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Speaker 1: Just taking a hat pack selfie to send to my wife.

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Speaker 2: Do you take a selfie me too? Yeah? Do you

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Speaker 2: just hold your hands like careless?

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Speaker 1: Yeah? Do you want me to put my arms around you?

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Speaker 2: Yeah? Yeah.

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Speaker 1: Okay, let me get the let me get the camera

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Speaker 1: faced in the right direction, got my fingers on the way.

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Speaker 2: Let's more. I love my hat. I feel like myself

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Speaker 2: but also like better connected to everyone else in a

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Speaker 2: in a in a in a really exciting way where

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Speaker 2: like I am like I'm an individual.

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Speaker 1: It's like, for some reason, I think the one with

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Speaker 1: my finger.

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Speaker 2: It is better. Yeah, I think it's better too. Yeah.

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Speaker 2: I was not expecting streetwear to be able to like

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Speaker 2: have such an effect on me as this hat does.

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Speaker 2: All the street where I've ever tried. Is like, yes,

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Speaker 2: it looks good, but is it like affecting sort of

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Speaker 2: the way I look at the world and the way

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Speaker 2: the world looks at me as much as this hat

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Speaker 2: that does officially induct me into the hat pack. It

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Speaker 2: feels for me well, and coming at such a pivotal

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Speaker 2: time in my life too, exactly when I needed.

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Speaker 1: It well and during you know, ostensibly the fourth Turning

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Speaker 1: as well. Paul, are you familiar with the concept of

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Speaker 1: the fourth turning. No, well, you're not gonna learn.

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Speaker 2: About it here.

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Speaker 1: So you have the hat on. Do you want to talk.

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Speaker 2: A little bit?

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Speaker 1: Paul Russ is here, he's got the hat pack. Cat.

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Speaker 3: Can I be a part of the selfie?

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Speaker 2: Yeah?

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Speaker 1: So do we want to do a selfie with all

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Speaker 1: three of us? Yeah, let's do one with Okay, let's get.

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Speaker 2: All three of us.

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Speaker 1: I'm gonna move the mic all the way out of

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Speaker 1: the way and then Kevin, you can just tell people

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Speaker 1: if I say anything.

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Speaker 4: Okay, not since Ellen hosted the Oscars has there been

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Speaker 4: such a star powered selfie.

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Speaker 2: And we should talk about Like when you post I

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Speaker 2: G and you're wearing the hat and stuff, I almost

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Speaker 2: feel like, don't mention the hat. Oh, but mentioned in

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Speaker 2: a comment.

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Speaker 3: I felt really embarrassed.

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Speaker 2: But mentioned it in a comment.

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Speaker 4: I excited, But then what's that started? I felt a

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Speaker 4: little embarrassed.

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Speaker 1: I'm going to send this one to my wife as well.

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Speaker 2: Wait for someone to say, what's hat is that? And

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Speaker 2: then you say it's from the hat pack. You have

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Speaker 2: to be a member of the hat pack first, which

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Speaker 2: you do by buying the hat. Sorry, So as soon

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Speaker 2: as you buy the hat.

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Speaker 4: You are a member, but dangle if they say what

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Speaker 4: you guys are wearing?

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Speaker 3: Just a comment that says oh these.

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Speaker 2: These yeah, and then waits for them to go like, yes, yeah, yes,

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Speaker 2: the hats you're wearing.

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Speaker 1: Oh these are the So I got a I just

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Speaker 1: got a response from my wife to the me and you. Okay,

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Speaker 1: sorry Paul to read this in front of you. This

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Speaker 1: is super romantic.

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Speaker 2: Wow, that's nice. She didn't say that about the next one.

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Speaker 1: Hasn't that time, you know, hasn't had time?

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Speaker 2: Next one, she said, friend zoned brutal. So the hat

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Speaker 2: packs is on sale? Is that true?

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Speaker 1: It will be when this episode drops. Okay, well the

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Speaker 1: episode is is this one is hell.

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Speaker 2: Like the rock dive.

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Speaker 1: The I have worn it and I wear it in

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Speaker 1: a into a restaurant the other day. Two people I

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Speaker 1: know I see at the restaurant. What do you think?

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Speaker 1: Both of them said that hat new hat.

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Speaker 2: That had new hat.

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Speaker 1: Oh this two people new hat? Yeah? What did I say? Oh?

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Speaker 1: These you pluralize?

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Speaker 2: Oh these hat? Oh?

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Speaker 4: Oh?

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Speaker 1: I mean these.

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Speaker 3: To be?

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Speaker 2: When and when is this episode coming out? Because it's

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Speaker 2: important for twelve hours okay, okay, so by the time

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Speaker 2: I need to have a lot of time. You need

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Speaker 2: to start a small business in the next twelve hours.

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Speaker 2: That's right, Okay, Yeah, distribution.

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Speaker 1: I just have to let Paul know this one's going out.

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Speaker 1: I know usually we give Paul a lot of lead

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Speaker 1: time and there's a lot of sweetening that is done

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Speaker 1: on his episodes.

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Speaker 4: Oh listen, give my notes. You'll send it back.

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Speaker 1: Notes, pass notes, past, trust the process. That's something that I.

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Speaker 4: Know you guys have your thing, but I think you

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Speaker 4: outcome re record.

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Speaker 2: You want to rerecord a lot of your stuff.

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Speaker 1: There's a lot of ad R in your episode.

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Speaker 2: Yeah.

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Speaker 4: I think we figured out the room tone issue though

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Speaker 4: there were hardly any of the listeners previously have ever

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Speaker 4: remarked on. And I think it was a little closer

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Speaker 4: to the mic when we recorded some stuff. So some

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Speaker 4: of the punchlines got louder.

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Speaker 2: Yeah, record like.

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Speaker 1: Well just hard because you I mean even before we

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Speaker 1: did this, we obviously have videos set up in here,

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Speaker 1: and you had requested that. Casey also put a camera

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Speaker 1: over your shoulder.

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Speaker 2: Yet guy reacting so like we can be off you

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Speaker 2: to get the punchlines were very loud. It almost felt

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Speaker 2: like we didn't calibrate your reactions enough. For how loud

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Speaker 2: they were. You know what I mean, you should almost

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Speaker 2: be putting your fingers in your ears for the next one.

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Speaker 1: Well, I should be just start doing this, like really pained,

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Speaker 1: like my head is going to explode from the volume thing.

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Speaker 4: It didn't help that I had that heater cranked in

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Speaker 4: the room.

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Speaker 2: Was that hurt?

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Speaker 1: I would go beyond it didn't help. It hurt a lot.

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Speaker 2: It hurt.

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Speaker 1: Yeah, it really hurt that the heater was cranked up.

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Speaker 3: Hurt audio. Hurt audio, that's true.

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Speaker 1: Yeah, yeah, it hurted the audio, and I burn myself

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Speaker 1: on the heater a few times and it started a fire.

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Speaker 2: Well, if this is coming out in the next twelve hours,

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Speaker 2: I'm almost.

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Speaker 1: Like, do we even do it? I'm almost are you like,

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Speaker 1: are we even gonna fucking do it?

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Speaker 2: I mean it's coming out in I mean, it's coming

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Speaker 2: out in twelve hours. Should we even just should we

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Speaker 2: just do the next one instead?

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Speaker 4: Just like hold up shut, Like it's really just the

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Speaker 4: tie that's necessary, right the title of the episode.

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Speaker 2: Yeah, I mean, like we have that right, right, And

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Speaker 2: so I'm almost like, are people in a situation right

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Speaker 2: there with where within the next twelve hours are gonna

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Speaker 2: need this episode, like, probably not. It's good to be

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Speaker 2: prepared though, in case they did.

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Speaker 4: For the next one, we could put up some sort

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Speaker 4: of like poles and then put the hats on the

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Speaker 4: poles and just the equipment running.

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Speaker 3: If if we feel like we're spirit.

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Speaker 2: We do need to put Yeah, the hats. I almost

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Speaker 2: forgot that we are going to have to sell the

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Speaker 2: hats and I don't want to. Yeah, I'm worried about

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Speaker 2: the hats being on poles. It's like enough of a

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Speaker 2: pitch for people. I guess it would be sick if

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Speaker 2: people put their put the hat on a pole in

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Speaker 2: their yards.

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Speaker 1: Well, there's so many, there are so many.

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Speaker 3: This is a hat pack house.

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Speaker 2: Yes, a lot of people.

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Speaker 1: Have so many more poles than they do heads. Right,

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Speaker 1: you only need one hat for your head. But anybody

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Speaker 1: with a fence, Yes, multiple dozens of hats make a fence.

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Speaker 2: And it almost is like someone could be standing on

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Speaker 2: the other side and you're just seeing the hat and

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Speaker 2: so like, don't try, don't don't try to come in here,

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Speaker 2: because there's all these people are all on the hat pack.

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Speaker 2: On the other side of the fence.

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Speaker 1: There's a meeting of the hat pack happening in there.

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Speaker 4: Can you imagine a more twisted visual than a white

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Speaker 4: picket fence? And on each spike is a head. Is

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Speaker 4: there anything in the suburbs?

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Speaker 3: And yeah, this is the old battles.

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Speaker 2: Yes, it's exactly the same thing as our old battles.

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Speaker 2: This is going to a place. There's no difference between

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Speaker 2: the suburbs and our old.

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Speaker 1: No, it's the new. It's the new castle ground, isn't it. Yes,

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Speaker 1: And the sidewalk is the most Yes. And alligators are

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Speaker 1: these dogs people just walk around? Yes, you fucking look

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Speaker 1: outside it. You just have these dogs, sharp teeth and

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Speaker 1: they're just carrying them around.

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Speaker 2: Like I am.

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Speaker 4: The lord of this manor and I need my hound

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Speaker 4: to keep it safe.

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Speaker 1: No. And and it reminds me of the old battle

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Speaker 1: grounds and the and and it's the castle castle location

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Speaker 1: of our society. Uh, you know, it's not a community anymore.

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Speaker 1: It's these fences. It's the you know, the door to

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Speaker 1: the house is the drawbridge that has to be let

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Speaker 1: down for someone to be invited in.

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Speaker 4: I've gone to houses with actual drawbridges now it's messed up.

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Speaker 1: He's gone to houses with draw bridges now, And we've

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Speaker 1: got these couches right in the living room. This is

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Speaker 1: your throne, right, everyone, come honor me at my own

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Speaker 1: I mean I've been houses now that have actual chairs

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Speaker 1: in them, like literal chairs.

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Speaker 2: And the hat pack had It's it's like, it's crazy

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Speaker 2: that it's already becoming the new king's crown.

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Speaker 1: Yes, No, that has surprised me how quickly that happens. Yes,

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Speaker 1: that the king's crown is now a hat pack hat.

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Speaker 1: It's how you let people know that you are of

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Speaker 1: noble bearing, that you are of import in society. I

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Speaker 1: want to talk a little bit about infinite and finite

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Speaker 1: games if we could, right, because I think we're raised

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Speaker 1: in a world now of finite game structure. There's the

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Speaker 1: beginning and an end to each contest, and there is

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Speaker 1: some quantification of a winner and a loser, and we

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Speaker 1: try to apply these structures, yes, to the infinite games

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Speaker 1: that we're engaged in business. I want to win at business.

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Speaker 1: What you can't that's infinite, right, I'm number one. We

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Speaker 1: haven't clarified the rules on this, so don't apply the

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Speaker 1: same finite I want to win at for hayes uh, marriage,

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Speaker 1: having sex right.

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Speaker 4: The world's best lover?

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Speaker 2: Yeah, you see you.

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Speaker 1: Can't and and and and and and and it's and

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Speaker 1: and it's coupled. It's coupled with the scarcity mindset. There

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Speaker 1: will be a winner and a loser. There will be enough,

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Speaker 1: there will be uh not enough, and so uh we

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Speaker 1: cannot keep doing this. And what's really amazing, Paul, is

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Speaker 1: any game you'll find that is actually worth playing in

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Speaker 1: this life is infinite business, having sex, sleep, right, food,

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Speaker 1: video games, games, jumping, trying to jump high. All this

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Speaker 1: stuff is there's no you know.

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Speaker 3: Mm hmmm kinds of soup, different kinds of how is that?

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Speaker 2: I just don't understand. And I'm open to it. I'm

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Speaker 2: open to it. I'm open to it. I just right now,

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Speaker 2: I'm not understanding of how that's games like at all,

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Speaker 2: like in the way that like business, having sex, like jumping.

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Speaker 3: You said finite Well.

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Speaker 1: The point, you know, the point of the in the

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Speaker 1: game is to stay in the game, stay in business.

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Speaker 1: The point of soup is not to stay in soup.

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Speaker 3: You said food.

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Speaker 1: So I just I thought, well, yeah, I meant like

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Speaker 1: growing it, Yeah, you grow food to put.

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Speaker 2: In soup, right, I well, no, I don't like this

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Speaker 2: is just like he's straight up does not.

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Speaker 1: No, I don't you just fully bother.

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Speaker 3: This has come up.

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Speaker 4: Whether you grow food for your soup, that's I think

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Speaker 4: I am conscous.

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Speaker 1: Yeah, it would be fine if I did. Like if

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Speaker 1: someone's listening and you do fully go off king, like

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Speaker 1: that's fine with me.

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Speaker 2: And you do like you do do of course I

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Speaker 2: do it.

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Speaker 1: Of course I do it. But like, that's not what

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Speaker 1: I do.

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Speaker 3: Do you think this is the ground of a king?

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Speaker 3: I mean this is the.

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Speaker 2: Used to be.

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Speaker 1: Yeah, someone's working pretty hard to change that.

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Speaker 2: Good golly for one blessed moment.

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Speaker 1: We have to show solidarity, we have to stop, we

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Speaker 1: have to wear on strike.

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Speaker 4: Strike, maybe wear it rakishly off to the side of

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Speaker 4: her head. I think that's how the king shows that

250
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Speaker 4: he doesn't give a ship.

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Speaker 2: That's the right name.

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Speaker 1: It's like, well, this is like a goblet. Here's the

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Speaker 1: sort of line, the the robin hood, the sort of

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Speaker 1: the crown is just over one ear, you know, the

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Speaker 1: animated But yeah, but I just let's go after each

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Speaker 1: other after we're done eating the studios entire lunch.

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Speaker 2: But are you sort of finding because everyone is like

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Speaker 2: I keep hearing like, oh the the like the meetings

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Speaker 2: are going really well, and I'm sort of like, do

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Speaker 2: we have to? I actually don't want to. I like

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Speaker 2: learning my slipper, I'm actually having so much fun. Do

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Speaker 2: we have to? You know, as soon as an ever,

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Speaker 2: it's gonna be like, we come back work on my

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Speaker 2: project with me.

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Speaker 1: People will want me to work on their project. People

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Speaker 1: will not want me, uh to be in the studio

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Speaker 1: so much. Yes, I've really found my home in the

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Speaker 1: studio during all this paints. Oh, Paul, it is to

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Speaker 1: me art, it is painting, oh, studio audio, studio audience.

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Speaker 4: Old battles, hurt, old.

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Speaker 1: Battles, right, the chilling image of heads on a fence,

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Speaker 1: and this is twist just gets into your thing. I

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Speaker 1: mean you see you know you talk about this, ah,

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Speaker 1: this scary stuff, these scary movies, right, oh our modern fables, yes.

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Speaker 2: Okay, yes, sorry, yeah, you didn't understand it first when

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Speaker 2: he said scary said scary movies. Yeah, yeah, that's sort

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Speaker 2: of a childish way to think a battles.

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Speaker 4: Yeah, or our modern our current mythology, modern grims.

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Speaker 1: Modern grims. Yes, it is grim, the bogey man, the

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Speaker 1: dreams smuggler.

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Speaker 3: To talk about one of the greatest monsters.

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Speaker 1: Harry he's got these sneaking dreams.

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Speaker 2: And that what he cares the smuggling aspect. I guess what,

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Speaker 2: like to what extent is there a border that you're

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Speaker 2: supposed to go ahead bring a dream over, can't have

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Speaker 2: the dream and they have to check its prohibition on dreams?

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00:16:39,560 --> 00:16:40,360
Speaker 3: Yeah, you got.

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Speaker 4: I mean we all have our own boundaries, our own fences,

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Speaker 4: even in here. You know, guys, there's some thoughts we

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Speaker 4: have in here that will never tell anyone.

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Speaker 2: You put the hat back on. I just don't want to.

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Speaker 1: I don't want people to screen grab that one image.

293
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Speaker 2: And this was the episode that he had to take

294
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Speaker 2: that that the hat was like causing some kind of problem.

295
00:17:04,040 --> 00:17:06,160
Speaker 2: You can exactly did not pop off.

296
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Speaker 1: It did not get off.

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Speaker 3: I think it doesn't get hot.

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00:17:09,440 --> 00:17:15,399
Speaker 1: Actually it doesn't get it actually has a screen door

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Speaker 1: in the back that allows.

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00:17:18,720 --> 00:17:18,760
Speaker 4: It.

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Speaker 1: Was the mic is malfunctioning.

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00:17:23,720 --> 00:17:26,280
Speaker 3: I guess it's a little warm, ice cold.

303
00:17:26,880 --> 00:17:30,320
Speaker 1: This is it's not cold, it's the perfect temperature.

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Speaker 4: The mic works, you guys, like, I thought we got

305
00:17:34,359 --> 00:17:36,800
Speaker 4: Paul Rusty, guess not mister Bean.

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Speaker 1: It's and it's true we didn't get mister Bean, but

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Speaker 1: we would love to have him.

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00:17:46,080 --> 00:17:50,080
Speaker 4: Oh, if you guys got rolling on the show, it

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Speaker 4: would Atkinson okay, yes, I call him.

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Speaker 2: Okay, I would have trouble keeping my ship together. Uh

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00:18:03,080 --> 00:18:06,400
Speaker 2: to even it's just like to be in the presence

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00:18:06,400 --> 00:18:07,760
Speaker 2: of his fumbling.

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Speaker 1: I would I'd have I'd have trouble getting here. Yeah,

314
00:18:12,800 --> 00:18:13,760
Speaker 1: I wouldn't be able to.

315
00:18:14,160 --> 00:18:15,720
Speaker 3: You could get there.

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00:18:16,040 --> 00:18:19,600
Speaker 2: It would be basically impossible if everyone we're here finding

317
00:18:19,760 --> 00:18:24,359
Speaker 2: like where's the studio, what time is the show? Like

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00:18:24,600 --> 00:18:26,320
Speaker 2: all that stuff would just be like no.

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Speaker 1: I can just imagine even just scheduling with him would

320
00:18:29,480 --> 00:18:33,240
Speaker 1: probably be just a series of yeah mishaps.

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Speaker 4: He sends back a reply in his heads in a turkey.

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Speaker 3: This is the reply.

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Speaker 2: That's yeah, instead of like sent from my iPad or whatever,

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00:18:44,200 --> 00:18:47,359
Speaker 2: it says, Hey, send from my head in a turkey?

325
00:18:48,760 --> 00:18:50,560
Speaker 2: Why why do you do that?

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00:18:52,600 --> 00:18:56,520
Speaker 1: But it's you know, but it's also it's in keeping

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Speaker 1: with what we've seen, is his head does.

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00:18:59,080 --> 00:19:01,920
Speaker 2: Yes, oh yeah, And he'd have to come to America

329
00:19:01,960 --> 00:19:05,320
Speaker 2: again and after everything like he did last time he

330
00:19:05,359 --> 00:19:07,560
Speaker 2: came to America. I don't think I don't think anyone

331
00:19:07,680 --> 00:19:14,119
Speaker 2: is really like enthusiastic about like, let's run that back.

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Speaker 2: You know what. I mean after how much went wrong? Yeah,

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00:19:18,440 --> 00:19:21,320
Speaker 2: like I think we're I think we're I think we're good.

334
00:19:21,440 --> 00:19:23,639
Speaker 4: Yeah, I mean there were accidents on set with the

335
00:19:23,680 --> 00:19:26,760
Speaker 4: American version of the Bean movie, right, there was I

336
00:19:26,760 --> 00:19:27,320
Speaker 4: think death.

337
00:19:28,000 --> 00:19:30,800
Speaker 1: Yeah, yeah, a lot of serious injuries and death.

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00:19:30,960 --> 00:19:31,400
Speaker 2: Yeah.

339
00:19:32,240 --> 00:19:36,080
Speaker 4: Still court cases about still Like I think Rowan Atkinson

340
00:19:36,119 --> 00:19:36,399
Speaker 4: has to go.

341
00:19:38,400 --> 00:19:40,720
Speaker 3: The court road next year.

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00:19:40,960 --> 00:19:43,040
Speaker 2: The next year, there's a bench warn't.

343
00:19:43,040 --> 00:19:45,280
Speaker 1: There's a bench warn't for Ron Atkins. In the second

344
00:19:45,320 --> 00:19:50,000
Speaker 1: he sets foot on American soil, he will be apprehended

345
00:19:50,000 --> 00:19:53,080
Speaker 1: and renditioned. So so it's.

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Speaker 2: Instead of putting this, I mean, it feels crazy to me,

347
00:19:56,680 --> 00:19:58,720
Speaker 2: but I guess making comfortable. Instead of putting like a

348
00:19:58,760 --> 00:20:00,399
Speaker 2: black hood on his head, they are are going to

349
00:20:00,440 --> 00:20:01,680
Speaker 2: put a turkey on his Yeah.

350
00:20:03,960 --> 00:20:04,919
Speaker 1: It's kindness.

351
00:20:05,000 --> 00:20:08,120
Speaker 2: Yeah, and zip tie instead of like a zip ti handcuffs.

352
00:20:08,160 --> 00:20:11,000
Speaker 2: Are just gonna like send him a sweater that his

353
00:20:11,320 --> 00:20:14,119
Speaker 2: that his antis gave him, that has like a really

354
00:20:14,240 --> 00:20:17,879
Speaker 2: long turtle deck and just be like put this on,

355
00:20:18,640 --> 00:20:26,639
Speaker 2: just knowing that he is going to end up fully subdude,

356
00:20:26,680 --> 00:20:29,000
Speaker 2: Like the sleeves are are too long.

357
00:20:29,200 --> 00:20:33,959
Speaker 1: No, it's gonna be It's gonna be an entire episode.

358
00:20:33,480 --> 00:20:37,639
Speaker 2: Basically of his life, because you kind of find that

359
00:20:37,760 --> 00:20:41,159
Speaker 2: like somehow, if you put handcuffs on him, he will

360
00:20:41,320 --> 00:20:44,119
Speaker 2: like accidentally like get out of them and then like

361
00:20:44,240 --> 00:20:46,440
Speaker 2: tap you on the shoulder and like hand them to you.

362
00:20:47,119 --> 00:20:47,959
Speaker 3: It'll be funny.

363
00:20:48,880 --> 00:20:53,680
Speaker 1: Yeah, And I guess for lunch, like they're gonna actually

364
00:20:53,680 --> 00:20:59,120
Speaker 1: bring a jar of live sardines. Yes, that he then

365
00:20:59,320 --> 00:21:02,119
Speaker 1: sort of listens too to see if they're alive, and then.

366
00:21:02,400 --> 00:21:06,120
Speaker 2: After he's going to whack them against me, and then

367
00:21:06,560 --> 00:21:08,760
Speaker 2: and then he whacks them against his own knee and

368
00:21:08,840 --> 00:21:10,280
Speaker 2: lays them onto a sandwich.

369
00:21:11,240 --> 00:21:14,200
Speaker 1: And there'll be I guess someone on the same bench

370
00:21:14,240 --> 00:21:16,280
Speaker 1: as him at the same time, sort of looking over

371
00:21:16,400 --> 00:21:17,000
Speaker 1: like what's.

372
00:21:16,760 --> 00:21:19,480
Speaker 3: Going on the best of what he's doing.

373
00:21:22,160 --> 00:21:25,399
Speaker 1: I haven't spoken to them, but yeah, I don't think so.

374
00:21:25,600 --> 00:21:28,200
Speaker 4: I worry about their safety and his safety if they're

375
00:21:28,240 --> 00:21:28,800
Speaker 4: filming it.

376
00:21:29,000 --> 00:21:31,399
Speaker 1: I worry about the safety of me re enacting it

377
00:21:31,520 --> 00:21:34,000
Speaker 1: later if I hit my hand against a counter kind

378
00:21:34,000 --> 00:21:36,240
Speaker 1: of showing what he was doing and then like hurt

379
00:21:36,280 --> 00:21:38,399
Speaker 1: my hand when I wanted to tell a funny story

380
00:21:38,440 --> 00:21:40,200
Speaker 1: about the safety mister bean dead.

381
00:21:40,520 --> 00:21:45,240
Speaker 2: Hurt hand, hurd hand, Oh true, that's sure.

382
00:21:46,080 --> 00:21:50,119
Speaker 1: Hurt hand, hurt hand.

383
00:21:52,720 --> 00:21:55,640
Speaker 4: What's the fourth tourney.

384
00:21:56,600 --> 00:22:02,919
Speaker 1: History occurs in certain paw patterns. Right, we've talked about

385
00:22:02,920 --> 00:22:06,879
Speaker 1: the hat pack. Every twenty years, society is ready for

386
00:22:06,960 --> 00:22:14,000
Speaker 1: a new pack, rat pack, rat pack, rat pack. You

387
00:22:14,040 --> 00:22:15,879
Speaker 1: know you're now a part of the hat pack, at

388
00:22:15,960 --> 00:22:25,159
Speaker 1: least temporarily. And similarly, this is the fourth pack that

389
00:22:25,240 --> 00:22:29,080
Speaker 1: I mentioned, Right, So we are in the fourth turning

390
00:22:29,359 --> 00:22:36,040
Speaker 1: and in twenty year intervals, history sort of begins a

391
00:22:36,080 --> 00:22:36,840
Speaker 1: new phase.

392
00:22:37,320 --> 00:22:40,560
Speaker 2: And if you look, everybody, year, we're go back from

393
00:22:40,640 --> 00:22:45,560
Speaker 2: lost mm hmm. We will do the after the hat

394
00:22:45,600 --> 00:22:47,439
Speaker 2: pack is over, we will do the right Now, there

395
00:22:47,440 --> 00:22:50,400
Speaker 2: will be a new rat pack. Can't you already sort

396
00:22:50,440 --> 00:22:52,560
Speaker 2: of feel it that? Do you see people walking down

397
00:22:52,560 --> 00:22:58,400
Speaker 2: the street zippity doode? Right?

398
00:22:58,520 --> 00:23:02,399
Speaker 4: Yeah, I walked by, just reopened the brown derby. Ye, people,

399
00:23:02,960 --> 00:23:09,240
Speaker 4: I was walking outside. A woman's body came flying to

400
00:23:09,400 --> 00:23:13,440
Speaker 4: the front door doing a twirl because a man. It's

401
00:23:13,440 --> 00:23:16,240
Speaker 4: some sort of dance like a top. Right, But she

402
00:23:16,600 --> 00:23:19,200
Speaker 4: came out, but like a sort of like a top,

403
00:23:19,280 --> 00:23:19,800
Speaker 4: she wound.

404
00:23:20,480 --> 00:23:23,000
Speaker 2: She came all the way back. She's spinning so fast. Yeah,

405
00:23:23,040 --> 00:23:24,960
Speaker 2: she ended up back in the club. Yeah, And that's

406
00:23:24,960 --> 00:23:25,760
Speaker 2: part of the transition.

407
00:23:25,880 --> 00:23:28,800
Speaker 1: They have a rat top can do No, no, hang on,

408
00:23:29,640 --> 00:23:30,680
Speaker 1: a top can do that.

409
00:23:31,280 --> 00:23:33,480
Speaker 4: I'm saying exactly a top could do that.

410
00:23:33,560 --> 00:23:35,639
Speaker 1: No, you didn't say exactly. You said sort of like

411
00:23:35,680 --> 00:23:38,480
Speaker 1: a top. And then you clarify how what you saw

412
00:23:38,640 --> 00:23:43,680
Speaker 1: was different from a top, right, I mean the top

413
00:23:43,760 --> 00:23:46,960
Speaker 1: doesn't have like and then you said exactly, Well, is

414
00:23:46,960 --> 00:23:48,480
Speaker 1: it sort over? Is it exactly?

415
00:23:50,440 --> 00:23:50,800
Speaker 2: You?

416
00:23:50,840 --> 00:23:55,879
Speaker 4: Oh? Sometimes, maybe I should have said sometimes or oft?

417
00:23:56,160 --> 00:23:59,919
Speaker 2: Okay, Well was talking about some of the anatomical difference

418
00:24:00,200 --> 00:24:05,159
Speaker 2: between this young lady. He saw a child's top. You

419
00:24:05,160 --> 00:24:08,760
Speaker 2: don't think they would sell it the well because a toy.

420
00:24:08,640 --> 00:24:13,120
Speaker 1: Store top, you know, ironically that kind of bottom heavy. Yes,

421
00:24:13,400 --> 00:24:16,200
Speaker 1: And it sounds like what Paul was seeing.

422
00:24:16,800 --> 00:24:18,480
Speaker 2: Was a little bit of the opposite.

423
00:24:18,600 --> 00:24:24,840
Speaker 4: So excuse me, top, May I take your hand? May

424
00:24:24,880 --> 00:24:27,119
Speaker 4: I squire you top around the town?

425
00:24:29,080 --> 00:24:30,880
Speaker 1: Gets you know, it's castle time?

426
00:24:31,040 --> 00:24:33,280
Speaker 2: But so why, like, let's think about that, like, you know,

427
00:24:33,359 --> 00:24:35,920
Speaker 2: let's actually look back at history and say, like, okay,

428
00:24:36,520 --> 00:24:38,560
Speaker 2: it's the rat pack and they're going to a restaurant.

429
00:24:38,600 --> 00:24:41,160
Speaker 2: What does the restaurant look like? A hat? What came

430
00:24:41,200 --> 00:24:43,440
Speaker 2: before that? There was the hat pack era?

431
00:24:44,040 --> 00:24:47,160
Speaker 1: I mean, we weren't we weren't. Yeah, I don't photographing

432
00:24:47,240 --> 00:24:49,680
Speaker 1: or recording. You know, I don't think it's the world

433
00:24:49,720 --> 00:24:50,720
Speaker 1: in the same way I.

434
00:24:50,680 --> 00:24:54,919
Speaker 4: Don't think it'll cycle through you guys familiar with Pomo.

435
00:24:56,160 --> 00:24:59,960
Speaker 4: What thing called postmodernism, Guys, it all crunches in on itself.

436
00:25:00,640 --> 00:25:02,560
Speaker 4: So we're gonna have a little taste of the wrap

437
00:25:02,600 --> 00:25:03,080
Speaker 4: pack here.

438
00:25:03,600 --> 00:25:08,160
Speaker 1: Post postmodernism was invented by the frat pack.

439
00:25:08,720 --> 00:25:10,000
Speaker 2: The frat pack.

440
00:25:09,920 --> 00:25:12,600
Speaker 1: Created it, and it will occur again.

441
00:25:12,760 --> 00:25:15,920
Speaker 2: Okay, we will go back to postmodernism, but it has

442
00:25:15,960 --> 00:25:20,239
Speaker 2: to be rejected to be renewed in that way. Like

443
00:25:20,320 --> 00:25:24,840
Speaker 2: and I think where we are seeing the rejection of

444
00:25:25,920 --> 00:25:29,879
Speaker 2: modernity in this like in this moment, and a desire

445
00:25:30,160 --> 00:25:33,800
Speaker 2: to go back to when there were these guys going be.

446
00:25:37,520 --> 00:25:44,600
Speaker 1: Guy.

447
00:25:44,880 --> 00:25:48,080
Speaker 2: Yeah, you can get another piece of steak meat.

448
00:25:49,000 --> 00:25:51,080
Speaker 3: I'm going to pull a drink.

449
00:25:52,720 --> 00:25:58,080
Speaker 1: Oops, spilled, it's just spilled. Whatever.

450
00:25:58,160 --> 00:26:03,080
Speaker 2: We don't. You can't snap your fingers and hold a

451
00:26:03,119 --> 00:26:05,960
Speaker 2: bottle for a drink. You just cannot do it. You

452
00:26:06,040 --> 00:26:12,480
Speaker 2: are kind of spelled, buddy.

453
00:26:13,160 --> 00:26:16,480
Speaker 4: A lot of times your your figures are all wet. Yeah,

454
00:26:16,520 --> 00:26:19,480
Speaker 4: I'm holding a glass or a bottle, So the snap

455
00:26:19,560 --> 00:26:23,119
Speaker 4: wouldn't be a dry snap would be all Damp Damp Snap.

456
00:26:23,760 --> 00:26:26,639
Speaker 1: Talk about dry snaps for a little bit, because that

457
00:26:26,760 --> 00:26:30,959
Speaker 1: is something you said you wanted to cover on episode.

458
00:26:31,320 --> 00:26:35,720
Speaker 4: Like when ben Stein does put down comedy dry snaps,

459
00:26:37,760 --> 00:26:41,800
Speaker 4: it seems as if your mother is so overweight.

460
00:26:46,000 --> 00:26:48,320
Speaker 1: So that could actually be so like that you'd never

461
00:26:48,400 --> 00:26:52,359
Speaker 1: be able to win my money.

462
00:26:55,440 --> 00:26:57,600
Speaker 2: And we are in this like place now. It's so

463
00:26:57,760 --> 00:27:01,479
Speaker 2: funny where like any time that they're like paying us

464
00:27:01,480 --> 00:27:03,320
Speaker 2: to be creative and they're like show up to work

465
00:27:03,400 --> 00:27:07,200
Speaker 2: and like come up with this stuff, it's like now

466
00:27:07,240 --> 00:27:09,400
Speaker 2: that they're asking, they're telling us not to do it.

467
00:27:09,400 --> 00:27:11,480
Speaker 2: It's like, Okay, I'm having.

468
00:27:11,359 --> 00:27:14,000
Speaker 1: Ideas I've ever had. I'm having the best ideas I've

469
00:27:14,000 --> 00:27:14,440
Speaker 1: ever had.

470
00:27:14,520 --> 00:27:17,520
Speaker 2: Ben Stein ben doing like you know, put the like

471
00:27:17,560 --> 00:27:19,240
Speaker 2: saying about stuff about mother.

472
00:27:19,600 --> 00:27:21,520
Speaker 4: You know, Oh I wish I was at a laptop

473
00:27:21,680 --> 00:27:24,400
Speaker 4: right now, and yeah, exactly, I could just put that out.

474
00:27:24,680 --> 00:27:25,520
Speaker 1: This would be on TV.

475
00:27:25,840 --> 00:27:29,960
Speaker 2: Yeah, this would be exactly. We do this in a

476
00:27:30,000 --> 00:27:33,480
Speaker 2: way that's like just money.

477
00:27:33,560 --> 00:27:36,760
Speaker 1: Everyone be making fucking money if we were putting the

478
00:27:36,800 --> 00:27:37,840
Speaker 1: Benstein your.

479
00:27:39,080 --> 00:27:45,360
Speaker 4: I don't know, Patricia, Patricia, and she says, like what

480
00:27:45,440 --> 00:27:48,160
Speaker 4: ben Stein is insulting people now?

481
00:27:48,640 --> 00:27:51,080
Speaker 2: But then of course, yeah, like as soon as Eryl

482
00:27:51,160 --> 00:27:54,360
Speaker 2: Hines goes like, uh, great, I love it.

483
00:27:54,440 --> 00:27:55,800
Speaker 4: Great, Larry, I love it.

484
00:27:55,880 --> 00:28:00,600
Speaker 2: Yeah. But as soon as we're in the system, like

485
00:28:00,680 --> 00:28:04,119
Speaker 2: as soon as we like sign the contract. Ye, they're

486
00:28:04,160 --> 00:28:08,160
Speaker 2: instantly He's talking about people think that too much. It's

487
00:28:08,240 --> 00:28:12,800
Speaker 2: like these are yeah, well, I mean that's what that's

488
00:28:12,840 --> 00:28:14,760
Speaker 2: what they're saying. That's what they know.

489
00:28:14,920 --> 00:28:19,680
Speaker 1: I understand they're no, they're saying insane stuff that stifles,

490
00:28:19,800 --> 00:28:25,199
Speaker 1: that suffocates creativity. And when they actually like you know,

491
00:28:25,280 --> 00:28:28,040
Speaker 1: say you're not allowed to do it anymore. The ideas

492
00:28:28,080 --> 00:28:31,720
Speaker 1: that we have ben Stein making a joke about someone's mother,

493
00:28:32,080 --> 00:28:37,800
Speaker 1: you know, Patricia Heaton, uh setting that up, you know, uh,

494
00:28:38,200 --> 00:28:42,360
Speaker 1: stuff that would make real money for the industry. Like

495
00:28:43,200 --> 00:28:46,920
Speaker 1: we can't stop it. The flow is uh you know,

496
00:28:48,160 --> 00:28:53,080
Speaker 1: n you know you can't. It's cute.

497
00:28:54,280 --> 00:28:55,760
Speaker 2: And it's why I almost.

498
00:28:55,480 --> 00:28:56,160
Speaker 3: Like don't want.

499
00:28:59,040 --> 00:29:02,520
Speaker 1: Yeah, it almost stay like this I'm having.

500
00:29:02,280 --> 00:29:06,080
Speaker 4: Yes, I don't want to too much.

501
00:29:06,080 --> 00:29:09,760
Speaker 1: Fun by my I know. Yeah, it's like when it

502
00:29:09,800 --> 00:29:13,520
Speaker 1: becomes a job again, when it's not just me and

503
00:29:13,600 --> 00:29:17,240
Speaker 1: my friends. Uh literally saying the funniest ship that has

504
00:29:17,280 --> 00:29:20,280
Speaker 1: ever been said, Like ben Stein stuff, all this stuff,

505
00:29:20,360 --> 00:29:23,680
Speaker 1: I like it no, No, I know how.

506
00:29:23,720 --> 00:29:27,800
Speaker 4: Crazy is a writer's room, right, because you got a

507
00:29:27,800 --> 00:29:31,800
Speaker 4: bunch of lunatics, and you're saying to a bunch of lunatics, okay,

508
00:29:31,840 --> 00:29:32,920
Speaker 4: come to the asylum.

509
00:29:33,160 --> 00:29:35,440
Speaker 3: Yes, precisely this hour.

510
00:29:35,880 --> 00:29:36,960
Speaker 2: I'm not going to work out.

511
00:29:37,160 --> 00:29:41,960
Speaker 1: Yeah, perfect, yeah, time.

512
00:29:43,320 --> 00:29:45,120
Speaker 2: Okay, that one goes for you.

513
00:29:46,320 --> 00:29:48,000
Speaker 1: Okay, good luck, Champ.

514
00:29:48,040 --> 00:29:50,560
Speaker 2: But I think that you're gonna have a lot of

515
00:29:51,120 --> 00:29:53,400
Speaker 2: fucking stupid good luck. Did you say?

516
00:29:53,640 --> 00:29:54,320
Speaker 3: You said Champ?

517
00:29:54,360 --> 00:30:02,480
Speaker 2: I said Jan but said I said, Cham to do it.

518
00:30:03,960 --> 00:30:06,720
Speaker 2: But to be able to work on our own projects,

519
00:30:06,760 --> 00:30:08,880
Speaker 2: to be able to, like a style would have a

520
00:30:08,920 --> 00:30:11,840
Speaker 2: set schedule, to be able to take stuff out, you

521
00:30:11,880 --> 00:30:18,560
Speaker 2: would need to to be able to like work work

522
00:30:18,600 --> 00:30:21,400
Speaker 2: our ship out, you know what I mean, without like having.

523
00:30:21,200 --> 00:30:23,760
Speaker 3: To like go through the fucking And there's gonna be.

524
00:30:23,720 --> 00:30:26,520
Speaker 1: A creative explosion when it is. I'll say, I know

525
00:30:26,600 --> 00:30:30,880
Speaker 1: you don't want it to end. The first probably one

526
00:30:30,960 --> 00:30:34,040
Speaker 1: hundred days following the announcement of the end will be

527
00:30:34,120 --> 00:30:39,720
Speaker 1: a creative explosion because the pressure that has built up

528
00:30:39,800 --> 00:30:42,680
Speaker 1: in this town and you feel it, man, it's.

529
00:30:42,720 --> 00:30:49,120
Speaker 2: Sizzling, unlike in all history.

530
00:30:47,480 --> 00:30:50,080
Speaker 1: Very emblematic of the fourth Turning. I mean the hat

531
00:30:50,160 --> 00:30:54,200
Speaker 1: pack will be remembered as people are the most creative generation.

532
00:30:54,560 --> 00:30:57,560
Speaker 4: The symbol. This will be the symbol when people are

533
00:30:57,560 --> 00:31:00,000
Speaker 4: looking at the work that's coming out twenty years from now.

534
00:31:00,480 --> 00:31:02,680
Speaker 3: They'll say, oh, I should get this. This is where

535
00:31:02,680 --> 00:31:03,160
Speaker 3: it started.

536
00:31:04,400 --> 00:31:06,880
Speaker 1: It'll actually be you can show it just like this.

537
00:31:07,000 --> 00:31:07,920
Speaker 1: Everyone can see it.

538
00:31:08,040 --> 00:31:12,440
Speaker 2: Yeah, just leaving it on is it's actually uh and

539
00:31:12,800 --> 00:31:17,880
Speaker 2: not putting your hand on it and not definitely not

540
00:31:19,240 --> 00:31:21,520
Speaker 2: a finger, then putting your hand on it.

541
00:31:21,680 --> 00:31:22,200
Speaker 3: You can see it.

542
00:31:22,520 --> 00:31:25,400
Speaker 2: Just actually not touching it is.

543
00:31:27,000 --> 00:31:29,440
Speaker 1: Check if my wife ever responded to this picture with

544
00:31:29,520 --> 00:31:30,320
Speaker 1: Paul as well.

545
00:31:30,720 --> 00:31:38,560
Speaker 2: No, the rates are crazier right now. They're like the text.

546
00:31:38,920 --> 00:31:42,680
Speaker 3: I yeah, maybe that.

547
00:31:42,720 --> 00:31:46,440
Speaker 1: Was something weird. I felt embarrassed. I told you that,

548
00:31:48,760 --> 00:31:52,280
Speaker 1: but I understand what shifted. You know, you asked to

549
00:31:52,360 --> 00:31:52,920
Speaker 1: be in it.

550
00:31:54,200 --> 00:31:58,360
Speaker 4: That's why I think it felt embarrassed. I was like, I.

551
00:31:58,320 --> 00:32:01,080
Speaker 1: Asked, shouldn't have had that I was asked to. I

552
00:32:01,120 --> 00:32:03,400
Speaker 1: thought I thought I had. It had occurred to me

553
00:32:03,400 --> 00:32:06,160
Speaker 1: that I get all three of us, and I did well.

554
00:32:06,200 --> 00:32:08,240
Speaker 4: It's also in the period where I didn't know if

555
00:32:09,480 --> 00:32:11,400
Speaker 4: you guys were doing this the two of you, and

556
00:32:11,920 --> 00:32:12,480
Speaker 4: I didn't want to.

557
00:32:13,120 --> 00:32:15,440
Speaker 2: It's only really a third fucking time on the show,

558
00:32:15,760 --> 00:32:17,920
Speaker 2: like and you're like, oh, yeah, sorry, I didn't know

559
00:32:17,960 --> 00:32:21,520
Speaker 2: what was happening. I guess maybe by the like the

560
00:32:21,560 --> 00:32:23,440
Speaker 2: fiftieth time, like how many times?

561
00:32:23,520 --> 00:32:26,440
Speaker 1: Yeah, when you're like, yeah, when will you be ready

562
00:32:26,480 --> 00:32:29,120
Speaker 1: to do the show without it being a tremendous burden

563
00:32:29,200 --> 00:32:29,440
Speaker 1: on me?

564
00:32:29,760 --> 00:32:32,360
Speaker 4: Okay, I know we scheduled like the hour after we're

565
00:32:32,360 --> 00:32:35,320
Speaker 4: done recording to go and do a review of the show.

566
00:32:35,320 --> 00:32:38,040
Speaker 2: Right and just the end. Yeah, we do have to

567
00:32:38,080 --> 00:32:38,680
Speaker 2: be insolidary.

568
00:32:38,840 --> 00:32:42,120
Speaker 1: Just remember that, just like that show, just a show

569
00:32:42,160 --> 00:32:45,440
Speaker 1: of strength to the studios, right right. Yes, you know,

570
00:32:45,960 --> 00:32:47,800
Speaker 1: I don't think it's helpful to keep saying you don't

571
00:32:47,800 --> 00:32:50,080
Speaker 1: want it to add I understand.

572
00:32:50,920 --> 00:32:53,640
Speaker 2: I know, I know it's so bad.

573
00:32:54,320 --> 00:32:58,760
Speaker 1: It's so bad, but I love I mean, maybe that

574
00:32:58,920 --> 00:33:00,680
Speaker 1: is actually a powerful to be.

575
00:33:00,680 --> 00:33:06,720
Speaker 2: Like, we like it. I love baking my recipes. And

576
00:33:06,880 --> 00:33:09,240
Speaker 2: you said sweatpants.

577
00:33:08,400 --> 00:33:10,840
Speaker 1: Before, Like I want to be in my sweatpants.

578
00:33:10,880 --> 00:33:11,440
Speaker 3: Yeah I do.

579
00:33:11,640 --> 00:33:14,320
Speaker 2: Yeah, I love wearing my sweatpants with no underwear.

580
00:33:14,920 --> 00:33:17,480
Speaker 4: I want them backwards with the draw string in back.

581
00:33:18,160 --> 00:33:21,760
Speaker 1: Yeah, tiny shorts I cut I do. I cut them

582
00:33:21,760 --> 00:33:24,000
Speaker 1: into really short shorts. My sweatpants.

583
00:33:24,000 --> 00:33:27,120
Speaker 2: I love my sweatpants. They've worn and become very sheer

584
00:33:27,320 --> 00:33:28,960
Speaker 2: in in my area.

585
00:33:28,920 --> 00:33:30,960
Speaker 1: Holes in them, and there's a lot of.

586
00:33:31,000 --> 00:33:34,680
Speaker 4: Yeah, I've been painting my shirts on. You don't remember

587
00:33:34,760 --> 00:33:40,280
Speaker 4: when Demi famously painted her body on the.

588
00:33:40,240 --> 00:33:42,320
Speaker 2: Cover of it Going through a lot right now, So

589
00:33:42,400 --> 00:33:46,240
Speaker 2: I would, you know, maybe not yeah, like you know.

590
00:33:46,400 --> 00:33:48,160
Speaker 4: I was going pretty hard.

591
00:33:48,480 --> 00:33:53,280
Speaker 2: Yeah, I would maybe just like not go so hard.

592
00:33:53,360 --> 00:33:56,680
Speaker 1: Trying of like, we don't like remember her magazine covers,

593
00:33:56,800 --> 00:33:59,840
Speaker 1: like when there's actually a lot going on.

594
00:34:01,320 --> 00:34:03,160
Speaker 2: Just like talk about you to just be like, I'm

595
00:34:03,160 --> 00:34:05,240
Speaker 2: doing this. We don't need to like break her.

596
00:34:05,640 --> 00:34:08,279
Speaker 1: We don't need a reference point necessarily, especially when he's

597
00:34:08,320 --> 00:34:11,359
Speaker 1: going through something and at a time when remembering her

598
00:34:11,400 --> 00:34:13,480
Speaker 1: magazine covers could be pretty traumatizing.

599
00:34:13,640 --> 00:34:15,920
Speaker 4: Well, I'm definitely not doing a magazine cover of me

600
00:34:16,120 --> 00:34:17,880
Speaker 4: pregnant like her.

601
00:34:18,120 --> 00:34:19,480
Speaker 3: How outrageous was that?

602
00:34:19,520 --> 00:34:24,200
Speaker 4: But Paul, Okay, when I'm in the supermarket, I don't want.

603
00:34:24,000 --> 00:34:30,319
Speaker 2: To see that. I know, I understand where you're coming from,

604
00:34:30,360 --> 00:34:31,440
Speaker 2: and I agree with.

605
00:34:31,320 --> 00:34:38,080
Speaker 1: You, But this is like the next thing that I

606
00:34:38,160 --> 00:34:41,040
Speaker 1: know you're going to be remembering the verse that Opera Man.

607
00:34:40,880 --> 00:34:42,120
Speaker 2: Did about her.

608
00:34:43,800 --> 00:34:46,840
Speaker 1: When she was paid twelve million dollars for her next movie,

609
00:34:46,920 --> 00:34:50,279
Speaker 1: four million for acting, four million for each booby, Like,

610
00:34:51,400 --> 00:34:55,239
Speaker 1: I just cannot have you reciting opera man's lyrics like that,

611
00:34:55,840 --> 00:35:00,319
Speaker 1: because it is just not it's a time for solidarity, yes,

612
00:35:01,120 --> 00:35:04,680
Speaker 1: and it's like and and we're in this together, right,

613
00:35:04,920 --> 00:35:07,120
Speaker 1: sag did you call?

614
00:35:09,040 --> 00:35:13,120
Speaker 2: Did she actually get big? Like that's insane, that's crazy

615
00:35:14,360 --> 00:35:15,320
Speaker 2: for each one.

616
00:35:17,840 --> 00:35:22,239
Speaker 1: Even today, I guess had actually seen like at least

617
00:35:22,239 --> 00:35:23,440
Speaker 1: a red line of the con.

618
00:35:23,400 --> 00:35:27,560
Speaker 2: Can I just can I just say, like again, like yes,

619
00:35:27,600 --> 00:35:29,719
Speaker 2: it was kind of weird that he said that, but

620
00:35:29,880 --> 00:35:35,000
Speaker 2: it does show like how the business has changed since then.

621
00:35:35,239 --> 00:35:38,600
Speaker 2: Imagine someone getting that kind of deal today. I know

622
00:35:39,440 --> 00:35:43,360
Speaker 2: we're on and especially why yes, the idea of getting

623
00:35:43,560 --> 00:35:47,799
Speaker 2: like that kind of deal is like totally untenable to like,

624
00:35:48,120 --> 00:35:49,320
Speaker 2: like it would just never have.

625
00:35:49,440 --> 00:35:53,200
Speaker 1: It's not even they they've strangled the you know, the

626
00:35:53,239 --> 00:35:58,200
Speaker 1: flow of cash. They've really they've separated the worker from

627
00:35:58,239 --> 00:36:03,040
Speaker 1: the means of production, and so uh, it can't happen now.

628
00:36:03,200 --> 00:36:07,120
Speaker 1: It's unsustainable because with theatrical windows and all these things

629
00:36:07,160 --> 00:36:12,400
Speaker 1: that have just been totally destroyed by bad actors. H

630
00:36:12,680 --> 00:36:14,560
Speaker 1: And I'm not talking of course about the actress on

631
00:36:14,600 --> 00:36:15,439
Speaker 1: the screen.

632
00:36:23,080 --> 00:36:27,200
Speaker 2: Cut that Covin. I fucking can't believe myself what I broke?

633
00:36:27,280 --> 00:36:29,800
Speaker 1: What he said that I laugh, No, I was, I

634
00:36:29,960 --> 00:36:33,280
Speaker 1: made me laugh, all broke.

635
00:36:33,360 --> 00:36:35,640
Speaker 2: He was trying to keep a straight face. Keep that

636
00:36:35,680 --> 00:36:37,960
Speaker 2: because that will be fun. Like cut what Schohn was saying,

637
00:36:37,960 --> 00:36:39,640
Speaker 2: but keep alling.

638
00:36:39,080 --> 00:36:41,440
Speaker 1: Aaull laughing and just put it somewhere else.

639
00:36:41,560 --> 00:36:45,920
Speaker 2: Yeah, yeah, a good screen up, Like I'm like, that

640
00:36:45,960 --> 00:36:48,759
Speaker 2: could be a really good screen grab. Yeah, and he's

641
00:36:48,800 --> 00:36:52,239
Speaker 2: got that because our screen grabs have been dog shit lately. No,

642
00:36:52,400 --> 00:36:54,840
Speaker 2: they like what you can use them for. A screen

643
00:36:54,840 --> 00:36:55,680
Speaker 2: grab is like.

644
00:36:55,800 --> 00:36:56,960
Speaker 1: No, it makes me throw up.

645
00:36:57,560 --> 00:37:01,120
Speaker 2: I'm kind of like reaching for my with my finger,

646
00:37:01,680 --> 00:37:06,359
Speaker 2: like it's not even just like at that point, I'd

647
00:37:06,400 --> 00:37:09,600
Speaker 2: rather you just show me just like full on shoving

648
00:37:09,600 --> 00:37:12,600
Speaker 2: my finger my nose, like rather just be like is

649
00:37:12,600 --> 00:37:14,839
Speaker 2: he gonna do it or isn't he? Like just show that,

650
00:37:15,320 --> 00:37:17,399
Speaker 2: you know, and that that's where we're at with how

651
00:37:17,440 --> 00:37:18,879
Speaker 2: bad the screen grabs are.

652
00:37:19,000 --> 00:37:22,680
Speaker 4: Well, and then there's those sick twists who would love it,

653
00:37:22,880 --> 00:37:25,520
Speaker 4: you know, who would love seeing their one of their

654
00:37:25,560 --> 00:37:32,200
Speaker 4: favorite performers, entertainers, podcast hosts. They go, oh yeah, oh,

655
00:37:32,320 --> 00:37:34,280
Speaker 4: were you not aware that's my kink.

656
00:37:35,040 --> 00:37:37,440
Speaker 1: No, it's true. There's perverts out there who want to

657
00:37:37,480 --> 00:37:46,239
Speaker 1: see Hayes hunting for nose goblins. They probably even though that.

658
00:37:46,560 --> 00:37:48,839
Speaker 2: Yeah, even though that, like it does make me sick

659
00:37:48,880 --> 00:37:51,200
Speaker 2: to do, and so like you pressuring me to like

660
00:37:51,320 --> 00:37:54,000
Speaker 2: do that over and over again for your sexual satisfaction,

661
00:37:54,160 --> 00:37:56,759
Speaker 2: like you're not understanding that it does. I do get

662
00:37:56,800 --> 00:37:58,040
Speaker 2: germs in there when I do that.

663
00:37:58,320 --> 00:38:00,480
Speaker 3: Oh yeah, it's people are stuff for.

664
00:38:00,560 --> 00:38:03,400
Speaker 1: Like I can't wash my hands, like your hands are filthy.

665
00:38:03,560 --> 00:38:05,359
Speaker 2: Yeah, my hands are dirty, and when I set them

666
00:38:05,360 --> 00:38:07,480
Speaker 2: in there, I get sick because there's germs on them.

667
00:38:07,960 --> 00:38:09,200
Speaker 3: So you touch a lot of stuff.

668
00:38:09,600 --> 00:38:12,760
Speaker 2: You just look, I'm touching the mic with both hands

669
00:38:12,840 --> 00:38:15,279
Speaker 2: right now. I'm gripping like because I mean the mic.

670
00:38:15,360 --> 00:38:18,920
Speaker 2: Think about who uses the mic? Yes, when we're not

671
00:38:19,000 --> 00:38:21,560
Speaker 2: in this room, Yeah, like really think about it. They

672
00:38:21,640 --> 00:38:24,160
Speaker 2: let anyone use the mic. We think Casey does when

673
00:38:24,200 --> 00:38:24,680
Speaker 2: we leave.

674
00:38:27,360 --> 00:38:28,280
Speaker 3: Cleans the mics.

675
00:38:30,320 --> 00:38:35,480
Speaker 1: Yeah, well that's what he calls it. I don't know

676
00:38:35,600 --> 00:38:38,960
Speaker 1: clean that thing is. But yeah.

677
00:38:39,000 --> 00:38:41,960
Speaker 4: Oh but yeah, you're saying like it's kind of like

678
00:38:42,000 --> 00:38:43,520
Speaker 4: the the laptop.

679
00:38:44,640 --> 00:38:45,760
Speaker 1: Hunter Biden's laptop.

680
00:38:46,000 --> 00:38:48,799
Speaker 4: Yeah, from the Biden crime family. Yeah, don't get me

681
00:38:48,840 --> 00:38:52,640
Speaker 4: started though, Yeah, but the you know, a lot of

682
00:38:52,640 --> 00:38:55,600
Speaker 4: coffee places nowadays, they'll have the computer that you can

683
00:38:55,640 --> 00:38:56,640
Speaker 4: go over to check your.

684
00:38:56,719 --> 00:38:58,200
Speaker 3: Reel, like a cyberbar.

685
00:38:58,520 --> 00:39:00,799
Speaker 2: Yes, exactly. They say that.

686
00:39:00,800 --> 00:39:05,239
Speaker 4: You shouldn't put your fingers on those cyber bar computers

687
00:39:05,280 --> 00:39:07,400
Speaker 4: because they're just you think about all the people.

688
00:39:07,440 --> 00:39:09,800
Speaker 3: It's like you said, like you said.

689
00:39:09,920 --> 00:39:14,279
Speaker 1: Was saying, yeah, but yeah, I was talking about land parties. Yes,

690
00:39:14,719 --> 00:39:16,719
Speaker 1: I was talking a lot about land parties and how

691
00:39:16,760 --> 00:39:20,840
Speaker 1: they can be a lot of fun. But because of

692
00:39:20,880 --> 00:39:24,440
Speaker 1: all the shared laptops at like the cyber bars and stuff,

693
00:39:24,520 --> 00:39:28,000
Speaker 1: what's at land lan Land party?

694
00:39:28,120 --> 00:39:30,200
Speaker 2: Oh, I know we're not allowed to talk about this,

695
00:39:30,280 --> 00:39:33,479
Speaker 2: but just like the fact that if you're the president's son,

696
00:39:34,200 --> 00:39:38,400
Speaker 2: you can go into a coffee shop, sit at the

697
00:39:38,440 --> 00:39:42,920
Speaker 2: public computer, take your shirt off, and like do drugs

698
00:39:43,160 --> 00:39:45,000
Speaker 2: and like we're also just supposed to be like that's

699
00:39:45,040 --> 00:39:46,920
Speaker 2: and do you take you use the computer to take

700
00:39:46,920 --> 00:39:50,279
Speaker 2: a picture. Everyone else is waiting to use the computer. Yep,

701
00:39:50,560 --> 00:39:52,840
Speaker 2: but it's like, oh no, it's okay. Like my daddy's

702
00:39:52,880 --> 00:39:54,399
Speaker 2: the president, so I'm allowed to do that.

703
00:39:54,440 --> 00:39:57,760
Speaker 4: Oh I went into the Bourgeois Pig last week through

704
00:39:57,760 --> 00:40:00,480
Speaker 4: the door there. Yes, I'm not gonna to say, but

705
00:40:00,560 --> 00:40:03,880
Speaker 4: it was the child of a president with a huge

706
00:40:04,560 --> 00:40:08,759
Speaker 4: just some apparatus, some drug taking apparatus. Burning one end

707
00:40:09,160 --> 00:40:11,200
Speaker 4: like a pushing.

708
00:40:11,000 --> 00:40:14,319
Speaker 1: Looked like a didgeridoo or something. Yeah, but it's but.

709
00:40:14,400 --> 00:40:19,040
Speaker 4: But objects inside, while the other side.

710
00:40:18,840 --> 00:40:23,360
Speaker 2: He looks like he's one man band like because he

711
00:40:23,440 --> 00:40:25,440
Speaker 2: is operating something with his foot as well.

712
00:40:25,480 --> 00:40:28,560
Speaker 1: There's like like some no, and he's got something. He's

713
00:40:28,560 --> 00:40:32,360
Speaker 1: got some sort of neck harness attached, and there's and

714
00:40:32,400 --> 00:40:39,320
Speaker 1: there's something. Yeah, it's really you can't even open the door.

715
00:40:39,800 --> 00:40:41,000
Speaker 2: Yeah, oh, I.

716
00:40:40,480 --> 00:40:44,360
Speaker 4: Had to scream to one door slams in my face.

717
00:40:44,800 --> 00:40:46,719
Speaker 1: I thought he was a busker. I started giving I

718
00:40:46,760 --> 00:40:49,560
Speaker 1: started giving, you know, money, because I assumed it was

719
00:40:49,600 --> 00:40:52,200
Speaker 1: some sort of performance, and then I realized, oh no,

720
00:40:52,680 --> 00:40:53,680
Speaker 1: it's recreation.

721
00:40:54,560 --> 00:40:56,520
Speaker 2: Wowed out from all the Oh.

722
00:40:56,640 --> 00:40:57,680
Speaker 3: But it was just a scrub.

723
00:40:59,080 --> 00:41:07,400
Speaker 4: There are also no but you saw a busker. You

724
00:41:07,560 --> 00:41:10,640
Speaker 4: said you saw a busker, like.

725
00:41:10,960 --> 00:41:13,839
Speaker 1: Well, I know, I said I thought it was I

726
00:41:13,880 --> 00:41:14,400
Speaker 1: thought it was.

727
00:41:14,480 --> 00:41:16,120
Speaker 2: No, it wasn't. But he saw the same thing that

728
00:41:16,160 --> 00:41:18,680
Speaker 2: we saw. It was that it was the exact same thing,

729
00:41:19,400 --> 00:41:21,040
Speaker 2: but he just thought it was something else.

730
00:41:21,360 --> 00:41:22,840
Speaker 1: And I was actually lying.

731
00:41:24,080 --> 00:41:28,200
Speaker 4: That he lied about that, and we were talking about

732
00:41:28,719 --> 00:41:30,040
Speaker 4: Ron Reagan junior.

733
00:41:29,840 --> 00:41:34,239
Speaker 2: Right, yes, who like otherwise Like yeah, otherwise, I like,

734
00:41:34,360 --> 00:41:37,719
Speaker 2: except for how big his apparatus is.

735
00:41:39,520 --> 00:41:40,200
Speaker 1: Hard to get.

736
00:41:41,600 --> 00:41:45,879
Speaker 4: Yeah, and there's enough problems with that. But wait, sorry,

737
00:41:45,880 --> 00:41:47,600
Speaker 4: I don't have an hour to wait for my.

738
00:41:57,600 --> 00:42:04,960
Speaker 1: Ye my freaking uh low soy Machino.

739
00:42:08,160 --> 00:42:08,960
Speaker 4: Was a genuinus.

740
00:42:15,640 --> 00:42:18,160
Speaker 2: So what are you gonna do? Like like once we're back,

741
00:42:18,600 --> 00:42:22,800
Speaker 2: Like what do you have ready? Like what's like what's

742
00:42:22,920 --> 00:42:25,720
Speaker 2: next for you? Like you can't promote.

743
00:42:25,520 --> 00:42:26,520
Speaker 3: Going back to the smurs?

744
00:42:27,120 --> 00:42:28,879
Speaker 2: You're going to go back to the smurs?

745
00:42:29,040 --> 00:42:33,520
Speaker 4: Okay, but I've been because that's just that was all percolating.

746
00:42:34,200 --> 00:42:38,040
Speaker 2: Yeah, before I remember being like, can we just wait

747
00:42:38,160 --> 00:42:41,440
Speaker 2: a little longer before we do this? We let and

748
00:42:41,480 --> 00:42:46,240
Speaker 2: then then and now it's so crazy. When it started,

749
00:42:46,280 --> 00:42:55,560
Speaker 2: I was like, we please just wait a little bit longer.

750
00:42:53,920 --> 00:42:58,040
Speaker 1: Like I'm starting the good used thing. I'm actually I'm

751
00:42:58,280 --> 00:43:02,920
Speaker 1: loving wearing light sweatpants the very so much food.

752
00:43:03,840 --> 00:43:07,279
Speaker 4: Yeah, did I tell you I was wearing so embarrassing.

753
00:43:07,520 --> 00:43:09,920
Speaker 4: I was wearing my sweatpants and I was wearing my

754
00:43:09,960 --> 00:43:10,799
Speaker 4: white sweatpants.

755
00:43:10,920 --> 00:43:12,680
Speaker 1: Okay, I think I know where this is going.

756
00:43:12,960 --> 00:43:15,000
Speaker 4: I went shopping.

757
00:43:15,239 --> 00:43:16,640
Speaker 2: It just a bar, you have told me.

758
00:43:17,760 --> 00:43:19,440
Speaker 4: Yeah, I get a coffee.

759
00:43:20,200 --> 00:43:22,760
Speaker 2: You told me this multi coffee.

760
00:43:22,760 --> 00:43:24,880
Speaker 4: I don't know what I was before we started.

761
00:43:25,600 --> 00:43:26,839
Speaker 1: Called me yesterday and I.

762
00:43:26,760 --> 00:43:29,600
Speaker 4: Had it on an empty stomach and then on fiction

763
00:43:29,760 --> 00:43:32,000
Speaker 4: section and I looked down at my back.

764
00:43:32,120 --> 00:43:36,000
Speaker 1: I know the story, Yeah, all the way down the

765
00:43:36,040 --> 00:43:42,040
Speaker 1: back of my pants. Yeah, yeah, my pant let. Yeah,

766
00:43:44,280 --> 00:43:44,600
Speaker 1: what's it?

767
00:43:44,680 --> 00:43:46,080
Speaker 3: A coffee?

768
00:43:46,000 --> 00:43:49,759
Speaker 2: Yeah, it's you say it, empty stomach. It is like,

769
00:43:49,800 --> 00:43:51,680
Speaker 2: I don't know if that was related to it, or

770
00:43:51,719 --> 00:43:53,520
Speaker 2: it's if it's the coffee at all. And you mentioned

771
00:43:53,520 --> 00:43:57,560
Speaker 2: the non fiction section also, isn't it? Is there a

772
00:43:57,719 --> 00:44:01,759
Speaker 2: non fiction Barnes and Noble, Like there's I guess there's

773
00:44:01,800 --> 00:44:04,120
Speaker 2: a nonfiction section. But I think you know.

774
00:44:05,840 --> 00:44:09,400
Speaker 4: Toys right, I meana Barnes and Noble or kids are

775
00:44:09,480 --> 00:44:10,160
Speaker 4: us nowadays?

776
00:44:10,280 --> 00:44:10,440
Speaker 2: Right?

777
00:44:10,560 --> 00:44:13,520
Speaker 1: You know there's so many fucking toys there. It makes

778
00:44:13,520 --> 00:44:18,880
Speaker 1: me basically, Yeah, it's like board games and toys and

779
00:44:18,960 --> 00:44:21,880
Speaker 1: a bunch of bullshit. And it's like, what happened to

780
00:44:21,960 --> 00:44:24,759
Speaker 1: going to a bookstore and reading a fucking book and

781
00:44:24,800 --> 00:44:27,040
Speaker 1: the movies they have there?

782
00:44:27,640 --> 00:44:29,200
Speaker 3: Here's my problem. Yeah, exactly.

783
00:44:29,440 --> 00:44:32,120
Speaker 4: They've now taken three different spots that you could go

784
00:44:32,520 --> 00:44:35,280
Speaker 4: put them into one. You could have a sun Coast,

785
00:44:36,040 --> 00:44:38,200
Speaker 4: you could have had a bookstore on its own, and

786
00:44:38,239 --> 00:44:38,799
Speaker 4: then you could have.

787
00:44:38,840 --> 00:44:42,480
Speaker 2: Got out a KB Toys. Hey what about KB Toys?

788
00:44:42,560 --> 00:44:45,160
Speaker 2: And now it's all become Barnes and Noble. We're just

789
00:44:45,160 --> 00:44:47,640
Speaker 2: supposed to go like walk around zombies with our endow

790
00:44:48,080 --> 00:44:48,719
Speaker 2: all day.

791
00:44:49,120 --> 00:44:52,480
Speaker 1: Just live there with our Barnes and Noble app open

792
00:44:52,560 --> 00:44:55,479
Speaker 1: on the phone and zap zip zapp.

793
00:44:55,800 --> 00:44:59,680
Speaker 2: Just like instead of brains, we say barns. M hm,

794
00:45:00,040 --> 00:45:03,719
Speaker 2: we're saying barns.

795
00:45:03,800 --> 00:45:08,680
Speaker 1: No, we're saying Barns and stead We're we're zombies, right.

796
00:45:09,600 --> 00:45:14,880
Speaker 1: We just need the fucking reading dead. It's yeah, we

797
00:45:14,920 --> 00:45:17,560
Speaker 1: just need to scorched. Like honestly, we just want to

798
00:45:17,600 --> 00:45:18,920
Speaker 1: start over bookstore.

799
00:45:19,160 --> 00:45:21,040
Speaker 2: There's no there's no coming back.

800
00:45:21,320 --> 00:45:26,640
Speaker 1: Just race it all, just retribution, strike forever, and just

801
00:45:27,120 --> 00:45:29,000
Speaker 1: wash away the entire planet.

802
00:45:29,080 --> 00:45:31,640
Speaker 3: This city is just building.

803
00:45:31,840 --> 00:45:33,880
Speaker 4: ARC Country is a toilet and it just needs a

804
00:45:33,880 --> 00:45:34,920
Speaker 4: big fucking flush.

805
00:45:35,160 --> 00:45:40,400
Speaker 1: Flush the fucking toilet. Build an arc right, Yeah, and

806
00:45:40,560 --> 00:45:43,480
Speaker 1: make sure you bring your nose plugs because of the

807
00:45:43,880 --> 00:45:47,440
Speaker 1: stench of have you guys seasoned urine?

808
00:45:47,560 --> 00:45:49,200
Speaker 4: Have you guys gone back to Evan Almighty?

809
00:45:49,480 --> 00:45:51,640
Speaker 1: I know, it's funny.

810
00:45:52,480 --> 00:45:55,920
Speaker 2: It was actually like, given what was what was it

811
00:45:55,960 --> 00:45:57,680
Speaker 2: was trying to actually tell us what was coming.

812
00:45:58,040 --> 00:46:01,759
Speaker 1: No, it's better then, Yeah, it's better. It's better than

813
00:46:01,800 --> 00:46:02,520
Speaker 1: any other movie.

814
00:46:02,640 --> 00:46:04,279
Speaker 4: Isn't that cool when you can watch a comedy like

815
00:46:04,320 --> 00:46:06,240
Speaker 4: that and it's like they had their eye on the future.

816
00:46:06,760 --> 00:46:09,400
Speaker 1: Well at the time, if you remember, at the time,

817
00:46:10,560 --> 00:46:16,880
Speaker 1: people said this could never happen. Yeah, and I'm looking

818
00:46:16,960 --> 00:46:19,080
Speaker 1: around and it's happening.

819
00:46:19,239 --> 00:46:21,840
Speaker 4: Yeah, driving by a lot of houses where there's a

820
00:46:21,840 --> 00:46:23,560
Speaker 4: lot of arts and driveways lately.

821
00:46:23,800 --> 00:46:26,080
Speaker 1: Yeah, people buying arcs.

822
00:46:26,760 --> 00:46:30,720
Speaker 2: Interesting, Yeah, it did happen. It happened.

823
00:46:30,760 --> 00:46:33,720
Speaker 1: Fox Catcher too, is like that they made a sequel.

824
00:46:33,880 --> 00:46:39,600
Speaker 4: Yeah, what's it follow like the characters, it's like a

825
00:46:39,640 --> 00:46:40,120
Speaker 4: follow up.

826
00:46:40,400 --> 00:46:45,200
Speaker 1: It's yeah, it's it's different. I mean it's not. There's

827
00:46:45,400 --> 00:46:50,200
Speaker 1: no wrestling in it. Like, it's not there's no wrestling

828
00:46:50,239 --> 00:46:53,120
Speaker 1: in it, and there's none of the actors from the

829
00:46:53,160 --> 00:46:57,560
Speaker 1: first one are gone. They have pictures of them, like

830
00:46:57,760 --> 00:47:00,800
Speaker 1: in the guy's house, the guy.

831
00:47:00,760 --> 00:47:04,600
Speaker 2: From other other projects that we're in. Not from yeah,

832
00:47:05,160 --> 00:47:07,320
Speaker 2: not their characters from Fox Catcher.

833
00:47:07,719 --> 00:47:10,520
Speaker 1: Yeah, the guy is the guy who.

834
00:47:10,760 --> 00:47:12,920
Speaker 4: I like it in a movie when somebody has like

835
00:47:13,000 --> 00:47:15,480
Speaker 4: a photo from somebody and they remember him, and then

836
00:47:15,920 --> 00:47:18,920
Speaker 4: it is like the on set photograph of the person

837
00:47:19,600 --> 00:47:22,600
Speaker 4: wearing a costume from the first movie that they got

838
00:47:22,640 --> 00:47:24,120
Speaker 4: a photograph of that one time.

839
00:47:24,320 --> 00:47:29,640
Speaker 2: Yes, it's a frame from from the movie.

840
00:47:30,440 --> 00:47:34,560
Speaker 1: That's really powerful. But I yeah, again, I haven't seen it.

841
00:47:34,640 --> 00:47:36,560
Speaker 1: I don't you know, I don't know. But the guy

842
00:47:36,640 --> 00:47:40,160
Speaker 1: in it is the guy who played Johnny Cage in

843
00:47:40,200 --> 00:47:42,040
Speaker 1: the first Mortal Kombat movie.

844
00:47:42,280 --> 00:47:44,840
Speaker 3: No, really, he's strong.

845
00:47:45,200 --> 00:47:45,960
Speaker 2: He's really strong.

846
00:47:46,040 --> 00:47:55,840
Speaker 1: He's so strong. Yeah,