Speaker 1: With Chasey our boy Little Tony, check me out on
Speaker 1: the Bootleg CAV podcast.
Speaker 2: Hey, before we start the episode, we're gonna remind everybody, man,
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Speaker 2: That's right, let's get into the interview Bootleg CAV podcast.
Speaker 2: We got a special guest in here, little Tony what's up?
Speaker 1: Man?
Speaker 2: I noticed on your Spotify you had to put the
Speaker 2: official after your name. Is there a plethora of other
Speaker 2: little Tony's on Spotify? So you had to designate like, Yo, no, there's.
Speaker 1: This is no hell no? If it is, I ain't,
Speaker 1: I ain't. No.
Speaker 2: Let me help you with the mic. There you go,
Speaker 2: You're good.
Speaker 1: Yeah. If now it ain't, it ain't too many littn as.
Speaker 1: It just I want a nigga to know I'm official.
Speaker 2: You hear the official one that's technically an artist name.
Speaker 2: So this is a little Tony Official, Ladies and gentlemen.
Speaker 1: Really, Keto, I'm trying to get. I'm trying to say,
Speaker 1: and ain't key to what key I'm getting? I'm changing
Speaker 1: all my ship on all platforms. The key?
Speaker 2: Is that serious?
Speaker 1: Yeah?
Speaker 2: Breaking news?
Speaker 1: Yeah? Real soon?
Speaker 2: Wasn't there a key from Atlanta already?
Speaker 1: If it is, he ain't.
Speaker 2: Down cloud o G you don't remember key?
Speaker 1: She ain't key?
Speaker 2: You need to change your rap name?
Speaker 1: What?
Speaker 2: Okay? Why? Okay? First of all, your name is actually Tony, right, so.
Speaker 1: Now she look right, I'm a little Tony because that's
Speaker 1: my parts. You feel what I'm saying? Your dad is
Speaker 1: big to my dad bit Tony. You know what I'm saying. So,
Speaker 1: when I was a kid, as I'm going around, people
Speaker 1: calling me little Tony.
Speaker 2: Just because you're the kid, you're with them all the time.
Speaker 1: Exactly, and then I start rapping. When I'm young, I'm
Speaker 1: still the kid. So my identity at the time is
Speaker 1: I'm a little Tony. You feel what I'm saying.
Speaker 2: But your actual name isn't Tony.
Speaker 1: My real names kai you know what I'm saying. But
Speaker 1: I'm a little Tony, you see what I'm saying. So,
Speaker 1: but I'm grown now. You feel what I'm saying. CEO
Speaker 1: and boss now growing up. So I don't want to
Speaker 1: be known as key just me. You know what I'm saying.
Speaker 2: I respect that. Yeah, you can't be a little Tony forever.
Speaker 2: It's almost like, you know, at what point in time
Speaker 2: is juvenile not juvenile anymore? And he's grown man.
Speaker 1: You know it's perfonal preference.
Speaker 2: Of course, there's a lot of littles. It's not really original,
Speaker 2: you know.
Speaker 1: Yeah I thought the same thing, but.
Speaker 2: I mean it worked for you. You're here, so that
Speaker 2: name popped for you, man, But.
Speaker 1: It's more so about ye who are with you feel
Speaker 1: what I'm saying I feel you about.
Speaker 2: Who you would your dad? Is your dad still around?
Speaker 1: Yeah? Most?
Speaker 2: I don't know, if you know, you gotta ask. He
Speaker 2: may be passed away. I don't know, But would he
Speaker 2: feel some type of way if you like changing the.
Speaker 1: Name mm hmm anything. He won't be saying.
Speaker 2: He's like, you know, it's my fucking name. I want
Speaker 2: to back.
Speaker 1: I didn't name you that ship he proud. He proud
Speaker 1: of me, you know, wanted to be like him, but
Speaker 1: he must a liked. And now it's time to grow up?
Speaker 2: Right? How do you twenty twenty? Oh you can't even
Speaker 2: buy alcohol in it most places.
Speaker 1: You're a child, yeah, but not child mentally.
Speaker 2: My son is nineteen. You are a child. I'm an
Speaker 2: old man as old as me. It doesn't matter how
Speaker 2: mentally ahead you are. You're a kid. So it's nice
Speaker 2: to be say. Yeah, no, you're young for sure. What
Speaker 2: so you said you've been rapping since you were like like,
Speaker 2: how like how old were you when you started?
Speaker 1: I'd say fifteen? But I always been liking music.
Speaker 2: Though, right, So what was like? Uh the inspiration?
Speaker 1: Was it?
Speaker 2: Like you were just listening to music writing? Like what
Speaker 2: made you want to get into making music.
Speaker 1: My father made music and he used to always play
Speaker 1: his music when he'll drop me off at school. Oh
Speaker 1: so he was a rapper and he wanted no rapper
Speaker 1: cause he couldn't drop the music cause he would fighting
Speaker 1: cases and he you know what I'm saying.
Speaker 2: So, but he was just he had music that he made.
Speaker 1: Yeah, he had music that he made and it was
Speaker 1: actually hard. So it inspired me. Right, So I'm saying,
Speaker 1: you know him with diamonds, you know, fast cards and
Speaker 1: a lot of money, you know, big houses, all type
Speaker 1: of stuff. So I'm like, I'm looking up to him,
Speaker 1: and I seen he not lying in his rock. So
Speaker 1: I wanted to rap like him. And then I finally
Speaker 1: got the chance to sit down learn how to do
Speaker 1: it when there and then when I did it, I
Speaker 1: liked it, So I do. I wanted to keep pipping
Speaker 1: the keyshit like I wanted to represent the key. You
Speaker 1: know what I'm saying, my last name. You feel what
Speaker 1: I'm saying. So that's why I say key.
Speaker 2: Like, So, your dad was getting money, but not necessarily
Speaker 2: from hip hop. He was doing rappers more of like
Speaker 2: a hobby.
Speaker 1: No, he ain't even he never dropped.
Speaker 2: I'm saying as a hobby. Then yeah, it was a
Speaker 2: hobby for.
Speaker 1: H Yeah, he did do any for fun, like yeah.
Speaker 2: Yeah, and this is in Atlanta, So like, was your
Speaker 2: pops around any other artists in Atlanta at the time,
Speaker 2: Like usually guys like that like have some homies that
Speaker 2: are kind of on.
Speaker 1: It's something like that. Yeah, something like that.
Speaker 2: Something like that. So are you you know coming up
Speaker 2: in Atlanta? I feel like it used to be where
Speaker 2: you had to kind of pop off through the strip
Speaker 2: club circuit. But I feel like with the internet now
Speaker 2: that's kind of gone away. Like it's helpful, right if
Speaker 2: you catch one it, but it's not necessarily required.
Speaker 1: Yeah.
Speaker 2: Do you like care about getting your music played to
Speaker 2: like Magic City these days? Is that like a thing
Speaker 2: you give a fuck about?
Speaker 1: Because me partially that's not the music I make, right,
Speaker 1: But I still be seeing them play it though, Right,
Speaker 1: But it kind of like I don't I just be
Speaker 1: popping it.
Speaker 2: Are you old enough to get into Magic City?
Speaker 1: Yeah? I mean I've always been able to.
Speaker 2: He's like, I'm Tony, I get wherever the fuck I
Speaker 2: want to go.
Speaker 1: Yeah, it's like, yeah, it's just not no conceded ship.
Speaker 1: But they gonna they're gonna mess with me if I go.
Speaker 1: But I just I'm not a club type nigga.
Speaker 2: You know, smart guy, like you said, going to the
Speaker 2: club is not very productive.
Speaker 1: It doesn't get me. It's not it's not it doesn't
Speaker 1: line where I'm trying to be a nick.
Speaker 2: Well, you know, if you're if you're getting paid, that's
Speaker 2: one thing. But if you're just going to go, you're
Speaker 2: putting yourself in like harm's way for nothing exact and
Speaker 2: then you're gonna spend money.
Speaker 1: Exactly exactly, So it's pointless to me. And then you know,
Speaker 1: I don't really one of the.
Speaker 2: Most ridiculous things people can do is go to the
Speaker 2: strip club because then you get as an artist, you
Speaker 2: become like kind of peer pressured and throwing your money.
Speaker 2: Like imagine if you just wanted to go and eat
Speaker 2: at Blue Flame or Magic City and you just went
Speaker 2: to get food, they would talk shit about you. They'd
Speaker 2: be like, man, little Tony came in. He didn't even
Speaker 2: throw no money, he just got wings back. Bitch, what
Speaker 2: if I'm hungry dog? You know what I'm saying, Like I.
Speaker 1: Mean, I don't give a forward gain, you know what
Speaker 1: I'm saying.
Speaker 2: But you know how it is, Like yeah, and then
Speaker 2: you end up throwing three thousand dollars just on like
Speaker 2: fuck out of here. You know what I'm saying, Like
Speaker 2: you could.
Speaker 1: It's just it just don't align with what I got
Speaker 1: going on. Like I said, I'm pushing generational success. I'm
Speaker 1: trying to learn paperwork and certain stuff that nigga don't
Speaker 1: be knowing about. You feel what I'm saying, right, So
Speaker 1: I'm trying to I'm trying to expand basically.
Speaker 2: What sounds like. You kind of came from a background
Speaker 2: where your dad was pretty successful, right, so you were
Speaker 2: able to kind of pribably see a lot of you
Speaker 2: know what it was, us.
Speaker 1: And downs and everything. Yeah. So and then on top
Speaker 1: of that, I will bless the ugh to also get
Speaker 1: signed before all at eighteen, So I was rich before
Speaker 1: I was eighteen. Well, as soon as I turned eighteen,
Speaker 1: I signed, you, feel what I'm saying. Right before I
Speaker 1: even became twenty one, twenty one on R you already
Speaker 1: got money in your pocket exactly. So I've always just
Speaker 1: been trying to outdo myself.
Speaker 2: What were the things you did with your first bag
Speaker 2: when you signed? Because a lot of a lot of
Speaker 2: eighteen year olds would probably you know.
Speaker 1: The same shit everybody do. Fuck it up. I ain't
Speaker 1: gonna lie. I got. I gave my dad on home
Speaker 1: the thousand, gave my grandma thirty thousand. Then I went
Speaker 1: and bought me a car. I cashed out my fault.
Speaker 2: You're gonna push your ket a little six to your
Speaker 2: face no more.
Speaker 1: I cashed out on a on a beat up ass.
Speaker 1: I think twenty eighteen nineteen diede charger, Like, shoot, it's
Speaker 1: not the charger, so stupid shit. Then I had I
Speaker 1: went about head of clothes. I think I went shopping,
Speaker 1: probably spent like fifteen thousand on clothes. I think I
Speaker 1: gave like five thousand to my little girl, like just
Speaker 1: like in a little trust and a little fun, you
Speaker 1: know what I'm saying. Then I gave like twenty five
Speaker 1: hundreds for like child sport or something like that. You
Speaker 1: know what I'm saying, Yeah, stuff like that. And then
Speaker 1: after that I just kept buying guns and stupid shit
Speaker 1: like that, you know what I'm saying.
Speaker 2: So yeah it So did you blow through all all
Speaker 2: of your advance like pretty quickly? Yeah?
Speaker 1: Yeah, nigga, Like I I got signed in celtemble. I
Speaker 1: probably blew through that ship like January, God damn broke.
Speaker 1: But I would blessed though, Like I say, to have
Speaker 1: a good situation. I was in so I got the
Speaker 1: money bag and then my grandma put me on games.
Speaker 1: She ain't let me do that no more.
Speaker 2: Yeah, well, I mean I guess you every I feel
Speaker 2: like everybody gotta go through that ship, you know.
Speaker 1: Yeah, yeah, at least.
Speaker 2: You got some clothes that you probably will never wear again.
Speaker 2: Is there like three years old?
Speaker 1: I mean I threw them bitches away. It ain't gonna
Speaker 1: lie nine times out ten after after I give it
Speaker 1: on the bros or I give it to a crackhead.
Speaker 2: As long I feel like, uh, I see you got
Speaker 2: the white tea on. I feel like that's you know,
Speaker 2: you just buy a pack of those.
Speaker 1: I stand on it. I could be over billion dollars
Speaker 1: them still, t.
Speaker 2: Do you wear air forces more than once?
Speaker 1: No? No, you can't. Really, you can't get three wears
Speaker 1: I give them away. You can't get three wears. I can.
Speaker 1: I can, except not low tos. I don't wear me
Speaker 1: only wear low tops more than once. I wear mid toss,
Speaker 1: though I doubt my mid toss.
Speaker 2: So low top air forces. They're getting thrown out or
Speaker 2: given away.
Speaker 1: Yeah, or given away. But I doubt the mid toss.
Speaker 1: I wear them bitches toll they beat.
Speaker 2: So what if they're the Black forces? Do you even
Speaker 2: do you even mess with it? If I got Black forces,
Speaker 2: can you get you can get to two out of those.
Speaker 1: The old Hell yeah, the old forces that I got
Speaker 1: the old Black Force out wanting them bitches and today.
Speaker 2: Talk okay, but just the white ones. When you say
Speaker 2: until they talking till they're.
Speaker 1: To them bitches, open up, yeah yeah, yeah to the
Speaker 1: world and the glue come all of them, mof for right.
Speaker 2: So the white ones though, just wanted done.
Speaker 1: Yeah, white ones wanted done just because she like bitch
Speaker 1: ownly like a home dollars anyway.
Speaker 2: It that's fair. They went up. I think they're a
Speaker 2: buck twenty now yeah. Fuck, hey man, that used to
Speaker 2: be the price of Jordan's fucking Nike. Can suck my
Speaker 2: dick for real? What the fuck are we doing?
Speaker 1: There?
Speaker 2: Used to be ninety dollars. Now there a one hundred
Speaker 2: and twenty dollars flation. It's crazy.
Speaker 1: Everybody doing the same shit.
Speaker 2: It's a thirty percent increase, right, yeah, yeah, at least
Speaker 2: so you're from the West side.
Speaker 1: Of Atlanta, Yes, sir, Yes, sir. Uh.
Speaker 2: What was it like growing up there? Man?
Speaker 1: Man, same place? I say, it's the same way as
Speaker 1: any other ghetto. If you know what I'm saying. Niggas dying,
Speaker 1: nigga and raw stoking. You know what I'm saying, that
Speaker 1: stoking raw like that be the same old ship. It's really
Speaker 1: about just how you move you did you know what
Speaker 1: I'm saying? Right, It's like you sold what you read,
Speaker 1: You read what you sol, you feel what I'm saying.
Speaker 1: So as long as you stay out the way, and
Speaker 1: you know, you stay genuine, you'll be out. You'll be smooth,
Speaker 1: you'll be out the way, you'll be good. But if
Speaker 1: you're out here trying to be a gangster, you know
Speaker 1: you're gonna get We'll come to you.
Speaker 2: What were some of the other Atlanta artists you grew
Speaker 2: up listening to besides your pops.
Speaker 1: Obviously, Mmm, Gzy bank Roll, Fresh, Rest and Peace, Oh yeah,
Speaker 1: Restress and piece man outcast?
Speaker 2: Oh yeah, you was in your dad's car for sure.
Speaker 1: Yeah you go outcast. Let me see who else? Mm
Speaker 1: hmm t I T I. Let's say it's a whole
Speaker 1: bunch of legends from the city man walk a flocker two.
Speaker 2: Chain, you're yeah, you're mentioning all but oh geez.
Speaker 1: Yeah, that's all I can think off the top.
Speaker 2: Have you been able to link with Killer Mike yet?
Speaker 1: Out there?
Speaker 2: Killer Mike's the guy man. I feel like he's gonna
Speaker 2: be president one day, or at least the governor.
Speaker 1: Of it should say president.
Speaker 2: Hey, I think he could be the governor of Georgia
Speaker 2: one day for real. He has political aspirations, so oh,
Speaker 2: I know, so hell yeah that feels led like hell
Speaker 2: of strikes at Amazon. But Bernie Sanders and she's like
Speaker 2: Killer Mike is tapped in on the politics for sure.
Speaker 1: Shout with Bernie Sanders and I gotta do some research.
Speaker 1: I ain't heard about show.
Speaker 2: Yeah, Killer Mike run the Jewels.
Speaker 1: I heard of his name, but one of her.
Speaker 2: Greatest rappers who've ever lived? Ever? Like one of the goats.
Speaker 1: Well, okay, if I was to listen to a song,
Speaker 1: would I go.
Speaker 2: Listen to Ronald Reagan by Killer Mike?
Speaker 1: Yeah?
Speaker 2: Break down some ship? Yeah, you know, Killer Mike he's
Speaker 2: got some he's I know I probably heard she got
Speaker 2: it on. You've heard her have you heard her run
Speaker 2: the Jewels. So that's his group with LP Atlanta Legend.
Speaker 2: We got barbershop. He got a barber shop in the
Speaker 2: Atlanta Falcons uh Arena and in the Hawks Arena. Yeah.
Speaker 1: You so you can get your haircut in the You get.
Speaker 2: The swag shop is the name of his barbershop.
Speaker 1: Get haircut when you go watch the Falcons, I mean
Speaker 1: the Hawks. I ain't know that. Yeah, I ain't know that.
Speaker 1: I'm from to see that. I ain't know that.
Speaker 2: You gotta go, man, swag shop is what it's called.
Speaker 1: Swag shop.
Speaker 2: Yeah, I mean it's a really cool spot. Yeah. I
Speaker 2: feel like Boozy has become like a honorary Atlanta mentioned. Yeah,
Speaker 2: because he's front front row at all the Hawks.
Speaker 1: Games, Like Boozy from Bad Ruge.
Speaker 2: I know what I'm saying, But he's always that one
Speaker 2: from Yeah he's from Baton Rouge. Yeah yeah, so yeah, No,
Speaker 2: I know what I'm saying, but he's like the hawks
Speaker 2: number one fan. It seems like front row every game.
Speaker 1: Was shout you know, I don't know, I don't really
Speaker 1: pay attention to you know, what other folks be having
Speaker 1: going on with?
Speaker 2: So when is the fit? When's the name change happening.
Speaker 2: Do we have a date on it?
Speaker 1: No, man, but I do got a date for the
Speaker 1: deluxe on the deluxe album for eleven April eleven. If
Speaker 1: you didn't what I'm saying, it's Kyle Born Again with
Speaker 1: the twenty two tracks. Twenty two tracks everything everybody going.
Speaker 1: I'm pretty sure it's like four four three three to
Speaker 1: fourth features on them.
Speaker 2: Yeah, because you don't have features on the original, right,
Speaker 2: I got?
Speaker 1: Yeah, I do, I got, Actually no, I don't. So
Speaker 1: who's on the deluxe Nino paid h and the nickname
Speaker 1: Rocket and my artist, PC of Man.
Speaker 2: Man, So you have a label sign an artist? Yeah,
Speaker 2: let's see you are you? Because at the end of
Speaker 2: the day, it's a big responsibility to sign somebody, right,
Speaker 2: kind of like semi responsible for their success. Yeah, it's
Speaker 2: a big responsibility.
Speaker 1: Man.
Speaker 2: Have you ran into any like headaches when it comes
Speaker 2: to doing the label thing yet?
Speaker 1: I mean only twenty so yeah, yeah, most definitely. I
Speaker 1: mean just like what you say, man, you want when
Speaker 1: you want good for a nigga, they don't want good
Speaker 1: for theirself. That be a be a discrepancy, you know,
Speaker 1: But when they have a good potential to kind of
Speaker 1: be frustrating. You feel what I'm saying because you'll see
Speaker 1: something in the nigga that they don't see themselves. Yeah,
Speaker 1: you feel what I'm saying, or you'll want it for
Speaker 1: them want it. Where my problem has or issues I've
Speaker 1: run into, is seeing the potential in the nigga, helping
Speaker 1: them out, but helping them out before they realize their potentially.
Speaker 1: You doe know what I'm saying, right, So I'm giving
Speaker 1: them a platform before they understand how for they really
Speaker 1: they really understand how how big this this opportunity is.
Speaker 1: You know what I'm saying. They don't really understand how
Speaker 1: big opportunity be, so they get on and play with it.
Speaker 1: But that well, you know niggas that have to live
Speaker 1: and learn from shit like that.
Speaker 2: And then you can't you can't want it more than
Speaker 2: they want it, you know what i mean.
Speaker 1: Yeah, But that's where that'll be. That'd be why sometimes
Speaker 1: you'll see artists will come up and not really go
Speaker 1: for real because they don't be hungry. They don't want
Speaker 1: it for real, you know what I'm saying. And that's
Speaker 1: how you'll see some somebody try to bring up artists
Speaker 1: and they artists don't do what they do. Because the
Speaker 1: artists might have talent, but they might don't want it
Speaker 1: for real, or they might have an attitude, or it
Speaker 1: might be some shit going on in the background.
Speaker 2: It's like a very small part of Obviously, you gotta
Speaker 2: have some talent, right, you gotta make music the marketplace
Speaker 2: once they hear. But you also have to have like
Speaker 2: all of the other ship almost more because there's some shitty,
Speaker 2: shitty music that's cracking because the artists be grinding. Yeah,
Speaker 2: and like everything is subjective, you know, but no, for.
Speaker 1: Sure, talent is a quiet taste though. You know what
Speaker 1: I'm saying. Every everything subjective. So what I think is
Speaker 1: good or whatever? You know what I mean exactly that's fair.
Speaker 2: Damn. Yeah. So you said that your your your mission
Speaker 2: is like kind of more trying to like be on
Speaker 2: the entrepreneurial side. You figure out, you know, paperwork ship,
Speaker 2: are you investing in anything? What are you doing with
Speaker 2: what your uh, what's your extra income? Man?
Speaker 1: I can't put you on with that right now. I
Speaker 1: can't put niggas on. But get what do what I
Speaker 1: will say, I gotta I got a mentor you know
Speaker 1: what I'm saying, I gotta financial advis and a mentor,
Speaker 1: and I just been learning. I got my credit together
Speaker 1: if you haven't, all of your niggas out there and
Speaker 1: make sure y'all boy get you all credit together.
Speaker 2: You know what I'm saying, Yeah, you gotta have good credit, man.
Speaker 1: And really, what I do is I just be living
Speaker 1: on credit. I live. I live for free Cone spens paper.
Speaker 1: You feel what I'm saying.
Speaker 2: So, so do you? You like have like an AMX,
Speaker 2: just run it up, pay off.
Speaker 1: The zero exactly so you know, I get rap chests,
Speaker 1: so I get I get rap chests, you know what
Speaker 1: I'm saying. So I might get paid X, Y and Z.
Speaker 1: I might have a credit card that has a balance
Speaker 1: of ten thousands. You feel what I'm saying. Okay, Well,
Speaker 1: I don't spend ten thousand in a month, right, I
Speaker 1: don't do nothing for real. I might buy a fit
Speaker 1: for a video, right, and I might shoot four videos
Speaker 1: in a month. You feel what I'm saying. One of
Speaker 1: my fits might be filteen on it. You know what
Speaker 1: I'm saying, That's not too much. Besides that I go
Speaker 1: out and eat and I pay for gas and I
Speaker 1: pay my bills. You feel what I'm saying. So Okay,
Speaker 1: I know how much I'm gonna spend this month. I
Speaker 1: get that times four on a rap check, So I save,
Speaker 1: I save, I pay the bills off, and then I
Speaker 1: just put the rest up so it should be profit
Speaker 1: every month. So I'm making fifty seventy thousand dollars profit
Speaker 1: every month, you feel, I'm saying, because all I'm doing
Speaker 1: it to live and off the credit that they give me.
Speaker 1: You feel, I'm saying, So your credit.
Speaker 2: Cause, yeah, and then you pay the zero every month.
Speaker 2: That's the thing. You gotta be disciplined because you don't
Speaker 2: pay the zero.
Speaker 1: Make sure y'all need to be disciplined. I get money,
Speaker 1: and what I'm saying is I get the money to
Speaker 1: pay my credit cause off, you use.
Speaker 2: Your credit card to live on, but you pay the
Speaker 2: zero every month, build your credit score, and then you
Speaker 2: get all the benefits to points. Then you you know, fuck,
Speaker 2: I just went on like a seven day vacation for free,
Speaker 2: exactly off of them points. You know what I mean.
Speaker 2: But the problem is most people get those credit cards
Speaker 2: and they live beyond their means, and then they end
Speaker 2: up racking up that debt because it's like twenty eight
Speaker 2: percent interest rate and then they be all fucked up.
Speaker 2: It's like, now, get you're getting this because you would
Speaker 2: rather use this than your debit card, because there's benefits
Speaker 2: off you use this. Plus, if you ever a debit.
Speaker 1: Card is a hard debit carse or shit.
Speaker 2: Well that's what I'm saying. If a debit card, like,
Speaker 2: if some fraud happens with their debit card, it's a
Speaker 2: lot harder to get your bread bag. If some fraud
Speaker 2: happens with your credit card, they'll just give you that
Speaker 2: your back, like right away, because it's not even your money,
Speaker 2: so it's not coming out of your account, I mean exactly. So, yeah,
Speaker 2: that's smart man, you got to figure it out. You're
Speaker 2: doing anything with Krypto.
Speaker 1: I don't know nothing bad. It too heavy yet, run away, runaway,
Speaker 1: I ain't trying to fuck Yeah, smart guys, that.
Speaker 2: Should be you think you got to figure it out.
Speaker 1: Then it was you're not doing sports betting. I don't
Speaker 1: be smart man. Good good, stay out of the sports
Speaker 1: betting too good. All that price picks, all that ship
Speaker 1: be fucked up.
Speaker 2: Dog.
Speaker 1: I was sticking to what I know you feel. I'm
Speaker 1: getting into real estate, smart. I want to build my
Speaker 1: own apartment complets.
Speaker 2: That's good.
Speaker 1: That's all I'm really looking forward to. Right, besides that,
Speaker 1: I want to build my own apartment complets and uh
Speaker 1: make sorry I build up on my artists. Besides that,
Speaker 1: I ain't really worry about too much.
Speaker 2: Right, would you? I don't know if you are you
Speaker 2: have or now? But would you do a song with
Speaker 2: your pops?
Speaker 1: Did that multiple times?
Speaker 2: Oh so you've already that's already out there. Yeah, yeah,
Speaker 2: you guys do a whole album that'd be kind of gray.
Speaker 1: Yeah, we already got that on the way.
Speaker 2: So there's a big Tony little Tony album. Yeah, that's
Speaker 2: how you retire the name at the end of the album.
Speaker 2: So oh yeah, have your dad do just some ill
Speaker 2: ship at the end, retire it. You're not You're not
Speaker 2: little Tony anymore. Son.
Speaker 1: He did. It's crazy to work. It's like he just
Speaker 1: he just a little boy at me on it. Millions
Speaker 1: of folks.
Speaker 2: First of all, as your father, he has the power
Speaker 2: to do such things.
Speaker 1: He could he do, But like look though, o G
Speaker 1: so real. He wouldn't do me like that, you know
Speaker 1: what I'm saying. He didn't know how he know, you
Speaker 1: don't do your son like that? In front of everybody.
Speaker 1: What you mean you want to change your name? You
Speaker 1: do that? You do that even tell.
Speaker 2: You're graduating like you're not little Tony anymore. You're You're
Speaker 2: a big dog son. It's time you take the run
Speaker 2: with it.
Speaker 1: Hey look no, hell no, we ain't gonna do that one.
Speaker 2: Who's your dream collap Like? Like, who's the artist you
Speaker 2: always wanted to work with that you haven't worked with yet?
Speaker 1: Lauryn Hill.
Speaker 2: Lauryn Hill would be sick.
Speaker 1: I want to work with Lauryn Hill. I want to
Speaker 1: work with I want to work without cast.
Speaker 2: I mean you could definitely get Andre to maybe play
Speaker 2: a flute somewhere.
Speaker 1: I want Andre thousand chip.
Speaker 2: Yeah, big boy, I think you get the big boy verse.
Speaker 1: I want doing with GZ too.
Speaker 2: Geez, that'd be nice. Shouder Have you met g Z yet?
Speaker 1: Mm hmm?
Speaker 2: Good guy? Yeah, good guy?
Speaker 1: Yeah, shout out shoutow.
Speaker 2: You gotta uh you know, Lauryn Hill's son is cracking
Speaker 2: right now. His name is y G. Marley. He's got
Speaker 2: He's on Who's Who's y G? Marley? Signed to death Jam? Yeah?
Speaker 2: Death Jam? Yeah, he's on death Jam. But yeah, shout
Speaker 2: to YG. Yeah, No, Lauryn Hill. I mean, you got
Speaker 2: you got some og taste, man, you got some old
Speaker 2: head tastess. I'd like to call it. Yeah, you know,
Speaker 2: usually I was like I would expect you to say, like,
Speaker 2: you know some some of the younger Atlanta guys.
Speaker 1: I grew up listening this ship my grandma playing.
Speaker 2: Do you did you enjoy the Playboy Cardi album?
Speaker 1: I ain't listen to it.
Speaker 2: It's interesting, very I actually fucked with it, and I'm
Speaker 2: not a big fan of his, but this this album
Speaker 2: has got some the productions insane. Some crazy motherfuckers produced
Speaker 2: the funk out of that album. I don't understand a
Speaker 2: lot was being said. You know what I'm saying, some
Speaker 2: little more noises than lyrics, but survive. You know, it's
Speaker 2: great workout music, but I fuck with it. Like I
Speaker 2: saw him rolland loud, it was like very it was
Speaker 2: very a lot of fire. You know. There was like
Speaker 2: a flying skinhead who ate ship. He saw the video
Speaker 2: He had this guy. He's got this guy on stage
Speaker 2: and he's like telling him the stage dive, and the
Speaker 2: dude runs and he jumps and he misses the crowd
Speaker 2: and just hits the fence. It's a bad look, but Nah,
Speaker 2: it's a good album. When is the DeLux coming out
Speaker 2: April eleventh? Right?
Speaker 1: Yeah?
Speaker 2: And you said it's twenty five songs, twenty two songs,
Speaker 2: not twenty two new songs.
Speaker 1: It's in two new songs.
Speaker 2: Wow? Yeah, I mean you got a high output man.
Speaker 1: Yeah, i'd been making and hat shit.
Speaker 2: How often are you? You must be recording a lot?
Speaker 2: Are you just recording any spare time you have here
Speaker 2: in the studio trying to work?
Speaker 1: Yeah? Well I got my own studio in my house,
Speaker 1: So whenever I feel like recording or I feel like
Speaker 1: saying something, I just sit down and say it.
Speaker 2: You record yourself?
Speaker 1: Yeah, and I make my own beats.
Speaker 2: Oh that's dope. What are you making beats in?
Speaker 1: If you'l studio pretty loops?
Speaker 2: Yeah? Are you recording and tracking in free loops too?
Speaker 1: No? I record on Pro two.
Speaker 2: That's what's up. Yeah, what's your home studio set up? Like? What, Mike?
Speaker 1: You got Apollo or not Apollow? It's that it's Apollow,
Speaker 1: right Apollo? I think it's eighty seven or Slight.
Speaker 2: Oh it's probably their version of the U eighty.
Speaker 1: Seven Uady Steal. Yeah, you Aady Steal?
Speaker 2: So you got a U eighty seven and Apollo.
Speaker 1: Yeah, the long one dude.
Speaker 2: Yeah, yeah, there's only one U eighty seven.
Speaker 1: Oh, I don't know.
Speaker 2: You got a good little Oh the interface.
Speaker 1: Oh no, I ain't talking about no interface. I'm talking
Speaker 1: about it. Mike.
Speaker 2: The mic is the U eighty seven and his his
Speaker 2: interface probably in apollow. Yeah. More artists need to learn
Speaker 2: how to do to do that ship because save you
Speaker 2: a lot of money. So you don't have to buy
Speaker 2: a studio time, you have to worry about paying an engineer.
Speaker 2: You just do it yourself.
Speaker 1: Oh, apollow interface. I'm tripping. I got the apollow interface too.
Speaker 1: I'm talking about what Mike, that is?
Speaker 2: Like you have annoyment U eighty seven Newman, I know
Speaker 2: I got Yeah, I'm talking about the Newman.
Speaker 1: I got a Newman, and then I got the Apollo Interfa,
Speaker 1: then I got I got a custom built PC.
Speaker 2: Oh dough.
Speaker 1: Yeah.
Speaker 2: You save a lot of money making your own beats too,
Speaker 2: and you get to run up that publishing a lot more. Yeah,
Speaker 2: because you already got published as a writer, but you
Speaker 2: get the producer side.
Speaker 1: Which is already overstood. Yeah.
Speaker 2: Do you make up beats for other artists or just
Speaker 2: for yourself?
Speaker 1: Now? Hell no, just me. The only other artist though,
Speaker 1: my artist Spinny Kenny Kenny Ceo JPC.
Speaker 2: Do you have two artists name Ken on the on
Speaker 2: the label.
Speaker 1: No, no, no, my fault hit new name Kenny Ceo.
Speaker 1: My fault hit new name Kenny Ceo.
Speaker 2: So Spinny Kenny and Kenny Ceo are the same person.
Speaker 1: Yeah, okay, he did? Yeah, got it? Yeah, shout a
Speaker 1: fresh home. He's ceo, you know he ceo? Shit, you do?
Speaker 1: You know what I'm saying.
Speaker 2: So they get your beats anyone on the label, get
Speaker 2: your beats plus yourself.
Speaker 1: Yeah.
Speaker 2: But if somebody wanted to purchase a beat from you,
Speaker 2: you would.
Speaker 1: Say twenty twenty it's a lot for a reason, or
Speaker 1: want a nigga to say, hell, I ain't paying that.
Speaker 2: Yeah yeah. And then if they say yes, you're not tripping,
Speaker 2: You're like fucking.
Speaker 1: Oh yeah, niggas, you got twenty thousand, take this. You
Speaker 1: know what I'm saying.
Speaker 2: Take two?
Speaker 1: I get one? You know, I mean ship you want
Speaker 1: to pack? I got you? Throw me on home.
Speaker 2: I love it. I love it man, all right. So
Speaker 2: April eleventh, the Deluxe is coming out? Yeah, and yeah, work,
Speaker 2: Where can people find you online?
Speaker 1: Little Tony Official on our platforms, screaming platforms, lit ton
Speaker 1: Official on all streaming platforms, and looks on the CEO
Speaker 1: on Instagram key to ceo in my back up.
Speaker 2: Name change coming soon.
Speaker 1: Real, soonly I wasn't gonna see that though.
Speaker 2: You're the way your labels, that's that's a headache for them.
Speaker 1: It probably will be.
Speaker 2: But that's why they get paid, right. Yeah, they're like, yo,
Speaker 2: I need you to switch all this ship over. Yeah,
Speaker 2: I mean they I've had to do that for an
Speaker 2: artist I was working with. We changed his name. Oh
Speaker 2: my god. I mean it's easy if you're on a major.
Speaker 2: You're on a major, so it'll be a lot easier.
Speaker 2: But I like, imagine doing that ship through fucking distro Kid.
Speaker 2: Jesus fucking Christ pain in the ass. But distro Kid,
Speaker 2: distro Kid is fucking annoying. Shout out to them. It's
Speaker 2: like jumping through fire to get anything done with those fucks.
Speaker 2: They don't have a phone number anyway. I'm just venting.
Speaker 2: April eleventh, go get the deluxe. Uh litt TONI, I
Speaker 2: appreciate you pulling up man, appreciate appreciate you. Let's go
Speaker 2: fire