1 00:00:05,200 --> 00:00:07,600 Speaker 1: Hey, this is Annie and Samantha and welcome to Steffone 2 00:00:07,640 --> 00:00:09,280 Speaker 1: Never Told You production by Her Radio. 3 00:00:18,720 --> 00:00:22,279 Speaker 2: And we are back with another edition of Happy Hour 4 00:00:22,440 --> 00:00:24,880 Speaker 2: where we watch Sex in the City and you get 5 00:00:24,880 --> 00:00:28,960 Speaker 2: to hear our reactions. What's even better is that Annie 6 00:00:29,280 --> 00:00:32,040 Speaker 2: has not seen many of these episodes, so I put 7 00:00:32,040 --> 00:00:34,599 Speaker 2: her on the spot because I need to feel superior 8 00:00:34,640 --> 00:00:37,479 Speaker 2: about some fictional things, and this is that moment. 9 00:00:37,840 --> 00:00:41,600 Speaker 1: Oh, I like that. This has been a year's long 10 00:00:42,360 --> 00:00:45,239 Speaker 1: journey of you trying to get one up on. 11 00:00:45,320 --> 00:00:49,479 Speaker 2: Me every day every day anyway, But yes, we are 12 00:00:49,520 --> 00:00:51,600 Speaker 2: back and we are viewing Sex and the City. But yes, 13 00:00:51,640 --> 00:00:54,000 Speaker 2: this is a Happy Hour as well. So if you 14 00:00:54,040 --> 00:00:58,640 Speaker 2: are partaking, please partake responsibly. Whatever you are doing, whether 15 00:00:58,680 --> 00:01:01,120 Speaker 2: it's just you know, getting away from the kids, do 16 00:01:01,280 --> 00:01:04,400 Speaker 2: so responsible. Make sure the kids are okay. I would 17 00:01:04,440 --> 00:01:07,000 Speaker 2: not listen with kids just FYI, because this is an 18 00:01:07,040 --> 00:01:07,720 Speaker 2: adult show. 19 00:01:08,200 --> 00:01:10,240 Speaker 1: Yes, but it was on CW during. 20 00:01:10,040 --> 00:01:11,880 Speaker 2: The daytime for a long time, so that was really weird. 21 00:01:11,959 --> 00:01:14,840 Speaker 2: Of course, very edited, but still very heavily on the 22 00:01:14,920 --> 00:01:18,400 Speaker 2: adult subjects. It wasn't hard to see the implications. 23 00:01:18,640 --> 00:01:19,200 Speaker 1: Anyway. 24 00:01:19,959 --> 00:01:21,800 Speaker 2: We are not currently being sponsored by any of the 25 00:01:21,800 --> 00:01:23,920 Speaker 2: things we were talking about as well, just put that 26 00:01:23,920 --> 00:01:25,880 Speaker 2: out there. Things change, though. We would love to be 27 00:01:25,920 --> 00:01:27,520 Speaker 2: sponsored by Sex in the City. They kind of did 28 00:01:27,600 --> 00:01:32,200 Speaker 2: for a minute, kind of kind of yeah, anyway, any 29 00:01:32,840 --> 00:01:34,240 Speaker 2: are you used to being on anything? 30 00:01:35,240 --> 00:01:38,960 Speaker 1: Just just my good old light beer. I got my 31 00:01:38,959 --> 00:01:43,760 Speaker 1: my vaccines. Oh this morning, so I'm waiting to see. 32 00:01:44,280 --> 00:01:48,280 Speaker 1: That's brave what happens. It was the things that we 33 00:01:48,320 --> 00:01:49,200 Speaker 1: had to do this week. 34 00:01:49,400 --> 00:01:51,160 Speaker 2: No, no, no, I mean not just the fact that, like 35 00:01:51,200 --> 00:01:53,720 Speaker 2: an aftermath. That's why I've been holding off. 36 00:01:54,560 --> 00:01:56,559 Speaker 1: Yeah, well that's why I went to go get them. 37 00:01:56,720 --> 00:01:58,760 Speaker 1: Smith and I are about to travel together. 38 00:01:58,800 --> 00:02:04,040 Speaker 2: To New York, New York, the city as some of 39 00:02:04,080 --> 00:02:04,880 Speaker 2: the people would say. 40 00:02:06,440 --> 00:02:09,960 Speaker 1: Some would say that maybe and again, if you have 41 00:02:10,000 --> 00:02:13,000 Speaker 1: any recommendations of places we should go, let us know. 42 00:02:13,120 --> 00:02:15,560 Speaker 1: But I was trying to get them before then. I 43 00:02:15,600 --> 00:02:18,320 Speaker 1: had COVID three months ago. You're supposed to wait three months. 44 00:02:19,919 --> 00:02:22,000 Speaker 1: Oh no, I can't get But the person who gave 45 00:02:22,040 --> 00:02:24,239 Speaker 1: me the vaccine, she did it so smoothly, like I 46 00:02:24,240 --> 00:02:26,760 Speaker 1: didn't feel any pain or anything. But I'm waiting. I'm 47 00:02:26,800 --> 00:02:28,760 Speaker 1: waiting for it to kick in. I am pretty tired. 48 00:02:29,680 --> 00:02:32,640 Speaker 1: I don't know if that's related or not, but I'm 49 00:02:32,680 --> 00:02:35,600 Speaker 1: pretty tired, but anyway, light. 50 00:02:35,520 --> 00:02:40,559 Speaker 2: Beer for me, a light beer for you, and a COVID. 51 00:02:40,240 --> 00:02:42,480 Speaker 1: Shot and flue shot. 52 00:02:42,560 --> 00:02:47,360 Speaker 2: I got both and the flu shot I have stuck 53 00:02:47,400 --> 00:02:50,400 Speaker 2: with my bubbly water. As as we said, we're kind 54 00:02:50,400 --> 00:02:53,440 Speaker 2: of busy, so being sleepy, achy or any of the 55 00:02:53,480 --> 00:02:55,519 Speaker 2: above is not an option for this week or next 56 00:02:55,520 --> 00:02:58,960 Speaker 2: week or ever. Again, I'm just kidding, but yeah, so 57 00:02:59,600 --> 00:03:03,080 Speaker 2: could y'all in. As you know, we will be doing 58 00:03:03,080 --> 00:03:07,480 Speaker 2: an audience participation of this segment. Specifically, I have picked 59 00:03:07,480 --> 00:03:09,960 Speaker 2: out an episode. It will be done in the new year. 60 00:03:10,160 --> 00:03:12,320 Speaker 2: We are going to go ahead and select someone by 61 00:03:12,360 --> 00:03:14,960 Speaker 2: the end of this year, twenty twenty four. So if 62 00:03:14,960 --> 00:03:17,600 Speaker 2: you would like to participate, let us know, send us 63 00:03:17,600 --> 00:03:20,440 Speaker 2: an email, send us a dm. Anie will tell you 64 00:03:20,520 --> 00:03:22,200 Speaker 2: how to do that at the end of this because 65 00:03:22,200 --> 00:03:23,679 Speaker 2: it's a very long spiel and I'm not going to 66 00:03:23,680 --> 00:03:26,800 Speaker 2: add it to the beginning. But yeah, so you just 67 00:03:27,000 --> 00:03:30,280 Speaker 2: all you need is a laptop, an internet connection, and 68 00:03:30,520 --> 00:03:35,440 Speaker 2: a microphone or headsets rather, yes, and an email. 69 00:03:35,120 --> 00:03:38,040 Speaker 1: Although a microphone would be nice, but you don't need it. 70 00:03:38,280 --> 00:03:40,960 Speaker 2: You don't need it, like you know, you know, you're fine. 71 00:03:42,360 --> 00:03:45,920 Speaker 1: And if you have sent your name in. We are 72 00:03:46,000 --> 00:03:51,680 Speaker 1: taking them. I promise. I am very behind answering listenermail, 73 00:03:51,720 --> 00:03:55,880 Speaker 1: but I all the names are being accounted for. I 74 00:03:55,960 --> 00:03:58,760 Speaker 1: believe you. Thank you, Samantha. I believe you. 75 00:03:58,840 --> 00:04:02,000 Speaker 2: I hope so, I hope it's true. But yeah, So 76 00:04:02,280 --> 00:04:04,800 Speaker 2: with that, we're going to jump in. We are on 77 00:04:04,920 --> 00:04:09,840 Speaker 2: episode eleven of season three, Am I right? Yes? Yes, 78 00:04:11,200 --> 00:04:15,440 Speaker 2: So Annie, can you give us a rundown of what 79 00:04:15,520 --> 00:04:17,520 Speaker 2: has happened in season three thus far? 80 00:04:18,560 --> 00:04:21,000 Speaker 1: Well, I've said it for I'll say it again. I 81 00:04:21,040 --> 00:04:23,680 Speaker 1: think season three has been one of a lot of changes, 82 00:04:24,240 --> 00:04:27,760 Speaker 1: a lot of questions, a lot of forks in the road. 83 00:04:28,920 --> 00:04:34,320 Speaker 1: So we've got Samantha doing her own thing generally. We've 84 00:04:34,360 --> 00:04:37,760 Speaker 1: got Miranda, who was with Steve. Seemed like she had 85 00:04:37,760 --> 00:04:40,080 Speaker 1: settled in with him and then kind of felt like 86 00:04:40,120 --> 00:04:45,160 Speaker 1: he was too immature and he, after a long process, 87 00:04:45,240 --> 00:04:49,920 Speaker 1: has moved out and now she's starting to date again. 88 00:04:50,080 --> 00:04:53,640 Speaker 1: Kind of had an awkward like phone sex guy uh 89 00:04:53,640 --> 00:04:56,599 Speaker 1: in the last episode, but she's, you know, branching out. 90 00:04:56,880 --> 00:04:59,440 Speaker 1: We've got Charlotte who's been on the hunt for a 91 00:04:59,560 --> 00:05:03,760 Speaker 1: husband and she has found one in Trey. It didn't 92 00:05:03,800 --> 00:05:06,320 Speaker 1: quite go how she wanted in terms of the proposal, 93 00:05:06,360 --> 00:05:09,600 Speaker 1: and then she had to deal with the mom, his 94 00:05:09,720 --> 00:05:13,080 Speaker 1: mom being really controlling and wanting a prenup and all 95 00:05:13,120 --> 00:05:17,120 Speaker 1: of this, and she asked for more than what was 96 00:05:17,160 --> 00:05:19,520 Speaker 1: offered originally and she got it, so she feels like 97 00:05:19,560 --> 00:05:24,440 Speaker 1: she's getting what she's worth. And then you've got Carrie 98 00:05:25,040 --> 00:05:29,000 Speaker 1: who has found Aiden and it is a pretty stable, 99 00:05:30,560 --> 00:05:36,200 Speaker 1: from what I've seen, healthy relationship after her relationship with 100 00:05:36,279 --> 00:05:39,719 Speaker 1: Big that was very dramatic and uneven, but she doesn't 101 00:05:39,720 --> 00:05:43,279 Speaker 1: seem to know how to deal with a relationship that 102 00:05:43,320 --> 00:05:51,120 Speaker 1: doesn't have drama in it. So she has fallen back 103 00:05:51,200 --> 00:05:55,839 Speaker 1: in with Big and is cheating on Aiden with him, 104 00:05:56,240 --> 00:05:59,040 Speaker 1: and he has said he was going to leave his wife. 105 00:05:59,240 --> 00:06:03,360 Speaker 1: I can't remember actually did, but anyway, they're sleeping together. 106 00:06:04,920 --> 00:06:11,640 Speaker 1: And yeah, she did not tell Aiden about that, and 107 00:06:11,760 --> 00:06:12,680 Speaker 1: that's about where we are. 108 00:06:14,960 --> 00:06:17,320 Speaker 2: You're not wrong. All of that was pretty good. 109 00:06:17,360 --> 00:06:18,360 Speaker 1: All that was pretty good. 110 00:06:19,480 --> 00:06:23,640 Speaker 2: Now, as per usual, let me tell you the episode 111 00:06:23,720 --> 00:06:26,760 Speaker 2: title and you let me know what you think is coming. 112 00:06:27,400 --> 00:06:31,080 Speaker 2: It is Running with Scissors. I remember this title really 113 00:06:31,320 --> 00:06:33,560 Speaker 2: during that time because at that point we had that 114 00:06:33,640 --> 00:06:40,880 Speaker 2: book Running with Scissors by Augustin Burrows. I remember I'd 115 00:06:40,920 --> 00:06:46,919 Speaker 2: read it around that time. No, really, yeah, anyway, it 116 00:06:46,960 --> 00:06:49,440 Speaker 2: was very traumatic that book. But anyway, what do you think? 117 00:06:49,440 --> 00:06:51,400 Speaker 2: What do you think? What do you think this is about? 118 00:06:53,360 --> 00:06:59,600 Speaker 1: Oh? My goodness, did you all? No? But because I've 119 00:06:59,640 --> 00:07:03,960 Speaker 1: told there's a Taylor Swift song of course listen Affairs, 120 00:07:04,000 --> 00:07:07,600 Speaker 1: But there's another Taylor Swift called a song called Augustine. 121 00:07:09,440 --> 00:07:15,520 Speaker 1: Augustine's also about cheating. It's not the same name. Sorry, 122 00:07:16,360 --> 00:07:18,280 Speaker 1: I actually don't know how to I actually don't know 123 00:07:18,280 --> 00:07:22,080 Speaker 1: how to pronounce it because it's just august in the song. 124 00:07:22,120 --> 00:07:27,120 Speaker 1: But there's a like more about it that I don't know. Anyway. 125 00:07:27,880 --> 00:07:36,760 Speaker 1: The answers, well, let me think, Okay, running with scissors 126 00:07:36,800 --> 00:07:39,000 Speaker 1: is something you're not supposed to do. It's something your 127 00:07:39,560 --> 00:07:42,480 Speaker 1: people tell you when you're a kid. You're not supposed 128 00:07:42,520 --> 00:07:45,400 Speaker 1: to do it. So it's got to be something like 129 00:07:45,480 --> 00:07:51,880 Speaker 1: I think Carrie's going to continue cheating and but people 130 00:07:51,880 --> 00:07:53,880 Speaker 1: are going to start to get suspicious of her in 131 00:07:53,960 --> 00:07:56,880 Speaker 1: this one. Like I feel like Aiden was already kind 132 00:07:56,880 --> 00:07:59,640 Speaker 1: of a little suspicious, but I feel like it's really 133 00:07:59,640 --> 00:08:04,440 Speaker 1: gonna amp up in this one. But she's going to 134 00:08:04,560 --> 00:08:11,240 Speaker 1: keep going. Charlotte's planning this wedding, so something's gonna go 135 00:08:11,280 --> 00:08:13,760 Speaker 1: a miss. I don't know. I feel like scissors are 136 00:08:13,840 --> 00:08:17,440 Speaker 1: literally going to be involved in some sense, perhaps sexually 137 00:08:17,480 --> 00:08:20,400 Speaker 1: involved in some sense. But I don't think so. But 138 00:08:20,520 --> 00:08:25,320 Speaker 1: I don't know. I'm like this back and forth. I 139 00:08:25,360 --> 00:08:28,640 Speaker 1: gotta think about it. I mean, I've seen these titles 140 00:08:28,680 --> 00:08:30,120 Speaker 1: go all kinds of ways. 141 00:08:30,240 --> 00:08:33,840 Speaker 2: It's true, it's true. They can be misleading. Sometimes they're 142 00:08:33,920 --> 00:08:34,600 Speaker 2: really on point. 143 00:08:35,320 --> 00:08:39,360 Speaker 1: Yeah, I feel like all of them are. So it's 144 00:08:39,440 --> 00:08:45,040 Speaker 1: flirting with something dangerous that you shouldn't do, are Yeah, 145 00:08:45,360 --> 00:08:46,160 Speaker 1: I think that's it. 146 00:08:46,720 --> 00:08:49,400 Speaker 2: Okay, you want to add anything else to that. 147 00:08:51,080 --> 00:08:53,000 Speaker 1: They'll go to brunch. There you go. 148 00:08:55,200 --> 00:08:58,520 Speaker 2: I just didn't want you to miss out adding that one, 149 00:08:59,360 --> 00:09:03,000 Speaker 2: Just making you didn't miss out on that part. 150 00:09:03,440 --> 00:09:05,640 Speaker 1: Okay, Okay, are you ready to get into it? 151 00:09:05,840 --> 00:09:06,000 Speaker 2: Yes? 152 00:09:19,000 --> 00:09:21,720 Speaker 3: Our affair like our hotels had gone from elegant with 153 00:09:21,800 --> 00:09:24,320 Speaker 3: crystal to ceed with plastic cups. 154 00:09:25,320 --> 00:09:27,840 Speaker 1: Oh my god. This Taylor Swift song is so on point. 155 00:09:29,920 --> 00:09:32,280 Speaker 1: That's what she says in the song. We used to 156 00:09:32,320 --> 00:09:34,440 Speaker 1: meet in the fancy hotels, and now we meet the 157 00:09:34,480 --> 00:09:35,160 Speaker 1: parking lot. 158 00:09:36,840 --> 00:09:45,360 Speaker 3: No, I'm just so confused. I mean, does he only 159 00:09:45,360 --> 00:09:46,960 Speaker 3: want me now because he can't have me? 160 00:09:47,520 --> 00:09:51,479 Speaker 2: See she's back in this existential crisis because of her mistakes, 161 00:09:51,800 --> 00:09:52,599 Speaker 2: Like you should. 162 00:09:52,320 --> 00:09:54,920 Speaker 3: See but everyone to get out of this without anyone 163 00:09:54,960 --> 00:09:55,520 Speaker 3: getting hurt. 164 00:09:55,760 --> 00:09:56,840 Speaker 1: Well, that's realistic. 165 00:09:57,080 --> 00:09:59,200 Speaker 2: Why not how you've. 166 00:09:59,080 --> 00:10:03,079 Speaker 3: Heard those stories about how about affairs where people realize 167 00:10:03,280 --> 00:10:06,000 Speaker 3: how great their other relationship is and and end it 168 00:10:06,000 --> 00:10:07,080 Speaker 3: without anyone being the wise. 169 00:10:07,240 --> 00:10:10,280 Speaker 2: This is where I really think she's the worst lead character, 170 00:10:10,600 --> 00:10:14,000 Speaker 2: Like this moment here pretending like she can do this 171 00:10:14,360 --> 00:10:17,320 Speaker 2: and like she's not the problem and this is not 172 00:10:17,360 --> 00:10:18,800 Speaker 2: going to cause all the heartache. 173 00:10:19,120 --> 00:10:28,040 Speaker 3: Yeah, Samantha was judging the crowd at a new hotspot 174 00:10:28,040 --> 00:10:29,040 Speaker 3: on the Lower West Side. 175 00:10:29,679 --> 00:10:33,000 Speaker 2: Yeah, I should have gone with that club and they 176 00:10:33,120 --> 00:10:37,400 Speaker 2: went to a club at least to a bar. Maybe 177 00:10:37,400 --> 00:10:43,599 Speaker 2: I pressured you too hard into the but to be 178 00:10:43,800 --> 00:10:47,120 Speaker 2: if you had to guess anything, because you still have 179 00:10:47,800 --> 00:10:49,199 Speaker 2: it's true a good twenty minutes. 180 00:10:49,640 --> 00:10:51,400 Speaker 1: It's true. Things can change. 181 00:10:51,280 --> 00:10:55,480 Speaker 3: Short the male Samantha, Hi, I'm Tom Raimi. 182 00:10:55,800 --> 00:10:56,600 Speaker 1: I know who you are. 183 00:10:57,000 --> 00:10:58,000 Speaker 2: Oh, I know who you are. 184 00:10:58,280 --> 00:10:59,480 Speaker 3: It's about time we met. 185 00:11:00,040 --> 00:11:02,199 Speaker 1: We know the same people we should go to. 186 00:11:04,240 --> 00:11:07,000 Speaker 2: When you know, like the other person is like it 187 00:11:07,240 --> 00:11:10,400 Speaker 2: likes to have sex with everyone. I don't know if 188 00:11:10,440 --> 00:11:12,480 Speaker 2: I know anything like I've had friends who like dated 189 00:11:12,559 --> 00:11:14,920 Speaker 2: many of people, but that's not the same thing to 190 00:11:15,000 --> 00:11:15,480 Speaker 2: the level. 191 00:11:16,320 --> 00:11:19,200 Speaker 1: Yeah, I've had like a friend that was known for 192 00:11:19,320 --> 00:11:23,439 Speaker 1: being down down to have like a one night stands. Yeah, 193 00:11:23,440 --> 00:11:25,880 Speaker 1: but I don't I wouldn't say that was what she 194 00:11:26,080 --> 00:11:29,600 Speaker 1: was known. Yeah. I don't think like if somebody random 195 00:11:29,640 --> 00:11:30,800 Speaker 1: came at a party, they'd be. 196 00:11:30,760 --> 00:11:33,560 Speaker 2: Like, that's so yeah, because I think like within our 197 00:11:33,600 --> 00:11:36,800 Speaker 2: own friends group, we might like have a conversation about this, 198 00:11:36,920 --> 00:11:41,199 Speaker 2: but like it's not well known. 199 00:11:40,960 --> 00:11:46,680 Speaker 1: I got hard in that club just from looking at you, 200 00:11:47,160 --> 00:11:48,560 Speaker 1: and I think you and I both know what's going 201 00:11:48,600 --> 00:11:49,640 Speaker 1: to happen. We get up in that. 202 00:11:49,520 --> 00:11:54,640 Speaker 2: Swing by that swing looks complicated too. 203 00:11:54,679 --> 00:11:55,599 Speaker 1: I just don't know this. 204 00:11:55,760 --> 00:12:00,280 Speaker 2: I'm like, how does this work? I thought, I'm like, 205 00:12:00,559 --> 00:12:04,640 Speaker 2: maybe I'm just too prudish in this level, Like but 206 00:12:04,800 --> 00:12:08,080 Speaker 2: what how what? That looks really uncomfortable. It's kind of 207 00:12:08,120 --> 00:12:10,000 Speaker 2: like people talking about sex on the beach or sex 208 00:12:10,040 --> 00:12:14,720 Speaker 2: in the shower. The actual like the reality is like, oh, 209 00:12:14,880 --> 00:12:16,920 Speaker 2: I'm either first of all, I hate saying we know 210 00:12:16,960 --> 00:12:23,240 Speaker 2: this skywalker, yes I know, and then then in the 211 00:12:23,440 --> 00:12:26,280 Speaker 2: in the shower everything gets cold very quickly like no, 212 00:12:26,400 --> 00:12:28,240 Speaker 2: thank you, Like I need to be. 213 00:12:29,960 --> 00:12:30,560 Speaker 1: Natural loop. 214 00:12:31,120 --> 00:12:34,840 Speaker 2: Yeah. Also the fact that people prefer different temperatures. I 215 00:12:34,920 --> 00:12:43,760 Speaker 2: need mine scalding hot, especially right now while it's cold. Miranda, 216 00:12:43,960 --> 00:12:47,840 Speaker 2: you take modern bride, Samantha, New York bride, and I'll 217 00:12:47,840 --> 00:12:51,440 Speaker 2: take what annoying bride or carriage? Page two eleven paint posted, 218 00:12:51,480 --> 00:12:54,800 Speaker 2: tell me what you think you know? Okay, people out 219 00:12:54,800 --> 00:12:57,920 Speaker 2: there who have recently planned weddings, do y'all still look 220 00:12:57,960 --> 00:13:01,800 Speaker 2: at Bridle magazines? Because that was a like marking everything 221 00:13:01,920 --> 00:13:05,400 Speaker 2: like Charlotte's doing in here? Do we still do this? 222 00:13:05,960 --> 00:13:08,319 Speaker 2: Not that I'm getting married, but is that still a thing? 223 00:13:09,240 --> 00:13:12,760 Speaker 2: Or do we just internet like the internet things? No 224 00:13:13,280 --> 00:13:15,200 Speaker 2: hard copy thing. 225 00:13:14,280 --> 00:13:20,440 Speaker 1: Yeah, he won't sleep with me unless I have a test, Samantha, But. 226 00:13:20,559 --> 00:13:23,199 Speaker 3: Looking at wedding gowns, could you please not talk about 227 00:13:23,200 --> 00:13:26,120 Speaker 3: AIDS right now? You've never had an HIV test? 228 00:13:26,280 --> 00:13:32,680 Speaker 2: No? Have you too? I love that they normalize this 229 00:13:32,840 --> 00:13:35,040 Speaker 2: during this time, like really being like, of course we did, 230 00:13:35,160 --> 00:13:37,640 Speaker 2: come on, neverbody should like we might not talk about it, 231 00:13:37,679 --> 00:13:41,880 Speaker 2: but why not? It's accessible and I feel like it's God, 232 00:13:42,000 --> 00:13:45,560 Speaker 2: we're in a cycle, but it's coming back up as 233 00:13:45,559 --> 00:13:51,840 Speaker 2: like normalizing again because it's somehow being stigmatized again. Yeah, 234 00:13:52,559 --> 00:13:54,960 Speaker 2: not that our listeners need to know, but getting checked 235 00:13:54,960 --> 00:13:57,000 Speaker 2: for an STD is just smart. 236 00:13:57,600 --> 00:14:03,200 Speaker 1: Yeah. I have a friend, good friend who won a 237 00:14:03,320 --> 00:14:09,120 Speaker 1: speech essay and speech contest talking about her experience getting 238 00:14:09,160 --> 00:14:11,680 Speaker 1: tested and then why it was so important. And I 239 00:14:11,760 --> 00:14:16,760 Speaker 1: love that. If you're listening, that's amazing, amazing, it's so important. 240 00:14:17,480 --> 00:14:21,960 Speaker 2: Don't be a Charlotte, be Miranda. I'll get several toughs. 241 00:14:27,920 --> 00:14:29,760 Speaker 1: You want pasta, you go to Little Italy. 242 00:14:30,200 --> 00:14:32,160 Speaker 2: You want wedding, you go wang. 243 00:14:32,400 --> 00:14:34,760 Speaker 3: You want the perfect wedding dress, fast, go to Anthony 244 00:14:34,760 --> 00:14:36,240 Speaker 3: Marantino stylist. 245 00:14:36,520 --> 00:14:40,920 Speaker 2: Yes, Anthony Marantino is now being introduced. Then we will 246 00:14:40,920 --> 00:14:41,720 Speaker 2: know him forever. 247 00:14:42,320 --> 00:14:44,360 Speaker 1: Now there's a place in Atlanta that would let you 248 00:14:44,360 --> 00:14:46,800 Speaker 1: go try on wedding dresses even if you weren't getting married. 249 00:14:46,840 --> 00:14:50,680 Speaker 1: And I almost did it once. I just want to 250 00:14:50,800 --> 00:14:51,520 Speaker 1: try them all. 251 00:14:51,880 --> 00:14:58,680 Speaker 2: Okay, okay, So again I would just be sleepy and panicky. 252 00:15:00,120 --> 00:15:01,760 Speaker 1: This was back when I was more confident in my 253 00:15:01,840 --> 00:15:06,280 Speaker 1: body and you wanted to see. Yeah, I was pretty 254 00:15:06,280 --> 00:15:07,680 Speaker 1: sure I was never going to get married, so I 255 00:15:07,720 --> 00:15:09,040 Speaker 1: was like, why not try it all? 256 00:15:10,320 --> 00:15:11,000 Speaker 2: Yeah, you don't know. 257 00:15:12,640 --> 00:15:15,320 Speaker 1: I did have my perfect wedding dress. When I was young. 258 00:15:16,080 --> 00:15:17,560 Speaker 2: Oh, really, like you picked one out? 259 00:15:17,960 --> 00:15:20,640 Speaker 1: No, I just had an idea of it. Okay, it 260 00:15:20,680 --> 00:15:22,640 Speaker 1: was just like a comfortable it was short, it was 261 00:15:22,680 --> 00:15:25,640 Speaker 1: like knee length. I didn't want the whole thing. Mm hmmm, 262 00:15:26,840 --> 00:15:29,920 Speaker 1: it's actually yellow, a yellow nineties. 263 00:15:30,720 --> 00:15:33,520 Speaker 2: I've always said I would do like an empire waste 264 00:15:33,840 --> 00:15:36,760 Speaker 2: because they all looked better on me. And then I 265 00:15:36,760 --> 00:15:40,720 Speaker 2: still really liking like the pride prejudice levels, like let 266 00:15:40,800 --> 00:15:42,120 Speaker 2: me get a cap and everything. 267 00:15:42,600 --> 00:15:43,320 Speaker 1: I would never. 268 00:15:49,040 --> 00:15:49,360 Speaker 2: Eat me. 269 00:15:49,880 --> 00:15:52,440 Speaker 3: Three days later, Miranda had finally gotten her fill of 270 00:15:52,440 --> 00:15:53,080 Speaker 3: the sandwich. 271 00:15:53,840 --> 00:15:56,720 Speaker 2: Okay, that's it. You're not allowed to harass women like that. 272 00:15:57,120 --> 00:15:58,160 Speaker 2: Eat me. 273 00:15:58,920 --> 00:16:00,840 Speaker 1: This was a horror movie. You would have walked this. 274 00:16:01,080 --> 00:16:05,640 Speaker 1: She's lost her mind. It's not I never talked to him. 275 00:16:06,480 --> 00:16:09,200 Speaker 1: She's like the sandwich is talking. 276 00:16:09,280 --> 00:16:12,520 Speaker 2: Okay, then listen, that sandwich out front is saying sexually 277 00:16:12,520 --> 00:16:15,640 Speaker 2: explicit things to women as they walk by. What he's saying, 278 00:16:15,800 --> 00:16:19,200 Speaker 2: eat me? Yeah, he's a sandwich. No, he didn't say 279 00:16:19,240 --> 00:16:21,080 Speaker 2: it in the sandwich way. He said it in the 280 00:16:21,160 --> 00:16:22,480 Speaker 2: sexual harassing way. 281 00:16:22,880 --> 00:16:28,560 Speaker 1: Lady, he's a sandwich. Well, I mean that's close, Drope. 282 00:16:31,920 --> 00:16:32,800 Speaker 3: Oh you're so great. 283 00:16:33,080 --> 00:16:34,480 Speaker 1: I'm scared, right, now. 284 00:16:36,280 --> 00:16:41,760 Speaker 3: I feel faces and shiny white teeth. To stop thinking 285 00:16:41,800 --> 00:16:45,040 Speaker 3: about the sandwich and start wondering about the man inside 286 00:16:45,080 --> 00:16:45,400 Speaker 3: the bun. 287 00:16:45,800 --> 00:16:49,040 Speaker 2: No, no about a sandwich. 288 00:16:49,440 --> 00:16:51,560 Speaker 3: You're telling me you're turned on by a sandwich. 289 00:16:53,360 --> 00:16:54,320 Speaker 1: I think that's the fact. 290 00:16:54,160 --> 00:16:58,200 Speaker 2: That I can't see him dangerous something. Your horror is her. 291 00:16:58,880 --> 00:17:04,200 Speaker 2: Apparently they did not see a face enticing for some. 292 00:17:10,840 --> 00:17:12,960 Speaker 3: You know, I was doing business in the area and 293 00:17:13,040 --> 00:17:14,400 Speaker 3: we kind of bumped into each other. 294 00:17:15,080 --> 00:17:16,119 Speaker 2: Charlotte, how are you? 295 00:17:16,880 --> 00:17:18,639 Speaker 3: I was just I just checked on my wedding dress 296 00:17:18,640 --> 00:17:21,520 Speaker 3: in sead of Taylor and Charlotte. Better go. 297 00:17:23,880 --> 00:17:26,720 Speaker 1: Throat clear the judgment clear. 298 00:17:28,440 --> 00:17:30,840 Speaker 2: I mean it's a whole different thing to not know 299 00:17:31,200 --> 00:17:35,600 Speaker 2: and then follow up like meeting a CD hotel, a 300 00:17:35,720 --> 00:17:38,600 Speaker 2: fource bigger than me, and then her coming over here 301 00:17:38,600 --> 00:17:40,240 Speaker 2: and making all these bad excuses. 302 00:17:40,359 --> 00:17:42,400 Speaker 1: No, I don't know he's married. 303 00:17:43,080 --> 00:17:44,240 Speaker 3: I know he's married. 304 00:17:44,840 --> 00:17:47,359 Speaker 1: That makes you's the other woman. You're the other woman. 305 00:17:47,520 --> 00:17:48,919 Speaker 3: I am not the other woman. 306 00:17:49,680 --> 00:17:52,920 Speaker 2: I mean someone needed to have this conversation with her 307 00:17:52,960 --> 00:17:56,320 Speaker 2: instead of just enabling and being supportive. I get to 308 00:17:56,359 --> 00:17:59,720 Speaker 2: a certain extent, but there's need one good come to 309 00:17:59,760 --> 00:18:11,720 Speaker 2: Geese this moment and then moving on I'm calling her Monday. 310 00:18:13,840 --> 00:18:14,360 Speaker 2: I have to go. 311 00:18:14,800 --> 00:18:15,920 Speaker 1: You know how to let yourself out? 312 00:18:17,240 --> 00:18:18,400 Speaker 3: I couldn't help it one day? 313 00:18:18,560 --> 00:18:20,600 Speaker 2: Is that the relationship you want? Where he says, I 314 00:18:20,640 --> 00:18:22,359 Speaker 2: have to go, you have to let your you know 315 00:18:22,359 --> 00:18:26,120 Speaker 2: how to let yourself out? You? And then she's also 316 00:18:26,160 --> 00:18:27,680 Speaker 2: going through his refrigerator? 317 00:18:29,640 --> 00:18:33,359 Speaker 1: What did I really know? What are you doing? 318 00:18:33,960 --> 00:18:35,480 Speaker 3: Natasha is a woman who likes t. 319 00:18:35,680 --> 00:18:40,480 Speaker 1: Roses as someone who's very ridiculous about why refrigerator would 320 00:18:43,320 --> 00:18:44,360 Speaker 1: be like you eat. 321 00:18:45,960 --> 00:18:46,160 Speaker 2: Yeah. 322 00:18:46,200 --> 00:18:49,040 Speaker 3: Natasha is a woman who comes home from the Hampton's early. 323 00:18:49,720 --> 00:18:56,960 Speaker 2: Honey, are you here? I took the chimney home, sweetheart. 324 00:19:01,960 --> 00:19:02,199 Speaker 1: I know. 325 00:19:05,440 --> 00:19:07,879 Speaker 2: Pary girl andraw. 326 00:19:09,119 --> 00:19:10,160 Speaker 1: It's pretty bad. 327 00:19:12,280 --> 00:19:13,240 Speaker 2: In my house. 328 00:19:14,800 --> 00:19:27,399 Speaker 1: To you, oh oh god. I had always assumed the 329 00:19:27,440 --> 00:19:28,480 Speaker 1: one who would be hurt. 330 00:19:28,280 --> 00:19:30,760 Speaker 2: In all this it would be me, would be me 331 00:19:31,440 --> 00:19:34,120 Speaker 2: selfish narcissist. To comment, the only person who'd be hurting 332 00:19:34,119 --> 00:19:37,960 Speaker 2: all this would be me? Are you mail get out? 333 00:19:38,800 --> 00:19:39,520 Speaker 1: Yeah? 334 00:19:40,160 --> 00:19:42,440 Speaker 2: If you can't tell. I have very heavy opinions about 335 00:19:42,440 --> 00:19:43,120 Speaker 2: these episodes. 336 00:19:44,240 --> 00:19:45,400 Speaker 1: I think a lot of people do. 337 00:19:45,480 --> 00:19:47,640 Speaker 2: I think you have the option and you can grow 338 00:19:47,840 --> 00:19:53,320 Speaker 2: from these situations. But but to have the statement the 339 00:19:53,320 --> 00:19:55,399 Speaker 2: only person that I thought would get hurt because of 340 00:19:55,400 --> 00:20:15,560 Speaker 2: course nobody else has feelings so much roller coaster, so 341 00:20:15,720 --> 00:20:19,639 Speaker 2: much angers, yeah when it comes to this episode, so 342 00:20:19,680 --> 00:20:23,000 Speaker 2: there's not like this type of scenario is kind of 343 00:20:23,000 --> 00:20:26,400 Speaker 2: the reason I was hesitant in bringing a listener one 344 00:20:26,440 --> 00:20:28,560 Speaker 2: of y'all to add to this conversation because it's so 345 00:20:28,680 --> 00:20:33,720 Speaker 2: heavy handed, and not that it doesn't continue on obviously, 346 00:20:33,840 --> 00:20:36,760 Speaker 2: but we are going to have a little past that. 347 00:20:36,920 --> 00:20:40,800 Speaker 2: But it's just like a heavy moment of like, yeah, 348 00:20:40,920 --> 00:20:43,040 Speaker 2: I didn't even realize that was the line she pulled 349 00:20:43,119 --> 00:20:47,320 Speaker 2: until now that whole like, I didn't think anybody would 350 00:20:47,320 --> 00:20:48,679 Speaker 2: get hurt with me. I thought the only one who 351 00:20:48,720 --> 00:20:52,119 Speaker 2: would get hurt was me, y'or like that's such a narcissistic, 352 00:20:52,160 --> 00:20:56,480 Speaker 2: selfish comment, Like no, you didn't. You're only thinking about 353 00:20:56,480 --> 00:20:59,080 Speaker 2: yourself period, Like that's the whole point and why people 354 00:20:59,119 --> 00:21:01,560 Speaker 2: are hurt and the fact that you're not even defending 355 00:21:01,560 --> 00:21:05,840 Speaker 2: your man when he like, yeah, brings him up like 356 00:21:06,040 --> 00:21:08,040 Speaker 2: she does at one point, but come on, it takes 357 00:21:08,080 --> 00:21:08,840 Speaker 2: a long time. 358 00:21:08,680 --> 00:21:09,360 Speaker 1: To get there. 359 00:21:11,880 --> 00:21:17,240 Speaker 2: Let's see dangerous. Yes, you brought Taylor Swift because she 360 00:21:17,240 --> 00:21:19,840 Speaker 2: apparently really likes the show as well and this season 361 00:21:19,880 --> 00:21:20,840 Speaker 2: really impacted her. 362 00:21:21,040 --> 00:21:22,960 Speaker 1: I don't know not. 363 00:21:23,000 --> 00:21:24,720 Speaker 2: If I should give you points for that or the 364 00:21:24,800 --> 00:21:25,760 Speaker 2: dug points for that. 365 00:21:27,920 --> 00:21:28,840 Speaker 1: I think you get a pass. 366 00:21:28,880 --> 00:21:29,760 Speaker 2: I'm gonna give you a pass. 367 00:21:29,760 --> 00:21:32,040 Speaker 1: Fell on this way, I'll give you a pass, all right. 368 00:21:32,080 --> 00:21:33,080 Speaker 2: Did they have brunch? 369 00:21:33,359 --> 00:21:34,399 Speaker 1: No? 370 00:21:34,400 --> 00:21:35,760 Speaker 2: No, they did not any. 371 00:21:35,920 --> 00:21:39,879 Speaker 1: He rolled the dice and incorrectly. Incorrectly. 372 00:21:42,640 --> 00:21:45,400 Speaker 2: But yeah, so a lot to be said. We have 373 00:21:45,480 --> 00:21:49,960 Speaker 2: a new not Maine. But actually, like reoccurring guests, reoccurring 374 00:21:50,000 --> 00:21:53,600 Speaker 2: Star Anthony is now a part of the picture. We're 375 00:21:53,640 --> 00:21:56,920 Speaker 2: getting closer to the wedding date. A lot of things 376 00:21:56,920 --> 00:22:00,920 Speaker 2: are happening now. We had ax swing break. 377 00:22:01,560 --> 00:22:05,520 Speaker 1: We did literally, we did, not just figuratively. 378 00:22:06,560 --> 00:22:10,159 Speaker 2: A lot of conversations about testing for HIV and AIDS, 379 00:22:10,240 --> 00:22:13,679 Speaker 2: which I think is still important in this conversation. I 380 00:22:13,720 --> 00:22:17,919 Speaker 2: don't know. I guess me being privileged to not feel 381 00:22:17,920 --> 00:22:25,080 Speaker 2: like I'm used as a scapegoat for those types of illnesses. 382 00:22:25,200 --> 00:22:29,480 Speaker 2: I didn't notice until recently about how it's coming back 383 00:22:29,560 --> 00:22:33,720 Speaker 2: up as taboo ostracizing people once again and scaring people. 384 00:22:33,880 --> 00:22:35,480 Speaker 2: Maybe it has been that way for a while and 385 00:22:35,560 --> 00:22:40,359 Speaker 2: I just didn't notice, And I just assumed because that 386 00:22:40,359 --> 00:22:44,000 Speaker 2: the rhetoric had kind of quietened since the initial panic 387 00:22:44,040 --> 00:22:48,080 Speaker 2: in the nineties and then all of this that it 388 00:22:48,200 --> 00:22:53,320 Speaker 2: was the stigma had gotten better or lessened, I guess, 389 00:22:53,960 --> 00:22:56,120 Speaker 2: and I don't think. I think we're back to where 390 00:22:56,119 --> 00:22:58,040 Speaker 2: we were, because I know I've seen the billboards, which 391 00:22:58,080 --> 00:23:01,200 Speaker 2: kind of shocked me, but also bring an awareness that 392 00:23:01,320 --> 00:23:04,920 Speaker 2: is still important to test with all the options. 393 00:23:04,960 --> 00:23:06,680 Speaker 1: So but I did. 394 00:23:06,720 --> 00:23:10,239 Speaker 2: I was like, I remember watching this specific episode with 395 00:23:10,400 --> 00:23:13,800 Speaker 2: all of that really like encouraged and felt like it 396 00:23:13,840 --> 00:23:17,560 Speaker 2: was such a big moment for this type of television, 397 00:23:17,600 --> 00:23:22,240 Speaker 2: this type of show to just normalize that type of 398 00:23:22,240 --> 00:23:27,480 Speaker 2: conversation and also not centered around like queer people, which 399 00:23:27,520 --> 00:23:30,680 Speaker 2: oftentimes happens because of the stereotypes. So I really think 400 00:23:30,760 --> 00:23:33,920 Speaker 2: that was pretty big and like being able to elevate 401 00:23:34,359 --> 00:23:36,960 Speaker 2: the importance keeping. 402 00:23:36,800 --> 00:23:39,160 Speaker 1: It normalized and. 403 00:23:38,640 --> 00:23:44,040 Speaker 2: Destigmatizing doing so like no matter what social you know, 404 00:23:44,200 --> 00:23:48,200 Speaker 2: status you have or economic status. So it was it 405 00:23:48,200 --> 00:23:48,600 Speaker 2: was a lot. 406 00:23:48,880 --> 00:23:50,879 Speaker 1: Yeah, I liked it. I liked how it was. So 407 00:23:54,359 --> 00:23:56,439 Speaker 1: you know, with your group of friends, you're like, have 408 00:23:57,280 --> 00:23:59,480 Speaker 1: should I get tested? I've never been tested, and they're like, oh, yeah, 409 00:23:59,480 --> 00:24:01,119 Speaker 1: I've been tested, said you haven't been tested? Like it 410 00:24:01,200 --> 00:24:04,359 Speaker 1: was just so right, nonchalant, just a conversation you have 411 00:24:04,440 --> 00:24:06,240 Speaker 1: with your friends, were like, oh no, you should, you 412 00:24:06,240 --> 00:24:11,120 Speaker 1: should go do that. It was really I appreciated it, 413 00:24:11,160 --> 00:24:17,840 Speaker 1: and I liked that it was very honest about Samantha's 414 00:24:17,880 --> 00:24:23,720 Speaker 1: sexual experience. But also, you know, you got Miranda's thinking 415 00:24:23,720 --> 00:24:24,600 Speaker 1: about a sandwich. 416 00:24:24,720 --> 00:24:28,560 Speaker 2: We got thinking about the sandwich. 417 00:24:30,119 --> 00:24:34,520 Speaker 1: Just because she's off of the I mean rightfully so, 418 00:24:34,760 --> 00:24:39,680 Speaker 1: but she's off of the like most sexual one. But they, 419 00:24:39,920 --> 00:24:43,840 Speaker 1: I mean they all do go out and have these 420 00:24:46,119 --> 00:24:52,400 Speaker 1: sexual sex sexcapades. So I liked that, you know, even 421 00:24:52,440 --> 00:24:57,960 Speaker 1: though she's sort of the more sexual one openly, they 422 00:24:58,000 --> 00:25:00,000 Speaker 1: were all still like, oh no, no, no, you should 423 00:25:00,359 --> 00:25:04,040 Speaker 1: I got one, you should go get one. All good? 424 00:25:04,640 --> 00:25:06,800 Speaker 1: All good? I think. 425 00:25:07,359 --> 00:25:09,840 Speaker 2: Do you have any predictions of what's to come? 426 00:25:12,600 --> 00:25:20,359 Speaker 1: Well, mm hmmm. I think she Carrie is going to 427 00:25:20,440 --> 00:25:26,679 Speaker 1: try to like do a cold Turkey situation with Big. 428 00:25:27,560 --> 00:25:30,440 Speaker 1: I think she's gonna end up. I think it's gonna culminate. 429 00:25:30,520 --> 00:25:33,199 Speaker 1: I think they're gonna be like Aiden and Big at 430 00:25:33,240 --> 00:25:38,679 Speaker 1: the end. I don't think he's out of the picture yet, 431 00:25:38,960 --> 00:25:41,280 Speaker 1: but I think she's gonna I think she's gonna try 432 00:25:41,320 --> 00:25:44,000 Speaker 1: to for this season. I know he's not a picture yet, 433 00:25:44,160 --> 00:25:47,240 Speaker 1: but for this season. But I think she's gonna try 434 00:25:47,280 --> 00:25:53,920 Speaker 1: to like cut him off. Something's gonna happen at Charlotte's 435 00:25:53,920 --> 00:25:57,080 Speaker 1: wedding because it's got to be traumatic. I don't know 436 00:25:57,119 --> 00:26:00,920 Speaker 1: what it is. It might be good. Something's gonna happen 437 00:26:00,960 --> 00:26:04,399 Speaker 1: at her wedding. I don't know when Steve's going to 438 00:26:04,440 --> 00:26:08,000 Speaker 1: come back into the picture for Miranda, but I know 439 00:26:08,040 --> 00:26:11,720 Speaker 1: he'll be back. And Samantha do her own Samantha thing. 440 00:26:12,440 --> 00:26:18,080 Speaker 2: Samantha doing her own Samantha thing. Yeah, sometimes the Samanthas do. 441 00:26:18,760 --> 00:26:20,600 Speaker 1: Yes, it's true. 442 00:26:20,920 --> 00:26:22,800 Speaker 2: Don't worry about me. 443 00:26:24,960 --> 00:26:26,439 Speaker 1: Well I like it. Well, I like it. 444 00:26:26,480 --> 00:26:28,480 Speaker 2: We'll see, we'll see. I'm not gonna remember any of this, 445 00:26:28,560 --> 00:26:33,480 Speaker 2: but I'm at. 446 00:26:31,800 --> 00:26:34,359 Speaker 1: The episode picked out for the listener already, I do so. 447 00:26:34,880 --> 00:26:38,320 Speaker 2: Oh yeah, it's coming again. So if you are interested 448 00:26:38,400 --> 00:26:42,840 Speaker 2: in participating, coming on Skype with us or no, we'll 449 00:26:42,880 --> 00:26:43,439 Speaker 2: be on reverse. 450 00:26:43,480 --> 00:26:44,040 Speaker 1: I won't wait. 451 00:26:44,960 --> 00:26:48,119 Speaker 2: Yes, you don't get the joys of Skype, of the 452 00:26:48,320 --> 00:26:50,399 Speaker 2: two early two thousand of Skype. No, we gonna be 453 00:26:50,480 --> 00:26:53,000 Speaker 2: on riverside. You don't even have to match record for 454 00:26:53,040 --> 00:26:54,720 Speaker 2: anything because it is handled. 455 00:26:55,119 --> 00:26:58,520 Speaker 1: Yes, our super producer Christina will walk you through it. 456 00:26:58,520 --> 00:27:02,439 Speaker 1: It's very easy. You don't even have to be a 457 00:27:02,480 --> 00:27:06,040 Speaker 1: subscriber to Netflix or Max or wherever Sex and the 458 00:27:06,040 --> 00:27:09,160 Speaker 1: City is streaming now Netflix, Yeah, it's on both, which 459 00:27:09,480 --> 00:27:14,480 Speaker 1: strange to me. Yes, So if you are interested, we 460 00:27:14,600 --> 00:27:17,280 Speaker 1: are trying to. We are going to pick the name 461 00:27:17,400 --> 00:27:20,320 Speaker 1: by the end of the year and we're going to 462 00:27:20,440 --> 00:27:25,440 Speaker 1: record the episode in the new year. So if you're interested, 463 00:27:26,400 --> 00:27:30,280 Speaker 1: you can contact us in many ways. You can emails 464 00:27:30,280 --> 00:27:32,520 Speaker 1: at Stephanie email and stuff atiheartmedia dot com. You can 465 00:27:32,520 --> 00:27:34,320 Speaker 1: find us on Twitter at most of the podcasts, or 466 00:27:34,359 --> 00:27:36,480 Speaker 1: on Instagram and TikTok at stuff I've Never Told You. 467 00:27:36,840 --> 00:27:39,320 Speaker 1: We're also on YouTube. We have a tea public store, 468 00:27:39,359 --> 00:27:40,919 Speaker 1: and we have a book you can get wherever you 469 00:27:40,920 --> 00:27:44,320 Speaker 1: get your books. Thanks as always too, our super producer Christina, 470 00:27:44,359 --> 00:27:47,320 Speaker 1: our executive producer Maya, and our contributor Joey. Thank you 471 00:27:47,960 --> 00:27:50,080 Speaker 1: and thanks to you for listening. Stefan Never Told You 472 00:27:50,119 --> 00:27:51,879 Speaker 1: is protection by Heart Radio. For more podcast from my 473 00:27:51,920 --> 00:27:53,440 Speaker 1: heart Radio, you can check out the heart Radio app, 474 00:27:53,440 --> 00:27:55,720 Speaker 1: Apple podcast, or wherever you listen to your favorite shows. 475 00:28:00,600 --> 00:28:02,080 Speaker 2: We all know from me