WEBVTT - #539 - Lil Tony

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<v Speaker 1>With Chasey our boy Little Tony, check me out on

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<v Speaker 1>the Bootleg CAV podcast.

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<v Speaker 2>Hey, before we start the episode, we're gonna remind everybody, man,

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<v Speaker 2>we got one of the biggest radio shows in the country,

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<v Speaker 2>syndicated in almost one hundred cities all over. Shout out

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<v Speaker 2>to iHeartRadio. All right, some of the latest cities that

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<v Speaker 2>we've been able to add. Man, We want to give

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<v Speaker 2>a shout out to ninety three point nine the Beat

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<v Speaker 2>in Honolulu. That's right, Hawaii, We over there going crazy.

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<v Speaker 2>I also want to give a shout out Hot ninety

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<v Speaker 2>eight three and Tucson. Shout out to Tucson going crazy.

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<v Speaker 2>Also want to give a shout out to Wild ninety

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<v Speaker 2>four one in Tampa going crazy. We just got Richmond.

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<v Speaker 2>We also just got the good folks in Bakersfield at

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<v Speaker 2>Hot one O four to seven. So we're going crazy

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<v Speaker 2>on the radio with my partner James Andre Jefferson Junior

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<v Speaker 2>for the Bootleg keV Show. So make sure you tune

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<v Speaker 2>in and you can listen anywhere on that iHeart Radio app.

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<v Speaker 2>That's right, let's get into the interview Bootleg CAV podcast.

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<v Speaker 2>We got a special guest in here, little Tony what's up?

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<v Speaker 1>Man?

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<v Speaker 2>I noticed on your Spotify you had to put the

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<v Speaker 2>official after your name. Is there a plethora of other

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<v Speaker 2>little Tony's on Spotify? So you had to designate like, Yo, no, there's.

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<v Speaker 1>This is no hell no? If it is, I ain't,

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<v Speaker 1>I ain't. No.

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<v Speaker 2>Let me help you with the mic. There you go,

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<v Speaker 2>You're good.

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<v Speaker 1>Yeah. If now it ain't, it ain't too many littn as.

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<v Speaker 1>It just I want a nigga to know I'm official.

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<v Speaker 2>You hear the official one that's technically an artist name.

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<v Speaker 2>So this is a little Tony Official, Ladies and gentlemen.

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<v Speaker 1>Really, Keto, I'm trying to get. I'm trying to say,

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<v Speaker 1>and ain't key to what key I'm getting? I'm changing

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<v Speaker 1>all my ship on all platforms. The key?

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<v Speaker 2>Is that serious?

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<v Speaker 1>Yeah?

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<v Speaker 2>Breaking news?

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<v Speaker 1>Yeah? Real soon?

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<v Speaker 2>Wasn't there a key from Atlanta already?

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<v Speaker 1>If it is, he ain't.

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<v Speaker 2>Down cloud o G you don't remember key?

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<v Speaker 1>She ain't key?

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<v Speaker 2>You need to change your rap name?

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<v Speaker 1>What?

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<v Speaker 2>Okay? Why? Okay? First of all, your name is actually Tony, right, so.

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<v Speaker 1>Now she look right, I'm a little Tony because that's

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<v Speaker 1>my parts. You feel what I'm saying? Your dad is

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<v Speaker 1>big to my dad bit Tony. You know what I'm saying. So,

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<v Speaker 1>when I was a kid, as I'm going around, people

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<v Speaker 1>calling me little Tony.

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<v Speaker 2>Just because you're the kid, you're with them all the time.

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<v Speaker 1>Exactly, and then I start rapping. When I'm young, I'm

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<v Speaker 1>still the kid. So my identity at the time is

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<v Speaker 1>I'm a little Tony. You feel what I'm saying.

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<v Speaker 2>But your actual name isn't Tony.

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<v Speaker 1>My real names kai you know what I'm saying. But

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<v Speaker 1>I'm a little Tony, you see what I'm saying. So,

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<v Speaker 1>but I'm grown now. You feel what I'm saying. CEO

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<v Speaker 1>and boss now growing up. So I don't want to

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<v Speaker 1>be known as key just me. You know what I'm saying.

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<v Speaker 2>I respect that. Yeah, you can't be a little Tony forever.

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<v Speaker 2>It's almost like, you know, at what point in time

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<v Speaker 2>is juvenile not juvenile anymore? And he's grown man.

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<v Speaker 1>You know it's perfonal preference.

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<v Speaker 2>Of course, there's a lot of littles. It's not really original,

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<v Speaker 2>you know.

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<v Speaker 1>Yeah I thought the same thing, but.

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<v Speaker 2>I mean it worked for you. You're here, so that

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<v Speaker 2>name popped for you, man, But.

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<v Speaker 1>It's more so about ye who are with you feel

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<v Speaker 1>what I'm saying I feel you about.

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<v Speaker 2>Who you would your dad? Is your dad still around?

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<v Speaker 1>Yeah? Most?

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<v Speaker 2>I don't know, if you know, you gotta ask. He

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<v Speaker 2>may be passed away. I don't know, But would he

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<v Speaker 2>feel some type of way if you like changing the.

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<v Speaker 1>Name mm hmm anything. He won't be saying.

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<v Speaker 2>He's like, you know, it's my fucking name. I want

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<v Speaker 2>to back.

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<v Speaker 1>I didn't name you that ship he proud. He proud

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<v Speaker 1>of me, you know, wanted to be like him, but

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<v Speaker 1>he must a liked. And now it's time to grow up?

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<v Speaker 2>Right? How do you twenty twenty? Oh you can't even

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<v Speaker 2>buy alcohol in it most places.

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<v Speaker 1>You're a child, yeah, but not child mentally.

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<v Speaker 2>My son is nineteen. You are a child. I'm an

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<v Speaker 2>old man as old as me. It doesn't matter how

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<v Speaker 2>mentally ahead you are. You're a kid. So it's nice

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<v Speaker 2>to be say. Yeah, no, you're young for sure. What

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<v Speaker 2>so you said you've been rapping since you were like like,

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<v Speaker 2>how like how old were you when you started?

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<v Speaker 1>I'd say fifteen? But I always been liking music.

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<v Speaker 2>Though, right, So what was like? Uh the inspiration?

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<v Speaker 1>Was it?

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<v Speaker 2>Like you were just listening to music writing? Like what

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<v Speaker 2>made you want to get into making music.

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<v Speaker 1>My father made music and he used to always play

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<v Speaker 1>his music when he'll drop me off at school. Oh

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<v Speaker 1>so he was a rapper and he wanted no rapper

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<v Speaker 1>cause he couldn't drop the music cause he would fighting

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<v Speaker 1>cases and he you know what I'm saying.

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<v Speaker 2>So, but he was just he had music that he made.

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<v Speaker 1>Yeah, he had music that he made and it was

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<v Speaker 1>actually hard. So it inspired me. Right, So I'm saying,

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<v Speaker 1>you know him with diamonds, you know, fast cards and

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<v Speaker 1>a lot of money, you know, big houses, all type

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<v Speaker 1>of stuff. So I'm like, I'm looking up to him,

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<v Speaker 1>and I seen he not lying in his rock. So

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<v Speaker 1>I wanted to rap like him. And then I finally

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<v Speaker 1>got the chance to sit down learn how to do

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<v Speaker 1>it when there and then when I did it, I

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<v Speaker 1>liked it, So I do. I wanted to keep pipping

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<v Speaker 1>the keyshit like I wanted to represent the key. You

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<v Speaker 1>know what I'm saying, my last name. You feel what

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<v Speaker 1>I'm saying. So that's why I say key.

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<v Speaker 2>Like, So, your dad was getting money, but not necessarily

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<v Speaker 2>from hip hop. He was doing rappers more of like

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<v Speaker 2>a hobby.

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<v Speaker 1>No, he ain't even he never dropped.

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<v Speaker 2>I'm saying as a hobby. Then yeah, it was a

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<v Speaker 2>hobby for.

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<v Speaker 1>H Yeah, he did do any for fun, like yeah.

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<v Speaker 2>Yeah, and this is in Atlanta, So like, was your

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<v Speaker 2>pops around any other artists in Atlanta at the time,

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<v Speaker 2>Like usually guys like that like have some homies that

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<v Speaker 2>are kind of on.

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<v Speaker 1>It's something like that. Yeah, something like that.

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<v Speaker 2>Something like that. So are you you know coming up

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<v Speaker 2>in Atlanta? I feel like it used to be where

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<v Speaker 2>you had to kind of pop off through the strip

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<v Speaker 2>club circuit. But I feel like with the internet now

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<v Speaker 2>that's kind of gone away. Like it's helpful, right if

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<v Speaker 2>you catch one it, but it's not necessarily required.

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<v Speaker 1>Yeah.

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<v Speaker 2>Do you like care about getting your music played to

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<v Speaker 2>like Magic City these days? Is that like a thing

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<v Speaker 2>you give a fuck about?

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<v Speaker 1>Because me partially that's not the music I make, right,

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<v Speaker 1>But I still be seeing them play it though, Right,

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<v Speaker 1>But it kind of like I don't I just be

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<v Speaker 1>popping it.

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<v Speaker 2>Are you old enough to get into Magic City?

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<v Speaker 1>Yeah? I mean I've always been able to.

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<v Speaker 2>He's like, I'm Tony, I get wherever the fuck I

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<v Speaker 2>want to go.

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<v Speaker 1>Yeah, it's like, yeah, it's just not no conceded ship.

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<v Speaker 1>But they gonna they're gonna mess with me if I go.

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<v Speaker 1>But I just I'm not a club type nigga.

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<v Speaker 2>You know, smart guy, like you said, going to the

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<v Speaker 2>club is not very productive.

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<v Speaker 1>It doesn't get me. It's not it's not it doesn't

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<v Speaker 1>line where I'm trying to be a nick.

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<v Speaker 2>Well, you know, if you're if you're getting paid, that's

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<v Speaker 2>one thing. But if you're just going to go, you're

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<v Speaker 2>putting yourself in like harm's way for nothing exact and

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<v Speaker 2>then you're gonna spend money.

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<v Speaker 1>Exactly exactly, So it's pointless to me. And then you know,

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<v Speaker 1>I don't really one of the.

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<v Speaker 2>Most ridiculous things people can do is go to the

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<v Speaker 2>strip club because then you get as an artist, you

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<v Speaker 2>become like kind of peer pressured and throwing your money.

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<v Speaker 2>Like imagine if you just wanted to go and eat

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<v Speaker 2>at Blue Flame or Magic City and you just went

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<v Speaker 2>to get food, they would talk shit about you. They'd

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<v Speaker 2>be like, man, little Tony came in. He didn't even

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<v Speaker 2>throw no money, he just got wings back. Bitch, what

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<v Speaker 2>if I'm hungry dog? You know what I'm saying, Like I.

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<v Speaker 1>Mean, I don't give a forward gain, you know what

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<v Speaker 1>I'm saying.

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<v Speaker 2>But you know how it is, Like yeah, and then

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<v Speaker 2>you end up throwing three thousand dollars just on like

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<v Speaker 2>fuck out of here. You know what I'm saying, Like

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<v Speaker 2>you could.

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<v Speaker 1>It's just it just don't align with what I got

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<v Speaker 1>going on. Like I said, I'm pushing generational success. I'm

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<v Speaker 1>trying to learn paperwork and certain stuff that nigga don't

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<v Speaker 1>be knowing about. You feel what I'm saying, right, So

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<v Speaker 1>I'm trying to I'm trying to expand basically.

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<v Speaker 2>What sounds like. You kind of came from a background

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<v Speaker 2>where your dad was pretty successful, right, so you were

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<v Speaker 2>able to kind of pribably see a lot of you

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<v Speaker 2>know what it was, us.

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<v Speaker 1>And downs and everything. Yeah. So and then on top

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<v Speaker 1>of that, I will bless the ugh to also get

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<v Speaker 1>signed before all at eighteen, So I was rich before

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<v Speaker 1>I was eighteen. Well, as soon as I turned eighteen,

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<v Speaker 1>I signed, you, feel what I'm saying. Right before I

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<v Speaker 1>even became twenty one, twenty one on R you already

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<v Speaker 1>got money in your pocket exactly. So I've always just

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<v Speaker 1>been trying to outdo myself.

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<v Speaker 2>What were the things you did with your first bag

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<v Speaker 2>when you signed? Because a lot of a lot of

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<v Speaker 2>eighteen year olds would probably you know.

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<v Speaker 1>The same shit everybody do. Fuck it up. I ain't

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<v Speaker 1>gonna lie. I got. I gave my dad on home

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<v Speaker 1>the thousand, gave my grandma thirty thousand. Then I went

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<v Speaker 1>and bought me a car. I cashed out my fault.

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<v Speaker 2>You're gonna push your ket a little six to your

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<v Speaker 2>face no more.

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<v Speaker 1>I cashed out on a on a beat up ass.

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<v Speaker 1>I think twenty eighteen nineteen diede charger, Like, shoot, it's

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<v Speaker 1>not the charger, so stupid shit. Then I had I

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<v Speaker 1>went about head of clothes. I think I went shopping,

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<v Speaker 1>probably spent like fifteen thousand on clothes. I think I

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<v Speaker 1>gave like five thousand to my little girl, like just

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<v Speaker 1>like in a little trust and a little fun, you

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<v Speaker 1>know what I'm saying. Then I gave like twenty five

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<v Speaker 1>hundreds for like child sport or something like that. You

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<v Speaker 1>know what I'm saying, Yeah, stuff like that. And then

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<v Speaker 1>after that I just kept buying guns and stupid shit

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<v Speaker 1>like that, you know what I'm saying.

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<v Speaker 2>So yeah it So did you blow through all all

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<v Speaker 2>of your advance like pretty quickly? Yeah?

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<v Speaker 1>Yeah, nigga, Like I I got signed in celtemble. I

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<v Speaker 1>probably blew through that ship like January, God damn broke.

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<v Speaker 1>But I would blessed though, Like I say, to have

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<v Speaker 1>a good situation. I was in so I got the

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<v Speaker 1>money bag and then my grandma put me on games.

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<v Speaker 1>She ain't let me do that no more.

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<v Speaker 2>Yeah, well, I mean I guess you every I feel

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<v Speaker 2>like everybody gotta go through that ship, you know.

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<v Speaker 1>Yeah, yeah, at least.

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<v Speaker 2>You got some clothes that you probably will never wear again.

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<v Speaker 2>Is there like three years old?

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<v Speaker 1>I mean I threw them bitches away. It ain't gonna

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<v Speaker 1>lie nine times out ten after after I give it

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<v Speaker 1>on the bros or I give it to a crackhead.

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<v Speaker 2>As long I feel like, uh, I see you got

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<v Speaker 2>the white tea on. I feel like that's you know,

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<v Speaker 2>you just buy a pack of those.

0:10:12.520 --> 0:10:14.680
<v Speaker 1>I stand on it. I could be over billion dollars

0:10:14.679 --> 0:10:15.760
<v Speaker 1>them still, t.

0:10:16.840 --> 0:10:18.600
<v Speaker 2>Do you wear air forces more than once?

0:10:19.920 --> 0:10:25.320
<v Speaker 1>No? No, you can't. Really, you can't get three wears

0:10:25.440 --> 0:10:28.440
<v Speaker 1>I give them away. You can't get three wears. I can.

0:10:29.160 --> 0:10:32.200
<v Speaker 1>I can, except not low tos. I don't wear me

0:10:32.480 --> 0:10:35.640
<v Speaker 1>only wear low tops more than once. I wear mid toss,

0:10:35.640 --> 0:10:38.080
<v Speaker 1>though I doubt my mid toss.

0:10:37.880 --> 0:10:41.360
<v Speaker 2>So low top air forces. They're getting thrown out or

0:10:41.360 --> 0:10:42.199
<v Speaker 2>given away.

0:10:42.080 --> 0:10:44.199
<v Speaker 1>Yeah, or given away. But I doubt the mid toss.

0:10:45.080 --> 0:10:46.400
<v Speaker 1>I wear them bitches toll they beat.

0:10:46.880 --> 0:10:49.840
<v Speaker 2>So what if they're the Black forces? Do you even

0:10:50.080 --> 0:10:52.640
<v Speaker 2>do you even mess with it? If I got Black forces,

0:10:53.160 --> 0:10:55.240
<v Speaker 2>can you get you can get to two out of those.

0:10:55.559 --> 0:10:58.719
<v Speaker 1>The old Hell yeah, the old forces that I got

0:10:58.720 --> 0:11:01.479
<v Speaker 1>the old Black Force out wanting them bitches and today.

0:11:01.280 --> 0:11:04.160
<v Speaker 2>Talk okay, but just the white ones. When you say

0:11:04.240 --> 0:11:05.720
<v Speaker 2>until they talking till they're.

0:11:05.559 --> 0:11:07.600
<v Speaker 1>To them bitches, open up, yeah yeah, yeah to the

0:11:07.600 --> 0:11:09.559
<v Speaker 1>world and the glue come all of them, mof for right.

0:11:10.520 --> 0:11:12.600
<v Speaker 2>So the white ones though, just wanted done.

0:11:13.000 --> 0:11:16.280
<v Speaker 1>Yeah, white ones wanted done just because she like bitch

0:11:16.360 --> 0:11:17.960
<v Speaker 1>ownly like a home dollars anyway.

0:11:17.679 --> 0:11:21.040
<v Speaker 2>It that's fair. They went up. I think they're a

0:11:21.080 --> 0:11:23.760
<v Speaker 2>buck twenty now yeah. Fuck, hey man, that used to

0:11:23.760 --> 0:11:25.800
<v Speaker 2>be the price of Jordan's fucking Nike. Can suck my

0:11:25.880 --> 0:11:27.480
<v Speaker 2>dick for real? What the fuck are we doing?

0:11:27.720 --> 0:11:27.840
<v Speaker 1>There?

0:11:27.920 --> 0:11:29.640
<v Speaker 2>Used to be ninety dollars. Now there a one hundred

0:11:29.640 --> 0:11:32.679
<v Speaker 2>and twenty dollars flation. It's crazy.

0:11:33.200 --> 0:11:34.360
<v Speaker 1>Everybody doing the same shit.

0:11:34.679 --> 0:11:37.480
<v Speaker 2>It's a thirty percent increase, right, yeah, yeah, at least

0:11:38.600 --> 0:11:39.560
<v Speaker 2>so you're from the West side.

0:11:39.400 --> 0:11:42.160
<v Speaker 1>Of Atlanta, Yes, sir, Yes, sir. Uh.

0:11:42.280 --> 0:11:43.480
<v Speaker 2>What was it like growing up there? Man?

0:11:44.400 --> 0:11:50.440
<v Speaker 1>Man, same place? I say, it's the same way as

0:11:50.440 --> 0:11:53.520
<v Speaker 1>any other ghetto. If you know what I'm saying. Niggas dying,

0:11:53.960 --> 0:11:58.679
<v Speaker 1>nigga and raw stoking. You know what I'm saying, that

0:11:58.840 --> 0:12:03.280
<v Speaker 1>stoking raw like that be the same old ship. It's really

0:12:03.280 --> 0:12:04.719
<v Speaker 1>about just how you move you did you know what

0:12:04.760 --> 0:12:06.920
<v Speaker 1>I'm saying? Right, It's like you sold what you read,

0:12:07.000 --> 0:12:08.520
<v Speaker 1>You read what you sol, you feel what I'm saying.

0:12:08.960 --> 0:12:10.840
<v Speaker 1>So as long as you stay out the way, and

0:12:10.920 --> 0:12:14.240
<v Speaker 1>you know, you stay genuine, you'll be out. You'll be smooth,

0:12:14.240 --> 0:12:15.920
<v Speaker 1>you'll be out the way, you'll be good. But if

0:12:15.920 --> 0:12:17.400
<v Speaker 1>you're out here trying to be a gangster, you know

0:12:17.440 --> 0:12:18.600
<v Speaker 1>you're gonna get We'll come to you.

0:12:19.200 --> 0:12:22.240
<v Speaker 2>What were some of the other Atlanta artists you grew

0:12:22.320 --> 0:12:24.439
<v Speaker 2>up listening to besides your pops.

0:12:24.120 --> 0:12:31.840
<v Speaker 1>Obviously, Mmm, Gzy bank Roll, Fresh, Rest and Peace, Oh yeah,

0:12:32.080 --> 0:12:35.880
<v Speaker 1>Restress and piece man outcast?

0:12:36.559 --> 0:12:38.240
<v Speaker 2>Oh yeah, you was in your dad's car for sure.

0:12:38.800 --> 0:12:44.640
<v Speaker 1>Yeah you go outcast. Let me see who else? Mm

0:12:44.679 --> 0:12:51.040
<v Speaker 1>hmm t I T I. Let's say it's a whole

0:12:51.080 --> 0:12:55.120
<v Speaker 1>bunch of legends from the city man walk a flocker two.

0:12:54.960 --> 0:12:57.839
<v Speaker 2>Chain, you're yeah, you're mentioning all but oh geez.

0:13:00.400 --> 0:13:03.400
<v Speaker 1>Yeah, that's all I can think off the top.

0:13:03.600 --> 0:13:05.120
<v Speaker 2>Have you been able to link with Killer Mike yet?

0:13:05.120 --> 0:13:05.480
<v Speaker 1>Out there?

0:13:06.280 --> 0:13:08.520
<v Speaker 2>Killer Mike's the guy man. I feel like he's gonna

0:13:08.520 --> 0:13:10.520
<v Speaker 2>be president one day, or at least the governor.

0:13:10.200 --> 0:13:11.560
<v Speaker 1>Of it should say president.

0:13:11.960 --> 0:13:13.640
<v Speaker 2>Hey, I think he could be the governor of Georgia

0:13:13.679 --> 0:13:18.120
<v Speaker 2>one day for real. He has political aspirations, so oh,

0:13:18.400 --> 0:13:20.760
<v Speaker 2>I know, so hell yeah that feels led like hell

0:13:20.760 --> 0:13:23.319
<v Speaker 2>of strikes at Amazon. But Bernie Sanders and she's like

0:13:23.400 --> 0:13:25.520
<v Speaker 2>Killer Mike is tapped in on the politics for sure.

0:13:25.640 --> 0:13:28.240
<v Speaker 1>Shout with Bernie Sanders and I gotta do some research.

0:13:28.280 --> 0:13:29.280
<v Speaker 1>I ain't heard about show.

0:13:29.920 --> 0:13:32.200
<v Speaker 2>Yeah, Killer Mike run the Jewels.

0:13:33.440 --> 0:13:35.760
<v Speaker 1>I heard of his name, but one of her.

0:13:35.600 --> 0:13:39.840
<v Speaker 2>Greatest rappers who've ever lived? Ever? Like one of the goats.

0:13:40.320 --> 0:13:42.560
<v Speaker 1>Well, okay, if I was to listen to a song,

0:13:42.679 --> 0:13:43.160
<v Speaker 1>would I go.

0:13:43.160 --> 0:13:46.280
<v Speaker 2>Listen to Ronald Reagan by Killer Mike?

0:13:47.720 --> 0:13:47.960
<v Speaker 1>Yeah?

0:13:48.320 --> 0:13:52.040
<v Speaker 2>Break down some ship? Yeah, you know, Killer Mike he's

0:13:52.080 --> 0:13:54.760
<v Speaker 2>got some he's I know I probably heard she got

0:13:54.840 --> 0:13:56.800
<v Speaker 2>it on. You've heard her have you heard her run

0:13:56.800 --> 0:14:02.000
<v Speaker 2>the Jewels. So that's his group with LP Atlanta Legend.

0:14:02.040 --> 0:14:04.319
<v Speaker 2>We got barbershop. He got a barber shop in the

0:14:04.360 --> 0:14:09.640
<v Speaker 2>Atlanta Falcons uh Arena and in the Hawks Arena. Yeah.

0:14:10.040 --> 0:14:12.480
<v Speaker 1>You so you can get your haircut in the You get.

0:14:12.320 --> 0:14:14.079
<v Speaker 2>The swag shop is the name of his barbershop.

0:14:14.200 --> 0:14:16.719
<v Speaker 1>Get haircut when you go watch the Falcons, I mean

0:14:17.200 --> 0:14:20.760
<v Speaker 1>the Hawks. I ain't know that. Yeah, I ain't know that.

0:14:20.760 --> 0:14:21.800
<v Speaker 1>I'm from to see that. I ain't know that.

0:14:21.840 --> 0:14:23.720
<v Speaker 2>You gotta go, man, swag shop is what it's called.

0:14:24.440 --> 0:14:25.160
<v Speaker 1>Swag shop.

0:14:25.360 --> 0:14:29.160
<v Speaker 2>Yeah, I mean it's a really cool spot. Yeah. I

0:14:29.160 --> 0:14:35.960
<v Speaker 2>feel like Boozy has become like a honorary Atlanta mentioned. Yeah,

0:14:35.960 --> 0:14:38.760
<v Speaker 2>because he's front front row at all the Hawks.

0:14:38.440 --> 0:14:41.960
<v Speaker 1>Games, Like Boozy from Bad Ruge.

0:14:42.080 --> 0:14:44.320
<v Speaker 2>I know what I'm saying, But he's always that one

0:14:44.480 --> 0:14:47.880
<v Speaker 2>from Yeah he's from Baton Rouge. Yeah yeah, so yeah, No,

0:14:47.960 --> 0:14:50.040
<v Speaker 2>I know what I'm saying, but he's like the hawks

0:14:50.120 --> 0:14:53.040
<v Speaker 2>number one fan. It seems like front row every game.

0:14:53.200 --> 0:14:55.960
<v Speaker 1>Was shout you know, I don't know, I don't really

0:14:55.960 --> 0:14:58.160
<v Speaker 1>pay attention to you know, what other folks be having

0:14:58.280 --> 0:14:58.800
<v Speaker 1>going on with?

0:15:00.200 --> 0:15:04.400
<v Speaker 2>So when is the fit? When's the name change happening.

0:15:04.680 --> 0:15:05.760
<v Speaker 2>Do we have a date on it?

0:15:06.880 --> 0:15:08.960
<v Speaker 1>No, man, but I do got a date for the

0:15:09.000 --> 0:15:13.560
<v Speaker 1>deluxe on the deluxe album for eleven April eleven. If

0:15:13.600 --> 0:15:16.880
<v Speaker 1>you didn't what I'm saying, it's Kyle Born Again with

0:15:17.000 --> 0:15:22.720
<v Speaker 1>the twenty two tracks. Twenty two tracks everything everybody going.

0:15:22.800 --> 0:15:25.400
<v Speaker 1>I'm pretty sure it's like four four three three to

0:15:25.520 --> 0:15:26.960
<v Speaker 1>fourth features on them.

0:15:27.160 --> 0:15:28.920
<v Speaker 2>Yeah, because you don't have features on the original, right,

0:15:29.480 --> 0:15:29.880
<v Speaker 2>I got?

0:15:30.280 --> 0:15:34.800
<v Speaker 1>Yeah, I do, I got, Actually no, I don't. So

0:15:34.840 --> 0:15:41.160
<v Speaker 1>who's on the deluxe Nino paid h and the nickname

0:15:41.280 --> 0:15:46.080
<v Speaker 1>Rocket and my artist, PC of Man.

0:15:46.120 --> 0:15:51.720
<v Speaker 2>Man, So you have a label sign an artist? Yeah,

0:15:52.120 --> 0:15:56.160
<v Speaker 2>let's see you are you? Because at the end of

0:15:56.200 --> 0:15:59.400
<v Speaker 2>the day, it's a big responsibility to sign somebody, right,

0:16:00.040 --> 0:16:04.960
<v Speaker 2>kind of like semi responsible for their success. Yeah, it's

0:16:04.960 --> 0:16:06.040
<v Speaker 2>a big responsibility.

0:16:06.080 --> 0:16:06.280
<v Speaker 1>Man.

0:16:07.160 --> 0:16:09.680
<v Speaker 2>Have you ran into any like headaches when it comes

0:16:09.680 --> 0:16:10.800
<v Speaker 2>to doing the label thing yet?

0:16:10.840 --> 0:16:14.880
<v Speaker 1>I mean only twenty so yeah, yeah, most definitely. I

0:16:14.920 --> 0:16:17.600
<v Speaker 1>mean just like what you say, man, you want when

0:16:17.640 --> 0:16:19.400
<v Speaker 1>you want good for a nigga, they don't want good

0:16:19.440 --> 0:16:23.680
<v Speaker 1>for theirself. That be a be a discrepancy, you know,

0:16:23.920 --> 0:16:26.800
<v Speaker 1>But when they have a good potential to kind of

0:16:26.800 --> 0:16:29.920
<v Speaker 1>be frustrating. You feel what I'm saying because you'll see

0:16:29.920 --> 0:16:32.600
<v Speaker 1>something in the nigga that they don't see themselves. Yeah,

0:16:32.760 --> 0:16:35.440
<v Speaker 1>you feel what I'm saying, or you'll want it for

0:16:35.440 --> 0:16:39.320
<v Speaker 1>them want it. Where my problem has or issues I've

0:16:39.400 --> 0:16:43.800
<v Speaker 1>run into, is seeing the potential in the nigga, helping

0:16:43.800 --> 0:16:50.360
<v Speaker 1>them out, but helping them out before they realize their potentially.

0:16:50.360 --> 0:16:52.080
<v Speaker 1>You doe know what I'm saying, right, So I'm giving

0:16:52.080 --> 0:16:59.440
<v Speaker 1>them a platform before they understand how for they really

0:17:00.240 --> 0:17:03.840
<v Speaker 1>they really understand how how big this this opportunity is.

0:17:03.880 --> 0:17:05.639
<v Speaker 1>You know what I'm saying. They don't really understand how

0:17:05.720 --> 0:17:08.200
<v Speaker 1>big opportunity be, so they get on and play with it.

0:17:09.040 --> 0:17:12.040
<v Speaker 1>But that well, you know niggas that have to live

0:17:12.080 --> 0:17:13.280
<v Speaker 1>and learn from shit like that.

0:17:13.880 --> 0:17:15.760
<v Speaker 2>And then you can't you can't want it more than

0:17:15.800 --> 0:17:16.680
<v Speaker 2>they want it, you know what i mean.

0:17:17.119 --> 0:17:22.080
<v Speaker 1>Yeah, But that's where that'll be. That'd be why sometimes

0:17:22.119 --> 0:17:27.760
<v Speaker 1>you'll see artists will come up and not really go

0:17:27.920 --> 0:17:30.400
<v Speaker 1>for real because they don't be hungry. They don't want

0:17:30.400 --> 0:17:32.720
<v Speaker 1>it for real, you know what I'm saying. And that's

0:17:32.720 --> 0:17:35.199
<v Speaker 1>how you'll see some somebody try to bring up artists

0:17:35.200 --> 0:17:38.040
<v Speaker 1>and they artists don't do what they do. Because the

0:17:38.119 --> 0:17:41.119
<v Speaker 1>artists might have talent, but they might don't want it

0:17:41.160 --> 0:17:42.879
<v Speaker 1>for real, or they might have an attitude, or it

0:17:42.920 --> 0:17:44.440
<v Speaker 1>might be some shit going on in the background.

0:17:44.440 --> 0:17:47.560
<v Speaker 2>It's like a very small part of Obviously, you gotta

0:17:47.600 --> 0:17:49.840
<v Speaker 2>have some talent, right, you gotta make music the marketplace

0:17:49.880 --> 0:17:51.399
<v Speaker 2>once they hear. But you also have to have like

0:17:51.760 --> 0:17:55.840
<v Speaker 2>all of the other ship almost more because there's some shitty,

0:17:56.040 --> 0:17:59.480
<v Speaker 2>shitty music that's cracking because the artists be grinding. Yeah,

0:18:00.080 --> 0:18:03.160
<v Speaker 2>and like everything is subjective, you know, but no, for.

0:18:03.160 --> 0:18:05.720
<v Speaker 1>Sure, talent is a quiet taste though. You know what

0:18:05.720 --> 0:18:08.840
<v Speaker 1>I'm saying. Every everything subjective. So what I think is

0:18:08.880 --> 0:18:11.640
<v Speaker 1>good or whatever? You know what I mean exactly that's fair.

0:18:12.440 --> 0:18:15.359
<v Speaker 2>Damn. Yeah. So you said that your your your mission

0:18:15.440 --> 0:18:17.040
<v Speaker 2>is like kind of more trying to like be on

0:18:17.080 --> 0:18:20.640
<v Speaker 2>the entrepreneurial side. You figure out, you know, paperwork ship,

0:18:21.040 --> 0:18:22.919
<v Speaker 2>are you investing in anything? What are you doing with

0:18:23.080 --> 0:18:25.920
<v Speaker 2>what your uh, what's your extra income? Man?

0:18:27.080 --> 0:18:29.280
<v Speaker 1>I can't put you on with that right now. I

0:18:29.359 --> 0:18:31.800
<v Speaker 1>can't put niggas on. But get what do what I

0:18:31.880 --> 0:18:36.760
<v Speaker 1>will say, I gotta I got a mentor you know

0:18:36.800 --> 0:18:39.480
<v Speaker 1>what I'm saying, I gotta financial advis and a mentor,

0:18:40.600 --> 0:18:43.679
<v Speaker 1>and I just been learning. I got my credit together

0:18:44.160 --> 0:18:46.480
<v Speaker 1>if you haven't, all of your niggas out there and

0:18:46.480 --> 0:18:48.080
<v Speaker 1>make sure y'all boy get you all credit together.

0:18:48.080 --> 0:18:49.679
<v Speaker 2>You know what I'm saying, Yeah, you gotta have good credit, man.

0:18:49.880 --> 0:18:52.640
<v Speaker 1>And really, what I do is I just be living

0:18:52.680 --> 0:18:55.680
<v Speaker 1>on credit. I live. I live for free Cone spens paper.

0:18:55.720 --> 0:18:56.440
<v Speaker 1>You feel what I'm saying.

0:18:56.440 --> 0:18:59.840
<v Speaker 2>So, so do you? You like have like an AMX,

0:19:00.119 --> 0:19:01.359
<v Speaker 2>just run it up, pay off.

0:19:01.200 --> 0:19:04.040
<v Speaker 1>The zero exactly so you know, I get rap chests,

0:19:04.080 --> 0:19:05.920
<v Speaker 1>so I get I get rap chests, you know what

0:19:05.920 --> 0:19:10.679
<v Speaker 1>I'm saying. So I might get paid X, Y and Z.

0:19:11.400 --> 0:19:14.879
<v Speaker 1>I might have a credit card that has a balance

0:19:14.880 --> 0:19:17.760
<v Speaker 1>of ten thousands. You feel what I'm saying. Okay, Well,

0:19:17.760 --> 0:19:20.119
<v Speaker 1>I don't spend ten thousand in a month, right, I

0:19:20.119 --> 0:19:22.359
<v Speaker 1>don't do nothing for real. I might buy a fit

0:19:22.400 --> 0:19:25.160
<v Speaker 1>for a video, right, and I might shoot four videos

0:19:25.200 --> 0:19:27.000
<v Speaker 1>in a month. You feel what I'm saying. One of

0:19:27.040 --> 0:19:30.720
<v Speaker 1>my fits might be filteen on it. You know what

0:19:30.760 --> 0:19:34.399
<v Speaker 1>I'm saying, That's not too much. Besides that I go

0:19:34.440 --> 0:19:37.320
<v Speaker 1>out and eat and I pay for gas and I

0:19:37.359 --> 0:19:40.720
<v Speaker 1>pay my bills. You feel what I'm saying. So Okay,

0:19:40.760 --> 0:19:42.760
<v Speaker 1>I know how much I'm gonna spend this month. I

0:19:42.840 --> 0:19:48.920
<v Speaker 1>get that times four on a rap check, So I save,

0:19:50.080 --> 0:19:52.439
<v Speaker 1>I save, I pay the bills off, and then I

0:19:52.520 --> 0:19:55.520
<v Speaker 1>just put the rest up so it should be profit

0:19:55.600 --> 0:19:59.119
<v Speaker 1>every month. So I'm making fifty seventy thousand dollars profit

0:19:59.240 --> 0:20:01.480
<v Speaker 1>every month, you feel, I'm saying, because all I'm doing

0:20:01.560 --> 0:20:03.280
<v Speaker 1>it to live and off the credit that they give me.

0:20:03.280 --> 0:20:04.880
<v Speaker 1>You feel, I'm saying, So your credit.

0:20:04.600 --> 0:20:06.880
<v Speaker 2>Cause, yeah, and then you pay the zero every month.

0:20:06.880 --> 0:20:08.440
<v Speaker 2>That's the thing. You gotta be disciplined because you don't

0:20:08.440 --> 0:20:08.960
<v Speaker 2>pay the zero.

0:20:09.000 --> 0:20:10.720
<v Speaker 1>Make sure y'all need to be disciplined. I get money,

0:20:10.760 --> 0:20:12.359
<v Speaker 1>and what I'm saying is I get the money to

0:20:12.440 --> 0:20:14.600
<v Speaker 1>pay my credit cause off, you use.

0:20:14.480 --> 0:20:16.200
<v Speaker 2>Your credit card to live on, but you pay the

0:20:16.280 --> 0:20:18.679
<v Speaker 2>zero every month, build your credit score, and then you

0:20:18.720 --> 0:20:22.080
<v Speaker 2>get all the benefits to points. Then you you know, fuck,

0:20:22.119 --> 0:20:25.159
<v Speaker 2>I just went on like a seven day vacation for free,

0:20:25.480 --> 0:20:28.400
<v Speaker 2>exactly off of them points. You know what I mean.

0:20:28.680 --> 0:20:32.360
<v Speaker 2>But the problem is most people get those credit cards

0:20:33.560 --> 0:20:37.520
<v Speaker 2>and they live beyond their means, and then they end

0:20:37.600 --> 0:20:39.439
<v Speaker 2>up racking up that debt because it's like twenty eight

0:20:39.520 --> 0:20:42.359
<v Speaker 2>percent interest rate and then they be all fucked up.

0:20:42.400 --> 0:20:44.560
<v Speaker 2>It's like, now, get you're getting this because you would

0:20:44.640 --> 0:20:47.880
<v Speaker 2>rather use this than your debit card, because there's benefits

0:20:47.920 --> 0:20:50.920
<v Speaker 2>off you use this. Plus, if you ever a debit.

0:20:50.600 --> 0:20:52.480
<v Speaker 1>Card is a hard debit carse or shit.

0:20:52.760 --> 0:20:54.399
<v Speaker 2>Well that's what I'm saying. If a debit card, like,

0:20:55.119 --> 0:20:56.879
<v Speaker 2>if some fraud happens with their debit card, it's a

0:20:56.880 --> 0:20:58.440
<v Speaker 2>lot harder to get your bread bag. If some fraud

0:20:58.440 --> 0:20:59.840
<v Speaker 2>happens with your credit card, they'll just give you that

0:21:00.040 --> 0:21:02.720
<v Speaker 2>your back, like right away, because it's not even your money,

0:21:02.840 --> 0:21:06.240
<v Speaker 2>so it's not coming out of your account, I mean exactly. So, yeah,

0:21:06.240 --> 0:21:08.280
<v Speaker 2>that's smart man, you got to figure it out. You're

0:21:08.280 --> 0:21:09.240
<v Speaker 2>doing anything with Krypto.

0:21:10.359 --> 0:21:13.560
<v Speaker 1>I don't know nothing bad. It too heavy yet, run away, runaway,

0:21:13.720 --> 0:21:16.680
<v Speaker 1>I ain't trying to fuck Yeah, smart guys, that.

0:21:16.600 --> 0:21:18.920
<v Speaker 2>Should be you think you got to figure it out.

0:21:18.960 --> 0:21:25.600
<v Speaker 1>Then it was you're not doing sports betting. I don't

0:21:25.600 --> 0:21:28.480
<v Speaker 1>be smart man. Good good, stay out of the sports

0:21:28.480 --> 0:21:31.400
<v Speaker 1>betting too good. All that price picks, all that ship

0:21:31.720 --> 0:21:32.440
<v Speaker 1>be fucked up.

0:21:32.480 --> 0:21:32.720
<v Speaker 2>Dog.

0:21:33.640 --> 0:21:36.080
<v Speaker 1>I was sticking to what I know you feel. I'm

0:21:36.119 --> 0:21:38.800
<v Speaker 1>getting into real estate, smart. I want to build my

0:21:38.880 --> 0:21:41.400
<v Speaker 1>own apartment complets.

0:21:41.440 --> 0:21:42.160
<v Speaker 2>That's good.

0:21:42.680 --> 0:21:45.960
<v Speaker 1>That's all I'm really looking forward to. Right, besides that,

0:21:46.560 --> 0:21:50.560
<v Speaker 1>I want to build my own apartment complets and uh

0:21:51.200 --> 0:21:55.560
<v Speaker 1>make sorry I build up on my artists. Besides that,

0:21:56.840 --> 0:21:58.120
<v Speaker 1>I ain't really worry about too much.

0:21:58.200 --> 0:22:00.080
<v Speaker 2>Right, would you? I don't know if you are you

0:22:00.119 --> 0:22:01.359
<v Speaker 2>have or now? But would you do a song with

0:22:01.359 --> 0:22:02.280
<v Speaker 2>your pops?

0:22:03.119 --> 0:22:04.160
<v Speaker 1>Did that multiple times?

0:22:04.160 --> 0:22:06.560
<v Speaker 2>Oh so you've already that's already out there. Yeah, yeah,

0:22:06.840 --> 0:22:08.840
<v Speaker 2>you guys do a whole album that'd be kind of gray.

0:22:08.920 --> 0:22:10.160
<v Speaker 1>Yeah, we already got that on the way.

0:22:10.359 --> 0:22:13.600
<v Speaker 2>So there's a big Tony little Tony album. Yeah, that's

0:22:13.600 --> 0:22:16.480
<v Speaker 2>how you retire the name at the end of the album.

0:22:17.280 --> 0:22:20.359
<v Speaker 2>So oh yeah, have your dad do just some ill

0:22:20.400 --> 0:22:22.720
<v Speaker 2>ship at the end, retire it. You're not You're not

0:22:22.760 --> 0:22:24.080
<v Speaker 2>little Tony anymore. Son.

0:22:25.440 --> 0:22:29.720
<v Speaker 1>He did. It's crazy to work. It's like he just

0:22:29.920 --> 0:22:33.160
<v Speaker 1>he just a little boy at me on it. Millions

0:22:33.160 --> 0:22:33.600
<v Speaker 1>of folks.

0:22:34.600 --> 0:22:37.040
<v Speaker 2>First of all, as your father, he has the power

0:22:37.080 --> 0:22:37.840
<v Speaker 2>to do such things.

0:22:37.880 --> 0:22:40.639
<v Speaker 1>He could he do, But like look though, o G

0:22:40.800 --> 0:22:42.960
<v Speaker 1>so real. He wouldn't do me like that, you know

0:22:43.000 --> 0:22:44.600
<v Speaker 1>what I'm saying. He didn't know how he know, you

0:22:44.640 --> 0:22:46.520
<v Speaker 1>don't do your son like that? In front of everybody.

0:22:46.560 --> 0:22:48.240
<v Speaker 1>What you mean you want to change your name? You

0:22:48.280 --> 0:22:49.920
<v Speaker 1>do that? You do that even tell.

0:22:49.840 --> 0:22:52.160
<v Speaker 2>You're graduating like you're not little Tony anymore. You're You're

0:22:52.160 --> 0:22:55.760
<v Speaker 2>a big dog son. It's time you take the run

0:22:55.800 --> 0:22:56.080
<v Speaker 2>with it.

0:22:59.040 --> 0:23:02.800
<v Speaker 1>Hey look no, hell no, we ain't gonna do that one.

0:23:03.280 --> 0:23:06.320
<v Speaker 2>Who's your dream collap Like? Like, who's the artist you

0:23:06.440 --> 0:23:09.720
<v Speaker 2>always wanted to work with that you haven't worked with yet?

0:23:11.160 --> 0:23:11.720
<v Speaker 1>Lauryn Hill.

0:23:12.480 --> 0:23:13.520
<v Speaker 2>Lauryn Hill would be sick.

0:23:15.440 --> 0:23:17.280
<v Speaker 1>I want to work with Lauryn Hill. I want to

0:23:17.320 --> 0:23:23.720
<v Speaker 1>work with I want to work without cast.

0:23:24.560 --> 0:23:27.080
<v Speaker 2>I mean you could definitely get Andre to maybe play

0:23:27.080 --> 0:23:27.919
<v Speaker 2>a flute somewhere.

0:23:29.200 --> 0:23:30.800
<v Speaker 1>I want Andre thousand chip.

0:23:31.040 --> 0:23:33.880
<v Speaker 2>Yeah, big boy, I think you get the big boy verse.

0:23:34.760 --> 0:23:39.520
<v Speaker 1>I want doing with GZ too.

0:23:40.840 --> 0:23:44.640
<v Speaker 2>Geez, that'd be nice. Shouder Have you met g Z yet?

0:23:45.119 --> 0:23:45.480
<v Speaker 1>Mm hmm?

0:23:46.320 --> 0:23:48.680
<v Speaker 2>Good guy? Yeah, good guy?

0:23:48.720 --> 0:23:50.040
<v Speaker 1>Yeah, shout out shoutow.

0:23:50.400 --> 0:23:55.520
<v Speaker 2>You gotta uh you know, Lauryn Hill's son is cracking

0:23:55.600 --> 0:23:58.520
<v Speaker 2>right now. His name is y G. Marley. He's got

0:23:58.600 --> 0:24:02.480
<v Speaker 2>He's on Who's Who's y G? Marley? Signed to death Jam? Yeah?

0:24:02.520 --> 0:24:06.400
<v Speaker 2>Death Jam? Yeah, he's on death Jam. But yeah, shout

0:24:06.520 --> 0:24:08.840
<v Speaker 2>to YG. Yeah, No, Lauryn Hill. I mean, you got

0:24:08.840 --> 0:24:10.680
<v Speaker 2>you got some og taste, man, you got some old

0:24:10.720 --> 0:24:13.119
<v Speaker 2>head tastess. I'd like to call it. Yeah, you know,

0:24:13.400 --> 0:24:15.439
<v Speaker 2>usually I was like I would expect you to say, like,

0:24:15.480 --> 0:24:17.240
<v Speaker 2>you know some some of the younger Atlanta guys.

0:24:18.280 --> 0:24:22.520
<v Speaker 1>I grew up listening this ship my grandma playing.

0:24:23.040 --> 0:24:26.360
<v Speaker 2>Do you did you enjoy the Playboy Cardi album?

0:24:26.560 --> 0:24:28.080
<v Speaker 1>I ain't listen to it.

0:24:28.080 --> 0:24:32.320
<v Speaker 2>It's interesting, very I actually fucked with it, and I'm

0:24:32.320 --> 0:24:34.639
<v Speaker 2>not a big fan of his, but this this album

0:24:34.640 --> 0:24:39.959
<v Speaker 2>has got some the productions insane. Some crazy motherfuckers produced

0:24:39.960 --> 0:24:42.440
<v Speaker 2>the funk out of that album. I don't understand a

0:24:42.480 --> 0:24:44.080
<v Speaker 2>lot was being said. You know what I'm saying, some

0:24:44.119 --> 0:24:47.920
<v Speaker 2>little more noises than lyrics, but survive. You know, it's

0:24:48.000 --> 0:24:50.879
<v Speaker 2>great workout music, but I fuck with it. Like I

0:24:50.880 --> 0:24:53.040
<v Speaker 2>saw him rolland loud, it was like very it was

0:24:53.200 --> 0:24:56.520
<v Speaker 2>very a lot of fire. You know. There was like

0:24:56.560 --> 0:25:00.879
<v Speaker 2>a flying skinhead who ate ship. He saw the video

0:25:01.280 --> 0:25:03.160
<v Speaker 2>He had this guy. He's got this guy on stage

0:25:03.600 --> 0:25:06.359
<v Speaker 2>and he's like telling him the stage dive, and the

0:25:06.480 --> 0:25:10.439
<v Speaker 2>dude runs and he jumps and he misses the crowd

0:25:10.440 --> 0:25:14.280
<v Speaker 2>and just hits the fence. It's a bad look, but Nah,

0:25:14.320 --> 0:25:16.840
<v Speaker 2>it's a good album. When is the DeLux coming out

0:25:16.840 --> 0:25:17.800
<v Speaker 2>April eleventh? Right?

0:25:18.080 --> 0:25:18.480
<v Speaker 1>Yeah?

0:25:19.600 --> 0:25:24.120
<v Speaker 2>And you said it's twenty five songs, twenty two songs,

0:25:24.119 --> 0:25:25.399
<v Speaker 2>not twenty two new songs.

0:25:26.040 --> 0:25:27.360
<v Speaker 1>It's in two new songs.

0:25:27.560 --> 0:25:30.360
<v Speaker 2>Wow? Yeah, I mean you got a high output man.

0:25:30.920 --> 0:25:33.200
<v Speaker 1>Yeah, i'd been making and hat shit.

0:25:34.080 --> 0:25:36.080
<v Speaker 2>How often are you? You must be recording a lot?

0:25:36.119 --> 0:25:38.560
<v Speaker 2>Are you just recording any spare time you have here

0:25:38.560 --> 0:25:39.760
<v Speaker 2>in the studio trying to work?

0:25:39.960 --> 0:25:42.960
<v Speaker 1>Yeah? Well I got my own studio in my house,

0:25:42.960 --> 0:25:45.600
<v Speaker 1>So whenever I feel like recording or I feel like

0:25:45.680 --> 0:25:47.359
<v Speaker 1>saying something, I just sit down and say it.

0:25:47.560 --> 0:25:48.400
<v Speaker 2>You record yourself?

0:25:48.640 --> 0:25:50.479
<v Speaker 1>Yeah, and I make my own beats.

0:25:50.600 --> 0:25:52.000
<v Speaker 2>Oh that's dope. What are you making beats in?

0:25:52.480 --> 0:25:54.000
<v Speaker 1>If you'l studio pretty loops?

0:25:54.080 --> 0:25:56.640
<v Speaker 2>Yeah? Are you recording and tracking in free loops too?

0:25:57.119 --> 0:25:58.480
<v Speaker 1>No? I record on Pro two.

0:25:58.800 --> 0:26:02.880
<v Speaker 2>That's what's up. Yeah, what's your home studio set up? Like? What, Mike?

0:26:02.920 --> 0:26:08.120
<v Speaker 1>You got Apollo or not Apollow? It's that it's Apollow,

0:26:08.200 --> 0:26:12.760
<v Speaker 1>right Apollo? I think it's eighty seven or Slight.

0:26:12.840 --> 0:26:14.560
<v Speaker 2>Oh it's probably their version of the U eighty.

0:26:14.400 --> 0:26:16.520
<v Speaker 1>Seven Uady Steal. Yeah, you Aady Steal?

0:26:17.240 --> 0:26:18.800
<v Speaker 2>So you got a U eighty seven and Apollo.

0:26:18.960 --> 0:26:20.119
<v Speaker 1>Yeah, the long one dude.

0:26:20.520 --> 0:26:22.840
<v Speaker 2>Yeah, yeah, there's only one U eighty seven.

0:26:23.200 --> 0:26:24.040
<v Speaker 1>Oh, I don't know.

0:26:24.760 --> 0:26:27.560
<v Speaker 2>You got a good little Oh the interface.

0:26:27.800 --> 0:26:30.040
<v Speaker 1>Oh no, I ain't talking about no interface. I'm talking

0:26:30.080 --> 0:26:30.680
<v Speaker 1>about it. Mike.

0:26:31.080 --> 0:26:33.040
<v Speaker 2>The mic is the U eighty seven and his his

0:26:33.080 --> 0:26:37.040
<v Speaker 2>interface probably in apollow. Yeah. More artists need to learn

0:26:37.080 --> 0:26:38.840
<v Speaker 2>how to do to do that ship because save you

0:26:38.840 --> 0:26:41.160
<v Speaker 2>a lot of money. So you don't have to buy

0:26:41.160 --> 0:26:43.360
<v Speaker 2>a studio time, you have to worry about paying an engineer.

0:26:43.440 --> 0:26:44.280
<v Speaker 2>You just do it yourself.

0:26:44.359 --> 0:26:48.280
<v Speaker 1>Oh, apollow interface. I'm tripping. I got the apollow interface too.

0:26:48.280 --> 0:26:49.560
<v Speaker 1>I'm talking about what Mike, that is?

0:26:49.560 --> 0:26:52.960
<v Speaker 2>Like you have annoyment U eighty seven Newman, I know

0:26:53.160 --> 0:26:55.560
<v Speaker 2>I got Yeah, I'm talking about the Newman.

0:26:55.680 --> 0:26:58.040
<v Speaker 1>I got a Newman, and then I got the Apollo Interfa,

0:26:58.240 --> 0:27:03.560
<v Speaker 1>then I got I got a custom built PC.

0:27:04.520 --> 0:27:04.960
<v Speaker 2>Oh dough.

0:27:05.119 --> 0:27:06.679
<v Speaker 1>Yeah.

0:27:06.880 --> 0:27:08.640
<v Speaker 2>You save a lot of money making your own beats too,

0:27:08.880 --> 0:27:11.760
<v Speaker 2>and you get to run up that publishing a lot more. Yeah,

0:27:11.880 --> 0:27:13.840
<v Speaker 2>because you already got published as a writer, but you

0:27:13.880 --> 0:27:15.480
<v Speaker 2>get the producer side.

0:27:15.240 --> 0:27:16.880
<v Speaker 1>Which is already overstood. Yeah.

0:27:16.960 --> 0:27:18.760
<v Speaker 2>Do you make up beats for other artists or just

0:27:18.760 --> 0:27:19.280
<v Speaker 2>for yourself?

0:27:19.520 --> 0:27:22.560
<v Speaker 1>Now? Hell no, just me. The only other artist though,

0:27:22.960 --> 0:27:27.560
<v Speaker 1>my artist Spinny Kenny Kenny Ceo JPC.

0:27:28.320 --> 0:27:30.399
<v Speaker 2>Do you have two artists name Ken on the on

0:27:30.440 --> 0:27:30.840
<v Speaker 2>the label.

0:27:30.920 --> 0:27:33.159
<v Speaker 1>No, no, no, my fault hit new name Kenny Ceo.

0:27:33.359 --> 0:27:35.080
<v Speaker 1>My fault hit new name Kenny Ceo.

0:27:35.680 --> 0:27:38.359
<v Speaker 2>So Spinny Kenny and Kenny Ceo are the same person.

0:27:38.480 --> 0:27:41.720
<v Speaker 1>Yeah, okay, he did? Yeah, got it? Yeah, shout a

0:27:41.800 --> 0:27:44.280
<v Speaker 1>fresh home. He's ceo, you know he ceo? Shit, you do?

0:27:44.280 --> 0:27:44.959
<v Speaker 1>You know what I'm saying.

0:27:45.359 --> 0:27:47.720
<v Speaker 2>So they get your beats anyone on the label, get

0:27:47.720 --> 0:27:48.800
<v Speaker 2>your beats plus yourself.

0:27:49.840 --> 0:27:50.359
<v Speaker 1>Yeah.

0:27:50.520 --> 0:27:53.359
<v Speaker 2>But if somebody wanted to purchase a beat from you,

0:27:53.359 --> 0:27:53.960
<v Speaker 2>you would.

0:27:53.760 --> 0:27:59.520
<v Speaker 1>Say twenty twenty it's a lot for a reason, or

0:28:00.000 --> 0:28:01.959
<v Speaker 1>want a nigga to say, hell, I ain't paying that.

0:28:02.040 --> 0:28:05.080
<v Speaker 2>Yeah yeah. And then if they say yes, you're not tripping,

0:28:05.119 --> 0:28:05.760
<v Speaker 2>You're like fucking.

0:28:05.600 --> 0:28:08.159
<v Speaker 1>Oh yeah, niggas, you got twenty thousand, take this. You

0:28:08.240 --> 0:28:08.920
<v Speaker 1>know what I'm saying.

0:28:09.440 --> 0:28:10.640
<v Speaker 2>Take two?

0:28:10.080 --> 0:28:12.920
<v Speaker 1>I get one? You know, I mean ship you want

0:28:12.960 --> 0:28:14.640
<v Speaker 1>to pack? I got you? Throw me on home.

0:28:14.960 --> 0:28:17.000
<v Speaker 2>I love it. I love it man, all right. So

0:28:17.040 --> 0:28:22.520
<v Speaker 2>April eleventh, the Deluxe is coming out? Yeah, and yeah, work,

0:28:22.560 --> 0:28:23.960
<v Speaker 2>Where can people find you online?

0:28:25.520 --> 0:28:30.840
<v Speaker 1>Little Tony Official on our platforms, screaming platforms, lit ton

0:28:30.920 --> 0:28:34.919
<v Speaker 1>Official on all streaming platforms, and looks on the CEO

0:28:35.040 --> 0:28:38.760
<v Speaker 1>on Instagram key to ceo in my back up.

0:28:41.120 --> 0:28:42.600
<v Speaker 2>Name change coming soon.

0:28:43.320 --> 0:28:45.000
<v Speaker 1>Real, soonly I wasn't gonna see that though.

0:28:45.160 --> 0:28:48.440
<v Speaker 2>You're the way your labels, that's that's a headache for them.

0:28:48.680 --> 0:28:49.680
<v Speaker 1>It probably will be.

0:28:49.840 --> 0:28:52.600
<v Speaker 2>But that's why they get paid, right. Yeah, they're like, yo,

0:28:52.680 --> 0:28:55.400
<v Speaker 2>I need you to switch all this ship over. Yeah,

0:28:55.440 --> 0:28:57.920
<v Speaker 2>I mean they I've had to do that for an

0:28:57.960 --> 0:29:00.400
<v Speaker 2>artist I was working with. We changed his name. Oh

0:29:00.440 --> 0:29:02.800
<v Speaker 2>my god. I mean it's easy if you're on a major.

0:29:02.840 --> 0:29:04.200
<v Speaker 2>You're on a major, so it'll be a lot easier.

0:29:04.200 --> 0:29:07.280
<v Speaker 2>But I like, imagine doing that ship through fucking distro Kid.

0:29:07.360 --> 0:29:14.360
<v Speaker 2>Jesus fucking Christ pain in the ass. But distro Kid,

0:29:14.440 --> 0:29:20.160
<v Speaker 2>distro Kid is fucking annoying. Shout out to them. It's

0:29:20.200 --> 0:29:22.440
<v Speaker 2>like jumping through fire to get anything done with those fucks.

0:29:22.440 --> 0:29:24.680
<v Speaker 2>They don't have a phone number anyway. I'm just venting.

0:29:25.560 --> 0:29:29.440
<v Speaker 2>April eleventh, go get the deluxe. Uh litt TONI, I

0:29:29.440 --> 0:29:32.640
<v Speaker 2>appreciate you pulling up man, appreciate appreciate you. Let's go

0:29:33.160 --> 0:29:33.480
<v Speaker 2>fire