1 00:00:00,160 --> 00:00:05,080 Speaker 1: Now here's a highlight from Coast to Coast AM on iHeartRadio. Man, 2 00:00:05,160 --> 00:00:08,000 Speaker 1: Welcome back to Coast to Coast George Nori with Mark Secree. 3 00:00:08,039 --> 00:00:10,440 Speaker 1: We'll take calls with Mark next hour as we talk 4 00:00:10,480 --> 00:00:14,360 Speaker 1: about all things television, Mark Space Command. I remember you 5 00:00:14,480 --> 00:00:18,040 Speaker 1: just talking about that years ago on the program. Tell 6 00:00:18,120 --> 00:00:21,480 Speaker 1: us about the evolution of this incredible idea. Well, you know, 7 00:00:21,520 --> 00:00:24,759 Speaker 1: it was interesting, George, because a few years ago, all 8 00:00:24,760 --> 00:00:26,800 Speaker 1: the science fiction TV shows and movies I was seeing 9 00:00:26,840 --> 00:00:30,280 Speaker 1: were very dark in terms of saying, basically that the 10 00:00:30,280 --> 00:00:32,319 Speaker 1: future is going to be bleak, there's nothing we can 11 00:00:32,360 --> 00:00:34,400 Speaker 1: do about it. You were just kind of screwed. And 12 00:00:34,479 --> 00:00:37,400 Speaker 1: I remember the original Star Trek and Star Trek the 13 00:00:37,479 --> 00:00:39,320 Speaker 1: Next Generation too, But I grew up with the original 14 00:00:39,360 --> 00:00:41,920 Speaker 1: Star Trek that inspired people that said we can create 15 00:00:41,960 --> 00:00:44,840 Speaker 1: a future if we reach across with compassion, if we 16 00:00:45,000 --> 00:00:48,440 Speaker 1: come from the heart, if we have courage and honor 17 00:00:48,520 --> 00:00:51,680 Speaker 1: and loyalty, that we can create a future worth living in. 18 00:00:52,040 --> 00:00:55,520 Speaker 1: And I was very determined to make a show that 19 00:00:55,600 --> 00:00:58,760 Speaker 1: would be that kind of show like Star Trek has 20 00:00:58,800 --> 00:01:01,240 Speaker 1: inspired me when I was a kid, and I didn't 21 00:01:01,280 --> 00:01:03,280 Speaker 1: want it to just be developed as a pilot that 22 00:01:03,320 --> 00:01:05,800 Speaker 1: no one would ever see or cut off its script. 23 00:01:06,120 --> 00:01:07,920 Speaker 1: And so, you know, because a number of my friends 24 00:01:08,000 --> 00:01:09,959 Speaker 1: run network shows, and they said, let's take this in 25 00:01:10,000 --> 00:01:11,520 Speaker 1: and let's you know, we can get a pilot deal. 26 00:01:11,600 --> 00:01:13,640 Speaker 1: And I thought, no, no no, no. I wanted to reach 27 00:01:13,680 --> 00:01:16,560 Speaker 1: out to my fans and see if I could finance 28 00:01:16,640 --> 00:01:19,880 Speaker 1: the pilot and perhaps more episodes myself. Well. To date, 29 00:01:20,840 --> 00:01:24,560 Speaker 1: between crowdfunding and selling investment shares on Space Command, my 30 00:01:24,600 --> 00:01:26,800 Speaker 1: fans have given me over two and a half million dollars. 31 00:01:27,400 --> 00:01:30,760 Speaker 1: That's allowed me to do is open my own studio. 32 00:01:31,520 --> 00:01:34,319 Speaker 1: We're working with people all around the world and we've 33 00:01:34,360 --> 00:01:37,199 Speaker 1: recorded seven hours of Space Command so far. We started 34 00:01:37,240 --> 00:01:39,479 Speaker 1: shooting the next hour. We're going to shoot six more 35 00:01:39,480 --> 00:01:42,160 Speaker 1: hours beyond that for the first season. You can watch 36 00:01:42,160 --> 00:01:44,360 Speaker 1: a lot of these episodes on my YouTube channel and 37 00:01:44,400 --> 00:01:47,680 Speaker 1: mister sci Fi. We're talking to Amazon now, and we've 38 00:01:47,680 --> 00:01:51,120 Speaker 1: been talking to Netflix and the number of other buyers. 39 00:01:51,280 --> 00:01:55,520 Speaker 1: But my main priority now is the relationship between myself 40 00:01:55,520 --> 00:01:57,840 Speaker 1: and my fans. And because of the fact that I 41 00:01:57,880 --> 00:02:01,240 Speaker 1: came from you know, major TV shows and worked for 42 00:02:01,280 --> 00:02:04,400 Speaker 1: all the major studios and networks, you know, I was 43 00:02:04,440 --> 00:02:06,160 Speaker 1: able to reach out to my friends who were actors 44 00:02:06,280 --> 00:02:09,000 Speaker 1: and already in Space Command. We've got as you mentioned, 45 00:02:09,000 --> 00:02:12,040 Speaker 1: Bill Mummy, Doug Jones who stars in Star Trek, Discovery 46 00:02:12,040 --> 00:02:14,240 Speaker 1: in the Shape of Water, Michelle Nichols, who I met 47 00:02:14,240 --> 00:02:16,080 Speaker 1: when I was tam and Star Trek was on the air, 48 00:02:16,760 --> 00:02:19,640 Speaker 1: Christina Moses who starts in A Million Little Things, arm 49 00:02:19,680 --> 00:02:22,639 Speaker 1: and Schimmerman from Deep Space nine. Mirra Ferland who started 50 00:02:22,639 --> 00:02:25,360 Speaker 1: in Lost U and Babylon five. We just lost her 51 00:02:25,400 --> 00:02:29,639 Speaker 1: sadly to West Nile virus. She was amazing. Robert Picardo's 52 00:02:29,639 --> 00:02:32,400 Speaker 1: in Space Command Neil deGrasse Tyson is now in Space 53 00:02:32,440 --> 00:02:37,519 Speaker 1: Command phenomenal. And so now we're building upon that to 54 00:02:37,520 --> 00:02:40,600 Speaker 1: to do a slate of six series and called the 55 00:02:40,600 --> 00:02:43,720 Speaker 1: Showrunners Network, And I'm teaming with a lot of my 56 00:02:43,720 --> 00:02:46,400 Speaker 1: my very famous actor friends and also my my friends 57 00:02:46,440 --> 00:02:49,160 Speaker 1: who've created the top TV shows in the last twenty years. 58 00:02:49,280 --> 00:02:52,440 Speaker 1: And so but I have a full studio up and 59 00:02:52,480 --> 00:02:56,240 Speaker 1: running with equipment, and we're we're building an alien spaceship. 60 00:02:56,280 --> 00:02:58,880 Speaker 1: We're almost done with that. We're building two eight football creatures. 61 00:02:59,560 --> 00:03:03,640 Speaker 1: I owned fourteen space suits. You know, it keeps going, 62 00:03:03,760 --> 00:03:06,400 Speaker 1: and it's it's a dream come true. I couldn't I 63 00:03:06,400 --> 00:03:09,440 Speaker 1: couldn't be happier as computer animation helped a lot too. 64 00:03:10,080 --> 00:03:13,240 Speaker 1: Yes it does, but it has its own challenges. And 65 00:03:13,440 --> 00:03:15,600 Speaker 1: so for instance, in the first two hours of Space Clan, 66 00:03:15,680 --> 00:03:19,720 Speaker 1: the two hour pilot, we have eighteen hundred visual effects shots, 67 00:03:20,000 --> 00:03:22,880 Speaker 1: which is insane. It's like Star Wars doesn't have that many. 68 00:03:23,400 --> 00:03:25,680 Speaker 1: Um for the next to our episode that we're in 69 00:03:25,680 --> 00:03:29,480 Speaker 1: post production on now, uh, that will have a lot 70 00:03:29,520 --> 00:03:31,520 Speaker 1: more of what are called practical effects. That's why we're 71 00:03:31,560 --> 00:03:33,920 Speaker 1: building the alien spaceship. That's why we're building the two 72 00:03:33,960 --> 00:03:36,040 Speaker 1: foot you know, the two eight foot tall creatures, so 73 00:03:36,040 --> 00:03:38,120 Speaker 1: that we aren't as reliant on visual effects. So what 74 00:03:38,160 --> 00:03:40,520 Speaker 1: you try to do is find the balance. But mainly 75 00:03:40,560 --> 00:03:42,680 Speaker 1: you have to tell a human story with characters that 76 00:03:42,720 --> 00:03:46,160 Speaker 1: people care about. And you know, the effects are wonderful 77 00:03:46,240 --> 00:03:48,200 Speaker 1: and they have to be good, of course, but and 78 00:03:48,320 --> 00:03:50,440 Speaker 1: the production line has to be good. But at heart, 79 00:03:50,480 --> 00:03:53,840 Speaker 1: it's about people you care about, and that's that's always 80 00:03:53,840 --> 00:03:57,080 Speaker 1: what what's going to make something last and affect people 81 00:03:57,080 --> 00:04:00,680 Speaker 1: and move people and entertain them. And I tell you, Mark, 82 00:04:01,240 --> 00:04:03,280 Speaker 1: I've met a lot of people in Hollywood since I've 83 00:04:03,280 --> 00:04:06,560 Speaker 1: been out here. You're one of the nicest guys i've 84 00:04:06,560 --> 00:04:10,960 Speaker 1: ever met. You deserve this, you really do. Thank you. Well, 85 00:04:11,000 --> 00:04:12,920 Speaker 1: it's it's the love of a good woman. Elaine and 86 00:04:12,960 --> 00:04:15,040 Speaker 1: I are writing and directing and producing together, and we 87 00:04:15,120 --> 00:04:19,560 Speaker 1: just celebrated our forty fourth anniversary. No way, Yeah, yeah, 88 00:04:19,720 --> 00:04:23,880 Speaker 1: you're only thirty two years old. Yes, yes, that's a paradox, 89 00:04:23,920 --> 00:04:26,839 Speaker 1: isn't it. But the funny thing is she met me 90 00:04:26,839 --> 00:04:29,000 Speaker 1: when I was in college, and so I god knows 91 00:04:29,040 --> 00:04:32,160 Speaker 1: what I'd be like if not for Elane. Well, congratulations 92 00:04:32,160 --> 00:04:34,240 Speaker 1: to both of you. Thank you. She's the best part 93 00:04:34,279 --> 00:04:37,560 Speaker 1: of every day and I couldn't be more lucky. Tell 94 00:04:37,640 --> 00:04:40,279 Speaker 1: us about the evolution of the Mister sci Fi channel 95 00:04:40,320 --> 00:04:42,919 Speaker 1: on YouTube. Yeah, well that was really interesting, George. You 96 00:04:42,960 --> 00:04:44,800 Speaker 1: know it's I was having lunch a couple of years 97 00:04:44,800 --> 00:04:47,719 Speaker 1: ago with my friend Glenn Mazzara, who was the showrunner 98 00:04:47,720 --> 00:04:50,040 Speaker 1: on Walking Dead, and we were just talking science fiction 99 00:04:50,120 --> 00:04:51,840 Speaker 1: like you and I are talking now, and he said, 100 00:04:52,080 --> 00:04:54,000 Speaker 1: you know, you know so much about science fiction, you 101 00:04:54,000 --> 00:04:57,120 Speaker 1: should have your own YouTube channel. So I thought, well, 102 00:04:57,160 --> 00:04:59,440 Speaker 1: that's an interesting idea. So I went on YouTube and 103 00:04:59,480 --> 00:05:03,600 Speaker 1: found out how one does that, and I just started, um, 104 00:05:03,720 --> 00:05:06,440 Speaker 1: you know, talking about science fiction and sharing what I 105 00:05:06,480 --> 00:05:09,160 Speaker 1: was working on like Space Command, or or i'd talk 106 00:05:09,200 --> 00:05:12,200 Speaker 1: about you know, Twilight Zone and stories that Ray Bradbury 107 00:05:12,200 --> 00:05:14,360 Speaker 1: had told me, or that I've heard from Rod Serlings, 108 00:05:14,440 --> 00:05:17,240 Speaker 1: you know, from my research and h and so it 109 00:05:17,560 --> 00:05:19,320 Speaker 1: and I really don't do much promote it, but now 110 00:05:19,360 --> 00:05:21,800 Speaker 1: I've got millions of hits. I've got I'm closing in 111 00:05:21,839 --> 00:05:25,400 Speaker 1: on one hundred thousand subscribers, and it's absolutely free content. 112 00:05:25,480 --> 00:05:28,200 Speaker 1: I mean, I you know, I talk about you know, 113 00:05:28,640 --> 00:05:30,719 Speaker 1: any any aspect of science fiction that I want to 114 00:05:30,720 --> 00:05:33,039 Speaker 1: talk about. And then also I put my Mistress, my 115 00:05:33,279 --> 00:05:35,960 Speaker 1: Space Command episodes up there and all sorts of stuff. 116 00:05:36,000 --> 00:05:38,200 Speaker 1: So it's just a corny coopia. It's really really fun. 117 00:05:38,240 --> 00:05:39,760 Speaker 1: I have a great time doing it. We're going to 118 00:05:39,839 --> 00:05:42,239 Speaker 1: take calls next hour with the Mark about the Twilight 119 00:05:42,320 --> 00:05:44,760 Speaker 1: Zone and other TV shows, so get ready to jump 120 00:05:44,800 --> 00:05:47,839 Speaker 1: on board. Your latest work is called green Lighting Yourself. 121 00:05:47,880 --> 00:05:50,400 Speaker 1: Tell me about that? Well, you know, yes, and and 122 00:05:50,720 --> 00:05:52,720 Speaker 1: you know, I think you know, George. For many years 123 00:05:52,760 --> 00:05:55,200 Speaker 1: I've run this roundtable of writers and directors and actors 124 00:05:55,200 --> 00:05:58,000 Speaker 1: and producers, and during the pandemic we've been on Zoom. 125 00:05:58,080 --> 00:06:00,800 Speaker 1: But it's thousands of members and it's just suddenly I've 126 00:06:00,800 --> 00:06:03,760 Speaker 1: created and run for free with there's no dues. It's 127 00:06:03,760 --> 00:06:07,599 Speaker 1: basically just to give people a supportive place in Hollywood, 128 00:06:08,760 --> 00:06:11,440 Speaker 1: even if they're not in the Hollywood the town. You know. 129 00:06:11,440 --> 00:06:15,760 Speaker 1: It's just basically create a show biz industry that has 130 00:06:15,920 --> 00:06:20,200 Speaker 1: humanity at its core and kindness. And so many people 131 00:06:20,240 --> 00:06:24,320 Speaker 1: get so defeated by the arrogance of Hollywood or or 132 00:06:24,360 --> 00:06:26,240 Speaker 1: they can't get an agent, or they can't get a manager, 133 00:06:26,279 --> 00:06:28,839 Speaker 1: or they can't get anyone to read their script. And 134 00:06:28,839 --> 00:06:30,719 Speaker 1: what I've been applying with the last few years in 135 00:06:30,800 --> 00:06:33,960 Speaker 1: building my own studio and creating Space Command and all 136 00:06:34,240 --> 00:06:37,039 Speaker 1: these things I've been doing, I thought nobody teaches that 137 00:06:37,080 --> 00:06:38,880 Speaker 1: there's no book you can get on how you can 138 00:06:39,160 --> 00:06:42,760 Speaker 1: basically green light yourself that now, thanks to the Internet 139 00:06:42,800 --> 00:06:44,719 Speaker 1: and thanks to computers, and thanks the fact that we 140 00:06:44,760 --> 00:06:47,320 Speaker 1: all have video cameras, high high quality video cameras in 141 00:06:47,360 --> 00:06:50,400 Speaker 1: our pocket. You know, the barriers. It's no longer up 142 00:06:50,440 --> 00:06:52,680 Speaker 1: to the studios or the networks or the major publishing 143 00:06:52,720 --> 00:06:55,800 Speaker 1: houses what gets out to the world. You can reach 144 00:06:55,839 --> 00:06:58,880 Speaker 1: millions of people if you just have something that people 145 00:06:58,880 --> 00:07:02,039 Speaker 1: will find interesting and um and so I wanted to 146 00:07:02,080 --> 00:07:04,520 Speaker 1: share step by step what I had done, and also 147 00:07:04,520 --> 00:07:07,880 Speaker 1: a number of my friends, fortunately JJ Abrams and Neil 148 00:07:07,920 --> 00:07:11,360 Speaker 1: Gaiman and Germo del Toro and you know, Marie Bradbery. 149 00:07:11,400 --> 00:07:13,600 Speaker 1: Of course, they all have told me stories that were 150 00:07:13,600 --> 00:07:16,440 Speaker 1: about how they've built their careers and how they recovered 151 00:07:16,440 --> 00:07:19,680 Speaker 1: from failure and how they you know, were supported and 152 00:07:19,760 --> 00:07:23,200 Speaker 1: mentored by others. And fortunately, and my friend run Moore 153 00:07:23,280 --> 00:07:25,840 Speaker 1: who who runs for All Mankind, the TV show on 154 00:07:25,920 --> 00:07:29,080 Speaker 1: Apple Now, they were all kind enough when I reached 155 00:07:29,080 --> 00:07:30,960 Speaker 1: out and said, we know, you told me this great 156 00:07:31,000 --> 00:07:34,040 Speaker 1: story about your career um privately, but can I share 157 00:07:34,080 --> 00:07:36,560 Speaker 1: it with with my readers? And they all said yes, 158 00:07:36,800 --> 00:07:41,440 Speaker 1: and and it was just great. And so this is 159 00:07:41,440 --> 00:07:44,600 Speaker 1: sort of like everything I've learned over over forty years 160 00:07:44,600 --> 00:07:46,640 Speaker 1: of my career. I've been a professional writer since I 161 00:07:46,680 --> 00:07:49,880 Speaker 1: was nineteen, and and I just it's you know, it's 162 00:07:49,920 --> 00:07:51,840 Speaker 1: not a mystery. But the problem is that so many 163 00:07:51,840 --> 00:07:54,280 Speaker 1: people are told, well, you've got to have a great 164 00:07:54,320 --> 00:07:56,480 Speaker 1: script or you you you need an agent in order 165 00:07:56,480 --> 00:07:58,640 Speaker 1: to make it, and none of that is true. You 166 00:07:58,760 --> 00:08:00,800 Speaker 1: just need to say, what do I want to share 167 00:08:00,800 --> 00:08:04,040 Speaker 1: with the world, what comes from my heart? And you know, 168 00:08:04,040 --> 00:08:06,680 Speaker 1: it's a conversation between you and the world as just 169 00:08:06,760 --> 00:08:10,680 Speaker 1: as you know, because people can certainly understand. I mean, 170 00:08:10,680 --> 00:08:13,360 Speaker 1: the reason you're successful, George is because you're authentic and 171 00:08:13,520 --> 00:08:15,160 Speaker 1: people can listen to the show and they know what 172 00:08:15,160 --> 00:08:17,520 Speaker 1: you're passionate about and they know who you are and 173 00:08:18,680 --> 00:08:20,920 Speaker 1: what people have to understand. You don't have to hide 174 00:08:20,960 --> 00:08:23,560 Speaker 1: who you are to succeed as an artist. You know, 175 00:08:23,600 --> 00:08:26,600 Speaker 1: you have to be authentic and honest and straightforward and 176 00:08:26,680 --> 00:08:29,160 Speaker 1: people will get that. And if you come from passion 177 00:08:29,240 --> 00:08:34,040 Speaker 1: and enthusiasm and honesty and genuine quality, people will respond. 178 00:08:34,520 --> 00:08:37,320 Speaker 1: Ray Bradbury passed away nine years ago at the age 179 00:08:37,320 --> 00:08:39,520 Speaker 1: of ninety one. Tell us a little bit about him. 180 00:08:39,600 --> 00:08:42,959 Speaker 1: He was one of a kind. He was phenomenal. I 181 00:08:43,640 --> 00:08:46,640 Speaker 1: longed for him to be my friend and mentor for many, 182 00:08:46,679 --> 00:08:49,360 Speaker 1: many years, decades, and I'd given up on that. And 183 00:08:49,400 --> 00:08:51,600 Speaker 1: then one day he came across something I'd created and 184 00:08:51,640 --> 00:08:53,080 Speaker 1: he loved it, and he called me and he said, 185 00:08:53,080 --> 00:08:55,640 Speaker 1: you must come to the house, and I came and 186 00:08:55,679 --> 00:08:57,800 Speaker 1: we just hit it often. So then for over ten years, 187 00:08:58,200 --> 00:08:59,760 Speaker 1: once a month I would go to his house and 188 00:09:00,040 --> 00:09:02,199 Speaker 1: just sit and talk about career and life and art, 189 00:09:02,440 --> 00:09:04,400 Speaker 1: and he'd invite me to these plays he was putting 190 00:09:04,400 --> 00:09:07,160 Speaker 1: on plays of his work at that point, and I always, 191 00:09:07,200 --> 00:09:08,720 Speaker 1: of course brought a book for him to sign one 192 00:09:08,760 --> 00:09:13,720 Speaker 1: of his books, and he was so wonderful. And the 193 00:09:13,760 --> 00:09:17,280 Speaker 1: interesting thing is that I'd heard that he and Rod 194 00:09:17,280 --> 00:09:19,280 Speaker 1: Sterling had had a falling out, and that was why 195 00:09:19,320 --> 00:09:21,040 Speaker 1: he only wrote one episode of Twilight Zone. He was 196 00:09:21,080 --> 00:09:23,200 Speaker 1: originally going to be one of the major writers on 197 00:09:23,240 --> 00:09:26,520 Speaker 1: the show, and neither he nor Rod would talk about 198 00:09:26,520 --> 00:09:28,920 Speaker 1: it publicly, and in fact, when I tried to interview 199 00:09:28,960 --> 00:09:32,720 Speaker 1: him for the Twilight Zone companion, he declined. And finally, 200 00:09:32,720 --> 00:09:34,960 Speaker 1: when we became very close friends, I said, okay, Ray, 201 00:09:35,000 --> 00:09:37,079 Speaker 1: tell me what happened between you and Rod, and he 202 00:09:37,160 --> 00:09:40,520 Speaker 1: told me. And so I have a video on Mister 203 00:09:40,559 --> 00:09:42,080 Speaker 1: sci Fi where I say, okay, I'm going to tell 204 00:09:42,120 --> 00:09:44,319 Speaker 1: you what the story that Ray told me, and it's 205 00:09:44,360 --> 00:09:46,920 Speaker 1: an amazing story. It takes thirty minutes for me to 206 00:09:47,000 --> 00:09:49,560 Speaker 1: tell it, and it's on my Mister sci Fi channel. 207 00:09:49,600 --> 00:09:53,880 Speaker 1: But he basically talked about how basically it was neither 208 00:09:54,080 --> 00:09:55,719 Speaker 1: one of them was at falls. It was just kind 209 00:09:55,760 --> 00:09:57,680 Speaker 1: of like where they came to a parting of the ways, 210 00:09:58,120 --> 00:10:01,679 Speaker 1: but Twilights and would not have been was without Ray. 211 00:10:01,720 --> 00:10:06,480 Speaker 1: Bradbury because his three proteges, Richard Matheson, Charles Beaumont and 212 00:10:06,480 --> 00:10:09,880 Speaker 1: George Clayton Johnson formed the core of the writing team 213 00:10:09,880 --> 00:10:12,440 Speaker 1: on Twilights and then that was thanks to Ray and 214 00:10:12,559 --> 00:10:16,240 Speaker 1: they were unable Rod and Ray to get together at 215 00:10:16,240 --> 00:10:18,720 Speaker 1: the end. They just kind of falling out. It was 216 00:10:18,920 --> 00:10:20,480 Speaker 1: I you know, I go into it in detail, but 217 00:10:20,520 --> 00:10:23,160 Speaker 1: it was mainly just that it was just kind of 218 00:10:23,200 --> 00:10:27,120 Speaker 1: cross purposes, you know. Um Rod was incredibly busy and 219 00:10:27,160 --> 00:10:30,360 Speaker 1: so certain things he'd said to Ray kind of fell 220 00:10:30,440 --> 00:10:33,040 Speaker 1: through the cracks. It was it was like falling out, 221 00:10:33,240 --> 00:10:36,240 Speaker 1: falling out that anyone can have. They were both wonderful 222 00:10:36,320 --> 00:10:39,280 Speaker 1: people and I'm very very glad. But I got to 223 00:10:39,520 --> 00:10:41,320 Speaker 1: uh to get to know Race so well, and he 224 00:10:41,360 --> 00:10:44,719 Speaker 1: trusted me with that story, and uh, and my god, 225 00:10:44,760 --> 00:10:46,560 Speaker 1: there was so many pieces of advice he gave me 226 00:10:46,679 --> 00:10:49,240 Speaker 1: that were invaluable and they're they're in the green Lighting 227 00:10:49,280 --> 00:10:52,000 Speaker 1: Yourself book. You know. I talk about that at length 228 00:10:52,040 --> 00:10:54,920 Speaker 1: in the book. Good for You. And people can't get 229 00:10:54,960 --> 00:10:57,960 Speaker 1: this book now is it out? It's not out yet. 230 00:10:58,000 --> 00:11:01,040 Speaker 1: I've sent the manuscript my publish here Silman James. It'll 231 00:11:01,080 --> 00:11:03,720 Speaker 1: be out, you know, in a few months, and so 232 00:11:03,760 --> 00:11:06,319 Speaker 1: if people just kind of, you know, go on to 233 00:11:06,360 --> 00:11:08,280 Speaker 1: Amazon or whatever, and you know, they'll be able to 234 00:11:08,280 --> 00:11:11,440 Speaker 1: find it ultimately, and I think they'll really benefit from it. 235 00:11:11,520 --> 00:11:14,760 Speaker 1: What's your favorite Twilight Zone episode. Well, my favorite is 236 00:11:14,840 --> 00:11:17,520 Speaker 1: Walking Distance, because that's about a man who goes back 237 00:11:17,559 --> 00:11:20,520 Speaker 1: into the past of his childhood to try to reclaim 238 00:11:20,640 --> 00:11:25,040 Speaker 1: that that childhood, and it was raised. It was Rod 239 00:11:25,080 --> 00:11:28,880 Speaker 1: Sterling's personal favorite because during the war he was a 240 00:11:28,880 --> 00:11:31,520 Speaker 1: paratrooper and even when the war was winding down, his 241 00:11:31,559 --> 00:11:33,600 Speaker 1: father died very suddenly of a heart attack at age 242 00:11:33,640 --> 00:11:36,120 Speaker 1: fifty two, and he wanted to go home to the funeral. 243 00:11:36,400 --> 00:11:38,920 Speaker 1: He was overseas and the Army wouldn't let him go, 244 00:11:39,040 --> 00:11:42,480 Speaker 1: you know, the Army Air Corps, and and so he 245 00:11:42,520 --> 00:11:44,520 Speaker 1: never got to say goodbye to his dad. And so 246 00:11:44,600 --> 00:11:47,280 Speaker 1: that episode really is about him going back home and 247 00:11:47,800 --> 00:11:50,280 Speaker 1: finally being able to say goodbye to his father, and 248 00:11:50,280 --> 00:11:53,720 Speaker 1: it was it was very personal for Rod and just 249 00:11:53,720 --> 00:11:55,559 Speaker 1: an amazing piece of writing. I mean, there's so many 250 00:11:55,640 --> 00:11:58,280 Speaker 1: great Twilight Zone episodes. I mean, you know, you can't 251 00:11:58,280 --> 00:11:59,880 Speaker 1: really go wrong if you say the one with Burgess 252 00:12:00,120 --> 00:12:02,400 Speaker 1: Edith where he's the last man on Earth, or Howling 253 00:12:02,480 --> 00:12:05,240 Speaker 1: Man or you know, to serve Man, any of them 254 00:12:05,280 --> 00:12:07,440 Speaker 1: you know stop at Willoughby, you know there's this. It's 255 00:12:07,480 --> 00:12:10,240 Speaker 1: just I love them all riches to serve Man. That 256 00:12:10,320 --> 00:12:13,160 Speaker 1: was a classic too. That's a great episode absolutely, And 257 00:12:13,200 --> 00:12:15,640 Speaker 1: that was written by one of my teachers. Damon Knight 258 00:12:16,120 --> 00:12:18,240 Speaker 1: wrote the short story that episode was based on. And 259 00:12:18,960 --> 00:12:21,160 Speaker 1: he was my teacher and when I was nineteen years 260 00:12:21,200 --> 00:12:23,760 Speaker 1: old he bought my first short story. So and they 261 00:12:23,800 --> 00:12:28,800 Speaker 1: all had that ending, that really special ending, didn't I? Yes, yes, 262 00:12:29,160 --> 00:12:32,000 Speaker 1: And Rod would say that he if he knew the ending, 263 00:12:32,080 --> 00:12:34,040 Speaker 1: he knew he was okay. But he said he had 264 00:12:34,120 --> 00:12:35,959 Speaker 1: he had so many ideas where he could get the 265 00:12:36,000 --> 00:12:38,400 Speaker 1: beginning in the middle and could not come up with 266 00:12:38,400 --> 00:12:40,480 Speaker 1: the ending, and those never of course got on on 267 00:12:40,520 --> 00:12:42,640 Speaker 1: the air. But if he had the ending, he could 268 00:12:42,679 --> 00:12:44,920 Speaker 1: he knew where he was going and he could write 269 00:12:44,960 --> 00:12:48,959 Speaker 1: incredibly fast when he did. Um, It's the Hitchhiker, the 270 00:12:49,000 --> 00:12:53,240 Speaker 1: episode with Inger Stevens, which was an adaptation of Radio Yeah, 271 00:12:53,640 --> 00:12:57,000 Speaker 1: he wrote that that episode and eight hours Wow episode. 272 00:12:57,200 --> 00:13:00,280 Speaker 1: That's an amazing, incredibly fast Listen to more cost to 273 00:13:00,280 --> 00:13:04,080 Speaker 1: Coast AM every weeknight at one am Eastern and go 274 00:13:04,200 --> 00:13:06,440 Speaker 1: to Coast to coast am dot com for more