1 00:00:02,960 --> 00:00:05,280 Speaker 1: Welcome to Stuff to Blow Your Mind, a production of 2 00:00:05,360 --> 00:00:10,600 Speaker 1: My Heart Radio. Hey, welcome to Stuff to Blow your 3 00:00:10,600 --> 00:00:13,560 Speaker 1: Mind Listener mail. My name is Robert Lamb and my 4 00:00:13,640 --> 00:00:16,160 Speaker 1: name is Joe McCormick. And it's Monday. That's the day 5 00:00:16,200 --> 00:00:17,840 Speaker 1: of the week where we read back a few of 6 00:00:17,880 --> 00:00:20,120 Speaker 1: the messages that you've sent in over the past cycle 7 00:00:20,239 --> 00:00:22,240 Speaker 1: or two and we've got a good mail bag for 8 00:00:22,280 --> 00:00:25,439 Speaker 1: you today. That's right. Um. You know, before we get going, though, 9 00:00:25,800 --> 00:00:29,760 Speaker 1: quick call out to our producer, Seth Nicholas Johnson. A 10 00:00:29,760 --> 00:00:32,559 Speaker 1: couple of things. First of all, he wanted us to uh, 11 00:00:32,720 --> 00:00:35,320 Speaker 1: to to remind everything, to to tell everybody, not remind 12 00:00:35,440 --> 00:00:38,920 Speaker 1: to to tell everyone that he has been enjoying the 13 00:00:39,040 --> 00:00:43,159 Speaker 1: hot dog plus kim Chi combo, which was recommended in 14 00:00:43,159 --> 00:00:46,040 Speaker 1: the previous listener mail by Jim from New Jersey. How 15 00:00:46,080 --> 00:00:48,559 Speaker 1: could you go wrong? I mean it's like, I know, 16 00:00:48,640 --> 00:00:51,680 Speaker 1: it's perfect without even tasting it. Yeah, it's a matchmate 17 00:00:51,760 --> 00:00:55,080 Speaker 1: in heaven. Uh. And then second, secondly, as I think 18 00:00:55,080 --> 00:00:57,840 Speaker 1: we've we've mentioned this before, but Seth Nicholas Johnson has 19 00:00:58,160 --> 00:01:01,880 Speaker 1: his own podcast, Usty Needles Record Club, which you can 20 00:01:01,920 --> 00:01:04,840 Speaker 1: find wherever you get your podcast, and he had an 21 00:01:04,840 --> 00:01:07,720 Speaker 1: episode come out on Friday with a very special guest. 22 00:01:08,160 --> 00:01:10,960 Speaker 1: Who's that special guest? Joe? Oh, it's me. I was 23 00:01:11,000 --> 00:01:14,280 Speaker 1: on sets podcast last Friday. We talked about So if 24 00:01:14,280 --> 00:01:17,920 Speaker 1: you haven't heard it, Uh, Seth's podcast is again. It's 25 00:01:17,959 --> 00:01:20,840 Speaker 1: called Rusty Needles Record Club and it's sort of like 26 00:01:20,880 --> 00:01:23,560 Speaker 1: a book club, but four albums, you know, but for 27 00:01:23,680 --> 00:01:26,840 Speaker 1: music and so it's very low key. It's a lot 28 00:01:26,880 --> 00:01:29,360 Speaker 1: of fun. And the album I picked for Seth show 29 00:01:29,640 --> 00:01:32,920 Speaker 1: was the Batman Forever soundtrack from the ninety nineties. I mean, 30 00:01:33,600 --> 00:01:36,720 Speaker 1: what else with Seals kiss from Arose on it? Oh? 31 00:01:36,760 --> 00:01:38,880 Speaker 1: You know it is. It's got Seal, it's got a 32 00:01:38,920 --> 00:01:43,160 Speaker 1: method man, it's got Nick Cave, it's got the Flaming Lips. 33 00:01:43,200 --> 00:01:45,240 Speaker 1: It's all over the place. You two had a song 34 00:01:45,280 --> 00:01:47,160 Speaker 1: in there, didn't they. You two? Yeah, it has a 35 00:01:47,280 --> 00:01:50,880 Speaker 1: You two has a song so big it contains universes 36 00:01:50,920 --> 00:01:54,760 Speaker 1: within it. Wow. All right. So if hearing Seth and 37 00:01:54,800 --> 00:01:57,880 Speaker 1: me gab about the Batman Forever soundtrack sounds like you're 38 00:01:57,920 --> 00:02:00,320 Speaker 1: kind of thing, look up Rusty Needles Record Club. It 39 00:02:00,320 --> 00:02:02,840 Speaker 1: should be the most recent episode on the day this 40 00:02:02,880 --> 00:02:05,880 Speaker 1: comes out. Yeah, And the podcast has a cartoon dog 41 00:02:05,920 --> 00:02:07,800 Speaker 1: on the logo, so you know you're in the right spot. 42 00:02:08,040 --> 00:02:09,880 Speaker 1: All right. Well, Rob, if you don't have anything else, 43 00:02:09,919 --> 00:02:11,720 Speaker 1: I think I'm going to jump right in with this 44 00:02:11,800 --> 00:02:19,800 Speaker 1: message from Virginia. Let's do it, okay. This is in 45 00:02:19,880 --> 00:02:24,200 Speaker 1: response to our episodes on The Seven Day Week. Virginia 46 00:02:24,320 --> 00:02:28,400 Speaker 1: rights Greetings. I'm Virginia and I'm Brazilian. This is my 47 00:02:28,440 --> 00:02:30,840 Speaker 1: first time writing to you, and I apologize in advance 48 00:02:30,880 --> 00:02:33,760 Speaker 1: for any grammatical errors in this email. First, I need 49 00:02:33,760 --> 00:02:36,320 Speaker 1: to say I love this podcast and I always recommend 50 00:02:36,360 --> 00:02:39,320 Speaker 1: it to everyone. It's perfect to practice my English listening. 51 00:02:39,600 --> 00:02:43,240 Speaker 1: It's so very well produced and always very fun to listen. Well, 52 00:02:43,280 --> 00:02:46,840 Speaker 1: thank you, Virginia. Virginia says, by the end of part 53 00:02:46,960 --> 00:02:48,960 Speaker 1: one of The Seven Day Week, you talked about the 54 00:02:48,960 --> 00:02:53,920 Speaker 1: theory about markets and fresh food. I always have this 55 00:02:54,080 --> 00:02:57,920 Speaker 1: on my mind because of my language. In Portuguese, the 56 00:02:58,000 --> 00:03:00,640 Speaker 1: days of the week are separated by work days and 57 00:03:00,680 --> 00:03:03,960 Speaker 1: rest days. Monday to Friday is and I think this 58 00:03:04,040 --> 00:03:09,320 Speaker 1: is in order. Segunda fara ter safarra quarta farra keen 59 00:03:09,400 --> 00:03:13,720 Speaker 1: to farrah and sex to farrah. Fa in Portuguese is 60 00:03:13,760 --> 00:03:17,040 Speaker 1: often used to describe a fair or an open market, 61 00:03:17,480 --> 00:03:21,679 Speaker 1: so we have second fair to sixth fair, and then 62 00:03:21,720 --> 00:03:26,119 Speaker 1: we have the rest days Sabodah and Domingo or DS Dominica, 63 00:03:26,400 --> 00:03:28,520 Speaker 1: and that's of course Saturday and Sunday. I think those 64 00:03:28,560 --> 00:03:31,120 Speaker 1: are the same names for the weekend days as they 65 00:03:31,120 --> 00:03:34,800 Speaker 1: are in Spanish, or very close. Anyway, Virginia says, maybe 66 00:03:34,880 --> 00:03:36,880 Speaker 1: this will add something. I don't know, but I've been 67 00:03:36,920 --> 00:03:39,280 Speaker 1: thinking about writing you for a long time. Hope this 68 00:03:39,320 --> 00:03:43,040 Speaker 1: information will be useful. Lastly, I really love episodes that 69 00:03:43,120 --> 00:03:45,960 Speaker 1: involves such trivial things that people would never tend to 70 00:03:46,000 --> 00:03:49,240 Speaker 1: think about them. Can't wait for part two. Ps. I 71 00:03:49,320 --> 00:03:53,240 Speaker 1: really don't know why we don't have a first fair here. Well, 72 00:03:53,280 --> 00:03:56,320 Speaker 1: thank you, Virginia. Yeah, that's very interesting. So to restate 73 00:03:56,320 --> 00:04:00,760 Speaker 1: what she says in the email, Monday in Portuguese translates 74 00:04:00,800 --> 00:04:04,480 Speaker 1: to second market and then Tuesday's third market, and it 75 00:04:04,520 --> 00:04:07,520 Speaker 1: goes all the way through until Friday, which is six 76 00:04:07,640 --> 00:04:11,080 Speaker 1: the market. So that would imply to me that Sunday 77 00:04:11,160 --> 00:04:14,240 Speaker 1: is in fact first market or first fair. Though this 78 00:04:14,240 --> 00:04:16,120 Speaker 1: would be kind of weird because of course, you know, 79 00:04:16,400 --> 00:04:19,360 Speaker 1: Sunday is the Christian holy day going back many centuries, 80 00:04:19,960 --> 00:04:23,080 Speaker 1: probably including the whole time in the development of Portuguese, 81 00:04:23,480 --> 00:04:26,320 Speaker 1: so I don't know. I wonder what is behind that. 82 00:04:26,400 --> 00:04:29,200 Speaker 1: And I also wonder about words for days of the 83 00:04:29,200 --> 00:04:31,560 Speaker 1: week and other languages, and if they shed any light 84 00:04:31,640 --> 00:04:34,720 Speaker 1: on on weird quirks of local cultural history that they 85 00:04:34,720 --> 00:04:38,120 Speaker 1: emerged from. Yeah, this is this is very fascinating. I 86 00:04:38,160 --> 00:04:40,800 Speaker 1: always enjoy it when when listeners from the around from 87 00:04:40,800 --> 00:04:45,040 Speaker 1: around the world share their own, uh you know, local 88 00:04:45,200 --> 00:04:53,800 Speaker 1: and or linguistic take on the topic. Alright, this next 89 00:04:53,839 --> 00:04:56,279 Speaker 1: one comes to us from Will. Will says, Hi, Robert 90 00:04:56,279 --> 00:04:59,760 Speaker 1: and Joe, thanks for the fascinating content. I enjoyed listening 91 00:04:59,760 --> 00:05:02,119 Speaker 1: to the first episode of Seven Days of the Week. 92 00:05:02,520 --> 00:05:04,919 Speaker 1: You have underlined that different people are likely to have 93 00:05:05,000 --> 00:05:08,280 Speaker 1: different mental representations for days of the week. This made 94 00:05:08,320 --> 00:05:10,720 Speaker 1: me think of my father, who was a recently retired 95 00:05:10,800 --> 00:05:14,400 Speaker 1: Lutheran minister. For my dad, the weekend was a time 96 00:05:14,440 --> 00:05:16,920 Speaker 1: of work, as this was when he was prepared to 97 00:05:17,040 --> 00:05:21,480 Speaker 1: lead and leading the Sunday services, including finalizing and delivering 98 00:05:21,480 --> 00:05:25,120 Speaker 1: his sermon. Thus, Sunday, the traditional day of rest, was 99 00:05:25,160 --> 00:05:27,880 Speaker 1: for my father, a peak day of work, at least 100 00:05:27,960 --> 00:05:30,320 Speaker 1: until about one pm, when he usually made it back 101 00:05:30,520 --> 00:05:32,920 Speaker 1: to sit with the family for lunch. Because of this 102 00:05:33,040 --> 00:05:36,640 Speaker 1: my father often called Sunday afternoon the quote start of 103 00:05:36,680 --> 00:05:41,080 Speaker 1: his weekend. Thanks again for the stimulating material each week, 104 00:05:41,360 --> 00:05:45,159 Speaker 1: look forward to part two from Zurich. Will oh, glad 105 00:05:45,160 --> 00:05:47,760 Speaker 1: to hear from Zurich. So we've heard from both Brazil 106 00:05:47,800 --> 00:05:51,799 Speaker 1: and Switzerland already. Yeah, you know, this is interesting because 107 00:05:51,839 --> 00:05:55,840 Speaker 1: maybe this explains why the clubs and music halls are 108 00:05:55,880 --> 00:06:00,200 Speaker 1: not full of of priests and preachers partying on Saturday night. 109 00:06:00,240 --> 00:06:02,680 Speaker 1: They're buckling down to work for the for the Sunday 110 00:06:02,680 --> 00:06:06,560 Speaker 1: morning sermon. Yeah, are they better not be partying? They 111 00:06:06,600 --> 00:06:08,479 Speaker 1: have they have a big day. Aad though, it is 112 00:06:08,480 --> 00:06:10,839 Speaker 1: a reminder that, you know what, you're gonna have a 113 00:06:10,839 --> 00:06:14,160 Speaker 1: particular religious calendar in place. I imagine it's going to 114 00:06:14,320 --> 00:06:17,680 Speaker 1: vary not only from faith to faith, but from denomination 115 00:06:17,720 --> 00:06:19,840 Speaker 1: to denomination. You know, is this a is this a 116 00:06:19,920 --> 00:06:21,640 Speaker 1: church where Sunday is the big day or is it 117 00:06:21,680 --> 00:06:24,880 Speaker 1: a church where, oh, also Wednesday is really big or 118 00:06:25,800 --> 00:06:28,080 Speaker 1: or either or there's just something going on pretty much 119 00:06:28,120 --> 00:06:31,359 Speaker 1: every day of the week. So it's always it's always 120 00:06:31,360 --> 00:06:34,400 Speaker 1: interesting to consider a different different models for the week 121 00:06:34,480 --> 00:06:40,040 Speaker 1: that are tailored to a specific um line of work. Uh, 122 00:06:40,080 --> 00:06:43,080 Speaker 1: you know, sometimes Monday is the weekend. I would be 123 00:06:43,120 --> 00:06:46,039 Speaker 1: interested to see a study that ranks all of the 124 00:06:46,080 --> 00:06:50,400 Speaker 1: Christian denominations by how much prep work on average the 125 00:06:50,640 --> 00:06:53,160 Speaker 1: leader of the congregation has to do to get ready, Like, 126 00:06:53,480 --> 00:06:55,719 Speaker 1: you know, which are the most intensive in terms of 127 00:06:55,760 --> 00:06:59,200 Speaker 1: sermon writing and which are the most seat of the pants. Yeah. 128 00:06:59,320 --> 00:07:03,080 Speaker 1: I have fond memories of the episcopal priest at my 129 00:07:03,080 --> 00:07:05,400 Speaker 1: my church when I was when I was a kid, uh, 130 00:07:05,560 --> 00:07:08,080 Speaker 1: putting together I feel like, really well written sermons, Like 131 00:07:08,160 --> 00:07:10,600 Speaker 1: you know, he puts some work into him. They had 132 00:07:10,680 --> 00:07:13,240 Speaker 1: themes and stuff that wouldn't come back and all that. 133 00:07:13,600 --> 00:07:15,880 Speaker 1: I remember. There was one about James Bond, and I 134 00:07:15,920 --> 00:07:18,360 Speaker 1: don't really the moral was, Yeah, somehow I think he 135 00:07:18,480 --> 00:07:20,800 Speaker 1: tied back into the Gospel of Matthew. Well, you know, 136 00:07:20,800 --> 00:07:22,920 Speaker 1: you gotta connect you It's it's always a struggle, right, 137 00:07:22,920 --> 00:07:25,720 Speaker 1: you gotta find a way to connect with everybody, to 138 00:07:25,720 --> 00:07:29,360 Speaker 1: to make the message relevant to today's listeners. And you know, 139 00:07:29,440 --> 00:07:32,600 Speaker 1: and and so sometimes that means reference thing what everybody's 140 00:07:32,640 --> 00:07:35,800 Speaker 1: excited about, being a you know, James Bond film or uh, 141 00:07:35,840 --> 00:07:37,560 Speaker 1: you know, The Grinch or whatever it happens to be. 142 00:07:39,280 --> 00:07:41,040 Speaker 1: It could be it was some kind of Bible lesson 143 00:07:41,080 --> 00:07:43,560 Speaker 1: that tied into it. Possibly it was a movie tie 144 00:07:43,560 --> 00:07:46,080 Speaker 1: in for the upcoming release of Golden I in the 145 00:07:46,200 --> 00:07:56,440 Speaker 1: Night release with Pierce Brosnan, but I'm not sure. Okay. 146 00:07:56,520 --> 00:08:00,280 Speaker 1: Next message is from frequent correspondent Jim and New Jersey See. 147 00:08:00,360 --> 00:08:03,680 Speaker 1: Jim says Robert and Joe, I keep having a recurring 148 00:08:03,680 --> 00:08:07,080 Speaker 1: thought about biological reasons for there to be seven days 149 00:08:07,080 --> 00:08:10,320 Speaker 1: in the week. You've danced around the idea several times 150 00:08:10,320 --> 00:08:14,160 Speaker 1: in referring to people using the week to mentally organized tasks. 151 00:08:14,960 --> 00:08:17,640 Speaker 1: Is there any connection between seven days in the week 152 00:08:17,880 --> 00:08:21,960 Speaker 1: and roughly seven short term memory chunks and human brains. 153 00:08:22,520 --> 00:08:25,640 Speaker 1: People in cultures with low literacy would depend more upon 154 00:08:25,760 --> 00:08:29,560 Speaker 1: memory in organizing and tracking short to medium term tasks. 155 00:08:30,000 --> 00:08:32,520 Speaker 1: Most people would be able to manage a week's worth 156 00:08:32,520 --> 00:08:35,080 Speaker 1: of activity in their heads at a time. Add a 157 00:08:35,080 --> 00:08:36,920 Speaker 1: few more days to the week and you start to 158 00:08:37,000 --> 00:08:39,360 Speaker 1: lose track. I have no evidence for this, but a 159 00:08:39,400 --> 00:08:43,520 Speaker 1: quick Google search didn't reveal any resources confirming or contradicting 160 00:08:43,600 --> 00:08:47,240 Speaker 1: this idea. Jim in New Jersey. Uh yeah, Jim, I 161 00:08:47,400 --> 00:08:51,600 Speaker 1: would say, like the other biological hypotheses that we've mentioned, 162 00:08:51,640 --> 00:08:52,880 Speaker 1: I mean, I feel like it would be hard to 163 00:08:52,960 --> 00:08:55,680 Speaker 1: prove this is the origin of the week, but it's 164 00:08:56,120 --> 00:08:58,440 Speaker 1: it's it's certainly an interesting idea. If you want to 165 00:08:58,440 --> 00:09:00,319 Speaker 1: look up more about the idea of their being sort 166 00:09:00,320 --> 00:09:03,319 Speaker 1: of seven chunks of short term memory, you can check 167 00:09:03,360 --> 00:09:06,960 Speaker 1: out a classic paper in cognitive psychology. It's called the 168 00:09:07,040 --> 00:09:11,040 Speaker 1: Magical number seven plus or minus two Some limits on 169 00:09:11,040 --> 00:09:15,240 Speaker 1: our capacity for processing information. This was published in nineteen 170 00:09:15,280 --> 00:09:19,520 Speaker 1: fifty six in Psychological Review by the famous Harvard psychologist 171 00:09:19,600 --> 00:09:23,079 Speaker 1: George A. Miller, And if you want to have a full, 172 00:09:23,160 --> 00:09:25,520 Speaker 1: well rounded understanding, you should look up the paper and 173 00:09:25,520 --> 00:09:28,400 Speaker 1: then all the subsequent research adding to and critiquing it. 174 00:09:28,520 --> 00:09:33,360 Speaker 1: But the massively abridged and simplified version is that Miller 175 00:09:33,480 --> 00:09:36,120 Speaker 1: used a number of different tests to argue that the 176 00:09:36,160 --> 00:09:41,800 Speaker 1: average person can typically hold in working memory about seven 177 00:09:41,880 --> 00:09:46,000 Speaker 1: chunks of meaningful information at one time. And this general 178 00:09:46,080 --> 00:09:48,400 Speaker 1: rule shows up in people's attempts to do things like 179 00:09:48,440 --> 00:09:52,440 Speaker 1: repeat lists of items or manipulate simple pieces of information. 180 00:09:53,240 --> 00:09:56,640 Speaker 1: But of course all the usual caveats. It's more complicated 181 00:09:56,640 --> 00:09:58,679 Speaker 1: than that. In reality, it depends on a number of 182 00:09:58,720 --> 00:10:02,240 Speaker 1: intrinsic and extrin sick factors and so forth. But I 183 00:10:02,320 --> 00:10:04,720 Speaker 1: do think that you could be onto something, Jim, Because 184 00:10:05,120 --> 00:10:09,320 Speaker 1: if seven is a good rough approximation of the average 185 00:10:09,400 --> 00:10:12,200 Speaker 1: number of chunks of information that we can manage in 186 00:10:12,200 --> 00:10:15,840 Speaker 1: working memory at one time, would that means seven is 187 00:10:15,880 --> 00:10:18,440 Speaker 1: just a pretty good number of days to have in 188 00:10:18,440 --> 00:10:22,040 Speaker 1: a week, because that's about as many days in advance 189 00:10:22,200 --> 00:10:24,520 Speaker 1: as the average person would be able to think about 190 00:10:24,840 --> 00:10:29,120 Speaker 1: without consulting written records. Yeah, that that makes sense to me. Yeah, yeah, 191 00:10:29,160 --> 00:10:33,000 Speaker 1: plus seven is the Holy number, James Bond is double O. 192 00:10:33,160 --> 00:10:38,480 Speaker 1: Seven all comes together. Um. By the way, another shout 193 00:10:38,520 --> 00:10:42,640 Speaker 1: out to Seth, our producer. Uh. In one of these episodes, 194 00:10:42,679 --> 00:10:47,120 Speaker 1: we were asking the question, well, what are some horror franchises, uh, 195 00:10:47,800 --> 00:10:50,720 Speaker 1: that have seven installments that you could, you know, spread 196 00:10:50,760 --> 00:10:54,800 Speaker 1: out evenly throughout the week, and Uh, Seth researched this 197 00:10:54,880 --> 00:10:57,840 Speaker 1: as he was editing the episode and pointed out that, uh, 198 00:10:57,960 --> 00:11:00,480 Speaker 1: there are three that we can look to the as 199 00:11:00,520 --> 00:11:02,840 Speaker 1: of this recording. There may be some subsequent films that 200 00:11:02,880 --> 00:11:06,960 Speaker 1: come out of the change this, but he said, Paranormal Activity, 201 00:11:07,360 --> 00:11:12,920 Speaker 1: the Amityville Horror and Wrong Turn. Wow, all of those 202 00:11:13,120 --> 00:11:16,400 Speaker 1: hilarious wrong They just keep going in those woods. You'd 203 00:11:16,400 --> 00:11:20,240 Speaker 1: think after the previous six massacres in the West Virginia woods. 204 00:11:20,240 --> 00:11:22,720 Speaker 1: People would stop taking that wrong turn. They'd be like 205 00:11:22,760 --> 00:11:25,200 Speaker 1: a sign up by that that put us put a 206 00:11:25,200 --> 00:11:29,160 Speaker 1: sign up for God's sake. Yeah, I've never seen a 207 00:11:29,200 --> 00:11:31,240 Speaker 1: single I don't think I've seen any of these movies. 208 00:11:31,280 --> 00:11:34,480 Speaker 1: I haven't seen anything from all three of these franchises. 209 00:11:35,200 --> 00:11:38,360 Speaker 1: I saw a number of the paranormal activity movies. They're all, 210 00:11:39,559 --> 00:11:42,480 Speaker 1: you know, they're all demon hauntings. There's a demon possession 211 00:11:42,559 --> 00:11:44,719 Speaker 1: and then you you know, like a camera gets set 212 00:11:44,800 --> 00:11:47,480 Speaker 1: up in a room and and you see weird stuff 213 00:11:47,520 --> 00:11:50,960 Speaker 1: happening behind a person's back and they're not aware of it. Yeah, 214 00:11:51,640 --> 00:11:54,240 Speaker 1: and you know, here's another thing that once they put 215 00:11:54,240 --> 00:11:55,960 Speaker 1: that sign up, they have to make more of these, 216 00:11:56,000 --> 00:11:59,400 Speaker 1: and they could just call it right turn. It's just 217 00:11:59,400 --> 00:12:01,960 Speaker 1: about a family going on a normal vacation in West 218 00:12:02,040 --> 00:12:06,080 Speaker 1: Virginia and uh and just skipping them. I'm assuming cannibalistic 219 00:12:06,320 --> 00:12:10,480 Speaker 1: h rural dwellers altogether. That would be an interesting movie. 220 00:12:10,480 --> 00:12:13,280 Speaker 1: It's about a group of backwoods cannibals who are trying 221 00:12:13,360 --> 00:12:15,880 Speaker 1: to get people to come down the wrong term, but 222 00:12:15,920 --> 00:12:18,200 Speaker 1: nobody ever comes, and we just follow them about their 223 00:12:18,280 --> 00:12:27,480 Speaker 1: day to day lives. While they're sitting around waiting. All right, 224 00:12:27,559 --> 00:12:29,720 Speaker 1: we have another one here. This one comes to us 225 00:12:29,760 --> 00:12:33,720 Speaker 1: from Aiden. Aiden writes, Hi, Robert and Joe, I just 226 00:12:33,760 --> 00:12:36,200 Speaker 1: listened to part two of the Seven Day Week series. 227 00:12:36,960 --> 00:12:40,119 Speaker 1: In the episode, you mentioned the study using BART tests 228 00:12:40,160 --> 00:12:43,520 Speaker 1: to look at risk aversion and it's correlation with mood 229 00:12:43,640 --> 00:12:46,400 Speaker 1: throughout the week. Uh. Yeah, Now a quick refresher on 230 00:12:46,440 --> 00:12:48,240 Speaker 1: that in case it's been a while since you listened, 231 00:12:48,360 --> 00:12:51,000 Speaker 1: or you didn't listen yet. The BART test that Aiden 232 00:12:51,120 --> 00:12:53,880 Speaker 1: is talking about, that's an acronym. It stands for Balloon 233 00:12:54,120 --> 00:12:58,040 Speaker 1: Analog Risk Task and basically it is a simple computer 234 00:12:58,120 --> 00:13:00,199 Speaker 1: game that is used to measure a person and his 235 00:13:00,240 --> 00:13:04,200 Speaker 1: willingness to take risks. And also, uh, quickly on the 236 00:13:04,240 --> 00:13:07,040 Speaker 1: results of that one study we looked at. They the 237 00:13:07,080 --> 00:13:11,280 Speaker 1: authors found a pattern where people start fairly risk tolerant 238 00:13:11,320 --> 00:13:15,160 Speaker 1: on Mondays, and then their risk tolerance goes down each 239 00:13:15,240 --> 00:13:18,720 Speaker 1: day after that, reaching its lowest point on Thursdays, Thursdays 240 00:13:18,760 --> 00:13:22,239 Speaker 1: the most cautious day, and then rebounding again on Fridays, 241 00:13:22,280 --> 00:13:25,360 Speaker 1: with Friday looks a little bit more like Monday anyway, 242 00:13:25,559 --> 00:13:29,239 Speaker 1: Aid continues. You point out that the correlation is consistent 243 00:13:29,280 --> 00:13:33,240 Speaker 1: through the week, More sad equals less risk averse, except 244 00:13:33,280 --> 00:13:35,760 Speaker 1: for Fridays. On Fridays, we would expect people to be 245 00:13:35,800 --> 00:13:38,760 Speaker 1: happy and for risk aversion to go down, but instead 246 00:13:38,800 --> 00:13:42,200 Speaker 1: it goes up. You considered a few different explanations for this, 247 00:13:42,240 --> 00:13:45,280 Speaker 1: which I must admit we're not very compelling. The explanation 248 00:13:45,280 --> 00:13:47,280 Speaker 1: that immediately came to mind for me is the fact 249 00:13:47,360 --> 00:13:49,760 Speaker 1: that some poor soul had to spend their Friday night 250 00:13:50,040 --> 00:13:52,960 Speaker 1: in a lab clicking a spacebar for pennies instead of 251 00:13:52,960 --> 00:13:56,040 Speaker 1: doing something fun and or relaxing after a long week. 252 00:13:56,360 --> 00:13:58,760 Speaker 1: I would be sad too if I had to bar 253 00:13:58,880 --> 00:14:04,160 Speaker 1: tie instead of party on my Friday night. To the 254 00:14:04,160 --> 00:14:09,280 Speaker 1: based emoticon that that is an illegal pun. As a 255 00:14:09,320 --> 00:14:13,240 Speaker 1: side note, your description of the bart test exactly matched 256 00:14:13,280 --> 00:14:15,480 Speaker 1: a personality test I had to do once as part 257 00:14:15,480 --> 00:14:18,600 Speaker 1: of a job application process. There were a series of 258 00:14:18,640 --> 00:14:22,520 Speaker 1: similarly simple games and scenarios that seemed to assess various 259 00:14:22,560 --> 00:14:26,520 Speaker 1: personality metrics. I never heard back from the company, so 260 00:14:26,600 --> 00:14:28,960 Speaker 1: I will never know if I lacked the right experience 261 00:14:28,960 --> 00:14:31,520 Speaker 1: for the job or if it's simply my personality that 262 00:14:31,600 --> 00:14:34,000 Speaker 1: got in the way. When I was job hunting at 263 00:14:34,000 --> 00:14:36,800 Speaker 1: the time, it was always demoralizing to be rejected by 264 00:14:36,800 --> 00:14:40,160 Speaker 1: a machine. Another online test I had to do automatically 265 00:14:40,240 --> 00:14:43,560 Speaker 1: emailed me within seconds telling me I didn't meet their benchmarks. 266 00:14:43,840 --> 00:14:47,080 Speaker 1: I'm not sure which of these outcomes is worse. Anyways, 267 00:14:47,240 --> 00:14:51,040 Speaker 1: Thanks for another great episode, Hayden oh Aiden. I feel 268 00:14:51,080 --> 00:14:54,120 Speaker 1: for you there. I mean, on from the employer's perspective, 269 00:14:54,120 --> 00:14:57,280 Speaker 1: I can understand why they might use personality tests to 270 00:14:57,280 --> 00:14:59,200 Speaker 1: to help them find the right kind of candidates, But 271 00:14:59,240 --> 00:15:02,840 Speaker 1: I don't know from the applicants perspective, that's just brutal 272 00:15:02,960 --> 00:15:06,240 Speaker 1: having something feels really awful about having to like play 273 00:15:06,280 --> 00:15:10,120 Speaker 1: the balloon inflation test in order to get a job. Now, 274 00:15:10,440 --> 00:15:12,200 Speaker 1: you know, we don't know exactly what job they were 275 00:15:12,200 --> 00:15:15,040 Speaker 1: applying for here, so maybe this wasn't abstract at all. 276 00:15:15,080 --> 00:15:19,880 Speaker 1: Maybe the job was inflating balloons with moneys and uh 277 00:15:19,960 --> 00:15:22,640 Speaker 1: and doing so in a way where the balloon of 278 00:15:22,680 --> 00:15:25,120 Speaker 1: money does not explode, but also is filled enough that 279 00:15:25,160 --> 00:15:28,840 Speaker 1: you're not losing losing money on you know, all those giant, 280 00:15:29,160 --> 00:15:31,920 Speaker 1: you know, balloon rubbers. Were you applying for a job 281 00:15:31,920 --> 00:15:36,480 Speaker 1: as a professional gambler? But I agree, and I can 282 00:15:36,480 --> 00:15:39,560 Speaker 1: see where that would be demoralizing too, to be rejected 283 00:15:39,560 --> 00:15:51,560 Speaker 1: by a machine. All right. This next message comes from Selena, 284 00:15:51,600 --> 00:15:53,880 Speaker 1: and it is also about the same study, with people 285 00:15:54,600 --> 00:15:57,760 Speaker 1: being becoming more risk averse from Monday through Thursday, and 286 00:15:57,760 --> 00:16:02,720 Speaker 1: then risk tolerance rebounding on Friday. Um Selena says that 287 00:16:02,800 --> 00:16:06,560 Speaker 1: this pattern of behavior sounds like a pattern called scalloped 288 00:16:06,640 --> 00:16:11,720 Speaker 1: responding In applied behavior analysis, this patterned behavior is typically 289 00:16:11,720 --> 00:16:15,520 Speaker 1: produced by a fixed interval schedule of reinforcement. Behavior that 290 00:16:15,600 --> 00:16:19,080 Speaker 1: happens closer in time to access to the reinforcer e g. 291 00:16:19,360 --> 00:16:22,840 Speaker 1: Finish the work week slash access the weekend is more 292 00:16:22,920 --> 00:16:25,760 Speaker 1: likely to be strengthened than behaviors that happened farther in 293 00:16:25,840 --> 00:16:30,600 Speaker 1: time from the reinforcer. Once someone gains access to the reinforcer, 294 00:16:30,640 --> 00:16:34,640 Speaker 1: it produces a post reinforcement pause in responding. Then, as 295 00:16:34,680 --> 00:16:38,040 Speaker 1: the person anticipates access to the reinforcer, as it gets 296 00:16:38,040 --> 00:16:40,800 Speaker 1: closer to the end of the fixed time interval i e. 297 00:16:40,960 --> 00:16:44,360 Speaker 1: The work week, the previously reinforced behaviors start to ramp 298 00:16:44,440 --> 00:16:48,120 Speaker 1: up again. Another example of fixed interval schedule of reinforcement 299 00:16:48,240 --> 00:16:52,440 Speaker 1: is studying behavior for weekly tests or monthly exams. Well 300 00:16:52,440 --> 00:16:55,480 Speaker 1: that's interesting, Selena, and I guess if I'm understanding you right. 301 00:16:55,520 --> 00:16:58,840 Speaker 1: I think this would mean that there's a different kind 302 00:16:58,880 --> 00:17:02,680 Speaker 1: of pattern going on than the than the explanation hypothesized 303 00:17:02,680 --> 00:17:06,600 Speaker 1: by the researchers there. So, under this interpretation, if the 304 00:17:06,720 --> 00:17:09,920 Speaker 1: pattern of risk tolerance observed in the study is generally sound, 305 00:17:10,000 --> 00:17:13,600 Speaker 1: it might be explained by proximity to the weekend, you know, 306 00:17:13,680 --> 00:17:18,600 Speaker 1: with the weekend offering some kind of behavioral reinforcing mechanism 307 00:17:18,640 --> 00:17:21,439 Speaker 1: that causes us to take risks, rather than you know, 308 00:17:21,600 --> 00:17:25,919 Speaker 1: improving mood from Monday to Thursday causing increased aversion to risks. 309 00:17:26,920 --> 00:17:34,480 Speaker 1: So maybe it has nothing to do with mood. All right, 310 00:17:34,560 --> 00:17:37,840 Speaker 1: here's another one. This one comes to us from Samantha. Hello, Rob, Joe, 311 00:17:37,880 --> 00:17:40,080 Speaker 1: and Seth. I wanted to write in about my experience 312 00:17:40,119 --> 00:17:42,800 Speaker 1: with confusing days of the week with each other. I'm 313 00:17:42,800 --> 00:17:45,640 Speaker 1: a college student and my schedule has a typical division 314 00:17:45,720 --> 00:17:49,919 Speaker 1: into Monday, Wednesday, Friday days, and Tuesday Thursday days. I 315 00:17:49,960 --> 00:17:52,960 Speaker 1: tend to have the same set classes on Monday, Wednesday, Friday, 316 00:17:53,000 --> 00:17:55,480 Speaker 1: and then a different set of classes on Tuesday Thursday. 317 00:17:55,880 --> 00:17:58,480 Speaker 1: Even within that, I have different labs that happen on 318 00:17:58,560 --> 00:18:02,960 Speaker 1: different days. None of my week days are identical. Uh. 319 00:18:03,000 --> 00:18:05,920 Speaker 1: This this just makes me anxious even reading this, because 320 00:18:05,960 --> 00:18:07,880 Speaker 1: I feel like I still have dreams about this sort 321 00:18:07,920 --> 00:18:10,920 Speaker 1: of thing. Oh yeah, So my college classes were organized 322 00:18:10,920 --> 00:18:13,199 Speaker 1: along the same scheme. I mean, with some exceptions. I 323 00:18:13,200 --> 00:18:15,080 Speaker 1: had some of that were just like one long weekly 324 00:18:15,119 --> 00:18:18,679 Speaker 1: Wednesday night class or something. Um, you didn't you have 325 00:18:18,760 --> 00:18:22,399 Speaker 1: that mid morning Tuesday Thursday class that you didn't cancel that? 326 00:18:22,480 --> 00:18:25,640 Speaker 1: Did you? You? You just stopped going oh yeah, yeah, yeah, yeah, 327 00:18:25,720 --> 00:18:27,720 Speaker 1: yeah yeah. Did you have rob? Did you ever do 328 00:18:27,760 --> 00:18:30,680 Speaker 1: the thing where I think I tried this at least 329 00:18:30,720 --> 00:18:34,040 Speaker 1: one semester, where you tried to get all of your 330 00:18:34,080 --> 00:18:37,960 Speaker 1: week's classes into the Tuesday Thursday days and you basically 331 00:18:38,000 --> 00:18:43,320 Speaker 1: have five days off but Tuesdays and Thursdays are just nuts. Yeah, yeah, 332 00:18:43,359 --> 00:18:46,960 Speaker 1: I think I did something along those lines. Or God, 333 00:18:47,480 --> 00:18:49,480 Speaker 1: it's it's been so long, but I remember sort of scheming. 334 00:18:49,520 --> 00:18:52,720 Speaker 1: I don't know if it worked out, um, but I 335 00:18:53,160 --> 00:18:54,919 Speaker 1: can't imagine that would have been a good idea to 336 00:18:55,000 --> 00:18:57,040 Speaker 1: just try and just slam everything under those two days 337 00:18:57,040 --> 00:19:00,480 Speaker 1: and thursdays. I think I basically did that one semester, 338 00:19:00,600 --> 00:19:04,119 Speaker 1: but it didn't actually work out great because of a 339 00:19:04,200 --> 00:19:05,920 Speaker 1: because at the time I sort of had a tendency 340 00:19:05,960 --> 00:19:10,280 Speaker 1: to procrastinate, and like, you can't procrastinate if you're if 341 00:19:10,320 --> 00:19:12,800 Speaker 1: you're cramming all of your stuff into being due on 342 00:19:12,880 --> 00:19:15,439 Speaker 1: basically the same day. Yeah, yeah, I was. I was 343 00:19:15,520 --> 00:19:19,800 Speaker 1: very much the same way anyway, Samantha continues. Despite it 344 00:19:19,840 --> 00:19:22,240 Speaker 1: being very important that I know what day of the 345 00:19:22,240 --> 00:19:24,520 Speaker 1: week it is, it is not unusual for me to 346 00:19:24,720 --> 00:19:26,800 Speaker 1: be getting ready in the morning and have no idea 347 00:19:26,880 --> 00:19:29,520 Speaker 1: what class I will be heading to later. Keep my 348 00:19:29,560 --> 00:19:32,560 Speaker 1: whole schedule in my phone, however, so I can often 349 00:19:32,720 --> 00:19:35,400 Speaker 1: check that and know which classes I have that day. 350 00:19:35,760 --> 00:19:37,560 Speaker 1: I wonder if this has to do with the fact 351 00:19:37,600 --> 00:19:39,919 Speaker 1: that I have my calendar in my phone. Why I 352 00:19:40,000 --> 00:19:41,760 Speaker 1: bother to remember what day of the week it is 353 00:19:41,760 --> 00:19:43,920 Speaker 1: When I can check my phone at any given moment 354 00:19:43,960 --> 00:19:46,800 Speaker 1: and see that I have chemistry at ten am. My 355 00:19:46,880 --> 00:19:49,240 Speaker 1: classes start at the same time every day, so I 356 00:19:49,280 --> 00:19:52,879 Speaker 1: suppose that helps blend the days together as well. Thanks 357 00:19:52,880 --> 00:19:54,600 Speaker 1: for reading. I love your show. You guys keep me 358 00:19:54,680 --> 00:19:59,600 Speaker 1: company while I crochet and net Samantha, Well, thanks, Samantha. Yeah, 359 00:20:00,000 --> 00:20:02,359 Speaker 1: it's a good question. Is our perception of time and 360 00:20:02,840 --> 00:20:06,800 Speaker 1: calendar consciousness affected by ease of access to uh? I 361 00:20:06,840 --> 00:20:11,760 Speaker 1: don't know. Uh date confirming devices. Yeah. I mean, we've 362 00:20:11,760 --> 00:20:14,480 Speaker 1: certainly looked at similar data about our ability to sort 363 00:20:14,480 --> 00:20:17,800 Speaker 1: of offload things to other minds and of course machines, 364 00:20:17,920 --> 00:20:26,000 Speaker 1: so it seems entirely plausible. All right, Rob, should we 365 00:20:26,040 --> 00:20:28,960 Speaker 1: wrap up with one message about Weird House cinema? This? 366 00:20:28,960 --> 00:20:31,040 Speaker 1: This one is about snooker, So I feel like I 367 00:20:31,320 --> 00:20:34,560 Speaker 1: must defer to you and let you read it. Okay, Yeah, 368 00:20:34,640 --> 00:20:36,720 Speaker 1: we we We heard from at least a couple of 369 00:20:36,800 --> 00:20:41,119 Speaker 1: listeners regarding uh ability to kid in the Green Days Vampire, 370 00:20:41,560 --> 00:20:44,160 Speaker 1: So here we go. This comes to us from Kinney, Hi, 371 00:20:44,280 --> 00:20:46,880 Speaker 1: Rob and Joe. Growing up in the UK when there 372 00:20:46,880 --> 00:20:49,679 Speaker 1: were only four channels, you unfortunately had to endure a 373 00:20:49,760 --> 00:20:53,720 Speaker 1: lot of snooker on TV. Scintillating entertainment for a nine 374 00:20:53,800 --> 00:20:57,040 Speaker 1: year old, it was not I did, however, absorb the 375 00:20:57,119 --> 00:20:59,800 Speaker 1: rules pretty well, despite only getting to play once or 376 00:20:59,800 --> 00:21:03,600 Speaker 1: two ice in the intervening years. Every time you pocket 377 00:21:03,640 --> 00:21:06,280 Speaker 1: a red you can pocket a colored ball. Since the 378 00:21:06,320 --> 00:21:09,199 Speaker 1: balls all have different values, the best one to go for, 379 00:21:09,440 --> 00:21:11,760 Speaker 1: if you can get it, would be the black. While 380 00:21:11,800 --> 00:21:14,200 Speaker 1: there are still red balls on the table, the other 381 00:21:14,240 --> 00:21:17,520 Speaker 1: colors are replaced on their starting spots each time they 382 00:21:17,520 --> 00:21:21,400 Speaker 1: are sunk. Once all the reds are gone, the remaining 383 00:21:21,400 --> 00:21:23,639 Speaker 1: colors can be sunk, but this must be done in 384 00:21:23,640 --> 00:21:27,560 Speaker 1: ascending order of value, finishing with the black. This is 385 00:21:27,600 --> 00:21:30,879 Speaker 1: why the Green Bay's vampire is repeatedly going for the black, 386 00:21:31,200 --> 00:21:35,280 Speaker 1: and why it's seemingly always being replaced. Also about the 387 00:21:35,359 --> 00:21:39,240 Speaker 1: luminous waistcoats, I think you call them vests. In the USA, 388 00:21:39,680 --> 00:21:42,720 Speaker 1: the formal attire for a professional match would be spiced 389 00:21:42,840 --> 00:21:44,840 Speaker 1: up with a bit of color, and I seem to 390 00:21:44,840 --> 00:21:49,720 Speaker 1: remember that the younger, cooler players could be pretty flamboyant. Finally, 391 00:21:49,800 --> 00:21:53,520 Speaker 1: I was confused by the green stamps or tickets reference. 392 00:21:53,880 --> 00:21:55,840 Speaker 1: I am not sure it refers to money, as our 393 00:21:55,880 --> 00:21:59,159 Speaker 1: bank notes aren't green. Only the single was green, and 394 00:21:59,200 --> 00:22:01,359 Speaker 1: these guys wouldn't think of a one pound note as 395 00:22:01,400 --> 00:22:05,400 Speaker 1: being worth singing about. It was also completely withdrawn from use, 396 00:22:05,680 --> 00:22:09,320 Speaker 1: at least in England. In anyway, I hope that this 397 00:22:09,440 --> 00:22:13,320 Speaker 1: shed some light on the topic. Kenny Well, Thanks Kenny Well. Okay, 398 00:22:13,320 --> 00:22:15,160 Speaker 1: so a couple of notes on the things you bring 399 00:22:15,240 --> 00:22:18,159 Speaker 1: up here. The luminous waistcoats line, if nobody remembers what 400 00:22:18,200 --> 00:22:20,720 Speaker 1: that was. That was when the Green Bays vampire is 401 00:22:20,960 --> 00:22:25,520 Speaker 1: complaining about how about how the young people in in 402 00:22:25,600 --> 00:22:28,720 Speaker 1: Snooker are no longer you know, fancy, posh, rich people 403 00:22:28,800 --> 00:22:32,280 Speaker 1: like him. They're coming in wearing wearing gaudy clothes and stuff. 404 00:22:32,320 --> 00:22:35,639 Speaker 1: And and one of the things he says is luminous waistcoats. 405 00:22:35,680 --> 00:22:37,760 Speaker 1: I think that comes right before he says one of 406 00:22:37,760 --> 00:22:42,360 Speaker 1: them has green hair. Yes, And then the green stamps 407 00:22:42,400 --> 00:22:46,439 Speaker 1: thing is the very first song in the movie is 408 00:22:46,480 --> 00:22:49,240 Speaker 1: called green Stamps. And we were trying to figure out 409 00:22:49,240 --> 00:22:52,120 Speaker 1: what it was about, and we honestly couldn't. It seems 410 00:22:52,200 --> 00:22:56,200 Speaker 1: to be about money. But yeah, Kenny's note is good 411 00:22:56,200 --> 00:22:58,520 Speaker 1: here because I don't I don't think the cash at 412 00:22:58,520 --> 00:23:02,200 Speaker 1: the time was green. Yeah, based on this after reading 413 00:23:02,280 --> 00:23:06,760 Speaker 1: Kenney's email, I did a little more research and um, 414 00:23:06,880 --> 00:23:09,919 Speaker 1: it looked a little deeper and I think this is 415 00:23:09,960 --> 00:23:14,520 Speaker 1: my guest. I think they must be referencing green shield stamps. Um. 416 00:23:14,560 --> 00:23:18,240 Speaker 1: According to Wikipedia quote, green shield stamps was a British 417 00:23:18,280 --> 00:23:21,920 Speaker 1: sales promotion scheme that rewarded shoppers with stamps that could 418 00:23:21,920 --> 00:23:24,960 Speaker 1: be used to buy gifts from a catalog or from 419 00:23:25,040 --> 00:23:29,600 Speaker 1: any affiliated retailer. Uh. They apparently were referenced in songs 420 00:23:29,640 --> 00:23:33,160 Speaker 1: by Genesis and Jethrow Toll, So you know this would 421 00:23:33,160 --> 00:23:35,439 Speaker 1: not this this show and this song would not be 422 00:23:35,520 --> 00:23:41,080 Speaker 1: isolated in referencing green Stamps. Though, um, I'm guessing you know, 423 00:23:41,119 --> 00:23:42,439 Speaker 1: I would have to go back and listen to the 424 00:23:42,480 --> 00:23:44,399 Speaker 1: song a bit more to maybe try and get it. 425 00:23:44,440 --> 00:23:47,320 Speaker 1: But maybe they're they're trying to talk about green stamps 426 00:23:47,359 --> 00:23:50,200 Speaker 1: and you know, sort of using that to, uh to 427 00:23:50,200 --> 00:23:52,359 Speaker 1: to further flesh out this idea of sort of the 428 00:23:52,680 --> 00:23:55,400 Speaker 1: via the nineteen eighties rat race of trying to get 429 00:23:55,400 --> 00:23:59,479 Speaker 1: ahead in this London, you know, sub world. Yeah, maybe 430 00:23:59,520 --> 00:24:01,920 Speaker 1: I don't know. I mean, the song really does seem 431 00:24:01,920 --> 00:24:04,040 Speaker 1: to be about money, like that's what you get from 432 00:24:04,080 --> 00:24:07,280 Speaker 1: all the visuals and all that. But but yeah, I 433 00:24:07,440 --> 00:24:09,560 Speaker 1: I really don't know what to make of this. Uh. 434 00:24:09,600 --> 00:24:12,240 Speaker 1: The alternate explanation I was thinking of was, Okay, if 435 00:24:12,240 --> 00:24:15,680 Speaker 1: you go with the post apocalyptic interpretation where they're living 436 00:24:15,680 --> 00:24:19,120 Speaker 1: in an underground system of of of bunkers and tunnels, 437 00:24:19,119 --> 00:24:21,400 Speaker 1: maybe it's like, you know, the green stamps or the 438 00:24:21,480 --> 00:24:24,120 Speaker 1: in world currency that you have to use to buy 439 00:24:24,160 --> 00:24:27,239 Speaker 1: oxygen from Cohagen or whatever. There seems to be a 440 00:24:27,280 --> 00:24:31,520 Speaker 1: song by someone named Alan Sherman called green stamps as well. 441 00:24:32,200 --> 00:24:34,320 Speaker 1: Uh so I don't know this is I mean, this 442 00:24:34,400 --> 00:24:36,280 Speaker 1: is I guess was just a common cultural reference at 443 00:24:36,280 --> 00:24:38,719 Speaker 1: the time. I guess, And my only guess is that 444 00:24:38,760 --> 00:24:41,000 Speaker 1: there's somehow supposed to be a critique of sort of 445 00:24:41,320 --> 00:24:45,000 Speaker 1: uh Thatcher era capitalism in England. But if anyone out 446 00:24:45,040 --> 00:24:47,760 Speaker 1: there has more information, maybe you're a big you know, 447 00:24:47,840 --> 00:24:51,359 Speaker 1: Genesis fan or Jethrow toll head, you can ride in 448 00:24:51,560 --> 00:24:54,159 Speaker 1: and uh and let us know more about green stamps. No, 449 00:24:54,359 --> 00:24:56,439 Speaker 1: we do not want to hear from the tull heads. 450 00:24:58,560 --> 00:25:03,440 Speaker 1: I'm just kidding. All all fans welcome. All right, We're 451 00:25:03,440 --> 00:25:05,160 Speaker 1: gonna go and wrap it up here, but we will 452 00:25:05,200 --> 00:25:08,200 Speaker 1: be back next Monday with more listener mail, So keep 453 00:25:08,200 --> 00:25:11,760 Speaker 1: them coming right in about current episodes, past episodes, potential 454 00:25:11,840 --> 00:25:14,879 Speaker 1: future episodes. If you have anything to add to listener 455 00:25:14,880 --> 00:25:18,080 Speaker 1: mail discussions that are ongoing here, then you know, let 456 00:25:18,160 --> 00:25:22,000 Speaker 1: us have it. Um Our core episodes published on Tuesdays 457 00:25:22,040 --> 00:25:24,720 Speaker 1: and Thursdays, and then on Wednesday we do a short 458 00:25:24,760 --> 00:25:28,480 Speaker 1: form artifact or monster fact episode. On Friday's we do 459 00:25:28,560 --> 00:25:31,879 Speaker 1: Weird Out Cinema. That's our time to discuss a strange film. 460 00:25:31,960 --> 00:25:34,920 Speaker 1: And on the weekends we have a rerun a Vault episode. 461 00:25:35,240 --> 00:25:38,240 Speaker 1: Huge thanks, as always to our excellent audio producer Seth 462 00:25:38,359 --> 00:25:40,840 Speaker 1: Nicholas Johnson. If you would like to get in touch 463 00:25:40,880 --> 00:25:43,280 Speaker 1: with us with feedback on this episode or any other, 464 00:25:43,359 --> 00:25:45,359 Speaker 1: to suggest a topic for the future, or just to 465 00:25:45,400 --> 00:25:48,240 Speaker 1: say hello, you can email us at contact at stuff 466 00:25:48,280 --> 00:25:58,000 Speaker 1: to Blow your Mind dot com. Stuff to Blow Your 467 00:25:58,000 --> 00:26:00,440 Speaker 1: Mind is a production of I Heart Radio. For more 468 00:26:00,440 --> 00:26:03,080 Speaker 1: podcasts for my heart Radio, visit the iHeart Radio app, 469 00:26:03,200 --> 00:26:06,000 Speaker 1: Apple Podcasts, or wherever you listen to your favorite shows.