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Speaker 1: Transmitting good morning, Welcome to Wednesday Show Morning Studio. Morning.

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Speaker 1: All right, coming up in just a second, Dylan Scott

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Speaker 1: will perform for us. Hit It Ray. Yeah, that's fine.

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Speaker 1: He's gonna perform right here from this stage. You guys

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Speaker 1: hang out for that. First, Let's go over and open

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Speaker 1: up the mailbag a year get something we call Bobby's

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Speaker 1: mail Bag Year. Hello, Bobby, my ten year old son's

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Speaker 1: enjoying playing soccer. His team's doing pretty well. Last year

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Speaker 1: they made it to the regional finals, and this year

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Speaker 1: it looks like they'll probably make state. We've taken a

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Speaker 1: practice two or three times a week. They have a

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Speaker 1: game at least once every two weeks. Many of the

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Speaker 1: games are also out of town. We have a younger

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Speaker 1: child who comes with us to those. The whole thing

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Speaker 1: has become a huge time spun and it's costing us

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Speaker 1: quite a bit of money. I don't want to disappoint

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Speaker 1: our son, but there's only so much time and money

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Speaker 1: I'm willing to put towards his hobby. Am I a

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Speaker 1: bad parent? How do other parents handle this? Well, that's

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Speaker 1: a great question. We have a lot of parents who

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Speaker 1: have kids playing sports. Ammy, what's your advice. Yeah, I mean,

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Speaker 1: if it's too much of a time suck, you might

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Speaker 1: have to set some boundaries it's a bummer or figure

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Speaker 1: out for car pooling, talking with other people on the team,

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Speaker 1: making sure that you can still get it done. But

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Speaker 1: then you have to have a budget for sports and

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Speaker 1: hobbies too. It is a real tough thing, as aharent,

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Speaker 1: So I feel for her on this, like I feel

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Speaker 1: like we're the school year. We're going to get sucked

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Speaker 1: into this sponge and we're going to have to create

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Speaker 1: some boundaries. And I've had to tell my kids, you

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Speaker 1: got to make a decision on this. We can't do everything.

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Speaker 1: Let's go over to Eddie also known as Octomom. Got

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Speaker 1: a lot of kids, four of them. Yes, yeah, so

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Speaker 1: hold on, did you say that this they may win state? Exactly. Guys,

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Speaker 1: that's the key word here. You have to stop everything

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Speaker 1: you're doing and focus in on this soccer team because

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Speaker 1: your child could support you for the rest of your

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Speaker 1: life if he becomes a major league soccer an American

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Speaker 1: World Cup team soccer player. Guys, you don't have to

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Speaker 1: do anything for the rest of your life. They'll buy

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Speaker 1: you a house, they'll take care of you for the

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Speaker 1: rest of I mean, this is what it's about, the

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Speaker 1: fact that this child is showing so much promise in

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Speaker 1: a sport, loves the sport, is so good at it,

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Speaker 1: this team could win State man, drop everything you're doing

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Speaker 1: and support him. She did say the team, not her

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Speaker 1: kid is great. I don't know any specifics there, and

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Speaker 1: she has other children, so you say drop everything. Makes

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Speaker 1: a difference though, in because I played travel ball, and

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Speaker 1: if we weren't good, I couldn't have gone to a

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Speaker 1: lot of stuff because people wouldn't have cared enough to

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Speaker 1: make sure that I could go to stuff. Right, we

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Speaker 1: were good, so we're able to raise money all easier,

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Speaker 1: and people like, well, it's a good team, so let's

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Speaker 1: make sure they get to play, right, So I think

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Speaker 1: it's it's a good team. It has affected a little

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Speaker 1: bit now if the kid is like not as good

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Speaker 1: as the team, he's just kind of riding along, and

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Speaker 1: you notice that then say, hey, but we can't do

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Speaker 1: it anymore. Well, I would say, if the kid only

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Speaker 1: shows medium interest on a good team, yeah you give that,

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Speaker 1: you give medium to above medium interest. But what I'm

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Speaker 1: saying is like, if he's on the team but he

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Speaker 1: never plays but I don't think that's it. I don't

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Speaker 1: think that's it. I think a big part of life

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Speaker 1: is being on the team and never playing, and how

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Speaker 1: do you act and react when there's adversity. So I'm

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Speaker 1: okay with that part of it. I'm not okay with

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Speaker 1: if they're not interested. Yeah, because you can grow and

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Speaker 1: develop and can get smarter. That's terrible. That's actually terrible

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Speaker 1: if it's like they don't care ben player. But what

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Speaker 1: if they love it. They sit the bench, but they

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Speaker 1: want to be a part of it and they get

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Speaker 1: to love You can put a bench in the backyard. Yeah,

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Speaker 1: but they're a part of the team that's winning. It's easy.

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Speaker 1: You got to do everything you can for this kid

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Speaker 1: to play soccer because listen, you wouldn't you stop him

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Speaker 1: from doing his homework because he has a lot of homework. No,

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Speaker 1: you gotta you gotta do everything you can. This could

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Speaker 1: be his future. Maybe he's not gonna be a CEO.

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Speaker 1: Maybe he's gonna be a soccer player. Hey, there's this

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Speaker 1: thing called go fund me or elimonade. Stand. Guess what

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Speaker 1: people love to do. They love to give money to

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Speaker 1: kids that are trying to play sports. So put them

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Speaker 1: out there on eliminade stand. Tell the news, Hey, my

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Speaker 1: kids raising money to win state. Guess what the whole

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Speaker 1: neighborhood two thousand bucks go to state. Yeah, you jumped.

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Speaker 1: You jumped a lot of places there. This is what

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Speaker 1: I would say to this. If the kid is just

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Speaker 1: die hard practices all the time, I don't care how

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Speaker 1: good he is right now. There's a lot of players

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Speaker 1: that develop into really amazing players aren't always the best

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Speaker 1: when they're young. But if the kid is die hard working,

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Speaker 1: still getting his grades in practicing passionate, I think that's

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Speaker 1: how you make your decision more than what these knuckleheads

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Speaker 1: are saying. The odds of Van being a CEO far greater,

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Speaker 1: unless the odds of Van being a high ranking executive

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Speaker 1: far greater than playing a professional sports. If he's about

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Speaker 1: to win state at ten, he's got talent unless he's

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Speaker 1: sitting on the bench. Okay, anyway, I say, I understand

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Speaker 1: you absolutely need to budget, absolutely need to set your

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Speaker 1: strength to make sure the other kids feel their love.

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Speaker 1: But I would also base it on how passionate the

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Speaker 1: kid is about it. I don't think he's got to

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Speaker 1: be a plus star of the team. I think he's

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Speaker 1: got to have a passion though, if you're gonna have

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Speaker 1: to go and carry his a all around the state. Yeah,

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Speaker 1: there you go. I like that. There you go. All right.

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Speaker 1: Dylan Scott coming in next and that's it. He's gonna

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Speaker 1: be awesome. He's bring into the tarts early in the morning.

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Speaker 1: He's gonna sing his face off. We're gonna talk about

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Speaker 1: Dylan Scott and we'll talk to Dylan just second. But

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Speaker 1: Dylan Scott's got two number one songs. Probably know this one.

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Speaker 1: It's called My Girl. Yeah, that's fine girl in his

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Speaker 1: other one's called Nobody Girl. No. Yeah. He was the

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Speaker 1: CMT Music Or Winner for Breakthrough Video of the Year

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Speaker 1: for that song. Right there. He's got over a billion

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Speaker 1: streams and he has big muscles. All right, here we go,

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Speaker 1: well he does. All right, Here we go with Dylan

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Speaker 1: Scott on the Bobby Bones Show. Now, Dylan Scott, Dylan,

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Speaker 1: I want to ask you a personal question. If that's okay,

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Speaker 1: you go with that. I'm good with it. Wide open,

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Speaker 1: rib cage open, it's open. I was noticing on your

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Speaker 1: phone you have something written on your your home screen. Yeah,

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Speaker 1: what what is that? Man? It's just like, uh, it's

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Speaker 1: it's things I want life, you know, headline arenas. Yes, right,

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Speaker 1: well do you know what it's basically a little arena

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Speaker 1: we're in, right, yeah, sure, this is the arena. I

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Speaker 1: love it. I wrote and my my second book, Fell

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Speaker 1: Until You Don't, I wrote that. I do that a lot.

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Speaker 1: I keep it on a lock screen because what do

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Speaker 1: you look at more your phone then your lock screen

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Speaker 1: on your phone. And I was at home and I

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Speaker 1: didn't even know you did that. I was at home

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Speaker 1: a few weeks ago. No, you read the book to

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Speaker 1: say that. Yeah, well the book. Yeah, of course, yeah,

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Speaker 1: I'm gonna read the book. I just get you gotta

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Speaker 1: give me one first though. Um. I was at home

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Speaker 1: late a few weeks ago, late at night, and my

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Speaker 1: family was asleep, and I was just sitting there thinking

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Speaker 1: that same thing. I was like, man, I'm always whether

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Speaker 1: I know I'm gonna do it or not, you catch

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Speaker 1: yourself opening your phone for no reason. I was like,

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Speaker 1: you know what, I'm gonna put what I want right here,

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Speaker 1: so every time I open it, it's there. I love.

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Speaker 1: I used to it at the fridge, and now I

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Speaker 1: do it my phone. I just go get bored and

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Speaker 1: open open the fridge and and be like, well, I

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Speaker 1: don't know why I'm here, not even hungry, just bored.

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Speaker 1: Now that's where I spend my time on my phone.

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Speaker 1: That's all. I like that. And I hope our listeners.

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Speaker 1: You know, it doesn't have to be a crazy uh.

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Speaker 1: It doesn't have to beat some goal like playing Arenas

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Speaker 1: that's a massive goal. I think you'll get there. You're

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Speaker 1: killing it. I think that's all. But it can be. Yeah.

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Speaker 1: And it's it's being more attentive as a dad. Yeah,

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Speaker 1: And I've got stuff like this is you know, put

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Speaker 1: my phone down, spend more time with my kids. So

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Speaker 1: you pick up your phone, put your phone down, put

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Speaker 1: it back down, say I'm pick it up, and spend

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Speaker 1: more time when you like, get off your phone, spend

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Speaker 1: telling your kids. And there it is. So I love

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Speaker 1: like all seriousness. I love it because I subscribe to

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Speaker 1: that method. Two. That's super cool. Man, Yeah, man, would

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Speaker 1: you because you're so good when you perform in the studio,

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Speaker 1: would you give us like a verse and a chorus

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Speaker 1: of New Truck your current single? Yeah, he regret if

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Speaker 1: you're looking, you're in alone. I need a new true

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Speaker 1: that's good. Good, it's good like it. So that's Dylan

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Speaker 1: Sky by the way. That is not record in the studio.

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Speaker 1: That is live right there, no no special effects. Yeah,

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Speaker 1: he sound great man, especially for early in the morning.

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Speaker 1: His new album is out. It's out this week. Pretty pumped,

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Speaker 1: I mean's always a big deals, like having a baby. Dude,

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Speaker 1: I'm so excited. This is my second album. I've been

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Speaker 1: in this town ten years. It was four years ago,

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Speaker 1: or at least my first album. So it's been four

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Speaker 1: years since my last album, my last body of work,

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Speaker 1: and I'm just pumped, man, I feel really good about it.

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Speaker 1: So New Truck is the very first track on the record.

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Speaker 1: The second track is amen to that. Now we've got

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Speaker 1: two options here, yep, do you know that one? I

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Speaker 1: could play a little bit of it because I can

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Speaker 1: play a clip of it, or you can give us

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Speaker 1: down a dirty Dylan. I don't know. I don't know

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Speaker 1: what that means. You don't play you gonna play a

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Speaker 1: little bit of it? Yeah, there's some of its amen

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Speaker 1: to that go ahead means I'm talking about Dang Morgan Walla,

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Speaker 1: one of the writers on that song. Yeah, pretty cool.

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Speaker 1: How'd you get that song? I don't know how I

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Speaker 1: got that song? Man Morgan should have recorded that song. Um.

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Speaker 1: It was just sent to me in a body of work,

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Speaker 1: and I fell in love with it the moment I

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Speaker 1: heard it. And this is one of those songs I've

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Speaker 1: had for probably three years now. That's just the first

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Speaker 1: two trip. If you think that that's only two tracks,

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Speaker 1: the first two, that's how good the record is. The

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Speaker 1: entire record, I hope you guys check it out's called

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Speaker 1: Living My Best Life. It came out on Friday. Um.

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Speaker 1: So radio stations used to do this really lame thing

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Speaker 1: where they would have an artist and they'd go, um,

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Speaker 1: they'd say, okay, if you're gonna record it, we want

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Speaker 1: you to address us specifically in the song. And so

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Speaker 1: like Zach Brown band had to do it once way

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Speaker 1: when they started and be like, um, I don't remember

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Speaker 1: what it was, but like chicken Fried here into Uscaloosa.

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Speaker 1: But they would hurt. There would be like Pete Pablo,

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Speaker 1: like all radio stations everywhere at w and they have

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Speaker 1: them insert that radio station and they'd sent in a studio.

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Speaker 1: And I always hated that they made artists personalized things

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Speaker 1: for They made artists, Yeah, do that, So anyway would

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Speaker 1: you do razorback hat instead of yeah, just for the

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Speaker 1: first part of that, yeah, personalized. Yeah, here we go.

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Speaker 1: I forgive a part. It was Rocky Top hat. The

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Speaker 1: line that amen to that the first part. Just don't

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Speaker 1: say rocky Top. You just say razorback when it comes out.

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Speaker 1: But good. I can't do that though. Man, I'm an

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Speaker 1: lsu Fann, but you're not a Tennessee fan. And you

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Speaker 1: said a Rocky Top hat, So I didn't want to

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Speaker 1: point like you said. I didn't really want to personalize

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Speaker 1: it to myself for that. You know, it was it's

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Speaker 1: good Rocky Top one the time you heard Rocky Top hat.

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Speaker 1: I mean a lot of living to see everywhere. But

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Speaker 1: all I'm saying is a razorback hat would have been nice.

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Speaker 1: But okay, we'll play the song lest okay, send it

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Speaker 1: to you. I'll do a voicemail and send it to

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Speaker 1: you tonight. Don't even do it. Dylan Scott is here.

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Speaker 1: Do you want to pick another new song that you're loving?

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Speaker 1: To play a little clip of that right here on

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Speaker 1: the guitar. Yeah, we do that. Do you know what

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Speaker 1: you want to do? Yeah, let's do it, all right.

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Speaker 1: Dylan Scott didn give us one more? Which song? Give

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Speaker 1: us a new song here, tell us about it before

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Speaker 1: you play. Um, why don't we do? Uh? I got one? Oh?

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Speaker 1: Yeah one. This is probably one of my favorite songs

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Speaker 1: off this album. Um, one of them. It's hard to pick,

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Speaker 1: I know, but this song here, another one I did

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Speaker 1: not write. There's too many great songs in this town.

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Speaker 1: What's it called. It's called tough Okay, it's called tough man,

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Speaker 1: and it's about a dad talking. It's my favorite, we

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Speaker 1: my favorite. This is one of them story songs you

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Speaker 1: gotta listen to. I'll do a verse of chorus for

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Speaker 1: that's what you want. But if you listen to this album,

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Speaker 1: you gotta listen to it all the way. You're telling

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Speaker 1: me that if we listen to the album, we hear

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Speaker 1: the entire tough song. Right, all right, let's go good

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Speaker 1: love being too. That's a good one man. I like

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Speaker 1: to play out your truck line. I love that line.

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Speaker 1: That's like, and that's a good song. But the whole

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Speaker 1: time I was like, that's yeah, that's like relatable and

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Speaker 1: true and yeah, So second verse goes, don't talk about

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Speaker 1: you know, don't spoiler spoiler alert. Listen to the album.

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Speaker 1: That's the goal here, uh, Dylan Scott's here. I mean

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Speaker 1: I can I can feel our listeners going, oh, I

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Speaker 1: really like this guy. This is good. And I do

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Speaker 1: have a couple of comments on positive comments about your wife.

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Speaker 1: She's a social media she's awesome. Yeah, yeah, she's awesome.

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Speaker 1: So social media. I don't know that part. I don't know.

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Speaker 1: I don't know. On the Bobby Bones Show, now, Dylan Scott.

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Speaker 1: So the album is out, it's awesome. It's called Living

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Speaker 1: My Best Life. Dylan Scott is here with us, and

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Speaker 1: I do want to talk about your wife. And I

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Speaker 1: feel like, you know, sometimes Dylan, you have friends and

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Speaker 1: you don't really talk to them human form a whole lot,

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Speaker 1: but you keep up with them on social media. So

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Speaker 1: even when you do talk, you don't feel like a

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Speaker 1: lot of times past do you ever do that? Yeah,

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Speaker 1: I mean I do all the time my friends, but

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Speaker 1: I almost feel like that with you a little bit

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Speaker 1: in that I watched on social media and I think

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Speaker 1: could be wrong here the song you played a second ago,

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Speaker 1: the second song that you played, which is tryed to Hell. Yeah,

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Speaker 1: I think I saw you play that on Instagram. I'm live,

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Speaker 1: did I Yeah, So that's how that song is familiar

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Speaker 1: to me. Because I'm obsessed with you. Where it is?

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Speaker 1: I said it so, but I was watching a clip

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Speaker 1: of your wife rap and I think it was on

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Speaker 1: the end part of a Lincoln it's a Lincoln Park. Yeah,

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Speaker 1: I think it was Lincoln Park. She's uh, she is, um,

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Speaker 1: she's she's very shy, but I get her. I get

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Speaker 1: her on the phone and I video or without her

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Speaker 1: knowing it, I put it out there for the world

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Speaker 1: to see. But she's school with that. She well, she is,

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Speaker 1: but she ain't. She's awesome. Yeah, she is. Man, she's

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Speaker 1: so cool. So you know, you your dad, you're an artist.

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Speaker 1: You tore alize like I'm assuming that she's kind of

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Speaker 1: the rock and the family because she's got to do

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Speaker 1: it all, especially when you're not home. Yeah, she's the

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Speaker 1: rock star for sure. She stay at home mom and um,

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Speaker 1: you know it's crazy. So I've been with my wife's

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Speaker 1: I was fifteen years old a long time. Seventh grade right, Yeah,

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Speaker 1: well we met in seventh grade, started dating like first

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Speaker 1: high school. But she's known like my dreams and my

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Speaker 1: goals this whole time. And so I mean, dude, it

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Speaker 1: don't matter if I come home for a day and

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Speaker 1: I'm like spur of the moment. Oh, I gotta get

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Speaker 1: back out and go again. Like she never gives me

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Speaker 1: a hard time, never gives me a hard time about

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Speaker 1: she's so tired, like the kids are wearing me now.

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Speaker 1: Never gives me a hard time, And like I respect that.

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Speaker 1: I mean, she's she's awesome. What is there to do

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Speaker 1: in bash Up Louisiana. Nothing, it's a nothing to do? Okay,

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Speaker 1: But if you were to you're gonna go to If

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Speaker 1: you're gonna go to Bashp Louisiana, the town that I

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Speaker 1: grew up, what is there there's I mean there's nothing.

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Speaker 1: Used to be a meal, but I mean there's there's

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Speaker 1: a really cool courthouse square that I think you should

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Speaker 1: get there early and eat the breakfast at this place

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Speaker 1: called Pete's. Eat a bite now we're talking. If you

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Speaker 1: get there at lunch, go to Sladen's Barbecue. Other than that,

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Speaker 1: just have two restaurants. Well yeah, a little more in that,

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Speaker 1: but that's the only two I recommend. But otherwise you

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Speaker 1: just pass on through and just keep on going. So

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Speaker 1: it's uh, Basha Louisiana. What's the population there? It used

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Speaker 1: to be like twelve thousand. I bet it's probably six

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Speaker 1: Now ever, go back, I do. Yeah, yeah, I actually

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Speaker 1: built a house there. Um, we finished it a couple

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Speaker 1: of years ago, and then you know, we sold it

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Speaker 1: a probably two months ago. Now. My mom died back

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Speaker 1: in December, and I was like, babe, you know, my

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Speaker 1: dad's gonna move away, Like we don't really need to,

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Speaker 1: you know, we'll go back for Christmas and this this now,

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Speaker 1: but we don't need a house there. We don't need

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Speaker 1: to be there because we're here and if I'm not here,

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Speaker 1: I'm touring. So yeah, we sold it Basher, Louisiana. Where's

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Speaker 1: it in the state, Like northeast Louisiana. You got boats there,

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Speaker 1: like gambling boats anywhere near? What kind of boats? Gambling boats? Gambling?

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Speaker 1: But well, Vicksburg, Mississippi's not too far. Tim mc grawl

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Speaker 1: grew up about thirty minutes from there. That's a cool

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Speaker 1: I heard there was a clip of you saying you'd

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Speaker 1: never met him. Never met Tim? Yeah, I know where

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Speaker 1: he lives. Would you like me as yeah? Crazy, Like

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Speaker 1: I grew up in a town that's thirty minutes from Tim.

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Speaker 1: We grew up probably about the same way. And I

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Speaker 1: mean he's a little bit older than I am. Obviously,

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Speaker 1: but never met him man. And he's like a huge,

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Speaker 1: huge hero, surprising that you'd never met him yet, especially

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Speaker 1: with the success that you've had. And I'm sure your

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Speaker 1: cross Pats is yeah, you don't have supposed to, but

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Speaker 1: I give you I just passed pass along his story.

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Speaker 1: Josh Turner went up big Johnny Cash fan went knocked

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Speaker 1: on the door, let him in. So I'm just saying,

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Speaker 1: my girl, you know Cash, you know what I'm saying,

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Speaker 1: good going on the door. I mean, I'm saying, he

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Speaker 1: may be there. Dylan Sky is here. I want to

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Speaker 1: play a clip of the title track. So the song

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Speaker 1: is called living My Best Life. Enjoy this song and

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Speaker 1: welcome right back. Here you go. So you co wrote

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Speaker 1: eight of the sixteen songs. But I want to just

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Speaker 1: mention the writers of that U b K. Tyler Hubbard,

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Speaker 1: both in Florida, Georgia, Line Thomas Rhett and Corey Crowder.

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Speaker 1: And so that's a pretty cool song. They say, hey,

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Speaker 1: take this one. Yeah, that's one. So Tyler, he'll send

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Speaker 1: me songs here and there, you know, And that's one

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Speaker 1: of them songs. When I heard it, I was like, man,

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Speaker 1: I'm one. I'm living my best life. Right now, you know,

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Speaker 1: with having a little success and the family and just

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Speaker 1: torn into the country. So I mean that really, spokes man,

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Speaker 1: it was just fun. Man. You know I have a

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Speaker 1: pretty high energy live show. It's like, man, that's a

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Speaker 1: great song, so we have to we have to cut it.

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Speaker 1: Would you play before you live? Just a verse and

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Speaker 1: a chorus of your hit my Girl? Yeah? Here he

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Speaker 1: is everybody, Dylan Scott. Yeah, that's my girl. Dylan Scott

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Speaker 1: A nice shot and a sad few things. His album

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Speaker 1: Living My Best Life it is out now add it

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Speaker 1: to find some songs you like and just add it

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Speaker 1: to your normal streaming. Because every time you play one

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Speaker 1: of his songs, three cents and one step closer to

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Speaker 1: headline and arenus Yeah see there we go. So do that.

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Speaker 1: But go see Dylan as well, because a lot of

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Speaker 1: the places our show is Springfield, Okay, see Pittsburgh, Indie, Milwaukee,

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Speaker 1: Sioux Falls, Oxford, Mississippi. Little Rock he's doing it. You

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Speaker 1: can go to Dylan Scott Country dot com go watch

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Speaker 1: the show. Like you really want to help an artist?

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Speaker 1: Now you want to support an artist, follow on social

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Speaker 1: media at Dylan Scott Country. Go to a show by

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Speaker 1: merch strain their music. You could be a lot of

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Speaker 1: our listeners new favorite artists after today, yet a plus appearance.

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Speaker 1: I don't say that everybody. Yeah, I say that everybody.

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Speaker 1: Just before we came on the air, Dylan's like, I'll

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Speaker 1: do whatever you want. And I was like, well, let's

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Speaker 1: just see what happens. And we saw what happen. He

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Speaker 1: nailed it. He nailed it. Come on, Dylan, Thank you buddy.

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Speaker 1: You guys go see Dylan. Check out the album it

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Speaker 1: is out now, came out this week, and follow him.

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Speaker 1: Dylan Scott Country There he Is. Dylan Scott. The Latest

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Speaker 1: from Nashville and Hollywood More Number two, thirty second. Skinny

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Speaker 1: Garth Brooks will be narrating a new documentary series on

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Speaker 1: national geographic called America's National Parks. It will be five

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Speaker 1: episodes airing from August twenty ninth to September second, with

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Speaker 1: new episodes nightly. Dylan Scott's song New Truck is number one.

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Speaker 1: This week. He talked about the fans response to it.

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Speaker 1: I've had people come up and say, hey, yes, I've

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Speaker 1: lived that, you know, especially guys, you know, because it's

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Speaker 1: what's about to guy hop up in his truck and

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Speaker 1: his girlfriend's no longer there, and it's like, man, I

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Speaker 1: gotta get her memory out. But you know, it's always

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Speaker 1: a story. They didn't actually get rid of the truck.

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Speaker 1: That's a pretty pricey move. Tim McGraw empathizes with parents

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Speaker 1: sending their kids off to school. It's tough, for sure,

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Speaker 1: and it's tough when they go away. I mean, I'm

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Speaker 1: a crier anyway. So every time our girls have left

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Speaker 1: and we've dropped them off somewhere, it's always been tough.

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Speaker 1: But you get used to it. You start getting excited

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Speaker 1: about seeing where their career goes and where their life goes.

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Speaker 1: And it's fun to watch them growing to strong, independent

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Speaker 1: young women. I'm Morgan. That's skinny hat. It's time for

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Speaker 1: the good news. YEA. Four years ago, Fred Everett of Tupelo, Mississippi,

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Speaker 1: went to the Humane Association and adopted a cat. Banned

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Speaker 1: it well, that twenty pound cat. Four years later, he's

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Speaker 1: asleep in his bed and the cat jumps on him.

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Speaker 1: Wake up, wake up, wake out, yeow ye out me

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Speaker 1: out and friends like it's the middle of the night.

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Speaker 1: There must be something wrong because he grabs his gun,

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Speaker 1: goes downstairs and there's two guys at the back door

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Speaker 1: trying to break into his house. Wow, I thought it's

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Speaker 1: gonna be a fire. It's people breaking the house. Yeah,

420
00:19:34,880 --> 00:19:37,000
Speaker 1: and one of them had a gun and they saw

421
00:19:37,400 --> 00:19:40,480
Speaker 1: old Fred and bandit and they took off running. And

422
00:19:40,560 --> 00:19:43,240
Speaker 1: Fred said, I think that that cat saved my life.

423
00:19:43,240 --> 00:19:44,919
Speaker 1: I'll tell you what, because they were gonna come in

424
00:19:44,960 --> 00:19:47,479
Speaker 1: with bad intentions. Yeah, that's true. I just didn't think

425
00:19:47,480 --> 00:19:50,800
Speaker 1: cats would do that. Yeah, protect the level cats. But

426
00:19:50,840 --> 00:19:52,399
Speaker 1: I mean usually cats suck when it comes and stuff

427
00:19:52,400 --> 00:19:55,200
Speaker 1: like that. Yeah, just going or usually they just don't

428
00:19:55,240 --> 00:20:01,080
Speaker 1: go near you get all. Yeah, they just like lasagna. Yeah,

429
00:20:01,119 --> 00:20:03,639
Speaker 1: it's a good story. Yeah. I have been wondering if

430
00:20:03,680 --> 00:20:05,720
Speaker 1: my dog wouldever react if anything happened. And the other

431
00:20:05,840 --> 00:20:08,040
Speaker 1: night for the first time, and he's not like three

432
00:20:08,040 --> 00:20:09,480
Speaker 1: times since Stanley came up at the side of the

433
00:20:09,480 --> 00:20:12,159
Speaker 1: bed went ru. Now he knows what time dinner is

434
00:20:12,200 --> 00:20:15,320
Speaker 1: and he lets me know. If we're beyond that, then

435
00:20:15,320 --> 00:20:19,240
Speaker 1: nobody breaking inner dinner. He hads bat bulldog. All right, lunchbox,

436
00:20:19,280 --> 00:20:21,960
Speaker 1: thank you, that is what it's all about. That was

437
00:20:22,000 --> 00:20:26,880
Speaker 1: tell me something good. I love that your son loves football.

438
00:20:27,200 --> 00:20:29,960
Speaker 1: It never played. Now he went to camp No pads,

439
00:20:29,960 --> 00:20:32,360
Speaker 1: and now he wanted to play padded football. You see

440
00:20:32,400 --> 00:20:34,440
Speaker 1: me a video him tackling another kid. Although he was

441
00:20:34,520 --> 00:20:37,200
Speaker 1: using like a jiu jitsu move, it's still it's awesome

442
00:20:37,320 --> 00:20:39,600
Speaker 1: because I'm so excited for him. I know, I was like,

443
00:20:39,680 --> 00:20:41,960
Speaker 1: I don't know if that move is legal for for

444
00:20:42,000 --> 00:20:45,159
Speaker 1: everybody listening. So imagine football, you know, and you know

445
00:20:45,200 --> 00:20:47,320
Speaker 1: I played high school football. And you get an athletic position,

446
00:20:47,640 --> 00:20:49,399
Speaker 1: and you go down and use your arms, and you

447
00:20:49,400 --> 00:20:51,120
Speaker 1: explode up with your arms and you put your head

448
00:20:51,160 --> 00:20:52,800
Speaker 1: in the middle of the chest. You tackle. That's a

449
00:20:52,880 --> 00:20:55,800
Speaker 1: standard tackle. Rarely happens. That's what they train you to do.

450
00:20:56,160 --> 00:20:58,520
Speaker 1: What Amy's son did, it's like he grabbed his jersey,

451
00:20:58,800 --> 00:21:00,600
Speaker 1: then swung his legs behind him and then pulled him

452
00:21:00,600 --> 00:21:02,360
Speaker 1: over his leg. Nice, he's a take down, and that'd

453
00:21:02,359 --> 00:21:05,760
Speaker 1: have been one point on the mat. Is it legal

454
00:21:05,760 --> 00:21:08,000
Speaker 1: in football? Yeah? Okay, cool. He was just tackling the

455
00:21:08,000 --> 00:21:10,160
Speaker 1: guy was running. He had to tackle him. You tackle

456
00:21:10,240 --> 00:21:14,119
Speaker 1: him anyway possible. And so because it was an advertant

457
00:21:14,320 --> 00:21:15,720
Speaker 1: like the legs, I feel like he just did it

458
00:21:15,760 --> 00:21:18,439
Speaker 1: because whatever, it's awesome. I don't care. So, but he

459
00:21:18,480 --> 00:21:21,119
Speaker 1: loves it. Yeah, No, it's amazing. He's pretty into it,

460
00:21:21,160 --> 00:21:24,240
Speaker 1: Like he's already asked for some new cleats because the

461
00:21:24,240 --> 00:21:26,080
Speaker 1: cleats were using and they were handing down from a

462
00:21:26,160 --> 00:21:28,399
Speaker 1: friend because we didn't want to really invest in certain

463
00:21:28,440 --> 00:21:31,040
Speaker 1: things if he wasn't going to really do it. And

464
00:21:31,240 --> 00:21:33,000
Speaker 1: I feel like him asking for his own set of

465
00:21:33,040 --> 00:21:36,600
Speaker 1: cleats is legit. And then also his other equipment like

466
00:21:36,640 --> 00:21:39,840
Speaker 1: the shoulder pads, and he walks that, he keeps it on,

467
00:21:40,200 --> 00:21:42,120
Speaker 1: walks around the house with it, rides in the car

468
00:21:42,200 --> 00:21:44,840
Speaker 1: with it. It's awesome, like you can remove that stuff

469
00:21:44,840 --> 00:21:46,600
Speaker 1: and then put it on. But I think he's really

470
00:21:46,640 --> 00:21:49,480
Speaker 1: liking the gear. Do they have him at a position

471
00:21:49,520 --> 00:21:51,639
Speaker 1: at all yet? So right now they're just going through

472
00:21:51,680 --> 00:21:55,680
Speaker 1: absolute fundamentals. Oh for sure. He literally has had zero

473
00:21:55,760 --> 00:21:58,159
Speaker 1: interest in football before this, so we've had no reason

474
00:21:58,240 --> 00:22:01,199
Speaker 1: to really work on it at all. And so now

475
00:22:01,720 --> 00:22:04,760
Speaker 1: he's in, but he's still they're still evaluating him for

476
00:22:05,000 --> 00:22:07,400
Speaker 1: what team he's going to be put on. It's small, yes,

477
00:22:07,640 --> 00:22:09,960
Speaker 1: it's easy for me to spot him. Yes, And I

478
00:22:10,480 --> 00:22:12,840
Speaker 1: was also very small, especially at his age, so I

479
00:22:12,880 --> 00:22:14,639
Speaker 1: see him and I'm like, dang, that was me. I

480
00:22:14,640 --> 00:22:16,360
Speaker 1: don't want to get hit when I got a little beggar.

481
00:22:16,359 --> 00:22:17,800
Speaker 1: I don't want to get hit, but it's just cool

482
00:22:17,800 --> 00:22:19,840
Speaker 1: to see him being super excited, even giddy about it.

483
00:22:19,840 --> 00:22:21,199
Speaker 1: I know you had said he was giddy, and so

484
00:22:21,240 --> 00:22:22,879
Speaker 1: I thought what we'd do is, what's the last thing

485
00:22:22,920 --> 00:22:25,640
Speaker 1: you were giddy about? Oh? Okay, And for you city

486
00:22:25,680 --> 00:22:29,160
Speaker 1: selectors out there, giddy means like you're just so excited.

487
00:22:29,200 --> 00:22:31,920
Speaker 1: You're just like, oh, I'm so excited, said, every part

488
00:22:31,920 --> 00:22:34,760
Speaker 1: of you is just the excitement of it is just

489
00:22:34,840 --> 00:22:37,280
Speaker 1: coming out of your pores. Last thing you were giddy

490
00:22:37,280 --> 00:22:40,280
Speaker 1: about amy probably when I went to film the Christmas

491
00:22:40,320 --> 00:22:42,960
Speaker 1: movie that I'm in later this year. That was back

492
00:22:43,000 --> 00:22:45,560
Speaker 1: in May, and honestly, when I think about it, I

493
00:22:45,640 --> 00:22:48,159
Speaker 1: still get giddy, Like I still can feel that feeling

494
00:22:48,200 --> 00:22:50,000
Speaker 1: from that day when we filmed and I was on

495
00:22:50,040 --> 00:22:53,560
Speaker 1: set for fourteen hours, giddy the entire time. Good for

496
00:22:53,640 --> 00:22:55,720
Speaker 1: you for being able to enjoy it, because I don't

497
00:22:55,800 --> 00:22:58,440
Speaker 1: enjoy anything before or while I'm doing it. I only

498
00:22:58,520 --> 00:23:00,040
Speaker 1: enjoy it after it's done and if I did a

499
00:23:00,119 --> 00:23:02,520
Speaker 1: good job, and that's rare. So that's why I don't

500
00:23:02,640 --> 00:23:07,520
Speaker 1: enjoy much. I know, I know, But good for you.

501
00:23:07,560 --> 00:23:09,119
Speaker 1: I'm saying that's good that you can enjoy it pre

502
00:23:09,359 --> 00:23:12,040
Speaker 1: and during. Yeah, well, when it comes out later this year,

503
00:23:12,080 --> 00:23:14,879
Speaker 1: I'll probably be a little nervous and not you know,

504
00:23:15,080 --> 00:23:17,439
Speaker 1: as giddy, but it's still cool that I got to

505
00:23:17,440 --> 00:23:18,879
Speaker 1: do it. Do you have an idea of when it

506
00:23:18,920 --> 00:23:24,160
Speaker 1: comes out after Thanksgiving? Hbo, Max, So today's a tenth August,

507
00:23:24,160 --> 00:23:30,159
Speaker 1: tenth September, October and three. Have you had to do

508
00:23:30,200 --> 00:23:34,040
Speaker 1: any post production? Yes? Uh huh. They sent They sent

509
00:23:34,359 --> 00:23:36,639
Speaker 1: some video clips of it, and I had to watch

510
00:23:36,640 --> 00:23:38,680
Speaker 1: it for tone because they wanted me to do a

511
00:23:38,760 --> 00:23:41,679
Speaker 1: voiceover but in the same tone. And it took me

512
00:23:41,760 --> 00:23:43,880
Speaker 1: five days to open the file because I didn't want

513
00:23:43,880 --> 00:23:46,280
Speaker 1: to look at myself. And then finally they sent an email,

514
00:23:46,440 --> 00:23:48,959
Speaker 1: hey have you done that work yet? And I was like, oh, shoot,

515
00:23:49,000 --> 00:23:50,520
Speaker 1: I'll do it today. What do you think when you

516
00:23:50,560 --> 00:23:52,199
Speaker 1: saw yourself? So I did it here at the studio.

517
00:23:52,520 --> 00:23:59,840
Speaker 1: Oh I man, no, I listen it is. I'm not

518
00:23:59,840 --> 00:24:03,120
Speaker 1: a natress, but they made me feel like I was one.

519
00:24:03,560 --> 00:24:06,080
Speaker 1: So that's nice. Okay, Lunchbox, last thing you were giddy about.

520
00:24:06,119 --> 00:24:09,520
Speaker 1: I remember like it was yesterday, Friday, July twenty ninth,

521
00:24:09,760 --> 00:24:13,879
Speaker 1: about nine thirty pm, thirty minutes away from being a billionaire.

522
00:24:14,240 --> 00:24:16,280
Speaker 1: As the Mega millions was about to be drawn, I

523
00:24:16,320 --> 00:24:18,600
Speaker 1: sat there on my couch, just sitting there, going, this

524
00:24:19,040 --> 00:24:21,560
Speaker 1: is it, this is when I strike it rich? And

525
00:24:21,680 --> 00:24:25,000
Speaker 1: by ten fifteen pm I was depressed. You were giddy

526
00:24:25,000 --> 00:24:27,480
Speaker 1: about something that probably wasn't gonna happen, Like what are

527
00:24:27,480 --> 00:24:29,520
Speaker 1: were you giddy about that happened or that you knew

528
00:24:29,640 --> 00:24:33,199
Speaker 1: was happening? No, no, that was going to happen. Like

529
00:24:33,280 --> 00:24:39,320
Speaker 1: I was giddy because you fair anticipating, Eddie. I get

530
00:24:39,359 --> 00:24:41,480
Speaker 1: giddy every time I'm going to play golf, like the

531
00:24:41,560 --> 00:24:44,080
Speaker 1: night before I put I get my clothes out, like

532
00:24:44,119 --> 00:24:46,600
Speaker 1: my shirt and i'd out, and my shorts and everything

533
00:24:46,640 --> 00:24:48,520
Speaker 1: and my shoes I don't know, and then I play

534
00:24:48,560 --> 00:24:51,160
Speaker 1: a bad round and then I'm upset and like, haything

535
00:24:51,160 --> 00:24:53,600
Speaker 1: about it. I'm never gonna giddy again. Y'all play every

536
00:24:53,640 --> 00:24:56,320
Speaker 1: week and you still get getty. If I know I'm

537
00:24:56,320 --> 00:24:59,040
Speaker 1: gonna play golf tomorrow, I'm like, cannot wait. Yeah, it's

538
00:24:59,040 --> 00:25:01,600
Speaker 1: super fun. It's not even the game is super fun. Yeah,

539
00:25:01,640 --> 00:25:03,919
Speaker 1: it is mamaraderie. Being able to hang out with your friends.

540
00:25:04,480 --> 00:25:07,200
Speaker 1: It's really hot, though. That sucks um and away from

541
00:25:07,200 --> 00:25:09,800
Speaker 1: life for four hours for me, yeah, no, because I

542
00:25:09,880 --> 00:25:12,680
Speaker 1: still keep I still roll on mine. Well, Eddie goes yeah.

543
00:25:15,040 --> 00:25:17,960
Speaker 1: For me, though, it is like something that I am

544
00:25:18,000 --> 00:25:19,919
Speaker 1: not good at that I can always keep working on.

545
00:25:20,040 --> 00:25:22,879
Speaker 1: Like I like that challenge, and so that's why I

546
00:25:22,880 --> 00:25:25,280
Speaker 1: like it. I think for me, it's that constant challenge,

547
00:25:25,359 --> 00:25:26,640
Speaker 1: like I get better, but then I get way worse

548
00:25:26,680 --> 00:25:29,240
Speaker 1: through it again, and I'm wait, what just happened? Mine

549
00:25:29,320 --> 00:25:33,159
Speaker 1: is probably whenever I was going up to Fable, Arkansas,

550
00:25:33,240 --> 00:25:34,639
Speaker 1: I was going to speak as they were giving me

551
00:25:34,680 --> 00:25:38,639
Speaker 1: my my honorary doctorate. What did you say before that

552
00:25:39,119 --> 00:25:43,560
Speaker 1: my doctorate? Got it? Yes, doctorate? But that was pretty

553
00:25:43,560 --> 00:25:47,080
Speaker 1: awesome to me. As you know, I'm I have trouble

554
00:25:47,200 --> 00:25:49,800
Speaker 1: getting getting excited about stuff. That's probably just some childhood

555
00:25:49,800 --> 00:25:52,159
Speaker 1: trauma that that keeps me from feeling like things are

556
00:25:52,160 --> 00:25:53,760
Speaker 1: gonna go well. But that was one where I was like,

557
00:25:53,800 --> 00:25:55,280
Speaker 1: this is the coolest thing. It really is the coolest thing.

558
00:25:55,280 --> 00:25:57,280
Speaker 1: I'm so proud of it. And that was it. And

559
00:25:57,320 --> 00:25:59,520
Speaker 1: since then something I having an announce on the show.

560
00:25:59,560 --> 00:26:01,920
Speaker 1: But I hope you guys don't take this the wrong way.

561
00:26:02,080 --> 00:26:04,440
Speaker 1: But every Thursday I go and deliver babies a Vanderbilt.

562
00:26:04,440 --> 00:26:09,880
Speaker 1: Now wow, look at you. I don't, by the way,

563
00:26:10,119 --> 00:26:11,960
Speaker 1: in case anybody wants to hit me out, I'm just kidding,

564
00:26:12,200 --> 00:26:15,199
Speaker 1: is it, Joe. I will tell your son. I'll tell him.

565
00:26:15,320 --> 00:26:17,359
Speaker 1: But it's awesome, Like, just keep telling him it's awesome,

566
00:26:18,080 --> 00:26:20,040
Speaker 1: and it's gonna hurt and he's gonna have days where

567
00:26:20,359 --> 00:26:22,960
Speaker 1: it's not for him, but that's just keep going. Next day,

568
00:26:23,040 --> 00:26:25,840
Speaker 1: next Yeah, he's already got tackled. I mean, you know,

569
00:26:26,200 --> 00:26:28,280
Speaker 1: or been tackled. I don't know what you say, but

570
00:26:28,400 --> 00:26:31,040
Speaker 1: like where he's been taken down and he's like, but

571
00:26:31,080 --> 00:26:32,800
Speaker 1: don't I he goes. I. I went full. I went

572
00:26:32,840 --> 00:26:34,560
Speaker 1: all in because I guess if you don't go all in,

573
00:26:34,560 --> 00:26:39,320
Speaker 1: that's when it hurts more. It just depends. It just depends.

574
00:26:39,480 --> 00:26:41,920
Speaker 1: Sometimes you're all in and it hurts real man, when

575
00:26:41,960 --> 00:26:44,320
Speaker 1: you see a white light. Well, I mean I was

576
00:26:44,400 --> 00:26:45,800
Speaker 1: hit so hard a couple times where you'd see like

577
00:26:45,800 --> 00:26:47,920
Speaker 1: three yard line markers and we didn't really know it

578
00:26:47,960 --> 00:26:49,840
Speaker 1: was concussion stuff at the time. I don't want that.

579
00:26:50,000 --> 00:26:53,800
Speaker 1: Well it happens, Hopefully it doesn't happen to him. But

580
00:26:54,280 --> 00:26:57,560
Speaker 1: nothing taught me discipline, like playing high school football DA

581
00:26:57,560 --> 00:27:00,080
Speaker 1: because I didn't have it with parents. Nothing taught me.

582
00:27:00,160 --> 00:27:01,960
Speaker 1: I mean that was such a big part. Nothing taught

583
00:27:01,960 --> 00:27:05,080
Speaker 1: me teamwork, nothing taught me fighting adversity. Nothing taught me like,

584
00:27:05,080 --> 00:27:06,639
Speaker 1: you don't get your way just because you want it.

585
00:27:06,720 --> 00:27:07,760
Speaker 1: You can want it all day long, but if you

586
00:27:07,760 --> 00:27:09,280
Speaker 1: don't put the work into it, you're not gonna get it.

587
00:27:09,680 --> 00:27:11,760
Speaker 1: Football is that for me? Yeah, that's another cool part

588
00:27:11,760 --> 00:27:14,400
Speaker 1: of seeing huddle around with other guys, and other guys

589
00:27:14,440 --> 00:27:16,199
Speaker 1: like hitting him on the shoulder and patting him and

590
00:27:16,240 --> 00:27:18,600
Speaker 1: being like, good job, dude or whatever, like it's cute

591
00:27:18,600 --> 00:27:24,600
Speaker 1: in the showers. Well they don't take showers. Yeah, I'm

592
00:27:24,640 --> 00:27:28,960
Speaker 1: just kidding. All right, about to talk to Richard Marx.

593
00:27:30,119 --> 00:27:33,000
Speaker 1: I will be ready waiting for you at jam right

594
00:27:33,040 --> 00:27:41,560
Speaker 1: there wherever you cool. So many hits in the eighties, Eddie,

595
00:27:41,560 --> 00:27:43,960
Speaker 1: what's your favorite? Hold on to the Night? Yeah, hold

596
00:27:44,000 --> 00:27:47,840
Speaker 1: on to the night. It's a jam. He's also written

597
00:27:47,880 --> 00:27:50,480
Speaker 1: so many songs for others, for example, in sync this

598
00:27:50,600 --> 00:27:59,080
Speaker 1: I Promise You This prom a few number ones for

599
00:27:59,200 --> 00:28:06,720
Speaker 1: Keith Urban from Keith Urban played Better Life or He

600
00:28:06,720 --> 00:28:08,600
Speaker 1: also wrote Long Hot Summer with Keith Urban. Here you

601
00:28:08,640 --> 00:28:13,480
Speaker 1: go He's gonna be that's yeah. Oh yeah, he's got

602
00:28:13,520 --> 00:28:16,280
Speaker 1: like two careers an individual. If you separate him, you'll

603
00:28:16,320 --> 00:28:18,040
Speaker 1: be like that guy's awesome. But he's done it. Wow,

604
00:28:18,119 --> 00:28:20,920
Speaker 1: he's still doing it. So Richard Mars, we're having him

605
00:28:20,920 --> 00:28:23,760
Speaker 1: on because he reposted Abby's Instagram with her singing, So

606
00:28:23,760 --> 00:28:25,520
Speaker 1: we're gonna get to that all right. Here we go

607
00:28:25,600 --> 00:28:31,320
Speaker 1: with Richard Marks on the Bobby Bones Show. Now, Mars, Hey, Richard,

608
00:28:31,320 --> 00:28:33,840
Speaker 1: how are you? I'm good? How are you? Guys? Hey?

609
00:28:33,880 --> 00:28:36,520
Speaker 1: I appreciate your time this morning. Hey, do your friends

610
00:28:36,560 --> 00:28:40,400
Speaker 1: call you Richard? Seems pretty formal? What do they call you? Dick? Now?

611
00:28:40,440 --> 00:28:45,000
Speaker 1: I'm just kidding here, I was laughing. Att't hear what

612
00:28:45,080 --> 00:28:48,600
Speaker 1: you said? What did you say? I said Dick? But yeah,

613
00:28:48,600 --> 00:28:50,800
Speaker 1: you can call me Richard. No my friends, my friends

614
00:28:51,000 --> 00:28:54,960
Speaker 1: all call me Ricardo. But we're not friends yet. We

615
00:28:55,000 --> 00:28:56,560
Speaker 1: have to see how this goes. Yeah, yeah, I like

616
00:28:56,640 --> 00:28:59,640
Speaker 1: that because I still have maybe some reservations about you myself.

617
00:28:59,680 --> 00:29:01,640
Speaker 1: So we'll see where this goes. Hey, what are you

618
00:29:01,640 --> 00:29:03,160
Speaker 1: making over there? Here's some ice? What? What? What you

619
00:29:03,200 --> 00:29:06,680
Speaker 1: got a little morning cocktail? I'm making a little morning ice.

620
00:29:06,840 --> 00:29:10,320
Speaker 1: Macha you make that you have a fancy. So you're

621
00:29:10,400 --> 00:29:12,640
Speaker 1: rich and famous and talented and good looking and all

622
00:29:12,640 --> 00:29:16,320
Speaker 1: the things. So do you have a famous well yeah, yeah, yeah,

623
00:29:16,360 --> 00:29:20,080
Speaker 1: you have a you have a big fancy machine for that. Um,

624
00:29:20,120 --> 00:29:22,560
Speaker 1: we have a big fancy coffee machine. But no, but

625
00:29:22,680 --> 00:29:24,920
Speaker 1: the macha you just put the little powder in the

626
00:29:25,040 --> 00:29:27,520
Speaker 1: in the bottom of a cup and you've got We've

627
00:29:27,520 --> 00:29:33,760
Speaker 1: got this nine dollars Amazon little um little like froster.

628
00:29:35,440 --> 00:29:39,600
Speaker 1: I don't know that it's a whisk thingy, but it's

629
00:29:39,600 --> 00:29:43,120
Speaker 1: a bio battery operator. So it's you know, it's it's pretty.

630
00:29:43,160 --> 00:29:46,280
Speaker 1: It looks really expensive, but it's like nine dollars. Listen, Ricardo,

631
00:29:46,320 --> 00:29:49,320
Speaker 1: I don't know what that is, buddy, You don't do

632
00:29:49,360 --> 00:29:53,600
Speaker 1: you even know what macha is? Is it green? We

633
00:29:53,760 --> 00:29:57,360
Speaker 1: are you in high school? I wish I don't drink coffee,

634
00:29:57,440 --> 00:30:00,720
Speaker 1: so I don't know what mo. Wow, if you started

635
00:30:00,800 --> 00:30:03,000
Speaker 1: drinking coffee, we could be friends. Well, here's the thing.

636
00:30:03,080 --> 00:30:07,400
Speaker 1: My grandma died from coffee overdose, and so now I'm sad. Wow,

637
00:30:07,560 --> 00:30:10,680
Speaker 1: that's just that was unnecessary, all right, I'm kidding. She

638
00:30:10,720 --> 00:30:12,960
Speaker 1: didn't she didn't. Hey, listen, I'm a big fan. Really,

639
00:30:13,160 --> 00:30:14,440
Speaker 1: this is super cool for me to talk to you,

640
00:30:14,440 --> 00:30:16,320
Speaker 1: So I really appreciate the time. Like I'll just say

641
00:30:16,360 --> 00:30:18,520
Speaker 1: it up front that I'm kind of geeking out a

642
00:30:18,560 --> 00:30:20,800
Speaker 1: little bit at not only you as an artist, but

643
00:30:20,800 --> 00:30:24,400
Speaker 1: also you as a songwriter. So upfront, in a in

644
00:30:24,440 --> 00:30:27,200
Speaker 1: a very sincere way, like massive fan, thank you for

645
00:30:27,240 --> 00:30:30,120
Speaker 1: spending a few minutes with me. That's so nice man,

646
00:30:30,160 --> 00:30:33,360
Speaker 1: Thank you, and congratulations. You guys are chicken butt. Thanks.

647
00:30:33,480 --> 00:30:35,080
Speaker 1: So here's a couple of questions we have for you.

648
00:30:35,160 --> 00:30:39,120
Speaker 1: First of all, you had on Instagram. You had shared

649
00:30:39,200 --> 00:30:43,320
Speaker 1: Abby our phone screener. She answers phone. She produces some segments,

650
00:30:43,520 --> 00:30:46,400
Speaker 1: but she was singing, and you you pushed and shared,

651
00:30:46,480 --> 00:30:48,720
Speaker 1: and so we took that as an endorsement that you

652
00:30:48,760 --> 00:30:50,920
Speaker 1: think she's a pretty good singer. Now, do you share

653
00:30:50,920 --> 00:30:53,200
Speaker 1: people that are only good singing your songs or just

654
00:30:53,320 --> 00:30:59,040
Speaker 1: anybody singing your songs? There's a loaded questions are going

655
00:30:59,080 --> 00:31:03,200
Speaker 1: to get right through it, you know. Generally, being honest

656
00:31:03,240 --> 00:31:07,360
Speaker 1: with you, I very rarely share anything that I think

657
00:31:08,000 --> 00:31:12,040
Speaker 1: would like hurt somebody's ears, so as much as I

658
00:31:12,400 --> 00:31:15,720
Speaker 1: like it, and I'll even sometimes go, hey, thanks, great job,

659
00:31:15,720 --> 00:31:17,360
Speaker 1: and I'm not going to repost it if it's not

660
00:31:17,520 --> 00:31:22,200
Speaker 1: very good. So yeah, she sounded good and all kidding aside,

661
00:31:22,280 --> 00:31:25,280
Speaker 1: like to me, that's the ultimate compliment as a songwriter

662
00:31:25,480 --> 00:31:29,680
Speaker 1: is when anyone wants to take the time to learn

663
00:31:29,880 --> 00:31:32,600
Speaker 1: your song and he, especially now posted on those socials.

664
00:31:32,640 --> 00:31:35,600
Speaker 1: That means that that song means something to them in

665
00:31:35,640 --> 00:31:37,400
Speaker 1: some way, even if it's just something that they think, Oh,

666
00:31:37,400 --> 00:31:39,360
Speaker 1: I think I sound good singing this song. That's the

667
00:31:39,480 --> 00:31:42,760
Speaker 1: ultimate songwriter compliment, you know. So Abby, he is saying

668
00:31:42,800 --> 00:31:44,560
Speaker 1: he enjoyed it. What do you want to say to him?

669
00:31:44,600 --> 00:31:47,920
Speaker 1: I love it, thank you, I appreciate that. Yeah, no, Abby,

670
00:31:47,920 --> 00:31:49,800
Speaker 1: you sounded good. I mean I wouldn't have reposted it

671
00:31:49,840 --> 00:31:53,040
Speaker 1: if he sucked. What would you say to Abbe who

672
00:31:53,160 --> 00:31:56,360
Speaker 1: she moved to Nashville super sucurrent singing and then you

673
00:31:56,400 --> 00:31:58,640
Speaker 1: know she could remember some words and she ran out

674
00:31:58,680 --> 00:32:00,680
Speaker 1: of an audition once that you gave up, But now

675
00:32:00,720 --> 00:32:04,160
Speaker 1: she's kind of back trying again, Like regardless of her talent,

676
00:32:04,640 --> 00:32:06,600
Speaker 1: what would you say to someone going through this? What

677
00:32:06,640 --> 00:32:10,480
Speaker 1: are your inspiring words to her? Richard? H Well, I mean,

678
00:32:11,080 --> 00:32:13,800
Speaker 1: you can't if you really want to have a career,

679
00:32:14,720 --> 00:32:18,640
Speaker 1: it can't be despite not having talent, you know what

680
00:32:18,680 --> 00:32:20,960
Speaker 1: I mean. It's like that's kind of like a given.

681
00:32:21,240 --> 00:32:22,840
Speaker 1: You kind of have to have that, and she does,

682
00:32:23,080 --> 00:32:27,760
Speaker 1: but I would say, you know, on one hand, it's

683
00:32:27,880 --> 00:32:31,800
Speaker 1: never been easier to get attention and to get music

684
00:32:31,840 --> 00:32:35,200
Speaker 1: out there because of social media and streaming, and you know,

685
00:32:35,360 --> 00:32:37,080
Speaker 1: you don't need a record deal, you don't need a

686
00:32:37,120 --> 00:32:41,040
Speaker 1: publisher anymore. You just need to, like do fill up

687
00:32:41,040 --> 00:32:44,400
Speaker 1: your content. You need to feed the beasts. So I

688
00:32:44,440 --> 00:32:46,760
Speaker 1: think if you're not a songwriter, then you got to

689
00:32:46,760 --> 00:32:50,760
Speaker 1: find songs that you think you sound great doing. But

690
00:32:50,840 --> 00:32:54,760
Speaker 1: also you don't want to do songs like when I

691
00:32:54,760 --> 00:32:57,400
Speaker 1: hear people trying to cover Whitney Houston songs, I'm always like,

692
00:32:57,440 --> 00:32:59,480
Speaker 1: what do you think you sing this better than Whitney? Did?

693
00:33:00,960 --> 00:33:03,560
Speaker 1: You know? Maybe find another song that suits you even

694
00:33:03,640 --> 00:33:05,840
Speaker 1: better that you're not where you're not, nobody's comparing you

695
00:33:05,880 --> 00:33:08,280
Speaker 1: to the original necessarily. You know. That's why I think

696
00:33:08,360 --> 00:33:10,560
Speaker 1: a girl singing a guy song or a guy singing

697
00:33:10,560 --> 00:33:13,720
Speaker 1: a girl song. Sometimes it was a clever move. Abby,

698
00:33:13,760 --> 00:33:17,560
Speaker 1: Are you inspired? I am? Let's go. Okay, we go,

699
00:33:17,840 --> 00:33:22,400
Speaker 1: Richard Marks just Abby, you know it's funny. We're talking

700
00:33:22,400 --> 00:33:24,480
Speaker 1: to a songwriter. So if you got any songs you

701
00:33:24,560 --> 00:33:27,600
Speaker 1: need to be to sing, here I go. She just

702
00:33:27,720 --> 00:33:30,560
Speaker 1: went before it. She just went for it. I'm just kidding.

703
00:33:31,360 --> 00:33:37,880
Speaker 1: I'm not trying. Boy. Hey, Richard, in your career, was

704
00:33:37,880 --> 00:33:40,800
Speaker 1: there ever a time Richard that, um, let's go back

705
00:33:40,800 --> 00:33:43,960
Speaker 1: to the eighties when you were as an artist, you

706
00:33:44,000 --> 00:33:46,120
Speaker 1: were on TV on my all the time, and you

707
00:33:46,120 --> 00:33:48,640
Speaker 1: were just crushing, crushing, crushing. Was there ever a moment

708
00:33:48,680 --> 00:33:51,040
Speaker 1: before that happened where you had to go and just like, hey,

709
00:33:51,080 --> 00:33:52,880
Speaker 1: can I have this? Can I like? What? Just abby?

710
00:33:52,920 --> 00:33:55,040
Speaker 1: Did you awkwardly? Did you ever have to do that

711
00:33:55,120 --> 00:34:01,880
Speaker 1: awkwardly to people? Oh? Yeah? So, um, my songwriting career

712
00:34:01,920 --> 00:34:04,920
Speaker 1: really started that way in that I had written a

713
00:34:04,920 --> 00:34:08,200
Speaker 1: handful of songs that when I was a senior in

714
00:34:08,239 --> 00:34:11,640
Speaker 1: high school that somehow magically made their way, that the

715
00:34:11,719 --> 00:34:14,520
Speaker 1: tape made made its way to Lionel Richie Mine. She

716
00:34:14,600 --> 00:34:18,279
Speaker 1: heard my cassette tape and called me. My phone number

717
00:34:18,280 --> 00:34:20,200
Speaker 1: was written on the back. He called me in my parents'

718
00:34:20,239 --> 00:34:23,399
Speaker 1: house and was so encouraging of me, and he said, man,

719
00:34:23,440 --> 00:34:25,200
Speaker 1: I really liked your voice, and you should move to

720
00:34:25,320 --> 00:34:26,960
Speaker 1: LA when you graduate from high school, which is what

721
00:34:27,000 --> 00:34:30,000
Speaker 1: I did. And then he hired me as a background

722
00:34:30,000 --> 00:34:32,560
Speaker 1: singer on his first solo album when he left the

723
00:34:32,600 --> 00:34:36,319
Speaker 1: Commodorees and around a year later, he recommended me as

724
00:34:36,320 --> 00:34:40,759
Speaker 1: a background singer to Kenny Rogers, who was huge still

725
00:34:40,800 --> 00:34:44,440
Speaker 1: at that time in the eighties. And so there I

726
00:34:44,480 --> 00:34:47,279
Speaker 1: am singing background vocals on this Kenny Rogers album and

727
00:34:47,280 --> 00:34:50,759
Speaker 1: he's their studio and I went up to him and said,

728
00:34:51,400 --> 00:34:53,799
Speaker 1: I'm a songwriter. I'd love to play the song I

729
00:34:53,840 --> 00:34:56,480
Speaker 1: wrote for you. And he should have thrown me out

730
00:34:56,520 --> 00:34:58,719
Speaker 1: of the studio. He should have had security, you know,

731
00:34:58,800 --> 00:35:01,600
Speaker 1: throw me on the street. But he was cool, and

732
00:35:01,680 --> 00:35:04,800
Speaker 1: he said, yeah, let me hear it, and we sat

733
00:35:04,800 --> 00:35:07,160
Speaker 1: down at the piano and he cut my song and

734
00:35:07,200 --> 00:35:08,880
Speaker 1: then he cut two more in my songs, and that

735
00:35:09,120 --> 00:35:14,359
Speaker 1: launched my songwriting career. Wood So I was lucky enough

736
00:35:14,400 --> 00:35:17,400
Speaker 1: to the friend Lionel Do. I did four season of

737
00:35:17,440 --> 00:35:20,920
Speaker 1: American Idol, and so Lionel was Lionel was awesome. Now,

738
00:35:20,920 --> 00:35:23,040
Speaker 1: I don't know if it's because Lionel was seventy and

739
00:35:23,080 --> 00:35:25,640
Speaker 1: he's just amazing once he got older with perspective, but

740
00:35:25,640 --> 00:35:28,319
Speaker 1: he's the kindest guy. Was he like that even when

741
00:35:28,320 --> 00:35:32,840
Speaker 1: he was young and killing it? Then? Yes, I've never

742
00:35:32,880 --> 00:35:35,799
Speaker 1: known anybody who was a superstar who acted less like

743
00:35:35,840 --> 00:35:40,640
Speaker 1: a superstar than n He's just the most gracious kind

744
00:35:40,680 --> 00:35:42,600
Speaker 1: you know, he's still got a wicked sense of humor,

745
00:35:42,680 --> 00:35:46,600
Speaker 1: and he can be sarcastic and he can be like

746
00:35:46,680 --> 00:35:49,799
Speaker 1: he can hang with the best of them, but inside

747
00:35:49,960 --> 00:35:53,560
Speaker 1: his soul is just kindness and he loves to help

748
00:35:53,600 --> 00:35:55,960
Speaker 1: people and he's just the best. Like I just love

749
00:35:56,040 --> 00:35:58,560
Speaker 1: the guy. He changed my life. Richard Marx is on

750
00:35:58,680 --> 00:36:01,400
Speaker 1: with us, and I find it really interesting, Um, what

751
00:36:02,040 --> 00:36:05,960
Speaker 1: you're doing inside of Songwriter and so songwriter and the

752
00:36:06,000 --> 00:36:10,360
Speaker 1: whole album comes out. What what's is nine September with Fingers, January,

753
00:36:10,360 --> 00:36:14,960
Speaker 1: Philbery in March, April May yet because I know it's

754
00:36:14,960 --> 00:36:17,120
Speaker 1: not out. Yeah, so September thirtieth, you're putting the full

755
00:36:17,160 --> 00:36:19,680
Speaker 1: album out, but it's split into parts. Is there's pop, rock,

756
00:36:19,760 --> 00:36:24,560
Speaker 1: country and ballads and the country parts interesting because we're

757
00:36:24,600 --> 00:36:27,000
Speaker 1: big budds with Keith Urban and you know, you guys

758
00:36:27,160 --> 00:36:29,640
Speaker 1: have written together before. But there's a song one Day

759
00:36:29,680 --> 00:36:31,920
Speaker 1: Longer that you and Keith Urban, so you're singing it,

760
00:36:31,920 --> 00:36:35,160
Speaker 1: but he wrote it with you. Yeah, So here's my

761
00:36:35,239 --> 00:36:37,760
Speaker 1: history with Keith. We've had three really big hits together

762
00:36:38,080 --> 00:36:41,440
Speaker 1: that he had and Better Life Long Hot Summer and

763
00:36:41,560 --> 00:36:45,880
Speaker 1: Everybody and Better Life. He almost didn't cut because he

764
00:36:45,960 --> 00:36:48,640
Speaker 1: kind of got over it. But you know, from the

765
00:36:48,680 --> 00:36:50,520
Speaker 1: time we started it to the time he finished it,

766
00:36:50,560 --> 00:36:52,560
Speaker 1: he was kind of like off of it, not into it,

767
00:36:52,640 --> 00:36:55,040
Speaker 1: but he kind of just went in the studio and

768
00:36:55,080 --> 00:36:59,000
Speaker 1: cut it number one. For six weeks we wrote Everybody,

769
00:36:59,640 --> 00:37:01,640
Speaker 1: and he was all in love with it the day

770
00:37:01,680 --> 00:37:03,719
Speaker 1: we wrote it, and then a few days later he

771
00:37:03,840 --> 00:37:05,960
Speaker 1: was like, I don't like it anymore. So I went

772
00:37:06,000 --> 00:37:08,680
Speaker 1: in the studio. I was due to record something with

773
00:37:08,760 --> 00:37:12,080
Speaker 1: Dan Huff, his producer who's brilliant, and so Dan and

774
00:37:12,160 --> 00:37:13,680
Speaker 1: I went in the studio to cut a song, and

775
00:37:13,680 --> 00:37:14,960
Speaker 1: he said, you know, with that time, we can cut

776
00:37:14,960 --> 00:37:18,359
Speaker 1: another song. So I played him the work tape of

777
00:37:18,400 --> 00:37:21,239
Speaker 1: my song with Keith Everybody, and he went, oh my god, man,

778
00:37:21,239 --> 00:37:24,160
Speaker 1: this is great. We should cut this. We cut it,

779
00:37:24,280 --> 00:37:26,239
Speaker 1: and right before we mixed it, he played it for

780
00:37:26,320 --> 00:37:28,480
Speaker 1: Keith and Keith called and goes, okay, I blew it.

781
00:37:28,480 --> 00:37:31,960
Speaker 1: Can I have that song back? So my history with

782
00:37:32,040 --> 00:37:34,719
Speaker 1: Keith is we write something, he's in love with it

783
00:37:34,719 --> 00:37:37,200
Speaker 1: did day we write it, and then a week later

784
00:37:37,600 --> 00:37:40,040
Speaker 1: it's the worst thing he's ever heard. And that's what

785
00:37:40,080 --> 00:37:43,520
Speaker 1: happened with One day longer. But it's just been taking

786
00:37:43,600 --> 00:37:46,560
Speaker 1: up space, you know, as an MP three in my computer.

787
00:37:46,680 --> 00:37:48,839
Speaker 1: So I when I was making this album, I went

788
00:37:48,880 --> 00:37:50,479
Speaker 1: back and listened to her. I was like, I love

789
00:37:50,560 --> 00:37:54,240
Speaker 1: this song, so I cut it in the country section

790
00:37:54,280 --> 00:37:58,520
Speaker 1: here Richard written songs by himself, with Urban, with Darius,

791
00:37:59,160 --> 00:38:02,359
Speaker 1: with Howser and I think, and I mentioned it before

792
00:38:02,360 --> 00:38:04,760
Speaker 1: we got on the phone with you, how just prominent

793
00:38:04,760 --> 00:38:07,960
Speaker 1: and prolific of a songwriter you are and all the

794
00:38:07,960 --> 00:38:10,120
Speaker 1: songs you've written for a whole lot of people. But

795
00:38:10,320 --> 00:38:12,200
Speaker 1: is there a difference in writing with some of these

796
00:38:12,200 --> 00:38:14,600
Speaker 1: country guys that we know are our friends with and

797
00:38:14,760 --> 00:38:19,799
Speaker 1: some of the guys in la Oh. That's a good question. Um.

798
00:38:21,400 --> 00:38:24,520
Speaker 1: I mean, you know, I don't really write with anyone

799
00:38:24,560 --> 00:38:27,640
Speaker 1: who's not a real songwriter, and that I very rarely

800
00:38:27,719 --> 00:38:32,520
Speaker 1: collaborate with someone who's just a track person or you know,

801
00:38:32,520 --> 00:38:36,719
Speaker 1: it's usually two guys sitting down and or three guys,

802
00:38:36,840 --> 00:38:39,240
Speaker 1: and it's very rare. I think there are three writers

803
00:38:39,280 --> 00:38:43,480
Speaker 1: on my songs. But um, I kind of gravitate towards

804
00:38:44,160 --> 00:38:47,160
Speaker 1: what I would call old school songwriters, where you just

805
00:38:47,160 --> 00:38:49,880
Speaker 1: sort of hammer it out, you know, you get a concept,

806
00:38:49,920 --> 00:38:51,840
Speaker 1: you get I usually come in with a bunch of

807
00:38:51,880 --> 00:38:55,000
Speaker 1: melody ideas or a title, and we're just off to

808
00:38:55,040 --> 00:38:59,160
Speaker 1: the races. There's not that much difference, actually, you know.

809
00:38:59,200 --> 00:39:03,320
Speaker 1: I mean, writing with Randy Houser is not that different

810
00:39:03,360 --> 00:39:06,440
Speaker 1: than writing with you know, my son Lucas, who's a

811
00:39:06,480 --> 00:39:09,520
Speaker 1: great pop songwriter, or any of these other guys. It's

812
00:39:09,560 --> 00:39:12,440
Speaker 1: all it's all sort of like going after the song,

813
00:39:12,640 --> 00:39:15,360
Speaker 1: you know, not trying to worry so much about what

814
00:39:15,400 --> 00:39:16,880
Speaker 1: the record is going to be, but just making the

815
00:39:16,920 --> 00:39:19,200
Speaker 1: song the best to convict. You say you're going with

816
00:39:19,200 --> 00:39:22,520
Speaker 1: the melody, so well, you'll just walk in And I

817
00:39:22,560 --> 00:39:23,880
Speaker 1: was going to ask if you're a melody or a

818
00:39:23,960 --> 00:39:25,799
Speaker 1: lyric guy first, and probably do it a little bit

819
00:39:25,800 --> 00:39:28,280
Speaker 1: of both. But will you walk in with no concept

820
00:39:28,280 --> 00:39:30,200
Speaker 1: at all? But you're like, at this melody goes boo

821
00:39:30,200 --> 00:39:32,560
Speaker 1: doo doo doo doo doo doo doo, and you walk

822
00:39:32,600 --> 00:39:34,800
Speaker 1: in with just that melody, and then you'd start trying

823
00:39:34,840 --> 00:39:38,720
Speaker 1: to assign words and a concept to the sound. Yeah,

824
00:39:38,760 --> 00:39:41,440
Speaker 1: that's how I've always written songs, even the songs I've

825
00:39:41,480 --> 00:39:45,320
Speaker 1: written by myself, which which make up most of my catalog,

826
00:39:45,360 --> 00:39:51,000
Speaker 1: or songs I wrote alone. It starts with some gibberish line,

827
00:39:51,200 --> 00:39:55,000
Speaker 1: you know, and like I had this big hit called Hazard,

828
00:39:55,080 --> 00:40:00,960
Speaker 1: this the story song, and all I had was my

829
00:40:01,000 --> 00:40:04,080
Speaker 1: mother came up done. I went on. I was just seven,

830
00:40:04,920 --> 00:40:07,760
Speaker 1: and then I started to like, I wrote all the music,

831
00:40:07,800 --> 00:40:09,920
Speaker 1: all the melody, and I started to put the story together.

832
00:40:09,960 --> 00:40:13,360
Speaker 1: And I had everything except the name of the town

833
00:40:13,440 --> 00:40:15,799
Speaker 1: that this thing was set in. And I even knew

834
00:40:15,800 --> 00:40:18,200
Speaker 1: it was in Nebraska because I referenced Nebraska. So I

835
00:40:18,960 --> 00:40:21,920
Speaker 1: just had to go through every name of every town

836
00:40:22,000 --> 00:40:24,560
Speaker 1: in Nebraska until I found one that's the two syllable

837
00:40:24,600 --> 00:40:28,359
Speaker 1: word that's fit, that sounded good. It's kind of how

838
00:40:28,360 --> 00:40:31,239
Speaker 1: it all starts with me, is with the melody. The

839
00:40:31,280 --> 00:40:34,040
Speaker 1: melodies and the music kind of tell me what the

840
00:40:34,120 --> 00:40:37,600
Speaker 1: lyrics should be. Whenever you have songs that are so massive,

841
00:40:37,840 --> 00:40:41,640
Speaker 1: for example right here waiting from like eighty nine, do

842
00:40:41,719 --> 00:40:45,520
Speaker 1: you go through different cycles or seasons where you know

843
00:40:45,600 --> 00:40:47,080
Speaker 1: it's a massive hit, you'd love to play it, then

844
00:40:47,120 --> 00:40:48,400
Speaker 1: you played it so much you don't want to play it,

845
00:40:48,400 --> 00:40:49,640
Speaker 1: but then you kind of re energized to play it

846
00:40:49,640 --> 00:40:52,080
Speaker 1: again because you've hated it for so long. Is that

847
00:40:52,239 --> 00:40:54,360
Speaker 1: a seasonal thing with you in your life or do

848
00:40:54,400 --> 00:40:57,480
Speaker 1: you just always love it or how does that work? No,

849
00:40:57,680 --> 00:41:00,960
Speaker 1: I don't have that experience. I'm sure that probably happens

850
00:41:01,040 --> 00:41:06,359
Speaker 1: more with people who record songs by other people. If

851
00:41:06,360 --> 00:41:08,480
Speaker 1: you wrote a song that you love, if I write

852
00:41:08,520 --> 00:41:10,560
Speaker 1: a song, if I record a song and release a song,

853
00:41:10,600 --> 00:41:13,759
Speaker 1: it means that I love that song, and I don't.

854
00:41:13,880 --> 00:41:15,640
Speaker 1: I mean, there are some songs that I might get

855
00:41:15,680 --> 00:41:18,759
Speaker 1: a little bit more psyched to play sometimes, but there's

856
00:41:18,800 --> 00:41:21,359
Speaker 1: never a song in my set where I look down

857
00:41:21,360 --> 00:41:23,640
Speaker 1: at the set list and go, oh god, not that again.

858
00:41:23,719 --> 00:41:26,480
Speaker 1: I've never had that hanging to the every day with

859
00:41:26,480 --> 00:41:28,480
Speaker 1: certain segments in my radio show. Every day, I'm just like,

860
00:41:28,480 --> 00:41:31,880
Speaker 1: oh my god, yeah, Richard, this has been awesome. I

861
00:41:31,920 --> 00:41:36,400
Speaker 1: want to let everybody know. Songwriter comes out on September thirtieth. Again,

862
00:41:36,440 --> 00:41:38,840
Speaker 1: they are all these sections, and I love how you

863
00:41:38,880 --> 00:41:41,320
Speaker 1: did it. And ballads though, by the way, when I

864
00:41:41,360 --> 00:41:45,000
Speaker 1: was looking at this ballads, it didn't You didn't format that.

865
00:41:45,040 --> 00:41:47,600
Speaker 1: You just went Okay, these are slow songs. Slow songs

866
00:41:47,600 --> 00:41:50,480
Speaker 1: don't have a format or a genre. Not to me.

867
00:41:50,760 --> 00:41:53,279
Speaker 1: Not to me. Just those songs to me were just

868
00:41:54,120 --> 00:41:58,239
Speaker 1: these five really beautiful songs that could have been any

869
00:41:58,320 --> 00:42:00,480
Speaker 1: genre really, but they kind of made up their own

870
00:42:00,520 --> 00:42:03,719
Speaker 1: genre to me. And the first track is uh, by

871
00:42:03,719 --> 00:42:05,520
Speaker 1: the way, you know, I'm doing this a lot of

872
00:42:05,680 --> 00:42:07,279
Speaker 1: We're going to do a vinyl version of this, so

873
00:42:07,280 --> 00:42:10,080
Speaker 1: it's literally going to be side A side B, SIDEC sidet.

874
00:42:10,360 --> 00:42:15,520
Speaker 1: You know. Um. The lead track on the Ballots section

875
00:42:15,840 --> 00:42:18,160
Speaker 1: I wrote with Burt Backrock. It's a song called Always.

876
00:42:19,320 --> 00:42:20,880
Speaker 1: I'm getting to sit in a room and write a

877
00:42:20,920 --> 00:42:22,719
Speaker 1: song with Burt Backrock. And and this is when he

878
00:42:22,800 --> 00:42:26,959
Speaker 1: was ninety one. He's ninety four now. Um, I can't

879
00:42:27,000 --> 00:42:29,520
Speaker 1: even believe it. You know again, we became pals, and

880
00:42:30,600 --> 00:42:32,840
Speaker 1: this guy wrote the soundtrack to all of our lives.

881
00:42:32,920 --> 00:42:35,480
Speaker 1: You know, I'm just so humbled that I got to

882
00:42:35,520 --> 00:42:36,880
Speaker 1: sit in a room with him and write such a

883
00:42:36,920 --> 00:42:40,080
Speaker 1: beautiful I'm so proud of this song. Yeah, that's pretty

884
00:42:40,080 --> 00:42:43,440
Speaker 1: cool that Burt. Because Burt background for me, rain drops

885
00:42:43,520 --> 00:42:46,520
Speaker 1: keep falling up. That's that's how he's played it. Though

886
00:42:46,560 --> 00:42:49,680
Speaker 1: he's played it though, Eddie, I've heard Burt background played

887
00:42:49,760 --> 00:42:52,080
Speaker 1: that song. That's what I think about it. He wrote it,

888
00:42:52,200 --> 00:42:54,400
Speaker 1: and he wrote it, Eddie. There you go. So so

889
00:42:54,760 --> 00:42:56,080
Speaker 1: then I thought I was right. Then I thought I

890
00:42:56,120 --> 00:42:57,759
Speaker 1: was wrong, and I was embarrassed, and then I had

891
00:42:57,800 --> 00:42:59,919
Speaker 1: to come back to it, and Richard March told sorry,

892
00:43:00,080 --> 00:43:01,520
Speaker 1: Cardo Marks just toll me I was right because now

893
00:43:01,560 --> 00:43:04,239
Speaker 1: we're friends. There you have it. Okay. So here's what

894
00:43:04,280 --> 00:43:06,160
Speaker 1: we're gonna do. If you ever come to Nashville. We'd

895
00:43:06,160 --> 00:43:08,879
Speaker 1: love to have you hop in the studio here. We'll

896
00:43:08,920 --> 00:43:12,080
Speaker 1: do a whole deal. I'm just a big fan. And

897
00:43:12,320 --> 00:43:13,920
Speaker 1: your album comes down to thirtieth We'll be sure to

898
00:43:13,960 --> 00:43:15,719
Speaker 1: talk about it when it comes out, and you guys

899
00:43:15,800 --> 00:43:18,319
Speaker 1: go to Richard Marks dot com. He's in Europe now,

900
00:43:18,400 --> 00:43:19,880
Speaker 1: but he will come to the States and he's doing

901
00:43:19,920 --> 00:43:22,040
Speaker 1: a bunch of shows in the States starting in October,

902
00:43:22,320 --> 00:43:23,680
Speaker 1: and he's in a lot of the cities that are

903
00:43:23,719 --> 00:43:26,839
Speaker 1: shows in and just a very entertaining, very funny guy,

904
00:43:27,120 --> 00:43:30,080
Speaker 1: but also super talented and super cool and says Abby

905
00:43:30,280 --> 00:43:32,080
Speaker 1: has a long career in music, and he will put

906
00:43:32,120 --> 00:43:37,120
Speaker 1: her on tour with him. That's what I heard. Wow, wow, wow,

907
00:43:37,239 --> 00:43:44,320
Speaker 1: that is by Bobby. You can officially call me Ricardo. Okay, Okay, Ricardo,

908
00:43:44,719 --> 00:43:47,400
Speaker 1: thank you for your time, massive fan. Good luck with

909
00:43:47,480 --> 00:43:50,480
Speaker 1: the record, and congrats on the book and hopefully I

910
00:43:50,560 --> 00:43:53,680
Speaker 1: will see in person sometime. Thank you. Thank you guys.

911
00:43:53,719 --> 00:43:57,319
Speaker 1: All right there he is Richard Marks. Everybody, Hey, Abby

912
00:43:57,400 --> 00:43:59,640
Speaker 1: sing us out with a little Richard Marks. Oh no

913
00:43:59,800 --> 00:44:03,359
Speaker 1: you Abby, sing us out. Abby. Let's go whereever you are,

914
00:44:03,719 --> 00:44:14,239
Speaker 1: whatever you do, I will be right here. This is

915
00:44:14,280 --> 00:44:16,920
Speaker 1: a voicemail from Brittany and Louisiana. I just had a

916
00:44:17,040 --> 00:44:20,160
Speaker 1: music industry type question. I didn't know who to ask.

917
00:44:20,239 --> 00:44:22,880
Speaker 1: I thought Nicole Bobby Bolm. Okay. So my husband and

918
00:44:22,960 --> 00:44:25,840
Speaker 1: I went to a Sam Hunt concert last week. Dustin

919
00:44:25,960 --> 00:44:29,439
Speaker 1: Lynch was his opening act. My question is Dustin Lynch

920
00:44:29,520 --> 00:44:32,480
Speaker 1: how to hit two? So how do I decide that

921
00:44:32,600 --> 00:44:34,759
Speaker 1: Dustin Lynch is going to be an opening act for

922
00:44:34,920 --> 00:44:37,600
Speaker 1: Sam Hunt? Now? It was awesome. I'm not complaining, but

923
00:44:37,719 --> 00:44:40,000
Speaker 1: I was just curious how that works. Thanks. I think

924
00:44:40,040 --> 00:44:42,560
Speaker 1: it's a great question. Now, if you said that in

925
00:44:42,719 --> 00:44:44,520
Speaker 1: town in the industry, they would say Dustin is not

926
00:44:44,600 --> 00:44:48,400
Speaker 1: Sam's opening act. Dustin is Sam's main support. There's an opener,

927
00:44:48,760 --> 00:44:51,640
Speaker 1: then there's the main support, and then there is the headliner,

928
00:44:51,680 --> 00:44:54,080
Speaker 1: which would be Sam Hunt. And so Sam is creating

929
00:44:54,160 --> 00:44:57,120
Speaker 1: his tour and Sam can get more people to come

930
00:44:57,120 --> 00:44:59,359
Speaker 1: to a show and charge for a couple more dollars

931
00:44:59,360 --> 00:45:02,680
Speaker 1: in Dustin can. So Dustin, let's say his average show

932
00:45:02,840 --> 00:45:04,680
Speaker 1: is he makes five bucks a show. I'm just gonna

933
00:45:04,680 --> 00:45:06,680
Speaker 1: throw a number out there, which is not true. And

934
00:45:06,920 --> 00:45:09,120
Speaker 1: so if Sam can offer that to Dustin as his

935
00:45:09,239 --> 00:45:12,760
Speaker 1: main support and Dustin doesn't have to pay for lights

936
00:45:12,920 --> 00:45:16,439
Speaker 1: or crew, then Dustin will probably take that job. Oh yeah,

937
00:45:16,480 --> 00:45:20,799
Speaker 1: that's awesome, yes, Sam, well, yes, financially sometimes it's really good.

938
00:45:20,840 --> 00:45:23,799
Speaker 1: Like Dana Chay's main support for Kenny Chesney. Dana Chakeenn

939
00:45:23,840 --> 00:45:27,120
Speaker 1: sell out arenas themselves, but they're probably making more money

940
00:45:27,400 --> 00:45:33,200
Speaker 1: doing arenas with Kenny Chesney. Then they are stadiums with

941
00:45:33,320 --> 00:45:35,920
Speaker 1: Kenny Chesney, then they are doing arenas by themselves. Dana

942
00:45:36,040 --> 00:45:39,080
Speaker 1: Chay sell more tickets than pretty much everybody, but then

943
00:45:39,160 --> 00:45:42,279
Speaker 1: you're right, like they don't have to pay all Yeah,

944
00:45:42,360 --> 00:45:47,080
Speaker 1: and that adds up. So it's mostly that Sam can

945
00:45:47,120 --> 00:45:50,279
Speaker 1: sell more tickets than Dustin Lynch. And also, as like Dustin,

946
00:45:50,320 --> 00:45:51,919
Speaker 1: you will help this tour because you're a great act

947
00:45:51,920 --> 00:45:53,320
Speaker 1: as well, and I will pay you what you normally

948
00:45:53,400 --> 00:45:55,360
Speaker 1: make to do a show. Let's do a show together.

949
00:45:56,080 --> 00:46:00,120
Speaker 1: But like the Kenny Stadium tour you have Carly here

950
00:46:00,200 --> 00:46:03,560
Speaker 1: us would be the opener. Old dominion happens Dan and

951
00:46:03,640 --> 00:46:05,880
Speaker 1: Shay is the main support, and then Kenney Chesney. So

952
00:46:06,080 --> 00:46:08,759
Speaker 1: it's not somebody tagging them together. It's Sam going, I'm

953
00:46:08,760 --> 00:46:10,920
Speaker 1: doing this tour. Reached out to Dustin. Hey, Dustin, come

954
00:46:11,000 --> 00:46:12,640
Speaker 1: do this tour with me. I'll pay you're a normal

955
00:46:12,760 --> 00:46:15,399
Speaker 1: rate because you kill it and I kill a little better.

956
00:46:15,520 --> 00:46:17,960
Speaker 1: But do you kill it and someday you'll kill it

957
00:46:17,960 --> 00:46:19,719
Speaker 1: a little better and you put me on your tour. Yeah,

958
00:46:19,800 --> 00:46:22,160
Speaker 1: you know, so that's what it is. That's a good question, though, Britney.

959
00:46:22,160 --> 00:46:27,400
Speaker 1: I appreciate that you're Samy's pile of stories. I assume,

960
00:46:27,440 --> 00:46:30,600
Speaker 1: Bobby that you think you know how to shower. Yeah.

961
00:46:30,840 --> 00:46:34,120
Speaker 1: I mean, I'm always told that I'm doing things wrong peeing, showering,

962
00:46:34,800 --> 00:46:38,440
Speaker 1: eating and what time. Wet Dermatologists are telling us that

963
00:46:38,520 --> 00:46:41,680
Speaker 1: we are showering all wrong. So they put out some

964
00:46:41,760 --> 00:46:43,960
Speaker 1: tips so we can do it right. Okay, First of all,

965
00:46:44,120 --> 00:46:46,320
Speaker 1: we don't need a shower too often. If you're not

966
00:46:46,440 --> 00:46:49,000
Speaker 1: getting sweaty every day. Experts say you can cut to

967
00:46:49,040 --> 00:46:51,520
Speaker 1: a few showers a week, and on days that you

968
00:46:51,640 --> 00:46:55,120
Speaker 1: do need to shower, and maybe even twice, you better

969
00:46:55,480 --> 00:46:57,920
Speaker 1: take an extremely short shower. They say, yeah, I do

970
00:46:58,360 --> 00:47:01,080
Speaker 1: at least two a day every day. I guess my

971
00:47:01,200 --> 00:47:04,520
Speaker 1: problem with that is so many of the men that

972
00:47:04,680 --> 00:47:07,760
Speaker 1: I know, if they don't shower every day, they will stink.

973
00:47:07,840 --> 00:47:10,640
Speaker 1: Their arm pits will stink. So are they just saying

974
00:47:10,719 --> 00:47:12,600
Speaker 1: that's just part of life. You need to stink in

975
00:47:12,719 --> 00:47:14,880
Speaker 1: order to be healthy. You can still wear deodorant, but

976
00:47:15,719 --> 00:47:17,960
Speaker 1: that's just putting a mask over it. Yeah, or maybe

977
00:47:18,040 --> 00:47:20,319
Speaker 1: do a bird bats. Your whole body isn't getting wet.

978
00:47:20,440 --> 00:47:22,719
Speaker 1: But they do say when you're in there, focus on

979
00:47:22,760 --> 00:47:25,480
Speaker 1: the dirtiest parts. Your arms and legs don't always need soap,

980
00:47:25,520 --> 00:47:28,480
Speaker 1: but your underarms and other areas do. And they say

981
00:47:28,560 --> 00:47:31,040
Speaker 1: start at the top so that way the soap can

982
00:47:31,120 --> 00:47:34,040
Speaker 1: work its way down naturally. Yeah, under arms and butt.

983
00:47:34,080 --> 00:47:37,440
Speaker 1: Like I focus, I go in with a goal. My

984
00:47:37,600 --> 00:47:39,840
Speaker 1: plan is hit the underarms, hit the butt, wash my

985
00:47:39,920 --> 00:47:43,760
Speaker 1: hair if I need to otherwise pretty good. I'll scrub

986
00:47:43,880 --> 00:47:45,560
Speaker 1: my chest a little bit so I don't get any

987
00:47:45,680 --> 00:47:48,000
Speaker 1: sort of blackheads there. And here, okay, well here's for

988
00:47:48,120 --> 00:47:49,880
Speaker 1: when you get out of the shower. You want to

989
00:47:49,920 --> 00:47:53,640
Speaker 1: pat yourself dry. Don't don't take the towel and no, no,

990
00:47:54,160 --> 00:47:55,840
Speaker 1: pat yourself dry. That way, you leave a little bit

991
00:47:55,880 --> 00:47:57,960
Speaker 1: of moisture on your water on your skin, so when

992
00:47:58,000 --> 00:48:01,960
Speaker 1: you add lotion it absorbs after they say after every

993
00:48:02,000 --> 00:48:07,359
Speaker 1: show or moisture. Yeah, this was fancy digest. They write this, Okay.

994
00:48:07,440 --> 00:48:10,880
Speaker 1: So a new poll surveyed adults that are about forty

995
00:48:11,000 --> 00:48:13,360
Speaker 1: years old or so when those younger, and it found

996
00:48:13,360 --> 00:48:15,600
Speaker 1: that it takes an average of eight warning lights for

997
00:48:15,680 --> 00:48:19,040
Speaker 1: them to take their car into a mechanic. Eight I

998
00:48:19,360 --> 00:48:21,920
Speaker 1: have a warning light right now. Eight at once seems

999
00:48:21,960 --> 00:48:24,520
Speaker 1: like it's going to explode. Well, it takes it coming

1000
00:48:24,600 --> 00:48:27,120
Speaker 1: on like yeah, like coming on and going off or

1001
00:48:27,200 --> 00:48:30,000
Speaker 1: eight times. But if eight lights are on at once,

1002
00:48:30,040 --> 00:48:33,240
Speaker 1: I would think is literally going to explode any second.

1003
00:48:33,400 --> 00:48:35,480
Speaker 1: I don't think it's eight at once, but maybe that

1004
00:48:35,560 --> 00:48:37,400
Speaker 1: if you can get it to go off, then if

1005
00:48:37,440 --> 00:48:40,160
Speaker 1: it comes back. I've been riding around with my warning

1006
00:48:40,239 --> 00:48:42,640
Speaker 1: sign for I don't know, probably about five weeks now

1007
00:48:43,200 --> 00:48:45,719
Speaker 1: which warning sign, because I also have a warning sign

1008
00:48:45,880 --> 00:48:50,840
Speaker 1: something about tire pressure indicator something, and I just I

1009
00:48:50,840 --> 00:48:53,160
Speaker 1: can press a button says okay and amaze it disappear

1010
00:48:53,239 --> 00:48:54,920
Speaker 1: until the next time. Gonna start my card, not decide

1011
00:48:54,920 --> 00:48:57,759
Speaker 1: out of mind. That's right, mine's breaks oh do you

1012
00:48:57,840 --> 00:49:01,359
Speaker 1: need new ones? Oh? They squeezed and I hit him

1013
00:49:01,400 --> 00:49:05,000
Speaker 1: sometimes and it says break issue or something. Well that

1014
00:49:05,040 --> 00:49:07,880
Speaker 1: breaks are expensive, so i'd hold off. Well, I just

1015
00:49:08,280 --> 00:49:09,960
Speaker 1: I can't turn it off, so I just don't look

1016
00:49:09,960 --> 00:49:11,520
Speaker 1: at that part of the screen behind the staring wheel.

1017
00:49:11,520 --> 00:49:14,279
Speaker 1: I just keep looking to the left. Okay, So do

1018
00:49:14,320 --> 00:49:18,200
Speaker 1: you have anything you're holding onto for superstition? I am

1019
00:49:18,239 --> 00:49:23,120
Speaker 1: so OCD about that. I'm not a superstitious person. Well,

1020
00:49:23,160 --> 00:49:25,799
Speaker 1: here's the thing, my very OCD type person where if

1021
00:49:25,840 --> 00:49:27,719
Speaker 1: I don't do things, I don't think things are going

1022
00:49:27,800 --> 00:49:30,160
Speaker 1: to work out that day. Yeah, and we're having to

1023
00:49:30,239 --> 00:49:32,640
Speaker 1: adopt some of your things because I accidentally said hi

1024
00:49:32,719 --> 00:49:34,160
Speaker 1: to you today before you sat down, and I was like,

1025
00:49:34,200 --> 00:49:36,080
Speaker 1: oh shoot. And it's not you can s hide to

1026
00:49:36,080 --> 00:49:38,920
Speaker 1: me anywhere in the building all day long, morning, noon, night.

1027
00:49:39,320 --> 00:49:41,520
Speaker 1: But there's a one little there's one little brief thing

1028
00:49:41,560 --> 00:49:43,719
Speaker 1: where I have to like focus and it's like seven

1029
00:49:43,800 --> 00:49:45,560
Speaker 1: steps and I don't like to talk in that seven

1030
00:49:45,600 --> 00:49:47,839
Speaker 1: steps because I feel like that's my my time, my entrance.

1031
00:49:47,840 --> 00:49:50,759
Speaker 1: I gotta get my mind straight. Well, Dan from Dan

1032
00:49:50,840 --> 00:49:53,279
Speaker 1: and Shay, you know he has also OCD like me. Yes,

1033
00:49:53,680 --> 00:49:56,359
Speaker 1: very that long hair, and he was just talking about

1034
00:49:56,400 --> 00:49:59,440
Speaker 1: how yeah is successful. They've been successful, so now he

1035
00:49:59,440 --> 00:50:01,880
Speaker 1: can't cut it. But also now that he's done that

1036
00:50:02,000 --> 00:50:05,200
Speaker 1: to himself, it's kind of a recognizing thing, like if

1037
00:50:05,239 --> 00:50:07,680
Speaker 1: he cuts it, people might not see him as Dan

1038
00:50:07,840 --> 00:50:10,560
Speaker 1: from Dan and Shay, Well they will. But I've talked

1039
00:50:10,560 --> 00:50:13,960
Speaker 1: to him about this like privately, and he's like, dude,

1040
00:50:14,560 --> 00:50:16,960
Speaker 1: we got had our biggest success when I started to

1041
00:50:16,960 --> 00:50:18,560
Speaker 1: growing my hair out. Why would I cut my hair?

1042
00:50:18,600 --> 00:50:19,960
Speaker 1: And I'm like, I feel you, man, can I have

1043
00:50:20,040 --> 00:50:21,480
Speaker 1: some of your hair? Like it's a whole thing. But

1044
00:50:21,560 --> 00:50:23,320
Speaker 1: he's very OCD two, like he will sit into a

1045
00:50:23,360 --> 00:50:25,320
Speaker 1: set list like I do a show here where I

1046
00:50:25,480 --> 00:50:26,840
Speaker 1: have to mark every little thing out. I got to

1047
00:50:26,880 --> 00:50:30,839
Speaker 1: move everything. But that's us needing control in the end.

1048
00:50:31,400 --> 00:50:34,319
Speaker 1: We feel it's like for some reason, we weren't giving

1049
00:50:34,360 --> 00:50:37,320
Speaker 1: control in our lives at some point. So these OCD

1050
00:50:37,480 --> 00:50:40,319
Speaker 1: tendencies that I have and then I think Dan has

1051
00:50:40,360 --> 00:50:42,120
Speaker 1: and I think everybody story is different. It's a control thing,

1052
00:50:42,160 --> 00:50:44,080
Speaker 1: like that's something we can control. Yeah, when other things

1053
00:50:44,120 --> 00:50:45,719
Speaker 1: in our life we're not in our control. We found

1054
00:50:45,760 --> 00:50:47,480
Speaker 1: these things that we could be in control of, and

1055
00:50:47,600 --> 00:50:50,680
Speaker 1: that gave us a sense of that we also had

1056
00:50:50,719 --> 00:50:52,120
Speaker 1: to sit in our life when at times we didn't

1057
00:50:52,120 --> 00:50:55,400
Speaker 1: have much of us say in our life. No, well, okay,

1058
00:50:55,400 --> 00:50:56,840
Speaker 1: you just went deep there for a second. But I

1059
00:50:56,960 --> 00:50:58,480
Speaker 1: like it. Why do I go into the reasons of

1060
00:50:58,600 --> 00:51:00,480
Speaker 1: like why do I do this? Three or four of

1061
00:51:00,520 --> 00:51:02,000
Speaker 1: them that if if I don't pet my dogs in

1062
00:51:02,000 --> 00:51:03,640
Speaker 1: the exact same right way, if I don't walk in

1063
00:51:03,680 --> 00:51:06,040
Speaker 1: this room from the door to my chair, stay quiet,

1064
00:51:06,080 --> 00:51:08,200
Speaker 1: if I don't, it's a lot of little stuff. But

1065
00:51:08,360 --> 00:51:09,920
Speaker 1: it's like I just need if I don't block out

1066
00:51:09,920 --> 00:51:11,640
Speaker 1: every single letter on every single page that we have

1067
00:51:11,719 --> 00:51:15,640
Speaker 1: here during the day, I feel like, well I can

1068
00:51:15,680 --> 00:51:17,359
Speaker 1: control this. It's about the only thing I can control.

1069
00:51:17,400 --> 00:51:19,320
Speaker 1: So I'm gonna do it. Known it. There you go.

1070
00:51:19,960 --> 00:51:22,680
Speaker 1: How much we have to today? It's pretty heavy day.

1071
00:51:22,680 --> 00:51:24,240
Speaker 1: We have a pretty heavy day, all right. I maybe

1072
00:51:24,280 --> 00:51:28,239
Speaker 1: that's my final That was Amy's pile of stories. It's

1073
00:51:28,320 --> 00:51:35,399
Speaker 1: time for the good news. I think this is gonna

1074
00:51:35,400 --> 00:51:37,560
Speaker 1: be some good news. We have Elizabeth on the phone

1075
00:51:37,640 --> 00:51:40,320
Speaker 1: right now, who lives in Indiana. Elizabeth, what's going on

1076
00:51:40,680 --> 00:51:42,760
Speaker 1: a couple of years ago, when you were on Dancing

1077
00:51:42,840 --> 00:51:45,840
Speaker 1: with the Stars, Um, you have a show that you

1078
00:51:45,920 --> 00:51:49,000
Speaker 1: came out to like North Webster, Indiana, where I'm from,

1079
00:51:49,560 --> 00:51:55,840
Speaker 1: and um, my boyfriend at the time, he got me

1080
00:51:56,200 --> 00:51:59,400
Speaker 1: um back they passes to meet you, and I was

1081
00:51:59,480 --> 00:52:03,320
Speaker 1: so nervous to meet you. I could barely say anything.

1082
00:52:03,640 --> 00:52:08,359
Speaker 1: I was just like freaking out because you're like an

1083
00:52:08,440 --> 00:52:12,680
Speaker 1: inspiration to me, and so um you looked at me

1084
00:52:12,920 --> 00:52:14,680
Speaker 1: and my boyfriend at the time and you were like,

1085
00:52:15,719 --> 00:52:21,800
Speaker 1: are you married? And I was like, no, we're not.

1086
00:52:22,080 --> 00:52:27,880
Speaker 1: We're like seventeen, and You're like, oh, well, I'm about

1087
00:52:28,400 --> 00:52:32,480
Speaker 1: I'm months ago. Two months ago my boyfriend proposed to me,

1088
00:52:33,120 --> 00:52:35,560
Speaker 1: and so I always told my boyfriend that I would

1089
00:52:36,040 --> 00:52:37,839
Speaker 1: call into the show and tell you that we were

1090
00:52:37,880 --> 00:52:42,120
Speaker 1: engaged now after this fact, because you asked us if

1091
00:52:42,120 --> 00:52:45,480
Speaker 1: we were married, So um, I thought it was. I

1092
00:52:45,560 --> 00:52:47,960
Speaker 1: was driving the school because I'm a teacher, and I

1093
00:52:48,040 --> 00:52:49,640
Speaker 1: was like, I'm just gonna see if I can get through.

1094
00:52:49,719 --> 00:52:53,000
Speaker 1: And I did. Like it. Everybody. I got a couple

1095
00:52:53,040 --> 00:52:54,279
Speaker 1: of things to say, a couple of things to say.

1096
00:52:54,320 --> 00:52:56,319
Speaker 1: One I asked you that when you were seventeen, that's

1097
00:52:56,320 --> 00:52:57,520
Speaker 1: how you know I'm getting older. I can't tell the

1098
00:52:57,520 --> 00:53:01,880
Speaker 1: different anymore. How old anybody is. Everybody is just the same. Um,

1099
00:53:02,080 --> 00:53:05,600
Speaker 1: and so you've been together what five six seven years?

1100
00:53:05,640 --> 00:53:09,120
Speaker 1: A long five five and a half years? And how

1101
00:53:09,160 --> 00:53:14,680
Speaker 1: did he propose? Um? We were playing clue, and UM

1102
00:53:15,040 --> 00:53:18,200
Speaker 1: my whole family was in on it, and so um

1103
00:53:18,440 --> 00:53:22,600
Speaker 1: when I um said I'd like to make an accusation. Um,

1104
00:53:22,680 --> 00:53:26,920
Speaker 1: he had Lucas ring and living room, and he got

1105
00:53:27,000 --> 00:53:31,080
Speaker 1: down on his knee and proposed Lucas ring, living room.

1106
00:53:31,520 --> 00:53:36,040
Speaker 1: That's hilarious. That's pretty cool, that's pretty cool. The murder

1107
00:53:36,120 --> 00:53:39,439
Speaker 1: weapon was ring. Did Yeah, he didn't like to start beating.

1108
00:53:40,400 --> 00:53:44,160
Speaker 1: Did you? Did everybody else know? Were they in on it? Yeah?

1109
00:53:44,239 --> 00:53:46,880
Speaker 1: My whole family was in on it, and so like

1110
00:53:47,239 --> 00:53:50,800
Speaker 1: when he proposed, um, I was like so worried about

1111
00:53:50,880 --> 00:53:54,160
Speaker 1: beating my brother at clue because we're like very competitive.

1112
00:53:54,440 --> 00:53:56,960
Speaker 1: I was like, well, did I win? And everyone was

1113
00:53:57,040 --> 00:54:00,360
Speaker 1: like laughing because I was like I said yeah, And

1114
00:54:00,440 --> 00:54:02,840
Speaker 1: then I was like did I win? Did I win Clue?

1115
00:54:02,920 --> 00:54:06,160
Speaker 1: And they were like I was just such in shock.

1116
00:54:06,719 --> 00:54:10,760
Speaker 1: You won the game of life? Yes, well that's awesome.

1117
00:54:10,800 --> 00:54:13,960
Speaker 1: We congratulations. How was the meet and greet? Because apparently

1118
00:54:14,000 --> 00:54:15,239
Speaker 1: I was like, hey, are you married when you were

1119
00:54:15,280 --> 00:54:18,000
Speaker 1: just a teenager? Other than that, did you anything else? Weird,

1120
00:54:18,160 --> 00:54:22,680
Speaker 1: was a nice what happened? It was awesome. Like I said,

1121
00:54:22,719 --> 00:54:25,400
Speaker 1: you're such an inspiration to me. Um, I was just

1122
00:54:25,600 --> 00:54:28,640
Speaker 1: like an utter shock that I could meet you and

1123
00:54:28,800 --> 00:54:31,680
Speaker 1: see you and we got a picture together and it

1124
00:54:31,840 --> 00:54:34,360
Speaker 1: was just really really cool. Well, I'm super proud for you.

1125
00:54:34,480 --> 00:54:37,239
Speaker 1: And tell your husband that that is awesome and that

1126
00:54:37,320 --> 00:54:38,680
Speaker 1: I'm sorry I asked you when you were in like

1127
00:54:38,760 --> 00:54:40,320
Speaker 1: eighth grade. If you're married, you know I needed to

1128
00:54:40,360 --> 00:54:43,359
Speaker 1: do better and I will learn from it. But when

1129
00:54:43,560 --> 00:54:44,840
Speaker 1: I'll ask you this and then I'll let you go

1130
00:54:44,920 --> 00:54:46,439
Speaker 1: because I know you got to go teach the kids, which,

1131
00:54:46,440 --> 00:54:49,080
Speaker 1: by the way, what what grade do you teach? Um?

1132
00:54:49,400 --> 00:54:52,719
Speaker 1: Second grade? Us. We actually have our first teacher to

1133
00:54:52,760 --> 00:54:55,120
Speaker 1: day tomorrow, so I don't have any kids yet. I'm

1134
00:54:55,160 --> 00:54:57,680
Speaker 1: just getting my classroom ready. Okay. So do you have

1135
00:54:57,800 --> 00:55:01,680
Speaker 1: one of those clear the lists? Um? I do? Okay,

1136
00:55:01,680 --> 00:55:03,440
Speaker 1: will you send it to me and then I'll how

1137
00:55:03,520 --> 00:55:05,360
Speaker 1: much do you have left on it right now? Maybe

1138
00:55:05,480 --> 00:55:08,320
Speaker 1: about two hundred dollars? Okay, I'll take care of that.

1139
00:55:08,880 --> 00:55:10,600
Speaker 1: I'll pay for all of it. I'm gonna put you

1140
00:55:10,680 --> 00:55:13,320
Speaker 1: on hold. It's my wedding gift to you, okay, and

1141
00:55:13,880 --> 00:55:16,320
Speaker 1: I will clear your list for you and then you

1142
00:55:16,400 --> 00:55:17,920
Speaker 1: guys have a happy life. But if you don't have

1143
00:55:17,920 --> 00:55:19,399
Speaker 1: a happy life or you don't get married, I want

1144
00:55:19,440 --> 00:55:21,479
Speaker 1: the little refunded to me. This is your wedding gift,

1145
00:55:21,880 --> 00:55:23,919
Speaker 1: right Well, yeah, I want all the rulers. I don't

1146
00:55:23,920 --> 00:55:24,920
Speaker 1: know what I'm gonna do with them, but I want

1147
00:55:24,960 --> 00:55:27,760
Speaker 1: him all sent back. Hey, Elizabeth, congratulations, that is amazing.

1148
00:55:27,880 --> 00:55:29,359
Speaker 1: I'm gonna put you on hold so I can get

1149
00:55:29,400 --> 00:55:33,160
Speaker 1: your link and I will clear that list for you. Okay, okay,

1150
00:55:33,520 --> 00:55:35,960
Speaker 1: all right, Elizabeth, congratulations. There she has tell me something

1151
00:55:38,640 --> 00:55:42,760
Speaker 1: that was tell me something good. On the phones, Calenda

1152
00:55:42,800 --> 00:55:46,200
Speaker 1: and Texas, Hello and good morning, Calenda. How are you?

1153
00:55:47,360 --> 00:55:50,239
Speaker 1: Good morning? I'm good and how are you? We're doing

1154
00:55:50,280 --> 00:55:52,360
Speaker 1: pretty good. What can I do for you? The caller

1155
00:55:52,480 --> 00:55:56,239
Speaker 1: they're called in and he wanted you to do like

1156
00:55:57,000 --> 00:56:00,080
Speaker 1: and sign for his arm and everything like that. He

1157
00:56:00,160 --> 00:56:01,640
Speaker 1: wants me to sign his arm and then he wants

1158
00:56:01,680 --> 00:56:06,080
Speaker 1: to tattoo it on. Yes, yeah, okay, So what about

1159
00:56:06,160 --> 00:56:08,800
Speaker 1: the lady that called in and you gave her a

1160
00:56:08,920 --> 00:56:12,640
Speaker 1: heck of a time that he went all the like

1161
00:56:13,160 --> 00:56:18,839
Speaker 1: every show member to do it and didn't like y'all

1162
00:56:18,880 --> 00:56:21,680
Speaker 1: gave her grief about it. Well, the first time he called,

1163
00:56:21,719 --> 00:56:23,120
Speaker 1: I gave him a lot of grief about it too,

1164
00:56:23,120 --> 00:56:24,719
Speaker 1: And I was like, dude, you don't want this. You

1165
00:56:24,800 --> 00:56:27,560
Speaker 1: don't you don't want me to sign, you don't want

1166
00:56:27,600 --> 00:56:30,800
Speaker 1: an audit. We're not famous. Who knows in ten years

1167
00:56:30,960 --> 00:56:32,680
Speaker 1: which one or two of us will be in jail.

1168
00:56:32,840 --> 00:56:34,840
Speaker 1: It'll just be an issue two of us. Yeah, you

1169
00:56:34,920 --> 00:56:37,040
Speaker 1: definitely told him to take a few days to think

1170
00:56:37,120 --> 00:56:38,880
Speaker 1: on it. Yeah, you may have heard the call, like

1171
00:56:39,000 --> 00:56:41,279
Speaker 1: the later call, but I was like, dude, you don't

1172
00:56:41,360 --> 00:56:43,799
Speaker 1: want it, yeah, and take some time and call me back.

1173
00:56:44,160 --> 00:56:46,320
Speaker 1: And he did. And also I think the fact that

1174
00:56:48,239 --> 00:56:50,359
Speaker 1: I don't know, I guess I don't feel as bad

1175
00:56:50,400 --> 00:56:54,040
Speaker 1: messing up a dude's body, if I'm being honest. Yeah,

1176
00:56:54,080 --> 00:56:57,200
Speaker 1: I think that's probably a little bit too. Like I

1177
00:56:57,360 --> 00:57:00,680
Speaker 1: just have I feel like he was a little more precious,

1178
00:57:00,840 --> 00:57:02,480
Speaker 1: Like I was like, you don't want to I'll take

1179
00:57:02,600 --> 00:57:03,879
Speaker 1: let me try to take care of you because it'd

1180
00:57:03,880 --> 00:57:05,560
Speaker 1: be a bad idea. Or he's like, hey, dude, that's

1181
00:57:05,560 --> 00:57:07,319
Speaker 1: a bad idea, but I wanted to do it, all right,

1182
00:57:07,400 --> 00:57:10,560
Speaker 1: that's right. Also, you already convinced him to move it

1183
00:57:10,719 --> 00:57:13,279
Speaker 1: from like his chest to his arm, Yes, because like

1184
00:57:13,480 --> 00:57:15,560
Speaker 1: that you weren't going to really do though, Yeah, Clenda,

1185
00:57:15,600 --> 00:57:18,200
Speaker 1: I'm not comfortable with it in any form or fashion. Yeah.

1186
00:57:18,680 --> 00:57:22,680
Speaker 1: So that's basically my mindset of it all. I wish

1187
00:57:23,160 --> 00:57:25,760
Speaker 1: that people wouldn't try to get me tattooed on them,

1188
00:57:25,840 --> 00:57:29,560
Speaker 1: but if they must, then I will. The least I

1189
00:57:29,640 --> 00:57:32,040
Speaker 1: could do is not feel like I'm too good for it,

1190
00:57:32,160 --> 00:57:34,960
Speaker 1: you know, Okay, well do you do it for the

1191
00:57:35,360 --> 00:57:37,320
Speaker 1: other lady. I have no idea who that was or that.

1192
00:57:37,880 --> 00:57:39,600
Speaker 1: We've had like ten people call and be like, I

1193
00:57:39,680 --> 00:57:41,640
Speaker 1: want to tattoo a picture of you or what. And

1194
00:57:41,760 --> 00:57:44,120
Speaker 1: I've signed different things and sent it off to have

1195
00:57:44,240 --> 00:57:46,320
Speaker 1: like five ground repeat and people have had a tattooed

1196
00:57:46,320 --> 00:57:49,760
Speaker 1: on them. So I don't mind that as much as

1197
00:57:50,720 --> 00:57:55,160
Speaker 1: like my signature or my or just something personal about

1198
00:57:55,320 --> 00:57:57,040
Speaker 1: someone got your face, they who, here's my whole like

1199
00:57:57,160 --> 00:57:58,960
Speaker 1: waste up and it's all and they guy did a

1200
00:57:59,040 --> 00:58:01,680
Speaker 1: great job on it, and it's awesome, and I'm so

1201
00:58:02,080 --> 00:58:04,200
Speaker 1: I'm honored, but I'm just like, I'm honored with a

1202
00:58:04,240 --> 00:58:07,240
Speaker 1: little bit of hesitation of I'm probably not. I'm not

1203
00:58:07,360 --> 00:58:10,600
Speaker 1: worthy of that, so I feel guilty. So I've done

1204
00:58:10,680 --> 00:58:13,480
Speaker 1: some others I just feel bad about. So that's basically

1205
00:58:13,520 --> 00:58:15,560
Speaker 1: worth stands. There's no rhyme or reason. Calenda. All right,

1206
00:58:15,600 --> 00:58:21,960
Speaker 1: let's go over into the corny amy, Ready, ready, morning corny.

1207
00:58:22,240 --> 00:58:24,440
Speaker 1: How do bees get to school? How do bees get

1208
00:58:24,440 --> 00:58:33,400
Speaker 1: to school? On the school buzz? That was the morning corny.

1209
00:58:33,840 --> 00:58:35,800
Speaker 1: You had to get one person's name tattooed on you

1210
00:58:36,200 --> 00:58:38,240
Speaker 1: that you don't know, not a family member, who to

1211
00:58:38,360 --> 00:58:43,360
Speaker 1: be one? Okay, fine, George straight, Yeah, it should almost

1212
00:58:43,360 --> 00:58:46,400
Speaker 1: be somebody who's who's old, get his brand, and within

1213
00:58:46,520 --> 00:58:49,919
Speaker 1: a few minutes of like being real old, because they've

1214
00:58:49,920 --> 00:58:51,560
Speaker 1: already done most of their life, they're not going to

1215
00:58:51,640 --> 00:58:55,120
Speaker 1: mess up. Probably not unless you discover something like I

1216
00:58:55,200 --> 00:58:56,640
Speaker 1: just feel maybe I feel like I've got too many

1217
00:58:56,640 --> 00:58:58,280
Speaker 1: good years left to me to mess up. Oh yeah,

1218
00:58:58,320 --> 00:59:01,880
Speaker 1: you're still young. Yeah, yeah, that's it. I get to Eddie.

1219
00:59:02,160 --> 00:59:04,240
Speaker 1: Yeah see, now, I was gonna say Eddie Vetter a

1220
00:59:04,280 --> 00:59:05,640
Speaker 1: pro jam, but he's got a lot of life to

1221
00:59:05,720 --> 00:59:08,000
Speaker 1: live too. Let me go Willie. It's like naming a

1222
00:59:08,080 --> 00:59:09,800
Speaker 1: school after somebody. Yeah, will it's a good one. You

1223
00:59:09,800 --> 00:59:14,800
Speaker 1: could get the braids, but we're talking about a name here,

1224
00:59:14,800 --> 00:59:16,480
Speaker 1: because okay, visually you can draw their head and it

1225
00:59:16,480 --> 00:59:21,280
Speaker 1: looks cool. Willie Lunchbox, Michael Jordan's greatest of all time, Michael.

1226
00:59:21,280 --> 00:59:24,360
Speaker 1: I was gonna say Hugh Hefner, but he's dead. Oh yeah,

1227
00:59:24,480 --> 00:59:27,400
Speaker 1: he's not not good, dude, Yeah not good? Was he not? Yeah,

1228
00:59:27,520 --> 00:59:29,840
Speaker 1: he's kind of I mean, even though some people idolize

1229
00:59:29,920 --> 00:59:35,960
Speaker 1: him now they don't. I would get Mike D. Oh yeah,

1230
00:59:36,040 --> 00:59:38,120
Speaker 1: but that guy solidest can be. He helped Morgan with

1231
00:59:38,200 --> 00:59:39,960
Speaker 1: a car when it wrote down. That's true. It's always

1232
00:59:40,000 --> 00:59:42,480
Speaker 1: there for me. I would get Mike D. And I'd

1233
00:59:42,520 --> 00:59:44,080
Speaker 1: say Mike D. And then I would do that little

1234
00:59:44,160 --> 00:59:45,960
Speaker 1: sign that's like a it's almost like a cross, but

1235
00:59:46,000 --> 00:59:47,320
Speaker 1: it's right in the middle, and I would get Mike

1236
00:59:47,440 --> 00:59:51,720
Speaker 1: D b b oh like plus plus yeah but no, no, hey,

1237
00:59:51,760 --> 00:59:54,480
Speaker 1: do the letters and each of the squares. Okay, that's

1238
00:59:54,520 --> 00:59:58,400
Speaker 1: how I do. So. On Stranger Things, it's back in

1239
00:59:58,440 --> 01:00:00,600
Speaker 1: the eighties and they played the song from Kate Bush

1240
01:00:02,960 --> 01:00:05,120
Speaker 1: old song It's Massive's on pop radio all the time

1241
01:00:05,120 --> 01:00:07,320
Speaker 1: now because that and like I remember, there was a

1242
01:00:07,320 --> 01:00:09,120
Speaker 1: whole controversy because radio people were like, we're not playing

1243
01:00:09,120 --> 01:00:11,200
Speaker 1: that song. It's old. But it's like a huge song

1244
01:00:11,280 --> 01:00:14,120
Speaker 1: and you don't have to just play stuff because it

1245
01:00:14,160 --> 01:00:16,040
Speaker 1: came out right. Now, is this a whole weird thing?

1246
01:00:16,640 --> 01:00:19,080
Speaker 1: But this song is massive again, they're like little remixes,

1247
01:00:19,160 --> 01:00:20,840
Speaker 1: and she was making like a million bucks a week

1248
01:00:20,880 --> 01:00:22,520
Speaker 1: and probably making more than that. Now. This is the

1249
01:00:22,600 --> 01:00:29,160
Speaker 1: eighties song turn it up there. So these are songs

1250
01:00:29,240 --> 01:00:31,040
Speaker 1: that gained popularity when they were used in movies and

1251
01:00:31,080 --> 01:00:33,880
Speaker 1: TV shows much like that. So they had already been

1252
01:00:33,920 --> 01:00:35,760
Speaker 1: out and then they were used, and after they were used,

1253
01:00:35,800 --> 01:00:39,080
Speaker 1: it was like, oh, we love it again or we

1254
01:00:39,160 --> 01:00:42,080
Speaker 1: love it for the first time. This one is from

1255
01:00:42,160 --> 01:00:48,520
Speaker 1: the Knack at number ten my Sharona And this one

1256
01:00:48,680 --> 01:00:50,680
Speaker 1: was a big hit in the seventies, but it came

1257
01:00:51,440 --> 01:00:53,960
Speaker 1: screaming back after it was used in a movie. Number nine,

1258
01:00:57,040 --> 01:01:01,840
Speaker 1: what's the movie Man? Number Hey Blue Oyster called Don't

1259
01:01:01,880 --> 01:01:08,400
Speaker 1: Fear the Reaper? Here you go, Stuck in the Middle

1260
01:01:08,440 --> 01:01:12,880
Speaker 1: with you? Well that me Jokers to the Raid. Here

1261
01:01:13,520 --> 01:01:16,520
Speaker 1: snuck in the Middle, Here we go. This is from

1262
01:01:16,520 --> 01:01:25,080
Speaker 1: The Who Just Yesterday. This is from Nirvana, Go ahead,

1263
01:01:28,720 --> 01:01:37,480
Speaker 1: Number four, hit me with that, all right? Number three,

1264
01:01:37,640 --> 01:01:43,960
Speaker 1: hit me, number two, hit it I See a Little

1265
01:01:46,560 --> 01:01:49,400
Speaker 1: And then number one, this is called where is My Mind?

1266
01:01:49,480 --> 01:01:55,240
Speaker 1: By the Pixies, Where is mind? Mind? Where is my Mind?

1267
01:01:55,400 --> 01:01:57,280
Speaker 1: I didn't know this movie. I know the Pixies, but

1268
01:01:57,280 --> 01:01:59,880
Speaker 1: I didn't know this movie. What movie is this? Fight Club?

1269
01:02:00,960 --> 01:02:04,520
Speaker 1: There you go. Those are songs at all were created

1270
01:02:04,880 --> 01:02:07,840
Speaker 1: just normally organically as music from these artists, but because

1271
01:02:07,880 --> 01:02:09,720
Speaker 1: they were put into things, a whole new generation got

1272
01:02:09,760 --> 01:02:12,280
Speaker 1: them or they were made famous the first time because

1273
01:02:12,320 --> 01:02:14,160
Speaker 1: of that. So there you go. Do you guys like

1274
01:02:14,240 --> 01:02:18,800
Speaker 1: that segment? Yeah? Boom me too. I want to play

1275
01:02:18,800 --> 01:02:21,480
Speaker 1: a voicemail from Jordan that we got last night. I

1276
01:02:21,600 --> 01:02:23,680
Speaker 1: have a very random question I just thought about for

1277
01:02:23,760 --> 01:02:29,800
Speaker 1: some reason. I know how like germophobe, germophobic, germophobic, whatever

1278
01:02:30,600 --> 01:02:34,760
Speaker 1: Bobby is. I'm curious if you would give a random

1279
01:02:34,800 --> 01:02:37,880
Speaker 1: persons CPR because I mean that involves mouth to mouth.

1280
01:02:38,320 --> 01:02:40,160
Speaker 1: So just just thought about that and was going to

1281
01:02:40,240 --> 01:02:42,640
Speaker 1: see what you had to say. So thank you. Also

1282
01:02:42,720 --> 01:02:48,240
Speaker 1: up from Arkansas, whoopig, Yes I would. I'd a good question. Well,

1283
01:02:48,400 --> 01:02:51,080
Speaker 1: hold on a minute. We're talking about somebody's life, now

1284
01:02:51,440 --> 01:02:53,080
Speaker 1: what I reached my bag and pull out a smart

1285
01:02:53,160 --> 01:02:57,919
Speaker 1: mouth mouthwashing port in first and shake their head for sure. Yeah? No, yeah,

1286
01:02:57,960 --> 01:03:01,240
Speaker 1: of course I would. Yes, I'm not big on shaking hands.

1287
01:03:01,280 --> 01:03:03,760
Speaker 1: I'm not big on door handles. I'm not We could

1288
01:03:03,760 --> 01:03:05,560
Speaker 1: go through the list of things where you go, well,

1289
01:03:05,560 --> 01:03:08,280
Speaker 1: that's a little peculiar. I was wearing a mask before

1290
01:03:08,400 --> 01:03:12,120
Speaker 1: COVID on airplanes because I know people sitting next to me.

1291
01:03:12,480 --> 01:03:14,800
Speaker 1: So I'd sit down on the flight on the inside

1292
01:03:14,840 --> 01:03:16,520
Speaker 1: seat to Southwest where you could pick your own flights.

1293
01:03:16,840 --> 01:03:19,440
Speaker 1: And I thought, well, if there's a opportunity to have

1294
01:03:19,480 --> 01:03:22,400
Speaker 1: an open middle seat, I want to I want that seat,

1295
01:03:23,040 --> 01:03:26,840
Speaker 1: So I'll wear a mask, mostly so people wouldn't sit there. Yeah,

1296
01:03:28,200 --> 01:03:31,880
Speaker 1: that would definitely be like what'd two heads right? Um?

1297
01:03:32,200 --> 01:03:33,840
Speaker 1: And then also people would be like, he's sick. He

1298
01:03:33,960 --> 01:03:36,880
Speaker 1: must be sick. Yes, So when they were like everybody

1299
01:03:36,960 --> 01:03:39,480
Speaker 1: wear masks, I was like, dang it, it's like every

1300
01:03:39,520 --> 01:03:41,800
Speaker 1: short person got tall for every tall guy. I was like, wait,

1301
01:03:41,840 --> 01:03:45,560
Speaker 1: I'm not tall anymore. So yes, I would give someone

1302
01:03:45,680 --> 01:03:48,680
Speaker 1: mouth to mouth. Are you kidding me? Doing a heartbeat?

1303
01:03:49,160 --> 01:03:51,480
Speaker 1: Thank you very much. You can leave us a voicemail

1304
01:03:51,480 --> 01:03:55,920
Speaker 1: at anytime eight seven, seven seventy seven, Bobby. We will

1305
01:03:56,000 --> 01:03:58,040
Speaker 1: listen to them, we'll play them, we'll answer them. This

1306
01:03:58,280 --> 01:04:02,240
Speaker 1: is Taylor in Murphy's Burr. I've left about five voicemails.

1307
01:04:02,520 --> 01:04:06,480
Speaker 1: Can you please give my parents a twenty year anniversary?

1308
01:04:06,560 --> 01:04:09,640
Speaker 1: Shout out? Their names of James and Julian didn't mean

1309
01:04:09,680 --> 01:04:12,440
Speaker 1: a lot to me in them Love Her show. We

1310
01:04:12,520 --> 01:04:15,880
Speaker 1: started angry. Now he's calm. I've loved five voicemails and

1311
01:04:16,000 --> 01:04:18,000
Speaker 1: I'm eleven and I will kill you all right, buddy,

1312
01:04:18,240 --> 01:04:19,800
Speaker 1: I can hear what you're trying to say without saying it.

1313
01:04:20,360 --> 01:04:23,640
Speaker 1: James and Jillian, twenty year anniversary. Your son will not

1314
01:04:23,720 --> 01:04:26,840
Speaker 1: stop calling us, so happy anniversary. And you got a

1315
01:04:26,840 --> 01:04:29,120
Speaker 1: little tenacious kid there. I like that. That's very good.

1316
01:04:30,640 --> 01:04:34,240
Speaker 1: There's a mattress company. They're looking for professional sleepers and

1317
01:04:34,320 --> 01:04:36,080
Speaker 1: they want to pay them for taking naps and just

1318
01:04:36,280 --> 01:04:40,240
Speaker 1: documenting their experience on the different kinds of beds, how

1319
01:04:40,320 --> 01:04:43,160
Speaker 1: good they sleep, and not just documented for science like

1320
01:04:43,160 --> 01:04:45,040
Speaker 1: I said on social media. They wanted out there, and

1321
01:04:45,200 --> 01:04:48,320
Speaker 1: so Casper, a mattress firm found in twenty fourteen, says

1322
01:04:48,320 --> 01:04:50,640
Speaker 1: it's hiring Casper sleepers. This is a perfect job for

1323
01:04:50,720 --> 01:04:54,160
Speaker 1: lunchbox thing. We'd all would admit to that money. So

1324
01:04:55,480 --> 01:04:59,840
Speaker 1: you should have exceptional sleeping ability. Check the desire to

1325
01:05:00,040 --> 01:05:03,520
Speaker 1: sleep as much as possible. Check the ability to sleep

1326
01:05:03,600 --> 01:05:07,720
Speaker 1: through anything check and applications of being accepted through August eleventh,

1327
01:05:08,120 --> 01:05:11,160
Speaker 1: Lunchbox can get on an airplane. We sit down. I'm

1328
01:05:11,200 --> 01:05:13,520
Speaker 1: putting my bag up on the overhead and I'm like, hey, look,

1329
01:05:14,120 --> 01:05:17,680
Speaker 1: I'm like, hey, launch you in ten seconds. Yeah, like

1330
01:05:17,760 --> 01:05:20,120
Speaker 1: his right nipples already covered in spit because he's drooling

1331
01:05:20,200 --> 01:05:22,800
Speaker 1: all the way down. So here is I was thinking

1332
01:05:22,840 --> 01:05:26,000
Speaker 1: about this. This is the deal I'll make you. It's

1333
01:05:26,040 --> 01:05:29,920
Speaker 1: not a stunt where you could injure yourself or get arrested. Okay,

1334
01:05:31,200 --> 01:05:33,080
Speaker 1: but if you can go into a mattress store here

1335
01:05:33,520 --> 01:05:37,760
Speaker 1: anywhere and you can actually fall asleep for fifteen minutes

1336
01:05:37,840 --> 01:05:40,760
Speaker 1: or more, I'll give you a hundred bucks. Oh that's done.

1337
01:05:40,880 --> 01:05:43,480
Speaker 1: But you have to go and someone has to go

1338
01:05:43,640 --> 01:05:46,440
Speaker 1: with you. That's fine, and just make sure. And you

1339
01:05:46,520 --> 01:05:49,600
Speaker 1: can't fake it, dude. You can tell. When I'm sleep

1340
01:05:49,640 --> 01:05:51,560
Speaker 1: and I fall asleep, my mouth goes wide open, and

1341
01:05:52,000 --> 01:05:54,560
Speaker 1: I mean, I don't move. You will make one hundred

1342
01:05:54,600 --> 01:05:57,520
Speaker 1: dollars if you can stay asleep in the store for

1343
01:05:57,680 --> 01:06:02,240
Speaker 1: fifteen minutes. Oh that's done. I mean that's so simple. Simple.

1344
01:06:02,360 --> 01:06:04,360
Speaker 1: I fall asleep, like if I put the doctor's office

1345
01:06:04,400 --> 01:06:05,920
Speaker 1: and I'm waiting to go back. I fall asleep in

1346
01:06:06,000 --> 01:06:09,160
Speaker 1: the chair. I mean, this is so funny. Would it

1347
01:06:09,240 --> 01:06:10,919
Speaker 1: be though, if he goes in and we have video

1348
01:06:11,000 --> 01:06:12,960
Speaker 1: and of him asleep in the store, and will they

1349
01:06:13,000 --> 01:06:14,600
Speaker 1: come to hi immediate and wake him up? Yeah? Yeah,

1350
01:06:14,600 --> 01:06:16,000
Speaker 1: that's my question. Did you go in and you're like, hey,

1351
01:06:16,000 --> 01:06:17,120
Speaker 1: I just want to check out some of these beds.

1352
01:06:17,120 --> 01:06:19,320
Speaker 1: It's this that's the only conversation you have to do

1353
01:06:19,360 --> 01:06:21,200
Speaker 1: with anybody. Okay. It's like, hey man, I'm just gonna

1354
01:06:21,200 --> 01:06:23,120
Speaker 1: look at some beds. Feel a little test out. It's

1355
01:06:23,160 --> 01:06:24,880
Speaker 1: a cool I lay on a couple of these. Yeah, man,

1356
01:06:24,920 --> 01:06:27,840
Speaker 1: go ahead, that's it. Just record you saying that, find

1357
01:06:27,880 --> 01:06:29,640
Speaker 1: you one the one that feels the most comfortable, and

1358
01:06:29,800 --> 01:06:31,520
Speaker 1: like abby or someone will be with you or like

1359
01:06:31,560 --> 01:06:34,200
Speaker 1: in the corner and just watching. And if you can

1360
01:06:34,240 --> 01:06:36,760
Speaker 1: fall asleep for fifteen minutes or more, you get one

1361
01:06:36,840 --> 01:06:39,160
Speaker 1: hundred bucks, okay, And if I get thirty minutes, I

1362
01:06:39,200 --> 01:06:41,120
Speaker 1: get two hundred. You do not oh now, if the

1363
01:06:41,200 --> 01:06:46,080
Speaker 1: employee interrupts, the fifteen doesn't county, that doesn't count. And

1364
01:06:46,120 --> 01:06:48,280
Speaker 1: then you go brom testing this out? Why do you

1365
01:06:48,320 --> 01:06:50,000
Speaker 1: wake me out and then go back to sleep? If

1366
01:06:50,040 --> 01:06:52,160
Speaker 1: he gets mad at him. Yeah, what are you doing, buddy?

1367
01:06:52,400 --> 01:06:53,680
Speaker 1: How am I gonna know this is good? If you

1368
01:06:53,680 --> 01:06:57,720
Speaker 1: don't let me sleep? So there's no timetable like today

1369
01:06:57,800 --> 01:06:59,600
Speaker 1: or tomorrow, but in the next couple of weeks if

1370
01:06:59,600 --> 01:07:02,720
Speaker 1: you can pull this off. Okay, today's August tenth, by

1371
01:07:02,840 --> 01:07:05,080
Speaker 1: September thirty first, if you can bring that in one

1372
01:07:05,120 --> 01:07:07,320
Speaker 1: hundred bucks cash. You got time, now do I? Okay?

1373
01:07:07,400 --> 01:07:09,920
Speaker 1: Can I get one hundred dollars for every time if

1374
01:07:09,920 --> 01:07:13,760
Speaker 1: I go to different I'm just asking if there's no

1375
01:07:13,920 --> 01:07:16,320
Speaker 1: more I'll go to this. We could we could elevate

1376
01:07:16,400 --> 01:07:18,480
Speaker 1: the bit if you come back with the first one.

1377
01:07:18,640 --> 01:07:20,360
Speaker 1: The next one then could be if you go in

1378
01:07:20,440 --> 01:07:22,080
Speaker 1: and you go into the bathroom getting your pajamas and

1379
01:07:22,160 --> 01:07:24,400
Speaker 1: then you go lay in the bed. We could find

1380
01:07:24,480 --> 01:07:27,720
Speaker 1: ways to continue it. Love it, but right now fifteen

1381
01:07:27,760 --> 01:07:30,040
Speaker 1: minutes one hundred bucks. You might as well pay me

1382
01:07:30,120 --> 01:07:32,920
Speaker 1: right now, just ahead and vinmo I will not, but

1383
01:07:33,320 --> 01:07:36,040
Speaker 1: you'll wait. I love the attitude, all right. So we

1384
01:07:36,160 --> 01:07:38,480
Speaker 1: got the news coming up at the top of the

1385
01:07:38,560 --> 01:07:42,680
Speaker 1: hour and Dylan Scott performing a little bit later. You

1386
01:07:42,800 --> 01:07:47,920
Speaker 1: guys can call us questions comments eight seven, seven seventy

1387
01:07:48,040 --> 01:07:53,680
Speaker 1: seven Bobby, that's our number, eight seven, seven seventy seven. Bobby,

1388
01:07:54,160 --> 01:07:59,920
Speaker 1: let's do the news. Bobby's b story. A Southwest Airlines

1389
01:08:00,000 --> 01:08:02,600
Speaker 1: flight attendant suffered a broken back during a landing that

1390
01:08:02,840 --> 01:08:06,640
Speaker 1: was so rough she believed the plane was crashing, according

1391
01:08:06,680 --> 01:08:10,320
Speaker 1: to Federal safety investigators. The terrifying incident, according to the

1392
01:08:10,360 --> 01:08:13,400
Speaker 1: New York Post, occurred on Southwest flight twenty twenty nine

1393
01:08:13,680 --> 01:08:16,200
Speaker 1: as it was traveling from Oakland to Orange County on

1394
01:08:16,360 --> 01:08:18,719
Speaker 1: July first. As the plane was landing on the runaway

1395
01:08:18,840 --> 01:08:21,200
Speaker 1: hit the ground with such force that the crew member

1396
01:08:21,280 --> 01:08:24,160
Speaker 1: thought the flight had crashed. The woman, who was not named,

1397
01:08:24,160 --> 01:08:26,200
Speaker 1: felt painting her back and neck, could not move was

1398
01:08:26,240 --> 01:08:28,200
Speaker 1: taken to the hospital, where she was diagnosed with a

1399
01:08:28,320 --> 01:08:32,840
Speaker 1: compression fracture to a vertebra. The NTSB said that none

1400
01:08:32,920 --> 01:08:35,320
Speaker 1: of the other one forty one on board were injured.

1401
01:08:35,720 --> 01:08:39,000
Speaker 1: The pilots, an investigator the pilots while investigators were aiming

1402
01:08:39,280 --> 01:08:42,280
Speaker 1: for the normal touchdown zone on a relatively short runway.

1403
01:08:43,560 --> 01:08:48,360
Speaker 1: The sometimes my iPhone, and it's happened before. I've been

1404
01:08:48,400 --> 01:08:50,360
Speaker 1: at the top of a staircase and dropped it and

1405
01:08:50,400 --> 01:08:52,800
Speaker 1: it's fallen twenty feet and I pick it up wow,

1406
01:08:52,800 --> 01:08:54,680
Speaker 1: I'll get us new. There's been a couple times I

1407
01:08:54,720 --> 01:08:57,880
Speaker 1: after up like six inches eight inches, but because of

1408
01:08:57,960 --> 01:09:01,839
Speaker 1: the exact angle that it hit in the exact it cracked.

1409
01:09:01,920 --> 01:09:03,600
Speaker 1: And I wonder if that's one of those where she

1410
01:09:03,720 --> 01:09:06,720
Speaker 1: just happened to be sitting. Obviously there was something to happen,

1411
01:09:06,960 --> 01:09:08,679
Speaker 1: but there's one hundred and forty one people on board

1412
01:09:08,680 --> 01:09:10,720
Speaker 1: that weren't hurt. So if it was just like a

1413
01:09:10,800 --> 01:09:14,280
Speaker 1: big boom, you would think somebody else possibly would have

1414
01:09:14,320 --> 01:09:16,960
Speaker 1: been injured as well. You wonder if she was just

1415
01:09:17,439 --> 01:09:21,760
Speaker 1: happened to be sitting in a slightly wrong or wrong

1416
01:09:21,800 --> 01:09:23,479
Speaker 1: maybe isn't the word in a slight and in a

1417
01:09:23,560 --> 01:09:27,280
Speaker 1: way that Yeah, that maybe just hit and that's terrible.

1418
01:09:27,720 --> 01:09:29,640
Speaker 1: That's awful for her. I feel so bad for her.

1419
01:09:30,120 --> 01:09:32,720
Speaker 1: She didn't do anything to make that happen. You just

1420
01:09:32,880 --> 01:09:35,320
Speaker 1: wonder if it was just bad luck where she happened

1421
01:09:35,360 --> 01:09:37,760
Speaker 1: to be sitting one shoulder six inches in front of

1422
01:09:37,800 --> 01:09:40,000
Speaker 1: the other and that was just the angle. Yeah, like

1423
01:09:40,080 --> 01:09:42,400
Speaker 1: her alignment at the time. Like I think your theory

1424
01:09:42,520 --> 01:09:45,519
Speaker 1: is could be very correct, and that's why Sam, I do.

1425
01:09:45,600 --> 01:09:47,639
Speaker 1: I think I think that could be correct. But yeah,

1426
01:09:47,680 --> 01:09:50,080
Speaker 1: a pre existing thing like because sometimes my back might

1427
01:09:50,120 --> 01:09:52,000
Speaker 1: be out of alignment, and then you know, like the

1428
01:09:52,080 --> 01:09:55,360
Speaker 1: time I sneezed and threw me totally out. Never felt

1429
01:09:55,400 --> 01:09:56,800
Speaker 1: a story more than this one right here, right yes,

1430
01:09:57,000 --> 01:09:59,040
Speaker 1: And so it's like you never know what one little

1431
01:09:59,120 --> 01:10:01,439
Speaker 1: movement is going to you're back to just go crazy.

1432
01:10:01,640 --> 01:10:05,000
Speaker 1: The world's tallest woman has shattered more records. This from

1433
01:10:05,080 --> 01:10:08,719
Speaker 1: Uni Lad, twenty five year old. Her name is Rummeisa Gelgi.

1434
01:10:09,120 --> 01:10:11,479
Speaker 1: She has already been recognized as the world's tallest living

1435
01:10:11,560 --> 01:10:15,000
Speaker 1: female at right about seven foot one inch. Wow, that's tall.

1436
01:10:16,120 --> 01:10:19,479
Speaker 1: Now you can add longest fingers, largest hands, and longest back.

1437
01:10:19,560 --> 01:10:20,920
Speaker 1: I would expect most of that to kind of come

1438
01:10:20,920 --> 01:10:24,160
Speaker 1: along with this together. Her size has given her challenges obviously,

1439
01:10:24,200 --> 01:10:27,000
Speaker 1: like transportation, but she's worked to turn them all into positives.

1440
01:10:27,240 --> 01:10:29,840
Speaker 1: And I think, by the way, being seven foot would

1441
01:10:29,840 --> 01:10:32,519
Speaker 1: be very tough, regardless of what country you lived in

1442
01:10:32,880 --> 01:10:35,400
Speaker 1: and what sex you were, it would be very tough.

1443
01:10:36,080 --> 01:10:40,160
Speaker 1: I think though, that there are a fair amount of

1444
01:10:40,280 --> 01:10:44,680
Speaker 1: seven footmen, meaning it's rare that we see them, but

1445
01:10:44,880 --> 01:10:47,800
Speaker 1: there's a couple in a lot of places we've seen them.

1446
01:10:48,040 --> 01:10:52,880
Speaker 1: That she's not the tallest person, and some things will

1447
01:10:52,920 --> 01:10:55,720
Speaker 1: probably easier because guys are taller than women for the

1448
01:10:55,800 --> 01:10:58,519
Speaker 1: most part, but that would still be very, very tough ball.

1449
01:10:59,120 --> 01:11:00,840
Speaker 1: I don't think so, I think say that. I bet

1450
01:11:00,840 --> 01:11:03,200
Speaker 1: everybody asks for that too. Yeah, that's the first thing

1451
01:11:03,240 --> 01:11:05,559
Speaker 1: you think, right went to an event last night. Kaitlin

1452
01:11:05,600 --> 01:11:07,519
Speaker 1: and I are involved with the dog organization here in town,

1453
01:11:07,600 --> 01:11:09,360
Speaker 1: and so we went over to it and had all

1454
01:11:09,360 --> 01:11:11,759
Speaker 1: these puppies and everybody's hold the puppies and it's awesome,

1455
01:11:11,800 --> 01:11:13,559
Speaker 1: and we were like, okay, we don't. We cannot take

1456
01:11:13,560 --> 01:11:15,479
Speaker 1: a puppy home. We cannot take a puppy. We're like

1457
01:11:15,520 --> 01:11:17,439
Speaker 1: talking ourselves out of it. We've already taken a dog

1458
01:11:17,479 --> 01:11:19,479
Speaker 1: from them. She's awesome, it's eller, but we did. We

1459
01:11:19,520 --> 01:11:21,400
Speaker 1: can have the capacity to take a puppy home right now.

1460
01:11:21,680 --> 01:11:23,479
Speaker 1: So we're at this event and we're talking with folks

1461
01:11:23,760 --> 01:11:26,479
Speaker 1: and this this guy had to be six ten, and

1462
01:11:26,640 --> 01:11:29,160
Speaker 1: my first thought as a basketball player, baller, bad for sure,

1463
01:11:29,240 --> 01:11:32,880
Speaker 1: basketball player, like basketball player, and I thought nothing else,

1464
01:11:32,960 --> 01:11:35,000
Speaker 1: even look at a basketball player. Unfair of me to

1465
01:11:35,080 --> 01:11:37,040
Speaker 1: think that just because he's tall, and I'm sure everybody

1466
01:11:37,040 --> 01:11:39,320
Speaker 1: asks him all the time, do you play basketball? And

1467
01:11:39,479 --> 01:11:42,439
Speaker 1: so asked to play basketball he's played for the Grizzlies,

1468
01:11:42,520 --> 01:11:47,599
Speaker 1: Yet unfair of me to assign that to him. It's

1469
01:11:47,960 --> 01:11:50,439
Speaker 1: even now he was a former player. It feel like

1470
01:11:50,520 --> 01:11:53,080
Speaker 1: an awful stereotype though, No I know, but I bet

1471
01:11:53,120 --> 01:11:54,599
Speaker 1: you tak people hate being an ass all the time.

1472
01:11:54,680 --> 01:11:57,800
Speaker 1: For sure. No I didn't, I'm sorry. But the ones

1473
01:11:57,840 --> 01:11:59,640
Speaker 1: that did play, they're like, yeah, I sure did well

1474
01:11:59,640 --> 01:12:01,479
Speaker 1: listening because I'm gonna tell you haven't done a lot

1475
01:12:01,520 --> 01:12:05,040
Speaker 1: of male modeling and everywhere I go, are you a model?

1476
01:12:05,200 --> 01:12:09,680
Speaker 1: Oh it's tough, Yeah, it's tough. It'sself, yeah, I hear.

1477
01:12:09,680 --> 01:12:11,479
Speaker 1: Are the best and worst states to have a kid.

1478
01:12:11,840 --> 01:12:15,360
Speaker 1: I'll give you the top five best and number five

1479
01:12:15,400 --> 01:12:20,080
Speaker 1: New Hampshire a number four, Minnesota number three, Rhode Island

1480
01:12:20,680 --> 01:12:24,720
Speaker 1: at number two, Vermont and at number one Massachusetts. Are

1481
01:12:24,720 --> 01:12:26,880
Speaker 1: all cold states. I know, it's half freezing. It's all

1482
01:12:26,920 --> 01:12:29,640
Speaker 1: like winter like you and and God bless all of

1483
01:12:29,680 --> 01:12:31,400
Speaker 1: you who live in those states and listen to our show.

1484
01:12:31,920 --> 01:12:36,519
Speaker 1: I'm not strong enough. I'm not. I it's too cold.

1485
01:12:36,520 --> 01:12:38,040
Speaker 1: It's too cold where I live now. I would move

1486
01:12:38,080 --> 01:12:40,240
Speaker 1: south now. I want to be a bird now. And

1487
01:12:40,439 --> 01:12:44,200
Speaker 1: so most of this is because of healthcare. The states

1488
01:12:44,280 --> 01:12:46,680
Speaker 1: take care of their people better than other states, and

1489
01:12:47,400 --> 01:12:51,880
Speaker 1: family friendliness and education. Now I have the top five

1490
01:12:51,920 --> 01:12:55,160
Speaker 1: worst states. Oh oh boy, people are about to get upset.

1491
01:12:55,600 --> 01:12:58,400
Speaker 1: Yeah I am, especially at number five Arkansas. I was

1492
01:12:58,479 --> 01:13:00,600
Speaker 1: looking at the Arkansas list of where we rank in

1493
01:13:00,600 --> 01:13:04,360
Speaker 1: all things. It's terrible. It's terrible. It's like forty eight.

1494
01:13:04,439 --> 01:13:06,120
Speaker 1: And yeah, I'm messing the numbers up, but it's all

1495
01:13:06,160 --> 01:13:08,759
Speaker 1: at forty seven, forty eight, forty two. It's like overall

1496
01:13:08,800 --> 01:13:11,880
Speaker 1: it's like forty three. And I'm like, why do we

1497
01:13:11,960 --> 01:13:13,200
Speaker 1: keep pick in the same leaders and if this has

1498
01:13:13,240 --> 01:13:16,360
Speaker 1: been the same thing for fifty years? Um, So that's

1499
01:13:16,479 --> 01:13:20,280
Speaker 1: Arkansas at five, West Virginia's at four, Oklahoma's at three.

1500
01:13:23,680 --> 01:13:25,840
Speaker 1: We may both be in the bottom five, but it's

1501
01:13:25,880 --> 01:13:28,000
Speaker 1: not on that egg. You know. I'm saying we're too

1502
01:13:28,040 --> 01:13:32,000
Speaker 1: better than you. H Nevada at two, Well, it's because

1503
01:13:32,040 --> 01:13:37,040
Speaker 1: babies don't win slots. The number one's Florida. So that's

1504
01:13:37,040 --> 01:13:40,000
Speaker 1: because everybaby's got COVID. There, that's what it is. Apparently

1505
01:13:40,040 --> 01:13:45,400
Speaker 1: I love Florida. Yeah, all right, there you go in

1506
01:13:45,479 --> 01:13:47,559
Speaker 1: the news. According to health experts, here's how you deal

1507
01:13:47,600 --> 01:13:50,800
Speaker 1: with a simple body itch. You don't scratch it. Away

1508
01:13:50,920 --> 01:13:55,000
Speaker 1: because it will continue to come back. Rub it, oh,

1509
01:13:55,439 --> 01:13:59,840
Speaker 1: rub the itch. Researchers found that rubbing your skin activates

1510
01:13:59,840 --> 01:14:03,920
Speaker 1: an anti itch pathway in the spinal cord. So not

1511
01:14:04,040 --> 01:14:06,080
Speaker 1: only is rubbing better for your skin, it's also a

1512
01:14:06,160 --> 01:14:08,840
Speaker 1: more efficient way of getting itch relief. Like that is

1513
01:14:08,880 --> 01:14:12,040
Speaker 1: from the Society for Neuroscience. Does it say how how

1514
01:14:12,200 --> 01:14:15,640
Speaker 1: aggressive or gentle? It does not, because my theory is.

1515
01:14:15,680 --> 01:14:18,080
Speaker 1: And then now you love my theories. You can rub

1516
01:14:18,120 --> 01:14:21,200
Speaker 1: as hard as you want. You can't scratch as hard

1517
01:14:21,200 --> 01:14:22,599
Speaker 1: as you want, but you can rub as hard as

1518
01:14:22,640 --> 01:14:25,240
Speaker 1: you want. Y'all know what is crazy? After like three

1519
01:14:25,360 --> 01:14:29,439
Speaker 1: weeks of my tick bite not itching, it started itching yesterday.

1520
01:14:29,560 --> 01:14:31,720
Speaker 1: So I'm glad you told me this. Rubb it now. Well,

1521
01:14:31,760 --> 01:14:34,479
Speaker 1: now I will. I started scratching it, rub it hard.

1522
01:14:34,600 --> 01:14:37,000
Speaker 1: Thank you for sharing that with me. That your bite

1523
01:14:37,240 --> 01:14:41,800
Speaker 1: itching again. Well that's weird. Bone show talks about something.

1524
01:14:43,160 --> 01:14:45,639
Speaker 1: Tell us more about this itch that came back. Amy, Well,

1525
01:14:45,680 --> 01:14:47,360
Speaker 1: I got bit by a tick a few months ago

1526
01:14:48,080 --> 01:14:51,320
Speaker 1: and it itched for a very long time, and then

1527
01:14:51,560 --> 01:15:00,920
Speaker 1: I told you about um moving on radio. A radiologist

1528
01:15:01,040 --> 01:15:05,960
Speaker 1: husband had a hidden nanny cam and caught his dermatologist's wife.

1529
01:15:06,040 --> 01:15:08,640
Speaker 1: So you have a radiologist. Who's the guy married to

1530
01:15:08,680 --> 01:15:14,160
Speaker 1: a dermatologist. Girl, it's the wife spiking his lemonade with Dreno. Yeah,

1531
01:15:14,920 --> 01:15:17,760
Speaker 1: in the kitchen of their mansion. She was arrested and

1532
01:15:17,840 --> 01:15:20,200
Speaker 1: released on a thirty thousand dollars bond. He put up

1533
01:15:20,240 --> 01:15:24,080
Speaker 1: surveillance after he grew suspicious, like something's going on here,

1534
01:15:24,680 --> 01:15:27,240
Speaker 1: and then he handed it to police's evidence. She can

1535
01:15:27,320 --> 01:15:30,920
Speaker 1: be seen putting Dreino in his hot lemonade on multiple occasions.

1536
01:15:31,560 --> 01:15:34,479
Speaker 1: They are both physicians, live in a almost three million

1537
01:15:34,520 --> 01:15:36,200
Speaker 1: dollars mansion. That's from the New York Post. What's that

1538
01:15:36,240 --> 01:15:39,400
Speaker 1: supposed to do? Kill him? He was sick. He was

1539
01:15:39,439 --> 01:15:41,040
Speaker 1: sick for a month, and he kept going to doctors

1540
01:15:41,240 --> 01:15:42,800
Speaker 1: like I don't know what's wrong, And so he finally

1541
01:15:42,840 --> 01:15:45,760
Speaker 1: set up a camera in the kitchen and boom got her.

1542
01:15:46,560 --> 01:15:48,680
Speaker 1: Hotel employee, let's the ten things she would never do

1543
01:15:48,760 --> 01:15:50,960
Speaker 1: in a room, including walking around at bare feet and

1544
01:15:51,120 --> 01:15:55,479
Speaker 1: using the ice bucket. A hotelier has described the ten

1545
01:15:55,560 --> 01:15:57,599
Speaker 1: things that she would never do in a hotel room.

1546
01:15:57,800 --> 01:16:00,400
Speaker 1: Let's roll him number ten. Reject the chance to sign

1547
01:16:00,479 --> 01:16:02,599
Speaker 1: up for the hotel's points program. Don't do that, okay,

1548
01:16:02,680 --> 01:16:05,040
Speaker 1: don't don't sign up, although I guy's a pretty good point,

1549
01:16:05,360 --> 01:16:07,200
Speaker 1: but I will tell you only just because work sends

1550
01:16:07,240 --> 01:16:09,439
Speaker 1: me places and I'm like, I'll take the points on that.

1551
01:16:10,600 --> 01:16:13,560
Speaker 1: I don't go to those places on purpose, probably, but

1552
01:16:14,040 --> 01:16:15,439
Speaker 1: all of a sudden to look down, I'm like, day,

1553
01:16:15,439 --> 01:16:18,840
Speaker 1: I got ten percent off half a room. Don't say

1554
01:16:18,840 --> 01:16:21,000
Speaker 1: your room number out loud because somebody could hear it. Oh,

1555
01:16:21,720 --> 01:16:24,400
Speaker 1: don't use the hotel washcloth. Don't use the shower without

1556
01:16:24,400 --> 01:16:27,200
Speaker 1: flip flops. Don't walk around barefoot on carpet of floors.

1557
01:16:27,360 --> 01:16:29,720
Speaker 1: Don't use the TV remote without wiping it down. Don't

1558
01:16:29,800 --> 01:16:31,559
Speaker 1: drink from the glasses without washing them. For why am

1559
01:16:31,600 --> 01:16:34,880
Speaker 1: I having? Lay on the sidewalk and go to sleep.

1560
01:16:34,920 --> 01:16:37,080
Speaker 1: Don't sleep on the bed what's next. Don't leave any

1561
01:16:37,160 --> 01:16:40,880
Speaker 1: guest names off the reservation. Otherwise they they they can

1562
01:16:40,920 --> 01:16:42,439
Speaker 1: get a key to the room. I don't know, use

1563
01:16:42,520 --> 01:16:44,040
Speaker 1: the ice buck. I'm done. I'm tired of this story.

1564
01:16:44,080 --> 01:16:45,760
Speaker 1: That's freaking me out, So I'm good. I like to

1565
01:16:45,840 --> 01:16:49,240
Speaker 1: move on with my news. Also in the news, the

1566
01:16:49,360 --> 01:16:52,120
Speaker 1: Kansas City Royals are selling a sandwich at their stadium

1567
01:16:52,160 --> 01:16:55,840
Speaker 1: with it, which is packed with pulled pork. Sweet Baby

1568
01:16:55,960 --> 01:17:02,040
Speaker 1: raised barbecue, let's go barbecue sauce, M bacon and Reese's

1569
01:17:02,040 --> 01:17:04,800
Speaker 1: peanut butter cups and it's like a mix. Yeah, that

1570
01:17:04,840 --> 01:17:07,240
Speaker 1: sounds good, A peanut butter cups and all that. Let's

1571
01:17:07,280 --> 01:17:09,920
Speaker 1: do let's do it. Really that sounds really good. That's

1572
01:17:09,960 --> 01:17:11,920
Speaker 1: from the comeback dot Com. Like it all sounds good

1573
01:17:11,960 --> 01:17:13,640
Speaker 1: until you get at the peanut butter cups part. That's

1574
01:17:13,680 --> 01:17:16,320
Speaker 1: your dessert. No, it's in the sandwich, all one. No,

1575
01:17:16,520 --> 01:17:18,640
Speaker 1: you don't have dessert with in the same bite as

1576
01:17:18,680 --> 01:17:21,240
Speaker 1: your meal. I'm sure. I think you're confusing how dessert

1577
01:17:21,280 --> 01:17:24,000
Speaker 1: works on our culture. Ready at the same time, No,

1578
01:17:24,120 --> 01:17:27,360
Speaker 1: it's in the sandwich. Serena Williams announces her retirement from tennis.

1579
01:17:28,000 --> 01:17:32,040
Speaker 1: She has said, I've never liked the world retirement. Maybe

1580
01:17:32,160 --> 01:17:34,360
Speaker 1: the best word to describe what I'm up to is evolution.

1581
01:17:34,520 --> 01:17:36,559
Speaker 1: She will retire after the US Open, which we'll run

1582
01:17:37,200 --> 01:17:40,120
Speaker 1: from late August into September. That is from c NBC.

1583
01:17:40,600 --> 01:17:44,200
Speaker 1: And she is one of the greatest athletes of our lifetime,

1584
01:17:44,880 --> 01:17:48,240
Speaker 1: not female athletes, just period. One of the greatest, most

1585
01:17:48,280 --> 01:17:52,280
Speaker 1: decorated athletes in any sport of our lifetime. And so

1586
01:17:52,800 --> 01:17:55,160
Speaker 1: I hope she feels like she's retiring on her own terms,

1587
01:17:55,240 --> 01:17:58,920
Speaker 1: and she feels great about it because we didn't deserve her.

1588
01:17:59,439 --> 01:18:01,840
Speaker 1: Let's be honest, we did not. We did not deserve her.

1589
01:18:02,479 --> 01:18:05,719
Speaker 1: Also a couple other quick things Big News today Vacation

1590
01:18:05,880 --> 01:18:10,559
Speaker 1: part two. The video is out right, Raymond, No tell

1591
01:18:10,600 --> 01:18:14,000
Speaker 1: me something here. Yeah, we lost about two thousand trying

1592
01:18:14,040 --> 01:18:15,960
Speaker 1: to make the video at Tim's Ford Lake, So we're

1593
01:18:16,360 --> 01:18:18,080
Speaker 1: in the red. We're trying to make some money back

1594
01:18:18,160 --> 01:18:20,519
Speaker 1: if you stream it on YouTube, maybe we make a

1595
01:18:20,600 --> 01:18:22,840
Speaker 1: couple of dollars back. I'll tell you what. I'll play

1596
01:18:22,840 --> 01:18:25,560
Speaker 1: it tomorrow at some point in the show. Get you

1597
01:18:25,560 --> 01:18:27,120
Speaker 1: a couple of little play It's a good song. By

1598
01:18:27,120 --> 01:18:29,599
Speaker 1: the way, Eric Dodd is opening my show on Friday night,

1599
01:18:30,360 --> 01:18:35,160
Speaker 1: comedically inspirational. There are no tickets left until today. We're

1600
01:18:35,200 --> 01:18:37,439
Speaker 1: gonna put up I think ten tickets today at some

1601
01:18:37,600 --> 01:18:40,559
Speaker 1: point for Friday and Saturday night, and that's it. Then

1602
01:18:40,640 --> 01:18:42,439
Speaker 1: there are no more right now, they're not online. We

1603
01:18:42,520 --> 01:18:44,680
Speaker 1: sold out, except we held ten in case somebody need them,

1604
01:18:44,720 --> 01:18:46,479
Speaker 1: where there was an emergency or the President came to town.

1605
01:18:46,600 --> 01:18:49,040
Speaker 1: You know how what happens at hotels. They'll leave a

1606
01:18:49,080 --> 01:18:51,439
Speaker 1: room because case the president comes to town really or

1607
01:18:51,520 --> 01:18:54,920
Speaker 1: somebody somebody big, I'm gonna start using that where he'd

1608
01:18:54,920 --> 01:18:59,040
Speaker 1: actually say, well, well the president being it could be

1609
01:18:59,280 --> 01:19:01,640
Speaker 1: any president ever, so they usually do that, so it

1610
01:19:01,680 --> 01:19:03,920
Speaker 1: could be a sheet at some point be sexist with

1611
01:19:03,960 --> 01:19:07,479
Speaker 1: their works. Oh well, so far it is only that

1612
01:19:07,640 --> 01:19:11,880
Speaker 1: is true. That's a theory I have any like. Um, Also,

1613
01:19:12,439 --> 01:19:15,479
Speaker 1: you want ratings from Snake in the Grass, Yes, let's

1614
01:19:15,520 --> 01:19:18,599
Speaker 1: hear it eighteen to forty nine. But if it didn't improve,

1615
01:19:18,640 --> 01:19:20,720
Speaker 1: I'm gonna be so upset at eighteen forty nine. So

1616
01:19:21,240 --> 01:19:22,840
Speaker 1: my show Snake in the Grass airs Monday night in

1617
01:19:22,920 --> 01:19:25,479
Speaker 1: USA Network. Um, we worked hard on it. It was

1618
01:19:25,560 --> 01:19:28,680
Speaker 1: an expensive show to make. I've recently found out. And

1619
01:19:29,120 --> 01:19:30,880
Speaker 1: the threshold is it's got to hit a certain point.

1620
01:19:30,960 --> 01:19:32,479
Speaker 1: They're gonna spend the money to make it again because

1621
01:19:32,479 --> 01:19:35,080
Speaker 1: it's so expensive. Even if it does good, they're not

1622
01:19:35,120 --> 01:19:36,720
Speaker 1: gonna make it again because it's so expensive. It's got

1623
01:19:36,800 --> 01:19:39,880
Speaker 1: to do real good. Okay, And the first week was

1624
01:19:39,960 --> 01:19:42,840
Speaker 1: real good, but they were like overall we won the night.

1625
01:19:43,200 --> 01:19:47,439
Speaker 1: We were the highest debut in USA like two years

1626
01:19:47,800 --> 01:19:50,800
Speaker 1: we eighteen twenty All things were good, but eighteen forty

1627
01:19:50,840 --> 01:19:52,760
Speaker 1: nine was a little lower than we had hoped. And

1628
01:19:52,840 --> 01:19:55,439
Speaker 1: I was like, dang it, I'm such a loser. I'm

1629
01:19:55,479 --> 01:19:58,360
Speaker 1: eighteen to forty nine. I'm such a loser. And so,

1630
01:20:00,000 --> 01:20:01,599
Speaker 1: come on, Bobby two phones, gotta figure out what phone

1631
01:20:01,600 --> 01:20:04,760
Speaker 1: this was on yesterday? Hold on, hey, we got this, Yeah,

1632
01:20:04,800 --> 01:20:07,519
Speaker 1: we got it. Pack your bags, guys, we're going to

1633
01:20:07,600 --> 01:20:09,800
Speaker 1: the jungle. Well, and so I told the show that

1634
01:20:09,840 --> 01:20:12,080
Speaker 1: it hadn't brought up, that the show beyond an episode,

1635
01:20:12,640 --> 01:20:14,800
Speaker 1: and if we can get to it two or season three,

1636
01:20:15,360 --> 01:20:19,000
Speaker 1: maybe I could get you guys on. And so I

1637
01:20:19,120 --> 01:20:21,519
Speaker 1: got a text yesterday with the information I don't know

1638
01:20:21,520 --> 01:20:24,120
Speaker 1: which phone it's on. Guys, Bobby two phones live in

1639
01:20:24,120 --> 01:20:27,439
Speaker 1: a life of confusing. Oh, here we go, all right?

1640
01:20:27,960 --> 01:20:32,719
Speaker 1: Is it now? Doesn't? Oh? No, okay, roll over heyoness,

1641
01:20:32,760 --> 01:20:34,560
Speaker 1: check the other phone. We only got two phones, and

1642
01:20:34,600 --> 01:20:36,599
Speaker 1: they can't find on either one of them. I mean

1643
01:20:36,640 --> 01:20:41,280
Speaker 1: maybe it's Bobby three phone. Yeah, maybe Bobby three phones. Um, okay,

1644
01:20:41,320 --> 01:20:42,560
Speaker 1: well let me take one more look up with the

1645
01:20:42,600 --> 01:20:54,320
Speaker 1: other phones the third time. Turn it out. Okay, come on, bones,

1646
01:20:54,880 --> 01:20:57,760
Speaker 1: let go. Eighteen to forty nine year olds come on

1647
01:20:59,760 --> 01:21:08,560
Speaker 1: and proved, Yeah, let's go. Good? Was that eighteen to

1648
01:21:08,680 --> 01:21:13,320
Speaker 1: forty nine's improved got better as wwe before us held,

1649
01:21:13,600 --> 01:21:16,519
Speaker 1: So we got better even though the show in front

1650
01:21:16,560 --> 01:21:19,040
Speaker 1: of us wasn't way better and fed us to be better. Nice.

1651
01:21:19,320 --> 01:21:26,080
Speaker 1: That's good. Um. Overall people over forty nine total viewers

1652
01:21:26,280 --> 01:21:29,960
Speaker 1: fifty plus down slightly. Oh what so I didn't focus

1653
01:21:30,120 --> 01:21:32,760
Speaker 1: enough one that you went to better? Yeah? You said,

1654
01:21:32,760 --> 01:21:34,599
Speaker 1: you know what? No, but I'm not knowing that, guys,

1655
01:21:34,640 --> 01:21:36,519
Speaker 1: I'm not that old. So here we go. We hit

1656
01:21:36,760 --> 01:21:38,920
Speaker 1: We said this is what we need, and you guys

1657
01:21:39,000 --> 01:21:40,320
Speaker 1: came through. I got admit it. But then I just

1658
01:21:40,360 --> 01:21:43,360
Speaker 1: didn't put enough focus on Maybe our listeners fifty and

1659
01:21:43,360 --> 01:21:46,320
Speaker 1: above we're like, screw him. Yeah, so guys, please don't

1660
01:21:46,320 --> 01:21:49,040
Speaker 1: screw me. It's almost like when you're at a stadium.

1661
01:21:49,120 --> 01:21:51,720
Speaker 1: You know you're like, all right, top level go no,

1662
01:21:51,880 --> 01:21:54,200
Speaker 1: lower level was louder. I really messed up on that. Yeah,

1663
01:21:54,240 --> 01:21:56,559
Speaker 1: you gotta here's what I'm gonna say. I need twelve

1664
01:21:56,640 --> 01:21:59,640
Speaker 1: to seventy two to really focus in this next Monday night.

1665
01:21:59,760 --> 01:22:02,920
Speaker 1: Everyone just made that up and I just need everybody. Everybody.

1666
01:22:03,000 --> 01:22:05,639
Speaker 1: So we took a step and half forward, but also

1667
01:22:05,760 --> 01:22:07,679
Speaker 1: three quarter of a step back. And that's Matthew don't

1668
01:22:07,680 --> 01:22:09,439
Speaker 1: want to figure out. Yeah, I can't figure it out,

1669
01:22:09,479 --> 01:22:11,160
Speaker 1: but I know that it means we're closer to us,

1670
01:22:12,200 --> 01:22:16,040
Speaker 1: slightly closer, right, not as close as I had hoped.

1671
01:22:16,120 --> 01:22:17,200
Speaker 1: But we did go up all we need to go

1672
01:22:17,280 --> 01:22:18,720
Speaker 1: up in. I didn't focus off on the things we

1673
01:22:18,760 --> 01:22:24,639
Speaker 1: went down in. It's just all slightly down. Yeah, bottom line, Um,

1674
01:22:25,040 --> 01:22:28,360
Speaker 1: if we can continue to hold or slightly build, like,

1675
01:22:28,439 --> 01:22:31,040
Speaker 1: how can we I'm trying to think of ways we

1676
01:22:31,080 --> 01:22:33,720
Speaker 1: could build it? You know, I do live next to

1677
01:22:33,840 --> 01:22:35,920
Speaker 1: the assistant living home. My dad used to be O

1678
01:22:38,040 --> 01:22:40,160
Speaker 1: going to best Buy, I'm going to Target, going to

1679
01:22:40,280 --> 01:22:42,559
Speaker 1: every te call your friend Mark, let's get them. Let's

1680
01:22:42,560 --> 01:22:44,920
Speaker 1: get all those TVs on Monday, and we'll keep everybody away.

1681
01:22:44,920 --> 01:22:46,760
Speaker 1: Go knock on doors, even if people are asleep, knock

1682
01:22:46,800 --> 01:22:49,599
Speaker 1: on doors because eleven Eastern, ten Central, that's pretty late

1683
01:22:49,640 --> 01:22:51,879
Speaker 1: for me to stay awake. So just make sure everybody's

1684
01:22:51,920 --> 01:22:53,439
Speaker 1: up in your town. Try turn radio up, drive down

1685
01:22:53,439 --> 01:22:57,639
Speaker 1: the neighborhood. We can do this all right down Sorry

1686
01:22:57,960 --> 01:23:02,040
Speaker 1: to day. This story comes us him, Idaho. A fifty

1687
01:23:02,080 --> 01:23:04,439
Speaker 1: eight year old man was driving when police pull him

1688
01:23:04,439 --> 01:23:06,880
Speaker 1: over for a routine traffic stop, and he's like, oh no,

1689
01:23:06,960 --> 01:23:09,720
Speaker 1: I got meth in the car. So he pulls over

1690
01:23:10,320 --> 01:23:12,080
Speaker 1: and he jumps out of the car and he runs

1691
01:23:12,560 --> 01:23:14,839
Speaker 1: and he takes the tupperware full of meth and flings

1692
01:23:14,880 --> 01:23:18,360
Speaker 1: it towards the river because it's gonna sink, hits a

1693
01:23:18,400 --> 01:23:22,280
Speaker 1: tree and bounces back. Do you think he says, oh, no,

1694
01:23:22,479 --> 01:23:25,280
Speaker 1: I have meth. Yeah, probably because he didn't say it

1695
01:23:25,280 --> 01:23:27,599
Speaker 1: out loud. Obviously in his head he's got to be thinking,

1696
01:23:27,640 --> 01:23:30,240
Speaker 1: oh no, I got men. But what a great idea

1697
01:23:30,320 --> 01:23:31,880
Speaker 1: to go throw it in the river, because if it sinks,

1698
01:23:31,920 --> 01:23:33,800
Speaker 1: there's no where they can get it. Well, that's not true,

1699
01:23:33,800 --> 01:23:35,880
Speaker 1: because you can just go down. I mean, are they

1700
01:23:35,960 --> 01:23:38,439
Speaker 1: really gonna go for a little send the scuba team. Yeah,

1701
01:23:38,439 --> 01:23:40,120
Speaker 1: you don't have to send the scuba team if it's

1702
01:23:40,479 --> 01:23:42,760
Speaker 1: two foot Say how far do you think he's gonna

1703
01:23:42,800 --> 01:23:44,679
Speaker 1: throw this. It's not gonna skip like a rock. That's

1704
01:23:44,680 --> 01:23:47,080
Speaker 1: a good point, yeah, I mean unless he was trying

1705
01:23:47,120 --> 01:23:48,320
Speaker 1: to do what he had to do to get rid

1706
01:23:48,360 --> 01:23:51,479
Speaker 1: of it. So okay, But and also I don't agree

1707
01:23:51,520 --> 01:23:55,559
Speaker 1: with what he's doing. Tough. Even he'd thrown it as

1708
01:23:55,600 --> 01:23:57,439
Speaker 1: far as he possibly could, that has still been tough.

1709
01:23:57,680 --> 01:23:59,800
Speaker 1: All Right, I'm lunchboxed, that's your bone head story that

1710
01:24:01,640 --> 01:24:04,920
Speaker 1: it's a voicemail from Brandon in California. I just wanted

1711
01:24:04,960 --> 01:24:07,840
Speaker 1: to say, what's up to Raymundo. It's like eleven thirty

1712
01:24:08,000 --> 01:24:11,040
Speaker 1: right now, and I just thought he's probably in the studio,

1713
01:24:11,200 --> 01:24:15,000
Speaker 1: So I just wanted to say, Raymundo, he called at

1714
01:24:15,000 --> 01:24:18,439
Speaker 1: eleven thirty at night at night. Because Raymundo is so

1715
01:24:18,680 --> 01:24:21,200
Speaker 1: worried about oversleeping, he wakes up at midnight and comes in.

1716
01:24:21,920 --> 01:24:24,000
Speaker 1: He doesn't have to be here until four thirty. Yeah,

1717
01:24:24,400 --> 01:24:28,759
Speaker 1: and I understand that, but you gotta find some sort

1718
01:24:28,800 --> 01:24:35,160
Speaker 1: of rational balance because it's let's say you get here

1719
01:24:35,160 --> 01:24:38,080
Speaker 1: at three, Ray, you got an hour and a half

1720
01:24:38,240 --> 01:24:40,280
Speaker 1: even before you're supposed to get here. I know you

1721
01:24:40,320 --> 01:24:41,720
Speaker 1: don't want to oversleep, and you're the guy who's got

1722
01:24:41,760 --> 01:24:43,040
Speaker 1: to make sure the show is on the air. I

1723
01:24:43,200 --> 01:24:45,400
Speaker 1: love that about you. Yeah, I mean it's a pressure

1724
01:24:45,400 --> 01:24:47,200
Speaker 1: nobody else has, so I mean I have to live

1725
01:24:47,240 --> 01:24:49,120
Speaker 1: with it. But you're here at midnight. I know, just

1726
01:24:49,240 --> 01:24:52,720
Speaker 1: be safe, all right. I'm not gonna push, but I

1727
01:24:52,840 --> 01:24:55,080
Speaker 1: like when I hear all right. Moving on, let's play

1728
01:24:55,120 --> 01:24:58,080
Speaker 1: this from Teresa and Sonoma County, California for some reason,

1729
01:24:58,160 --> 01:25:00,639
Speaker 1: we don't have the Bull station anymore, and I don't

1730
01:25:00,680 --> 01:25:02,880
Speaker 1: know what I'm gonna do without the Bobby Bones Show

1731
01:25:02,920 --> 01:25:04,519
Speaker 1: on the way to work. All of a sudden in

1732
01:25:04,600 --> 01:25:10,600
Speaker 1: our ninety three point seven is jazzy. What happened to

1733
01:25:10,680 --> 01:25:13,439
Speaker 1: the Bobby Bone Show? What happened to the Bowl? Help?

1734
01:25:14,040 --> 01:25:16,760
Speaker 1: Apparently they have turned us in Santa Rose at California,

1735
01:25:17,040 --> 01:25:21,560
Speaker 1: that station into a jazz station. What interesting? Yeah, it

1736
01:25:21,680 --> 01:25:23,720
Speaker 1: is interesting. I guess I dentist everywhere I need to

1737
01:25:23,720 --> 01:25:27,519
Speaker 1: do the station. You're number one, yes station issue. Well,

1738
01:25:27,560 --> 01:25:30,080
Speaker 1: I'm sorry about that, but we are on the iHeartRadio

1739
01:25:30,120 --> 01:25:32,720
Speaker 1: app live. Just listen to the Ihart Country Channel. We

1740
01:25:32,840 --> 01:25:35,000
Speaker 1: are on podcast every single day. We go up and

1741
01:25:35,600 --> 01:25:37,960
Speaker 1: hear the whole show. We even do an extra post show.

1742
01:25:38,280 --> 01:25:42,360
Speaker 1: So there's a lot of ways to get boned good.

1743
01:25:42,800 --> 01:25:45,639
Speaker 1: That's what they wanted to hear. I would never say

1744
01:25:45,680 --> 01:25:47,400
Speaker 1: that as like, so they don't tell you, they don't

1745
01:25:47,439 --> 01:25:48,800
Speaker 1: run that by you, that they're going to do that.

1746
01:25:49,680 --> 01:25:52,400
Speaker 1: I never know. I'm glad I don't know, but I

1747
01:25:52,479 --> 01:25:54,040
Speaker 1: never know. But I'll get a call like this occasionally

1748
01:25:54,040 --> 01:25:55,840
Speaker 1: and they'll be like, hey, the station's flip. Sometimes we're

1749
01:25:55,880 --> 01:25:57,840
Speaker 1: on stations and I didn't even know. They just don't

1750
01:25:57,880 --> 01:25:59,280
Speaker 1: tell me at this point, and I'm okay with it

1751
01:25:59,640 --> 01:26:01,840
Speaker 1: unless it's like a big city where they need me

1752
01:26:01,920 --> 01:26:04,639
Speaker 1: to do like packages, like hey, welcome everybody would coming

1753
01:26:04,680 --> 01:26:06,120
Speaker 1: to Seattle for the front and we know we're on

1754
01:26:06,120 --> 01:26:08,000
Speaker 1: there for over a year now. But yeah no, but

1755
01:26:08,280 --> 01:26:09,479
Speaker 1: um I get to the jazz. We could do a

1756
01:26:09,560 --> 01:26:11,960
Speaker 1: jazz morning show. Hey everybody, this is the latest from

1757
01:26:12,000 --> 01:26:17,240
Speaker 1: John Coltrane. It isn't called Oh it's a good one.

1758
01:26:17,320 --> 01:26:23,280
Speaker 1: It turn it well, not up, listen close. All right,

1759
01:26:23,320 --> 01:26:25,759
Speaker 1: that's it. We gotta go. Thank you, See you tomorrow

1760
01:26:25,760 --> 01:26:28,679
Speaker 1: by Everybody Show