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Speaker 1: Hey, everybody, welcome to a bonus episode of I Saw

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Speaker 1: What You Did. My name is Millie to.

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Speaker 2: Jericho, I'm Danielle Henderson.

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Speaker 1: Yeah, so bonus time. You know how we do here

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Speaker 1: on these bonus real Lucy Goosey, letting it all hang out,

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Speaker 1: having a lot of fun reading your mail.

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Speaker 2: These are our topless episodes.

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Speaker 1: Yes, the first topless film podcast. I thought we were

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Speaker 1: gonna make that the fucking tagline for this endeavor?

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Speaker 2: Do we not? Look we can make it the tagline.

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Speaker 2: We don't have to be topless. I keep saying that

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Speaker 2: we can just say we were topless podcast. Who's gonna

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Speaker 2: know exactly?

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Speaker 1: I think that's exactly right. We don't have to do

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Speaker 1: it topless. No one will know. But if it's the tagline,

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Speaker 1: doesn't that make you want to listen to a podcast?

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Speaker 1: The first topless film podcast.

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Speaker 2: I just want to know who are those people? What

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Speaker 2: are they thinking? Definitely what are they watching? And why

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Speaker 2: Chud is what they're watching?

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Speaker 1: And you know it.

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Speaker 2: Tits out for chud.

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Speaker 1: Ah write that one down.

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Speaker 2: That sounds like it could be like like a local

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Speaker 2: race or something like the tits out for Chud five K.

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Speaker 1: I would fucking run another five k it out for chud.

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Speaker 1: Have you ever run a five k by the way,

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Speaker 1: just out of curiosity?

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Speaker 2: You know? God, damn well, I had what the fuck?

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Speaker 1: I don't know. Look, maybe you had a fucking year

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Speaker 1: where you were like, you know what, instead of learning Shakespeare,

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Speaker 1: I'm gonna run a five k and that'll be it.

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Speaker 1: I will bury it. I don't I want to talk

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Speaker 1: about it ever again.

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Speaker 2: I love that you think I have that within me,

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Speaker 2: and I'm telling you I have. I have not worked

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Speaker 2: out on purpose since the last gym class I took

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Speaker 2: is a senior in high school. That was the last

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Speaker 2: time I was like, yeah, I'm doing it. And my

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Speaker 2: body absolutely tells that tale and I'm fine with it.

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Speaker 2: And I don't even know. Here's the thing with the

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Speaker 2: with the five K, three K, ten K. I don't

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Speaker 2: know math, so I don't know how far that is

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Speaker 2: and five k sounds like a lot, a lot.

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Speaker 1: Okay, I've done two. Is that fucking insane?

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Speaker 2: I am not a hell you are. You are a jock.

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Speaker 2: You are definitely a jock at.

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Speaker 1: Heart, Okay, reluctantly a jock. That's fine, I'll take it. However,

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Speaker 1: I'm not a runner like and I'm and I know

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Speaker 1: it's because of my body. Like I have long ass arms,

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Speaker 1: short fucking legs. I am built like an orangutan. Nobody

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Speaker 1: knows this because you're not seeing me in person, but

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Speaker 1: that my body and like runners are like gazelle people.

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Speaker 1: They've got really love legs and they're fucking like you know,

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Speaker 1: they're very I'm just built wrong. I'm built fucking wrong

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Speaker 1: for running. So I've done two five k's and they

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Speaker 1: were Here's how I figured it out. Because I also

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Speaker 1: don't know. I want to say it's three point two miles.

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Speaker 1: Am I wrong about that it's a five k?

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Speaker 3: Right?

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Speaker 1: Maybe case can pop in and.

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Speaker 2: Couple, because I know a three k is like a

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Speaker 2: little over a mile or something like that.

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Speaker 1: Okay, All I know is that most people, most healthy

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Speaker 1: people can run a mile three point one miles three

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Speaker 1: point one. I was off, Thank you. I know a

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Speaker 1: summer around there, Thank you, Casey. I was the person

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Speaker 1: who figured out that, like if I walk the mile

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Speaker 1: in high school, it'll take me ten twelve minutes, right

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Speaker 1: something right? Or like cause if you run like a

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Speaker 1: five minute mile, you're really fucking healthy. If you were,

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Speaker 1: you were like a really good runner like you're superman.

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Speaker 2: You're superman if.

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Speaker 1: You're wearing fucking Pokemon sweatpants and eating Twizzlers with your

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Speaker 1: friends talking during the mile, then it takes like twelve

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Speaker 1: fourteen minutes. I don't know, ten minutes. Maybe she trust me.

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Speaker 2: I stretched it out for the whole class. Yeah, so

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Speaker 2: whole class. I'm like, oh, I could run it, or

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Speaker 2: I could take forty minutes and just stroll and just

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Speaker 2: read a book. I genuinely brought a book with me

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Speaker 2: one time, and my gym teacher was pissed and I'm like, what,

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Speaker 2: it's homework and he's like, you're in I'm like, yeah,

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Speaker 2: but I'm still doing it. I was an an argumentative

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Speaker 2: nerd and I brought a book with me, and I

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Speaker 2: was like, I'm gonna read and walk. Shit.

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Speaker 1: Maybe it did take me forty five minutes. All I

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Speaker 1: know is that it took to me to do the

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Speaker 1: five K, and I listen and I ran a little bit,

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Speaker 1: you know, because I felt press I felt the pressure.

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Speaker 1: I think the five K took me about fifty minutes

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Speaker 1: or yeah, fifty minutes or so forty five fifty minutes

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Speaker 1: like an hour.

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Speaker 2: That is heroic, do you know how long it takes

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Speaker 2: me to walk three miles on a treadmill. It takes

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Speaker 2: me maybe two full episodes. Actually, lately, I've been watching

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Speaker 2: Come Dine with Me, and it takes me like five

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Speaker 2: episodes have Come Dine with Me to walk three miles,

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Speaker 2: So almost episodes, they're like thirty to forty minutes, okay,

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Speaker 2: and I'm walking real slow.

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Speaker 1: Yeah. Yeah, I couldn't tell you the mph that I'm going,

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Speaker 1: But all I know is I'm not running the entire time.

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Speaker 1: I know that. But it took me forever to do

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Speaker 1: a five k, so I'm like, no, not doing that again.

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Speaker 2: So the tits out for CHUD five k is great

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Speaker 2: in theory, but we will we will be hosting that race.

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Speaker 2: We will not be running that race.

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Speaker 1: I will be at the end handing out toilets to

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Speaker 1: people so they can jump into them.

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Speaker 2: And I'll be at the beginning, literally watching should oh fuck,

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Speaker 2: I'll be like, yeah, let's start, do whatever you gotta do. Start.

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Speaker 2: I'm watching Shud. So what were you?

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Speaker 1: What were you? What are your actual events of the day.

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Speaker 1: I feel bad that we've derailed this into this five

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Speaker 1: k A larkie.

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Speaker 2: No, this is the greatest conversation of my lifetime, and

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Speaker 2: you always cracked me up. No, I just had a

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Speaker 2: really good day. But I wanted to update you since

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Speaker 2: in one of our more recent podcasts in the Main Feed,

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Speaker 2: I mentioned how I would always stop for a dog. Yes, well,

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Speaker 2: in the same field where I once mentioned that someone

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Speaker 2: left a revenge trash can. Yes, I saw a dog

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Speaker 2: running around in that field as I was passed, so

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Speaker 2: I pulled over and I was like, hey here, Bobby,

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Speaker 2: get here, and I was like calling to it and

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Speaker 2: I was gonna help it. It was a goddamn fox.

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Speaker 2: What And I only realized that and when he started

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Speaker 2: leaping towards me, ears pointed up and then he kind

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Speaker 2: of stopped, and I think we both had the same realization,

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Speaker 2: like oh no, Like he thought I was food, I

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Speaker 2: thought he was a dog. And then at the same

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Speaker 2: time we were just like, now, this ain't it. And

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Speaker 2: I got back in my car and just drove. It

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Speaker 2: was a fucking fox. And this has happened to me before.

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Speaker 2: When I lived in LA and I was hanging out

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Speaker 2: with a friend on her patio and I saw a

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Speaker 2: cat walking towards us and I was like, stray cat.

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Speaker 2: Oh my god, and it was a fucking raccoon. And

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Speaker 2: I'm just fully that motherfucker from Ferris Bueller without her

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Speaker 2: glasses on, or when it was it Avengers and babysitting

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Speaker 2: where she doesn't have the glasses on and she like

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Speaker 2: hangs out with the rat. That is me now, So

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Speaker 2: I'm yes at the Plus station, yell let me and

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Speaker 2: Miller was playing with a rat. So I immediately made

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Speaker 2: an appointment with an optometrist. I need a new optometrist.

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Speaker 2: Clearly it was a goddamn fox.

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Speaker 1: Okay, I have so many things I I didn't realize

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Speaker 1: you lived in a fox zone.

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Speaker 2: Neither did I.

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Speaker 1: I've never seen a fox in my life. I thought

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Speaker 1: they only lived in England or something.

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Speaker 2: I saw fox here the entire time I was growing up.

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Speaker 2: Whoa it was? It could be some Joe exotic shit.

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Speaker 2: Maybe someone had a pet fox yep, and they had

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Speaker 2: babies or something. But I've never seen a fox here.

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Speaker 2: That was why it was not my first thought.

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Speaker 1: Yeah, no, no, no, look that could be completely true.

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Speaker 1: It could be a real fox. I am very bad

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Speaker 1: at knowing where certain animals live, right, Like, I'm like,

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Speaker 1: where do tiger? I thought, Oh, they must have tigers

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Speaker 1: in America. I'm like, no, man, they only have those

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Speaker 1: in Asia.

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Speaker 2: Not naturally, really yeah, not naturally, I know. And the

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Speaker 2: same I'm like foxes England. That's how it goes.

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Speaker 1: Well, look, listen, I have family that loved floor. I

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Speaker 1: know a little thing or two about exotic pets on

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Speaker 1: the loose that become part of an invasive species that

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Speaker 1: just starts like breeding. I know a little bit about that.

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Speaker 2: You like, that is how we got their turtle dove,

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Speaker 2: which is literally a dove body with a turtle face

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Speaker 2: and it just tramples and eats everything in its path.

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Speaker 1: Well, no, and it's so true because that is like

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Speaker 1: a common thing in Florida. Like people have fucking exotic

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Speaker 1: reptiles and they're just sort of like, oh yeah, now

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Speaker 1: there's like boa constrictors fucking breeding all over Florida, and

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Speaker 1: you're like, god damn it. It's because some idiot wanted

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Speaker 1: to be cool and hang out at the fucking docks,

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Speaker 1: like showing kids this giant snake. But that's that's that's

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Speaker 1: a true thing. Like I remember I went to Biscay

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Speaker 1: National Park last year. You know, I was like, oh,

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Speaker 1: I love the National Park, so I want to go

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Speaker 1: down there. It's such a weird you know. I love

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Speaker 1: going to the ones that like no one knows of.

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Speaker 1: And I'm like, oh, I forgot that's an actual national park.

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Speaker 1: But I went on onto a faery and went to

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Speaker 1: this key that's like really far off key that's like

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Speaker 1: off the coast, and I saw the biggest fucking iguana,

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Speaker 1: like ever, just like chillin' and I was like, holy fuck,

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Speaker 1: that's like a man eating lizard. What the fuck? And

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Speaker 1: I went to the ranger and I said, what the

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Speaker 1: hell is that? He was like, Oh, that's just it's

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Speaker 1: an invasive iguana. Somebody's pet got loose and now they

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Speaker 1: just live here.

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Speaker 2: You know.

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Speaker 1: It was like trash iguana. Fuck it, Like, don't be

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Speaker 1: don't be mystified or excited by that. And I was like, well,

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Speaker 1: that's fucking crazy because it is something like Joe Exotics

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Speaker 1: fucking animal Scott loose.

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Speaker 2: Yeah. And also I had no idea that iguanas were

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Speaker 2: like goldfish, where like they grow to this or koy

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Speaker 2: where like they grow to the size of their container. Yes,

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Speaker 2: so like if you put them in a pond, they'll

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Speaker 2: get to be three feet big. But if you put

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Speaker 2: them in a bowl. They're only going to be two inches.

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Speaker 2: I had no idea guana's with same fucking way.

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Speaker 1: Yeah, this was fucking this thing was huge and stay terrifying,

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Speaker 1: and I was like, oh my god, and I'm alone.

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Speaker 1: I'm like, I'm a woman that wants to travel alone,

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Speaker 1: and now I'm gonna get eaten by the fucking invasive

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Speaker 1: iguana that's my tail.

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Speaker 2: I would if if that ever happened, I would at

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Speaker 2: your funeral have the three eleven hologram like spinning an

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Speaker 2: iguana on its finger like a basketball, Like, we'll just

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Speaker 2: add to the hologram however you die. That's what we're

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Speaker 2: gonna add.

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Speaker 1: Listen, it's gonna get dark again. Hair goes on the

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Speaker 1: in memoriam episode of this podcast where I've been eaten

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Speaker 1: by an iguana and you have to carry on without me.

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Speaker 1: I fully want you and the members of three eleven

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Speaker 1: to do like a full twenty thirty minutes talking about

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Speaker 1: aliens and my casket and they're performance at my funeral. Oh,

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Speaker 1: I want a hologram of me moving into like a

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Speaker 1: Space Invaders type beam going up into the sky.

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Speaker 2: I want to I mean, not only will I make

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Speaker 2: that happen. I'll give them the full hour. I'll give

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Speaker 2: them the full episode.

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Speaker 1: Full hour, whoa, whoa.

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Speaker 2: And the we are absolutely for the imagery of that episode.

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Speaker 2: Gonna have your bit moji where you have the alien

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Speaker 2: t shirt off and the shorts. Whenever you even sent

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Speaker 2: me that bit moji where you were break dancing, I'm like,

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Speaker 2: there it is. There's a three eleventh fan right there.

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Speaker 1: Yo, I purposely upped my body. Like you know how

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Speaker 1: you get to choose your body as a boot moji?

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Speaker 1: You're like, am I really this skinny? Am I really

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Speaker 1: this fat? Who the fuck knows? It's such a weird.

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Speaker 1: It's so weird to choose body type. But I was like, Yo,

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Speaker 1: I'm up in it all the way to the top

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Speaker 1: because look at this gut hanging out of this of

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Speaker 1: this alien baseball tea and these booty jean booty shirts.

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Speaker 1: I love it.

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Speaker 2: It is the greatest. But the one that you would

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Speaker 2: send that would always crack me up was the break

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Speaker 2: dancing one. But then you also sent the guitar one

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Speaker 2: a lot.

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Speaker 1: Yo. If it makes us old that we love bitmoji's

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Speaker 1: and we sending to each other.

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Speaker 2: Or old, they may be laughed so hard, and that

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Speaker 2: will be the image for the episode, and I will

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Speaker 2: give them the whole hour, and I'll have them do

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Speaker 2: a tight twenty set and they will change their songs

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Speaker 2: to match the way that you died, like Millie is

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Speaker 2: the color of my energy. And then whatever the next

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Speaker 2: line is, got eaten by an iguana, can't you see?

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Speaker 2: Or something like that, I will.

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Speaker 1: Make it Sony Miller, that's what that's what is going

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Speaker 1: to be called done. So okay, here to get it

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Speaker 1: back to this fox, because I really did have something

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Speaker 1: to say. So I imagine I've never seen a fox real life,

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Speaker 1: igine is it? I imagine it only as the Lars

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Speaker 1: von Treer movie The Chaos Rains Fox.

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Speaker 2: It's red.

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Speaker 1: Did you have a moment Did you have that like

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Speaker 1: moment of this fox has special communicative powers or like

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Speaker 1: what happened?

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Speaker 2: No, I thought for a minute that maybe we'd mine

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Speaker 2: melded because we both stopped at the exact same time.

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Speaker 2: Oh sh Like I stopped calling him and clapping, and

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Speaker 2: he stopped bouncing towards me, saying oh yeah. He was

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Speaker 2: like that's what I'm like, this is not a dog,

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Speaker 2: because he was leaping towards so many signs that this

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Speaker 2: was not a dog, and that is why I'm getting

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Speaker 2: my eyes checked because I don't know, maybe I have

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Speaker 2: cataracts and I don't know what. I could not tell

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Speaker 2: until he was like a good fifteen feet away, but

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Speaker 2: we did not mind meld. We just kind of like

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Speaker 2: both were like, oh, no, you're not my my dude, damn,

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Speaker 2: it was red.

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Speaker 1: I've gotta tell you, I shit if I saw Fox

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Speaker 1: like that.

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Speaker 2: I've seen him in England too. They're tiny, and they're

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Speaker 2: kind of mangy.

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Speaker 1: Ooh, what do you mean mangie.

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Speaker 2: Like they're kind of tiny, and they had like like

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Speaker 2: patchy fur. Like it wasn't like like a fantastic mister

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Speaker 2: Fox like look like he looked look like.

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Speaker 1: Was he wearing like a vintage suit Like.

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Speaker 2: He was wearing a vintage corduroy suit and a headband

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Speaker 2: and he was carrying a tennis racket. No, he looked

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Speaker 2: like he was butting in a fucking bare knuckle boxing brawl.

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Speaker 2: And he had like a big old patch out of

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Speaker 2: his skin. And I don't know if it's because of

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Speaker 2: like the temperature, the time of year, like maybe he

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Speaker 2: hadn't eaten enough and it was affecting his coat. I

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Speaker 2: didn't stop to ask. I just was like, you are

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Speaker 2: not a dog.

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Speaker 1: And I got in my car. Dude, how many of

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Speaker 1: these wild animals are you gonna almost invite over to

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Speaker 1: your house?

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Speaker 2: Now? None? Now I'm stopping. Now I'm not stopping. I'll

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Speaker 2: be like, I don't care if I see a German

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Speaker 2: shepherd carrying a baby and a barrel around its neck

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Speaker 2: like saving or a Saint Bernard like I'm saving this baby,

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Speaker 2: I put it in this barrel. I'll be like, good

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Speaker 2: luck with that, sir, and I'm gonna keep down trucking animals.

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Speaker 2: I can't do it anymore. I can't. I live too

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Speaker 2: far in the country. I cannot stop anymore. For like

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Speaker 2: a stray, it never goes the way I plan. It's

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Speaker 2: a deer, it's a fox, it's a fuck. It's gonna

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Speaker 2: have fucking rabies. Like there's always something all right.

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Speaker 1: The next time. Look, I don't want this to ever

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Speaker 1: happening again. But if it does and it ends up

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Speaker 1: being a fox and not a dog, all I'm saying

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Speaker 1: is pull out the pull out the camera. I want

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Speaker 1: to see a fox.

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Speaker 2: I'll keep checking that field. That field is cursed there's

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Speaker 2: always something going on in that one.

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Speaker 1: That one field, Yo, not gonna lie. It sounds like

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Speaker 1: where they bear engage in pet cemetery. The dad when

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Speaker 1: buried his son that got hit by the eighteen wheeler,

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Speaker 1: and now bad shit happens.

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Speaker 2: And now shit's happened. And look not for nothing, but

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Speaker 2: there is a glacial rock in the like near the

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Speaker 2: edge of the field that people have been like fighting

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Speaker 2: to protect because I guess whoever owns the field wants

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Speaker 2: to develop it, and they're like, no, there's like this

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Speaker 2: huge glacial rock here. You can't just develop houses. That's horrible.

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Speaker 2: You can't just move this rock. Shit's happened. And I

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Speaker 2: think as soon as that shit started being considered for development,

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Speaker 2: the rock started vibra eating and now foxes, deer, garbage cans.

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Speaker 2: It's mess. It's a mess over there. It's made.

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Speaker 1: It is exactly like three eleven said, it is. Everything

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Speaker 1: I eat is from the earth. I am what I eat,

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Speaker 1: straight up earth, right.

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Speaker 2: The way that you so seriously said. No, it's just

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Speaker 2: like three eleven said, took me back to.

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Speaker 1: The scripture.

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Speaker 2: Come on, I feel like I'm sitting in the living

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Speaker 2: room with my twenty year old boyfriend. I have rocketed

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Speaker 2: back their time and space. It's just like three eleven,

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Speaker 2: said man.

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Speaker 1: Am I wrong? No, you are. I appreciated that that's

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Speaker 1: actually a compliment that you feel like you're sitting with

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Speaker 1: like a twenty year pothead, because that's what I go

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Speaker 1: for every day.

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Speaker 2: That's the most fun. It is the most fun, and

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Speaker 2: it should be a compliment. Oh god, it kills me,

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Speaker 2: it cracks me up. Well. We also, aside from this Fox,

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Speaker 2: we do have a bunch of mail, which is the

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Speaker 2: reason we have congregated. And I'm wondering if you want

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Speaker 2: to lead us off with our first our first mail bag. No,

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Speaker 2: that's not right, our first letter letter.

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Speaker 1: Our first correspondence.

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Speaker 2: Thank you, Sure I will.

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Speaker 1: This is great. I am very excited about this. On

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Speaker 1: the title of it is called Quintessential Canadian Film Recommendations.

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Speaker 1: Hey there, lovelies. I have to start off with the

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Speaker 1: customary gush about how much I love your podcast. It's

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Speaker 1: such a perfect combination of film education, BFF vibes, and

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Speaker 1: cultural history. It always puts a smile on my face

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Speaker 1: and teaches me something new. And I so value having

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Speaker 1: access to your perspectives, senses of humor, and sweet friendship.

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Speaker 1: I decided it was time to send an email as

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Speaker 1: I was recently hired as a library assistant at a

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Speaker 1: film reference library in a major Canadian film institution. The

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Speaker 1: thing is why I feel qualified for this role from

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Speaker 1: the perspective of having a master's in library science, as

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Speaker 1: well as having worked with multimedia and performing arts collections

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Speaker 1: in the past, my knowledge of specifically Canadian film history

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Speaker 1: is quite limited. As a twelve year old whose favorite

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Speaker 1: but TV channel was TCM, I have my own historical

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Speaker 1: film knowledge and interest, but like so much media we

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Speaker 1: get on this side of the colonial border, it's mostly

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Speaker 1: based in US film culture. I'm wondering if you can

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Speaker 1: suggest a few titles of quintessential Canadian films from any

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Speaker 1: era that you think would be beneficial for a newly

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Speaker 1: minted film research librarians such as myself to know. Any

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Speaker 1: and all recommendations are appreciated. Thanks again for your work

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Speaker 1: and for taking the time to read the email. If

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Speaker 1: you happen to best Eli pronouns, are they, then ah Eli.

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Speaker 2: Well, First of all, congratulations on this incredible job. I

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Speaker 2: think you are absolutely qualified for it. You're completely correct,

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Speaker 2: and I do have a couple of recommendations. But I

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Speaker 2: want since since they mentioned that they listened, that they

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Speaker 2: watched TCM as a twelve year old, and I don't

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Speaker 2: know how they are now, but if they've recently graduated,

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Speaker 2: you may have programmed some of the movies that they watched.

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Speaker 2: So I'm wondering what you have to say first and

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Speaker 2: foremost about Canadian film history.

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Speaker 1: Okay, Well, I will say this number one, You are

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Speaker 1: actually kind of right that the history of Canadian film

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Speaker 1: I think in the modern era especially, and when I

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Speaker 1: say modern, I mean you know, twentieth century and newer, right,

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Speaker 1: the Canadian film business was very much and still is

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Speaker 1: very much intertwined with the American film industry. It just

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Speaker 1: is as a lot of other countries are. I mean,

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Speaker 1: when it comes down to it, Hollywood is Hollywood, and

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Speaker 1: there's a lot of other countries that are involved in

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Speaker 1: that business, even though it's not their country's business, right right,

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Speaker 1: And I think too with Canadian film, you know, you

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Speaker 1: have to also remember it was part of the British

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Speaker 1: Commonwealth for many years and that certainly had a lot

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Speaker 1: of influence on the movies that were made and how

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Speaker 1: the film business worked. But I will mention a few

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Speaker 1: things that I think are great. One of my favorite

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Speaker 1: Canadian films is this movie called Nobody Waved Goodbye and Yes.

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Speaker 1: It came out in nineteen sixty four. It was directed

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Speaker 1: by Canadian director Don Owen. It's kind of a coming

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Speaker 1: of age movie. It's it kind of reminds me and

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Speaker 1: in historically the time and place would would also make

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Speaker 1: it very connected to like the British New Wave, the

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Speaker 1: kind of kitchen sink films that were coming out in Britain.

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Speaker 1: It kind of reminds me of a film like that.

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Speaker 1: It's kind of a coming of age kitchen sync Canadian film.

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Speaker 1: Nice and I know that you can access it because

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Speaker 1: I believe that. I think it's a national film like

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Speaker 1: the because that's the other thing too, is that there's

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Speaker 1: subsidi film in Canada.

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Speaker 2: Also, Eli works at the library, so exactly, so Vinielle

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Speaker 2: can get it.

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Speaker 1: Yes, they'll be able to find it pretty easily, because

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Speaker 1: it gets it gets mentioned a lot as far as

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Speaker 1: sort of quintessential Canadian films. Another filmmaker I would point

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Speaker 1: you towards is this actually a documentarian. His name is

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Speaker 1: Alan King. He was kind of the like Canadian Frederick Wiseman.

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Speaker 1: If you know who Frederick Wiseman is, both like cinema

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Speaker 1: verite kind of Mazel Brothers, if you know the Mazel Brothers.

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Speaker 1: There's this documentary. There's a documentary called Warrendale that came

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Speaker 1: out in nineteen sixty seven. And the reason why I

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Speaker 1: say Frederick Wiseman is that the Warrendale is is a

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Speaker 1: documentary about this controversial center for emotionally disturbed children, and

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Speaker 1: it kind of like you know, takes you through all that.

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Speaker 1: And I think that there is an Alan King box

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Speaker 1: set on Criterion Disc, so you might be able to

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Speaker 1: find that there and it might be on the channel too,

435
00:24:07,560 --> 00:24:12,719
Speaker 1: but that's I would seek out Alan King. Another another movie,

436
00:24:13,200 --> 00:24:17,000
Speaker 1: really great film from the seventies called Mon Uncle Antoine

437
00:24:17,560 --> 00:24:22,280
Speaker 1: that is a sort of kind of a more of

438
00:24:22,280 --> 00:24:26,440
Speaker 1: a coming of age movie too, about a young kid

439
00:24:27,080 --> 00:24:30,600
Speaker 1: in a mining town in Quebec. It's set at Christmas time.

440
00:24:30,840 --> 00:24:34,520
Speaker 1: I've programmed that a lot at Christmas for TCM, so

441
00:24:34,560 --> 00:24:36,480
Speaker 1: you might have seen that one. But that one is

442
00:24:36,640 --> 00:24:39,119
Speaker 1: I think it's like one of the top ten. It

443
00:24:39,160 --> 00:24:43,320
Speaker 1: gets mentioned a lot in Great Canadian Film. And then

444
00:24:43,359 --> 00:24:47,040
Speaker 1: of course after all that, you have stuff that we've

445
00:24:47,040 --> 00:24:48,920
Speaker 1: talked about on the podcast. You have like the tax

446
00:24:48,960 --> 00:24:52,200
Speaker 1: Shelter era Canadian film so you've got like Black Christmas,

447
00:24:52,240 --> 00:24:56,520
Speaker 1: Silent Partner David Cronenberg films, you know, prom Night. If

448
00:24:56,560 --> 00:24:58,800
Speaker 1: you're in a genre movies, I think all those are

449
00:24:58,960 --> 00:25:02,520
Speaker 1: a part of Canadian film history. And then I think

450
00:25:02,600 --> 00:25:05,120
Speaker 1: towards the nineties and stuff, I think you do have

451
00:25:05,160 --> 00:25:09,480
Speaker 1: like really great Canadian filmmakers like Adam mcgoyan with Sweet Hereafter.

452
00:25:10,400 --> 00:25:12,480
Speaker 1: I think a lot of people call him Guy Madden,

453
00:25:12,600 --> 00:25:15,160
Speaker 1: but I but I believe it's pronounced like gee Meden.

454
00:25:15,800 --> 00:25:18,840
Speaker 1: Maybe leave it to America.

455
00:25:18,920 --> 00:25:21,520
Speaker 2: We're like, hey, Guy Madden, and he's like, actually, gee

456
00:25:21,560 --> 00:25:24,199
Speaker 2: me do We're like, no, it's Guy Madden. You know.

457
00:25:24,359 --> 00:25:27,520
Speaker 1: Listen, your results may very say it, however you gotta

458
00:25:27,520 --> 00:25:30,239
Speaker 1: say it. If you don't feel right about doing it

459
00:25:30,240 --> 00:25:34,800
Speaker 1: the French way, then fine. But yeah, great great films,

460
00:25:34,840 --> 00:25:37,560
Speaker 1: I mean, like My Winnipeg I think obviously probably the

461
00:25:37,560 --> 00:25:42,560
Speaker 1: most Canadian specific, and then Sarah Paully of course, and

462
00:25:42,600 --> 00:25:45,720
Speaker 1: these are gonna be yeah, yeah, I I'll leave you

463
00:25:45,760 --> 00:25:48,520
Speaker 1: the Sarah poly picks. But then of course you've got

464
00:25:48,560 --> 00:25:53,240
Speaker 1: like Denny Villeneuve, who's out there remaking all kinds of

465
00:25:53,320 --> 00:25:59,040
Speaker 1: fucking popular ip right now. So there you go. I mean,

466
00:25:59,440 --> 00:26:02,959
Speaker 1: that's kind of my quick and easy answer for all that.

467
00:26:03,280 --> 00:26:04,600
Speaker 1: So I love here.

468
00:26:05,080 --> 00:26:07,680
Speaker 2: I love it envisioning didn't even live, just like kicking

469
00:26:07,720 --> 00:26:10,280
Speaker 2: down a door being like, I am here to remake

470
00:26:10,359 --> 00:26:11,840
Speaker 2: your movie.

471
00:26:11,960 --> 00:26:15,160
Speaker 1: I just saw that he's gonna do the Nucleopatra movie.

472
00:26:15,240 --> 00:26:18,000
Speaker 2: He's literally doing everything he wants to do. He's like, yes,

473
00:26:18,600 --> 00:26:21,119
Speaker 2: am doing it all. He's going to remake some Spike

474
00:26:21,160 --> 00:26:25,280
Speaker 2: Lee movies, like he's just doing it. He's doing Girl six,

475
00:26:26,720 --> 00:26:27,440
Speaker 2: Girls six.

476
00:26:28,119 --> 00:26:31,119
Speaker 1: I wish please please bring me for that.

477
00:26:31,960 --> 00:26:35,080
Speaker 2: But yeah, my recommendations were gonna be Sarah Polly as well,

478
00:26:35,119 --> 00:26:38,720
Speaker 2: because I think she was a beloved Canadian child star

479
00:26:39,440 --> 00:26:43,480
Speaker 2: on TV and she has, in my opinion, gone on

480
00:26:43,560 --> 00:26:48,080
Speaker 2: to have a very rad and mature and thoughtful film

481
00:26:48,160 --> 00:26:52,160
Speaker 2: career as a filmmaker. And she has a film called

482
00:26:52,200 --> 00:26:55,320
Speaker 2: Take This Waltz, which I believe is released in twenty eleven,

483
00:26:55,760 --> 00:27:00,439
Speaker 2: and it's stunning. It's just like this emotional movie about

484
00:27:00,840 --> 00:27:05,480
Speaker 2: a relationship beginning, relationship ending. But then she released a

485
00:27:05,480 --> 00:27:10,680
Speaker 2: an autobiographical movie pretty much which is it's called Stories

486
00:27:10,680 --> 00:27:14,040
Speaker 2: We Tell and it's about how her finding out that

487
00:27:14,160 --> 00:27:18,720
Speaker 2: her father is not her biological father. Very interesting.

488
00:27:19,280 --> 00:27:24,399
Speaker 1: Yes, yeah, I think, I mean, honestly, like I do,

489
00:27:24,520 --> 00:27:28,320
Speaker 1: know a lot of great Canadian film archivists and writers.

490
00:27:28,880 --> 00:27:33,280
Speaker 1: There's a great blog out there that called cann Exploitation

491
00:27:33,680 --> 00:27:37,920
Speaker 1: dot com. Fantastic if you want to go down the road,

492
00:27:38,119 --> 00:27:40,320
Speaker 1: the tax shelter road, if you want to learn about

493
00:27:40,359 --> 00:27:43,280
Speaker 1: like genre movies that were made in Canada, it's just

494
00:27:43,280 --> 00:27:49,639
Speaker 1: like deeply weird, awesome local outsider cinema, like that kind

495
00:27:49,680 --> 00:27:53,120
Speaker 1: of stuff. If you're interested in all that, I encourage

496
00:27:53,160 --> 00:27:56,440
Speaker 1: you to check out that website. But yeah, have fun.

497
00:27:56,480 --> 00:27:59,520
Speaker 1: I mean, honestly, what a dream. I would love to

498
00:27:59,600 --> 00:28:04,200
Speaker 1: work at a major Canadian film institution. So I'm uh,

499
00:28:04,280 --> 00:28:08,000
Speaker 1: we're happy for you. Congratulations, ELI, High five.

500
00:28:08,080 --> 00:28:11,000
Speaker 2: ELI. Invite us to visit. We will show up.

501
00:28:11,600 --> 00:28:14,520
Speaker 1: Yes, we will come to Canada. I love Canada. I

502
00:28:14,600 --> 00:28:17,000
Speaker 1: wily been there once, but I had a lovely.

503
00:28:16,760 --> 00:28:22,000
Speaker 2: Time love Canada. I think we were like indoctrinated in

504
00:28:22,080 --> 00:28:24,600
Speaker 2: Canada early because of our love for the kids in

505
00:28:24,640 --> 00:28:28,480
Speaker 2: the hall as kids exactly. Oh, I think Canada is

506
00:28:28,520 --> 00:28:31,080
Speaker 2: clearly the best, like clearly the best. If this is

507
00:28:31,119 --> 00:28:34,000
Speaker 2: what comes out of Canada, I was on board at

508
00:28:34,000 --> 00:28:36,359
Speaker 2: eleven like whatever they're doing, I'm on board.

509
00:28:37,000 --> 00:28:42,640
Speaker 1: Yeah, between like SCTV stars, Kids in the Hall, Lorne

510
00:28:42,680 --> 00:28:48,120
Speaker 1: Michaels like we were all like indoctrinated into Canadian comedy

511
00:28:48,200 --> 00:28:52,680
Speaker 1: but Canadian entertainment very early. So we love we love it.

512
00:28:53,280 --> 00:28:54,000
Speaker 1: I'm a big fan.

513
00:28:54,320 --> 00:28:59,760
Speaker 2: Well, this next letter, it's next email. Uh the subject

514
00:28:59,840 --> 00:29:03,040
Speaker 2: is gas food lodging lesai.

515
00:29:03,760 --> 00:29:04,400
Speaker 1: Oh.

516
00:29:05,400 --> 00:29:09,040
Speaker 2: Dear Danielle and Milly. I found your podcast during the

517
00:29:09,040 --> 00:29:13,480
Speaker 2: pandemic when another podcaster I follow on ig recommended The

518
00:29:13,600 --> 00:29:16,960
Speaker 2: Ugly Cry. Danielle, you truly shrummed my pain with your

519
00:29:16,960 --> 00:29:20,840
Speaker 2: fingers with your book. My hometown is no Warwick, New York,

520
00:29:20,880 --> 00:29:23,640
Speaker 2: but holy shit, I resonate so much with your nineties

521
00:29:23,720 --> 00:29:26,800
Speaker 2: Stranger in a Strange Land, Black Girl gravitas. I'll be

522
00:29:26,880 --> 00:29:30,080
Speaker 2: unpacking the impact my assimilation into whiteness and my own

523
00:29:30,160 --> 00:29:33,320
Speaker 2: chaotic childhood in a single parent home has had on me,

524
00:29:33,800 --> 00:29:36,480
Speaker 2: probably until I'm dead. Thank you for being willing to

525
00:29:36,520 --> 00:29:39,240
Speaker 2: share your truths so other women like me feel seen.

526
00:29:40,280 --> 00:29:43,080
Speaker 2: When COVID shut the world down, I had recently turned

527
00:29:43,120 --> 00:29:46,240
Speaker 2: forty three, left my partner of twelve years and father

528
00:29:46,320 --> 00:29:49,880
Speaker 2: of my two children, bought my first home planted a

529
00:29:49,920 --> 00:29:53,240
Speaker 2: garden and got a damn dog, Go Bigger, Go Home.

530
00:29:53,320 --> 00:29:57,080
Speaker 2: That's why listening to you and Milly chop it up

531
00:29:57,080 --> 00:30:00,720
Speaker 2: about movies and stretching your own legs as early forty

532
00:30:00,840 --> 00:30:03,720
Speaker 2: single women of color has been a life raft in

533
00:30:03,760 --> 00:30:08,640
Speaker 2: an incredibly chaotic time. Your podcast takes the nerdiest of

534
00:30:08,720 --> 00:30:12,840
Speaker 2: topics and makes it so relatable and fun. Your transcendent

535
00:30:12,880 --> 00:30:16,560
Speaker 2: love of film, highbrow or low, shines through and has

536
00:30:16,600 --> 00:30:20,080
Speaker 2: opened me up to movies and genres I'd never considered before.

537
00:30:20,800 --> 00:30:22,960
Speaker 2: I'm all caught up now on the pod and just

538
00:30:23,000 --> 00:30:27,200
Speaker 2: finished the most recent bird Pleaser episode, hilarious MILLI. I

539
00:30:27,240 --> 00:30:29,560
Speaker 2: have a magnolia tree in my backyard that a family

540
00:30:29,560 --> 00:30:32,200
Speaker 2: of robins has been using as a maternity ward for

541
00:30:32,280 --> 00:30:35,560
Speaker 2: the last three summers, and they are life. I don't

542
00:30:35,560 --> 00:30:38,440
Speaker 2: feed them, but I totally get why you would. Then,

543
00:30:38,600 --> 00:30:41,440
Speaker 2: when Millie said something about gas food lodging being about

544
00:30:41,800 --> 00:30:44,800
Speaker 2: loose quote three women who, each in their own way,

545
00:30:44,920 --> 00:30:47,480
Speaker 2: are trying to have faith in men, even when the

546
00:30:47,560 --> 00:30:51,440
Speaker 2: data of their lived experiences justifies telling them all to

547
00:30:51,600 --> 00:30:54,600
Speaker 2: fuck right off. Well, that hit me where I live.

548
00:30:55,200 --> 00:30:57,560
Speaker 2: I ponied up the three ninety nine to rent it.

549
00:30:57,560 --> 00:31:00,680
Speaker 2: It's on Prime Video. I'm glad that I to watch

550
00:31:00,720 --> 00:31:04,240
Speaker 2: it because now, at forty five, I've actually been all

551
00:31:04,280 --> 00:31:07,320
Speaker 2: three of them. I wouldn't have had the empathy or

552
00:31:07,360 --> 00:31:11,160
Speaker 2: emotional vocabulary for it in nineteen ninety two. I appreciate

553
00:31:11,240 --> 00:31:15,040
Speaker 2: the recommendation, but not the Rock Quarry sex scene. What

554
00:31:15,160 --> 00:31:17,880
Speaker 2: the fuck. I don't have a question or anything especially

555
00:31:17,920 --> 00:31:20,800
Speaker 2: profound to share. I've just wanted to encourage you both

556
00:31:20,840 --> 00:31:23,000
Speaker 2: that what you're doing is putting good into the world,

557
00:31:23,280 --> 00:31:25,680
Speaker 2: and I hope you keep it up. I apologize for

558
00:31:25,760 --> 00:31:30,920
Speaker 2: all the words Leida, whose is she her pronouns lade.

559
00:31:31,080 --> 00:31:33,840
Speaker 2: You don't have to apologize for all of your lovely words.

560
00:31:34,520 --> 00:31:36,760
Speaker 2: You've had a hell of a year, hell the last

561
00:31:36,800 --> 00:31:39,480
Speaker 2: couple of years, it sounds like, and I'm just so

562
00:31:39,560 --> 00:31:41,520
Speaker 2: glad that we could be part of bringing you any

563
00:31:41,640 --> 00:31:45,160
Speaker 2: kind of joy or levity. I was just really hit

564
00:31:45,720 --> 00:31:49,840
Speaker 2: by your description of gas, food, lodging and saying that

565
00:31:49,880 --> 00:31:53,640
Speaker 2: at forty five, you've been all three of them, Like

566
00:31:53,800 --> 00:31:56,680
Speaker 2: I feel that in my bones as well, that I

567
00:31:56,720 --> 00:32:01,040
Speaker 2: have lived all versions of that life except for the

568
00:32:01,040 --> 00:32:04,600
Speaker 2: single mother, but I was raised by one. And yeah,

569
00:32:04,640 --> 00:32:06,600
Speaker 2: I just think it's really interesting that you were able

570
00:32:06,640 --> 00:32:11,600
Speaker 2: to so succinctly sum up and look at your life

571
00:32:11,920 --> 00:32:14,960
Speaker 2: in the span of your life so far and find

572
00:32:14,960 --> 00:32:18,760
Speaker 2: a movie through us that kind of helped you discuss that.

573
00:32:18,880 --> 00:32:21,680
Speaker 2: I think it's beautiful and I'm very proud of you.

574
00:32:22,440 --> 00:32:25,480
Speaker 1: Yeah, I'm proud of you too, I think. I mean, listen,

575
00:32:25,520 --> 00:32:27,760
Speaker 1: I'm not I never want to pick favorites in terms

576
00:32:27,760 --> 00:32:29,600
Speaker 1: of people who write to us, because I feel like

577
00:32:30,600 --> 00:32:34,320
Speaker 1: people that write to us. I just think that's very

578
00:32:34,360 --> 00:32:38,960
Speaker 1: special because I often don't write to things that I like.

579
00:32:39,520 --> 00:32:41,680
Speaker 1: I don't know why. I just feel like I don't

580
00:32:41,720 --> 00:32:43,160
Speaker 1: know what am I going to do? Just tell people

581
00:32:43,200 --> 00:32:45,040
Speaker 1: that I like them so much and then that's it.

582
00:32:45,120 --> 00:32:47,920
Speaker 1: I mean, I don't know that, like, maybe I'll do

583
00:32:47,960 --> 00:32:50,680
Speaker 1: it wrong and it'll come off as insincere and then

584
00:32:50,680 --> 00:32:53,600
Speaker 1: I'll feel like shit about it or whatever. There goes

585
00:32:53,600 --> 00:32:56,360
Speaker 1: my neurosis that that was a peek into my brain

586
00:32:56,640 --> 00:33:00,480
Speaker 1: just then. But when people do write us and they

587
00:33:00,560 --> 00:33:04,920
Speaker 1: say things very much like what you've said in this letter,

588
00:33:05,600 --> 00:33:08,160
Speaker 1: it makes me really happy. And it also like makes

589
00:33:08,160 --> 00:33:12,480
Speaker 1: me happy when people around I think, I don't know,

590
00:33:12,680 --> 00:33:17,479
Speaker 1: like our age, our writing two, because I do feel

591
00:33:17,640 --> 00:33:22,000
Speaker 1: connected to two women who are kind of at this

592
00:33:22,160 --> 00:33:25,840
Speaker 1: stage of life that I'm at right now. And like

593
00:33:25,880 --> 00:33:27,760
Speaker 1: I said, I don't want to pay pick favorites. I

594
00:33:27,800 --> 00:33:29,760
Speaker 1: love hearing from people of all ages. I don't want

595
00:33:29,760 --> 00:33:32,800
Speaker 1: to be ages, but I think it just really does

596
00:33:32,880 --> 00:33:37,600
Speaker 1: make me happy when when people around our age connect

597
00:33:37,640 --> 00:33:38,480
Speaker 1: with the podcast.

598
00:33:38,920 --> 00:33:40,880
Speaker 2: Do you know what I mean? Yeah, I agree. I

599
00:33:40,880 --> 00:33:43,880
Speaker 2: think it's it's you know, it's really it is special

600
00:33:43,960 --> 00:33:48,000
Speaker 2: because I think we're usually in the preamble to the show,

601
00:33:48,160 --> 00:33:51,160
Speaker 2: you know, we're usually talking about our own lives, and

602
00:33:51,600 --> 00:33:53,240
Speaker 2: you know, when someone who writes in is about our

603
00:33:53,240 --> 00:33:55,280
Speaker 2: age and kind of talks about going through some of

604
00:33:55,280 --> 00:33:57,680
Speaker 2: the same stuff. It's just a way of expanding that

605
00:33:57,720 --> 00:34:01,120
Speaker 2: connection with our with our audience. And I think that

606
00:34:02,480 --> 00:34:04,160
Speaker 2: we love all of you. You can all write of

607
00:34:04,240 --> 00:34:08,920
Speaker 2: all ages, but we definitely. I just think this is

608
00:34:08,960 --> 00:34:11,839
Speaker 2: a really special email, and I just hope that you're

609
00:34:11,880 --> 00:34:16,120
Speaker 2: doing well, that you do not at all put bird

610
00:34:16,160 --> 00:34:18,520
Speaker 2: seed out in that magnolia tree. Don't do it to yourself.

611
00:34:18,719 --> 00:34:22,480
Speaker 2: You've been through enough. You've been through enough. Do not

612
00:34:22,520 --> 00:34:25,080
Speaker 2: add bird seed to the mix. And if you're ever

613
00:34:25,200 --> 00:34:28,759
Speaker 2: tempted to do so, you should email us again immediately

614
00:34:29,200 --> 00:34:31,520
Speaker 2: and say I'm gonna buy some bird seed and we

615
00:34:31,560 --> 00:34:34,239
Speaker 2: will talk you down. But you sound incredible, and I

616
00:34:34,320 --> 00:34:36,120
Speaker 2: just again, I'm very proud of you. I'm glad that

617
00:34:36,239 --> 00:34:38,560
Speaker 2: thank you for reading my book, thank you for connecting

618
00:34:38,600 --> 00:34:42,360
Speaker 2: to it. That's also something that makes me feel incredibly special.

619
00:34:42,800 --> 00:34:45,560
Speaker 2: When I was writing my book, for a lot of it,

620
00:34:45,640 --> 00:34:48,200
Speaker 2: I felt like, Eh, who cares, this is just one

621
00:34:48,280 --> 00:34:52,800
Speaker 2: dummies experience. But come to find out that is not true.

622
00:34:53,080 --> 00:34:55,520
Speaker 2: And I think that a little part of me did

623
00:34:55,520 --> 00:34:58,600
Speaker 2: write that book to find people like me and to

624
00:34:58,640 --> 00:35:01,759
Speaker 2: connect with people who had experiences that were similar to mine.

625
00:35:01,800 --> 00:35:04,640
Speaker 2: So this is just a very special email all around,

626
00:35:04,800 --> 00:35:08,040
Speaker 2: and we just really appreciate you writing in and hope

627
00:35:08,040 --> 00:35:09,239
Speaker 2: everything's going well for you.

628
00:35:09,320 --> 00:35:13,200
Speaker 1: Lida, Yes, definitely, and send us a picture of that

629
00:35:13,360 --> 00:35:15,560
Speaker 1: damn dog. I want to see this damn.

630
00:35:15,320 --> 00:35:16,360
Speaker 2: Dog show us.

631
00:35:16,560 --> 00:35:19,359
Speaker 1: Damn dog big, go big or go home. Indeed, I

632
00:35:19,400 --> 00:35:20,320
Speaker 1: love that energy.

633
00:35:20,760 --> 00:35:22,799
Speaker 2: And also I hope I'm pronouncing your name right. Please

634
00:35:22,840 --> 00:35:25,399
Speaker 2: tell me if I didn't. I think it's Leada because

635
00:35:25,400 --> 00:35:28,279
Speaker 2: I have a friend who spelled her name similarly with

636
00:35:28,360 --> 00:35:31,120
Speaker 2: an H though and it was Leada. But if it's

637
00:35:31,200 --> 00:35:33,360
Speaker 2: Leida or something else, please tell me.

638
00:35:33,719 --> 00:35:39,040
Speaker 1: Oh, Okay, so we got an email here it's it's

639
00:35:39,080 --> 00:35:45,959
Speaker 1: titled Funny and Terrible Movie Misconception. Danielle and Millie, thank

640
00:35:45,960 --> 00:35:48,640
Speaker 1: you for the pod. I love it, and my husband

641
00:35:48,800 --> 00:35:51,759
Speaker 1: thanks y'all for convincing me to finally watch Smoky in

642
00:35:51,800 --> 00:35:56,600
Speaker 1: the Bandit. I loved it. Yes, a cab classic. Okay,

643
00:35:57,520 --> 00:35:59,480
Speaker 1: there's no real point with this, but I wanted to

644
00:35:59,520 --> 00:36:03,520
Speaker 1: share this with y'all. The first Germo del Toro movie

645
00:36:03,840 --> 00:36:06,760
Speaker 1: I had seen was The Book of Life. I loved

646
00:36:06,760 --> 00:36:08,879
Speaker 1: it and had that in my mind. When a week

647
00:36:08,960 --> 00:36:13,360
Speaker 1: later my husband suggested we watch Pants Labyrinth. I was

648
00:36:13,480 --> 00:36:16,719
Speaker 1: under the impression this was another family movie.

649
00:36:18,160 --> 00:36:18,440
Speaker 2: Ah.

650
00:36:19,040 --> 00:36:21,960
Speaker 1: Needless to say, we had to put it on pause

651
00:36:22,080 --> 00:36:25,560
Speaker 1: for about ten minutes for me to regroup. Thank you

652
00:36:25,560 --> 00:36:28,160
Speaker 1: for reading my rambling and hopefully you get a laugh

653
00:36:28,160 --> 00:36:31,360
Speaker 1: out of this too. Keep on killing it, Mollie.

654
00:36:31,960 --> 00:36:37,839
Speaker 2: I fucking love this. I love the juxtaposition. Are going

655
00:36:37,840 --> 00:36:39,800
Speaker 2: from the Book of Life, which is kind of sweet,

656
00:36:40,200 --> 00:36:47,200
Speaker 2: to an actual nightmare on film.

657
00:36:47,800 --> 00:36:49,920
Speaker 1: I know. I mean, it's like, I still like again,

658
00:36:50,080 --> 00:36:52,919
Speaker 1: I tell this clockwork Orange story so often, but it's

659
00:36:52,960 --> 00:36:56,320
Speaker 1: the same thing where you were like, Pants.

660
00:36:56,000 --> 00:37:02,520
Speaker 4: Labyrinth sounds like is it Peter Pants Labyrinth the movie

661
00:37:02,560 --> 00:37:06,440
Speaker 4: with David Bowie, And was that the David Bowie movie Labyrinth?

662
00:37:06,840 --> 00:37:10,880
Speaker 1: Yes, getting it confused with Willow Perhaps I don't know,

663
00:37:12,239 --> 00:37:15,960
Speaker 1: but yes, I would similarly be like, oh, pans Labyrinth

664
00:37:16,040 --> 00:37:19,400
Speaker 1: as a title would suggest perhaps it's a family film.

665
00:37:19,640 --> 00:37:23,200
Speaker 2: It definitely to me doesn't instantly conjure up someone whose

666
00:37:23,239 --> 00:37:29,239
Speaker 2: hands or whose eyeballs are in the palm of their hands. Wait,

667
00:37:29,320 --> 00:37:32,160
Speaker 2: that is not my first thought when I hear Pans Labyrinth.

668
00:37:32,320 --> 00:37:36,319
Speaker 1: There needs to be I'm gonna float this. Feel free

669
00:37:36,360 --> 00:37:39,239
Speaker 1: to contest if you want. There needs to be a

670
00:37:39,280 --> 00:37:49,000
Speaker 1: moratorium on fucked up movies being named whimsical things like

671
00:37:49,040 --> 00:37:52,080
Speaker 1: if you're making a movie with eyeball hands, that shit

672
00:37:52,160 --> 00:37:57,160
Speaker 1: better be called fucking nightmare from Hell, never go to

673
00:37:57,200 --> 00:37:59,279
Speaker 1: bed again. Right.

674
00:38:03,320 --> 00:38:07,440
Speaker 2: If you're making a movie with eyeball hands, you absolutely

675
00:38:07,960 --> 00:38:12,319
Speaker 2: have to call it fucked up fucking shit, with no

676
00:38:12,480 --> 00:38:16,680
Speaker 2: asterisk anywhere in any of those words. Fucked up fucking

677
00:38:16,760 --> 00:38:19,320
Speaker 2: shit from the mind of someone who has twisted his

678
00:38:19,440 --> 00:38:21,920
Speaker 2: hall the longest movie title you can It will be

679
00:38:21,920 --> 00:38:27,200
Speaker 2: the longest movie title on record to properly convey the terror.

680
00:38:27,600 --> 00:38:31,239
Speaker 1: Yes, it will be like gienzil Men or whatever, that

681
00:38:31,480 --> 00:38:32,600
Speaker 1: long ass fucking.

682
00:38:33,840 --> 00:38:36,280
Speaker 2: That like bulls.

683
00:38:38,480 --> 00:38:42,759
Speaker 1: Quatres Brussel or whatever. It's gonna be like that long.

684
00:38:43,080 --> 00:38:46,640
Speaker 1: It's gonna be like they're telling you exactly what you're

685
00:38:46,680 --> 00:38:50,919
Speaker 1: in for. There's gonna be no messing around. You're never

686
00:38:50,960 --> 00:38:52,600
Speaker 1: gonna think it's a child's movie.

687
00:38:53,000 --> 00:38:56,600
Speaker 2: No, it needs to be like Fiona Apple's Win the Pawn,

688
00:38:59,120 --> 00:39:02,640
Speaker 2: which is like a ninety word album title because it's

689
00:39:02,680 --> 00:39:05,160
Speaker 2: actually a poem. That's the shit I'm talking about. I

690
00:39:05,200 --> 00:39:07,400
Speaker 2: need the full description of the movie in there. I

691
00:39:07,440 --> 00:39:09,640
Speaker 2: need every fucked up thing that happens in the movie

692
00:39:09,719 --> 00:39:16,200
Speaker 2: and there. I want imagery, I want descriptions. People hire

693
00:39:16,200 --> 00:39:19,240
Speaker 2: a creative fucking writer and get to work.

694
00:39:20,320 --> 00:39:22,600
Speaker 1: They're gonna have to put the ship on the back cover.

695
00:39:22,760 --> 00:39:29,560
Speaker 1: That's how long the title is. It's gonna wrap around exactly. Well, Molly,

696
00:39:29,719 --> 00:39:32,320
Speaker 1: that cracked us up. We're so glad that you shared

697
00:39:32,320 --> 00:39:32,919
Speaker 1: that with us.

698
00:39:33,239 --> 00:39:35,239
Speaker 2: I'm so glad you watched Smoking in the Bandit, and

699
00:39:35,239 --> 00:39:37,600
Speaker 2: I'm glad you loved it because what a what a film.

700
00:39:37,840 --> 00:39:41,320
Speaker 1: What a film great for the summertime, summers around the corner,

701
00:39:41,840 --> 00:39:46,520
Speaker 1: Get crack out the smoking crack out crack it out,

702
00:39:46,719 --> 00:39:50,840
Speaker 1: just be just do crack, just simply crack for this summer.

703
00:39:51,040 --> 00:39:54,520
Speaker 2: You have to stop using this podcast to tell people

704
00:39:54,600 --> 00:39:56,200
Speaker 2: to do Class A drugs.

705
00:39:59,080 --> 00:40:06,040
Speaker 1: We are gonna get food anything now listen. Freedom of choice. Man,

706
00:40:06,960 --> 00:40:07,919
Speaker 1: That's see what I'm gonna say.

707
00:40:08,320 --> 00:40:11,759
Speaker 2: I cracked out some crack, cracked out, like I don't

708
00:40:11,760 --> 00:40:13,240
Speaker 2: know what I was saying, crack out.

709
00:40:13,320 --> 00:40:16,360
Speaker 1: Some What did I even actually mean to say? Like

710
00:40:18,520 --> 00:40:22,680
Speaker 1: crack open a fucking course and watch smoking the band.

711
00:40:22,680 --> 00:40:24,839
Speaker 1: And I think that's initially what I said, but then

712
00:40:24,880 --> 00:40:26,840
Speaker 1: I clearly had a.

713
00:40:26,840 --> 00:40:31,239
Speaker 2: Scene a moment and went to your standby, which is

714
00:40:31,600 --> 00:40:40,640
Speaker 2: do class Well. Oh lord, oh god, I love it.

715
00:40:40,719 --> 00:40:42,920
Speaker 2: Let me answer this next question. Well I could still breathe.

716
00:40:43,239 --> 00:40:44,600
Speaker 1: Yes, oh my god, I can't wait.

717
00:40:45,080 --> 00:40:48,440
Speaker 2: The subject of this is question for bonus episode Straightforward,

718
00:40:48,440 --> 00:40:51,279
Speaker 2: and I love it. Yes, Hi, ladies, love the pod.

719
00:40:51,360 --> 00:40:54,839
Speaker 2: I'll get right to it. Are there any movies that

720
00:40:54,920 --> 00:40:58,400
Speaker 2: you have seen and not liked but maybe you would

721
00:40:58,440 --> 00:41:03,680
Speaker 2: have liked it under different views circumstances. Example, I saw

722
00:41:03,719 --> 00:41:07,720
Speaker 2: the movie Horrible Bosses in the theater, but unfortunately sat

723
00:41:07,800 --> 00:41:11,520
Speaker 2: next to a parent and their approximately four or five

724
00:41:11,600 --> 00:41:16,000
Speaker 2: year old child. So that scene where Colin Farrell snorts

725
00:41:16,000 --> 00:41:19,920
Speaker 2: cocaine off of a sex worker's bear rear end felt

726
00:41:20,200 --> 00:41:24,480
Speaker 2: wildly uncomfortable. I could not relax enough while watching to

727
00:41:24,600 --> 00:41:27,479
Speaker 2: laugh at the movie because of the tiny viewer next

728
00:41:27,520 --> 00:41:32,080
Speaker 2: to me. Another possible example slash follow up question Millie,

729
00:41:32,280 --> 00:41:35,359
Speaker 2: do you think you would have enjoyed Hereditary more if

730
00:41:35,360 --> 00:41:37,840
Speaker 2: you did not watch it with your mother? Or was

731
00:41:37,880 --> 00:41:42,279
Speaker 2: it just not your jam? Thanks Sarah, and then there's

732
00:41:42,280 --> 00:41:47,600
Speaker 2: a ps ps just on a note of herreditary. Thank

733
00:41:47,640 --> 00:41:50,319
Speaker 2: you for choosing that, Danielle. My husband and I both

734
00:41:50,400 --> 00:41:53,160
Speaker 2: teared up at Tony Collett's grief scene. And I cannot

735
00:41:53,200 --> 00:41:56,080
Speaker 2: believe that I cried at a horror movie. But that's

736
00:41:56,160 --> 00:41:58,759
Speaker 2: the magic of Toni Collette. Am I right? Thank you

737
00:41:58,800 --> 00:42:02,160
Speaker 2: for choosing that one. I have probably otherwise skipped it

738
00:42:02,200 --> 00:42:02,839
Speaker 2: and missed out.

739
00:42:04,120 --> 00:42:09,000
Speaker 1: Wow. I thought about this question probably harder than I

740
00:42:09,000 --> 00:42:11,360
Speaker 1: should have. I was really like picking my brain about

741
00:42:11,360 --> 00:42:13,240
Speaker 1: it because I was like, ooh, what a thought experiment.

742
00:42:13,560 --> 00:42:16,719
Speaker 1: First of all, just to answer your question, Sarah, if

743
00:42:16,760 --> 00:42:21,160
Speaker 1: I had watched Hereditary without my mom, I probably would

744
00:42:21,200 --> 00:42:23,719
Speaker 1: have liked it better. I'm just gonna throw that out there.

745
00:42:25,520 --> 00:42:30,480
Speaker 1: That was too close to home for sure, I also

746
00:42:30,719 --> 00:42:32,359
Speaker 1: want to We'll say, for the record, if I had

747
00:42:32,400 --> 00:42:35,560
Speaker 1: watched a clockwork Orange, that's probably like my number one.

748
00:42:35,719 --> 00:42:39,919
Speaker 1: If I had watched that not at eight years old,

749
00:42:40,040 --> 00:42:43,080
Speaker 1: then I probably would have liked it better. There's like

750
00:42:43,560 --> 00:42:48,200
Speaker 1: lots of variable. And then I started thinking about it too,

751
00:42:48,719 --> 00:42:51,760
Speaker 1: like other like inverse things, so like I started thinking, Okay,

752
00:42:51,960 --> 00:42:54,360
Speaker 1: what's a movie that if I saw it in a

753
00:42:54,640 --> 00:42:58,279
Speaker 1: movie theater I would have liked it better. The answer

754
00:42:58,360 --> 00:43:00,719
Speaker 1: to that is probably everything. I probably would have liked

755
00:43:00,760 --> 00:43:02,719
Speaker 1: a lot of things more if I had seen him

756
00:43:02,719 --> 00:43:04,960
Speaker 1: in the movie here. But then I was like, what

757
00:43:05,120 --> 00:43:07,319
Speaker 1: about what's a movie that if I had seen it

758
00:43:07,400 --> 00:43:10,440
Speaker 1: in a theater I probably would have hated it?

759
00:43:10,880 --> 00:43:13,120
Speaker 2: Ooh, you really went deep on this question.

760
00:43:13,520 --> 00:43:15,840
Speaker 1: Yes, And the answer to that is Star Wars. I

761
00:43:15,920 --> 00:43:18,160
Speaker 1: think if I had seen Star Wars in a movie theater,

762
00:43:18,160 --> 00:43:19,920
Speaker 1: I would have been like, I hate this fucking movie.

763
00:43:20,480 --> 00:43:23,680
Speaker 1: Who are these people? I saw it at home with

764
00:43:23,800 --> 00:43:26,960
Speaker 1: like two of my friends, and it wasn't that long ago. Okay,

765
00:43:27,160 --> 00:43:31,520
Speaker 1: just full disclosure, and it was great. I was like, oh,

766
00:43:31,520 --> 00:43:32,640
Speaker 1: this isn't a great movie.

767
00:43:32,760 --> 00:43:35,680
Speaker 2: Now I see what all the fuss is about. Okay,

768
00:43:35,680 --> 00:43:37,880
Speaker 2: this is a bomb being dropped. I didn't know that

769
00:43:37,960 --> 00:43:42,120
Speaker 2: you have watched Star Wars. You have cracked the code,

770
00:43:42,239 --> 00:43:43,400
Speaker 2: you cracked the case.

771
00:43:43,960 --> 00:43:46,160
Speaker 1: Yes, I have not watched Titanic, but I have seen

772
00:43:46,239 --> 00:43:50,520
Speaker 1: Star Wars in the past ten years, eight years, seven years.

773
00:43:50,680 --> 00:43:54,040
Speaker 2: Yes, right, And it was are we talking like Original

774
00:43:54,400 --> 00:43:57,239
Speaker 2: Empire strikes Back, Star Wars, Return of the Jedi that

775
00:43:57,320 --> 00:43:58,200
Speaker 2: era or the.

776
00:43:58,360 --> 00:44:02,959
Speaker 1: More so the first one that's actually the fourth one whatever, that's.

777
00:44:05,239 --> 00:44:07,359
Speaker 2: But you know the first one is the fourth one.

778
00:44:07,440 --> 00:44:08,160
Speaker 2: This is awesome.

779
00:44:08,440 --> 00:44:10,600
Speaker 1: Yeah, And because I asked a lot of questions to

780
00:44:10,760 --> 00:44:14,560
Speaker 1: my friends, good after the screening at my home, it

781
00:44:14,640 --> 00:44:19,320
Speaker 1: was very, very comfortable, good system. So I was like, oh, cool,

782
00:44:19,400 --> 00:44:21,239
Speaker 1: Like I like this movie. But then I started thinking,

783
00:44:21,280 --> 00:44:22,960
Speaker 1: if I was seen in a movie theater with like

784
00:44:23,320 --> 00:44:26,239
Speaker 1: all the nerds saying all the fucking lines, I'd have

785
00:44:26,280 --> 00:44:30,399
Speaker 1: been like, fuck this. And then here's the other thing,

786
00:44:30,440 --> 00:44:33,120
Speaker 1: the inverse of that, if there's a if there was

787
00:44:33,200 --> 00:44:35,680
Speaker 1: a movie that I, if I had seen it alone,

788
00:44:35,680 --> 00:44:37,880
Speaker 1: I would have hated it. And that and the answer

789
00:44:38,000 --> 00:44:42,279
Speaker 1: is the Room, because honestly, like, who the fuck is

790
00:44:42,320 --> 00:44:43,840
Speaker 1: watching the Room alone?

791
00:44:44,360 --> 00:44:48,279
Speaker 2: That no people were about to be committed. That's it.

792
00:44:52,880 --> 00:44:55,719
Speaker 1: So I feel like we covered the spread at least

793
00:44:55,760 --> 00:44:57,880
Speaker 1: I did. I really went hard on this question.

794
00:44:58,040 --> 00:45:00,000
Speaker 2: You went so hard. I feel like I fell down

795
00:45:00,040 --> 00:45:03,080
Speaker 2: on the job. But like, damn, no, no, no, that's.

796
00:45:02,880 --> 00:45:04,799
Speaker 1: Just my stupid brain because I was like, oh, this

797
00:45:04,920 --> 00:45:07,480
Speaker 1: is good, but what about this? What about that? So

798
00:45:07,600 --> 00:45:11,279
Speaker 1: I don't know, I did too much whole work, and

799
00:45:11,800 --> 00:45:14,640
Speaker 1: for that I apologize.

800
00:45:13,760 --> 00:45:14,839
Speaker 2: But no, I love it.

801
00:45:14,880 --> 00:45:18,240
Speaker 3: I love the layers, yes, but but I really truly

802
00:45:18,320 --> 00:45:22,160
Speaker 3: think that, like for me, you know, I will always

803
00:45:22,200 --> 00:45:24,360
Speaker 3: advocate seeing something in a movie theater because I just

804
00:45:24,400 --> 00:45:26,680
Speaker 3: feel like that's the best experience and you get the

805
00:45:26,680 --> 00:45:27,799
Speaker 3: best sound and.

806
00:45:28,280 --> 00:45:32,520
Speaker 1: You know, but you can't you can't plan an ice

807
00:45:32,560 --> 00:45:37,120
Speaker 1: cruncher or like a bad boyfriend or anything like that.

808
00:45:37,239 --> 00:45:39,880
Speaker 2: So now, and that's why I like to go to

809
00:45:39,920 --> 00:45:42,360
Speaker 2: the movies alone. Now, I see, I don't want to

810
00:45:42,400 --> 00:45:45,360
Speaker 2: see I have the experience I want to have, and

811
00:45:45,440 --> 00:45:47,799
Speaker 2: if anyone's upsetting me, I could just yell at them

812
00:45:47,840 --> 00:45:51,960
Speaker 2: and wild out. No I can't do that. I actually

813
00:45:52,040 --> 00:45:53,640
Speaker 2: can't do that. You know what. I've been realizing more

814
00:45:53,680 --> 00:45:55,840
Speaker 2: and more that now that I live here back in

815
00:45:55,880 --> 00:45:59,479
Speaker 2: my small town, people know and recognize me and don't

816
00:45:59,520 --> 00:46:04,080
Speaker 2: tell me. Yeah, So I went to vote and was

817
00:46:04,120 --> 00:46:10,000
Speaker 2: talking to vote for our mayor village vote. And not

818
00:46:10,040 --> 00:46:11,440
Speaker 2: only did I find out that I wasn't allowed to

819
00:46:11,480 --> 00:46:12,880
Speaker 2: vote because I don't live in the village. I live

820
00:46:12,920 --> 00:46:14,760
Speaker 2: in the town, and I didn't.

821
00:46:14,560 --> 00:46:16,560
Speaker 1: Know that that was separate.

822
00:46:17,719 --> 00:46:19,520
Speaker 2: So I was talking to the you know, the person

823
00:46:19,560 --> 00:46:22,200
Speaker 2: who's volunteering at the voter registration counter, and I was

824
00:46:22,200 --> 00:46:25,719
Speaker 2: so excited because I had seen my middle school librarian

825
00:46:25,880 --> 00:46:29,200
Speaker 2: in line, Missus Johnson, and we talked and I was like,

826
00:46:29,200 --> 00:46:32,000
Speaker 2: Missus john I felt like I was seeing like a celebrity.

827
00:46:32,280 --> 00:46:33,920
Speaker 2: So when I got to the front and she's like,

828
00:46:33,920 --> 00:46:35,520
Speaker 2: you can't vote, and I'm like, it's cool. I got

829
00:46:35,520 --> 00:46:38,399
Speaker 2: to see my middle school librarian. I feel like I've

830
00:46:38,400 --> 00:46:41,000
Speaker 2: seen a rock star. She's probably the reason I'm a writer.

831
00:46:41,320 --> 00:46:44,640
Speaker 2: And then the other volunteer next to her said, oh,

832
00:46:44,719 --> 00:46:48,200
Speaker 2: I've read your book, and I was like, thank you.

833
00:46:48,760 --> 00:46:53,640
Speaker 2: But how weird? How weird? Right? And that was not

834
00:46:54,040 --> 00:46:57,680
Speaker 2: the first time I've had an interaction like that, even recently.

835
00:46:58,600 --> 00:47:00,840
Speaker 2: So I can't be out here wild and now I

836
00:47:00,840 --> 00:47:02,759
Speaker 2: can't yell at people on the road, I can't honk

837
00:47:02,840 --> 00:47:05,719
Speaker 2: people in my car. I can't be flipping birds because

838
00:47:05,760 --> 00:47:09,160
Speaker 2: people recognize me and do not tell me, and that's creepy.

839
00:47:09,520 --> 00:47:13,479
Speaker 1: Listen, you know what kind of world we're living in now,

840
00:47:13,760 --> 00:47:17,720
Speaker 1: there's probably like an in touch magazine of your town,

841
00:47:18,360 --> 00:47:22,440
Speaker 1: not the village, but the town, and there's probably pictures

842
00:47:22,440 --> 00:47:25,640
Speaker 1: of you run it up on a fox that you

843
00:47:25,719 --> 00:47:29,839
Speaker 1: thought was a dog, and the caption will be like stars.

844
00:47:30,440 --> 00:47:36,200
Speaker 1: They also need better prescription glasses because they confuse animals

845
00:47:36,200 --> 00:47:37,279
Speaker 1: for other animals.

846
00:47:41,440 --> 00:47:45,680
Speaker 2: Oh good, Oh my god, they're like crying, laughing. It's true.

847
00:47:46,200 --> 00:47:49,279
Speaker 2: I bet, I guarantee somebody's like, look, it's dummy. She

848
00:47:49,320 --> 00:47:52,120
Speaker 2: thinks she's going all incognito. She's six ft tall and

849
00:47:52,160 --> 00:47:54,839
Speaker 2: wears a fucking head wrap everywhere she goes. We know

850
00:47:54,920 --> 00:47:56,760
Speaker 2: who she is.

851
00:47:56,680 --> 00:47:58,839
Speaker 1: And it's like I just told you. It's like the

852
00:47:58,880 --> 00:48:02,040
Speaker 1: thing where you know I'm listen, I know, I'm a

853
00:48:02,120 --> 00:48:05,040
Speaker 1: gen xer. I am too cool for a lot of things.

854
00:48:05,080 --> 00:48:07,759
Speaker 1: I'm gonna be completely fucking honest with you, and that

855
00:48:07,840 --> 00:48:11,880
Speaker 1: includes liking people's shit like I'm I don't want to

856
00:48:11,920 --> 00:48:13,680
Speaker 1: be a nerd. I don't want to be like I

857
00:48:13,800 --> 00:48:16,840
Speaker 1: love you, I stand we stand you, queen, No bitch,

858
00:48:17,080 --> 00:48:20,919
Speaker 1: I'm waiting for the right moment to be cool as

859
00:48:20,960 --> 00:48:23,759
Speaker 1: hell to tell you like I read your book and

860
00:48:23,800 --> 00:48:25,640
Speaker 1: I loved it. Like I'm not running up to you

861
00:48:25,680 --> 00:48:28,520
Speaker 1: being like, bitch, where you been, like mama? So I

862
00:48:28,600 --> 00:48:32,440
Speaker 1: understand I'm that person too, and it feels a little

863
00:48:32,480 --> 00:48:35,440
Speaker 1: stocky in the modern era. But also you got to

864
00:48:35,480 --> 00:48:37,640
Speaker 1: remember some people are just playing it cool.

865
00:48:38,160 --> 00:48:41,040
Speaker 2: This is actually that makes me feel much better. You're right,

866
00:48:41,360 --> 00:48:44,320
Speaker 2: this is a cool ass pole worker, not someone who's

867
00:48:44,400 --> 00:48:48,359
Speaker 2: being intentionally weird. Yes, just playing it cool.

868
00:48:49,160 --> 00:48:51,520
Speaker 1: Yeah, I mean, let's think of it that way, because

869
00:48:51,560 --> 00:48:53,960
Speaker 1: there are times where you know it will be like

870
00:48:54,200 --> 00:48:57,000
Speaker 1: I loved your book, and then they follow you home

871
00:48:57,719 --> 00:49:00,239
Speaker 1: and then you feel a little tickle on the small

872
00:49:00,600 --> 00:49:01,360
Speaker 1: while you're sleeping.

873
00:49:02,520 --> 00:49:07,280
Speaker 2: Motherfucker, I have never I am never going to sleep tonight.

874
00:49:07,320 --> 00:49:09,520
Speaker 2: Thank you for that. I take on your back. Bitch,

875
00:49:09,520 --> 00:49:13,120
Speaker 2: you are twisted. Oh my god, I've never gone to

876
00:49:13,200 --> 00:49:14,040
Speaker 2: sleep again.

877
00:49:17,320 --> 00:49:19,720
Speaker 1: I swear to god. We have one more email before

878
00:49:19,800 --> 00:49:25,719
Speaker 1: this train just explodes like this, this bullet train explodes.

879
00:49:29,239 --> 00:49:31,120
Speaker 1: I think we're gonna we're going out with a bang

880
00:49:31,200 --> 00:49:33,320
Speaker 1: on this one. I gotta tell you, I think.

881
00:49:33,239 --> 00:49:35,239
Speaker 2: So so this one.

882
00:49:36,680 --> 00:49:40,120
Speaker 1: This is an email from Mike. The title is gainfully

883
00:49:40,239 --> 00:49:41,680
Speaker 1: Employed vampires.

884
00:49:42,320 --> 00:49:44,600
Speaker 2: Oh, we got so many emails about vampires?

885
00:49:44,840 --> 00:49:51,000
Speaker 1: Oh my god. Okay, Mike Rights, seriously, wtf did you

886
00:49:51,160 --> 00:49:55,080
Speaker 1: stumble upon? I have questions. After a quick trip down

887
00:49:55,160 --> 00:49:57,120
Speaker 1: the rabbit hole, I have come up with a list

888
00:49:57,160 --> 00:50:01,319
Speaker 1: of two to vampire that I know of that are

889
00:50:01,360 --> 00:50:05,279
Speaker 1: gainfully employed. Where do they get their money? How do

890
00:50:05,360 --> 00:50:10,840
Speaker 1: they pay for gas? Especially now they must need cash? Anyway,

891
00:50:10,880 --> 00:50:14,720
Speaker 1: Here's what I came up with, Max from The Lost Boys,

892
00:50:14,760 --> 00:50:17,719
Speaker 1: who owns and operates a video store. How could we

893
00:50:17,760 --> 00:50:20,080
Speaker 1: forget that one? I mean, we're stupid. We talked about

894
00:50:20,080 --> 00:50:26,000
Speaker 1: that fucking movie Dracula from Hotel Transylvania, who owns and

895
00:50:26,080 --> 00:50:29,920
Speaker 1: operates a hotel. Love the pod, Mike.

896
00:50:30,600 --> 00:50:35,000
Speaker 2: I love this email so much I might get it

897
00:50:35,040 --> 00:50:39,680
Speaker 2: tattooed on me, like it is so funny and so

898
00:50:40,280 --> 00:50:44,360
Speaker 2: passionate and so accurate. Thank you, Mike. You're absolutely correct.

899
00:50:44,400 --> 00:50:48,040
Speaker 2: We got a lot of emails about employed vampires, but

900
00:50:48,080 --> 00:50:50,400
Speaker 2: a lot of them were employed on TV. I gotta

901
00:50:50,400 --> 00:50:53,719
Speaker 2: say yes, I took.

902
00:50:53,600 --> 00:50:58,560
Speaker 1: Mike's challenge, the gainfully employed vampire challenge. I came up

903
00:50:58,600 --> 00:51:02,640
Speaker 1: with two on my own, and one of them as iffy.

904
00:51:03,800 --> 00:51:06,120
Speaker 1: But but I'm gonna go I'm gonna I'm gonna go there.

905
00:51:06,600 --> 00:51:09,120
Speaker 1: I feel like somebody might have mentioned this, maybe in

906
00:51:09,160 --> 00:51:14,800
Speaker 1: an email. But Edward Cullin's dad from the Twilight movies

907
00:51:14,920 --> 00:51:18,440
Speaker 1: is technically a doctor, so I guess he is employed.

908
00:51:18,680 --> 00:51:20,040
Speaker 2: You know, I've never seen that movie.

909
00:51:20,800 --> 00:51:25,800
Speaker 1: I've seen them for you, trust me, all of them

910
00:51:25,840 --> 00:51:26,239
Speaker 1: for you.

911
00:51:26,400 --> 00:51:28,239
Speaker 2: Unfortunately, not even though he had a dad. I thought

912
00:51:28,239 --> 00:51:30,000
Speaker 2: he just breezed into town and was just like some

913
00:51:30,080 --> 00:51:32,799
Speaker 2: lonely kid. But no, he's got a doctor dad. So

914
00:51:32,840 --> 00:51:36,040
Speaker 2: we're saying Edward Colin is a privileged white vampire and

915
00:51:36,080 --> 00:51:37,520
Speaker 2: nobody's talking about it that way.

916
00:51:37,600 --> 00:51:41,320
Speaker 1: Okay, yes, bitch, and not even just a white vampire,

917
00:51:41,400 --> 00:51:44,360
Speaker 1: but a sparkly one at that point.

918
00:51:44,840 --> 00:51:47,120
Speaker 2: How is this not the narrative of this movie? Please?

919
00:51:47,160 --> 00:51:47,279
Speaker 3: Right?

920
00:51:47,840 --> 00:51:51,520
Speaker 1: So I thought of Edward Cullin's dad from the Toilet movies,

921
00:51:52,160 --> 00:51:55,640
Speaker 1: and then this is the iffy one. There is a

922
00:51:55,760 --> 00:52:02,839
Speaker 1: movie called Vampire Hookers that was by the legendary Filipino

923
00:52:02,920 --> 00:52:07,200
Speaker 1: wild man Sirio H. Santiago. It was filmed in the

924
00:52:07,239 --> 00:52:12,640
Speaker 1: Philippines in the nineteen seventies. It stars John Carrotine, the

925
00:52:12,680 --> 00:52:21,799
Speaker 1: patriarch of the Charrotine dynasty of actors, if you want

926
00:52:21,840 --> 00:52:27,719
Speaker 1: to get technical, the vampires are sex workers, hence the

927
00:52:27,840 --> 00:52:29,080
Speaker 1: name of the film.

928
00:52:29,520 --> 00:52:30,439
Speaker 2: Sex work is work.

929
00:52:31,400 --> 00:52:34,600
Speaker 1: Yes, So that's all I could come up with is

930
00:52:34,640 --> 00:52:35,640
Speaker 1: those extra.

931
00:52:35,400 --> 00:52:37,879
Speaker 2: Two Listen, you did more than me because I read

932
00:52:37,880 --> 00:52:40,040
Speaker 2: this email and laughed so hard I forgot to answer

933
00:52:40,080 --> 00:52:40,480
Speaker 2: the question.

934
00:52:40,680 --> 00:52:46,120
Speaker 1: So I truly did. I was like, I mean, after you,

935
00:52:46,600 --> 00:52:49,880
Speaker 1: after you. We talked about it on that episode. I

936
00:52:50,040 --> 00:52:52,640
Speaker 1: was like, what are Yeah, what are some other movies

937
00:52:52,680 --> 00:52:54,960
Speaker 1: that was going? I was like Transylvania six five thousand,

938
00:52:55,600 --> 00:52:57,640
Speaker 1: Vampire and Brooklyn. I was like, what are all these

939
00:52:57,719 --> 00:53:02,120
Speaker 1: vampire movies? Do any of these motherfuckers have jobs? I didn't.

940
00:53:02,280 --> 00:53:05,040
Speaker 2: I did not even realize when I made that statement

941
00:53:05,040 --> 00:53:07,160
Speaker 2: that I was opening up this can of worms. It

942
00:53:07,440 --> 00:53:13,040
Speaker 2: just came to me, gainfully employed vampires. Where are they exactly?

943
00:53:13,800 --> 00:53:16,480
Speaker 2: And it's it is true. I mean, Mike Post is

944
00:53:16,520 --> 00:53:19,080
Speaker 2: that thought of where do they?

945
00:53:19,160 --> 00:53:21,120
Speaker 1: Where do they get their money? Like they all seem

946
00:53:21,400 --> 00:53:24,759
Speaker 1: rich too, right, They're like, yeah, that's the fucking goblets

947
00:53:24,840 --> 00:53:29,040
Speaker 1: and the fucking the flatwear, the really like pricey silver

948
00:53:29,160 --> 00:53:30,200
Speaker 1: flatwear and.

949
00:53:30,280 --> 00:53:33,520
Speaker 2: Completely not only that, but even if let's say they

950
00:53:34,040 --> 00:53:37,600
Speaker 2: they vamp someone for their property, so they like teeth

951
00:53:37,640 --> 00:53:40,920
Speaker 2: sunk in. I'm gonna eat you now I own your castle.

952
00:53:41,560 --> 00:53:44,439
Speaker 2: They still have to pay taxes to somebody. Somebody's coming

953
00:53:44,440 --> 00:53:47,960
Speaker 2: for some money somewhere I'm sorry, Or there's got to

954
00:53:47,960 --> 00:53:51,279
Speaker 2: be some niece or nephew or someone down the line

955
00:53:51,360 --> 00:53:54,400
Speaker 2: who's like, we haven't seen Uncle Jack in a while.

956
00:53:54,520 --> 00:53:56,759
Speaker 2: I wonder what's up with his castle? And then they

957
00:53:56,800 --> 00:53:59,120
Speaker 2: come by. So it's like, you still have to have

958
00:53:59,200 --> 00:54:02,840
Speaker 2: money somehow to like keep people at bay, pretend you

959
00:54:02,920 --> 00:54:05,160
Speaker 2: bought it, like something has to happen there.

960
00:54:06,120 --> 00:54:07,920
Speaker 1: Yeah, And you know I was thinking about this too,

961
00:54:08,000 --> 00:54:11,040
Speaker 1: because I was like, okay, yeah, let's let's go. Let's

962
00:54:11,080 --> 00:54:15,760
Speaker 1: go there. I mean Blackula, for example, technically a prince

963
00:54:16,000 --> 00:54:18,640
Speaker 1: before he was changed, right, So you're like, okay, he

964
00:54:18,719 --> 00:54:22,680
Speaker 1: was a prince. He didn't have to ask for anything.

965
00:54:22,760 --> 00:54:25,880
Speaker 1: He was part of royalty, his family was loaded, he

966
00:54:25,920 --> 00:54:30,680
Speaker 1: has inherited money. But there's also for every Prince Charles,

967
00:54:30,719 --> 00:54:33,879
Speaker 1: there's a Prince Andrew. You know, maybe one of the

968
00:54:33,920 --> 00:54:37,640
Speaker 1: fucking princes is the poor guy that got kicked out

969
00:54:37,680 --> 00:54:41,160
Speaker 1: of the family and he's got to like do credit

970
00:54:41,200 --> 00:54:44,719
Speaker 1: card commercials and shit to live. I it's like, you know,

971
00:54:45,440 --> 00:54:48,960
Speaker 1: I don't know. It's an interesting I'm like, where'd the

972
00:54:49,000 --> 00:54:50,200
Speaker 1: vampires get their money?

973
00:54:51,239 --> 00:54:54,239
Speaker 2: I'm just saying, look, no one, I guarantee if you

974
00:54:54,280 --> 00:54:57,000
Speaker 2: listen to this pod, you will be asking yourself that

975
00:54:57,120 --> 00:55:00,359
Speaker 2: question every time you see a vampire. Now, every vampire movie,

976
00:55:00,360 --> 00:55:02,440
Speaker 2: every vampire TV show, how do you get your money?

977
00:55:02,560 --> 00:55:04,839
Speaker 2: A lot of people mention that the vampires on True

978
00:55:04,880 --> 00:55:08,240
Speaker 2: Blood have jobs. I've never seen it and it's TV show,

979
00:55:08,600 --> 00:55:09,600
Speaker 2: but sure.

980
00:55:09,760 --> 00:55:13,200
Speaker 1: Yes, sure yeah, because they like work in a roadhouse

981
00:55:13,320 --> 00:55:14,760
Speaker 1: or something like that. I don't.

982
00:55:17,080 --> 00:55:18,799
Speaker 2: Doesn't care. But also, if you're going to be a

983
00:55:18,880 --> 00:55:22,280
Speaker 2: vamp and you can eat anyone and have any house

984
00:55:22,360 --> 00:55:25,160
Speaker 2: and any job, why are you working at some CD bar?

985
00:55:25,800 --> 00:55:29,400
Speaker 1: I listen, I'm truly trying to get on that black eulative.

986
00:55:29,520 --> 00:55:31,960
Speaker 1: I'm like, I don't want to work. Ever, who the

987
00:55:32,000 --> 00:55:33,080
Speaker 1: fuck wants to work?

988
00:55:33,560 --> 00:55:36,440
Speaker 2: You're like either a prince or a vampire or both.

989
00:55:36,960 --> 00:55:40,200
Speaker 1: I'm like, rather, yes, I'm not. I don't want to

990
00:55:40,440 --> 00:55:47,520
Speaker 1: mingle among the common folk trying to get blood. I

991
00:55:47,560 --> 00:55:50,640
Speaker 1: would rather seduce you with my wealth and my fucking

992
00:55:50,760 --> 00:55:55,279
Speaker 1: jewelry and goblets and shit. I don't want to go

993
00:55:55,400 --> 00:55:57,319
Speaker 1: amongst you and be like, yeah, I'll work with you

994
00:55:57,520 --> 00:56:00,640
Speaker 1: and then maybe maybe I'm a vampire and I'll change you.

995
00:56:01,520 --> 00:56:03,319
Speaker 1: I'm so seeky that way, So.

996
00:56:03,360 --> 00:56:04,840
Speaker 2: Not just a vamp. You want to be an elitist

997
00:56:04,920 --> 00:56:07,960
Speaker 2: vampire where you're like, I want that pure blood. I

998
00:56:08,000 --> 00:56:10,040
Speaker 2: want to eat people who have had a kale salad

999
00:56:10,080 --> 00:56:13,400
Speaker 2: within the last year. I will not be less.

1000
00:56:13,239 --> 00:56:14,680
Speaker 1: Work in my life.

1001
00:56:15,640 --> 00:56:20,480
Speaker 2: Will absolutely not be going out in these streets and

1002
00:56:20,560 --> 00:56:23,880
Speaker 2: drinking the blood of someone like Danielle Henderson, for example,

1003
00:56:24,040 --> 00:56:29,040
Speaker 2: who has a packagdat orange Tictac habit. I'm not drinking

1004
00:56:29,120 --> 00:56:33,320
Speaker 2: her fucking blood. I want some goblet encrusted blood.

1005
00:56:34,360 --> 00:56:37,080
Speaker 1: But like, but even if I wanted your tictac blood,

1006
00:56:37,440 --> 00:56:38,560
Speaker 1: all I'm saying.

1007
00:56:39,000 --> 00:56:41,040
Speaker 2: I have to bring it to you exid I want

1008
00:56:41,040 --> 00:56:41,399
Speaker 2: to go.

1009
00:56:42,040 --> 00:56:45,400
Speaker 1: I want to I'd rather be sitting on a beach

1010
00:56:45,960 --> 00:56:50,160
Speaker 1: in Cancun being like, look at my lifestyle. Don't you

1011
00:56:50,160 --> 00:56:53,000
Speaker 1: want to get on this lifestyle as supposed to be? Like, well,

1012
00:56:53,080 --> 00:56:57,680
Speaker 1: let me go get a job, move next door to Danielle,

1013
00:56:58,360 --> 00:57:01,000
Speaker 1: and then well, I'll just try to be your friend.

1014
00:57:01,160 --> 00:57:04,400
Speaker 1: And then I'm like, I'd rather woo you in the

1015
00:57:04,520 --> 00:57:09,160
Speaker 1: high end zone then try to live amongst the people.

1016
00:57:09,400 --> 00:57:13,319
Speaker 1: I'm saying as a vampire, as a fucking vampire is.

1017
00:57:13,239 --> 00:57:17,280
Speaker 2: When I'm as a vampire, you want the blood to

1018
00:57:17,360 --> 00:57:19,960
Speaker 2: come to You don't want to have to spend time

1019
00:57:20,040 --> 00:57:24,280
Speaker 2: building the story and crafting the narrative. You're like, you

1020
00:57:24,320 --> 00:57:26,440
Speaker 2: don't need to know shit about me. All you need

1021
00:57:26,480 --> 00:57:30,560
Speaker 2: to know is I'm gonna get this blood and thank

1022
00:57:30,600 --> 00:57:34,880
Speaker 2: you for bringing it to my doorstep. And that's all

1023
00:57:34,920 --> 00:57:37,880
Speaker 2: you need to know about me. It's like, look at

1024
00:57:37,880 --> 00:57:40,880
Speaker 2: my fancy, look at my robes, look at my velveteen,

1025
00:57:41,880 --> 00:57:46,400
Speaker 2: look at my chase long, check out my shoes. Now

1026
00:57:46,440 --> 00:57:50,040
Speaker 2: give me some blood. I'm not working any harder than that, Yes,

1027
00:57:50,800 --> 00:57:52,720
Speaker 2: and I appreciate that because you know what I love.

1028
00:57:52,960 --> 00:57:58,400
Speaker 2: You're basically so Prince Rogers Nelson kind of did that

1029
00:57:58,440 --> 00:58:00,560
Speaker 2: with his music, and you want to the kind of

1030
00:58:00,600 --> 00:58:03,800
Speaker 2: prince vampire prince who does that as well. It's a

1031
00:58:03,880 --> 00:58:07,360
Speaker 2: nice marriage. You're like, I'm not working any harder than

1032
00:58:07,400 --> 00:58:10,160
Speaker 2: I have to. I'm gonna bring the funk and the

1033
00:58:10,200 --> 00:58:12,960
Speaker 2: way that I know how, and you will come to me.

1034
00:58:14,280 --> 00:58:16,560
Speaker 2: Prince had those women dancing around with like those fucking

1035
00:58:16,640 --> 00:58:19,760
Speaker 2: jeweled curtains in front of their faces in the nineties,

1036
00:58:19,880 --> 00:58:22,560
Speaker 2: like all he had to do is be like, I'm Prince,

1037
00:58:22,880 --> 00:58:25,439
Speaker 2: give me some jeweled curtains. You can't see shit get

1038
00:58:25,440 --> 00:58:27,800
Speaker 2: in this video. And they're like, okay, you want the

1039
00:58:27,800 --> 00:58:30,680
Speaker 2: same thing with blood, and I respect it. I respect it. Yes,

1040
00:58:30,840 --> 00:58:31,240
Speaker 2: that like.

1041
00:58:31,200 --> 00:58:33,520
Speaker 1: When I saw Prince for the only time I ever

1042
00:58:33,560 --> 00:58:35,120
Speaker 1: saw Prince in my life is when he did all

1043
00:58:35,120 --> 00:58:38,040
Speaker 1: those shows at was at the Staples Center or whatever,

1044
00:58:38,080 --> 00:58:39,960
Speaker 1: when he was in La the Form, he was at

1045
00:58:39,960 --> 00:58:44,400
Speaker 1: the Forum and he was doing twenty something fucking shows,

1046
00:58:44,640 --> 00:58:48,080
Speaker 1: and all he would say is, come on back. I

1047
00:58:48,120 --> 00:58:49,920
Speaker 1: got a lot of hits. But I got a lot

1048
00:58:49,920 --> 00:58:51,720
Speaker 1: of fucking hits and you and I know you want

1049
00:58:51,720 --> 00:58:54,320
Speaker 1: to hear them. I'm not gonna like I'll do the

1050
00:58:54,360 --> 00:58:57,800
Speaker 1: performance part, but there's literally nothing but hits. That's all

1051
00:58:57,800 --> 00:59:00,280
Speaker 1: I can give you is my hits, and you'll come

1052
00:59:00,320 --> 00:59:03,800
Speaker 1: back and pay money every single night. And when the

1053
00:59:03,840 --> 00:59:06,400
Speaker 1: fuck happened, we did that shit, We did it.

1054
00:59:06,440 --> 00:59:09,160
Speaker 2: Absolutely. He's like, you haven't even heard controversy yet. I

1055
00:59:09,200 --> 00:59:11,080
Speaker 2: know you're coming back exactly.

1056
00:59:12,160 --> 00:59:14,800
Speaker 1: That's all it is is that confidence and knowing what

1057
00:59:14,960 --> 00:59:17,160
Speaker 1: you got. And that's the kind of vampire I want

1058
00:59:17,160 --> 00:59:19,280
Speaker 1: to be. I don't want to work. I'm not clocking

1059
00:59:19,400 --> 00:59:21,120
Speaker 1: in to get your blood.

1060
00:59:21,320 --> 00:59:27,640
Speaker 2: I respect it. I respect it because if you're gonna live,

1061
00:59:27,960 --> 00:59:31,040
Speaker 2: if you're gonna live for fucking ever, you should not

1062
00:59:31,240 --> 00:59:36,840
Speaker 2: also have to goddamn work. Like I will be alive

1063
00:59:37,360 --> 00:59:43,360
Speaker 2: right forever, like I will outlive all of you by centuries.

1064
00:59:44,880 --> 00:59:47,520
Speaker 2: My work days are done. Even if I get vamped,

1065
00:59:47,800 --> 00:59:52,000
Speaker 2: like in my able bodied twenties, at my most energetic,

1066
00:59:52,200 --> 00:59:55,760
Speaker 2: my sexiest, I'm still not working because I'm gonna be

1067
00:59:55,800 --> 00:59:59,439
Speaker 2: alive for seven thousand yearss.

1068
01:00:00,480 --> 01:00:04,920
Speaker 1: Living forever and working is literally my worst nightmare. That

1069
01:00:05,480 --> 01:00:09,600
Speaker 1: is my fucking al'm all hands, that's my am all hands. Fuck.

1070
01:00:12,280 --> 01:00:15,120
Speaker 1: I feel so depressed by that thought. I'm just sitting right.

1071
01:00:16,160 --> 01:00:19,040
Speaker 2: Don't think. Remind yourself that that's not gonna be you.

1072
01:00:19,520 --> 01:00:21,400
Speaker 2: You're gonna be the opposite of that, where you're like,

1073
01:00:21,520 --> 01:00:24,280
Speaker 2: guess what, I'm gonna conserve this energy because I don't

1074
01:00:24,280 --> 01:00:27,080
Speaker 2: know when the next time I'm getting blood. I'm gonna

1075
01:00:27,080 --> 01:00:29,400
Speaker 2: be the vampire that doesn't work. I will conserve my

1076
01:00:29,520 --> 01:00:33,560
Speaker 2: energy and I will be suave, and you will bring

1077
01:00:33,600 --> 01:00:37,440
Speaker 2: me your kale infuse blood, and that is all I

1078
01:00:38,000 --> 01:00:39,640
Speaker 2: need because I'm gonna live forever.

1079
01:00:40,120 --> 01:00:42,600
Speaker 1: High end vampireism high high.

1080
01:00:42,520 --> 01:00:46,280
Speaker 2: End, high end. You can't work and live forever. I'm sorry.

1081
01:00:46,360 --> 01:00:50,000
Speaker 2: Those two things do not compute in my head. Also,

1082
01:00:50,160 --> 01:00:52,200
Speaker 2: can we call this episode TikTok blood.

1083
01:00:53,960 --> 01:00:57,240
Speaker 1: I'm just gonna name this episode literally everything you just

1084
01:00:57,240 --> 01:00:58,840
Speaker 1: said for the past ten minutes. That's what I was

1085
01:00:58,880 --> 01:01:00,120
Speaker 1: gonna name this episode.

1086
01:01:00,640 --> 01:01:04,680
Speaker 2: We've got our our Fiona Apple ninety word title.

1087
01:01:06,800 --> 01:01:10,920
Speaker 1: Holy shit. Look, I mean I hate to say that

1088
01:01:10,960 --> 01:01:12,800
Speaker 1: this is not going to be a main feed episode.

1089
01:01:13,080 --> 01:01:18,520
Speaker 1: This bonus episode was so intense. We covered a lot

1090
01:01:18,520 --> 01:01:22,360
Speaker 1: of ground, We felt a lot of passionate things, and

1091
01:01:22,760 --> 01:01:26,040
Speaker 1: if you're listening right now, I'm just saying, you know,

1092
01:01:26,600 --> 01:01:28,680
Speaker 1: this is the kind of shit we're doing right now

1093
01:01:28,720 --> 01:01:31,160
Speaker 1: on these bonus episodes. So thank you so much for

1094
01:01:31,720 --> 01:01:35,520
Speaker 1: being a subscriber, because we are having an abort truly.

1095
01:01:35,640 --> 01:01:37,880
Speaker 2: And thank you for writing to us. Thank you for

1096
01:01:37,960 --> 01:01:40,120
Speaker 2: all of all of the people that wrote in today.

1097
01:01:40,320 --> 01:01:45,680
Speaker 2: Thank you Eli, thank you Leida, thank you Molly, Sarah

1098
01:01:45,800 --> 01:01:47,240
Speaker 2: and Mike, and.

1099
01:01:47,400 --> 01:01:49,320
Speaker 1: Hey, if you're out there and you're listening and you

1100
01:01:49,320 --> 01:01:51,600
Speaker 1: want to email us, we are at I saw what

1101
01:01:51,640 --> 01:01:53,280
Speaker 1: you did pod at gmail dot com.

1102
01:01:53,840 --> 01:01:56,280
Speaker 2: You know you can find us on our social media accounts.

1103
01:01:56,280 --> 01:01:59,400
Speaker 2: We are at I saw pod on Instagram and Twitter

1104
01:02:00,200 --> 01:02:00,680
Speaker 2: and hey.

1105
01:02:00,640 --> 01:02:03,760
Speaker 1: We got merch. I saw what you did merch in

1106
01:02:03,840 --> 01:02:06,680
Speaker 1: the exactly Right shop at exactly Rightmedia dot com.

1107
01:02:07,360 --> 01:02:10,160
Speaker 2: And you can listen, follow and leave us a review

1108
01:02:10,280 --> 01:02:14,520
Speaker 2: on Amazon Music, Apple Podcast, or wherever you get your podcast.

1109
01:02:14,920 --> 01:02:18,120
Speaker 2: And don't forget that you can listen to new episodes

1110
01:02:18,480 --> 01:02:22,280
Speaker 2: one week early on Amazon Music or early and ad

1111
01:02:22,280 --> 01:02:26,040
Speaker 2: free plus all of our bonus episodes by subscribing to

1112
01:02:26,080 --> 01:02:28,120
Speaker 2: Wondery Plus in the Wondery app.

1113
01:02:28,360 --> 01:02:31,600
Speaker 1: Man oh Man, Well Daniel, listen. It was a pleasure

1114
01:02:31,680 --> 01:02:35,760
Speaker 1: as always to crack up, to do my claps, my

1115
01:02:35,840 --> 01:02:37,760
Speaker 1: laugh claps. I love it so much.

1116
01:02:38,680 --> 01:02:41,480
Speaker 2: You my stomach curs. You have me rolling. You're my

1117
01:02:41,560 --> 01:02:45,120
Speaker 2: favorite person. I absolutely love laughing with you and just

1118
01:02:45,200 --> 01:02:48,680
Speaker 2: talking movies. And you put so much effort into this

1119
01:02:48,680 --> 01:02:51,280
Speaker 2: this bonus. I promise I will do my homework next time.

1120
01:02:51,520 --> 01:02:53,800
Speaker 1: I was saying to say, it's never gonna happen again.

1121
01:02:54,520 --> 01:02:57,680
Speaker 1: This is so loutside. I don't know what happened. I

1122
01:02:57,800 --> 01:03:00,200
Speaker 1: must I must have done a B twelve shot or

1123
01:03:00,240 --> 01:03:01,880
Speaker 1: something this week. I don't know what happened.

1124
01:03:02,360 --> 01:03:04,840
Speaker 2: This was the final exam and from now on it's

1125
01:03:04,840 --> 01:03:05,720
Speaker 2: just summer vacation.

1126
01:03:09,440 --> 01:03:10,760
Speaker 1: See you guys next time.

1127
01:03:11,240 --> 01:03:20,560
Speaker 2: Bye. This has been an exactly right production, produced and

1128
01:03:20,640 --> 01:03:23,320
Speaker 2: mixed by Casey O'Brien. Our theme song is by Tom

1129
01:03:23,360 --> 01:03:27,040
Speaker 2: Brian Foegel, artwork by Garrett Ross. Our executive producers are

1130
01:03:27,120 --> 01:03:30,280
Speaker 2: Georgia Hartstark, Caring Kill, Gareth and Danielle Kramer. You can

1131
01:03:30,320 --> 01:03:33,240
Speaker 2: follow us on Instagram and Twitter at I Saw Pod,

1132
01:03:33,720 --> 01:03:35,800
Speaker 2: and you can email us at I Saw What You

1133
01:03:35,840 --> 01:03:38,960
Speaker 2: Did Pod at Gmail. Listen, follow and leave us a

1134
01:03:39,000 --> 01:03:42,160
Speaker 2: review on Amazon Music, Apple Podcast, or wherever you get

1135
01:03:42,160 --> 01:03:45,040
Speaker 2: your podcasts and don't forget. You can listen to new

1136
01:03:45,080 --> 01:03:48,640
Speaker 2: episodes one week early on Amazon Music or early and

1137
01:03:48,880 --> 01:03:52,560
Speaker 2: at free plus bonus episodes by subscribing to Wondery Plus

1138
01:03:52,600 --> 01:03:53,520
Speaker 2: in the Wondery app