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Speaker 1: Good morning Usa yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo yo.

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Speaker 2: Just hilarious morning Charlamagne to be here in the second.

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Speaker 3: And guess what day it is?

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Speaker 2: Guess what day it is? Now? That's right, it's Wednesday,

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Speaker 2: huck Day, Miller of the week.

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Speaker 4: How you feeling, yes, feeling good? We got the gym today?

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Speaker 2: No, yes, I went already, yo when I went Monday.

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Speaker 4: Oh so you changed the days when you don't want

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Speaker 4: to go.

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Speaker 3: Nah, No, that's not true. I was supposed to go today.

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Speaker 2: See so if you don't know, just put me on

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Speaker 2: to her doctor, right, and her gym doctor who trains

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Speaker 2: a little differently. It's still gym, but it's just not

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Speaker 2: as you don't have to go as many days, but

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Speaker 2: it's just as intense, right, So I go with just

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Speaker 2: each and every Wednesday we go to the gym and

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Speaker 2: it's very painful, like it's it's nothing easy. So I

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Speaker 2: told the doctor that vice my birthday. That picture right there,

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Speaker 2: whatever that is in that picture. I want to walk around.

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Speaker 2: I want to come to the breakfast club. With no

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Speaker 2: shirt on September, October, November, December, without you know, paying

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Speaker 2: to sketch my abs.

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Speaker 4: Yes you did.

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Speaker 2: So he was like, I'm gonna You're gonna need a

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Speaker 2: little more work, so it's not gonna be working. I

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Speaker 2: gotta go three times a week.

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Speaker 4: Oh so you're going three times.

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Speaker 3: I gotta go three times a day.

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Speaker 4: But you're not going today.

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Speaker 2: I can't go to that because I got call show stuff,

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Speaker 2: my car shot, I gotta drop off cars and things

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Speaker 2: like that.

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Speaker 3: But I really do want to go. Okay, all right,

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Speaker 3: I really do want to go.

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Speaker 4: You better be dropping off some cars.

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Speaker 2: I am. I was there Monday, I go, I get my.

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Speaker 4: Work out in Okay, because I'm going today.

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Speaker 3: You're going today? All right?

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Speaker 2: Well, Charlemagne to be here in the second. I was

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Speaker 2: like a minute late today. You know why, when you

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Speaker 2: have a group of kids in your house that drive,

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Speaker 2: they take your car, don't put gas in it. So

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Speaker 2: when I get in the car this morning, I'm going

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Speaker 2: to work, and the cars then there shaking because it's

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Speaker 2: no gas. So I had to get to a gas station.

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Speaker 2: And in Jersey, you can't pump your own gas, so

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Speaker 2: you gotta wait for Homie to come out just the

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Speaker 2: whole thing.

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Speaker 5: I wish I was somewhere with a camera recording you

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Speaker 5: jumping up and down like you did when I was

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Speaker 5: stuck behind him to track the trail.

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Speaker 2: Well, let's get the show cracking. Abdul Abdulah will be

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Speaker 2: joining us. He is the CEO of AFRO Future, formerly

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Speaker 2: of Afrocheller. He's going to be joining us. You know,

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Speaker 2: they have this huge show in Ghana they do each

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Speaker 2: and every year and they bringing that to the States

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Speaker 2: this year. So we'll talk to him about that. Charlomage

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Speaker 2: just stepped in the building. We got front page news

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Speaker 2: that don't go anywhere. It's the Breakfast Club on Morning

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Speaker 2: Morning everybody. It's DJ Envy jests hilarious. Charlomagne the guy.

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Speaker 2: We are the Breakfast Club. Let's get in some front

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Speaker 2: page news, all right, some quick sports source. Gardener, cornerback

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Speaker 2: for the Jets, just signed a four year extension for

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Speaker 2: one hundred and twenty point four million dollars. He becomes

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Speaker 2: the highest paid cornerback of all time.

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Speaker 1: So gradulation, you get to get paid all of that

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Speaker 1: money to suffer in New York plan for the Jets man.

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Speaker 3: That's what's up, all right?

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Speaker 2: What up?

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Speaker 3: He deserves that, that's compensation.

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Speaker 2: Yeah for the jets. I agree. What's up? Morgan?

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Speaker 4: Hey y'all, Hey, how are we filling on a Wednesday?

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Speaker 3: Let's black and oay? But how you doing Morgan?

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Speaker 4: I'm doing good.

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Speaker 6: Let's get into some of the news that's coming out

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Speaker 6: of New Jersey. Unfortunately, following the aftermath of the flooding,

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Speaker 6: there at least two people are dead after heavy rains

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Speaker 6: led to flash flooding on the East coast. Now, New

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Speaker 6: Jersey Governor Phil Murphy made us statements, said his state

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Speaker 6: was smacked by the rains, and he also talked about

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Speaker 6: what that looked like. Let's take a listen to New

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Speaker 6: Jersey Governor Phil Murphy's comments last night.

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Speaker 7: We got crushed, not just here in Berkeley Heights, but

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Speaker 7: in this part of the state in particular, six inches

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Speaker 7: of rain in under two and a half hours in

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Speaker 7: two waves. Importantly, one wave sort of knucked a lot

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Speaker 7: of these communities a little bit off kilter of the

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Speaker 7: second one came in for the kill.

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Speaker 8: Yeah.

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Speaker 6: So the two people were killed in New Jersey after

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Speaker 6: their car was swept away by high waters and that

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Speaker 6: storm sent floodwaters rushing through New York subway stations, causing

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Speaker 6: mass transit issues as well. Department of Environmental Protection Commissioner

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Speaker 6: Rochi Agawala says the city sewer system was not meant

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Speaker 6: to handle a storm so intense, and a lot of

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Speaker 6: work does need to be done to increase capacity. He

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Speaker 6: also talked about the infrastructure. Let's take a listen to

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Speaker 6: Department of Environmental Protection Commissioner Agarala.

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Speaker 9: We're on talking about repairing a broken system. We're talking

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Speaker 9: about expanding a system. Frankly, in most cases, if there's

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Speaker 9: a quick fix, we've already done it. But we're going

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Speaker 9: to keep looking for more and then we have to

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Speaker 9: think about how to do things differently over the long term.

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Speaker 9: The reality is that the subways are underground. They are

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Speaker 9: where water will flow, and so we do work very

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Speaker 9: closely with the MTA to protect that underground infrastructure. But

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Speaker 9: it is a long term effort.

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Speaker 2: Like I said before, with the infrastructure, we've had these

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Speaker 2: problems before. This is not like this is the first

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Speaker 2: time we've had a nasty weather and it caused disruptions,

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Speaker 2: It costs water in a subway, has caused flooding, People

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Speaker 2: have lost their houses or even lost their lives. So

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Speaker 2: if this has happened before, and especially in the same areas,

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Speaker 2: we can send people a space, but we can't fix

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Speaker 2: the infrastructure. When it comes to water flowing. That seems

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Speaker 2: weird to me.

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Speaker 4: So that's happened here before, like like it did.

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Speaker 2: Like the water in the subways and all that.

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Speaker 1: Yes, absolutely, yeah, But the crazy thing about New Jersey,

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Speaker 1: they've always been actively working to improve it's flood infrastructure. So,

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Speaker 1: I mean, that's the interesting thing about that flash flood.

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Speaker 1: There were warnings about it all day warning, like all

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Speaker 1: day long, they were telling us that it was supposed flashloods,

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Speaker 1: post flashlood, supposed to flash food. I just think man

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Speaker 1: climate change has made these things a lot stronger, and

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Speaker 1: there's really nothing you can do when Mother Nature hits well.

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Speaker 6: Aga Wala went on to say that it will take

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Speaker 6: decades and billions of dollars to expand the city's water system,

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Speaker 6: adding that DP works closely with MTA to make necessary

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Speaker 6: upgrades to prevent flooding in the subways. And of course

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Speaker 6: in Texas, you know we're talking about the aftermath and

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Speaker 6: recovery efforts there. Rain continues to impact those recovery efforts

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Speaker 6: as well. So we're going to continue to you know,

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Speaker 6: just try to stay vigilant and heed to those warnings

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Speaker 6: as they come. Still, one hundred and thirty people died

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Speaker 6: in that flooding in Texas and.

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Speaker 4: One hundred well still missing.

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Speaker 1: So and I want I wondered too, like, you know,

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Speaker 1: even when you do make improvements to the infrastructure, being

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Speaker 1: that climate change is making flash floods worse. You know,

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Speaker 1: I'm off and yeah, yeah, so it's like the worst

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Speaker 1: climate change get It's like you got to constantly keep updating.

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Speaker 3: I guess, yes, structure.

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Speaker 6: That's right, that's right, you got to keep it up. Well,

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Speaker 6: that's your fun. Fax news for six am. At seven

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Speaker 6: am were talking about these Epstein files because who child

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Speaker 6: hold on to your wik.

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Speaker 2: Right everybody else, get it off your chest eight hundred

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Speaker 2: five eight five one oh five one. If you need

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Speaker 2: to vent, phone lines to wide open again. Eight hundred

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Speaker 2: five eight five one oh five one is the Breakfast Club?

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Speaker 2: Good morning, the Breakfast Club, Wake up, wake up.

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Speaker 10: It's if you're time to get it off your chest

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Speaker 10: because of your man or blessed, we want to hear

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Speaker 10: from you on the Breakfast Club.

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Speaker 2: Hello, who's this.

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Speaker 11: This satterbug aka tomboy trucker aka chantey? What's going on?

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Speaker 2: Breakfast flow?

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Speaker 3: What your mama call you? What does your mama call you?

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Speaker 12: Or mama? Listen?

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Speaker 11: Come on, Charlottemagne.

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Speaker 3: I'm just asking a question. I'm gonna call you Shante.

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Speaker 13: Okay, that's right, shante.

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Speaker 3: Name or nickname, a rap name.

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Speaker 11: Listen, tater bugs, my trunck of names, because I might

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Speaker 11: here slopping these gears, passing these tquears.

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Speaker 14: He because I'm a part of the community.

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Speaker 3: Okay, yes, ma'am, Yes, ma'am.

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Speaker 13: Okay, how y'all through jazz?

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Speaker 4: Hey, baby, what's up?

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Speaker 2: What's you know?

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Speaker 11: I met you when you came down here at the

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Speaker 11: Comedy Zone you remember in Charlotte.

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Speaker 4: Yes, absolutely, I remember coming down there, but I don't know.

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Speaker 4: I don't remember meeting you.

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Speaker 11: Yeah, you ain't meet me because you were still pregnant

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Speaker 11: and I was the only Lesbion in the.

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Speaker 4: Oh wow, Okay, it ain't never just one of your

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Speaker 4: honest what's up?

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Speaker 1: You know what I'm saying?

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Speaker 4: Listen?

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Speaker 11: I called because listen, I need them to put your

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Speaker 11: sound on the sound or when you hit that oh

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Speaker 11: my god, when you really really you really hit it.

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Speaker 13: They need to put that out.

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Speaker 11: On the on the on the board, because it'd be

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Speaker 11: a lot of them, Oh my god moments, especially when

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Speaker 11: you ain't there.

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Speaker 4: All right, Thank you, Charlemagne.

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Speaker 2: I love you.

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Speaker 11: You're my best friend in my head.

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Speaker 1: I love you too, man. I love Stud Carolina for

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Speaker 1: the World Park.

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Speaker 11: I'm a little small town called Jefferson, South Carolina.

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Speaker 1: You know what, Yeah, I know Jefferson. That's Luther Jefferson.

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Speaker 1: I'll be I'll be home tomorrow. Actually, i'll be home tomorrow.

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Speaker 1: I got the grand opening of Crystals in walter Borough.

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Speaker 1: I'll be doing the ribbon cutting there from eleven to

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Speaker 1: twelve tomorrow.

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Speaker 15: Hello, who's this ain't My name is Bidney, and I'm

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Speaker 15: calling from Florida all last week and I had told

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Speaker 15: y'all about my dogs night Yorki and Belle and Jeff

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Speaker 15: asked me for but.

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Speaker 14: Salomage, I asked you for my pest apt but I

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Speaker 14: gave all the wrong name of a sinty of Burgs Brown.

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Speaker 14: But anyway, I didn't get the fleet five dollars. Solomade

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Speaker 14: said that he didn't tell Lin to Hell. I want

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Speaker 14: to know lived because I remember when you said you

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Speaker 14: will be came and you let blatly drink out of

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Speaker 14: your four hundred dollars. God carry on. And then he

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Speaker 14: got accession here.

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Speaker 16: He could have put anything in it.

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Speaker 14: You didn't know him, but you didn't see Let I'm

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Speaker 14: a Christian, you say you're pristvie. So while he's like

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Speaker 14: connect this dollar Maine helped me out all, I'm trying

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Speaker 14: to do his safe and the.

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Speaker 2: Bell live, so she's she's she's saying that, you know,

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Speaker 2: I heard everything she said. Say you can't man drink

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Speaker 2: out your bottle, but you will know I didn't let

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Speaker 2: you know.

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Speaker 1: I didn't let him drink out my bottle. That was

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Speaker 1: the whole point, man. But I just don't The spirit

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Speaker 1: didn't move me.

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Speaker 2: I don't know what to tell you for Annabelle man

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Speaker 2: the dog man what speirit In.

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Speaker 14: Said, because you should have been sitting in history and

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Speaker 14: had to ask on because when he grabbed your father

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Speaker 14: for a second time, he could have put anything in here.

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Speaker 14: You putting your family at this.

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Speaker 13: Come on, now help him.

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Speaker 2: Out, that's right, put some money for help, help Anna bochart.

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Speaker 1: My hands open right now, and this bird still ain't

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Speaker 1: moving me to help that damn Now.

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Speaker 3: Try right, I got both.

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Speaker 4: Hey, yo, y'all playing, yes, not just my.

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Speaker 14: I don't play with sorry, but just my cast ursus brown,

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Speaker 14: y'all help me save it out.

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Speaker 4: Leg the leg her leg mess up?

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Speaker 3: See why what is it?

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Speaker 14: Shifty rus brown?

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Speaker 3: Cee y n t h I as b u r

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Speaker 3: g s. That's you. That's you with the great wig

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Speaker 3: on yo.

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Speaker 14: That's blonde.

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Speaker 3: Help baby, that blonde that looks silver. Hold on now,

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Speaker 3: let me make sure that the right person cent to

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Speaker 3: your burger is brown.

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Speaker 17: Yes, but that's me.

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Speaker 3: You ain't no damn seventy one you seventy one?

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Speaker 4: Funny?

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Speaker 3: Yes, you you look good.

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Speaker 2: Watch your mouth now.

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Speaker 4: The spirit the spirit moved that as no spur made

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Speaker 4: something else over there. Okay, boy, shut up?

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Speaker 2: What was rolling? Y'all?

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Speaker 1: Hold y'all some nasty ass for yak. You know what, man,

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Speaker 1: y'all need some freaky ass people.

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Speaker 2: Get it off your chest. Eight hundred five eight five

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Speaker 2: one oh five one. If you need to vent hit

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Speaker 2: us up now. It's the breakfast Club. Good morning, the

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Speaker 2: Breakfast Club. I'm telling, I'm telling what's doing.

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Speaker 18: Yo.

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Speaker 10: If this is your time to get it off your chest,

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Speaker 10: whether you're mad or blessed, eight hundred five eight five

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Speaker 10: one O five one. We want to hear from you

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Speaker 10: on the breakfast Club.

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Speaker 3: Hello, who's this yo' something?

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Speaker 2: Man? It's Howard Howard up, get it off your chest.

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Speaker 19: Hey, I want to get a big shout out to

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Speaker 19: Sea Lamine. I can't be too salty in that house.

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Speaker 19: Too late to grab a copy of a black Ballumini.

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Speaker 19: It was a fifty team yesterday. I probably got paid.

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Speaker 19: I ran to the comic book stuff. They were sold out, they.

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Speaker 3: Were sold out.

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Speaker 1: I got one in my bag. I'm gonna send it

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Speaker 1: to you right now, man less, thank you so much.

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Speaker 17: Can I get a signed to it's just first copy?

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Speaker 1: Yeah, I don't have it. Yeah, I can sign it.

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Speaker 1: I'm gonna send it to you right now. Eddie, can

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Speaker 1: you get your information? I literally got one in my

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Speaker 1: bag right now.

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Speaker 3: Awesome, thank you so much, my man.

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Speaker 2: Now people want to pick up this comic. How can

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Speaker 2: they pick it up?

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Speaker 3: I'm gonna be honest with you. I'm not sure because

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Speaker 3: because we did we did the whole.

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Speaker 1: Kickstarter campaign and that's where everybody bought it. And then

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Speaker 1: we had the signing in Midtown Comics last week, and

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Speaker 1: mad people came out there I know it's in Midtown

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Speaker 1: comics in New York.

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Speaker 3: I don't, I don't. I really don't know.

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Speaker 1: I have it about the website. The website, you can

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Speaker 1: go to a w A studios dot com slash series

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Speaker 1: slash Illuminati. But if you go if you go to

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Speaker 1: a w A Studios dot com, it'll come up and uh,

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Speaker 1: it's Illuminati and you can you can buy it there.

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Speaker 3: All right, Hello, who's this?

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Speaker 2: Hello? Who's this?

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Speaker 16: Oh my goodness, call me function me, Oh my goodness.

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Speaker 16: Y'll never answered this, jawn.

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Speaker 3: We always answer this jowin.

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Speaker 16: Oh, so listen, why is it always the booms have

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Speaker 16: one to be getting the praise?

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Speaker 2: Always the BOMs that worked to be getting to praise?

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Speaker 2: What happened Tony talk to us?

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Speaker 16: Oh no, they don't be doing man, well they can

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Speaker 16: order praise. I'm just I'm over it.

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Speaker 3: You gotta say some names, man, You got to say

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Speaker 3: your job or something.

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Speaker 16: I worked at the post office.

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Speaker 3: We're at Philly.

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Speaker 16: Yeah, bombs, Yeah, why don't.

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Speaker 2: I don't.

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Speaker 3: Why don't you say something about it?

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Speaker 4: I do, But they don't.

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Speaker 16: They don't care.

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Speaker 3: Who don't care?

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Speaker 16: Who won't tell you to be booms? The upper keep.

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Speaker 1: Up tied the damn you know what, man, I hate

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Speaker 1: to say it, but I can relate.

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Speaker 16: Wait a minute, I got one more. Say. A couple

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Speaker 16: of weeks ago, I was watching The Unfaithful Court. Man, Hey,

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Speaker 16: how did you able to hold it together when big

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Speaker 16: Sexy Beijing was coming?

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Speaker 3: All he did it?

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Speaker 2: He was breacked up that it was yo, that was

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Speaker 2: so funny because the beijing started dripping down his head

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Speaker 2: and it started. It was on me that he die

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Speaker 2: because he couldn't breathe.

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Speaker 3: It dripped on you.

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Speaker 2: Yeah, so big sexy he was.

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Speaker 3: That's why I thought y'all was gay.

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Speaker 2: No, don't tell me that. No, big sexy. Big Sexy

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Speaker 2: almost passed out because he you know, he's big. So

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00:14:22,040 --> 00:14:24,720
Speaker 2: he got mad at it started like hyper ventilating. He

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00:14:24,760 --> 00:14:26,520
Speaker 2: was about to die, so they had to call the ambulance.

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Speaker 2: He almost passed out. So I tried to grab him

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Speaker 2: and I couldn't hold him up.

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Speaker 1: All that cardio big Sexy be doing, he'd be running

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Speaker 1: across the highway with people.

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Speaker 2: Man, he did not.

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Speaker 4: Ever run across.

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Speaker 3: A crosswalk or something.

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Speaker 2: Jumping and running, but he started. I told me she

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Speaker 2: was just the man. But his Beijing started running and

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Speaker 2: something dripping down. That was I didn't want to laugh

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Speaker 2: because I thought he might die, But after he didn't die.

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Speaker 3: I laughed. I gotta watch that.

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Speaker 1: You know, that episode made Wendy Williams think that Envy

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Speaker 1: was gay because he said that he saw She said

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Speaker 1: she he saw an n Bey on this show telling

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Speaker 1: this game.

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Speaker 3: Man, why would you do that? She was like, it

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Speaker 3: was a cheating show. He called him cheating.

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Speaker 1: He called his boyfriend cheating, and he said, why would

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Speaker 1: you do that? Why would you do that? Oh man,

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Speaker 1: I'm glad you thought it was funny. I'm glad it

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Speaker 1: was funny.

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Speaker 12: Y'all.

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Speaker 2: I missed that show. That show was so much for men.

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Speaker 2: I missed that show. That show was hilarious. That show

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Speaker 2: was hilarious. Well you like, what do you look like that?

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Speaker 20: I just can't imagine you trying to grab and help

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Speaker 20: Big Sexy.

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Speaker 2: This beefore I even knew who Big Sexy.

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Speaker 4: Imagine it. It's on TV.

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Speaker 20: I need to see that.

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Speaker 2: Get it off your chest eight hundred five five one five.

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Speaker 3: If you need the vent, hit us up now.

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Speaker 7: Now.

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Speaker 3: We got the latest Lauria coming up.

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Speaker 4: We do.

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Speaker 21: The girls are arguing Nicki Minaj and Sissa Nicki Minaj

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Speaker 21: all night long.

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Speaker 20: We're gonna get into what the beefizer is it when

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Speaker 20: we come back.

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Speaker 2: All right, we'll get into all that. It's the Breakfast Club.

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Speaker 3: Good morning, the Breakfast Club, Good morning.

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Speaker 2: Everybody is tj Envy, Jesse, Hilr, Charlamagne the guy. We

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Speaker 2: are the Breakfast Club. Let's get to the latest with Lauren.

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Speaker 4: Lauren becoming a straight.

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Speaker 2: Fast she gets them somebody that knows somebody detail.

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Speaker 20: I'm a long girl that knows a little bit about everything.

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Speaker 3: She'd be having the latest on the latest with Lauren

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Speaker 3: la Rosa.

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Speaker 1: Sometimes you have sometimes you have details, sometimes you have

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Speaker 1: a little bit of everything.

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Speaker 2: It's the latest on the Breakfast Club.

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Speaker 21: So well, this back and forth was not on my

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Speaker 21: Bengo car for twenty twenty five. Nicki Minaj and Scissa

394
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Speaker 21: yesterday traded some words on x SO.

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Speaker 20: Nicki Minaj.

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Speaker 21: At first, she was tweeting about one of the tde execs,

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Speaker 21: Punch you used.

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Speaker 20: To work with Sizza.

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Speaker 21: She basically felt like some of the tweets that he

400
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Speaker 21: was tweeting while he was promoting a song were indirect

401
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Speaker 21: shots at her. So she then was the song It's

402
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Speaker 21: a song called Broken Barbies, but it's something that he

403
00:16:52,960 --> 00:16:55,760
Speaker 21: had been promoting prior to this back and forth. But

404
00:16:55,960 --> 00:16:59,400
Speaker 21: I got Nicki Minaj felt like there was some shots

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Speaker 21: being thrown her way in some of the tweets that

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Speaker 21: he was tweeting about that song. But so she began

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Speaker 21: then tweeting at him and just alleging a couple of

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00:17:07,800 --> 00:17:09,919
Speaker 21: different things, alleging that because she decided not to do

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Speaker 21: business with him, that he had been trying to sabotage

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Speaker 21: her career and different things of that nature. So those

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Speaker 21: tweets are happening, and then Sizza tweets, not at Nicki Minaj,

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Speaker 21: but she tweets randomly mercury retrograde, don't take the bait,

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Speaker 21: laugh out loud, silly goose. So Nigi Minaj sees this

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Speaker 21: and she responds directly to Sizza, and she tells Sissa

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Speaker 21: to go draw her freckles back on Bookie and then

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00:17:34,240 --> 00:17:36,760
Speaker 21: she says liar liar pants on fire, sounding like a

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Speaker 21: fin dead dog. So Sissa responded and she says, I

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Speaker 21: don't give an f about none of the weird stuff

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Speaker 21: that you're talking that you're popping. So then Nicki Minaj

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Speaker 21: continues to go like she goes. It was very like,

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Speaker 21: but I think we all were sitting there like, what

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Speaker 21: is happening right now? Yeah, so Nicki Minaj is then

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Speaker 21: she started to go off like some of the tweets

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Speaker 21: were so long, like I couldn't even get through them

425
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Speaker 21: here on the radio, and were like paragraphs. But she

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Speaker 21: basically was, let's take a listen, because she won't say

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Speaker 21: she had after they talk more about what the tweets work,

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Speaker 21: Let's take a listen to Nicki Minach's shaming.

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Speaker 22: Sissm listen, Misa, find you somebody to mother can play

430
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Speaker 22: with Mezsa le Mezza Rob. She already played with your own.

431
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Speaker 22: We've seen how that went. And you know, I don't

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Speaker 22: surger you shame or bout it shame. You know, I

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Speaker 22: don't even do that. But I don't know if you

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Speaker 22: fat obs, chubby, oh skinny.

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Speaker 23: The whole thing is leave me alone.

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Speaker 8: Now.

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Speaker 22: I don't know if this was before or after Freckles

438
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Speaker 22: and Bumbolina came out, However, you took to your Twitter

439
00:18:40,960 --> 00:18:45,520
Speaker 22: during those times to downgrade and downplay the top black

440
00:18:45,560 --> 00:18:48,240
Speaker 22: women in their respective feels at the time. So that

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Speaker 22: tells me a lot about you. So instead of you

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Speaker 22: coming on Twitter.

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Speaker 4: To give props to the top.

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Speaker 20: Black women in your field at that time, to the.

445
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Speaker 4: Women who you later worked with.

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Speaker 22: So I guess they weren't that bad after all.

447
00:19:02,400 --> 00:19:03,200
Speaker 4: Huh.

448
00:19:03,440 --> 00:19:04,960
Speaker 3: I want y'all to know, I have no idea what's

449
00:19:04,960 --> 00:19:05,640
Speaker 3: going on right now.

450
00:19:05,760 --> 00:19:06,560
Speaker 20: That's how we all felt.

451
00:19:06,840 --> 00:19:07,840
Speaker 3: I'm trying to figure it out now.

452
00:19:07,880 --> 00:19:08,919
Speaker 20: That's how y all felt yesterday.

453
00:19:09,000 --> 00:19:10,040
Speaker 2: So about think I got some of it.

454
00:19:10,160 --> 00:19:13,959
Speaker 21: Yes, Nicki Minaj just felt like Sizza and you know,

455
00:19:14,240 --> 00:19:16,720
Speaker 21: Punch from TDE were coming for her, so she started

456
00:19:16,760 --> 00:19:17,160
Speaker 21: going off.

457
00:19:17,200 --> 00:19:18,600
Speaker 20: She took it from X to then station.

458
00:19:18,600 --> 00:19:19,960
Speaker 3: Why does she think that again?

459
00:19:20,040 --> 00:19:24,800
Speaker 21: Because Punch tweeted broken Barbies and and that made her.

460
00:19:24,640 --> 00:19:26,000
Speaker 3: Broken Barbies is a song title?

461
00:19:26,040 --> 00:19:26,840
Speaker 2: You said, Yeah, who for?

462
00:19:26,920 --> 00:19:27,639
Speaker 3: Who for?

463
00:19:27,880 --> 00:19:29,600
Speaker 21: It's a song that he's been pushing. I don't know

464
00:19:29,600 --> 00:19:32,359
Speaker 21: whose song that song is, but it's a song that

465
00:19:32,359 --> 00:19:34,600
Speaker 21: he's been pushing. But I didn't know that there was

466
00:19:34,800 --> 00:19:37,240
Speaker 21: I guess like bad blood behind the scenes. According to

467
00:19:37,320 --> 00:19:39,119
Speaker 21: Nicki Minaj, that's why she took it like it was

468
00:19:39,119 --> 00:19:41,560
Speaker 21: something coming for her because she was alleging that they

469
00:19:41,600 --> 00:19:42,280
Speaker 21: had had.

470
00:19:42,280 --> 00:19:44,640
Speaker 20: I guess words or dealings or something before that.

471
00:19:45,000 --> 00:19:48,439
Speaker 21: She felt like the TDE team was trying to not

472
00:19:48,560 --> 00:19:50,920
Speaker 21: silence her, but just like sabotage her business. She says

473
00:19:50,920 --> 00:19:53,439
Speaker 21: that they were trying to sabotage her business allegedly and

474
00:19:53,560 --> 00:19:55,439
Speaker 21: come for her and silence her on a platform that

475
00:19:55,480 --> 00:19:56,560
Speaker 21: she uses to do her job.

476
00:19:56,680 --> 00:19:59,040
Speaker 2: And in twenty eleven, I seen that Sissa put out

477
00:19:59,040 --> 00:20:01,920
Speaker 2: some tweets against Yes, Rihanna and some other people.

478
00:20:02,040 --> 00:20:07,119
Speaker 21: Well, according to there's a Nicki Minaj fin that tweeted

479
00:20:07,280 --> 00:20:10,480
Speaker 21: some old tweets that Nicki Minaj then retweeted, And these

480
00:20:10,480 --> 00:20:15,439
Speaker 21: tweets talked about Beyonce, it talked about Rihanna, Sierra, and

481
00:20:15,480 --> 00:20:18,680
Speaker 21: then also Nicki Minaj in response to Iggiazel. You know,

482
00:20:18,760 --> 00:20:23,320
Speaker 21: these are alleged old tweets from Scissa that Nikki then retweeted.

483
00:20:24,760 --> 00:20:25,240
Speaker 3: Eleven.

484
00:20:26,080 --> 00:20:29,120
Speaker 21: So Nicki Minaj gets into that as well too. Let's

485
00:20:29,119 --> 00:20:32,040
Speaker 21: take a listen to Nicki Minaj saying, Siss isn't an icon.

486
00:20:32,680 --> 00:20:34,480
Speaker 22: You were just one of the kids that couldn't get

487
00:20:34,480 --> 00:20:37,160
Speaker 22: in the crowd and the end crowd. No, you went

488
00:20:37,200 --> 00:20:39,600
Speaker 22: and started drawing freckles on your mother and face.

489
00:20:40,119 --> 00:20:43,960
Speaker 3: But do these people not know my stats?

490
00:20:44,280 --> 00:20:47,639
Speaker 22: Like, does this woman think like on any day that

491
00:20:47,720 --> 00:20:50,120
Speaker 22: if me and her walked in the room in any

492
00:20:50,160 --> 00:20:53,640
Speaker 22: country in the world. These bots don't got to your

493
00:20:53,680 --> 00:20:55,000
Speaker 22: mother's fat heads.

494
00:20:55,000 --> 00:20:56,080
Speaker 2: I see, y'all.

495
00:20:56,000 --> 00:20:58,280
Speaker 22: Don't even know who was a mother superstar and ain't

496
00:20:58,320 --> 00:21:01,840
Speaker 22: coning anymore. How Mizza, misser, you're not an icon. You

497
00:21:01,920 --> 00:21:05,399
Speaker 22: are a yodling fool who's who needs auto tune? Who

498
00:21:05,520 --> 00:21:09,479
Speaker 22: done this every female entertainer based off of you know,

499
00:21:09,760 --> 00:21:15,639
Speaker 22: the screenshots that yodling ass somewhere else. But ultimately this

500
00:21:15,840 --> 00:21:19,360
Speaker 22: is not that serious you guys, Okay, And honestly, I

501
00:21:19,480 --> 00:21:22,960
Speaker 22: hate having to speak like this to women.

502
00:21:24,160 --> 00:21:26,520
Speaker 3: So it's definitely on our way to icon's status, though.

503
00:21:26,680 --> 00:21:29,040
Speaker 3: I mean, her trajectory is just going up, up up.

504
00:21:29,040 --> 00:21:30,879
Speaker 3: She's only on her second album and.

505
00:21:31,080 --> 00:21:33,960
Speaker 21: Nicki Minaj that part of Station Head and even the

506
00:21:33,960 --> 00:21:38,159
Speaker 21: part on an Expert Nicki Minaj was basically talking about scissors,

507
00:21:38,280 --> 00:21:41,280
Speaker 21: numbers and you know whatever songs or whatever. It's because

508
00:21:41,400 --> 00:21:44,040
Speaker 21: Sissa basically said, look, I'm done with all this. Like

509
00:21:44,400 --> 00:21:46,960
Speaker 21: I didn't directly tweet at anybody. I was tweeting about

510
00:21:47,000 --> 00:21:49,240
Speaker 21: something from a show. She came at me, so of

511
00:21:49,240 --> 00:21:51,119
Speaker 21: course I'm mad now, and I responded, but I'm off this.

512
00:21:51,240 --> 00:21:53,400
Speaker 21: She said, I'm gonna go be Meek in silent. People

513
00:21:53,400 --> 00:21:55,880
Speaker 21: thought that was like a low key shot too, but.

514
00:21:56,040 --> 00:22:00,639
Speaker 3: They don't know what they think the word means. How

515
00:22:00,640 --> 00:22:05,120
Speaker 3: do y'all consuming this off? Yeah, I'm listening now, it's

516
00:22:05,160 --> 00:22:08,080
Speaker 3: just funny. It's funny. Listen, that's a shot because y'all

517
00:22:08,080 --> 00:22:09,240
Speaker 3: don't know what the word meet me.

518
00:22:09,320 --> 00:22:11,560
Speaker 21: There then decided to step out of this situation and

519
00:22:11,600 --> 00:22:14,560
Speaker 21: started tweeting about, you know, like on xtale, tweet like, oh,

520
00:22:14,640 --> 00:22:16,960
Speaker 21: you hit this number on your songs or like whatever.

521
00:22:17,000 --> 00:22:18,760
Speaker 20: Like there were like some some.

522
00:22:18,840 --> 00:22:21,760
Speaker 21: Notable mentions that came about her timely timeline about herself,

523
00:22:21,760 --> 00:22:24,359
Speaker 21: and she retweeted them. So Nikki then basically took that

524
00:22:24,440 --> 00:22:26,960
Speaker 21: as is she trying to talk numbers like that type

525
00:22:27,000 --> 00:22:30,080
Speaker 21: of you know energy. So yeah, and I'm trying to

526
00:22:30,080 --> 00:22:32,359
Speaker 21: find the artist name because Punch also tweeted out the

527
00:22:32,400 --> 00:22:35,160
Speaker 21: actual video after he tweeted Broken barbiees that the song

528
00:22:35,160 --> 00:22:37,280
Speaker 21: he was promoting. But I can't find the artist name,

529
00:22:37,320 --> 00:22:39,520
Speaker 21: but I'll mentioned it since it's such a topic of conversation.

530
00:22:39,640 --> 00:22:42,959
Speaker 21: Now it is, I mean it was yesterday. Oh it's

531
00:22:43,000 --> 00:22:45,520
Speaker 21: it's her name is I am Lyric and the song

532
00:22:45,640 --> 00:22:46,720
Speaker 21: is called Broken Barbies.

533
00:22:46,800 --> 00:22:48,720
Speaker 3: So I had nothing to do with and nothing to

534
00:22:48,760 --> 00:22:49,479
Speaker 3: do with, Nicki min I.

535
00:22:49,760 --> 00:22:52,000
Speaker 1: So Nikki's become that forty to your old rich auntie

536
00:22:52,000 --> 00:22:54,120
Speaker 1: who don't like nobody just show up at the family

537
00:22:54,200 --> 00:22:55,399
Speaker 1: of un You're complaining.

538
00:22:55,040 --> 00:22:56,320
Speaker 3: About everybody here.

539
00:23:00,160 --> 00:23:04,120
Speaker 1: Doing it all me Listen, some people complain about everything,

540
00:23:04,160 --> 00:23:07,680
Speaker 1: but never tolerate a single complaint about themselves. I don't

541
00:23:07,720 --> 00:23:09,680
Speaker 1: even know if these complaints from Nicki a valid because

542
00:23:09,680 --> 00:23:11,000
Speaker 1: I still don't know what the hell is going on.

543
00:23:13,000 --> 00:23:15,160
Speaker 1: This is a I don't know if this is behind

544
00:23:15,200 --> 00:23:17,600
Speaker 1: the scenes stuff that we don't know about. I don't know,

545
00:23:17,680 --> 00:23:20,360
Speaker 1: and so punch tweeting broken Bobby set her off.

546
00:23:20,440 --> 00:23:21,240
Speaker 3: I have no idea.

547
00:23:21,480 --> 00:23:23,920
Speaker 1: All I know is that complaining not only ruins everybody

548
00:23:23,920 --> 00:23:26,600
Speaker 1: else's day, it ruins the complainer's day too, because the

549
00:23:26,600 --> 00:23:28,880
Speaker 1: more the more we complain, the more and happy we get.

550
00:23:29,960 --> 00:23:31,800
Speaker 21: Yeah, I would say about that. This morning, I was

551
00:23:31,840 --> 00:23:34,119
Speaker 21: with my makeup, like, are any of these complaints valid?

552
00:23:34,160 --> 00:23:35,080
Speaker 20: And how do I know?

553
00:23:35,200 --> 00:23:37,479
Speaker 21: Because it's so much and it's been going on for

554
00:23:37,520 --> 00:23:42,240
Speaker 21: like weeks with Nicki Minaj, like, I don't know.

555
00:23:46,119 --> 00:23:46,480
Speaker 4: That's what.

556
00:23:48,240 --> 00:23:52,680
Speaker 21: She says, huh what you say, Nicki? And I said

557
00:23:52,800 --> 00:23:54,560
Speaker 21: says it gets them right every time she draws them

558
00:23:54,560 --> 00:23:54,960
Speaker 21: back on.

559
00:23:55,280 --> 00:23:56,919
Speaker 4: So that's a compliment talent.

560
00:23:57,040 --> 00:23:57,480
Speaker 3: It's great.

561
00:23:58,840 --> 00:23:59,800
Speaker 4: A lot of people want them.

562
00:23:59,880 --> 00:24:01,200
Speaker 3: I know a lot of people that want freckles.

563
00:24:01,560 --> 00:24:02,200
Speaker 4: I want the freckles.

564
00:24:02,240 --> 00:24:08,800
Speaker 1: At one point, Sage's the latest Jesus Christ.

565
00:24:08,920 --> 00:24:11,720
Speaker 2: All right, well thank you, Lauren. All right, now I.

566
00:24:11,760 --> 00:24:13,200
Speaker 3: Got some polota.

567
00:24:14,359 --> 00:24:16,879
Speaker 2: Okay here, y'all see, just don't we trying to confuse me.

568
00:24:17,280 --> 00:24:19,399
Speaker 3: I just don't know what the hell you're doing. I

569
00:24:19,440 --> 00:24:21,280
Speaker 3: really like, what the hell just happened.

570
00:24:22,280 --> 00:24:23,879
Speaker 2: That's not about a person that had nothing to do

571
00:24:23,960 --> 00:24:25,560
Speaker 2: with the song. And then they want to know, you

572
00:24:25,600 --> 00:24:27,760
Speaker 2: know what, what pays? It was the next Direktast club.

573
00:24:27,800 --> 00:24:31,240
Speaker 2: Good morning, the Breakfast Club. Your mornings will never be

574
00:24:31,400 --> 00:24:36,520
Speaker 2: the same morning, everybody in stej Envy just hilarious. Charlamage

575
00:24:36,560 --> 00:24:38,880
Speaker 2: the guy. We are the Breakfast Club. Let's get back

576
00:24:38,880 --> 00:24:42,520
Speaker 2: in some front page news now quick. The sports Sauce Garden,

577
00:24:42,560 --> 00:24:44,640
Speaker 2: a cornerback for the Jets. He just signed an extension

578
00:24:44,680 --> 00:24:46,960
Speaker 2: for four years for one hundred and twenty point four

579
00:24:47,160 --> 00:24:48,199
Speaker 2: million dollars.

580
00:24:48,240 --> 00:24:50,720
Speaker 3: He becomes the highest paid cornerback of all time. He

581
00:24:50,840 --> 00:24:52,320
Speaker 3: deserves man to him.

582
00:24:52,320 --> 00:24:54,959
Speaker 1: Anybody that has to suffer playing for the Jets for

583
00:24:55,000 --> 00:24:57,320
Speaker 1: the next four years. Deserves to get paid all the

584
00:24:57,359 --> 00:24:59,960
Speaker 1: money that they can get. Man slew the sauce garden.

585
00:25:00,080 --> 00:25:01,320
Speaker 4: Sure not a good team.

586
00:25:01,600 --> 00:25:06,040
Speaker 3: They suck. Jesus, You're not a good team though.

587
00:25:06,080 --> 00:25:06,880
Speaker 2: Read a jeftfs fan.

588
00:25:07,200 --> 00:25:08,359
Speaker 3: Read the only Jeff fan I know.

589
00:25:10,680 --> 00:25:12,960
Speaker 1: Oh and Gary vaynachuck but I don't know if Gary

590
00:25:13,000 --> 00:25:14,520
Speaker 1: really liked him, but he just want to buy them

591
00:25:14,640 --> 00:25:15,440
Speaker 1: Either way, they suck.

592
00:25:16,560 --> 00:25:18,439
Speaker 2: And what's up Brgan?

593
00:25:18,880 --> 00:25:21,399
Speaker 6: Hey y'all, Hey, all right, so let's get back into it.

594
00:25:21,480 --> 00:25:23,640
Speaker 6: Let's talk about the Epstein files.

595
00:25:23,400 --> 00:25:26,040
Speaker 4: Or lack thereof. We're trying to figure that part out, right.

596
00:25:26,160 --> 00:25:28,920
Speaker 6: So President Trump says he doesn't understand why his supporters

597
00:25:28,920 --> 00:25:31,960
Speaker 6: are so fascinated with the case of the disgraced financier

598
00:25:32,160 --> 00:25:35,480
Speaker 6: Jeffrey Epstein. Trump told reporters as he left an event

599
00:25:35,680 --> 00:25:38,720
Speaker 6: in Pennsylvania that Epstein was never a big factor in

600
00:25:38,840 --> 00:25:42,679
Speaker 6: terms of life, adding that credible information has been given now.

601
00:25:42,680 --> 00:25:45,359
Speaker 6: Trump also went on to call the case boring. He

602
00:25:45,440 --> 00:25:48,880
Speaker 6: spoke to reporters yesterday, and it's just that the files

603
00:25:48,880 --> 00:25:51,880
Speaker 6: were made up by former presidents Joe Biden, Barack Obama

604
00:25:51,920 --> 00:25:55,560
Speaker 6: and other Democrats. He also said Attorney General Pam Bondi

605
00:25:55,640 --> 00:25:58,320
Speaker 6: should release whatever she thinks is credible.

606
00:25:58,359 --> 00:26:01,159
Speaker 4: Let's take a listen to President Trump.

607
00:26:01,440 --> 00:26:03,800
Speaker 19: She's handled it vering well, and it's going to be

608
00:26:03,880 --> 00:26:05,800
Speaker 19: up to whatever she thinks incredible.

609
00:26:06,560 --> 00:26:07,200
Speaker 5: Reja.

610
00:26:07,600 --> 00:26:07,840
Speaker 4: Yeah.

611
00:26:07,880 --> 00:26:10,439
Speaker 6: So this comes as the Justice Department and FBI issued

612
00:26:10,440 --> 00:26:13,520
Speaker 6: a joint memo recently stating that Epstein did not have

613
00:26:13,600 --> 00:26:17,240
Speaker 6: a client list and confirmed that he died by suicide

614
00:26:17,280 --> 00:26:19,560
Speaker 6: in his New York City jail sale in twenty nineteen,

615
00:26:19,640 --> 00:26:22,400
Speaker 6: as opposed to other conspiracy theories that have been thrown

616
00:26:22,400 --> 00:26:24,440
Speaker 6: out there now. The Epstein files have been a source

617
00:26:24,440 --> 00:26:27,359
Speaker 6: of controversy in Washington, with lawmakers on both sides of

618
00:26:27,400 --> 00:26:31,360
Speaker 6: the aisle calling for the release of case documents. Speaking

619
00:26:31,400 --> 00:26:34,840
Speaker 6: of those lawmakers, House Republicans have blocked efforts from Democrats

620
00:26:34,880 --> 00:26:38,840
Speaker 6: to force a vote on releasing files associated with Epstein's case.

621
00:26:39,080 --> 00:26:42,760
Speaker 6: House Democrats unsuccessfully urged the chamber to oppose a routine

622
00:26:42,800 --> 00:26:48,160
Speaker 6: procedural vote on an amendment requiring Attorney General Pambondi to preserve, compile,

623
00:26:48,240 --> 00:26:51,919
Speaker 6: and publish the Epstein files. However, Republicans cleared the majority

624
00:26:51,960 --> 00:26:55,040
Speaker 6: threshold that Democrats were hoping to avoid and supported a

625
00:26:55,080 --> 00:26:58,679
Speaker 6: procedural vote of two eleven to two ten decision to

626
00:26:58,800 --> 00:27:02,480
Speaker 6: eleven to two ten decisions along party lines. Meanwhile, Attorney

627
00:27:02,480 --> 00:27:05,920
Speaker 6: General Pam Bondi she dodged questions recently about Jeffrey Epstein.

628
00:27:06,119 --> 00:27:08,800
Speaker 6: Bondi spoke at a news conference yesterday, saying the focus

629
00:27:08,880 --> 00:27:11,760
Speaker 6: was on fentanyl overdoses and families who have lost loved

630
00:27:11,760 --> 00:27:12,800
Speaker 6: ones to the drug.

631
00:27:12,880 --> 00:27:15,760
Speaker 4: Let's take a listen to her comments. Nothing about Epstein.

632
00:27:15,800 --> 00:27:18,040
Speaker 4: I'm not going to talk about Epstein. This today is

633
00:27:18,080 --> 00:27:18,960
Speaker 4: about fentanyl.

634
00:27:19,080 --> 00:27:22,720
Speaker 6: This is about a wall of people right outside this

635
00:27:22,880 --> 00:27:25,600
Speaker 6: room who have died from I appreciate your question, but

636
00:27:25,640 --> 00:27:28,440
Speaker 6: this today is about fentanyl. Of course, Bondi has been

637
00:27:28,480 --> 00:27:31,320
Speaker 6: on the defensive since the Justice Department announced it would

638
00:27:31,320 --> 00:27:34,000
Speaker 6: not release any more information in the case. Bondi also

639
00:27:34,119 --> 00:27:38,000
Speaker 6: refused to answer questions about Deputy FBI Director Don bon

640
00:27:38,040 --> 00:27:42,200
Speaker 6: Gino's future, which seemingly remains uncertain, and Speaker Mike Johnson

641
00:27:42,200 --> 00:27:45,080
Speaker 6: says Attorney General PANM. Bondi needs to explain her statements

642
00:27:45,080 --> 00:27:48,800
Speaker 6: regarding Epstein. His comment comes in response to the Justice Department,

643
00:27:49,040 --> 00:27:51,600
Speaker 6: of course, announcing that they're not going to release any

644
00:27:51,680 --> 00:27:55,119
Speaker 6: of those files now. Johnson's remarks express a different a

645
00:27:55,160 --> 00:27:58,520
Speaker 6: difference in rhetoric that breaks away from President Trump, who

646
00:27:58,640 --> 00:27:59,760
Speaker 6: has defended BONDI.

647
00:28:00,280 --> 00:28:03,080
Speaker 4: Now. Johnson also emphasized that.

648
00:28:03,000 --> 00:28:05,240
Speaker 6: His trust is in the President, but also noted that

649
00:28:05,280 --> 00:28:08,920
Speaker 6: he supports transparency and said we should put everything out

650
00:28:08,960 --> 00:28:10,800
Speaker 6: there and let the people decide.

651
00:28:11,320 --> 00:28:11,639
Speaker 22: Now.

652
00:28:11,880 --> 00:28:15,800
Speaker 6: US Representative Thomas Massey he says he plans to force

653
00:28:15,840 --> 00:28:18,440
Speaker 6: a vote that would decide whether the Department of Justice

654
00:28:18,440 --> 00:28:20,359
Speaker 6: has to release those files related.

655
00:28:19,960 --> 00:28:21,360
Speaker 4: To Jeffrey Epstein.

656
00:28:21,720 --> 00:28:25,240
Speaker 6: On Tuesday, the Kentucky Republicans said he's introducing a resolution

657
00:28:25,600 --> 00:28:30,400
Speaker 6: that would require BONDI to release all unclassified records regarding Epstein.

658
00:28:31,119 --> 00:28:34,679
Speaker 6: The resolution says the files can't be withheld or redacted

659
00:28:34,760 --> 00:28:37,800
Speaker 6: even if they cause reputational harm to government officials or

660
00:28:37,840 --> 00:28:42,480
Speaker 6: public figures. This, of course, again after that memo came

661
00:28:42,520 --> 00:28:44,880
Speaker 6: out last week that said Epstein does not have a

662
00:28:44,920 --> 00:28:48,120
Speaker 6: client list and that he died by suicide. Do you

663
00:28:48,120 --> 00:28:49,120
Speaker 6: guys have any thoughts on that?

664
00:28:49,400 --> 00:28:51,920
Speaker 1: Yeah, once again, I've been saying this all week. Democrats,

665
00:28:51,920 --> 00:28:54,320
Speaker 1: do not stop talking about the Epstein files. Okay, that

666
00:28:54,440 --> 00:28:57,640
Speaker 1: is your transgenders in women's sports issue. That is the

667
00:28:57,680 --> 00:29:01,360
Speaker 1: issue that builds a bridge between you and those those

668
00:29:01,480 --> 00:29:03,960
Speaker 1: those MAGA supporters, you know, those people who you know

669
00:29:04,400 --> 00:29:05,920
Speaker 1: voted for Trump last election.

670
00:29:06,440 --> 00:29:08,640
Speaker 3: Now I do have another couple couple other thoughts too.

671
00:29:09,160 --> 00:29:12,400
Speaker 1: Trump keeps blaming Democrats, which we know is nonsense, But

672
00:29:12,960 --> 00:29:15,200
Speaker 1: don't be surprised if for fake Epstein file just all

673
00:29:15,240 --> 00:29:17,240
Speaker 1: of a sudden the pis on social media.

674
00:29:17,400 --> 00:29:18,840
Speaker 2: Okay, what IF's.

675
00:29:18,640 --> 00:29:20,360
Speaker 3: Powerful Democrats on this list though, And they don't.

676
00:29:20,400 --> 00:29:22,360
Speaker 1: Just course, it's powerful Democrats on the list, but I'm

677
00:29:22,360 --> 00:29:26,560
Speaker 1: just talking about in general. Trump keeps saying, hey, Democrats,

678
00:29:26,920 --> 00:29:27,960
Speaker 1: the Democrats created this.

679
00:29:28,360 --> 00:29:30,080
Speaker 3: If a fake Epstein.

680
00:29:29,680 --> 00:29:32,840
Speaker 1: File just pops up on social media implicating all Trump's enemies,

681
00:29:33,000 --> 00:29:35,640
Speaker 1: don't be surprised by that. And I also wonder if

682
00:29:35,640 --> 00:29:38,840
Speaker 1: some Republicans are pushing to get the files out because

683
00:29:38,880 --> 00:29:41,720
Speaker 1: they're actually tired of Trump and they want to finally

684
00:29:41,800 --> 00:29:46,160
Speaker 1: get Trump out. I wonder because we all know, you know,

685
00:29:46,320 --> 00:29:51,160
Speaker 1: releasing names connected to Epstein will implicate individuals from both parties.

686
00:29:51,200 --> 00:29:55,520
Speaker 1: But maybe they're willing to implicate, you know, individuals in

687
00:29:55,560 --> 00:29:58,200
Speaker 1: both parties. Maybe they're willing to implicate allies. Maybe they're

688
00:29:58,200 --> 00:30:01,600
Speaker 1: willing to implicate donors and higre banking diplomats to finally

689
00:30:01,640 --> 00:30:03,520
Speaker 1: get rid of Trump and take back their party.

690
00:30:03,800 --> 00:30:05,200
Speaker 3: I don't know, I'm.

691
00:30:04,960 --> 00:30:07,240
Speaker 1: Just throwing scenarios out there, but I just know that

692
00:30:07,520 --> 00:30:09,760
Speaker 1: Democrats in particular should not stop talking about the f

693
00:30:09,760 --> 00:30:10,480
Speaker 1: Steve Foss.

694
00:30:10,680 --> 00:30:13,720
Speaker 4: Hey, all right, well there you go. That's your front

695
00:30:13,720 --> 00:30:14,560
Speaker 4: based news, y'all.

696
00:30:14,800 --> 00:30:17,080
Speaker 6: I'm Morgan Will y'all can follow me on socials at

697
00:30:17,120 --> 00:30:19,640
Speaker 6: Morgan Media and for more news coverage follow ad Black

698
00:30:19,640 --> 00:30:22,360
Speaker 6: Information Network, download the free iHeartRadio app and visit us

699
00:30:22,400 --> 00:30:25,040
Speaker 6: at binnews dot com. And those who are getting those

700
00:30:25,400 --> 00:30:28,560
Speaker 6: weather alerts, please again take key to those weather alerts.

701
00:30:28,560 --> 00:30:31,280
Speaker 6: Don't just you know, you know, just see the weather alerts,

702
00:30:31,280 --> 00:30:33,360
Speaker 6: but also pay attention to what's going on around you

703
00:30:33,640 --> 00:30:37,920
Speaker 6: and cross reference that with other alerts and the weather

704
00:30:37,960 --> 00:30:39,680
Speaker 6: on your the apps on your phone as well.

705
00:30:39,760 --> 00:30:39,959
Speaker 17: You know.

706
00:30:40,120 --> 00:30:41,920
Speaker 4: Just pay attention and try to stay safe.

707
00:30:42,200 --> 00:30:43,640
Speaker 2: All right, Thank you so much, Morgan.

708
00:30:43,760 --> 00:30:45,240
Speaker 3: Be safe out there, you you too.

709
00:30:45,680 --> 00:30:47,600
Speaker 2: All right, Well, let's open up the phone lines eight

710
00:30:47,720 --> 00:30:50,360
Speaker 2: hundred five eight five, one oh five one. We're asking

711
00:30:50,400 --> 00:30:53,000
Speaker 2: do special moments need to be recorded?

712
00:30:53,040 --> 00:30:53,200
Speaker 18: Now?

713
00:30:53,200 --> 00:30:55,160
Speaker 2: This comes from one of our producers, Nick.

714
00:30:55,360 --> 00:30:55,560
Speaker 3: Yeah.

715
00:30:55,600 --> 00:30:57,440
Speaker 1: We was having a good conversation behind the scenes. He

716
00:30:57,520 --> 00:31:01,080
Speaker 1: just recently got engaged. One of his family members were

717
00:31:01,080 --> 00:31:04,280
Speaker 1: supposed to record the moment and didn't.

718
00:31:04,320 --> 00:31:06,040
Speaker 3: Well, they got they were enjoying the moment too.

719
00:31:06,080 --> 00:31:07,800
Speaker 5: Got caught up in the moment when it was in Paris.

720
00:31:07,800 --> 00:31:09,120
Speaker 5: It was like a whole thing. He set it up.

721
00:31:09,160 --> 00:31:11,920
Speaker 4: He had the conversations with them.

722
00:31:11,800 --> 00:31:14,920
Speaker 5: Prior, like weeks prior, okay, that her dad was supposed

723
00:31:14,920 --> 00:31:16,680
Speaker 5: to take the pictures and her mom was supposed to

724
00:31:16,720 --> 00:31:22,440
Speaker 5: record during the whole thing, the mom got swept away

725
00:31:22,440 --> 00:31:26,440
Speaker 5: in the moment and then boomed. Nobody was really upset,

726
00:31:26,600 --> 00:31:30,120
Speaker 5: but he was just like, yo, forgot.

727
00:31:30,560 --> 00:31:32,520
Speaker 1: Yeah, And so what I was saying was like, you know,

728
00:31:32,560 --> 00:31:37,000
Speaker 1: I think a lot of times those moments like engagement weddings,

729
00:31:37,120 --> 00:31:39,680
Speaker 1: that's for you and yours, especially the engagement. I don't

730
00:31:39,680 --> 00:31:41,600
Speaker 1: even need an audience for the engagement. That's for you

731
00:31:41,640 --> 00:31:45,160
Speaker 1: and the person that you proposed him to. But people

732
00:31:45,200 --> 00:31:46,000
Speaker 1: want those moments.

733
00:31:45,800 --> 00:31:47,360
Speaker 4: Recorded and they were upset.

734
00:31:47,400 --> 00:31:49,120
Speaker 3: But would you be upset?

735
00:31:49,440 --> 00:31:51,400
Speaker 2: So that is the question eight hundred and five eight

736
00:31:51,520 --> 00:31:53,440
Speaker 2: five one oh five one. You know we're talking special

737
00:31:53,480 --> 00:31:55,560
Speaker 2: moments engaged with the weddings. Many and my wife gett

738
00:31:55,560 --> 00:31:57,760
Speaker 2: an argument about this all the time, right, So you

739
00:31:57,760 --> 00:32:00,440
Speaker 2: know my daughter's danced, so she wants me to record it,

740
00:32:01,040 --> 00:32:04,680
Speaker 2: but I want to be in the morning moment later.

741
00:32:04,720 --> 00:32:05,720
Speaker 3: So we always fight about, well.

742
00:32:05,640 --> 00:32:07,160
Speaker 2: It's your turn to record. That's why I got the

743
00:32:07,200 --> 00:32:09,000
Speaker 2: meta glasses. I just kicked the meta glasses on and

744
00:32:09,040 --> 00:32:11,200
Speaker 2: I can actually watch it. But that is the question.

745
00:32:11,320 --> 00:32:13,880
Speaker 2: Eight hundred five eight five one oh five to one

746
00:32:14,320 --> 00:32:16,520
Speaker 2: Special moments do they have to be recorded? Now? He

747
00:32:16,520 --> 00:32:18,680
Speaker 2: doesn't have that moment. Nobody was upset. I'm sure he's

748
00:32:18,680 --> 00:32:21,520
Speaker 2: still at but I'm sure he maybe wanted to show

749
00:32:21,560 --> 00:32:23,240
Speaker 2: it later on to his kids or later on they

750
00:32:23,320 --> 00:32:24,480
Speaker 2: might want to go back and look at it.

751
00:32:24,520 --> 00:32:27,360
Speaker 5: And then then me as a as a woman, I'm like, yo,

752
00:32:27,520 --> 00:32:31,200
Speaker 5: that's in Paris. Wow that I know the background, the landscape,

753
00:32:31,240 --> 00:32:34,080
Speaker 5: the whole view is amazing. I would want to see that.

754
00:32:34,480 --> 00:32:36,760
Speaker 5: But you know, white people different, white people different.

755
00:32:37,520 --> 00:32:39,560
Speaker 4: Like it is great. We can just go back next week,

756
00:32:39,600 --> 00:32:40,200
Speaker 4: you know.

757
00:32:40,720 --> 00:32:43,160
Speaker 2: Eight hundred five eight five one oh five one. Let's discuss.

758
00:32:43,160 --> 00:32:44,280
Speaker 2: This's the Breakfast Club. Good morning.

759
00:32:46,000 --> 00:32:48,560
Speaker 3: Pull out your phone, call in right now, call me.

760
00:32:50,160 --> 00:32:52,880
Speaker 2: Add your opinion to the Breakfast Club top break it down.

761
00:32:53,000 --> 00:32:54,960
Speaker 8: Eight hundred five eight five one o five one.

762
00:32:55,120 --> 00:32:56,600
Speaker 2: The Breakfast Club.

763
00:33:02,720 --> 00:33:06,960
Speaker 10: It's topic time called eight hundred five five one to

764
00:33:07,040 --> 00:33:08,920
Speaker 10: join in to the discussion with the Breakfast Club.

765
00:33:10,400 --> 00:33:14,480
Speaker 2: Morning everybody. It's DJ Envy, Jess Hilarious, Charlamagne the Gud

766
00:33:14,560 --> 00:33:16,800
Speaker 2: We are the Breakfast Club. Now he's just joining us.

767
00:33:17,080 --> 00:33:21,000
Speaker 2: We're talking about recording special moments. Eight hundred five eight

768
00:33:21,080 --> 00:33:22,800
Speaker 2: five one oh five one. This comes from one of

769
00:33:22,800 --> 00:33:23,680
Speaker 2: our producers.

770
00:33:23,920 --> 00:33:24,600
Speaker 3: His name is Nick.

771
00:33:24,680 --> 00:33:27,080
Speaker 2: He got engaged over the weekend.

772
00:33:26,760 --> 00:33:29,400
Speaker 1: And congratulations to Nick too, man, great guy man. That's

773
00:33:29,400 --> 00:33:32,120
Speaker 1: for a long time. He records all of the all

774
00:33:32,120 --> 00:33:34,800
Speaker 1: of the video. That's right, every every piece of content

775
00:33:35,120 --> 00:33:37,960
Speaker 1: you see from the Breakfast Club, that's visual Nick recording.

776
00:33:37,680 --> 00:33:39,680
Speaker 2: Which probably makes it even more of the reason why

777
00:33:39,760 --> 00:33:42,000
Speaker 2: he wanted video of it. So you know, he was

778
00:33:42,040 --> 00:33:44,360
Speaker 2: gonna he was getting engaged, and he told one family

779
00:33:44,360 --> 00:33:46,960
Speaker 2: member to take pictures, so another family member to video

780
00:33:47,040 --> 00:33:50,040
Speaker 2: tape it, and the family member just didn't videotape it

781
00:33:50,080 --> 00:33:52,080
Speaker 2: forgot because she was probably in the moment.

782
00:33:52,120 --> 00:33:53,280
Speaker 3: And we all understand that.

783
00:33:53,560 --> 00:33:56,040
Speaker 2: So we're asking eight hundred five eight five one oh

784
00:33:56,040 --> 00:33:59,200
Speaker 2: five one. Does everything have to be recorded? Me? No,

785
00:33:59,640 --> 00:34:01,960
Speaker 2: my wife, she wants to record everything. She wants to

786
00:34:01,960 --> 00:34:03,640
Speaker 2: have those memories. She wants to be able to look

787
00:34:03,680 --> 00:34:04,920
Speaker 2: back at it. She wants to be able to play

788
00:34:04,920 --> 00:34:06,680
Speaker 2: it for the kids when they get a little older.

789
00:34:06,760 --> 00:34:08,279
Speaker 2: She wants to record everything. And we get into the

790
00:34:08,320 --> 00:34:10,520
Speaker 2: biggest argument because I'm like, I want to live in

791
00:34:10,560 --> 00:34:12,239
Speaker 2: a moment. I just want to see it, but she

792
00:34:12,280 --> 00:34:14,160
Speaker 2: wants to record it to break it back down. Like

793
00:34:14,320 --> 00:34:15,640
Speaker 2: and we get in the argument all the time when

794
00:34:15,640 --> 00:34:17,000
Speaker 2: we go to my girls dance. That's why I got

795
00:34:17,000 --> 00:34:19,080
Speaker 2: those metaglasses so that way we ain't got to fight.

796
00:34:19,160 --> 00:34:21,520
Speaker 2: I just click record. You can watch keep it moving.

797
00:34:21,560 --> 00:34:23,040
Speaker 2: She can watch for her angle, I can watch for

798
00:34:23,080 --> 00:34:25,480
Speaker 2: my angle. Good money, but it is a good quality.

799
00:34:25,760 --> 00:34:27,319
Speaker 2: It ain't the best yet, all right. It ain't the

800
00:34:27,360 --> 00:34:29,839
Speaker 2: best yet, all right. Yeah, and it can't zoom in,

801
00:34:29,920 --> 00:34:32,760
Speaker 2: so if you're sitting kind of far for nothing.

802
00:34:33,120 --> 00:34:36,120
Speaker 3: But still, but it's better than me having me recorded.

803
00:34:36,200 --> 00:34:37,560
Speaker 5: But I get what you're saying, because you want to

804
00:34:37,600 --> 00:34:39,479
Speaker 5: live in the moment and you want to actually see

805
00:34:39,520 --> 00:34:40,279
Speaker 5: the performance.

806
00:34:40,320 --> 00:34:42,520
Speaker 4: When you recording, you have to look through a screen.

807
00:34:42,920 --> 00:34:45,239
Speaker 5: So it is it is a little it's a bit much,

808
00:34:45,480 --> 00:34:48,319
Speaker 5: but nah, I don't think at all, Like when Chris

809
00:34:48,360 --> 00:34:50,640
Speaker 5: proposed to me, it is recorded, but it's not going

810
00:34:50,719 --> 00:34:52,360
Speaker 5: to be posted, you know what I mean, because it

811
00:34:52,400 --> 00:34:52,880
Speaker 5: was intimate.

812
00:34:52,880 --> 00:34:54,080
Speaker 4: It was like it was small intimate.

813
00:34:54,120 --> 00:34:57,920
Speaker 5: Even when we went and got married like that, it

814
00:34:57,960 --> 00:34:59,319
Speaker 5: was intimate, you know what I mean.

815
00:34:59,360 --> 00:34:59,760
Speaker 8: I didn't.

816
00:35:00,040 --> 00:35:01,200
Speaker 4: We took pictures and everything.

817
00:35:01,239 --> 00:35:04,879
Speaker 5: But the reason I feel like it's not you don't

818
00:35:04,880 --> 00:35:07,120
Speaker 5: got to do the big grandioso recording and everything.

819
00:35:07,120 --> 00:35:08,200
Speaker 4: It's because it's not for you.

820
00:35:08,239 --> 00:35:10,680
Speaker 5: When you're doing that, you're kind of still doing it

821
00:35:10,719 --> 00:35:12,360
Speaker 5: for other people at the end of the day, you

822
00:35:12,400 --> 00:35:14,680
Speaker 5: know what I'm saying. That's why, like people want everything

823
00:35:14,719 --> 00:35:17,080
Speaker 5: recorded for the posting of it all.

824
00:35:17,600 --> 00:35:19,680
Speaker 3: Yeah, But I almost like the memories thought.

825
00:35:19,680 --> 00:35:22,000
Speaker 2: Get what you say, Mother's Day, I got videotapes of

826
00:35:22,040 --> 00:35:24,000
Speaker 2: me and my mom dancing. I will always love my

827
00:35:24,080 --> 00:35:26,120
Speaker 2: mom since a child, so you can see us growing

828
00:35:26,200 --> 00:35:28,240
Speaker 2: up and doing it. I love that, Like I posted

829
00:35:28,280 --> 00:35:30,359
Speaker 2: one a couple of years ago. But my kids get

830
00:35:30,360 --> 00:35:33,320
Speaker 2: to see that and see Grandma and me dancing, you know.

831
00:35:33,320 --> 00:35:35,319
Speaker 2: I mean, things like that are just cool. Those are

832
00:35:35,360 --> 00:35:38,359
Speaker 2: memories that we miss when they get older or where

833
00:35:38,360 --> 00:35:40,040
Speaker 2: they pass away. So I love those.

834
00:35:40,360 --> 00:35:42,680
Speaker 1: I think we're always in production mold, whether we realize

835
00:35:42,680 --> 00:35:44,520
Speaker 1: it or not. Like we walk around like we're in

836
00:35:44,560 --> 00:35:47,000
Speaker 1: our own little reality shows, and we always want to

837
00:35:47,040 --> 00:35:49,240
Speaker 1: capture content to posts and show to people.

838
00:35:49,480 --> 00:35:51,000
Speaker 3: I just think all of that is performative.

839
00:35:51,040 --> 00:35:54,400
Speaker 1: I think things like weddings, things like engagements that's for

840
00:35:54,440 --> 00:35:56,840
Speaker 1: you and your significant other, you know, and even like

841
00:35:57,000 --> 00:35:59,279
Speaker 1: you know, for me, when I got married, everybody checked

842
00:35:59,320 --> 00:36:01,359
Speaker 1: their phones, you know, because I wanted people just to

843
00:36:01,800 --> 00:36:04,360
Speaker 1: enjoy the moment. And that was two thousand and fourteen,

844
00:36:04,760 --> 00:36:08,000
Speaker 1: so imagine how it is in twenty twenty five now.

845
00:36:08,320 --> 00:36:09,759
Speaker 3: Yo, When I got mad, I don't think. I don't

846
00:36:09,760 --> 00:36:10,960
Speaker 3: think everybody had cameras.

847
00:36:11,280 --> 00:36:17,080
Speaker 1: Camera phones, but I mean listen to each his own, like,

848
00:36:17,080 --> 00:36:19,239
Speaker 1: and everybody have their own reasons of why they want

849
00:36:19,239 --> 00:36:22,279
Speaker 1: to record stuff. Personally, I don't care about any of that, man.

850
00:36:22,360 --> 00:36:24,520
Speaker 1: I just like enjoying the moment that I'm in, and

851
00:36:24,600 --> 00:36:27,080
Speaker 1: especially when it comes to like engagements, like you know,

852
00:36:27,200 --> 00:36:29,520
Speaker 1: I know certain people like to have engagement parties, and

853
00:36:29,560 --> 00:36:32,120
Speaker 1: I'm like, you're proposing all of these niggas, like, you know,

854
00:36:32,200 --> 00:36:34,399
Speaker 1: because the person the only person that should be there

855
00:36:34,400 --> 00:36:37,520
Speaker 1: when you're getting engaged is you and the other individual,

856
00:36:38,280 --> 00:36:42,040
Speaker 1: especially when you have people that be like, damn, man,

857
00:36:42,360 --> 00:36:44,360
Speaker 1: you know, I got to get the right date so

858
00:36:44,360 --> 00:36:45,480
Speaker 1: I can have everybody together.

859
00:36:45,800 --> 00:36:49,319
Speaker 5: That that was a problem when Chris proposed to me,

860
00:36:49,480 --> 00:36:52,600
Speaker 5: Like a lot of people like was upset that they would.

861
00:36:52,719 --> 00:36:54,520
Speaker 4: Dang, you couldn't have did it on it? Why are

862
00:36:54,520 --> 00:36:55,400
Speaker 4: you doing Christmas?

863
00:36:55,600 --> 00:36:57,400
Speaker 5: Why are you doing on Christmas? I'm like, damn, that

864
00:36:57,520 --> 00:36:59,520
Speaker 5: was the best. Yeah, it's not about them.

865
00:36:59,400 --> 00:37:01,960
Speaker 2: But sometimes you know, you should celebrate the win. His

866
00:37:02,000 --> 00:37:03,560
Speaker 2: life is so sure, people have done it so fast.

867
00:37:03,600 --> 00:37:05,279
Speaker 2: You celebrate all the good things in your life. I'm

868
00:37:05,280 --> 00:37:06,840
Speaker 2: not mad at people doing that. In front of it,

869
00:37:06,960 --> 00:37:07,239
Speaker 2: front of.

870
00:37:07,280 --> 00:37:10,720
Speaker 4: It, Okay, it works for you.

871
00:37:10,719 --> 00:37:11,479
Speaker 3: You know what I've seen.

872
00:37:11,560 --> 00:37:13,640
Speaker 1: I've seen people make a whole big show, had a

873
00:37:13,640 --> 00:37:17,360
Speaker 1: whole big engagement party and ain't never got married and

874
00:37:17,480 --> 00:37:18,399
Speaker 1: got broken.

875
00:37:18,120 --> 00:37:20,719
Speaker 3: Off all they've been waiting seven eight years to get

876
00:37:21,000 --> 00:37:21,800
Speaker 3: still ain't married.

877
00:37:22,080 --> 00:37:24,680
Speaker 1: I don't do that big show, you know, and get

878
00:37:24,719 --> 00:37:27,760
Speaker 1: proposed to me, married me within a year after conversation.

879
00:37:27,840 --> 00:37:29,920
Speaker 3: We need to have one day too after you propose.

880
00:37:30,000 --> 00:37:31,120
Speaker 3: How long did you get married?

881
00:37:31,280 --> 00:37:33,279
Speaker 2: How long did it take? I'm just telling I got

882
00:37:33,320 --> 00:37:35,200
Speaker 2: four daughters. If any of the he's got, when you're

883
00:37:35,200 --> 00:37:36,840
Speaker 2: time to propose, and then my daughters, I want to

884
00:37:36,880 --> 00:37:39,920
Speaker 2: be there I'm just telling I'm I want.

885
00:37:39,719 --> 00:37:40,800
Speaker 4: To parents is different.

886
00:37:40,800 --> 00:37:42,600
Speaker 3: Okay, you want to be there.

887
00:37:42,680 --> 00:37:43,880
Speaker 2: I want to be I want to be there for

888
00:37:43,920 --> 00:37:44,320
Speaker 2: that moment.

889
00:37:44,400 --> 00:37:45,359
Speaker 3: No, you called the father.

890
00:37:45,920 --> 00:37:49,400
Speaker 1: I called my wife's father and said, hey, may I

891
00:37:49,480 --> 00:37:50,439
Speaker 1: propose to your daughter?

892
00:37:50,480 --> 00:37:52,720
Speaker 4: You asked for his hand in married?

893
00:37:52,840 --> 00:37:53,799
Speaker 3: And then you go do that.

894
00:37:53,880 --> 00:37:55,480
Speaker 1: I don't need to that. You're saying it over there.

895
00:37:55,800 --> 00:37:57,200
Speaker 1: You want to get downe there? You want you want

896
00:37:57,239 --> 00:37:58,640
Speaker 1: you lover the man, get on these knees.

897
00:38:00,719 --> 00:38:02,800
Speaker 2: God, any time of man on their needs. If you

898
00:38:02,840 --> 00:38:03,279
Speaker 2: want to be.

899
00:38:03,360 --> 00:38:04,920
Speaker 4: There, Oh my god.

900
00:38:06,239 --> 00:38:06,840
Speaker 2: Hello, who's this?

901
00:38:07,560 --> 00:38:07,799
Speaker 8: Hey?

902
00:38:07,840 --> 00:38:08,239
Speaker 2: This is.

903
00:38:10,080 --> 00:38:11,279
Speaker 3: Driven from OHI and what's up?

904
00:38:11,320 --> 00:38:11,839
Speaker 2: Talk to us?

905
00:38:12,480 --> 00:38:15,160
Speaker 17: Yeah, I was just saying good morning to everybody. Hey,

906
00:38:15,200 --> 00:38:16,640
Speaker 17: just hey, charge the man.

907
00:38:17,960 --> 00:38:18,120
Speaker 7: Brother.

908
00:38:18,600 --> 00:38:20,200
Speaker 17: Hey, so I agree with you.

909
00:38:21,280 --> 00:38:22,640
Speaker 12: Like I got the metal glasses.

910
00:38:22,680 --> 00:38:23,680
Speaker 16: I actually was on them.

911
00:38:23,680 --> 00:38:24,520
Speaker 17: That was the bluetooth.

912
00:38:24,800 --> 00:38:27,640
Speaker 12: So I use the metal glasses for all that type

913
00:38:27,640 --> 00:38:30,400
Speaker 12: of stuff away in my hands free and everything.

914
00:38:30,520 --> 00:38:31,879
Speaker 3: So that way you can still live in the moment,

915
00:38:31,960 --> 00:38:32,759
Speaker 3: right you can watch it through.

916
00:38:32,840 --> 00:38:35,040
Speaker 2: Yeahs still living. I like to live in the moment.

917
00:38:35,320 --> 00:38:36,920
Speaker 12: Yeah, I'm with you on that, all.

918
00:38:36,800 --> 00:38:38,480
Speaker 2: Right, brother, Thank you? Hello, who's this?

919
00:38:39,600 --> 00:38:39,880
Speaker 4: Hey?

920
00:38:40,239 --> 00:38:43,160
Speaker 2: What's your name? Hey, good morning? Talk to us, mom,

921
00:38:43,239 --> 00:38:44,000
Speaker 2: what's your thoughts?

922
00:38:44,160 --> 00:38:46,240
Speaker 13: I mean, yeah, I think that all those special occasions

923
00:38:46,239 --> 00:38:46,879
Speaker 13: and stuff right there.

924
00:38:46,960 --> 00:38:49,239
Speaker 16: Of course they should be recording everything, but I am

925
00:38:49,520 --> 00:38:51,720
Speaker 16: not going to record. I missed everything.

926
00:38:52,239 --> 00:38:55,120
Speaker 13: I get the sky, the trees and everything except what

927
00:38:55,360 --> 00:38:56,280
Speaker 13: needs to be recorded.

928
00:38:57,320 --> 00:38:58,120
Speaker 4: I'm with you.

929
00:38:58,239 --> 00:38:59,399
Speaker 2: I like, I like to live in the moment.

930
00:38:59,440 --> 00:39:00,839
Speaker 3: I don't want to be looking at that phone through

931
00:39:00,840 --> 00:39:01,759
Speaker 3: the phone to try to catch it.

932
00:39:01,840 --> 00:39:02,879
Speaker 2: No, I capture it later.

933
00:39:03,280 --> 00:39:05,560
Speaker 16: I try. It didn't work out. Bottom they don't even

934
00:39:05,600 --> 00:39:06,759
Speaker 16: act record no more.

935
00:39:07,640 --> 00:39:12,440
Speaker 4: You can't capture it later. That's today he loses.

936
00:39:16,320 --> 00:39:20,439
Speaker 2: It's what I.

937
00:39:20,360 --> 00:39:22,400
Speaker 12: Want to call in this all talk about like you know,

938
00:39:22,600 --> 00:39:27,200
Speaker 12: the question about the memories. And I used to feel like, no,

939
00:39:27,280 --> 00:39:29,960
Speaker 12: we shouldn't like me recording memories and you should.

940
00:39:29,719 --> 00:39:30,480
Speaker 24: Live in the moment.

941
00:39:31,040 --> 00:39:32,920
Speaker 16: Until my little sister passed away.

942
00:39:33,200 --> 00:39:36,920
Speaker 12: And it's like so many memories that I have I

943
00:39:36,960 --> 00:39:39,400
Speaker 12: wish that I would have recorded, and that way I can.

944
00:39:39,280 --> 00:39:41,600
Speaker 16: Go back and actually like go back and see them

945
00:39:41,640 --> 00:39:43,480
Speaker 16: and you know, actually.

946
00:39:43,160 --> 00:39:44,800
Speaker 8: Like live in that moment again.

947
00:39:44,880 --> 00:39:46,560
Speaker 3: But I don't have those memories anymore.

948
00:39:46,680 --> 00:39:50,160
Speaker 12: So that's what I do. So like now I always

949
00:39:50,160 --> 00:39:52,839
Speaker 12: try to capture the moment. And you know, at least

950
00:39:52,840 --> 00:39:55,480
Speaker 12: have like video or something that I can actually, like

951
00:39:55,520 --> 00:39:57,640
Speaker 12: maybe go back and look at in the future. It's

952
00:39:57,640 --> 00:39:59,440
Speaker 12: something that's happens like that again.

953
00:39:59,400 --> 00:39:59,880
Speaker 8: You know what I mean?

954
00:40:00,000 --> 00:40:02,840
Speaker 1: Thinking about two, It's like when you are recording the moment,

955
00:40:03,239 --> 00:40:05,920
Speaker 1: when you do have a memory of that moment, do

956
00:40:05,960 --> 00:40:09,520
Speaker 1: you remember yourself recording or do you remember the actual moment.

957
00:40:09,239 --> 00:40:10,040
Speaker 2: The feeling of the moment.

958
00:40:10,040 --> 00:40:11,279
Speaker 1: You know what I'm saying, because I feel like if

959
00:40:11,280 --> 00:40:14,360
Speaker 1: you're recording, you don't remember the actual feeling of the moment.

960
00:40:14,400 --> 00:40:17,120
Speaker 3: You remember the recording, the feeling of recording the moment.

961
00:40:17,560 --> 00:40:18,640
Speaker 4: Yeah, I was just.

962
00:40:18,960 --> 00:40:20,799
Speaker 12: Definings like what it is like if I'm at a

963
00:40:20,840 --> 00:40:24,000
Speaker 12: concert with like my cousin or something and I'm like

964
00:40:24,080 --> 00:40:26,680
Speaker 12: in the moment, like the Drake. I have videos that

965
00:40:26,800 --> 00:40:28,480
Speaker 12: like me and my cousins at like J Cole concert

966
00:40:28,560 --> 00:40:30,520
Speaker 12: or something like that, and I can remember like being

967
00:40:30,560 --> 00:40:32,439
Speaker 12: in the moment and having fun and how I thought

968
00:40:32,480 --> 00:40:34,200
Speaker 12: at that moment. And then I can actually go back

969
00:40:34,239 --> 00:40:36,839
Speaker 12: and still kind of relive that moment in my phone

970
00:40:36,840 --> 00:40:38,440
Speaker 12: when I go back and watch it again. And sometimes

971
00:40:38,440 --> 00:40:40,520
Speaker 12: I do wish I there's like certain things that happened

972
00:40:40,560 --> 00:40:42,520
Speaker 12: in my life with my little sister that I wish

973
00:40:42,520 --> 00:40:44,960
Speaker 12: I still had go back.

974
00:40:44,800 --> 00:40:49,399
Speaker 2: And seekerd sorry for your lost brother eight undrink five

975
00:40:49,440 --> 00:40:52,640
Speaker 2: eight five one oh five. When we're talking about taking

976
00:40:52,800 --> 00:40:55,720
Speaker 2: video in the moment or you know, one of our producers,

977
00:40:55,760 --> 00:40:57,759
Speaker 2: his name is NICKI got engaged over the weekend. He

978
00:40:57,880 --> 00:41:01,040
Speaker 2: asked two family members, want to take photography, want to

979
00:41:01,200 --> 00:41:04,000
Speaker 2: video it? And she didn't video it. She got caught

980
00:41:04,000 --> 00:41:08,880
Speaker 2: in the moment. And we're asking, Nick proposed in Italy.

981
00:41:08,920 --> 00:41:12,920
Speaker 2: That's right, you know, that's right, that's fly beautiful, that's right.

982
00:41:12,960 --> 00:41:15,239
Speaker 2: So we're asking, you know, do you like things to

983
00:41:15,239 --> 00:41:17,040
Speaker 2: be recorded or are you cool with just living in

984
00:41:17,040 --> 00:41:19,600
Speaker 2: a moment. Let's discuss. Hello, who's this Good morning? This

985
00:41:19,719 --> 00:41:21,719
Speaker 2: is Ashley, Ashley, good morning to talk to us.

986
00:41:21,960 --> 00:41:22,480
Speaker 1: Good morning.

987
00:41:22,640 --> 00:41:26,719
Speaker 25: So I got engaged in February on.

988
00:41:26,719 --> 00:41:27,759
Speaker 16: The Super Bowl this year.

989
00:41:28,120 --> 00:41:32,480
Speaker 25: Congrats and thank you, and my mom was supposed to

990
00:41:32,480 --> 00:41:36,160
Speaker 25: report it was I upset, No, because.

991
00:41:35,960 --> 00:41:37,000
Speaker 2: I was living in a moment.

992
00:41:37,560 --> 00:41:39,680
Speaker 25: But if that was my wedding or something, it would.

993
00:41:39,480 --> 00:41:40,240
Speaker 12: Be something different.

994
00:41:40,640 --> 00:41:43,000
Speaker 25: But other than that, like you know that that wouldn't

995
00:41:43,000 --> 00:41:43,520
Speaker 25: bother me.

996
00:41:43,880 --> 00:41:45,520
Speaker 19: That's like going to a concert or something.

997
00:41:45,560 --> 00:41:46,760
Speaker 12: You know, you just live in the moment.

998
00:41:46,800 --> 00:41:49,759
Speaker 13: You can't really focus on like recording and stuff like.

999
00:41:49,719 --> 00:41:51,799
Speaker 2: That, you know what. That's why I think a lot

1000
00:41:51,800 --> 00:41:54,799
Speaker 2: of times when when my kids have birthday parties or

1001
00:41:55,040 --> 00:41:58,600
Speaker 2: weddings or anything special, if I can, I hire somebody

1002
00:41:58,640 --> 00:42:00,160
Speaker 2: to do it, so that way I don't have to

1003
00:42:00,160 --> 00:42:03,399
Speaker 2: worry about anything. You capture everything. Let me just enjoy it,

1004
00:42:03,520 --> 00:42:05,680
Speaker 2: and hopefully you capture me and enjoying it if somebody,

1005
00:42:05,719 --> 00:42:06,719
Speaker 2: if you can afford.

1006
00:42:06,400 --> 00:42:08,160
Speaker 11: It, you know exactly.

1007
00:42:08,400 --> 00:42:11,120
Speaker 25: And there was one time where, like I was surprised

1008
00:42:11,120 --> 00:42:14,200
Speaker 25: in my fiance, I just set up like the phone

1009
00:42:14,320 --> 00:42:17,600
Speaker 25: and like on my watch and just press record and

1010
00:42:17,600 --> 00:42:18,840
Speaker 25: then just recorded everything.

1011
00:42:18,920 --> 00:42:19,120
Speaker 1: You know.

1012
00:42:19,880 --> 00:42:22,160
Speaker 2: Okay, we'll take you mama.

1013
00:42:21,840 --> 00:42:22,440
Speaker 12: You're welcome.

1014
00:42:22,440 --> 00:42:23,759
Speaker 17: Happy good morning by you too.

1015
00:42:24,520 --> 00:42:26,640
Speaker 2: Hello, who's this?

1016
00:42:27,360 --> 00:42:28,040
Speaker 17: How are you?

1017
00:42:28,160 --> 00:42:28,719
Speaker 2: Yo? You?

1018
00:42:28,800 --> 00:42:31,080
Speaker 1: And be getting through these phones because they go through

1019
00:42:31,120 --> 00:42:33,960
Speaker 1: the back door, the back door.

1020
00:42:37,080 --> 00:42:41,040
Speaker 24: No, listen, let's just no okay, yeah, okay, whatever, I

1021
00:42:41,120 --> 00:42:47,239
Speaker 24: get it. No, you necessarily need to record. But I

1022
00:42:47,320 --> 00:42:51,319
Speaker 24: recently lost to my dad, right, and I recorded like

1023
00:42:51,400 --> 00:42:55,160
Speaker 24: a lot of stuff. So that's all I have now, you.

1024
00:42:55,160 --> 00:42:57,160
Speaker 17: Understand, So I don't think you need to.

1025
00:42:57,280 --> 00:42:59,000
Speaker 24: But it's good, like I'm up.

1026
00:42:59,400 --> 00:43:02,560
Speaker 3: Yeah, that is not all you have now? Stacy, you

1027
00:43:02,600 --> 00:43:06,560
Speaker 3: have the memories, no, yeah, and you and you have

1028
00:43:06,600 --> 00:43:10,920
Speaker 3: the experience of living with that person, right, Okay.

1029
00:43:10,760 --> 00:43:14,279
Speaker 24: Yeah, you're right, You're right, Sean, And yeah, okay, I

1030
00:43:14,280 --> 00:43:16,200
Speaker 24: guess that's it. I ain't gonna get into the rest

1031
00:43:16,560 --> 00:43:18,359
Speaker 24: that Okay, bye, love y'all.

1032
00:43:19,000 --> 00:43:21,520
Speaker 3: Bye, you mean that's all you have?

1033
00:43:21,760 --> 00:43:26,799
Speaker 2: Like, come on, man, hellos is, Oh my gosh, I

1034
00:43:26,840 --> 00:43:30,600
Speaker 2: love you, crack you think you have blue supers. Very

1035
00:43:30,640 --> 00:43:32,799
Speaker 2: difficult to hear you, mama unless you in the gym

1036
00:43:32,880 --> 00:43:35,279
Speaker 2: or something. I can't hear me now perfectly, go ahead

1037
00:43:35,280 --> 00:43:36,120
Speaker 2: to talk to his mama.

1038
00:43:36,239 --> 00:43:40,320
Speaker 13: Yeah, So to your topic, A similar thing actually happened

1039
00:43:40,320 --> 00:43:41,080
Speaker 13: to me when I.

1040
00:43:40,960 --> 00:43:43,080
Speaker 16: Got engaged my husband.

1041
00:43:43,160 --> 00:43:46,480
Speaker 13: Now, we were purchased in the car and his autobroker

1042
00:43:46,600 --> 00:43:49,880
Speaker 13: friend was supposed to be recording the entire moment, and

1043
00:43:50,600 --> 00:43:53,759
Speaker 13: come to find out, he was speaking random pictures, so

1044
00:43:54,600 --> 00:43:59,600
Speaker 13: didn't get the moment captured. But honestly, it doesn't even

1045
00:43:59,600 --> 00:44:00,480
Speaker 13: matter now out.

1046
00:44:00,320 --> 00:44:03,440
Speaker 12: Because it was beautiful. So I kind of agree with

1047
00:44:03,480 --> 00:44:04,200
Speaker 12: what you said.

1048
00:44:04,760 --> 00:44:09,319
Speaker 13: Those experiences are really for the coupple and not everybody else.

1049
00:44:09,480 --> 00:44:09,799
Speaker 3: That's it.

1050
00:44:10,080 --> 00:44:10,279
Speaker 2: Really.

1051
00:44:10,360 --> 00:44:12,799
Speaker 13: We got all the wedding photos and videos, so.

1052
00:44:13,480 --> 00:44:16,640
Speaker 2: And no disrespect to older people. But if you ask

1053
00:44:16,680 --> 00:44:19,680
Speaker 2: an older person to take video or pictures, you get

1054
00:44:19,680 --> 00:44:21,520
Speaker 2: what you get because a lot of times, you know,

1055
00:44:21,600 --> 00:44:23,680
Speaker 2: this is so many times when you know, people ask

1056
00:44:23,760 --> 00:44:26,040
Speaker 2: to take pictures and they take pictures of themselves instead

1057
00:44:26,040 --> 00:44:29,120
Speaker 2: of taking pictures of it bes like that.

1058
00:44:29,120 --> 00:44:32,200
Speaker 1: That's why, that's why, that's why Knick's family members didn't

1059
00:44:32,239 --> 00:44:34,759
Speaker 1: record it, because Knick's family member wanted to enjoy the

1060
00:44:34,800 --> 00:44:35,200
Speaker 1: moment it.

1061
00:44:35,280 --> 00:44:37,440
Speaker 4: Was cut, you know, caught in the moment.

1062
00:44:37,560 --> 00:44:39,480
Speaker 1: It probably was mad, like, man, I want to I

1063
00:44:39,520 --> 00:44:41,520
Speaker 1: want to just watch and Field.

1064
00:44:41,640 --> 00:44:41,920
Speaker 8: That's what.

1065
00:44:45,960 --> 00:44:46,600
Speaker 17: Rom Jersey City.

1066
00:44:46,640 --> 00:44:47,120
Speaker 24: What's going on?

1067
00:44:47,200 --> 00:44:49,160
Speaker 3: What's brother talks to us? What's your thoughts, what's your opinion?

1068
00:44:49,480 --> 00:44:53,680
Speaker 17: I believe special moments got to be recorded because the

1069
00:44:53,760 --> 00:44:57,279
Speaker 17: special moments that we share their fleeting moments. So we

1070
00:44:57,320 --> 00:45:00,560
Speaker 17: don't capture those moments, we will never remember those moments

1071
00:45:00,640 --> 00:45:03,520
Speaker 17: or see those moments a game. So just like this

1072
00:45:03,560 --> 00:45:08,040
Speaker 17: conversation today, thirty years from now, this conversation would be forgotten,

1073
00:45:08,680 --> 00:45:12,360
Speaker 17: or interviews I've done before be forgotten that they weren't recorded.

1074
00:45:12,440 --> 00:45:15,000
Speaker 17: So you have to record those special moments in order

1075
00:45:15,040 --> 00:45:17,880
Speaker 17: to have those moments to go back on. It's the

1076
00:45:17,920 --> 00:45:20,880
Speaker 17: reason why some people have logs or they'll have like

1077
00:45:21,000 --> 00:45:24,399
Speaker 17: audio recording to themselves to go on for years. So

1078
00:45:25,000 --> 00:45:28,360
Speaker 17: we can't not record special moments because we're worried about

1079
00:45:28,880 --> 00:45:31,919
Speaker 17: what people are saying about the moments that we hold diitar.

1080
00:45:31,719 --> 00:45:35,080
Speaker 1: Should should we compare entertainment to real life though, like

1081
00:45:35,280 --> 00:45:38,440
Speaker 1: you're comparing it to interviews, Like like, yeah, of course

1082
00:45:38,440 --> 00:45:41,600
Speaker 1: we're supposed to record interviews. Those are supposed to be documented.

1083
00:45:41,640 --> 00:45:43,560
Speaker 1: I don't know who you compare entertainment in real life?

1084
00:45:43,840 --> 00:45:46,200
Speaker 17: No, no, no, no, we definitely shouldn't compare it to real life.

1085
00:45:46,280 --> 00:45:48,799
Speaker 17: But basically what I'm saying, I use that, I use

1086
00:45:48,920 --> 00:45:52,200
Speaker 17: that as an example. Basically like the child's first walk,

1087
00:45:52,200 --> 00:45:55,799
Speaker 17: the child's first you know, words and different things that

1088
00:45:55,800 --> 00:46:02,080
Speaker 17: that nature definitely be captured, or anniversary marriage, anything like

1089
00:46:02,120 --> 00:46:04,480
Speaker 17: that should be captured the first time you proposed where

1090
00:46:04,520 --> 00:46:07,480
Speaker 17: you propose that all of that should be captured because

1091
00:46:07,480 --> 00:46:10,040
Speaker 17: you want to look back on that fifty years from now.

1092
00:46:10,320 --> 00:46:13,240
Speaker 17: Your grandchildren might want to see the great grandchildren.

1093
00:46:12,920 --> 00:46:13,080
Speaker 8: You know.

1094
00:46:13,680 --> 00:46:15,719
Speaker 3: M hmm, absolutely pretty thank you.

1095
00:46:16,440 --> 00:46:19,400
Speaker 2: I just you know it not to be a Debbie Downer,

1096
00:46:20,800 --> 00:46:24,600
Speaker 2: said family members listening. Do not take a picture in

1097
00:46:24,640 --> 00:46:27,480
Speaker 2: the casket. I like, if people do take pictures of

1098
00:46:27,520 --> 00:46:29,520
Speaker 2: casket in the video, I do not want that.

1099
00:46:29,600 --> 00:46:31,279
Speaker 3: I don't want that video of myself out there.

1100
00:46:31,600 --> 00:46:33,359
Speaker 2: I'm not I won't be here, but please don't take

1101
00:46:33,360 --> 00:46:34,680
Speaker 2: a picture in the casket video.

1102
00:46:34,840 --> 00:46:36,359
Speaker 3: I won't do it to anybody. Why are you even

1103
00:46:36,360 --> 00:46:37,480
Speaker 3: getting put in the casket?

1104
00:46:37,920 --> 00:46:39,080
Speaker 4: Because people die.

1105
00:46:39,040 --> 00:46:42,480
Speaker 1: Get cremated, get turned into a tree. Because you listen,

1106
00:46:42,640 --> 00:46:44,799
Speaker 1: here's the funny thing. Think about what that dude just

1107
00:46:44,800 --> 00:46:46,960
Speaker 1: said about albums. Well, you know how any graves were

1108
00:46:47,000 --> 00:46:50,320
Speaker 1: standing over right now? How many graves buildings are built done?

1109
00:46:50,520 --> 00:46:51,480
Speaker 1: One hundred years from now?

1110
00:46:51,520 --> 00:46:54,200
Speaker 3: You think these grave and stuff gonna still be around.

1111
00:46:54,960 --> 00:46:57,520
Speaker 1: Please there's gonna be a Starbucks over them or whatever

1112
00:46:57,680 --> 00:46:59,560
Speaker 1: new for whatever franchise it is.

1113
00:47:00,200 --> 00:47:04,040
Speaker 4: Right, but I think I think yo still right? Not

1114
00:47:04,120 --> 00:47:05,640
Speaker 4: for nothing? Right if it's not recorded.

1115
00:47:05,719 --> 00:47:09,640
Speaker 5: Imagine that story when Nick and his wife actually tells

1116
00:47:10,040 --> 00:47:12,600
Speaker 5: their kids your dad is.

1117
00:47:12,760 --> 00:47:13,279
Speaker 4: You know what I mean.

1118
00:47:13,280 --> 00:47:15,800
Speaker 5: But even before they get to the funny part, your

1119
00:47:15,920 --> 00:47:18,720
Speaker 5: dad proposed to me in Italy.

1120
00:47:19,440 --> 00:47:19,680
Speaker 8: Right.

1121
00:47:20,000 --> 00:47:22,600
Speaker 5: And you know, although whoever was supposed to record like that,

1122
00:47:22,600 --> 00:47:25,239
Speaker 5: that's like a story that you want to hear like

1123
00:47:25,280 --> 00:47:26,160
Speaker 5: it's romantic.

1124
00:47:26,239 --> 00:47:28,280
Speaker 4: Oh and the what is in Italy?

1125
00:47:28,280 --> 00:47:29,799
Speaker 5: And now keep thinking about parents because I'm about say,

1126
00:47:29,800 --> 00:47:31,480
Speaker 5: the Eiffel Tower, all the mountains were in the.

1127
00:47:31,400 --> 00:47:32,239
Speaker 4: Back and blah blah blah.

1128
00:47:32,280 --> 00:47:34,480
Speaker 5: You just gotta paint that picture for the kids. And

1129
00:47:35,000 --> 00:47:39,799
Speaker 5: I think that's actually more valuable than you know, just

1130
00:47:39,840 --> 00:47:42,000
Speaker 5: showing them. I mean it's cool, but like just to

1131
00:47:42,080 --> 00:47:43,880
Speaker 5: paint that picture for the kids, I think.

1132
00:47:43,760 --> 00:47:44,600
Speaker 4: That'll be dope.

1133
00:47:44,800 --> 00:47:45,399
Speaker 2: It's just cool.

1134
00:47:45,400 --> 00:47:47,120
Speaker 4: It's that they didn't record. It's like whatever.

1135
00:47:47,400 --> 00:47:49,360
Speaker 2: Well, well, we got the Latest with Lauren coming up,

1136
00:47:49,400 --> 00:47:51,560
Speaker 2: so don't go anywhere. It's the Breakfast Club. Good Morning,

1137
00:47:52,120 --> 00:47:57,239
Speaker 2: Lauren becoming a straight fast. She gets somebody that knows somebody.

1138
00:47:58,520 --> 00:48:00,960
Speaker 20: I'm a long girl that knows a little bit about everything.

1139
00:48:00,719 --> 00:48:05,440
Speaker 3: And she'd be having the latest on you. The Latest

1140
00:48:05,440 --> 00:48:06,440
Speaker 3: with Lauren la Rosa.

1141
00:48:06,520 --> 00:48:09,000
Speaker 1: Sometimes you have fact, sometimes you have details. Sometimes you

1142
00:48:09,040 --> 00:48:09,560
Speaker 1: have a little bit.

1143
00:48:09,600 --> 00:48:12,000
Speaker 2: Every time the Latest on the Breakfast Club.

1144
00:48:13,440 --> 00:48:13,920
Speaker 20: All right, y'all.

1145
00:48:13,960 --> 00:48:16,320
Speaker 21: So last hour we talked about Nicki Minaj and Sissa

1146
00:48:16,560 --> 00:48:18,960
Speaker 21: and their beef that came out of nowhere, or so

1147
00:48:18,960 --> 00:48:22,440
Speaker 21: it seemed on X yesterday. So I reached out to

1148
00:48:22,719 --> 00:48:24,880
Speaker 21: Punch from TDE who I also talked about in the

1149
00:48:24,880 --> 00:48:27,799
Speaker 21: first Hour, who was at one point managing Scissa, And

1150
00:48:27,840 --> 00:48:30,760
Speaker 21: I asked him, how did we get here? Like Nicki

1151
00:48:30,760 --> 00:48:33,720
Speaker 21: Minaj is alleging that y'all have had issues behind the scenes,

1152
00:48:33,760 --> 00:48:36,880
Speaker 21: and because of that, this is an alleged retaliation, Like

1153
00:48:36,920 --> 00:48:38,799
Speaker 21: you guys have been retaliating against her.

1154
00:48:39,600 --> 00:48:41,120
Speaker 20: And here's what he said to me.

1155
00:48:41,200 --> 00:48:44,320
Speaker 21: So he said back in twenty twenty, Nicki Minaja reached

1156
00:48:44,360 --> 00:48:47,840
Speaker 21: out for a Sissa feature on a song. He responded

1157
00:48:47,880 --> 00:48:50,399
Speaker 21: and told Nicki Minaj that Sizzo was an album mode

1158
00:48:50,400 --> 00:48:53,359
Speaker 21: heavy and that he would get it over to her

1159
00:48:53,520 --> 00:48:54,239
Speaker 21: and that was it.

1160
00:48:54,320 --> 00:48:55,320
Speaker 20: They never spoke again.

1161
00:48:55,920 --> 00:48:59,120
Speaker 21: Feature didn't happen, but he says he's lost after that

1162
00:48:59,200 --> 00:49:01,279
Speaker 21: as well, like and so then I followed up and

1163
00:49:01,280 --> 00:49:05,480
Speaker 21: I said, okay, so there was no further issue, Like

1164
00:49:05,880 --> 00:49:08,080
Speaker 21: I still don't understand from that, how did we get here?

1165
00:49:08,480 --> 00:49:11,040
Speaker 21: And he says I'm lost after that? And the song

1166
00:49:11,080 --> 00:49:12,839
Speaker 21: he verified what I said. The song that he had

1167
00:49:12,880 --> 00:49:16,240
Speaker 21: been tweeting about, Broken Barbies, was a song by artist

1168
00:49:16,239 --> 00:49:18,960
Speaker 21: that he is working with now I am lyric, So

1169
00:49:19,320 --> 00:49:21,160
Speaker 21: he's confused. He's confused as well.

1170
00:49:21,200 --> 00:49:23,359
Speaker 3: Did you asked why he ain't posted the song last night?

1171
00:49:24,760 --> 00:49:28,920
Speaker 2: That was the time to post he did.

1172
00:49:29,080 --> 00:49:30,880
Speaker 1: I know you said that he posted it before, and

1173
00:49:30,880 --> 00:49:33,360
Speaker 1: that's what made Nikki react. But in the midst of everything,

1174
00:49:33,760 --> 00:49:38,320
Speaker 1: it was like he should have posted it.

1175
00:49:38,320 --> 00:49:40,359
Speaker 21: It was so it was so closely, like the time

1176
00:49:40,440 --> 00:49:42,359
Speaker 21: was so close that if you went and looked, it

1177
00:49:42,400 --> 00:49:44,759
Speaker 21: was right there. He literally tweeted broken Barbies and after

1178
00:49:44,800 --> 00:49:46,480
Speaker 21: that he tweeted the there was like a trailer to

1179
00:49:46,920 --> 00:49:47,719
Speaker 21: I Am Lyrics video.

1180
00:49:47,800 --> 00:49:49,000
Speaker 2: They needed to say the song as a.

1181
00:49:49,040 --> 00:49:50,480
Speaker 4: Song I was out.

1182
00:49:51,520 --> 00:49:53,640
Speaker 3: Should at least play the snipple of the song like

1183
00:49:53,719 --> 00:49:54,280
Speaker 3: the song.

1184
00:49:54,640 --> 00:49:58,560
Speaker 1: Yo, shout out to the Nicki from Motion team. At

1185
00:49:58,600 --> 00:50:03,160
Speaker 1: least play you should do start Broken Bobby promotions. Okay,

1186
00:50:03,440 --> 00:50:06,400
Speaker 1: I will amplify your record. I had no idea that

1187
00:50:06,840 --> 00:50:07,719
Speaker 1: even posted about this.

1188
00:50:08,080 --> 00:50:08,759
Speaker 20: I didn't either.

1189
00:50:08,960 --> 00:50:11,399
Speaker 21: I was confused as well until I went and looked

1190
00:50:11,600 --> 00:50:14,080
Speaker 21: everybody else. It is a good detail because I think

1191
00:50:14,080 --> 00:50:16,000
Speaker 21: a lot of people are trying to figure out. We

1192
00:50:16,080 --> 00:50:18,040
Speaker 21: didn't even know that there was an issue with uh

1193
00:50:19,160 --> 00:50:19,680
Speaker 21: his Instagram.

1194
00:50:22,440 --> 00:50:24,800
Speaker 20: Yes, the song is out. It's it was out a

1195
00:50:24,880 --> 00:50:25,440
Speaker 20: day though.

1196
00:50:27,400 --> 00:50:28,799
Speaker 2: Posted a good job.

1197
00:50:30,000 --> 00:50:32,640
Speaker 20: This is the video on on her YouTube channel.

1198
00:50:33,120 --> 00:50:34,080
Speaker 3: Is it Lyric Michelle?

1199
00:50:34,320 --> 00:50:36,560
Speaker 20: No, it's I Am Lyric. It's apelt like this, I

1200
00:50:36,800 --> 00:50:37,879
Speaker 20: am altogether lyric.

1201
00:50:38,320 --> 00:50:39,320
Speaker 2: Okay, I do with it.

1202
00:50:39,400 --> 00:50:41,320
Speaker 3: It came up lyric Michelle Broken Barbers.

1203
00:50:41,560 --> 00:50:43,359
Speaker 21: Well maybe that's her full name, but her artist's name

1204
00:50:43,400 --> 00:50:45,600
Speaker 21: has on YouTube and everywhere else as I am lyric.

1205
00:50:47,560 --> 00:50:51,279
Speaker 3: Lyric Michelle's play. That's what I said. I want to

1206
00:50:51,280 --> 00:50:51,719
Speaker 3: get a record.

1207
00:50:51,760 --> 00:50:52,880
Speaker 20: Now we'll get that.

1208
00:50:53,120 --> 00:50:54,080
Speaker 2: Hey, can you get that record?

1209
00:50:54,200 --> 00:50:54,279
Speaker 6: Right?

1210
00:50:55,040 --> 00:50:55,560
Speaker 2: Are we talking?

1211
00:50:56,280 --> 00:50:56,320
Speaker 16: So?

1212
00:50:56,560 --> 00:50:57,960
Speaker 20: I mean, does that clear I off anything for y'all

1213
00:50:57,960 --> 00:50:58,600
Speaker 20: because it didn't for me.

1214
00:50:59,520 --> 00:51:01,840
Speaker 3: But it adds a bit a lot of context to

1215
00:51:01,920 --> 00:51:02,239
Speaker 3: it to me.

1216
00:51:02,680 --> 00:51:06,040
Speaker 21: I still think ni Nicki Minaj posted that she has

1217
00:51:06,160 --> 00:51:09,440
Speaker 21: receipts of being bullied in the retaliation that she's alleging.

1218
00:51:09,520 --> 00:51:12,919
Speaker 20: So maybe now we'll see her side of it, because yeah,

1219
00:51:13,719 --> 00:51:14,200
Speaker 20: I love.

1220
00:51:14,160 --> 00:51:16,080
Speaker 2: I love Nikki to death, but Nikki can't talk about

1221
00:51:16,120 --> 00:51:19,839
Speaker 2: being bullied. Nikki has been billion people for the last

1222
00:51:19,880 --> 00:51:20,160
Speaker 2: couple of.

1223
00:51:20,200 --> 00:51:25,400
Speaker 3: Years, last couple of years. Let's be honest, couple, come.

1224
00:51:25,239 --> 00:51:28,680
Speaker 1: On that, nick But I will say this, I don't

1225
00:51:28,800 --> 00:51:32,520
Speaker 1: think Nikki is a bully per se. I think that

1226
00:51:32,719 --> 00:51:36,080
Speaker 1: Nikki believes people are always doing something to her and

1227
00:51:36,200 --> 00:51:37,880
Speaker 1: that's not the bullies.

1228
00:51:38,080 --> 00:51:39,120
Speaker 20: Yeah no, no, no, no, baby.

1229
00:51:39,160 --> 00:51:40,120
Speaker 2: The barb is on me right.

1230
00:51:43,480 --> 00:51:45,720
Speaker 4: That's her, yeah, herself.

1231
00:51:45,920 --> 00:51:47,440
Speaker 21: But I will say, do y'all feel like, and y'all

1232
00:51:47,480 --> 00:51:50,160
Speaker 21: know Nicki Minaj a lot more closely than me or Jess, right,

1233
00:51:50,680 --> 00:51:52,600
Speaker 21: do you feel like because of the things Nicki Minaj

1234
00:51:52,640 --> 00:51:55,600
Speaker 21: had to deal with as she came up. So I

1235
00:51:55,680 --> 00:51:57,800
Speaker 21: mean not to say that it's warranted, but do we

1236
00:51:58,000 --> 00:51:59,759
Speaker 21: is there like empathy at all for how she be

1237
00:52:00,080 --> 00:52:01,520
Speaker 21: trying to, I guess protect herself.

1238
00:52:01,560 --> 00:52:02,880
Speaker 20: It just comes off a lot of the calls.

1239
00:52:02,920 --> 00:52:04,279
Speaker 2: I mean, you got to think Nikki came from a

1240
00:52:04,280 --> 00:52:06,200
Speaker 2: place from New York City where New York didn't really

1241
00:52:06,239 --> 00:52:07,000
Speaker 2: believe in her at first.

1242
00:52:07,040 --> 00:52:13,919
Speaker 3: She had to go out of town, played Niki music all.

1243
00:52:13,800 --> 00:52:16,480
Speaker 2: The time, went down to Atlanta, got caught in Atlanta,

1244
00:52:16,600 --> 00:52:18,839
Speaker 2: and the world fell in love with her. And they

1245
00:52:18,920 --> 00:52:21,160
Speaker 2: always doubted her. They doubted the way she wrapped, They

1246
00:52:21,200 --> 00:52:23,560
Speaker 2: dited her flow, they doubted her numbers, they doubted they

1247
00:52:23,640 --> 00:52:24,479
Speaker 2: always got of Nikki.

1248
00:52:24,560 --> 00:52:27,200
Speaker 1: So Nikki always feels like she has to punch even harder.

1249
00:52:27,200 --> 00:52:29,480
Speaker 1: And I understand They'll say, I've never died in Nikki.

1250
00:52:29,480 --> 00:52:31,040
Speaker 1: I always thought Nikki was dope since she was on

1251
00:52:31,160 --> 00:52:34,600
Speaker 1: the dirty money with Findy back, and they always thought

1252
00:52:34,600 --> 00:52:36,960
Speaker 1: she was dope, But I do feel like she feels

1253
00:52:37,000 --> 00:52:38,560
Speaker 1: like everybody is always against her.

1254
00:52:38,680 --> 00:52:39,160
Speaker 20: I feel like that.

1255
00:52:40,040 --> 00:52:43,800
Speaker 5: Or let's just say, like a lot of things happen

1256
00:52:44,480 --> 00:52:46,719
Speaker 5: that we don't see, and then when she come out

1257
00:52:46,880 --> 00:52:50,640
Speaker 5: online side, and then a lot of people will go

1258
00:52:50,800 --> 00:52:53,399
Speaker 5: and say like, oh, well, she's always mad and she's

1259
00:52:53,440 --> 00:52:55,400
Speaker 5: always bitter, and she's always this, that and the other,

1260
00:52:55,480 --> 00:52:59,320
Speaker 5: and she never happyen But things happened in the background

1261
00:52:59,480 --> 00:53:02,120
Speaker 5: that we don't see, and she don't She always says

1262
00:53:02,160 --> 00:53:03,800
Speaker 5: she got but she I guess she waits for the

1263
00:53:03,880 --> 00:53:05,520
Speaker 5: right time to like, I.

1264
00:53:05,520 --> 00:53:06,560
Speaker 4: Guess I put it out there.

1265
00:53:06,640 --> 00:53:07,520
Speaker 3: Nicky don't hold her tongue.

1266
00:53:07,560 --> 00:53:08,960
Speaker 4: But that's the thing. She don't hold her tongue. But

1267
00:53:09,440 --> 00:53:12,359
Speaker 4: all we see is her going out like lashing out.

1268
00:53:13,120 --> 00:53:14,840
Speaker 2: She's the female version of fifty cents. She does not

1269
00:53:14,960 --> 00:53:16,200
Speaker 2: hold her tongue. She will go at you.

1270
00:53:16,280 --> 00:53:18,440
Speaker 3: She does not care. She doesn't care about the backlash.

1271
00:53:18,480 --> 00:53:20,640
Speaker 3: But yeah, it goes hard. And nick has.

1272
00:53:20,600 --> 00:53:23,279
Speaker 1: Always been that right And to justice point, there is

1273
00:53:23,320 --> 00:53:24,880
Speaker 1: a lot of things that happened behind the scenes that

1274
00:53:24,960 --> 00:53:26,960
Speaker 1: people don't be knowing about. Because I'll never forget the

1275
00:53:27,040 --> 00:53:30,040
Speaker 1: time Nikki was on my head once about you know,

1276
00:53:31,000 --> 00:53:31,600
Speaker 1: her and Remy.

1277
00:53:31,719 --> 00:53:33,520
Speaker 3: I didn't even. I promise you, I did not know

1278
00:53:33,600 --> 00:53:35,680
Speaker 3: her and Remy had believe you. I did not know.

1279
00:53:37,400 --> 00:53:38,759
Speaker 3: It wasn't a call. We were texting. It was a

1280
00:53:38,800 --> 00:53:40,640
Speaker 3: Saturday morning, way way back in the day.

1281
00:53:40,640 --> 00:53:43,080
Speaker 1: It was off early weekend, and she was texting me

1282
00:53:43,600 --> 00:53:46,600
Speaker 1: and about Remy and how we're fueling beef with Remy,

1283
00:53:46,640 --> 00:53:48,719
Speaker 1: and I'm like, I have no I really had no

1284
00:53:48,840 --> 00:53:50,960
Speaker 1: idea what she was talking about. Guess what came out

1285
00:53:50,960 --> 00:53:58,000
Speaker 1: that day twenty later. Man, you had not even that

1286
00:53:58,239 --> 00:54:06,000
Speaker 1: she was beefing with that girl. Oh damn, notary what you.

1287
00:54:06,000 --> 00:54:09,279
Speaker 20: Text after you listen to she though and what she's

1288
00:54:09,280 --> 00:54:13,239
Speaker 20: saying blocks, I don't what your back.

1289
00:54:14,200 --> 00:54:15,759
Speaker 3: This was just like, damn, I didn't know, And don't

1290
00:54:15,760 --> 00:54:17,120
Speaker 3: get in twisted. Nicky will curse you out in a

1291
00:54:17,120 --> 00:54:17,719
Speaker 3: minute like that.

1292
00:54:17,880 --> 00:54:18,080
Speaker 23: But that.

1293
00:54:18,200 --> 00:54:20,640
Speaker 2: But that's Nikki's She's the female version of fifty CENTI

1294
00:54:20,680 --> 00:54:22,600
Speaker 2: me she does not hold her tongue and she has

1295
00:54:22,600 --> 00:54:22,920
Speaker 2: a right to.

1296
00:54:23,040 --> 00:54:24,200
Speaker 3: She can go at whoever she wants.

1297
00:54:24,320 --> 00:54:28,440
Speaker 20: But her bars, baby, just level different level. I'll say,

1298
00:54:28,480 --> 00:54:29,120
Speaker 20: do we have the song?

1299
00:54:29,200 --> 00:54:29,359
Speaker 22: Yeah?

1300
00:54:29,440 --> 00:54:32,279
Speaker 2: No, the bar? What they go hard?

1301
00:54:32,520 --> 00:54:33,560
Speaker 3: I turned my phone off.

1302
00:54:36,120 --> 00:54:38,799
Speaker 21: Baby, They was tuned in for my teas this morning.

1303
00:54:38,840 --> 00:54:41,000
Speaker 21: I'm like, Envy, you talked to me about the teas

1304
00:54:41,080 --> 00:54:42,520
Speaker 21: that they couldn't wait. Soon as I teased it, they

1305
00:54:42,520 --> 00:54:46,279
Speaker 21: were in my mentions. I was like, Oh, it's kind

1306
00:54:46,280 --> 00:54:46,920
Speaker 21: of funny.

1307
00:54:46,680 --> 00:54:49,640
Speaker 5: Though harmless kids, I'm telling you they be leaving the

1308
00:54:49,960 --> 00:54:52,400
Speaker 5: magically delicious unicorny moviies.

1309
00:54:52,520 --> 00:54:55,200
Speaker 4: And you're like, you're supposed to be scared, honey. I'm like,

1310
00:54:55,400 --> 00:54:59,080
Speaker 4: this is the fruity is welcome ever? Thank you get that.

1311
00:54:59,440 --> 00:55:00,719
Speaker 20: One of the bars told me the other day my

1312
00:55:00,800 --> 00:55:02,200
Speaker 20: face looked like a coffee table.

1313
00:55:02,160 --> 00:55:04,640
Speaker 2: Or they got jokes. I used some of the jokes.

1314
00:55:05,320 --> 00:55:06,040
Speaker 2: I can see it now.

1315
00:55:06,719 --> 00:55:09,680
Speaker 21: I can see that she was about forty jests. She

1316
00:55:09,800 --> 00:55:16,120
Speaker 21: wasn't harmless and a kid damn getting ready for Triple A.

1317
00:55:16,280 --> 00:55:21,319
Speaker 21: I mean the arp old people sincey five plus whore

1318
00:55:21,320 --> 00:55:23,920
Speaker 21: getting ready for that. The lady that was telling me

1319
00:55:24,000 --> 00:55:25,000
Speaker 21: my face is like the table.

1320
00:55:27,719 --> 00:55:31,520
Speaker 3: Talk about Nikki. I was like, please Nikki on coffee

1321
00:55:31,560 --> 00:55:36,960
Speaker 3: table face, I'm talking about them, Bob Lauren couldn't take that.

1322
00:55:37,040 --> 00:55:38,560
Speaker 3: Laurena come in here with three new half stops.

1323
00:55:40,680 --> 00:55:42,400
Speaker 2: You can't take them balls. You know you think you've

1324
00:55:42,400 --> 00:55:44,919
Speaker 2: been attacked right to the Bobs commentioned, well, you're showing

1325
00:55:44,960 --> 00:55:45,680
Speaker 2: the ben attacked.

1326
00:55:45,840 --> 00:55:46,840
Speaker 3: Long time for the bolls.

1327
00:55:47,200 --> 00:55:48,800
Speaker 20: Nicki Minaj said she has receipts.

1328
00:55:49,560 --> 00:55:51,880
Speaker 3: Drop them. We'll report them, but I don't want to

1329
00:55:51,880 --> 00:55:53,080
Speaker 3: hear broken bobbies by lyrics.

1330
00:55:53,080 --> 00:55:53,920
Speaker 2: We ain't got it yet.

1331
00:55:53,960 --> 00:55:57,960
Speaker 3: No, he said, one second, you gotta clean it. Make

1332
00:55:58,000 --> 00:55:59,600
Speaker 3: sure it's cleaning stuff, Louis V.

1333
00:56:01,160 --> 00:56:03,640
Speaker 20: That's all we got is nick and y'all don talk

1334
00:56:03,680 --> 00:56:05,239
Speaker 20: for I had the Emmys, but we'll get to the.

1335
00:56:07,680 --> 00:56:07,919
Speaker 2: Friends.

1336
00:56:08,160 --> 00:56:10,719
Speaker 21: We're gonna do Shack Angeury's conversation with r J three

1337
00:56:10,760 --> 00:56:13,160
Speaker 21: we're gonna do at the Emmys because Kendrick Lamaran Beyonce

1338
00:56:13,200 --> 00:56:15,200
Speaker 21: is going to have to head now at the Emmy Lucas,

1339
00:56:15,600 --> 00:56:19,600
Speaker 21: we got a lot of good things. Okay, y all right,

1340
00:56:20,239 --> 00:56:20,879
Speaker 21: don't here today.

1341
00:56:20,920 --> 00:56:22,920
Speaker 1: We're giving your donkey two man for after the hour,

1342
00:56:23,000 --> 00:56:25,360
Speaker 1: we are going to discuss why life is like a

1343
00:56:25,440 --> 00:56:26,240
Speaker 1: box of chocolates.

1344
00:56:26,480 --> 00:56:27,640
Speaker 3: You never know what you're gonna get.

1345
00:56:28,800 --> 00:56:31,200
Speaker 1: All right, we'll get to that next breakfast come morning,

1346
00:56:31,840 --> 00:56:32,759
Speaker 1: the Breakfast Club.

1347
00:56:32,840 --> 00:56:35,040
Speaker 2: Your mornings will never be the same.

1348
00:56:35,960 --> 00:56:38,239
Speaker 14: I just wanted to know how you came up with them.

1349
00:56:38,280 --> 00:56:39,200
Speaker 8: Don't be the day.

1350
00:56:40,920 --> 00:56:42,279
Speaker 4: Because you're not.

1351
00:56:45,000 --> 00:56:49,760
Speaker 3: There's a bunch of donkeys. That is why Charlemagne remember

1352
00:56:49,880 --> 00:56:51,600
Speaker 3: life where we might are tongue based off who you

1353
00:56:51,640 --> 00:56:59,919
Speaker 3: may have seen, we never saying on the breakfast club

1354
00:57:00,120 --> 00:57:02,160
Speaker 3: the word of charlamagnea god, here's a donkey.

1355
00:57:06,000 --> 00:57:08,839
Speaker 8: Ah Man, Charlamagne, you've given donkey the day to who.

1356
00:57:08,840 --> 00:57:12,640
Speaker 1: Now well bust rhymes donkey today for when day July

1357
00:57:12,800 --> 00:57:14,520
Speaker 1: sixteenth goes to sixty three year.

1358
00:57:14,400 --> 00:57:15,800
Speaker 3: Old Pamela John Stanley.

1359
00:57:15,880 --> 00:57:19,720
Speaker 1: Now Pamela hails from Texas and she is currently incarcerated

1360
00:57:19,760 --> 00:57:25,880
Speaker 1: after allegedly attempting to send her ex husband fentanyl laced chocolates.

1361
00:57:25,960 --> 00:57:28,240
Speaker 3: Let's go to ABC News for the report. Police, just

1362
00:57:28,440 --> 00:57:29,840
Speaker 3: my little piece of paradise.

1363
00:57:29,640 --> 00:57:33,080
Speaker 26: Here, but feeling safe here has been a foreign and

1364
00:57:33,120 --> 00:57:35,640
Speaker 26: Jeff Coff's side and the lengths he's gone to.

1365
00:57:35,960 --> 00:57:38,520
Speaker 23: I went so far as I built a Domie may

1366
00:57:38,600 --> 00:57:41,520
Speaker 23: seem a bit paranoid at a mask on it and

1367
00:57:41,600 --> 00:57:44,080
Speaker 23: a hat and a jacket, but.

1368
00:57:44,160 --> 00:57:47,160
Speaker 26: It's only paranoia if no one's after you. And Kauf

1369
00:57:47,360 --> 00:57:49,720
Speaker 26: says his ex wife, Pamela Stanley.

1370
00:57:49,840 --> 00:57:52,560
Speaker 23: Was I was hoping she would move on to find happiness,

1371
00:57:52,880 --> 00:57:54,960
Speaker 23: and I was hoping she'd hope, you know, saying.

1372
00:57:54,760 --> 00:57:56,480
Speaker 2: For me, but it just didn't work out that way.

1373
00:57:56,640 --> 00:57:59,160
Speaker 26: Early last year, he says he heard rumors she talked

1374
00:57:59,160 --> 00:58:02,160
Speaker 26: about hiring a hit man. He even spoke to investigators.

1375
00:58:02,600 --> 00:58:03,960
Speaker 26: No charges ever came of it.

1376
00:58:04,200 --> 00:58:07,960
Speaker 23: It didn't really surprise me because she's kind of that way.

1377
00:58:08,400 --> 00:58:09,920
Speaker 2: But what did shock him?

1378
00:58:10,440 --> 00:58:14,280
Speaker 26: The recording investigators say they have of her latest plan.

1379
00:58:14,560 --> 00:58:17,439
Speaker 23: Did some fentanyl inject him into a box of high

1380
00:58:17,520 --> 00:58:20,520
Speaker 23: end chocolates that she was going to purchase.

1381
00:58:20,280 --> 00:58:21,320
Speaker 8: And have their mail to me?

1382
00:58:21,680 --> 00:58:22,960
Speaker 2: It was just scary? What can I say?

1383
00:58:23,160 --> 00:58:24,640
Speaker 23: The Parker County Sheriff's.

1384
00:58:24,320 --> 00:58:26,880
Speaker 26: Office says in a sting last week, and undercover.

1385
00:58:26,600 --> 00:58:28,760
Speaker 2: Officer provided her with a clear.

1386
00:58:28,600 --> 00:58:32,440
Speaker 26: Plastic baggie containing what she believed to be fentanyl. Her

1387
00:58:32,480 --> 00:58:33,800
Speaker 26: attorneys declined to comment.

1388
00:58:34,240 --> 00:58:36,720
Speaker 1: Now, kids, I was born in nineteen hundred and seventy eight, Okay,

1389
00:58:36,800 --> 00:58:38,760
Speaker 1: so back in my day, there was a classic film

1390
00:58:39,000 --> 00:58:40,720
Speaker 1: that came out in nineteen ninety four and it was

1391
00:58:40,760 --> 00:58:41,720
Speaker 1: called Forrest Gump.

1392
00:58:41,560 --> 00:58:44,240
Speaker 3: Dropping the Clues Bomb for far as Gum Run Forrest Running.

1393
00:58:45,120 --> 00:58:47,520
Speaker 1: It stars, in my opinion, one of, if not the

1394
00:58:47,600 --> 00:58:50,240
Speaker 1: greatest actor of all time, Tom Hanks, and there's an

1395
00:58:50,440 --> 00:58:53,400
Speaker 1: iconic line from that film that f as Gump mother said,

1396
00:58:53,440 --> 00:58:54,160
Speaker 1: do we have the line?

1397
00:58:54,840 --> 00:58:59,720
Speaker 3: My mama always said, life was like a box of chocolates.

1398
00:59:02,080 --> 00:59:05,520
Speaker 3: You never know what you're gonna get. Life is like

1399
00:59:05,600 --> 00:59:07,720
Speaker 3: a box of chocolate. You never know what you're gonna get.

1400
00:59:07,880 --> 00:59:10,120
Speaker 1: That line made so much sense to me when I

1401
00:59:10,240 --> 00:59:12,640
Speaker 1: was younger, but those I get the more experience I've

1402
00:59:12,680 --> 00:59:15,120
Speaker 1: had with boxes and chocolates, I do know what I'm

1403
00:59:15,160 --> 00:59:17,400
Speaker 1: gonna get in the box of chocolates. Okay, milk chocolate,

1404
00:59:17,480 --> 00:59:20,040
Speaker 1: doc chocolate, white chocolate, a bunch of you know, different

1405
00:59:20,120 --> 00:59:23,600
Speaker 1: feelings like caramel, nuts, fruit creams, truffle senters. If you've

1406
00:59:23,640 --> 00:59:26,840
Speaker 1: had enough of you know, boxes of chocolate, you pretty

1407
00:59:26,920 --> 00:59:29,760
Speaker 1: much know what's in there. But that's why Pamela John

1408
00:59:29,840 --> 00:59:32,400
Speaker 1: Stanley came along and said, said, let me bring the

1409
00:59:32,520 --> 00:59:35,400
Speaker 1: razzle dazzle. Okay, let me bring the razzle dazzle back

1410
00:59:35,440 --> 00:59:37,920
Speaker 1: to the box of chocolates by adding some of Rihanna's

1411
00:59:37,920 --> 00:59:41,000
Speaker 1: makeup to it. Okay, some of that finty beauty. All right, Pamela,

1412
00:59:41,000 --> 00:59:43,040
Speaker 1: I'm gonna tell you something. You have given new life

1413
00:59:43,080 --> 00:59:45,520
Speaker 1: to that line. Life is like a box of chocolate.

1414
00:59:45,640 --> 00:59:47,960
Speaker 1: You never know what you're gonna get. Okay, that line

1415
00:59:48,000 --> 00:59:50,280
Speaker 1: that started to lose this luster a long time ago,

1416
00:59:50,600 --> 00:59:53,400
Speaker 1: until you decided you wanted to kill your ex husband

1417
00:59:53,760 --> 00:59:56,840
Speaker 1: by putting powdered fentanyl into his box of chocolates. Now,

1418
00:59:56,880 --> 00:59:59,760
Speaker 1: what's crazy is we just talked about recording a special

1419
00:59:59,800 --> 01:00:02,760
Speaker 1: mode moments. The only reason she was caught is because

1420
01:00:02,800 --> 01:00:06,000
Speaker 1: she told a friend in a conversation or an acquaintance

1421
01:00:06,240 --> 01:00:09,800
Speaker 1: in a conversation that she didn't know was being recorded,

1422
01:00:09,960 --> 01:00:12,520
Speaker 1: that she planned on sending the Fenton al Lace chocolate

1423
01:00:12,640 --> 01:00:14,640
Speaker 1: to her ex husband, making it a pair like the

1424
01:00:14,720 --> 01:00:18,919
Speaker 1: package was from a travel agency as a congratulations gift

1425
01:00:19,160 --> 01:00:22,320
Speaker 1: for his recent engagement with a honeymoon incentive offer.

1426
01:00:23,240 --> 01:00:26,120
Speaker 3: Her ex husband said he wasn't surprised because.

1427
01:00:26,520 --> 01:00:29,840
Speaker 1: She's kind of that way. What the hell does that mean?

1428
01:00:30,160 --> 01:00:32,600
Speaker 1: She's kind of that way? When did she get that way?

1429
01:00:32,720 --> 01:00:32,880
Speaker 12: Sir?

1430
01:00:33,080 --> 01:00:34,280
Speaker 3: How long has she been that way?

1431
01:00:34,360 --> 01:00:34,520
Speaker 8: Sir?

1432
01:00:34,800 --> 01:00:37,000
Speaker 3: You was married to her for fourteen years, sir?

1433
01:00:37,400 --> 01:00:38,040
Speaker 2: Was she that way?

1434
01:00:38,120 --> 01:00:38,280
Speaker 24: Then?

1435
01:00:38,560 --> 01:00:38,800
Speaker 3: Listen?

1436
01:00:39,000 --> 01:00:41,880
Speaker 1: This is a prime example of why the best revenge

1437
01:00:42,000 --> 01:00:43,280
Speaker 1: is always success.

1438
01:00:43,760 --> 01:00:44,200
Speaker 3: Pamela.

1439
01:00:44,240 --> 01:00:46,440
Speaker 1: I'll understand you and your ex husband didn't work out

1440
01:00:46,520 --> 01:00:48,800
Speaker 1: after fourteen years, but this is not how you get

1441
01:00:48,840 --> 01:00:51,400
Speaker 1: your get back. Okay, your ex husband said, and I quote,

1442
01:00:51,640 --> 01:00:54,320
Speaker 1: I was hoping she would move on to find happiness.

1443
01:00:54,600 --> 01:00:57,160
Speaker 1: I was hoping she would hope the same for me,

1444
01:00:57,480 --> 01:01:00,400
Speaker 1: but it just didn't work out that way, Pamela, after

1445
01:01:00,520 --> 01:01:03,200
Speaker 1: a divorce, after a breakup, you're supposed to go get

1446
01:01:03,360 --> 01:01:06,120
Speaker 1: sexy on these holes, Okay, Go get right, all right,

1447
01:01:06,200 --> 01:01:09,520
Speaker 1: get in the best shape of your life physically, mentally, spiritually,

1448
01:01:09,600 --> 01:01:12,560
Speaker 1: and emotionally. You're supposed to make your ex husband regret

1449
01:01:12,680 --> 01:01:15,640
Speaker 1: the divorce, not make him feel like he dodged the

1450
01:01:15,800 --> 01:01:17,000
Speaker 1: bullet literally.

1451
01:01:17,320 --> 01:01:18,400
Speaker 3: Okay, Pamela.

1452
01:01:18,520 --> 01:01:20,520
Speaker 1: If you can come up with a calculator strategy like

1453
01:01:20,600 --> 01:01:23,880
Speaker 1: lacing a box of chocolates with fentanyl to kill your

1454
01:01:23,920 --> 01:01:26,640
Speaker 1: ex husband, and you can do anything you put your

1455
01:01:26,680 --> 01:01:29,040
Speaker 1: mind to, Okay. I don't understand why folks want to

1456
01:01:29,080 --> 01:01:32,920
Speaker 1: become super villains. There is absolutely zero reason to resort

1457
01:01:33,120 --> 01:01:35,840
Speaker 1: to throwing your life away while the person you're trying

1458
01:01:35,880 --> 01:01:38,720
Speaker 1: to hurt is out here living their best life. You

1459
01:01:38,840 --> 01:01:41,880
Speaker 1: became obsessed with your setback, and you can't allow yourself

1460
01:01:41,920 --> 01:01:44,280
Speaker 1: to move forward. If you are not willing to let

1461
01:01:44,400 --> 01:01:47,760
Speaker 1: go of your pass, please give Pamela John Stanley the

1462
01:01:47,800 --> 01:01:49,680
Speaker 1: Sweet Sounds of the Hamiltons.

1463
01:01:49,360 --> 01:01:53,080
Speaker 3: Oh no, you are the doge.

1464
01:01:53,800 --> 01:01:54,880
Speaker 2: Of the day.

1465
01:01:58,080 --> 01:02:01,640
Speaker 4: Dogee ah the day.

1466
01:02:06,720 --> 01:02:08,200
Speaker 3: She's still in jail right now too. She's got a

1467
01:02:08,240 --> 01:02:09,800
Speaker 3: bard of four hundred and fifty thousand.

1468
01:02:10,360 --> 01:02:11,360
Speaker 4: That's good as she in jail.

1469
01:02:11,400 --> 01:02:13,160
Speaker 5: But like you said, if she can put her mind

1470
01:02:13,200 --> 01:02:15,640
Speaker 5: in doing that, like if she can do something like that, man,

1471
01:02:16,320 --> 01:02:19,880
Speaker 5: imagine what she can do like great things in the world,

1472
01:02:20,440 --> 01:02:22,520
Speaker 5: like what like what like?

1473
01:02:22,640 --> 01:02:22,760
Speaker 7: Yo?

1474
01:02:22,960 --> 01:02:25,520
Speaker 1: She she laced the box of chocolates were fitting on

1475
01:02:25,880 --> 01:02:28,200
Speaker 1: and almost like and then came up with this whole

1476
01:02:28,280 --> 01:02:30,240
Speaker 1: idea to send it through from a traveler.

1477
01:02:31,360 --> 01:02:32,360
Speaker 3: Congratulations.

1478
01:02:32,600 --> 01:02:35,080
Speaker 4: If she's clever as hell.

1479
01:02:36,600 --> 01:02:41,360
Speaker 3: Off her crazy honeymoon with a box of chocolate.

1480
01:02:42,440 --> 01:02:44,120
Speaker 5: Oh, these type of people that are supposed to be

1481
01:02:44,280 --> 01:02:49,240
Speaker 5: like oh hell no, got you look God, that's Elizabeth

1482
01:02:49,440 --> 01:02:50,200
Speaker 5: or method.

1483
01:02:50,280 --> 01:02:54,400
Speaker 3: Us exactly Jesus, she put me in her milk. Hell

1484
01:02:56,800 --> 01:02:59,240
Speaker 3: everything comes with a side of method Thank you for that,

1485
01:02:59,360 --> 01:02:59,800
Speaker 3: Donkey to.

1486
01:02:59,800 --> 01:03:04,160
Speaker 2: Day right all right, Well, when we come back, the

1487
01:03:04,280 --> 01:03:09,760
Speaker 2: CEO of Afro Future formerly of Afro Cella abdu Abdullah

1488
01:03:09,760 --> 01:03:11,720
Speaker 2: will be joining us. He's gonna talk to us about

1489
01:03:11,760 --> 01:03:14,520
Speaker 2: Afro Afro Future, which they do every year in Ghana.

1490
01:03:14,720 --> 01:03:16,240
Speaker 2: He's bringing it to the state. So we're gonna talk

1491
01:03:16,240 --> 01:03:17,440
Speaker 2: about that, so don't go anywhere.

1492
01:03:17,480 --> 01:03:20,840
Speaker 3: It's the Breakfast Club. Good morning, the Breakfast Club.

1493
01:03:22,880 --> 01:03:25,080
Speaker 8: Wanting everybody is j N V.

1494
01:03:25,440 --> 01:03:27,919
Speaker 2: Jesse, Larry Charlamagne the God. We are the Breakfast Club.

1495
01:03:28,000 --> 01:03:29,240
Speaker 2: Lawla Roses here as well.

1496
01:03:29,280 --> 01:03:30,680
Speaker 3: We got a special guest in the building.

1497
01:03:30,840 --> 01:03:35,480
Speaker 2: Yes, sir, the founder and CEO of Afro Future, Abdu Abdullah, Welcome, brother,

1498
01:03:35,720 --> 01:03:37,440
Speaker 2: pleasure to be here with how you feeling?

1499
01:03:37,640 --> 01:03:39,280
Speaker 8: I feel real good? Thanks for God.

1500
01:03:39,640 --> 01:03:39,800
Speaker 7: Man.

1501
01:03:39,840 --> 01:03:41,680
Speaker 3: Tell people what that what Afro Future is from.

1502
01:03:41,800 --> 01:03:45,640
Speaker 27: Yeah, Afrofuture is a cultural immersion platform that we created

1503
01:03:45,680 --> 01:03:48,840
Speaker 27: in Ghana to celebrate africulture and also to just break

1504
01:03:48,880 --> 01:03:51,960
Speaker 27: it down to people in a way that's direct. We

1505
01:03:52,120 --> 01:03:56,280
Speaker 27: celebrate food, fashion, art and obviously music as well. In

1506
01:03:56,400 --> 01:03:59,160
Speaker 27: my opinion and our team opinion, we feel like equal

1507
01:03:59,200 --> 01:04:02,000
Speaker 27: parts of all of this gives you a clear understanding

1508
01:04:02,040 --> 01:04:04,680
Speaker 27: of what it's like to visit the continent and that's

1509
01:04:04,680 --> 01:04:06,520
Speaker 27: what we've been doing for the past eight years, inviting

1510
01:04:06,560 --> 01:04:08,800
Speaker 27: people back to Ghana and for the first time ever

1511
01:04:09,120 --> 01:04:10,160
Speaker 27: was showing up in Detroit.

1512
01:04:10,600 --> 01:04:14,720
Speaker 3: So no, I was at the last Afroo.

1513
01:04:14,560 --> 01:04:16,840
Speaker 8: Yes you was? You was at the last one.

1514
01:04:16,920 --> 01:04:18,720
Speaker 3: Yeah, that's when y'all announced it was gonna be Afro

1515
01:04:18,760 --> 01:04:19,480
Speaker 3: Future the next year.

1516
01:04:19,600 --> 01:04:20,200
Speaker 8: That's correct.

1517
01:04:20,480 --> 01:04:22,400
Speaker 27: It was an opportunity for us to really kind of

1518
01:04:22,440 --> 01:04:25,120
Speaker 27: grow beyond what we've been. I mean, right now, we

1519
01:04:25,240 --> 01:04:27,240
Speaker 27: know that one in ten people by twenty five things

1520
01:04:27,320 --> 01:04:30,040
Speaker 27: going to be African. Afe is the youngest continent. There's

1521
01:04:30,080 --> 01:04:32,520
Speaker 27: just a lot of opportunity, and there's been so much

1522
01:04:32,600 --> 01:04:35,760
Speaker 27: misinformation about Africa for so long. I grew up here,

1523
01:04:36,000 --> 01:04:39,320
Speaker 27: I'm like my house, I'm the American kid, but when

1524
01:04:39,320 --> 01:04:40,960
Speaker 27: I went out to school, I was the African kid.

1525
01:04:41,360 --> 01:04:42,800
Speaker 27: So the best way I could do is just kind

1526
01:04:42,800 --> 01:04:44,440
Speaker 27: of bring the world together, and that's what we've been

1527
01:04:44,480 --> 01:04:45,520
Speaker 27: trying to do with this festival.

1528
01:04:45,560 --> 01:04:48,160
Speaker 3: Why did y'all change your name from Afro Tailer to Afrofuture.

1529
01:04:48,200 --> 01:04:50,280
Speaker 8: I mean, I think that obviously there was there was

1530
01:04:50,320 --> 01:04:52,400
Speaker 8: a lot of there was a lot of issues that

1531
01:04:52,480 --> 01:04:52,840
Speaker 8: we had.

1532
01:04:53,280 --> 01:04:55,280
Speaker 3: They sued you like they sue everybody. They did just

1533
01:04:55,400 --> 01:04:55,680
Speaker 3: suit me.

1534
01:04:55,800 --> 01:04:58,000
Speaker 27: But I mean, I mean, beyond that, it was just

1535
01:04:58,080 --> 01:05:00,560
Speaker 27: an opportunity for us to like kind of grow beyond

1536
01:05:00,640 --> 01:05:03,320
Speaker 27: where we were. This gives us an opportunity to let

1537
01:05:03,360 --> 01:05:05,400
Speaker 27: people know that there's a lot happening on the continent

1538
01:05:05,720 --> 01:05:07,920
Speaker 27: and you should be a part of that right as

1539
01:05:08,000 --> 01:05:11,400
Speaker 27: far as creativity, entertainment, as far as business. You know,

1540
01:05:11,640 --> 01:05:13,800
Speaker 27: there's so much happening on the continent that everyone should

1541
01:05:13,800 --> 01:05:15,360
Speaker 27: be a part of. And I have a future kind

1542
01:05:15,360 --> 01:05:16,200
Speaker 27: of speaks to that journey.

1543
01:05:16,240 --> 01:05:17,680
Speaker 3: But people don't come for the name, they come for

1544
01:05:17,760 --> 01:05:18,080
Speaker 3: the event.

1545
01:05:18,240 --> 01:05:20,280
Speaker 27: That's exactly what RIGHT is and the experience that we've

1546
01:05:20,320 --> 01:05:23,480
Speaker 27: been creating. You know, you've done that without any corporate partners.

1547
01:05:23,920 --> 01:05:25,840
Speaker 27: So that's just like a team of people who was

1548
01:05:26,080 --> 01:05:30,000
Speaker 27: really invested in seeing the entertainment business own continent grow.

1549
01:05:30,120 --> 01:05:32,160
Speaker 27: For us to create opportunities for people on the ground,

1550
01:05:32,560 --> 01:05:35,400
Speaker 27: to change the economy in our own country, but also

1551
01:05:35,560 --> 01:05:37,520
Speaker 27: just to kind of showcase some of these talents. Right

1552
01:05:37,840 --> 01:05:40,760
Speaker 27: when we started in twenty seventeen, they weren't playing any

1553
01:05:40,800 --> 01:05:44,120
Speaker 27: afrobeats music on the radio. Ten years later, you can't

1554
01:05:44,120 --> 01:05:45,640
Speaker 27: go to a party, you can't go to a spot

1555
01:05:45,720 --> 01:05:48,120
Speaker 27: in New York without it. And you know, for us,

1556
01:05:48,400 --> 01:05:50,720
Speaker 27: one of the best accomplishments is like a lot of

1557
01:05:50,800 --> 01:05:53,720
Speaker 27: people were able to visit the continent because of our experience.

1558
01:05:54,480 --> 01:05:57,360
Speaker 27: They started in Ghana, but they've grown since to South Africa,

1559
01:05:57,400 --> 01:05:59,680
Speaker 27: to Nigeria, and Ghana was just that that entry away.

1560
01:06:01,360 --> 01:06:03,440
Speaker 4: Why Detroit for the first stop in the US? Why

1561
01:06:03,520 --> 01:06:04,080
Speaker 4: not New York?

1562
01:06:04,280 --> 01:06:06,520
Speaker 27: I mean New York. I feel like I'm from New York.

1563
01:06:06,560 --> 01:06:08,440
Speaker 27: Everyone that needs to know about what we're doing on

1564
01:06:08,560 --> 01:06:11,200
Speaker 27: the continent is aware. This is like a cultural melting pot.

1565
01:06:11,280 --> 01:06:14,080
Speaker 27: We have a restaurant here. People know what's going on

1566
01:06:14,400 --> 01:06:16,200
Speaker 27: in this side of the city. But one of the

1567
01:06:16,280 --> 01:06:19,040
Speaker 27: things that we've learned is that there's an opportunity Detroit

1568
01:06:19,160 --> 01:06:21,080
Speaker 27: being one of the most creative places also one of

1569
01:06:21,120 --> 01:06:23,560
Speaker 27: the blackest cities in America, and we could build that

1570
01:06:23,640 --> 01:06:27,400
Speaker 27: bridge between Detroit and the continent, like there's no saying

1571
01:06:27,680 --> 01:06:29,960
Speaker 27: where things can go. And that's the opportunity there. And

1572
01:06:30,040 --> 01:06:32,920
Speaker 27: then also we have an amazing partner in Bedrock that's

1573
01:06:33,040 --> 01:06:36,520
Speaker 27: that's promoting opportunities and business in the city. So we're

1574
01:06:36,560 --> 01:06:38,880
Speaker 27: looking at it as an opportunity to kind of grow

1575
01:06:38,960 --> 01:06:40,520
Speaker 27: our audience and not just kind of speak to the

1576
01:06:40,560 --> 01:06:41,040
Speaker 27: same people.

1577
01:06:41,320 --> 01:06:44,040
Speaker 3: That's crazy to think that y'all don't have no sponsorships.

1578
01:06:44,760 --> 01:06:49,360
Speaker 8: No, we have sponsorships. When you were there a few years,

1579
01:06:49,400 --> 01:06:50,360
Speaker 8: we had some sponsorships.

1580
01:06:50,400 --> 01:06:52,040
Speaker 27: What we don't have is a corporate sponsors So we

1581
01:06:52,160 --> 01:06:54,320
Speaker 27: never had like a live Nation Shire where any of

1582
01:06:54,400 --> 01:06:57,520
Speaker 27: those brands behind us. We literally built this from the mud.

1583
01:06:57,640 --> 01:07:00,360
Speaker 27: And as far as sponsorships, we've had some of the

1584
01:07:00,440 --> 01:07:03,040
Speaker 27: first ever. So when when Meta wanted to first come

1585
01:07:03,080 --> 01:07:06,360
Speaker 27: to the continent, they showed up to our festival, we

1586
01:07:06,400 --> 01:07:08,360
Speaker 27: were able to work with them. When you two wanted

1587
01:07:08,400 --> 01:07:11,280
Speaker 27: to announce shorts, we were able to build the playground

1588
01:07:11,320 --> 01:07:13,880
Speaker 27: in our field. Audio Mac, we brought the CEO of

1589
01:07:13,920 --> 01:07:16,640
Speaker 27: Audio Mac to Ghana. We ran this program called the

1590
01:07:16,680 --> 01:07:19,400
Speaker 27: Rising Star program and now Audio Mac is now the

1591
01:07:19,520 --> 01:07:21,840
Speaker 27: number one downloaded app in West Africa, you know. So

1592
01:07:21,960 --> 01:07:23,920
Speaker 27: we were able to be that conduit for a lot

1593
01:07:23,960 --> 01:07:26,400
Speaker 27: of brands that want to come to the continent and

1594
01:07:26,520 --> 01:07:28,600
Speaker 27: then we've been doing business like that since.

1595
01:07:29,160 --> 01:07:31,120
Speaker 20: But those aren't considered corporate sponsors, even though.

1596
01:07:31,000 --> 01:07:34,200
Speaker 27: They are corporate sponsors, but they don't. You can't build

1597
01:07:34,240 --> 01:07:37,200
Speaker 27: an event with corporate sponsors because you're probably not going

1598
01:07:37,240 --> 01:07:38,760
Speaker 27: to get the money to after the event is over.

1599
01:07:39,280 --> 01:07:41,640
Speaker 27: But like if you have like a festival partner, we're

1600
01:07:41,640 --> 01:07:45,360
Speaker 27: still an independent festival and that we eat what we killed.

1601
01:07:45,520 --> 01:07:48,680
Speaker 2: Basically, so you started off with four thousand attendees. Did

1602
01:07:48,720 --> 01:07:50,800
Speaker 2: you expect it to be this big as a concert

1603
01:07:50,840 --> 01:07:52,120
Speaker 2: series or was it one of those things where it

1604
01:07:52,200 --> 01:07:55,160
Speaker 2: was more like a smaller well.

1605
01:07:55,720 --> 01:07:57,640
Speaker 27: I just wanted a place for us to connect. There

1606
01:07:57,640 --> 01:07:59,640
Speaker 27: were so many people in the diaspora that were doing

1607
01:07:59,640 --> 01:08:01,960
Speaker 27: amazing and things, whether it was in London or it

1608
01:08:02,040 --> 01:08:04,960
Speaker 27: was in America, but we just could never connect. We

1609
01:08:05,240 --> 01:08:07,480
Speaker 27: just came to Deddy December and we just partied and

1610
01:08:07,560 --> 01:08:10,320
Speaker 27: went away. So with the festival, this is an opportunity

1611
01:08:10,400 --> 01:08:13,320
Speaker 27: to really kind of showcase what the amazing people on

1612
01:08:13,400 --> 01:08:15,480
Speaker 27: the continent that are doing, but also like how we

1613
01:08:15,600 --> 01:08:18,240
Speaker 27: can help and how we can add the sauce to

1614
01:08:18,320 --> 01:08:20,640
Speaker 27: it as well. But I did think we were going

1615
01:08:20,720 --> 01:08:21,920
Speaker 27: to be big. I didn't think we were going to

1616
01:08:21,960 --> 01:08:24,799
Speaker 27: be big as fast. So we started in twenty seventeen.

1617
01:08:25,439 --> 01:08:27,360
Speaker 27: The year one we did four thousand people, Year two

1618
01:08:27,400 --> 01:08:29,960
Speaker 27: we did twelve thousand, and then year three was a

1619
01:08:30,040 --> 01:08:32,080
Speaker 27: year of return. So it kind of forced us to

1620
01:08:32,120 --> 01:08:33,680
Speaker 27: scale faster than we were ready to.

1621
01:08:34,080 --> 01:08:36,080
Speaker 1: And then I think the rise of afrobeats because the

1622
01:08:36,200 --> 01:08:37,920
Speaker 1: year I was there had burned a boy headline.

1623
01:08:38,000 --> 01:08:40,760
Speaker 27: Yeah that was there was two years in the making. Yeah,

1624
01:08:40,840 --> 01:08:44,280
Speaker 27: we've had almost we've had all of them performed for ourselves.

1625
01:08:44,320 --> 01:08:46,760
Speaker 27: We've had whisk Kid We've had Davy Dough, We've had

1626
01:08:46,800 --> 01:08:49,080
Speaker 27: a shot K. We've even had Rema for like one

1627
01:08:49,120 --> 01:08:51,560
Speaker 27: of our side events that we did. You know, we

1628
01:08:51,640 --> 01:08:54,439
Speaker 27: did a fashion out experience with ig Instagram and we

1629
01:08:54,560 --> 01:08:56,960
Speaker 27: had Rema. They are performing, So we've pretty much been

1630
01:08:57,040 --> 01:08:59,040
Speaker 27: the launching path for a lot of people. Uncle Waffles

1631
01:08:59,400 --> 01:09:02,439
Speaker 27: probably wanted to biggest DJs right now. We were one

1632
01:09:02,479 --> 01:09:04,439
Speaker 27: of the first people to fly out of the Southern

1633
01:09:04,479 --> 01:09:07,200
Speaker 27: Africa to Ghana. Put on the billboard she performed at

1634
01:09:07,240 --> 01:09:09,200
Speaker 27: our show. We've done that for a lot of artists,

1635
01:09:09,280 --> 01:09:10,960
Speaker 27: I mean a lot of that on my piano artists

1636
01:09:11,200 --> 01:09:13,120
Speaker 27: through the pandemic we broke in Ghana.

1637
01:09:13,800 --> 01:09:17,320
Speaker 5: Four thousand is still a lot for the first festival,

1638
01:09:17,880 --> 01:09:20,160
Speaker 5: So that's amazing to go from four thousand and forty

1639
01:09:20,200 --> 01:09:22,880
Speaker 5: one thousand, is I mean four thousand, Yeah, four thousand

1640
01:09:22,920 --> 01:09:25,200
Speaker 5: and forty one thousand is amazing, But for the first time,

1641
01:09:25,640 --> 01:09:26,920
Speaker 5: four thousand is still a lot.

1642
01:09:27,200 --> 01:09:30,360
Speaker 8: Yeah. We actually shut it down yeah the first year.

1643
01:09:30,400 --> 01:09:32,479
Speaker 27: Yeah, we were afraid that it was like people were

1644
01:09:32,520 --> 01:09:33,920
Speaker 27: not going to be able to have as much fun

1645
01:09:34,400 --> 01:09:35,880
Speaker 27: or we weren't going to be able to control it.

1646
01:09:35,960 --> 01:09:37,639
Speaker 27: So we wanted to be able to still make sure

1647
01:09:37,680 --> 01:09:39,720
Speaker 27: people had a good time, so we actually shut it

1648
01:09:39,760 --> 01:09:42,000
Speaker 27: down when it got to a certain limit. We wanted

1649
01:09:42,000 --> 01:09:44,040
Speaker 27: to make sure we had that good premium experience.

1650
01:09:44,200 --> 01:09:46,280
Speaker 4: Did you have any problems that, No, No, that.

1651
01:09:46,400 --> 01:09:48,360
Speaker 27: That first year was just it was it was a

1652
01:09:48,439 --> 01:09:51,400
Speaker 27: learned experience. It was accomplishment. I remember, like, you know,

1653
01:09:51,760 --> 01:09:53,640
Speaker 27: being very happy that we was able to kind of

1654
01:09:53,760 --> 01:09:56,479
Speaker 27: see our vision through. But we didn't really have that

1655
01:09:56,600 --> 01:09:59,400
Speaker 27: many experience issues that first year.

1656
01:10:00,040 --> 01:10:01,840
Speaker 2: What's the hardest thing you face do any shows? Was

1657
01:10:01,880 --> 01:10:03,280
Speaker 2: it sponsorships? Is it people?

1658
01:10:03,560 --> 01:10:03,680
Speaker 7: Is it?

1659
01:10:04,200 --> 01:10:06,880
Speaker 8: I think there's a combination of all of that. You know.

1660
01:10:07,360 --> 01:10:09,759
Speaker 27: Our first time was just really just kind of understanding

1661
01:10:09,800 --> 01:10:12,679
Speaker 27: the business. We had no idea how to throw a festival.

1662
01:10:12,720 --> 01:10:14,439
Speaker 27: We know how to do parties, but we didn't know

1663
01:10:14,439 --> 01:10:17,479
Speaker 27: how to do festivals. The second year was just more

1664
01:10:17,600 --> 01:10:20,479
Speaker 27: by scale, right, just understanding like logistics and how to

1665
01:10:20,520 --> 01:10:24,639
Speaker 27: deal with people moving from like what was polo field

1666
01:10:24,680 --> 01:10:27,439
Speaker 27: to a stadium. The third year was just kind of

1667
01:10:27,479 --> 01:10:30,160
Speaker 27: scaling where our company wasn't just ready to kind of

1668
01:10:30,760 --> 01:10:32,679
Speaker 27: get all of those people coming in for the year returned,

1669
01:10:32,920 --> 01:10:36,040
Speaker 27: but also Ghana's tourism wasn't quite ready for the amount

1670
01:10:36,040 --> 01:10:39,000
Speaker 27: of people that came into that year of return. So yeah,

1671
01:10:39,080 --> 01:10:41,720
Speaker 27: there's a combination of money, there's a combination of just

1672
01:10:41,840 --> 01:10:46,200
Speaker 27: kind of learning, opportunity capacity building in the space. Equipment

1673
01:10:46,320 --> 01:10:48,479
Speaker 27: is one of the things that we don't necessarily have

1674
01:10:48,760 --> 01:10:52,280
Speaker 27: much of the continent, so the expense is high. And

1675
01:10:52,360 --> 01:10:54,800
Speaker 27: now we're dealing with cost of talent, right, So like

1676
01:10:55,000 --> 01:10:58,200
Speaker 27: all of those things are different. At different points, there

1677
01:10:58,280 --> 01:10:59,240
Speaker 27: was this different hard things.

1678
01:10:59,280 --> 01:11:02,120
Speaker 1: I don't even like going outside, but I remember when

1679
01:11:02,160 --> 01:11:04,240
Speaker 1: I first went to Ghana, everybody was like, yo, Ghana's

1680
01:11:04,320 --> 01:11:07,000
Speaker 1: night life is incredible, And I remember thinking Ghana's nightlife

1681
01:11:07,360 --> 01:11:09,559
Speaker 1: and me and my wife and our team was outside

1682
01:11:09,800 --> 01:11:11,000
Speaker 1: every night.

1683
01:11:11,439 --> 01:11:14,519
Speaker 27: Yeah, very important, like we they do, like people on

1684
01:11:14,640 --> 01:11:16,720
Speaker 27: the continent know how to have a good time. And

1685
01:11:16,840 --> 01:11:20,160
Speaker 27: in December, everybody's off, right, it's like a vacation for everybody.

1686
01:11:20,320 --> 01:11:23,479
Speaker 27: So the reality is you can go out every night.

1687
01:11:23,560 --> 01:11:26,040
Speaker 3: The restaurants club was in Silver Fox.

1688
01:11:26,240 --> 01:11:28,320
Speaker 27: Yeah, you can have a vibe from morning to morning,

1689
01:11:28,560 --> 01:11:30,360
Speaker 27: like you know what I mean, And people do it

1690
01:11:30,479 --> 01:11:33,000
Speaker 27: and I love that for people. And depending on the

1691
01:11:33,080 --> 01:11:34,720
Speaker 27: type of experience you want to have, you can have

1692
01:11:34,840 --> 01:11:36,960
Speaker 27: that party track, you can have the tourist track, you

1693
01:11:37,040 --> 01:11:39,200
Speaker 27: can have the Restroe track. It's really your choice.

1694
01:11:39,240 --> 01:11:43,080
Speaker 2: I was still kicking with Abdulah, the CEO of Afro Future.

1695
01:11:43,160 --> 01:11:45,000
Speaker 2: It used to be called Afro Chill if you remember.

1696
01:11:45,160 --> 01:11:47,040
Speaker 2: They take it to Ghana each and every year, but

1697
01:11:47,160 --> 01:11:48,920
Speaker 2: this year they're bringing it to the States.

1698
01:11:49,760 --> 01:11:52,160
Speaker 1: I was saying to myself, I want to go to

1699
01:11:52,240 --> 01:11:55,200
Speaker 1: Ghana outside of December, which I'm going to do, but

1700
01:11:55,320 --> 01:11:57,680
Speaker 1: absolutely because I wanted, like, how was it throughout the

1701
01:11:57,720 --> 01:11:58,280
Speaker 1: rest of the year.

1702
01:11:58,439 --> 01:12:01,080
Speaker 27: No, you can have what you see in December. It's

1703
01:12:01,200 --> 01:12:04,280
Speaker 27: not foreign to people. People do this weekly in Ghana

1704
01:12:04,360 --> 01:12:06,240
Speaker 27: if they want to, Like, you know what we see

1705
01:12:06,240 --> 01:12:08,320
Speaker 27: in December. I know a lot of people is surprised

1706
01:12:08,320 --> 01:12:10,200
Speaker 27: to them, but this is some people do this weekly

1707
01:12:10,240 --> 01:12:12,200
Speaker 27: if they want to. But like, you can have a

1708
01:12:12,240 --> 01:12:14,960
Speaker 27: great time in the you know, during Easter, you can

1709
01:12:15,040 --> 01:12:17,880
Speaker 27: have a great time in the summertime. It's just not

1710
01:12:18,000 --> 01:12:20,920
Speaker 27: as packed with foreigners, right, but the experience is still

1711
01:12:20,960 --> 01:12:23,320
Speaker 27: the same. You can still have fun at the restaurants,

1712
01:12:23,360 --> 01:12:25,280
Speaker 27: the clubs are still packed. People are still having a

1713
01:12:25,320 --> 01:12:27,599
Speaker 27: good time. And you know, we just had a change

1714
01:12:27,640 --> 01:12:30,680
Speaker 27: of government this year in Ghana as well, so that

1715
01:12:30,880 --> 01:12:32,880
Speaker 27: you know, the economy is coming back to where it's

1716
01:12:32,880 --> 01:12:35,200
Speaker 27: supposed to be, and I think people are getting more

1717
01:12:35,439 --> 01:12:36,679
Speaker 27: there's more consumer confidence.

1718
01:12:36,800 --> 01:12:39,760
Speaker 2: Why people reach out to you because we had the

1719
01:12:39,880 --> 01:12:43,200
Speaker 2: CEO and chairman of rich Yeah, that was like that

1720
01:12:43,280 --> 01:12:46,599
Speaker 2: would be dope to do, like a Friday Night Afro Future.

1721
01:12:49,280 --> 01:12:52,680
Speaker 1: I mean, I don't understand the conversation, but people are

1722
01:12:52,720 --> 01:12:55,880
Speaker 1: mad about the whole Africans, you know, the whole Africans.

1723
01:12:55,520 --> 01:12:57,120
Speaker 3: Versus Black American argument.

1724
01:12:57,240 --> 01:12:59,880
Speaker 1: And you know, Black Americans have been complaining that African

1725
01:13:00,400 --> 01:13:02,400
Speaker 1: is different than Black culture and they felt like Essence

1726
01:13:02,479 --> 01:13:04,040
Speaker 1: was trying to force it on people.

1727
01:13:04,120 --> 01:13:04,320
Speaker 8: Yeah.

1728
01:13:04,400 --> 01:13:06,519
Speaker 27: I mean, I think at the core of it is

1729
01:13:06,560 --> 01:13:09,400
Speaker 27: all about misunderstanding and we just really are not speaking

1730
01:13:09,400 --> 01:13:11,880
Speaker 27: to each other, were speaking past each other. And the

1731
01:13:11,960 --> 01:13:14,439
Speaker 27: reason why our festival exists is really to just kind

1732
01:13:14,479 --> 01:13:17,320
Speaker 27: of domestify and really make you understand and the African

1733
01:13:17,360 --> 01:13:19,519
Speaker 27: American And you've been to the continent, you know that

1734
01:13:19,640 --> 01:13:22,400
Speaker 27: people love you, right because this is all they consume,

1735
01:13:22,720 --> 01:13:25,880
Speaker 27: your content, the music, the art, everything. And then I'm

1736
01:13:25,880 --> 01:13:28,240
Speaker 27: also a child that's like was born here in America,

1737
01:13:28,360 --> 01:13:31,439
Speaker 27: so part of my life is an African American lifestyle.

1738
01:13:31,479 --> 01:13:33,400
Speaker 27: Went to high school, I went to college here. So

1739
01:13:33,920 --> 01:13:35,960
Speaker 27: I think really it's just kind of making sure we

1740
01:13:36,160 --> 01:13:39,240
Speaker 27: understand and respect each other at its core. On the continent,

1741
01:13:39,479 --> 01:13:41,599
Speaker 27: if you grow up there, all you see is black

1742
01:13:41,640 --> 01:13:44,880
Speaker 27: people versus where you grew up here in America. You

1743
01:13:45,000 --> 01:13:47,240
Speaker 27: go to college, you go to go to work, there's

1744
01:13:47,280 --> 01:13:49,560
Speaker 27: these microaggressions and things that you don't that you have

1745
01:13:49,640 --> 01:13:52,519
Speaker 27: to face. It's a very different understanding for everyone, right,

1746
01:13:52,640 --> 01:13:55,439
Speaker 27: so on you know, think about hierarchy of needs on

1747
01:13:55,520 --> 01:13:57,519
Speaker 27: the continent, that the need is just we need.

1748
01:13:57,680 --> 01:13:58,320
Speaker 2: We need to eat.

1749
01:13:58,560 --> 01:14:00,880
Speaker 27: So it doesn't matter if that I'm dealing with a

1750
01:14:00,880 --> 01:14:02,920
Speaker 27: little bit of racism because at the end of the day,

1751
01:14:03,120 --> 01:14:06,200
Speaker 27: I got to eat, whereas here I need to survive.

1752
01:14:06,320 --> 01:14:07,000
Speaker 8: I need to live.

1753
01:14:07,640 --> 01:14:11,080
Speaker 27: So that racist them, that that's oppressive, that that that

1754
01:14:11,240 --> 01:14:13,920
Speaker 27: that you know, that takes away from my joy, you

1755
01:14:14,000 --> 01:14:16,000
Speaker 27: know what I mean. And I think that just really

1756
01:14:16,080 --> 01:14:19,240
Speaker 27: respecting everyone's perspective on their need at that point is

1757
01:14:19,320 --> 01:14:22,519
Speaker 27: really what I think needs to happen. But I also

1758
01:14:22,600 --> 01:14:24,240
Speaker 27: think that we just need to learn about each other

1759
01:14:24,280 --> 01:14:25,719
Speaker 27: a little bit more and we could find those.

1760
01:14:25,640 --> 01:14:30,280
Speaker 4: Synergy speaking of eating rice or jambalaya.

1761
01:14:31,600 --> 01:14:34,599
Speaker 27: So we so we actually did that event, My boys

1762
01:14:34,640 --> 01:14:37,760
Speaker 27: and I did that event, right, I don't think that

1763
01:14:37,800 --> 01:14:39,519
Speaker 27: they should be mad at us. I think that's really

1764
01:14:39,640 --> 01:14:43,000
Speaker 27: just understanding why we did it right. So Jumbalaya is

1765
01:14:43,720 --> 01:14:47,080
Speaker 27: a version of what jelf would be, or like a

1766
01:14:47,160 --> 01:14:49,320
Speaker 27: rendition of it. So I don't know if anybody here

1767
01:14:49,360 --> 01:14:52,439
Speaker 27: has seen high in the hog. We're talking about food origins. Really,

1768
01:14:52,479 --> 01:14:54,479
Speaker 27: we were just trying to connect people. Our goal is

1769
01:14:54,560 --> 01:14:57,360
Speaker 27: not to make it a competition, and we didn't compete

1770
01:14:57,360 --> 01:15:00,240
Speaker 27: against the rice. It's really just kind of like, let

1771
01:15:00,320 --> 01:15:02,240
Speaker 27: you know, if you're African, this is the opportunity for

1772
01:15:02,320 --> 01:15:05,320
Speaker 27: you to learn about Jambalaya. If if you're an American,

1773
01:15:05,400 --> 01:15:07,360
Speaker 27: this is your opportunity to take some je of rice.

1774
01:15:07,439 --> 01:15:09,920
Speaker 27: And and that was just a way of us trying

1775
01:15:09,960 --> 01:15:13,720
Speaker 27: to connect the culture and connect people through basketballs what

1776
01:15:13,880 --> 01:15:15,840
Speaker 27: that people love, and then also through food and just

1777
01:15:15,920 --> 01:15:18,040
Speaker 27: kind of build that connection. I think we could probably

1778
01:15:18,080 --> 01:15:20,599
Speaker 27: could have did a better storytelling opportunity of just kind

1779
01:15:20,600 --> 01:15:23,400
Speaker 27: of the connectivity between Jumbalayan and Jewel Off. And I

1780
01:15:23,479 --> 01:15:26,400
Speaker 27: think that's great feedback. But I don't think of it

1781
01:15:26,600 --> 01:15:29,600
Speaker 27: as a way for us to erase anybody's culture or

1782
01:15:29,960 --> 01:15:32,960
Speaker 27: like you know, africanize anybody's culture. Our goal is to

1783
01:15:33,720 --> 01:15:35,920
Speaker 27: be respectful. We should be respectful, and I think that

1784
01:15:36,040 --> 01:15:37,960
Speaker 27: that's the that's the goal that I'm learning.

1785
01:15:38,120 --> 01:15:40,439
Speaker 4: Absolutely, if you show up, you hungry, I want both

1786
01:15:41,840 --> 01:15:42,720
Speaker 4: where to come from?

1787
01:15:42,800 --> 01:15:46,759
Speaker 1: I want to Yeah, my guy chef BJ Benjamin Dennessee,

1788
01:15:46,840 --> 01:15:48,920
Speaker 1: he was on High on the Hull and from Charleston,

1789
01:15:49,000 --> 01:15:51,519
Speaker 1: South Carolina, exactly from back line where I'm from.

1790
01:15:51,840 --> 01:15:53,280
Speaker 3: I'm not West Africa.

1791
01:15:53,360 --> 01:15:54,880
Speaker 1: So it's like a lot of the things that we

1792
01:15:55,760 --> 01:15:58,679
Speaker 1: eat and stuff are rooted in West African culture.

1793
01:15:58,840 --> 01:16:00,400
Speaker 8: Yeah, that's some of the things that we want to do.

1794
01:16:00,479 --> 01:16:01,439
Speaker 8: We want to tell more.

1795
01:16:01,360 --> 01:16:04,400
Speaker 27: Stories about food and the origins because if you look

1796
01:16:04,439 --> 01:16:06,000
Speaker 27: at a lot of food that people were eating here

1797
01:16:06,040 --> 01:16:09,120
Speaker 27: in America, across the Caribbean and across the content, there's

1798
01:16:09,160 --> 01:16:11,960
Speaker 27: so many similarities, but there's rarely any places that you

1799
01:16:12,040 --> 01:16:14,880
Speaker 27: can go and find if you were born here in America. Like,

1800
01:16:14,960 --> 01:16:17,240
Speaker 27: for instance, we know about I know about jay Z's

1801
01:16:17,320 --> 01:16:19,880
Speaker 27: history from getting into the End, and like I follow

1802
01:16:19,960 --> 01:16:22,040
Speaker 27: all of his albums and I know the next story

1803
01:16:22,120 --> 01:16:23,760
Speaker 27: is going to come on the next one. We don't

1804
01:16:23,760 --> 01:16:27,000
Speaker 27: necessarily have that about our afrobeats artists. I think there's

1805
01:16:27,000 --> 01:16:29,280
Speaker 27: an opportunity there for us to tell those stories and

1806
01:16:29,400 --> 01:16:31,559
Speaker 27: that happens for all categories. The same thing in art,

1807
01:16:31,640 --> 01:16:34,120
Speaker 27: same thing and fashion, same thing in food. We need

1808
01:16:34,200 --> 01:16:36,400
Speaker 27: to tell those stories and that's why our platform exists

1809
01:16:36,439 --> 01:16:39,760
Speaker 27: to be able to tell those stories and buy into that.

1810
01:16:39,960 --> 01:16:41,880
Speaker 27: Like we all loved Black Panther when it came out,

1811
01:16:41,920 --> 01:16:43,800
Speaker 27: although it's not real. We all loved The Women King

1812
01:16:43,880 --> 01:16:46,320
Speaker 27: when it came out. But we need more shows, more

1813
01:16:46,400 --> 01:16:49,040
Speaker 27: movies like that, because if somebody is sitting here in

1814
01:16:49,120 --> 01:16:51,479
Speaker 27: America and all they've been taught is that Africa is

1815
01:16:51,520 --> 01:16:53,880
Speaker 27: full of poverty, and as an African, I know a

1816
01:16:53,920 --> 01:16:55,960
Speaker 27: lot of young Africans that didn't want to associate with

1817
01:16:56,120 --> 01:16:59,400
Speaker 27: that either, so it kind of makes sense. But now

1818
01:16:59,479 --> 01:17:02,479
Speaker 27: if we can tell you, with the Internet penetrating at

1819
01:17:02,560 --> 01:17:05,160
Speaker 27: forty and fifty percent in Africa right now, Africans are

1820
01:17:05,240 --> 01:17:07,000
Speaker 27: able to tell you in real life who they are

1821
01:17:07,120 --> 01:17:08,640
Speaker 27: and what they do and the type of lifestyles that

1822
01:17:08,720 --> 01:17:10,080
Speaker 27: they live and vice versa.

1823
01:17:10,360 --> 01:17:13,880
Speaker 1: Man, I've made it my business to take my family

1824
01:17:13,960 --> 01:17:16,880
Speaker 1: to somewhere on the continent at least won't see you. Yeah,

1825
01:17:17,040 --> 01:17:20,880
Speaker 1: So I've been to Johannesburg, I've been to Zanzibar and Tanzania.

1826
01:17:21,120 --> 01:17:23,280
Speaker 3: I've been to Ghana. I'm going to Cape Town.

1827
01:17:23,479 --> 01:17:23,960
Speaker 8: Is amazing.

1828
01:17:24,200 --> 01:17:28,000
Speaker 1: When you see these places, you like, wow. Yeah, I

1829
01:17:28,080 --> 01:17:29,840
Speaker 1: say it all the time. They lied to us about

1830
01:17:30,280 --> 01:17:30,960
Speaker 1: the opportunity.

1831
01:17:31,040 --> 01:17:34,480
Speaker 27: Yeah, and just beyond that, like I was on Kamala's

1832
01:17:35,479 --> 01:17:37,320
Speaker 27: the group that went to the continent when she went

1833
01:17:37,360 --> 01:17:40,759
Speaker 27: to Africa, And for me, it's very important for everybody

1834
01:17:40,880 --> 01:17:43,040
Speaker 27: to if the whole world is fighting for a piece

1835
01:17:43,080 --> 01:17:45,439
Speaker 27: of Africa, why aren't you looking at that as an

1836
01:17:45,439 --> 01:17:48,200
Speaker 27: opportunity for yourself? And our festival is a way to

1837
01:17:48,240 --> 01:17:50,760
Speaker 27: introduce it, right, you know, something that you're familiar with,

1838
01:17:51,320 --> 01:17:53,640
Speaker 27: come to the continent that experience the food, experience or

1839
01:17:53,760 --> 01:17:56,960
Speaker 27: experience fashion, experience the music in real time with the

1840
01:17:57,040 --> 01:18:00,080
Speaker 27: people on the ground, smell and feel the place, and

1841
01:18:00,160 --> 01:18:02,280
Speaker 27: then you know, use that as an opportunity the next

1842
01:18:02,320 --> 01:18:04,280
Speaker 27: time you come to see how you can help, how

1843
01:18:04,320 --> 01:18:06,840
Speaker 27: you can work with somebody to make something really dope happen.

1844
01:18:07,320 --> 01:18:07,880
Speaker 8: That's our goal.

1845
01:18:08,240 --> 01:18:09,639
Speaker 3: I think what y'all doing is amazing.

1846
01:18:10,960 --> 01:18:12,200
Speaker 2: And when is the show in Detroit?

1847
01:18:12,400 --> 01:18:15,680
Speaker 27: Detroit is August sixteenth and seventeenth. We have a lot

1848
01:18:15,720 --> 01:18:18,000
Speaker 27: of cool things planned in Detroit. So you put hip

1849
01:18:18,040 --> 01:18:19,640
Speaker 27: hop on that a little bit. Yeah, yeah, yeah, We

1850
01:18:19,680 --> 01:18:21,760
Speaker 27: gotta have we gotta have all. Yeah, we gotta have

1851
01:18:21,800 --> 01:18:23,640
Speaker 27: a little bit of culture all over there. Right, So

1852
01:18:23,960 --> 01:18:25,880
Speaker 27: there's a little hip hop, there's a little dance music,

1853
01:18:25,960 --> 01:18:28,080
Speaker 27: there's a little on my piano, and then afro beats.

1854
01:18:28,800 --> 01:18:30,280
Speaker 8: Our goal is to really.

1855
01:18:30,120 --> 01:18:33,080
Speaker 27: Introduce afro beats to people who have not really had

1856
01:18:33,120 --> 01:18:35,479
Speaker 27: an immersive experience and also just to kind of give

1857
01:18:35,520 --> 01:18:38,559
Speaker 27: people some things that they're familiar with. But for us,

1858
01:18:38,640 --> 01:18:41,920
Speaker 27: our approach is really community. So we're partnering with groups

1859
01:18:41,960 --> 01:18:45,080
Speaker 27: like Black Tech Saturdays, we're Venture three one three. We're

1860
01:18:45,080 --> 01:18:47,200
Speaker 27: doing a pitch competition to get back to the community.

1861
01:18:47,560 --> 01:18:49,800
Speaker 27: We're talking to some of the business leaders you know,

1862
01:18:50,000 --> 01:18:52,840
Speaker 27: and and bringing them into our community. We're running like

1863
01:18:52,920 --> 01:18:55,120
Speaker 27: a bar business crawl just to kind of make sure

1864
01:18:55,120 --> 01:18:57,680
Speaker 27: when people come to Detroit they know what business is

1865
01:18:57,760 --> 01:18:59,280
Speaker 27: to support and how to support them.

1866
01:18:59,400 --> 01:19:01,559
Speaker 3: If Detroit go me the city whole city every year

1867
01:19:01,880 --> 01:19:02,160
Speaker 3: right now?

1868
01:19:02,280 --> 01:19:04,519
Speaker 27: Yes, yes, we are, We're doing Detroit. We have a

1869
01:19:04,560 --> 01:19:07,280
Speaker 27: great partnership there. We love the community there. They're very

1870
01:19:07,400 --> 01:19:10,600
Speaker 27: you know, their creativity and they're welcoming attitude reminds me

1871
01:19:10,720 --> 01:19:12,599
Speaker 27: of what we what we were building when we started

1872
01:19:12,600 --> 01:19:14,920
Speaker 27: and gunding us We're very excited about that. But we

1873
01:19:15,040 --> 01:19:18,200
Speaker 27: do have smaller other activations around the US that that

1874
01:19:18,280 --> 01:19:21,800
Speaker 27: we're looking to bring. I want to South Carolina, Yeah,

1875
01:19:21,880 --> 01:19:23,439
Speaker 27: invite us. We woul definitely love to do it then

1876
01:19:23,520 --> 01:19:26,120
Speaker 27: out there, love to do some experiences out there. We're

1877
01:19:26,160 --> 01:19:29,400
Speaker 27: working with arts artists, people who you know, painters, We're

1878
01:19:29,439 --> 01:19:32,240
Speaker 27: working with fashion designers. Got some cool one. This is

1879
01:19:32,240 --> 01:19:35,320
Speaker 27: a young designer called bing. We just brought them the synagogue.

1880
01:19:35,840 --> 01:19:38,479
Speaker 27: So we want to we want to continue to you know, celebrate,

1881
01:19:38,680 --> 01:19:40,439
Speaker 27: you know, the culture and bring people together.

1882
01:19:41,080 --> 01:19:41,479
Speaker 3: That's all.

1883
01:19:41,560 --> 01:19:46,439
Speaker 1: My ancestry is Senegalue, Sierra Leon, that whole Mali region.

1884
01:19:46,640 --> 01:19:49,200
Speaker 27: Yeah, that's a beautiful senagogue. It is very beautiful. Like

1885
01:19:49,400 --> 01:19:52,040
Speaker 27: the beach is the beach town. I encourage everyone to

1886
01:19:52,160 --> 01:19:54,639
Speaker 27: just visit, like, just go and experience it and I'm

1887
01:19:54,680 --> 01:19:55,040
Speaker 27: sure that.

1888
01:19:55,200 --> 01:19:56,880
Speaker 8: You will love it. And you see the vibe that

1889
01:19:56,920 --> 01:19:58,200
Speaker 8: we're talking about right.

1890
01:19:58,120 --> 01:20:00,839
Speaker 2: Well, they have it. The founding CEO of Afro Future,

1891
01:20:00,920 --> 01:20:04,800
Speaker 2: Abdula Abdullah. It's the Breakfast Club. Good morning, the Breakfast

1892
01:20:04,880 --> 01:20:11,439
Speaker 2: Club owning everybody. It's DJ env just hilarious, Charlamagne the guy.

1893
01:20:11,520 --> 01:20:13,599
Speaker 2: We are the Breakfast Club. Let's get to the latest

1894
01:20:13,600 --> 01:20:18,080
Speaker 2: with Lauren Laurena be coming straight fast. She gets them

1895
01:20:18,080 --> 01:20:20,479
Speaker 2: from somebody that knows somebody detail.

1896
01:20:20,880 --> 01:20:22,880
Speaker 20: I'm the homegirl that knows a little bit about everything,

1897
01:20:23,080 --> 01:20:24,280
Speaker 20: and she'd.

1898
01:20:24,120 --> 01:20:28,280
Speaker 3: Be having the latest on you. The latest with Lauren

1899
01:20:28,360 --> 01:20:28,800
Speaker 3: la Rosa.

1900
01:20:28,880 --> 01:20:31,320
Speaker 1: Sometimes you have fact, sometimes you have details. Sometimes you

1901
01:20:31,400 --> 01:20:33,000
Speaker 1: have a little bit of everything. So it's the lads

1902
01:20:33,400 --> 01:20:36,280
Speaker 1: on the Breakfast Club talk to me, all right, y'all.

1903
01:20:36,320 --> 01:20:40,120
Speaker 21: So the Emmy nominations dropped yesterday and big talk of

1904
01:20:40,160 --> 01:20:42,240
Speaker 21: the town and Emmy noms and the fact that Kendrick

1905
01:20:42,320 --> 01:20:45,040
Speaker 21: Lamar and Beyonce are going to be going head to head.

1906
01:20:45,240 --> 01:20:47,320
Speaker 20: So Beyonce's Beyonce.

1907
01:20:47,120 --> 01:20:49,120
Speaker 21: Bowl Heart the Special that she did and Kendrick Lamar

1908
01:20:49,200 --> 01:20:53,720
Speaker 21: Super Bowl Haveftime Show are both nominated for Outstanding Choreography

1909
01:20:53,920 --> 01:20:55,880
Speaker 21: and Outstanding Variety Special.

1910
01:20:56,680 --> 01:20:57,880
Speaker 20: Other nominees in this category.

1911
01:20:57,920 --> 01:20:59,880
Speaker 21: I thought that this was fire for Doci Dochi's twenty

1912
01:20:59,880 --> 01:21:03,920
Speaker 21: twenty five Grammy Awards performance and then the Oscar the

1913
01:21:04,000 --> 01:21:07,360
Speaker 21: twenty twenty five Oscar Tribute to Quincy Jones and SNL's

1914
01:21:07,520 --> 01:21:10,760
Speaker 21: SNL fifty the Anniversary special that they did this past year.

1915
01:21:10,880 --> 01:21:13,400
Speaker 21: So big category. There's also a ton of other people

1916
01:21:13,439 --> 01:21:17,800
Speaker 21: that were nominated for Big Things. Quintin Brunson nominated for

1917
01:21:17,920 --> 01:21:20,240
Speaker 21: Best Actress in a Comedy Series, Best Writing for a

1918
01:21:20,280 --> 01:21:24,719
Speaker 21: Comedy Series, Abbot Elementary, ao Edaburry for the Bear, Best

1919
01:21:24,760 --> 01:21:27,439
Speaker 21: Actress in a Comedy Series, Best Directing for Comedy Series.

1920
01:21:27,520 --> 01:21:30,360
Speaker 21: Cole Man Domingo also got a nomen as well. Shirley

1921
01:21:30,520 --> 01:21:32,799
Speaker 21: Ralph as well for Best Supporting Actress in a Comedy

1922
01:21:32,800 --> 01:21:34,000
Speaker 21: Series Elementary.

1923
01:21:34,080 --> 01:21:37,479
Speaker 20: So congratulations to everybody has been nominated this year.

1924
01:21:38,240 --> 01:21:40,400
Speaker 1: And yeah, I do have to say evens matter though,

1925
01:21:40,439 --> 01:21:43,080
Speaker 1: because out of all of those events you name, the

1926
01:21:43,160 --> 01:21:45,040
Speaker 1: only two I remember is the Beyonce Bowl and the

1927
01:21:45,080 --> 01:21:46,080
Speaker 1: Super Bowl half time performed.

1928
01:21:46,280 --> 01:21:48,240
Speaker 21: Yeah, y'all didn't I remember we did SNL fifty in here.

1929
01:21:48,320 --> 01:21:49,400
Speaker 21: Y'all didn't really care for that.

1930
01:21:50,000 --> 01:21:52,760
Speaker 2: I don't even remember where too much. I remember I

1931
01:21:52,800 --> 01:21:54,559
Speaker 2: should did this on the radio, I don't remember.

1932
01:21:54,760 --> 01:21:56,559
Speaker 5: It was a couple of them that that I did.

1933
01:21:56,720 --> 01:21:59,840
Speaker 5: Like it was like the skits with Dave Chappelle, Will Ferrell,

1934
01:22:00,320 --> 01:22:02,640
Speaker 5: the funnier ones. Yeah, not the whole thing overall. It

1935
01:22:02,760 --> 01:22:04,320
Speaker 5: wasn't as funny as I thought it should have been

1936
01:22:04,439 --> 01:22:06,680
Speaker 5: for it to be SNL fifty. But yeah, it was

1937
01:22:06,720 --> 01:22:07,639
Speaker 5: some pretty cool moments.

1938
01:22:07,880 --> 01:22:09,720
Speaker 21: Yeah, but people were talking a lot about how like

1939
01:22:09,800 --> 01:22:13,120
Speaker 21: these performances in these live moments now are becoming It's

1940
01:22:13,160 --> 01:22:15,479
Speaker 21: not just a performance, it's like a historical event at

1941
01:22:15,520 --> 01:22:17,360
Speaker 21: this point because it lives on and gets awards and

1942
01:22:17,439 --> 01:22:18,120
Speaker 21: things of that nature.

1943
01:22:18,200 --> 01:22:21,320
Speaker 3: So I want Rock won a bunch of awards with

1944
01:22:21,400 --> 01:22:24,479
Speaker 3: a super Bowl after unperformance. Yeah, I think everyone they've

1945
01:22:24,560 --> 01:22:29,720
Speaker 3: done pretty much is yeah, snoop, definitely. I'm sure it

1946
01:22:29,800 --> 01:22:32,320
Speaker 3: was one of them. I feel like they have I

1947
01:22:32,400 --> 01:22:32,640
Speaker 3: think so.

1948
01:22:32,920 --> 01:22:35,800
Speaker 21: Yes, it's been a lot, but yes, congratulations to those people,

1949
01:22:35,880 --> 01:22:40,280
Speaker 21: to those guys. But in other Kendrick, I guess related

1950
01:22:40,360 --> 01:22:42,360
Speaker 21: news because remember we were having a conversation to hear

1951
01:22:42,400 --> 01:22:46,720
Speaker 21: about UK Rappers versus the US Rappers and Charlotte you

1952
01:22:46,840 --> 01:22:49,439
Speaker 21: mentioned you can't wait for Jodan Lucas to come and

1953
01:22:49,600 --> 01:22:52,040
Speaker 21: say what he needs to say. So Jordan Lucas and Scepto,

1954
01:22:52,080 --> 01:22:54,680
Speaker 21: we're already skeptics except the skeptic. We're already having this

1955
01:22:54,760 --> 01:22:57,639
Speaker 21: little back and forth about that. Jordan Lucas finally dropped

1956
01:22:57,640 --> 01:22:57,960
Speaker 21: a sick a.

1957
01:22:58,000 --> 01:22:58,760
Speaker 2: Listen, he killed it.

1958
01:22:59,400 --> 01:23:03,600
Speaker 1: Yeah, he killed Lucas gets busy, he killed who in

1959
01:23:03,720 --> 01:23:05,599
Speaker 1: the I'm not even joking. I said, I like UK

1960
01:23:05,800 --> 01:23:08,800
Speaker 1: rappers who in the UK can touch any American rapper

1961
01:23:09,520 --> 01:23:12,520
Speaker 1: joint and not even considered like and joint is phenomenal.

1962
01:23:12,600 --> 01:23:15,960
Speaker 1: But that wouldn't even be considered a team. So what

1963
01:23:16,120 --> 01:23:18,800
Speaker 1: you're gonna do against the A team? I would put

1964
01:23:18,840 --> 01:23:20,360
Speaker 1: join in the A team. And it was just everything

1965
01:23:20,479 --> 01:23:22,400
Speaker 1: was just based off lyrics, based off lyrics, but based

1966
01:23:22,439 --> 01:23:26,600
Speaker 1: off careers he had joined exactly. But if joint it

1967
01:23:26,680 --> 01:23:28,000
Speaker 1: gets busy.

1968
01:23:27,960 --> 01:23:32,280
Speaker 4: All Americans get it man like man, we get busy.

1969
01:23:32,120 --> 01:23:34,439
Speaker 3: Over Marsham would actually wash a lot of rappers.

1970
01:23:36,080 --> 01:23:38,200
Speaker 4: If you want, man, you got bottle man.

1971
01:23:38,600 --> 01:23:44,560
Speaker 3: We got so many exactly, I'm not playing with you.

1972
01:23:47,320 --> 01:23:50,719
Speaker 4: I'm naming the people that we got some great, great people.

1973
01:23:50,840 --> 01:23:51,000
Speaker 2: Man.

1974
01:23:51,080 --> 01:23:54,679
Speaker 1: Now Louis V is here, and Louis V just probably

1975
01:23:54,760 --> 01:23:55,920
Speaker 1: gave us where we would lose.

1976
01:23:57,560 --> 01:24:01,840
Speaker 3: Said, I'm sorry, oh wow, I ain't going that far.

1977
01:24:01,960 --> 01:24:12,120
Speaker 3: That's me. I ain't going that, Luther, but I ain't

1978
01:24:12,160 --> 01:24:13,679
Speaker 3: going that you know, so fast?

1979
01:24:14,720 --> 01:24:16,280
Speaker 2: He didn't even say so far, he said, he said,

1980
01:24:16,320 --> 01:24:20,120
Speaker 2: NICKI minax boyfriend, evening, damn say so far name man

1981
01:24:20,840 --> 01:24:21,880
Speaker 2: and look I would have me.

1982
01:24:22,080 --> 01:24:26,160
Speaker 5: I wouldn't even have thought so far, you said, Nicky,

1983
01:24:26,960 --> 01:24:28,160
Speaker 5: me is.

1984
01:24:28,280 --> 01:24:33,360
Speaker 2: Washing you can't wash man baw washing what bow definitely

1985
01:24:33,400 --> 01:24:33,840
Speaker 2: gonna go in.

1986
01:24:34,400 --> 01:24:37,559
Speaker 3: Depends who the person is up. No, no, no, depends

1987
01:24:37,560 --> 01:24:38,479
Speaker 3: on the person bound.

1988
01:24:38,880 --> 01:24:41,040
Speaker 1: Don't play, I'm not gonna you can't rappers get busy,

1989
01:24:41,080 --> 01:24:43,680
Speaker 1: depends on the person is play with that. Plus about that,

1990
01:24:43,800 --> 01:24:46,640
Speaker 1: I don't even bout don't rap like that, get busy too.

1991
01:24:46,680 --> 01:24:48,200
Speaker 1: But he don't rap like that, like you don't rap

1992
01:24:48,320 --> 01:24:50,200
Speaker 1: like how. I don't know if he could make what

1993
01:24:50,320 --> 01:24:51,160
Speaker 1: joint of Lucas just me.

1994
01:24:51,320 --> 01:24:51,599
Speaker 2: He can't.

1995
01:24:51,720 --> 01:24:54,160
Speaker 1: Now, if you're talking about songwriting, yeah, I give about

1996
01:24:54,200 --> 01:24:57,280
Speaker 1: to make a song a hit, but going out somebody?

1997
01:24:57,840 --> 01:25:04,400
Speaker 5: What about soldier boy, soldier man, Yeah, soldier boy, soldier evil.

1998
01:25:06,560 --> 01:25:06,760
Speaker 7: With it.

1999
01:25:07,120 --> 01:25:09,599
Speaker 21: I'm so glad you guys are not picking the lineup

2000
01:25:09,640 --> 01:25:11,040
Speaker 21: of they do.

2001
01:25:11,160 --> 01:25:12,040
Speaker 4: The things we were good.

2002
01:25:12,360 --> 01:25:14,200
Speaker 3: Shout up Louis vif so far.

2003
01:25:16,360 --> 01:25:17,479
Speaker 4: That nobody who cares?

2004
01:25:17,800 --> 01:25:18,679
Speaker 20: Lord have mercy?

2005
01:25:19,400 --> 01:25:19,720
Speaker 4: All right?

2006
01:25:19,800 --> 01:25:23,479
Speaker 21: And wrapping up r G three injuries, there has been this.

2007
01:25:23,760 --> 01:25:25,080
Speaker 21: I wouln't even say it was a back and forth,

2008
01:25:25,360 --> 01:25:28,040
Speaker 21: but Shaquille O Neil Shack came out. He had some

2009
01:25:28,120 --> 01:25:30,200
Speaker 21: words for RG three, taking up for Angel recess.

2010
01:25:30,200 --> 01:25:33,920
Speaker 18: Take a listen, r G three tweeting tweeting another monkey

2011
01:25:33,960 --> 01:25:36,559
Speaker 18: post about my girl injury. Some punch in your face.

2012
01:25:37,000 --> 01:25:39,000
Speaker 18: It's enough, Like I don't usually do stuff like this,

2013
01:25:39,160 --> 01:25:41,080
Speaker 18: but just stop it, bro, You got your job, you

2014
01:25:41,120 --> 01:25:43,760
Speaker 18: got your podcast. Leave my angeluries along. I'm the one

2015
01:25:43,800 --> 01:25:46,240
Speaker 18: calling her and telling her not to respond. Stop it.

2016
01:25:46,560 --> 01:25:49,280
Speaker 18: That's the last time. First of all, let them girls like,

2017
01:25:49,479 --> 01:25:51,880
Speaker 18: leave them alone. It's a shame that all the stuff

2018
01:25:52,040 --> 01:25:54,200
Speaker 18: you did in your life, you're gonna be remembered for

2019
01:25:54,240 --> 01:25:56,760
Speaker 18: your podcast. That to tell you you're not that great.

2020
01:25:56,960 --> 01:25:59,600
Speaker 18: You already spoke on it. So what he hates so

2021
01:25:59,720 --> 01:26:02,920
Speaker 18: so what I hate you. Now we're messing with her.

2022
01:26:03,080 --> 01:26:05,680
Speaker 18: Now say something by me, because she's not soft by

2023
01:26:05,760 --> 01:26:08,760
Speaker 18: any means. You're from the streets. But I'm like, you're beautiful.

2024
01:26:09,040 --> 01:26:12,000
Speaker 18: Don'ling dogs with these fools. Because he's a fool. I

2025
01:26:12,160 --> 01:26:15,040
Speaker 18: respect it more if Lisa Leslie said it, like that's

2026
01:26:15,080 --> 01:26:17,759
Speaker 18: your all category. Stay out of them people's category.

2027
01:26:18,120 --> 01:26:21,040
Speaker 4: I believe listen, I know how he came for her.

2028
01:26:21,160 --> 01:26:25,439
Speaker 5: He crashed out about the women that he do love

2029
01:26:25,520 --> 01:26:29,639
Speaker 5: your for real, like he really be threatening people over over,

2030
01:26:30,320 --> 01:26:31,680
Speaker 5: you know, women that he take up for.

2031
01:26:32,000 --> 01:26:34,920
Speaker 2: I believe every word, Shack said Shack will punch you

2032
01:26:35,040 --> 01:26:35,599
Speaker 2: deadness face.

2033
01:26:35,720 --> 01:26:37,920
Speaker 4: Yeah, but who is RG three like white or something?

2034
01:26:39,200 --> 01:26:42,439
Speaker 4: But what's up with the monkey? So when you're back,

2035
01:26:42,479 --> 01:26:43,519
Speaker 4: I don't know, no, damn risk.

2036
01:26:45,000 --> 01:26:45,160
Speaker 2: Well.

2037
01:26:45,280 --> 01:26:48,400
Speaker 21: So, when when Angel Reess NBA two K cover came out,

2038
01:26:48,920 --> 01:26:51,720
Speaker 21: people started having conversations about why Caitlyn Clark didn't get

2039
01:26:51,760 --> 01:26:54,519
Speaker 21: the cover, and RG three has been very like he's

2040
01:26:54,720 --> 01:26:56,960
Speaker 21: he's been adding to that narrative of Kaitlyn Clark versus

2041
01:26:57,040 --> 01:26:57,360
Speaker 21: Angel Rey.

2042
01:26:57,479 --> 01:26:58,320
Speaker 4: But what's the monkey thing?

2043
01:26:58,439 --> 01:27:01,280
Speaker 21: So when the cover drops and there was a monkey

2044
01:27:01,360 --> 01:27:04,040
Speaker 21: cover that people put they made Angelies to be a

2045
01:27:04,080 --> 01:27:06,640
Speaker 21: monkey on the cover, r G three reposted it and

2046
01:27:06,680 --> 01:27:08,720
Speaker 21: basically was trying to say, Okay, y'all need to chill now,

2047
01:27:09,200 --> 01:27:12,400
Speaker 21: doctor Martle Martin Luther King's daughter Bernice King came out

2048
01:27:12,439 --> 01:27:14,040
Speaker 21: and said, this is exactly why we've been telling you

2049
01:27:14,160 --> 01:27:17,120
Speaker 21: stop even entertaining that conversation, and then Shaq jumped in

2050
01:27:17,400 --> 01:27:18,000
Speaker 21: that's wow.

2051
01:27:18,360 --> 01:27:19,360
Speaker 20: Yeah, it's been a whole thing.

2052
01:27:19,439 --> 01:27:22,000
Speaker 1: I respect Shack standing up for Angel from r G three.

2053
01:27:22,000 --> 01:27:24,920
Speaker 1: I'm trying them though, Shack worth four hundred million dollars.

2054
01:27:25,000 --> 01:27:32,960
Speaker 1: Punch me, please punch me, punch me. I'm falling out.

2055
01:27:33,000 --> 01:27:35,479
Speaker 1: I'm I'm having a see jumped on myself.

2056
01:27:35,800 --> 01:27:42,240
Speaker 28: Please please, Papa John's I'm sorry, please please, And it

2057
01:27:42,320 --> 01:27:45,920
Speaker 28: was a premeditated threat to Oh Lord man, why have

2058
01:27:46,040 --> 01:27:47,160
Speaker 28: you blessed me in this way?

2059
01:27:47,280 --> 01:27:47,519
Speaker 2: God?

2060
01:27:49,320 --> 01:27:55,920
Speaker 1: Not God, Jesus like, thank you, White Jesus. Finally, me

2061
01:27:56,000 --> 01:27:59,880
Speaker 1: and my wife Blue, you know I live.

2062
01:28:01,880 --> 01:28:02,599
Speaker 3: After this hit.

2063
01:28:05,439 --> 01:28:05,960
Speaker 2: Get pushed too.

2064
01:28:07,320 --> 01:28:08,800
Speaker 3: All right, Well that's the latest with Lauren.

2065
01:28:08,840 --> 01:28:09,439
Speaker 2: Thank you Lauren.

2066
01:28:09,960 --> 01:28:12,120
Speaker 3: Now let's get to the People's Choice Mixed get your request.

2067
01:28:12,200 --> 01:28:14,800
Speaker 2: Then it's the Breakfast Club. Good morning, you're checking out

2068
01:28:14,880 --> 01:28:20,200
Speaker 2: the Breakfast Club Morning. Everybody's DJ Envy, Jess Hilarious, Charlamagne

2069
01:28:20,240 --> 01:28:22,160
Speaker 2: the guy. We are the Breakfast Club reminding you guys,

2070
01:28:22,200 --> 01:28:24,920
Speaker 2: four days left to my car show. Salute to everybody

2071
01:28:25,000 --> 01:28:27,439
Speaker 2: in the seven five seven one on three jams. You

2072
01:28:27,520 --> 01:28:30,080
Speaker 2: guys have shown so much love. The city has shown

2073
01:28:30,200 --> 01:28:32,120
Speaker 2: so much love for this car show. You know.

2074
01:28:32,160 --> 01:28:34,040
Speaker 3: Of course I went to Hampton. I was down there

2075
01:28:34,120 --> 01:28:35,160
Speaker 3: by what five six years.

2076
01:28:35,240 --> 01:28:37,360
Speaker 2: My wife went to Old Dominion. I got so many

2077
01:28:37,439 --> 01:28:41,160
Speaker 2: roots out there. To every body out there from the clips,

2078
01:28:41,200 --> 01:28:44,000
Speaker 2: push that who's been calling me fam Lay and Tony,

2079
01:28:44,080 --> 01:28:47,960
Speaker 2: everybody out there. I appreciate you. DJ Vince the locals

2080
01:28:48,040 --> 01:28:49,680
Speaker 2: down there that loved me so much. You showed me

2081
01:28:49,760 --> 01:28:51,639
Speaker 2: so much love, Like that's really my home body, Sea,

2082
01:28:51,720 --> 01:28:53,519
Speaker 2: So I love you and I got so much love

2083
01:28:53,560 --> 01:28:56,160
Speaker 2: from Virginia. We're doing so much Virginia coming up in

2084
01:28:56,200 --> 01:28:58,120
Speaker 2: the next couple of years. So I just want Virginia

2085
01:28:58,200 --> 01:29:00,439
Speaker 2: to know I feel love. Thank you so much. All

2086
01:29:00,479 --> 01:29:02,560
Speaker 2: right now, what we also got to say salute to

2087
01:29:02,640 --> 01:29:05,320
Speaker 2: ab Abdullah for joining us this morning. He's the CEO

2088
01:29:05,560 --> 01:29:07,519
Speaker 2: of AFRO Future and then bringing.

2089
01:29:07,320 --> 01:29:07,680
Speaker 13: It to the D.

2090
01:29:08,720 --> 01:29:13,120
Speaker 2: Come on, what's wrong with you? Man?

2091
01:29:15,600 --> 01:29:18,760
Speaker 4: You know we bringing it to the D. What y'all

2092
01:29:18,800 --> 01:29:19,479
Speaker 4: gonna d for it?

2093
01:29:19,560 --> 01:29:21,840
Speaker 2: Like, come on, calm down, say what you're gonna do,

2094
01:29:22,439 --> 01:29:23,040
Speaker 2: bring it to the D.

2095
01:29:23,760 --> 01:29:25,400
Speaker 3: I don't even want AFRO to have a future now

2096
01:29:25,479 --> 01:29:27,400
Speaker 3: after what I've heard you just said, Like why.

2097
01:29:30,840 --> 01:29:32,600
Speaker 1: Yes, but they are bringing it to Detroit and I

2098
01:29:32,680 --> 01:29:36,240
Speaker 1: love what Adula them is doing. Man, Like I don't

2099
01:29:36,280 --> 01:29:38,200
Speaker 1: know why we don't want to get more connected to

2100
01:29:38,479 --> 01:29:39,840
Speaker 1: our African ancestry.

2101
01:29:39,960 --> 01:29:41,840
Speaker 3: It makes no sense to me, even the conversations people

2102
01:29:41,880 --> 01:29:43,320
Speaker 3: we haven't now about, you know.

2103
01:29:43,560 --> 01:29:48,439
Speaker 1: Getting mad because African African culture is represented at Essence Fest.

2104
01:29:48,320 --> 01:29:49,360
Speaker 3: Like what are we doing?

2105
01:29:49,640 --> 01:29:50,200
Speaker 2: This is weird.

2106
01:29:50,880 --> 01:29:52,439
Speaker 3: It's definitely like what are we doing?

2107
01:29:53,560 --> 01:29:56,600
Speaker 4: And this weekend y'all. If y'all are out in Milwaukee.

2108
01:29:56,200 --> 01:29:58,320
Speaker 5: Make sure y'all get your tickets for the Just Hilarious

2109
01:29:58,400 --> 01:30:01,320
Speaker 5: des The Alexander Show, The Bad Parents and tour. We

2110
01:30:01,439 --> 01:30:04,439
Speaker 5: got two shows Friday at the Mprov and the two

2111
01:30:04,600 --> 01:30:07,080
Speaker 5: shows Saturday at the Mprov. I will be doing meet

2112
01:30:07,120 --> 01:30:09,800
Speaker 5: and greet at the late shows Friday and Saturday night,

2113
01:30:09,840 --> 01:30:11,560
Speaker 5: So get your tickets if you have not yet, and

2114
01:30:11,720 --> 01:30:14,599
Speaker 5: don't forget to get your tickets for Arlington, Texas next

2115
01:30:14,640 --> 01:30:17,519
Speaker 5: week as well. I'll be at the Improv Friday and Saturday, y'all.

2116
01:30:17,760 --> 01:30:20,439
Speaker 5: Jess Hilariousofficial dot com see y'all next week.

2117
01:30:20,479 --> 01:30:22,880
Speaker 2: It was time to get up out of here, all right, Charloman,

2118
01:30:22,920 --> 01:30:23,680
Speaker 2: you got a positive note?

2119
01:30:23,880 --> 01:30:26,840
Speaker 1: I do, but I just want to remind everybody that tomorrow,

2120
01:30:27,240 --> 01:30:30,040
Speaker 1: you know, my wife and I we opened up some

2121
01:30:30,200 --> 01:30:33,120
Speaker 1: Crystal franchises in South Carolina, and tomorrow we're cutting the

2122
01:30:33,160 --> 01:30:36,120
Speaker 1: ribbon on the second one in Walterboro, South Carolina.

2123
01:30:36,360 --> 01:30:36,960
Speaker 4: Graduation.

2124
01:30:37,240 --> 01:30:40,679
Speaker 1: Thank you very much, twelve twenty two Bells Highway in Walterboro,

2125
01:30:40,840 --> 01:30:43,760
Speaker 1: South Carolina. I'll be at Crystal from ten forty five

2126
01:30:44,120 --> 01:30:45,120
Speaker 1: to eleven.

2127
01:30:44,840 --> 01:30:48,599
Speaker 3: Forty five on the dot. Okay, so yeah, I'll see

2128
01:30:48,640 --> 01:30:49,080
Speaker 3: y'all tomorrow.

2129
01:30:49,160 --> 01:30:52,080
Speaker 1: Walter Borrow with the positive notice, simply, this healing makes

2130
01:30:52,120 --> 01:30:54,200
Speaker 1: you realize some people don't deserve to be around you,

2131
01:30:54,560 --> 01:30:56,880
Speaker 1: no matter how much you love them. Okay, unconditional love

2132
01:30:56,920 --> 01:31:01,599
Speaker 1: doesn't mean unconditional tolerance of abuse, disrespect, or bs. It's

2133
01:31:01,720 --> 01:31:04,439
Speaker 1: unconditional love, not unconditional boundaries.

2134
01:31:04,560 --> 01:31:06,360
Speaker 3: Have a great day, breakfast club, bitch

2135
01:31:06,439 --> 01:31:08,000
Speaker 8: It, you don'na finish, or y'all done.