1 00:00:01,000 --> 00:00:02,920 Speaker 1: The best bits of the week with Morgan. 2 00:00:03,040 --> 00:00:04,640 Speaker 2: It's Listener Q and day time. 3 00:00:04,880 --> 00:00:08,000 Speaker 1: We're Morgan in a show member answer almost all your questions. 4 00:00:09,960 --> 00:00:13,040 Speaker 2: It's Listener Q and a time. Mike D is joining me. 5 00:00:13,119 --> 00:00:13,440 Speaker 2: Mike D. 6 00:00:13,560 --> 00:00:16,440 Speaker 3: How you feeling feeling good? Ready to answer some questions? 7 00:00:16,640 --> 00:00:19,960 Speaker 2: Yeah, We've got it all okay. So I love now 8 00:00:19,960 --> 00:00:24,160 Speaker 2: people are kind of combining their shout outs with their questions, 9 00:00:24,200 --> 00:00:27,320 Speaker 2: so we have shout outs now, intermix get into questions. 10 00:00:27,600 --> 00:00:30,400 Speaker 2: It comes different every week. Hear any more on the 11 00:00:30,440 --> 00:00:33,559 Speaker 2: show and giggles in the news space. I love it. 12 00:00:33,680 --> 00:00:35,599 Speaker 2: How are you liking it? Christy in Houston? 13 00:00:35,800 --> 00:00:38,720 Speaker 3: I just feel more comfortable having my own MIC now. 14 00:00:39,040 --> 00:00:41,839 Speaker 3: I usually keep it down for the majority of the 15 00:00:41,880 --> 00:00:44,600 Speaker 3: time just because I'm usually like slamming my keys pretty 16 00:00:44,600 --> 00:00:46,559 Speaker 3: hard and I don't want it picking up. But it 17 00:00:46,640 --> 00:00:49,199 Speaker 3: just feels more comfortable not having to walk over to 18 00:00:49,280 --> 00:00:52,319 Speaker 3: lunchboxes mic. And that also adds a level of like 19 00:00:53,159 --> 00:00:57,320 Speaker 3: being flustered when you have to go over like adjust 20 00:00:57,400 --> 00:00:59,600 Speaker 3: it a little bit and then speak. Yeah. I would 21 00:00:59,600 --> 00:01:01,600 Speaker 3: always fel like I was like rushing into everything that 22 00:01:01,600 --> 00:01:03,960 Speaker 3: I would get brought into. So now just having like 23 00:01:04,000 --> 00:01:06,000 Speaker 3: my own space, having my own mic. I can turn 24 00:01:06,040 --> 00:01:08,759 Speaker 3: it on, turn it off. That just feels more comfortable, 25 00:01:08,880 --> 00:01:10,640 Speaker 3: and I feel like I can approach things with a 26 00:01:10,680 --> 00:01:11,280 Speaker 3: clearer head. 27 00:01:11,520 --> 00:01:13,319 Speaker 2: Well, and you don't have to share a lunchbox with 28 00:01:13,520 --> 00:01:16,000 Speaker 2: a microphone with lunchbox because I have. 29 00:01:16,080 --> 00:01:18,760 Speaker 3: To walk over, like hunch over the camera shot looks weird. 30 00:01:18,840 --> 00:01:21,120 Speaker 3: So yeah, it's just a little bit more comfortable. And 31 00:01:21,200 --> 00:01:23,720 Speaker 3: I also like that I'm the only one who stands 32 00:01:23,800 --> 00:01:26,319 Speaker 3: the whole time, and I was able like to fix 33 00:01:26,360 --> 00:01:28,480 Speaker 3: my mic where I could like have it adjusted all 34 00:01:28,520 --> 00:01:30,399 Speaker 3: the way up, So that also just feels like I 35 00:01:30,400 --> 00:01:32,920 Speaker 3: can look and still stand and feel comfortable. 36 00:01:33,080 --> 00:01:35,160 Speaker 2: Yeah, because you're moving around, you're handing papers to Bobby 37 00:01:35,160 --> 00:01:37,480 Speaker 2: all the time, and you're doing multiple things, so you 38 00:01:37,959 --> 00:01:40,120 Speaker 2: like need the space to roam, and now you have that. 39 00:01:40,280 --> 00:01:41,320 Speaker 3: Yeah that's I love it. 40 00:01:41,440 --> 00:01:42,720 Speaker 2: And you're next to Bobby so you don't have to 41 00:01:42,720 --> 00:01:43,600 Speaker 2: go across the whole studio. 42 00:01:43,720 --> 00:01:45,920 Speaker 3: Yeah, Like just handing them stories like throughout the show 43 00:01:46,000 --> 00:01:48,080 Speaker 3: is just easier because I can just lean over hand 44 00:01:48,120 --> 00:01:50,000 Speaker 3: it to them. It's a lot easier to get his 45 00:01:50,040 --> 00:01:53,400 Speaker 3: attention if there is something happening. So I just like 46 00:01:53,480 --> 00:01:55,120 Speaker 3: the space I'm in now that I don't have to 47 00:01:55,160 --> 00:01:58,320 Speaker 3: walk all the way over to hand them things or 48 00:01:58,520 --> 00:01:59,880 Speaker 3: just walk over to a mic. 49 00:02:00,280 --> 00:02:02,200 Speaker 2: I think what is so cool about like this is 50 00:02:02,240 --> 00:02:05,040 Speaker 2: a little behind the scenes for everyone, is that this 51 00:02:05,120 --> 00:02:08,359 Speaker 2: is such a well oiled machine. It has been for years, 52 00:02:09,320 --> 00:02:11,799 Speaker 2: but now everybody knows what they need, what they want, 53 00:02:11,840 --> 00:02:14,840 Speaker 2: how to operate that. When this new studio got built, 54 00:02:14,960 --> 00:02:16,840 Speaker 2: it was like we got to do everything that we 55 00:02:16,919 --> 00:02:19,960 Speaker 2: needed to have done to continue to operate on. Like 56 00:02:20,280 --> 00:02:22,840 Speaker 2: it's like we had this great working car and we 57 00:02:22,880 --> 00:02:24,320 Speaker 2: took it into the oil shop and they put like 58 00:02:24,360 --> 00:02:25,120 Speaker 2: magic oil in it. 59 00:02:25,280 --> 00:02:26,040 Speaker 3: Yeah, you know what I mean. 60 00:02:26,080 --> 00:02:27,760 Speaker 2: It's kind of what this new studio is for us. 61 00:02:27,800 --> 00:02:31,120 Speaker 2: There's still things that we're working out and kings and stuff. 62 00:02:31,160 --> 00:02:33,320 Speaker 2: With a new place, that's just kind of what happens. 63 00:02:33,600 --> 00:02:35,200 Speaker 2: But I do feel like we're kind of working on 64 00:02:35,240 --> 00:02:37,280 Speaker 2: this magic oil now where we have all of the 65 00:02:37,360 --> 00:02:40,560 Speaker 2: tools we need to operate very efficiently. 66 00:02:41,280 --> 00:02:43,240 Speaker 3: Does that make sense, Yeah, I would agree. 67 00:02:43,520 --> 00:02:46,519 Speaker 2: Yeah, so that's our new studio for everybody. Okay, where 68 00:02:46,639 --> 00:02:51,480 Speaker 2: do you both keep your CMA Awards? Elena from Manitoba, Canada. 69 00:02:51,880 --> 00:02:55,120 Speaker 3: Mine is currently stacked onto my other one. What I 70 00:02:55,160 --> 00:02:56,680 Speaker 3: don't have a place to display it. 71 00:02:56,720 --> 00:02:58,799 Speaker 2: What about in your studio with all your other stuff. 72 00:02:58,880 --> 00:03:01,359 Speaker 3: I need like a shelf or something, because I don't 73 00:03:01,400 --> 00:03:04,920 Speaker 3: even have shells for all like my collectibles. They're just 74 00:03:05,520 --> 00:03:08,680 Speaker 3: on other things that I found, like little slices of 75 00:03:09,120 --> 00:03:10,880 Speaker 3: like a little ledge to put them on. But I 76 00:03:10,880 --> 00:03:13,079 Speaker 3: don't have any place to display something like that. 77 00:03:13,880 --> 00:03:15,560 Speaker 2: And you need to display. How many do you have? Now? 78 00:03:15,639 --> 00:03:15,880 Speaker 3: Two? 79 00:03:16,320 --> 00:03:20,320 Speaker 2: You have two? Okay, that's amazing. Is that so cool? 80 00:03:20,639 --> 00:03:22,520 Speaker 3: It just feel weird the you have too, with like 81 00:03:22,560 --> 00:03:24,560 Speaker 3: my name on it? Like the first one I got 82 00:03:24,680 --> 00:03:27,160 Speaker 3: was like the first award I ever got in anything. Like, 83 00:03:27,200 --> 00:03:28,840 Speaker 3: I've never had an award with my name on it? 84 00:03:29,320 --> 00:03:32,120 Speaker 2: Did you? Was it the year? Because I remember getting 85 00:03:32,200 --> 00:03:34,400 Speaker 2: a plaque from Bobby. This was back before they had 86 00:03:34,440 --> 00:03:36,200 Speaker 2: put all of our names on it to get awards. 87 00:03:36,520 --> 00:03:37,760 Speaker 2: Do you have the plaque still too? 88 00:03:37,840 --> 00:03:40,480 Speaker 3: I have, Yes, I have a plaque, and then I 89 00:03:40,520 --> 00:03:43,640 Speaker 3: also have a mirror ball trophy with my name on it. 90 00:03:43,680 --> 00:03:47,080 Speaker 3: And then you gave us and I think maybe it 91 00:03:47,160 --> 00:03:48,120 Speaker 3: could be two plaques. 92 00:03:48,560 --> 00:03:51,000 Speaker 2: Yeah, I think there's two for a Yeah, that's what 93 00:03:51,040 --> 00:03:54,240 Speaker 2: it was, because at this point I know, at least 94 00:03:54,280 --> 00:03:57,280 Speaker 2: when I've been on the show, we have one four 95 00:03:57,520 --> 00:04:00,520 Speaker 2: Cmas and one ACM in my time on the show, 96 00:04:01,360 --> 00:04:02,960 Speaker 2: and I think yours would be even a little bit 97 00:04:02,960 --> 00:04:04,280 Speaker 2: more because you've been on the show longer. 98 00:04:04,920 --> 00:04:08,440 Speaker 3: I think the CMA's is four total. Yeah, it's four total. 99 00:04:08,520 --> 00:04:11,080 Speaker 3: I think this was our fourth really, yeah, because I 100 00:04:11,120 --> 00:04:12,160 Speaker 3: have had the same reaction. 101 00:04:12,440 --> 00:04:16,000 Speaker 2: Oh yeah, that's fine, true, Okay, all right, so look 102 00:04:16,040 --> 00:04:20,279 Speaker 2: at that plural. But mine is currently underneath my TV 103 00:04:20,480 --> 00:04:23,599 Speaker 2: like setting up on a thing. But I'm actually, since 104 00:04:23,640 --> 00:04:25,760 Speaker 2: my family's in town this weekend and on my dad's 105 00:04:25,800 --> 00:04:28,080 Speaker 2: list of to dos, I'm hanging floating shelves in my 106 00:04:28,120 --> 00:04:30,720 Speaker 2: living room and that's where they will go, which I'm 107 00:04:30,760 --> 00:04:33,600 Speaker 2: really excited to finally have them on actual full display, yeah, 108 00:04:33,680 --> 00:04:35,400 Speaker 2: versus like a random place that I needed to have 109 00:04:35,440 --> 00:04:37,719 Speaker 2: them out because they're so cool, but it really wasn't 110 00:04:37,760 --> 00:04:40,960 Speaker 2: showing off. So now I'm definitely gonna show off. Floating 111 00:04:41,000 --> 00:04:42,360 Speaker 2: shelves is gonna be the first thing you see when 112 00:04:42,360 --> 00:04:46,440 Speaker 2: you walk in, Like, I'm proud, this is my accomplishment. 113 00:04:46,920 --> 00:04:50,159 Speaker 2: What is your favorite Christmas movie? Kirsten from Also Canada 114 00:04:50,240 --> 00:04:51,520 Speaker 2: shout out Canada. 115 00:04:51,520 --> 00:04:57,599 Speaker 3: Favorite Christmas movie? Hmmm, See the thing is like I 116 00:04:57,600 --> 00:05:01,960 Speaker 3: feel like Christmas movies are more about we'll rewatchability and 117 00:05:02,000 --> 00:05:04,200 Speaker 3: the memory you have with each Christmas movie. 118 00:05:04,320 --> 00:05:05,040 Speaker 2: That's definitely true. 119 00:05:05,320 --> 00:05:07,599 Speaker 3: I feel different about like my favorite movies of all time, 120 00:05:07,640 --> 00:05:10,400 Speaker 3: my favorite Christmas movies. So if I went to the movie, 121 00:05:10,440 --> 00:05:12,280 Speaker 3: I go back and rewatch the most that makes me 122 00:05:12,320 --> 00:05:15,320 Speaker 3: feel more like it's most like it's Christmas. It's Home Alone, 123 00:05:16,320 --> 00:05:19,440 Speaker 3: Like that is just my comfort Christmas movie. I think 124 00:05:19,480 --> 00:05:20,240 Speaker 3: that's the best one. 125 00:05:20,560 --> 00:05:22,679 Speaker 2: Do you do you like all the other ones? Scoop 126 00:05:22,680 --> 00:05:24,080 Speaker 2: and I were talking about this the other week. He 127 00:05:24,120 --> 00:05:25,960 Speaker 2: was talking about how his kid loves hamlone, but he's like, 128 00:05:26,000 --> 00:05:28,120 Speaker 2: the first one's the only good one. Did you watch 129 00:05:28,160 --> 00:05:29,680 Speaker 2: all the other ones? Because now there's also a new 130 00:05:29,720 --> 00:05:30,080 Speaker 2: one too. 131 00:05:30,320 --> 00:05:32,560 Speaker 3: Two is good. Lost in New York is good. Okay, 132 00:05:32,640 --> 00:05:35,520 Speaker 3: that one feels less Christmas y and then Home Alone 133 00:05:35,520 --> 00:05:38,080 Speaker 3: three is not Micaulay Culkin. That's when they kind of 134 00:05:38,080 --> 00:05:41,240 Speaker 3: went downhill. I think there's a four. And there's the 135 00:05:41,240 --> 00:05:43,200 Speaker 3: one that came out on Disney Plus that's kind of 136 00:05:43,240 --> 00:05:46,159 Speaker 3: the reboot. And yeah, that one's not very good. Okay, 137 00:05:46,200 --> 00:05:47,880 Speaker 3: So it really just wanted to I really just wanted to. 138 00:05:48,120 --> 00:05:52,159 Speaker 2: But the one is what you watch on repeat, Okay, 139 00:05:52,240 --> 00:05:54,200 Speaker 2: that's a good one. Do you like haller Grinsteal Christmas? 140 00:05:54,279 --> 00:05:54,920 Speaker 2: That one's mine. 141 00:05:55,000 --> 00:05:57,960 Speaker 3: I do love that one. That's nice, feels like warm 142 00:05:58,160 --> 00:06:01,960 Speaker 3: Christmas to me, Like, yeah, that is one that we 143 00:06:02,040 --> 00:06:04,680 Speaker 3: usually put on while we're doing gifts and my wife 144 00:06:04,720 --> 00:06:08,080 Speaker 3: and I, Okay, that feels like background, good Christmas vibes. 145 00:06:08,320 --> 00:06:10,000 Speaker 2: It so is. It's like the first one I will 146 00:06:10,080 --> 00:06:14,440 Speaker 2: always watch every season, though underrated one is for Christmases. 147 00:06:15,000 --> 00:06:16,960 Speaker 3: That's a yeah. That's when my wife exposed me to 148 00:06:17,040 --> 00:06:18,119 Speaker 3: I hadn't seen that one before. 149 00:06:18,240 --> 00:06:19,560 Speaker 2: Yeah, super underrated. 150 00:06:19,600 --> 00:06:20,600 Speaker 3: We had a good quote to that one. 151 00:06:20,640 --> 00:06:22,800 Speaker 2: It's never the one anybody's gonna choose for their favorite 152 00:06:22,839 --> 00:06:26,200 Speaker 2: Christmas movie because it's not the full like, it doesn't 153 00:06:26,200 --> 00:06:29,120 Speaker 2: have the nostalgia that a lot of the other ones have. 154 00:06:29,520 --> 00:06:31,719 Speaker 2: But it's so good. It's so underrated. 155 00:06:31,800 --> 00:06:34,560 Speaker 3: I think it's been out enough now where it's entering 156 00:06:34,600 --> 00:06:37,360 Speaker 3: that point that people have rewatched it enough that it's 157 00:06:37,400 --> 00:06:38,520 Speaker 3: like a modern classic. 158 00:06:38,920 --> 00:06:41,080 Speaker 2: Yeah. I hope so, because even just Tim mcgawl like 159 00:06:41,080 --> 00:06:43,600 Speaker 2: seeing Tim mcgral and that one is awesome. Vince Vaughn, 160 00:06:44,040 --> 00:06:46,919 Speaker 2: which I did tell this is random and off tangent. 161 00:06:46,960 --> 00:06:49,080 Speaker 2: I'll get back, I tell Blake Sheldon that he reminds 162 00:06:49,080 --> 00:06:51,640 Speaker 2: me of Vince Vaughn because he does. He is Vince 163 00:06:51,680 --> 00:06:57,600 Speaker 2: von Vince Vaughn is Blake Shelton in looks and personality, personality, vibes, 164 00:06:57,839 --> 00:07:01,239 Speaker 2: like character, everything about them. As he was in our studio, 165 00:07:01,320 --> 00:07:03,880 Speaker 2: It's like who who is he reminding me of? And 166 00:07:03,920 --> 00:07:06,200 Speaker 2: I couldn't place it. And then finally when we were 167 00:07:06,200 --> 00:07:08,280 Speaker 2: doing Team Marrion motes, I literally have like the light bulb. 168 00:07:08,279 --> 00:07:11,160 Speaker 2: It's like you're Vince Vaughn. They're the way that their 169 00:07:11,280 --> 00:07:15,240 Speaker 2: humor works, and how like he's so quick and just 170 00:07:16,080 --> 00:07:19,440 Speaker 2: the way that he talks and interacts with things reminds 171 00:07:19,440 --> 00:07:21,560 Speaker 2: me of how we see Vince Vonn and movies. Maybe 172 00:07:21,600 --> 00:07:23,080 Speaker 2: not Vince vond in person, I've never met him, I 173 00:07:23,120 --> 00:07:25,960 Speaker 2: don't know, but Vince Vaughn in movies is how Blake 174 00:07:25,960 --> 00:07:27,520 Speaker 2: Shelton is in real life. 175 00:07:27,600 --> 00:07:29,560 Speaker 3: I guess I see Vince Vaughn Moore as like a 176 00:07:29,640 --> 00:07:32,800 Speaker 3: really fast talker and like whenever he does dialogue, it's 177 00:07:32,800 --> 00:07:33,440 Speaker 3: like so quick. 178 00:07:33,880 --> 00:07:35,240 Speaker 2: He is known for that. 179 00:07:35,480 --> 00:07:38,760 Speaker 3: Yeah, and Blake Shelton he is quick, but I feel 180 00:07:38,760 --> 00:07:41,360 Speaker 3: when he speaks he has like that southern draw he does, 181 00:07:41,560 --> 00:07:43,560 Speaker 3: but like visually, I can kind of see it. They're 182 00:07:43,560 --> 00:07:44,040 Speaker 3: both tall. 183 00:07:44,480 --> 00:07:47,600 Speaker 2: The visually thing too, but it's it's the quick wittedness 184 00:07:47,920 --> 00:07:50,880 Speaker 2: because Blake always comes back with the quickest little You're like, really, 185 00:07:50,880 --> 00:07:53,480 Speaker 2: what that came out of nowhere? And that's Vince Vaughn 186 00:07:53,520 --> 00:07:57,680 Speaker 2: for me in movies. He's so quick witted. Anyways, Tangent's gone. 187 00:07:57,920 --> 00:08:00,480 Speaker 2: Allison from Texas would like to know what shoes you 188 00:08:00,520 --> 00:08:01,040 Speaker 2: like to run in. 189 00:08:01,600 --> 00:08:05,360 Speaker 3: I am Brooks all day. I've run and everything. I 190 00:08:05,400 --> 00:08:08,240 Speaker 3: started running probably about ten years ago and have tried 191 00:08:08,360 --> 00:08:13,520 Speaker 3: every single running shoe from Nikes to like anything the 192 00:08:13,560 --> 00:08:15,480 Speaker 3: shoe store would recommend to me. I'd go to running 193 00:08:15,480 --> 00:08:17,120 Speaker 3: stores and be like, for your feet, you should wear this. 194 00:08:17,600 --> 00:08:20,320 Speaker 3: With my feet though, like I have a wide foot, 195 00:08:21,040 --> 00:08:23,240 Speaker 3: so it's hard for me to find running shoes. I 196 00:08:23,280 --> 00:08:26,080 Speaker 3: usually have to size up because since my foot is wide, 197 00:08:26,080 --> 00:08:28,600 Speaker 3: I need like a little bit more space. So I 198 00:08:28,720 --> 00:08:32,800 Speaker 3: found that for the runs I do, Brooks are just 199 00:08:32,840 --> 00:08:33,959 Speaker 3: the most comfortable to me. 200 00:08:34,360 --> 00:08:37,040 Speaker 2: Okay, I've heard great things about them. My parents also 201 00:08:37,080 --> 00:08:39,600 Speaker 2: wear them all the time and they're big runners. My 202 00:08:39,679 --> 00:08:42,160 Speaker 2: mom is and and my sister and they all wear Brooks. 203 00:08:42,400 --> 00:08:45,640 Speaker 3: I think for like the durability alone, they last a 204 00:08:45,679 --> 00:08:47,800 Speaker 3: long time. I feel they last more than any other 205 00:08:47,880 --> 00:08:51,000 Speaker 3: running shoe I've had, And overall, like I don't have 206 00:08:51,080 --> 00:08:53,040 Speaker 3: to worry about my feet, which is a big thing 207 00:08:53,040 --> 00:08:57,400 Speaker 3: with runners of like just how impactful like the cmen 208 00:08:57,600 --> 00:08:59,640 Speaker 3: is on your foot, Like, I don't worry about that 209 00:08:59,679 --> 00:09:00,160 Speaker 3: at all. 210 00:09:00,480 --> 00:09:03,160 Speaker 2: Have you ever considered running barefoot? This is a random question. 211 00:09:03,200 --> 00:09:04,800 Speaker 2: Also another random tangent, and I'll be done. 212 00:09:04,880 --> 00:09:08,520 Speaker 3: I tried a pair of running shoes that were very light, 213 00:09:08,679 --> 00:09:11,200 Speaker 3: and it felt like I was running almost barefoot, and 214 00:09:11,240 --> 00:09:13,800 Speaker 3: I did not enjoy it because you could feel the 215 00:09:13,960 --> 00:09:16,920 Speaker 3: rocks on your feet. Yeah, and I think I did 216 00:09:16,960 --> 00:09:20,680 Speaker 3: probably run faster, but it probably would have just wrecked 217 00:09:20,679 --> 00:09:22,959 Speaker 3: my feet in the long run, because I think those 218 00:09:22,960 --> 00:09:26,040 Speaker 3: are meant more for like short distances, quick races. So 219 00:09:26,120 --> 00:09:29,920 Speaker 3: I can imagine with that level of like a small 220 00:09:29,960 --> 00:09:32,360 Speaker 3: amount of cushion on my feet, running barefoot would just 221 00:09:32,440 --> 00:09:34,559 Speaker 3: annihilate them. Maybe on a track. 222 00:09:35,040 --> 00:09:36,800 Speaker 2: Well, I was curious because you know all those people 223 00:09:36,800 --> 00:09:38,720 Speaker 2: will be like being barefoot is so good for you, 224 00:09:38,800 --> 00:09:42,960 Speaker 2: back to the old ways. I'm just curious with running. 225 00:09:43,000 --> 00:09:45,080 Speaker 3: I've seen a guy on the trail I go on, 226 00:09:45,200 --> 00:09:48,800 Speaker 3: who walks barefoot, and I just like I couldn't do it, 227 00:09:48,880 --> 00:09:51,920 Speaker 3: just because I've seen the things that are on the 228 00:09:52,000 --> 00:09:55,439 Speaker 3: trail of Like sometimes there's glass, sometimes there's a nail 229 00:09:55,440 --> 00:09:58,720 Speaker 3: here in there. Oh yeah, and you're just like like 230 00:09:58,840 --> 00:10:00,800 Speaker 3: itching for a c on your feet. 231 00:10:00,960 --> 00:10:01,360 Speaker 1: Oh yeah. 232 00:10:01,360 --> 00:10:03,360 Speaker 2: And I'm a big baby. If something hits, it hits 233 00:10:03,440 --> 00:10:05,920 Speaker 2: any part of my body, and just like the slightest inconvenience, 234 00:10:05,920 --> 00:10:07,000 Speaker 2: why I'm like, oh that hurts. 235 00:10:07,080 --> 00:10:09,640 Speaker 3: Yeah. I'm really sensitive about my toes. Like if I'm 236 00:10:09,679 --> 00:10:12,040 Speaker 3: in the kitchen and I drop something that's going to 237 00:10:12,120 --> 00:10:14,360 Speaker 3: hit the floor, like I immediately like scoop my feet 238 00:10:14,360 --> 00:10:16,400 Speaker 3: because I don't want anything hitting them. You know. 239 00:10:16,440 --> 00:10:18,280 Speaker 2: They say when you have into like these kind of 240 00:10:18,320 --> 00:10:20,600 Speaker 2: interesting fears, is like that's how you died in a 241 00:10:20,600 --> 00:10:23,000 Speaker 2: different life. So maybe it's something with your toes. 242 00:10:23,080 --> 00:10:24,800 Speaker 3: Something fell on my foot and crushed me and I 243 00:10:24,880 --> 00:10:25,520 Speaker 3: bled to death. 244 00:10:25,760 --> 00:10:29,240 Speaker 2: I don't know, but that's what your toes things remind me. 245 00:10:30,080 --> 00:10:32,640 Speaker 2: I could be wrong. Can we have a segment where 246 00:10:32,640 --> 00:10:36,839 Speaker 2: we get mailback updates? Please? Abby in Tennessee mailbag updates. 247 00:10:37,559 --> 00:10:39,679 Speaker 3: I think we used to do that a little bit more. 248 00:10:39,840 --> 00:10:41,720 Speaker 2: I don't feel like people write in and share updates. 249 00:10:41,800 --> 00:10:44,439 Speaker 3: Yeah, they usually don't. I think whenever we did get 250 00:10:44,480 --> 00:10:47,439 Speaker 3: an update, we would do it, but people usually don't 251 00:10:47,480 --> 00:10:49,600 Speaker 3: like right back in to say how things went. 252 00:10:49,920 --> 00:10:52,400 Speaker 2: Okay, so maybe this here and now, if you're hearing 253 00:10:52,400 --> 00:10:54,880 Speaker 2: this and you've written into the mailbag we've talked about 254 00:10:54,920 --> 00:10:57,719 Speaker 2: on the show, share an update, and if you are 255 00:10:57,760 --> 00:10:59,960 Speaker 2: going to in the future, remember to share an update. 256 00:11:00,240 --> 00:11:02,800 Speaker 3: Yeah, and try to find the original email that you 257 00:11:02,880 --> 00:11:04,880 Speaker 3: sent and reply to that one, and that way you 258 00:11:04,920 --> 00:11:05,880 Speaker 3: can find it easier. 259 00:11:05,960 --> 00:11:08,000 Speaker 2: Yeah, I'll make Mike's life a lot easier. 260 00:11:08,040 --> 00:11:11,480 Speaker 3: And we get a lot of just like random requests 261 00:11:11,520 --> 00:11:12,120 Speaker 3: in there too. 262 00:11:12,679 --> 00:11:14,120 Speaker 2: Okay, guys, keep it the mail bag. 263 00:11:14,160 --> 00:11:16,600 Speaker 3: It's the mail which is hard to filter through because 264 00:11:16,600 --> 00:11:19,800 Speaker 3: it's like here's an actual somebody writing in wanting advice, 265 00:11:19,840 --> 00:11:24,160 Speaker 3: but then there's like other people who either want something 266 00:11:24,160 --> 00:11:27,720 Speaker 3: from Bobby, want us to get them something, or just 267 00:11:27,800 --> 00:11:30,240 Speaker 3: have just the complaint, which of course you're going to 268 00:11:30,280 --> 00:11:31,040 Speaker 3: get those here and there. 269 00:11:31,280 --> 00:11:34,319 Speaker 2: Okay, guys, keep the mail bag clear for advice. What 270 00:11:34,360 --> 00:11:36,800 Speaker 2: are we doing? All right, We're gonna take one more 271 00:11:36,880 --> 00:11:40,040 Speaker 2: quick break and our one break. I guess guys, I'm 272 00:11:40,640 --> 00:11:42,880 Speaker 2: on all steam here, all right, We'll be our back. 273 00:11:46,160 --> 00:11:48,560 Speaker 2: We've got Chris in Massachusetts who said, you both have 274 00:11:48,600 --> 00:11:51,040 Speaker 2: great taste of music. So top three current artists in 275 00:11:51,080 --> 00:11:52,800 Speaker 2: any genre you go first. 276 00:11:53,200 --> 00:11:55,320 Speaker 3: I have great taste of music. I feel like I 277 00:11:55,360 --> 00:11:57,640 Speaker 3: have thinks you do. I feel like I have like 278 00:11:57,720 --> 00:12:01,040 Speaker 3: I'm so oddly specific in the music. I like that. 279 00:12:01,360 --> 00:12:03,680 Speaker 3: In a point in my life, I thought I was 280 00:12:03,679 --> 00:12:05,880 Speaker 3: into the greatest music ever and everybody needed to listen 281 00:12:05,920 --> 00:12:07,360 Speaker 3: to the same music that I did. And then as 282 00:12:07,400 --> 00:12:08,920 Speaker 3: I got older, I'm like, I just like what I 283 00:12:08,960 --> 00:12:10,920 Speaker 3: like and I don't really care if anybody else likes this. 284 00:12:11,679 --> 00:12:14,360 Speaker 2: That's fair, but still tell because Chris would like to know. 285 00:12:14,800 --> 00:12:17,240 Speaker 3: Number One right now is Tyler the Creator. He put 286 00:12:17,280 --> 00:12:20,080 Speaker 3: out an album like a few weeks ago, maybe a 287 00:12:20,120 --> 00:12:22,160 Speaker 3: month now, and he dropped it on a Monday, which 288 00:12:22,200 --> 00:12:24,640 Speaker 3: I love that idea. And now everybody puts out music 289 00:12:24,720 --> 00:12:27,079 Speaker 3: on Fridays, and there's so much new music on Fridays. 290 00:12:27,480 --> 00:12:29,280 Speaker 3: And that was a shift from back when people used 291 00:12:29,320 --> 00:12:31,800 Speaker 3: to put out music on Tuesdays. But I guess the 292 00:12:31,840 --> 00:12:34,160 Speaker 3: idea was like going into the weekend, you get people 293 00:12:34,200 --> 00:12:36,000 Speaker 3: and now I'm to listen to and he's like, I 294 00:12:36,040 --> 00:12:37,920 Speaker 3: want to change that. I want to put an album 295 00:12:38,000 --> 00:12:40,520 Speaker 3: out on a Monday, so you can have the whole 296 00:12:40,559 --> 00:12:44,040 Speaker 3: week to experience it. And I think that was great 297 00:12:44,080 --> 00:12:46,000 Speaker 3: because I listened to it on a Monday, listen to 298 00:12:46,040 --> 00:12:49,160 Speaker 3: it for the entire week, and now i'd say for 299 00:12:49,240 --> 00:12:51,960 Speaker 3: the last three weeks, or for three weeks straight, I 300 00:12:52,000 --> 00:12:54,520 Speaker 3: was listening to it every single day all the way through. 301 00:12:55,559 --> 00:12:57,640 Speaker 2: Dang, Tyler the Creator's got a good album over. 302 00:12:57,720 --> 00:12:59,360 Speaker 1: Yeah, I think that is the way to put out music. 303 00:12:59,400 --> 00:13:01,920 Speaker 3: Put it out that you spend the whole week with it, 304 00:13:02,080 --> 00:13:03,559 Speaker 3: get to know it, and then by the time the 305 00:13:03,559 --> 00:13:05,640 Speaker 3: weekend rolls around, you already are familiar with the songs 306 00:13:05,640 --> 00:13:06,680 Speaker 3: that are enjoying it more. 307 00:13:06,800 --> 00:13:08,880 Speaker 2: Okay, but at least two if you think of it, 308 00:13:09,120 --> 00:13:11,240 Speaker 2: that makes your Mondays better versus. 309 00:13:11,040 --> 00:13:12,920 Speaker 3: Yeah, it gave me something toward too. 310 00:13:13,360 --> 00:13:16,840 Speaker 2: Yeah. Okay, So Tyler the Creator, who's two and three. 311 00:13:17,160 --> 00:13:20,520 Speaker 3: Two, I'd say at the moment, I guess because of 312 00:13:20,559 --> 00:13:23,080 Speaker 3: listening so much to Tyler the Creator, I wanted to 313 00:13:23,080 --> 00:13:26,080 Speaker 3: go back and listen to some music that probably inspired him. 314 00:13:26,480 --> 00:13:28,160 Speaker 3: So I've been listening to a lot of Wu Tang 315 00:13:28,200 --> 00:13:33,000 Speaker 3: Clan okay, throw back East Coast rap that I feel 316 00:13:33,040 --> 00:13:34,400 Speaker 3: like at the time when I listened to it. It 317 00:13:34,480 --> 00:13:36,240 Speaker 3: kind of blew my mind because not only are they 318 00:13:36,320 --> 00:13:39,320 Speaker 3: like really great just rappers into their delivery, they have 319 00:13:39,360 --> 00:13:42,720 Speaker 3: like amazing lyrics that I feel that nobody else really 320 00:13:42,720 --> 00:13:45,320 Speaker 3: does anymore. And some of the stuff now it does 321 00:13:45,400 --> 00:13:48,000 Speaker 3: feel a little bit dated to the times, like very 322 00:13:48,080 --> 00:13:51,280 Speaker 3: like late nineties. But that is just like my favorite 323 00:13:51,280 --> 00:13:53,800 Speaker 3: thing to run to right now, Like it gets me hype, 324 00:13:54,320 --> 00:13:58,400 Speaker 3: it motivates me to keep going. And it just also 325 00:13:58,480 --> 00:14:00,760 Speaker 3: now kind of weird, weirdly feels in the nostalgic because 326 00:14:00,760 --> 00:14:03,440 Speaker 3: it is like twenty five almost thirty years old now. 327 00:14:03,520 --> 00:14:05,160 Speaker 2: And they don't have any new music do they. 328 00:14:05,320 --> 00:14:07,840 Speaker 3: No, they're not really doing They have all gone off 329 00:14:07,840 --> 00:14:11,679 Speaker 3: and done side projects and solo so they're not as 330 00:14:11,679 --> 00:14:14,400 Speaker 3: a unit really existing anymore. God and Go put out 331 00:14:14,480 --> 00:14:16,520 Speaker 3: random things every now and then, but yeah, they're not 332 00:14:16,559 --> 00:14:17,160 Speaker 3: really around. 333 00:14:17,320 --> 00:14:18,959 Speaker 2: Okay, you would know more than me. That's why I 334 00:14:18,960 --> 00:14:21,440 Speaker 2: asked the remark Razer if not one and number three. 335 00:14:21,560 --> 00:14:24,120 Speaker 3: Number three is Medium Build, who has been like my 336 00:14:24,200 --> 00:14:26,520 Speaker 3: favorite new artist for a while now. He just put 337 00:14:26,560 --> 00:14:29,560 Speaker 3: out an EP and he is the new artist that 338 00:14:29,800 --> 00:14:32,760 Speaker 3: anytime he puts out any music, it becomes my favorite, 339 00:14:33,360 --> 00:14:36,600 Speaker 3: whether it's a song, whether it's just the EP, there's 340 00:14:36,640 --> 00:14:39,560 Speaker 3: just something about his style which is very like indie 341 00:14:40,080 --> 00:14:42,840 Speaker 3: but also kind of country because he's based in Nashville. Now, 342 00:14:43,800 --> 00:14:46,160 Speaker 3: I just feel like that music right now speaks to me, 343 00:14:46,520 --> 00:14:50,480 Speaker 3: and it's music that I like to listen to. While either. 344 00:14:51,800 --> 00:14:53,400 Speaker 1: It's good driving music. 345 00:14:53,120 --> 00:14:55,040 Speaker 3: Which I feel like I always look for, like that 346 00:14:55,720 --> 00:14:57,360 Speaker 3: music you can put on and it feels like you're 347 00:14:57,400 --> 00:14:59,040 Speaker 3: in a movie and you feel like the song is 348 00:14:59,320 --> 00:15:00,280 Speaker 3: connecting with you. 349 00:15:00,160 --> 00:15:01,560 Speaker 2: Right now, make yourself the main character. 350 00:15:01,640 --> 00:15:03,760 Speaker 3: You can turn it on super loud and you like 351 00:15:03,840 --> 00:15:05,960 Speaker 3: feel it in your soul, Like that is what I love. 352 00:15:06,240 --> 00:15:08,520 Speaker 2: Oh yeah, that's a good one. That's a good feeling too. 353 00:15:08,960 --> 00:15:11,080 Speaker 3: And it's not even so much about lyrics to me, 354 00:15:11,160 --> 00:15:13,040 Speaker 3: I think anymore, which I used to be big on, 355 00:15:13,120 --> 00:15:15,760 Speaker 3: like I had to like buy into what the person 356 00:15:15,880 --> 00:15:18,520 Speaker 3: was saying. I think I just like vibes now, like 357 00:15:18,560 --> 00:15:20,040 Speaker 3: I just like the feeling it gives you. 358 00:15:20,360 --> 00:15:23,000 Speaker 2: We're getting older, Yeah. 359 00:15:22,960 --> 00:15:24,240 Speaker 1: I'm with you. 360 00:15:23,400 --> 00:15:27,200 Speaker 2: You less relate to the lyrics and your angst, you know, 361 00:15:27,360 --> 00:15:28,920 Speaker 2: like your teen inks and your. 362 00:15:28,880 --> 00:15:30,760 Speaker 3: It's more the emotion of it, Like how a song 363 00:15:30,840 --> 00:15:32,520 Speaker 3: makes me feel I think is important now. 364 00:15:32,760 --> 00:15:36,720 Speaker 2: Yeah, look at us growing and evolving, so proud. Okay, 365 00:15:36,720 --> 00:15:39,240 Speaker 2: those are good ones. We're on different levels, but I'm 366 00:15:39,240 --> 00:15:40,880 Speaker 2: glad to know you have a little bit of country 367 00:15:41,000 --> 00:15:42,640 Speaker 2: in there. Now. Yeah, that's a new one for you. 368 00:15:43,360 --> 00:15:47,320 Speaker 2: I mine are Cameron Whitcomb, who if you're on a 369 00:15:47,360 --> 00:15:50,360 Speaker 2: Noah concake or in that kind of vibe of music 370 00:15:50,640 --> 00:15:53,040 Speaker 2: back to vibes. He is in that realm and he 371 00:15:53,080 --> 00:15:55,280 Speaker 2: is so good. He had a new one that came 372 00:15:55,280 --> 00:15:57,960 Speaker 2: out called Medusa that I can't stop playing on repeat, 373 00:15:58,040 --> 00:16:00,360 Speaker 2: has another one called Love Myself. A lot of his 374 00:16:00,400 --> 00:16:04,320 Speaker 2: stuff is really good. And then Kinsey Kate is another one. 375 00:16:04,440 --> 00:16:06,920 Speaker 2: She's a more pop artist, but she has a song 376 00:16:06,920 --> 00:16:10,600 Speaker 2: that sampled a movie or a TV show quote from 377 00:16:10,600 --> 00:16:13,200 Speaker 2: Sex and the City where it's mister Big and Carrie 378 00:16:13,200 --> 00:16:15,080 Speaker 2: and he goes, I don't get it, and she goes, 379 00:16:15,200 --> 00:16:18,000 Speaker 2: I never you never did, and then it goes into 380 00:16:18,040 --> 00:16:21,280 Speaker 2: this whole day like someday someone's gonna treat you right 381 00:16:21,320 --> 00:16:22,880 Speaker 2: and do all these things, and it is a vibe. 382 00:16:22,920 --> 00:16:25,240 Speaker 2: You want to talk about a movie song? That one 383 00:16:25,280 --> 00:16:26,880 Speaker 2: makes me feel like I'm in a movie. It's like 384 00:16:27,160 --> 00:16:30,160 Speaker 2: the beat hit. So I'm like, yes, so that's good. 385 00:16:30,360 --> 00:16:34,600 Speaker 2: I'm stuck on her and then really been on a 386 00:16:34,680 --> 00:16:37,120 Speaker 2: Jesse Murf kick lately too. I don't know if you've 387 00:16:37,120 --> 00:16:38,560 Speaker 2: listened to herself. I feel like you would like her 388 00:16:38,600 --> 00:16:41,200 Speaker 2: in the vibe of having a little a little bit 389 00:16:41,240 --> 00:16:43,600 Speaker 2: of country mm hmm, without two bunch of countries. She's 390 00:16:43,600 --> 00:16:45,640 Speaker 2: a little bit more rock and she has a super 391 00:16:45,800 --> 00:16:48,960 Speaker 2: raspy voice. But I love her latest album that was 392 00:16:49,040 --> 00:16:51,000 Speaker 2: really good. So that's where we're at. 393 00:16:51,080 --> 00:16:55,080 Speaker 3: Yeah, Is it like sad because I like sad country. 394 00:16:55,240 --> 00:16:57,680 Speaker 2: She has sad ones and she also has a collap 395 00:16:57,720 --> 00:16:59,760 Speaker 2: with Bailey's summoman called someone in This Room that is 396 00:17:00,120 --> 00:17:04,200 Speaker 2: insanely Their two voices together are butter They are so 397 00:17:04,200 --> 00:17:06,560 Speaker 2: so good. But she has sad ones on there too, 398 00:17:07,040 --> 00:17:09,639 Speaker 2: but they're more sad rocker ish. 399 00:17:09,200 --> 00:17:10,399 Speaker 3: Interesting than sad. 400 00:17:10,800 --> 00:17:13,159 Speaker 2: I would say. There's a funny one on there too 401 00:17:13,200 --> 00:17:16,000 Speaker 2: that's like something about get My Gun, and I'm like, 402 00:17:16,119 --> 00:17:17,399 Speaker 2: I don't think I would have liked this on but 403 00:17:17,400 --> 00:17:20,040 Speaker 2: for some reason I love it. So those are the 404 00:17:20,119 --> 00:17:23,359 Speaker 2: good ones. How did you meet your wife? Jessica from Prescott, Arizona, 405 00:17:23,600 --> 00:17:24,560 Speaker 2: Love You Guys? 406 00:17:24,560 --> 00:17:28,639 Speaker 3: Met on bumble. I was in Austin, where she lives, 407 00:17:28,760 --> 00:17:32,960 Speaker 3: and got on bubble. I think the story is she 408 00:17:33,119 --> 00:17:36,520 Speaker 3: swiped left on me first, oh one time in Austin. 409 00:17:37,000 --> 00:17:39,560 Speaker 3: Went back to Austin and I popped up again and 410 00:17:39,600 --> 00:17:40,640 Speaker 3: then she swiped right. 411 00:17:41,000 --> 00:17:44,160 Speaker 2: So what you're saying is that sometimes the second time 412 00:17:44,280 --> 00:17:44,800 Speaker 2: is the charm. 413 00:17:45,040 --> 00:17:46,240 Speaker 3: Yeah, don't give up. 414 00:17:46,760 --> 00:17:50,160 Speaker 2: Okay. And you guys went on your first day in Austin. 415 00:17:50,280 --> 00:17:52,919 Speaker 3: Yeah, we went to matt'el Rancho in Austin was our 416 00:17:52,920 --> 00:17:55,399 Speaker 3: first day. And oddly enough, when we went back to 417 00:17:55,720 --> 00:18:00,600 Speaker 3: Austin a few weeks ago, we went to the Texas game. Afterwards, 418 00:18:00,640 --> 00:18:03,960 Speaker 3: we went to matzel Rancho with her family, my sister 419 00:18:04,040 --> 00:18:06,440 Speaker 3: and my sister in law, and we sat like two 420 00:18:06,480 --> 00:18:09,080 Speaker 3: tables away from the table that we had our first 421 00:18:09,160 --> 00:18:12,160 Speaker 3: data at. We're like, weird, this is cool being back here, 422 00:18:12,440 --> 00:18:13,800 Speaker 3: but we try to make it a point to go 423 00:18:13,880 --> 00:18:16,159 Speaker 3: back there as much as possible, just because it feels 424 00:18:16,200 --> 00:18:19,400 Speaker 3: like nostalgic. Yeah, that's where something significant happened. 425 00:18:19,920 --> 00:18:23,760 Speaker 2: What about when was the time you guys had the 426 00:18:23,800 --> 00:18:27,320 Speaker 2: conversation of her moving at what point of Grace's relationship. 427 00:18:27,080 --> 00:18:30,360 Speaker 3: That for us? We were dating for two years long distance. 428 00:18:30,400 --> 00:18:34,040 Speaker 3: We got together in twenty eighteen and then twenty twenty 429 00:18:34,080 --> 00:18:37,040 Speaker 3: when the pandemic hit. She was still living in Austin. 430 00:18:37,200 --> 00:18:40,280 Speaker 3: I was living here. She was at a point where 431 00:18:40,320 --> 00:18:42,840 Speaker 3: she could work remotely with her job. So she was like, 432 00:18:43,880 --> 00:18:46,359 Speaker 3: we were both miserable. We were alone, we were sad 433 00:18:46,400 --> 00:18:49,359 Speaker 3: all the time, and she was like, if I just 434 00:18:49,400 --> 00:18:51,639 Speaker 3: go and work from there, my work will be fine 435 00:18:51,680 --> 00:18:54,840 Speaker 3: with it. And that turned into maybe us just thinking 436 00:18:54,840 --> 00:18:56,760 Speaker 3: that was going to be a month because nobody knew 437 00:18:56,760 --> 00:18:59,240 Speaker 3: what was going to happen. Yeah, turned into two months, 438 00:18:59,280 --> 00:19:02,760 Speaker 3: turned into I think my lease is up at the 439 00:19:02,880 --> 00:19:05,400 Speaker 3: end of July. I'm not going to renew it. I'm 440 00:19:05,400 --> 00:19:06,320 Speaker 3: just gonna live here. 441 00:19:07,080 --> 00:19:10,200 Speaker 2: Okay, a little love story between the two, so Bumble 442 00:19:10,359 --> 00:19:12,680 Speaker 2: can work. I don't know about now. I think Bumble's 443 00:19:12,680 --> 00:19:14,200 Speaker 2: in a different space, but Bumble can work. 444 00:19:14,240 --> 00:19:17,159 Speaker 3: Bumbles dead now, all of them are. 445 00:19:17,960 --> 00:19:21,040 Speaker 2: Well, they're like the version where there's all the ads 446 00:19:21,040 --> 00:19:22,720 Speaker 2: and you're paying for everything and if you want to 447 00:19:22,720 --> 00:19:24,679 Speaker 2: find love basically like you have to pay like the 448 00:19:24,680 --> 00:19:28,200 Speaker 2: premium subscription. Dang, you have to pay for love, literally, 449 00:19:28,240 --> 00:19:30,280 Speaker 2: and I'm not doing it. So just like you're trying 450 00:19:30,280 --> 00:19:32,080 Speaker 2: to meet friends in the real world, I'm trying to 451 00:19:32,160 --> 00:19:34,040 Speaker 2: meet my person in the real world. That's where we're 452 00:19:34,080 --> 00:19:36,320 Speaker 2: at right now. Will you and your wife be getting 453 00:19:36,320 --> 00:19:38,639 Speaker 2: a pet soon? Michelle and Apple Valley, California. 454 00:19:39,240 --> 00:19:42,359 Speaker 3: I don't think anytime soon, even though my wife at 455 00:19:42,480 --> 00:19:45,359 Speaker 3: least once or twice three times a week shows me 456 00:19:45,400 --> 00:19:47,280 Speaker 3: a dog as she's found that she wants to rescue, 457 00:19:47,280 --> 00:19:48,960 Speaker 3: and it's like, look at this dog, it's so cute, 458 00:19:49,080 --> 00:19:49,800 Speaker 3: look at his name. 459 00:19:49,920 --> 00:19:51,800 Speaker 2: So what you're saying is you're the one holding you back. 460 00:19:51,960 --> 00:19:54,760 Speaker 3: Yeah. Probably, And I think it's just because we're still 461 00:19:55,240 --> 00:19:57,640 Speaker 3: I think she would love a dog to keep her 462 00:19:58,760 --> 00:20:01,000 Speaker 3: company during the day because she does work from home 463 00:20:02,240 --> 00:20:04,240 Speaker 3: four days out of the week. Yeah, so she would 464 00:20:04,280 --> 00:20:06,080 Speaker 3: like to have somebody at the house that she could 465 00:20:06,200 --> 00:20:09,680 Speaker 3: just have with her. But I also think we're at 466 00:20:09,680 --> 00:20:11,160 Speaker 3: that point in our life, which is where we still 467 00:20:11,200 --> 00:20:14,680 Speaker 3: like to go on random trips, book things last minute, 468 00:20:14,760 --> 00:20:17,480 Speaker 3: and I think having a pet would involve us having 469 00:20:17,520 --> 00:20:21,160 Speaker 3: to have more responsibility and not be able to drop 470 00:20:21,200 --> 00:20:22,920 Speaker 3: things like Okay, we're going. 471 00:20:23,040 --> 00:20:25,840 Speaker 2: See this is why you foster. She can still have 472 00:20:25,920 --> 00:20:26,840 Speaker 2: that companionship. 473 00:20:26,880 --> 00:20:29,920 Speaker 3: And then we fostered it, we would not we would 474 00:20:30,040 --> 00:20:30,400 Speaker 3: keep it. 475 00:20:30,920 --> 00:20:33,359 Speaker 2: She could probably true, but you can still try. It 476 00:20:33,400 --> 00:20:35,240 Speaker 2: could be the best of both worlds until you guys 477 00:20:35,280 --> 00:20:35,680 Speaker 2: are ready. 478 00:20:35,760 --> 00:20:37,520 Speaker 3: That's why we like going home because my brother has 479 00:20:37,560 --> 00:20:39,480 Speaker 3: a dog that we both love, and she's like, see, 480 00:20:39,560 --> 00:20:41,920 Speaker 3: we need a dog. And then her parents have a dog. 481 00:20:41,960 --> 00:20:44,840 Speaker 3: She's like, we need a dog. So the holidays will 482 00:20:44,880 --> 00:20:46,159 Speaker 3: be a good time for her to get that. 483 00:20:47,160 --> 00:20:49,600 Speaker 2: That like itching and you're like, yeah, that itch. 484 00:20:49,640 --> 00:20:49,919 Speaker 3: That's all. 485 00:20:49,920 --> 00:20:52,040 Speaker 2: That's where we're out right now. All right, last question, 486 00:20:52,119 --> 00:20:54,720 Speaker 2: Have you interacted with Posty since he's doing country music stuff? 487 00:20:54,720 --> 00:20:55,600 Speaker 2: Morgan and Oregan? 488 00:20:55,800 --> 00:20:58,240 Speaker 3: I am not, but I did see his dad at 489 00:20:58,240 --> 00:21:01,399 Speaker 3: the CMA's. She saw his dad reaked out and nobody 490 00:21:01,440 --> 00:21:03,800 Speaker 3: else recognized him. I was like, that's Post Malone's dad, Rich, 491 00:21:03,960 --> 00:21:06,159 Speaker 3: did you talk to him? No, because he was walking 492 00:21:06,200 --> 00:21:08,480 Speaker 3: with somebody else. It looks like it was right before 493 00:21:08,480 --> 00:21:11,520 Speaker 3: the awards started, and I guess since post was opening 494 00:21:11,520 --> 00:21:15,159 Speaker 3: the show, maybe he was leaving backstage to watch it 495 00:21:15,160 --> 00:21:18,240 Speaker 3: from the crowd, so he walked right by our section. 496 00:21:18,760 --> 00:21:21,160 Speaker 3: I recognized him instantly. I have this really weird thing 497 00:21:21,160 --> 00:21:24,760 Speaker 3: where I can recognize very specific people. I recognize people 498 00:21:24,800 --> 00:21:26,960 Speaker 3: in the airport all the time. I'm like, I'll tell 499 00:21:26,960 --> 00:21:28,760 Speaker 3: my wife, Hey, it's a stinger from Rice against She's like, 500 00:21:29,000 --> 00:21:31,640 Speaker 3: I have no idea who that is. So I did 501 00:21:31,680 --> 00:21:33,879 Speaker 3: recognize him. I think he follows me on Twitter for 502 00:21:34,000 --> 00:21:34,480 Speaker 3: some reason. 503 00:21:34,640 --> 00:21:35,080 Speaker 2: Interesting. 504 00:21:35,240 --> 00:21:38,480 Speaker 3: Yeah, post Malone does too. I think post Malone followed 505 00:21:38,520 --> 00:21:41,120 Speaker 3: me on Twitter like years ago, and then I followed 506 00:21:41,119 --> 00:21:42,919 Speaker 3: his dad, So I think his dad just saw that 507 00:21:42,960 --> 00:21:44,560 Speaker 3: post Malone followed me. I was like, I guess my 508 00:21:44,600 --> 00:21:46,880 Speaker 3: son knows him. I'll follow him too. That's such a doobt. 509 00:21:46,920 --> 00:21:49,320 Speaker 3: He'd be like, hey follow each other on Twitter. But 510 00:21:49,359 --> 00:21:52,320 Speaker 3: by the time I thought of anything, he had already 511 00:21:52,320 --> 00:21:53,280 Speaker 3: walked up to a seat. 512 00:21:53,560 --> 00:21:55,439 Speaker 2: Dang. Well, that's cool though, that you were probably the 513 00:21:55,440 --> 00:21:57,040 Speaker 2: only one in that room that had that moment in 514 00:21:57,040 --> 00:21:57,800 Speaker 2: that recognization. 515 00:21:58,400 --> 00:22:00,119 Speaker 3: Maybe I'll run into him around some time. 516 00:22:00,359 --> 00:22:02,040 Speaker 2: Yeah, especially because you know what he looks like. 517 00:22:02,119 --> 00:22:02,320 Speaker 3: Yeah. 518 00:22:02,320 --> 00:22:04,400 Speaker 2: Also, you're kind of ai that you have facial recognition 519 00:22:04,480 --> 00:22:06,760 Speaker 2: with people. That's wild, all right, Mike, tell the people 520 00:22:06,880 --> 00:22:08,320 Speaker 2: they can find you, hear you all that good stuff. 521 00:22:08,440 --> 00:22:11,320 Speaker 3: You can follow me on socials, on everything at Mike Distro, 522 00:22:11,400 --> 00:22:13,560 Speaker 3: and you can listen to my podcast new episodes every 523 00:22:13,560 --> 00:22:15,359 Speaker 3: week of Movie Mike's Movie Podcast. 524 00:22:15,840 --> 00:22:17,680 Speaker 2: Oh you're so good at that. And you can follow 525 00:22:17,720 --> 00:22:19,399 Speaker 2: me at up Girl Morgan on All the Things and 526 00:22:19,480 --> 00:22:21,800 Speaker 2: my new podcasts. Take this personally. You can listen both 527 00:22:22,040 --> 00:22:24,199 Speaker 2: Mike and Ize in one morning, two hours. That's all 528 00:22:24,200 --> 00:22:26,800 Speaker 2: you need. Yeah, that's it, super quick and go follow 529 00:22:26,800 --> 00:22:28,480 Speaker 2: the show at Bobby Bunchow on All the Things. 530 00:22:28,600 --> 00:22:32,120 Speaker 4: Okay, bye bye. That's the best bits of the week 531 00:22:32,320 --> 00:22:35,120 Speaker 4: with Morgan. Thanks for listening. Be sure to check out 532 00:22:35,160 --> 00:22:37,600 Speaker 4: the other two parts this weekend. Go follow the show 533 00:22:37,600 --> 00:22:38,879 Speaker 4: on all social platforms. 534 00:22:39,600 --> 00:22:42,720 Speaker 1: Show and followed web girl Morgan to submit your listener 535 00:22:42,800 --> 00:22:44,280 Speaker 1: questions for next week's episode.