1 00:00:08,600 --> 00:00:21,239 Speaker 1: Buddy Backs with Joseph Scott Morgan. The song Home Sick 2 00:00:21,440 --> 00:00:24,760 Speaker 1: is a song from my youth. It resonates in my ears, 3 00:00:25,040 --> 00:00:27,720 Speaker 1: came out in the seventies and if you've never heard it, 4 00:00:27,720 --> 00:00:30,040 Speaker 1: it kind of takes you back on a bit of 5 00:00:30,200 --> 00:00:33,680 Speaker 1: a time travel if you will. I love ars. Other 6 00:00:33,680 --> 00:00:36,680 Speaker 1: people have recorded I think Travis TripIt recorded it and 7 00:00:36,760 --> 00:00:40,360 Speaker 1: rerecorded it, but it takes you back in time to 8 00:00:40,479 --> 00:00:43,760 Speaker 1: that moment you begin to think as kids, as kids 9 00:00:43,800 --> 00:00:45,720 Speaker 1: of the sixties, where were you well. I was just 10 00:00:46,159 --> 00:00:49,400 Speaker 1: a little thing back then. I was playing in the 11 00:00:49,440 --> 00:00:52,159 Speaker 1: backyard of my grandparents' house, where I lived most of 12 00:00:52,200 --> 00:00:55,000 Speaker 1: the time. It was a very people It's a well 13 00:00:55,040 --> 00:00:57,600 Speaker 1: worn phrase, people say it's very innocent time, and it 14 00:00:57,720 --> 00:01:02,040 Speaker 1: was for me, playing in my sandpile, enjoying life in 15 00:01:02,040 --> 00:01:05,600 Speaker 1: the Deep South. The further thing from my mind back 16 00:01:05,640 --> 00:01:11,440 Speaker 1: then was probably mass homicide in the news nationally. It 17 00:01:11,600 --> 00:01:16,319 Speaker 1: sent a chill down everyone spine of the horrors that 18 00:01:16,480 --> 00:01:21,160 Speaker 1: were revealed back in nineteen sixty nine, of what was 19 00:01:21,200 --> 00:01:25,480 Speaker 1: going on in Alick County, particularly as it applied to 20 00:01:25,560 --> 00:01:29,040 Speaker 1: the Manson family. Today owned body bags. We're going to 21 00:01:29,800 --> 00:01:32,440 Speaker 1: turn back the page a little bit and we're going 22 00:01:32,520 --> 00:01:36,800 Speaker 1: to re examine the murders of the Lobyankas. 23 00:01:37,480 --> 00:01:43,039 Speaker 2: August eleventh, nineteen sixty nine, Rosemary Labianca's teenage son discovers 24 00:01:43,120 --> 00:01:46,200 Speaker 2: the brutal murders carried out by three of Charles Manson's 25 00:01:46,200 --> 00:01:50,720 Speaker 2: followers the night before. Leno LaBianca had been stabbed twelve 26 00:01:50,760 --> 00:01:54,080 Speaker 2: times with a knife or bayonet and seven times with 27 00:01:54,200 --> 00:01:58,560 Speaker 2: a two tined carving fork, leaving fourteen puncture wounds in 28 00:01:58,600 --> 00:02:03,080 Speaker 2: his abdomen, was still stuck in his abdomen, and a 29 00:02:03,160 --> 00:02:06,920 Speaker 2: kitchen knife pierced his throat. The word war had also 30 00:02:07,040 --> 00:02:11,200 Speaker 2: been carved into his abdomen. Rosemary Lebianca had a total 31 00:02:11,240 --> 00:02:14,240 Speaker 2: of forty one stab wounds on the front and back 32 00:02:14,280 --> 00:02:17,320 Speaker 2: of her body, and autopsy showed that many of the 33 00:02:17,360 --> 00:02:18,880 Speaker 2: wounds were post mortem. 34 00:02:19,560 --> 00:02:26,760 Speaker 1: I'm Joseph Scott Morgan and this is body bags. Hey, 35 00:02:26,840 --> 00:02:29,160 Speaker 1: Dave mac where were you in sixty nine? 36 00:02:29,240 --> 00:02:33,040 Speaker 3: I was a very very young child. This murder, the 37 00:02:33,120 --> 00:02:37,080 Speaker 3: Tate Lobianca murders, as they are commonly referred to, I 38 00:02:37,200 --> 00:02:40,160 Speaker 3: it actually impacted my life on a personal level and 39 00:02:40,280 --> 00:02:43,440 Speaker 3: professionally over the years because I lived in that area 40 00:02:43,560 --> 00:02:46,920 Speaker 3: when this happened. I was born and raised in southern California, 41 00:02:46,960 --> 00:02:50,320 Speaker 3: born in Hawthorne and raised in Orange County predominantly. But anyway, 42 00:02:50,840 --> 00:02:53,760 Speaker 3: when this happened, here's the thing that people may or man, 43 00:02:53,800 --> 00:02:56,160 Speaker 3: I know, and Joe you might not know. It happened 44 00:02:56,200 --> 00:02:59,679 Speaker 3: August eighth, August ninth, nineteen sixty nine. Think about some 45 00:02:59,720 --> 00:03:02,120 Speaker 3: other things that was actually happening in the world a 46 00:03:02,160 --> 00:03:04,800 Speaker 3: couple weeks earlier. Neil Armstrong Man on the Moon. 47 00:03:05,080 --> 00:03:07,919 Speaker 1: You bet, buddy, I remember it. I remember watching on 48 00:03:08,080 --> 00:03:11,000 Speaker 1: black and white television my grandparents' house. It was a 49 00:03:11,120 --> 00:03:12,080 Speaker 1: magical thing. 50 00:03:12,360 --> 00:03:13,760 Speaker 4: So that's a huge deal. 51 00:03:13,840 --> 00:03:17,720 Speaker 3: Made everybody, I mean just made everybody feel like anything's possible. 52 00:03:18,200 --> 00:03:21,880 Speaker 3: And a week after the murders, what else happened? Wouldstock 53 00:03:22,200 --> 00:03:25,200 Speaker 3: in New York right, so imagine and by the way, 54 00:03:25,280 --> 00:03:28,720 Speaker 3: and mixed into this same time period Chap Equittic and 55 00:03:28,840 --> 00:03:32,640 Speaker 3: Teddy Kennedy, So we had a lot going on in 56 00:03:32,639 --> 00:03:37,640 Speaker 3: the United States of America at the time that Rosemary 57 00:03:37,840 --> 00:03:41,920 Speaker 3: and Leno Labianco were murdered. It impacted my life because 58 00:03:42,320 --> 00:03:46,280 Speaker 3: being in southern California when Sharon Tate along with her friends, 59 00:03:46,280 --> 00:03:48,280 Speaker 3: and off the top of my head, I remember it 60 00:03:48,280 --> 00:03:52,920 Speaker 3: was Abagail Folger and Voytek Freikowski, Jay se Bring and 61 00:03:52,960 --> 00:03:55,520 Speaker 3: then they had the like a guy that was like 62 00:03:55,600 --> 00:03:58,680 Speaker 3: the yardkeeper. Anyway, that was such a big deal because 63 00:03:58,720 --> 00:04:00,600 Speaker 3: first of all, Sharon Tate was a beautif model, she 64 00:04:00,680 --> 00:04:03,400 Speaker 3: was an actress married to Roman Polanski, the master of 65 00:04:03,440 --> 00:04:06,680 Speaker 3: the macab Because of Rosemary's Baby, you start thinking about 66 00:04:06,680 --> 00:04:09,040 Speaker 3: how all these things kind of come together, and it's 67 00:04:09,120 --> 00:04:13,760 Speaker 3: like crazy time. But the next night the Labyancas, and 68 00:04:14,000 --> 00:04:18,280 Speaker 3: that was fear in the hearts of people. Sharon Tate 69 00:04:18,320 --> 00:04:21,359 Speaker 3: and celebrity rich people getting murdered is one thing, but 70 00:04:21,880 --> 00:04:24,680 Speaker 3: the Lobyancas were looked at as just regular people like 71 00:04:24,720 --> 00:04:27,599 Speaker 3: the rest of us. And now nobody's safe. 72 00:04:27,760 --> 00:04:30,760 Speaker 1: There's one little interesting factoid I think that some people 73 00:04:31,480 --> 00:04:34,080 Speaker 1: might not be aware of, and I got it to 74 00:04:34,160 --> 00:04:38,080 Speaker 1: give you an idea, a measure for how innocent Tim's 75 00:04:38,160 --> 00:04:46,000 Speaker 1: were when the Labyanca's bodies were actually discovered. That cannot 76 00:04:46,080 --> 00:04:50,800 Speaker 1: get access to the home, that is the family that 77 00:04:51,200 --> 00:04:53,480 Speaker 1: they were trying to open the door to get in. 78 00:04:54,160 --> 00:04:57,279 Speaker 1: Guess where they got the key from to unlock the 79 00:04:57,320 --> 00:05:00,400 Speaker 1: door to get into the house under the mat No, 80 00:05:01,360 --> 00:05:04,120 Speaker 1: they went and dig this just for a second. They 81 00:05:04,160 --> 00:05:09,400 Speaker 1: went out to the vehicle parked in the driveway, and 82 00:05:09,440 --> 00:05:13,120 Speaker 1: the keys were in the ignition, and they take the 83 00:05:13,200 --> 00:05:16,560 Speaker 1: key out of the ignition and make access to this 84 00:05:16,680 --> 00:05:21,240 Speaker 1: house with that key. And can you just imagine when 85 00:05:21,880 --> 00:05:28,520 Speaker 1: Rosemary Labanca's children went into this environment and they see 86 00:05:28,560 --> 00:05:33,760 Speaker 1: these words scrawled in blood on the walls, on the doors. 87 00:05:34,200 --> 00:05:38,280 Speaker 1: I think, most famously the words helter skelter. By the way, 88 00:05:38,320 --> 00:05:41,640 Speaker 1: I think it was misspelled. And there's several interesting things 89 00:05:41,680 --> 00:05:44,080 Speaker 1: about this is because some people think that it was 90 00:05:44,120 --> 00:05:47,840 Speaker 1: intentionally misspelled. There were little clues along the way. I 91 00:05:47,880 --> 00:05:51,000 Speaker 1: don't know if any of these people were that sophisticated. 92 00:05:51,279 --> 00:05:53,880 Speaker 1: You walk in and you see this horror show, and 93 00:05:53,960 --> 00:05:56,880 Speaker 1: it was truly a horror show. Lots and lots of 94 00:05:56,920 --> 00:05:59,920 Speaker 1: blood evidence at the scene, and I don't know that 95 00:06:00,120 --> 00:06:02,479 Speaker 1: you could necessarily take the measure of it. You have 96 00:06:02,640 --> 00:06:06,320 Speaker 1: the police coming off the so called Tate homicides on 97 00:06:06,440 --> 00:06:09,640 Speaker 1: clo and then you walk into this environment and you know, 98 00:06:09,720 --> 00:06:14,840 Speaker 1: there was resistance at first by the police to at 99 00:06:14,920 --> 00:06:20,560 Speaker 1: least publicly show any kind of connectivity between what had 100 00:06:20,680 --> 00:06:24,640 Speaker 1: happened previously with Sharon Tate and that group of people 101 00:06:25,040 --> 00:06:29,480 Speaker 1: and then what had happened with the Labiancas, and it 102 00:06:29,520 --> 00:06:32,960 Speaker 1: all goes to what was trying to be accomplished here. 103 00:06:33,200 --> 00:06:35,400 Speaker 1: I think with the police one of the biggest things 104 00:06:35,400 --> 00:06:37,560 Speaker 1: for them is they were trying to prevent a panic 105 00:06:38,040 --> 00:06:41,520 Speaker 1: because can you imagine what those conversations were like, you know, 106 00:06:41,600 --> 00:06:46,000 Speaker 1: in the detective bureau when you've got arguably two blood 107 00:06:46,040 --> 00:06:50,440 Speaker 1: baths that have taken place, and you've got the shadow 108 00:06:50,680 --> 00:06:54,880 Speaker 1: of celebrity that's kind of hanging over both of these events, 109 00:06:54,920 --> 00:06:57,800 Speaker 1: with Sharon Tate and everyone up on Colo, and then 110 00:06:57,839 --> 00:07:01,640 Speaker 1: you've got the Lobyancas. Okay, they're starting up here in 111 00:07:01,960 --> 00:07:05,280 Speaker 1: relative to the celebrities. Now they're going out here where 112 00:07:05,680 --> 00:07:08,240 Speaker 1: the rest of us mix and mingle, the mere mortals 113 00:07:08,240 --> 00:07:08,840 Speaker 1: among us. 114 00:07:09,000 --> 00:07:11,200 Speaker 3: And the one thing to think of again, nineteen sixty 115 00:07:11,280 --> 00:07:14,120 Speaker 3: nine was a different time and the way we lived 116 00:07:14,440 --> 00:07:17,600 Speaker 3: the Tate Lobianca murders. Joe, we could actually spend all 117 00:07:17,640 --> 00:07:22,320 Speaker 3: of today, tomorrow the next day talking just about these murders, 118 00:07:22,360 --> 00:07:24,720 Speaker 3: and we would go for twenty four hours a day 119 00:07:25,080 --> 00:07:27,520 Speaker 3: for the next few day and wouldn't finish. There's too much. 120 00:07:27,880 --> 00:07:33,760 Speaker 3: So focusing on the Labyancas. They were married couple. They 121 00:07:33,920 --> 00:07:38,200 Speaker 3: actually were the next day, meaning the day after the 122 00:07:38,200 --> 00:07:42,280 Speaker 3: Tate murders had taken place. And the reason it's in 123 00:07:42,320 --> 00:07:46,040 Speaker 3: the news this week is because Leslie Van Howden actually 124 00:07:46,720 --> 00:07:49,880 Speaker 3: was released from prison after fifty some odd years. Now, 125 00:07:50,120 --> 00:07:53,120 Speaker 3: here's the kick, Joe, and you've been around crime scenes 126 00:07:53,160 --> 00:07:56,720 Speaker 3: and murders for a long time. I really want to 127 00:07:56,760 --> 00:08:01,400 Speaker 3: hear your explanation of what police for looking at when 128 00:08:01,400 --> 00:08:03,600 Speaker 3: they got to the scene of the crime. But the 129 00:08:03,600 --> 00:08:07,000 Speaker 3: bottom line is with Leslie van Houghten being a Manson 130 00:08:07,080 --> 00:08:09,880 Speaker 3: family member, one of the women, well she actually only 131 00:08:10,520 --> 00:08:14,040 Speaker 3: was involved in the Labyanca murders. She was not at 132 00:08:14,120 --> 00:08:18,360 Speaker 3: the previous night's activities. At the Lobyanca crime scene. You 133 00:08:18,480 --> 00:08:21,240 Speaker 3: had Tex Watson, he and Charlie. And by the way, 134 00:08:21,440 --> 00:08:25,760 Speaker 3: Charlie Manson was not at the Tape murders. He was, however, 135 00:08:26,080 --> 00:08:28,560 Speaker 3: at the Lobbyanca house at the. 136 00:08:28,560 --> 00:08:32,960 Speaker 4: House, but he beat feet before the actual event occurred, 137 00:08:33,160 --> 00:08:35,200 Speaker 4: right they get there. Well, I'm gonna skip through this 138 00:08:35,280 --> 00:08:39,320 Speaker 4: real fast. Charlie Manson had convinced these young people that 139 00:08:39,400 --> 00:08:42,160 Speaker 4: a race war was coming and they needed to have 140 00:08:42,200 --> 00:08:44,280 Speaker 4: a safe place out in the desert, which is why 141 00:08:44,320 --> 00:08:47,320 Speaker 4: they were maneuvered out there. In reality, they were out there. 142 00:08:47,160 --> 00:08:50,360 Speaker 3: Because they'd been stealing volkswagons and converting them into doom 143 00:08:50,400 --> 00:08:52,719 Speaker 3: buggies and selling them, and the heat was getting hot, 144 00:08:52,760 --> 00:08:55,120 Speaker 3: and so they wanted to get out of town. And 145 00:08:55,600 --> 00:09:00,160 Speaker 3: Charlie went there and in their drug whatever decided that 146 00:09:00,320 --> 00:09:03,400 Speaker 3: they needed to commit crimes. The Manson family that would 147 00:09:03,440 --> 00:09:06,520 Speaker 3: they needed to commit murders that didn't make sense. That's 148 00:09:06,520 --> 00:09:09,199 Speaker 3: what the La Beiyanca murder was all about, a murder 149 00:09:09,720 --> 00:09:13,280 Speaker 3: that didn't make any sense and would cause fear and 150 00:09:13,520 --> 00:09:17,400 Speaker 3: panic in people. And Leslie Van Honton said that in 151 00:09:17,480 --> 00:09:19,680 Speaker 3: her own words. By the way, I actually listened to 152 00:09:19,679 --> 00:09:23,320 Speaker 3: this yesterday in preparation for the show and heard her 153 00:09:23,679 --> 00:09:26,920 Speaker 3: in nineteen seventy one talking to her new lawyer. He said, 154 00:09:27,400 --> 00:09:29,600 Speaker 3: how are you going to start a revolution? She actually said, 155 00:09:29,679 --> 00:09:35,280 Speaker 3: Joe by committing a senseless murder, which is exactly what 156 00:09:35,480 --> 00:09:39,200 Speaker 3: Leno and Rosemary LaBianca. It was just a murder. But 157 00:09:39,200 --> 00:09:41,920 Speaker 3: anyway I mentioned, Charles Manson was not at the Tate House, well, 158 00:09:41,960 --> 00:09:45,640 Speaker 3: he was at the Labyankas. Charles Manson and Text Watson 159 00:09:45,720 --> 00:09:48,640 Speaker 3: go inside the Labiyanca's house. And by the way, these 160 00:09:49,000 --> 00:09:52,240 Speaker 3: mental giants. The Manson family. They've been driving around for 161 00:09:52,280 --> 00:09:54,760 Speaker 3: a couple hours looking for a place that they could 162 00:09:54,760 --> 00:09:57,600 Speaker 3: go in and commit this heinous act. Right they didn't 163 00:09:57,640 --> 00:10:00,280 Speaker 3: find one right away, and so Leslie van Hown said 164 00:10:00,320 --> 00:10:03,200 Speaker 3: she fell asleep in the car as they were driving around. 165 00:10:03,840 --> 00:10:06,640 Speaker 3: When she woke up, Charles and Tex Watson had gone 166 00:10:06,640 --> 00:10:09,360 Speaker 3: in the house and they'd already tied up Leno and 167 00:10:09,440 --> 00:10:12,320 Speaker 3: Rosemary LaBianca. They found Lino on the couch in the 168 00:10:12,320 --> 00:10:15,560 Speaker 3: living room in the den, and so they tied him up, 169 00:10:15,800 --> 00:10:19,160 Speaker 3: and then Charlie Manson went in and they got Rosemary 170 00:10:19,160 --> 00:10:21,280 Speaker 3: out of bed, she was already in bed, got her 171 00:10:21,400 --> 00:10:24,400 Speaker 3: up and you know, sign of the Times, maybe Joe. 172 00:10:25,120 --> 00:10:29,360 Speaker 3: But before they brought Rosemary Labyanca out of the bedroom, 173 00:10:29,920 --> 00:10:32,200 Speaker 3: she was already in her night clothes. And do you 174 00:10:32,200 --> 00:10:34,600 Speaker 3: know what she did? And they let her They let 175 00:10:34,640 --> 00:10:38,040 Speaker 3: her put on a dress. Rosemary Lobianca was allowed to 176 00:10:38,160 --> 00:10:41,600 Speaker 3: put on a dress over her night clothes, to be 177 00:10:41,679 --> 00:10:44,480 Speaker 3: a dressed appropriately for what she thought was just a robbery. 178 00:10:44,800 --> 00:10:46,640 Speaker 3: Charles Manson and Text Watson said, you're not going to 179 00:10:46,679 --> 00:10:49,920 Speaker 3: be hurt. We just want your money. So they got 180 00:10:49,920 --> 00:10:53,440 Speaker 3: the cash and then Charlie goes outside, they send the 181 00:10:53,440 --> 00:10:57,520 Speaker 3: girls in. They sent Leslie Van Houghton and Patricia Crinwinkle 182 00:10:57,760 --> 00:11:00,000 Speaker 3: to go in and kill Rosemary Lobbyond. 183 00:11:00,040 --> 00:11:04,200 Speaker 1: Okay, One interesting little aside here is that you think 184 00:11:04,240 --> 00:11:07,080 Speaker 1: about Manson and kind of how he had been prepping 185 00:11:07,280 --> 00:11:09,480 Speaker 1: this crew. That's the way you have to look at it. 186 00:11:09,480 --> 00:11:12,760 Speaker 1: It's an organized crime venture, is what it comes down to. 187 00:11:12,960 --> 00:11:16,920 Speaker 1: Because they were a collection of thieves, is essentially what 188 00:11:17,000 --> 00:11:20,040 Speaker 1: they were. And of course they're fueled by asurgic acid 189 00:11:20,080 --> 00:11:23,439 Speaker 1: to a great degree. You know, it's been well documented 190 00:11:23,559 --> 00:11:26,840 Speaker 1: stated that they would drop LSD. There's some people that 191 00:11:26,880 --> 00:11:34,160 Speaker 1: have actually opined that Manson himself would fake taking LSD 192 00:11:35,000 --> 00:11:37,960 Speaker 1: and then everybody else would have it on board and 193 00:11:38,000 --> 00:11:40,800 Speaker 1: he could influence them and begin to talk to them 194 00:11:40,960 --> 00:11:43,960 Speaker 1: when they're tripping essentially. But one of the things that 195 00:11:44,000 --> 00:11:46,680 Speaker 1: he would do, to give you back to this idea 196 00:11:46,679 --> 00:11:50,160 Speaker 1: of thievery, this being a theft ring, is that he 197 00:11:50,559 --> 00:11:54,000 Speaker 1: introduced them to something called creepy crawling. He would actually 198 00:11:54,400 --> 00:11:59,680 Speaker 1: have these people go out and purposefully go into residences 199 00:12:00,080 --> 00:12:03,960 Speaker 1: in a stealth like manner, and the trick was not 200 00:12:04,080 --> 00:12:06,560 Speaker 1: to be caught, and they would go in and perhaps 201 00:12:06,679 --> 00:12:10,840 Speaker 1: rearrange things and not necessarily take anything, but just to 202 00:12:10,920 --> 00:12:13,840 Speaker 1: kind of hone these skills so that they could go 203 00:12:13,960 --> 00:12:19,760 Speaker 1: in and commit thievery, stealing, if you will, burglary and 204 00:12:19,840 --> 00:12:23,320 Speaker 1: not be caught. I think here's the big question though, 205 00:12:23,600 --> 00:12:28,520 Speaker 1: If that's the case, what is it that would motivate 206 00:12:29,160 --> 00:12:33,040 Speaker 1: a band of thieves that lived out in the desert, 207 00:12:33,480 --> 00:12:37,520 Speaker 1: away from society. What is it that caused them to 208 00:12:37,640 --> 00:13:02,440 Speaker 1: commit such a horrible, horrible crime. There's a couple of 209 00:13:02,480 --> 00:13:07,680 Speaker 1: classic images black and white photography of the exterior of 210 00:13:07,720 --> 00:13:11,880 Speaker 1: the scene up on Siela, where the Tate home was 211 00:13:12,679 --> 00:13:16,760 Speaker 1: and where that multiple homicide took place. In One that 212 00:13:17,000 --> 00:13:19,439 Speaker 1: really jumps to mind is there's an image of one 213 00:13:19,440 --> 00:13:22,880 Speaker 1: of my heroes at the scene, and that's doctor Tom Magucci, 214 00:13:23,000 --> 00:13:27,360 Speaker 1: who was with the Medical Examiner corner back during that 215 00:13:27,440 --> 00:13:30,640 Speaker 1: time at Los Angeles, probably arguably one of the greatest 216 00:13:30,679 --> 00:13:34,920 Speaker 1: forensic pathologists that's ever worked in my way of estimation. 217 00:13:35,240 --> 00:13:38,720 Speaker 1: But he was at the scene and what he bore 218 00:13:38,800 --> 00:13:42,560 Speaker 1: witness to there. He's talked about or had talked about 219 00:13:42,600 --> 00:13:47,560 Speaker 1: previously on many occasions at the Tate residence. Horrible things 220 00:13:47,600 --> 00:13:50,920 Speaker 1: that happened, obviously over the years, and we see this 221 00:13:51,320 --> 00:13:54,360 Speaker 1: carnage that erupts from time to time, But I don't 222 00:13:54,440 --> 00:13:58,640 Speaker 1: know that anybody could really fully appreciate what they were 223 00:13:58,679 --> 00:14:02,000 Speaker 1: seeing then and try to make sense of it, the 224 00:14:02,080 --> 00:14:07,520 Speaker 1: level of brutality. And so one interesting little point bringing 225 00:14:07,559 --> 00:14:12,359 Speaker 1: it back to the Lobyanca double homicide, is that apparently 226 00:14:12,840 --> 00:14:17,520 Speaker 1: at first the investigators really were thinking that they might 227 00:14:17,640 --> 00:14:22,600 Speaker 1: be dealing with a copycat crime. That the word had 228 00:14:22,720 --> 00:14:25,520 Speaker 1: leaked out at that point in time about how horrific 229 00:14:25,560 --> 00:14:29,680 Speaker 1: the Tate homicides were, and then you see this horror 230 00:14:29,720 --> 00:14:34,400 Speaker 1: show that takes place at the Lobbyanca household. They're thinking, Okay, 231 00:14:34,440 --> 00:14:36,880 Speaker 1: somebody read about this and they just wanted to see 232 00:14:36,880 --> 00:14:39,480 Speaker 1: if they could duplicate it. What do you think about that, Dave. 233 00:14:39,640 --> 00:14:42,320 Speaker 3: I lived there in this area at that time as 234 00:14:42,320 --> 00:14:44,880 Speaker 3: a young child, And one of the things that I 235 00:14:44,920 --> 00:14:48,560 Speaker 3: think people forget it's about copycat crimes. There was so 236 00:14:48,680 --> 00:14:52,160 Speaker 3: much made about Sharon Tate because she was eight and 237 00:14:52,200 --> 00:14:54,440 Speaker 3: a half months pregnant when she was murdered, and this 238 00:14:54,600 --> 00:14:58,240 Speaker 3: was a horrible crime scene and it was splashed everywhere. 239 00:14:58,520 --> 00:15:01,800 Speaker 3: And then you have this normal class Rosemary and Lena 240 00:15:01,920 --> 00:15:05,680 Speaker 3: LaBianca being murdered, and there was some thought that copycat 241 00:15:05,720 --> 00:15:08,760 Speaker 3: crimes were going to occur. My family personally, we were 242 00:15:08,760 --> 00:15:12,080 Speaker 3: moving into a new a different home, a bigger home. 243 00:15:12,320 --> 00:15:14,800 Speaker 3: In the process of the move Joe Scott Morgan, I 244 00:15:14,840 --> 00:15:17,560 Speaker 3: remember going to that house on our move in was 245 00:15:17,600 --> 00:15:19,480 Speaker 3: delayed for some reason. I was a kid, I don't 246 00:15:19,520 --> 00:15:21,320 Speaker 3: you know. I didn't know why at the time, but 247 00:15:21,400 --> 00:15:24,440 Speaker 3: I know that when we got there the week after Halloween, 248 00:15:25,240 --> 00:15:27,800 Speaker 3: you could still see the chalk outline in the next 249 00:15:27,800 --> 00:15:31,320 Speaker 3: door neighbors driveway where a dead body had been. We 250 00:15:31,480 --> 00:15:35,280 Speaker 3: didn't know if it was actually a Halloween prank or 251 00:15:35,320 --> 00:15:39,160 Speaker 3: if there was a copycat murder, because that's what we 252 00:15:39,160 --> 00:15:41,640 Speaker 3: were all talking about at the time. One thing people 253 00:15:41,680 --> 00:15:44,520 Speaker 3: need to know is that while the murders took place 254 00:15:45,200 --> 00:15:49,640 Speaker 3: August eight, nine ten, the Tate Lobianca murders, that they 255 00:15:49,680 --> 00:15:52,440 Speaker 3: were not caught right away. It was actually a couple 256 00:15:52,440 --> 00:15:56,240 Speaker 3: of months, and there was a lot of tabloid journalism 257 00:15:56,280 --> 00:15:59,320 Speaker 3: at work and a lot of very poorly researched information, 258 00:15:59,600 --> 00:16:00,960 Speaker 3: So there was there's a lot of lies, a lot 259 00:16:00,960 --> 00:16:03,680 Speaker 3: of myths were being created at the time, but when 260 00:16:03,720 --> 00:16:06,200 Speaker 3: you get right down to it, there were only three 261 00:16:06,240 --> 00:16:09,520 Speaker 3: people inside the house for the Lobbyancas that actually committed 262 00:16:09,520 --> 00:16:14,440 Speaker 3: the murders, and that's Tax Watson, Patricia Crinwinkle, and Leslie 263 00:16:14,520 --> 00:16:18,280 Speaker 3: van Houghton Charles Manson. He did go in the house 264 00:16:18,320 --> 00:16:21,880 Speaker 3: and he in text tied up Leno and Rosemary Lobyanca. 265 00:16:22,400 --> 00:16:26,280 Speaker 3: But Charles left because he's that kind of guy. And 266 00:16:26,960 --> 00:16:30,320 Speaker 3: he told them the night before at the Tate resident 267 00:16:30,400 --> 00:16:32,760 Speaker 3: that it had been very messy, and he said, don't 268 00:16:33,040 --> 00:16:36,200 Speaker 3: you know, let's make it more clean. And when he 269 00:16:36,320 --> 00:16:39,560 Speaker 3: of course, he takes off with other members of the 270 00:16:39,600 --> 00:16:43,080 Speaker 3: family there and he leaves the job of murder up 271 00:16:43,120 --> 00:16:45,880 Speaker 3: to Patricia cram with Leslie van Houghton, who were supposed 272 00:16:45,920 --> 00:16:48,120 Speaker 3: to take out Rosemary, and tex who was supposed to 273 00:16:48,120 --> 00:16:51,920 Speaker 3: take out Leno. When it actually happened, Leslie van Houghton 274 00:16:51,960 --> 00:16:55,360 Speaker 3: had never killed anybody before, and she wrote and talked 275 00:16:55,360 --> 00:16:57,760 Speaker 3: about some things that I'm kind of I'm hoping you'll 276 00:16:57,800 --> 00:17:00,480 Speaker 3: explain this to us. She actually pointed out some things 277 00:17:00,520 --> 00:17:03,480 Speaker 3: that were just horrific to me. But setting the stage 278 00:17:03,520 --> 00:17:07,399 Speaker 3: inside the house, Lino and Rosemary LaBianca have both been 279 00:17:07,440 --> 00:17:09,399 Speaker 3: tied up. Their hands are tied in the case of 280 00:17:09,480 --> 00:17:12,600 Speaker 3: Rosemary LaBianca. A pillow case had been placed over her 281 00:17:12,640 --> 00:17:17,280 Speaker 3: head and it had been tied off with a lamp cord. 282 00:17:17,720 --> 00:17:19,879 Speaker 3: But they didn't bother like rip the cord off the lamp. 283 00:17:20,080 --> 00:17:25,000 Speaker 3: The lamp was still attached. So Rosemary LaBianca hands tied 284 00:17:25,080 --> 00:17:28,360 Speaker 3: up the pillow case over her head and she's sitting there. 285 00:17:28,440 --> 00:17:32,040 Speaker 3: Lino meanwhile Lebyanka had his hands tied and he also 286 00:17:32,480 --> 00:17:36,200 Speaker 3: is sitting and waiting for the robbery to finish, because 287 00:17:36,200 --> 00:17:38,840 Speaker 3: that's what they were told. Since Charles Manson and those 288 00:17:38,880 --> 00:17:41,120 Speaker 3: guys are down the road, that's when the murder begins. 289 00:17:41,320 --> 00:17:46,000 Speaker 3: Tex Watson took charge of killing Lino LaBianca, Patricia Creenwinkle, 290 00:17:46,040 --> 00:17:49,119 Speaker 3: and Leslie Van Houghten. It was their job to kill 291 00:17:49,280 --> 00:17:54,040 Speaker 3: Rosemary in her bedroom. To Rosemary Labyanca, already we had 292 00:17:54,080 --> 00:17:58,960 Speaker 3: text Watson stabbing away on Lino just I mean horrifically. 293 00:17:59,080 --> 00:18:03,320 Speaker 3: But Leslie Houghton said later that it wasn't new for Text, 294 00:18:03,440 --> 00:18:06,600 Speaker 3: he had done this before, he had killed before. For 295 00:18:06,680 --> 00:18:12,160 Speaker 3: Leslie Van Houghten to kill Rosemary Labyanca, it was horrific, 296 00:18:12,240 --> 00:18:14,480 Speaker 3: to the point that she didn't know what it was 297 00:18:14,560 --> 00:18:16,960 Speaker 3: like cutting through human flesh. She thought it would be 298 00:18:17,040 --> 00:18:20,160 Speaker 3: different Joseph Scott Morgan, and I wonder how many of us, 299 00:18:21,040 --> 00:18:22,919 Speaker 3: because I've never thought about it until I read that, 300 00:18:23,320 --> 00:18:25,080 Speaker 3: how many us really thought about what it would be? 301 00:18:25,240 --> 00:18:25,320 Speaker 2: Like? 302 00:18:25,520 --> 00:18:29,720 Speaker 3: What force does it take to actually kill somebody with 303 00:18:29,760 --> 00:18:32,879 Speaker 3: a knife. That's a personal thing. If you're shooting somebody, 304 00:18:33,080 --> 00:18:35,800 Speaker 3: you can do it from a distance. With a knife, 305 00:18:36,200 --> 00:18:39,800 Speaker 3: you're up close and personal. It is very personal. And 306 00:18:39,880 --> 00:18:43,160 Speaker 3: so while Leslie Van Houghton and Patricia Creamwinkle are trying 307 00:18:43,160 --> 00:18:47,000 Speaker 3: to kill Rosemary Lebyanka in her bedroom, Rosemary fights back 308 00:18:47,400 --> 00:18:50,680 Speaker 3: and the lamp cord used to keep that pillow case 309 00:18:50,720 --> 00:18:53,159 Speaker 3: on her head, well, the lamp now becomes a weapon. 310 00:18:53,480 --> 00:18:56,119 Speaker 3: She can't see, but she was fighting for her life 311 00:18:56,160 --> 00:19:00,600 Speaker 3: and winning. She was beating Leslie Van Houghton and Patricia 312 00:19:00,640 --> 00:19:03,520 Speaker 3: Creenwigill to the point where they yelled for Text Watson. 313 00:19:03,560 --> 00:19:06,000 Speaker 3: He's in the middle of stabbing Lino and they're like, Tex, 314 00:19:06,040 --> 00:19:08,160 Speaker 3: you got to get in here now. He had already 315 00:19:08,200 --> 00:19:11,680 Speaker 3: stabbed Lena LaBianca a lot. Leno had no fight left 316 00:19:11,680 --> 00:19:15,560 Speaker 3: in him, so Tex left him to go back and 317 00:19:15,680 --> 00:19:18,679 Speaker 3: help them kill Rosemary Labyanca. 318 00:19:18,600 --> 00:19:22,760 Speaker 1: With the participation of Van Houghten. I think that it's 319 00:19:22,760 --> 00:19:25,720 Speaker 1: important to remember that she was out of the so 320 00:19:25,840 --> 00:19:29,040 Speaker 1: called Manson family. She was one of the youngest members 321 00:19:29,320 --> 00:19:32,160 Speaker 1: nineteen at the time, I believe. 322 00:19:32,080 --> 00:19:34,720 Speaker 3: High school cheerleader and prince at homecoming princess. 323 00:19:35,160 --> 00:19:39,359 Speaker 1: Yeah, from this area of the country as well. She's 324 00:19:39,560 --> 00:19:42,840 Speaker 1: one of these kind of people that was kind of 325 00:19:42,880 --> 00:19:46,720 Speaker 1: glommed on to Manson. However, later reports say that she 326 00:19:47,000 --> 00:19:49,879 Speaker 1: was kind of a leader among these folks, but she 327 00:19:50,119 --> 00:19:53,199 Speaker 1: wasn't present when the Tait murders took place. She was 328 00:19:53,200 --> 00:19:59,359 Speaker 1: specifically brought in to handle the Lobyancas, these random people 329 00:19:59,440 --> 00:20:04,199 Speaker 1: that they had identified. And what's quite interesting when you 330 00:20:04,280 --> 00:20:08,520 Speaker 1: begin to kind of explore what happened at this residence 331 00:20:08,560 --> 00:20:14,040 Speaker 1: that particular night with Lobyanca, mister Lobianca, all of his 332 00:20:14,119 --> 00:20:18,639 Speaker 1: injuries are essentially anterior, which means on the front of 333 00:20:18,760 --> 00:20:22,560 Speaker 1: his body, and there are multiple stab wounds to his 334 00:20:22,680 --> 00:20:27,520 Speaker 1: neck and to his abdomen. And he died as a 335 00:20:27,560 --> 00:20:32,000 Speaker 1: result of massive hemorrhage, which means that every time this 336 00:20:32,119 --> 00:20:37,080 Speaker 1: knife is plunged into his body, that you're creating another 337 00:20:37,240 --> 00:20:40,320 Speaker 1: channel for blood to kind of seep out, and he's 338 00:20:40,320 --> 00:20:43,879 Speaker 1: going to be bleeding out internally. When you begin to 339 00:20:44,320 --> 00:20:48,639 Speaker 1: look through the autopsy reports on him. His right carotid artery, 340 00:20:49,040 --> 00:20:52,280 Speaker 1: which is the major artery in the neck that essentially 341 00:20:52,520 --> 00:20:57,080 Speaker 1: supplies the brain with blood, is the right one on 342 00:20:57,119 --> 00:21:02,040 Speaker 1: the right aspect of people will essentially index finger just 343 00:21:02,080 --> 00:21:05,919 Speaker 1: to the right of your trachea. It's rest right in 344 00:21:05,920 --> 00:21:09,760 Speaker 1: this area. So that knife was buried through that surface 345 00:21:09,880 --> 00:21:14,560 Speaker 1: into his neck. It's completely what they've referred to as transsected. 346 00:21:14,960 --> 00:21:19,600 Speaker 1: In addition to that, he's got a laceration of his trachea. 347 00:21:19,720 --> 00:21:23,240 Speaker 1: So if you take that orientation that we just mentioned 348 00:21:23,280 --> 00:21:26,359 Speaker 1: about the carotid artery and slightly move over to the 349 00:21:26,400 --> 00:21:30,199 Speaker 1: midline which people refer to as the wind pipe with 350 00:21:30,280 --> 00:21:34,800 Speaker 1: the trachia, it's lacerated as well, which means that Dave, 351 00:21:35,080 --> 00:21:41,280 Speaker 1: this is not just merely a slice when they say laceration, 352 00:21:41,560 --> 00:21:45,600 Speaker 1: You've got this kind of blunting action that's taking the 353 00:21:45,760 --> 00:21:47,919 Speaker 1: edges and the margins of this thing. Would not have 354 00:21:48,000 --> 00:21:52,000 Speaker 1: been very neat and moving from the top of the body. 355 00:21:52,119 --> 00:21:54,679 Speaker 1: Just to give you an idea of how extensive this was, 356 00:21:55,119 --> 00:21:58,080 Speaker 1: they had taken the knife and buried it into not 357 00:21:58,280 --> 00:22:01,359 Speaker 1: just his small bowel, but also his large bowel, into 358 00:22:01,400 --> 00:22:05,560 Speaker 1: his colon, so you've got insults that are running the 359 00:22:05,640 --> 00:22:09,680 Speaker 1: full length of his upper body, and when the body 360 00:22:10,000 --> 00:22:14,119 Speaker 1: is received at the morgue, I can only imagine at 361 00:22:14,160 --> 00:22:16,720 Speaker 1: that moment in time they're trying to make sense of 362 00:22:17,000 --> 00:22:19,760 Speaker 1: One of the things that you're always asked about with 363 00:22:19,880 --> 00:22:23,800 Speaker 1: these types of events, are sequencing in what order did 364 00:22:23,840 --> 00:22:28,000 Speaker 1: these things actually occur? And you begin to think about, well, 365 00:22:28,320 --> 00:22:32,040 Speaker 1: it's not necessarily possible to be able to tell anyone 366 00:22:32,720 --> 00:22:36,800 Speaker 1: what sequence they actually took place in. There's been a 367 00:22:36,840 --> 00:22:40,159 Speaker 1: lot of as they used to say, ink slung over 368 00:22:40,480 --> 00:22:44,680 Speaker 1: the injuries that LaBianca sustained probably one of the more 369 00:22:44,720 --> 00:22:48,800 Speaker 1: striking things. Even at the scene, the corner investigator made 370 00:22:48,960 --> 00:22:51,080 Speaker 1: note of the fact that there was some kind of 371 00:22:51,400 --> 00:22:55,439 Speaker 1: rudimentary engraving on the surface of this man's abdomen, and 372 00:22:55,480 --> 00:22:58,480 Speaker 1: the word, as it turns out, was the word war. 373 00:22:59,119 --> 00:23:03,320 Speaker 1: This means that the individual that had done this would 374 00:23:03,400 --> 00:23:06,480 Speaker 1: have had to have had the will to sit there 375 00:23:07,040 --> 00:23:12,119 Speaker 1: and make this happen, to actually sit there and be 376 00:23:12,160 --> 00:23:16,000 Speaker 1: able to perhaps tolerate the sounds of this man as 377 00:23:16,200 --> 00:23:19,439 Speaker 1: life is leaving his body, taking the tip of a 378 00:23:19,520 --> 00:23:23,920 Speaker 1: knife which they believe was utilized, and making it through 379 00:23:24,280 --> 00:23:28,080 Speaker 1: the dermis of his skin, so that the individuals could 380 00:23:28,119 --> 00:23:30,919 Speaker 1: appreciate that later on when they walked onto the scene. 381 00:23:31,280 --> 00:23:34,399 Speaker 1: This goes into areas like motivation, you know, why would 382 00:23:34,400 --> 00:23:37,280 Speaker 1: somebody do this? And going back with our theme here, 383 00:23:37,359 --> 00:23:40,840 Speaker 1: the idea that back during this time the police are 384 00:23:40,840 --> 00:23:43,600 Speaker 1: trying to make sense of this. And then interestingly enough, 385 00:23:43,880 --> 00:23:47,679 Speaker 1: one of the things that was also documented was this 386 00:23:47,840 --> 00:23:51,919 Speaker 1: idea of the carving fork that was left behind the 387 00:23:51,960 --> 00:23:57,119 Speaker 1: individual little points on forks or referred to as times, well, 388 00:23:57,600 --> 00:24:01,320 Speaker 1: the times for carving fork, two of them. I think 389 00:24:01,359 --> 00:24:04,920 Speaker 1: that in some of the media that's out there, these 390 00:24:05,000 --> 00:24:07,119 Speaker 1: movies that have been created over the years, I think 391 00:24:07,160 --> 00:24:10,359 Speaker 1: there was one in particular, very graphic where they showed 392 00:24:10,440 --> 00:24:13,480 Speaker 1: the victim the actor was stabbed with a fork and 393 00:24:13,520 --> 00:24:15,720 Speaker 1: it was kind of bouncing about and that sort of thing. 394 00:24:16,119 --> 00:24:20,760 Speaker 1: This was actually a superficial wound. And the corner investigator 395 00:24:20,800 --> 00:24:24,080 Speaker 1: makes an interesting point here, and this goes to the 396 00:24:24,200 --> 00:24:27,640 Speaker 1: larger group of evidence here in this case where he 397 00:24:27,760 --> 00:24:32,399 Speaker 1: talks about if they had not removed that fork, that 398 00:24:32,800 --> 00:24:37,960 Speaker 1: carving fork from mister Labianca's abdomen, it could very well 399 00:24:38,000 --> 00:24:40,440 Speaker 1: have fallen out and they would have lost the evidence 400 00:24:40,560 --> 00:24:43,720 Speaker 1: at that moment in time. For us in forensics, you 401 00:24:43,760 --> 00:24:45,560 Speaker 1: know kind of our rule of thumb, and this actually 402 00:24:45,560 --> 00:24:48,400 Speaker 1: applies in medicine too. If you ever see these things 403 00:24:48,400 --> 00:24:51,240 Speaker 1: where people say, well, if there's an object impaled in 404 00:24:51,280 --> 00:24:54,640 Speaker 1: somebody's body, don't remove it, because it's going to If 405 00:24:54,680 --> 00:24:57,640 Speaker 1: you remove it, you're going to promote blood flow. Okay, 406 00:24:58,000 --> 00:25:00,840 Speaker 1: you're creating this kind of defect in the But for 407 00:25:01,000 --> 00:25:04,840 Speaker 1: us in forensics, we want to be able to appreciate 408 00:25:05,240 --> 00:25:07,800 Speaker 1: an item in sight too, is what it's referred to 409 00:25:08,080 --> 00:25:11,640 Speaker 1: as in place rather in place, so that it can 410 00:25:11,680 --> 00:25:15,760 Speaker 1: be fully documented and appreciated by the forensic pathologist. Keep 411 00:25:15,760 --> 00:25:17,639 Speaker 1: in mind, most of the time you're not going to 412 00:25:17,680 --> 00:25:21,119 Speaker 1: have a forensic pathologist at the scene to see the 413 00:25:21,160 --> 00:25:25,400 Speaker 1: body in its pristine post mortem state, So you try 414 00:25:25,440 --> 00:25:28,000 Speaker 1: to leave any kind of elements that are in or 415 00:25:28,040 --> 00:25:30,520 Speaker 1: on the body in place, and that way it'll be 416 00:25:30,560 --> 00:25:33,720 Speaker 1: more thoroughly examined at the morgue. And in this particular case, 417 00:25:34,080 --> 00:25:37,280 Speaker 1: they actually had to remove it because they very well 418 00:25:37,280 --> 00:25:39,760 Speaker 1: could have lost that evidence. And of course we know 419 00:25:39,920 --> 00:25:45,000 Speaker 1: that it's significant because it goes to the behavior of 420 00:25:45,040 --> 00:25:50,320 Speaker 1: the individual. It wasn't just simply a knife wound. We're 421 00:25:50,320 --> 00:25:54,840 Speaker 1: talking about multiple weapons that led to mister Lobianca's death. 422 00:26:16,359 --> 00:26:19,320 Speaker 1: Many of the deaths that I've investigated over the course 423 00:26:19,359 --> 00:26:23,720 Speaker 1: of my career, for good or bad, I have an 424 00:26:23,720 --> 00:26:27,159 Speaker 1: ability of kind of placing myself in the position of victims, 425 00:26:27,280 --> 00:26:29,719 Speaker 1: or at least kind of trying to imagine what they 426 00:26:29,760 --> 00:26:34,440 Speaker 1: had gone through. With single victims, it's it's hard, I think, 427 00:26:35,080 --> 00:26:39,080 Speaker 1: or it's less nuanced when you have family members that 428 00:26:39,119 --> 00:26:43,840 Speaker 1: are killed simultaneously. There's something about from in my case, 429 00:26:43,880 --> 00:26:47,600 Speaker 1: my own humanity that begins to think about the relationship 430 00:26:48,359 --> 00:26:52,560 Speaker 1: that these individuals within a home like this had La Bianca's. 431 00:26:52,560 --> 00:26:55,480 Speaker 1: I'm referring to what was going through their minds at 432 00:26:55,480 --> 00:26:57,600 Speaker 1: that moment in time, because you have two people that 433 00:26:57,760 --> 00:27:03,360 Speaker 1: were apparently happy married, they'd built a life together. Missus 434 00:27:03,520 --> 00:27:09,560 Speaker 1: Lobianca managed to address store. Mister Lobianca was a grocery executive. 435 00:27:09,880 --> 00:27:14,000 Speaker 1: They had built a home together, not simply a house, 436 00:27:14,160 --> 00:27:17,199 Speaker 1: but a home, and they were still involved in their 437 00:27:17,280 --> 00:27:21,840 Speaker 1: children's lives. And you think, in those last moments before 438 00:27:21,840 --> 00:27:24,240 Speaker 1: you leave this earth, what was going through their mind? 439 00:27:24,520 --> 00:27:27,080 Speaker 1: The pure horror, the pure terror, because it's not just 440 00:27:27,200 --> 00:27:31,560 Speaker 1: what's happening to you. You begin to kind of imagine 441 00:27:32,080 --> 00:27:35,760 Speaker 1: what's happening to my loved one, what's happening to my 442 00:27:35,840 --> 00:27:38,480 Speaker 1: beloved spouse that might be in the other room. You're 443 00:27:38,520 --> 00:27:42,920 Speaker 1: hearing screams, you're hearing commotion, and maybe not thinking about 444 00:27:42,960 --> 00:27:45,800 Speaker 1: the pain that's being inflicted upon you, but about the 445 00:27:45,840 --> 00:27:47,680 Speaker 1: pain that's being inflicted upon them. 446 00:27:48,400 --> 00:27:52,800 Speaker 3: Leno and Rosemary LaBianca had been told when they were 447 00:27:52,880 --> 00:27:55,440 Speaker 3: woken up, they were told, this is justin robbery. We're 448 00:27:55,520 --> 00:27:57,440 Speaker 3: just taking your money and you're not going to be hurt. 449 00:27:57,680 --> 00:28:00,080 Speaker 3: They were tied up with that in mind. That's a 450 00:28:00,200 --> 00:28:02,600 Speaker 3: text Watson told and that's what Charles Manson told him, 451 00:28:02,800 --> 00:28:04,720 Speaker 3: We're not going to be hurt. All the way up 452 00:28:04,800 --> 00:28:07,560 Speaker 3: until the point where the killing began, they were told, 453 00:28:07,600 --> 00:28:09,919 Speaker 3: you're not going to be hurt. Rosemary LaBianca was in 454 00:28:09,960 --> 00:28:13,600 Speaker 3: her bedroom with Leslie Van Holton and Patricia Crinwinkle. She 455 00:28:13,760 --> 00:28:18,480 Speaker 3: hears commotion going on while Tex Watson is stabbing Lena LaBianca, 456 00:28:18,520 --> 00:28:21,959 Speaker 3: and she asked, what's going on with Lenoleno? Are you okay? 457 00:28:22,000 --> 00:28:26,600 Speaker 3: And that's what caused her, Rosemary LaBianca to actually really 458 00:28:26,640 --> 00:28:30,480 Speaker 3: fight back hard to the point where Patricia Crinwinkle and 459 00:28:30,560 --> 00:28:34,000 Speaker 3: Leslie van Houghton could not control her. They screamed out 460 00:28:34,040 --> 00:28:37,960 Speaker 3: for text to get help. Because of Rosemary LaBianca. She 461 00:28:38,200 --> 00:28:41,360 Speaker 3: just I don't the heart of that woman. But I 462 00:28:41,440 --> 00:28:44,240 Speaker 3: have a question for you, Joe, because I'm curious after 463 00:28:44,280 --> 00:28:48,080 Speaker 3: the fact. Could you tell in an examination the difference 464 00:28:48,120 --> 00:28:52,280 Speaker 3: between a wound being done by Leslie van Houghton and 465 00:28:52,320 --> 00:28:57,200 Speaker 3: Patricia Crinwinkle versus a wound created by Tex Watson, who 466 00:28:57,240 --> 00:29:00,320 Speaker 3: is obviously going to hit harder. Could you tell a 467 00:29:00,320 --> 00:29:03,840 Speaker 3: difference between that type of a knife wound that's. 468 00:29:03,720 --> 00:29:06,640 Speaker 1: Going to be heavily depended day First off, on the 469 00:29:06,760 --> 00:29:10,680 Speaker 1: instrument that's used, how robust the instrument is that is 470 00:29:10,720 --> 00:29:14,400 Speaker 1: being utilized in order to inflict the injuries, and what 471 00:29:14,560 --> 00:29:18,200 Speaker 1: structures this instrument is going to strike. Because it's not 472 00:29:18,520 --> 00:29:21,360 Speaker 1: as we've talked about before on body bags, it's not 473 00:29:21,600 --> 00:29:24,680 Speaker 1: just passing through the skin and through the muscle. You 474 00:29:25,080 --> 00:29:28,880 Speaker 1: have to think about any kind of bony prominences that 475 00:29:28,920 --> 00:29:33,400 Speaker 1: are there, whether it's ribs or the spine. In Miss 476 00:29:33,480 --> 00:29:38,320 Speaker 1: Labianca's case in particular, because her spinal cord is essentially transacted, 477 00:29:38,600 --> 00:29:41,880 Speaker 1: what type of force would it take in order to 478 00:29:41,960 --> 00:29:46,840 Speaker 1: inflict these There's another important piece to this. There was 479 00:29:46,880 --> 00:29:50,760 Speaker 1: a need on the part of the Manson family as 480 00:29:50,760 --> 00:29:53,480 Speaker 1: it applied to vn how and I believe for her 481 00:29:53,560 --> 00:29:57,840 Speaker 1: to get her hands dirty. So the question arises, how 482 00:29:57,880 --> 00:30:01,600 Speaker 1: many of these insults that that both of these victims, 483 00:30:01,640 --> 00:30:04,800 Speaker 1: and Rosemary in particular, because hers were as bad as 484 00:30:04,800 --> 00:30:08,880 Speaker 1: it is to talk about carving on Lobianca's body and 485 00:30:09,120 --> 00:30:13,520 Speaker 1: this carving knife that was utilized on him in its measure, 486 00:30:13,800 --> 00:30:16,600 Speaker 1: I think that Rosemary got the real horror show thrown 487 00:30:16,680 --> 00:30:19,080 Speaker 1: at her. Her injuries were over the top. A lot 488 00:30:19,120 --> 00:30:21,440 Speaker 1: of that has to go to you were mentioning how 489 00:30:21,520 --> 00:30:24,200 Speaker 1: much she fought. She had to be restrained. They had 490 00:30:24,200 --> 00:30:27,360 Speaker 1: to guarantee that she was not going to get back 491 00:30:27,440 --> 00:30:30,480 Speaker 1: up off of that floor. Most of her injuries are 492 00:30:30,760 --> 00:30:34,960 Speaker 1: posterior on her back. You begin to think about that 493 00:30:35,160 --> 00:30:38,440 Speaker 1: and the level of force that's used, and also how 494 00:30:38,520 --> 00:30:43,280 Speaker 1: many of these injury tracks where she sustained these stab wounds, 495 00:30:43,680 --> 00:30:48,040 Speaker 1: how many of these actually had hemorrhage in them, Because 496 00:30:48,080 --> 00:30:52,120 Speaker 1: that's the big delineation here for us between this idea 497 00:30:52,280 --> 00:30:56,000 Speaker 1: of post mortem and anti mortem injuries. You know, you 498 00:30:56,040 --> 00:30:59,000 Speaker 1: think about the anti mortem injuries, these wounds that are 499 00:30:59,160 --> 00:31:02,760 Speaker 1: inflicted on her. You think about, well, how many of 500 00:31:02,760 --> 00:31:07,520 Speaker 1: these came while she was still alive, and how many 501 00:31:07,560 --> 00:31:11,960 Speaker 1: of these happened afterwards. And they're randomized. It's not like 502 00:31:12,080 --> 00:31:19,000 Speaker 1: they're necessarily in any particular order or have penetrated specific 503 00:31:19,240 --> 00:31:23,920 Speaker 1: anatomical structures and stayed in that particular area. A lot 504 00:31:23,960 --> 00:31:27,800 Speaker 1: of the stuff that has occurred to her is randomized. 505 00:31:27,880 --> 00:31:30,720 Speaker 1: It's all over her body, so that gives you an 506 00:31:30,760 --> 00:31:34,960 Speaker 1: idea of what kind of fight had ensued initially, and 507 00:31:35,000 --> 00:31:37,560 Speaker 1: when you begin to look at it, you begin to 508 00:31:37,840 --> 00:31:40,880 Speaker 1: think about the horror that was inflicted upon her. What 509 00:31:40,960 --> 00:31:45,120 Speaker 1: we do know is that they have enumerated these injuries 510 00:31:45,200 --> 00:31:49,760 Speaker 1: and she had sustained I think, if I'm not mistaken, 511 00:31:50,200 --> 00:31:53,680 Speaker 1: twenty two insults on the upper portion of her back 512 00:31:54,160 --> 00:31:57,960 Speaker 1: and fourteen on the lower portion of her back. And 513 00:31:58,320 --> 00:32:00,760 Speaker 1: one of these that gives you an idea as to 514 00:32:01,400 --> 00:32:05,880 Speaker 1: how much power was involved in this, is that she's 515 00:32:05,920 --> 00:32:11,760 Speaker 1: got transsecting injury of her neck. Place your finger at 516 00:32:11,800 --> 00:32:15,000 Speaker 1: the base of your skull. The first vertebral body that 517 00:32:15,040 --> 00:32:17,760 Speaker 1: you have there is c one that's referred to as 518 00:32:17,760 --> 00:32:20,479 Speaker 1: the atlas, and you just think about atlas holding up 519 00:32:20,520 --> 00:32:26,440 Speaker 1: the world. From mythology, you go to the second vertebral body, 520 00:32:26,600 --> 00:32:30,680 Speaker 1: which is immediately below the atlas, and then the third. 521 00:32:31,400 --> 00:32:36,800 Speaker 1: There is a wound that passes between that junction right there, 522 00:32:37,360 --> 00:32:41,440 Speaker 1: and the vertebral bodies are some of the most robust 523 00:32:41,720 --> 00:32:45,080 Speaker 1: elements in our body as far as the skeletal structure goes. 524 00:32:45,720 --> 00:32:48,960 Speaker 1: They transacted that day. That's how much power was involved 525 00:32:48,960 --> 00:32:52,640 Speaker 1: in this, which means that that knife passed through in 526 00:32:52,760 --> 00:32:57,600 Speaker 1: between those two vertebral bodies and completely transsected her cerebral 527 00:32:57,640 --> 00:32:58,680 Speaker 1: spinal cord. 528 00:32:59,280 --> 00:33:01,560 Speaker 3: The one thing that I I did see with Leslie 529 00:33:01,640 --> 00:33:06,040 Speaker 3: van Houghton describing the killing, this is her exact words. 530 00:33:06,800 --> 00:33:09,560 Speaker 3: I was supposed to mess her up, and I took 531 00:33:09,600 --> 00:33:13,440 Speaker 3: the knife and I started stabbing, and I turned into 532 00:33:13,520 --> 00:33:17,760 Speaker 3: an animal almost. I just completely let out on that 533 00:33:17,840 --> 00:33:21,560 Speaker 3: woman's back. You just mentioned the wounds on her back, 534 00:33:21,880 --> 00:33:26,959 Speaker 3: Leslie van Houghten talking about I completely let out on 535 00:33:27,040 --> 00:33:30,600 Speaker 3: that woman's back. But then she says, it's not like 536 00:33:30,720 --> 00:33:33,680 Speaker 3: cutting a piece of meat. It's much tougher. I had 537 00:33:33,720 --> 00:33:37,280 Speaker 3: to use both hands and all my pressure and all 538 00:33:37,320 --> 00:33:40,880 Speaker 3: my strength behind it to get it in. What actually 539 00:33:40,880 --> 00:33:41,960 Speaker 3: is she describing there. 540 00:33:41,880 --> 00:33:45,880 Speaker 1: Joe, She's in a dominant position. And remember this is 541 00:33:45,920 --> 00:33:49,600 Speaker 1: not something she's doing by herself, Dave. There are other people, 542 00:33:49,720 --> 00:33:54,000 Speaker 1: other hands involved in this, and she is essentially in 543 00:33:54,040 --> 00:33:57,920 Speaker 1: a dominant position. This is a perfect example of what 544 00:33:57,920 --> 00:34:00,880 Speaker 1: we refer to as a symmetry in an attack. That 545 00:34:00,920 --> 00:34:03,960 Speaker 1: means you've got one individual that's dominant over another. And 546 00:34:04,360 --> 00:34:07,600 Speaker 1: what's really the tail of the tape is that since 547 00:34:07,680 --> 00:34:12,840 Speaker 1: these injuries are posterior on Rosemary la Bianca's body, that 548 00:34:12,960 --> 00:34:16,480 Speaker 1: means that she's faced down more than likely throughout most 549 00:34:16,480 --> 00:34:20,080 Speaker 1: of this attack, and you have access to that particular 550 00:34:20,440 --> 00:34:24,400 Speaker 1: plane of the body. The knife is being driven downward. 551 00:34:25,200 --> 00:34:28,600 Speaker 1: When say, look, if you're ever attacked by a bear, 552 00:34:28,760 --> 00:34:31,200 Speaker 1: crawl up into a kind of contract yourself up into 553 00:34:31,280 --> 00:34:33,759 Speaker 1: a ball. And one of the reasons is is that 554 00:34:33,840 --> 00:34:37,239 Speaker 1: I've often envisioned in my mind that our back is 555 00:34:37,280 --> 00:34:39,520 Speaker 1: almost like a turtle shell. We have all of these 556 00:34:39,560 --> 00:34:43,480 Speaker 1: bony prominences and structures posteriorly because you know, our ribs 557 00:34:43,480 --> 00:34:46,160 Speaker 1: are not just on the front of our body and sides. 558 00:34:46,200 --> 00:34:50,279 Speaker 1: They mixed in into the back and they attached to 559 00:34:50,640 --> 00:34:54,360 Speaker 1: our spine, and so you've got this kind of rigidity 560 00:34:54,560 --> 00:34:59,160 Speaker 1: that comes in well, no wonder she is stating and 561 00:34:59,280 --> 00:35:03,000 Speaker 1: has admitted to having to drive this knife through these 562 00:35:03,000 --> 00:35:07,920 Speaker 1: bony structures with both hands, and essentially to give you 563 00:35:08,000 --> 00:35:11,879 Speaker 1: an idea as to how much force was involved. Not 564 00:35:11,920 --> 00:35:16,520 Speaker 1: only do we have this laceration of the spinal cord, 565 00:35:16,880 --> 00:35:20,280 Speaker 1: but in addition to that, there was so much force 566 00:35:20,560 --> 00:35:25,359 Speaker 1: used during the midst of this attack that Rosemary LaBianca 567 00:35:26,080 --> 00:35:31,120 Speaker 1: also sustained injuries of her lung it perforated, along also 568 00:35:31,680 --> 00:35:36,200 Speaker 1: her stomach, and in addition to that her spleen was lacerated. 569 00:35:36,520 --> 00:35:39,600 Speaker 1: And for what For absolutely what you asked that question, 570 00:35:39,880 --> 00:35:43,880 Speaker 1: I think we all do. It's just a random event 571 00:35:44,239 --> 00:35:47,560 Speaker 1: that occurred where these two people who had nothing to 572 00:35:47,600 --> 00:35:51,680 Speaker 1: do with race wars, had nothing to do with hippie culture, 573 00:35:51,840 --> 00:35:56,360 Speaker 1: had nothing to do with anything other than just simply living. 574 00:35:56,400 --> 00:36:03,000 Speaker 1: Their lives are gone and now Leslie Van Houghton is free. 575 00:36:05,719 --> 00:36:09,360 Speaker 1: I'm Joseph Scott Morgan and this is body Backs