WEBVTT - What's in a witches brew?

0:00:03.800 --> 0:00:06.680
<v Speaker 1>Welcome to stuff to Blow your Mind from how Stuff

0:00:06.680 --> 0:00:13.840
<v Speaker 1>Works dot com. Hey, welcome to stuff to Blow your mind.

0:00:13.880 --> 0:00:16.320
<v Speaker 1>My name is Robert Lamb, and I'm Julie Douglas. J

0:00:16.520 --> 0:00:18.000
<v Speaker 1>What do you like to put in your witches brew?

0:00:18.920 --> 0:00:24.360
<v Speaker 1>A little A little frog play, yeah, rosemary, yeah, rusty garlic, yeah,

0:00:24.400 --> 0:00:29.360
<v Speaker 1>of course. Um hey, little crystallized ginger. Nice touch. I

0:00:29.440 --> 0:00:34.320
<v Speaker 1>highly recommend uh scaled dragon's a wolf which is mummy mind,

0:00:34.360 --> 0:00:37.519
<v Speaker 1>gulf off the raven c salt shark, root of himlock

0:00:37.640 --> 0:00:40.800
<v Speaker 1>digged in the dark course, liver of a blasheming jew

0:00:40.920 --> 0:00:43.440
<v Speaker 1>if you can get it, uh, and goll of goat

0:00:43.640 --> 0:00:45.720
<v Speaker 1>slips of you. And of course you want all the

0:00:45.760 --> 0:00:48.159
<v Speaker 1>silver in the moon's eclipse. That's just an old recipe

0:00:48.240 --> 0:00:50.960
<v Speaker 1>that I picked up. You're such as picked up from

0:00:51.080 --> 0:00:53.160
<v Speaker 1>old will there. But seeh I just get my stuff

0:00:53.159 --> 0:00:56.000
<v Speaker 1>from Trader Joe's and you're all of the earth the

0:00:56.040 --> 0:00:58.880
<v Speaker 1>witches all a Trader Joe's is really good, and I

0:00:58.880 --> 0:01:02.040
<v Speaker 1>mean everything for your scale of dragon to uh you know,

0:01:02.080 --> 0:01:05.000
<v Speaker 1>the eye of news and Baboon's blood. Yeah, they have

0:01:05.080 --> 0:01:07.800
<v Speaker 1>excellent pappoms blood. Uh. You know this, This is what

0:01:07.840 --> 0:01:10.039
<v Speaker 1>I love about How Stuff Works. Is that we can

0:01:10.080 --> 0:01:13.039
<v Speaker 1>discuss these things. We've got our own coven here, and

0:01:13.400 --> 0:01:17.600
<v Speaker 1>it really allows us to exchange ideas about witchcraft. There's

0:01:17.600 --> 0:01:20.600
<v Speaker 1>a coven at how stuff works? Yeah, like seriously or

0:01:20.640 --> 0:01:22.680
<v Speaker 1>like literally, there's a covenant how stuff works? Or are

0:01:22.720 --> 0:01:25.640
<v Speaker 1>you just talking about we throw ideas into a call drop?

0:01:25.760 --> 0:01:29.800
<v Speaker 1>Oh no, yeah, sure it was just metaphorical. Yeah, sure,

0:01:29.840 --> 0:01:34.640
<v Speaker 1>of course there's not a real covenant. That would be weird. No, no, no,

0:01:34.720 --> 0:01:38.120
<v Speaker 1>it's metaphorical. All right, Well really, well, I would I

0:01:38.160 --> 0:01:40.039
<v Speaker 1>would imagine your your you must be needing in a

0:01:40.040 --> 0:01:43.839
<v Speaker 1>separate space because, as we know from legends and myth

0:01:43.920 --> 0:01:47.960
<v Speaker 1>and folk tales, the classic version of the witch and

0:01:47.960 --> 0:01:50.520
<v Speaker 1>and by the classic version of which I'm not craning

0:01:50.520 --> 0:01:54.960
<v Speaker 1>this in on on on Wiccan stuff like a modern

0:01:55.000 --> 0:01:56.960
<v Speaker 1>witches of of whom I know some of. My friend

0:01:57.120 --> 0:01:59.520
<v Speaker 1>Michelle is a practicing Wiccan and to my knowledge, she

0:01:59.720 --> 0:02:02.160
<v Speaker 1>just and have a cauldron. No, no, today we're talking

0:02:02.160 --> 0:02:05.840
<v Speaker 1>about the witches that are burned in our memories and

0:02:05.920 --> 0:02:10.280
<v Speaker 1>sometimes yes, um who yeah, who have cauldrons, who are

0:02:10.280 --> 0:02:13.520
<v Speaker 1>meeting in the dark, who are plotting against Macbeth, that

0:02:13.560 --> 0:02:17.040
<v Speaker 1>are casting spells, that are hanging out with cats that

0:02:17.120 --> 0:02:20.880
<v Speaker 1>hate Dorothy, that hate Dorothy, that are dying underneath the

0:02:20.880 --> 0:02:23.480
<v Speaker 1>weight of houses that fall from the sky. Uh. This

0:02:23.560 --> 0:02:25.560
<v Speaker 1>sort of thing, the idea of the Witch is pretty fascinating,

0:02:25.639 --> 0:02:28.320
<v Speaker 1>especially when you get past sort of the the typical

0:02:28.400 --> 0:02:32.000
<v Speaker 1>Halloween idea of just cackling old crones. I mean, you

0:02:32.040 --> 0:02:34.519
<v Speaker 1>could we could just talk for a long time about

0:02:34.560 --> 0:02:37.680
<v Speaker 1>the about about what the Witch represents, because as I've

0:02:37.720 --> 0:02:40.360
<v Speaker 1>discussed before, I mean, the Witch is basically a monster,

0:02:41.200 --> 0:02:43.600
<v Speaker 1>the Hag, the Hag, especially if you see the Hag

0:02:43.639 --> 0:02:47.440
<v Speaker 1>as a monster or the ogress uh, appearing throughout different

0:02:47.480 --> 0:02:50.160
<v Speaker 1>myth cycles where uh. And some of this is tied

0:02:50.160 --> 0:02:53.320
<v Speaker 1>to the idea that some sort of cannibalistic, grotesque old

0:02:53.360 --> 0:02:55.239
<v Speaker 1>woman will come and eat your children if they don't

0:02:55.280 --> 0:02:58.040
<v Speaker 1>behave or that if you're not careful, guys, you might

0:02:58.080 --> 0:03:00.640
<v Speaker 1>be seduced by what seems like a beautiful but turns

0:03:00.639 --> 0:03:04.160
<v Speaker 1>out to be a grotesque monster. Right then sort of

0:03:04.160 --> 0:03:06.960
<v Speaker 1>the sucky best thing too, exactly exactly. And then when you,

0:03:07.080 --> 0:03:08.880
<v Speaker 1>I mean you also in the Witch, you have a

0:03:08.960 --> 0:03:12.440
<v Speaker 1>situation where it's a woman with power, and of course

0:03:12.520 --> 0:03:17.440
<v Speaker 1>that is a very interesting idea throughout a predominantly male

0:03:17.520 --> 0:03:20.920
<v Speaker 1>dominated culture where suddenly here here are women and they

0:03:20.919 --> 0:03:22.640
<v Speaker 1>have power. And what does his power mean? Is it

0:03:22.680 --> 0:03:25.560
<v Speaker 1>a threat to male dominance? And uh, I mean, I

0:03:25.639 --> 0:03:29.000
<v Speaker 1>mean make me stop, because I well, I was gonna

0:03:29.000 --> 0:03:31.720
<v Speaker 1>say that Erica John has at interesting perspective on this

0:03:31.840 --> 0:03:36.160
<v Speaker 1>from historical context. And she has a book called Witchcraft

0:03:36.600 --> 0:03:39.720
<v Speaker 1>and some poetry and fiction and some historical data and

0:03:39.760 --> 0:03:43.640
<v Speaker 1>there a few spells in that I don't know, I hope,

0:03:43.680 --> 0:03:45.920
<v Speaker 1>So I think that she actually sort of approached this

0:03:46.000 --> 0:03:48.400
<v Speaker 1>book in that manner of like, Wow, could I become

0:03:48.480 --> 0:03:52.440
<v Speaker 1>a witch myself? Even though um, she's someone who who

0:03:52.480 --> 0:03:54.640
<v Speaker 1>I think is grounded in reality and knows that she

0:03:54.640 --> 0:03:57.640
<v Speaker 1>wasn't necessarily going to start flying around. But anyway, Um,

0:03:57.720 --> 0:04:00.120
<v Speaker 1>she is the author of Fear Flying that's she's us

0:04:00.120 --> 0:04:03.000
<v Speaker 1>known of as uh. In her forward of the book,

0:04:03.360 --> 0:04:06.920
<v Speaker 1>she says witchcraft in Europe and America is essentially this

0:04:07.040 --> 0:04:10.840
<v Speaker 1>hearkening back to female divinity within a patriarchal culture. If

0:04:10.840 --> 0:04:13.120
<v Speaker 1>you insist long enough that God is the father, a

0:04:13.200 --> 0:04:16.000
<v Speaker 1>nostalgia for the mother Goddess will be born. If you

0:04:16.080 --> 0:04:19.200
<v Speaker 1>exclude women from church rights, they will practice their magic

0:04:19.200 --> 0:04:21.960
<v Speaker 1>in the fields and forests, in their own kitchens. The

0:04:22.000 --> 0:04:24.560
<v Speaker 1>point is female power cannot be suppressed, it can only

0:04:24.600 --> 0:04:28.720
<v Speaker 1>be driven underground. So this is how she places which

0:04:28.760 --> 0:04:32.520
<v Speaker 1>is really in a historical sense of Okay, what's actually

0:04:32.560 --> 0:04:35.280
<v Speaker 1>happening here, and we talk about which is when we

0:04:35.360 --> 0:04:38.960
<v Speaker 1>get away from this idea of pointy hats and broomsticks,

0:04:39.680 --> 0:04:42.760
<v Speaker 1>even though broomsticks certainly play into it, as we will

0:04:42.760 --> 0:04:45.200
<v Speaker 1>find out. Yeah, and it's interesting that you mentioned the

0:04:45.200 --> 0:04:49.120
<v Speaker 1>the necessary re emergence of the feminine deity because I'm

0:04:49.120 --> 0:04:51.159
<v Speaker 1>reminded of a series of essays that I read, and

0:04:51.480 --> 0:04:52.599
<v Speaker 1>have I known that you were going to go in

0:04:52.600 --> 0:04:54.320
<v Speaker 1>this direction, I would have would have brought that book

0:04:54.360 --> 0:04:56.119
<v Speaker 1>with me. I'll have to put something on the blocks

0:04:56.120 --> 0:04:58.640
<v Speaker 1>about it. But there there's some interesting material in there

0:04:58.680 --> 0:05:02.800
<v Speaker 1>about depictions of Jesus Christ in medieval art, and in

0:05:02.880 --> 0:05:06.080
<v Speaker 1>some of these depictions, Christ becomes more and more feminine,

0:05:06.279 --> 0:05:09.320
<v Speaker 1>and you you actually have have varying in some cases

0:05:09.360 --> 0:05:13.200
<v Speaker 1>outright heretical. And I'm doing quotes um with air quotes,

0:05:13.200 --> 0:05:16.800
<v Speaker 1>and I figers the heretical ideas or are sometimes they're

0:05:16.800 --> 0:05:21.320
<v Speaker 1>just sort of quasi heretical, where individuals end up worshiping

0:05:21.400 --> 0:05:24.040
<v Speaker 1>a more female version of Christ. In the same way

0:05:24.040 --> 0:05:27.360
<v Speaker 1>that there are female depictions of the Buddha. Okay, so

0:05:27.400 --> 0:05:29.960
<v Speaker 1>this is sort of a UM in an effort to

0:05:30.080 --> 0:05:34.240
<v Speaker 1>unify right, to bring both sides to this right, and

0:05:34.279 --> 0:05:37.680
<v Speaker 1>to focus more on feminine aspects in this case of

0:05:37.680 --> 0:05:40.680
<v Speaker 1>of Jesus, and then to venerate those aspects as opposed

0:05:40.760 --> 0:05:43.880
<v Speaker 1>to just bleeding man God on a tree kind of

0:05:43.880 --> 0:05:46.040
<v Speaker 1>a thing. It's a really fascinating accept because you get

0:05:46.040 --> 0:05:49.440
<v Speaker 1>into this whole interesting area of the wound of Christ,

0:05:49.920 --> 0:05:53.279
<v Speaker 1>the spear wound, and how this spear wound is also

0:05:53.920 --> 0:05:59.400
<v Speaker 1>kind of like a vagina. I mean, it's it's sorry,

0:05:59.400 --> 0:06:02.120
<v Speaker 1>I'm gonna be wrong. That's not a big deal. Yeah,

0:06:02.640 --> 0:06:05.720
<v Speaker 1>the wound is like, yeah, next time you see an

0:06:05.720 --> 0:06:08.919
<v Speaker 1>image of doubting Thomas, think about that. Um. But moving

0:06:08.960 --> 0:06:12.240
<v Speaker 1>on side tangent there, But back to which is um

0:06:12.839 --> 0:06:16.279
<v Speaker 1>you were saying, Yeah, Erica dong that she does. She

0:06:16.360 --> 0:06:19.760
<v Speaker 1>does explore the reasons why we have vilified, which is

0:06:19.800 --> 0:06:22.039
<v Speaker 1>throughout the ages, and one of the things that she

0:06:22.080 --> 0:06:25.360
<v Speaker 1>says really interesting is that women have always been the

0:06:25.600 --> 0:06:28.919
<v Speaker 1>bearers of life, right, and we know historically women have

0:06:29.000 --> 0:06:32.599
<v Speaker 1>been repressed on all sorts of different fronts. She also

0:06:32.600 --> 0:06:36.160
<v Speaker 1>says that as women gain power, they began to um

0:06:36.920 --> 0:06:40.440
<v Speaker 1>to sort of be tamped down. And if you ascribe

0:06:40.600 --> 0:06:43.800
<v Speaker 1>witchness to someone or you put power in the light

0:06:43.839 --> 0:06:47.760
<v Speaker 1>of negativity, then what you're doing essentially is saying that

0:06:47.880 --> 0:06:52.120
<v Speaker 1>not only is this person a life bringer, a life

0:06:52.200 --> 0:06:54.760
<v Speaker 1>bearer which is really powerful, but this person has the

0:06:54.800 --> 0:07:00.279
<v Speaker 1>ability to bring death right through potions magic, uh, generall

0:07:00.360 --> 0:07:03.359
<v Speaker 1>dark shenanigans. Right, yeah, and if they're engaged in food

0:07:03.360 --> 0:07:06.599
<v Speaker 1>preparation too, I mean that's food can be the big

0:07:06.680 --> 0:07:09.000
<v Speaker 1>life giver. But if it's if something's wrong with it,

0:07:09.040 --> 0:07:12.560
<v Speaker 1>that if it becomes toxic in some way, shape or form,

0:07:12.640 --> 0:07:16.840
<v Speaker 1>if something goes off, there's some sort of bacterial infection,

0:07:17.080 --> 0:07:20.800
<v Speaker 1>then it's a killer as well. That's right. That's why

0:07:20.800 --> 0:07:22.600
<v Speaker 1>you should always be kind to your server. Right. You

0:07:22.640 --> 0:07:24.280
<v Speaker 1>never know what's going on in the kitchen. She might

0:07:24.280 --> 0:07:26.280
<v Speaker 1>be a witch. Yep, she might be a witch, or

0:07:26.280 --> 0:07:29.560
<v Speaker 1>he might be right, yeah, a warlock. So it's gonna

0:07:29.560 --> 0:07:31.640
<v Speaker 1>sound flipped to say this, but but all of a sudden,

0:07:31.640 --> 0:07:35.280
<v Speaker 1>you've you've got something like a broom which is becomes

0:07:35.360 --> 0:07:38.440
<v Speaker 1>really important, almost like a very high tech object in

0:07:38.440 --> 0:07:40.840
<v Speaker 1>the thirteenth century, right, which is interesting because I think

0:07:40.880 --> 0:07:44.120
<v Speaker 1>the broom is something we often discount as that very

0:07:44.240 --> 0:07:47.440
<v Speaker 1>Halloween idea of a witch, Like you've got a you know,

0:07:47.520 --> 0:07:50.960
<v Speaker 1>there's like a kindergartener. Let's put a funny nose on her,

0:07:50.960 --> 0:07:53.360
<v Speaker 1>paying her face green, give her a broom, and she

0:07:53.400 --> 0:07:56.760
<v Speaker 1>can start collecting candy, right, striped tights. Right there we go.

0:07:57.120 --> 0:07:59.800
<v Speaker 1>But I mean it is important to understand that this

0:08:00.120 --> 0:08:03.000
<v Speaker 1>really was a prized object at the home. And we

0:08:03.040 --> 0:08:05.200
<v Speaker 1>talk about the kitchen and who's preparing your food, we're

0:08:05.200 --> 0:08:07.679
<v Speaker 1>also talking about the person who has you know, usually

0:08:07.720 --> 0:08:12.160
<v Speaker 1>elaborately braided broom, a cauldron, right that may have been

0:08:12.200 --> 0:08:16.080
<v Speaker 1>passed down from generation to generation, and these objects start

0:08:16.120 --> 0:08:22.400
<v Speaker 1>to really gain importance that they are key feminine cultural artifacts. Yeah. Absolutely,

0:08:22.800 --> 0:08:24.640
<v Speaker 1>And so when you start to think about a which

0:08:24.720 --> 0:08:27.400
<v Speaker 1>you start to think about brooms, it would make sense

0:08:27.440 --> 0:08:31.680
<v Speaker 1>that somehow they would factor into the image of a witch.

0:08:32.200 --> 0:08:35.400
<v Speaker 1>But now you'll look at early typographs of which is

0:08:35.440 --> 0:08:39.040
<v Speaker 1>and you'll often see uh, some depictions of which is

0:08:39.960 --> 0:08:44.320
<v Speaker 1>uh quite naked on top of a stride, exceedingly naked.

0:08:44.360 --> 0:08:47.480
<v Speaker 1>And that's another thing that little Will Shakespeare. Um, well, no,

0:08:47.559 --> 0:08:48.880
<v Speaker 1>I don't know if they were naked in the if

0:08:48.920 --> 0:08:50.440
<v Speaker 1>there's any reference to the naked in the text, I'm

0:08:50.440 --> 0:08:55.280
<v Speaker 1>thinking of Roman Polanski's version of Macbeth, which is certainly naked,

0:08:55.320 --> 0:08:58.120
<v Speaker 1>which is awesome and uh and has some really naked

0:08:58.120 --> 0:09:01.600
<v Speaker 1>old witches in it, which I thought worked perfectly. But

0:09:01.840 --> 0:09:04.520
<v Speaker 1>he calls back to these old engravings and woodcuts where

0:09:04.520 --> 0:09:06.920
<v Speaker 1>you see naked women flying around in the middle of

0:09:06.920 --> 0:09:11.679
<v Speaker 1>the night talking with goats, riding goats. Um, you know,

0:09:11.760 --> 0:09:14.400
<v Speaker 1>in engaging with the devil and in various way shapes

0:09:14.440 --> 0:09:16.840
<v Speaker 1>and form. Right in terms of there's something to this, right,

0:09:17.120 --> 0:09:18.920
<v Speaker 1>if you scratch the surface a little bit, you'll find

0:09:18.920 --> 0:09:22.600
<v Speaker 1>out that the broom actually figures pretty prominently and in

0:09:23.120 --> 0:09:26.880
<v Speaker 1>which is work. And let's just back up real quick. Um, yes,

0:09:26.960 --> 0:09:29.920
<v Speaker 1>the broom is the ultimate symbol of domesticity, but in

0:09:29.920 --> 0:09:32.319
<v Speaker 1>the hands of which it can become this really potent

0:09:32.960 --> 0:09:37.840
<v Speaker 1>symbol of liberation. Right, And the more disenfranchised a person is,

0:09:37.880 --> 0:09:40.360
<v Speaker 1>the more that they might turn to magical thinking to

0:09:40.400 --> 0:09:43.120
<v Speaker 1>gain some sort of mastery over their situations. So let's

0:09:43.120 --> 0:09:45.720
<v Speaker 1>look at it this way. Um, you know, maybe someone

0:09:45.800 --> 0:09:50.640
<v Speaker 1>wasn't necessarily a self proclaimed which, but perhaps they did,

0:09:50.960 --> 0:09:53.800
<v Speaker 1>uh dabble back of the day, you know, when we're

0:09:53.800 --> 0:09:57.560
<v Speaker 1>talking about this historical which in the thirteenth century in

0:09:57.840 --> 0:10:01.400
<v Speaker 1>ointments because it was important for healing, in ritual and

0:10:01.600 --> 0:10:04.280
<v Speaker 1>magical spells, because this was a way to gain some

0:10:04.280 --> 0:10:06.920
<v Speaker 1>sort of control over their lives. Right, But back to

0:10:07.000 --> 0:10:09.760
<v Speaker 1>this broom the broom. Yeah, they're kind of like two

0:10:09.840 --> 0:10:12.400
<v Speaker 1>interesting ways of looking at the power of the broom,

0:10:12.520 --> 0:10:14.600
<v Speaker 1>one which will discuss even more as the of course

0:10:14.600 --> 0:10:16.640
<v Speaker 1>the magical thinking side of it. And then there's this

0:10:16.679 --> 0:10:21.360
<v Speaker 1>whole ointment situation ointment, which you think is a gross word,

0:10:21.400 --> 0:10:24.199
<v Speaker 1>but I do. And and now we're about to really

0:10:24.320 --> 0:10:27.800
<v Speaker 1>sort of dive into the flying the ointment here and

0:10:27.840 --> 0:10:31.360
<v Speaker 1>talk about something that's very interesting about the broom in

0:10:31.400 --> 0:10:34.559
<v Speaker 1>the ointment. You want to you want to run with that, Okay,

0:10:34.559 --> 0:10:36.720
<v Speaker 1>So there's this idea that which is they're flying around

0:10:36.720 --> 0:10:39.600
<v Speaker 1>in broomsticks or they're flying around in chair. But in

0:10:39.640 --> 0:10:43.920
<v Speaker 1>many of these tails and accusations, they are rubbing an

0:10:43.920 --> 0:10:49.600
<v Speaker 1>ointment on the broom or chair first, which it's often

0:10:49.640 --> 0:10:51.840
<v Speaker 1>glossed over generally when you it's not a part of

0:10:51.840 --> 0:10:56.120
<v Speaker 1>the Halloween costume. So they're usually on a jar of

0:10:56.160 --> 0:10:59.840
<v Speaker 1>ointment everything the costume. So they're taking this broom they're

0:11:00.000 --> 0:11:03.120
<v Speaker 1>coding it with with some sort of mysterious ointment that

0:11:03.200 --> 0:11:06.760
<v Speaker 1>they've brewed up, and then they're riding this this broomstick

0:11:06.960 --> 0:11:10.800
<v Speaker 1>naked and just having a wonderful time doing it. So,

0:11:11.320 --> 0:11:13.920
<v Speaker 1>I mean, obviously that brings to mind some some various

0:11:14.000 --> 0:11:16.360
<v Speaker 1>scenarios that could be taking place, and there's actually some

0:11:16.400 --> 0:11:18.480
<v Speaker 1>real um some people put some real thought into this

0:11:18.559 --> 0:11:21.520
<v Speaker 1>and the idea that the ointment is in fact a

0:11:21.600 --> 0:11:25.920
<v Speaker 1>drug or has has a pharmaceutical or or or psychedelic

0:11:25.960 --> 0:11:31.040
<v Speaker 1>properties and they are interacting with the ointment on the

0:11:31.080 --> 0:11:33.840
<v Speaker 1>broom Yeah, there are some pharmacologists who say, you know what,

0:11:33.960 --> 0:11:36.000
<v Speaker 1>we think that this is actually what was happening, is

0:11:36.040 --> 0:11:40.079
<v Speaker 1>that these ointments were being made and applied um through

0:11:40.640 --> 0:11:44.840
<v Speaker 1>the skin, basically applying a crazy pharmaceutical ointment to the

0:11:44.880 --> 0:11:49.559
<v Speaker 1>genitals with a broomstick. Yes, yes, in fact they probably

0:11:49.600 --> 0:11:52.680
<v Speaker 1>said that on the side, applied gently to broomstick, then

0:11:52.960 --> 0:11:57.160
<v Speaker 1>ride broomstick. Genitals first and Gothic font And this is

0:11:57.160 --> 0:12:01.440
<v Speaker 1>from the investigation of Lady Alice Kitler in she was

0:12:01.440 --> 0:12:03.640
<v Speaker 1>one of the first women to be accused of witchcraft

0:12:03.679 --> 0:12:07.320
<v Speaker 1>in Ireland. We have this account quote in rifling the

0:12:07.360 --> 0:12:09.880
<v Speaker 1>closet of the lady they found a pipe of ointment,

0:12:10.080 --> 0:12:13.520
<v Speaker 1>wherewith she greased a staff upon which she ambled and

0:12:13.559 --> 0:12:17.400
<v Speaker 1>galloped through thick and thin. Okay, these are the actual

0:12:17.440 --> 0:12:19.200
<v Speaker 1>documents that they're pulling some some of this stuff from,

0:12:19.360 --> 0:12:22.240
<v Speaker 1>and not that we put tremendous amount of stock in

0:12:22.360 --> 0:12:26.480
<v Speaker 1>the prosecutions materials in witchcraft trials. I mean they're no true.

0:12:26.559 --> 0:12:28.760
<v Speaker 1>Take that with a whole lot of salt. But who

0:12:28.840 --> 0:12:30.400
<v Speaker 1>knows that like the idea that there could be some

0:12:30.400 --> 0:12:33.800
<v Speaker 1>shredded truth to this is fascinating. Okay, dig a little deeper.

0:12:33.800 --> 0:12:35.880
<v Speaker 1>And this is from the Journal of the American Society

0:12:35.880 --> 0:12:38.680
<v Speaker 1>of Anesthesiologists, in a paper they called the Legacy of

0:12:38.720 --> 0:12:41.400
<v Speaker 1>a Tropos the fate who cut the thread of Life,

0:12:41.400 --> 0:12:45.080
<v Speaker 1>which I think is really poetic for for a journal um.

0:12:45.120 --> 0:12:46.959
<v Speaker 1>In the paper they describe a tone written by a

0:12:47.000 --> 0:12:51.160
<v Speaker 1>sixteenth century Dutch physician, Johann we Are, who concluded that

0:12:51.240 --> 0:12:54.000
<v Speaker 1>a plant called henbane was a principal ingredient in which

0:12:54.040 --> 0:12:57.640
<v Speaker 1>is brew, along with deadly nightshade and man drake, and

0:12:57.720 --> 0:13:00.160
<v Speaker 1>according to where if there were other ointments, but the

0:13:00.240 --> 0:13:02.360
<v Speaker 1>essential ingredients remained the same in all of them, in

0:13:02.400 --> 0:13:05.080
<v Speaker 1>all the preparations when they applied to the upper thighs

0:13:05.160 --> 0:13:07.679
<v Speaker 1>or general thals. It was said to induce the sensation

0:13:07.760 --> 0:13:11.520
<v Speaker 1>of rising into the air and flying. And by the way,

0:13:11.720 --> 0:13:15.960
<v Speaker 1>by applying this to their skin and rather than taking

0:13:15.960 --> 0:13:19.280
<v Speaker 1>it orallyy, it was much more effective because then they

0:13:19.320 --> 0:13:21.920
<v Speaker 1>didn't have to digest this and have obviously the sort

0:13:21.920 --> 0:13:25.920
<v Speaker 1>of stomach ailments that would accompany that. Right, So at

0:13:25.920 --> 0:13:28.160
<v Speaker 1>some point they figured out that hey, this is this

0:13:28.200 --> 0:13:30.240
<v Speaker 1>is a pretty good way to get high. Well, it

0:13:30.320 --> 0:13:33.920
<v Speaker 1>kind of it's similar in a way to the way

0:13:34.160 --> 0:13:40.240
<v Speaker 1>some medications are applied via suppository rather than taken orally. Yeah.

0:13:40.280 --> 0:13:42.679
<v Speaker 1>And one of the dangerous with suppositories if you're taking

0:13:42.720 --> 0:13:45.720
<v Speaker 1>some sort of illicit substances, of course, that you can't

0:13:45.760 --> 0:13:47.600
<v Speaker 1>if you take to take it orally you can get

0:13:47.679 --> 0:13:52.040
<v Speaker 1>you can become ill and vomited back up, but suppository

0:13:52.120 --> 0:13:54.640
<v Speaker 1>not so much. Yeah, And the people that were studying

0:13:54.679 --> 0:13:57.480
<v Speaker 1>in these appointments, they weren't necessarily thinking that that which

0:13:57.520 --> 0:14:00.439
<v Speaker 1>is at that time we're applying them and then actually

0:14:00.760 --> 0:14:04.960
<v Speaker 1>you know, taking flight. They understood this to have hallucinatory properties.

0:14:05.040 --> 0:14:08.160
<v Speaker 1>Back in the sixteenth century, Francis Bacon even said the

0:14:08.200 --> 0:14:11.600
<v Speaker 1>witches themselves are imaginative and believe oftentimes they do that

0:14:11.720 --> 0:14:14.840
<v Speaker 1>which they do, not transforming themselves into other bodies, not

0:14:14.920 --> 0:14:18.840
<v Speaker 1>by incantations or ceremonies, but by ointments and anointing themselves

0:14:18.880 --> 0:14:22.640
<v Speaker 1>all over. So they had sort of an inkling there

0:14:22.720 --> 0:14:27.840
<v Speaker 1>that yes, they were transcending the experience, but not in

0:14:27.920 --> 0:14:31.400
<v Speaker 1>physical body, not actually where they get together and have

0:14:31.520 --> 0:14:36.720
<v Speaker 1>transcendental experiences and not invite them in folk I know. Um,

0:14:36.720 --> 0:14:39.240
<v Speaker 1>and this is interesting too. The use of soot, which

0:14:39.280 --> 0:14:42.520
<v Speaker 1>is sort of alkaline, would have enhanced the passage of

0:14:42.600 --> 0:14:46.080
<v Speaker 1>organic basis because a weak alkaline environment would be sufficient

0:14:46.120 --> 0:14:48.720
<v Speaker 1>to neutralize the positive ironic charge. This is skin from

0:14:48.720 --> 0:14:52.080
<v Speaker 1>that um and it's thesiolist journal. Uh. This is an

0:14:52.080 --> 0:14:56.760
<v Speaker 1>effective ethnobotanical technique that may be seen with Peruvian cocoa

0:14:56.760 --> 0:14:59.800
<v Speaker 1>tours who mix in their mouth the cocaine containing leaves

0:14:59.840 --> 0:15:03.240
<v Speaker 1>with alkhaline centers to enhance uptake. And this is and

0:15:03.280 --> 0:15:05.640
<v Speaker 1>this is interesting and a topic will probably go into

0:15:05.880 --> 0:15:08.760
<v Speaker 1>in Greater Daytona in a future podcast. But this is

0:15:09.000 --> 0:15:11.320
<v Speaker 1>by far not the only would not be the only

0:15:11.360 --> 0:15:16.400
<v Speaker 1>situation of individuals taking uh some sort of psychedelic substance

0:15:17.080 --> 0:15:20.720
<v Speaker 1>as part of a ritual or or magical practice, right,

0:15:20.760 --> 0:15:22.720
<v Speaker 1>and you actually don't you have an article on licking

0:15:22.720 --> 0:15:25.560
<v Speaker 1>frogs or am I thinking of something else? I have

0:15:25.600 --> 0:15:27.400
<v Speaker 1>a pamphlet. It was handed to me by a guy

0:15:27.440 --> 0:15:31.360
<v Speaker 1>in the train. I've been I've been very trepidicious about

0:15:31.400 --> 0:15:34.320
<v Speaker 1>trying it out. There's some hallucinatory frogs that if you've looked,

0:15:34.800 --> 0:15:37.960
<v Speaker 1>actually I think it's maybe the the the vn um

0:15:38.080 --> 0:15:40.720
<v Speaker 1>or something. Yeah, yeah, that they have that people can

0:15:40.720 --> 0:15:43.720
<v Speaker 1>actually get high. So obviously, through trial and error, over

0:15:43.920 --> 0:15:46.640
<v Speaker 1>thousands of thousands of years, people have figured out different

0:15:46.680 --> 0:15:51.280
<v Speaker 1>properties and plants and animals and manipulate them. So it's

0:15:51.320 --> 0:15:53.600
<v Speaker 1>not weird that someone will come up with an ointment,

0:15:53.640 --> 0:15:56.920
<v Speaker 1>and it's not weird that this person, this female in

0:15:56.960 --> 0:16:00.320
<v Speaker 1>the family, would um be the person to come up

0:16:00.320 --> 0:16:04.040
<v Speaker 1>with these ointments that are are mostly healing right and

0:16:04.160 --> 0:16:07.400
<v Speaker 1>have a sort of power in their household, maybe even

0:16:07.400 --> 0:16:09.800
<v Speaker 1>in their village, as the go to person that has

0:16:09.880 --> 0:16:12.240
<v Speaker 1>all these great little recipes that can make you feel

0:16:12.240 --> 0:16:15.400
<v Speaker 1>a lot better, possibly make you feel as though you

0:16:15.480 --> 0:16:19.920
<v Speaker 1>are writing a broom. And let's also talk about that broom.

0:16:20.200 --> 0:16:22.520
<v Speaker 1>I hate to sort of bring it up, but again,

0:16:23.240 --> 0:16:25.320
<v Speaker 1>you know, why not just the ointment? Why have the broom.

0:16:25.760 --> 0:16:27.800
<v Speaker 1>And I'm just gonna point out that this perhaps was

0:16:27.920 --> 0:16:33.080
<v Speaker 1>a a proto sexual aid. So I'm gonna say a

0:16:33.480 --> 0:16:37.880
<v Speaker 1>old timey sex toy basically, yeah, now and uh, and

0:16:37.920 --> 0:16:40.640
<v Speaker 1>I wonder if too, have like a going back vote

0:16:40.760 --> 0:16:44.080
<v Speaker 1>from the from the side of of women liberated women

0:16:44.120 --> 0:16:48.760
<v Speaker 1>engaging in a certain activity and looking instead at um,

0:16:48.800 --> 0:16:51.320
<v Speaker 1>really grumpy men deciding to crack down on this and

0:16:51.360 --> 0:16:54.520
<v Speaker 1>persecute women. Um, I wonder how much with the broom too.

0:16:54.600 --> 0:16:57.760
<v Speaker 1>There's this idea of you have defiled and not only

0:16:57.840 --> 0:17:00.960
<v Speaker 1>have you defiled yourself and you're and you're eight and all,

0:17:01.000 --> 0:17:05.680
<v Speaker 1>but you've also defiled this object which has um sympathetic

0:17:05.720 --> 0:17:09.320
<v Speaker 1>and not sympathetic, oh yes, sympathetic importance in the household

0:17:09.359 --> 0:17:12.080
<v Speaker 1>and in the family. And uh and also is a

0:17:12.119 --> 0:17:14.960
<v Speaker 1>symbol of of of the status and you've somehow perverted

0:17:15.200 --> 0:17:20.720
<v Speaker 1>this artifact. Well. Also, as we know, um, the understanding

0:17:20.920 --> 0:17:25.080
<v Speaker 1>of female sexuality certainly wasn't that complex or nuanced back

0:17:25.080 --> 0:17:27.080
<v Speaker 1>in the day, and some would argue that today it's

0:17:27.080 --> 0:17:30.080
<v Speaker 1>still Yeah, we just did the podcast that they dealt

0:17:30.119 --> 0:17:33.399
<v Speaker 1>with the female orgasm. Obviously, we still as scientists are

0:17:33.400 --> 0:17:37.280
<v Speaker 1>still figuring out exactly what sexual human sexuality and female

0:17:37.280 --> 0:17:39.440
<v Speaker 1>sexuality is all about. Yeah. And so for a woman

0:17:39.480 --> 0:17:44.240
<v Speaker 1>to express sexuality, certainly during uh one period over another,

0:17:44.680 --> 0:17:46.960
<v Speaker 1>depending on what was happening in the thirteenth century, is

0:17:47.000 --> 0:17:50.440
<v Speaker 1>opposed to the sixteenth century. Uh. They were certainly um

0:17:50.720 --> 0:17:54.520
<v Speaker 1>iconic images and ideals to live up to. Yeah, I'll

0:17:54.560 --> 0:17:57.280
<v Speaker 1>put it that way. Right, So we discussed the ointment

0:17:57.280 --> 0:18:00.680
<v Speaker 1>based importance of flying around on broomsticks and so forth. Uh.

0:18:00.880 --> 0:18:02.919
<v Speaker 1>But after this break, we're gonna really get into the

0:18:02.960 --> 0:18:06.720
<v Speaker 1>idea of magical thinking and how that enforces all these

0:18:06.720 --> 0:18:11.439
<v Speaker 1>things we're talking about. This podcast is brought to you

0:18:11.480 --> 0:18:15.639
<v Speaker 1>by Intel, the sponsors of Tomorrow and the Discovery Channel.

0:18:16.359 --> 0:18:20.280
<v Speaker 1>At Intel, we believe curiosity is the spark which drives innovation.

0:18:21.000 --> 0:18:24.400
<v Speaker 1>Join us at curiosity dot com and explore the answers

0:18:24.440 --> 0:18:29.960
<v Speaker 1>to life's questions. All right, so we're back. Yeah, we've

0:18:30.000 --> 0:18:33.040
<v Speaker 1>solved the broomstick problem here. Yeah, and I want to

0:18:33.040 --> 0:18:35.520
<v Speaker 1>add one more thing about the broomstick. I couldn't help

0:18:35.560 --> 0:18:37.919
<v Speaker 1>but be reminded of the bobby the babba yaga, you know,

0:18:38.000 --> 0:18:43.000
<v Speaker 1>the old Russian hag or which or cannibalistic ogress. Uh,

0:18:43.040 --> 0:18:46.760
<v Speaker 1>you know with the tusks for for teeth. Yeah, and

0:18:46.880 --> 0:18:49.120
<v Speaker 1>she also shows up in uh. There's a movie called

0:18:49.200 --> 0:18:53.040
<v Speaker 1>Jack Frost which Mr Sents theater three thousand dead years

0:18:53.040 --> 0:18:55.040
<v Speaker 1>ago and it has the Bobbyaga in it. So she's

0:18:55.119 --> 0:18:58.640
<v Speaker 1>a really iconic character in Russian myth um. And she's

0:18:58.640 --> 0:19:01.800
<v Speaker 1>a witch. And she addition to living in a hut

0:19:01.840 --> 0:19:05.719
<v Speaker 1>that walks around on hin legs, she also flies through

0:19:05.760 --> 0:19:08.879
<v Speaker 1>the air, sometimes in an iron kettle and sometimes in

0:19:08.920 --> 0:19:12.600
<v Speaker 1>a mortar and pestle, which of course is the you know,

0:19:12.680 --> 0:19:16.639
<v Speaker 1>the device for crushing up various herbs and what have

0:19:16.760 --> 0:19:19.760
<v Speaker 1>you and making them into powders for use in ointments,

0:19:19.840 --> 0:19:22.040
<v Speaker 1>for use in uh you know, and you go to

0:19:22.080 --> 0:19:24.600
<v Speaker 1>the pharmacist today, and I mean that's the symbol of

0:19:24.600 --> 0:19:28.960
<v Speaker 1>the craft. Yeah. Again, here are these these symbols of domesticity,

0:19:29.080 --> 0:19:33.400
<v Speaker 1>right that that are being harnessed for for powerful uh

0:19:33.520 --> 0:19:36.440
<v Speaker 1>goings on with witches, which I think is really interesting

0:19:36.480 --> 0:19:40.560
<v Speaker 1>and really plays into this idea of the law of contagion,

0:19:41.119 --> 0:19:44.680
<v Speaker 1>which is one of the two laws of sympathetic magic. Yeah.

0:19:44.720 --> 0:19:47.679
<v Speaker 1>Sympathetic magic is this very old idea, the idea that

0:19:47.680 --> 0:19:50.080
<v Speaker 1>if something I think we've discussed this before, Okay, So

0:19:50.119 --> 0:19:52.359
<v Speaker 1>I have a rubber dinosaur in my hand. All right,

0:19:52.400 --> 0:19:54.760
<v Speaker 1>It's true, And I have touched this rubber dinosaur, right,

0:19:55.359 --> 0:19:58.080
<v Speaker 1>and in touching it, I'm probably doing nothing more than

0:19:58.080 --> 0:20:00.119
<v Speaker 1>getting some of my my skin oil on it, or

0:20:00.320 --> 0:20:04.280
<v Speaker 1>my fingerprints, what have you ink? From my hands? My

0:20:04.320 --> 0:20:07.919
<v Speaker 1>hands are really disgusting. But but then then when I

0:20:08.040 --> 0:20:09.840
<v Speaker 1>when I set it down, the taint of my touch,

0:20:09.880 --> 0:20:11.800
<v Speaker 1>that that will be the extent of it. The idea

0:20:11.800 --> 0:20:13.679
<v Speaker 1>of sympathetic magic is so that there's a there's an

0:20:13.680 --> 0:20:17.200
<v Speaker 1>even greater taint that is applied to this rubber dinosaur,

0:20:17.240 --> 0:20:19.679
<v Speaker 1>and that that I have somehow imbued it with a

0:20:19.760 --> 0:20:23.399
<v Speaker 1>sense of myself. You've transferred yourself to this object. And

0:20:23.440 --> 0:20:25.520
<v Speaker 1>we continue to do this sort of thing today. I mean,

0:20:25.560 --> 0:20:27.399
<v Speaker 1>I just dealing with my own stuff. I'm wearing my

0:20:27.480 --> 0:20:30.440
<v Speaker 1>dad's watch, um that he died in. I'm not a

0:20:30.480 --> 0:20:34.160
<v Speaker 1>logical believer in sympathetic magic, but I am sympathetic towards

0:20:34.160 --> 0:20:36.800
<v Speaker 1>this object, and I have to a certain extent imbued

0:20:36.800 --> 0:20:38.760
<v Speaker 1>it with a sense of him on some level, you know. So,

0:20:38.800 --> 0:20:41.400
<v Speaker 1>I mean we all do this kind of thing every day. Yeah,

0:20:41.400 --> 0:20:42.960
<v Speaker 1>And we talked about this a little bit in the

0:20:43.000 --> 0:20:45.400
<v Speaker 1>Science of Lucky Pants and you know how we ascribe

0:20:45.440 --> 0:20:48.280
<v Speaker 1>meaning to two things, and we think if if I

0:20:48.320 --> 0:20:50.639
<v Speaker 1>do this or if I take this, then you know

0:20:50.760 --> 0:20:54.120
<v Speaker 1>something will happen. Or in the case of your father's watch,

0:20:54.160 --> 0:20:57.600
<v Speaker 1>I mean that's that is for you, a part of him.

0:20:57.800 --> 0:20:59.920
<v Speaker 1>So it's interesting that we're all sort of hard water

0:21:00.000 --> 0:21:04.840
<v Speaker 1>aired too to have this sort of symbolism in our lives, right,

0:21:05.119 --> 0:21:06.880
<v Speaker 1>And I should mention I explained the watch. I didn't

0:21:06.880 --> 0:21:08.520
<v Speaker 1>explain why I have a rubber dinosaur in my hand

0:21:08.560 --> 0:21:11.600
<v Speaker 1>and it's a like a squeeze toy that I used

0:21:11.600 --> 0:21:14.680
<v Speaker 1>to keep from fidgeting too much while recording a podcast,

0:21:14.760 --> 0:21:16.960
<v Speaker 1>Just to explain that, why why I have a rubber

0:21:16.960 --> 0:21:20.120
<v Speaker 1>dinosaur on my person? It's true, he squeezes the heck

0:21:20.119 --> 0:21:22.440
<v Speaker 1>out of it, and that's fine, right. Another idea that

0:21:22.520 --> 0:21:25.359
<v Speaker 1>arises from from sympathetic magic is like the idea that

0:21:25.400 --> 0:21:28.879
<v Speaker 1>you can treat a weapon to treat the wound or

0:21:28.920 --> 0:21:31.200
<v Speaker 1>somehow like if you were to say, cut somebody with

0:21:31.240 --> 0:21:33.080
<v Speaker 1>a knife, and then you were to heat up that knife,

0:21:33.440 --> 0:21:35.359
<v Speaker 1>then the person would feel the burning of the wound.

0:21:35.760 --> 0:21:38.680
<v Speaker 1>Things of that nature. Things that almost what we would

0:21:38.920 --> 0:21:41.959
<v Speaker 1>have what a modern um mind would think of as

0:21:42.040 --> 0:21:47.600
<v Speaker 1>like a quantum entanglement exists within the confines of sympathetic

0:21:47.640 --> 0:21:52.040
<v Speaker 1>magic um. You know, things objects becoming painted, objects becoming haunted,

0:21:52.280 --> 0:21:56.520
<v Speaker 1>objects made holy through contact with the really important people

0:21:56.880 --> 0:22:00.080
<v Speaker 1>the whole. I'll never wash this hand again because his

0:22:00.160 --> 0:22:03.359
<v Speaker 1>hand is come into contact with Brad Pitt's face or something. Well.

0:22:03.440 --> 0:22:06.879
<v Speaker 1>And and if I believed in voodoo or sorcery like that,

0:22:07.280 --> 0:22:11.600
<v Speaker 1>I would probably take care to deposit my fingernail clippings

0:22:11.640 --> 0:22:13.760
<v Speaker 1>in a way which I didn't want someone else to

0:22:13.760 --> 0:22:18.200
<v Speaker 1>get them. Right, to hide your fingernail clippings, hide your hair,

0:22:18.240 --> 0:22:20.760
<v Speaker 1>because these are parts of you. Well, these are even

0:22:20.800 --> 0:22:23.400
<v Speaker 1>more like this is an even easier thing to buy,

0:22:23.400 --> 0:22:25.520
<v Speaker 1>I think, because these were actually a part of me.

0:22:25.800 --> 0:22:29.760
<v Speaker 1>These things were once my body and now they are,

0:22:30.320 --> 0:22:32.720
<v Speaker 1>you know, hidden away in the wall of the house.

0:22:33.080 --> 0:22:35.639
<v Speaker 1>Lest a sorcerer get ahold of it, use it to

0:22:35.760 --> 0:22:37.879
<v Speaker 1>place a curse on me, to make a nail clipping

0:22:37.920 --> 0:22:41.760
<v Speaker 1>sculpture of me, and then drive pins into me exactly

0:22:41.720 --> 0:22:46.760
<v Speaker 1>that that's my fear um and can only take ninety

0:22:46.840 --> 0:22:49.720
<v Speaker 1>years with nail clippings, and real quick. Another another idea

0:22:49.720 --> 0:22:51.280
<v Speaker 1>that's tied of you mentioned vodoo, and of course that

0:22:51.320 --> 0:22:53.160
<v Speaker 1>instantly brings the mind the idea of the voodoo doll

0:22:53.280 --> 0:22:56.080
<v Speaker 1>and uh. And you see variations on this theme in

0:22:56.720 --> 0:23:00.840
<v Speaker 1>in numerous magical um and and really just practices where

0:23:00.880 --> 0:23:04.080
<v Speaker 1>you have a semblance of something and if I like

0:23:04.119 --> 0:23:06.280
<v Speaker 1>I can hurt the doll to hurt the person that

0:23:06.359 --> 0:23:09.320
<v Speaker 1>the doll resembles, or if I burned somebody in effigy,

0:23:09.760 --> 0:23:11.880
<v Speaker 1>I am And you know this is something you see

0:23:11.960 --> 0:23:15.440
<v Speaker 1>and everything from Guy fox Day to Burning Man. You know,

0:23:15.480 --> 0:23:18.960
<v Speaker 1>where an effigy is burned and I'm by burning the effigy,

0:23:19.160 --> 0:23:23.080
<v Speaker 1>you're on some level hurting the person or the idea

0:23:23.560 --> 0:23:26.080
<v Speaker 1>or feeling or thing that it represents. We see this

0:23:26.119 --> 0:23:28.840
<v Speaker 1>in political rallies all the time. Yeah. Yeah, And this

0:23:28.920 --> 0:23:32.080
<v Speaker 1>comes down to something called the law of similarity, which

0:23:32.600 --> 0:23:38.359
<v Speaker 1>holds that humans inevitably link superficial real life resemblances to

0:23:38.560 --> 0:23:42.600
<v Speaker 1>deep unreal resemblances. Okay, so I think about this in

0:23:42.720 --> 0:23:45.600
<v Speaker 1>terms of the ted dot com talk that you sent me.

0:23:45.640 --> 0:23:51.320
<v Speaker 1>It's by skeptic Michael Schermer, and he was talking about, Uh,

0:23:51.359 --> 0:23:53.439
<v Speaker 1>he's using an examples of how we can't help you

0:23:53.480 --> 0:23:56.600
<v Speaker 1>describe meaning or see patterns, and he brought up the

0:23:56.600 --> 0:23:59.760
<v Speaker 1>case of the Virgin Mary visage on the grilled cheese

0:24:00.040 --> 0:24:02.080
<v Speaker 1>orgin marry grilled cheese. Yeah. Yeah, he's saying that, you know,

0:24:02.119 --> 0:24:06.199
<v Speaker 1>we've got this really sort of grainy pattern recognition in

0:24:06.200 --> 0:24:09.280
<v Speaker 1>our brains, and so we really respond well to, like,

0:24:09.440 --> 0:24:11.960
<v Speaker 1>you know, an image on tree bark or a burnt

0:24:11.960 --> 0:24:14.000
<v Speaker 1>girl cheese sandwich. All of a sudden, some of those

0:24:14.040 --> 0:24:18.560
<v Speaker 1>grainy markings start to take form into an image, and

0:24:18.600 --> 0:24:21.080
<v Speaker 1>I thought, well, that's really fascinating it, particularly when he

0:24:21.200 --> 0:24:23.920
<v Speaker 1>pointed out that if you really look at that grilled

0:24:23.960 --> 0:24:26.520
<v Speaker 1>cheese sandwich, it looks more like Jane Russell than it

0:24:26.520 --> 0:24:30.560
<v Speaker 1>does the Virgin Mary because she's got very potty lips. Well,

0:24:30.560 --> 0:24:32.080
<v Speaker 1>it's I mean, it comes down to the same reason.

0:24:32.200 --> 0:24:33.800
<v Speaker 1>We can just stare up into the sky at the

0:24:33.800 --> 0:24:37.440
<v Speaker 1>clouds and just see one object after another. Oh it's

0:24:37.440 --> 0:24:39.879
<v Speaker 1>a it's a dragon using a typewriter. It's Lauren Hardy

0:24:39.960 --> 0:24:42.120
<v Speaker 1>making out on a steamboat, you know that kind of thing. Yeah,

0:24:42.160 --> 0:24:44.439
<v Speaker 1>except for that last part. Well, I'm just saying, you

0:24:44.480 --> 0:24:47.280
<v Speaker 1>see random things that may or may not make sense

0:24:47.280 --> 0:24:49.600
<v Speaker 1>in the clouds. Alright, alright, yeah, I mean it is

0:24:49.720 --> 0:24:52.280
<v Speaker 1>it depends on the birth of perceiver, right, and we

0:24:52.359 --> 0:24:54.160
<v Speaker 1>talked about this a little bit in Science of Lucky

0:24:54.200 --> 0:24:57.040
<v Speaker 1>Pants that some people may be more hardwired than others

0:24:57.080 --> 0:25:00.639
<v Speaker 1>to see connections. In a Sandra Huper shoops our article

0:25:01.000 --> 0:25:05.160
<v Speaker 1>about the dopamine connection, neurobiologists Peter Breger found that people

0:25:05.200 --> 0:25:07.360
<v Speaker 1>with high levels of dopamine are more likely to find

0:25:07.440 --> 0:25:11.120
<v Speaker 1>significance and coincidences and pick out meaning and patterns where

0:25:11.119 --> 0:25:14.679
<v Speaker 1>there are none. In one trial which skeptics and paranormal

0:25:14.720 --> 0:25:18.560
<v Speaker 1>believers were both given the drug el dopa, of course,

0:25:19.040 --> 0:25:22.360
<v Speaker 1>I know it sounds like a street bill. Dopa increases

0:25:22.400 --> 0:25:24.879
<v Speaker 1>dopamine levels in the brain. The skeptics began to perform

0:25:25.040 --> 0:25:27.639
<v Speaker 1>much more like the believers. You sent me an interesting

0:25:27.640 --> 0:25:31.000
<v Speaker 1>paper to discuss some of the ideas about like what,

0:25:31.160 --> 0:25:34.000
<v Speaker 1>how why ritual is important? Like what is it? What

0:25:34.119 --> 0:25:36.080
<v Speaker 1>is it accomplished? And when we say ritual, I mean

0:25:36.080 --> 0:25:38.399
<v Speaker 1>in one hand, we could be talking about, which is

0:25:38.480 --> 0:25:41.000
<v Speaker 1>going out into the middle of nowhere on the Sabbath

0:25:41.359 --> 0:25:44.600
<v Speaker 1>and UH and gathering together for dance or whatever. Or

0:25:44.640 --> 0:25:47.480
<v Speaker 1>you could be just talking about a local church coming

0:25:47.520 --> 0:25:50.160
<v Speaker 1>together and engaging in song, just like a glee club

0:25:50.280 --> 0:25:53.879
<v Speaker 1>engaging in song. Different communal activities, a community service group

0:25:53.880 --> 0:25:56.720
<v Speaker 1>coming together and picking up trash around a neighborhood. Like,

0:25:56.800 --> 0:25:58.960
<v Speaker 1>I mean, that kind of thing can under certain definitions,

0:25:58.960 --> 0:26:03.440
<v Speaker 1>be seen as ritual. Yeah, yeah, actually, Uh, they are

0:26:03.520 --> 0:26:07.320
<v Speaker 1>saying that these synchrony rituals are really powerful, and so

0:26:07.400 --> 0:26:09.480
<v Speaker 1>much so that they may have endowed certain groups with

0:26:09.520 --> 0:26:12.919
<v Speaker 1>a competitive advantage over the eon, perhaps even causing some

0:26:12.960 --> 0:26:16.080
<v Speaker 1>cultures to flourish while others Paris sets from the article,

0:26:16.640 --> 0:26:18.520
<v Speaker 1>Uh that I thought, well, that that makes sense why

0:26:18.560 --> 0:26:22.119
<v Speaker 1>we would have these rituals that we participate in. And

0:26:22.160 --> 0:26:26.800
<v Speaker 1>in that article they even brought up the observation that

0:26:27.080 --> 0:26:32.280
<v Speaker 1>in modern day military things like um, marching in formation

0:26:32.720 --> 0:26:36.760
<v Speaker 1>or muscular bonding, right, muscular bonding. Yeah, and uh, even

0:26:37.280 --> 0:26:40.960
<v Speaker 1>chanting or the songs. I don't know what I've been told. Yeah,

0:26:41.040 --> 0:26:43.520
<v Speaker 1>that's the name of that one, right, Yeah, I don't

0:26:43.560 --> 0:26:45.800
<v Speaker 1>know what I've been told, And I don't know the

0:26:45.840 --> 0:26:49.000
<v Speaker 1>rest um The rest varies depending on who's singing it.

0:26:49.040 --> 0:26:52.880
<v Speaker 1>I think, yeah, it's something about mamas and boots. Yeah, yeah,

0:26:52.920 --> 0:26:54.879
<v Speaker 1>I don't know. Clearly, I have a vast knowledge of

0:26:54.920 --> 0:26:58.840
<v Speaker 1>military uh songs. But in any case, what they were

0:26:58.880 --> 0:27:01.360
<v Speaker 1>saying is that, you know, we still engage in these

0:27:01.440 --> 0:27:04.600
<v Speaker 1>rituals even though warfare is not conducted in you know,

0:27:05.200 --> 0:27:09.000
<v Speaker 1>here's one side in a formation of rows against another

0:27:09.119 --> 0:27:13.240
<v Speaker 1>formation of rows that meet on a hilltop. Right that

0:27:13.240 --> 0:27:17.600
<v Speaker 1>that old school version of a very regimented forces meeting

0:27:17.600 --> 0:27:21.480
<v Speaker 1>on a battlefield and marching into place, basically playing out

0:27:21.640 --> 0:27:24.359
<v Speaker 1>like a table top game that just that does not

0:27:24.480 --> 0:27:27.040
<v Speaker 1>exist anymore, hasn't existed in a while, But a lot

0:27:27.040 --> 0:27:30.560
<v Speaker 1>of these these activities still exist because it builds this bond,

0:27:31.080 --> 0:27:34.760
<v Speaker 1>It builds this this cohesive feeling that we are we

0:27:34.800 --> 0:27:36.359
<v Speaker 1>are one, you know. It's I mean, it's not like

0:27:36.400 --> 0:27:38.920
<v Speaker 1>that the idea you see in every boot camp movie ever,

0:27:39.160 --> 0:27:42.880
<v Speaker 1>that these guys enter is this rag tag group of miscreants,

0:27:42.960 --> 0:27:44.639
<v Speaker 1>and then they in the over the course of the

0:27:44.640 --> 0:27:48.480
<v Speaker 1>boot camp they become a fighting force together. They become brothers.

0:27:48.600 --> 0:27:51.520
<v Speaker 1>That's right. Yeah. I mean, yet through the experience, uh

0:27:51.720 --> 0:27:55.920
<v Speaker 1>they are are they're transformed into the super group. Right.

0:27:56.440 --> 0:27:59.800
<v Speaker 1>So I think that's interesting between the context of magical thinking,

0:28:00.040 --> 0:28:02.399
<v Speaker 1>and this was from an article Do you Believe in Magic?

0:28:02.560 --> 0:28:06.520
<v Speaker 1>And it was saying that that um rituals and magical

0:28:06.560 --> 0:28:09.000
<v Speaker 1>thinking give us a margin of control over the randomness

0:28:09.040 --> 0:28:12.360
<v Speaker 1>in our lives. Um. This is from the article says

0:28:12.400 --> 0:28:16.000
<v Speaker 1>magical thinking is most evident precisely when people feel most helpless.

0:28:16.320 --> 0:28:20.879
<v Speaker 1>Geori Canon, professor at Tel Aviv University, sent questionnaires to

0:28:20.960 --> 0:28:24.200
<v Speaker 1>one hundred and seventy four Israelis after the Iraqi SCUD

0:28:24.200 --> 0:28:28.320
<v Speaker 1>missile attacks. Of those who reported the highest level of

0:28:28.359 --> 0:28:31.840
<v Speaker 1>stress were also the most likely to endorse magical beliefs,

0:28:31.880 --> 0:28:34.520
<v Speaker 1>like I have the feeling that the chances of being

0:28:34.600 --> 0:28:37.800
<v Speaker 1>hit during a missile attack are greater if a person

0:28:37.880 --> 0:28:41.520
<v Speaker 1>whose house was attacked is present in the sealed room,

0:28:41.680 --> 0:28:43.520
<v Speaker 1>or to be on the safe side, it is best

0:28:43.560 --> 0:28:46.560
<v Speaker 1>to step into the sealed room right foot first. Yeah,

0:28:46.560 --> 0:28:48.560
<v Speaker 1>And I think sometimes it can come down to your

0:28:48.640 --> 0:28:51.360
<v Speaker 1>your face with overwhelming odds or some sort of situation

0:28:51.400 --> 0:28:53.760
<v Speaker 1>that you just cannot control, and it comes down to

0:28:53.800 --> 0:28:56.960
<v Speaker 1>what can I do? I can't actually stop this thing.

0:28:57.240 --> 0:28:59.520
<v Speaker 1>Take the instance of death. When death comes, there's like

0:28:59.520 --> 0:29:02.280
<v Speaker 1>nothing you can do to bring that person back. But

0:29:02.680 --> 0:29:04.920
<v Speaker 1>you can go and pray about it. You can go

0:29:05.120 --> 0:29:06.880
<v Speaker 1>and light a candle about it. You can go and

0:29:06.960 --> 0:29:09.720
<v Speaker 1>engage in various rituals, even if that ritual is just

0:29:09.760 --> 0:29:12.600
<v Speaker 1>something as simple as like a meditation type of thing,

0:29:12.600 --> 0:29:14.560
<v Speaker 1>and it's something you can do, and so there's this

0:29:14.600 --> 0:29:17.200
<v Speaker 1>feeling of I am doing something in the face of

0:29:17.200 --> 0:29:20.280
<v Speaker 1>this uncontrollable force in my life. Well, and it's uh,

0:29:20.520 --> 0:29:23.560
<v Speaker 1>it's been brought up before to that ritual healing practices

0:29:23.840 --> 0:29:28.240
<v Speaker 1>aren't too far away from like the placebo effect, right right, Yeah,

0:29:28.600 --> 0:29:30.160
<v Speaker 1>Like if you if you engage in this thing, you

0:29:30.200 --> 0:29:31.800
<v Speaker 1>take the sugar pills, then all of a sudden, your

0:29:31.800 --> 0:29:34.720
<v Speaker 1>body is going to respond as if it's actually being

0:29:34.760 --> 0:29:39.400
<v Speaker 1>treated very much the same in a ritual scenario. Another

0:29:39.440 --> 0:29:41.160
<v Speaker 1>idea that came across one of the links you sent me,

0:29:41.240 --> 0:29:45.320
<v Speaker 1>and this comes from Stanford University psychologist and graduate students

0:29:45.360 --> 0:29:48.800
<v Speaker 1>Scott S. Biltmouth, and the idea is that all this

0:29:49.080 --> 0:29:52.240
<v Speaker 1>you know, this synchronicity, this uh, this movement and sound

0:29:52.680 --> 0:29:55.880
<v Speaker 1>in a communal ritual, um, it really comes down to

0:29:56.000 --> 0:29:59.200
<v Speaker 1>economic benefit, with the primary goal of of being to

0:29:59.480 --> 0:30:03.080
<v Speaker 1>spot the reloader, yes, to ferret out the person who's

0:30:03.120 --> 0:30:05.960
<v Speaker 1>not really contributing really right right, So it's kind of like,

0:30:06.000 --> 0:30:07.680
<v Speaker 1>all right, we're all going to do a big giant

0:30:07.800 --> 0:30:10.440
<v Speaker 1>quare dance, and you can tell that the guy who's

0:30:10.480 --> 0:30:13.320
<v Speaker 1>totally not into it is totally not into being a

0:30:13.360 --> 0:30:15.880
<v Speaker 1>part of the group, and therefore you can't you can't

0:30:16.120 --> 0:30:18.360
<v Speaker 1>trust him as much him or her. You can't trust them,

0:30:18.360 --> 0:30:20.960
<v Speaker 1>you can't rely on them, you know that in the end,

0:30:21.160 --> 0:30:22.560
<v Speaker 1>or you can suspect in the end they're going to

0:30:22.600 --> 0:30:25.080
<v Speaker 1>be looking out for number one rather than the whole group.

0:30:25.200 --> 0:30:29.280
<v Speaker 1>They're not entering into the social contract. I think it's fascinating, right,

0:30:29.320 --> 0:30:32.320
<v Speaker 1>I mean, is this is particularly uh important back in

0:30:32.360 --> 0:30:37.560
<v Speaker 1>the days, you know, obviously when uh people got together

0:30:37.720 --> 0:30:40.200
<v Speaker 1>in a more I don't know, how would you say,

0:30:40.200 --> 0:30:43.840
<v Speaker 1>it's just a more formal way or more intentional way, right,

0:30:43.880 --> 0:30:48.240
<v Speaker 1>because if you lived two miles five miles from another family,

0:30:48.360 --> 0:30:49.960
<v Speaker 1>then you really had to make a concerted effort to

0:30:49.960 --> 0:30:52.360
<v Speaker 1>get together socially. Yeah, I mean, I think a lot

0:30:52.400 --> 0:30:54.080
<v Speaker 1>of us have been in situations where there's like some

0:30:54.120 --> 0:30:57.120
<v Speaker 1>sort of a group activity that's happening with work, and

0:30:57.200 --> 0:30:59.120
<v Speaker 1>you maybe don't really want to go to it, or

0:30:59.160 --> 0:31:02.320
<v Speaker 1>you've got other things need to be done, but you

0:31:02.360 --> 0:31:04.320
<v Speaker 1>feel like you should. And and part of that is

0:31:04.320 --> 0:31:06.200
<v Speaker 1>because yeah, it's like the people who don't show up,

0:31:06.320 --> 0:31:08.080
<v Speaker 1>or the people who show up and are really obviously

0:31:08.160 --> 0:31:10.680
<v Speaker 1>not into it. Can they be trusted? Are they really

0:31:10.720 --> 0:31:14.320
<v Speaker 1>a part of the group or are they? Are they freeloaders? Well,

0:31:14.360 --> 0:31:15.760
<v Speaker 1>and then also they're kind of wearing a little bit

0:31:15.800 --> 0:31:17.600
<v Speaker 1>of jerk perfume. You know, you don't want to look

0:31:17.600 --> 0:31:21.320
<v Speaker 1>like a jerk. Okay, So back to Erica John again.

0:31:21.360 --> 0:31:24.760
<v Speaker 1>She talks about this in her forward that ritual intention

0:31:24.880 --> 0:31:27.200
<v Speaker 1>counts for everything. It must be positive. And the more

0:31:27.280 --> 0:31:30.440
<v Speaker 1>witches there are sitting in a circle practicing communal intention,

0:31:30.520 --> 0:31:32.960
<v Speaker 1>the more potency the magic will have. Okay, So that's

0:31:32.960 --> 0:31:34.920
<v Speaker 1>the other part of it, right, Like, if you participant,

0:31:34.920 --> 0:31:37.640
<v Speaker 1>if not that person is not participating, then they're weakening

0:31:37.720 --> 0:31:41.479
<v Speaker 1>what the group effort is. The desire for magic cannot

0:31:41.480 --> 0:31:45.000
<v Speaker 1>be eradicated. Even the most supposedly rational people attempt to

0:31:45.040 --> 0:31:49.080
<v Speaker 1>practice magic. In love and war, we simultaneously possessed the

0:31:49.120 --> 0:31:52.600
<v Speaker 1>most primitive of brain stems and the most sophisticated of cortex.

0:31:52.760 --> 0:31:58.040
<v Speaker 1>Is the imperatives of each coexist uneasily. Huh. That reminds

0:31:58.040 --> 0:31:59.280
<v Speaker 1>me a little bit of this bit that I ran

0:31:59.320 --> 0:32:02.520
<v Speaker 1>across in this book The False Myth, Religion and the

0:32:02.600 --> 0:32:06.680
<v Speaker 1>Rise of Representation by David Hawks, and he points out

0:32:06.720 --> 0:32:09.760
<v Speaker 1>that magical thinking first and foremost, it makes perfect sense

0:32:09.800 --> 0:32:13.479
<v Speaker 1>in to borrow a phrase from William Manchester a world

0:32:13.520 --> 0:32:15.640
<v Speaker 1>lit only by fire. If you live in a world

0:32:15.760 --> 0:32:17.920
<v Speaker 1>with a lot of a lot of magical beliefs, it

0:32:17.960 --> 0:32:21.040
<v Speaker 1>pays to believe in magic, because that is the currency

0:32:21.640 --> 0:32:25.640
<v Speaker 1>um of ideas. All right, But by the eighteenth century,

0:32:25.800 --> 0:32:29.600
<v Speaker 1>most modern Europeans are convinced that magic doesn't exist anymore.

0:32:30.080 --> 0:32:33.120
<v Speaker 1>And and you see which witches and wizards and warlocks.

0:32:33.160 --> 0:32:37.160
<v Speaker 1>You see them prosecuted not as a blaspheming monsters or

0:32:37.240 --> 0:32:43.240
<v Speaker 1>dangerous idea dealers, but rather as charlatan's and frauds, especially

0:32:43.280 --> 0:32:45.760
<v Speaker 1>in the colonies. And then um Hawks points out, and

0:32:45.800 --> 0:32:48.120
<v Speaker 1>I'm going to read a quotation here. He says, by

0:32:48.120 --> 0:32:50.720
<v Speaker 1>the end of the twentieth century, however, this process of

0:32:50.800 --> 0:32:55.080
<v Speaker 1>enlightenment had been subjected to such cogent philosophical and political

0:32:55.280 --> 0:32:59.080
<v Speaker 1>critiques that few people would endorse it unequivocally. We are

0:32:59.160 --> 0:33:02.000
<v Speaker 1>much more conscious us than our forebears of the complicity

0:33:02.080 --> 0:33:05.480
<v Speaker 1>between reason and magic. Uh. And many would argue that

0:33:05.560 --> 0:33:08.680
<v Speaker 1>the postmodern era, with its virtual reality, its faith in

0:33:08.720 --> 0:33:12.560
<v Speaker 1>the image, it's electronic money, it's new Age religions, is

0:33:12.600 --> 0:33:15.840
<v Speaker 1>witnessing a return to the kinds of overtly magical thinking.

0:33:16.240 --> 0:33:20.200
<v Speaker 1>That imperialism unsuccessfully tried to stomp out in the Southern hemisphere,

0:33:21.200 --> 0:33:24.120
<v Speaker 1>which I found really interesting because indeed there are all

0:33:24.120 --> 0:33:27.680
<v Speaker 1>these like electronic money is this unreal thing? I mean,

0:33:27.720 --> 0:33:30.840
<v Speaker 1>the internet itself is kind of this. You know, where

0:33:30.880 --> 0:33:33.360
<v Speaker 1>is the internet? Right? Well, I guess it depends quite

0:33:33.360 --> 0:33:35.880
<v Speaker 1>a bit on our ability to think magically, right, to

0:33:35.920 --> 0:33:39.840
<v Speaker 1>think metaphorically. So perhaps that's the reason why it hasn't

0:33:39.880 --> 0:33:42.520
<v Speaker 1>been done away with by evolution, right, because there are

0:33:42.520 --> 0:33:44.240
<v Speaker 1>some people who say, why why do we even have

0:33:44.360 --> 0:33:48.160
<v Speaker 1>magical thinking anymore? When we have the ability even as

0:33:48.280 --> 0:33:54.120
<v Speaker 1>tiny babies too innately understand physics or math or language

0:33:54.480 --> 0:33:57.400
<v Speaker 1>and what is real and what is not real? Um,

0:33:57.480 --> 0:33:59.400
<v Speaker 1>you know, kids by the age of six or seven

0:33:59.400 --> 0:34:02.800
<v Speaker 1>have a really great idea of what is real and

0:34:02.920 --> 0:34:06.280
<v Speaker 1>usually uh, let you know, Santa Claus or Easter Bunny

0:34:06.320 --> 0:34:09.200
<v Speaker 1>or anything else, So all those miss fall away. That

0:34:09.320 --> 0:34:11.799
<v Speaker 1>being said, why do we keep holding onto it? And

0:34:11.800 --> 0:34:14.319
<v Speaker 1>perhaps that's a reason why. Well, one one more thing

0:34:14.360 --> 0:34:18.080
<v Speaker 1>about about all this before we close out the podcast,

0:34:18.239 --> 0:34:20.680
<v Speaker 1>and that's what we were talking about, which is meeting

0:34:20.680 --> 0:34:23.600
<v Speaker 1>for these Sabbaths, and I keep running across the image

0:34:23.600 --> 0:34:27.200
<v Speaker 1>by Francesca Dagoya the Witches, Sabbath and the Great he Goat,

0:34:27.760 --> 0:34:31.400
<v Speaker 1>which is this this lovely image and Gooya's Goya was awesome.

0:34:31.440 --> 0:34:34.120
<v Speaker 1>And so it's all these women and they're they're they're

0:34:34.320 --> 0:34:38.200
<v Speaker 1>arranged like this big semicircle around this speaker like a

0:34:38.239 --> 0:34:40.120
<v Speaker 1>hare um. Yeah, and there's somebody playing the accordion, which

0:34:40.120 --> 0:34:43.000
<v Speaker 1>I thought was a nice touch there with presumably Satan

0:34:43.040 --> 0:34:45.839
<v Speaker 1>the Great he Goat, this sort of goat figure. And

0:34:45.840 --> 0:34:47.399
<v Speaker 1>and in many of the old woodcuts, I love looking

0:34:47.440 --> 0:34:51.239
<v Speaker 1>at old woodcuts of witches and warlocks and all that,

0:34:51.560 --> 0:34:54.760
<v Speaker 1>and the goat is often depicted as really really raunchy

0:34:54.800 --> 0:34:58.000
<v Speaker 1>and gross, and you know, he's he's really deplorable looking,

0:34:58.040 --> 0:35:00.920
<v Speaker 1>and it's like, oh, they're these women are gathering to

0:35:00.920 --> 0:35:03.399
<v Speaker 1>to worship and lay with the horned one, and he's

0:35:03.440 --> 0:35:07.080
<v Speaker 1>so gross and vile. And but in this image the

0:35:07.400 --> 0:35:11.040
<v Speaker 1>Great heat Goat had it seems to inspire some of

0:35:11.040 --> 0:35:14.360
<v Speaker 1>the more sympathetic aspects of like of of a goat

0:35:14.480 --> 0:35:16.440
<v Speaker 1>for starters, and also this kind of he seems like

0:35:16.520 --> 0:35:19.200
<v Speaker 1>a wise old man and these ladies are I can't

0:35:19.239 --> 0:35:20.719
<v Speaker 1>really judge him for going on here and what he

0:35:20.760 --> 0:35:24.360
<v Speaker 1>has to say that's a goat that looks like has wisdom. Yeah, no,

0:35:24.440 --> 0:35:26.560
<v Speaker 1>I think that's interesting take. But I still prefer the

0:35:27.239 --> 0:35:32.640
<v Speaker 1>like um, the red hued beast as depicted in South Park. Oh,

0:35:32.719 --> 0:35:35.800
<v Speaker 1>and it was very much in touch with his feelings.

0:35:35.840 --> 0:35:37.719
<v Speaker 1>Yeah the way, and you I think you like the

0:35:37.760 --> 0:35:41.600
<v Speaker 1>one from a legend, right, I'm kind of partial to

0:35:41.760 --> 0:35:44.239
<v Speaker 1>the one or Ernest world nine played in The Devil's Reign,

0:35:44.960 --> 0:35:47.600
<v Speaker 1>which had a cameo by Anton LaVey of the Church

0:35:47.600 --> 0:35:50.479
<v Speaker 1>of Satan. But Ernest borg nine turns into this man

0:35:50.520 --> 0:35:55.600
<v Speaker 1>goat creature and it's pretty awesome. I I just can't

0:35:55.640 --> 0:36:00.400
<v Speaker 1>imagine Ernest nine as Satan. Yeah, but real quick, this

0:36:00.440 --> 0:36:02.640
<v Speaker 1>was a Halloween episode. We didn't you didn't explain your

0:36:02.800 --> 0:36:06.840
<v Speaker 1>costume well, because you're supposed to into it what it is?

0:36:07.400 --> 0:36:13.000
<v Speaker 1>Your witch? Yes, excellent. Ye should have brought up broom, Yeah, yeah,

0:36:13.360 --> 0:36:15.680
<v Speaker 1>would have been good. Yeah. Yeah. And of course I'm

0:36:16.040 --> 0:36:18.719
<v Speaker 1>dressed as the great heat Goat, thus the goatee and

0:36:18.760 --> 0:36:21.439
<v Speaker 1>the horns, I got that, yeah, and these filthy hands.

0:36:22.400 --> 0:36:24.480
<v Speaker 1>But anyway, and you look very wise, by the way,

0:36:24.920 --> 0:36:26.719
<v Speaker 1>thank you. I would prefer to be the wise heat

0:36:26.760 --> 0:36:30.680
<v Speaker 1>Goat and the just deplorable wretched he goat, yeah, thank

0:36:30.760 --> 0:36:33.399
<v Speaker 1>you for not painting your body in red. Oh yeah,

0:36:33.960 --> 0:36:35.680
<v Speaker 1>I didn't get up untime this morning. You know how

0:36:35.760 --> 0:36:37.680
<v Speaker 1>it is. Well, let me reach into the cauldron of

0:36:37.800 --> 0:36:41.279
<v Speaker 1>listeners mail and poke around amongst the gibers and the

0:36:41.880 --> 0:36:45.040
<v Speaker 1>wolf teeth and the and the mummy wrappings and see

0:36:45.080 --> 0:36:47.080
<v Speaker 1>shark eggs, and let me see what we have to

0:36:47.120 --> 0:36:52.160
<v Speaker 1>read from our listener. Ian on Facebook and he was

0:36:52.239 --> 0:36:56.480
<v Speaker 1>responding to our recent episode about the orgasm Wars evolution

0:36:56.520 --> 0:36:59.239
<v Speaker 1>of the the orchasm, and he says, hey, guys, love

0:36:59.320 --> 0:37:02.960
<v Speaker 1>the podcast. Uh, not to get to nippicky, but sexual health. Uh.

0:37:03.040 --> 0:37:05.160
<v Speaker 1>This is a subject that I have a great interest

0:37:05.200 --> 0:37:07.160
<v Speaker 1>in and I feel it necessary to report on a

0:37:07.200 --> 0:37:10.040
<v Speaker 1>couple of airs in this episode. First, and I think

0:37:10.160 --> 0:37:12.719
<v Speaker 1>most importantly, you repeatedly stated that the male orgasm is

0:37:12.760 --> 0:37:15.239
<v Speaker 1>required for pregnancy. This is an entirely true The pre

0:37:15.400 --> 0:37:17.759
<v Speaker 1>siminal fluid that is produced by the male organ for

0:37:17.880 --> 0:37:21.319
<v Speaker 1>lubrication also contains enough sperm to cause of pregnancy, thus

0:37:21.360 --> 0:37:23.440
<v Speaker 1>the reason that the pullout and method of birth control

0:37:23.520 --> 0:37:27.240
<v Speaker 1>is not reliable. Unfortunately, this misconception is all too often repeated,

0:37:27.320 --> 0:37:29.080
<v Speaker 1>and in this day and age of team practice, the

0:37:29.160 --> 0:37:31.440
<v Speaker 1>people really need to know that male orgasm does not

0:37:31.560 --> 0:37:34.520
<v Speaker 1>need to occur to cause pregnancy. And then he initially

0:37:34.560 --> 0:37:37.239
<v Speaker 1>forgets his second thing, but then he uh points out

0:37:37.360 --> 0:37:42.719
<v Speaker 1>that um clitterus is acceptable pronounced either way. So you

0:37:42.760 --> 0:37:45.920
<v Speaker 1>said clitter as, I said claturus. I said, let's call

0:37:45.960 --> 0:37:48.759
<v Speaker 1>the whole thing off. I freaked out and thought that

0:37:48.800 --> 0:37:51.279
<v Speaker 1>I was saying it wrong and thought that Colaturus sounded

0:37:51.360 --> 0:37:53.480
<v Speaker 1>like a wizard's name. Yeah, I didn't realize you coul

0:37:53.520 --> 0:37:55.520
<v Speaker 1>say clatorus is to me though, that sounds like a

0:37:55.600 --> 0:37:58.879
<v Speaker 1>great antclaturus or something, which I mean like there could

0:37:58.920 --> 0:38:01.279
<v Speaker 1>be a great ance tours. But back to Ian's first

0:38:01.320 --> 0:38:04.160
<v Speaker 1>point about the presence of sperm and pre siminal fluid um.

0:38:04.280 --> 0:38:06.120
<v Speaker 1>Looking around, it looks like there are different studies to

0:38:06.200 --> 0:38:08.799
<v Speaker 1>go back and forth. There's some that are saying, yeah,

0:38:08.840 --> 0:38:12.759
<v Speaker 1>there's definitely in some cases sperm in this fluid. On

0:38:13.000 --> 0:38:15.839
<v Speaker 1>other other instances you peak that see people saying, oh,

0:38:15.880 --> 0:38:19.120
<v Speaker 1>that's almost never there. So I don't know. There seems

0:38:19.160 --> 0:38:21.920
<v Speaker 1>to be a lot of literature either either way. Certainly

0:38:22.440 --> 0:38:26.719
<v Speaker 1>it would behoove one too to be careful, to be yes,

0:38:26.920 --> 0:38:29.920
<v Speaker 1>to take caution. In fact, there's a Scrubs episode I

0:38:30.000 --> 0:38:32.040
<v Speaker 1>believe that is it called it is his name John,

0:38:32.719 --> 0:38:36.440
<v Speaker 1>the main character. Um, he impregnates his girlfriend without actually

0:38:36.480 --> 0:38:39.600
<v Speaker 1>having sex that are based on what you just described

0:38:39.640 --> 0:38:42.040
<v Speaker 1>her And I'm not going to go into detail, but

0:38:42.440 --> 0:38:46.080
<v Speaker 1>no spoiler should okay. And we also heard from our

0:38:46.160 --> 0:38:48.600
<v Speaker 1>listener Thoor from sweet would even if he didn't have

0:38:48.600 --> 0:38:50.440
<v Speaker 1>anything to say, I would have to. I don't have

0:38:50.520 --> 0:38:51.960
<v Speaker 1>to mention that we have a listener in door and

0:38:52.000 --> 0:38:54.719
<v Speaker 1>Sweeten just pretty awesome. Yeah, And he says, hey, guys,

0:38:55.000 --> 0:38:56.680
<v Speaker 1>So I just listened to the podcast on the Lies,

0:38:56.840 --> 0:38:59.360
<v Speaker 1>and IBA struck me when you were talking about the

0:38:59.440 --> 0:39:01.520
<v Speaker 1>aliens who couldn't lie, and I think I may have

0:39:01.560 --> 0:39:05.719
<v Speaker 1>been referring to China me Elvil's embassy town and that

0:39:06.000 --> 0:39:10.000
<v Speaker 1>he says, if you can't lie, are you then all knowing? Example,

0:39:10.080 --> 0:39:13.520
<v Speaker 1>someone asks you, what are the first fifteen decimals of pie?

0:39:13.800 --> 0:39:17.160
<v Speaker 1>You start by saying, well, three point one, four, one,

0:39:17.400 --> 0:39:21.680
<v Speaker 1>five um um. If you can't lie, you have to

0:39:21.760 --> 0:39:24.239
<v Speaker 1>keep going. So does the inability to lie make you

0:39:24.440 --> 0:39:27.239
<v Speaker 1>know the fifteen decimals? Maybe a bad example that you

0:39:27.320 --> 0:39:30.160
<v Speaker 1>get the idea. Another thing, if you were told when

0:39:30.200 --> 0:39:32.200
<v Speaker 1>you were a kid that watching TV two clothes makes

0:39:32.239 --> 0:39:34.560
<v Speaker 1>your your eyes square and nobody's ever told you that

0:39:34.640 --> 0:39:37.600
<v Speaker 1>it isn't true? Is saying it then a lie? Thanks

0:39:37.640 --> 0:39:40.719
<v Speaker 1>for a lot of very interesting stuff. Smiley face love

0:39:40.760 --> 0:39:44.279
<v Speaker 1>from Sweden thor all right, yeah, I don't think that that.

0:39:45.040 --> 0:39:47.600
<v Speaker 1>If you've not been disabused from the idea, then I

0:39:47.680 --> 0:39:51.080
<v Speaker 1>don't think that it's lying. Right. What it instantly makes

0:39:51.120 --> 0:39:52.600
<v Speaker 1>me think up two is we discussed this in the

0:39:52.800 --> 0:39:55.960
<v Speaker 1>False Memory podcast. It's about how you can you can

0:39:56.000 --> 0:40:00.279
<v Speaker 1>have a memory that is false and you say saying it,

0:40:00.520 --> 0:40:03.399
<v Speaker 1>you think it's true, but on a deeper cognitive level,

0:40:03.960 --> 0:40:07.480
<v Speaker 1>brain scans reveal that you might know the brain may

0:40:07.560 --> 0:40:09.719
<v Speaker 1>know that you are lying. And I find it and

0:40:10.120 --> 0:40:13.400
<v Speaker 1>that's just I just find that an interesting idea, especially

0:40:13.440 --> 0:40:16.000
<v Speaker 1>in relation to this, the idea that even as we

0:40:16.440 --> 0:40:19.720
<v Speaker 1>if we believe something, it doesn't mean that we believe

0:40:19.760 --> 0:40:22.160
<v Speaker 1>it in the deeper levels of the brain. UM. I

0:40:22.280 --> 0:40:25.680
<v Speaker 1>also think it's fascinating that in Sweden, perhaps maybe this

0:40:25.800 --> 0:40:28.120
<v Speaker 1>is a cultural thing, that the myth is that if

0:40:28.160 --> 0:40:29.640
<v Speaker 1>you sit too close to the t V your eyes

0:40:29.680 --> 0:40:32.120
<v Speaker 1>will turn into squares, as opposed to in the United States,

0:40:32.120 --> 0:40:33.520
<v Speaker 1>if you sit too close to the t v you

0:40:33.520 --> 0:40:36.480
<v Speaker 1>will go blind. Oh I didn't notice that. Yeah, I

0:40:36.560 --> 0:40:38.920
<v Speaker 1>guess that's the thing. I read this and I was

0:40:39.000 --> 0:40:41.759
<v Speaker 1>just instantly thinking about our idea. I think your eyes

0:40:41.800 --> 0:40:44.400
<v Speaker 1>square to some square eye? What is square eyed? I

0:40:44.480 --> 0:40:46.960
<v Speaker 1>didn't maybe turn your round eyes into like the actual

0:40:47.360 --> 0:40:49.880
<v Speaker 1>into actual squares, IRUs into squares. It would be kind

0:40:49.920 --> 0:40:52.920
<v Speaker 1>of cool. We may have lost something in translation there,

0:40:52.920 --> 0:40:56.560
<v Speaker 1>but anyway, I love getting email that said love from

0:40:56.600 --> 0:40:59.920
<v Speaker 1>Sweden thor so hopefully, hopefully we'll get more of that

0:41:00.160 --> 0:41:04.920
<v Speaker 1>from other people with even if you don't live in Sweden. Yes, So,

0:41:05.160 --> 0:41:07.440
<v Speaker 1>if you would like to share some ideas with us,

0:41:07.440 --> 0:41:09.400
<v Speaker 1>if you would like to to provide feedback on a

0:41:09.480 --> 0:41:13.440
<v Speaker 1>podcast episode, present ideas for future episodes. You can find

0:41:13.520 --> 0:41:15.440
<v Speaker 1>us on Facebook and you can find us on Twitter,

0:41:15.680 --> 0:41:17.760
<v Speaker 1>and I'm both of those. We go by the moniker

0:41:18.040 --> 0:41:20.839
<v Speaker 1>below the Mind and or also you can just search

0:41:20.920 --> 0:41:23.799
<v Speaker 1>for stuff to Blow your Mind Facebook Twitter and you'll

0:41:23.800 --> 0:41:26.360
<v Speaker 1>probably find us, and you can always drop us a

0:41:26.440 --> 0:41:28.839
<v Speaker 1>line at blow the Mind at how stupporks dot com.

0:41:33.440 --> 0:41:36.000
<v Speaker 1>Be sure to check out our new video podcast, Stuff

0:41:36.040 --> 0:41:38.640
<v Speaker 1>from the Future. Join how Stuff Work staff as we

0:41:38.760 --> 0:41:42.200
<v Speaker 1>explore the most promising and perplexing possibilities of tomorrow,