801
00:49:08,760 --> 00:49:11,120
Speaker 1: the tapes again and we get the do you see

802
00:49:11,200 --> 00:49:16,360
Speaker 1: her face? What is fantasy? You see her face? I

803
00:49:16,480 --> 00:49:21,239
Speaker 1: just kept saying Laura la at the end of that scene,

804
00:49:21,239 --> 00:49:24,200
Speaker 1: Did I go whoa or something like that? Did I

805
00:49:24,280 --> 00:49:27,960
Speaker 1: go whoa? Something like that? Did I? I don't think so.

806
00:49:28,600 --> 00:49:30,840
Speaker 1: We kind of were just like, oh you did, like

807
00:49:30,960 --> 00:49:34,000
Speaker 1: bulb no, but something came out of my mouth. I

808
00:49:34,200 --> 00:49:40,040
Speaker 1: verbalized something wow, ah, good writing. Good scene. So then

809
00:49:40,480 --> 00:49:47,560
Speaker 1: we're at the hospital, Harris is losing her leap. Just

810
00:49:48,120 --> 00:49:51,200
Speaker 1: you don't you don't expect that from her, do you?

811
00:49:51,680 --> 00:49:54,960
Speaker 1: You just don't expect it? Didn't you feel like Emily

812
00:49:55,160 --> 00:49:56,960
Speaker 1: when Richard was in the hospital though, That's what it

813
00:49:56,960 --> 00:50:00,920
Speaker 1: reminded me of who That is a really great comparison. Yeah,

814
00:50:00,960 --> 00:50:04,919
Speaker 1: it's very similar. Yeah, when he had a heart attack. Yeah,

815
00:50:04,960 --> 00:50:06,839
Speaker 1: and I thought it was two things. First of all,

816
00:50:06,840 --> 00:50:09,919
Speaker 1: we get a mention of an anvil again, which I thought,

817
00:50:10,120 --> 00:50:12,480
Speaker 1: no way, now that I've learned what an anvil is

818
00:50:13,560 --> 00:50:17,680
Speaker 1: came back into my life. And then it really made

819
00:50:17,760 --> 00:50:21,680
Speaker 1: sense when she's she realized like he's old. Yeah, yeah,

820
00:50:22,920 --> 00:50:25,520
Speaker 1: and you're like, yeah, nobody I saw him. His eyes

821
00:50:25,560 --> 00:50:29,080
Speaker 1: were staring at the ceiling. He's only gurney, he was looking. Look.

822
00:50:32,320 --> 00:50:34,680
Speaker 1: I love what she says. I should be in a discotheq.

823
00:50:40,120 --> 00:50:43,160
Speaker 1: She Uh, she's all heart and soul. Did she that one?

824
00:50:44,800 --> 00:50:48,960
Speaker 1: I mean the guys in trouble? I want to dump him. Yeah, seriously,

825
00:50:49,040 --> 00:50:53,120
Speaker 1: it's like wow. But I was like, yeah, Harris, he's old. Yeah,

826
00:50:53,800 --> 00:50:56,839
Speaker 1: I will get to it. But she she she didn't

827
00:50:56,880 --> 00:51:01,200
Speaker 1: notice this beforehand, you know, exactly, like we're assuming there

828
00:51:01,320 --> 00:51:03,239
Speaker 1: she had to help him into the tub, you know,

829
00:51:03,440 --> 00:51:07,000
Speaker 1: but I think post coital, That's what I'm saying, we're

830
00:51:07,040 --> 00:51:11,680
Speaker 1: assuming they boum. So that's the whole basis of it.

831
00:51:12,040 --> 00:51:16,719
Speaker 1: Old cat naked. I think she likes like the old

832
00:51:16,800 --> 00:51:19,680
Speaker 1: scholarly side of him, but not like an Oh. In

833
00:51:20,360 --> 00:51:22,520
Speaker 1: a few years, I'm gonna have to kind of take

834
00:51:22,600 --> 00:51:25,680
Speaker 1: care of this. But we're thinking they are sixty and twenty, Like,

835
00:51:25,800 --> 00:51:30,240
Speaker 1: what is their age different? She has to be like nineteen,

836
00:51:30,480 --> 00:51:33,200
Speaker 1: Say she's twenty at the most, it's twenty. She's not

837
00:51:33,840 --> 00:51:36,800
Speaker 1: she could be seventeen or eighteen. No, she's not seventeen

838
00:51:36,840 --> 00:51:41,680
Speaker 1: because she's eighteen. Yeah, she's eighteen or nineteen nineteen. Okay, fine,

839
00:51:42,080 --> 00:51:46,560
Speaker 1: And what is he? He's Richard's age, it might be

840
00:51:46,680 --> 00:51:49,640
Speaker 1: more than that. And no, dude, no, he's in his sixties.

841
00:51:50,000 --> 00:51:53,600
Speaker 1: He's early sixties. So they are forty years apart. Yeah,

842
00:51:55,480 --> 00:51:58,400
Speaker 1: they have nothing to talk about. There's nothing, no conversation

843
00:51:58,480 --> 00:52:01,719
Speaker 1: they could possibly that's too many, too many years. It's yeah,

844
00:52:01,880 --> 00:52:08,680
Speaker 1: it is hm, it's her grandpa's Yeah, okay, So then

845
00:52:08,800 --> 00:52:12,040
Speaker 1: we go to because then the granddaughter shows up. That's

846
00:52:12,080 --> 00:52:18,120
Speaker 1: my granddaughter. And by the way, by the way, Rory's

847
00:52:18,160 --> 00:52:22,719
Speaker 1: never been funnier totally when when she was leaving, when

848
00:52:22,800 --> 00:52:25,200
Speaker 1: she you know, stepped in it with the granddaughter, you know,

849
00:52:25,520 --> 00:52:27,640
Speaker 1: realized it was granddaughter and like, well I got to

850
00:52:27,680 --> 00:52:31,840
Speaker 1: be going now by See that's the thing. That's the

851
00:52:31,920 --> 00:52:34,279
Speaker 1: thing I admire so much about Alexis is because she

852
00:52:34,360 --> 00:52:37,880
Speaker 1: stays relaxed through every year. She never lets her body

853
00:52:38,000 --> 00:52:41,000
Speaker 1: get all tense, and she never blows a scene or

854
00:52:41,080 --> 00:52:44,200
Speaker 1: blows a line because she's trying too hard. And that's

855
00:52:44,239 --> 00:52:46,800
Speaker 1: the thing. That's that's the takeaway from me is like,

856
00:52:47,200 --> 00:52:49,000
Speaker 1: if I'm the lead of a series and I've got

857
00:52:49,080 --> 00:52:51,759
Speaker 1: to be there every day and do this every time, man,

858
00:52:51,800 --> 00:52:54,360
Speaker 1: you better be relaxed. You can't go into Jesse's apartment

859
00:52:54,360 --> 00:52:57,320
Speaker 1: and be all tight and tense, interesting and interesting. You

860
00:52:57,400 --> 00:52:59,839
Speaker 1: can't do that. You just can't do that. That's bad.

861
00:53:00,760 --> 00:53:05,480
Speaker 1: But she's she's just great. She's she's just so she

862
00:53:05,640 --> 00:53:08,080
Speaker 1: still has the proper amount of energy for the scene. Right,

863
00:53:08,200 --> 00:53:11,480
Speaker 1: it's still alive and it's all happening, but she's so relaxed,

864
00:53:11,719 --> 00:53:15,040
Speaker 1: understated or it's very relaxed. Yeah, it's really nice. All right,

865
00:53:15,120 --> 00:53:18,399
Speaker 1: So we're we're got one thing. Before that, we got

866
00:53:18,520 --> 00:53:24,040
Speaker 1: Suki lore Lyne Michelle realizing laundry is isn't spelled wrong,

867
00:53:24,280 --> 00:53:26,399
Speaker 1: which it isn't, although I don't know how you spell

868
00:53:26,520 --> 00:53:33,200
Speaker 1: consumme also consummes gross, but uh, And then I think

869
00:53:33,280 --> 00:53:38,279
Speaker 1: we find out that the zucchini issue sleeping with the

870
00:53:38,440 --> 00:53:42,960
Speaker 1: zucchini and Davies of the grandparents and YadA YadA. Okay,

871
00:53:43,200 --> 00:53:47,040
Speaker 1: so now we go to the bachelor party and I

872
00:53:47,520 --> 00:53:50,000
Speaker 1: died when he said I spoon with your sister. And

873
00:53:50,120 --> 00:53:54,760
Speaker 1: Luke's just like and that the lap is an illusion

874
00:53:55,000 --> 00:54:01,759
Speaker 1: that was hysterical, the best stuff man. And then oh god, well,

875
00:54:02,040 --> 00:54:04,280
Speaker 1: Jess's in the bathroom and he says, use it before

876
00:54:04,360 --> 00:54:10,160
Speaker 1: the puking. Oh my gosh, Jess has his book. Did

877
00:54:10,280 --> 00:54:15,800
Speaker 1: Luke overreact to the lap dance offer? I feel like

878
00:54:15,960 --> 00:54:19,359
Speaker 1: that was a very lucris ye, like, yeah, you didn't

879
00:54:19,360 --> 00:54:22,560
Speaker 1: think it was an overreaction. It was too much. I

880
00:54:22,600 --> 00:54:24,560
Speaker 1: don't think anything was too much, only you think it

881
00:54:24,640 --> 00:54:29,200
Speaker 1: was too much. It's a free country. I ever right

882
00:54:29,239 --> 00:54:34,160
Speaker 1: to how I feel. So then we go back, Okay, disagree.

883
00:54:35,000 --> 00:54:37,320
Speaker 1: So before the Mud, we go back to the hospital.

884
00:54:37,360 --> 00:54:39,400
Speaker 1: I think, right, That's what made me, Yeah, was like

885
00:54:39,520 --> 00:54:42,320
Speaker 1: we like, this is the most ungilmore Girls scene. We

886
00:54:42,400 --> 00:54:46,320
Speaker 1: go from a strip club to a hospital, like usually

887
00:54:46,360 --> 00:54:49,880
Speaker 1: it's like stars Hollow to like Emily and Richards, you know,

888
00:54:50,560 --> 00:54:55,080
Speaker 1: and we think that Paris is gonna up. But this

889
00:54:55,280 --> 00:54:58,200
Speaker 1: is where this is where TJ takes us. I mean,

890
00:54:58,800 --> 00:55:00,759
Speaker 1: he just takes us into the the mud. Doesn't he

891
00:55:01,480 --> 00:55:05,080
Speaker 1: so good? They're so good. So we go back to

892
00:55:05,160 --> 00:55:07,319
Speaker 1: the hospital and this is where Paris and Roy are

893
00:55:07,680 --> 00:55:10,000
Speaker 1: having this heart to heart and we think they're going

894
00:55:10,080 --> 00:55:11,839
Speaker 1: to break up, and she goes in and I think

895
00:55:11,920 --> 00:55:15,200
Speaker 1: he said thank you angel. He called her angel. I mean,

896
00:55:15,760 --> 00:55:18,359
Speaker 1: dare I say it? He and I hate I hate

897
00:55:18,400 --> 00:55:21,279
Speaker 1: this term, but he kind of like gaslit her in

898
00:55:21,400 --> 00:55:25,000
Speaker 1: this a little bit. You mean you mean where He's like,

899
00:55:25,120 --> 00:55:28,279
Speaker 1: if you don't want to, I don't think that's gas No, no,

900
00:55:28,360 --> 00:55:32,960
Speaker 1: it wasn't gaslight. He realized that she was free. I

901
00:55:33,040 --> 00:55:36,640
Speaker 1: don't know, no, no, no. He picked up on her vibe,

902
00:55:36,640 --> 00:55:38,880
Speaker 1: but she was coming in too like dump the he

903
00:55:38,920 --> 00:55:42,040
Speaker 1: wanted to give her. He just was giving her an out. Yeah,

904
00:55:42,280 --> 00:55:45,239
Speaker 1: the wise man could feel the vibes. He knew what

905
00:55:45,360 --> 00:55:48,120
Speaker 1: she was thinking, and it was a gaslighter would have

906
00:55:48,160 --> 00:55:51,120
Speaker 1: been like a gaslighter would have been like, I've done

907
00:55:51,160 --> 00:55:53,279
Speaker 1: everything for you, and now that I had one bit

908
00:55:53,320 --> 00:55:56,640
Speaker 1: of Amgina, you're dumping me. You're the it's all your

909
00:55:56,719 --> 00:55:59,960
Speaker 1: fault like that you have Angina, like you know what? Yeah,

910
00:56:01,040 --> 00:56:03,799
Speaker 1: to me, he was like making I don't know when

911
00:56:03,840 --> 00:56:08,759
Speaker 1: he said, after all, I'm old, like I was to me.

912
00:56:08,880 --> 00:56:10,440
Speaker 1: I was just like he was just kind of like,

913
00:56:11,520 --> 00:56:13,759
Speaker 1: I don't know, but that's but that's the nature of

914
00:56:14,120 --> 00:56:19,200
Speaker 1: I guess his experience with young Yeah girls, true, this

915
00:56:19,360 --> 00:56:22,040
Speaker 1: happens time and time. This happens every semester. To him,

916
00:56:22,200 --> 00:56:25,560
Speaker 1: he sees it coming. He knows he probably ends up

917
00:56:25,600 --> 00:56:29,040
Speaker 1: in the hospital every semester because the girl is you know,

918
00:56:29,480 --> 00:56:32,520
Speaker 1: I don't know, to flights out and then he gets

919
00:56:32,600 --> 00:56:34,520
Speaker 1: low on electric lights, he passes out, He ends up

920
00:56:34,520 --> 00:56:36,960
Speaker 1: in the hospital. The girl wants a dumb It's like

921
00:56:37,000 --> 00:56:41,520
Speaker 1: he doesn't care. It's like, next time to be sweet

922
00:56:41,520 --> 00:56:43,080
Speaker 1: and give her the out. And he was very He's

923
00:56:43,120 --> 00:56:47,320
Speaker 1: like your wonderful company, but if you want to reassess,

924
00:56:48,360 --> 00:56:51,080
Speaker 1: and then she falls for it in the sense that

925
00:56:51,239 --> 00:56:54,719
Speaker 1: like he is so sweet and she's like no, like

926
00:56:55,200 --> 00:56:58,759
Speaker 1: she does genuinely like him. Yeah, really likes him. I

927
00:56:58,840 --> 00:57:02,359
Speaker 1: think they like each other. Although when it was a granddaughter,

928
00:57:03,120 --> 00:57:06,480
Speaker 1: she was so unfazed by two young students being in

929
00:57:06,560 --> 00:57:09,440
Speaker 1: the hospital for her grandfather, and I totally thought that

930
00:57:09,560 --> 00:57:14,320
Speaker 1: was a girlfriend at first, like, yeah, yeah, another daughter.

931
00:57:14,640 --> 00:57:17,480
Speaker 1: I just thought it was the daughter Asher Fleming been there,

932
00:57:17,840 --> 00:57:23,200
Speaker 1: done that. This happens every semester. Let's get let's get

933
00:57:24,480 --> 00:57:26,760
Speaker 1: the granddaughters. Like she's back, he's back in the hospital.

934
00:57:26,920 --> 00:57:33,520
Speaker 1: Two new girls. Literally, we're back at the bachelor party

935
00:57:33,640 --> 00:57:38,880
Speaker 1: with the mud, and wow, I tell you this is

936
00:57:39,000 --> 00:57:42,240
Speaker 1: pretty racy for Gilmore girls right here, and took an

937
00:57:42,280 --> 00:57:45,440
Speaker 1: aggressive turn with the fight, like all about walking down

938
00:57:45,520 --> 00:57:49,160
Speaker 1: the aisle, get Luke to do it right and then

939
00:57:49,440 --> 00:57:52,360
Speaker 1: fight and TJ was trying to do the right thing

940
00:57:52,440 --> 00:57:56,040
Speaker 1: by his you know, soon to be wife. Yeah, like

941
00:57:56,280 --> 00:57:59,720
Speaker 1: I wish, I wish Jess would walk her down the aisle,

942
00:58:00,120 --> 00:58:01,880
Speaker 1: you know, like that would have been a cute moment. Yeah,

943
00:58:01,920 --> 00:58:03,800
Speaker 1: but well yeah, I wish they didn't go to blows.

944
00:58:03,920 --> 00:58:11,560
Speaker 1: That was nearly wasn't nearly neally hilarious, but nearly had

945
00:58:11,640 --> 00:58:18,760
Speaker 1: to man handled us a little bit crazy way hilarious though,

946
00:58:19,080 --> 00:58:20,920
Speaker 1: And you have no memory of just that mud. I

947
00:58:21,040 --> 00:58:24,080
Speaker 1: do not remember a single second of that. Oh my god,

948
00:58:24,240 --> 00:58:27,800
Speaker 1: I just don't. That's why I was shocked when I

949
00:58:28,080 --> 00:58:30,040
Speaker 1: saw myself walk into that set. I was like, I

950
00:58:30,160 --> 00:58:33,240
Speaker 1: do not remember this because that's something you'd remember. You'd

951
00:58:33,240 --> 00:58:37,520
Speaker 1: think you'd remember the mud. Nope, and like being messy,

952
00:58:37,680 --> 00:58:41,360
Speaker 1: Well I wasn't. I I just don't remember any of it,

953
00:58:42,480 --> 00:58:44,400
Speaker 1: but I get it. I actually thought to myself, like,

954
00:58:44,600 --> 00:58:49,680
Speaker 1: if somebody said to me, do you remember episode season

955
00:58:49,800 --> 00:58:53,960
Speaker 1: one twelve of the podcast, I'd be like, no, no,

956
00:58:54,400 --> 00:58:57,040
Speaker 1: you said, blah blah. I'd be like, oh yeah, that

957
00:58:57,160 --> 00:59:00,280
Speaker 1: time we were laughing and we didn't a grand something.

958
00:59:00,520 --> 00:59:04,680
Speaker 1: I remember that. Oh my god. All right. So then

959
00:59:04,760 --> 00:59:07,200
Speaker 1: we go to the like garden, which I thought was

960
00:59:07,280 --> 00:59:12,160
Speaker 1: kind of a lovely cute thing, you know, where they're

961
00:59:12,160 --> 00:59:15,400
Speaker 1: all in the garden together and they're just I thought

962
00:59:15,440 --> 00:59:23,720
Speaker 1: that was actually really cute get ourselves when they said,

963
00:59:23,800 --> 00:59:26,520
Speaker 1: let's take something off of our plates and we decide

964
00:59:26,600 --> 00:59:30,920
Speaker 1: what you take off someone else's. Mm, that was cool.

965
00:59:31,800 --> 00:59:35,800
Speaker 1: Who said that? Remember they all they're all in the garden. Yeah,

966
00:59:35,800 --> 00:59:38,320
Speaker 1: they're looking at the stars, right. They know they've got

967
00:59:38,400 --> 00:59:40,840
Speaker 1: too much on their plates, so they're going to take

968
00:59:40,960 --> 00:59:45,120
Speaker 1: something off. Yeah, and they picked what it was, dropped

969
00:59:45,160 --> 00:59:47,880
Speaker 1: something off your list, and then they picked what it

970
00:59:48,080 --> 00:59:50,120
Speaker 1: was something, you know, each of them had a thing.

971
00:59:51,160 --> 00:59:57,840
Speaker 1: I thought that was cute. Hey dude, I'm David Lasher

972
00:59:58,120 --> 01:00:02,200
Speaker 1: and I'm Christine Taylor and host the podcast Hey Dude

973
01:00:02,360 --> 01:00:05,600
Speaker 1: the nineties called If You All Are nostalgic for the nineties.

974
01:00:05,640 --> 01:00:08,160
Speaker 1: We just wanted to make sure you didn't miss amazing

975
01:00:08,280 --> 01:00:12,280
Speaker 1: guests like the Brady Bunch cast reunion, the White Squall

976
01:00:12,400 --> 01:00:16,479
Speaker 1: cast reunion with Jeff Bridges. We've got Ben Stiller, We've

977
01:00:16,560 --> 01:00:20,440
Speaker 1: got the lead singer of Counting Crows, Adam Durrett's Jerry O'Connell.

978
01:00:20,560 --> 01:00:24,400
Speaker 1: We also had a Hey Dude cast reunion, So come

979
01:00:24,560 --> 01:00:26,960
Speaker 1: join us on Hey Dude the Nineties called. We have

980
01:00:27,240 --> 01:00:30,520
Speaker 1: so many more great guests coming up, so please come

981
01:00:30,600 --> 01:00:33,240
Speaker 1: back and join us. Listen to Hey Dude, the Nineties

982
01:00:33,280 --> 01:00:36,600
Speaker 1: called on the iHeartRadio app, Apple Podcasts or wherever you

983
01:00:36,720 --> 01:00:41,120
Speaker 1: listen to podcasts. Then we get to the one of

984
01:00:41,200 --> 01:00:45,600
Speaker 1: my favorites, Luke and Jess m I love him Luke

985
01:00:45,640 --> 01:00:48,280
Speaker 1: and Jess there may be some of my favorite to

986
01:00:48,400 --> 01:00:51,560
Speaker 1: be honest, And then and they talk about well, first

987
01:00:51,600 --> 01:00:54,600
Speaker 1: of all, we learned that he came because of Luke Yeah.

988
01:00:54,720 --> 01:00:57,000
Speaker 1: And then we also learned why he didn't come. To

989
01:00:57,160 --> 01:01:03,280
Speaker 1: begin with the I Love you Yeah because Rory my

990
01:01:03,360 --> 01:01:06,120
Speaker 1: favorite was a conversation between Luke and Jess and Luke

991
01:01:06,280 --> 01:01:09,520
Speaker 1: was like, and you just left, and Jesse was like, yeah,

992
01:01:09,680 --> 01:01:13,120
Speaker 1: I left. It was such a Luke move it was.

993
01:01:13,280 --> 01:01:17,240
Speaker 1: And then you give him the tapes. Oh my god.

994
01:01:17,440 --> 01:01:27,240
Speaker 1: Then then you go over to Laurelize. Wow, big move.

995
01:01:27,400 --> 01:01:30,960
Speaker 1: Made the move. He made the move. I grew a

996
01:01:31,120 --> 01:01:35,720
Speaker 1: pair and made a move. It was so smooth, smooth move.

997
01:01:37,320 --> 01:01:42,560
Speaker 1: It wasn't obvious, just so good. It was pretty good, right,

998
01:01:43,960 --> 01:01:46,120
Speaker 1: pretty good? It was. I want to know what I

999
01:01:46,200 --> 01:01:51,600
Speaker 1: wrote on my paper, slick smooth? Was it smooth? Ten? Ten? Ten?

1000
01:01:52,000 --> 01:01:55,919
Speaker 1: This is a ten. The whole episode's a ten. Oh yeah,

1001
01:01:56,200 --> 01:02:03,320
Speaker 1: I agree, this is a ten. Yeah. And her and

1002
01:02:03,640 --> 01:02:05,880
Speaker 1: when she got in her cheap and she looked back

1003
01:02:06,040 --> 01:02:11,040
Speaker 1: that last time with a smile in her face, was yeah.

1004
01:02:12,760 --> 01:02:16,560
Speaker 1: You know, these two it's like they're so happy. They're

1005
01:02:16,600 --> 01:02:20,840
Speaker 1: pretty happy because you could just feel that nervousness between

1006
01:02:21,000 --> 01:02:22,320
Speaker 1: you know, you know when that when you're in that

1007
01:02:22,440 --> 01:02:25,440
Speaker 1: situation and you ask somebody and it's like they said yes,

1008
01:02:25,560 --> 01:02:27,920
Speaker 1: and you just you don't want to, you know, do

1009
01:02:28,240 --> 01:02:31,560
Speaker 1: do you know, leap around and celebrate. You just you

1010
01:02:31,640 --> 01:02:35,360
Speaker 1: have to contain your joy, right yeah? Yeah yeah, And

1011
01:02:35,440 --> 01:02:38,040
Speaker 1: they were just both doing that. It's really fun, really

1012
01:02:38,120 --> 01:02:42,120
Speaker 1: fun to watch. Ten. This episode was so good. I

1013
01:02:42,280 --> 01:02:45,360
Speaker 1: actually can't get over it. It was so great. How

1014
01:02:45,400 --> 01:02:48,200
Speaker 1: many zucchinis do you give it? At the very end,

1015
01:02:48,280 --> 01:02:51,480
Speaker 1: when he gives the boom box, suggests, I know, I know,

1016
01:02:52,000 --> 01:02:54,920
Speaker 1: Like he's like I figured out. Yeah. Can we just

1017
01:02:55,080 --> 01:02:57,600
Speaker 1: sort of like, you know, look, you do your zucchinis,

1018
01:02:57,600 --> 01:03:00,640
Speaker 1: I'm gonna do my boom boxes. Can we just agreed

1019
01:03:00,680 --> 01:03:04,400
Speaker 1: that this is a ten? Yeah? Yes, everybody, Yes, I can. Yeah,

1020
01:03:04,440 --> 01:03:09,480
Speaker 1: it's my boombox. As you do, how many whatever things

1021
01:03:09,520 --> 01:03:12,000
Speaker 1: you're going to give it? Yeah? Ten? This is this

1022
01:03:12,240 --> 01:03:14,160
Speaker 1: is a ten. This is a strong, This is like

1023
01:03:14,240 --> 01:03:18,520
Speaker 1: a ten plus. Yeah, I agree. I didn't want it

1024
01:03:18,600 --> 01:03:20,480
Speaker 1: to end. I wanted to watch. I can't even have

1025
01:03:20,560 --> 01:03:22,840
Speaker 1: a favorite line because I literally said, this is the

1026
01:03:22,880 --> 01:03:27,200
Speaker 1: best script of the entire series so far. I don't know.

1027
01:03:27,320 --> 01:03:31,320
Speaker 1: My favorite line was Rory escaping to the elevator in

1028
01:03:31,400 --> 01:03:36,920
Speaker 1: the hospital. She's cracking me up. I liked them when

1029
01:03:37,040 --> 01:03:39,160
Speaker 1: Luke was responding to the tape and it's like I

1030
01:03:39,320 --> 01:03:41,640
Speaker 1: feel angry. He's like, because I'm listening to this tape

1031
01:03:41,640 --> 01:03:44,960
Speaker 1: and like he's back and forth with the tape. Mine

1032
01:03:45,080 --> 01:03:48,080
Speaker 1: was similar a Luke line, um when he got the

1033
01:03:49,120 --> 01:03:51,680
Speaker 1: tape and the workbook and he goes it doesn't get

1034
01:03:51,800 --> 01:03:59,400
Speaker 1: lower than this. Again, here's another Here's another thing that

1035
01:03:59,600 --> 01:04:04,120
Speaker 1: that at me watching alexis, why didn't somebody give her

1036
01:04:04,240 --> 01:04:10,360
Speaker 1: a romantic comedy to star in? They did? Who? Who did? What? Big? Yes?

1037
01:04:10,440 --> 01:04:13,439
Speaker 1: It's her traveling. Was she the star of that? Yeah?

1038
01:04:13,920 --> 01:04:16,360
Speaker 1: Yeah she was. I never saw them, but she's the

1039
01:04:16,520 --> 01:04:21,320
Speaker 1: lead of that film, The four four? Okay, so, but

1040
01:04:21,480 --> 01:04:24,680
Speaker 1: she had the love story like she she had the

1041
01:04:24,840 --> 01:04:28,200
Speaker 1: Greek There was a sequel to and was she? Was

1042
01:04:28,280 --> 01:04:31,520
Speaker 1: she great in it? Yeah? Amazing? Okay, So where's the

1043
01:04:31,600 --> 01:04:35,440
Speaker 1: rest of the movie offers? Why wasn't that girl? They

1044
01:04:35,480 --> 01:04:38,240
Speaker 1: could have made her a big movie star? Right, I

1045
01:04:38,280 --> 01:04:41,400
Speaker 1: don't get it. She's so she's so great in these

1046
01:04:41,520 --> 01:04:46,960
Speaker 1: scenes and so funny and so likable, right, totally. I

1047
01:04:47,640 --> 01:04:50,600
Speaker 1: don't understand why she didn't get a bigger career. And

1048
01:04:50,760 --> 01:04:53,480
Speaker 1: she did. She's done very very well. Don't get me wrong.

1049
01:04:53,800 --> 01:04:56,360
Speaker 1: She You're right, she has done very well. But she's

1050
01:04:56,400 --> 01:05:00,600
Speaker 1: not Jennifer Lawrence. But she's in hand. She's in hand tale.

1051
01:05:00,720 --> 01:05:03,160
Speaker 1: Wait a minute, Jennifer, No, there's Jennifer Lawrence is a

1052
01:05:03,320 --> 01:05:06,439
Speaker 1: totally different type of person. She's not Emma Stone. See

1053
01:05:06,480 --> 01:05:09,080
Speaker 1: what I'm saying is like Alexis is a big star,

1054
01:05:09,160 --> 01:05:11,560
Speaker 1: and she's she was in Madman, she's in handmaids Tale,

1055
01:05:11,560 --> 01:05:14,600
Speaker 1: all these things, but she's never she has not become

1056
01:05:15,040 --> 01:05:18,400
Speaker 1: Emma Stone, Jennifer Lawrence. Those well, let me ask you this,

1057
01:05:18,640 --> 01:05:21,160
Speaker 1: because they're movie stars. It's like, I feel like, sometimes

1058
01:05:21,200 --> 01:05:24,120
Speaker 1: it's different when someone's on this show for seven seasons,

1059
01:05:24,480 --> 01:05:27,480
Speaker 1: no kind of you can make that transition that happens.

1060
01:05:27,600 --> 01:05:29,640
Speaker 1: But you're saying if they're only on a show for

1061
01:05:29,760 --> 01:05:31,920
Speaker 1: one or two seasons, then they make the transition. Then

1062
01:05:32,120 --> 01:05:34,720
Speaker 1: feel not so known as TV people because the people

1063
01:05:34,760 --> 01:05:36,800
Speaker 1: you're listing, like Jennifer Lawrence, like she wasn't on a

1064
01:05:36,840 --> 01:05:41,960
Speaker 1: show for like eight years, right, People people get used

1065
01:05:42,000 --> 01:05:44,320
Speaker 1: to somebody like Alexis that they can see on television

1066
01:05:44,400 --> 01:05:48,480
Speaker 1: for free. They're less likely to pay for crossover. I

1067
01:05:48,480 --> 01:05:51,640
Speaker 1: don't know, but I just think she's so good with that.

1068
01:05:51,840 --> 01:05:54,480
Speaker 1: She's so amazing, and she's so great at light comedy.

1069
01:05:54,520 --> 01:05:56,800
Speaker 1: You know, there's like an Audrey Hepper. She's also so

1070
01:05:57,000 --> 01:06:00,160
Speaker 1: good at handmaids Tale, her kid. Yeah, and it's not

1071
01:06:01,360 --> 01:06:05,800
Speaker 1: it's not a comedy. That's well, I mean she's had

1072
01:06:06,120 --> 01:06:09,280
Speaker 1: she's had a wonderful career. Yeah, and mad Man. She's

1073
01:06:09,280 --> 01:06:11,240
Speaker 1: great too. I mean, if I was a producer of

1074
01:06:11,320 --> 01:06:14,000
Speaker 1: films back then and work for a studio, I'd say, Man,

1075
01:06:14,160 --> 01:06:16,439
Speaker 1: let's get her into these total films. I mean, let's

1076
01:06:16,480 --> 01:06:21,000
Speaker 1: get her opposite. Well, give it time. It's not too late. True, true,

1077
01:06:21,200 --> 01:06:24,840
Speaker 1: I don't I don't care. A tough business, Isn't it

1078
01:06:26,840 --> 01:06:28,840
Speaker 1: like that day Louise has never had their own show,

1079
01:06:29,960 --> 01:06:33,280
Speaker 1: you know, it's like, what man, the talent coming out

1080
01:06:33,320 --> 01:06:39,160
Speaker 1: of this show smoking? Anyway? All right, so I think

1081
01:06:39,200 --> 01:06:43,800
Speaker 1: we all agree that this was a wonderful episode. Season

1082
01:06:43,880 --> 01:06:47,600
Speaker 1: four is just kicking ass and taking names people. Um,

1083
01:06:49,120 --> 01:06:52,040
Speaker 1: all right, so one is the next. The next episode

1084
01:06:52,280 --> 01:06:55,880
Speaker 1: is Season four episode twenty one. Were one away, two

1085
01:06:55,920 --> 01:07:04,960
Speaker 1: away from end last week fights, this week tights. Draw

1086
01:07:05,080 --> 01:07:08,680
Speaker 1: your own conclusions anyway. Thank you Tara, Thank you Danielle,

1087
01:07:08,720 --> 01:07:12,040
Speaker 1: Thank you Amy. Who's no brushing her hair? What are

1088
01:07:12,040 --> 01:07:14,640
Speaker 1: you just doing? My training? Gonna take a little break

1089
01:07:14,760 --> 01:07:18,080
Speaker 1: before we're gonna take a little break before we we're

1090
01:07:18,120 --> 01:07:21,080
Speaker 1: not what we're out and just do my hair? Okay,

1091
01:07:22,640 --> 01:07:26,840
Speaker 1: all right, everybody, thanks for downloading. Best fans on the planet.

1092
01:07:27,040 --> 01:07:30,720
Speaker 1: Thank you so much for your comments. Keep them coming, um,

1093
01:07:31,560 --> 01:07:34,480
Speaker 1: keep them coming. For sure, and we'll see you next time.

1094
01:07:34,560 --> 01:08:06,960
Speaker 1: Stay safe, hey everybody, and don't forget Follow us on

1095
01:08:07,080 --> 01:08:11,360
Speaker 1: Instagram at I Am all In podcast and email us

1096
01:08:11,560 --> 01:08:16,360
Speaker 1: at Gilmore at iHeartRadio dot com. Oh you're Gilmore fans.

1097
01:08:16,400 --> 01:08:18,120
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1100
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