WEBVTT - About Those Jessica Alba Rumors…

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<v Speaker 1>It's nine oh gene one engine with Jenny Garth and

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<v Speaker 1>Tory Spelling. This is actually going to be a pretty

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<v Speaker 1>big episode. I totally agree. This is season eight, episode

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<v Speaker 1>twenty three, Making Amends, aired March eleventh, nineteen ninety eight,

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<v Speaker 1>gives the synopsis synopsis.

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<v Speaker 2>Donna comes clean and gets the axe at work, David

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<v Speaker 2>gets a beach house as a music business perk. Kelly

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<v Speaker 2>wants to adopt a teen mom's baby. Brandon finds out

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<v Speaker 2>David's manager is Shay Bady. Valerie can't forget a night

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<v Speaker 2>she can't remember. Steve falls for a pen pal but

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<v Speaker 2>doesn't know the sender.

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<v Speaker 1>Directed by Joel J. Big Inva, written by L Treatman.

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<v Speaker 1>That's a new writer.

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<v Speaker 2>There's so much confusion. I'm just gonna jump off with

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<v Speaker 2>a few things and then we'll dig into it. Number one,

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<v Speaker 2>the whole Steve thing, I couldn't even follow. I was like,

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<v Speaker 2>what's happening?

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<v Speaker 1>Who's dead? I don't know who's dead?

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<v Speaker 2>And why is he responding to the letters? And it's

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<v Speaker 2>just that made no sense to me. I was like,

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<v Speaker 2>I cannot follow this. Then all of a sudden, I'm like,

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<v Speaker 2>are you kidnapping a baby again?

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<v Speaker 1>Again, I like babies. I want to tell you, like what.

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<v Speaker 2>Is happening there? Like they just they don't. That's not

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<v Speaker 2>how it works. They wouldn't just let you have the baby.

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<v Speaker 2>And also you sort of took the baby.

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<v Speaker 1>Well, it was on the doorstep, and what am I

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<v Speaker 1>she did? It's nighttime, so she takes it home. I

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<v Speaker 1>would do the same thing, honestly, if I found a

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<v Speaker 1>newborn baby outside my door, I'd pick it up and

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<v Speaker 1>I take it home. It takes more of it. I'd

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<v Speaker 1>be so happy.

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<v Speaker 2>Bird are the teens of America just itching for a

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<v Speaker 2>storyline about Paola? Like, I don't even understand why they thought, like,

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<v Speaker 2>you know what, people are gonna really be into us

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<v Speaker 2>just having a radio station.

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<v Speaker 1>It's just like, oh my god. Yeah, Well I was

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<v Speaker 1>excited because David, you know, he's well on his way

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<v Speaker 1>to being just a huge musical success.

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<v Speaker 2>And then we find out Bump Bump bum it's not real.

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<v Speaker 2>Their label is up to shady, no good tricks.

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<v Speaker 1>But that doesn't mean his music wasn't great. And you know,

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<v Speaker 1>record label labelable, labelable. I love that song, it's so catchy.

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<v Speaker 2>My thing was this episode again, could have been great,

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<v Speaker 2>but it was also so confusing. Can we start with

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<v Speaker 2>the pen pal stuff because that, to me was the

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<v Speaker 2>dumbest part.

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<v Speaker 1>Okay, so he's he Steve falls for a girl named

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<v Speaker 1>Jill who was writing love letters basically to Ted, who

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<v Speaker 1>we have no idea who Ted is. And then so

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<v Speaker 1>Steve pretends to be Ted.

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<v Speaker 2>So are the letters coming to the paper's office?

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<v Speaker 1>I guess, so maybe she has the wrong address. But

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<v Speaker 1>also isn't it illegal? Yeah, it's illegal for him to

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<v Speaker 1>read the letters.

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<v Speaker 2>It's like a full crime. Maybe they've been dropped off

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<v Speaker 2>and he's also perpetrating someone like he's like replying like

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<v Speaker 2>he's him. Why wouldn't he just clap put on their

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<v Speaker 2>return to send her and off they go?

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<v Speaker 1>Because they smell good?

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<v Speaker 2>Yeah, first of all that was super confusing too. I

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<v Speaker 2>was like, what are they talking about? And each letter

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<v Speaker 2>had like a different scent.

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<v Speaker 1>And apparently Steve is so hard up that he that's

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<v Speaker 1>enough for him.

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<v Speaker 2>Letterly quite dumb, I have to say, like that storyline,

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<v Speaker 2>and then he meets her at the end and it's

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<v Speaker 2>going to tell her the truth and then doesn't.

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<v Speaker 1>But it's not because she's beautiful, shocking, Yeah, he sees

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<v Speaker 1>what she looks like and on the spot he pretends

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<v Speaker 1>again to just go through a betead.

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<v Speaker 2>And then we just it's like three company, like we

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<v Speaker 2>just have to keep so next week I have to

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<v Speaker 2>deal with this again.

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<v Speaker 1>I just am not into it. No, I don't know.

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<v Speaker 1>It's kind of reminds me of like the storyline when

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<v Speaker 1>when the characters were in Palm Springs and he falls

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<v Speaker 1>in love for the with the woman that's not so yeah.

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<v Speaker 2>So here's what I'm gonna say. It's not trophy. It's repetitive,

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<v Speaker 2>like we're just doing the same storylines over and over again.

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<v Speaker 2>Because I also find David's storyline, even though it's like

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<v Speaker 2>slightly tweaked, to be the same same. Yeah, it's like

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<v Speaker 2>we've done this. Oh, David's got a record deal. Somebody's

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<v Speaker 2>shady a little. The record deal's gone. Oh he better

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<v Speaker 2>pick his friends over his music.

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<v Speaker 1>Like it's just like, oh my gosh, yeah, let's talk

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<v Speaker 1>about that one then, because David is getting the star treatment,

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<v Speaker 1>but Brandon comes in out of nowhere and wants to

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<v Speaker 1>expose the shady side of the music business.

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<v Speaker 2>Just is so like, first of all, around the River

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<v Speaker 2>and through the woods, like we had to get rid

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<v Speaker 2>of Jasper why he was cute. I don't know why

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<v Speaker 2>we even had to do that. Then there's suddenly a Porsche.

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<v Speaker 1>I didn't know why Jasper was back in the first place,

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<v Speaker 1>because didn't he leave before?

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<v Speaker 2>I thought that was the other guy.

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<v Speaker 1>Yeah, they all kind of look alike. I gotta be honest.

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<v Speaker 2>Yes, And it's so convoluted where you're like, I can't

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<v Speaker 2>follow this. Then suddenly he's got this top hit. But

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<v Speaker 2>it's so mysterious. Why so many spins?

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<v Speaker 1>Like it's just like, yeah, he has his record exec

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<v Speaker 1>kind of a slimy guy, slimy buttering him up, giving

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<v Speaker 1>him a beach house, giving him a new car.

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<v Speaker 2>And the thing that's confusing is, Okay, you don't need

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<v Speaker 2>to butter up the artist. If there truly is like Paola,

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<v Speaker 2>they'd be giving the Porsche to the station person.

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<v Speaker 1>Correct.

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<v Speaker 2>Like it's so confusing. I actually went back on Wikipedia

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<v Speaker 2>because I was like, was this one the big payola

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<v Speaker 2>thing was in the news. So do you remember Elliot Spitzer. Oh,

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<v Speaker 2>he was sort of like a some sort of politician

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<v Speaker 2>and he cleaned up sort of any kind of stuff

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<v Speaker 2>like this with record labels. But then he got in

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<v Speaker 2>trouble for something like arrested for something. Later he was

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<v Speaker 2>sort of like a New York congressman or something. I

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<v Speaker 2>don't know, he's some politician that got in trouble, like

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<v Speaker 2>you know, sort of one of those stories, right, So

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<v Speaker 2>I thought, oh, maybe this was at the same time,

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<v Speaker 2>and that's why they're doing this because it was a

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<v Speaker 2>topical story. Nope, that happened many years later.

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<v Speaker 1>Maybe he got the idea from watching this episode.

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<v Speaker 2>Literally, that's literally he was like, you know what, I'm

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<v Speaker 2>gonna get those labels anyway.

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<v Speaker 1>Yeah, I mean I want him to have that new

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<v Speaker 1>beach pad, I really do.

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<v Speaker 2>And then he gives it all up for the like

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<v Speaker 2>why did he give it all up? There was some

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<v Speaker 2>sort of righteous thing.

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<v Speaker 1>Right well, because Brandon tells him that the radio guy

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<v Speaker 1>is couldn't you know, keeping his song in strong rotation

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<v Speaker 1>because he's getting paid to play the song or the

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<v Speaker 1>radio station is getting paid to play the song? What

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<v Speaker 1>is thank you? But if it weren't for Brandon, what

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<v Speaker 1>we would never know And he's a cute need to

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<v Speaker 1>dig deep into the journalistic side of things, and we

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<v Speaker 1>would never have known it. Just and it's such a

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<v Speaker 1>coincidence that it's timed out.

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<v Speaker 2>Just perfectly and with his best friend. Yeah, I don't

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<v Speaker 2>care for it. I'm not gonna lie. I did not

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<v Speaker 2>care for this story.

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<v Speaker 1>Wait that they're gonna go play at a loose lizard?

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<v Speaker 1>Is that? Was that a real place?

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<v Speaker 2>Again? I'm watching this and like you guys, I'm not

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<v Speaker 2>distracted when I watch this. I have my spaghetti and

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<v Speaker 2>my salad, and I'm watching it and I cannot follow

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<v Speaker 2>what's happening. So that's my main problem is like I

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<v Speaker 2>actually was watching it and I can't follow it.

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<v Speaker 1>And then wait, Steve advises Brandon not to run the

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<v Speaker 1>story because she's concerned that it'll make Brandon seem jealous

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<v Speaker 1>of David's success. Okay, more convoluti.

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<v Speaker 2>I don't know what's happened. I don't run the story

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<v Speaker 2>because no one cares. It's like we don't No, I care.

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<v Speaker 2>I care about that song. I like that song. I

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<v Speaker 2>would like to listen to that song right now. It

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<v Speaker 2>was should we talk about Donna now or or you

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<v Speaker 2>or Valerie?

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<v Speaker 1>I talk about Donna and the drug? Oh my gosh.

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<v Speaker 2>So then she does do the right thing and goes back.

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<v Speaker 1>Wait she does the right thing by odee.

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<v Speaker 2>No, Well that was terrible. But was she still in

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<v Speaker 2>the hospital when this episode started.

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<v Speaker 1>Yes, Oh my gosh.

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<v Speaker 2>So she started.

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<v Speaker 1>Kelly or make it out on the couch and it

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<v Speaker 1>costs a Walsh and they get the call from Noah.

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<v Speaker 2>Okay, that was I'm gonna have to like throw a

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<v Speaker 2>flag on the play on like the acting. I was

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<v Speaker 2>very jarred. At one point, Brandon's like, don't worry about it,

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<v Speaker 2>We'll be right there. Don't worry about it, like she's

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<v Speaker 2>in a coma.

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<v Speaker 1>Or of course, and Kelly's reaction was as tad slow,

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<v Speaker 1>like they couldn't tighten that up in editing, so like

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<v Speaker 1>she looked more concerned about her best friend.

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<v Speaker 2>And I have a real problem with David blaming Noah

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<v Speaker 2>for all of the David, you were in the car

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<v Speaker 2>when the car accident happened, which is where she hurt

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<v Speaker 2>her back, which is why she had to take the

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<v Speaker 2>drugs in the first place. You're not clean.

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<v Speaker 1>No, that's got nothing. He didn't do anything, and I

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<v Speaker 1>still no one didn't either. This is where the problem

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<v Speaker 1>was is at the end of that scene, he says, well,

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<v Speaker 1>Josh isn't the one that cheated on her, And I'm thinking, dude,

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<v Speaker 1>you cheated on her. What I mean, right in the

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<v Speaker 1>limo with the I remember.

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<v Speaker 2>Geryl back in the same storyline. Oh my gosh.

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<v Speaker 1>I don't know. I don't know. I got I was like,

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<v Speaker 1>come on, guys, and then Donna, I don't have a problem.

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<v Speaker 1>It's like, oh, you do have a problem. And it happens.

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<v Speaker 1>Where is her mother? I guess not available.

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<v Speaker 2>They make a mention of it. She's in a She's

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<v Speaker 2>like in a on a trip.

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<v Speaker 1>I mean, I come home probably if my if my

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<v Speaker 1>daughter was o ding and in the hospital, in the

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<v Speaker 1>er getting herself.

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<v Speaker 2>And then she was asking for you. She's asking for you, Well,

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<v Speaker 2>of course she's And then you guys have that hard

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<v Speaker 2>to heart yeah.

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<v Speaker 1>Where Kelly gives her a pep talk and says she

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<v Speaker 1>needs to break up with Noah if if if she's

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<v Speaker 1>doing drugs when he when she's with him, But it

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<v Speaker 1>has nothing to do with Noah. Kelly, she didn't ever

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<v Speaker 1>do the drugs when she was with Noah because she

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<v Speaker 1>hasn't been with Noah, because Noah's left with val Well

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<v Speaker 1>and they've been broken up.

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<v Speaker 2>It's his brother given supply in her It's really.

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<v Speaker 1>I feel like this is a new writer that we've

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<v Speaker 1>never heard from before she was thrown this script, or

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<v Speaker 1>maybe she came in with the concept and got to

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<v Speaker 1>write it and nobody like fact checked it, nobody.

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<v Speaker 2>So yeah, it's better been messy. My whole thing is this,

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<v Speaker 2>Everything about this episode is just like messy, right where

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<v Speaker 2>there's a seed of something that's actually kind of interesting,

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<v Speaker 2>and then it's just like googlegg. That's how it seems

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<v Speaker 2>to me that it like came out because it's like,

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<v Speaker 2>I don't I'm not following what's happening.

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<v Speaker 1>And then she's at the beach house going through withdrawals

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<v Speaker 1>and Noah comes over and tosses her pills down the sinc. Oh,

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<v Speaker 1>thank goodness. She couldn't have done it without him doing that.

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<v Speaker 2>And then I think she actually shouldn't have lost her job.

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<v Speaker 2>That was weird too.

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<v Speaker 1>Well, what if someone came to you and said, I

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<v Speaker 1>know I've been producing this podcast for you, but everything

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<v Speaker 1>i've been doing is someone else's work. Or basically I've

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<v Speaker 1>been only using AI to come up with these interview questions.

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<v Speaker 1>How about that? That's pretty relevant, isn't it? Totally?

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<v Speaker 2>I get it. It's all bad.

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<v Speaker 1>It's just all.

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<v Speaker 2>Bad, and the guy's so calm the boss. He's like, Okay,

0:12:25.440 --> 0:12:27.640
<v Speaker 2>thanks for sharing. You're not gonna be able to work

0:12:27.679 --> 0:12:28.160
<v Speaker 2>here anymore.

0:12:28.160 --> 0:12:32.560
<v Speaker 1>By I don't know. Every time I see that guy

0:12:32.600 --> 0:12:36.520
<v Speaker 1>that was Donna's boss, I think I know he lives

0:12:36.520 --> 0:12:37.520
<v Speaker 1>in the valley, like I.

0:12:37.559 --> 0:12:42.840
<v Speaker 2>Can take he looks like that guy.

0:12:42.280 --> 0:12:46.720
<v Speaker 1>He's married to somebody, has maybe one small kid, yeah,

0:12:47.000 --> 0:12:50.240
<v Speaker 1>and maybe a teenager from his first marriage something.

0:12:50.400 --> 0:12:50.559
<v Speaker 3>Yeah.

0:12:50.640 --> 0:12:55.359
<v Speaker 2>Yeah, And it's just every single thing feels undeveloped.

0:12:55.400 --> 0:12:58.120
<v Speaker 1>Is that the right word? Not developed? Like underdeveloped?

0:12:58.200 --> 0:13:00.000
<v Speaker 2>Under Yeah. It's like we don't really know about the

0:13:00.400 --> 0:13:02.560
<v Speaker 2>we don't really care, we can't really follow what her

0:13:02.640 --> 0:13:04.880
<v Speaker 2>job is. This record label guy came out of nowhere.

0:13:04.920 --> 0:13:06.520
<v Speaker 2>We don't really understand what's happening there.

0:13:06.679 --> 0:13:09.480
<v Speaker 1>But I gotta be honest, I don't want to develop

0:13:09.520 --> 0:13:13.720
<v Speaker 1>it further. I'm pretty okay with it being underdeveloped. Let's

0:13:13.760 --> 0:13:16.920
<v Speaker 1>get past this, Like when's this going to change?

0:13:17.160 --> 0:13:19.440
<v Speaker 2>I feel like what they need to do is just

0:13:19.600 --> 0:13:23.520
<v Speaker 2>like have Bobby Ewing in the shower and be like,

0:13:25.080 --> 0:13:28.000
<v Speaker 2>what what are you talking about? And like Victoria Principal

0:13:28.040 --> 0:13:29.240
<v Speaker 2>just dreamed the whole season.

0:13:29.720 --> 0:13:33.679
<v Speaker 1>Oh god, somebody should have dreamed season eight. I think it's.

0:13:33.679 --> 0:13:50.640
<v Speaker 2>Rough it's just swirly mess. Jessica Alba looks exactly this.

0:13:51.440 --> 0:13:55.760
<v Speaker 1>Okay, this is Interjessica Alba. This is her first episode.

0:13:56.640 --> 0:13:59.560
<v Speaker 1>She is a pregnant teen and she comes in and

0:13:59.559 --> 0:14:02.240
<v Speaker 1>she has barely any baby bump.

0:14:02.400 --> 0:14:04.959
<v Speaker 2>And her mother doesn't know. And then the baby.

0:14:04.720 --> 0:14:08.240
<v Speaker 1>Popped out and the baby came out. We don't even

0:14:08.280 --> 0:14:11.080
<v Speaker 1>know how, right, Like, she leaves, she like birthed in

0:14:11.120 --> 0:14:12.199
<v Speaker 1>the alley or something, and.

0:14:12.160 --> 0:14:13.920
<v Speaker 2>She was pregnant when she came in to see you.

0:14:14.559 --> 0:14:18.400
<v Speaker 2>She leaves and then the baby shows the baby and

0:14:18.440 --> 0:14:20.480
<v Speaker 2>she's like in a hoodie at her mom's house with

0:14:20.520 --> 0:14:21.160
<v Speaker 2>no problems.

0:14:22.160 --> 0:14:26.240
<v Speaker 1>And I mean, that's a pretty big lie. But you

0:14:26.800 --> 0:14:29.160
<v Speaker 1>know that's happened for sure.

0:14:29.240 --> 0:14:31.640
<v Speaker 2>We hear about those stories all the time when the

0:14:31.960 --> 0:14:33.880
<v Speaker 2>high school kid doesn't know and then has a baby

0:14:33.880 --> 0:14:35.480
<v Speaker 2>in the bathroom of the gym.

0:14:36.160 --> 0:14:39.440
<v Speaker 1>Yeah, it's like, but what would you do if a

0:14:39.480 --> 0:14:42.200
<v Speaker 1>baby showed up on the doorstep call on one one

0:14:42.480 --> 0:14:43.480
<v Speaker 1>and it's already nighttime?

0:14:44.640 --> 0:14:45.800
<v Speaker 2>Anyone works at night?

0:14:46.160 --> 0:14:46.360
<v Speaker 3>Yeah?

0:14:46.440 --> 0:14:47.240
<v Speaker 1>No, not Kelly.

0:14:47.720 --> 0:14:51.320
<v Speaker 2>Immediately I'd be like, there's a baby on my front porch. Uh,

0:14:51.920 --> 0:14:54.160
<v Speaker 2>there's a baby, that's what. There's a baby on my

0:14:54.160 --> 0:14:56.360
<v Speaker 2>front porch. I don't even know, because like, how do

0:14:56.400 --> 0:14:57.920
<v Speaker 2>you and you're not a doctor, you don't know that

0:14:57.960 --> 0:15:00.920
<v Speaker 2>the baby's fine. Of course I imediately calling nine to

0:15:00.920 --> 0:15:04.800
<v Speaker 2>one one immediately. You're right, you're right to do. I'll

0:15:04.800 --> 0:15:05.240
<v Speaker 2>just keep it.

0:15:05.240 --> 0:15:08.120
<v Speaker 1>It's totally fine. Yeah, Brandon, pick up a six pack

0:15:08.160 --> 0:15:11.400
<v Speaker 1>of diapers. A that's not gonna be enough. And then

0:15:11.440 --> 0:15:16.200
<v Speaker 1>you're like, I'm applying to take it on. Yeah, why

0:15:16.240 --> 0:15:18.440
<v Speaker 1>she wants to adopt the baby because the baby mommy

0:15:18.480 --> 0:15:21.000
<v Speaker 1>doesn't want it. It doesn't work like that, by the way,

0:15:21.040 --> 0:15:25.560
<v Speaker 1>I'm just like, version, come.

0:15:25.360 --> 0:15:28.080
<v Speaker 2>On, But Jessica album comes back. This is not her

0:15:28.080 --> 0:15:29.680
<v Speaker 2>only episode.

0:15:29.240 --> 0:15:33.440
<v Speaker 1>Right, She's in two episodes, I think, and she is

0:15:33.480 --> 0:15:37.360
<v Speaker 1>like next week, very convincing playing this sixteen year old

0:15:37.400 --> 0:15:41.760
<v Speaker 1>scared girl that does not want.

0:15:41.640 --> 0:15:44.400
<v Speaker 2>To be a mom. She's totally you get why you're like,

0:15:44.520 --> 0:15:47.520
<v Speaker 2>Jessica Alba's no wonder she became a big star.

0:15:48.000 --> 0:15:48.400
<v Speaker 1>Mm hmm.

0:15:48.680 --> 0:15:50.760
<v Speaker 2>It's so funny that just watching her, her daughter looks

0:15:50.840 --> 0:15:52.200
<v Speaker 2>just like her. And I just was watching them on

0:15:52.240 --> 0:15:56.040
<v Speaker 2>TikTok do a dance and they all look exactly like

0:15:56.080 --> 0:15:59.080
<v Speaker 2>they do. Here. The daughter could be in this episode

0:15:59.080 --> 0:16:00.760
<v Speaker 2>and Jessica Alba was still the same.

0:16:02.200 --> 0:16:05.680
<v Speaker 1>Yeah, well this was I mean, I don't get it.

0:16:05.800 --> 0:16:10.760
<v Speaker 1>This was like the controversy that everyone mentions that somebody

0:16:10.800 --> 0:16:13.200
<v Speaker 1>requested that Jessica Alban not look them in the eye

0:16:13.280 --> 0:16:18.560
<v Speaker 1>or something on set, And I'm thinking it wasn't me, Like,

0:16:18.640 --> 0:16:22.320
<v Speaker 1>but it couldn't have been me, because we're in scenes together. Correct,

0:16:22.320 --> 0:16:25.880
<v Speaker 1>You're going to be like a very nice experience.

0:16:26.040 --> 0:16:28.880
<v Speaker 2>Here's what I think is interesting about those kind of rumors.

0:16:29.480 --> 0:16:32.760
<v Speaker 2>How many times have we heard the same rumor that

0:16:32.960 --> 0:16:35.800
<v Speaker 2>such and such celebrities said, don't look me in the eye.

0:16:36.160 --> 0:16:38.320
<v Speaker 1>Yeah, I heard that about Prince for the first time,

0:16:38.400 --> 0:16:39.440
<v Speaker 1>and I was like, that's.

0:16:39.280 --> 0:16:44.080
<v Speaker 2>A thing that seems so strange that that it's like

0:16:44.120 --> 0:16:47.320
<v Speaker 2>the only green eminem's or whatever, like you know, it happens,

0:16:47.480 --> 0:16:48.440
<v Speaker 2>can't be real.

0:16:48.760 --> 0:16:52.920
<v Speaker 1>Here's what happens. Somebody at the top tells somebody at

0:16:52.960 --> 0:16:55.640
<v Speaker 1>the bottom take care of this person for the day,

0:16:55.680 --> 0:16:58.280
<v Speaker 1>stay on them, keep with them, and like intervene with

0:16:58.400 --> 0:17:01.040
<v Speaker 1>don't let anybody bother them, don't let but like come

0:17:01.080 --> 0:17:04.239
<v Speaker 1>into their eyeline weather they're working whatever. And then the

0:17:04.280 --> 0:17:06.960
<v Speaker 1>PA or whoever it is that's wrangling that person for

0:17:07.000 --> 0:17:11.560
<v Speaker 1>the day, the like you know, sweet pa Is like says, oh,

0:17:11.680 --> 0:17:14.320
<v Speaker 1>don't look them in the eye, right to the person,

0:17:14.359 --> 0:17:16.399
<v Speaker 1>and they're like, oh okay, and then they leave and

0:17:16.440 --> 0:17:18.080
<v Speaker 1>they say say, oh my god, I was told not

0:17:18.119 --> 0:17:20.639
<v Speaker 1>to look Jenny Garth in the eye when I was

0:17:20.680 --> 0:17:21.120
<v Speaker 1>on set.

0:17:21.160 --> 0:17:23.600
<v Speaker 2>Like it's just right. It's like it's like a it's

0:17:23.640 --> 0:17:24.920
<v Speaker 2>a game of telephone.

0:17:25.320 --> 0:17:29.040
<v Speaker 1>Jessica Albut never said that that Tory remember this. I

0:17:29.040 --> 0:17:32.680
<v Speaker 1>don't remember because I don't really care. But Jessica Albut

0:17:32.960 --> 0:17:35.920
<v Speaker 1>said it wasn't a fun experience I think, or something.

0:17:36.359 --> 0:17:38.560
<v Speaker 2>Some Yeah, it was kind of lightweight.

0:17:38.640 --> 0:17:39.320
<v Speaker 1>What she said.

0:17:39.640 --> 0:17:44.160
<v Speaker 2>Here's the thing that I think is that people came

0:17:44.200 --> 0:17:48.520
<v Speaker 2>into a show as a guest star and barely a

0:17:48.560 --> 0:17:50.159
<v Speaker 2>guest star, right, do you know what I'm saying, Like

0:17:50.200 --> 0:17:51.360
<v Speaker 2>she's a minor.

0:17:51.680 --> 0:17:53.800
<v Speaker 1>Yeah, and like separate from the group she's not.

0:17:53.880 --> 0:17:57.240
<v Speaker 2>And they don't know anybody. And she's significantly younger now

0:17:57.480 --> 0:17:59.040
<v Speaker 2>than you guys. Do you know what I'm saying? Like

0:17:59.119 --> 0:18:02.120
<v Speaker 2>she's young and you all are now in your twenties.

0:18:02.200 --> 0:18:06.040
<v Speaker 2>People are thirty, I am is probably thirty. So it

0:18:06.119 --> 0:18:09.199
<v Speaker 2>looks seriously, I'm not gonna be it probably was. So

0:18:10.800 --> 0:18:12.640
<v Speaker 2>there is sort of like a thing like I'm trying

0:18:12.640 --> 0:18:14.760
<v Speaker 2>to think of an example, like, say you're a temp

0:18:14.840 --> 0:18:18.280
<v Speaker 2>worker at a you know office, You're not gonna be

0:18:18.280 --> 0:18:20.800
<v Speaker 2>best friends with everybody. They're gonna be like there for

0:18:20.840 --> 0:18:24.239
<v Speaker 2>two days. Correct, So it's like I think that, and

0:18:24.280 --> 0:18:27.240
<v Speaker 2>maybe your impression of them could be like why I

0:18:27.240 --> 0:18:29.800
<v Speaker 2>didn't eat with them at lunch? Well, of course you

0:18:29.800 --> 0:18:32.360
<v Speaker 2>didn't eat with them at lunch, Like what like they

0:18:32.359 --> 0:18:33.840
<v Speaker 2>don't know you yet? You know what I mean?

0:18:34.200 --> 0:18:37.440
<v Speaker 1>That always happens, Like I'll tell you this. When when

0:18:37.520 --> 0:18:40.119
<v Speaker 1>you work all day, every day at day after day

0:18:40.160 --> 0:18:43.240
<v Speaker 1>after day, and it's lunchtime, and yeah, people are hanging

0:18:43.280 --> 0:18:46.760
<v Speaker 1>out sitting around eating together. I'm freaking tired. I go

0:18:46.840 --> 0:18:49.840
<v Speaker 1>to my trailer and lay down while it's like lunchtime.

0:18:49.920 --> 0:18:52.840
<v Speaker 1>And then that looks like, oh, Jenny doesn't want to

0:18:52.840 --> 0:18:55.880
<v Speaker 1>eat with anybody or whatever. It looks like I don't know,

0:18:55.960 --> 0:18:58.520
<v Speaker 1>but people make assumptions. That's the problem.

0:18:58.560 --> 0:19:00.520
<v Speaker 2>Like, Okay, so I just think about our office, right,

0:19:01.440 --> 0:19:03.920
<v Speaker 2>there's like two hundred people that work there. I'm not

0:19:04.040 --> 0:19:06.040
<v Speaker 2>lunch with all two hundred people. I sort of have

0:19:06.160 --> 0:19:08.720
<v Speaker 2>lunch with the people I know that are in my

0:19:08.920 --> 0:19:12.560
<v Speaker 2>like littler group. And that doesn't mean I don't love

0:19:12.600 --> 0:19:15.960
<v Speaker 2>everybody at the office. I'm just having lunch with the people.

0:19:16.040 --> 0:19:16.280
<v Speaker 2>I know.

0:19:16.880 --> 0:19:19.880
<v Speaker 1>It is awkward because, like specifically, when you're on the location,

0:19:20.040 --> 0:19:22.800
<v Speaker 1>they set up the long tables and the chairs and

0:19:22.840 --> 0:19:24.600
<v Speaker 1>you get your catering and you sit down to eat

0:19:24.640 --> 0:19:28.119
<v Speaker 1>your food, and like I said, oftentimes I need a break.

0:19:28.119 --> 0:19:30.439
<v Speaker 1>I need a break from talking. I need just like

0:19:30.480 --> 0:19:34.000
<v Speaker 1>to shut my brain down for a minute and then

0:19:34.080 --> 0:19:36.240
<v Speaker 1>I will let It's awkward to walk by all the

0:19:36.720 --> 0:19:39.520
<v Speaker 1>crew and casts that are hanging out mingling and I'm

0:19:39.520 --> 0:19:42.000
<v Speaker 1>like bee lining for my trailer because I just have

0:19:42.040 --> 0:19:44.480
<v Speaker 1>to like shut her down for a minute. Right. I

0:19:44.560 --> 0:19:46.359
<v Speaker 1>always remember thinking, I hope they don't think I'm a

0:19:46.400 --> 0:19:49.880
<v Speaker 1>bitch I eating with them, but I just I need

0:19:50.680 --> 0:19:52.000
<v Speaker 1>half an hour of me time.

0:19:52.800 --> 0:19:55.520
<v Speaker 2>I get it. And I think that they might think, oh,

0:19:55.640 --> 0:19:58.560
<v Speaker 2>Jenny's not nice because she doesn't want to hang out

0:19:58.600 --> 0:20:01.159
<v Speaker 2>with us. But really, you're like, I just got to

0:20:01.200 --> 0:20:04.480
<v Speaker 2>like reset my nervous system totally.

0:20:04.560 --> 0:20:07.960
<v Speaker 1>I need a moment of silence. Yeah, and I want

0:20:08.000 --> 0:20:11.479
<v Speaker 1>to take off these uncomfortable pants for a minute. Yeah, whatever,

0:20:11.640 --> 0:20:13.200
<v Speaker 1>you know, Like, and I mean.

0:20:13.040 --> 0:20:16.120
<v Speaker 2>I understand how people could misinterpret, right, That's what I'm

0:20:16.119 --> 0:20:18.000
<v Speaker 2>saying too, is like the new person might be like

0:20:18.640 --> 0:20:20.960
<v Speaker 2>the cool kids didn't include me at the lunch, and

0:20:21.000 --> 0:20:24.080
<v Speaker 2>you're just like what, like do you know what I mean?

0:20:24.119 --> 0:20:26.880
<v Speaker 2>Like it could all be misinterpreted. And I also think

0:20:26.920 --> 0:20:30.000
<v Speaker 2>there is such a game of telephone. If one person

0:20:30.080 --> 0:20:33.760
<v Speaker 2>is instructed like one thing, by the time it goes

0:20:33.760 --> 0:20:36.159
<v Speaker 2>through nine people, you know it's the old And then

0:20:36.200 --> 0:20:39.640
<v Speaker 2>she answered a banana like when, really have you never

0:20:39.680 --> 0:20:43.160
<v Speaker 2>played telephone to me? That's just like how it happened,

0:20:43.200 --> 0:20:44.320
<v Speaker 2>like when and then it gets back to you and

0:20:44.400 --> 0:20:46.919
<v Speaker 2>you're like, yeah, I never said that. I have to

0:20:46.920 --> 0:20:47.439
<v Speaker 2>do that all the time.

0:20:47.440 --> 0:20:50.760
<v Speaker 1>I'm like, I absolutely never said that. What But well,

0:20:50.800 --> 0:20:54.639
<v Speaker 1>here's the thing too, in my situation, I can't remember

0:20:54.680 --> 0:20:58.280
<v Speaker 1>if I said it, so like sometimes I'm like, hmm,

0:20:58.640 --> 0:21:00.359
<v Speaker 1>did I say that? I don't know at all.

0:21:00.880 --> 0:21:03.359
<v Speaker 2>I just don't think you told a guest star that

0:21:03.520 --> 0:21:06.080
<v Speaker 2>was a young teenager to not look at you.

0:21:07.119 --> 0:21:09.520
<v Speaker 1>I definitely never did that. That just doesn't sound like

0:21:10.000 --> 0:21:11.879
<v Speaker 1>I don't know who she was referring to. Maybe there

0:21:11.920 --> 0:21:15.080
<v Speaker 1>was some other cast members around or would she I

0:21:15.080 --> 0:21:16.480
<v Speaker 1>have no idea. I have no idea.

0:21:17.080 --> 0:21:19.080
<v Speaker 2>Well, and even this is the thing that I'll say too.

0:21:19.359 --> 0:21:22.520
<v Speaker 2>Even if that PA said, oh, don't look the core

0:21:22.640 --> 0:21:24.959
<v Speaker 2>cast in the eye, that doesn't mean any of you

0:21:25.080 --> 0:21:26.239
<v Speaker 2>actually instructed it.

0:21:27.000 --> 0:21:29.600
<v Speaker 1>I mean, it's weird. You know, Tory would have a

0:21:29.600 --> 0:21:31.840
<v Speaker 1>different take on this. I wish she was here, which,

0:21:31.840 --> 0:21:33.480
<v Speaker 1>by the way, she's not with us today. Ob Yeah,

0:21:33.520 --> 0:21:38.160
<v Speaker 1>she'll be back hopefully soon. But she would probably have

0:21:38.240 --> 0:21:42.000
<v Speaker 1>her perspective of it. But she was, to my knowledge,

0:21:42.040 --> 0:21:45.280
<v Speaker 1>not in any of the scenes with this character Leanne.

0:21:46.240 --> 0:21:48.879
<v Speaker 2>No. And that's what I'm saying, is this Jessica I

0:21:49.080 --> 0:21:52.320
<v Speaker 2>was only in like three scenes that I can remember.

0:21:52.720 --> 0:21:54.160
<v Speaker 2>The scene at the house.

0:21:54.040 --> 0:21:56.880
<v Speaker 1>Yeah, oh, the scene at the clinic yep.

0:21:56.960 --> 0:21:59.920
<v Speaker 2>And is there even one more? There might only be two.

0:22:00.000 --> 0:22:02.399
<v Speaker 1>Oh, there's two in this episode. But then she's in

0:22:02.440 --> 0:22:04.720
<v Speaker 1>another episode, so what happens in that one?

0:22:06.160 --> 0:22:08.480
<v Speaker 2>Also, it's work. That's the other thing too. I think

0:22:08.480 --> 0:22:15.960
<v Speaker 2>that Hollywood gets kind of like bamboozled because you're at work.

0:22:16.280 --> 0:22:18.520
<v Speaker 2>You're at work, you might have to go memorize your lines.

0:22:18.600 --> 0:22:21.399
<v Speaker 2>I don't know whereas like nobody in an office building

0:22:21.440 --> 0:22:24.120
<v Speaker 2>is like you know, Bob, he always just shuts his

0:22:24.240 --> 0:22:29.640
<v Speaker 2>door and you know, reads all his you know documents. Well, yeah,

0:22:29.640 --> 0:22:32.440
<v Speaker 2>because Bob's a lawyer, and Bob has to read the documents.

0:22:32.440 --> 0:22:33.200
<v Speaker 1>You know what I'm saying.

0:22:33.680 --> 0:22:35.280
<v Speaker 2>But I mean, I get it, and I feel for

0:22:35.320 --> 0:22:39.600
<v Speaker 2>her too, because I'm not saying that her experience wasn't

0:22:39.640 --> 0:22:40.199
<v Speaker 2>what it was.

0:22:40.560 --> 0:22:42.800
<v Speaker 1>To be truthful, you don't know what her experience was,

0:22:42.840 --> 0:22:46.119
<v Speaker 1>because she's never really said anything other than like what

0:22:46.400 --> 0:22:48.440
<v Speaker 1>I can't I'm gonna misquote her, but it wasn't great.

0:22:48.520 --> 0:22:50.160
<v Speaker 2>Yeah, Lorraine, what's the exact quote?

0:22:50.440 --> 0:22:52.080
<v Speaker 3>On the set of nine o two and No, I

0:22:52.119 --> 0:22:55.159
<v Speaker 3>couldn't even make eye contact with any of the cast members,

0:22:55.200 --> 0:22:57.800
<v Speaker 3>which was really strange. When you're like trying to do

0:22:57.840 --> 0:22:58.440
<v Speaker 3>a scene with.

0:22:58.400 --> 0:22:59.840
<v Speaker 1>Them, you're not.

0:23:00.080 --> 0:23:02.200
<v Speaker 3>It was like, you're not allowed to make eye contact

0:23:02.240 --> 0:23:04.199
<v Speaker 3>with any one of the cast members or you'll be

0:23:04.240 --> 0:23:07.399
<v Speaker 3>thrown off the set. That was the quote on the

0:23:07.440 --> 0:23:08.320
<v Speaker 3>Hot Ones.

0:23:08.640 --> 0:23:13.399
<v Speaker 1>If she looked at or spoke to the stars. But

0:23:13.480 --> 0:23:15.159
<v Speaker 1>this isn't a quote. I don't think this is a

0:23:15.240 --> 0:23:16.120
<v Speaker 1>quote from Jessica.

0:23:16.280 --> 0:23:18.840
<v Speaker 2>Yeah, that's what she said that on Hot Ones. I

0:23:18.880 --> 0:23:20.520
<v Speaker 2>find that to be the strangest.

0:23:20.960 --> 0:23:24.359
<v Speaker 1>I am the fuddled. First of all, I don't think

0:23:24.400 --> 0:23:27.240
<v Speaker 1>anybody was ever thrown off the set of our show.

0:23:28.000 --> 0:23:31.280
<v Speaker 1>Let'st they were a weird, crazy person and.

0:23:31.200 --> 0:23:33.679
<v Speaker 2>It's the whole cast. So I think it's a tale

0:23:33.680 --> 0:23:37.480
<v Speaker 2>of Look. I believe Jessica Alba was told this, but

0:23:37.560 --> 0:23:41.159
<v Speaker 2>I believe someone told her that totally incorrectly. This is

0:23:41.240 --> 0:23:43.400
<v Speaker 2>my making this up from what.

0:23:43.480 --> 0:23:45.880
<v Speaker 1>I have heard of us from back in the day,

0:23:45.960 --> 0:23:48.760
<v Speaker 1>and most of the people, ninety eight percent of the

0:23:48.800 --> 0:23:52.199
<v Speaker 1>people had a great experience on our show. Every co

0:23:52.359 --> 0:23:56.840
<v Speaker 1>star that came in, every background actor, like we were

0:23:56.920 --> 0:23:59.440
<v Speaker 1>nice people. I mean, I had my moments where I'd

0:23:59.480 --> 0:24:04.439
<v Speaker 1>be whatever, but I have since grown from that and

0:24:04.720 --> 0:24:06.920
<v Speaker 1>acknowledged it and like, I'm sorry about it, But I

0:24:07.040 --> 0:24:10.320
<v Speaker 1>never would have been like, don't look me in the eye.

0:24:10.440 --> 0:24:12.600
<v Speaker 1>That's just I'm not like that.

0:24:14.160 --> 0:24:18.880
<v Speaker 2>But I believe somebody, like you said, somebody said somebody

0:24:18.920 --> 0:24:21.560
<v Speaker 2>to somebody, to somebody to somebody to somebody to somebody.

0:24:21.560 --> 0:24:23.800
<v Speaker 2>And by the time it got to Jessica Alba, who's

0:24:23.840 --> 0:24:27.680
<v Speaker 2>just a you know, day day player basically like two episodes,

0:24:27.720 --> 0:24:30.119
<v Speaker 2>a guest star, guest star. But is she even like

0:24:30.160 --> 0:24:32.400
<v Speaker 2>a guest star. I feel like she's just a yeah,

0:24:32.560 --> 0:24:35.160
<v Speaker 2>she's is that? But not everyone's a guest star?

0:24:35.280 --> 0:24:35.680
<v Speaker 1>Are they?

0:24:36.359 --> 0:24:38.679
<v Speaker 2>Oh? I don't know, See what I'm saying, it's like,

0:24:39.400 --> 0:24:41.919
<v Speaker 2>to me, Jasper is a guest star because he's in

0:24:42.000 --> 0:24:43.080
<v Speaker 2>like many episodes.

0:24:43.200 --> 0:24:44.879
<v Speaker 1>I think she's a guest star because she was in

0:24:44.920 --> 0:24:45.480
<v Speaker 1>two episodes.

0:24:45.520 --> 0:24:47.800
<v Speaker 2>All right, so she's called a guest star. Maybe someone

0:24:48.280 --> 0:24:52.000
<v Speaker 2>mistakingly said something to her, like I'm saying she probably

0:24:52.240 --> 0:24:57.080
<v Speaker 2>was told something strange, but that the person that said

0:24:57.119 --> 0:25:01.240
<v Speaker 2>it was a game of telephone. Right, So by the

0:25:01.280 --> 0:25:03.240
<v Speaker 2>time it gets to the PA that's in charge of

0:25:03.320 --> 0:25:06.879
<v Speaker 2>Jessica Alba, it's completely changed from what actually was said.

0:25:07.040 --> 0:25:10.439
<v Speaker 2>Because look, there may be could have been something like, oh,

0:25:10.520 --> 0:25:13.720
<v Speaker 2>hey they're working, so like don't take photos.

0:25:13.840 --> 0:25:14.359
<v Speaker 1>Like we do that.

0:25:14.520 --> 0:25:17.320
<v Speaker 2>Right, say we're doing a big event and there's a

0:25:17.320 --> 0:25:19.919
<v Speaker 2>big celebrity, we have to tell people like, hey, they're working,

0:25:20.000 --> 0:25:22.960
<v Speaker 2>so don't stop them for photos or whatever. Right, it

0:25:23.000 --> 0:25:25.200
<v Speaker 2>doesn't mean that that person said.

0:25:25.480 --> 0:25:27.840
<v Speaker 1>I'm not taking photos. Is this is weird.

0:25:28.400 --> 0:25:30.360
<v Speaker 2>I feel like it's a game of telephone that by

0:25:30.359 --> 0:25:33.240
<v Speaker 2>the time it got to her, it got misconstrued.

0:25:33.320 --> 0:25:36.280
<v Speaker 1>Well, Jessica, if you're listening or anybody who know is

0:25:36.320 --> 0:25:38.480
<v Speaker 1>listening and telling you this, I love to have you'll

0:25:38.480 --> 0:25:41.160
<v Speaker 1>be on I choose me my podcast and we can

0:25:41.200 --> 0:25:43.160
<v Speaker 1>talk about it because I think it's interesting.

0:25:43.359 --> 0:25:45.719
<v Speaker 2>Yeah, it would be really interesting.

0:25:45.680 --> 0:25:49.200
<v Speaker 1>It would be Yeah, how these kind of things happen?

0:25:49.320 --> 0:25:54.639
<v Speaker 1>And also who gives a patuity?

0:25:54.960 --> 0:25:57.399
<v Speaker 2>Well, I'm sure she doesn't now, but at the time

0:25:57.520 --> 0:25:58.239
<v Speaker 2>maybe it was.

0:25:59.200 --> 0:26:01.960
<v Speaker 1>I'm sure it just felt awkward. Or if somebody told

0:26:02.000 --> 0:26:05.040
<v Speaker 1>me not to look a person in the eye, I

0:26:05.080 --> 0:26:08.040
<v Speaker 1>would I would absolutely immediately look them in the eye

0:26:08.440 --> 0:26:10.840
<v Speaker 1>and then be like, oh my god, I did the

0:26:10.920 --> 0:26:12.359
<v Speaker 1>rock I look them in the eye with them.

0:26:12.280 --> 0:26:13.880
<v Speaker 2>Because I think of you went on to a show

0:26:13.920 --> 0:26:16.800
<v Speaker 2>like Friends, right where those people were very close with

0:26:16.840 --> 0:26:19.880
<v Speaker 2>each other and guest stars came in, and what if

0:26:19.920 --> 0:26:22.600
<v Speaker 2>some pa mistakenly says to you, like, do not look

0:26:22.640 --> 0:26:26.080
<v Speaker 2>any of the core six in the eye? You would

0:26:26.119 --> 0:26:28.719
<v Speaker 2>believe it and you'd be like, oh my god, and

0:26:28.760 --> 0:26:29.960
<v Speaker 2>then you'd be scared.

0:26:30.560 --> 0:26:36.000
<v Speaker 1>Be scared. Well, either well no, or we'll never know.

0:26:37.200 --> 0:26:53.119
<v Speaker 1>I'd love to know more. Do you buy that now?

0:26:53.560 --> 0:26:55.600
<v Speaker 1>Donna's addiction is just over.

0:26:56.240 --> 0:26:59.879
<v Speaker 2>No, Well yes is yes and no because I believe it,

0:27:00.000 --> 0:27:02.280
<v Speaker 2>because that's how we do it on this show. It's

0:27:02.320 --> 0:27:06.240
<v Speaker 2>definitely over. But the whole thing is just every storyline

0:27:06.320 --> 0:27:11.200
<v Speaker 2>I'm not gonna lie is annoying. Every single one. Every

0:27:11.240 --> 0:27:13.800
<v Speaker 2>single one is annoying. They're annoying.

0:27:14.280 --> 0:27:17.760
<v Speaker 1>My favorite part was at the end when Kelly confesses

0:27:17.840 --> 0:27:22.240
<v Speaker 1>to Brandon that she still thinks about the baby they lost,

0:27:23.040 --> 0:27:24.600
<v Speaker 1>and I fully get that.

0:27:25.720 --> 0:27:28.720
<v Speaker 2>Are we sure you were pregnant?

0:27:29.200 --> 0:27:31.040
<v Speaker 1>You were asking me to remember something.

0:27:31.119 --> 0:27:33.480
<v Speaker 2>I remember it as you thought you were pregnant, but

0:27:33.520 --> 0:27:35.640
<v Speaker 2>then you weren't, and then you find out you can't

0:27:35.680 --> 0:27:37.960
<v Speaker 2>have kids. Oh you were, okay, Lorraine has corrected me.

0:27:38.240 --> 0:27:41.920
<v Speaker 2>You definitely were. Then you had a miscarriage, and then

0:27:41.920 --> 0:27:44.439
<v Speaker 2>you find out it's going to be challenging to carry

0:27:44.440 --> 0:27:44.840
<v Speaker 2>a baby.

0:27:44.880 --> 0:27:47.359
<v Speaker 1>I think that's what it was. Yeah, and that sets

0:27:47.359 --> 0:27:51.800
<v Speaker 1>off all kinds of weirdness. Yes, I can imagine being

0:27:51.800 --> 0:27:55.199
<v Speaker 1>in her position. I've been in her position where you know,

0:27:55.320 --> 0:27:59.159
<v Speaker 1>you've had struggles with getting pregnant or losing children, but

0:27:59.320 --> 0:28:02.439
<v Speaker 1>to miscarriage and then you see a baby or you

0:28:02.480 --> 0:28:05.640
<v Speaker 1>get to hold a baby, it just like rips your

0:28:05.640 --> 0:28:06.120
<v Speaker 1>heart out.

0:28:06.320 --> 0:28:08.399
<v Speaker 2>I think that's why, if you've got a baby on

0:28:08.440 --> 0:28:09.680
<v Speaker 2>your porch, you would keep it.

0:28:09.960 --> 0:28:13.320
<v Speaker 1>That's right, damn straight, I'd keep that baby. You know

0:28:13.400 --> 0:28:17.360
<v Speaker 1>my favorite line about a baby from any movie ever,

0:28:17.520 --> 0:28:22.960
<v Speaker 1>it's a bar baby in a bar? What's that from

0:28:23.480 --> 0:28:27.520
<v Speaker 1>Sweet Home, Alabama. I think, oh my gosh, none, which

0:28:27.600 --> 0:28:31.920
<v Speaker 1>one raising Arizona. Oh yeah, She's like, I want that baby.

0:28:32.840 --> 0:28:36.040
<v Speaker 1>I want that baby. It's my favorite part. And now

0:28:36.080 --> 0:28:38.480
<v Speaker 1>anytime my husband and I say it all the time,

0:28:38.760 --> 0:28:43.400
<v Speaker 1>I want that baby. I don't know. I didn't care

0:28:43.440 --> 0:28:45.240
<v Speaker 1>for this episode. You gave it a five. I gave

0:28:45.280 --> 0:28:49.600
<v Speaker 1>it a ten. That's quite a difference. I'm doing the math.

0:28:49.720 --> 0:28:51.360
<v Speaker 1>You gave it half of what I gave it.

0:28:51.680 --> 0:28:53.960
<v Speaker 2>There's absolutely no way you're giving this episode a ten.

0:28:54.040 --> 0:28:56.280
<v Speaker 1>But that's fine. Tell us what's happening in the world

0:28:56.320 --> 0:28:59.760
<v Speaker 1>of podcast amy, give us a down the well.

0:29:00.360 --> 0:29:03.240
<v Speaker 2>It's a very it's a very crowded space. There's just

0:29:03.280 --> 0:29:07.840
<v Speaker 2>a podcast to day coming out, and a lot of

0:29:07.880 --> 0:29:12.200
<v Speaker 2>podcasts are having video now, which we could talk about and.

0:29:12.120 --> 0:29:15.440
<v Speaker 1>I should talk about that, but it just seems like

0:29:15.840 --> 0:29:16.280
<v Speaker 1>there's so.

0:29:16.280 --> 0:29:18.600
<v Speaker 2>Many podcasts, and I think podcasts are going to become

0:29:18.640 --> 0:29:23.560
<v Speaker 2>TV shows. That's my take. That suddenly like there won't

0:29:23.560 --> 0:29:26.960
<v Speaker 2>be as many talk shows on TV because the talk

0:29:27.000 --> 0:29:30.240
<v Speaker 2>shows that you like on podcasts will become you will

0:29:30.440 --> 0:29:31.600
<v Speaker 2>watch them on television.

0:29:31.680 --> 0:29:37.040
<v Speaker 1>Yeah, it's like you're sitting down with a private interview. Yeah, yeah, absolutely,

0:29:37.080 --> 0:29:39.040
<v Speaker 1>and that's how it always works. And then what will

0:29:39.040 --> 0:29:42.600
<v Speaker 1>happen after it becomes TV. This is the thing I

0:29:42.640 --> 0:29:43.160
<v Speaker 1>don't know.

0:29:43.720 --> 0:29:45.520
<v Speaker 2>This is the thing we need to figure out if

0:29:45.520 --> 0:29:49.840
<v Speaker 2>we want to be super successful and wealthy. If we

0:29:49.880 --> 0:29:52.320
<v Speaker 2>could figure that out and then make it happen, we

0:29:52.440 --> 0:29:54.440
<v Speaker 2>would be so wealthy.

0:29:54.680 --> 0:29:56.360
<v Speaker 1>Yeah, we got to get ahead of it.

0:29:56.440 --> 0:29:58.560
<v Speaker 2>You always have to be ahead of it. And I

0:29:58.600 --> 0:30:01.560
<v Speaker 2>don't know because I'm not like so techy. That's my problem.

0:30:01.600 --> 0:30:04.160
<v Speaker 2>I don't I'm not so techy that I know where

0:30:04.240 --> 0:30:05.040
<v Speaker 2>tech is going.

0:30:05.840 --> 0:30:06.920
<v Speaker 1>You live in San Francisco.

0:30:07.120 --> 0:30:09.520
<v Speaker 2>You should never take surrounded by all these tech people.

0:30:09.600 --> 0:30:13.000
<v Speaker 2>But like I don't know, and like I barely understand AI.

0:30:13.520 --> 0:30:14.600
<v Speaker 2>Do you understand AI?

0:30:15.240 --> 0:30:19.960
<v Speaker 1>Yeah? Great? Do use chap GBT. I don't have one

0:30:19.960 --> 0:30:22.600
<v Speaker 1>on my phone because I don't like that tracking thing,

0:30:22.640 --> 0:30:25.160
<v Speaker 1>but I use it on my computer sometime, and I

0:30:25.280 --> 0:30:28.280
<v Speaker 1>use it to like learn things or you know, like

0:30:28.720 --> 0:30:32.480
<v Speaker 1>plant the right plants for my zone or whatever. Isn't

0:30:32.520 --> 0:30:35.400
<v Speaker 1>that just like googling? It is kind of for me.

0:30:35.640 --> 0:30:38.360
<v Speaker 2>I still like the idea that I write it. When

0:30:38.400 --> 0:30:40.800
<v Speaker 2>your creative comes from me, I don't care for it,

0:30:40.840 --> 0:30:44.040
<v Speaker 2>like yeah, because it always sounds like AI. Yeah, and

0:30:44.080 --> 0:30:47.280
<v Speaker 2>when I see those AI songs on TikTok, even though

0:30:47.280 --> 0:30:50.000
<v Speaker 2>I like the songs the video, immediately are like.

0:30:50.160 --> 0:30:54.800
<v Speaker 1>Hmmm, that's definitely AI. Yeah you can tell like the

0:30:54.920 --> 0:30:59.480
<v Speaker 1>young Yeah, I don't think i'd be able to tell. Honestly,

0:30:59.720 --> 0:31:00.440
<v Speaker 1>Yes you would.

0:31:00.520 --> 0:31:02.840
<v Speaker 2>I saw like things where I'm like that celebrity did

0:31:02.840 --> 0:31:04.880
<v Speaker 2>not say that, and then you're like, yeah.

0:31:04.760 --> 0:31:09.600
<v Speaker 1>That's like fake AI. Would you ever use AI for therapy? No?

0:31:09.600 --> 0:31:12.560
<v Speaker 2>No, but I google. I'll Google and be like here's

0:31:12.560 --> 0:31:15.160
<v Speaker 2>all my symptoms? What is this? And they're like, well,

0:31:15.200 --> 0:31:15.880
<v Speaker 2>so I do that.

0:31:16.320 --> 0:31:19.360
<v Speaker 1>No, but like what if I my best friend does

0:31:19.400 --> 0:31:23.200
<v Speaker 1>it want to be friends with me anymore? Because never

0:31:23.920 --> 0:31:26.680
<v Speaker 1>should I handle this and the best way for both people?

0:31:27.000 --> 0:31:29.600
<v Speaker 2>Never? No, I would never use AI for that. I

0:31:29.640 --> 0:31:31.880
<v Speaker 2>would use a therapist, but I would use a book now.

0:31:31.920 --> 0:31:34.760
<v Speaker 2>I do enjoy a book that gives me answers, or

0:31:34.800 --> 0:31:39.000
<v Speaker 2>I would watch a real video or read a real article.

0:31:39.160 --> 0:31:41.240
<v Speaker 2>But no, I don't want to just like ask a

0:31:41.280 --> 0:31:42.400
<v Speaker 2>computer to tell me.

0:31:42.320 --> 0:31:46.520
<v Speaker 1>What to do. Would you? I think AI has become well,

0:31:46.600 --> 0:31:49.280
<v Speaker 1>there's two sides to it. Of course, there's the good

0:31:49.320 --> 0:31:52.120
<v Speaker 1>side and the bad side. But I think it's all

0:31:52.160 --> 0:31:55.640
<v Speaker 1>the knowledge of any book you've ever read or that's

0:31:55.640 --> 0:31:58.560
<v Speaker 1>been written. It's all the knowledge from all the world,

0:31:58.640 --> 0:32:02.800
<v Speaker 1>from all time ever m hm, that's been programmed into

0:32:02.960 --> 0:32:07.840
<v Speaker 1>these AI platforms. So you're getting like the best of

0:32:07.840 --> 0:32:10.040
<v Speaker 1>the back. And I really learned this when Deepak Choper

0:32:10.160 --> 0:32:12.800
<v Speaker 1>was on my podcast when he was telling us that

0:32:12.840 --> 0:32:16.680
<v Speaker 1>he was starting his own AI platform, and he said,

0:32:17.680 --> 0:32:20.239
<v Speaker 1>you can get my I can be your personal like

0:32:20.400 --> 0:32:24.400
<v Speaker 1>therapist kind of person, and you get everything that I've

0:32:24.440 --> 0:32:27.959
<v Speaker 1>ever written about in any of my nine hundred books.

0:32:28.160 --> 0:32:31.000
<v Speaker 1>He's written so many books. It's all there right there

0:32:31.040 --> 0:32:34.120
<v Speaker 1>at your fingertips, and it's in my voice. So he's

0:32:34.200 --> 0:32:38.000
<v Speaker 1>recorded every word in the language of any of his books,

0:32:38.360 --> 0:32:42.040
<v Speaker 1>and now the computer can make it form senses of fact.

0:32:42.480 --> 0:32:45.200
<v Speaker 2>No, I think I'd rather just ask you, like literally,

0:32:45.200 --> 0:32:45.960
<v Speaker 2>do you know what I'm saying?

0:32:46.240 --> 0:32:46.720
<v Speaker 1>Like I don't.

0:32:46.960 --> 0:32:49.120
<v Speaker 2>I think for me, it's the it's sort of the

0:32:49.280 --> 0:32:51.440
<v Speaker 2>like what do you think?

0:32:51.480 --> 0:32:52.360
<v Speaker 1>What do you feel?

0:32:52.640 --> 0:32:54.880
<v Speaker 2>And I just don't know that AI can feel it

0:32:55.720 --> 0:32:59.000
<v Speaker 2>the way you could feel it what I'm saying, and

0:32:59.160 --> 0:33:01.840
<v Speaker 2>I could be right. I mean, that's where I'm at.

0:33:02.640 --> 0:33:04.880
<v Speaker 2>I'd rather get like shitty advice from you.

0:33:06.040 --> 0:33:08.680
<v Speaker 1>Hey, I'm here for you.

0:33:10.800 --> 0:33:13.120
<v Speaker 2>I'd rather if you go. I'm not sure. One time

0:33:13.160 --> 0:33:15.400
<v Speaker 2>I think maybe I had a similar thing happened. I'm

0:33:15.440 --> 0:33:17.160
<v Speaker 2>not sure, but I think and this is what I

0:33:17.200 --> 0:33:18.720
<v Speaker 2>think I did well.

0:33:18.880 --> 0:33:22.000
<v Speaker 1>I don't know. I think it's it's useful for business

0:33:22.120 --> 0:33:27.400
<v Speaker 1>models and people entrepreneurs starting out who need creative assistance,

0:33:27.560 --> 0:33:28.040
<v Speaker 1>or like.

0:33:28.160 --> 0:33:31.280
<v Speaker 2>Jenny, I missed the old days. I missed the nine

0:33:31.520 --> 0:33:35.960
<v Speaker 2>two one oh days when I had a cassette player

0:33:36.680 --> 0:33:39.720
<v Speaker 2>in my car and I had to rewind it. I

0:33:39.760 --> 0:33:41.880
<v Speaker 2>missed the old days. I miss when I could go

0:33:41.920 --> 0:33:42.760
<v Speaker 2>into the bank.

0:33:43.360 --> 0:33:45.960
<v Speaker 1>Wait, do you still say, like when you're watching something

0:33:45.960 --> 0:33:47.520
<v Speaker 1>and you want to go back and rewatch a part,

0:33:47.640 --> 0:33:49.720
<v Speaker 1>you say, rewind it? Can you just rewind that part?

0:33:49.760 --> 0:33:52.400
<v Speaker 1>And I also say, did you videotape it? Me too,

0:33:53.080 --> 0:33:55.480
<v Speaker 1>Let me get a video of you're saying that. But

0:33:55.560 --> 0:33:59.120
<v Speaker 1>that's that's okay, still a video, but a video tape.

0:33:59.280 --> 0:34:01.760
<v Speaker 2>I'm trying to think of other weird, old timey things

0:34:01.800 --> 0:34:03.960
<v Speaker 2>I say like that, which is like weird that we're

0:34:04.000 --> 0:34:06.440
<v Speaker 2>the old timers, But like I do have a few

0:34:06.480 --> 0:34:09.160
<v Speaker 2>things like that where the word is totally antiquated.

0:34:09.560 --> 0:34:13.759
<v Speaker 1>I mean, I love old timer lingo. Tory would tell

0:34:13.800 --> 0:34:16.400
<v Speaker 1>you like I can pull up some of the funniest

0:34:16.440 --> 0:34:20.720
<v Speaker 1>like eighty year old woman slogan sayings.

0:34:20.440 --> 0:34:22.920
<v Speaker 2>I want a lollygag all day long too, jomny, I

0:34:22.960 --> 0:34:25.520
<v Speaker 2>want to sit around and lollygag.

0:34:25.920 --> 0:34:27.280
<v Speaker 1>I know, lollygag.

0:34:27.440 --> 0:34:31.080
<v Speaker 2>And it's gonna be a real hairdoo if that happens.

0:34:31.640 --> 0:34:33.920
<v Speaker 1>See you got it, you know totally.

0:34:34.080 --> 0:34:36.640
<v Speaker 2>I'm like, ah, we're gonna get into real hairdoo if

0:34:36.680 --> 0:34:37.360
<v Speaker 2>that's what.

0:34:37.239 --> 0:34:39.920
<v Speaker 1>We're dealing with. Oh, I want that, grandma.

0:34:40.400 --> 0:34:43.479
<v Speaker 2>Yeah, old timey stuff is the best I'm talking about.

0:34:43.520 --> 0:34:46.400
<v Speaker 1>Gosh, gosh, I love being old. Look at your cheeks.

0:34:46.000 --> 0:34:51.120
<v Speaker 2>Are all I know. I'm so very hot right now.

0:34:51.120 --> 0:34:52.360
<v Speaker 2>I think it's because I'm in the garage and the

0:34:52.400 --> 0:34:53.120
<v Speaker 2>fires going.

0:34:52.960 --> 0:34:57.800
<v Speaker 1>Fireplaces on. It's putting off a lot of heat. You guys.

0:34:57.800 --> 0:35:01.080
<v Speaker 1>She has the fire on her TV behind her.

0:35:01.800 --> 0:35:03.920
<v Speaker 2>And I typed in yule log even though it's June

0:35:04.000 --> 0:35:06.080
<v Speaker 2>and you can still get a us okay, just and

0:35:06.120 --> 0:35:07.960
<v Speaker 2>it does look like I have a Christmas tree over there.

0:35:08.320 --> 0:35:10.080
<v Speaker 1>It really does, but I don't.

0:35:10.160 --> 0:35:12.319
<v Speaker 2>But anyway, wait, Jenny going on vacation, so I won't

0:35:12.320 --> 0:35:13.760
<v Speaker 2>see you for a full week.

0:35:14.600 --> 0:35:16.600
<v Speaker 1>Yeah, and it's a work trip. It's not a vacation.

0:35:16.719 --> 0:35:18.320
<v Speaker 2>But oh I thought it was for fun.

0:35:19.480 --> 0:35:22.000
<v Speaker 1>No, two days of it is fun. Where are you going?

0:35:22.239 --> 0:35:25.200
<v Speaker 1>I'm going to Paris for doing the show A thing

0:35:25.360 --> 0:35:28.200
<v Speaker 1>for No, not a thing for cosmetics. I knew what

0:35:28.200 --> 0:35:29.759
<v Speaker 1>you were doing, that's right. I was just about to

0:35:29.760 --> 0:35:32.759
<v Speaker 1>say yes. I'm so excited about that. I love that partnership,

0:35:32.800 --> 0:35:35.080
<v Speaker 1>and Lolla and I are going a couple of days

0:35:35.120 --> 0:35:39.080
<v Speaker 1>early to do some brand shopping and inspo searching.

0:35:39.280 --> 0:35:43.920
<v Speaker 2>Oh that's cool for your line. Yeah, wait, that's pretty cool.

0:35:43.960 --> 0:35:46.480
<v Speaker 2>So wait, you'll go and see what's in Paris and

0:35:46.520 --> 0:35:50.319
<v Speaker 2>then you'll make it for me by Jenny Garth.

0:35:50.640 --> 0:35:55.040
<v Speaker 1>Well you'll you'll get inspiration, yeah, and you'll get ideas

0:35:55.080 --> 0:35:58.400
<v Speaker 1>about what colorways or patterns are going to be because

0:35:58.440 --> 0:36:01.279
<v Speaker 1>everything starts in Europe, on the runways in Europe, and

0:36:01.320 --> 0:36:03.040
<v Speaker 1>then it trickles over to America.

0:36:03.200 --> 0:36:05.160
<v Speaker 2>Can we bring back low low rise?

0:36:05.239 --> 0:36:07.879
<v Speaker 1>I don't know. No, I don't I please. I can't

0:36:07.880 --> 0:36:10.120
<v Speaker 1>do high rise. I know I can't do it. You seriously,

0:36:10.239 --> 0:36:12.680
<v Speaker 1>you're telling me you still wear low rise jeans.

0:36:12.760 --> 0:36:14.680
<v Speaker 2>Yeah? I mean, and I'm not like wearing them like

0:36:15.160 --> 0:36:18.759
<v Speaker 2>where everyone sees. But I can't do anything pressing up here.

0:36:18.880 --> 0:36:22.120
<v Speaker 2>I can't I can't stand that like low rise and

0:36:22.239 --> 0:36:23.160
<v Speaker 2>elastic waste.

0:36:23.200 --> 0:36:29.280
<v Speaker 1>But you I've if everything I'm making now is got

0:36:29.360 --> 0:36:32.280
<v Speaker 1>some sort of stretch or elastic, you know, because once

0:36:32.320 --> 0:36:34.840
<v Speaker 1>you go there, you don't want to go back correct.

0:36:34.880 --> 0:36:39.360
<v Speaker 2>And what's so crazy is like parts of me are fine,

0:36:39.840 --> 0:36:42.680
<v Speaker 2>but then parts of me are weird, and so the

0:36:42.800 --> 0:36:44.880
<v Speaker 2>stretch makes it so just all works.

0:36:45.160 --> 0:36:47.000
<v Speaker 1>Do you know what I'm saying? It all it pulls

0:36:47.000 --> 0:36:47.640
<v Speaker 1>it all together.

0:36:47.760 --> 0:36:50.480
<v Speaker 2>Yeah, it's like put put it, put likra in there.

0:36:51.239 --> 0:36:52.839
<v Speaker 1>These pants got a lot of the last.

0:36:53.000 --> 0:36:54.560
<v Speaker 2>Yes, that's exactly good.

0:36:55.000 --> 0:36:56.320
<v Speaker 1>I like what you're wearing. Are you gonna wear that

0:36:56.360 --> 0:36:59.120
<v Speaker 1>on QVC? Yes? This is a new idem we're selling

0:36:59.160 --> 0:37:01.359
<v Speaker 1>it today, a brand new set.

0:37:01.560 --> 0:37:02.840
<v Speaker 2>I mean we might as well say it. How do

0:37:02.880 --> 0:37:04.680
<v Speaker 2>you How do you find your stuff on QVC? Can

0:37:04.680 --> 0:37:06.400
<v Speaker 2>you go on qvc dot com and type in me.

0:37:08.560 --> 0:37:10.480
<v Speaker 1>If you go to qvc dot com you type in

0:37:10.520 --> 0:37:12.840
<v Speaker 1>the search bar me or me by Jenny Garth or

0:37:12.880 --> 0:37:15.080
<v Speaker 1>Jenny Garth, it'll come up. It'll come up, and you

0:37:15.080 --> 0:37:18.120
<v Speaker 1>can go to our socials too, which we have so

0:37:18.200 --> 0:37:20.560
<v Speaker 1>much fun doing creatively with my god.

0:37:21.000 --> 0:37:22.680
<v Speaker 2>I have a request before we go I have a

0:37:22.719 --> 0:37:24.800
<v Speaker 2>request before we go. You want us to make something

0:37:25.040 --> 0:37:28.439
<v Speaker 2>more homes goods again. I just want home stuff again.

0:37:28.480 --> 0:37:30.680
<v Speaker 2>Can you do stuff coming out?

0:37:30.760 --> 0:37:32.760
<v Speaker 1>Yeah? Okay, great because I really called me home?

0:37:33.200 --> 0:37:36.279
<v Speaker 2>Is it really yeah? Oh my god, that's amazing. Even

0:37:36.440 --> 0:37:38.520
<v Speaker 2>that's what I want really bad, that's what I really

0:37:38.560 --> 0:37:39.160
<v Speaker 2>really want.

0:37:40.120 --> 0:37:42.799
<v Speaker 1>I will buy your home stuff was so good before

0:37:42.840 --> 0:37:44.960
<v Speaker 1>I knew that, I really that stuff was great.

0:37:45.120 --> 0:37:48.160
<v Speaker 2>It was so good that bar Kard, the acrylic bar cart.

0:37:49.320 --> 0:37:51.359
<v Speaker 2>If you if you watch enough podcast, you're gonna see

0:37:51.360 --> 0:37:52.040
<v Speaker 2>that acrylic bar.

0:37:54.560 --> 0:37:58.120
<v Speaker 1>I've seen it. Have you seen our stuff on every

0:37:58.440 --> 0:38:03.040
<v Speaker 1>uh ihearts I walk on, I'm like, oh, there's our

0:38:03.080 --> 0:38:03.719
<v Speaker 1>pillow or.

0:38:05.239 --> 0:38:07.319
<v Speaker 2>We are not afraid to reuse because we had to

0:38:07.320 --> 0:38:10.399
<v Speaker 2>buy stuff once you supported us, Yes, and then we

0:38:10.480 --> 0:38:13.279
<v Speaker 2>just reuse it, reuse it, rease it. Everybody can go

0:38:13.440 --> 0:38:17.280
<v Speaker 2>and see if you can find Jenny's barkart in multiple shows.

0:38:19.120 --> 0:38:21.960
<v Speaker 1>If you're seeing that, which is something we got to

0:38:22.000 --> 0:38:22.319
<v Speaker 1>work off.

0:38:22.360 --> 0:38:24.160
<v Speaker 2>Yeah, we'll talk about that. But just so people know,

0:38:24.200 --> 0:38:28.040
<v Speaker 2>the Jonas brothers are using the BFF parkart. Oh my god,

0:38:28.400 --> 0:38:29.920
<v Speaker 2>so it's getting a lot of use.

0:38:30.440 --> 0:38:32.680
<v Speaker 1>Okay, have a great week, everybody with a view