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Speaker 1: Guys, I'm phrasing, why why don't you have any heat on?

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Speaker 1: I don't have the heat on because we found out

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Speaker 1: that the the house that we bought, it's really old.

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Speaker 1: Built in nineteen seventy nine. That's old for California, not

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Speaker 1: the rest of the earth. Where in California that's old,

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Speaker 1: especially when the hardware that was put in the house

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Speaker 1: is still the hardware. Oh yeah, when twenty dude, when

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Speaker 1: I fixed up my house, I pulled cloth wiring out

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Speaker 1: of the walls. Cloth wiring is like from the thirties,

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Speaker 1: My dude, My dude, the heater is from nineteen seventy

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Speaker 1: nine and was broken. Yeah. Well, didn't you think when

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Speaker 1: you bought in nineteen seventy nine house, you're probably Oh god,

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Speaker 1: My wife was like, why won't the downstairs heat up? Right?

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Speaker 1: It's a little warm, but it's cold outside, and if

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Speaker 1: you live in Los Angeles right now, you know how

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Speaker 1: cold it is? All right for la Yes, my dude,

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Speaker 1: I have two hoodies on it right now. That's so

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Speaker 1: the HVAC guy comes out, turns it on, goes for

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Speaker 1: a little walk around the house to try and feel

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Speaker 1: the heat. I thought you meant he was so upset

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Speaker 1: at what he saw, he needs to go on the walk,

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Speaker 1: turns it on right, goes around the house, tries to

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Speaker 1: feel the heat, doesn't feel it. Goes to check back

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Speaker 1: on the heater. There's smoke. He's like, what the didn't

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Speaker 1: you don't you didn't you have an inspector that would

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Speaker 1: have looked at this before you. The inspector missed this.

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Speaker 1: I don't know how, but the inspector missed a lot

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Speaker 1: of ship this time around, the inspector. But the inspector.

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Speaker 1: I don't know what the fuck the inspector was doing

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Speaker 1: when inspecting my house, but the inspector missed a lot

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Speaker 1: of shit. Exactly, a lot of shit, well, a lot

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Speaker 1: of shit. Tell that inspector. You should call them and

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Speaker 1: be like, hey, you know, just you know, you missed

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Speaker 1: all of this ship and that's gonna do nothing. No,

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Speaker 1: it might make you feel better to be like, bro,

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Speaker 1: you should have turned the heater on and see that

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Speaker 1: it was smoking a little bit better review and yelled.

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Speaker 1: Not only that it was leaking ozone. There's a little

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Speaker 1: thing called carbon monoxide poisoning, right, well, this is I'm

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Speaker 1: sorry that this has happened to you. He immediately shut

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Speaker 1: off the heat. You're you know, you're yelling. I just

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Speaker 1: want to set I'm upsetting, you know, I just want

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Speaker 1: to I want you to know that we're welcoming our

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Speaker 1: audience in and you're kind of screaming at them. Well,

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Speaker 1: they need to hear this because a microphone, you don't

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Speaker 1: have to yell at a level that they can hear it,

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Speaker 1: you know, across the country to adjust. He's right, you

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Speaker 1: are going to have to adjust to your bad that's

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Speaker 1: on me. Welcome listeners. I apologize, but one of our

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Speaker 1: co hosts is very mad right now. He cut the

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Speaker 1: heat off. Right if it's out the house? Yes, except

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Speaker 1: four my children's room in our bedroom to roam around

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Speaker 1: my house it is so cold. Okay, Well, I'm sure

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Speaker 1: that you're going to buy a new a new heater, right, yes, Zach.

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Speaker 1: Are you gonna live like this? If you can make

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Speaker 1: your kids very double of these? Hey, I have to

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Speaker 1: eat my words, audience. I no, I just want to say,

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Speaker 1: and I should have learned. I should know this lesson

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Speaker 1: because so many great shows that I love do not

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Speaker 1: kick in for a few episodes. Sometimes you're kind of like, Okay,

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Speaker 1: I'm curious, but I want to see more. You've intrigued me.

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Speaker 1: I've seen a lot of love for Shrinking Um for

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Speaker 1: on the on the interwebs. But I got to say,

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Speaker 1: when this goes live, there will be four little up

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Speaker 1: of four that will be up, and episode three and

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Speaker 1: four are really good to check it out. But I

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Speaker 1: continued because of all the love for Last of Us

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Speaker 1: episode three, including from Joel and from so many other

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Speaker 1: people I know, and people on the on Instagram were

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Speaker 1: like wow. And so without any spoilers, I just gonna

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Speaker 1: say that that was a really beautiful episode and I

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Speaker 1: really liked it a lot, and it was an example

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Speaker 1: of how a show about zombies can be about way more. Yeah,

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Speaker 1: it's a show about love, all different types of love.

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Speaker 1: And Joel, I have a question for you because this

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Speaker 1: because I'm not really on I'm not on Twitter or

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Speaker 1: Facebook or TikTokers, you know, Jay date Um. What what

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Speaker 1: was the reaction to it being I'll just say the

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Speaker 1: obvious that's everywhere, that being a gay couple, because it

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Speaker 1: wasn't that way, I assume in the game, and I

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Speaker 1: know that people can get very hostile about these kind

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Speaker 1: of things. How was the reaction on the interwebs I'm

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Speaker 1: going to say, very very very light game spoilers. It's

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Speaker 1: different than the game. In the game, that's hinted that

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Speaker 1: these two are in a relationship and they just went

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Speaker 1: all the way. On the show, yeah, well, and in

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Speaker 1: the game it's so much more tragic. They one of

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Speaker 1: the characters does not decide to change or evolve at all,

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Speaker 1: and it causes the other character to grow resentful and

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Speaker 1: eventually meets his end in a very sad and tragic way,

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Speaker 1: versus here where it's just such a loving story. I

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Speaker 1: think the reactions have been mixed and critically it's a

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Speaker 1: huge success. I think for the queer community it's oh gosh,

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Speaker 1: it's so wonderful. I'll just say this is no spoilers

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Speaker 1: if you know anything about this show, but it's two

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Speaker 1: middle aged men falling for one another and it's really

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Speaker 1: lovely and it's not something we get to see a lot.

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Speaker 1: Some of the gamer bros were upset. I've seen ridiculous

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Speaker 1: comments like, oh, this is a filler episode, or this

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Speaker 1: doesn't push the plot forward. I would say, go back

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Speaker 1: and watch the opening and closing scenes and reflect on

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Speaker 1: what that middle portion is telling you about your two

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Speaker 1: main characters. I think it's very lovely and powerful, and yeah,

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Speaker 1: I just wondered because I know that there's been controversies

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Speaker 1: with the gamer community and thinking that things were becoming

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Speaker 1: woke and all that sort of culture that I that

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Speaker 1: I'm not really I'm not really that savvy on and

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Speaker 1: I know you you are. I just wondered if there

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Speaker 1: was I thought it was so beautiful. I just wondered

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Speaker 1: if how how the web responded. You're saying pretty positively

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Speaker 1: except for obvious exceptions. Yeah, that one small toxic community

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Speaker 1: is upset. But I don't you're called anyway? Gamer bros?

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Speaker 1: Is that what they're called. There is a group of

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Speaker 1: people called gamer bros. I think the gamer bros were

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Speaker 1: mostly excited about this development and change. The toxic bros

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Speaker 1: were less so. But you know, there's a group called

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Speaker 1: the toxic bros. The toxic The internet has a lot

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Speaker 1: of toxic bros. Yeah, just angry dudes who are like, well,

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Speaker 1: why do you have to look at gay people? Get

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Speaker 1: a life? Yeah, we're here. I heard this quote from

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Speaker 1: this writer Seth Godin that really stuck with me social media,

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Speaker 1: and he said, I have no interest reading people day

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Speaker 1: trading their emotions. Oh yes, oh yes, that really landed

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Speaker 1: with me. I was like, wow, that kind of is

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Speaker 1: what what what? So much of the internet is people

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Speaker 1: day trading their emotions facts. That fucking landing with me. Yeah,

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Speaker 1: get off the internet, guys. It's yeah, you know what,

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Speaker 1: I'm gonna be honest with you. The internet is great

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Speaker 1: for shopping. That's really It's like like one and and

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Speaker 1: you know what I mean, like because now even news

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Speaker 1: is like where are you getting your news? You know

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Speaker 1: what I mean, Like, that's the next that's the next.

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Speaker 1: Well I read on the news, Well where are you

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Speaker 1: getting your news? Because everybody wants a different point point

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Speaker 1: of view when it comes. In the spirit of that,

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Speaker 1: I just want to give a shout out to this

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Speaker 1: book I'm reading, which will blow your mind and you

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Speaker 1: guys all have to read it. And if you're a

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Speaker 1: reader out there, or listen to the audio book it's

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Speaker 1: called The Chaos Machine. Um. I heard about it on

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Speaker 1: this a different podcast as The Chaos Machine, The inside

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Speaker 1: story of how social media rewired our minds and our world.

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Speaker 1: It's by Max Fisher. You can get it on audiobook

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Speaker 1: or obviously regular book, but it is blowing my mind

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Speaker 1: and it's something. It's just it's just really really fascinating,

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Speaker 1: and and and about exactly what Donald said about how

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Speaker 1: how the world now consumes news and uh blah blah blah.

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Speaker 1: Were we are. We are your favorite entertainment source when

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Speaker 1: it comes to if you're listening right now, when it

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Speaker 1: comes to news. So I got some news. I finally

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Speaker 1: watched Black Panther too. Oh oh it was not the

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Speaker 1: reveal I was expecting. I want to expecting. I thought away,

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Speaker 1: say Shrinking. Did you watch Shrinking? No? Wow, I even

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Speaker 1: asked you too. I want to watch Shrinking, the movie movie,

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Speaker 1: not Shrinking. That's I like to binge. Man, I don't.

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Speaker 1: That's just how I am. Well, there's four up. You

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Speaker 1: can watch four for goodness thing. But anyway, but then

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Speaker 1: by the time I get to five, I'm gonna be like,

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Speaker 1: come on, man, I need more. A man can only

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Speaker 1: ask no disrespect, No disrespect to mister Harrison Ford, no

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Speaker 1: disrespect to mister Bill Laura. I think they both would

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Speaker 1: feel disrespected. In fact, I'm going to text the word.

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Speaker 1: I'm going to text the word what's funny. It's like,

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Speaker 1: it's so hard to get you to watch something, and

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Speaker 1: I'm like, what if there was a piece of content

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Speaker 1: that was written by one of your favorite writers and

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Speaker 1: stars your favorite actor. You're like nope, So anyway, okay,

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Speaker 1: go ahead with what you did. Watch you watch Black

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Speaker 1: Panther two. Oh my goodness, gracious man. First of all,

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Speaker 1: Michael B. Jordan is growing as a star. And when

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Speaker 1: I say he's grown as a star, he is getting

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Speaker 1: very very good at it, at acting and touching anger

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Speaker 1: emotions like in this movie. For those of you who've

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Speaker 1: seen it, you know, I don't want to give away

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Speaker 1: any spoilers, but at the time it gets to his part,

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Speaker 1: holy cow, kill Monger was right. Kill Monger was right.

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Speaker 1: That's all I'm gonna say. Alert Daniel is our special

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Speaker 1: guest for the audience. Here. Our special guest is in

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Speaker 1: the waiting room. Okay, let's bring her in audience. This

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Speaker 1: is the finale of season seven. And by the way,

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Speaker 1: some trivia for you guys. I don't know if you

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Speaker 1: even knew this Donald phase on. This is the one

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Speaker 1: hundred and fiftieth one, five zero episode of Scrubs. Wow,

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Speaker 1: I did not know that. I have Luishan five, six, seven,

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Speaker 1: eight before we got anything, right, Okay, Okay, no, don't

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Speaker 1: do it. Do it, and then we'll bring in the

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Speaker 1: special guts seven eight stories about show we made about

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Speaker 1: a bunch of doctor nurses story. So dado around here,

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Speaker 1: yeado around. So welcome everybody to the one hundred and

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Speaker 1: fiftieth episode of Scrubs. It is also the Princess Bride

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Speaker 1: homage episode, and it's also the season seventh finale. Um

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Speaker 1: and we've told you that audiences thought it was a

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Speaker 1: series finale because we didn't know if we were coming back.

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Speaker 1: It was never intended to be that. And gosh, I

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Speaker 1: gotta tell you, I really really really enjoyed it. I

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Speaker 1: don't think i've seen it since, and it's really fun. Well,

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Speaker 1: this episode is definitely one of those episodes that has

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Speaker 1: to happen before Kelso gets eliminated from the hospital, because

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Speaker 1: if it doesn't, it doesn't make sense. Right. So if

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Speaker 1: this start, if this were the season, this is what

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Speaker 1: was This is what's crazy about that the writer strike.

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Speaker 1: It would happen if this were like in the beginning

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Speaker 1: of the series, I mean the beginning of the season,

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Speaker 1: like it was meant to be, right, it would have been,

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Speaker 1: It would have made a lot more sense. But watching

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Speaker 1: it I'm like, wait a second, they almost kissed. Wait

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Speaker 1: a second, this is almost wait, I don't understand what's

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Speaker 1: And then I had to remember, oh, that's right. This

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Speaker 1: is out of whack. But yes, very funny. Yeah, and

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Speaker 1: a lot of money was spent. I gotta be the

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Speaker 1: biggest budget Scrubs episode ever, I think, yeah, easily, so

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Speaker 1: much special effects, just gluing, uh, Judy and I together

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Speaker 1: had to cost most of the budgets that would have

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Speaker 1: been on all of the other end also the monster

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Speaker 1: and the sets and everything. Before we get into it,

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Speaker 1: let's bring in the very special guest, the Princess herself.

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Speaker 1: Everybody all the way from Canada. Nan'll hit the button

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Speaker 1: and let her in. Let's see everyone if she can

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Speaker 1: handle if she can get in without any mess ups.

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Speaker 1: Let's watch Sataray's Daniel. Do I get an A plus?

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Speaker 1: Is it working? Is everything working? You're recording on your phone,

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Speaker 1: your headphones are in, we can hear you. I'm so

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Speaker 1: proud of you. It took seven seasons. It's happening. Yeah.

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Speaker 1: I've had a little bit of anticipatory technological anxiety. Um,

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Speaker 1: I felt like it was time that I did it right.

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Speaker 1: You nailed it. I know. I texted Sarah this morning.

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Speaker 1: I said, hey, just remember it's eleven am, and she said,

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Speaker 1: I'm anxious. It was like eight thirty. She's like, I'm

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Speaker 1: already anxious about being able to get on correctly. I'm

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Speaker 1: worried about the headphones situation. I was driving the kids

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Speaker 1: to school and I was like charging. Everything needs to

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Speaker 1: be charged. The computer needs to be charged, the headphones

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Speaker 1: need to be charged, my brain needs to be charged.

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Speaker 1: I am so proud of you. I'm so proud of you. Sorry,

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Speaker 1: it took seven running out of time, so we really

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Speaker 1: needed you to get there. Zac. There needs to be

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Speaker 1: no insult, no sly remarks. No I'm not. I love

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Speaker 1: you and I'm so happy your dear. And gosh, darn it,

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Speaker 1: are you beautiful in this episode of I mean you're

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Speaker 1: beautiful now on the zoom right now, you are so pretty.

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Speaker 1: I take I couldn't take my eyes off you. You

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Speaker 1: look so stunning in this episode. That is very kind.

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Speaker 1: I feel like I had a good director. Before we

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Speaker 1: get into the episode, let's get into some conversation. Yeah,

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Speaker 1: have you talked to my wife at all? No? Me? No,

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Speaker 1: recent since Firefly Lane. Yes, since Firefly Lane. Has come up.

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Speaker 1: I haven't. I got to see your wife recently a

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Speaker 1: couple months ago. She told me not to tell you,

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Speaker 1: but I'm gonna tell you anyway. She won't watch the

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Speaker 1: second season. She's like, I can't do it. I'm not

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Speaker 1: gonna do it. I'm not gonna do it. I'm not

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Speaker 1: gonna do it. I can't do it because it messes

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Speaker 1: her up too much. Oh, She's like, because yo, dude,

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Speaker 1: at the end of the at the end of the

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Speaker 1: second for people, I'm not gonna spoil it. But at

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Speaker 1: the end of this second season, some unfortunate stuff happens,

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Speaker 1: and you know, this is fears. This is one of

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Speaker 1: Casey's fears. This is a lot of woman's fears. And

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Speaker 1: oh my god, Oh my god, oh my god. When

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Speaker 1: I tell you the breakdown that happened and the hugging

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Speaker 1: that I had to do because it was gudge man,

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Speaker 1: all she could say is gutch, not gutch, not gutch.

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Speaker 1: For those I don't think the audience knows that that's

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Speaker 1: that's one of Sarah and the Casey's nicknames for each other.

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Speaker 1: Good yes, good. It started Um, it started out when

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Speaker 1: I was in high school, and it's sort of a

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Speaker 1: weird long story. It makes no sense, but good, um,

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Speaker 1: isn't gorgeous the beginning it was? It was yeah, sort

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Speaker 1: of a weird, oh weird version of of that. But

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Speaker 1: I um, well, you're welcome for the free hugs you got. Donald.

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Speaker 1: I know, Donald, you should be happy you got. These

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Speaker 1: were sobbing hugs kind of thing. Doesn't like them because

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Speaker 1: he couldn't turn them into sexual Yes, this wasn't the

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Speaker 1: type of hug that turned the kind of hug reverse

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Speaker 1: cow girl. This was the oh my god, ridiculous. Weren't

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Speaker 1: things turning to reverse Colgar? Okay, I'll try and do

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Speaker 1: something next that can be yes, whatever whatever show you

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Speaker 1: do next, Sarah, can you make sure fans in this

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Speaker 1: house we're fan there's some fans in this house. There's

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Speaker 1: some fans in this house. We love you over here,

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Speaker 1: and so anything you do we watch. You know this.

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Speaker 1: I love you guys. And that has been fun about

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Speaker 1: like finally being able to like fly and travel again

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Speaker 1: over the past a little bit. As I've got to

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Speaker 1: see you guys. I think we're wearing the same sweatshirt, Bran,

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Speaker 1: are you wearing Aviator Nation? The shirt is oh my god,

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Speaker 1: and sweatpants my favorite brand. That's not that's not a sponsor. Guys,

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Speaker 1: I just love them. They're so cozy Aviator Nation. I

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Speaker 1: was talking to a friend of mine who knows someone

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Speaker 1: who works there, and they said it's so soft because

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Speaker 1: they washed it twenty times first. So there's why. Oh

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Speaker 1: there you go, so when you get it it's clean. No,

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Speaker 1: it's so actually soft and cozy. On this one called

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Speaker 1: the Ninja that has this front thing. You see it,

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Speaker 1: and I have like it in every color. I don't

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Speaker 1: have that one, Sarah. They might have this in Vancouver.

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Speaker 1: Do you have it in black? You should wear it

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Speaker 1: in black. It's probably best in black. Why, of course,

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Speaker 1: because it's the Ninja. Oh no, I haven't. I have

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Speaker 1: it in all sorts of other collies, Sarah. Let's get

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Speaker 1: into the episode and Donald, it was written by Mark Stegment.

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Speaker 1: It was directed by a young wait breep. Before we

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Speaker 1: get into the episode, should we quickly discuss the other

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Speaker 1: show that we all just watched. Oh, Donald didn't watch it,

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Speaker 1: but I love No we haven't. Um please talk about

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Speaker 1: shrinking because I couldn't get but Joelle, you watched it, right,

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Speaker 1: I watched the first episode. I watched the first episode

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Speaker 1: with us, Stephanie. We haven't watched the other two yet, Okay, Joel,

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Speaker 1: you love it right? I love it a lot that

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Speaker 1: Jessica Williams so good. Sorry, Oh my god. I loved

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Speaker 1: it so fucking much. I would like to sit all

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Speaker 1: day in my house, in my house and just watch

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Speaker 1: it over the episodes. See what I'm saying. I told you,

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Speaker 1: I told you. See shrinking the movie is what I'm

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Speaker 1: talking about. Donald. Just to catch Sara up, Donald is

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Speaker 1: saying he's not gonna wait until you can binge the

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Speaker 1: whole thing. He's not gonna watch till you binge the

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Speaker 1: whole thing. So he's dying on that hill even though

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Speaker 1: it's his favorite movie star and his favorite comedy writer.

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Speaker 1: Is well, what I actually next season still do the

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Speaker 1: same thing. Sorry, Sorry, Sarah, Sarah, I'd be amazing. Denzel

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Speaker 1: came on as a patient to Harrison. Oh my god,

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Speaker 1: all right, go ahead, sorry, make it happened, Bill, Make

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Speaker 1: it happen, Bill, make it happens. Look ahead. I loved

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Speaker 1: it so much. I thought the whole cast was phenomenal,

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Speaker 1: every single one of them. I think it's my favorite

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Speaker 1: thing that Chris has ever done. I thought she told

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Speaker 1: y'all I told y'all. Didn't I tell you? Sarah did

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Speaker 1: not tell me? You? Remember you did tell me? Remember

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Speaker 1: who had dinner? Remember christ Remember what I told you?

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Speaker 1: Did I tell did? I did? I not tell you? Did?

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Speaker 1: Audience here he's standing up and yelling into them, like, um,

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Speaker 1: but he did tell me. If you're confused, audience, I

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Speaker 1: showed Donald my director's cut of episode eight out of context,

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Speaker 1: then filled him in on backstory, and he loved it.

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Speaker 1: And he was like, holy shit, Christa is crushing and

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Speaker 1: that's how he knows that. Okay, sorry, now scrush when

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Speaker 1: she says say it not everyone, here's a fucking idiot

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Speaker 1: at a girl, and like Joel was saying, I mean,

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Speaker 1: Jessica Williams was so good. I mean there was one

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Speaker 1: line where she is talking to Um Harrison and Jason

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Speaker 1: Siegel about Harrison Ford's daughter and she says, uh, you know,

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Speaker 1: tell us about your daughter. He says she lives in Connecticut.

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Speaker 1: And the way she delivers, Wow, it's like she's in

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Speaker 1: the room with Jessica Williams is a real delivery. Was

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Speaker 1: so good. Oh it was. I loved it. I loved

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Speaker 1: everything about it, and I thought, it's like it captures

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Speaker 1: like Bill always does this so well where you're laughing

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Speaker 1: out loud and then all of a sudden you notice

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Speaker 1: is like a tear. Yeah, so there you go. Even

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Speaker 1: Canadians love it. Everybody check it out. It's on Apple.

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Speaker 1: There's four episodes up now, so check it out and

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Speaker 1: you're gonna love it. There's a lot of Scrubs people

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Speaker 1: in it. Yes, like okay, okay, we love you when

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Speaker 1: we love plugging shrinking, but we should get into the

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Speaker 1: television show Scrubs and a very special episode. I have

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Speaker 1: not seen this, as I imagine you guys haven't since

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Speaker 1: uh since it aired. But it's just so fun to

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Speaker 1: watch it, and I had forgotten that it does that.

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Speaker 1: It's so clever in the writing, bouncing back and forth

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Speaker 1: between the hospital and the fantasies, the princess part. That

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Speaker 1: was some of the ways that that was done with

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Speaker 1: the writing and the director, uh did some interesting made

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Speaker 1: some interesting choices. Are you trying to fish for these compliments? No? No, no,

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Speaker 1: I'm trying to just say object because this was probably

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Speaker 1: the highest level. You know, you've gotten probably the biggest

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Speaker 1: Scrubs episodes of directors. I did because Bill Bill trusted me.

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Speaker 1: But it started off with him being competitive and being like,

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Speaker 1: you want to direct, you direct this, and he gave

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Speaker 1: me like that huge one where you go on the

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Speaker 1: Quest for Heather Graham and that was like so hard.

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Speaker 1: And then and then it became like he really liked

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Speaker 1: you know, then we then he really trusted me and

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Speaker 1: he would give me these big ones. Um. But this

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Speaker 1: was I think the biggest one we ever did by far.

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Speaker 1: And then this in the musical. This in the musical,

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Speaker 1: I think this the most cranes. Yeah, I think this

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Speaker 1: wouldn't cost way more than the musical. No, I just

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Speaker 1: meant big in terms of effort put into it, you

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Speaker 1: know what I mean? And money wise, this was definitely

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Speaker 1: the biggest budget one. I'm sure absolutely well, the more money,

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Speaker 1: the bigger the budget, the bigger the scope, and the

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Speaker 1: bigger the scale, right usually right, So I thought the

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Speaker 1: effects for whatever year it was, it must have been,

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Speaker 1: what year was it, joel um whatever, right now it

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Speaker 1: looked really good. I think for for for they looked

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Speaker 1: pretty good for two thousand and eight. The whole episode

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Speaker 1: is great. It's really clever. Man. You nailed it when

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Speaker 1: you said clever. It's really clever. Yeah, so it's an

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Speaker 1: homage the Princess Bride most of you, I'm sure, no,

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Speaker 1: but that's a wonderful movie that we're where a grandfather

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Speaker 1: I believe, is telling a story to h grandson. Um,

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Speaker 1: so we do the same thing with Cox talking to

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Speaker 1: his son and telling him a bedtime story. And so

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Speaker 1: just to set it up, we're in the ICU and uh,

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Speaker 1: Doug says something to Doug's very inappropriate. Doug is very inappropriate.

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Speaker 1: He's you keep wheeling him and all keep wheeling him out. Yes,

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00:23:23,320 --> 00:23:26,119
Speaker 1: that's what he says. Was he's wheeling a corpse out

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Speaker 1: in front, in front, in front of an old in

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Speaker 1: front of an old man as he's being pushed into

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Speaker 1: the Yeah, Doug's not very appropriate. I think it's safe

402
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Speaker 1: to say neither is the Todd. But neither is the Todd. Yes.

403
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Speaker 1: So then we learned the Turk and Carler are kind

404
00:23:40,720 --> 00:23:42,600
Speaker 1: of becoming a little bit of a know it all

405
00:23:42,680 --> 00:23:47,000
Speaker 1: couple now that they got the parent thing dial. They're

406
00:23:47,040 --> 00:23:50,280
Speaker 1: like they're they're always arm in arm and they're always

407
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Speaker 1: being know it alls together, and they brags happened Turk

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Speaker 1: Braggs that they stocked up on baby oil, lotion and diapers.

409
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Speaker 1: Do you feel like that when you're out with your

410
00:24:03,280 --> 00:24:05,399
Speaker 1: couple of friends, like when you're out with Carrie and

411
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Speaker 1: Jess or when you're out with me in case, No,

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Speaker 1: But I know nothing, So it's not like I always

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Speaker 1: say it's funny for me, because all I've done is

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Speaker 1: train a dog, So I'm like, I know nothing. The

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00:24:14,720 --> 00:24:16,760
Speaker 1: only thing I contribute is this is what worked for

416
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Speaker 1: my dog. Parents always look at you like you motherfucker.

417
00:24:24,720 --> 00:24:34,119
Speaker 1: Your dog isn't crying for hours straight at night. But anyway,

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Speaker 1: that Todd said, after Church suggests brags about how they

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Speaker 1: stocked up on baby oil, lotion and the diapers, that

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Speaker 1: Todd says, why is there a party this weekend? And

421
00:24:44,160 --> 00:24:48,760
Speaker 1: then everyone freezes, Yes, with photod If we didn't move

422
00:24:48,800 --> 00:24:52,480
Speaker 1: and stayed very quiet, he'd eventually get confused and leave. Now,

423
00:24:52,560 --> 00:24:56,119
Speaker 1: mind you guys, this is the top surgeon in the hospital. Yes,

424
00:24:56,440 --> 00:24:59,320
Speaker 1: and he's baffled by us all freezing. He doesn't know

425
00:24:59,359 --> 00:25:02,520
Speaker 1: what to do. Yes, but but he'll cut you open

426
00:25:02,600 --> 00:25:09,680
Speaker 1: real right right. Yeah, we all freeze and he doesn't

427
00:25:09,720 --> 00:25:11,600
Speaker 1: and he doesn't know what He's so baffled that he

428
00:25:11,640 --> 00:25:14,159
Speaker 1: just walks out, and then Cox continues like, all right,

429
00:25:14,200 --> 00:25:18,840
Speaker 1: we're back, right, Keith is back? Now, how does this happen?

430
00:25:19,400 --> 00:25:24,679
Speaker 1: And Kelso's chief again? How does this happen? Thing? The

431
00:25:24,760 --> 00:25:26,640
Speaker 1: chief thing was an out of order thing, I think

432
00:25:26,680 --> 00:25:29,720
Speaker 1: related again to the strike and maybe the show ending.

433
00:25:29,920 --> 00:25:32,159
Speaker 1: So yeah, that is a bit of a fuck up

434
00:25:32,200 --> 00:25:34,560
Speaker 1: in terms of that's just I know, and this I

435
00:25:34,560 --> 00:25:36,080
Speaker 1: don't think it was meant to go in this order.

436
00:25:36,560 --> 00:25:39,680
Speaker 1: But anyway, yeah, so Kelso is back to being chief,

437
00:25:39,680 --> 00:25:42,680
Speaker 1: even though we know he's not anymore. Um, I thought

438
00:25:42,680 --> 00:25:44,680
Speaker 1: I saw a funny little with Easter egg. Donald is

439
00:25:44,720 --> 00:25:47,280
Speaker 1: probably not a really strict but do you as Kelso

440
00:25:47,400 --> 00:25:50,680
Speaker 1: is yelling at everyone to not work beyond twelve hours?

441
00:25:51,280 --> 00:25:55,080
Speaker 1: Deontay is in the background. Yes, And do you remember

442
00:25:55,080 --> 00:25:59,040
Speaker 1: the Deontay story that he he he worked so many

443
00:25:59,040 --> 00:26:02,040
Speaker 1: hours once he never told the ads that he was

444
00:26:02,040 --> 00:26:04,359
Speaker 1: still on the clock. No, that was me that did that,

445
00:26:04,400 --> 00:26:06,440
Speaker 1: bumb but tell, well, tell the story. I just remember

446
00:26:06,480 --> 00:26:08,680
Speaker 1: that there was a crazy thing about Deontay staying way

447
00:26:08,720 --> 00:26:11,240
Speaker 1: too many hours and getting paid and maybe he got

448
00:26:11,240 --> 00:26:15,399
Speaker 1: paid too for it. But I once worked for twenty

449
00:26:15,400 --> 00:26:20,440
Speaker 1: four hours. Deontay must have rode that way with you, buddy, Yes,

450
00:26:21,440 --> 00:26:25,160
Speaker 1: because we were working night shoots, but there was two units,

451
00:26:25,640 --> 00:26:29,800
Speaker 1: and night shoots kind of rolled over into day shoots.

452
00:26:30,240 --> 00:26:36,160
Speaker 1: And instead of complaining and being like, yo, I've been

453
00:26:36,200 --> 00:26:40,520
Speaker 1: working for over sixteen hours, I saw the silver lining

454
00:26:41,280 --> 00:26:44,240
Speaker 1: because some of it was downtime too. I was like,

455
00:26:44,320 --> 00:26:46,960
Speaker 1: let's see how far I could stretch this out, because

456
00:26:47,000 --> 00:26:49,399
Speaker 1: I'm now at the point where this check is gonna

457
00:26:49,400 --> 00:26:56,080
Speaker 1: be massive. So I took a couple of naps in

458
00:26:56,200 --> 00:27:00,399
Speaker 1: my dressing room and just collected money. But I remember,

459
00:27:01,040 --> 00:27:03,240
Speaker 1: what do you call it a drifting and in cycling

460
00:27:03,240 --> 00:27:06,000
Speaker 1: when you're behind the someone. Is that what it's called. Yeah,

461
00:27:06,040 --> 00:27:09,520
Speaker 1: So Deonte just drifted behind you and collected his version

462
00:27:09,560 --> 00:27:12,840
Speaker 1: of that check. And I remember, obviously the eighties aren't

463
00:27:12,840 --> 00:27:14,960
Speaker 1: gonna yell at you, or maybe they did. Maybe Randall

464
00:27:15,040 --> 00:27:17,640
Speaker 1: yelled at you. Dam Randall, not that he had any

465
00:27:17,680 --> 00:27:21,119
Speaker 1: footing to stand on because it wasn't your fault, was

466
00:27:21,160 --> 00:27:26,080
Speaker 1: like this will never ever. He got real freaking like

467
00:27:27,520 --> 00:27:37,080
Speaker 1: African American movie dramatic, this will never well. All I

468
00:27:37,080 --> 00:27:39,639
Speaker 1: remember is the eighties yelled at Deonte, and I just

469
00:27:39,640 --> 00:27:42,520
Speaker 1: thought it was a funny thing because of all people

470
00:27:42,520 --> 00:27:45,080
Speaker 1: of all the background performers to be in the shot,

471
00:27:45,200 --> 00:27:48,080
Speaker 1: as Kelso's yelling at everyone to dot dare work over

472
00:27:48,160 --> 00:27:51,080
Speaker 1: twelve hours. Deonta's in the back nodding his head, which

473
00:27:56,640 --> 00:28:02,159
Speaker 1: um okay, so uh Ted describes. Is asked to describe

474
00:28:02,200 --> 00:28:06,240
Speaker 1: what happens in a courtroom and he says that quote

475
00:28:06,280 --> 00:28:11,399
Speaker 1: the law is wearing black robes and white wigs, and

476
00:28:11,520 --> 00:28:16,280
Speaker 1: Kelsel says that's england ted the fact that he's a

477
00:28:16,280 --> 00:28:26,320
Speaker 1: lot of these people are able to hold jobs. And

478
00:28:26,320 --> 00:28:30,520
Speaker 1: then he's like, are you sure? Yeah? Are you sure? Now?

479
00:28:31,000 --> 00:28:34,760
Speaker 1: Millian and Keith Sarah, what's happening here? You're alternating between

480
00:28:34,880 --> 00:28:40,800
Speaker 1: name calling and he's pleased to get back together. Yeah, so,

481
00:28:40,840 --> 00:28:44,480
Speaker 1: I guess Keith and I had broken up and he's

482
00:28:44,600 --> 00:28:47,080
Speaker 1: treating me respectfully in the hospital and then he goes

483
00:28:47,120 --> 00:28:52,920
Speaker 1: outside to sob Yeah, well, I understandably devastated. This is

484
00:28:52,960 --> 00:28:56,160
Speaker 1: an absolutely well he lost Sarah chalk, I get it now.

485
00:28:56,160 --> 00:28:59,760
Speaker 1: This is this is Elliott read well both. This is

486
00:28:59,760 --> 00:29:02,440
Speaker 1: some thing that I must have happened out of order two,

487
00:29:02,480 --> 00:29:05,240
Speaker 1: I think obviously, because I don't think, well, it happened

488
00:29:05,240 --> 00:29:06,960
Speaker 1: at the beginning of the season, right, It wouldn't be

489
00:29:06,960 --> 00:29:09,960
Speaker 1: revising probably wouldn't be revisiting Keith if this wasn't a

490
00:29:09,960 --> 00:29:12,240
Speaker 1: bit out of order. It happened in the beginning of

491
00:29:12,280 --> 00:29:17,520
Speaker 1: the season for sure. Yeah you know why? Also Donald, Phazon,

492
00:29:17,920 --> 00:29:24,840
Speaker 1: because we're talking about the almost kiss that ended season six. Yes, right,

493
00:29:25,000 --> 00:29:26,560
Speaker 1: and then I guess because of the strike, they just

494
00:29:26,600 --> 00:29:30,000
Speaker 1: wanted this to be placed where it was finale. I

495
00:29:30,080 --> 00:29:33,120
Speaker 1: have to ask Bill, um, but it was a do

496
00:29:33,120 --> 00:29:34,480
Speaker 1: you want to do an ask Bill like the old

497
00:29:34,480 --> 00:29:38,560
Speaker 1: school days? Joe. Yeah, Bill's busy, Bro, He's so busy,

498
00:29:38,720 --> 00:29:41,720
Speaker 1: He's so busy. If we're lucky, let's try, Let's try.

499
00:29:41,760 --> 00:29:46,400
Speaker 1: Let's try. Bill. This is us, Sarah, Donald, Joel and

500
00:29:46,480 --> 00:29:50,920
Speaker 1: Danal the original three. Can you explain because we're only

501
00:29:50,960 --> 00:29:54,000
Speaker 1: guessing why the We know it has somebody do with

502
00:29:54,000 --> 00:29:58,200
Speaker 1: the writers strike, But why is this Princess Bright episode

503
00:29:58,920 --> 00:30:01,440
Speaker 1: mean to be the last one when chronologically it feels

504
00:30:01,440 --> 00:30:03,840
Speaker 1: like it was meant to go earlier. Kelso is still

505
00:30:03,840 --> 00:30:07,600
Speaker 1: the chief of Medicine. We're discussing the kiss that almost

506
00:30:07,640 --> 00:30:10,520
Speaker 1: happened that ended season six. Where was this intended to go?

507
00:30:10,840 --> 00:30:16,840
Speaker 1: In the season seven storyline? Hey Zach, Hey Donald, Hey Sarah?

508
00:30:16,880 --> 00:30:22,680
Speaker 1: Thanks for doing my uh podcast. I appreciate it five six, seven, eight.

509
00:30:24,280 --> 00:30:28,240
Speaker 1: That better have happened. That stuff still needs to happen. Anyways, Look,

510
00:30:28,240 --> 00:30:32,480
Speaker 1: I really appreciate the question shrinking. It comes out once

511
00:30:32,520 --> 00:30:35,240
Speaker 1: a week only, so yeah, we released the first two

512
00:30:35,520 --> 00:30:40,520
Speaker 1: the first weekend and then one comes out every week.

513
00:30:40,680 --> 00:30:43,920
Speaker 1: I think it comes out sometimes like Thursday night at

514
00:30:43,960 --> 00:30:47,480
Speaker 1: midnight East Coast time, but it really comes out Friday

515
00:30:47,480 --> 00:30:49,800
Speaker 1: side Sunday, and then it's ten episodes, so we'll do

516
00:30:49,840 --> 00:30:56,080
Speaker 1: it that way. Besides that season seven of Scrubs. Look,

517
00:30:56,120 --> 00:31:00,120
Speaker 1: here's the scoop. It was a writer's strike and I

518
00:31:00,160 --> 00:31:03,000
Speaker 1: wasn't allowed to be an editing, and luck we had

519
00:31:03,040 --> 00:31:06,440
Speaker 1: most of the episodes done that we had finished, and they,

520
00:31:06,480 --> 00:31:10,520
Speaker 1: you know, I think NBC just figured they were never

521
00:31:11,480 --> 00:31:14,600
Speaker 1: airing the show again. So that was it. And the

522
00:31:14,640 --> 00:31:19,520
Speaker 1: closest thing they had to a seasoned finale, you know,

523
00:31:19,680 --> 00:31:22,920
Speaker 1: or a series finale, was our Princess Bride episode, so

524
00:31:22,960 --> 00:31:26,920
Speaker 1: they juggled him around. And I was not a fan

525
00:31:27,080 --> 00:31:30,520
Speaker 1: because it made no sense because Kelso got you know,

526
00:31:30,640 --> 00:31:33,160
Speaker 1: left his job and then was back and then left again.

527
00:31:33,200 --> 00:31:36,480
Speaker 1: It was all very weird, but that was a product

528
00:31:36,480 --> 00:31:40,120
Speaker 1: of the strike. And more importantly though, ABC and Disney

529
00:31:40,160 --> 00:31:43,120
Speaker 1: was so cool because if you guys remember, they let

530
00:31:43,240 --> 00:31:46,560
Speaker 1: us pick up the eighth season of the show and

531
00:31:46,880 --> 00:31:50,680
Speaker 1: it changed networks over to ABC. That mattered to me

532
00:31:50,720 --> 00:31:53,400
Speaker 1: a lot because we always knew what the finale was,

533
00:31:53,640 --> 00:31:55,240
Speaker 1: we just did not have it shot when there was

534
00:31:55,280 --> 00:31:59,360
Speaker 1: a writer strikes season seven. That is all. See you guys,

535
00:31:59,560 --> 00:32:02,600
Speaker 1: miss you guys, piece out. Thank you Bill for taking

536
00:32:02,600 --> 00:32:05,160
Speaker 1: the time. We know you're very busy. And no, this

537
00:32:05,240 --> 00:32:07,960
Speaker 1: is not your podcast, so whatever jokes you made that

538
00:32:08,000 --> 00:32:13,320
Speaker 1: we're about this being your podcast are not correct. And yes, Bill,

539
00:32:14,080 --> 00:32:19,320
Speaker 1: I would love to be in the next episode. You've

540
00:32:19,360 --> 00:32:23,320
Speaker 1: got a lot of balls. Yeah you got. I think

541
00:32:23,320 --> 00:32:25,960
Speaker 1: when Bill listens to this, the people that are gonna

542
00:32:25,960 --> 00:32:27,720
Speaker 1: get arcs and shrinking are going to be the ones

543
00:32:27,760 --> 00:32:30,280
Speaker 1: who are actors and who've watched the show, Sarah, don't

544
00:32:30,280 --> 00:32:33,840
Speaker 1: you think that's probably the case. I don't think you

545
00:32:33,840 --> 00:32:35,880
Speaker 1: guys really believe that Bill's gonna put you in the

546
00:32:35,880 --> 00:32:39,680
Speaker 1: show because you watched it. Um. I think that he

547
00:32:39,760 --> 00:32:42,160
Speaker 1: would be more inclined to put us on the show

548
00:32:42,200 --> 00:32:51,040
Speaker 1: that we honor his work. Yeah, I'm gonna watch it.

549
00:32:51,080 --> 00:32:53,760
Speaker 1: I'm just waiting for yes, we know, we know. I'm

550
00:32:53,800 --> 00:32:56,360
Speaker 1: just putting it out there. Daniel, what was the genesis

551
00:32:56,360 --> 00:33:00,160
Speaker 1: of you on or me? Oh? That's Daniel's catchphrase. That's

552
00:33:00,160 --> 00:33:02,719
Speaker 1: when and how did you about? Where did it come from?

553
00:33:02,760 --> 00:33:05,520
Speaker 1: Where did it start? How to start? Um? I'm trying

554
00:33:05,520 --> 00:33:07,800
Speaker 1: to remember. I think I heard it, if I'm being honest,

555
00:33:07,920 --> 00:33:09,800
Speaker 1: and this is totally pleasing to me. I heard it

556
00:33:09,840 --> 00:33:12,240
Speaker 1: in a video game and I was like, that's great.

557
00:33:12,280 --> 00:33:15,760
Speaker 1: I'm with that. Oh, so it's something you use in

558
00:33:15,800 --> 00:33:19,720
Speaker 1: your real life, not just on um. Honor me? Is

559
00:33:19,800 --> 00:33:22,479
Speaker 1: something you say in real life. It's his catch phrase.

560
00:33:22,880 --> 00:33:25,239
Speaker 1: I know, real I know. But Gary Coleman didn't say

561
00:33:25,280 --> 00:33:27,560
Speaker 1: with chum out willis in his real life. Well, God

562
00:33:27,600 --> 00:33:29,720
Speaker 1: rest his soul. I don't want to talk to day.

563
00:33:30,840 --> 00:33:33,720
Speaker 1: But there is a possibility that Gary Coleman might have said,

564
00:33:33,760 --> 00:33:36,960
Speaker 1: what you're talking about somebody? You think the outside of

565
00:33:37,520 --> 00:33:41,560
Speaker 1: doing different strokes, there is a do you think do

566
00:33:41,600 --> 00:33:44,720
Speaker 1: you think say that's what I'm talking about? Ji White?

567
00:33:44,880 --> 00:33:46,960
Speaker 1: Do you think Julial White in his real life said

568
00:33:47,000 --> 00:33:50,400
Speaker 1: did I do that? I bet you Julia White after

569
00:33:50,440 --> 00:33:55,040
Speaker 1: serving somebody on the basketball court and driving by him

570
00:33:55,440 --> 00:33:58,600
Speaker 1: after the motherfucker was talking all of that ship and

571
00:33:58,720 --> 00:34:04,840
Speaker 1: laid him. I don't believe when did I That would

572
00:34:04,840 --> 00:34:08,120
Speaker 1: be amazing. If that we need to have another segment

573
00:34:08,120 --> 00:34:11,520
Speaker 1: called asked Jalil White, where we should we? You know?

574
00:34:11,640 --> 00:34:14,359
Speaker 1: For real? Man, I love that brother, like I don't

575
00:34:14,400 --> 00:34:16,560
Speaker 1: talk about him enough. I talk about du lay a lot.

576
00:34:16,760 --> 00:34:19,680
Speaker 1: That's another brother that I really really really enjoy having

577
00:34:19,760 --> 00:34:23,160
Speaker 1: conversation with and talking to. Jalil has if he never

578
00:34:23,200 --> 00:34:27,000
Speaker 1: watched we would have him on. If you ever watched Scrubs,

579
00:34:27,000 --> 00:34:29,239
Speaker 1: we could have him on. That would be awesome. He's one.

580
00:34:29,440 --> 00:34:33,200
Speaker 1: He was actually one of the kings of freaking sitcoms

581
00:34:33,520 --> 00:34:35,120
Speaker 1: back when I was a kid. You know what I mean?

582
00:34:35,120 --> 00:34:38,400
Speaker 1: He killed it. I mean, even though you know Racle

583
00:34:38,480 --> 00:34:42,799
Speaker 1: became sort of a joke, that young man came on

584
00:34:42,840 --> 00:34:46,360
Speaker 1: that show as a guest not even star, like a

585
00:34:46,600 --> 00:34:51,200
Speaker 1: supporting guest spot, and then took over the whole fucking show. Yes,

586
00:34:51,480 --> 00:34:56,920
Speaker 1: absolutely that. Yeah, the show is not about him. It

587
00:34:57,000 --> 00:34:59,160
Speaker 1: was failing. The show was failing. He came on, the

588
00:34:59,239 --> 00:35:01,200
Speaker 1: ratings went up, and then the show was like, we

589
00:35:01,280 --> 00:35:06,399
Speaker 1: gotta get this guy back on the evolution the show

590
00:35:06,640 --> 00:35:09,879
Speaker 1: right there. Then he became the sitcom version of the

591
00:35:10,080 --> 00:35:13,520
Speaker 1: guest star. The guest star version that he played is

592
00:35:13,560 --> 00:35:16,560
Speaker 1: like the evolution of Urkle is, Like he went from

593
00:35:16,640 --> 00:35:19,320
Speaker 1: becoming like this really really like he was a smart

594
00:35:19,560 --> 00:35:22,400
Speaker 1: nerd at school who had this crush on Laura to

595
00:35:22,600 --> 00:35:26,319
Speaker 1: this genius who could create the arkle bot, like yo,

596
00:35:26,440 --> 00:35:31,080
Speaker 1: for real, man, the evolution of this character up he

597
00:35:31,160 --> 00:35:35,360
Speaker 1: created a potion that Jacqueline hide potion where there was

598
00:35:35,440 --> 00:35:41,680
Speaker 1: Stefan and Steven Van was swab and cool and then

599
00:35:41,800 --> 00:35:45,600
Speaker 1: Jalil plays both of them like masterfully man like dude,

600
00:35:45,600 --> 00:35:47,839
Speaker 1: this dude, like for real, for real man, I'm gonna

601
00:35:47,840 --> 00:35:50,800
Speaker 1: give your flowers. Jalil, you're one of my favorites. Menu

602
00:35:51,040 --> 00:35:54,640
Speaker 1: you kadeem for real, for real. You showed a lot

603
00:35:54,680 --> 00:35:56,799
Speaker 1: of us when we were coming up how it's done.

604
00:35:56,800 --> 00:35:59,800
Speaker 1: So if you do listen to fake Doctor's real friends, Jalil,

605
00:35:59,840 --> 00:36:02,279
Speaker 1: you deserve that for real straight up. Oh there you go.

606
00:36:02,320 --> 00:36:05,719
Speaker 1: I never there's applause, Daniel unders applause. I got it,

607
00:36:09,520 --> 00:36:12,600
Speaker 1: all right, that's enough about your little white Um So wait, Zach,

608
00:36:12,640 --> 00:36:15,880
Speaker 1: what would your catchphrase be? Eagle? Would you say? Um?

609
00:36:15,880 --> 00:36:18,279
Speaker 1: I guess if j G had a catchphrase, it would

610
00:36:18,280 --> 00:36:22,439
Speaker 1: probably be eagle, right, Donald, Yeah, Joel. Yeah, I don't

611
00:36:22,480 --> 00:36:25,439
Speaker 1: know if there's a Donald's is um, that's what I'm

612
00:36:25,440 --> 00:36:28,239
Speaker 1: talking about. That now, that's what I'm talking Now, that's

613
00:36:28,239 --> 00:36:31,960
Speaker 1: what I'm talking about. Yours is frick. Yeah, yours is

614
00:36:31,960 --> 00:36:34,600
Speaker 1: frick double frick with on a stick, frick on a

615
00:36:34,600 --> 00:36:37,640
Speaker 1: stick with a brick, frick frick on a stick with

616
00:36:37,680 --> 00:36:44,320
Speaker 1: a brick or maybe janitor. Okay, we're gonna take a

617
00:36:44,320 --> 00:36:46,799
Speaker 1: break and we come back. We're gonna talk about all

618
00:36:46,880 --> 00:36:51,719
Speaker 1: the artwork and creativity from our amazing crew that went

619
00:36:51,760 --> 00:36:56,279
Speaker 1: into making the Princess Bride episode right back for you,

620
00:37:00,480 --> 00:37:03,920
Speaker 1: and we're bad. I thought we were going to take

621
00:37:03,920 --> 00:37:06,160
Speaker 1: a break too. I thought we were gonna get chatting

622
00:37:06,200 --> 00:37:09,000
Speaker 1: hang out on the break. No, No, we don't do that, Sarah.

623
00:37:09,280 --> 00:37:14,799
Speaker 1: But thanks for revealing that to the audience. Sarah, you

624
00:37:14,840 --> 00:37:16,920
Speaker 1: thought that we were going to spend the commercial time

625
00:37:17,000 --> 00:37:21,800
Speaker 1: and chatting like he live. I've a lot of stories

626
00:37:21,800 --> 00:37:27,240
Speaker 1: for you, guys, Donalds on the laughing let's kid, Sarah,

627
00:37:27,719 --> 00:37:33,319
Speaker 1: we can talk about what sea but we're gonna see

628
00:37:33,320 --> 00:37:36,080
Speaker 1: a quote unquote break, but we'll let the audience listen. Okay,

629
00:37:36,080 --> 00:37:43,040
Speaker 1: we're on a break, Sarah, what's up? Oh are you

630
00:37:43,120 --> 00:37:51,399
Speaker 1: look great. Um, I don't. Actually, actually usually it is coold.

631
00:37:51,440 --> 00:37:53,080
Speaker 1: I have a bit of that's where my is this

632
00:37:53,160 --> 00:37:57,120
Speaker 1: bit frostbite on my face. Tied it a frostbite right here.

633
00:37:57,480 --> 00:37:58,960
Speaker 1: It was so cold I skip three days in a

634
00:37:59,000 --> 00:38:01,000
Speaker 1: row and I should have gone in from breaks. Were

635
00:38:01,000 --> 00:38:05,080
Speaker 1: you a whistler or was it whistler? And it was

636
00:38:05,160 --> 00:38:09,240
Speaker 1: just like bonkers cold and I was of this chunk

637
00:38:09,280 --> 00:38:11,680
Speaker 1: of frostbay right here. Why don't you have a mask on?

638
00:38:13,080 --> 00:38:16,960
Speaker 1: I did? I had like so many layers. Bootstaters were

639
00:38:16,960 --> 00:38:21,400
Speaker 1: going everything. I'm coming up to Van Groovy in late April.

640
00:38:21,400 --> 00:38:25,640
Speaker 1: If you want to hang out, hang out. We can't

641
00:38:25,680 --> 00:38:27,640
Speaker 1: ski because well actually there could be a bit of

642
00:38:27,680 --> 00:38:29,840
Speaker 1: skiing left. Well, if you happen to be around, we

643
00:38:29,880 --> 00:38:32,360
Speaker 1: can have dinner and hang out. You're going in April,

644
00:38:32,960 --> 00:38:34,600
Speaker 1: end of April. I'm going up for a few days

645
00:38:34,600 --> 00:38:37,480
Speaker 1: to Van Groovy. I do love me some Dan Groovy.

646
00:38:37,960 --> 00:38:40,600
Speaker 1: Come Donald come end of aprils when it's really pretty

647
00:38:40,640 --> 00:38:44,360
Speaker 1: up there too, right sir? Oh, it's so it's always pretty.

648
00:38:44,360 --> 00:38:46,680
Speaker 1: What are you talking about? Well, I don't like known

649
00:38:46,800 --> 00:38:49,120
Speaker 1: like it's a rain It's a rainforest, bro, It's not

650
00:38:49,160 --> 00:38:54,000
Speaker 1: a rainforest. It is it is, it is. But when

651
00:38:54,040 --> 00:38:56,320
Speaker 1: the sun is out at van Groovy, it's it's mazing.

652
00:38:57,920 --> 00:39:01,720
Speaker 1: There's nothing pretty. That's why it's all so green. Because

653
00:39:01,840 --> 00:39:03,239
Speaker 1: the rains all the times. You have to put up

654
00:39:03,239 --> 00:39:04,879
Speaker 1: with the rain. But I like the rain, I guess

655
00:39:04,880 --> 00:39:06,400
Speaker 1: because I grew up in it. I don't mind. Like

656
00:39:06,960 --> 00:39:08,200
Speaker 1: you know, when you grow up here, you have to

657
00:39:08,239 --> 00:39:10,440
Speaker 1: go outside when it's pouring rain. Otherwise you would never

658
00:39:10,480 --> 00:39:12,200
Speaker 1: leave your house. You just get used to doing everything

659
00:39:12,200 --> 00:39:16,200
Speaker 1: you always do in the rain. Yeah, well you don't

660
00:39:16,239 --> 00:39:18,080
Speaker 1: mind it, all right, Sarah, I'm gonna I'm gonna pretend.

661
00:39:18,080 --> 00:39:19,680
Speaker 1: I'm gonna tell the audience that we're coming back from

662
00:39:19,719 --> 00:39:22,640
Speaker 1: our pretend break. Now, okay, Now what you're gonna do is, Sara,

663
00:39:22,640 --> 00:39:26,359
Speaker 1: you're gonna win. Donald, you're gonna say, and we're back, ready,

664
00:39:26,400 --> 00:39:29,640
Speaker 1: and we're back. You're ready, Sarah, And well let's star

665
00:39:29,840 --> 00:39:37,880
Speaker 1: Donald and Saray you do it and go alright, audience, audience,

666
00:39:38,480 --> 00:39:40,920
Speaker 1: I'm so sorry you didn't get to hear that conversation, audience,

667
00:39:40,920 --> 00:39:42,919
Speaker 1: so that we had during the during our real break,

668
00:39:44,680 --> 00:39:46,880
Speaker 1: laughed and cried. What we do is we take a

669
00:39:47,080 --> 00:39:50,560
Speaker 1: We actually take a break. That's the length of the advertisers.

670
00:39:52,280 --> 00:39:58,120
Speaker 1: I knew it. I knew that's how we did. Wait,

671
00:39:58,160 --> 00:40:02,600
Speaker 1: you guys, we gotta get into this magical fairytale. So um, okay,

672
00:40:02,840 --> 00:40:04,799
Speaker 1: well it takes a long time to get into the

673
00:40:04,800 --> 00:40:06,680
Speaker 1: fairy tale on the show too, Like I knew it

674
00:40:06,719 --> 00:40:09,160
Speaker 1: was a fairytale episode, and after a while I'm like, yeah,

675
00:40:09,160 --> 00:40:11,520
Speaker 1: when does it become the fairytale episode? Okay, Well, let's

676
00:40:11,520 --> 00:40:13,080
Speaker 1: just run through a couple of things that are happening

677
00:40:13,120 --> 00:40:15,160
Speaker 1: in the real world. Um, Jad says, I tried to

678
00:40:15,239 --> 00:40:17,839
Speaker 1: kiss her, and he's he's no one's there to see,

679
00:40:18,040 --> 00:40:20,120
Speaker 1: what the hell face? So he carries it around over

680
00:40:20,239 --> 00:40:22,360
Speaker 1: to doctor Cox all the way of the doctor's lounge.

681
00:40:23,080 --> 00:40:24,600
Speaker 1: He's like, what do you want? And you know, we're

682
00:40:24,680 --> 00:40:26,800
Speaker 1: sending up all the storylines that are going to cross

683
00:40:26,880 --> 00:40:31,959
Speaker 1: back and forth between the princess world and the hospital world,

684
00:40:31,960 --> 00:40:34,400
Speaker 1: the most important of which is that Sarah has a patient.

685
00:40:34,440 --> 00:40:38,160
Speaker 1: Elliott has a patient that she cannot diagnose, and um,

686
00:40:38,480 --> 00:40:41,879
Speaker 1: there's we should also talk about the interns and how

687
00:40:41,920 --> 00:40:46,200
Speaker 1: they're playing that game where yes, like jeopardy, Um, you

688
00:40:46,239 --> 00:40:50,279
Speaker 1: know named the name the diagnosed the patient, right, And

689
00:40:50,880 --> 00:40:53,200
Speaker 1: Jad's in the room and he and and you know,

690
00:40:53,400 --> 00:40:55,799
Speaker 1: he's explaining to Cox that like one of them is

691
00:40:55,840 --> 00:41:00,160
Speaker 1: Wilson's disease, and now other one is like one what

692
00:41:00,280 --> 00:41:02,600
Speaker 1: was the one that JD knew? I don't remember, but

693
00:41:02,960 --> 00:41:04,960
Speaker 1: you know they're talking about gloating and JD's like, I

694
00:41:05,000 --> 00:41:07,360
Speaker 1: don't gloat, and then he guesses one writing he gloats,

695
00:41:08,400 --> 00:41:10,879
Speaker 1: and then I do this really horrible, what annoying thing

696
00:41:10,960 --> 00:41:13,360
Speaker 1: is happening? Now? Yeah? And I do this really horrible

697
00:41:13,400 --> 00:41:15,759
Speaker 1: accent attempted because you're supposed to do it in a

698
00:41:16,280 --> 00:41:19,520
Speaker 1: foreign accent, and I do a version of like a

699
00:41:19,600 --> 00:41:22,880
Speaker 1: horrible Australian accent. Throw another shrimp on the bobby and

700
00:41:22,920 --> 00:41:26,000
Speaker 1: I'm like, wait, that's Irish. So JD is not very

701
00:41:26,000 --> 00:41:29,239
Speaker 1: good with accents. We established, and then we also get

702
00:41:29,280 --> 00:41:34,399
Speaker 1: the Jordan and Cox's nanny's mom died, so Jordan has

703
00:41:34,440 --> 00:41:37,399
Speaker 1: been having to spend time with her child because she's

704
00:41:37,440 --> 00:41:41,000
Speaker 1: been trying to avoid talking to the nanny at all

705
00:41:41,040 --> 00:41:48,239
Speaker 1: costs and comforting her. So Perry thus starts to tell

706
00:41:48,280 --> 00:41:52,279
Speaker 1: a story and it cuts from He starts talking about

707
00:41:52,320 --> 00:41:54,920
Speaker 1: the hospital and it shows me in a yellow Cando

708
00:41:55,000 --> 00:41:57,200
Speaker 1: hat and I say this, this hat make me look

709
00:41:57,239 --> 00:42:01,080
Speaker 1: fly and then she says, no known hospital story. It's

710
00:42:01,080 --> 00:42:05,760
Speaker 1: a real fairy tale. And so then it cuts to uh, Donald,

711
00:42:05,760 --> 00:42:09,920
Speaker 1: and excuse me, Turk and Carla are Turla? Which is

712
00:42:09,960 --> 00:42:13,759
Speaker 1: that have been fused together at marriage? Yes, Sarah is

713
00:42:13,800 --> 00:42:19,239
Speaker 1: a gorgeous princess. Yea. And JD is the fool and

714
00:42:19,480 --> 00:42:22,160
Speaker 1: he an idiot and he said, and he's got the

715
00:42:22,200 --> 00:42:24,239
Speaker 1: bells fool thing on his head, and he goes, does

716
00:42:24,280 --> 00:42:29,640
Speaker 1: this hat make me look fly using? It jingles when

717
00:42:29,640 --> 00:42:33,160
Speaker 1: I shake it? And that's I have a question. Yeah,

718
00:42:33,360 --> 00:42:37,439
Speaker 1: is if in like medieval language like an apostrophe, then

719
00:42:37,960 --> 00:42:40,640
Speaker 1: because wouldn't he have said does this hat make me

720
00:42:40,680 --> 00:42:45,840
Speaker 1: look fly? It? It jingles when I shake it? Perhaps

721
00:42:45,960 --> 00:42:50,040
Speaker 1: I don't. I think, Yeah, it's a good stonor question.

722
00:42:50,080 --> 00:42:51,960
Speaker 1: I'm sure many people that are high listening have the

723
00:42:52,000 --> 00:42:56,160
Speaker 1: same question. Um, we have to make sure we play

724
00:42:56,200 --> 00:42:59,279
Speaker 1: to the high audience. So Donald represents you, guys, Well,

725
00:42:59,320 --> 00:43:01,719
Speaker 1: I've always represented you. I want you to know that, yes,

726
00:43:01,800 --> 00:43:04,040
Speaker 1: for all seven seasons. If you're a stoner who listens

727
00:43:04,040 --> 00:43:12,520
Speaker 1: to this Donald's questions, represent you, guys. Was a stoner humor? Yeah,

728
00:43:13,520 --> 00:43:15,920
Speaker 1: if you're not a smoker, if you're not a smoker.

729
00:43:16,120 --> 00:43:18,720
Speaker 1: You can still appreciate it. You can appreciate on many levels.

730
00:43:18,880 --> 00:43:22,640
Speaker 1: Doctors appreciate it, kids could appreciate it. Well, let's not

731
00:43:22,680 --> 00:43:25,239
Speaker 1: bring kids and well, teenagers. It's a little maybe a

732
00:43:25,280 --> 00:43:28,600
Speaker 1: little r rated for kids. Kids, thank you. Well, let's

733
00:43:28,640 --> 00:43:30,600
Speaker 1: say just I know my son's asking if you can

734
00:43:30,600 --> 00:43:32,600
Speaker 1: watch it, and I'm like, well you, it's sort of

735
00:43:32,640 --> 00:43:34,480
Speaker 1: like there's no difference between him watching that a lot

736
00:43:34,520 --> 00:43:36,319
Speaker 1: of the other comedies he's watching. It's just different when

737
00:43:36,320 --> 00:43:41,000
Speaker 1: it's your mom in a broad underwear. Yeah. I'd about

738
00:43:41,000 --> 00:43:46,120
Speaker 1: to say, your oldest sir thirteen just turned thirteen. I

739
00:43:46,120 --> 00:43:48,000
Speaker 1: don't think you should watch it. I don't think you

740
00:43:48,000 --> 00:43:51,080
Speaker 1: should watch it. He's a teenager. No, but I mean

741
00:43:51,160 --> 00:43:56,560
Speaker 1: his mind a lot of sex on the show. I said.

742
00:43:56,560 --> 00:44:02,279
Speaker 1: There's select episodes I said I would through and there

743
00:44:02,320 --> 00:44:04,759
Speaker 1: like this episode, for example, would be a great one

744
00:44:04,800 --> 00:44:08,840
Speaker 1: for him to watch. Yes, this one would be. The

745
00:44:08,960 --> 00:44:10,960
Speaker 1: musical would be a great one from to watch anyone

746
00:44:11,000 --> 00:44:13,200
Speaker 1: where you're not like, he's gonna be like, my friends

747
00:44:13,280 --> 00:44:15,880
Speaker 1: keep telling me about all of this other stuff. Though

748
00:44:16,200 --> 00:44:21,200
Speaker 1: there's a pizza episode. I heard about the clock pizza.

749
00:44:21,920 --> 00:44:24,640
Speaker 1: There's a pizza clock episode. Mom, what's that about That

750
00:44:24,719 --> 00:44:34,200
Speaker 1: sounds appropriate? Mama? What's inappropriate about pizza clock? Okay, So

751
00:44:34,560 --> 00:44:36,880
Speaker 1: I just want to give a shout out to Cabinet McMullen,

752
00:44:36,920 --> 00:44:40,320
Speaker 1: our production designer, Carrie Bennett, our costume designer, and John Inwood,

753
00:44:40,360 --> 00:44:45,840
Speaker 1: our cinematographer, because those departments and including hair and makeup,

754
00:44:46,040 --> 00:44:50,560
Speaker 1: just an extraordinary job with this um. Everybody, all of

755
00:44:50,600 --> 00:44:54,879
Speaker 1: these costumes you see, many of them carry made these

756
00:44:54,920 --> 00:44:58,800
Speaker 1: incredible sets of Cabinot built or the big wide shots

757
00:44:58,840 --> 00:45:01,279
Speaker 1: like in the town square that opens the sequence that

758
00:45:01,440 --> 00:45:04,399
Speaker 1: was on the Universal back lot, and it wasn't even

759
00:45:04,440 --> 00:45:07,479
Speaker 1: actually like you know, an old you know, ye old

760
00:45:07,600 --> 00:45:10,400
Speaker 1: town thing. It was a section of Universal that was

761
00:45:10,440 --> 00:45:13,960
Speaker 1: not dressed like that. So all of cabin and his

762
00:45:14,000 --> 00:45:16,040
Speaker 1: team did all of that to make it look like that.

763
00:45:17,239 --> 00:45:19,960
Speaker 1: M So, just a lot of money and time and

764
00:45:20,040 --> 00:45:23,360
Speaker 1: love and creativity was put into this episode. Kudos to you,

765
00:45:23,520 --> 00:45:25,719
Speaker 1: zach Man. You found some really good shots out of

766
00:45:25,719 --> 00:45:27,680
Speaker 1: all of this stuff. Thank you Phil too, you found

767
00:45:27,719 --> 00:45:30,759
Speaker 1: some really beautiful shots. The shots with Sam and Neil

768
00:45:30,920 --> 00:45:33,560
Speaker 1: were amazing walking off intives but they're walking away and

769
00:45:33,880 --> 00:45:37,960
Speaker 1: the whole camera shaking. Yeah, amazing man, Yeah, thank you,

770
00:45:38,160 --> 00:45:39,680
Speaker 1: thank you. I put a lot of love into this

771
00:45:39,760 --> 00:45:41,879
Speaker 1: and and I really haven't seen it in so long,

772
00:45:41,960 --> 00:45:44,560
Speaker 1: so I was so happy that it held up. And

773
00:45:44,560 --> 00:45:48,839
Speaker 1: and I remember at the time thinking, oh, I hope

774
00:45:48,880 --> 00:45:50,920
Speaker 1: these effects are good enough. You know that the sort

775
00:45:50,960 --> 00:45:54,200
Speaker 1: of NBC budget level effects were good enough. And I

776
00:45:54,239 --> 00:45:56,600
Speaker 1: think they looked pretty good. This many years later, they

777
00:45:56,719 --> 00:45:59,040
Speaker 1: looked amazing. And how remind me how you guys shot

778
00:45:59,280 --> 00:46:02,080
Speaker 1: Turk and Turl? How did you guys shoot that? Again?

779
00:46:02,120 --> 00:46:03,719
Speaker 1: We had to do a green screen. There was like

780
00:46:03,760 --> 00:46:07,239
Speaker 1: a dude that looked like Finesse Mitchell. I forget his name,

781
00:46:07,400 --> 00:46:10,239
Speaker 1: but he looked just like Finesse. Was yeah, he was

782
00:46:10,280 --> 00:46:12,279
Speaker 1: the body. I thought it was Finesse and I ran

783
00:46:12,360 --> 00:46:13,799
Speaker 1: up on Finesse. I was like, yo, is that you

784
00:46:15,080 --> 00:46:20,399
Speaker 1: no anyway? So um, And then I did a green

785
00:46:20,440 --> 00:46:22,960
Speaker 1: screen and Judy did a green screen just their heads

786
00:46:23,760 --> 00:46:25,319
Speaker 1: yet but I don't know. I don't know if we

787
00:46:25,400 --> 00:46:28,520
Speaker 1: ever shot any of the stuff together either. Then a

788
00:46:28,520 --> 00:46:31,000
Speaker 1: lot of it was shot in the hospital, where it

789
00:46:31,040 --> 00:46:33,680
Speaker 1: was like we didn't just shoot it in one day. Also,

790
00:46:33,920 --> 00:46:37,600
Speaker 1: it was like a couple of days too for different things.

791
00:46:37,640 --> 00:46:40,160
Speaker 1: All their heads were everything with them, and their heads

792
00:46:40,280 --> 00:46:44,720
Speaker 1: was on green screen and um and the body person

793
00:46:44,760 --> 00:46:48,040
Speaker 1: being the body probably had a green screen mask. I

794
00:46:48,080 --> 00:46:50,360
Speaker 1: think I worked two days. You guys were that was

795
00:46:50,400 --> 00:46:52,279
Speaker 1: my That was That was what I was upset about,

796
00:46:52,320 --> 00:46:54,839
Speaker 1: because you guys got to be on set and live

797
00:46:55,120 --> 00:46:57,799
Speaker 1: in this world and stuff like that. And Judy and

798
00:46:57,840 --> 00:47:00,799
Speaker 1: I were in the hospital where we all worked. Yeah,

799
00:47:00,840 --> 00:47:02,880
Speaker 1: and all they did was hung a green screen behind

800
00:47:02,960 --> 00:47:05,439
Speaker 1: us and painted our faces. That I remember that being

801
00:47:06,120 --> 00:47:09,080
Speaker 1: me being upset about that. Yeah, I get it because

802
00:47:09,080 --> 00:47:11,480
Speaker 1: this was such a fun adventure. How about Neil as

803
00:47:11,520 --> 00:47:16,480
Speaker 1: the giant. That's a lot of freaking makeup. I wonder

804
00:47:16,520 --> 00:47:18,240
Speaker 1: if he liked that. I wonder if he likes sitting

805
00:47:18,280 --> 00:47:20,880
Speaker 1: in the chair. Well, if it's just for one episode,

806
00:47:20,920 --> 00:47:22,279
Speaker 1: I'm sure it's fine. If you're won one of those

807
00:47:22,320 --> 00:47:24,319
Speaker 1: star truck shows and you gotta do that every week,

808
00:47:24,360 --> 00:47:27,200
Speaker 1: I'm sure it's tough. I'm not gonna say no names,

809
00:47:27,840 --> 00:47:30,960
Speaker 1: but I had a conversation with somebody who did an

810
00:47:31,040 --> 00:47:35,000
Speaker 1: episode of a sci fi show where he had to

811
00:47:35,200 --> 00:47:39,400
Speaker 1: just one episode and he had to wear the prosthetics

812
00:47:39,400 --> 00:47:42,160
Speaker 1: similar to what Neil did, and he said he would

813
00:47:42,160 --> 00:47:43,759
Speaker 1: never do the show again. And I was like, but

814
00:47:43,840 --> 00:47:46,840
Speaker 1: it's so awesome, it's such a great show. He was like, Nope,

815
00:47:46,920 --> 00:47:48,879
Speaker 1: not if I got to wear that. What about think

816
00:47:48,920 --> 00:47:52,400
Speaker 1: of like Eddie Murphy in the Clumps when he's playing everybody.

817
00:47:52,440 --> 00:47:54,439
Speaker 1: I mean, I can't fathom how long I must take,

818
00:47:55,560 --> 00:47:57,800
Speaker 1: you know what I mean? Yeah? Especially, yeah, No, I

819
00:47:57,840 --> 00:48:01,200
Speaker 1: don't Jim Carrey in all the times he's done stuff

820
00:48:01,239 --> 00:48:03,560
Speaker 1: like that like that is so much time in the chair.

821
00:48:03,840 --> 00:48:05,920
Speaker 1: But wouldn't you want to find out at least at

822
00:48:06,000 --> 00:48:08,200
Speaker 1: least one time? No, wouldn't you want to try it

823
00:48:08,239 --> 00:48:10,719
Speaker 1: at least? No? I would have been decide for yourself?

824
00:48:11,360 --> 00:48:13,040
Speaker 1: Are you kidding me? If if I was on the

825
00:48:13,120 --> 00:48:15,880
Speaker 1: level that someone would make a Clump style movie with

826
00:48:16,040 --> 00:48:19,200
Speaker 1: me playing the six parts, it would be a dream.

827
00:48:19,480 --> 00:48:22,279
Speaker 1: I mean, you'd suffer for your art to do it.

828
00:48:22,320 --> 00:48:25,640
Speaker 1: But I'm just saying it's Think how I don't know

829
00:48:26,000 --> 00:48:28,680
Speaker 1: what zone Eddie must go into, but doing that every

830
00:48:28,719 --> 00:48:31,919
Speaker 1: single morning for months and months and months, you gotta

831
00:48:32,040 --> 00:48:34,719
Speaker 1: I mean, obviously someone scene has to take more than

832
00:48:34,719 --> 00:48:37,439
Speaker 1: a week to do, Like a scene, oh dude, those

833
00:48:37,440 --> 00:48:43,719
Speaker 1: Clumps scenes where he's playing everyone, that probably took a month, right, amazing? Um?

834
00:48:43,800 --> 00:48:46,239
Speaker 1: But anyway, so Neil looks great. As the giant alone goes,

835
00:48:46,239 --> 00:48:50,800
Speaker 1: why is this town so dirty? It's well irritable towns

836
00:48:50,840 --> 00:48:56,640
Speaker 1: woman of color. She accuses him of eating babies and

837
00:48:56,680 --> 00:49:01,200
Speaker 1: he says, I don't eat babies, I eat toddlers. And

838
00:49:01,280 --> 00:49:06,120
Speaker 1: then Doug comes up quick on the lips, lifetime on

839
00:49:06,200 --> 00:49:10,200
Speaker 1: the hips, right. But then Doug, who is the sort

840
00:49:10,239 --> 00:49:13,840
Speaker 1: of dead body collector who I did not recognize. I

841
00:49:13,840 --> 00:49:15,960
Speaker 1: was like, who the fuck is that? Yeah, it's like

842
00:49:16,000 --> 00:49:20,040
Speaker 1: to bring out your dead, bring out your dead thing. Yeah,

843
00:49:20,080 --> 00:49:21,880
Speaker 1: money python, bring out your dead. He comes up and

844
00:49:21,880 --> 00:49:23,880
Speaker 1: he's like, I thought you said she'd be dead already,

845
00:49:24,400 --> 00:49:26,920
Speaker 1: and the janitor says, come back later, do you have

846
00:49:26,960 --> 00:49:35,759
Speaker 1: any babies? Todd That was cute, And then we meet

847
00:49:35,760 --> 00:49:38,879
Speaker 1: the village idiot. No, it was it was I don't

848
00:49:38,880 --> 00:49:40,920
Speaker 1: know the keut's the wrong word. It was funny. Um.

849
00:49:41,120 --> 00:49:45,319
Speaker 1: Then we meet the village idiot, who is played by JD.

850
00:49:45,520 --> 00:49:49,200
Speaker 1: Slash Sack Braff and m. He is so enamored with

851
00:49:49,239 --> 00:49:53,040
Speaker 1: the gorgeous princess and he brings her a fish that

852
00:49:53,120 --> 00:49:57,120
Speaker 1: he's saved from drowning, and the fish is obviously dead,

853
00:49:57,160 --> 00:49:59,440
Speaker 1: and he said he's tired now, but earlier he was

854
00:49:59,600 --> 00:50:02,319
Speaker 1: dance and all around. And then I make like a

855
00:50:02,400 --> 00:50:06,680
Speaker 1: fish that's brouncing on land because I'm an idiot. That's real.

856
00:50:06,880 --> 00:50:11,799
Speaker 1: That's probably the most idiotic things. And then we fight

857
00:50:11,920 --> 00:50:15,799
Speaker 1: ever fantasized in his life, But it's not him fantasizing it.

858
00:50:16,040 --> 00:50:18,920
Speaker 1: This is all the story through doctor Cox's right, Donald,

859
00:50:18,960 --> 00:50:21,800
Speaker 1: we must remember that this is all told true Cox

860
00:50:21,920 --> 00:50:24,440
Speaker 1: his eyes. That's why it's safe to say. He finds

861
00:50:24,480 --> 00:50:30,200
Speaker 1: Elliott beautiful and not that bothers him. Really, he thinks

862
00:50:30,280 --> 00:50:32,799
Speaker 1: Jad's the biggest idiot in the world. He thinks that

863
00:50:32,960 --> 00:50:36,960
Speaker 1: Turk and Carla have become a know it all monolith.

864
00:50:38,480 --> 00:50:41,640
Speaker 1: What else does he think? He thinks that the janitor

865
00:50:41,719 --> 00:50:46,680
Speaker 1: is some giant freak. Yeah, and heet like eighteen abs

866
00:50:46,719 --> 00:50:49,640
Speaker 1: on his armor when Cox comes in, Oh yeah, of

867
00:50:49,640 --> 00:50:52,640
Speaker 1: course he thinks that. He thinks that he is the

868
00:50:52,680 --> 00:50:57,400
Speaker 1: most amazing, handsome savior. And night yes, it arrives on

869
00:50:57,440 --> 00:51:03,640
Speaker 1: a beautiful horse. So um so, Sarah, Elliott and I

870
00:51:04,040 --> 00:51:08,399
Speaker 1: the Idiot are discussing who's it's too tried to kiss who?

871
00:51:08,440 --> 00:51:10,759
Speaker 1: Remember this is a pickup from end of season six

872
00:51:10,800 --> 00:51:14,400
Speaker 1: when we almost kissed It was your royal tongue that

873
00:51:14,480 --> 00:51:21,840
Speaker 1: tried to store my mouthcastle, Castle. That's funny. I believe

874
00:51:21,840 --> 00:51:25,080
Speaker 1: it was your royal tongue trying to storm my mouthcastle.

875
00:51:31,080 --> 00:51:35,640
Speaker 1: So funny. And then she's yelling at me and she's

876
00:51:35,640 --> 00:51:39,399
Speaker 1: she says something about her bosoms moving up and down.

877
00:51:39,400 --> 00:51:41,759
Speaker 1: There's a lot of bosom talk in this episode, man,

878
00:51:41,880 --> 00:51:45,880
Speaker 1: a lot of Like bosoms are a part of a

879
00:51:45,960 --> 00:51:50,680
Speaker 1: good fairy tale, right, a hefty bosom. I have to listen.

880
00:51:50,719 --> 00:51:53,880
Speaker 1: All I know is Turk rubs on his wife's bosom.

881
00:51:54,000 --> 00:51:56,960
Speaker 1: That was so funny. But you know what I guess,

882
00:51:57,000 --> 00:52:00,640
Speaker 1: because it's his wife, It's okay. I don't no, man,

883
00:52:00,719 --> 00:52:04,640
Speaker 1: Like I've seen that meme that's out there right now

884
00:52:04,640 --> 00:52:06,960
Speaker 1: where the women are doing what the husbands do to

885
00:52:07,000 --> 00:52:10,480
Speaker 1: them when they're like bent over and you know, standing

886
00:52:10,520 --> 00:52:12,560
Speaker 1: in the mirror and stuff. Have you seen this meme? No,

887
00:52:14,480 --> 00:52:19,600
Speaker 1: So I'm a perpetrator of this. I have when my

888
00:52:19,680 --> 00:52:23,440
Speaker 1: wife is you know, looking in the mirror, brushing her teeth,

889
00:52:23,719 --> 00:52:26,960
Speaker 1: come behind her and fondled her, or when she's bent over,

890
00:52:27,280 --> 00:52:30,120
Speaker 1: pretended to hump on her or something like that, or

891
00:52:30,160 --> 00:52:32,440
Speaker 1: step my finger in her butt, you know what I mean.

892
00:52:32,480 --> 00:52:35,400
Speaker 1: Like I've done stuff like this to her. There's a

893
00:52:35,520 --> 00:52:40,479
Speaker 1: meme out of wives doing that to their husbands now

894
00:52:40,840 --> 00:52:47,120
Speaker 1: and their husbands not appreciating it at all the pending. No,

895
00:52:47,200 --> 00:52:49,000
Speaker 1: they're doing it for real. They're setting up the camera

896
00:52:49,040 --> 00:52:51,279
Speaker 1: and the husband is freaking washing the dishes, and the

897
00:52:51,280 --> 00:52:53,480
Speaker 1: wife will come behind them and rub on his chest

898
00:52:53,480 --> 00:52:55,960
Speaker 1: and I'm like, don't do that to me. Come on,

899
00:52:56,239 --> 00:52:59,839
Speaker 1: you know, like pissed off, Like it's really cute. But

900
00:53:00,480 --> 00:53:01,840
Speaker 1: and I do that all the time. That's what it

901
00:53:01,920 --> 00:53:07,040
Speaker 1: sounds like. When Turk rubs on Carla's well, he grabs

902
00:53:07,120 --> 00:53:13,200
Speaker 1: Carla's breast and it's their breast. It's it's actually their breastplates, turlos.

903
00:53:13,280 --> 00:53:17,520
Speaker 1: He grabs Turlo's shared breastplate. Now on her side, there's

904
00:53:17,520 --> 00:53:22,239
Speaker 1: a metal breast on his side. It's just a hectoral. Yes.

905
00:53:22,920 --> 00:53:25,799
Speaker 1: But while he's rubbing, and he goes that's what I'm

906
00:53:25,840 --> 00:53:31,400
Speaker 1: talking about catchphrase and he uses a friend. Um. It

907
00:53:31,520 --> 00:53:35,960
Speaker 1: was very funny. When Keith arrives on horsebackers the key

908
00:53:36,040 --> 00:53:39,120
Speaker 1: to the chassis belt. Now you don't mind, I'd like

909
00:53:39,200 --> 00:53:41,480
Speaker 1: to get the key back to my chest. Did he built?

910
00:53:41,680 --> 00:53:44,080
Speaker 1: And then this is going to make so many things

911
00:53:44,160 --> 00:53:46,600
Speaker 1: so much easier. Yeah, And then we see the chassis

912
00:53:46,640 --> 00:53:49,839
Speaker 1: belt drop to the ground because poor princess has been

913
00:53:50,080 --> 00:53:54,600
Speaker 1: living with that on. It was steaming. It wasn't steaming.

914
00:53:56,680 --> 00:53:58,719
Speaker 1: It may have been steaming because it was cold and

915
00:53:58,800 --> 00:54:02,960
Speaker 1: it was metal. I don't Wasn't it so hot when

916
00:54:02,960 --> 00:54:06,399
Speaker 1: we filmed the memory correct? Was it so boiling hot

917
00:54:06,400 --> 00:54:07,880
Speaker 1: and we were in all those layers? I feel like

918
00:54:07,880 --> 00:54:10,240
Speaker 1: it was very hot. I don't remember. I don't remember.

919
00:54:10,280 --> 00:54:14,000
Speaker 1: That's probably true. How funny is it when Travis arrives

920
00:54:14,160 --> 00:54:20,320
Speaker 1: in that big He is so funny. He's so funny

921
00:54:20,320 --> 00:54:22,080
Speaker 1: in that. I laughed out loud when he comes up.

922
00:54:24,640 --> 00:54:28,000
Speaker 1: It's like, Um, what's that character in Shrek that has

923
00:54:28,040 --> 00:54:33,239
Speaker 1: that hair cut? Yeah? Yeah, yeah, yeah, He's like he's

924
00:54:33,239 --> 00:54:35,279
Speaker 1: got that hair By the way, I wanted Puss. What

925
00:54:35,320 --> 00:54:37,439
Speaker 1: about Prince Charming in part two? Though? What was that

926
00:54:37,760 --> 00:54:40,480
Speaker 1: same thing? Right? Who was just Prince Charming? But yeah,

927
00:54:40,480 --> 00:54:42,600
Speaker 1: they had a similar cut. I watched Puts Some Boots

928
00:54:42,600 --> 00:54:45,520
Speaker 1: two because flows in it and she's Goldilocks. It's really good.

929
00:54:45,560 --> 00:54:46,960
Speaker 1: I don't know if you guys have all watched it,

930
00:54:47,000 --> 00:54:49,680
Speaker 1: but it's so well done. We saw it in the

931
00:54:49,719 --> 00:54:52,799
Speaker 1: movie theater. Have you seen it, Joel? I haven't seen

932
00:54:52,800 --> 00:54:57,040
Speaker 1: it yet, but I've heard lovely things everything about It's amazing.

933
00:54:57,440 --> 00:55:00,719
Speaker 1: The script and the story is so clever. But I

934
00:55:00,719 --> 00:55:03,640
Speaker 1: think it'll be scared to some kids, though your kids

935
00:55:03,640 --> 00:55:05,640
Speaker 1: scared all No, my kids weren't scared of it at all.

936
00:55:05,680 --> 00:55:11,000
Speaker 1: Actually they you know, we it's a cartoon. I can

937
00:55:11,160 --> 00:55:14,200
Speaker 1: explain that jump scares are something that's new for them.

938
00:55:14,239 --> 00:55:20,360
Speaker 1: Though Roadblocks and they're jump scares are a problem because

939
00:55:20,360 --> 00:55:23,080
Speaker 1: some of the games that are on Roadblocks. Listen, guys,

940
00:55:24,120 --> 00:55:26,600
Speaker 1: I love you because you take my kid away from

941
00:55:26,600 --> 00:55:28,600
Speaker 1: me sometimes when I just want to fucking do shit.

942
00:55:28,760 --> 00:55:31,960
Speaker 1: But this fucking him waking up in the middle of

943
00:55:32,000 --> 00:55:34,359
Speaker 1: the night because of these jump scares or because of

944
00:55:34,400 --> 00:55:36,839
Speaker 1: this stuff on this game is not all right with me.

945
00:55:36,920 --> 00:55:40,640
Speaker 1: So you know what I mean? Like, do adults play Roadblocks?

946
00:55:40,680 --> 00:55:43,520
Speaker 1: I don't know what it is. Absolutely adults play Roadblocks.

947
00:55:44,120 --> 00:55:46,640
Speaker 1: Anybody can play Roadblocks. It's it's one of those games

948
00:55:46,640 --> 00:55:48,560
Speaker 1: where you can do anything. It's like mine. Do you

949
00:55:48,560 --> 00:55:55,640
Speaker 1: ever twitch on robot for me? Stright? My kids love it.

950
00:55:55,960 --> 00:56:00,360
Speaker 1: Your kids love it. They love it? Okay, all right,

951
00:56:00,400 --> 00:56:04,000
Speaker 1: So Turlo, we talked about that. Now we also know

952
00:56:04,040 --> 00:56:07,560
Speaker 1: that Turla is having their time of the month, and

953
00:56:08,000 --> 00:56:12,680
Speaker 1: Turk of Turlo says, our time of the month. Is

954
00:56:12,719 --> 00:56:15,480
Speaker 1: that why I keep crying for no reason? I didn't

955
00:56:15,520 --> 00:56:29,799
Speaker 1: ask for this. So Turkey's having his period. Okay, we're

956
00:56:29,800 --> 00:56:33,080
Speaker 1: back on. We realized that Jade's hair is a combination

957
00:56:33,120 --> 00:56:36,520
Speaker 1: of horse maneuver, river mud and more horse maneuver. Now,

958
00:56:36,600 --> 00:56:39,120
Speaker 1: but I want to go back to I want to

959
00:56:39,160 --> 00:56:43,080
Speaker 1: go back to what he said to the princess when

960
00:56:43,160 --> 00:56:49,560
Speaker 1: she said something about her boobs. Oh, yes, yes, I

961
00:56:49,680 --> 00:56:53,960
Speaker 1: want to rest my face on them, and what you said.

962
00:56:55,360 --> 00:56:57,680
Speaker 1: She says, I'm breathing, and he goes, right, right, right,

963
00:56:57,719 --> 00:57:00,719
Speaker 1: that's what he says about her boobs going up and down. Right,

964
00:57:01,200 --> 00:57:03,439
Speaker 1: But then your boobs were going up and down. Yeah,

965
00:57:03,480 --> 00:57:05,600
Speaker 1: I'm breathing, and he goes, I know, can I rest

966
00:57:05,719 --> 00:57:13,440
Speaker 1: my face upon them and ponder what you've said? Everybody

967
00:57:13,480 --> 00:57:18,360
Speaker 1: loves boobs. Donalds a lot of boob jokes. Sasha is

968
00:57:18,360 --> 00:57:21,880
Speaker 1: a mule, Yes, Sasha is a donkey or an ass

969
00:57:22,240 --> 00:57:32,680
Speaker 1: or a mule. And the makeup on Ted who's a hunchback,

970
00:57:32,840 --> 00:57:36,320
Speaker 1: that was incredible. Oh my god, John, oh my god.

971
00:57:36,400 --> 00:57:40,040
Speaker 1: He looked amazing. And Sam Lloyd is just so great

972
00:57:40,080 --> 00:57:43,680
Speaker 1: in this episode. He's always great and he says, my

973
00:57:43,760 --> 00:57:49,600
Speaker 1: master approaches preferre prepare for his untamed vengeance. And there

974
00:57:49,600 --> 00:57:54,080
Speaker 1: we meet Ozlek, who's obviously Kelso spelled backwards and he

975
00:57:54,200 --> 00:57:57,959
Speaker 1: is the evil what is he? A wizard? I guess?

976
00:57:58,000 --> 00:58:03,040
Speaker 1: So with the power? Did you ever see um, did

977
00:58:03,040 --> 00:58:05,640
Speaker 1: you ever see Who's the movie when Mark Zinger back

978
00:58:05,640 --> 00:58:07,800
Speaker 1: in the day where he was the Beast the Beast Master.

979
00:58:07,880 --> 00:58:11,920
Speaker 1: Did you ever see that? Okay, so in the Beast Master.

980
00:58:12,040 --> 00:58:13,560
Speaker 1: For those of you who did see that, and do

981
00:58:13,720 --> 00:58:17,520
Speaker 1: remember it. Remember the guys that would freaking wrap you

982
00:58:17,640 --> 00:58:20,280
Speaker 1: around you with the cloak on, and then when they

983
00:58:20,360 --> 00:58:22,840
Speaker 1: and then freaking they would kill you and devour you.

984
00:58:22,840 --> 00:58:25,280
Speaker 1: And then then when they removed the cloak from around you,

985
00:58:25,280 --> 00:58:27,920
Speaker 1: you were dead. You were like bones and stuff like that.

986
00:58:27,920 --> 00:58:31,680
Speaker 1: That's the power that Kelso's wizard. That's his wizard power.

987
00:58:31,760 --> 00:58:34,840
Speaker 1: Like he can can appear out of nowhere, and that's

988
00:58:34,840 --> 00:58:37,400
Speaker 1: his freaking power. He's like got the freaking cloak of

989
00:58:38,040 --> 00:58:40,880
Speaker 1: darkness and it takes you to this realm and all

990
00:58:40,880 --> 00:58:42,840
Speaker 1: of that stuff. That was pretty cool. Like there's a

991
00:58:42,880 --> 00:58:45,840
Speaker 1: lot of listen, as much as you want to say,

992
00:58:46,160 --> 00:58:49,840
Speaker 1: this is, you know, just a great, great written comedy.

993
00:58:50,040 --> 00:58:54,760
Speaker 1: There's a lot of of dungeons and dragons and backstory

994
00:58:54,880 --> 00:59:01,000
Speaker 1: put into this. So maino Marshes is princess probably, but

995
00:59:01,040 --> 00:59:03,560
Speaker 1: of course it's fairy tales in general. And I guess

996
00:59:03,600 --> 00:59:05,720
Speaker 1: you said you would say dungeons and dragons and stuff

997
00:59:05,760 --> 00:59:08,000
Speaker 1: like that, But kudos to the writers, aren't this because

998
00:59:08,040 --> 00:59:10,800
Speaker 1: that turns into a great joke. Like the question was,

999
00:59:11,000 --> 00:59:13,960
Speaker 1: where does everybody go when Kim's character wraps them up

1000
00:59:13,960 --> 00:59:16,880
Speaker 1: and kills them? And what happens there? Like what what?

1001
00:59:16,880 --> 00:59:18,920
Speaker 1: What is this power? And when he does it to

1002
00:59:20,000 --> 00:59:22,360
Speaker 1: j D and Sarah it's really you know, it's like, oh,

1003
00:59:22,480 --> 00:59:24,200
Speaker 1: is that how they're going to end this episode? That's

1004
00:59:24,520 --> 00:59:26,439
Speaker 1: that's kind of a you know what I mean, because

1005
00:59:26,440 --> 00:59:28,120
Speaker 1: there's no end in sight. We're all. I mean, it's

1006
00:59:28,120 --> 00:59:31,440
Speaker 1: in the same as episode. It's amazing what he packed

1007
00:59:31,440 --> 00:59:33,520
Speaker 1: into this episode. It's twenty two minutes long. I think,

1008
00:59:33,560 --> 00:59:36,840
Speaker 1: how much happens in this episode, so the longer episode.

1009
00:59:36,880 --> 00:59:38,680
Speaker 1: As I was watching it and then I checked the time,

1010
00:59:38,720 --> 00:59:40,640
Speaker 1: and I was surprised. I was like, We've been a

1011
00:59:40,680 --> 00:59:44,560
Speaker 1: lot of places. It's so there's so much packed in. Yeah,

1012
00:59:44,600 --> 00:59:49,240
Speaker 1: it's twenty two minutes. It really let's segment. But also

1013
00:59:49,280 --> 00:59:54,360
Speaker 1: whoever directed it really brought it, really brought it. Who

1014
00:59:54,360 --> 00:59:56,920
Speaker 1: did actually this episode it's one of the best. Are

1015
00:59:56,960 --> 01:00:00,480
Speaker 1: you being facetious? I'm not being facetious. I'm trying to

1016
01:00:00,560 --> 01:00:02,480
Speaker 1: do Sorry, are you being facetious? Do you not know

1017
01:00:02,480 --> 01:00:04,560
Speaker 1: who directed this episode of Chris? I know that it's

1018
01:00:04,560 --> 01:00:06,280
Speaker 1: one of the best episodes we have. Are such a

1019
01:00:06,320 --> 01:00:09,080
Speaker 1: good You're such a good actress. But ladies and gentlemen,

1020
01:00:09,120 --> 01:00:11,600
Speaker 1: that's what that's how good an actress? Sorry, Sarah who

1021
01:00:11,640 --> 01:00:16,280
Speaker 1: directed this episode, Zachary Israel Breath. I was hoping you'd

1022
01:00:16,280 --> 01:00:21,960
Speaker 1: say somebody else, but yes, thank you, well, thank you.

1023
01:00:21,960 --> 01:00:24,360
Speaker 1: So then we start doing this really cool. Then then

1024
01:00:24,400 --> 01:00:27,920
Speaker 1: it really starts finding a flow of cutting back and

1025
01:00:27,960 --> 01:00:32,160
Speaker 1: forth to the hospital and the fairy tale. And Kelso

1026
01:00:32,200 --> 01:00:33,680
Speaker 1: has this thing, as we said that if you work

1027
01:00:33,720 --> 01:00:36,520
Speaker 1: twelve hours, you're out, you're fired. Doug gets caught working

1028
01:00:36,560 --> 01:00:38,680
Speaker 1: more than twelve hours. So he's just left a body

1029
01:00:38,720 --> 01:00:42,120
Speaker 1: bag in the elevator and the door is closing on it,

1030
01:00:42,520 --> 01:00:48,640
Speaker 1: and uh and and and and Kelso makes uh Ted

1031
01:00:48,880 --> 01:00:51,800
Speaker 1: grab it, and Ted cracks his back and now he's

1032
01:00:51,880 --> 01:00:54,760
Speaker 1: cleverly stuck in the position of the hunchback that he

1033
01:00:54,760 --> 01:01:01,040
Speaker 1: plays in the fantasy. And now Turlok go into the

1034
01:01:01,080 --> 01:01:05,280
Speaker 1: potion shop where we meet Fairy Todd Something. Oh my god,

1035
01:01:08,040 --> 01:01:14,040
Speaker 1: that outfit is so now did they put him on yeah? Yeah,

1036
01:01:14,400 --> 01:01:16,320
Speaker 1: is he sitting on something? No? No, he's on a

1037
01:01:16,320 --> 01:01:19,640
Speaker 1: green screen in a full harness, like like people who

1038
01:01:19,680 --> 01:01:23,240
Speaker 1: fly in movies. They didn't shrink him and make him fly. No,

1039
01:01:23,600 --> 01:01:26,840
Speaker 1: we don't have that technology yet, Sarah. Um. No, So

1040
01:01:26,920 --> 01:01:29,360
Speaker 1: we were truly hanging him by the you know, like

1041
01:01:29,400 --> 01:01:31,520
Speaker 1: the he had. What they do is they put an

1042
01:01:31,560 --> 01:01:36,360
Speaker 1: undervest on and they click in hanging cables to your shoulders.

1043
01:01:37,040 --> 01:01:40,919
Speaker 1: So that's how he or maybe his waist. Um, that's why.

1044
01:01:41,000 --> 01:01:43,160
Speaker 1: That's how he's And then we m you know, put

1045
01:01:43,200 --> 01:01:45,440
Speaker 1: him on a green screen and put him into the scene.

1046
01:01:45,480 --> 01:01:49,000
Speaker 1: And that's how you make a sprite? Is that what

1047
01:01:49,080 --> 01:01:52,360
Speaker 1: he is? Well, the other kids later are what do

1048
01:01:52,400 --> 01:01:54,840
Speaker 1: they call him? Would there wood nymphs? So I guess

1049
01:01:54,840 --> 01:01:57,560
Speaker 1: he's a sprite? Is that what that is? Let's tinker Bell?

1050
01:01:57,880 --> 01:02:00,360
Speaker 1: He's whatever, tinker Bell let tak bells a ry. I

1051
01:02:00,400 --> 01:02:02,600
Speaker 1: don't know if he was. He calls himself a fairy

1052
01:02:02,680 --> 01:02:07,080
Speaker 1: Todd Something right, But he's more like a sprite his power,

1053
01:02:07,280 --> 01:02:12,919
Speaker 1: or more sprightly than like, he's more mischievous than fairy esque,

1054
01:02:13,000 --> 01:02:18,720
Speaker 1: you know what I mean, Like at least Shakespeare. You know,

1055
01:02:19,040 --> 01:02:21,320
Speaker 1: Puck is a sprite, but he serves the king of

1056
01:02:21,400 --> 01:02:25,800
Speaker 1: the fairies. So yeah, but he's but Puck is full sized.

1057
01:02:25,960 --> 01:02:33,919
Speaker 1: I thought fairies were tiny. I don't know for interpretation.

1058
01:02:34,680 --> 01:02:38,800
Speaker 1: Um so turk led length the idiot JD the wand

1059
01:02:39,120 --> 01:02:42,360
Speaker 1: and he uses it and gives himself a tail. Why

1060
01:02:42,400 --> 01:02:51,200
Speaker 1: would like, you know what, listen to play with it

1061
01:02:51,320 --> 01:02:53,080
Speaker 1: just for a little bit, but don't do nothun stupid.

1062
01:02:53,160 --> 01:02:57,080
Speaker 1: Just because he's Turtler, Just because he's Turtla doesn't mean

1063
01:02:57,400 --> 01:03:03,240
Speaker 1: that he doesn't love the JD. But Carla's there was

1064
01:03:03,320 --> 01:03:05,280
Speaker 1: there when it happened. Well, you know, he slipped it.

1065
01:03:05,440 --> 01:03:09,560
Speaker 1: You know, he's like, here, are gonna go in the

1066
01:03:09,600 --> 01:03:17,720
Speaker 1: potion shop while Carlo's not looking. Hold on wand. By

1067
01:03:17,760 --> 01:03:20,280
Speaker 1: the way, I was on I did Conan O'Brien's podcast,

1068
01:03:20,560 --> 01:03:23,640
Speaker 1: um Audience checked that out. I think it comes out.

1069
01:03:23,880 --> 01:03:25,920
Speaker 1: It comes out the week that my film comes out,

1070
01:03:25,960 --> 01:03:28,000
Speaker 1: which is the twenty fourth I think of March. I

1071
01:03:28,120 --> 01:03:31,160
Speaker 1: think it comes out of the twentieth or so. But Conan,

1072
01:03:31,280 --> 01:03:36,040
Speaker 1: my point is, was so lovely about the show our

1073
01:03:36,120 --> 01:03:38,920
Speaker 1: scrubs and loving it, but also specifically Donald about our

1074
01:03:39,120 --> 01:03:42,200
Speaker 1: our friendship. And he really was very earnest. He wasn't

1075
01:03:42,280 --> 01:03:43,760
Speaker 1: doing any sort of bit or anything. He was just

1076
01:03:43,880 --> 01:03:45,960
Speaker 1: I just he was like, I'm just so he goes

1077
01:03:46,000 --> 01:03:48,080
Speaker 1: I love those commercials of the team of commercials, and

1078
01:03:48,120 --> 01:03:49,880
Speaker 1: he was like, I gotta be honest. I'm not being

1079
01:03:49,920 --> 01:03:52,800
Speaker 1: like this is gonna sound cheesy, but that love actually spoof.

1080
01:03:53,400 --> 01:03:55,560
Speaker 1: Every time I came on, I found it kind of moving.

1081
01:03:55,800 --> 01:04:00,080
Speaker 1: I thought it was like so sweet and anyway, he

1082
01:04:00,640 --> 01:04:04,160
Speaker 1: gave us lots of love love it was. It was Sarah,

1083
01:04:04,200 --> 01:04:06,440
Speaker 1: no offense. It was specifically really about me and Donald

1084
01:04:06,480 --> 01:04:10,320
Speaker 1: and in our promance it's it's I. I was completely

1085
01:04:10,520 --> 01:04:15,040
Speaker 1: um aware of that. It's fine, not none taken, none taken,

1086
01:04:15,280 --> 01:04:17,520
Speaker 1: note taken Conan. I'm sure that Conan loves you, but

1087
01:04:17,640 --> 01:04:20,960
Speaker 1: he in this instance, he was specifically talking about, well,

1088
01:04:21,000 --> 01:04:22,800
Speaker 1: I agree with Conan on this one. You should see

1089
01:04:22,800 --> 01:04:27,160
Speaker 1: his podcast set up. Oh my goodness, Daniel, he shamed

1090
01:04:27,200 --> 01:04:32,320
Speaker 1: you all. All Daniel would need I had if I

1091
01:04:32,440 --> 01:04:34,760
Speaker 1: had the freaking he shames you button, that's what it

1092
01:04:34,800 --> 01:04:38,600
Speaker 1: would be. Daniel. No, he didn't change the ship. I

1093
01:04:38,600 --> 01:04:42,480
Speaker 1: don't think it's just Daniel fa No, it's about budget.

1094
01:04:43,080 --> 01:04:46,040
Speaker 1: I think Conen must have the biggest budget in podcast

1095
01:04:46,160 --> 01:04:49,160
Speaker 1: world because it was like going into the Howard Stern Show.

1096
01:04:49,280 --> 01:04:51,960
Speaker 1: I mean bigger than da No Dax is. When I

1097
01:04:52,040 --> 01:04:55,920
Speaker 1: did Dax it was just two chairs above his garage.

1098
01:04:56,040 --> 01:04:57,840
Speaker 1: I don't know if it's changed, but this was like

1099
01:04:57,960 --> 01:05:02,080
Speaker 1: a full real studio with robotic cameras and like a

1100
01:05:02,240 --> 01:05:06,880
Speaker 1: staff of like a talk show sized staff. It was

1101
01:05:06,960 --> 01:05:09,840
Speaker 1: the real real Did you have to do a pre interview? No,

1102
01:05:10,280 --> 01:05:14,200
Speaker 1: but it was just like budget hashtag budget the dream.

1103
01:05:14,280 --> 01:05:16,440
Speaker 1: But I feel like, I mean, don't you guys prefer

1104
01:05:16,560 --> 01:05:18,840
Speaker 1: just being like just doing it from your Yeah. I

1105
01:05:19,200 --> 01:05:21,080
Speaker 1: don't want to change the thing. I do wish. I

1106
01:05:21,240 --> 01:05:25,000
Speaker 1: do wish it's impossible, but I see people that have

1107
01:05:25,280 --> 01:05:28,520
Speaker 1: shot their podcast so well, and I wish that we

1108
01:05:28,640 --> 01:05:30,280
Speaker 1: had always done that because we could put it on

1109
01:05:30,400 --> 01:05:32,360
Speaker 1: YouTube eventually, but we never really got around to that.

1110
01:05:32,880 --> 01:05:35,120
Speaker 1: I like what we have. My first question is the

1111
01:05:35,160 --> 01:05:37,200
Speaker 1: best time to Planet Apple Orchid was twenty years ago.

1112
01:05:37,240 --> 01:05:39,760
Speaker 1: The second best time is today. We have those cameras

1113
01:05:39,920 --> 01:05:43,200
Speaker 1: to shoot it. Well, we have well Donald doesn't uses Donald,

1114
01:05:43,360 --> 01:05:47,000
Speaker 1: Donald uses his for animation. We doesn't change the fact

1115
01:05:47,000 --> 01:05:50,400
Speaker 1: that we have it. You and Joel aren't doing Joel,

1116
01:05:50,440 --> 01:05:52,760
Speaker 1: you're not on your fancy camera. No, I could plug

1117
01:05:52,840 --> 01:05:54,680
Speaker 1: it in. It's set up. Well, maybe we'll do it

1118
01:05:54,760 --> 01:05:57,280
Speaker 1: for season eight and nine. You guys should, because you're

1119
01:05:57,280 --> 01:05:59,600
Speaker 1: gonna do this podcast forever and ever and ever of

1120
01:05:59,640 --> 01:06:02,920
Speaker 1: all day. No, we're gonna do it live. Guys. We're

1121
01:06:03,040 --> 01:06:05,120
Speaker 1: doing it live. That's what Sarah thinks, that we do

1122
01:06:05,200 --> 01:06:12,960
Speaker 1: it live. Then we take ad breaks. Joel's always counting down.

1123
01:06:13,160 --> 01:06:17,120
Speaker 1: Adds over three guys, adds over in three two an

1124
01:06:17,240 --> 01:06:19,360
Speaker 1: you live. No, but we are going on tour, guys,

1125
01:06:19,520 --> 01:06:22,040
Speaker 1: this isn't This is a fact. We are actually going

1126
01:06:22,120 --> 01:06:24,480
Speaker 1: on tour. When are you going on tour? We'll have

1127
01:06:24,640 --> 01:06:26,200
Speaker 1: to come with us. We're figuring it out. We're going

1128
01:06:26,360 --> 01:06:28,000
Speaker 1: with us. Do you want in Vancouver? You must do

1129
01:06:28,080 --> 01:06:30,000
Speaker 1: one in Vancouver. I'm not going to leave this conversation.

1130
01:06:30,160 --> 01:06:31,960
Speaker 1: So you say you're gonna do one in Vancouver, But

1131
01:06:32,040 --> 01:06:34,120
Speaker 1: then if you do it in Vancouver, you have to

1132
01:06:34,240 --> 01:06:37,320
Speaker 1: be involved. If we do it in Vancouver, then Sarah

1133
01:06:37,400 --> 01:06:40,040
Speaker 1: only does things in Vancouver. Her show was in Vancouver.

1134
01:06:43,440 --> 01:06:46,880
Speaker 1: She won't leave, won leave you guys? Is next dinner

1135
01:06:46,960 --> 01:06:50,080
Speaker 1: date will be in Vancouver? Yeah, I know that, I am.

1136
01:06:51,040 --> 01:06:52,800
Speaker 1: I will know. I know that I will not see

1137
01:06:52,880 --> 01:06:57,120
Speaker 1: Sarah unless she happens to be in Vancouver when I'm there.

1138
01:06:57,760 --> 01:07:00,800
Speaker 1: That's not true. I've started to come to La sometime. Yeah,

1139
01:07:00,840 --> 01:07:02,480
Speaker 1: but you do only hang out with Casey. You don't

1140
01:07:02,520 --> 01:07:04,520
Speaker 1: hang out with us. Yeah, you know you long. I

1141
01:07:04,560 --> 01:07:06,720
Speaker 1: wouldn't be one time, but you hung out with case

1142
01:07:06,800 --> 01:07:08,240
Speaker 1: You hang out with Casey more than you hang out

1143
01:07:08,280 --> 01:07:13,880
Speaker 1: with me. Yeah. Feelings are heard. Feelings also find me

1144
01:07:13,960 --> 01:07:16,160
Speaker 1: on whistler. Yeah, you got a whistler if you want

1145
01:07:16,160 --> 01:07:19,600
Speaker 1: to visit Sarah. Yes, do live, do live and do

1146
01:07:19,720 --> 01:07:21,760
Speaker 1: one in Vancouver. When are you going to do your

1147
01:07:21,800 --> 01:07:25,680
Speaker 1: life tour? You know yet? TB TBD, TBD. But we're

1148
01:07:25,680 --> 01:07:27,600
Speaker 1: working on it right now. I could put I could

1149
01:07:27,640 --> 01:07:30,520
Speaker 1: say that it's for sure, aren't It's on it's on Donald's.

1150
01:07:31,120 --> 01:07:33,800
Speaker 1: It's on Donald's whiteboard. It's not on a whiteboard. This

1151
01:07:33,920 --> 01:07:36,600
Speaker 1: is something that's actually in motion right now. Bro, Well

1152
01:07:36,680 --> 01:07:38,360
Speaker 1: you can put it on the whiteboard still so you

1153
01:07:38,440 --> 01:07:40,640
Speaker 1: can film that. We will film that. I'm just saying,

1154
01:07:40,720 --> 01:07:42,080
Speaker 1: like I watch on you know, I'm sure if you

1155
01:07:42,080 --> 01:07:45,000
Speaker 1: guys get these clips on Instagram and your feed that

1156
01:07:45,120 --> 01:07:48,360
Speaker 1: are like podcast you know, clips where someone said something

1157
01:07:48,440 --> 01:07:51,240
Speaker 1: really cool and you're like, wow, that's a cool quote

1158
01:07:51,320 --> 01:07:53,880
Speaker 1: or something. And it was just on a podcast that

1159
01:07:53,960 --> 01:07:56,680
Speaker 1: happens to be beautifully shot because it's also going on

1160
01:07:56,840 --> 01:07:59,880
Speaker 1: YouTube and like that's the new trend. And there I was,

1161
01:08:00,000 --> 01:08:03,080
Speaker 1: and Conan's like very fancy studio with robotic cameras, and

1162
01:08:03,160 --> 01:08:05,720
Speaker 1: I'm like, I wish ours looked like this. But also,

1163
01:08:05,800 --> 01:08:10,720
Speaker 1: we don't have nine do have it? We have Chico artist, Well,

1164
01:08:10,760 --> 01:08:13,040
Speaker 1: you have Chico Artists. Hey, by the way, we haven't

1165
01:08:13,040 --> 01:08:14,919
Speaker 1: given her a shout out for how good her video?

1166
01:08:15,040 --> 01:08:17,880
Speaker 1: No doubt? Oh snap, Sarah, Now we got Sarah. Yeah,

1167
01:08:18,000 --> 01:08:22,280
Speaker 1: Chico artist. Shit, Chico do me, do me, do me?

1168
01:08:22,439 --> 01:08:28,600
Speaker 1: Do me? Whoa Sarah? I want to be part of

1169
01:08:28,720 --> 01:08:31,479
Speaker 1: Chico Artists art. I know we demanded that she do

1170
01:08:31,640 --> 01:08:34,160
Speaker 1: you I mean, give the woman something. I meant her

1171
01:08:34,240 --> 01:08:37,160
Speaker 1: YouTube arts. Okay, I have to say it about Chico Artists.

1172
01:08:37,160 --> 01:08:38,600
Speaker 1: You know what's amazing. You might not have noticed this,

1173
01:08:38,640 --> 01:08:40,280
Speaker 1: and if you don't know, we're talking about this A

1174
01:08:40,400 --> 01:08:43,439
Speaker 1: young woman on Instagram named Chico Artist, that's her handle,

1175
01:08:43,720 --> 01:08:46,080
Speaker 1: and she does lip sync videos to the podcast. Do

1176
01:08:46,160 --> 01:08:48,720
Speaker 1: you notice that each character, you guys, she's doing is

1177
01:08:48,720 --> 01:08:53,000
Speaker 1: a single take it there's no editing, cuts, takes a

1178
01:08:53,080 --> 01:08:54,640
Speaker 1: lot of products. Was watching the whole time. I was like,

1179
01:08:54,720 --> 01:08:59,360
Speaker 1: she's not cutting. It's skilled. Yeah, that's right, it's skilled.

1180
01:09:00,120 --> 01:09:02,680
Speaker 1: Artists want to we want to thank you for for

1181
01:09:03,120 --> 01:09:05,280
Speaker 1: for putting in all the hard work. As always, we

1182
01:09:05,400 --> 01:09:10,200
Speaker 1: like to challenge you. So boo tank forever, woo tank forever. Sarah,

1183
01:09:10,200 --> 01:09:11,760
Speaker 1: do you want to make Chico artists say anything? Go

1184
01:09:11,800 --> 01:09:14,800
Speaker 1: ahead and say it. Hmm. I want to do I'm

1185
01:09:14,800 --> 01:09:18,439
Speaker 1: want to do. I'm doing a cheer dance Chico Artists.

1186
01:09:18,439 --> 01:09:22,879
Speaker 1: So I'd like to see interpretations of what is happening.

1187
01:09:23,080 --> 01:09:26,400
Speaker 1: What do you think I'm doing right now? Everybody everybody's like, yo, listen,

1188
01:09:26,560 --> 01:09:28,679
Speaker 1: why don't you say something? Why don't you say something

1189
01:09:30,080 --> 01:09:35,400
Speaker 1: like panics and starts dancing or freaking moving their body

1190
01:09:35,560 --> 01:09:37,840
Speaker 1: or something like that, Chico Artists. Just so, just so

1191
01:09:38,000 --> 01:09:40,400
Speaker 1: Chico Artist is able to do this. Sarah is acting

1192
01:09:40,479 --> 01:09:42,880
Speaker 1: like a mine who's stuck in a small box. It

1193
01:09:42,920 --> 01:09:45,439
Speaker 1: looks like a very small box that her upper body

1194
01:09:45,520 --> 01:09:48,240
Speaker 1: is trapped in Well she was. She was acting like that.

1195
01:09:49,560 --> 01:09:51,639
Speaker 1: And there was some hips, there was some hit movement,

1196
01:09:51,880 --> 01:09:56,280
Speaker 1: Chico artists fall safety poo, Well there we go. There

1197
01:09:56,280 --> 01:09:59,840
Speaker 1: were some Germans too, Sarah Deutsch. Okay, Chico artists. He

1198
01:10:00,000 --> 01:10:09,519
Speaker 1: you were more than nuts, shah as I figured, Alice, Yeah,

1199
01:10:09,560 --> 01:10:11,240
Speaker 1: there you go, cheek arts, Danel, do you want to

1200
01:10:11,240 --> 01:10:13,479
Speaker 1: come through this time? Danel? All right, Daniel, do you

1201
01:10:13,520 --> 01:10:16,240
Speaker 1: want to say the same thing? Yeah? You know it.

1202
01:10:16,920 --> 01:10:19,160
Speaker 1: The last time my dad told me to speak any German,

1203
01:10:19,200 --> 01:10:20,840
Speaker 1: he said, go up to this person, say sprek and

1204
01:10:20,880 --> 01:10:22,400
Speaker 1: zee Deutsch. And I was like, okay, I got this.

1205
01:10:22,479 --> 01:10:24,120
Speaker 1: I went up to that person, tapped him on the shoulder.

1206
01:10:24,120 --> 01:10:28,360
Speaker 1: I went spooky Miluki. They were like, what I was

1207
01:10:28,400 --> 01:10:30,679
Speaker 1: eight years old last time I tried to speak German, honor.

1208
01:10:31,880 --> 01:10:36,080
Speaker 1: We weren't asking We weren't asking you to speak German, Daniel.

1209
01:10:36,120 --> 01:10:38,920
Speaker 1: We were asking you if you wanted to redeem yourself. Yeah,

1210
01:10:38,960 --> 01:10:46,040
Speaker 1: and you didn't. Well did Joel? How have you always

1211
01:10:46,120 --> 01:10:48,800
Speaker 1: jumped to Daniel's defense so quickly? One because I love

1212
01:10:48,880 --> 01:10:52,800
Speaker 1: him too, because is genuinely great. This is too much

1213
01:10:52,840 --> 01:10:55,479
Speaker 1: for cheek artist to do so and cheeko artist and

1214
01:10:55,680 --> 01:11:01,960
Speaker 1: the segment like this cheek artist. Imagine she pulls off

1215
01:11:02,040 --> 01:11:04,400
Speaker 1: the bong and starts smoking. Well, cheega artists, you could

1216
01:11:04,400 --> 01:11:06,240
Speaker 1: pull out a fake bong if you want. We don't

1217
01:11:06,280 --> 01:11:13,240
Speaker 1: want to force the real bong into your hands. You

1218
01:11:13,240 --> 01:11:15,760
Speaker 1: see her face machine that she was hilarious. Yeah, that

1219
01:11:15,840 --> 01:11:19,799
Speaker 1: was beautiful. It was like one of those kids machines.

1220
01:11:19,960 --> 01:11:22,479
Speaker 1: It was amazing. Already another break, Sarah, This is gonna

1221
01:11:22,479 --> 01:11:26,040
Speaker 1: be a break. You can do whatever you want. It'll

1222
01:11:26,040 --> 01:11:35,679
Speaker 1: be right and we're back. Sarah told a very long story.

1223
01:11:36,120 --> 01:11:39,080
Speaker 1: Sarah told a crazy story. And I actually did did

1224
01:11:39,200 --> 01:11:42,320
Speaker 1: chase down the garbage truck this morning because the compost,

1225
01:11:42,400 --> 01:11:44,280
Speaker 1: it's composting. When it's compost, you can't leave it for

1226
01:11:44,400 --> 01:11:47,280
Speaker 1: next for a week, So I was chasing. That was real.

1227
01:11:47,600 --> 01:11:51,360
Speaker 1: Now I have a question when yeah, when it comes

1228
01:11:51,400 --> 01:11:56,679
Speaker 1: to compost, how long is it supposed to take before

1229
01:11:56,720 --> 01:12:01,040
Speaker 1: it turns into compost? One? And then two? Like, what

1230
01:12:01,200 --> 01:12:06,280
Speaker 1: do you do with all of this shit liking stuff? Well,

1231
01:12:06,479 --> 01:12:08,680
Speaker 1: we have weekly pickups, so you're not actually waiting for

1232
01:12:08,720 --> 01:12:10,840
Speaker 1: it to turn into compost. I just heard the tu

1233
01:12:11,680 --> 01:12:14,400
Speaker 1: and I went racing down the driveway. Danil's gonna have

1234
01:12:14,400 --> 01:12:16,360
Speaker 1: the best answer for this at But in LA now

1235
01:12:16,400 --> 01:12:18,479
Speaker 1: we're supposed to do this and it means putting like

1236
01:12:18,640 --> 01:12:21,920
Speaker 1: food scraps in your green bin. Correct, yeah, correct. If

1237
01:12:21,960 --> 01:12:24,080
Speaker 1: you contact La Sannoitation, you can go pick up a

1238
01:12:24,160 --> 01:12:26,880
Speaker 1: free pail from them and they'll give it to you

1239
01:12:27,000 --> 01:12:29,240
Speaker 1: and you just you know, take your food, you know,

1240
01:12:29,320 --> 01:12:30,760
Speaker 1: your food waste, put it in the pail and then

1241
01:12:30,800 --> 01:12:32,599
Speaker 1: put it in your green bin. That's what we're supposed

1242
01:12:32,600 --> 01:12:34,720
Speaker 1: to do now. But isn't your food bin gonna isn't

1243
01:12:34,760 --> 01:12:37,880
Speaker 1: a little pail gonna smell unless you're empty it every day.

1244
01:12:38,040 --> 01:12:40,200
Speaker 1: It's an excellent points act. They recommend that you put

1245
01:12:40,240 --> 01:12:42,559
Speaker 1: a plastic bag in there, but you don't throw out

1246
01:12:42,600 --> 01:12:44,880
Speaker 1: the plastic bag into the green bin. If you have

1247
01:12:44,960 --> 01:12:48,360
Speaker 1: biodegradable plastic bags, that's different, But otherwise, yeah, you could

1248
01:12:48,400 --> 01:12:51,360
Speaker 1: put a paper bag in there. Yes, callin Sarah I Collins.

1249
01:12:51,400 --> 01:12:54,479
Speaker 1: He's raising her hand, everybody, Yes, Sarah, I'm just trying

1250
01:12:54,520 --> 01:12:59,040
Speaker 1: to understand this. So up until now, all of your

1251
01:12:59,080 --> 01:13:02,040
Speaker 1: food scraps just went into the garbage. Yes, yeah, we're

1252
01:13:02,040 --> 01:13:03,760
Speaker 1: into the garbage disposal. However you choose to do it.

1253
01:13:04,000 --> 01:13:06,479
Speaker 1: I think that's most of the country. Right, Yeah, LA's trying.

1254
01:13:06,520 --> 01:13:09,000
Speaker 1: Eli's trying to be progressive and say, now we're the

1255
01:13:09,120 --> 01:13:14,080
Speaker 1: more progressive state in in uh just La California, Daniel,

1256
01:13:14,280 --> 01:13:16,800
Speaker 1: I believe California. I think it's oh maybe, yeah, I

1257
01:13:16,840 --> 01:13:18,840
Speaker 1: mean I just got a notification for La County, so

1258
01:13:18,920 --> 01:13:20,879
Speaker 1: that's all I know. And some people have been composting

1259
01:13:20,920 --> 01:13:23,200
Speaker 1: on their own for years. All of California is trying

1260
01:13:23,200 --> 01:13:28,679
Speaker 1: to be green by thirty thirty thirty, by thirty thirty,

1261
01:13:29,479 --> 01:13:34,600
Speaker 1: twenty thirty, we're trying to go green by thirty thirty five. No,

1262
01:13:34,800 --> 01:13:37,600
Speaker 1: you know what I meant. I didn't you met. I

1263
01:13:37,680 --> 01:13:42,599
Speaker 1: didn't know what you met you said thirty thirty thirty five.

1264
01:13:43,200 --> 01:13:45,000
Speaker 1: I was trying to do it like that twenty thirty,

1265
01:13:45,080 --> 01:13:47,639
Speaker 1: twenty thirty five, something like that. You can't hate me now,

1266
01:13:48,680 --> 01:13:54,240
Speaker 1: but I won't stop now. You can't hate me now, Okay,

1267
01:13:54,280 --> 01:13:59,880
Speaker 1: we stop now. Okay, So ferry time something, um turn

1268
01:14:00,040 --> 01:14:03,760
Speaker 1: clothe the eighty of the wand um oh fairy. Todd says,

1269
01:14:03,800 --> 01:14:05,320
Speaker 1: you know I have a big wand if you want

1270
01:14:05,360 --> 01:14:09,799
Speaker 1: to hold it, and then he says banana hammock fairy five,

1271
01:14:10,479 --> 01:14:12,400
Speaker 1: and then we cut back to reality and he says,

1272
01:14:12,439 --> 01:14:17,519
Speaker 1: I love slapping people five, And so Elliott says, we

1273
01:14:17,640 --> 01:14:19,880
Speaker 1: have to page him in the in the hospital world,

1274
01:14:20,000 --> 01:14:22,320
Speaker 1: and then we cut before we before we go further,

1275
01:14:22,880 --> 01:14:27,759
Speaker 1: Carla uses the high five as a form of leverage

1276
01:14:28,120 --> 01:14:31,400
Speaker 1: to skip ahead of the Todd, who's waiting at the

1277
01:14:31,520 --> 01:14:34,320
Speaker 1: lab for a sample. But Carla wants to say her

1278
01:14:34,360 --> 01:14:37,600
Speaker 1: sample first so that she can help Elliot, right, so

1279
01:14:37,800 --> 01:14:42,280
Speaker 1: she you know, so she ate, she ransoms the five

1280
01:14:42,479 --> 01:14:45,879
Speaker 1: away from the Todd and he lets her go forward,

1281
01:14:46,439 --> 01:14:49,960
Speaker 1: and Todd says something like, still can high fives something

1282
01:14:50,040 --> 01:14:53,840
Speaker 1: like that. It was cute, Still allowed to high five? Yeah,

1283
01:14:56,840 --> 01:15:00,519
Speaker 1: I love to high five. I just love high fiving people. Um,

1284
01:15:01,479 --> 01:15:03,519
Speaker 1: so Elliott has to page from then that's clever. We

1285
01:15:03,600 --> 01:15:05,559
Speaker 1: cut to the fairytale world and she sends a dove,

1286
01:15:05,720 --> 01:15:08,840
Speaker 1: which is the equivalent of paging someone back in the day,

1287
01:15:09,200 --> 01:15:13,479
Speaker 1: and then comes in the most brave, handsome, sexy, badass

1288
01:15:13,800 --> 01:15:18,040
Speaker 1: night doctor Cox and um, he goes in to try

1289
01:15:18,080 --> 01:15:21,240
Speaker 1: and fight the monster and gets the shit kicked out

1290
01:15:21,280 --> 01:15:23,160
Speaker 1: of him. Yeah, the monster pieces. I thought that was

1291
01:15:23,160 --> 01:15:27,479
Speaker 1: a great Cowboys switch. When the monster there's a shot

1292
01:15:27,520 --> 01:15:31,519
Speaker 1: where the monster curls him out of the hut and

1293
01:15:31,720 --> 01:15:34,519
Speaker 1: it's it's it's really well done because it's Johnny sees

1294
01:15:34,760 --> 01:15:39,160
Speaker 1: stunt double taking the giant um stunt toss and then

1295
01:15:39,240 --> 01:15:41,479
Speaker 1: Johnny Ce pops up in the foreground without a cut.

1296
01:15:41,560 --> 01:15:44,240
Speaker 1: It was really cool. Did you guys notice that, Yes,

1297
01:15:44,600 --> 01:15:47,120
Speaker 1: I love a cowboy switch. Yeah, it was a pretty

1298
01:15:47,160 --> 01:15:49,559
Speaker 1: dope Cowboys. We do it pretty well known scrubs man,

1299
01:15:49,800 --> 01:15:52,560
Speaker 1: you love a cowboys switch? Backwards cowboy switch? Well, I

1300
01:15:52,720 --> 01:15:55,840
Speaker 1: learned it on Zach definitely trying to just make a

1301
01:15:55,920 --> 01:16:02,800
Speaker 1: sex joke there. It's reverse reverse cowgirls switch. I don't

1302
01:16:02,840 --> 01:16:05,439
Speaker 1: even know what to say, but it's a clever sex joke, Sarah.

1303
01:16:05,640 --> 01:16:07,240
Speaker 1: For those of you who haven't listened to the episodes

1304
01:16:07,240 --> 01:16:09,240
Speaker 1: where we talk about cowboys, which it's when you don't

1305
01:16:09,280 --> 01:16:12,439
Speaker 1: cut the stuntman or woman does something really crazy and

1306
01:16:12,560 --> 01:16:15,639
Speaker 1: then the actor who's playing the actor is somehow swapped

1307
01:16:15,680 --> 01:16:18,759
Speaker 1: out without cutting. They pop up in the foreground or something.

1308
01:16:19,280 --> 01:16:23,400
Speaker 1: That's a cowboy switch. But what's a reverse cowgirl switch? Act?

1309
01:16:23,520 --> 01:16:25,559
Speaker 1: That's what I wanted. I didn't know the lingo I tried.

1310
01:16:25,600 --> 01:16:27,680
Speaker 1: I don't know what it's called. Sarah, you know what

1311
01:16:27,760 --> 01:16:31,760
Speaker 1: a reverse cowgirl is? Come on, don't act like you're

1312
01:16:31,760 --> 01:16:38,680
Speaker 1: an innocent Vancouver woman. Back to the show. All right,

1313
01:16:39,360 --> 01:16:47,639
Speaker 1: so this is my best guests. Don't have that power.

1314
01:16:49,120 --> 01:16:51,200
Speaker 1: He's trying to be like Bill. Now James the subject

1315
01:16:52,800 --> 01:16:58,880
Speaker 1: my podcast podcast best line of the past, but the

1316
01:16:59,000 --> 01:17:00,840
Speaker 1: best line of the whole show. Are you out of

1317
01:17:00,920 --> 01:17:03,000
Speaker 1: your mind? Woman? We only got one ball? I don't

1318
01:17:03,040 --> 01:17:12,120
Speaker 1: do it. We only got one ball. Now, that's funny

1319
01:17:12,160 --> 01:17:22,960
Speaker 1: because Turla probably that's a really interesting that's a really

1320
01:17:23,120 --> 01:17:26,680
Speaker 1: interesting set of genitalia right there. Like I would I

1321
01:17:27,720 --> 01:17:33,280
Speaker 1: personally would be interested in seeing yeah, because it would

1322
01:17:33,320 --> 01:17:38,320
Speaker 1: be half ball and shaft. Hopefully there's enough shaft to

1323
01:17:38,840 --> 01:17:50,240
Speaker 1: use half vulva. I'm can excuse well if the genitalia

1324
01:17:50,320 --> 01:17:54,120
Speaker 1: is split down the middle, right, Um, and we know

1325
01:17:54,240 --> 01:17:58,040
Speaker 1: that Turla is a very sexual being. Yes, how does

1326
01:17:58,080 --> 01:18:04,320
Speaker 1: it hook up with itself? We'll just leave the audience

1327
01:18:04,360 --> 01:18:10,160
Speaker 1: to audience. You can daydream on that. That's on y'all.

1328
01:18:10,160 --> 01:18:14,320
Speaker 1: Whatever you're thinking, that's on y'all's brain. That's on y'all's brain. Yeah,

1329
01:18:14,720 --> 01:18:19,800
Speaker 1: it's another as Bill, whatever you're thinking, that's on y'all's brain.

1330
01:18:20,040 --> 01:18:25,639
Speaker 1: We didn't say that. We say, Um, all right, let's

1331
01:18:25,680 --> 01:18:27,400
Speaker 1: talk it we gotta we gotta wrap it up soon

1332
01:18:27,439 --> 01:18:30,640
Speaker 1: because we know it's not every way. One of the

1333
01:18:30,680 --> 01:18:33,479
Speaker 1: funniest things was Neil getting a shoelace tied and he's like,

1334
01:18:34,080 --> 01:18:40,320
Speaker 1: my uncle's family was killed by a madman hacking to pieces. Yeah, um,

1335
01:18:40,720 --> 01:18:42,519
Speaker 1: we've got a long time, but that's okay. This is

1336
01:18:42,560 --> 01:18:45,360
Speaker 1: an epic episode and we have chalk um. So then

1337
01:18:45,720 --> 01:18:48,040
Speaker 1: Jordan is the scary old lady in the bushes and

1338
01:18:48,080 --> 01:18:50,280
Speaker 1: then we reveal that it's her with a face mask on.

1339
01:18:50,520 --> 01:18:53,080
Speaker 1: I thought that was really cute. Um, she's saying Perry

1340
01:18:53,840 --> 01:18:55,920
Speaker 1: let him go to bed and um. And then we

1341
01:18:56,000 --> 01:18:58,000
Speaker 1: go to the commercial. That's the whole first act of

1342
01:18:58,360 --> 01:19:01,720
Speaker 1: the show. Polish really at the first act, I know,

1343
01:19:02,000 --> 01:19:04,160
Speaker 1: and I just saw that the way Donald Donald had

1344
01:19:04,160 --> 01:19:06,559
Speaker 1: such a great line um that we can't skip overs

1345
01:19:06,680 --> 01:19:08,200
Speaker 1: is baby, maybe you could love the monster to sleep?

1346
01:19:08,280 --> 01:19:10,400
Speaker 1: Was one of your boring stories about your damn family.

1347
01:19:11,000 --> 01:19:13,960
Speaker 1: That's when she punches him in the ball m and

1348
01:19:14,040 --> 01:19:16,360
Speaker 1: I'm seeing this Cowboys switch I'm talking about. King comes

1349
01:19:16,439 --> 01:19:19,639
Speaker 1: after the commercial break. It's in act. It's opens act

1350
01:19:19,960 --> 01:19:22,479
Speaker 1: two of the show. Um, and that's where are you

1351
01:19:22,560 --> 01:19:26,000
Speaker 1: out your mind? No, no, there's no breaks, there's no break.

1352
01:19:26,040 --> 01:19:27,200
Speaker 1: We're just going to keep it. And then we learn

1353
01:19:27,240 --> 01:19:30,080
Speaker 1: that we need the golden ring, so um and he

1354
01:19:30,240 --> 01:19:34,240
Speaker 1: and then we hear remember what you heard when you

1355
01:19:34,400 --> 01:19:38,720
Speaker 1: weren't even listening, Okay, So that becomes sort of the

1356
01:19:39,040 --> 01:19:41,280
Speaker 1: theme we need to remember. That's what we get told

1357
01:19:41,320 --> 01:19:46,320
Speaker 1: by the night. It's really interesting we're learning this year

1358
01:19:46,479 --> 01:19:53,879
Speaker 1: how important Sarah's patient of sorry, how important Elliot's patients

1359
01:19:54,040 --> 01:19:56,960
Speaker 1: are to her. But in the last episode, we learned

1360
01:19:57,080 --> 01:20:03,559
Speaker 1: that Elliot was you guys on that quest to find

1361
01:20:03,640 --> 01:20:06,400
Speaker 1: out if she if the patient was still alive or

1362
01:20:06,439 --> 01:20:11,800
Speaker 1: if the patient got sick, because yeah, because of the

1363
01:20:11,880 --> 01:20:15,920
Speaker 1: diabetes drug and plumox right right, But what was her

1364
01:20:16,000 --> 01:20:19,120
Speaker 1: reasoning for it? Like, is it because in this one

1365
01:20:19,200 --> 01:20:21,240
Speaker 1: she's doing it because she really wants to save this

1366
01:20:21,720 --> 01:20:23,880
Speaker 1: She wants to figure out what's wrong with this young

1367
01:20:24,200 --> 01:20:26,680
Speaker 1: girl and why her kidneys are failing? Yeah, that one

1368
01:20:26,960 --> 01:20:29,759
Speaker 1: and that one it was. It was she was concerned

1369
01:20:29,760 --> 01:20:33,400
Speaker 1: that the drug Plomax had hurt one of her patients

1370
01:20:33,439 --> 01:20:36,599
Speaker 1: were killed him with diabetes. But again, keep in mind,

1371
01:20:36,600 --> 01:20:38,880
Speaker 1: these weren't supposed to be next to each other. But

1372
01:20:39,520 --> 01:20:42,000
Speaker 1: I'm trying to figure out there could be a connection

1373
01:20:42,080 --> 01:20:44,479
Speaker 1: in both of them because the storyline is still very

1374
01:20:44,520 --> 01:20:48,200
Speaker 1: similar where Elliot Elliott likes to go on quest with

1375
01:20:48,320 --> 01:20:51,719
Speaker 1: j D just that, but not only quest with JD,

1376
01:20:51,920 --> 01:20:55,680
Speaker 1: but quests for her patients to try, you know, for

1377
01:20:55,840 --> 01:20:58,599
Speaker 1: it's there all noble quests. Yes, Elliott doesn't give up

1378
01:20:58,600 --> 01:21:01,040
Speaker 1: on a patient, that's for darn sure. She she she'll

1379
01:21:01,080 --> 01:21:04,200
Speaker 1: do anything to figure things out. Along the road, we

1380
01:21:04,360 --> 01:21:09,320
Speaker 1: run into Elliott and JD are riding the donkey, and

1381
01:21:09,360 --> 01:21:13,080
Speaker 1: they run into Ted and the janitor and U and

1382
01:21:13,400 --> 01:21:15,120
Speaker 1: Ted says something that made me laugh. He says, I

1383
01:21:15,200 --> 01:21:17,439
Speaker 1: tell most people I'm under an evil spell, but really

1384
01:21:17,520 --> 01:21:24,200
Speaker 1: it's a self esteem thing. It's all confidence thing. And

1385
01:21:24,360 --> 01:21:27,640
Speaker 1: then we get captured and Elliott and j D and

1386
01:21:27,720 --> 01:21:30,280
Speaker 1: we get sent to the dungeon where we see Doug's

1387
01:21:30,360 --> 01:21:35,920
Speaker 1: head on a stick. Yes, um, And we try and kiss,

1388
01:21:35,960 --> 01:21:39,200
Speaker 1: which was funny with with our, with our, she admits,

1389
01:21:39,280 --> 01:21:43,280
Speaker 1: twas I I tried to kiss you, Andy, we're too

1390
01:21:43,320 --> 01:21:45,080
Speaker 1: far apart to kiss. They were like trying to reach.

1391
01:21:45,160 --> 01:21:46,760
Speaker 1: We're all chained up to the wall, trying to reach

1392
01:21:46,760 --> 01:21:50,760
Speaker 1: a little more tongue. Yeah, we can't reach. And then

1393
01:21:52,479 --> 01:21:53,840
Speaker 1: Ted is on a stick. I said that, right, But

1394
01:21:53,920 --> 01:21:58,080
Speaker 1: then we're in office with Kelso, and Kelso is explaining

1395
01:21:58,960 --> 01:22:02,240
Speaker 1: why he have to go home, and You're like, I'm

1396
01:22:02,320 --> 01:22:07,080
Speaker 1: private practice. Eliot's like, I'm private practice, and JD's like,

1397
01:22:07,240 --> 01:22:11,040
Speaker 1: and I have no patient interaction when I'm with rolling

1398
01:22:11,120 --> 01:22:12,960
Speaker 1: with us. So you're not gonna you can't get sued

1399
01:22:13,000 --> 01:22:14,960
Speaker 1: for this because it starts off with him saying I'm

1400
01:22:15,000 --> 01:22:18,679
Speaker 1: gonna you guys are suspended or something like that, right, yeah,

1401
01:22:19,040 --> 01:22:20,680
Speaker 1: And then he's not wearing pants. Yeah, he says, I

1402
01:22:20,720 --> 01:22:22,760
Speaker 1: can do whatever I want to show this off. He

1403
01:22:22,880 --> 01:22:25,519
Speaker 1: stands up and he's wearing boxers. Find would have been

1404
01:22:25,560 --> 01:22:31,800
Speaker 1: fired right then and there nowadays nowadays, guess what, no, no, yeah, no,

1405
01:22:32,200 --> 01:22:36,040
Speaker 1: that's a rap. So then now we encounter the Wooden Nymphs,

1406
01:22:36,200 --> 01:22:41,080
Speaker 1: and the wooden Nymphs who are the interns provide us

1407
01:22:41,320 --> 01:22:45,800
Speaker 1: with a golden ring. And then in the real life, uh, well,

1408
01:22:45,800 --> 01:22:48,360
Speaker 1: you guys, remember what you heard, and that which from

1409
01:22:48,400 --> 01:22:53,920
Speaker 1: the Wilson Wilson's disease, which which cleverly these genius writers,

1410
01:22:54,120 --> 01:22:57,559
Speaker 1: is a little golden ring around the iris. That's that's

1411
01:22:57,600 --> 01:23:00,439
Speaker 1: how you find it. So and how about that set

1412
01:23:00,520 --> 01:23:04,040
Speaker 1: transition back into the ICU. Oh my god, that was

1413
01:23:04,200 --> 01:23:10,200
Speaker 1: so wonder I've forgotten that that was so cool. I

1414
01:23:10,240 --> 01:23:14,720
Speaker 1: think I think it was Zach Braft. Not really a

1415
01:23:14,800 --> 01:23:18,280
Speaker 1: horse rider, are you? But no, I mean I'm certainly

1416
01:23:18,479 --> 01:23:20,720
Speaker 1: not an expert enough to look good. Did you ever

1417
01:23:20,760 --> 01:23:23,200
Speaker 1: put it on your resume when you were younger? Probably

1418
01:23:23,600 --> 01:23:28,000
Speaker 1: put everything on their hockey, rowing, rowing because the ideology

1419
01:23:28,200 --> 01:23:31,120
Speaker 1: was like, the ideology was like, just when you get

1420
01:23:31,160 --> 01:23:33,080
Speaker 1: the job, you'll figure that shit out. You'll learn, you'll

1421
01:23:33,080 --> 01:23:35,600
Speaker 1: figure it out. The problem is the problem is now

1422
01:23:35,600 --> 01:23:37,439
Speaker 1: that you're a director and you hire someone that says

1423
01:23:37,600 --> 01:23:40,000
Speaker 1: like like, yeah, I can play soccer, and then you

1424
01:23:40,280 --> 01:23:42,599
Speaker 1: go to film it and you see how badly they

1425
01:23:42,600 --> 01:23:45,479
Speaker 1: are in soccer. You're like, oh, I can't believe that anymore. Right,

1426
01:23:46,479 --> 01:23:48,200
Speaker 1: And also, as a kid, I feel like when you

1427
01:23:48,280 --> 01:23:49,960
Speaker 1: put that shit on there and you were like hockey

1428
01:23:50,240 --> 01:23:52,400
Speaker 1: like you would just you'd actually would figure it out.

1429
01:23:52,600 --> 01:23:55,519
Speaker 1: Now that we're in our forties, you can't just figure

1430
01:23:55,560 --> 01:23:57,360
Speaker 1: that shit out. I'm trying try to learn how to

1431
01:23:57,400 --> 01:24:02,040
Speaker 1: play hockey, putting no play on my resume. Shit. But

1432
01:24:02,240 --> 01:24:06,360
Speaker 1: Sarah Sarah says she's learning to play now in her forties. Oh,

1433
01:24:06,720 --> 01:24:09,719
Speaker 1: good for you, you know, but you're not a skate Nope,

1434
01:24:10,040 --> 01:24:12,920
Speaker 1: did not grow up skating. Only Canadian did not. That's right.

1435
01:24:13,080 --> 01:24:17,280
Speaker 1: Learning Now everybody else could skate. You couldn't. I've never

1436
01:24:17,520 --> 01:24:19,519
Speaker 1: it's it's so hard. It's so hard in such a

1437
01:24:19,560 --> 01:24:24,800
Speaker 1: hard surface. But Sarah, you can dance. Um, oh, okay,

1438
01:24:25,280 --> 01:24:27,599
Speaker 1: another dance everybody. Oh it's a bit of a twerk

1439
01:24:27,720 --> 01:24:29,560
Speaker 1: now everyone. I didn't get to see it, but it

1440
01:24:29,720 --> 01:24:34,800
Speaker 1: was a twerk and I get it. Go Getter Nation

1441
01:24:34,920 --> 01:24:38,000
Speaker 1: should send you some some some sweatpants for twerking in

1442
01:24:38,080 --> 01:24:40,920
Speaker 1: their sweatpants like that. Oh I think I think they should.

1443
01:24:41,160 --> 01:24:44,840
Speaker 1: I think they should. Oh yeah, okay, wait wait wait,

1444
01:24:44,880 --> 01:24:47,040
Speaker 1: before we were on the horse, you've sent something really funny, Zach,

1445
01:24:48,000 --> 01:24:50,439
Speaker 1: missing one of my favorite life missing what you could

1446
01:24:50,439 --> 01:24:52,360
Speaker 1: have had when you tried to kiss me good moral

1447
01:24:54,920 --> 01:25:02,639
Speaker 1: instead of good moral. And then it wraps up as

1448
01:25:02,720 --> 01:25:05,400
Speaker 1: the night goes through town and the camera cranes through

1449
01:25:05,439 --> 01:25:07,879
Speaker 1: the village and I, those of you who like mistakes,

1450
01:25:08,400 --> 01:25:10,880
Speaker 1: I didn't see this obviously. I would have fixed it probably,

1451
01:25:11,040 --> 01:25:13,560
Speaker 1: or if I could have. But when Sarah and I

1452
01:25:13,600 --> 01:25:16,360
Speaker 1: are up on that bridge around twenty one twenty, you

1453
01:25:16,439 --> 01:25:19,840
Speaker 1: can clearly see that she's on standing on Plywood and

1454
01:25:19,920 --> 01:25:24,639
Speaker 1: I'm standing on black boxes. As a director, that really

1455
01:25:24,640 --> 01:25:30,680
Speaker 1: annoyed me that that wasn't taken care of. So if

1456
01:25:30,720 --> 01:25:33,600
Speaker 1: you like mistakes, there's one for you. But overall, a

1457
01:25:33,680 --> 01:25:35,880
Speaker 1: great episode everybody, and Sarah, it's so fun to have

1458
01:25:36,000 --> 01:25:40,880
Speaker 1: you here. Big shout out to Cox and Jordan at

1459
01:25:40,880 --> 01:25:42,960
Speaker 1: the end with the cute little scene by the door

1460
01:25:44,280 --> 01:25:46,720
Speaker 1: turns tragic and it really makes you feel it, you

1461
01:25:46,800 --> 01:25:49,519
Speaker 1: know what I mean. Where Jordan's listening the whole time

1462
01:25:49,600 --> 01:25:52,599
Speaker 1: and she's like, so, what happened? Did the girl get

1463
01:25:52,600 --> 01:25:56,200
Speaker 1: the new kidney? Did the girl? Did she live? What happened?

1464
01:25:56,200 --> 01:25:58,040
Speaker 1: What's the end of the story. Is that how it ends?

1465
01:25:58,240 --> 01:26:00,479
Speaker 1: He's like, well that's how I'm telling it. Oh yeah,

1466
01:26:00,840 --> 01:26:03,559
Speaker 1: He's like everything turned out fine. She's like it really

1467
01:26:03,640 --> 01:26:05,240
Speaker 1: did it? And he's like, well that's how I'm telling it.

1468
01:26:05,720 --> 01:26:09,880
Speaker 1: That's great because it gives you this scrubs gut punch fashion.

1469
01:26:10,400 --> 01:26:14,000
Speaker 1: Yeah you know what really happened? Yeah they were too late. Yeah,

1470
01:26:15,320 --> 01:26:17,800
Speaker 1: so well done, So well done by everybody involved and

1471
01:26:18,120 --> 01:26:20,360
Speaker 1: U and I'm just so I'm proud of it. If

1472
01:26:20,360 --> 01:26:23,280
Speaker 1: you if you're if you're someone who revisits Scrubs episodes.

1473
01:26:23,400 --> 01:26:25,559
Speaker 1: Check this one out because I think it's it's definitely

1474
01:26:25,560 --> 01:26:28,400
Speaker 1: I think one of my favorite ones. And uh, it's

1475
01:26:28,560 --> 01:26:33,160
Speaker 1: particularly special. There's a great episode, Zach Um. Thank you.

1476
01:26:33,320 --> 01:26:35,479
Speaker 1: Good you do. Really I'm not gonna lie man. You

1477
01:26:35,600 --> 01:26:41,720
Speaker 1: do do very good episodes and movies. Thank you. I'm

1478
01:26:41,880 --> 01:26:45,120
Speaker 1: very excited for everybody out there shameless plug to see

1479
01:26:45,120 --> 01:26:49,120
Speaker 1: A Good Person pleas. I can't wait to see it. Donald,

1480
01:26:49,160 --> 01:26:50,640
Speaker 1: have you seen it? Have you already gotten to see it?

1481
01:26:50,680 --> 01:26:52,680
Speaker 1: I've had seen it already. I've seen it already. I

1482
01:26:52,760 --> 01:26:55,720
Speaker 1: can't wait to see it. Thank you, Sarah, and um please, Um,

1483
01:26:56,479 --> 01:26:58,960
Speaker 1: I'm gonna be doing a screening in Seattle. Maybe you'd

1484
01:26:58,960 --> 01:27:01,920
Speaker 1: be maybe you'd come to that. That's close enough to you. Um.

1485
01:27:02,200 --> 01:27:04,600
Speaker 1: But everybody, please, if you haven't yet, check out the

1486
01:27:04,640 --> 01:27:07,600
Speaker 1: trailer for A Good Person. It's on YouTube under a

1487
01:27:07,720 --> 01:27:11,160
Speaker 1: Good Person trailer. And we got some more content that'll

1488
01:27:11,160 --> 01:27:13,800
Speaker 1: be rolling out very soon and it comes out in

1489
01:27:13,840 --> 01:27:16,880
Speaker 1: March twenty fourth at a theater near you. All Right,

1490
01:27:16,920 --> 01:27:20,559
Speaker 1: I love you guys, Sarah, We love you you guys. Good.

1491
01:27:22,040 --> 01:27:23,840
Speaker 1: This is how I know, this is how I know

1492
01:27:24,120 --> 01:27:26,400
Speaker 1: we have something special. We were up on this motherfucker

1493
01:27:26,439 --> 01:27:29,439
Speaker 1: for an hour and thirty three minutes, or we could

1494
01:27:29,479 --> 01:27:31,640
Speaker 1: do we could do two hours with Sarah felt like

1495
01:27:31,760 --> 01:27:33,960
Speaker 1: ten minutes if I had a chat I had a

1496
01:27:34,040 --> 01:27:36,000
Speaker 1: chat GPT scene for us to do. But we'll do

1497
01:27:36,040 --> 01:27:37,880
Speaker 1: it next time when Sarah, you don't want to do it. Now,

1498
01:27:38,360 --> 01:27:40,240
Speaker 1: we're getting real long. I mean an hour and a half.

1499
01:27:40,320 --> 01:27:42,360
Speaker 1: I feel like it's a bit long. They love it

1500
01:27:42,439 --> 01:27:46,000
Speaker 1: when we go long, they do love it. I'm just saying,

1501
01:27:46,160 --> 01:27:47,519
Speaker 1: all right, do you want to quickly do a chat

1502
01:27:47,640 --> 01:27:51,960
Speaker 1: GBT scenes? Yeah? All right, Sarah. Do you know what

1503
01:27:52,080 --> 01:27:54,960
Speaker 1: this is? Sarah, I don't fill me in? All right,

1504
01:27:55,000 --> 01:27:57,120
Speaker 1: so I'm gonna text you. I get your phone out. Um,

1505
01:27:57,479 --> 01:28:00,479
Speaker 1: we had aire is a thing called chat ABT that

1506
01:28:00,600 --> 01:28:02,880
Speaker 1: will write scenes, and I had it write a scene.

1507
01:28:03,000 --> 01:28:04,560
Speaker 1: I'll give you the prompt that I gave it, and

1508
01:28:04,600 --> 01:28:06,200
Speaker 1: it wrote a scrub scene. I'm gonna text it to

1509
01:28:06,240 --> 01:28:09,840
Speaker 1: you right now. Okay, I'll read the stage directions all

1510
01:28:09,920 --> 01:28:12,680
Speaker 1: right everyone, so um, sorry, we're gonna stay and do

1511
01:28:12,840 --> 01:28:16,360
Speaker 1: one quick chat GPT scene for you. I will read

1512
01:28:16,439 --> 01:28:19,599
Speaker 1: the stage directions. Sarah, you will read the part of Elliott.

1513
01:28:20,120 --> 01:28:22,639
Speaker 1: The only instruction I gave chat GBT was to write

1514
01:28:22,640 --> 01:28:26,280
Speaker 1: a scrub scene where Elliott confesses to Turk that she's

1515
01:28:26,360 --> 01:28:31,559
Speaker 1: truly in love with Turk. Okay, I'm the stage directions.

1516
01:28:32,240 --> 01:28:35,160
Speaker 1: Scene opens in the hospital hallway with Elliott and Turk

1517
01:28:35,320 --> 01:28:41,080
Speaker 1: walking together. Turk, Um, I have something to tell you.

1518
01:28:42,760 --> 01:28:46,640
Speaker 1: What is it? Elliott? No written, Chatt chose the term

1519
01:28:46,760 --> 01:28:51,760
Speaker 1: ells We're gonna but chat GBT is shaking it up.

1520
01:28:53,360 --> 01:28:56,680
Speaker 1: Let's start again, Okay from the top, but leave that

1521
01:28:56,760 --> 01:28:59,200
Speaker 1: in down. Scene opens in the hospital with Elliott and

1522
01:28:59,240 --> 01:29:03,360
Speaker 1: Turk walk in together. Turk, I have something to tell you.

1523
01:29:04,800 --> 01:29:09,720
Speaker 1: What is it? Else? Well, I've been doing a lot

1524
01:29:09,760 --> 01:29:14,040
Speaker 1: of thinking lately, and I've realized that I'm more in

1525
01:29:14,120 --> 01:29:20,000
Speaker 1: love with you than JD. How can that be? I

1526
01:29:20,080 --> 01:29:22,360
Speaker 1: thought you two were meant to be. And then the

1527
01:29:22,720 --> 01:29:27,280
Speaker 1: stage direction is Elliott blushes, which I will now do

1528
01:29:27,680 --> 01:29:31,600
Speaker 1: on my own. There we are blushing, I know, but

1529
01:29:32,160 --> 01:29:38,840
Speaker 1: there's just something about your big, muscular build that makes

1530
01:29:38,920 --> 01:29:44,040
Speaker 1: my heart skip a beat. Well, I didn't see that coming.

1531
01:29:46,000 --> 01:29:49,840
Speaker 1: I'm serious, Turk. I love your strength, your confidence and

1532
01:29:50,000 --> 01:29:53,120
Speaker 1: the way you always know what to do, Just the

1533
01:29:53,240 --> 01:29:57,160
Speaker 1: kind of man I want by my side. Well, in

1534
01:29:57,320 --> 01:30:01,240
Speaker 1: that case, I'm glad to no I'm a top pick.

1535
01:30:03,120 --> 01:30:06,479
Speaker 1: They're more than just a pick. Turk, You're my heart

1536
01:30:06,560 --> 01:30:13,360
Speaker 1: and soul. I love you too. Else The scene closes

1537
01:30:13,680 --> 01:30:16,880
Speaker 1: with the two of them walking off, smiling and holding hands.

1538
01:30:18,080 --> 01:30:23,080
Speaker 1: But there you go, yo, Zach, Why are you freaking

1539
01:30:23,240 --> 01:30:28,200
Speaker 1: putting porn into the freaking I've tried to do porn.

1540
01:30:28,320 --> 01:30:32,240
Speaker 1: It censors any porn freaking that's like some freaking JD

1541
01:30:32,439 --> 01:30:35,040
Speaker 1: fantasy shit, Like no, listen. I tried to make it

1542
01:30:35,120 --> 01:30:37,640
Speaker 1: more pornographic and it won't do it. It censors you.

1543
01:30:38,360 --> 01:30:44,400
Speaker 1: So all I'll do is hold hands. What were your

1544
01:30:44,439 --> 01:30:48,559
Speaker 1: other trying anytime I'm trying to do anytime I try?

1545
01:30:48,960 --> 01:30:52,040
Speaker 1: Anytime you try? Where Turk and Jay I mean where

1546
01:30:52,960 --> 01:30:54,680
Speaker 1: My very first thing I typed into it was right

1547
01:30:54,720 --> 01:30:56,800
Speaker 1: a scene with Turk and g D banging, and it

1548
01:30:57,000 --> 01:30:59,080
Speaker 1: was like it was like, nah, I ain't I'm not

1549
01:30:59,160 --> 01:31:02,360
Speaker 1: ain't having that not doing that. It was like it

1550
01:31:02,520 --> 01:31:06,280
Speaker 1: was like error four or four error yeah, you know,

1551
01:31:06,400 --> 01:31:08,519
Speaker 1: like you know, like how in the two thousand and

1552
01:31:08,560 --> 01:31:15,400
Speaker 1: one Like what are you doing? Zack? I'm afraid I

1553
01:31:15,479 --> 01:31:19,280
Speaker 1: can't let you do that? Zach? What are you doing? Zack?

1554
01:31:23,160 --> 01:31:25,160
Speaker 1: All right? That's it. We love you, count us out.

1555
01:31:25,200 --> 01:31:30,800
Speaker 1: Sarah in German Zeck even up about show we made

1556
01:31:32,080 --> 01:31:38,800
Speaker 1: about a bunch of docs and nurses, said he's stories never,

1557
01:31:39,360 --> 01:31:39,840
Speaker 1: should not