WEBVTT - Rock the Boat

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<v Speaker 1>Welcome to Aaron Manke's Cabinet of Curiosities, a production of

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<v Speaker 1>iHeartRadio and Grimm and Mild. Our world is full of

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<v Speaker 1>the unexplainable, and if history is an open book, all

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<v Speaker 1>of these amazing tales are right there on display, just

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<v Speaker 1>waiting for us to explore. Welcome to the Cabinet of Curiosities.

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<v Speaker 1>Off the coast of England, and to be exact, off

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<v Speaker 1>the coast of Frinton on Sea in Essex, a fairy

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<v Speaker 1>dropped anchor. Its pilot had taken special care to move

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<v Speaker 1>it into international waters. Its cruise intent was not strictly legal,

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<v Speaker 1>and they didn't want to be hassled by the British authorities.

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<v Speaker 1>It was Easter Sunday, March twenty eighth of nineteen sixty four.

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<v Speaker 1>A signal went out from the decks, cutting into the

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<v Speaker 1>British radio static, a clarion call and a protest. It

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<v Speaker 1>was rock and roll, and in this way Radio Caroline

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<v Speaker 1>announced itself to a pop and rock star England. It

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<v Speaker 1>became a beacon for pop music and forced the establishment

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<v Speaker 1>to finally accept the changing tastes of a new generation.

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<v Speaker 1>And along the way it utterly changed the landscape of

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<v Speaker 1>British broadcasting. You see, before nineteen sixty four, broadcasting was

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<v Speaker 1>completely controlled by the BBC. What went on the airwaves

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<v Speaker 1>was regulated by the government, who only begrudgingly played popular

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<v Speaker 1>music and limited its time on the airwaves. But this

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<v Speaker 1>wasn't enough for the British youth, who desperately hungered for

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<v Speaker 1>music from the country's growing pop and rock scene. They

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<v Speaker 1>wanted the Beatles, they wanted the Rolling Stones, they wanted

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<v Speaker 1>rock and roll. But the BBC wasn't listening. So when

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<v Speaker 1>an Irish businessman named Ronan O'Reilly saw what was happening

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<v Speaker 1>and realized that there was a great opportunity in the

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<v Speaker 1>establishment's stubbornness, he had an idea of how to exploit

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<v Speaker 1>that opportunity. A station at sea beyond English maritime borders,

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<v Speaker 1>a mere three miles from shore. If he weren't broadcasting

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<v Speaker 1>from inside Britain, he wouldn't be constrained by their broadcasting laws,

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<v Speaker 1>with their censorship and their scheduling constraints. He'd be able

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<v Speaker 1>to operate without a license. He could play anything that

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<v Speaker 1>he liked for as long as he liked. And mister o'rahi, well,

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<v Speaker 1>he really liked rock music, so he bought and converted

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<v Speaker 1>a ferry named the me Amigo to be his broadcast station,

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<v Speaker 1>and on March twenty eighth, Radio Caroline went live. It

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<v Speaker 1>was immediately a massive sensation. The music was exactly what

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<v Speaker 1>the younger generation had yearned for all day, every day,

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<v Speaker 1>and unlike the stodgy announcers of the BBC Radio Carolines,

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<v Speaker 1>DJs were like familiar friends, energetic and funny, and more importantly,

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<v Speaker 1>the same age as many of their listeners. This pirate

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<v Speaker 1>station built an audience in the millions who tuned in

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<v Speaker 1>on transistor radios and listened late into the night. O'rahlei's

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<v Speaker 1>gambit had paid off generously. Not only had he filled

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<v Speaker 1>a gap in the market, but he'd proven that the

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<v Speaker 1>BBC's monopoly on radio fell woefully short in the face

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<v Speaker 1>of the cultural wave of rock and roll Revolution. Radio

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<v Speaker 1>Caroline stood alone, but only for a short time. Overnight,

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<v Speaker 1>new pirate stations popped up as well. The sea seemingly

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<v Speaker 1>full of illegal broadcasters. Stations like Radio London, Radio Scotland

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<v Speaker 1>and Radio Atlanta were pumping the sounds of the swinging

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<v Speaker 1>sixties into the nation. They became so prominent that they

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<v Speaker 1>were impossible for the government to ignore, and so in

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<v Speaker 1>nineteen sixty seven, Parliament passed the Marine Broadcasting Offenses Act,

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<v Speaker 1>which made it illegal for citizens of Britain to work

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<v Speaker 1>for the pirate stations and for businesses to advertise on

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<v Speaker 1>their stations. With their supply of money and labor drying up,

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<v Speaker 1>the newest stations were decimated, but Radio Caroline kept rocking.

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<v Speaker 1>Miamigo was a symbol of resistance. The station began to

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<v Speaker 1>pull supplies from Dutch waters, worked with complex maritime laws,

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<v Speaker 1>and merged with Radio Atlanta to share resources and widen

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<v Speaker 1>their reach. They were adaptable, and they managed for years

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<v Speaker 1>to pardon the pun stay afloat. Finally, the British media

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<v Speaker 1>establishment had to concede that pirate radio had transformed the

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<v Speaker 1>media market forever, and as a response to the huge

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<v Speaker 1>cultural shift, in the autumn of nineteen sixty seven, the

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<v Speaker 1>BBC created Radio One, a station for pop and rock

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<v Speaker 1>music that not only tried to reproduce the success of

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<v Speaker 1>Pirate radio, but that also employed the very djays that

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<v Speaker 1>they had fought so hard against. Radio Caroline kept on

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<v Speaker 1>over the following decades, broadcasting, despite bankruptcies and shipwrecks, even

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<v Speaker 1>adapting as digital media overtook radio in popularity. It broadcasts

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<v Speaker 1>now legally from a new ship and can be heard

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<v Speaker 1>not only in Great Britain but all over the world

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<v Speaker 1>from its Internet live stream. And through it all, it

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<v Speaker 1>still retains its place in broadcast history for its ability

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<v Speaker 1>to shape culture. The era of true pirate radio stations

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<v Speaker 1>may be decades in the past, but Radio Caroline has

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<v Speaker 1>made an impact on it through profound change from the margins.

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<v Speaker 1>And when the Miamigo dropped anchor on that Easter Sunday

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<v Speaker 1>in nineteen sixty four, they may have only set out

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<v Speaker 1>to play a little bit of rock and roll, but

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<v Speaker 1>that signal they broadcast, well, it started a revolution. He

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<v Speaker 1>was a West African king who came to power in

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<v Speaker 1>thirteen twelve AD. At first, Mansa Musa essentially was a

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<v Speaker 1>regent of the Kingdom of Mali, ruling in his brother's

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<v Speaker 1>stead while his brother went on an Atlantic expedition. But

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<v Speaker 1>when his brother never returned, he became king. We'll let

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<v Speaker 1>you decide if that's the truth or if that's just

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<v Speaker 1>the story that he told to explain how he deposed

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<v Speaker 1>his brother. Historians are a bit divided. What we do

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<v Speaker 1>know is that Musa was a devout Muslim, he likely

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<v Speaker 1>would have been introduced to the religion through the trade

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<v Speaker 1>routes that ran east to west from Saudi Arabia, and

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<v Speaker 1>this contact exposed him to the wisdom and riches of

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<v Speaker 1>the Mediterranean and inspired him to expand his empire. He

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<v Speaker 1>focused on the non Muslim nations that surrounded Mali. This

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<v Speaker 1>included places like Senegal, Nijer, and Mauritania. At its heights

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<v Speaker 1>as kingdom spanned two thousand miles. It was essentially the

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<v Speaker 1>entire middle portion of the hump of West Africa that

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<v Speaker 1>round protruding upper half of Africa that you see when

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<v Speaker 1>you look at a map. It's unknown how exactly he

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<v Speaker 1>was so effective at conquest, but clearly he was inspired

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<v Speaker 1>by what he learned from the East. The most significant

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<v Speaker 1>part of his conquest was that many of these nations

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<v Speaker 1>were rich in the most important natural resource of the time, gold.

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<v Speaker 1>Musa's gold stores were so great that today he'd be

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<v Speaker 1>worth an estimated four hundred billion dollars, making him one

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<v Speaker 1>of the richest people to have ever lived. And with

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<v Speaker 1>all this wealth, he clearly wasn't just going to sit

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<v Speaker 1>back and do nothing with it. He attributed his success

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<v Speaker 1>to his faith in Islam, and as such he wanted

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<v Speaker 1>to make the pilgrimage to Mecca. But that was no

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<v Speaker 1>easy task in this time and place. It meant crossing

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<v Speaker 1>the Sahara desert by camel, but with four hundred billion

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<v Speaker 1>dollars in gold at his disposal, even this wasn't too

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<v Speaker 1>great of a challenge for Musa to overcome. He meticulously

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<v Speaker 1>planned the expedition, gathering sixty thousand enslaved people, soldiers and

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<v Speaker 1>advisers to travel with him. The caravan was really more

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<v Speaker 1>of a moving city, with a huge train of livestock

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<v Speaker 1>that could be used to sustain all of the people

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<v Speaker 1>on the journey, and of course Musa made sure that

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<v Speaker 1>they brought plenty of gold with them. There were as

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<v Speaker 1>many as one hundred camels loaded down with pure gold.

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<v Speaker 1>They made their way across the Sahara, enduring the ankle

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<v Speaker 1>twisting sands and intense heat. Sand particles got in their

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<v Speaker 1>eyes and mouths, a never ending irritation, but eventually they

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<v Speaker 1>arrived in Cairo, the largest city on the route to Mecca.

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<v Speaker 1>Musa wanted to show off his wealth, and so he

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<v Speaker 1>handed out gold to every major noble in the city.

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<v Speaker 1>In fact, he handed out so much gold that he

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<v Speaker 1>ruined the local economy. Gold basically became worthless, as there

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<v Speaker 1>was more of it than any other good. Undetereared, he

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<v Speaker 1>kept going somehow, loading his thousands of men and hundreds

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<v Speaker 1>of camels onto ships that crossed the Red Sea. Before

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<v Speaker 1>long they were in Mecca. Musa could finally show his

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<v Speaker 1>respects to the prophet and the religion that set him

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<v Speaker 1>on the path to being such a successful king. When

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<v Speaker 1>he returned to Mali, he brought back architects who would

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<v Speaker 1>help him build the Jingeraber Mosque in Timbuktu in Mali.

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<v Speaker 1>The mosque became instantly iconic for its detailed wood, straw

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<v Speaker 1>and mud walls. It's also known for its two slim

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<v Speaker 1>towers called minarets. Wood spikes jut out from the walls

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<v Speaker 1>and towers, which are a kind of scaffolding that allows

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<v Speaker 1>for regular maintenance. Musa also built a university in the city,

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<v Speaker 1>which attracted students from all over Africa. Timbuctoo became a

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<v Speaker 1>major trade hub for the region and remained that way

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<v Speaker 1>for centuries. Mansa Musa's curiosity about the world and his

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<v Speaker 1>desire to do more with his life than his predecessors,

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<v Speaker 1>led him to completely transforming the region. He died in

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<v Speaker 1>thirteen thirty seven, leaving his kingdom to his son. Musa's

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<v Speaker 1>descendants managed to hold on to the majority of the

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<v Speaker 1>empire throughout the fourteenth century, living up to his legacy

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<v Speaker 1>and maintaining their incredible wealth, but the two centuries after

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<v Speaker 1>that saw constant civil war among the various factions within

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<v Speaker 1>the kingdom. The ruling family in Timbuctoo seemed to lack

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<v Speaker 1>the military genius their legendary ancestor. The Kingdom of Mali

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<v Speaker 1>finally fell to the Moroccan Empire in fifteen ninety nine,

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<v Speaker 1>before eventually falling into the hands of colonizing French forces

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<v Speaker 1>in the early twentieth century. The people of Mali didn't

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<v Speaker 1>regain independence until nineteen sixty, and the nation has seen

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<v Speaker 1>a lots of conflict since then. It's a sad history,

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<v Speaker 1>but for those who are curious enough, we can look

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<v Speaker 1>back into history and find a time when Mali ruled

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<v Speaker 1>all of West Africa and one of the richest men

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<v Speaker 1>of all time handed out gold like candy. I hope

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<v Speaker 1>you enjoyed today's guided tour through the cabinet of Curiosities.

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<v Speaker 1>This show was created by me Aaron Mankey in partnership

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<v Speaker 1>with iHeart Podcasts, researched and written by the Grim and

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<v Speaker 1>Mild team, and produced by Jesse Funk. Learn more about

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<v Speaker 1>the show and the people who make it over at

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<v Speaker 1>Grimandmild dot com slash Curiosities. You'll also find a link

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<v Speaker 1>to the official Cabinet of Curiosities hardcover book, available in

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<v Speaker 1>bookstores and online, as well as ebook and audiobook. And

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<v Speaker 1>if you're looking for an ad free option, consider joining

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<v Speaker 1>our Patreon. It's all the same stories, but without the

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<v Speaker 1>interruption for a small monthly fee. Learn more and sign

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<v Speaker 1>up over at patreon dot com slash Grimandmild, and until

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<v Speaker 1>next time, stay curious.