WEBVTT - Round Ten!

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<v Speaker 1>Hey, Christy, Hi, how are you?

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<v Speaker 2>I'm so good? How are you?

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<v Speaker 1>I am good?

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<v Speaker 3>Man?

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<v Speaker 1>It's getting good, isn't it. So Hannah Bama moved on

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<v Speaker 1>last week?

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<v Speaker 2>Yeah, she did, and she she did it right like

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<v Speaker 2>she She came in with all of the passion and

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<v Speaker 2>spirit and I think that's so much of what we're

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<v Speaker 2>looking for, wouldn't you?

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<v Speaker 1>Oh? I agree. She also took her time, she hid

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<v Speaker 1>every note. I mean, she was great. It was that

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<v Speaker 1>both contestants were awesome, but it was one of those things,

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<v Speaker 1>especially when we got to the tiebreaker challenge, which was

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<v Speaker 1>fun to do, she really stepped up. So, man, the

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<v Speaker 1>first one in the final four is absolutely worth. I mean,

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<v Speaker 1>they're all worthy of being there. But man, it's going

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<v Speaker 1>to be the competition's getting stiff, you know.

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<v Speaker 2>I also thought that we did a really good job

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<v Speaker 2>of conducting the new format of this round, because it's

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<v Speaker 2>never been done. I've never seen anyone do something like

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<v Speaker 2>this before. And yet it was still like I thought, Okay,

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<v Speaker 2>they're going to do an ad read. It's not going

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<v Speaker 2>to be that dynamic, it's not going to be that different,

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<v Speaker 2>But it actually was quite different. Round for round, take for.

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<v Speaker 1>Take, Yeah, no, it's it's it's crazy. So we are

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<v Speaker 1>very very excited to continue the competition because we are

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<v Speaker 1>going to find the next person. So actually, I'm just

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<v Speaker 1>super excited about who we have today. Who's who's helping

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<v Speaker 1>us our guest judge today, because not only is she

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<v Speaker 1>a friend for a very very long time, not only

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<v Speaker 1>is she incredibly talented, especially when it comes to the

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<v Speaker 1>to animation, but a lot of people don't know she's

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<v Speaker 1>the voice of everything she does, like oh, like the

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<v Speaker 1>voices of ESPN and we'll talk to you about it,

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<v Speaker 1>but I mean, we is legendary in this side. Can

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<v Speaker 1>you tell us who's joining us today?

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<v Speaker 2>It's Vanessa Marshall.

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<v Speaker 1>Hi, Vanessa, how's it going? Welcome back?

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<v Speaker 3>How are you?

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<v Speaker 1>Welcome back? Thank you you are here to help us

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<v Speaker 1>as a guest judge today. Excellent, Moving on to the

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<v Speaker 1>next round. So the last round of the show, we

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<v Speaker 1>were doing the game the where we were picking our

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<v Speaker 1>contestants and the contestants were you know, are are our

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<v Speaker 1>guest judges were picking numbers. It was called by the Numbers,

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<v Speaker 1>and they were building the uh character right there, yeah,

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<v Speaker 1>right there on the spot as fast as they could.

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<v Speaker 1>But as we've said from the beginning, we are looking

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<v Speaker 1>for a all around voiceover actor, like somebody who is

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<v Speaker 1>can do anything whenever we need to, just like that's

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<v Speaker 1>one of the So we are doing our second game now,

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<v Speaker 1>which is called Extra Extra Read all about it and

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<v Speaker 1>it's all ad reads. And one of the things I

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<v Speaker 1>was talking about in your intro is how everybody knows

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<v Speaker 1>you from all of your voiceover stuff when it comes

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<v Speaker 1>to animation. I mean, we've talked about Wonder Woman, We've

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<v Speaker 1>talked about Gamora, we've talked about everything you've done, but

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<v Speaker 1>a lot of people don't know you are also huge

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<v Speaker 1>in the world of like you're the voice of this,

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<v Speaker 1>you're the voice of that product.

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<v Speaker 2>I cannot know that.

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<v Speaker 1>So can you tell us a little bit about some

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<v Speaker 1>of the some of the stuff that you do.

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<v Speaker 3>Yes, of course, So you're asking about commercials and commercials.

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<v Speaker 1>And I know that you did. You did a lot

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<v Speaker 1>of stuff for ESPN, and you've done stuff for all

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<v Speaker 1>these kind of different companies, and I guess I'm just

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<v Speaker 1>asking not only what which ones have you done, but

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<v Speaker 1>how is that different than the animation side.

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<v Speaker 3>Oh it's yes, commercial, promo, trailer, narration, all of that

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<v Speaker 3>stuff and I also do radio liners. I have various

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<v Speaker 3>radio stations all over that I and there are different

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<v Speaker 3>genres within that for rock, you know, adult contemporary, this

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<v Speaker 3>and that. But yeah, the difference, well, okay, what's the

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<v Speaker 3>same is that each thing is telling a story, right

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<v Speaker 3>and in animation we bring the story to life. In

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<v Speaker 3>a commercial, it's a thirty second story. There's a problem,

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<v Speaker 3>here's a solution, live happily ever after. Right So in

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<v Speaker 3>analyzing what the promise is, it's the same general idea.

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<v Speaker 3>It's just only thirty seconds long. Right. So in terms

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<v Speaker 3>of text analysis and stuff like that over the arc

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<v Speaker 3>of a season, you know, say Guardians of the Galaxy

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<v Speaker 3>that we were in Gomorah seeks for redemption if you will.

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<v Speaker 3>You know in the commercial, I did an eyeglass commercial

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<v Speaker 3>the other day and it says something like mullets were

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<v Speaker 3>never cool. Cattis eyewear. Like there's someone on camera like

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<v Speaker 3>with a mullet and like big goggle, you know, and

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<v Speaker 3>I actually love mullets. Let's just give a shout out

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<v Speaker 3>to the mullet community. Yes, anyway, but the problem it's like,

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<v Speaker 3>you know, ugly mullet. Fix it with a pair of glasses.

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<v Speaker 3>It was it might have even been a fifteen second spot.

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<v Speaker 3>And then I just say, you know, get a life

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<v Speaker 3>at cadisywear dot com. And so problem mullets were never good,

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<v Speaker 3>You're disgusting. Solution Catisyewear will solve all your problems. So

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<v Speaker 3>that's sort of the mini version of it in a commercial.

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<v Speaker 3>And then you know, I've voiced stuff for the X

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<v Speaker 3>Games and I think they said they wanted b Orc

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<v Speaker 3>to do it, and I was like, guys, I don't

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<v Speaker 3>know that that's going to pan out for you. But

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<v Speaker 3>they said they wanted some sort of transatlantic, like some

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<v Speaker 3>indistinguishable bizarre act, and I kind of did sort of

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<v Speaker 3>a British accent. But that person has traveled quite a bit.

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<v Speaker 3>You're like, coming up next on the X Games, she's

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<v Speaker 3>like twenty and she's like seeing some things. You know,

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<v Speaker 3>she's a bit precautious, right, And so that was specific,

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<v Speaker 3>but normally it's just sort of straight announcer read. But anyway,

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<v Speaker 3>each scenario, like say for the Special Olympics for ESPN,

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<v Speaker 3>that is more of you know, it was hard not

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<v Speaker 3>to cry while I was reading that copy. I mean,

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<v Speaker 3>these kids were so amazing and I was like, I'm

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<v Speaker 3>such a schlub, you know, I felt like, you know,

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<v Speaker 3>I was so inspired and and so the you know,

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<v Speaker 3>the deal there is to just like hold it together

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<v Speaker 3>and all these kids, you know, to help to help

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<v Speaker 3>guide the viewers through witnessing these miraculous events. So so

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<v Speaker 3>again it's it's sort of the same premise, but different

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<v Speaker 3>different lengths of time and different goals. And then of

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<v Speaker 3>course in the video game there's the video player or

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<v Speaker 3>the video game player, and you're sort of equally guiding

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<v Speaker 3>them through it. So I guess it just depends on

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<v Speaker 3>the agenda, the length of time, the proximity of the listener,

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<v Speaker 3>how well do you know them, or do you have

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<v Speaker 3>to be more formal stuff like that. That it's just

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<v Speaker 3>a different approach.

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<v Speaker 1>Yeah, so it's so in depth. I mean, it's just

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<v Speaker 1>you think it's just I'm going to go and read

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<v Speaker 1>some mad copy. It's I that's what we're looking for.

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<v Speaker 2>Wow, I'm so excited for you to be our adjudicator today.

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<v Speaker 1>As yes, we've now call it the Adjudicators, and we

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<v Speaker 1>have some really talented people that have done through first round.

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<v Speaker 1>So I think we told you we had like almost

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<v Speaker 1>forty five hundred entries. We scaled that down to the

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<v Speaker 1>final sixteen, and those sixteen we are now down to

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<v Speaker 1>the Elite eight and we have our first our first

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<v Speaker 1>last week Canabama went through. So we have our first

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<v Speaker 1>member of the final four and we're going to be

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<v Speaker 1>picking our I can remember of the final four today.

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<v Speaker 1>And with that being said, we have some incredible people today.

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<v Speaker 1>We have Danielle from Tennessee and Matthew from Delaware, who

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<v Speaker 1>are both very very talented people. And I don't know

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<v Speaker 1>who actually can we always go by who got into

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<v Speaker 1>the room first? So do we know who? Yes? Okay,

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<v Speaker 1>so Danielle was here first, so if we could bring

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<v Speaker 1>in Danielle, that would be great. Here we go, Danielle.

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<v Speaker 4>Hi, guys day, welcome back, How are you good?

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<v Speaker 1>Once again? Congratulations on making it into the Elite eight. Trademarked.

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<v Speaker 1>I made that up. I didn't.

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<v Speaker 2>He's a genius.

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<v Speaker 5>Thank you, such a genius.

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<v Speaker 1>So you know, as you know you last game we

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<v Speaker 1>played was called by the Numbers, and we created characters

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<v Speaker 1>for you on the spot. Are our judge. Our judicator

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<v Speaker 1>created characters for you on the spot randomly based on numbers.

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<v Speaker 1>And as we've said from the beginning, we are looking

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<v Speaker 1>for an all around voiceover actors. So today we are

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<v Speaker 1>going to be playing extra extra read all about it,

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<v Speaker 1>where you are going to be just reading ad copy,

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<v Speaker 1>which is going to be a ton of fun. And

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<v Speaker 1>our guest judge today is the amazing Vanessa Marshall.

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<v Speaker 2>Hello, Hello, how are you?

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<v Speaker 4>I'm great? Also, I'm loving the Funko figurines behind you.

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<v Speaker 4>Those are fabulous.

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<v Speaker 3>This is the big Star Wars collection. I love it.

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<v Speaker 1>So we can't wait. So, Danielle, you were here first.

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<v Speaker 1>Do you have your lines of dialogue?

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<v Speaker 3>I do?

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<v Speaker 1>Okay, great, So we are just introing people right now

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<v Speaker 1>and we will be right back to you to start

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<v Speaker 1>round one. So sorry, second, daniel thank you so much,

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<v Speaker 1>and now let's bring in contest the number two ladies

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<v Speaker 1>and gentlemen. We lay Matthew from Delaware. Come on down. Yeah,

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<v Speaker 1>it's Matthew from Delaware. Hello. Hello, hey Matthew. How are you?

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<v Speaker 5>Hey, matt doing pretty well?

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<v Speaker 1>How are welcome? Welcome? We're doing great. Thank you, congratulations

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<v Speaker 1>again on making the Elite eight and moving on. As

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<v Speaker 1>we said, so you got here second. You know, we

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<v Speaker 1>do the contestants in the order that they arrive, and

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<v Speaker 1>you were second, so very briefly, I just want to

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<v Speaker 1>tell you a little bit about today's game. You know,

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<v Speaker 1>last time you were here, we played by the Numbers,

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<v Speaker 1>where we created your character on the spot. Today we

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<v Speaker 1>are playing Extra Extra Read all about It, where it

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<v Speaker 1>is all straight ad reads, no games, no numbers. We

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<v Speaker 1>are just giving you ad copy and stuff and letting

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<v Speaker 1>you sell us as we go. So are you ready

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<v Speaker 1>with your first two lines of dialogue? Okay? Perfect? So

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<v Speaker 1>we are just introducing you right now, and I would

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<v Speaker 1>like you to meet our guest judge today, Vanessa Marshall. Hello,

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<v Speaker 1>who is doing the voice of everything if you've watched cartoons,

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<v Speaker 1>bought any products, listen to anything, and that is just

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<v Speaker 1>the Star Wars stuff. She's also it on eighty seven

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<v Speaker 1>trillion other things and is the voice of a whole

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<v Speaker 1>lot of stuff. So we just wanted to say, Hi, Matt,

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<v Speaker 1>welcome you to the contest again, and we will be

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<v Speaker 1>right back for round number one.

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<v Speaker 2>I should have been singing this whole time, Will here

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<v Speaker 2>we go? You should what I should have been singing,

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<v Speaker 2>like the background music this whole.

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<v Speaker 1>Nice that wouldn't have been wouldn't have confused our contestants

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<v Speaker 1>at all. But you can sing really well, so it

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<v Speaker 1>would sound nice, but it's worth a shot. Here we

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<v Speaker 1>go with round number one. Let's bring in Danielle from

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<v Speaker 1>Tennessee to start Extra extra read all about it. Hello, Danielle,

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<v Speaker 1>how are you?

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<v Speaker 4>I am running nuts?

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<v Speaker 2>How are you that?

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<v Speaker 4>I've actually got a dr for a project I'm working

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<v Speaker 4>on on Tuesday? So I am like real excited about it.

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<v Speaker 1>For you, you still don't have an agent though, right,

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<v Speaker 1>No good making sure you're still eligible for the contest.

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<v Speaker 5>Cap That be awkward.

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<v Speaker 1>It would be awkward. Here we go. So you got

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<v Speaker 1>line number one. We're just gonna not get in your head,

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<v Speaker 1>not give you any notes, not do anything about it,

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<v Speaker 1>just let you read it at your pleasure and see

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<v Speaker 1>where we can go from there. So line number one,

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<v Speaker 1>whenever you are ready.

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<v Speaker 2>Okay.

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<v Speaker 4>I never drank and never smoked, but my addiction soda.

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<v Speaker 4>I would go through ten to twelve cans of that

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<v Speaker 4>sugar water a day. Not only was I always really jittery,

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<v Speaker 4>but I was gaining a ton of weight. That is

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<v Speaker 4>until I found Zest Supreme. Zest Supreme is the new

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<v Speaker 4>bubbly drink that has no sugar and no calories, made

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<v Speaker 4>from only natural ingredients. Zest Supreme has replaced my old

0:11:49.360 --> 0:11:52.000
<v Speaker 4>fashioned sugar soda with a carbonated water that I can

0:11:52.080 --> 0:11:56.560
<v Speaker 4>drink all day, every day. Zest Supreme say goodbye to

0:11:56.600 --> 0:11:57.679
<v Speaker 4>sugar water forever.

0:11:59.480 --> 0:12:04.560
<v Speaker 1>Very nice, Vanessa, that was just a cold read. No,

0:12:04.640 --> 0:12:07.200
<v Speaker 1>we've got the first the first two, we give the

0:12:07.200 --> 0:12:10.000
<v Speaker 1>contestants the night with, and there might be a round three.

0:12:10.120 --> 0:12:13.200
<v Speaker 1>That's cold. But oh what do you think, Vanessa any notes?

0:12:14.280 --> 0:12:18.240
<v Speaker 3>Well, first of all, that was fantastic. I of course,

0:12:18.280 --> 0:12:21.760
<v Speaker 3>as a stand up comic and improviser, I'm curious about

0:12:21.760 --> 0:12:25.160
<v Speaker 3>the comedy behind it in that when you started, I

0:12:25.200 --> 0:12:27.360
<v Speaker 3>didn't know if you were doing a commercial for a rehab.

0:12:29.800 --> 0:12:33.160
<v Speaker 3>I wondered just to give it more depth. I mean,

0:12:33.200 --> 0:12:35.080
<v Speaker 3>if this were an audition, then you were looking to

0:12:35.120 --> 0:12:38.760
<v Speaker 3>make your audition stand out. That almost like those progressive

0:12:38.960 --> 0:12:43.520
<v Speaker 3>commercials where you're becoming your parents. It's a very sad music,

0:12:43.600 --> 0:12:47.800
<v Speaker 3>like labeling a trash can, Like if it started out

0:12:48.400 --> 0:12:52.560
<v Speaker 3>as my addiction, you know, not not a complete you know,

0:12:53.440 --> 0:12:56.920
<v Speaker 3>any episode, but something that misleads the listener to then

0:12:57.000 --> 0:12:59.880
<v Speaker 3>like the solution is this awesome drink that it's not

0:13:00.120 --> 0:13:01.920
<v Speaker 3>quite as dour. I don't know. I was just thinking

0:13:02.000 --> 0:13:06.400
<v Speaker 3>to uh play a little bit. I don't know. I

0:13:06.440 --> 0:13:09.160
<v Speaker 3>was curious what that would sound like. But I mean,

0:13:09.240 --> 0:13:11.120
<v Speaker 3>is that is that proper feedback or she.

0:13:13.480 --> 0:13:14.199
<v Speaker 5>You're the expert.

0:13:14.480 --> 0:13:19.240
<v Speaker 1>Yeah, absolutely, And you know again that's this is just

0:13:19.360 --> 0:13:22.040
<v Speaker 1>kind of if you were listening to it and you're

0:13:22.080 --> 0:13:24.319
<v Speaker 1>directing her, you know what kind of what would you say?

0:13:24.320 --> 0:13:25.760
<v Speaker 1>And I think that's great. Well.

0:13:25.800 --> 0:13:27.400
<v Speaker 3>The other thing that I would do, and that I

0:13:27.480 --> 0:13:29.920
<v Speaker 3>do do is whatever the product is, I do a

0:13:29.920 --> 0:13:32.880
<v Speaker 3>ton of research before going in the booth. I'll look

0:13:32.920 --> 0:13:35.560
<v Speaker 3>at what the product is, who's in competition with it,

0:13:35.640 --> 0:13:38.679
<v Speaker 3>what the other competition is doing in terms of branding

0:13:38.720 --> 0:13:45.640
<v Speaker 3>their product. How how can I assist them in redefining

0:13:45.640 --> 0:13:49.080
<v Speaker 3>their brand in a way that stands out. I would

0:13:49.080 --> 0:13:51.000
<v Speaker 3>look at the stock prices. I would get a better

0:13:51.040 --> 0:13:54.240
<v Speaker 3>sense of I would get a better sense of what

0:13:54.280 --> 0:13:56.719
<v Speaker 3>the ad agency is up again says like, oh, they

0:13:56.800 --> 0:13:58.760
<v Speaker 3>just did a Super Bowl commercial and those guys did

0:13:58.800 --> 0:14:01.440
<v Speaker 3>we blast, so they're doing damage control or whatever it is.

0:14:01.840 --> 0:14:05.160
<v Speaker 3>I can ally my align myself with what it is

0:14:05.200 --> 0:14:09.000
<v Speaker 3>that the ad agency is seeking to do and make

0:14:09.040 --> 0:14:10.680
<v Speaker 3>it look like I don't understand any of that.

0:14:12.120 --> 0:14:16.920
<v Speaker 1>This is why, this is why certain actors work all

0:14:17.000 --> 0:14:19.880
<v Speaker 1>the time and other actors don't necessarily is because you

0:14:19.920 --> 0:14:22.040
<v Speaker 1>get people like Vanessa that just take it to the

0:14:22.080 --> 0:14:22.600
<v Speaker 1>next level.

0:14:22.680 --> 0:14:25.240
<v Speaker 3>I mean, I just love I love solving the mystery

0:14:25.320 --> 0:14:27.960
<v Speaker 3>of it because it's almost like a mystery dinner theater

0:14:28.080 --> 0:14:30.440
<v Speaker 3>is like, ooh, what is this product up to and

0:14:30.480 --> 0:14:34.120
<v Speaker 3>why are they doing it this way? That's interesting and

0:14:33.640 --> 0:14:37.960
<v Speaker 3>and to deliver the razzle dazzle that the ad agency

0:14:38.080 --> 0:14:42.000
<v Speaker 3>needs while still maintaining the integrity and the spinal cord

0:14:42.080 --> 0:14:44.000
<v Speaker 3>that the product needs, like oh, well, we don't want

0:14:44.040 --> 0:14:47.320
<v Speaker 3>to offend anybody, like wait, why are you being so edgy? Okay, wait,

0:14:47.360 --> 0:14:51.000
<v Speaker 3>don't alienate anybody, Like there's a fine. This is probably

0:14:51.040 --> 0:14:53.800
<v Speaker 3>from growing in like a dysfunctional family. I can like,

0:14:54.200 --> 0:14:56.720
<v Speaker 3>I can read, I can tell, I can tell what

0:14:56.800 --> 0:14:58.880
<v Speaker 3>mom needs to hear and what Dad needs to hear

0:14:59.000 --> 0:15:02.720
<v Speaker 3>and be sa Switzerland in the middle. And and this

0:15:02.800 --> 0:15:05.280
<v Speaker 3>is how we make use of our troubles.

0:15:05.320 --> 0:15:07.680
<v Speaker 2>Anyway, man, monetize your trauma.

0:15:07.760 --> 0:15:09.320
<v Speaker 4>That's iologize the trauma.

0:15:09.440 --> 0:15:11.600
<v Speaker 1>What about you, christ Christy, do you have any notes?

0:15:11.760 --> 0:15:13.440
<v Speaker 2>My god, are you kidding me? I have to I

0:15:13.440 --> 0:15:17.960
<v Speaker 2>have to go next to that. I mean, but I Honestly,

0:15:18.120 --> 0:15:20.600
<v Speaker 2>I remember when we spoke to you the first time,

0:15:20.600 --> 0:15:22.760
<v Speaker 2>and I feel like I learned so much from you,

0:15:23.240 --> 0:15:25.440
<v Speaker 2>and I feel like it's happening all over again.

0:15:26.440 --> 0:15:26.720
<v Speaker 3>Cool.

0:15:27.560 --> 0:15:31.120
<v Speaker 2>God, are you so cool with your jacket? I don't

0:15:31.160 --> 0:15:31.760
<v Speaker 2>want to be you.

0:15:32.960 --> 0:15:35.560
<v Speaker 3>It's like catching solving a murder mystery. You know, you

0:15:35.640 --> 0:15:38.280
<v Speaker 3>come upon a car crash and you're like, what happened here?

0:15:38.480 --> 0:15:39.520
<v Speaker 3>Like how can I help you?

0:15:39.560 --> 0:15:39.680
<v Speaker 2>Know?

0:15:40.040 --> 0:15:42.440
<v Speaker 3>Not not that commercials are car crashes.

0:15:43.360 --> 0:15:46.520
<v Speaker 2>All of them might be, but the industry is a

0:15:46.520 --> 0:15:48.160
<v Speaker 2>car crash. And I think that she makes a really

0:15:48.160 --> 0:15:51.080
<v Speaker 2>great point. I think that the one of the takeaways

0:15:51.080 --> 0:15:53.800
<v Speaker 2>that I got to, you know, the auditioning process was

0:15:54.000 --> 0:15:55.880
<v Speaker 2>instead of getting in your head about it right, because

0:15:55.880 --> 0:15:59.040
<v Speaker 2>this whole process is daunting and nerve wracking and to

0:15:59.040 --> 0:16:03.040
<v Speaker 2>some degree, and I think when you're trying to just

0:16:03.120 --> 0:16:07.600
<v Speaker 2>give the client like an opportunity to you're trying to

0:16:07.680 --> 0:16:09.880
<v Speaker 2>help them, right, It's like you're almost trying to you know,

0:16:09.960 --> 0:16:12.560
<v Speaker 2>you're just there to help them, like they have a

0:16:12.720 --> 0:16:15.200
<v Speaker 2>problem and you're there to help fix it, rather than

0:16:15.240 --> 0:16:17.960
<v Speaker 2>be like I'm here to perform for myself. I do

0:16:18.040 --> 0:16:20.360
<v Speaker 2>find that you will be happier with the work that

0:16:20.400 --> 0:16:22.560
<v Speaker 2>you create in the room, right, because you leave it

0:16:22.600 --> 0:16:25.640
<v Speaker 2>in the room that way. Even if today you're doing

0:16:25.680 --> 0:16:27.280
<v Speaker 2>this and you're like, no, I did what they were

0:16:27.280 --> 0:16:28.920
<v Speaker 2>telling me to do, and you took all the notes.

0:16:29.160 --> 0:16:32.440
<v Speaker 2>So I think that I think what I got from

0:16:32.520 --> 0:16:35.760
<v Speaker 2>Vanessa if I were you, was let's play with it more.

0:16:36.200 --> 0:16:39.520
<v Speaker 2>But also keep in mind that there's a story being told,

0:16:39.600 --> 0:16:41.680
<v Speaker 2>right that there's a problem and then there's a solution

0:16:41.800 --> 0:16:44.520
<v Speaker 2>to that. So in doing so, I think that you

0:16:44.560 --> 0:16:47.400
<v Speaker 2>know we don't want it as one note.

0:16:47.800 --> 0:16:50.200
<v Speaker 1>Okay, mine are very simple and it's going to be

0:16:50.240 --> 0:16:52.040
<v Speaker 1>exactly what you hear anytime you go into the booth.

0:16:52.080 --> 0:16:54.280
<v Speaker 1>A lot bracket, the product more and a little bit faster.

0:16:54.480 --> 0:16:57.480
<v Speaker 1>That's all I'm going to say. And let's go from there.

0:16:57.560 --> 0:17:00.360
<v Speaker 1>So line number one again, at your pleasure.

0:17:00.720 --> 0:17:01.080
<v Speaker 2>Okay.

0:17:02.800 --> 0:17:08.200
<v Speaker 4>I never drank, never smoked my addiction soda. I would

0:17:08.240 --> 0:17:10.560
<v Speaker 4>go through ten to twelve cans on that sugar water

0:17:10.640 --> 0:17:13.480
<v Speaker 4>a day. Not only was I always really jittery, but

0:17:13.560 --> 0:17:16.480
<v Speaker 4>I was caning a ton of weight. That is until

0:17:16.480 --> 0:17:19.639
<v Speaker 4>I found Zest Supreme. Zes Supreme is the new bubbly

0:17:19.720 --> 0:17:22.320
<v Speaker 4>drink that has no sugar and no calories, made from

0:17:22.320 --> 0:17:25.480
<v Speaker 4>only natural ingredients. Est Supreme has replaced my old fashioned

0:17:25.520 --> 0:17:28.000
<v Speaker 4>sugar soda with a carbonated water that I can drink

0:17:28.040 --> 0:17:32.520
<v Speaker 4>all day, every day. Zes Supreme say goodbye to sugar

0:17:32.560 --> 0:17:33.280
<v Speaker 4>water forever.

0:17:34.680 --> 0:17:36.400
<v Speaker 1>That was great, Thank you so much, and we will

0:17:36.440 --> 0:17:41.000
<v Speaker 1>be right back with you. Appreciate it. Awesome. Okay, she

0:17:41.080 --> 0:17:44.000
<v Speaker 1>was great. I thought she took the notes well and yeah, yeah,

0:17:44.000 --> 0:17:46.080
<v Speaker 1>it definitely took took what we're saying. She bracketed the

0:17:46.119 --> 0:17:48.199
<v Speaker 1>product mark, did a little bit faster, I thought she was.

0:17:48.359 --> 0:17:50.160
<v Speaker 1>She played with it a little more of the second round.

0:17:50.200 --> 0:17:55.560
<v Speaker 1>So let's see what Matthew can do. Let's bring Matthew in. Hello, hey, hie.

0:17:55.840 --> 0:17:57.840
<v Speaker 1>So Matthew, we are not going to get in your head.

0:17:57.840 --> 0:17:59.560
<v Speaker 1>We're not going to tell you anything. We just would

0:17:59.600 --> 0:18:02.040
<v Speaker 1>like to hear what you can do with line number one.

0:18:02.720 --> 0:18:05.000
<v Speaker 1>So at your pleasure anytime.

0:18:05.280 --> 0:18:05.720
<v Speaker 2>All right.

0:18:07.560 --> 0:18:13.359
<v Speaker 5>I never drank, never smoked my addiction soda. I would

0:18:13.359 --> 0:18:15.520
<v Speaker 5>go through ten to twelve cans of that sugar water

0:18:15.600 --> 0:18:18.600
<v Speaker 5>a day. Not only was I always really jittery, but

0:18:19.040 --> 0:18:22.320
<v Speaker 5>I was gaining a ton of weight. That is until

0:18:22.320 --> 0:18:26.000
<v Speaker 5>I found Zest Supreme. Zes Supreme is the new bubbly

0:18:26.080 --> 0:18:29.600
<v Speaker 5>drink that has no sugar and no calories, made from

0:18:29.600 --> 0:18:33.560
<v Speaker 5>only natural ingredients. Zes Supremus, replace my old fashioned sugar

0:18:33.640 --> 0:18:36.840
<v Speaker 5>soda with a carbonated water that I can drink all day,

0:18:37.119 --> 0:18:41.920
<v Speaker 5>every day. Zest Supreme say goodbye to sugar water forever.

0:18:43.640 --> 0:18:45.679
<v Speaker 1>Thank you very much, Vanessa, Any notes.

0:18:46.119 --> 0:18:49.400
<v Speaker 3>Oh my god, that was amazing. That was so hilarious.

0:18:49.720 --> 0:18:52.760
<v Speaker 3>That was so hilarious and there was something so intimate

0:18:52.760 --> 0:18:54.840
<v Speaker 3>about it. I love how you started and just really

0:18:54.920 --> 0:18:58.800
<v Speaker 3>let the copy breathe and uh, make me curious if

0:18:58.840 --> 0:19:03.119
<v Speaker 3>you need some sort of seer intervention. And I'm I

0:19:03.240 --> 0:19:05.960
<v Speaker 3>was relieved to hear that the solution was was so

0:19:06.000 --> 0:19:10.320
<v Speaker 3>simple and and and yet it wasn't delivered with jazz hands.

0:19:10.320 --> 0:19:14.040
<v Speaker 3>I thought, I thought that was fantastic, Thank you. Curious

0:19:14.240 --> 0:19:18.439
<v Speaker 3>curious what it would sound like without the without the character.

0:19:18.520 --> 0:19:20.720
<v Speaker 3>But I loved him so much. I don't really want

0:19:20.720 --> 0:19:23.280
<v Speaker 3>to know, so I well that I have any notes.

0:19:23.320 --> 0:19:25.640
<v Speaker 3>I thought that was so I don't know. There's that guy.

0:19:25.960 --> 0:19:28.359
<v Speaker 3>Is that you pix it? The guy's like, yeah, my

0:19:28.600 --> 0:19:32.760
<v Speaker 3>psoriasis used to get in my crush, you know. He oh,

0:19:32.800 --> 0:19:35.359
<v Speaker 3>he's like that bald guy and he's like, yeah, now

0:19:35.480 --> 0:19:37.239
<v Speaker 3>I can fix this light over here and look at

0:19:37.240 --> 0:19:40.160
<v Speaker 3>my elbow, you know, and there's just something about like, yeah,

0:19:40.320 --> 0:19:42.520
<v Speaker 3>that guy is cool, you know, like I want to

0:19:42.560 --> 0:19:44.560
<v Speaker 3>I want to buy that that guy looks really comfortable

0:19:44.560 --> 0:19:46.200
<v Speaker 3>in his life. You sound like that guy.

0:19:46.760 --> 0:19:49.000
<v Speaker 2>Yeah, I'm not gonna lie, Matt. You sounded like a

0:19:49.000 --> 0:19:53.000
<v Speaker 2>completely different person. Like it was crazy to me how

0:19:53.160 --> 0:19:56.920
<v Speaker 2>how different he sounded. So I don't really have any notes.

0:19:56.960 --> 0:19:59.679
<v Speaker 1>Will what do you think I do? I liked what

0:19:59.720 --> 0:20:03.320
<v Speaker 1>you did. I am I would switch up what Vanessa

0:20:03.359 --> 0:20:06.080
<v Speaker 1>said where I do love the character, but now I

0:20:06.160 --> 0:20:08.280
<v Speaker 1>want to hear one. I do want to hear one

0:20:08.280 --> 0:20:11.760
<v Speaker 1>without the accent, just just the justice, straight ad read

0:20:12.000 --> 0:20:14.840
<v Speaker 1>and if you could make it a little I guess

0:20:14.880 --> 0:20:16.959
<v Speaker 1>i'd say smooth it out just a little bit, just

0:20:17.000 --> 0:20:19.680
<v Speaker 1>a little bit. I think what Vanessa said is absolutely true.

0:20:19.720 --> 0:20:21.280
<v Speaker 1>I loved how you let it breathe in the beginning.

0:20:21.560 --> 0:20:24.040
<v Speaker 1>I loved how you let the copy kind of flow,

0:20:24.960 --> 0:20:28.440
<v Speaker 1>but maybe just a little smoother and just your regular voice.

0:20:28.440 --> 0:20:29.600
<v Speaker 1>I want to hear what that sounds like.

0:20:29.800 --> 0:20:34.440
<v Speaker 5>Okay, smooth out the rhythm, fewer pauses and then quick okay.

0:20:34.240 --> 0:20:36.240
<v Speaker 1>Yeah, just yeah, because I thought you had some peaks

0:20:36.240 --> 0:20:39.080
<v Speaker 1>and valleys there that were great, but I just want

0:20:39.119 --> 0:20:41.720
<v Speaker 1>to hear try just your regular voice and again, just

0:20:41.760 --> 0:20:44.399
<v Speaker 1>to hear it all right, because I thought the character

0:20:44.480 --> 0:20:47.000
<v Speaker 1>was awesome. So let's hear one without that and see

0:20:47.000 --> 0:20:47.760
<v Speaker 1>what happens.

0:20:48.800 --> 0:20:53.720
<v Speaker 5>I never drank, never smoked my addiction soda. I would

0:20:53.760 --> 0:20:56.040
<v Speaker 5>go through ten to twelve cans of that sugar.

0:20:55.720 --> 0:20:56.360
<v Speaker 1>Water a day.

0:20:56.920 --> 0:21:00.280
<v Speaker 5>Not only was I always really jittery, but I was

0:21:00.320 --> 0:21:03.720
<v Speaker 5>gaining a ton of weight. That is until I found

0:21:03.840 --> 0:21:07.159
<v Speaker 5>Zess Supreme. Zes Supreme is the new bubbly drink that

0:21:07.200 --> 0:21:11.480
<v Speaker 5>has no sugar and no calories, made from only natural ingredients.

0:21:11.600 --> 0:21:14.679
<v Speaker 5>Zess Supreme has replaced my old fashioned sugar soda with

0:21:14.720 --> 0:21:17.840
<v Speaker 5>a carbonated water that I can drink all day, every day.

0:21:18.640 --> 0:21:22.080
<v Speaker 5>Zes Supreme say goodbye to sugar water forever.

0:21:23.760 --> 0:21:26.240
<v Speaker 1>Great, Thank you so much, and we will see you

0:21:26.240 --> 0:21:26.560
<v Speaker 1>in a bit.

0:21:26.840 --> 0:21:27.360
<v Speaker 3>Great job.

0:21:27.520 --> 0:21:27.879
<v Speaker 5>Thank you.

0:21:28.359 --> 0:21:33.040
<v Speaker 2>All right. Well, you know I'm doing the turndowns today, right.

0:21:33.119 --> 0:21:35.680
<v Speaker 2>I promised you I committed to doing this. He's been

0:21:35.680 --> 0:21:36.760
<v Speaker 2>doing it the whole time. Sorry.

0:21:37.080 --> 0:21:38.920
<v Speaker 1>The worst thing is telling whoever doesn't make it that

0:21:38.960 --> 0:21:41.480
<v Speaker 1>they didn't make it to the next round. And Christy said

0:21:41.480 --> 0:21:45.720
<v Speaker 1>she do it. I thought, I'm just for round number one.

0:21:45.720 --> 0:21:47.560
<v Speaker 1>I think they're very close. I love how he came

0:21:47.560 --> 0:21:49.560
<v Speaker 1>in with a different character. I thought she was a

0:21:49.560 --> 0:21:53.520
<v Speaker 1>little smoother. That's my my for my round one, that's

0:21:53.560 --> 0:21:55.280
<v Speaker 1>what I would think about. How about the two of you.

0:21:55.280 --> 0:21:57.760
<v Speaker 5>You thought she was, what a little smoother, A little

0:21:57.800 --> 0:21:59.919
<v Speaker 5>smooth smooth, just a little bit.

0:22:00.000 --> 0:22:06.359
<v Speaker 1>There's there's something very natural about about her delivery that

0:22:07.440 --> 0:22:10.719
<v Speaker 1>I thought was And again, it's real close. It's not

0:22:10.800 --> 0:22:13.200
<v Speaker 1>like it was like, oh my god, she was way

0:22:13.240 --> 0:22:15.960
<v Speaker 1>back to him. And I do love how he came

0:22:16.000 --> 0:22:19.560
<v Speaker 1>in with a character because a lot of times you're

0:22:19.600 --> 0:22:21.639
<v Speaker 1>going to get people that do straight ad reads and

0:22:21.680 --> 0:22:23.199
<v Speaker 1>you're not going to have somebody that comes in with

0:22:23.240 --> 0:22:25.040
<v Speaker 1>a character. And that's a great way to stand out

0:22:25.040 --> 0:22:26.840
<v Speaker 1>as all of a sudden, I'm from New York and

0:22:26.880 --> 0:22:30.600
<v Speaker 1>I never drank, never smoke my addiction soda. Like, you're

0:22:30.600 --> 0:22:32.359
<v Speaker 1>not going to get fifty of those, You're going to

0:22:32.440 --> 0:22:34.359
<v Speaker 1>get one of those, So that really is going to

0:22:34.440 --> 0:22:37.960
<v Speaker 1>stand out. I just thought her acting was a little

0:22:38.000 --> 0:22:41.200
<v Speaker 1>bit better, that's my opinion. Vanessa.

0:22:41.400 --> 0:22:44.320
<v Speaker 3>Yeah, yeah, I hear what you're saying.

0:22:44.440 --> 0:22:51.919
<v Speaker 6>Yeah, he definitely demonstrated range. Yeah, but I but I

0:22:51.960 --> 0:22:55.200
<v Speaker 6>see what you're saying perhaps the ease and the polish

0:22:55.560 --> 0:22:56.760
<v Speaker 6>that she had would be.

0:22:59.600 --> 0:23:02.119
<v Speaker 3>Would be able to work more. But I don't know.

0:23:02.200 --> 0:23:04.840
<v Speaker 3>It's really tough because yeah.

0:23:04.720 --> 0:23:06.320
<v Speaker 5>Yeah, I mean we hear.

0:23:06.480 --> 0:23:08.600
<v Speaker 2>We've been hearing a lot of female voices lately, which

0:23:08.640 --> 0:23:12.320
<v Speaker 2>is so great because they are so different from one another.

0:23:12.480 --> 0:23:13.359
<v Speaker 1>Women are killing it.

0:23:13.520 --> 0:23:16.160
<v Speaker 2>Yeah, they are. If we if we were to eliminate

0:23:16.200 --> 0:23:19.159
<v Speaker 2>Matt today, we would, that would.

0:23:19.400 --> 0:23:20.960
<v Speaker 1>He's the only man left in the competition.

0:23:21.119 --> 0:23:25.199
<v Speaker 2>She's great, So it's like, oh gosh, we are. And

0:23:25.240 --> 0:23:27.480
<v Speaker 2>I also do want to commend Will for being just

0:23:27.520 --> 0:23:30.640
<v Speaker 2>such a fair human being on every step of this contest.

0:23:30.640 --> 0:23:33.280
<v Speaker 2>That has led me to understand what fairness truly looks

0:23:33.320 --> 0:23:35.880
<v Speaker 2>like because I I reserved. I just don't have any

0:23:35.920 --> 0:23:37.879
<v Speaker 2>judgment on anything. And then I'm like, but yeah, okay,

0:23:37.880 --> 0:23:41.040
<v Speaker 2>I get it. So I think Matt's great. I think

0:23:41.040 --> 0:23:44.480
<v Speaker 2>Matt showed range. But as I'm fifty to fifty right now,

0:23:44.480 --> 0:23:46.480
<v Speaker 2>so I think Matt can still take this.

0:23:46.640 --> 0:23:48.360
<v Speaker 1>Oh I do too. Oh this is by no means

0:23:48.400 --> 0:23:50.200
<v Speaker 1>a runaway, by no means.

0:23:50.600 --> 0:23:52.879
<v Speaker 2>Just direct him in a way, because I remember we

0:23:52.880 --> 0:23:55.520
<v Speaker 2>were doing certain directions towards the tail end of round

0:23:55.600 --> 0:23:58.600
<v Speaker 2>one where we were like, let's try to help this person, right,

0:23:58.720 --> 0:24:01.240
<v Speaker 2>And he did come in with like a he did

0:24:01.280 --> 0:24:03.439
<v Speaker 2>come in with like a sort of a character that

0:24:03.480 --> 0:24:05.760
<v Speaker 2>he brought to it, which, like what Vanessa was saying,

0:24:05.800 --> 0:24:08.239
<v Speaker 2>she does a lot of pre work, and so I

0:24:08.359 --> 0:24:09.960
<v Speaker 2>like that he had that approach. And I also just

0:24:10.000 --> 0:24:10.560
<v Speaker 2>like his voice.

0:24:10.840 --> 0:24:13.640
<v Speaker 1>He also he also took when when I said take

0:24:13.640 --> 0:24:15.800
<v Speaker 1>the you know, take the character out of it, let's

0:24:15.800 --> 0:24:17.800
<v Speaker 1>see it, he did, you know, and he was able

0:24:17.840 --> 0:24:19.560
<v Speaker 1>to drop the character and go write to more of

0:24:19.600 --> 0:24:23.320
<v Speaker 1>his natural cadence and voice and very good direction. Okay,

0:24:24.000 --> 0:24:29.160
<v Speaker 1>you agree, Vanessa, it's kind of it's close. It's still close, yeah, because.

0:24:29.240 --> 0:24:31.560
<v Speaker 3>You know, my fear was when he went that route,

0:24:31.680 --> 0:24:34.919
<v Speaker 3>was like, oh, maybe he's not comfortable just speaking in

0:24:34.960 --> 0:24:37.480
<v Speaker 3>a neutral voice. And he completely killed that.

0:24:38.040 --> 0:24:41.680
<v Speaker 1>Yeah, yeah, yeah, I agree. I agree. Yeah, Well, to

0:24:41.800 --> 0:24:44.520
<v Speaker 1>keep it fair, why don't we why don't we have

0:24:44.600 --> 0:24:46.280
<v Speaker 1>why don't we bring him in for the first read

0:24:46.320 --> 0:24:48.359
<v Speaker 1>of line too. We'll switch him up like that and

0:24:48.400 --> 0:24:50.600
<v Speaker 1>we'll bring we'll bring Matthew back in right now for

0:24:50.760 --> 0:24:54.960
<v Speaker 1>line too. Hey Matthew, how are you hello? All right,

0:24:55.040 --> 0:24:59.159
<v Speaker 1>so we are starting round number two here, and so

0:24:59.240 --> 0:25:00.840
<v Speaker 1>once again we're gonna stay out of your head and

0:25:00.880 --> 0:25:03.040
<v Speaker 1>just see what you do with your first read of

0:25:03.040 --> 0:25:04.679
<v Speaker 1>line number two anytime at your pleasure.

0:25:05.080 --> 0:25:08.240
<v Speaker 5>All Right, I'm going to be totally honest with you.

0:25:08.640 --> 0:25:11.200
<v Speaker 5>I love my dog more than I love ninety nine

0:25:11.240 --> 0:25:14.320
<v Speaker 5>percent of the people I've ever met. That's why when

0:25:14.359 --> 0:25:17.159
<v Speaker 5>I see her scratching from seasonal allergies, I want to

0:25:17.200 --> 0:25:20.320
<v Speaker 5>do whatever I can to make her as comfortable as possible.

0:25:20.920 --> 0:25:24.440
<v Speaker 5>It's times like these that I reach four alachus, made

0:25:24.440 --> 0:25:27.639
<v Speaker 5>from a newly discovered plant in the rainforest. Alachus have

0:25:27.640 --> 0:25:30.760
<v Speaker 5>been clinically proven to reduce your dog's allergies by over

0:25:30.880 --> 0:25:34.919
<v Speaker 5>fifty four percent. They can't speak to you, so you

0:25:35.000 --> 0:25:38.040
<v Speaker 5>have to speak for them. Give your dog alachus and

0:25:38.119 --> 0:25:40.720
<v Speaker 5>save the scratching for her belly rubs.

0:25:42.280 --> 0:25:44.199
<v Speaker 1>All right, Vanessa, any notes?

0:25:45.080 --> 0:25:46.160
<v Speaker 3>I don't have any notes?

0:25:46.200 --> 0:25:54.040
<v Speaker 2>Sounds durable, Christy, Okay, I feel like you're almost there personally.

0:25:54.240 --> 0:25:58.320
<v Speaker 2>I just love your voice so much, Matt. I think

0:25:58.320 --> 0:26:01.760
<v Speaker 2>you have incredible range, and I love to see that.

0:26:01.880 --> 0:26:05.920
<v Speaker 2>Like what you did with the first line from take

0:26:05.960 --> 0:26:08.320
<v Speaker 2>one to Take two to now this feels very different

0:26:08.359 --> 0:26:13.040
<v Speaker 2>from both of those takes. I think Vanessa really hit

0:26:13.080 --> 0:26:15.640
<v Speaker 2>it on the head with her initial you know, which

0:26:15.680 --> 0:26:19.080
<v Speaker 2>she said, which is that there's a problem and then

0:26:19.119 --> 0:26:22.720
<v Speaker 2>there's the solution. So I really want to see you

0:26:22.840 --> 0:26:26.719
<v Speaker 2>take that ability for range and really breathe it into

0:26:27.240 --> 0:26:33.040
<v Speaker 2>your storytelling about your dog. So talk okay, So me,

0:26:33.200 --> 0:26:35.520
<v Speaker 2>I don't know, and you guys, you know, my fellow

0:26:35.560 --> 0:26:38.280
<v Speaker 2>adjudicators can tell me differently, But wouldn't it be great

0:26:38.280 --> 0:26:42.800
<v Speaker 2>to see him tell the story more and about the dog.

0:26:42.880 --> 0:26:45.240
<v Speaker 2>So if you're focusing on more like telling the story,

0:26:45.960 --> 0:26:47.919
<v Speaker 2>you know, to a group of people over a campfire,

0:26:48.560 --> 0:26:52.320
<v Speaker 2>I think if you need it visually so it's more fun.

0:26:52.760 --> 0:26:55.919
<v Speaker 2>And then something I've noticed that I've been told a

0:26:55.920 --> 0:26:58.560
<v Speaker 2>lot to do in certain times i've gotten directions in

0:26:58.560 --> 0:27:03.119
<v Speaker 2>the past was almost the product with a smile, the

0:27:03.240 --> 0:27:05.280
<v Speaker 2>ale choose, you know, It's like that almost gives you

0:27:05.320 --> 0:27:08.240
<v Speaker 2>the solution in your you know, with using your mouth

0:27:08.280 --> 0:27:13.159
<v Speaker 2>in that regard. So that's my two cents. That's what

0:27:13.200 --> 0:27:13.520
<v Speaker 2>I think.

0:27:14.040 --> 0:27:16.240
<v Speaker 1>Yeah, I would love much. I would love I thought

0:27:16.240 --> 0:27:18.639
<v Speaker 1>it was great. I would love to hear you just

0:27:18.680 --> 0:27:21.560
<v Speaker 1>talk to us, okay, just like pretend you're almost not

0:27:21.600 --> 0:27:24.120
<v Speaker 1>reading ad copy at all and just talk to us

0:27:24.840 --> 0:27:26.120
<v Speaker 1>with using the dialogue.

0:27:26.119 --> 0:27:28.399
<v Speaker 5>Because again instead of saying everything like this.

0:27:28.400 --> 0:27:30.199
<v Speaker 1>Right, because you get a lot of those kind of

0:27:30.240 --> 0:27:32.080
<v Speaker 1>like when I was as opposed to you know, and

0:27:32.080 --> 0:27:33.320
<v Speaker 1>I'm not trying to give you a line read, but

0:27:33.320 --> 0:27:34.919
<v Speaker 1>just now, I'm gonna be totally honest with you. I

0:27:34.960 --> 0:27:36.680
<v Speaker 1>love my dog more than I love ninety nine percent

0:27:36.720 --> 0:27:37.280
<v Speaker 1>of people like me.

0:27:37.400 --> 0:27:37.560
<v Speaker 2>You know.

0:27:37.600 --> 0:27:40.600
<v Speaker 1>I want to hear you just kind of talk to

0:27:40.680 --> 0:27:42.600
<v Speaker 1>us like we were hanging out, just like Christy said,

0:27:42.840 --> 0:27:45.000
<v Speaker 1>and see, yeh see what happens with that?

0:27:46.000 --> 0:27:46.240
<v Speaker 2>Cool?

0:27:46.600 --> 0:27:49.440
<v Speaker 5>All right, thank you very much at your pleasure. Here

0:27:49.480 --> 0:27:55.359
<v Speaker 5>we go. I'm going to be totally honest with you.

0:27:55.760 --> 0:27:57.800
<v Speaker 5>I love my dog more than I love ninety nine

0:27:57.880 --> 0:28:00.960
<v Speaker 5>percent of the people I've ever met. That's why when

0:28:00.960 --> 0:28:03.879
<v Speaker 5>I see her scratching from seasonal allergies, I want to

0:28:03.880 --> 0:28:06.760
<v Speaker 5>do whatever I can to make her as comfortable as possible.

0:28:07.280 --> 0:28:10.800
<v Speaker 5>It's times like these that I reach for alachus, made

0:28:10.800 --> 0:28:13.639
<v Speaker 5>from a newly discovered plant in the rainforest. Alachus have

0:28:13.680 --> 0:28:16.800
<v Speaker 5>been clinically proven to reduce your dog's allergies by over

0:28:16.960 --> 0:28:21.080
<v Speaker 5>fifty four percent. They can't speak to you, so you

0:28:21.240 --> 0:28:24.199
<v Speaker 5>have to speak for them. Give your dog allachus and

0:28:24.280 --> 0:28:26.199
<v Speaker 5>save the scratching for her. Belly rubs.

0:28:27.680 --> 0:28:30.280
<v Speaker 1>Great, we will be right back with you. Thanks Matthew,

0:28:30.960 --> 0:28:31.320
<v Speaker 1>thank you.

0:28:33.240 --> 0:28:33.520
<v Speaker 3>Wow.

0:28:33.560 --> 0:28:37.440
<v Speaker 1>All right, it was good, you know, definitely, I think

0:28:37.440 --> 0:28:39.320
<v Speaker 1>he has he has to smooth it out a little bit,

0:28:39.560 --> 0:28:41.640
<v Speaker 1>but I think it's overall it's good. I think he's

0:28:41.680 --> 0:28:45.640
<v Speaker 1>got a nice natural cadence and a nice natural tenor

0:28:45.720 --> 0:28:48.000
<v Speaker 1>to his voice. You know, it's he sounds good. But

0:28:48.080 --> 0:28:50.800
<v Speaker 1>let's see what Danielle from Tennessee will bring to the table.

0:28:52.280 --> 0:28:57.360
<v Speaker 1>Let's bring Danielle back. Hi, Danielle, how are you.

0:28:57.880 --> 0:28:59.760
<v Speaker 4>I'm doing fine, sir, thank you for asking.

0:29:01.920 --> 0:29:04.200
<v Speaker 1>So we are going to be starting with with line

0:29:04.280 --> 0:29:07.360
<v Speaker 1>number two for round two, and we are not going

0:29:07.400 --> 0:29:09.560
<v Speaker 1>to say anything. Let's just hear what you do with

0:29:09.600 --> 0:29:11.720
<v Speaker 1>line number two, line number two, at your pleasure.

0:29:12.080 --> 0:29:15.520
<v Speaker 4>All right. I'm going to be totally honest with you.

0:29:16.040 --> 0:29:18.240
<v Speaker 4>I love my dog more than I love ninety nine

0:29:18.240 --> 0:29:20.479
<v Speaker 4>percent of the people I've ever met. That's why when

0:29:20.520 --> 0:29:23.280
<v Speaker 4>I see her scratching from seasonal allergies, I want to

0:29:23.320 --> 0:29:25.560
<v Speaker 4>do whatever I can to make her as comfortable as possible.

0:29:25.920 --> 0:29:28.760
<v Speaker 4>It's times like these that I reach for alachus made

0:29:28.800 --> 0:29:31.640
<v Speaker 4>from a newly discovered plant in the rainforest. Ala chuws

0:29:31.640 --> 0:29:34.160
<v Speaker 4>have been clinically proven to reduce your dog's allergies by

0:29:34.160 --> 0:29:37.760
<v Speaker 4>over fifty four percent. They can't speak to you, so

0:29:38.000 --> 0:29:41.040
<v Speaker 4>you have to speak for them. Give your dog Alichus

0:29:41.320 --> 0:29:44.320
<v Speaker 4>and save the scratching for her belly rubs.

0:29:45.720 --> 0:29:48.040
<v Speaker 1>Vanessa, And you knowest.

0:29:47.560 --> 0:29:50.320
<v Speaker 2>That was great. Thank you, It's great.

0:29:50.480 --> 0:29:54.320
<v Speaker 1>Yeah, would you do it anything? You wouldn't switch anything up?

0:29:55.200 --> 0:29:58.800
<v Speaker 3>I don't think so. I mean it had an ease

0:29:59.080 --> 0:30:00.640
<v Speaker 3>and a. I mean, it's it's kind of hard to

0:30:00.680 --> 0:30:04.280
<v Speaker 3>say those. I mean, in what scenario would you be

0:30:04.320 --> 0:30:07.400
<v Speaker 3>telling someone about alex shoes? Do you know what I mean? Right?

0:30:07.920 --> 0:30:11.640
<v Speaker 3>You know I used to do Mervyn's, which doesn't even

0:30:11.640 --> 0:30:13.960
<v Speaker 3>exist anymore. And I remember just like Sprockets were four

0:30:14.080 --> 0:30:16.280
<v Speaker 3>ninety nine and they were like, just tell your friend,

0:30:16.320 --> 0:30:19.680
<v Speaker 3>And I'm like, I don't generally friends and say, hey,

0:30:19.720 --> 0:30:22.960
<v Speaker 3>Sprockets are four ninety nine. You know you said that to.

0:30:22.920 --> 0:30:24.400
<v Speaker 1>Me last week. You don't even remember you.

0:30:24.400 --> 0:30:26.560
<v Speaker 3>Tell me last week about that once in a while.

0:30:29.320 --> 0:30:33.200
<v Speaker 4>Anyway, I'm forgetful too. I can't blame you, Yeah.

0:30:34.440 --> 0:30:37.920
<v Speaker 6>I really I can't think of a week if you

0:30:37.920 --> 0:30:41.000
<v Speaker 6>were at the VETS office and somebody was like or like,

0:30:41.080 --> 0:30:41.800
<v Speaker 6>I've got a dog.

0:30:41.880 --> 0:30:43.960
<v Speaker 2>You've got a dog, so it's like you're speaking to

0:30:44.000 --> 0:30:47.040
<v Speaker 2>somebody has the animal, right, Yeah, it's short.

0:30:47.560 --> 0:30:51.360
<v Speaker 3>She made it. I felt like she made it effortless,

0:30:51.440 --> 0:30:55.120
<v Speaker 3>and I definitely yeah. I mean, if I were doing

0:30:55.120 --> 0:30:56.600
<v Speaker 3>this copy, I would have to come up with a

0:30:56.680 --> 0:30:58.840
<v Speaker 3>scenario in my mind. How close it is a listener,

0:30:58.840 --> 0:31:00.600
<v Speaker 3>How well do I know them? Do they own a dog?

0:31:01.440 --> 0:31:01.640
<v Speaker 6>You know?

0:31:02.080 --> 0:31:04.640
<v Speaker 3>Uh? Are we at the airport like where? I don't know.

0:31:04.680 --> 0:31:07.000
<v Speaker 3>I would ask all those questions so that it has

0:31:07.120 --> 0:31:10.200
<v Speaker 3>the relaxation that she embodied naturally.

0:31:11.400 --> 0:31:13.800
<v Speaker 5>Christy, Yeah, No, that's fantastic.

0:31:13.840 --> 0:31:17.280
<v Speaker 2>Again, Vanessa is amazing, and I'm just constantly like crushing

0:31:17.280 --> 0:31:22.920
<v Speaker 2>on her this full time artistic artistically and also her

0:31:23.000 --> 0:31:27.280
<v Speaker 2>jacket and but honestly, that's so great. I think you

0:31:27.320 --> 0:31:30.400
<v Speaker 2>do have really great instincts. They're sort of undeniable at

0:31:30.400 --> 0:31:34.800
<v Speaker 2>this point. And uh, it's it's really I think it's

0:31:34.840 --> 0:31:38.640
<v Speaker 2>taken you this far into our contest. And uh, I

0:31:38.680 --> 0:31:41.200
<v Speaker 2>think mic placement from what I see you reading on

0:31:41.240 --> 0:31:43.760
<v Speaker 2>your phone is not helpful. I think you got to

0:31:43.760 --> 0:31:47.240
<v Speaker 2>be more on the mic so to speak. Okay, yeah, see,

0:31:47.240 --> 0:31:50.000
<v Speaker 2>because then we set right there here. Yes, it's clearer

0:31:50.200 --> 0:31:51.680
<v Speaker 2>I mean, we hear you so much better.

0:31:52.760 --> 0:31:55.600
<v Speaker 1>It's a little close, but then then she popped.

0:31:55.360 --> 0:31:58.760
<v Speaker 2>A little bit right, so it's like but definitely not

0:31:59.040 --> 0:32:03.280
<v Speaker 2>looking off. I'd, you know, ad phone fit forward facing. Personally,

0:32:03.320 --> 0:32:05.680
<v Speaker 2>I would prefer that just to hear because what we

0:32:05.720 --> 0:32:10.240
<v Speaker 2>don't realize too And like Will and I talk about microphones,

0:32:10.280 --> 0:32:14.040
<v Speaker 2>and certain microphones pick up different things about your voice,

0:32:14.160 --> 0:32:16.959
<v Speaker 2>and so it's and some microphones are, you know, tinier

0:32:17.040 --> 0:32:19.600
<v Speaker 2>than others, but in general does a great microphone for you.

0:32:20.040 --> 0:32:22.880
<v Speaker 2>So use it. Use it like as much as you.

0:32:22.840 --> 0:32:27.200
<v Speaker 4>Can because he has pockets. I actually did just get

0:32:27.240 --> 0:32:28.960
<v Speaker 4>it the other day and I've been playing with it

0:32:29.000 --> 0:32:31.640
<v Speaker 4>for the last two days, figuring out settings that work

0:32:31.840 --> 0:32:32.440
<v Speaker 4>that don't work.

0:32:32.440 --> 0:32:32.840
<v Speaker 1>It's nice.

0:32:33.320 --> 0:32:34.840
<v Speaker 2>Yeah, you don't even need to look at us as

0:32:34.880 --> 0:32:36.200
<v Speaker 2>my opinion as stotch.

0:32:37.280 --> 0:32:39.560
<v Speaker 1>Here's here's what I would say. I would say if

0:32:39.600 --> 0:32:41.200
<v Speaker 1>I was directing you, I would say, I thought that

0:32:41.240 --> 0:32:44.600
<v Speaker 1>was a great first take. I really did. I think

0:32:44.680 --> 0:32:46.800
<v Speaker 1>if I'd like to hear you play with it a

0:32:46.840 --> 0:32:49.360
<v Speaker 1>little more on the second take. Okay, it was a

0:32:49.360 --> 0:32:50.840
<v Speaker 1>little one note all the way through. It was a

0:32:50.880 --> 0:32:52.400
<v Speaker 1>great note, but it was a little kind of one

0:32:52.400 --> 0:32:54.040
<v Speaker 1>note all the way through, So maybe find some peaks

0:32:54.040 --> 0:32:56.560
<v Speaker 1>and valleys here a little bit, sure, and just lighten

0:32:56.560 --> 0:32:58.240
<v Speaker 1>it up a little bit and and just kind of

0:32:58.240 --> 0:32:59.800
<v Speaker 1>play that. That would be my only note. And I

0:32:59.800 --> 0:33:01.840
<v Speaker 1>would have looked at everybody else in the room and say, wow,

0:33:01.880 --> 0:33:03.320
<v Speaker 1>great first take. Let's see what she does with the

0:33:03.360 --> 0:33:06.440
<v Speaker 1>second one. So yeah, let's just see what you can

0:33:06.440 --> 0:33:08.520
<v Speaker 1>play with it a little bit and find a couple

0:33:08.840 --> 0:33:11.400
<v Speaker 1>beats to make it your own and go from there.

0:33:11.800 --> 0:33:15.800
<v Speaker 4>Okay, I'm going to be totally honest with you. I

0:33:15.880 --> 0:33:18.600
<v Speaker 4>love my dog more than I love ninety nine percent

0:33:18.640 --> 0:33:20.840
<v Speaker 4>of the people I've ever met. That's why when I

0:33:20.880 --> 0:33:23.400
<v Speaker 4>see your scratching from seasonal allergies, I want to do

0:33:23.480 --> 0:33:25.480
<v Speaker 4>whatever I can to make her as comfortable as possible.

0:33:25.880 --> 0:33:28.160
<v Speaker 4>And it sounds like these that I reach for Alachus

0:33:28.560 --> 0:33:31.520
<v Speaker 4>made from a newly discovered plant in the rainforest. Alichews

0:33:31.560 --> 0:33:34.120
<v Speaker 4>have been clinically proven to reduce your dog's allergies by

0:33:34.120 --> 0:33:37.120
<v Speaker 4>over fifty four percent. They can't speak to you, so

0:33:37.520 --> 0:33:40.440
<v Speaker 4>you have to speak for them. Give your dog alichus

0:33:40.640 --> 0:33:42.920
<v Speaker 4>and save the scratching for her belly rubs.

0:33:44.000 --> 0:33:45.800
<v Speaker 1>Thank you very much. We will be right back with you.

0:33:46.240 --> 0:33:46.680
<v Speaker 1>Thank you.

0:33:50.880 --> 0:33:51.400
<v Speaker 2>Okay.

0:33:52.040 --> 0:33:55.640
<v Speaker 1>So I hope we're directing him right, because I feel

0:33:55.640 --> 0:33:58.760
<v Speaker 1>like we're spending more time with her, and I'm wondering

0:33:58.800 --> 0:34:02.400
<v Speaker 1>if we're doing that only because she's very natural. She's

0:34:02.440 --> 0:34:06.640
<v Speaker 1>got a very natural kind of way about her. I

0:34:06.680 --> 0:34:10.720
<v Speaker 1>think he's really good, Like I thought his takes direction

0:34:10.960 --> 0:34:15.120
<v Speaker 1>very very well. I think he really does. She seems

0:34:15.160 --> 0:34:19.120
<v Speaker 1>more polished to me, just all the way around, like

0:34:19.200 --> 0:34:22.080
<v Speaker 1>she's been doing this for fifteen years already. You know,

0:34:22.160 --> 0:34:25.560
<v Speaker 1>she just comes off that way even in between. And again,

0:34:26.360 --> 0:34:28.160
<v Speaker 1>you have to throw nerves in there as well. You're

0:34:28.200 --> 0:34:31.040
<v Speaker 1>waiting for a week or two to come on the show.

0:34:31.520 --> 0:34:34.759
<v Speaker 1>You get your lines the night before. Everybody's nervous. I

0:34:34.800 --> 0:34:36.920
<v Speaker 1>always say, if you're not nervous doing this, pick another

0:34:36.920 --> 0:34:39.040
<v Speaker 1>line of work, because you're always nervous. It's fun, it's

0:34:39.080 --> 0:34:40.799
<v Speaker 1>a great kind of energy you can use, and you're

0:34:40.800 --> 0:34:42.840
<v Speaker 1>nervous for every job you go in and do. So

0:34:43.440 --> 0:34:45.520
<v Speaker 1>I'm not holding that against him in any way, shape

0:34:45.560 --> 0:34:47.279
<v Speaker 1>or for him. But I'm sure she's nervous too. But

0:34:47.520 --> 0:34:50.720
<v Speaker 1>in between takes, she's joking with us, she's doing other voices.

0:34:51.480 --> 0:34:54.040
<v Speaker 1>It's like she comes off as more of a voiceover

0:34:54.120 --> 0:34:56.479
<v Speaker 1>actor overall, And I'm not trying to hold that against

0:34:56.520 --> 0:35:00.880
<v Speaker 1>him at all, because we're just going by by performance,

0:35:00.960 --> 0:35:03.400
<v Speaker 1>and his performances have been very good. But there is

0:35:03.480 --> 0:35:07.560
<v Speaker 1>a smoothness to her that I don't know if we've

0:35:07.600 --> 0:35:09.640
<v Speaker 1>brought out of him yet. And I'm not saying it's

0:35:09.640 --> 0:35:12.920
<v Speaker 1>not there. I'm just saying that maybe we need to

0:35:12.920 --> 0:35:14.879
<v Speaker 1>spend a little more time trying to bring that out

0:35:14.880 --> 0:35:16.480
<v Speaker 1>of him, to see if we can get that same

0:35:16.600 --> 0:35:19.480
<v Speaker 1>kind of smooth quality. That's I don't know. I can

0:35:19.520 --> 0:35:22.080
<v Speaker 1>be wrong, but do you guys agree or disagree or.

0:35:24.000 --> 0:35:24.160
<v Speaker 2>Well?

0:35:24.239 --> 0:35:26.239
<v Speaker 3>I didn't think she could improve on the first take,

0:35:26.280 --> 0:35:30.200
<v Speaker 3>and she one hundred percent did right, I mean, and equally,

0:35:30.520 --> 0:35:32.839
<v Speaker 3>I felt like I heard more of what he said

0:35:32.880 --> 0:35:34.759
<v Speaker 3>on his second take when he just sort of took

0:35:34.760 --> 0:35:36.400
<v Speaker 3>it down and it was a little bit more intimate.

0:35:37.080 --> 0:35:41.080
<v Speaker 3>But you know, from my experience, what she was able

0:35:41.080 --> 0:35:46.040
<v Speaker 3>to accomplish in that second take is what makes a career, right.

0:35:47.160 --> 0:35:48.000
<v Speaker 1>I don't disagree.

0:35:48.080 --> 0:35:50.759
<v Speaker 3>I don't disc because she took the note and she

0:35:50.880 --> 0:35:53.280
<v Speaker 3>was right in there, and I didn't feel the artifice.

0:35:53.320 --> 0:35:55.799
<v Speaker 3>I didn't feel like, aren't I clever? Look how I know?

0:35:55.960 --> 0:35:58.800
<v Speaker 3>It was just she was she was having a conversation

0:35:58.880 --> 0:36:01.239
<v Speaker 3>with someone. It felt ground that, it felt authentic. It

0:36:01.239 --> 0:36:04.000
<v Speaker 3>had the speed that we use when we actually communicate

0:36:04.040 --> 0:36:06.040
<v Speaker 3>to each other that if you're reading, it sounds like

0:36:06.080 --> 0:36:08.360
<v Speaker 3>you're doing it really quickly, but when we're speaking to

0:36:08.400 --> 0:36:12.680
<v Speaker 3>each other we think quickly too. There was nothing forced

0:36:12.719 --> 0:36:15.719
<v Speaker 3>in it. It was relaxed, and I was really really

0:36:15.800 --> 0:36:17.600
<v Speaker 3>impressed with her second rate, I.

0:36:17.640 --> 0:36:20.080
<v Speaker 1>Agree one hundred percent, Christy, I was too.

0:36:21.760 --> 0:36:25.439
<v Speaker 2>I disagree. I feel like I on the second round there,

0:36:25.600 --> 0:36:28.600
<v Speaker 2>I really I really tried to reach him.

0:36:29.000 --> 0:36:31.320
<v Speaker 1>Yeah, no, I think we did. But I'm just wondering

0:36:31.360 --> 0:36:33.880
<v Speaker 1>if we're you know, and again, maybe it's her ease,

0:36:34.000 --> 0:36:37.040
<v Speaker 1>like she kind of joins the conversation and and and

0:36:37.080 --> 0:36:40.200
<v Speaker 1>so maybe it's it's I think it's just his nerves

0:36:40.239 --> 0:36:43.320
<v Speaker 1>getting getting the better of him a little bit. And yeah,

0:36:43.440 --> 0:36:44.359
<v Speaker 1>which which one?

0:36:44.400 --> 0:36:46.800
<v Speaker 2>Which pad reads. I mean a lot of these guys

0:36:46.800 --> 0:36:49.279
<v Speaker 2>that we saw their their tapes and their reels. The

0:36:49.360 --> 0:36:52.560
<v Speaker 2>guys were very animated. They were superheroes. They had they

0:36:52.600 --> 0:36:55.000
<v Speaker 2>were on and they did these really big voices, and

0:36:55.040 --> 0:36:57.640
<v Speaker 2>they were really big and and and sometimes I think

0:36:57.640 --> 0:37:00.880
<v Speaker 2>with ad reads, it does feel a little hard to

0:37:01.239 --> 0:37:04.480
<v Speaker 2>you know, communicate give information. I mean women do generally

0:37:04.560 --> 0:37:06.200
<v Speaker 2>probably communicate better.

0:37:06.239 --> 0:37:09.160
<v Speaker 1>Sorry, well I think I think it would depend on

0:37:09.160 --> 0:37:10.319
<v Speaker 1>the woman and depend on the man.

0:37:10.360 --> 0:37:13.960
<v Speaker 2>But okay, right, you're absolutely right. Not getting canceled today.

0:37:16.520 --> 0:37:18.480
<v Speaker 1>No, but I think that's no. But I don't disagree.

0:37:18.520 --> 0:37:20.560
<v Speaker 1>And again we've said this from the beginning. The women

0:37:20.560 --> 0:37:23.040
<v Speaker 1>have just been killing it. I mean they've just they've

0:37:23.080 --> 0:37:26.479
<v Speaker 1>just been killing it. They've been great. So I think

0:37:27.120 --> 0:37:29.239
<v Speaker 1>for this third line, whenever we you know, this is

0:37:29.280 --> 0:37:30.800
<v Speaker 1>all gonna be cold. I think this is going to

0:37:30.880 --> 0:37:35.120
<v Speaker 1>be a very big step for one of them to

0:37:35.160 --> 0:37:37.360
<v Speaker 1>see who can do the cold read better. And I

0:37:37.400 --> 0:37:39.960
<v Speaker 1>think we work with both of them again to see

0:37:40.000 --> 0:37:41.399
<v Speaker 1>what they can do and to keep it fair. Here's

0:37:41.400 --> 0:37:45.440
<v Speaker 1>what we're gonna do, Vanessa. Yeah, I have something in

0:37:45.480 --> 0:37:47.680
<v Speaker 1>either my left or my right hand, if if it's

0:37:47.800 --> 0:37:50.319
<v Speaker 1>if you say left or right, left is going to

0:37:50.400 --> 0:37:53.640
<v Speaker 1>be Danielle and right is going to be Matthew. To

0:37:53.680 --> 0:37:56.640
<v Speaker 1>see who goes first. Okay, So I'm holding something in

0:37:56.680 --> 0:37:57.680
<v Speaker 1>my hand, say left or right?

0:37:58.960 --> 0:37:59.200
<v Speaker 3>Right?

0:37:59.800 --> 0:38:02.120
<v Speaker 1>Okay, it is left, It is in my hand. So

0:38:02.160 --> 0:38:03.640
<v Speaker 1>we said left was Danielle? Correct?

0:38:04.239 --> 0:38:04.359
<v Speaker 3>Right?

0:38:04.600 --> 0:38:07.760
<v Speaker 1>Okay, So Danielle will be going first in round number three.

0:38:08.960 --> 0:38:15.120
<v Speaker 1>So let's bring Danielle back in. Hey, Danielle, how are

0:38:15.120 --> 0:38:18.480
<v Speaker 1>you doing good? So much like our last game where

0:38:18.520 --> 0:38:20.239
<v Speaker 1>we had the cold read, we're going to be doing

0:38:20.280 --> 0:38:22.040
<v Speaker 1>the same thing again and we're going to be throwing

0:38:22.120 --> 0:38:24.200
<v Speaker 1>a cold read ad at you. And if you look,

0:38:24.280 --> 0:38:26.720
<v Speaker 1>it should be on your chat.

0:38:27.520 --> 0:38:29.960
<v Speaker 4>Yes, I get a picture because my eyes are terrible,

0:38:29.960 --> 0:38:33.440
<v Speaker 4>and I can put it on my phone.

0:38:32.680 --> 0:38:34.200
<v Speaker 1>All right, so we won't get in your head at

0:38:34.200 --> 0:38:36.759
<v Speaker 1>all again. If you want to take some more time,

0:38:36.760 --> 0:38:38.359
<v Speaker 1>you can, if and if you're ready, you can any

0:38:38.400 --> 0:38:41.120
<v Speaker 1>time you're ready for line number three at your pleasure already.

0:38:42.080 --> 0:38:44.760
<v Speaker 4>I hate to travel. First you have to book your trip,

0:38:44.880 --> 0:38:46.640
<v Speaker 4>Then you have to pack, Then you have to sit

0:38:46.719 --> 0:38:49.239
<v Speaker 4>in traffic just to get to the line that gets

0:38:49.280 --> 0:38:51.080
<v Speaker 4>you to the line that gets you to the plane.

0:38:51.520 --> 0:38:54.919
<v Speaker 4>I just couldn't take it anymore. Then I found my Home,

0:38:55.239 --> 0:38:56.959
<v Speaker 4>the new app that allows you to rent a house

0:38:57.000 --> 0:39:00.440
<v Speaker 4>in your own town. Imagine taking a vacation on minutes

0:39:00.480 --> 0:39:03.480
<v Speaker 4>away from where you currently live. My Home gives you

0:39:03.520 --> 0:39:05.480
<v Speaker 4>the feel of a vacation while letting you shop at

0:39:05.480 --> 0:39:08.239
<v Speaker 4>your local store, eat at your favorite local restaurant, and

0:39:08.360 --> 0:39:10.360
<v Speaker 4>save a ton of money on a rental car. And

0:39:10.440 --> 0:39:12.919
<v Speaker 4>let's be honest, when's the last time you actually looked

0:39:12.920 --> 0:39:15.400
<v Speaker 4>at your town from a tourist point of view? My

0:39:15.520 --> 0:39:18.959
<v Speaker 4>home a vacation from home, well, never leaving home.

0:39:21.120 --> 0:39:24.520
<v Speaker 1>Great Vanessa, Great cold read.

0:39:25.080 --> 0:39:30.279
<v Speaker 3>Yeah, that was great. I wonder it Obviously it's a

0:39:30.280 --> 0:39:36.040
<v Speaker 3>cold read, but it's a little bit presentational or sounding,

0:39:36.239 --> 0:39:38.560
<v Speaker 3>which it's you know, it's written that way. I wondered

0:39:38.600 --> 0:39:43.160
<v Speaker 3>if you picked a specific listener, whether it's your cousin

0:39:43.440 --> 0:39:48.040
<v Speaker 3>or your aunt or I don't know, a coworker or

0:39:48.120 --> 0:39:53.880
<v Speaker 3>someone that creates a kind of ease and familiarity. You know,

0:39:53.920 --> 0:39:56.920
<v Speaker 3>who would you confide in that you hate to travel

0:39:58.880 --> 0:40:01.080
<v Speaker 3>or do you know what I mean? Like a It

0:40:01.160 --> 0:40:05.719
<v Speaker 3>might make it more specific and then be easier to

0:40:05.840 --> 0:40:08.399
<v Speaker 3>connect with as a listener as opposed to a presentation.

0:40:09.120 --> 0:40:12.560
<v Speaker 3>Yeah type, which is the challenge of add copy all

0:40:12.600 --> 0:40:15.360
<v Speaker 3>the time is to have it do the sell but

0:40:15.440 --> 0:40:19.080
<v Speaker 3>effortlessly so and you've done that all day, so you're

0:40:19.160 --> 0:40:19.839
<v Speaker 3>capable of.

0:40:19.800 --> 0:40:22.040
<v Speaker 4>It sell without actually looking like you're selling.

0:40:23.200 --> 0:40:25.440
<v Speaker 3>Yeah, And sometimes I don't solve that by going how

0:40:25.440 --> 0:40:27.320
<v Speaker 3>do I sound like I'm not selling? I saw that

0:40:27.440 --> 0:40:30.520
<v Speaker 3>by making a specific choice, all right, I've called my

0:40:30.600 --> 0:40:33.520
<v Speaker 3>aunt I'm talking to I know how I talk to her, like, Okay,

0:40:33.560 --> 0:40:35.480
<v Speaker 3>this is going to be more grounded in what I

0:40:35.520 --> 0:40:37.600
<v Speaker 3>know rather than what I want it to sound like.

0:40:37.719 --> 0:40:40.520
<v Speaker 3>Or I don't know if that makes sense. I'll say

0:40:40.600 --> 0:40:43.640
<v Speaker 3>for a legal copy, if you ever have that. A

0:40:43.680 --> 0:40:47.320
<v Speaker 3>great way to solve if it's a say, a ten

0:40:47.680 --> 0:40:50.080
<v Speaker 3>minute or sorry, a ten second bit of copy that

0:40:50.120 --> 0:40:52.279
<v Speaker 3>they need in six seconds, rather than the thinking that

0:40:52.320 --> 0:40:53.520
<v Speaker 3>you need to do it faster at least a two

0:40:53.520 --> 0:40:56.080
<v Speaker 3>thousand steven nexte or whatever, is that your listener is

0:40:56.120 --> 0:40:57.560
<v Speaker 3>leaving the room and so you have to speak faster

0:40:57.560 --> 0:40:59.320
<v Speaker 3>because they're leaving and you want to get your point across.

0:40:59.520 --> 0:41:02.560
<v Speaker 3>You see Jesus, that was so there's sometimes there are

0:41:02.640 --> 0:41:05.960
<v Speaker 3>little tricks and shoe ins to make it sound different

0:41:06.080 --> 0:41:10.480
<v Speaker 3>that help us as actors to more authentically create that

0:41:10.560 --> 0:41:13.399
<v Speaker 3>as opposed to I don't want to sound like I'm

0:41:13.440 --> 0:41:18.760
<v Speaker 3>selling like you know what I'm saying. Yeah, particular listener,

0:41:18.920 --> 0:41:21.520
<v Speaker 3>it grounds it a little. That would be my recommendation.

0:41:21.840 --> 0:41:22.400
<v Speaker 1>Christy.

0:41:23.880 --> 0:41:25.960
<v Speaker 2>I personally, I feel like I just want more energy

0:41:26.000 --> 0:41:30.839
<v Speaker 2>from everybody. I think like when we're on Mike, it's

0:41:30.920 --> 0:41:35.280
<v Speaker 2>generally like there's a presence you already have that naturally,

0:41:35.800 --> 0:41:39.479
<v Speaker 2>but I would love to see that even more right now.

0:41:39.600 --> 0:41:42.439
<v Speaker 2>I think it could really help, you know. I think

0:41:42.440 --> 0:41:45.560
<v Speaker 2>we have seen you do different things, but I also

0:41:45.680 --> 0:41:47.960
<v Speaker 2>kind of want to just see big energy on this one,

0:41:48.000 --> 0:41:51.040
<v Speaker 2>like maybe like a little more paced up and a

0:41:51.040 --> 0:41:57.200
<v Speaker 2>little bit more interested so that it feels less selly

0:41:57.360 --> 0:42:02.200
<v Speaker 2>like Vanessa was saying, but it's still like interesting, you know.

0:42:02.320 --> 0:42:05.160
<v Speaker 2>I think that that just comes with the ad read territory.

0:42:05.239 --> 0:42:08.400
<v Speaker 2>Is they want somebody to feel like they can catch you,

0:42:08.480 --> 0:42:11.120
<v Speaker 2>they can like really strike you with their words.

0:42:12.120 --> 0:42:14.520
<v Speaker 1>No, I agree with everything that was said, and again,

0:42:14.600 --> 0:42:17.160
<v Speaker 1>I here's the fun with this one. I wrote this

0:42:17.200 --> 0:42:20.080
<v Speaker 1>one to be absurd. Who the hell would go rent

0:42:20.120 --> 0:42:23.399
<v Speaker 1>a house in their own town to take a vacation, Well,

0:42:23.640 --> 0:42:26.960
<v Speaker 1>other than Vanessa, it just seems like it's like, you know,

0:42:27.120 --> 0:42:28.920
<v Speaker 1>oh wow, I get to go to my local grocery

0:42:28.960 --> 0:42:31.480
<v Speaker 1>store on vacation. It's just so you're gonna be getting

0:42:31.480 --> 0:42:33.560
<v Speaker 1>products that make no sense a lot of times when

0:42:33.560 --> 0:42:36.439
<v Speaker 1>you're getting some of these these ad reads. So you've

0:42:36.440 --> 0:42:39.720
<v Speaker 1>got to make this absurd. I'm going to go rent

0:42:39.760 --> 0:42:42.880
<v Speaker 1>my neighbor's house to be on vacation. Seem like a

0:42:42.960 --> 0:42:47.120
<v Speaker 1>totally natural and normal thing to do while not sounding

0:42:47.400 --> 0:42:49.879
<v Speaker 1>like you're trying to sell somebody on renting a house

0:42:49.880 --> 0:42:51.960
<v Speaker 1>in your own town. It's such a such a weird

0:42:52.000 --> 0:42:55.759
<v Speaker 1>and absurd line to walk, But I think you can

0:42:55.800 --> 0:42:58.799
<v Speaker 1>get that with with as Christy said, more energy and

0:42:58.880 --> 0:43:01.480
<v Speaker 1>as Vanessa said, more energy talking to somebody that you

0:43:01.520 --> 0:43:04.640
<v Speaker 1>know very well. Okay, and let's see what happens with that.

0:43:04.760 --> 0:43:07.879
<v Speaker 1>So with that said, act your pleasure anytime, all right.

0:43:09.560 --> 0:43:12.280
<v Speaker 4>I hate to travel. First you have to book your trip,

0:43:12.440 --> 0:43:14.359
<v Speaker 4>then you have to pack, Then you have to sit

0:43:14.400 --> 0:43:16.600
<v Speaker 4>in traffic just to get to the line that gets

0:43:16.600 --> 0:43:18.440
<v Speaker 4>you to the line that gets you to the plane.

0:43:19.120 --> 0:43:20.640
<v Speaker 2>I just couldn't take it anymore.

0:43:21.320 --> 0:43:24.480
<v Speaker 4>Then I found my Home, the new app that allows

0:43:24.520 --> 0:43:27.240
<v Speaker 4>you to rent a house in your own town. Imagine

0:43:27.239 --> 0:43:30.319
<v Speaker 4>taking a vacation only minutes away from where you currently live.

0:43:30.840 --> 0:43:32.920
<v Speaker 4>My Home gives you the feel of a vacation while

0:43:33.000 --> 0:43:35.440
<v Speaker 4>letting you shop at your local store, eat at your

0:43:35.440 --> 0:43:37.960
<v Speaker 4>favorite local restaurant, and save a ton of money on

0:43:38.000 --> 0:43:41.439
<v Speaker 4>a rental car. And let's be honest, when's the last

0:43:41.480 --> 0:43:43.880
<v Speaker 4>time you actually looked at your town from a Taurus

0:43:44.000 --> 0:43:47.120
<v Speaker 4>point of view? My Home a vacation from home.

0:43:47.760 --> 0:43:51.600
<v Speaker 1>We'll never leave me home. Thank you very much. We

0:43:51.600 --> 0:43:52.600
<v Speaker 1>will be right back with you.

0:43:53.239 --> 0:43:55.360
<v Speaker 3>Thank you nicely done.

0:43:55.640 --> 0:43:58.160
<v Speaker 1>That was great. I mean that was yeah great energy.

0:43:58.320 --> 0:44:00.680
<v Speaker 2>That that energy is what really so weird.

0:44:00.840 --> 0:44:04.040
<v Speaker 3>I almost in that read, I felt like she was

0:44:04.120 --> 0:44:08.280
<v Speaker 3>sitting next to her schlovey husband never takes her anywhere,

0:44:08.280 --> 0:44:11.400
<v Speaker 3>and she's, you know, like gilding the lily of like

0:44:11.440 --> 0:44:17.560
<v Speaker 3>listen you you know, it had another dimension of a

0:44:17.600 --> 0:44:19.759
<v Speaker 3>motive that was like mysterious to me.

0:44:20.120 --> 0:44:20.920
<v Speaker 5>That was great her.

0:44:21.440 --> 0:44:22.960
<v Speaker 1>One of the things that's really standing out for me

0:44:23.000 --> 0:44:25.359
<v Speaker 1>with her is her second takes are really good. And

0:44:25.400 --> 0:44:28.120
<v Speaker 1>that obviously means she's taking the notes, she's taking the direction,

0:44:28.200 --> 0:44:30.520
<v Speaker 1>and she's using them, and that's she really is.

0:44:30.600 --> 0:44:32.120
<v Speaker 2>She's not in her head about that, right.

0:44:32.320 --> 0:44:34.440
<v Speaker 1>So let's all right, Well, let's let's bring Matthew in

0:44:34.480 --> 0:44:35.440
<v Speaker 1>and see you see what Matthew.

0:44:35.480 --> 0:44:37.640
<v Speaker 2>I'm going to give him almost the same direction to Yeah.

0:44:37.719 --> 0:44:39.680
<v Speaker 1>Well, let's see what he does. Let's see what he does.

0:44:39.960 --> 0:44:41.920
<v Speaker 1>He might he might nail it. So let's see what

0:44:41.960 --> 0:44:54.680
<v Speaker 1>Matthew can can do here. Hey Matthew, how are you hello?

0:44:55.480 --> 0:44:59.359
<v Speaker 1>All right? So, just like the last time, the last game,

0:44:59.400 --> 0:45:01.239
<v Speaker 1>we played. We're are now going to jump into round

0:45:01.280 --> 0:45:03.920
<v Speaker 1>three where you are going to get a cold ad

0:45:04.200 --> 0:45:05.880
<v Speaker 1>that you have never seen before, so it will be

0:45:05.960 --> 0:45:06.720
<v Speaker 1>in your chat.

0:45:07.320 --> 0:45:08.000
<v Speaker 5>I'm excited.

0:45:08.920 --> 0:45:12.600
<v Speaker 1>Yeah, has it? Do you have it? There?

0:45:13.200 --> 0:45:14.040
<v Speaker 5>Don't have anything yet?

0:45:14.080 --> 0:45:14.279
<v Speaker 1>Oh?

0:45:14.320 --> 0:45:14.480
<v Speaker 7>There?

0:45:14.520 --> 0:45:18.040
<v Speaker 1>It is all right, so we won't say anything, Matthew,

0:45:18.080 --> 0:45:18.680
<v Speaker 1>at your pleasure.

0:45:18.960 --> 0:45:23.759
<v Speaker 5>Here I go. I hate to travel. First you have

0:45:23.800 --> 0:45:27.200
<v Speaker 5>to book your trip, then you have to pack. Then

0:45:27.239 --> 0:45:29.360
<v Speaker 5>you have to pack, then you have to sit in

0:45:29.400 --> 0:45:31.759
<v Speaker 5>traffic just to get to the line that gets you

0:45:31.800 --> 0:45:34.080
<v Speaker 5>to the line that gets you to the plane. I

0:45:34.120 --> 0:45:37.440
<v Speaker 5>just couldn't take it anymore. Then I found my Home,

0:45:37.760 --> 0:45:39.720
<v Speaker 5>the new app that allows you to rent a house

0:45:40.000 --> 0:45:44.400
<v Speaker 5>in your own town. Imagine taking a vacation only minutes

0:45:44.400 --> 0:45:47.560
<v Speaker 5>away from where you currently live. My Home gives you

0:45:47.600 --> 0:45:50.239
<v Speaker 5>the feel of a vacation while letting you shop at

0:45:50.280 --> 0:45:53.480
<v Speaker 5>your local store, eat at your favorite local restaurant, and

0:45:53.560 --> 0:45:56.160
<v Speaker 5>save a ton of money on a rental car. And

0:45:56.560 --> 0:45:59.280
<v Speaker 5>let's be honest, when is the last time you actually

0:45:59.360 --> 0:46:01.439
<v Speaker 5>looked at your town from a tourist point of view?

0:46:02.200 --> 0:46:06.120
<v Speaker 5>My Home a vacation from home while never leaving home.

0:46:07.680 --> 0:46:11.480
<v Speaker 1>Thank you very much, Vanessa. Any notes, Yeah, I'm curious.

0:46:12.120 --> 0:46:15.319
<v Speaker 3>I wondered who you were talking to and why, and

0:46:15.360 --> 0:46:19.160
<v Speaker 3>I wonder if you maybe you made that choice. But

0:46:19.239 --> 0:46:22.840
<v Speaker 3>I wonder if maybe making a different choice of the

0:46:22.880 --> 0:46:27.560
<v Speaker 3>listener would make it more conversational and loosen it up

0:46:27.600 --> 0:46:30.920
<v Speaker 3>a bit. And you know, as Will has said, like

0:46:32.360 --> 0:46:36.239
<v Speaker 3>you know, just make it not faster, but just that

0:46:36.320 --> 0:46:38.920
<v Speaker 3>it would just roll off a little bit more given

0:46:38.960 --> 0:46:41.200
<v Speaker 3>what your intention is, that why you would even be

0:46:41.239 --> 0:46:44.960
<v Speaker 3>sharing this with a friend or a colleague or a

0:46:44.960 --> 0:46:47.600
<v Speaker 3>classmate or you know, whoever the listener is. That that

0:46:47.640 --> 0:46:51.520
<v Speaker 3>would help govern the ease with which you describe these things,

0:46:51.920 --> 0:46:55.359
<v Speaker 3>and that might make it just fly a little bit more.

0:46:55.440 --> 0:46:56.840
<v Speaker 3>But I thought you did a great job.

0:46:57.239 --> 0:47:02.960
<v Speaker 5>That's really helpful advice visualizing visualizing my listener, all right, yeah.

0:47:02.800 --> 0:47:06.960
<v Speaker 2>Christy, Yeah, I mean if that's the advice that will

0:47:07.000 --> 0:47:11.400
<v Speaker 2>get you to feel really into making a bold choice,

0:47:11.480 --> 0:47:16.400
<v Speaker 2>I think that's great. You know, we're really wanting to

0:47:16.400 --> 0:47:19.520
<v Speaker 2>give you direction that feels true to you because we

0:47:19.560 --> 0:47:24.360
<v Speaker 2>really are rooting for everyone. And so I had mentioned that,

0:47:24.520 --> 0:47:27.880
<v Speaker 2>like I think in adreachs, generally speaking, you need to

0:47:27.880 --> 0:47:29.160
<v Speaker 2>pick up a pace, you need to kind of be

0:47:29.520 --> 0:47:32.680
<v Speaker 2>There's this old saying of louder, faster, funnier in the industry.

0:47:32.760 --> 0:47:35.279
<v Speaker 2>But like, I think that more or less this is

0:47:35.360 --> 0:47:39.480
<v Speaker 2>like more interested, more active, you know, and then the

0:47:39.520 --> 0:47:43.319
<v Speaker 2>cell kind of comes from that. I don't know. I mean, look, Matt,

0:47:43.360 --> 0:47:45.360
<v Speaker 2>like it's up to you. If you know you're talking

0:47:45.480 --> 0:47:47.600
<v Speaker 2>to somebody that you want to have an intimate conversation with,

0:47:47.680 --> 0:47:50.279
<v Speaker 2>then it doesn't need to be super in your face.

0:47:50.320 --> 0:47:52.760
<v Speaker 2>But I do think you can still be very interested

0:47:52.760 --> 0:47:56.520
<v Speaker 2>and excited to share the news within, so really be

0:47:56.600 --> 0:47:58.239
<v Speaker 2>excited to share that news.

0:47:58.800 --> 0:48:00.799
<v Speaker 1>I agree, I think so. You know, a lot of

0:48:00.800 --> 0:48:03.000
<v Speaker 1>times when you get cold reads, your cold copy the

0:48:03.040 --> 0:48:05.680
<v Speaker 1>first time, you're really just trying to get through it.

0:48:05.680 --> 0:48:07.160
<v Speaker 1>It's one of those things where you don't want to

0:48:07.160 --> 0:48:09.520
<v Speaker 1>make any mistakes. You want to read through from top

0:48:09.560 --> 0:48:11.680
<v Speaker 1>to bottom, and you kind of finish and it's almost

0:48:11.680 --> 0:48:13.840
<v Speaker 1>like a hew, I got through that. And that's great

0:48:14.440 --> 0:48:16.000
<v Speaker 1>because now it kind of gets in your mouth, it

0:48:16.000 --> 0:48:18.239
<v Speaker 1>gets in your head, and your second take, you can

0:48:18.280 --> 0:48:21.319
<v Speaker 1>loosen it up a bit. I think, make it, you know,

0:48:21.400 --> 0:48:24.759
<v Speaker 1>more conversational if you can. I would also take a

0:48:24.800 --> 0:48:28.040
<v Speaker 1>sip of water before you do it again and just

0:48:28.360 --> 0:48:32.080
<v Speaker 1>kind of relax into it a little bit. And just

0:48:32.239 --> 0:48:36.640
<v Speaker 1>remember exactly what Vanessa said. You're you're speaking, pick somebody

0:48:36.680 --> 0:48:40.560
<v Speaker 1>to talk to and it it could just be whoever.

0:48:40.640 --> 0:48:43.040
<v Speaker 1>It's just a buddy, it's a wife, it's a friend,

0:48:43.080 --> 0:48:46.080
<v Speaker 1>it's a partner, whoever it is where you're just having

0:48:46.120 --> 0:48:48.840
<v Speaker 1>a conversation about this. And oh, by the way, I

0:48:48.880 --> 0:48:51.520
<v Speaker 1>also heard about this great app that we can you know, go,

0:48:51.760 --> 0:48:54.400
<v Speaker 1>we don't have to leave town. So let's just see

0:48:54.760 --> 0:48:59.920
<v Speaker 1>if you loosen it up where it can go from there,

0:49:00.200 --> 0:49:01.440
<v Speaker 1>So anytime, Matt at your pleasure.

0:49:05.480 --> 0:49:07.919
<v Speaker 5>I hate to travel. First you have to book your trip,

0:49:08.040 --> 0:49:09.759
<v Speaker 5>then you have to pack, and you have to sit

0:49:09.800 --> 0:49:11.959
<v Speaker 5>in traffic just to get to the line that gets

0:49:11.960 --> 0:49:14.160
<v Speaker 5>you to the line that gets you to the plane.

0:49:14.360 --> 0:49:18.320
<v Speaker 5>I just couldn't take it anymore. Then I found my Home,

0:49:18.640 --> 0:49:20.720
<v Speaker 5>this new app that allows you to rent a house

0:49:21.000 --> 0:49:25.800
<v Speaker 5>in your own town. Imagine taking a vacation only minutes

0:49:25.800 --> 0:49:28.719
<v Speaker 5>away from where you currently live. My Home gives you

0:49:28.760 --> 0:49:30.920
<v Speaker 5>the feel of a vacation while letting you shop at

0:49:30.920 --> 0:49:33.879
<v Speaker 5>your local store. You get your favorite local restaurant, save

0:49:33.920 --> 0:49:36.720
<v Speaker 5>a ton of money on the rental car. And let's

0:49:36.719 --> 0:49:39.080
<v Speaker 5>be honest, when's the last time you actually looked at

0:49:39.080 --> 0:49:43.080
<v Speaker 5>your town from a tourist point of view. My home

0:49:43.520 --> 0:49:55.680
<v Speaker 5>a vacation away from home while never leaving home. My home,

0:49:55.840 --> 0:49:58.600
<v Speaker 5>a vacation from home while never leaving home.

0:49:59.640 --> 0:50:01.600
<v Speaker 1>That's thank you very much. We'll be right back with you.

0:50:02.800 --> 0:50:03.239
<v Speaker 1>Thank you.

0:50:05.400 --> 0:50:07.600
<v Speaker 3>So cool. That definitely had more intimacy.

0:50:07.840 --> 0:50:09.640
<v Speaker 1>I definitely did, And I thought he took the direction

0:50:09.800 --> 0:50:13.600
<v Speaker 1>very well. That being said, I'll be totally honest with you,

0:50:13.640 --> 0:50:17.240
<v Speaker 1>I think she. I think she was the better actor today.

0:50:18.239 --> 0:50:20.879
<v Speaker 2>Man, We're just gonna have any guys, I.

0:50:20.840 --> 0:50:23.160
<v Speaker 1>Know, And it's one of those things where we, you know,

0:50:23.239 --> 0:50:24.960
<v Speaker 1>we've said from the beginning, we are going to find

0:50:24.960 --> 0:50:28.640
<v Speaker 1>the best wherever the best takes us. And it's gonna

0:50:28.680 --> 0:50:31.440
<v Speaker 1>be if we if if we do decide that that

0:50:31.480 --> 0:50:33.920
<v Speaker 1>she wins this week, it's gonna also get very difficult

0:50:33.920 --> 0:50:35.760
<v Speaker 1>for us because we're going to be comparing one woman's

0:50:35.800 --> 0:50:37.680
<v Speaker 1>voice to another woman's voice for the rest of the competition,

0:50:37.719 --> 0:50:41.800
<v Speaker 1>which can get very tough. Yeah, but that being said

0:50:42.160 --> 0:50:46.400
<v Speaker 1>strictly by acting, I thought she she she really impressed

0:50:46.440 --> 0:50:48.520
<v Speaker 1>me today and and he was great, he really was,

0:50:48.640 --> 0:50:52.440
<v Speaker 1>But I thought she was just a little, you know,

0:50:52.680 --> 0:50:56.440
<v Speaker 1>a little higher level than he was. Vanessa.

0:50:57.120 --> 0:51:04.319
<v Speaker 3>I think they are both fantastic in terms of referring

0:51:05.120 --> 0:51:07.000
<v Speaker 3>either one or the other. If I had to refer

0:51:07.040 --> 0:51:13.000
<v Speaker 3>them to my voiceover agency, I would probably I would

0:51:13.040 --> 0:51:20.160
<v Speaker 3>probably more confidently refer her because of her agility and

0:51:21.280 --> 0:51:25.600
<v Speaker 3>also the ease with which she communicates with the director.

0:51:26.080 --> 0:51:29.560
<v Speaker 3>There's something about that and it's it's of course we're

0:51:29.600 --> 0:51:32.920
<v Speaker 3>all nervous, and I don't think he was necessarily even

0:51:33.040 --> 0:51:35.279
<v Speaker 3>that nervous or shy. I thought he was hilarious and

0:51:35.719 --> 0:51:40.200
<v Speaker 3>he was funny. Yeah, but I think she has a

0:51:40.200 --> 0:51:45.799
<v Speaker 3>way of relaxing people around her that it might it

0:51:45.880 --> 0:51:48.759
<v Speaker 3>might behoove him to kind of work on like the

0:51:48.840 --> 0:51:51.280
<v Speaker 3>hang because a lot of times in the business, people

0:51:51.480 --> 0:51:53.080
<v Speaker 3>they want to work with you if you're a good

0:51:53.160 --> 0:51:53.840
<v Speaker 3>hang And.

0:51:54.080 --> 0:51:57.160
<v Speaker 2>Oh man, I hate that part because I'm so freaking awkward.

0:51:58.000 --> 0:52:00.359
<v Speaker 1>You're easy to work within your phone in the room,

0:52:00.400 --> 0:52:01.279
<v Speaker 1>and that's that's what.

0:52:01.360 --> 0:52:05.040
<v Speaker 3>Look Listen, even that you would just say that, oh

0:52:05.120 --> 0:52:08.160
<v Speaker 3>I'm so awkward like that that makes people relax because

0:52:08.160 --> 0:52:10.640
<v Speaker 3>everyone's awkward. Everyone feels like I'm the only one who

0:52:10.719 --> 0:52:12.520
<v Speaker 3>thinks I'm you know, what the hell am I doing

0:52:12.640 --> 0:52:14.840
<v Speaker 3>right now? Or whatever it is. And for you to

0:52:14.880 --> 0:52:17.640
<v Speaker 3>have the humility and the confidence to even say like,

0:52:17.680 --> 0:52:21.000
<v Speaker 3>oh god, you know and and I don't know that

0:52:21.040 --> 0:52:23.200
<v Speaker 3>I'm a good hang either. I'm a complete dork.

0:52:23.840 --> 0:52:25.480
<v Speaker 1>Yeah, but you are a dor but you're a dork

0:52:25.520 --> 0:52:27.040
<v Speaker 1>that's fun to hang out with. And I can attest

0:52:27.080 --> 0:52:30.880
<v Speaker 1>to that. But but I guess.

0:52:31.440 --> 0:52:33.520
<v Speaker 3>The lesson that I would take away from this for

0:52:33.640 --> 0:52:36.440
<v Speaker 3>me is like, Wow, I didn't realize how impactful it is.

0:52:37.040 --> 0:52:40.080
<v Speaker 3>The more I've heard this said before. The more relaxed

0:52:40.120 --> 0:52:42.560
<v Speaker 3>you are in your own skin, the more you know

0:52:42.600 --> 0:52:44.440
<v Speaker 3>who you are, the more you know that you deserve

0:52:44.520 --> 0:52:47.680
<v Speaker 3>to be there, the more you others others have more

0:52:47.719 --> 0:52:51.760
<v Speaker 3>confidence in your ability when when you give yourself permission

0:52:51.800 --> 0:52:55.040
<v Speaker 3>to own your power and your gift. And I think

0:52:55.080 --> 0:52:58.480
<v Speaker 3>they both did that. I think she did it with

0:52:58.560 --> 0:53:01.640
<v Speaker 3>somewhat more ease that if I were referring either one,

0:53:02.080 --> 0:53:03.799
<v Speaker 3>I think he might have seemed a little bit more

0:53:03.840 --> 0:53:04.600
<v Speaker 3>green in that.

0:53:04.760 --> 0:53:07.759
<v Speaker 2>In that way, I agree, And that's fair.

0:53:08.480 --> 0:53:10.239
<v Speaker 3>You know, the more jobs he would go to and

0:53:10.280 --> 0:53:12.880
<v Speaker 3>the more the more comfortable he would get whatever. But

0:53:12.920 --> 0:53:14.440
<v Speaker 3>the fact that she just has.

0:53:14.280 --> 0:53:17.040
<v Speaker 1>That he has the talent, I mean, the talent, is

0:53:17.040 --> 0:53:18.600
<v Speaker 1>that the talent is certainly there.

0:53:19.400 --> 0:53:20.080
<v Speaker 3>Yeah, definitely.

0:53:20.840 --> 0:53:22.960
<v Speaker 1>And that's one of the things that we've said, is all.

0:53:23.120 --> 0:53:25.320
<v Speaker 1>And we say this every week because it gets harder

0:53:25.360 --> 0:53:28.960
<v Speaker 1>every week. All sixteen of the final sixteen could be signed.

0:53:29.840 --> 0:53:32.560
<v Speaker 1>I might, I mean really, you know he and you're right,

0:53:32.600 --> 0:53:35.680
<v Speaker 1>he's because the hardest part is the talent. You can

0:53:35.880 --> 0:53:38.879
<v Speaker 1>you can teach the rest, and you can. You can

0:53:38.920 --> 0:53:41.279
<v Speaker 1>be learn how to be comfortable in a booth, but

0:53:41.800 --> 0:53:43.560
<v Speaker 1>you can learn the right way to address the microphone

0:53:43.560 --> 0:53:46.279
<v Speaker 1>all that stuff. I've always said. You know, I can't sing,

0:53:46.520 --> 0:53:48.800
<v Speaker 1>so I could go to singing class after singing class

0:53:48.800 --> 0:53:52.160
<v Speaker 1>after singing class. You can't teach the talent to sing.

0:53:52.560 --> 0:53:55.600
<v Speaker 1>You can take a talent that somebody has and you

0:53:55.640 --> 0:53:58.280
<v Speaker 1>can make it better. But if you don't have the talent,

0:53:58.320 --> 0:54:01.760
<v Speaker 1>you don't have the talent, and he certainly does. It's

0:54:01.960 --> 0:54:05.239
<v Speaker 1>just she's. She seems to be more advanced than him

0:54:05.320 --> 0:54:09.840
<v Speaker 1>right now, and that alone, I think would would have

0:54:09.880 --> 0:54:12.239
<v Speaker 1>her move on. And yeah, so Christy, I mean, what

0:54:12.239 --> 0:54:12.840
<v Speaker 1>what do you think?

0:54:13.239 --> 0:54:15.160
<v Speaker 2>Yeah, I think we call it. I think I tell

0:54:15.239 --> 0:54:18.000
<v Speaker 2>him the snooze and I.

0:54:17.560 --> 0:54:19.719
<v Speaker 1>Do you agree about it? You agree though? Right? No?

0:54:20.040 --> 0:54:22.239
<v Speaker 1>I mean I agree, okay, Yeah, And it's a shame

0:54:22.280 --> 0:54:23.480
<v Speaker 1>that we're not going to have any men left in

0:54:23.520 --> 0:54:25.759
<v Speaker 1>the competition. But that's the way it works. We just we.

0:54:25.920 --> 0:54:28.600
<v Speaker 2>It's the we. I think if anyone has listened to

0:54:28.600 --> 0:54:31.320
<v Speaker 2>this podcast as long as they have, and we appreciate

0:54:31.320 --> 0:54:34.839
<v Speaker 2>you listening, yeah so much, you'll know that. You know,

0:54:34.880 --> 0:54:37.160
<v Speaker 2>we've been as fair as possible. I don't think I've

0:54:37.160 --> 0:54:40.759
<v Speaker 2>ever seen a fair contest, so so yeah, so let's

0:54:40.760 --> 0:54:42.560
<v Speaker 2>go ahead and uh, let's give him the bad news

0:54:43.200 --> 0:54:45.480
<v Speaker 2>and I will be the one to do it, and

0:54:45.520 --> 0:54:48.160
<v Speaker 2>I'll be not be able to sleep tonight. Okay, thanks, thanks, Well.

0:54:48.120 --> 0:54:49.960
<v Speaker 1>I'll do it. I'm used to it now. If you

0:54:49.960 --> 0:54:50.600
<v Speaker 1>want me to do it.

0:54:50.600 --> 0:54:53.200
<v Speaker 2>They committed to it. Big about my commit Vanessa.

0:54:53.239 --> 0:54:55.920
<v Speaker 1>You want to do it, I will do it. If

0:54:55.920 --> 0:54:57.359
<v Speaker 1>you want I'm I will do it.

0:54:57.400 --> 0:54:59.200
<v Speaker 2>I will do it. I will also be awkward, so

0:54:59.239 --> 0:55:00.440
<v Speaker 2>if I'm really awkward, you sep it.

0:55:00.520 --> 0:55:03.799
<v Speaker 1>Okay, fair enough, Okay, all right, great, let's bring them back.

0:55:04.200 --> 0:55:06.600
<v Speaker 2>God, hey, Matt, what's up?

0:55:06.880 --> 0:55:07.400
<v Speaker 5>Hello?

0:55:07.960 --> 0:55:10.279
<v Speaker 2>Thanks for coming back to us here. We have been

0:55:10.560 --> 0:55:14.040
<v Speaker 2>just racking our brains because this is such an interesting

0:55:14.080 --> 0:55:16.360
<v Speaker 2>time in this competition. It's like we've gone from sixteen

0:55:16.440 --> 0:55:20.440
<v Speaker 2>to eight and all of you are so diverse and

0:55:20.480 --> 0:55:23.920
<v Speaker 2>interesting at different places in your acting journey and whatnot.

0:55:23.920 --> 0:55:27.040
<v Speaker 2>And obviously, Vanessa and Will we all love you and

0:55:27.120 --> 0:55:30.360
<v Speaker 2>we love your voice. That being said, today will probably

0:55:30.360 --> 0:55:32.799
<v Speaker 2>be you know, it's the last day for you with

0:55:32.920 --> 0:55:36.719
<v Speaker 2>this contest and you will not be moving forward. But

0:55:37.000 --> 0:55:40.480
<v Speaker 2>that's We're all sad because we love you and we

0:55:40.520 --> 0:55:43.000
<v Speaker 2>hope that you will continue in your journey with your

0:55:43.040 --> 0:55:46.040
<v Speaker 2>career as a voice actor, because you have the goods.

0:55:46.480 --> 0:55:48.560
<v Speaker 2>We've said it before in this contest that we feel

0:55:48.600 --> 0:55:52.280
<v Speaker 2>like everyone could be signed in our candidates.

0:55:53.160 --> 0:55:56.880
<v Speaker 5>Yeah, honestly, I've the scenario I was hoping for is

0:55:56.920 --> 0:56:00.440
<v Speaker 5>already a reality. So I'm just excited to be here.

0:56:00.719 --> 0:56:04.080
<v Speaker 1>Matt, That's so cool. But no, we were it's getting

0:56:04.160 --> 0:56:09.560
<v Speaker 1>tougher every week. The tam sixteen were we've said, as

0:56:09.680 --> 0:56:12.480
<v Speaker 1>Christy just said, could easily all go off and have

0:56:12.640 --> 0:56:16.600
<v Speaker 1>really great careers. The Elite eight that much more so.

0:56:17.600 --> 0:56:20.640
<v Speaker 1>I mean, we had you went from forty five hundred

0:56:20.840 --> 0:56:24.040
<v Speaker 1>to the top eight of this competition, and rightfully so,

0:56:25.000 --> 0:56:27.600
<v Speaker 1>I would think moving forward. If I was going to

0:56:27.600 --> 0:56:30.440
<v Speaker 1>give you any advice moving forward with your career, I

0:56:30.440 --> 0:56:33.360
<v Speaker 1>think it's to trust in yourself a little more because

0:56:33.400 --> 0:56:35.840
<v Speaker 1>I do think you have what it takes to move forward.

0:56:35.880 --> 0:56:39.200
<v Speaker 1>I think you're maybe a little nervous with your own talent,

0:56:40.200 --> 0:56:42.799
<v Speaker 1>and you've got the talent. So I think kind of

0:56:42.840 --> 0:56:45.320
<v Speaker 1>stepping into hey, I'm good at this, I'm mad, and

0:56:45.360 --> 0:56:47.799
<v Speaker 1>I'm damn good at this is a step I think

0:56:47.840 --> 0:56:51.000
<v Speaker 1>you need to even embrace more because there's a confidence

0:56:51.000 --> 0:56:54.200
<v Speaker 1>that you have. But I think you can really have

0:56:54.920 --> 0:56:57.200
<v Speaker 1>saying I'm good at what I do and I'm going

0:56:57.280 --> 0:56:58.520
<v Speaker 1>to now take it to the next level. And I

0:56:58.520 --> 0:56:59.680
<v Speaker 1>think you are going to take it to the next

0:56:59.760 --> 0:57:04.719
<v Speaker 1>level because you're very good. Thank you will so thank

0:57:04.760 --> 0:57:07.640
<v Speaker 1>you so much for joining us. Congratulations again on making

0:57:07.680 --> 0:57:11.359
<v Speaker 1>this far. And uh, someday we'll be able to high

0:57:11.400 --> 0:57:12.799
<v Speaker 1>five you in the booth because we're sure you're gonna

0:57:12.800 --> 0:57:13.399
<v Speaker 1>be in there with us.

0:57:14.440 --> 0:57:19.200
<v Speaker 5>Hey, great job, everyone, have a wonderful time.

0:57:19.520 --> 0:57:22.400
<v Speaker 1>Thanks so much. I'll listening. I appreciate that, Matt, thank

0:57:22.480 --> 0:57:27.040
<v Speaker 1>you for us. Congratulations, you did great. Thank you, I Matt,

0:57:27.040 --> 0:57:30.520
<v Speaker 1>Thanks Matt. Bye, Okay so much.

0:57:30.560 --> 0:57:30.880
<v Speaker 3>I hate it.

0:57:31.760 --> 0:57:31.920
<v Speaker 2>Fun.

0:57:32.240 --> 0:57:32.920
<v Speaker 3>That was fun?

0:57:33.120 --> 0:57:34.080
<v Speaker 1>Yeah, I hate it so much.

0:57:35.760 --> 0:57:38.040
<v Speaker 2>So now we we'll get Danielle on and give her

0:57:38.040 --> 0:57:41.720
<v Speaker 2>the good news. Should I and all fake are out.

0:57:40.040 --> 0:57:40.960
<v Speaker 7>You do.

0:57:41.360 --> 0:57:44.360
<v Speaker 1>That's the fun part. We love Okay, we love it.

0:57:45.040 --> 0:57:47.360
<v Speaker 1>We gotta have some fun, I get it.

0:57:48.280 --> 0:57:51.640
<v Speaker 2>Hey, Danielle, Hey, So we have just been racking our

0:57:51.640 --> 0:57:53.680
<v Speaker 2>brains because this has been just just such a stressful

0:57:53.720 --> 0:57:56.640
<v Speaker 2>round for us, and everyone is so diverse and so talented,

0:57:57.080 --> 0:57:59.640
<v Speaker 2>and you know, we just wanted to hop on because

0:57:59.640 --> 0:58:00.960
<v Speaker 2>we wanted to thank you so much for being a

0:58:00.960 --> 0:58:03.760
<v Speaker 2>part of the contest. And unfortunately you're going to be

0:58:03.880 --> 0:58:12.440
<v Speaker 2>going to the next round. And having told you, I

0:58:12.520 --> 0:58:13.360
<v Speaker 2>told you, it's too.

0:58:15.520 --> 0:58:18.960
<v Speaker 4>Ready preparing my sat story here, I.

0:58:18.800 --> 0:58:23.640
<v Speaker 2>Was waiting for it, like I just bought this microphone, Like, no,

0:58:23.760 --> 0:58:24.360
<v Speaker 2>I use it.

0:58:24.880 --> 0:58:30.200
<v Speaker 1>No, We're proud of you. Yeah, yeah, it's really great.

0:58:30.280 --> 0:58:32.200
<v Speaker 1>You did a good job. We're going to be totally

0:58:32.200 --> 0:58:34.280
<v Speaker 1>honest with you though. So you are now that you're

0:58:34.320 --> 0:58:37.080
<v Speaker 1>now the number two person moving on to the final four,

0:58:37.640 --> 0:58:42.160
<v Speaker 1>the competition is getting really, really stiff.

0:58:42.280 --> 0:58:45.440
<v Speaker 2>And can we disclose the the fact of the of

0:58:45.520 --> 0:58:47.000
<v Speaker 2>the candidates left?

0:58:48.080 --> 0:58:49.960
<v Speaker 1>Yeah, I mean, well, yeah, I guess you're going to

0:58:50.040 --> 0:58:53.000
<v Speaker 1>hear it, you know when you listen to the podcast anyway. Yeah,

0:58:53.080 --> 0:58:56.680
<v Speaker 1>there's no more men, there's no there's no more men.

0:58:56.880 --> 0:58:59.200
<v Speaker 1>It is only women left in the competition. The women

0:58:59.240 --> 0:59:02.400
<v Speaker 1>have come in, they have killed it, but a lot

0:59:02.400 --> 0:59:06.840
<v Speaker 1>of you are very similar and really good. So it's

0:59:06.880 --> 0:59:08.800
<v Speaker 1>going to start getting The competition is going to get

0:59:08.880 --> 0:59:11.360
<v Speaker 1>very very stiff. But congratulations on moving on to that.

0:59:11.360 --> 0:59:15.280
<v Speaker 1>You're going to be in the final four. Not only

0:59:15.360 --> 0:59:18.080
<v Speaker 1>is the competition getting harder, but I can promise you

0:59:18.600 --> 0:59:22.200
<v Speaker 1>the next round ain't gonna be easy.

0:59:21.440 --> 0:59:23.320
<v Speaker 2>So I am ready bring it on.

0:59:23.560 --> 0:59:23.880
<v Speaker 1>Good.

0:59:24.160 --> 0:59:25.960
<v Speaker 2>Yeah, that's what we like to hear.

0:59:26.640 --> 0:59:30.480
<v Speaker 1>Yeah again, congratulations on moving forward and prepare yourself because

0:59:30.520 --> 0:59:33.200
<v Speaker 1>it's it's full gladiator school from from this moment on.

0:59:33.440 --> 0:59:41.400
<v Speaker 1>So yes, gladiator I love that. So again, congratulations and

0:59:41.720 --> 0:59:43.400
<v Speaker 1>we will see you in the final four.

0:59:43.800 --> 0:59:45.800
<v Speaker 4>This has been so fun. Thank you guys so much.

0:59:45.960 --> 0:59:48.960
<v Speaker 1>Thank you, see you soon, see you job.

0:59:49.400 --> 0:59:51.440
<v Speaker 2>Thank you bye.

0:59:52.080 --> 0:59:56.080
<v Speaker 1>So very briefly before we we thank our amazing and

0:59:56.160 --> 0:59:59.120
<v Speaker 1>wonderful and incredible guest adjudicator for the day. We forgot

0:59:59.160 --> 1:00:02.400
<v Speaker 1>at the top to thank everybody else who has made

1:00:02.440 --> 1:00:04.200
<v Speaker 1>this contest possible. So first of all, we want to

1:00:04.200 --> 1:00:05.960
<v Speaker 1>thank all of our friends over there at Prime Video

1:00:06.560 --> 1:00:08.920
<v Speaker 1>who've helped make this possible, and all our friends in

1:00:08.960 --> 1:00:12.040
<v Speaker 1>critical role. Don't forget to go and check out season

1:00:12.080 --> 1:00:15.360
<v Speaker 1>two of Voxmachina, available for download now on Prime Video.

1:00:15.720 --> 1:00:18.000
<v Speaker 1>It is incredible and I say this every week, not

1:00:18.120 --> 1:00:21.520
<v Speaker 1>just because I'm on it. It's awesome. We also, of

1:00:21.560 --> 1:00:24.080
<v Speaker 1>course want to thank all of our guest judges, everybody

1:00:24.080 --> 1:00:26.840
<v Speaker 1>that came out. We want to thank our incredible friends

1:00:26.880 --> 1:00:30.800
<v Speaker 1>with their amazing, amazing prize of signing with them for

1:00:30.840 --> 1:00:34.360
<v Speaker 1>a year CESD, so thank you so much, CESD, and

1:00:34.400 --> 1:00:37.440
<v Speaker 1>of course our wonderful parent company iHeart, who really helped

1:00:37.600 --> 1:00:40.240
<v Speaker 1>make this entire contest happen. We could not have done

1:00:40.280 --> 1:00:42.200
<v Speaker 1>it without any of them, and we certainly could not

1:00:42.240 --> 1:00:46.520
<v Speaker 1>have done it without our guests. Oh, our guest judge today,

1:00:46.760 --> 1:00:49.920
<v Speaker 1>one of my wonderful close friends and somebody I've now

1:00:49.960 --> 1:00:51.320
<v Speaker 1>known for I don't even know what has it been

1:00:51.320 --> 1:00:55.160
<v Speaker 1>twenty something years, Vanessa. It's absolutely crazy, But thank you

1:00:55.240 --> 1:00:57.360
<v Speaker 1>so much for taking the time. We know how amazingly

1:00:57.640 --> 1:01:01.520
<v Speaker 1>insanely busy you are, and for coming out and helping

1:01:01.520 --> 1:01:03.640
<v Speaker 1>to mentor some of the people that are eventually going

1:01:03.640 --> 1:01:05.040
<v Speaker 1>to take our jobs and replace us.

1:01:07.560 --> 1:01:09.560
<v Speaker 3>Thank you so much. Thank you for having me. This

1:01:09.640 --> 1:01:12.000
<v Speaker 3>was so much fun. Anytime I'm happy to come back.

1:01:12.040 --> 1:01:13.960
<v Speaker 5>It was great. Thank yous.

1:01:14.000 --> 1:01:15.920
<v Speaker 1>We have We've only had a very few people that

1:01:15.960 --> 1:01:18.320
<v Speaker 1>have come back twice, so it's a very very small category,

1:01:18.360 --> 1:01:19.760
<v Speaker 1>and you are of course at the top of the list.

1:01:19.880 --> 1:01:22.200
<v Speaker 3>Well, thank you, thank you. I'm really really grateful and

1:01:22.200 --> 1:01:23.760
<v Speaker 3>it's wonderful to see you both.

1:01:24.000 --> 1:01:25.120
<v Speaker 5>By gugs you too.

1:01:25.200 --> 1:01:27.920
<v Speaker 1>Now once again, very briefly before you go, what are

1:01:27.920 --> 1:01:28.400
<v Speaker 1>you working on?

1:01:28.440 --> 1:01:28.560
<v Speaker 3>Now?

1:01:28.560 --> 1:01:29.440
<v Speaker 1>Where can people find you?

1:01:30.280 --> 1:01:33.400
<v Speaker 3>Oh? I'm actually well the Harley Quinn Show. I play

1:01:33.440 --> 1:01:36.000
<v Speaker 3>wonder Woman that's on HBO Max. That'll be coming back

1:01:36.000 --> 1:01:42.120
<v Speaker 3>with another season. But I'm personally getting into playing video games.

1:01:42.280 --> 1:01:46.400
<v Speaker 3>There's wonder Woman. Yeah, I'm I'm involved in an event

1:01:46.760 --> 1:01:51.800
<v Speaker 3>that's a Metal Gear fan experience. It's www dot mgs

1:01:51.920 --> 1:01:55.280
<v Speaker 3>con dot com. It's also if you follow my social

1:01:55.360 --> 1:01:58.040
<v Speaker 3>media you can get more information. But we're raising money

1:01:58.080 --> 1:02:02.240
<v Speaker 3>for the Wounded Warrior Project and all the voiceover actors

1:02:02.280 --> 1:02:05.080
<v Speaker 3>from the game are going to make appearances. We'll be

1:02:05.120 --> 1:02:08.880
<v Speaker 3>signing autographs. I'll be live streaming and playing as my character,

1:02:09.120 --> 1:02:12.560
<v Speaker 3>and they've got all sorts of fan art. There's an

1:02:12.640 --> 1:02:15.400
<v Speaker 3>artist's alley and it's like a mini comic con for

1:02:15.640 --> 1:02:19.200
<v Speaker 3>the game. Metal Gear July fifteenth at the Hilton near

1:02:19.640 --> 1:02:22.040
<v Speaker 3>Lax down there, but check it out online because we're

1:02:22.080 --> 1:02:23.960
<v Speaker 3>hoping to take it to London and New York and

1:02:24.360 --> 1:02:26.680
<v Speaker 3>all over the place because there's a huge fan community.

1:02:27.000 --> 1:02:29.080
<v Speaker 3>And then I'm hoping that I'm hoping to do that

1:02:29.080 --> 1:02:31.720
<v Speaker 3>with other franchises. And ironically, the last time I was

1:02:31.760 --> 1:02:35.000
<v Speaker 3>on your show, I was talking about how there are

1:02:35.080 --> 1:02:37.840
<v Speaker 3>voiceover actors that comic cons, why aren't there video game

1:02:37.880 --> 1:02:40.880
<v Speaker 3>actors at e sports events? And so I've made some

1:02:41.040 --> 1:02:43.480
<v Speaker 3>traction in that way, and I'm having so much fun

1:02:43.520 --> 1:02:46.280
<v Speaker 3>and after being trapped in the pandemic, to be able

1:02:46.320 --> 1:02:49.480
<v Speaker 3>to play and create fun for people and do it

1:02:49.520 --> 1:02:51.640
<v Speaker 3>for a good cause is just like a dream come true.

1:02:51.800 --> 1:02:55.640
<v Speaker 3>So there's other professional stuff going on, but that's what's

1:02:55.640 --> 1:02:56.760
<v Speaker 3>bringing me joy right now.

1:02:56.760 --> 1:02:58.920
<v Speaker 1>So I share that with you, and you said, so

1:02:59.440 --> 1:03:01.200
<v Speaker 1>can we have the dress again? What is the.

1:03:02.720 --> 1:03:09.280
<v Speaker 3>L MGSCN dot com? And it's at MGS con on

1:03:09.360 --> 1:03:10.880
<v Speaker 3>social media and you.

1:03:10.880 --> 1:03:12.680
<v Speaker 1>Said it's on your social media too if they want

1:03:12.680 --> 1:03:14.160
<v Speaker 1>to find it. What's your social media again?

1:03:14.240 --> 1:03:18.000
<v Speaker 3>Yes, my social media for Instagram is at Vanessa Marshall

1:03:18.200 --> 1:03:22.720
<v Speaker 3>eleven thirty eight and on Twitter it's at van Marshall.

1:03:24.280 --> 1:03:26.040
<v Speaker 3>Don't ask. It's a long story how those things are,

1:03:26.480 --> 1:03:29.640
<v Speaker 3>of course saying there's a George Lucas joke in the

1:03:29.720 --> 1:03:34.520
<v Speaker 3>eleven thirty eight Google it anyway. And then I have

1:03:34.560 --> 1:03:37.520
<v Speaker 3>a fan page on Facebook. It's just Vanessa Marshall fan page,

1:03:37.520 --> 1:03:39.880
<v Speaker 3>and it's all it's all on there. But I hope

1:03:39.880 --> 1:03:43.240
<v Speaker 3>to see everyone, and I'm really happy. We got an

1:03:43.240 --> 1:03:47.360
<v Speaker 3>ambassador from the Wounded Warrior Project who's coming out to

1:03:47.520 --> 1:03:50.600
<v Speaker 3>speak to us, and it's just a really it's just

1:03:50.640 --> 1:03:52.960
<v Speaker 3>wonderful to see with the world falling apart on so

1:03:52.960 --> 1:03:56.000
<v Speaker 3>many levels, that there are certain things that are sacred

1:03:56.040 --> 1:04:00.560
<v Speaker 3>and the fans and different fandoms, the nerd community is

1:04:01.040 --> 1:04:04.240
<v Speaker 3>powerful and strong and the love just is far reaching.

1:04:04.360 --> 1:04:05.800
<v Speaker 3>So I'm grateful to be a part of it.

1:04:06.040 --> 1:04:09.600
<v Speaker 1>That's amazing. Now, that's incredible, boy, everybody please go check

1:04:09.640 --> 1:04:12.520
<v Speaker 1>that out again. Anything we can do to make sure

1:04:12.560 --> 1:04:14.240
<v Speaker 1>that we are propping up our veterans and the people

1:04:14.280 --> 1:04:15.600
<v Speaker 1>that put their lives on the line so we have

1:04:15.640 --> 1:04:18.320
<v Speaker 1>freedom every day, we are all down for that, So

1:04:18.400 --> 1:04:20.400
<v Speaker 1>please go check it out on all of Vanessa's pages.

1:04:20.680 --> 1:04:23.280
<v Speaker 1>Thank you again so much for joining us. I love

1:04:23.320 --> 1:04:25.560
<v Speaker 1>you both. Thank you Christy, so nice to see you

1:04:25.560 --> 1:04:28.600
<v Speaker 1>as always, and Vanessa, thank you for joining us, and

1:04:28.720 --> 1:04:31.520
<v Speaker 1>thank you all for joining us again. And don't forget

1:04:31.520 --> 1:04:32.919
<v Speaker 1>if you think you have what it takes to step

1:04:33.000 --> 1:04:35.320
<v Speaker 1>up to the microphone, put your voices where your mouth is.

1:04:35.360 --> 1:04:38.600
<v Speaker 1>Thanks everybody by I Hear Voices is hosted by will

1:04:38.640 --> 1:04:41.520
<v Speaker 1>Fredell and Christy Carlson Romano. Executive produced by will Fredell,

1:04:41.600 --> 1:04:44.120
<v Speaker 1>Brendan Rooney, Amy Sugarman. Our executive in charge of production

1:04:44.200 --> 1:04:46.920
<v Speaker 1>is Danielle Romo, our producer is Lorraine Viuez, and our

1:04:47.040 --> 1:04:50.600
<v Speaker 1>editor slash engineer is Brian Burton. And that was my

1:04:50.640 --> 1:04:51.680
<v Speaker 1>announcer voice.

1:04:51.840 --> 1:04:53.880
<v Speaker 7>Some side effects of listening to I Hear Voices are

1:04:53.880 --> 1:04:56.840
<v Speaker 7>sore abs from hilarity falling down the cocoa melon rabbit hole,

1:04:56.960 --> 1:04:59.520
<v Speaker 7>sneezing due to mass nostalgia, and hugs.

1:04:59.200 --> 1:05:00.800
<v Speaker 1>Follow I Hear Voice, he says. Wherever you listen to

1:05:00.840 --> 1:05:03.360
<v Speaker 1>podcasts or you don't miss any of the amazing voices, be.

1:05:03.360 --> 1:05:05.480
<v Speaker 7>Sure to follow us on Instagram and TikTok at I

1:05:05.560 --> 1:05:06.600
<v Speaker 7>Hear Voices podcast.

1:05:06.680 --> 1:05:10.040
<v Speaker 1>You can also check us out on MySpace, omegle Vine, LimeWire, Hey,

1:05:10.120 --> 1:05:10.800
<v Speaker 1>I'm a napster.

1:05:10.960 --> 1:05:13.040
<v Speaker 7>Okay, well, let's teach you about the Internet, the who,