1 00:00:00,160 --> 00:00:04,000 Speaker 1: Hello the Internet, and welcome to this episode of Trin Simmons. 2 00:00:04,960 --> 00:00:10,320 Speaker 1: That is a seventies sixers related short show title not 3 00:00:10,400 --> 00:00:15,200 Speaker 1: really maybe maybe one day in the future. Uh. Courtesy 4 00:00:15,360 --> 00:00:20,759 Speaker 1: of Nicole Adrian on the Discord. Shout out to Zekeang 5 00:00:20,840 --> 00:00:25,439 Speaker 1: Discord for surfacing all the all the wonderful stuff. You're 6 00:00:26,040 --> 00:00:29,960 Speaker 1: a true hero in my book. I am Jack and 7 00:00:30,080 --> 00:00:37,720 Speaker 1: I am joined by super producer Joel Money. Hi, Jackel. Oh, 8 00:00:37,880 --> 00:00:40,640 Speaker 1: you know we've been on a zoom together for two 9 00:00:41,040 --> 00:00:43,159 Speaker 1: girl time, Jack and I really appreciate it. This has 10 00:00:43,200 --> 00:00:50,800 Speaker 1: been really special. Uh. No, it's always lovely recording with you. 11 00:00:51,120 --> 00:00:56,320 Speaker 1: And the best way to start a Friday is hanging 12 00:00:56,320 --> 00:01:01,840 Speaker 1: out with Joel Monique talking about trends such as that 13 00:01:02,200 --> 00:01:06,200 Speaker 1: Kanye West has called out Kim who called out Kanye. Uh. 14 00:01:06,959 --> 00:01:11,240 Speaker 1: It's it's just like a very ugly divorce and this 15 00:01:11,319 --> 00:01:16,000 Speaker 1: is now happening in public because Kanye doesn't have the 16 00:01:16,000 --> 00:01:22,199 Speaker 1: the thickest filter working in the world. And it's sad. Yeah, 17 00:01:22,240 --> 00:01:24,440 Speaker 1: I mean, I really wish Kanye West hadn't pushed everyone 18 00:01:24,520 --> 00:01:29,520 Speaker 1: who truly loves him away. And it's I mean, I listen, 19 00:01:29,680 --> 00:01:32,559 Speaker 1: his megaphone is large, it reaches a lot of people, 20 00:01:32,680 --> 00:01:36,800 Speaker 1: and that makes some of his the things that he 21 00:01:36,840 --> 00:01:39,960 Speaker 1: shares potentially dangerous, and that's you know, concerning, and I 22 00:01:40,000 --> 00:01:42,120 Speaker 1: think we do have to critique that, but I also 23 00:01:42,160 --> 00:01:46,920 Speaker 1: have do such a deep well of of like understanding 24 00:01:46,959 --> 00:01:49,080 Speaker 1: and that he's battling a mental illness as somebody who 25 00:01:49,080 --> 00:01:51,520 Speaker 1: has multiple mental illnesses. It's a lot. It's a lot 26 00:01:51,600 --> 00:01:54,920 Speaker 1: to sort of figure out how you're going to navigate 27 00:01:54,960 --> 00:01:57,520 Speaker 1: that when you're not fully in control of what's happening 28 00:01:57,560 --> 00:02:01,480 Speaker 1: all of the time. Um. And he's been very public before. 29 00:02:01,480 --> 00:02:04,640 Speaker 1: I'm talking about how it scares him, but then you know, 30 00:02:05,400 --> 00:02:07,480 Speaker 1: I don't know. It's a lot, it's it's a struggle, 31 00:02:07,560 --> 00:02:11,960 Speaker 1: especially because at the center of this they have four children, UM, 32 00:02:12,040 --> 00:02:14,560 Speaker 1: and that seems to be and again, as we've seen 33 00:02:14,600 --> 00:02:16,480 Speaker 1: with a lot of divorces, like, oh, we want what's 34 00:02:16,520 --> 00:02:18,680 Speaker 1: best for our kids, and we disagree on that, and 35 00:02:18,680 --> 00:02:21,680 Speaker 1: so now we're fighting in public. And the root of 36 00:02:21,680 --> 00:02:24,520 Speaker 1: that always is like, that's never the solution, just to 37 00:02:24,560 --> 00:02:28,119 Speaker 1: fight about what you're gonna do in public on Instagram. 38 00:02:28,160 --> 00:02:31,680 Speaker 1: It's it's messy and unnecessarily messy. I think Kim as 39 00:02:31,680 --> 00:02:34,600 Speaker 1: the person who at the very least uppears in a 40 00:02:34,639 --> 00:02:37,640 Speaker 1: better space mentally, who no longer has to support a 41 00:02:37,680 --> 00:02:42,040 Speaker 1: reality TV show, could maybe circumvent a lot of this 42 00:02:42,160 --> 00:02:46,119 Speaker 1: controversy by just not saying anything, like you guys have lawyers, 43 00:02:46,440 --> 00:02:48,600 Speaker 1: so many lawyers who can just deal with this privately. 44 00:02:49,000 --> 00:02:51,440 Speaker 1: Even if Kanye is going off, Kim has all the 45 00:02:51,440 --> 00:02:53,320 Speaker 1: power in the world. Just remain silent and let her 46 00:02:53,400 --> 00:02:56,320 Speaker 1: lawyers handle things. Um. I think it's pretty clear that 47 00:02:56,480 --> 00:02:59,239 Speaker 1: as far as like where it is the most stable 48 00:02:59,280 --> 00:03:00,840 Speaker 1: home for these kids, it is probably going to be 49 00:03:00,840 --> 00:03:04,959 Speaker 1: with Kim. Um. I don't understand the need to address 50 00:03:05,000 --> 00:03:11,840 Speaker 1: it again on Instagram a strange place. He was calling 51 00:03:12,800 --> 00:03:15,360 Speaker 1: Kim out on I G for letting North post on 52 00:03:15,360 --> 00:03:19,840 Speaker 1: TikTok is basically right, which your kid has had access 53 00:03:19,880 --> 00:03:22,120 Speaker 1: to social media for a long time. They've been sharing 54 00:03:22,520 --> 00:03:25,160 Speaker 1: Babe North since she was she was in the front 55 00:03:25,280 --> 00:03:28,320 Speaker 1: row of fashion shows at like six months old, Like 56 00:03:28,680 --> 00:03:31,600 Speaker 1: she's been around. She knows. I don't think it. I mean, listen, 57 00:03:31,600 --> 00:03:33,120 Speaker 1: I don't know. I'm not a parent. I don't deal 58 00:03:33,120 --> 00:03:34,760 Speaker 1: with social media. There's a lot of things to consider, 59 00:03:34,800 --> 00:03:36,520 Speaker 1: and maybe you have a very valid point in being like, 60 00:03:36,520 --> 00:03:39,480 Speaker 1: I don't want my very young daughter on TikTok. But again, 61 00:03:39,760 --> 00:03:41,880 Speaker 1: I just don't think that trying to peer pressure your 62 00:03:41,880 --> 00:03:44,200 Speaker 1: wife through Instagram is the way to go about getting 63 00:03:44,200 --> 00:03:48,960 Speaker 1: the results you're hoping for. Yeah. Um, it's all very sad. 64 00:03:50,200 --> 00:03:55,920 Speaker 1: Hopefully they you know, get through it, that he gets 65 00:03:55,920 --> 00:03:58,840 Speaker 1: the help he needs. And that's really like, there's not 66 00:03:58,880 --> 00:04:02,080 Speaker 1: a whole lot too. No blessings on them kids. I 67 00:04:02,080 --> 00:04:05,600 Speaker 1: hope they are okay. And uh, somebody that's watching over 68 00:04:05,600 --> 00:04:07,960 Speaker 1: you and protecting you from this because you they shouldn't 69 00:04:07,960 --> 00:04:11,800 Speaker 1: have to do with that. Babies. Euphoria has been renewed 70 00:04:11,840 --> 00:04:15,440 Speaker 1: for season three. Congratulations to everybody who loves that show. 71 00:04:15,680 --> 00:04:19,320 Speaker 1: You win. You keep getting outfit that sligh Um. I 72 00:04:19,360 --> 00:04:22,880 Speaker 1: really look forward to the manicure inspiration. Uh, please tell 73 00:04:22,920 --> 00:04:25,360 Speaker 1: me what I'm wearing next season. I love it. It 74 00:04:25,440 --> 00:04:27,440 Speaker 1: has been some of the best social media content to 75 00:04:27,480 --> 00:04:31,320 Speaker 1: show has delivered, probably since Insecure. You know, it really 76 00:04:31,360 --> 00:04:33,960 Speaker 1: just came stepped up and filled in that void of like, 77 00:04:34,000 --> 00:04:37,320 Speaker 1: what mess are we collectively watching? I'm happy for everybody, 78 00:04:37,320 --> 00:04:40,200 Speaker 1: but particularly and Diah, who continues to rain over all 79 00:04:40,240 --> 00:04:43,279 Speaker 1: of our hearts. I only watched the first two episodes, 80 00:04:43,360 --> 00:04:46,200 Speaker 1: only watched the first two seasons there's only two seasons. 81 00:04:46,800 --> 00:04:49,960 Speaker 1: Only watched the first two episodes, and I thought it 82 00:04:50,120 --> 00:04:54,479 Speaker 1: was one of the best acting performances of somebody who's 83 00:04:54,520 --> 00:04:57,520 Speaker 1: high that I've ever seen. Like it was just like 84 00:04:57,640 --> 00:05:00,960 Speaker 1: that's I don't know, it's really really well done. Apparently 85 00:05:00,960 --> 00:05:03,800 Speaker 1: she gets sober and that's when people say she's really 86 00:05:03,839 --> 00:05:09,880 Speaker 1: a great actor. But man, really nailed the Yeah, her 87 00:05:09,920 --> 00:05:12,400 Speaker 1: banging on the door, trying to get, you know, a 88 00:05:12,480 --> 00:05:15,560 Speaker 1: fix from her dealer, and then just turning into such 89 00:05:15,600 --> 00:05:19,279 Speaker 1: a evil and sort of vindictive person when she's rejected. 90 00:05:19,440 --> 00:05:23,080 Speaker 1: I was like, having been around too many a drug 91 00:05:24,160 --> 00:05:28,680 Speaker 1: my year about was like, okay, accuracy, the research has 92 00:05:28,720 --> 00:05:32,800 Speaker 1: been done. Staying in the world of HBO, and just 93 00:05:32,920 --> 00:05:37,039 Speaker 1: like that, Sarah, Jessica Parker doesn't want Kim to come back. 94 00:05:37,480 --> 00:05:40,160 Speaker 1: That's a mistake, Sarah. I know you don't like her. 95 00:05:40,279 --> 00:05:42,200 Speaker 1: I know y'all don't get along, and that's fine. You 96 00:05:42,240 --> 00:05:44,440 Speaker 1: do not need to be friends. But when I tell you, 97 00:05:44,480 --> 00:05:47,200 Speaker 1: what people want is for y'all to be on screen together, 98 00:05:47,720 --> 00:05:51,400 Speaker 1: just suck it up. Listen, listen. Models have been doing 99 00:05:51,400 --> 00:05:53,160 Speaker 1: it for years. Okay, they don't like each other, they 100 00:05:53,160 --> 00:05:55,599 Speaker 1: get booked in the same spread. They do it anyway 101 00:05:55,720 --> 00:05:59,520 Speaker 1: they figure it out. Naomi Campbell, entire Banks infamously hate 102 00:05:59,560 --> 00:06:01,159 Speaker 1: each other, but you know what, when they get together 103 00:06:01,200 --> 00:06:04,680 Speaker 1: on camera, it's electric. We love seeing it. How are 104 00:06:04,680 --> 00:06:06,880 Speaker 1: they handling it? They handled it by not looking at 105 00:06:06,880 --> 00:06:08,720 Speaker 1: each other and trying to outpose each other. And I 106 00:06:08,760 --> 00:06:11,120 Speaker 1: think you can do the same thing on this show. 107 00:06:12,160 --> 00:06:14,279 Speaker 1: Why would you reject the money? Why would you reject 108 00:06:14,320 --> 00:06:17,640 Speaker 1: the ratings? Okay, we need her to come back. Please 109 00:06:17,720 --> 00:06:22,520 Speaker 1: give Kim a good storyline when she returns. Make it juicy. Okay. 110 00:06:22,600 --> 00:06:24,760 Speaker 1: I really want to see how she's evolved as a 111 00:06:24,839 --> 00:06:26,880 Speaker 1: human being. I think you can. Child should come back 112 00:06:26,920 --> 00:06:29,200 Speaker 1: and not be interested in sex at all. What happens 113 00:06:29,320 --> 00:06:31,960 Speaker 1: when you're like libido just dies out? And that's how 114 00:06:32,000 --> 00:06:35,920 Speaker 1: you've defined yourself for so long? What else is there behind? 115 00:06:36,040 --> 00:06:39,360 Speaker 1: Samantha Sarah get over it? Like you have all the 116 00:06:39,400 --> 00:06:41,920 Speaker 1: money in the world, you want to continue to be successful, 117 00:06:42,600 --> 00:06:44,280 Speaker 1: Deal with this lady and give us what we've all 118 00:06:44,279 --> 00:06:47,279 Speaker 1: been asking for. It's interesting because it's one of those 119 00:06:47,320 --> 00:06:52,520 Speaker 1: like public feuds where it really shows the limitations are 120 00:06:52,560 --> 00:06:55,000 Speaker 1: like why why it's a bad idea to have a 121 00:06:55,080 --> 00:06:59,160 Speaker 1: public feud, because you know, they say in politics, like 122 00:06:59,200 --> 00:07:03,799 Speaker 1: a mud slinging. They only remember the lie. They don't remember, 123 00:07:03,960 --> 00:07:06,680 Speaker 1: like your correction that appears on page slips of the 124 00:07:06,720 --> 00:07:11,000 Speaker 1: newspaper the next day. And like all all I've heard 125 00:07:11,320 --> 00:07:13,920 Speaker 1: in like from this back and forth is just like 126 00:07:13,920 --> 00:07:17,360 Speaker 1: it makes them both seem bad because you know, yeah, 127 00:07:17,680 --> 00:07:20,080 Speaker 1: whoever is right in the whole thing like it just 128 00:07:20,600 --> 00:07:23,240 Speaker 1: the thing that sticks is like the mean things they're 129 00:07:23,280 --> 00:07:26,000 Speaker 1: saying about each other. Yeah, and is that doing? And 130 00:07:26,000 --> 00:07:27,640 Speaker 1: you're not getting any money off of it, which book 131 00:07:27,640 --> 00:07:30,680 Speaker 1: confuses me, Like you don't have to, I don't know, 132 00:07:30,760 --> 00:07:33,280 Speaker 1: like you don't have to be so steeped in in 133 00:07:34,280 --> 00:07:36,160 Speaker 1: why would you want your dirty laundry out there like this? 134 00:07:36,280 --> 00:07:38,080 Speaker 1: It doesn't hurt either of You're both still making money, 135 00:07:38,120 --> 00:07:41,600 Speaker 1: you're both still booked in busy the advantage of doing 136 00:07:41,640 --> 00:07:46,000 Speaker 1: this publicly, and the show suffers from it like that. 137 00:07:46,200 --> 00:07:48,520 Speaker 1: I've only watched the I only watched two episodes of 138 00:07:48,560 --> 00:07:51,680 Speaker 1: every TV show I guess, but I did only watch 139 00:07:51,840 --> 00:07:56,160 Speaker 1: until the big spoiler alert thing happens on a peloton 140 00:07:56,840 --> 00:08:02,080 Speaker 1: or post peloton. But the show really feels I mean 141 00:08:02,560 --> 00:08:07,080 Speaker 1: the very first scene there like and where is Samantha? 142 00:08:07,120 --> 00:08:09,560 Speaker 1: But then so that makes sense that they would have to, like, 143 00:08:10,240 --> 00:08:13,240 Speaker 1: you know, from a story, like a narrative perspective, explain 144 00:08:13,280 --> 00:08:16,880 Speaker 1: where she went. But then there's like parts where everyone's 145 00:08:16,880 --> 00:08:21,120 Speaker 1: favorite character, Chay has uh Sir Jessica Parker on her 146 00:08:21,160 --> 00:08:25,360 Speaker 1: podcast uh and is like asking her questions that seemed 147 00:08:25,400 --> 00:08:28,400 Speaker 1: to be seemed to have been designed for Samantha, and 148 00:08:28,440 --> 00:08:32,480 Speaker 1: then like Sarah Jessica Parker carry like can't take the heat, 149 00:08:32,600 --> 00:08:36,679 Speaker 1: like can't do the Samantha of it all, and it 150 00:08:36,760 --> 00:08:40,199 Speaker 1: gets criticized for it. So it's like there, it's on 151 00:08:40,280 --> 00:08:44,199 Speaker 1: everybody's mind, even like when it's not about Samantha, it's 152 00:08:44,240 --> 00:08:47,240 Speaker 1: still like, man, the show really misses Samantha. Huh, Like 153 00:08:47,400 --> 00:08:49,920 Speaker 1: is what is the thesis of like many of the 154 00:08:50,000 --> 00:08:52,679 Speaker 1: scenes and has to be another person critiquing this show. 155 00:08:52,760 --> 00:08:55,120 Speaker 1: But also like this is a woman who wrote very 156 00:08:55,120 --> 00:08:58,360 Speaker 1: frequently about sex in the nineties. I feel like there's 157 00:08:58,360 --> 00:09:01,680 Speaker 1: not much of that character would be on comfortable discussing 158 00:09:01,840 --> 00:09:09,600 Speaker 1: on the podcast bizarre. So yeah, the show season two, 159 00:09:10,000 --> 00:09:13,080 Speaker 1: hopefully we'll take some of the notes and evolve, bring 160 00:09:13,080 --> 00:09:16,600 Speaker 1: in some younger writers if you want younger characters. Uh, 161 00:09:16,679 --> 00:09:19,640 Speaker 1: you know what I mean. I do the lead it's 162 00:09:19,720 --> 00:09:23,200 Speaker 1: not it's not how the people talk anymore. I don't 163 00:09:23,200 --> 00:09:25,480 Speaker 1: know if they ever spoke like that. We can get 164 00:09:25,520 --> 00:09:29,520 Speaker 1: it together, we can fix it. Yeah, like in retrospect, 165 00:09:29,760 --> 00:09:34,760 Speaker 1: like that was among the like shows. The experience of 166 00:09:34,760 --> 00:09:38,079 Speaker 1: watching that show was very unpleasant in many ways, and 167 00:09:38,320 --> 00:09:41,480 Speaker 1: I wish I hadn't, which is not always the case 168 00:09:41,480 --> 00:09:44,000 Speaker 1: for shows that I'm like, that's bad, But I'm glad 169 00:09:44,040 --> 00:09:46,480 Speaker 1: I watched that one. I was just like, ah, man, 170 00:09:46,679 --> 00:09:53,239 Speaker 1: I spiritually, this is doing harm to me. Um uh. 171 00:09:53,480 --> 00:09:59,160 Speaker 1: Jim Jordan's UM representative, Jim Jordan's, according to phone records, 172 00:09:59,480 --> 00:10:03,760 Speaker 1: had a a long ten minute phone call with Donald 173 00:10:03,760 --> 00:10:09,199 Speaker 1: Trump the morning of Jane Race six. That's a tough one. 174 00:10:09,720 --> 00:10:13,800 Speaker 1: That's a that's a long call with somebody who's presumably 175 00:10:13,840 --> 00:10:18,240 Speaker 1: pretty busy that day. I'm assuming y'all talked about something. 176 00:10:18,320 --> 00:10:20,920 Speaker 1: But Jim Jordan has been very obstructionist when it comes 177 00:10:20,920 --> 00:10:25,439 Speaker 1: to the investigation. So so I wonder why. I wonder 178 00:10:25,440 --> 00:10:28,000 Speaker 1: why that could be. I wonder why he would not 179 00:10:28,080 --> 00:10:34,760 Speaker 1: want additional investigations to be happening. Oh man, I'm listen. 180 00:10:34,800 --> 00:10:37,680 Speaker 1: Here's what we know about history. Uh, it's long, and 181 00:10:37,720 --> 00:10:40,160 Speaker 1: eventually everything comes out and I really look forward to 182 00:10:40,160 --> 00:10:42,920 Speaker 1: that day. I feel like, uh, it's gonna be a celebration. 183 00:10:43,000 --> 00:10:46,160 Speaker 1: I know we're getting closer to it every day. I 184 00:10:46,200 --> 00:10:51,840 Speaker 1: don't know if I appreciate you give me hope. All right, 185 00:10:52,280 --> 00:10:54,800 Speaker 1: let's take a quick break and we'll be back to 186 00:10:55,480 --> 00:11:10,840 Speaker 1: talk about what critics have to say about Moonfall. And 187 00:11:10,960 --> 00:11:15,240 Speaker 1: we're back. Joel, you are, we're a film critic. I 188 00:11:15,280 --> 00:11:18,200 Speaker 1: don't know, do you identify as still film critics? So 189 00:11:18,240 --> 00:11:20,240 Speaker 1: I still, you know, pick up a pen, just some 190 00:11:20,320 --> 00:11:22,520 Speaker 1: things down getting published every once in a while, so 191 00:11:22,559 --> 00:11:26,400 Speaker 1: we current. Yeah, you're a filmy Yeah, yeah, you get it. 192 00:11:26,480 --> 00:11:30,560 Speaker 1: You get the struggle of having to watch Moonfall. I 193 00:11:30,640 --> 00:11:34,840 Speaker 1: think you mean the absolute pleasure and joy you get 194 00:11:35,200 --> 00:11:39,520 Speaker 1: to listen because sight unseen. I haven't seen the movie yet, 195 00:11:40,559 --> 00:11:43,120 Speaker 1: but Moonfall is what cinema has been missing. Hear me out. 196 00:11:44,679 --> 00:11:50,280 Speaker 1: Sometimes you just want a ridiculous plot. Sometimes it's not 197 00:11:50,320 --> 00:11:54,560 Speaker 1: necessary to take yourself so seriously or to be any 198 00:11:54,640 --> 00:11:57,839 Speaker 1: kind of grounded in reality. Like even superhero movies now 199 00:11:57,880 --> 00:12:01,720 Speaker 1: are like they really have a deeper interture meaning and 200 00:12:01,720 --> 00:12:03,880 Speaker 1: that's not a negative thing. I think we're getting really 201 00:12:03,880 --> 00:12:08,000 Speaker 1: beautiful superhero movies because of it. But while a moon falling, 202 00:12:08,120 --> 00:12:10,280 Speaker 1: the aliens taking over the moon and shooting it at 203 00:12:10,280 --> 00:12:12,120 Speaker 1: the Earth, that sounds like attack of the fifty ft 204 00:12:12,200 --> 00:12:17,480 Speaker 1: Woman kind of stuff like that's that's Independence Day level 205 00:12:18,160 --> 00:12:22,960 Speaker 1: ridiculous drama. It's fun. I'm as fun, and I think 206 00:12:22,960 --> 00:12:24,840 Speaker 1: that this movie has the potential to bring a lot 207 00:12:24,920 --> 00:12:28,080 Speaker 1: of it. It's got a stat aliens. I thought it 208 00:12:28,120 --> 00:12:35,480 Speaker 1: was just fallen down. I'm pretty sure there's like some 209 00:12:35,559 --> 00:12:39,760 Speaker 1: kind of weird alien or ghost, some other thing that's 210 00:12:39,800 --> 00:12:49,320 Speaker 1: causing the moon to rebel amazing, amazing, like the moon 211 00:12:49,480 --> 00:12:53,920 Speaker 1: is haunted. Um, I'm for this. This is the type 212 00:12:53,920 --> 00:12:57,600 Speaker 1: of bead that feels like it won't do me spiritual harm. 213 00:12:57,720 --> 00:13:00,679 Speaker 1: But critics have pulled out a couple of choice moments, 214 00:13:00,840 --> 00:13:05,600 Speaker 1: so overall it's sitting it a thirty eight on Metacritic. Okay, 215 00:13:05,679 --> 00:13:09,200 Speaker 1: that seems appropriate, and some critics have pointed out that 216 00:13:09,240 --> 00:13:12,120 Speaker 1: there's a an exchange where Hallie Berry is trying to 217 00:13:12,120 --> 00:13:14,800 Speaker 1: convince Patrick Wilson to come along on this mission to 218 00:13:14,880 --> 00:13:18,920 Speaker 1: the moon. Patrick Wilson says, Look, I've got my own problems, 219 00:13:19,320 --> 00:13:22,320 Speaker 1: halle Berry says, and the moon falling on Earth isn't 220 00:13:22,400 --> 00:13:26,480 Speaker 1: one of them, which a fair question. I just don't 221 00:13:26,520 --> 00:13:28,920 Speaker 1: think Patrick Wilson would have said in the first place. Look, 222 00:13:28,920 --> 00:13:33,760 Speaker 1: I've got my own problems. As a retort to I 223 00:13:33,800 --> 00:13:35,640 Speaker 1: need you to go to the moon to prevent the 224 00:13:35,679 --> 00:13:41,800 Speaker 1: world from ending. And then there's also a point where, uh, 225 00:13:41,880 --> 00:13:46,000 Speaker 1: we see graffiti that says fuck the moon, and actually 226 00:13:46,120 --> 00:13:48,240 Speaker 1: so it said that, and then in order to get 227 00:13:48,280 --> 00:13:51,240 Speaker 1: a PG. Thirteen it said the moon's so they changed 228 00:13:51,280 --> 00:13:54,480 Speaker 1: it to the moon sucks. So I don't know. I 229 00:13:54,559 --> 00:13:57,439 Speaker 1: guess I'll keep the F bomb like it's not being said. 230 00:13:57,520 --> 00:14:00,480 Speaker 1: I don't think he'll count get the moon sucks is not. Um, 231 00:14:00,840 --> 00:14:03,680 Speaker 1: No one would ever graffiti that it's not powerful enough. 232 00:14:04,120 --> 00:14:07,600 Speaker 1: What are you doing? I also like the idea. I 233 00:14:07,600 --> 00:14:12,800 Speaker 1: don't know, we hate the moon now, um, we can't 234 00:14:12,800 --> 00:14:15,520 Speaker 1: live without the moon. Uh, they already showed us it fell. 235 00:14:15,640 --> 00:14:18,640 Speaker 1: So I wonder what the end of that story is. Um? 236 00:14:19,320 --> 00:14:21,640 Speaker 1: Is it uh seeking a friend for the End of 237 00:14:21,680 --> 00:14:24,760 Speaker 1: the World, which I mean, it's a twelve year old movie. 238 00:14:24,760 --> 00:14:26,720 Speaker 1: But spoiler alert, the world just ends at the end 239 00:14:26,720 --> 00:14:29,040 Speaker 1: of that movie. They're very clear about it in the title. 240 00:14:29,240 --> 00:14:34,040 Speaker 1: Nothing else happened. Yeah, at the end it was beautiful. Um? 241 00:14:34,240 --> 00:14:36,320 Speaker 1: Or is it do we just have half a moon 242 00:14:36,360 --> 00:14:38,720 Speaker 1: now and the ocean's rise and we gotta deal with that. 243 00:14:38,880 --> 00:14:42,760 Speaker 1: Waves aren't working the right way anymore. Um. I really 244 00:14:42,760 --> 00:14:45,360 Speaker 1: look forward to what the conclusion of this movie is. 245 00:14:45,400 --> 00:14:48,240 Speaker 1: I also like someone tweeted out that apparently someone gets 246 00:14:48,240 --> 00:14:50,040 Speaker 1: a phone call in the middle of the night. It's 247 00:14:50,080 --> 00:14:53,160 Speaker 1: from NASA, and I just wonder if their their color 248 00:14:53,200 --> 00:15:01,560 Speaker 1: idea was just NASA. It's NASA, Colity, here is now 249 00:15:01,600 --> 00:15:04,960 Speaker 1: a good time? It's NASA. The moon's falling, so we 250 00:15:05,040 --> 00:15:06,840 Speaker 1: really need to be a good time. Please don't have 251 00:15:06,880 --> 00:15:10,880 Speaker 1: other things to do today, right, I would have so 252 00:15:10,960 --> 00:15:14,160 Speaker 1: much trouble sleeping if the moon was falling and the 253 00:15:14,200 --> 00:15:17,160 Speaker 1: world is about to end and everyone's just doing drugs 254 00:15:17,160 --> 00:15:20,200 Speaker 1: and partying, or they're at church. Those are your two options. 255 00:15:20,680 --> 00:15:22,520 Speaker 1: Speaking of seeking a friend for the end of the world, 256 00:15:22,560 --> 00:15:25,160 Speaker 1: isn't that the one where like just like a middle 257 00:15:25,200 --> 00:15:27,880 Speaker 1: aged couples, Like I think I'm gonna try Heroin like 258 00:15:27,920 --> 00:15:32,760 Speaker 1: that one of the things that I think. So, yeah, Well, 259 00:15:33,040 --> 00:15:38,080 Speaker 1: Brie Larson is trending because she's part of the the 260 00:15:38,240 --> 00:15:41,880 Speaker 1: n f T world. Now, I really like, Okay, so 261 00:15:42,120 --> 00:15:44,400 Speaker 1: n f T s I'm learning about them because I 262 00:15:44,440 --> 00:15:46,800 Speaker 1: have to, uh, you know, it's time we gotta I 263 00:15:46,800 --> 00:15:48,560 Speaker 1: gotta learn what they are and how they work and 264 00:15:49,000 --> 00:15:51,840 Speaker 1: what's happening. I'm confused. I don't have any solid opinions 265 00:15:51,840 --> 00:15:53,800 Speaker 1: on them yet, other than I know they're not good 266 00:15:53,800 --> 00:15:56,480 Speaker 1: for the environment, and that is concerning because anything new 267 00:15:56,520 --> 00:15:58,600 Speaker 1: that's not good for the environment must be stopped immediately. 268 00:15:58,680 --> 00:16:00,520 Speaker 1: We've already done too much damage and not doing enough 269 00:16:00,560 --> 00:16:03,200 Speaker 1: to stop it, so anything further harming it very bad. 270 00:16:03,840 --> 00:16:06,320 Speaker 1: But I will say that, like most of the discourse 271 00:16:06,320 --> 00:16:08,400 Speaker 1: I've seen around breathing arcense n ft IS, people don't 272 00:16:08,440 --> 00:16:10,840 Speaker 1: like the design of it, which I was like, this 273 00:16:11,000 --> 00:16:14,280 Speaker 1: just looks like regular art. Okay, it's a lady. Her 274 00:16:14,280 --> 00:16:17,640 Speaker 1: face is painted blue. She's got um what I would 275 00:16:17,680 --> 00:16:20,600 Speaker 1: describe as whipped cream hair. You know, it's it's white 276 00:16:21,000 --> 00:16:24,200 Speaker 1: and kind of pillowy, and it's up. There's some kind 277 00:16:24,240 --> 00:16:28,720 Speaker 1: of flowers growing out of that hair. She's wearing um 278 00:16:28,880 --> 00:16:31,240 Speaker 1: like a French pink ruffle collar if you think of 279 00:16:31,240 --> 00:16:34,320 Speaker 1: like a Marie Antoinete era big that. There's some gold beads. 280 00:16:34,600 --> 00:16:37,360 Speaker 1: Her blush is painted and pink triangles under her eyes. 281 00:16:37,920 --> 00:16:40,920 Speaker 1: There's a gold bird. Doesn't mean anything, not that I 282 00:16:40,960 --> 00:16:44,200 Speaker 1: can decipher. I'm not an art historian, you know, but 283 00:16:44,240 --> 00:16:46,960 Speaker 1: I've seen a couple of pictures. I know, I'm familiar. 284 00:16:46,960 --> 00:16:48,760 Speaker 1: I've been to a museum or two in my time. 285 00:16:49,240 --> 00:16:52,800 Speaker 1: Uh it looks like art. Okay, someone drewid it's got value. 286 00:16:53,720 --> 00:16:56,480 Speaker 1: People are like it's but ugly and she has no taste. 287 00:16:56,480 --> 00:17:00,080 Speaker 1: And now I think she's a horrible person. Uh. It 288 00:17:00,160 --> 00:17:01,560 Speaker 1: does seem like a lot of people just want to 289 00:17:01,560 --> 00:17:04,439 Speaker 1: hate Bree Larson, right, I guess I don't know. I 290 00:17:04,480 --> 00:17:07,320 Speaker 1: never knew people did not like here, but apparently they do. Uh. 291 00:17:07,440 --> 00:17:11,040 Speaker 1: Bree Larson, and my professional experience has been, you know, lovely. 292 00:17:11,160 --> 00:17:14,600 Speaker 1: She at tiff a couple of years ago, a bunch 293 00:17:14,600 --> 00:17:16,320 Speaker 1: of buck journalists were having a hard time entering some 294 00:17:16,359 --> 00:17:18,800 Speaker 1: spaces and she personally invited them in so there was 295 00:17:18,880 --> 00:17:22,399 Speaker 1: room and space for them. So, um, I value that 296 00:17:22,480 --> 00:17:25,080 Speaker 1: in her. Uh. Beyond that, I don't know about how 297 00:17:25,119 --> 00:17:27,159 Speaker 1: she is as a person. And I also think it's 298 00:17:27,200 --> 00:17:29,200 Speaker 1: weird that Breeze getting all the smoke when Gwyneth Paldro 299 00:17:29,840 --> 00:17:33,359 Speaker 1: famously hated celebrity released an n f T that seems 300 00:17:33,400 --> 00:17:37,360 Speaker 1: to me to be from the same artist. Uh, well, 301 00:17:37,400 --> 00:17:39,560 Speaker 1: maybe that is why Brie Larson, They're like, we thought 302 00:17:40,520 --> 00:17:43,520 Speaker 1: you were better than this. Maybe, yeah, I personally did. 303 00:17:43,600 --> 00:17:47,119 Speaker 1: I like Brie Larson and I but I don't know. 304 00:17:47,160 --> 00:17:50,000 Speaker 1: Everybody's doing the n f T thing. I think it's bullshit. 305 00:17:50,160 --> 00:17:53,600 Speaker 1: I did watch that two and a half hour YouTube explainer. 306 00:17:54,000 --> 00:17:55,560 Speaker 1: The fact that it takes two and a half hours 307 00:17:55,560 --> 00:17:58,320 Speaker 1: to explain what they are is part of the problem. 308 00:17:58,480 --> 00:18:02,280 Speaker 1: But uh, it's also like there's not much that the 309 00:18:02,320 --> 00:18:05,359 Speaker 1: two and a half hours leads you back to the 310 00:18:05,400 --> 00:18:11,520 Speaker 1: fact that there's not much there. And yeah, I don't know. Um, 311 00:18:11,560 --> 00:18:16,879 Speaker 1: it seems like a drawing, seems like, yeah, so a 312 00:18:16,960 --> 00:18:20,439 Speaker 1: fine piece. Part. Far far l A, a Russian woman 313 00:18:20,680 --> 00:18:23,159 Speaker 1: graphic designer who has worked for a bunch of different places, 314 00:18:23,320 --> 00:18:27,360 Speaker 1: did the design. I guess this is her Frey into 315 00:18:27,880 --> 00:18:30,960 Speaker 1: and f T s, which, again, please stop hurting our planet. 316 00:18:31,080 --> 00:18:33,600 Speaker 1: But yeah, I don't know. Bre kudos for just keeping 317 00:18:33,600 --> 00:18:35,200 Speaker 1: it up. I mean, like, listen, this was a choice 318 00:18:35,240 --> 00:18:39,240 Speaker 1: I made and I'm going to live with it. Yes, um, 319 00:18:39,400 --> 00:18:47,480 Speaker 1: let's talk about the then diagram of Netflix and Lifetime Movies. 320 00:18:48,400 --> 00:18:50,800 Speaker 1: I'm so excited because it's a topic I've wanted to 321 00:18:50,800 --> 00:18:52,720 Speaker 1: talk about for a long time. It's one of those 322 00:18:52,720 --> 00:18:55,119 Speaker 1: things as a critic sometimes you're just viewing something and 323 00:18:55,119 --> 00:18:57,119 Speaker 1: then you have an idea that you haven't heard anyone 324 00:18:57,119 --> 00:18:59,199 Speaker 1: else talk about, not saying that it hasn't happened, but 325 00:18:59,280 --> 00:19:02,240 Speaker 1: you just fels very like of your own, and you're like, wow, 326 00:19:02,280 --> 00:19:05,720 Speaker 1: we have to discuss. Okay, I have a theory that 327 00:19:05,880 --> 00:19:09,000 Speaker 1: Netflix is going to end Lifetime. I don't think they're 328 00:19:09,040 --> 00:19:12,000 Speaker 1: doing it on purpose, but they are doing it to 329 00:19:12,400 --> 00:19:15,680 Speaker 1: siphon a portion of that demographic to Netflix and keep 330 00:19:15,720 --> 00:19:20,520 Speaker 1: them locked in place. Okay, here's how Netflix works. Is 331 00:19:20,600 --> 00:19:24,760 Speaker 1: a giant corporation constantly producing new content across the globe. 332 00:19:24,760 --> 00:19:27,040 Speaker 1: So that's a ton of work in a ton of time. 333 00:19:27,320 --> 00:19:29,679 Speaker 1: And in order to better organize that, they've broken it 334 00:19:29,720 --> 00:19:33,120 Speaker 1: down into categories. The romance is one of those categories. 335 00:19:33,160 --> 00:19:36,680 Speaker 1: You also have a nerd category, you have a drama category, um, 336 00:19:36,720 --> 00:19:39,400 Speaker 1: and then you have a category that does like acquisitions, uh, 337 00:19:39,560 --> 00:19:44,480 Speaker 1: comedy category. If you searched, you know, um, the romance 338 00:19:44,520 --> 00:19:48,480 Speaker 1: category has really been in its bag with its lifetime 339 00:19:48,560 --> 00:19:55,840 Speaker 1: style content. Okay. Their main feature, shockingly is Virgin River. Okay, 340 00:19:56,000 --> 00:20:01,520 Speaker 1: imagine a like seventy white cast with a bunch of 341 00:20:01,520 --> 00:20:03,240 Speaker 1: people that are like, this is my black friend and 342 00:20:03,240 --> 00:20:06,320 Speaker 1: this is my gay friend. Um, so you know Middle 343 00:20:06,320 --> 00:20:09,439 Speaker 1: America can be abad. They're like, it's it's somewhat progressive. 344 00:20:09,840 --> 00:20:11,359 Speaker 1: You know, there was a black guy. He was a 345 00:20:11,440 --> 00:20:14,720 Speaker 1: vet and he saved people. Also took the rap for 346 00:20:14,760 --> 00:20:17,879 Speaker 1: a murder charge that he didn't do to protect a lady. 347 00:20:18,080 --> 00:20:22,240 Speaker 1: You know, he's a good guy. Um. It is low 348 00:20:22,359 --> 00:20:27,439 Speaker 1: level drama. Not too much happens in that show. She's 349 00:20:27,600 --> 00:20:30,880 Speaker 1: struggling with. She lost her husband, they're pregnant, they lost 350 00:20:30,920 --> 00:20:33,600 Speaker 1: the baby. You know, she's a young widow. So she 351 00:20:33,720 --> 00:20:36,600 Speaker 1: finds this and a nurse. She finds a house in 352 00:20:36,640 --> 00:20:39,080 Speaker 1: the middle of the woods, and she starts falling in 353 00:20:39,080 --> 00:20:42,040 Speaker 1: love with a guy who's hired to repair it. And 354 00:20:42,080 --> 00:20:44,760 Speaker 1: now she works with a curmudginey old doctor who without 355 00:20:44,760 --> 00:20:46,520 Speaker 1: her would have had to quit because he's old, and 356 00:20:46,560 --> 00:20:50,720 Speaker 1: so he doesn't see so good anymore. Perfect lifetime content 357 00:20:51,119 --> 00:20:53,760 Speaker 1: so good, and we're seeing it with all kinds of shows, 358 00:20:53,800 --> 00:20:57,520 Speaker 1: which is really really exciting to me because Netflix gets 359 00:20:57,680 --> 00:21:00,760 Speaker 1: like Netflix is a premium she being service. We just 360 00:21:00,800 --> 00:21:02,159 Speaker 1: have to acknowledge it. We have to come to this 361 00:21:02,160 --> 00:21:04,199 Speaker 1: conclusion together as a people. So that we can move on. 362 00:21:05,080 --> 00:21:08,000 Speaker 1: Nobody else is giving you this many demographics at this 363 00:21:08,040 --> 00:21:11,200 Speaker 1: base price. Your children can watch, your parents can watch 364 00:21:11,320 --> 00:21:14,200 Speaker 1: your little cousins. Kind of like it's everyone is covered 365 00:21:14,560 --> 00:21:17,240 Speaker 1: and I'm really excited. Like Sweet Magnolias is out right now? 366 00:21:17,840 --> 00:21:20,480 Speaker 1: Is it quality content? No? But it's not designed to 367 00:21:20,480 --> 00:21:22,399 Speaker 1: be okay, it's designed to bring you all right, That's 368 00:21:22,440 --> 00:21:24,200 Speaker 1: where I draw the line. I need you to stop 369 00:21:24,320 --> 00:21:27,400 Speaker 1: right there, Sweet Magnolias is I have watched the first 370 00:21:27,400 --> 00:21:31,000 Speaker 1: two episodes of that and now yet you like the 371 00:21:31,119 --> 00:21:36,160 Speaker 1: recent divorce drama starting her life over here she goes 372 00:21:36,640 --> 00:21:39,720 Speaker 1: the Also just the thing you mentioned about the finding 373 00:21:39,760 --> 00:21:42,480 Speaker 1: a house in the middle of the woods and like 374 00:21:42,720 --> 00:21:45,240 Speaker 1: the love interest fixing it up. So there's a movie 375 00:21:45,320 --> 00:21:49,520 Speaker 1: called The Lost Husband that was all over uh Netflix 376 00:21:49,600 --> 00:21:54,760 Speaker 1: is uh like top five at various points, starring Josh 377 00:21:54,800 --> 00:21:59,440 Speaker 1: d mel and Leslie Bibb, and it has that exact 378 00:21:59,560 --> 00:22:04,399 Speaker 1: thing happened in it, Like she goes back home after 379 00:22:04,520 --> 00:22:09,960 Speaker 1: her husband dies, I think, and like some hunk who 380 00:22:09,960 --> 00:22:12,360 Speaker 1: works on the farm ends up being like the man 381 00:22:12,440 --> 00:22:15,640 Speaker 1: she was always looking for. Maybe it's a divorce but anyways, 382 00:22:15,880 --> 00:22:17,959 Speaker 1: h oh no, he died. They moved back to her 383 00:22:17,960 --> 00:22:22,920 Speaker 1: aunt's farm in Texas with its love of country life 384 00:22:23,080 --> 00:22:27,399 Speaker 1: to um, but yet at one point she there's a 385 00:22:27,400 --> 00:22:29,560 Speaker 1: house like on the farm, there's a house in the 386 00:22:29,600 --> 00:22:32,479 Speaker 1: woods that she decides to move into and he picks 387 00:22:32,520 --> 00:22:35,960 Speaker 1: up for. So that is they have just identified a weird, 388 00:22:36,560 --> 00:22:40,520 Speaker 1: like completely a logical fantasy that we all have that 389 00:22:40,520 --> 00:22:42,320 Speaker 1: there just like this is going to happen in a 390 00:22:42,400 --> 00:22:46,280 Speaker 1: lot of ship guys. I'm sorry. They took romance novels 391 00:22:46,760 --> 00:22:50,679 Speaker 1: and adapted them for film slightly larger budgets than you 392 00:22:50,680 --> 00:22:54,399 Speaker 1: would typically see with like a Lifetime show or even 393 00:22:54,440 --> 00:22:57,439 Speaker 1: a Hallmark which has a similar demographic to it. And 394 00:22:57,440 --> 00:22:59,679 Speaker 1: then Netflix said does what it always does, which is 395 00:22:59,720 --> 00:23:04,480 Speaker 1: a like they're patented, um algorithm, what do you like? 396 00:23:04,920 --> 00:23:06,680 Speaker 1: How many people can we get to watch this show 397 00:23:07,080 --> 00:23:10,240 Speaker 1: and stay engaged for longer than two episodes? Yeah, I 398 00:23:10,280 --> 00:23:12,119 Speaker 1: was just gonna say, like you you definitely hear a 399 00:23:12,200 --> 00:23:14,120 Speaker 1: lot of people will be like Netflix has taken over 400 00:23:14,280 --> 00:23:16,960 Speaker 1: like this and that, but like this is one you do. 401 00:23:17,119 --> 00:23:19,320 Speaker 1: You rarely hear people be like and it's a good thing, 402 00:23:19,480 --> 00:23:23,520 Speaker 1: Like they're doing it better than the previous people. Um. Yeah, 403 00:23:23,680 --> 00:23:26,879 Speaker 1: I'm mostly just impressed with their ability to continue to 404 00:23:26,880 --> 00:23:29,080 Speaker 1: do it. Like it's in the same way that sometimes 405 00:23:29,080 --> 00:23:32,480 Speaker 1: they're just astonished at what like Lucasfilm and Disney is 406 00:23:32,520 --> 00:23:35,919 Speaker 1: able to do. Like Lucasfilm really built an entire room 407 00:23:36,000 --> 00:23:39,080 Speaker 1: of video screens and said, this is all of our sets, 408 00:23:39,600 --> 00:23:42,320 Speaker 1: or like our sets, We're gonna film an entire show 409 00:23:42,320 --> 00:23:46,080 Speaker 1: in here, and it's gonna look amazing one day to 410 00:23:46,560 --> 00:23:49,720 Speaker 1: two seasons and half of a season of another show later, 411 00:23:50,160 --> 00:23:53,480 Speaker 1: and they've truly mastered how do you build depth in 412 00:23:53,560 --> 00:23:58,200 Speaker 1: a flat circular space? How do you build set props 413 00:23:58,200 --> 00:24:03,200 Speaker 1: and designs to um give a sense of height and depth? Uh, 414 00:24:03,440 --> 00:24:05,680 Speaker 1: that sort of can can trick the eye, Like you're 415 00:24:06,119 --> 00:24:08,440 Speaker 1: able to see the screen less and less, which is 416 00:24:08,560 --> 00:24:10,680 Speaker 1: very impressive. So their whole thing is like, we will 417 00:24:10,680 --> 00:24:12,960 Speaker 1: continue to push technology until it reaches the point we 418 00:24:13,000 --> 00:24:14,959 Speaker 1: want to and we're fine sticking with it even if 419 00:24:14,960 --> 00:24:17,240 Speaker 1: you don't like it. I think what Netflix this thing 420 00:24:17,320 --> 00:24:20,439 Speaker 1: is like, we will continue to service you with television 421 00:24:20,480 --> 00:24:23,840 Speaker 1: that you don't mind just having on at all times. 422 00:24:23,840 --> 00:24:27,280 Speaker 1: Our goal is not basic. Now that every thing has 423 00:24:27,280 --> 00:24:29,760 Speaker 1: their own streaming service, they are trying to invest in 424 00:24:31,400 --> 00:24:35,440 Speaker 1: more fulfilling shows shows that have um a longer memory, 425 00:24:35,960 --> 00:24:38,040 Speaker 1: you know, in the population. I think so much of 426 00:24:38,200 --> 00:24:40,840 Speaker 1: Netflix is consumed and then forgotten about. But I think 427 00:24:40,840 --> 00:24:43,280 Speaker 1: that consumed to have forgotten part is is their baseline, 428 00:24:43,560 --> 00:24:45,320 Speaker 1: you know what I mean some people, if you're like me, 429 00:24:45,359 --> 00:24:47,280 Speaker 1: I just like to have a TV on, not always 430 00:24:47,280 --> 00:24:48,880 Speaker 1: watching it. You know, I'm doing a lot of things. 431 00:24:49,600 --> 00:24:52,120 Speaker 1: I think it's perfectly serviceable for that. And every once 432 00:24:52,119 --> 00:24:53,920 Speaker 1: in a while you get a gem and you're like, Wow, 433 00:24:54,000 --> 00:24:57,160 Speaker 1: great bastill with twenty a month. Um, I don't think 434 00:24:57,160 --> 00:24:59,080 Speaker 1: that's a good or bad thing, but it's from a 435 00:24:59,160 --> 00:25:02,120 Speaker 1: consumer stand point is since we live in a capitalist society, 436 00:25:02,160 --> 00:25:06,640 Speaker 1: still I value it. You were even saying that show You, 437 00:25:07,040 --> 00:25:10,000 Speaker 1: which was on Netflix, is like a big Netflix hit, 438 00:25:10,480 --> 00:25:14,119 Speaker 1: and I had assumed was like Prestige TV, like on 439 00:25:14,280 --> 00:25:19,159 Speaker 1: par with you know, their other prestige shows that started 440 00:25:19,160 --> 00:25:22,360 Speaker 1: as a Lifetime TV. It had one season on Lifetime, 441 00:25:22,440 --> 00:25:26,560 Speaker 1: did not do numbers, got canceled. Uh. Then it went 442 00:25:26,600 --> 00:25:30,439 Speaker 1: to Netflix to be streamed as all shows do, and 443 00:25:30,880 --> 00:25:33,280 Speaker 1: it just picked up so much steam. Netflix was like, okay, 444 00:25:33,320 --> 00:25:35,160 Speaker 1: we will just pick it up right right. I mean, 445 00:25:35,280 --> 00:25:39,800 Speaker 1: Sarah Gamble is an incredible show runner she did Magicians, 446 00:25:39,800 --> 00:25:45,040 Speaker 1: She's worked on um uh, Supernatural and a bunch of 447 00:25:45,080 --> 00:25:48,119 Speaker 1: other like television shows, and her writing skills are just 448 00:25:48,200 --> 00:25:50,680 Speaker 1: so strong. Um And they were like, hey, what else 449 00:25:50,720 --> 00:25:53,040 Speaker 1: can you do with this? There's multiple books out and 450 00:25:53,080 --> 00:25:55,200 Speaker 1: she just picked up right where she left off with Lifetime, 451 00:25:55,280 --> 00:25:58,440 Speaker 1: and because it was on Netflix, and because it had 452 00:25:58,800 --> 00:26:00,879 Speaker 1: a demographic larger than in what you will see on Lifetime. 453 00:26:00,880 --> 00:26:02,720 Speaker 1: So many people are like Lifetimes what my mom or 454 00:26:02,720 --> 00:26:06,200 Speaker 1: my grandma watches, like, I'm not you know, their their 455 00:26:06,200 --> 00:26:10,439 Speaker 1: ads are not catered to me, etcetera, etcetera. Netflix and 456 00:26:10,480 --> 00:26:13,959 Speaker 1: sort of give a longer shelf like and a wider 457 00:26:14,040 --> 00:26:16,280 Speaker 1: viewing than a lot of these other channels are able 458 00:26:16,320 --> 00:26:19,840 Speaker 1: to do. Yeah, well there it is. Well, Joel, always 459 00:26:19,880 --> 00:26:22,000 Speaker 1: such a pleasure of having you. Where can people find you? 460 00:26:22,160 --> 00:26:24,560 Speaker 1: Follow you? All that good stuff? Yeah, thank you so 461 00:26:24,600 --> 00:26:27,600 Speaker 1: much for having me back. Y'all know me. I'm Joel Monique. 462 00:26:27,600 --> 00:26:29,080 Speaker 1: You can find me all over the internet. Act to 463 00:26:29,119 --> 00:26:31,399 Speaker 1: a Monique's to j O E L L E M 464 00:26:31,440 --> 00:26:35,159 Speaker 1: O N I Q. Al Right, Well that is going 465 00:26:35,200 --> 00:26:38,159 Speaker 1: to do it for us for this week. We are 466 00:26:38,200 --> 00:26:40,440 Speaker 1: back on Monday with the whole last episode of the show. 467 00:26:40,640 --> 00:26:44,680 Speaker 1: We have a weekly Zeitgeist, which is the greatest hits 468 00:26:44,680 --> 00:26:48,400 Speaker 1: of the week that comes out on Saturday. Um. Until then, 469 00:26:48,520 --> 00:26:51,360 Speaker 1: be kind to each other, be kind to yourselves, get 470 00:26:51,400 --> 00:26:55,600 Speaker 1: the vaccine, wear a mask, don't do nothing about white supremacy, 471 00:26:55,680 --> 00:26:59,879 Speaker 1: and we will talk to you all then. Bye, Hey, 472 00:27:01,080 --> 00:27:01,760 Speaker 1: Sacker b.