WEBVTT - #513 - Brandon Lancaster of Lanco on Coming Back After Losing Record Deal and Management + Fishing Competitions with Morgan Wallen + Writing ‘Greatest Love Story’  

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<v Speaker 1>Episode five fourteen. It's Brandon Lancaster of Lanco. So it's

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<v Speaker 1>a great story of do you want to say redemption?

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<v Speaker 1>I mean, these guys were crushing it and then basically

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<v Speaker 1>COVID hit like it did a lot of other artists

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<v Speaker 1>and I lost the record deal, change management. They had

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<v Speaker 1>to kind of start over, and Brandon talks about that

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<v Speaker 1>a lot. I really like Brandon, and it's crazy because

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<v Speaker 1>they've been nominated for so many awards like CNA's American

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<v Speaker 1>Music Awards ACMs, where they won New Duo Group of

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<v Speaker 1>the Year, and then just a couple of things went

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<v Speaker 1>wrong that snowballed, but now they are back. It's a

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<v Speaker 1>really great story here he is Brandon Lancaster, which is

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<v Speaker 1>how the band name Lanco came about. Of Lanco, Brandon,

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<v Speaker 1>good to see again, Buddy, good to see you. Although

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<v Speaker 1>it doesn't feel like I haven't seen you, because social

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<v Speaker 1>media exists in a way that you know, you kind

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<v Speaker 1>of feel.

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<v Speaker 2>Like you do CP.

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<v Speaker 1>Yeah, it's weird because I don't know that you and

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<v Speaker 1>I have spent any time together in literally years at

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<v Speaker 1>this point, right.

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<v Speaker 3>I think, Yeah, I think it'd be years. But yeah,

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<v Speaker 3>it's same thing. I feel like I know your life.

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<v Speaker 1>Because like when I walked down, I was like, oh,

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<v Speaker 1>my wife was like, who's down? It said, uh, Brandon,

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<v Speaker 1>this a friend of mine sings. She's like, I never

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<v Speaker 1>met him. And I was like, I don't even know

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<v Speaker 1>that I've seen you since I've been married.

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<v Speaker 3>I don't think I don't think that's crazy.

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<v Speaker 1>Last time we did this, we did it up in

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<v Speaker 1>a tiny bedroom yep of a house across town. And

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<v Speaker 1>for you, that wasn't weird because I knew you. But

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<v Speaker 1>sometimes it'd be people that would come over to the

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<v Speaker 1>house and they have to like come into the house

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<v Speaker 1>and go upstairs.

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<v Speaker 2>Yeah, looking back, that's a lot invasive, Mike.

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<v Speaker 3>It's our fault.

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<v Speaker 2>It was our fault.

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<v Speaker 3>Yeah, it was weird.

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<v Speaker 1>Right by your bedroom, yeah, walk by the bedroom.

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<v Speaker 2>Yeah, it's first thing Brandon said.

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<v Speaker 1>He was like, yeah, we did. Last time we did

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<v Speaker 1>this was in a small room. That's when it hit me.

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<v Speaker 1>I haven't I haven't seen you in a long time.

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<v Speaker 1>But welcome to the new studio.

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<v Speaker 3>Yeah, it's great. Thanks for having me take a.

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<v Speaker 1>Dip in the pool if you'd like after it. A

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<v Speaker 1>lot of guests that what they say is if.

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<v Speaker 2>It's been a good interview.

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<v Speaker 1>They like to jump in the pool, so you let

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<v Speaker 1>me know at the end and you can jump right in.

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<v Speaker 4>How warm is the pool?

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<v Speaker 2>You know, it doesn't matter.

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<v Speaker 3>Really, it might all right, it has to be a

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<v Speaker 3>really good interview.

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<v Speaker 1>If it's a nice plunge, it always is. All right,

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<v Speaker 1>let's see where do I want to start. I feel

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<v Speaker 1>like you've because I asked you how you been? You

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<v Speaker 1>said good bad in between. I feel like that's kind

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<v Speaker 1>of been. I don't know if you're talking about personal

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<v Speaker 1>or professional, but I know professionally. You know, you guys

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<v Speaker 1>come out and you have the big hit it's going

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<v Speaker 1>to be.

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<v Speaker 2>Or forever you're going to be.

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<v Speaker 1>And then did you did you'd lose your deal and management?

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<v Speaker 4>Yeah? I mean, how much do you want to get

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<v Speaker 4>into this?

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<v Speaker 1>No, I mean as much as you want to know

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<v Speaker 1>we can because the reason I want to get back

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<v Speaker 1>into it is because it's not like that anymore, because

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<v Speaker 1>it's been the complete op. Actually we have the same

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<v Speaker 1>agents sort of now. Yeah, so, but I kind of

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<v Speaker 1>wanted to go. We saw each other, it was going good.

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<v Speaker 1>And this is a testament of sometimes things don't go

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<v Speaker 1>right for a long time, but if you just keep

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<v Speaker 1>on going and you have the heart determination you're putting

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<v Speaker 1>in the work. I'm just gonna tell you where the

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<v Speaker 1>whole timeline of this interview is gonna go with me

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<v Speaker 1>that you push hard long enough eventually the rock moves.

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<v Speaker 4>Yeah.

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<v Speaker 3>Absolutely, And that's and yeah, it's funny because seriously coming

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<v Speaker 3>here and like last time I did this was just

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<v Speaker 3>forever ago, and it was at your house, and I

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<v Speaker 3>used to see you more often back then, just run

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<v Speaker 3>in the same circles. And it's just been anytime I

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<v Speaker 3>see someone that I haven't seen a long.

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<v Speaker 4>Time, and there there, you know how you've been.

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<v Speaker 3>It's like, oh, since I last saw you, I've been

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<v Speaker 3>everything and the highs, highs, lows, loose and everything in between.

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<v Speaker 4>Beause that, you know, so kind of being funny.

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<v Speaker 3>But also yeah, I mean since I since I've seen

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<v Speaker 3>you last, since we've kind of done this, I mean, yeah,

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<v Speaker 3>I had had a huge hit.

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<v Speaker 4>With Love Story.

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<v Speaker 3>It's like I don't know five it's a a hundred

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<v Speaker 3>quadrillion times spots or something. But uh, and then we

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<v Speaker 3>had Born to Love You after that and and really

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<v Speaker 3>sing that one. Uh it was born to Love You.

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<v Speaker 3>I could serve from South and North Born to love you.

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<v Speaker 1>Uh the do the Course melody though, Uh that's don't

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<v Speaker 1>don't sing it hard, but do it again. But you

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<v Speaker 1>were going to swirl from south north, but are found well.

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<v Speaker 3>Looking for wherever I go, whatever I do. It was

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<v Speaker 3>born to love you, was born I love you.

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<v Speaker 2>Got it, got it, got it, got all right.

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<v Speaker 3>We actually sang that on Dancing with the Stars. Uh

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<v Speaker 3>what the season you were on? Yeah, you didn't dance.

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<v Speaker 2>To I didn't dance I danced to Jansen, But you

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<v Speaker 2>played that.

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<v Speaker 3>Yeah, that episode the country thing with like the plastic

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<v Speaker 3>cows and hey, we did a.

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<v Speaker 1>Whole group dance with Platt and I remember getting so

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<v Speaker 1>frustrated at that because they were like, it's country night,

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<v Speaker 1>bringing the cows and Haybell.

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<v Speaker 3>Guys, It's really not what it is.

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<v Speaker 1>But yeah, yeah that was That was That was cool.

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<v Speaker 1>You guys do that, Okay, walk me through it.

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<v Speaker 4>So we do that. We put out that album.

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<v Speaker 3>That album debuted at number one on the album chart

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<v Speaker 3>Billboard Album Chart, and we were the first band to

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<v Speaker 3>debut with a number one album since Alabama, So we

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<v Speaker 3>were we were crushing.

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<v Speaker 4>And then toured us sold out our headline tour.

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<v Speaker 3>Then we toured Luke Holmes, Dirks Bentley and Miranda Lambert

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<v Speaker 3>just in you know, and then it went overseas, sold out,

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<v Speaker 3>a bunch of shows in the UK headlined austral Well,

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<v Speaker 3>we were going to headline Australia. We're on the Miranda tour.

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<v Speaker 3>We have a single at radio number one most added.

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<v Speaker 3>We're like, here we go. We're about, you know, about

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<v Speaker 3>to get two buses, about to do that thing. And

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<v Speaker 3>we were doing like a headline tour and Miranda's thing

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<v Speaker 3>at this like alternate weekends and we were about to

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<v Speaker 3>go to Australia and our management was like, hey, you're

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<v Speaker 3>not going to Australia. There's this thing going around. I

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<v Speaker 3>think we're going to stay home this week. And you're

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<v Speaker 3>like what And we that night we were in Minneapolis,

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<v Speaker 3>had a sold out show at Fillmore and yeah, I

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<v Speaker 3>thought we were going home for a two week break.

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<v Speaker 3>And that that's the beginning of Act two.

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<v Speaker 2>Really COVID that started the unraveling.

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<v Speaker 3>Oh dude, like, honey, and I hate here's the thing

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<v Speaker 3>I hate, especially in the season of my life.

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<v Speaker 4>I hate being woe is Me and I hate.

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<v Speaker 2>I don't take that as what was mean. Yeah, but

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<v Speaker 2>I literally asked you the question.

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<v Speaker 4>Yeah, but it's a thing where it's.

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<v Speaker 3>You know, we were we were going and but we

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<v Speaker 3>the thing that we were we were, we had our

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<v Speaker 3>live thing has always been such the way that we

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<v Speaker 3>sell what we do if you come see us live,

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<v Speaker 3>and if radio and comes see us live, and if

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<v Speaker 3>people the fans, and when that went away, we're now

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<v Speaker 3>sitting at home and we have this single. But you know,

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<v Speaker 3>no one's in their cars, no, like radio engagement is

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<v Speaker 3>just and so that kind of that single it just

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<v Speaker 3>wasn't It was like nearly impossible because we're still technically

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<v Speaker 3>a newer artist. You know, we're like in the thirties,

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<v Speaker 3>we're like top forty.

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<v Speaker 2>But it's just.

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<v Speaker 3>Uh, yeah, you get the And then we started getting

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<v Speaker 3>the call like hey, this this thing, you got it,

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<v Speaker 3>download this app, this TikTok thing. Uh, and we do

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<v Speaker 3>that and it just but it's it's just such a

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<v Speaker 3>long story and how much you want to get to

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<v Speaker 3>do whatever. But that that was kind of the beginning

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<v Speaker 3>of like okay, and that song ended up not working.

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<v Speaker 4>It orge the it just.

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<v Speaker 3>Got pulled from radio. Really it was just too uh

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<v Speaker 3>it was it was a hard season. And so then

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<v Speaker 3>after that you are kind of in. We had a

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<v Speaker 3>whole second album ready to go with Dan huff and

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<v Speaker 3>Jay Joyce and fully produced. Yeah, fully produced, like gonna

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<v Speaker 3>go to mixing. And if you don't have a single

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<v Speaker 3>that's promoting that album and you're not on the road

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<v Speaker 3>from that album, that album's.

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<v Speaker 4>Easy to just kind of stop being paid attention to.

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<v Speaker 3>And then before you know it, you're kind of in

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<v Speaker 3>the wilderness, which I'm where everyone I mean, you're we're

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<v Speaker 3>small business. Everyone was in the wilderness trying to pivot

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<v Speaker 3>and trying to adopt these new times. But it was Yeah,

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<v Speaker 3>that was kind of the beginning of the unraveling of

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<v Speaker 3>when did you.

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<v Speaker 1>Start to feel like because a lot of people went

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<v Speaker 1>through either well, I would you say, not being paid

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<v Speaker 1>attention to because there wasn't much attention to be paid,

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<v Speaker 1>when did you start to feel like, hey, we're kind

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<v Speaker 1>of not getting the same amount as compared to the

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<v Speaker 1>other folks.

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<v Speaker 4>Yeah, I'd say not long after.

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<v Speaker 3>So we had a single called what I See and

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<v Speaker 3>that was produced by Dan Huffman that Yeah, it's like

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<v Speaker 3>in the thirties. It was top forty. And once you

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<v Speaker 3>can just tell the calls start becoming less and and

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<v Speaker 3>you know, also the standards for where we were at

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<v Speaker 3>was just so was so high. You know, it's I mean,

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<v Speaker 3>because we're we're a label with other just huge artists,

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<v Speaker 3>and we're still working our way up that mountain. You know,

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<v Speaker 3>we're still in the if we're playing a festival slot

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<v Speaker 3>where like not the last ones, maybe second last or

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<v Speaker 3>third to last, you know, but you're climbing that mountain.

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<v Speaker 3>But once that single got pulled from from radio, then

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<v Speaker 3>the calls start becoming less, you can just feel.

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<v Speaker 4>And then they really did.

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<v Speaker 3>They kept hitting us with the social media thing, which

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<v Speaker 3>for us it was always like on the road and

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<v Speaker 3>just our lives and really you have to remember the time.

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<v Speaker 3>It seems like everyday life now, but the time, people

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<v Speaker 3>weren't just like I remember the first time I saw

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<v Speaker 3>lip syncing on on an app and being like, what now,

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<v Speaker 3>it's just like a music video. But it was just

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<v Speaker 3>someone like in their bathroom and it's like where they're

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<v Speaker 3>like with their guitars singing there.

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<v Speaker 4>And it was just so different than what we had

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<v Speaker 4>been doing.

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<v Speaker 3>And we would try, we'd try to make it work,

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<v Speaker 3>but at the time, you know, we weren't going like

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<v Speaker 3>super viral we weren't.

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<v Speaker 4>We weren't just having this moment that was during like Olivi.

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<v Speaker 3>Rodrigo and these things that were just and you're like,

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<v Speaker 3>and you're now becoming content creators, which is something different

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<v Speaker 3>than we had ever done before.

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<v Speaker 4>And it's really not our expertise.

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<v Speaker 3>We're a band. We play music and write songs, and

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<v Speaker 3>so then we started feeling you could just kind of

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<v Speaker 3>start feeling the attention wasn't there and talk to management

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<v Speaker 3>and it's like, hey, you know, it's it's just a

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<v Speaker 3>tough situation.

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<v Speaker 1>And yeah, everybody was losing money and nobody wanted to

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<v Speaker 1>spend the equal amount of money when they were pulling

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<v Speaker 1>in less money.

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<v Speaker 2>Yeah, so there had to be decisions made.

0:09:46.520 --> 0:09:51.680
<v Speaker 1>It happened across a lot of entertainment platforms, and I think, yeah,

0:09:51.679 --> 0:09:52.840
<v Speaker 1>it suck because you guys were new.

0:09:53.160 --> 0:09:54.120
<v Speaker 2>Yeah, you had to hit.

0:09:54.400 --> 0:09:57.000
<v Speaker 1>But when they start having to go, well, if we

0:09:57.080 --> 0:09:59.280
<v Speaker 1>only have like seven people we can fit in this nest.

0:10:00.120 --> 0:10:02.839
<v Speaker 2>You know that the small birds are kicked out first.

0:10:02.880 --> 0:10:04.520
<v Speaker 3>Yeah, and we were still in a place where we

0:10:04.559 --> 0:10:07.160
<v Speaker 3>needed that support. We still needed we had our fans,

0:10:07.200 --> 0:10:11.240
<v Speaker 3>but uh, the the what you need to impact on

0:10:11.280 --> 0:10:15.000
<v Speaker 3>that like global level, that is competing against the artists

0:10:15.000 --> 0:10:17.040
<v Speaker 3>that are headlining the arenas and the you know, that's

0:10:17.080 --> 0:10:18.840
<v Speaker 3>where the focus is going to be during that time

0:10:18.880 --> 0:10:20.640
<v Speaker 3>and I and I haven't understood that then, Like I

0:10:20.679 --> 0:10:23.120
<v Speaker 3>wasn't even back then. I really wasn't bitter about it

0:10:23.120 --> 0:10:25.800
<v Speaker 3>because I'm I'm practical and I get it. I'm like,

0:10:26.000 --> 0:10:29.760
<v Speaker 3>it's just so unfortunate because we were just in that

0:10:30.280 --> 0:10:32.080
<v Speaker 3>you know, when you're I mean it, people don't arnesery.

0:10:32.120 --> 0:10:34.600
<v Speaker 4>It is hard to move tickets. It's hard to sell tickets.

0:10:34.880 --> 0:10:36.560
<v Speaker 1>Oh yeah, it's hard to sell hard tickets.

0:10:36.640 --> 0:10:38.719
<v Speaker 3>Yeah, and we were selling hard tickets and selling out

0:10:38.800 --> 0:10:42.320
<v Speaker 3>venues like in different countries, I mean, which would for us.

0:10:42.480 --> 0:10:43.360
<v Speaker 4>Was just so mind blowing.

0:10:43.400 --> 0:10:45.440
<v Speaker 3>But uh but yeah, it was. It was a tough time.

0:10:46.000 --> 0:10:47.720
<v Speaker 1>Did they give you the call like, hey, we're gonna

0:10:48.160 --> 0:10:51.240
<v Speaker 1>move on, discontinue the deal, Like what what do they say?

0:10:51.400 --> 0:10:56.439
<v Speaker 3>So, actually what happened was our management called and was like, hey,

0:10:56.480 --> 0:10:59.760
<v Speaker 3>I had a meeting, I've had some meetings. This is

0:11:00.200 --> 0:11:01.839
<v Speaker 3>you're in a place in the building where this could

0:11:01.880 --> 0:11:04.040
<v Speaker 3>be tough to win them back, you know, I mean,

0:11:04.040 --> 0:11:07.200
<v Speaker 3>it's just you might be better off going to a

0:11:07.200 --> 0:11:10.920
<v Speaker 3>new building and igniting a new fire, getting new people excited,

0:11:10.960 --> 0:11:13.679
<v Speaker 3>you know, just kind of a new partnership.

0:11:13.720 --> 0:11:15.360
<v Speaker 4>And so it really started there.

0:11:15.880 --> 0:11:18.760
<v Speaker 1>I feel like a very euphemistic statement to say like

0:11:19.320 --> 0:11:21.920
<v Speaker 1>new building, new fire, and you're like, okay, well, appoint

0:11:21.920 --> 0:11:22.560
<v Speaker 1>me to the new building.

0:11:22.559 --> 0:11:23.559
<v Speaker 2>What new building wants to talk?

0:11:23.640 --> 0:11:25.160
<v Speaker 1>But no new buildings wanted to talk to anybody new

0:11:25.200 --> 0:11:28.200
<v Speaker 1>because nobody had money, especially yeah, especially at that time

0:11:28.800 --> 0:11:29.280
<v Speaker 1>that they were.

0:11:29.200 --> 0:11:31.200
<v Speaker 2>Willing to throw out because COVID had wrecked everything.

0:11:31.240 --> 0:11:31.720
<v Speaker 4>Trust me.

0:11:31.840 --> 0:11:34.959
<v Speaker 3>That was and I mean, this conversation all happened. It's like, well, okay,

0:11:35.520 --> 0:11:37.960
<v Speaker 3>but it's kind of it's like do you repair a

0:11:38.160 --> 0:11:40.560
<v Speaker 3>kind of broken relationship or a relationship or do you

0:11:40.559 --> 0:11:44.320
<v Speaker 3>go pursue a new relationship? And yeah, which one's going

0:11:44.360 --> 0:11:49.200
<v Speaker 3>to be more difficult? How broken is the relationship? And yeah,

0:11:49.240 --> 0:11:51.439
<v Speaker 3>and it was a time that yeah, but it was

0:11:51.480 --> 0:11:54.080
<v Speaker 3>still so early. It's still I don't know if everyone

0:11:54.160 --> 0:11:56.760
<v Speaker 3>had the knowledge that it's like are people signing new acts?

0:11:56.760 --> 0:11:59.840
<v Speaker 3>Because people were signing new acts, but the new signings

0:12:00.080 --> 0:12:03.520
<v Speaker 3>were Okay, this label just signed thirty five artists that

0:12:03.559 --> 0:12:07.960
<v Speaker 3>are like blowing up on this app that based.

0:12:07.679 --> 0:12:10.720
<v Speaker 2>On like streams like yeah, TikTok that type stuff.

0:12:10.760 --> 0:12:13.880
<v Speaker 3>Yeah, and so when we weren't we were doing fine there,

0:12:13.880 --> 0:12:16.040
<v Speaker 3>but just you know, we weren't. That's never been like

0:12:16.080 --> 0:12:19.760
<v Speaker 3>where we crush and because that is a skill in

0:12:19.800 --> 0:12:22.800
<v Speaker 3>its own right, that is its own art form, and

0:12:22.840 --> 0:12:24.600
<v Speaker 3>we've gotten better at and we've learned. But the time,

0:12:24.640 --> 0:12:26.360
<v Speaker 3>you know, it was but yeah, it was a that

0:12:26.440 --> 0:12:27.960
<v Speaker 3>was kind of how that process went. And then you

0:12:28.000 --> 0:12:30.280
<v Speaker 3>are in the wilderness, and that was wild to be

0:12:30.440 --> 0:12:32.960
<v Speaker 3>like literally independent, I mean independent.

0:12:33.360 --> 0:12:37.200
<v Speaker 1>Are you the one having these conversations or is like

0:12:37.320 --> 0:12:39.280
<v Speaker 1>a party line of you and all the band members?

0:12:39.320 --> 0:12:40.840
<v Speaker 2>Like or do you take the information back?

0:12:41.240 --> 0:12:43.400
<v Speaker 3>So I take the information back? But it happens. I mean,

0:12:43.440 --> 0:12:46.040
<v Speaker 3>we're on the bus having these conversations. We're going well

0:12:46.080 --> 0:12:47.720
<v Speaker 3>the time that we weren't on the bus because weren't touring,

0:12:47.760 --> 0:12:49.480
<v Speaker 3>but we would go like we all kind of have

0:12:49.559 --> 0:12:52.760
<v Speaker 3>like little home in home studios. Jared's like the biggest

0:12:52.800 --> 0:12:56.400
<v Speaker 3>and best one, uh because he's like truly a producer,

0:12:56.440 --> 0:12:58.560
<v Speaker 3>and so we go to his studio and we would

0:12:58.600 --> 0:13:00.920
<v Speaker 3>have these talks, these discussions, and then I would make

0:13:00.920 --> 0:13:02.520
<v Speaker 3>the phone call with me. It's not like all five

0:13:02.520 --> 0:13:05.079
<v Speaker 3>of us on a line and anything, Ay this is made,

0:13:05.120 --> 0:13:07.240
<v Speaker 3>I would call each person into visualbik. Hey, I think

0:13:07.720 --> 0:13:10.240
<v Speaker 3>this is a conversation I just had and literally have

0:13:10.360 --> 0:13:12.839
<v Speaker 3>one on one with each guy and then if it,

0:13:12.920 --> 0:13:14.360
<v Speaker 3>you know, maybe all of us get together and have

0:13:14.400 --> 0:13:15.080
<v Speaker 3>a band meeting.

0:13:16.040 --> 0:13:16.199
<v Speaker 2>Yeah.

0:13:16.200 --> 0:13:17.840
<v Speaker 3>It was a weird time too, because we were supposed

0:13:17.840 --> 0:13:19.880
<v Speaker 3>to be doing this social stuff and we posted a

0:13:19.920 --> 0:13:23.320
<v Speaker 3>few things and started getting ripped for not quarantining and

0:13:23.360 --> 0:13:24.800
<v Speaker 3>it's like, what on earth?

0:13:25.120 --> 0:13:30.400
<v Speaker 1>No, when how many guys in the band? Five five?

0:13:32.320 --> 0:13:37.160
<v Speaker 1>Did you ever think about not being a five person band? Yeah?

0:13:37.200 --> 0:13:39.520
<v Speaker 3>Man, you know that was a really interesting time because

0:13:39.720 --> 0:13:42.080
<v Speaker 3>especially when you leave the label, it's like, hey, what,

0:13:42.320 --> 0:13:44.920
<v Speaker 3>like we're starting fresh no matter what we do, and

0:13:45.520 --> 0:13:47.199
<v Speaker 3>creatively we all write and all that stuff.

0:13:47.240 --> 0:13:51.000
<v Speaker 4>But really, man, we really relied on it.

0:13:51.000 --> 0:13:53.000
<v Speaker 3>This sounds like kind of cheesy, but we rely That's

0:13:53.000 --> 0:13:55.600
<v Speaker 3>where you realize like, oh, we're friends because we don't

0:13:55.640 --> 0:13:58.000
<v Speaker 3>have a tour schedule, we're not in the studio, but

0:13:58.080 --> 0:14:00.560
<v Speaker 3>we're just like in Jared y are chipping off balls,

0:14:01.080 --> 0:14:03.480
<v Speaker 3>run in our mouths about stuff because we are friends

0:14:03.600 --> 0:14:04.680
<v Speaker 3>and you're.

0:14:04.559 --> 0:14:05.720
<v Speaker 2>Choosing to spend time together.

0:14:05.800 --> 0:14:07.439
<v Speaker 3>Yeah, and so it's like, well, if we're going to

0:14:07.480 --> 0:14:09.520
<v Speaker 3>get this back and we're going to do this, I'd

0:14:09.640 --> 0:14:12.720
<v Speaker 3>rather do it with this group of guys. And so

0:14:12.800 --> 0:14:15.440
<v Speaker 3>that that actually ended up. It really did end up.

0:14:15.440 --> 0:14:16.720
<v Speaker 3>It can want to be one of those make or

0:14:16.720 --> 0:14:19.280
<v Speaker 3>break things in it. I think it made the band

0:14:19.520 --> 0:14:21.280
<v Speaker 3>really a solidified like oh oh.

0:14:21.240 --> 0:14:22.840
<v Speaker 4>Yeah, because we started as friends.

0:14:22.840 --> 0:14:25.240
<v Speaker 3>We started his friends jamming and trying to pursue this

0:14:25.360 --> 0:14:27.800
<v Speaker 3>dream and then you're just in the dream and it's

0:14:27.840 --> 0:14:30.600
<v Speaker 3>this whirlwind and then you're literally back to no record

0:14:30.600 --> 0:14:33.080
<v Speaker 3>deal at There was a moment there where like didn't

0:14:33.120 --> 0:14:34.440
<v Speaker 3>know what management was going to I mean, it was

0:14:34.480 --> 0:14:37.320
<v Speaker 3>scary and we we still was like, well, you guys

0:14:37.320 --> 0:14:40.120
<v Speaker 3>want to go hit some balls and.

0:14:40.320 --> 0:14:41.960
<v Speaker 4>I mean, I don't know, you guys want to hang out.

0:14:42.320 --> 0:14:45.640
<v Speaker 1>What was the scariest When did it get the scariest.

0:14:46.320 --> 0:14:49.360
<v Speaker 3>The scariest was I'd say going like towards the end

0:14:49.400 --> 0:14:51.960
<v Speaker 3>of going like twenty twenty one was the scariest because

0:14:52.000 --> 0:14:53.960
<v Speaker 3>it wasn't like we're back, everything's back.

0:14:54.000 --> 0:14:55.880
<v Speaker 4>It was we were living in a new day and age.

0:14:56.320 --> 0:14:59.560
<v Speaker 3>I had also just bought a house with my wife

0:14:59.640 --> 0:15:01.920
<v Speaker 3>and all, so it was having a baby. I had

0:15:01.920 --> 0:15:04.560
<v Speaker 3>a baby the end of twenty twenty September twenty twenty.

0:15:04.720 --> 0:15:07.119
<v Speaker 3>So I don't have a baby, I have a mortgage

0:15:07.520 --> 0:15:10.160
<v Speaker 3>that I like didn't outprice myself. But it's like I

0:15:10.200 --> 0:15:12.440
<v Speaker 3>did if I don't have a job, because we make

0:15:12.520 --> 0:15:14.200
<v Speaker 3>our we really make our money on the road. That's

0:15:14.240 --> 0:15:16.120
<v Speaker 3>how selling those T shirts and playing those shows is

0:15:16.120 --> 0:15:18.720
<v Speaker 3>how we really make our money. That's gone and that's

0:15:18.760 --> 0:15:20.600
<v Speaker 3>what inspired a song on the Records called Honey I

0:15:20.640 --> 0:15:23.040
<v Speaker 3>lost my job today because I remember walking downstairs and

0:15:23.040 --> 0:15:25.600
<v Speaker 3>my wife is in the kitchen. I told her, hey,

0:15:25.840 --> 0:15:28.240
<v Speaker 3>I don't have a record deal anymore. And it's not

0:15:28.280 --> 0:15:30.800
<v Speaker 3>like we can just go out and tour. I'm I'm

0:15:30.880 --> 0:15:35.000
<v Speaker 3>essentially unemployed. And we now have a new baby and

0:15:35.920 --> 0:15:39.120
<v Speaker 3>a house, and that was that was a scary time.

0:15:40.200 --> 0:15:40.920
<v Speaker 2>Yeah, that's tough.

0:15:42.000 --> 0:15:45.400
<v Speaker 1>Big overhead there now Yeah, no, not big new overhead,

0:15:46.760 --> 0:15:48.560
<v Speaker 1>more important overhead than ever before.

0:15:48.720 --> 0:15:51.760
<v Speaker 3>Yeah, because we had twenty nineteen is when we went

0:15:51.760 --> 0:15:54.040
<v Speaker 3>and like started building the house and you know, we

0:15:54.040 --> 0:15:54.800
<v Speaker 3>were on the Miranda tour.

0:15:54.880 --> 0:15:55.760
<v Speaker 4>We did our headline thing.

0:15:55.800 --> 0:15:57.720
<v Speaker 3>We had a top forty ath radio number one most

0:15:57.800 --> 0:16:00.320
<v Speaker 3>added like all the it was like, oh, I've plan

0:16:00.440 --> 0:16:04.240
<v Speaker 3>this perfectly, this is great, and then you know when

0:16:04.240 --> 0:16:07.120
<v Speaker 3>that hit you're faced with real life stuff where it's

0:16:07.160 --> 0:16:09.320
<v Speaker 3>it's a lot of uncertainty, it's and a lot of unknowns,

0:16:09.360 --> 0:16:12.080
<v Speaker 3>but it really and it's what inspired that song was saying, Okay,

0:16:12.120 --> 0:16:13.960
<v Speaker 3>you know what, at the end of the day, it

0:16:14.040 --> 0:16:17.200
<v Speaker 3>really you know, I had this. I had a baby

0:16:17.200 --> 0:16:20.080
<v Speaker 3>girl born in September twenty twenty, and when I I

0:16:20.080 --> 0:16:22.560
<v Speaker 3>remember after that conversation though, I just went like got

0:16:22.560 --> 0:16:24.800
<v Speaker 3>on the floor and played with her, and you know,

0:16:25.000 --> 0:16:28.360
<v Speaker 3>just and realized like, oh, she doesn't care as long

0:16:28.400 --> 0:16:29.960
<v Speaker 3>as I'm a good dad, I'm a present dad. My

0:16:30.000 --> 0:16:32.520
<v Speaker 3>wife she's yes, maybe a little nervous, but she knows

0:16:32.520 --> 0:16:34.000
<v Speaker 3>we're gonna be okay because we've got each other and

0:16:34.240 --> 0:16:36.520
<v Speaker 3>we've got this family and we're gonna make it through

0:16:36.560 --> 0:16:37.240
<v Speaker 3>whatever that is.

0:16:38.040 --> 0:16:39.520
<v Speaker 1>Did all the guys feel like they were going to

0:16:39.800 --> 0:16:43.440
<v Speaker 1>continue on or did it go in shifts? I feel

0:16:43.440 --> 0:16:45.160
<v Speaker 1>like with five people are the personality is different, Like

0:16:45.200 --> 0:16:47.520
<v Speaker 1>you'd have to like talk one person into one out

0:16:47.520 --> 0:16:48.960
<v Speaker 1>of just a different person.

0:16:49.000 --> 0:16:51.000
<v Speaker 3>That's exactly what was. Someone would be having a bad

0:16:51.080 --> 0:16:53.840
<v Speaker 3>day and then thankfully someone helps me out, and sometimes

0:16:53.880 --> 0:16:55.040
<v Speaker 3>three of us will be having a good day too.

0:16:55.080 --> 0:16:56.240
<v Speaker 3>Us to be having a bad day and you'd kind

0:16:56.240 --> 0:17:00.120
<v Speaker 3>of get in arguments we did. Eric, we're down one

0:17:00.160 --> 0:17:02.560
<v Speaker 3>original member now, so Tim Avan is our is our

0:17:02.600 --> 0:17:04.520
<v Speaker 3>guitar play. He's beene of those few years now. But Eric,

0:17:05.560 --> 0:17:08.359
<v Speaker 3>he was there a guitar player. He left the band

0:17:08.640 --> 0:17:11.120
<v Speaker 3>a couple of years ago. And what's interesting we made

0:17:11.160 --> 0:17:13.560
<v Speaker 3>it all through the pandemic era together.

0:17:13.760 --> 0:17:15.320
<v Speaker 4>But then after that that's a new thing.

0:17:15.359 --> 0:17:18.160
<v Speaker 3>You go back out on the road and you're restarting,

0:17:18.160 --> 0:17:21.359
<v Speaker 3>you're with a new label, and you're and it's I

0:17:21.359 --> 0:17:23.800
<v Speaker 3>want to do all this again, you know, because you

0:17:23.880 --> 0:17:26.640
<v Speaker 3>kind of figured out this new life at home and.

0:17:26.560 --> 0:17:28.440
<v Speaker 1>Then you kind of have to start over again to

0:17:29.560 --> 0:17:31.879
<v Speaker 1>and it's not fully but it's mostly yeah, you know,

0:17:31.920 --> 0:17:35.280
<v Speaker 1>in in the fickle world of entertainment in general, and

0:17:35.320 --> 0:17:39.080
<v Speaker 1>it doesn't matter what version of entertainment people forget quick, yeah,

0:17:39.440 --> 0:17:42.439
<v Speaker 1>because there's a lot coming at the oh yeah. And

0:17:42.560 --> 0:17:45.400
<v Speaker 1>so when do you start to get interest again from

0:17:45.480 --> 0:17:48.639
<v Speaker 1>a label or does management happen first to say, like

0:17:48.720 --> 0:17:51.719
<v Speaker 1>what what starts to what the waves start to come

0:17:51.760 --> 0:17:52.040
<v Speaker 1>back in?

0:17:52.119 --> 0:17:52.800
<v Speaker 2>What comes first?

0:17:53.560 --> 0:17:54.119
<v Speaker 4>Yeah?

0:17:54.160 --> 0:17:58.440
<v Speaker 3>So first was getting getting a point person our management,

0:17:58.680 --> 0:18:01.960
<v Speaker 3>a new point person our management that uh that could

0:18:01.960 --> 0:18:03.920
<v Speaker 3>help lead a lot of these conversations. Be on the team,

0:18:03.960 --> 0:18:05.920
<v Speaker 3>be the sixth member, you know, be that kind of thing,

0:18:05.960 --> 0:18:11.240
<v Speaker 3>and so I find them honestly through so I was working.

0:18:11.560 --> 0:18:13.280
<v Speaker 3>I had a publishing deal with Jay Joyce, who's a

0:18:13.280 --> 0:18:17.080
<v Speaker 3>producer in town, and the person that used to run

0:18:17.080 --> 0:18:20.600
<v Speaker 3>that publishing company. We're still in touch and I still write.

0:18:20.840 --> 0:18:24.280
<v Speaker 3>Melissa's Spilman, Jeremy Spilman's husband, still right with him, and

0:18:24.800 --> 0:18:26.560
<v Speaker 3>she knew we were looking for management, and so she

0:18:26.880 --> 0:18:32.160
<v Speaker 3>actually reached out to these to uh, this guy and

0:18:32.160 --> 0:18:36.040
<v Speaker 3>and actually based out of Austin, but partnered with Nashville,

0:18:36.080 --> 0:18:38.919
<v Speaker 3>and so flew in to Nashville and just got really

0:18:38.960 --> 0:18:41.399
<v Speaker 3>I liked that there was kind of a perspective outside

0:18:41.400 --> 0:18:44.480
<v Speaker 3>of Nashville, but also there was still roots in Nashville

0:18:44.560 --> 0:18:48.120
<v Speaker 3>because it's like a partnership. And so found that relationship

0:18:48.320 --> 0:18:50.399
<v Speaker 3>and then we did I mean we had because we

0:18:50.440 --> 0:18:52.720
<v Speaker 3>have a name, like if you people know Lanco, Like

0:18:52.720 --> 0:18:55.399
<v Speaker 3>that's one thing I've learned that's just crazy, you know,

0:18:56.000 --> 0:18:58.840
<v Speaker 3>moving out side of the city and just kind of

0:18:58.840 --> 0:18:59.960
<v Speaker 3>living a normal life.

0:19:00.320 --> 0:19:00.960
<v Speaker 4>My daughter's and.

0:19:01.000 --> 0:19:03.720
<v Speaker 3>Like a little school, you know, and we talk to parents.

0:19:03.720 --> 0:19:07.560
<v Speaker 3>You're like, oh man, people like people know Lanco, and

0:19:07.680 --> 0:19:11.119
<v Speaker 3>so the industry knows Lanco. So there were labels like

0:19:11.160 --> 0:19:12.800
<v Speaker 3>even from day one that were kind of intered that

0:19:12.840 --> 0:19:15.000
<v Speaker 3>you go get coffee, you'd go to the meetings, you go.

0:19:16.440 --> 0:19:22.520
<v Speaker 3>But then finally we played a show and Jennifer Johnson

0:19:22.520 --> 0:19:26.520
<v Speaker 3>from Riserhouse was there and just jumped on, I mean

0:19:26.600 --> 0:19:28.879
<v Speaker 3>just all in pretty much immediately, and so that was

0:19:28.920 --> 0:19:29.399
<v Speaker 3>really exciting.

0:19:29.600 --> 0:19:30.119
<v Speaker 2>I was a new.

0:19:30.000 --> 0:19:34.919
<v Speaker 3>Team, more on the independent side, which was fun, but

0:19:35.119 --> 0:19:39.399
<v Speaker 3>not so independent that it was independent because there's some

0:19:39.400 --> 0:19:41.920
<v Speaker 3>success there. Oh yeah, absolutely, yeah. And so that's the

0:19:41.920 --> 0:19:44.879
<v Speaker 3>thing that's always and that's like a perfect medium for me,

0:19:44.960 --> 0:19:48.520
<v Speaker 3>is if you can find it's not this huge corporation

0:19:48.920 --> 0:19:51.960
<v Speaker 3>you know, controlled by New York or whatever. You know,

0:19:52.000 --> 0:19:55.720
<v Speaker 3>it's like if it's it's it's in house, but there's

0:19:55.760 --> 0:19:58.760
<v Speaker 3>also connections and it's big enough there can be there

0:19:58.760 --> 0:20:00.320
<v Speaker 3>can be movement and all the connections there, all the

0:20:00.359 --> 0:20:02.680
<v Speaker 3>relationships are there that are important, and.

0:20:02.640 --> 0:20:06.040
<v Speaker 1>There can be leverage with other successful acts.

0:20:06.359 --> 0:20:07.520
<v Speaker 2>Who else is on Riserhouse.

0:20:09.160 --> 0:20:11.960
<v Speaker 3>So Mitchell tim Penny is with has A has a

0:20:12.040 --> 0:20:16.280
<v Speaker 3>joint partnership with with Riser and then uh Sony and

0:20:16.320 --> 0:20:18.760
<v Speaker 3>then Megan Patrick Deal and Carmichael and then they're also

0:20:18.840 --> 0:20:22.040
<v Speaker 3>a publishing house too, so they have they've got writers

0:20:22.119 --> 0:20:25.439
<v Speaker 3>that have written I mean Landy Wilson, John Party and

0:20:25.520 --> 0:20:27.600
<v Speaker 3>Luke Combs with you know, just so they're they're in

0:20:27.680 --> 0:20:28.520
<v Speaker 3>the game for sure.

0:20:28.600 --> 0:20:31.000
<v Speaker 1>And that's the benefit of having somebody that has some

0:20:31.119 --> 0:20:35.520
<v Speaker 1>leverage because they have other artists that they can for

0:20:35.600 --> 0:20:37.520
<v Speaker 1>lack of a better term, trade in and out, meaning

0:20:38.080 --> 0:20:40.760
<v Speaker 1>they could also use you, right, they have new artists like, yeah,

0:20:40.800 --> 0:20:42.719
<v Speaker 1>we can get Chu Lanco, but you have to take

0:20:42.760 --> 0:20:45.359
<v Speaker 1>on Jimmy Johnson here and let him do so that

0:20:45.359 --> 0:20:46.480
<v Speaker 1>that's part of the part.

0:20:46.359 --> 0:20:47.679
<v Speaker 2>Of the business as well.

0:20:48.160 --> 0:20:52.080
<v Speaker 1>So, okay, you have this hungry I won't say new

0:20:52.160 --> 0:20:57.280
<v Speaker 1>but new ish but semi established label. You have a manager.

0:20:58.400 --> 0:20:59.159
<v Speaker 1>Do you have an agent?

0:21:00.320 --> 0:21:01.280
<v Speaker 4>Yes, we have an agent.

0:21:01.320 --> 0:21:02.200
<v Speaker 1>Did you have an agent?

0:21:02.240 --> 0:21:05.160
<v Speaker 4>We had an agent we yes.

0:21:05.440 --> 0:21:09.359
<v Speaker 3>Now we have a new agent, yes, all new.

0:21:09.480 --> 0:21:10.280
<v Speaker 4>Did you get all new team?

0:21:10.320 --> 0:21:11.440
<v Speaker 3>Did you get dropped by your agency?

0:21:12.240 --> 0:21:12.320
<v Speaker 1>No?

0:21:12.480 --> 0:21:16.199
<v Speaker 3>It was another it's an I don't know how in

0:21:16.200 --> 0:21:19.240
<v Speaker 3>the weeds I want to get It's another thing where

0:21:19.240 --> 0:21:21.679
<v Speaker 3>it's those it's those conversations where it's like, you know,

0:21:22.480 --> 0:21:25.879
<v Speaker 3>maybe another relationship, just you want that hunger that fire,

0:21:25.920 --> 0:21:28.119
<v Speaker 3>and you want to be kind of it's nice and

0:21:28.400 --> 0:21:29.879
<v Speaker 3>entertainment if you can be.

0:21:30.080 --> 0:21:32.160
<v Speaker 4>It's sometimes it's nice to be the shiny new toy.

0:21:32.240 --> 0:21:34.359
<v Speaker 1>Yeah, it's nice to also feel wanted and feel like

0:21:34.400 --> 0:21:36.000
<v Speaker 1>there's a tension being put on you. Like I was

0:21:36.000 --> 0:21:38.879
<v Speaker 1>at CIA for a long time and it was great.

0:21:38.880 --> 0:21:42.240
<v Speaker 1>And my first agent was a new agent when I

0:21:42.280 --> 0:21:44.800
<v Speaker 1>was getting my first agent, and that was awesome because

0:21:44.800 --> 0:21:46.520
<v Speaker 1>we came up together and I was like one of

0:21:46.520 --> 0:21:52.560
<v Speaker 1>her first clients and we were together for like twelve years.

0:21:52.600 --> 0:21:57.280
<v Speaker 1>But she started to get really successful in like the

0:21:57.320 --> 0:22:01.840
<v Speaker 1>news political space, and she was out of New York.

0:22:01.960 --> 0:22:04.560
<v Speaker 1>She was amazing, but she was growing so fast in

0:22:04.560 --> 0:22:08.480
<v Speaker 1>that area that really wasn't the area that I needed

0:22:08.480 --> 0:22:09.240
<v Speaker 1>to have my work done.

0:22:09.280 --> 0:22:11.000
<v Speaker 2>I didn't need in Nashville. I was fine here.

0:22:11.480 --> 0:22:13.720
<v Speaker 1>My was in LA. So they had like a secondary

0:22:13.720 --> 0:22:16.240
<v Speaker 1>agent at CEA and I was not paid much attention to.

0:22:16.840 --> 0:22:17.800
<v Speaker 2>Is this kind of an afterthought?

0:22:17.920 --> 0:22:18.560
<v Speaker 4>Yeah, and it's tough.

0:22:18.840 --> 0:22:20.760
<v Speaker 3>I mean, we kind of had the same situation where

0:22:21.000 --> 0:22:23.320
<v Speaker 3>you're almost starting with someone and you're growing, but then

0:22:23.359 --> 0:22:26.320
<v Speaker 3>the reality is as you're kind of going down this

0:22:26.480 --> 0:22:28.560
<v Speaker 3>mountain and you're trying to figure it out and pick

0:22:28.640 --> 0:22:32.000
<v Speaker 3>up the pieces their career. They're still yeah, they've now

0:22:32.040 --> 0:22:35.439
<v Speaker 3>got other things. Yeah, sometimes they don't match, yeah, And

0:22:35.520 --> 0:22:36.239
<v Speaker 3>it is what it is.

0:22:36.320 --> 0:22:39.119
<v Speaker 1>So I left. I left CIA, yeah, because I wasn't

0:22:39.160 --> 0:22:41.399
<v Speaker 1>I didn't feel like I was being prioritized enough and

0:22:41.400 --> 0:22:43.600
<v Speaker 1>it was a difficult decision to make. And I remember

0:22:43.640 --> 0:22:44.639
<v Speaker 1>I did a thing where I was talking to a

0:22:44.680 --> 0:22:48.400
<v Speaker 1>bunch of agencies and you know, for a second, it's

0:22:48.400 --> 0:22:51.400
<v Speaker 1>fun because everybody's like, I want to have a meeting

0:22:51.400 --> 0:22:53.000
<v Speaker 1>and telling you what they can offer you. And but

0:22:53.119 --> 0:22:54.960
<v Speaker 1>I ended up and you'll see where this this come

0:22:55.000 --> 0:22:57.240
<v Speaker 1>back around to you. I ended up signing with an

0:22:57.280 --> 0:23:00.240
<v Speaker 1>agency that was one of the big agencies, not as

0:23:00.240 --> 0:23:02.960
<v Speaker 1>big as CAA, CIA and William Worse were like the monsters, right,

0:23:03.000 --> 0:23:06.040
<v Speaker 1>they're the big ones. But I signed with an agency

0:23:06.040 --> 0:23:09.480
<v Speaker 1>that was big but not as big, but felt hungry

0:23:09.680 --> 0:23:10.560
<v Speaker 1>because they were not as big.

0:23:10.600 --> 0:23:11.760
<v Speaker 2>And that was UTA.

0:23:12.160 --> 0:23:16.399
<v Speaker 1>And so for that reason, it kind of like when

0:23:16.440 --> 0:23:18.040
<v Speaker 1>you talk about signing with the Riserhouse. That's why I

0:23:18.080 --> 0:23:20.800
<v Speaker 1>signed with my agent now, because could I have picked

0:23:20.840 --> 0:23:22.960
<v Speaker 1>a bigger agent out of New York in LA That

0:23:23.040 --> 0:23:24.880
<v Speaker 1>for sure, yes, But I also felt like at times

0:23:24.880 --> 0:23:26.720
<v Speaker 1>I was getting lost in the mix because I wasn't

0:23:26.760 --> 0:23:30.960
<v Speaker 1>always in front of their eyeballs. So but my relationship

0:23:31.000 --> 0:23:33.960
<v Speaker 1>with Uta has been excellent. Yeah, so that's and I

0:23:34.000 --> 0:23:36.040
<v Speaker 1>saw a picture the other day with view of Lanka

0:23:36.119 --> 0:23:37.080
<v Speaker 1>with Uta.

0:23:37.359 --> 0:23:37.880
<v Speaker 3>Yeah I didn't.

0:23:37.920 --> 0:23:38.280
<v Speaker 4>I didn't.

0:23:38.480 --> 0:23:40.560
<v Speaker 1>I didn't know you're at Uta any talk about that more.

0:23:40.600 --> 0:23:42.560
<v Speaker 1>I'm already I'm now getting mad. They're not telling everybody.

0:23:42.880 --> 0:23:45.320
<v Speaker 3>I mean, hey, that speaks to them that they're Their

0:23:45.400 --> 0:23:47.640
<v Speaker 3>pitch is like, hey, this is what we really want

0:23:47.680 --> 0:23:48.840
<v Speaker 3>you to want to work for you, and this is

0:23:48.880 --> 0:23:51.879
<v Speaker 3>this is our plan and our strategy. And we're excited

0:23:51.880 --> 0:23:54.960
<v Speaker 3>about two thousand tickets sold as opposed to wea, you

0:23:55.000 --> 0:23:59.000
<v Speaker 3>did two thousand tickets, but these people did twenty thousand.

0:23:58.880 --> 0:24:00.359
<v Speaker 4>Twice last night.

0:24:00.400 --> 0:24:00.560
<v Speaker 5>You know.

0:24:00.640 --> 0:24:02.800
<v Speaker 4>It's like and so yeah, I love it over there.

0:24:02.800 --> 0:24:04.199
<v Speaker 3>And it's been but no, I love We have a

0:24:04.240 --> 0:24:07.600
<v Speaker 3>new team and new energy and we are it is

0:24:07.680 --> 0:24:09.840
<v Speaker 3>kind of a version two point zero, but it's been.

0:24:09.920 --> 0:24:12.200
<v Speaker 4>It's it's been fun to tackle this again.

0:24:12.240 --> 0:24:15.800
<v Speaker 3>But even with different perspective, different life perspective, different even

0:24:15.840 --> 0:24:19.000
<v Speaker 3>sitting here doing this right now, I remember doing this

0:24:19.359 --> 0:24:20.040
<v Speaker 3>ten years ago.

0:24:20.359 --> 0:24:21.600
<v Speaker 4>I remember my feeling.

0:24:21.640 --> 0:24:23.399
<v Speaker 3>I remember how I felt about I remember, and I

0:24:23.440 --> 0:24:26.520
<v Speaker 3>remember back then being nervous about everything because I so

0:24:26.760 --> 0:24:31.520
<v Speaker 3>felt that like every moment, my entire life was hinging

0:24:31.560 --> 0:24:34.240
<v Speaker 3>on it. Where now that's true, it's very important, but

0:24:34.280 --> 0:24:36.840
<v Speaker 3>it's also my career. I also have, you know, like

0:24:37.000 --> 0:24:40.080
<v Speaker 3>right now, my family's at the zoo and I'm like, oh, yeah,

0:24:40.080 --> 0:24:41.560
<v Speaker 3>I don't know what I'll finish it. It might meet you

0:24:41.600 --> 0:24:44.320
<v Speaker 3>all there, because that's also important to me. So a

0:24:44.320 --> 0:24:47.840
<v Speaker 3>little healthier perspective now, and yeah, I've just grown up

0:24:47.840 --> 0:24:49.359
<v Speaker 3>a little more a little.

0:24:49.480 --> 0:24:52.520
<v Speaker 1>But you also know what you want, what you don't want. Yeah,

0:24:52.560 --> 0:24:54.800
<v Speaker 1>you also know what worked and what didn't work. It

0:24:54.800 --> 0:24:56.320
<v Speaker 1>doesn't mean to won't working in a different time, but

0:24:56.320 --> 0:24:59.240
<v Speaker 1>at least you have gained what is kind of the

0:24:59.280 --> 0:25:02.240
<v Speaker 1>most expensive to gain, and that it's perspective. You said

0:25:02.240 --> 0:25:04.800
<v Speaker 1>the word perspective is the hardest thing to get because

0:25:04.800 --> 0:25:07.520
<v Speaker 1>you don't get it because it's fun. Yeah, you get

0:25:07.560 --> 0:25:10.000
<v Speaker 1>perspective because it was kind of forced upon you. But

0:25:10.119 --> 0:25:13.119
<v Speaker 1>it is also the most valuable. So once you have

0:25:13.200 --> 0:25:15.040
<v Speaker 1>a like, cool, I got it, man. Sure we shouldn't

0:25:15.000 --> 0:25:16.480
<v Speaker 1>have to go through that to get it, but you

0:25:16.520 --> 0:25:19.119
<v Speaker 1>have it, right, and so you treat everything differently some

0:25:19.119 --> 0:25:22.120
<v Speaker 1>things are more precious, some things aren't nearly as precious,

0:25:22.920 --> 0:25:27.720
<v Speaker 1>and you learn not every single little thing can take

0:25:27.760 --> 0:25:30.399
<v Speaker 1>your whole world down. Yeah, that's what so reminds me

0:25:30.440 --> 0:25:31.800
<v Speaker 1>of Like as a new artist, you're like, oh my god,

0:25:31.800 --> 0:25:33.680
<v Speaker 1>I gotta make sure that I could get this exactly right,

0:25:33.720 --> 0:25:34.640
<v Speaker 1>get that exactly right.

0:25:34.800 --> 0:25:38.399
<v Speaker 5>Yeah, hang tight, The Bobby Cast will be right back,

0:25:40.119 --> 0:25:42.320
<v Speaker 5>and we're back on the Bobby Cast.

0:25:42.760 --> 0:25:47.680
<v Speaker 1>Your record is called We're not Gonna, We're gonna, We're gonna,

0:25:47.680 --> 0:25:49.320
<v Speaker 1>We're gonna make it. Yeah, I think we don't think.

0:25:49.320 --> 0:25:50.959
<v Speaker 1>I'm thinking Marry telling Moore first time I saw it,

0:25:51.119 --> 0:25:52.359
<v Speaker 1>because that theme song goes.

0:25:52.240 --> 0:25:54.400
<v Speaker 3>We're gonna make it after.

0:25:56.080 --> 0:26:01.199
<v Speaker 1>So we're gonna make it. I'm assuming that's kind of

0:26:01.240 --> 0:26:01.760
<v Speaker 1>about that.

0:26:02.320 --> 0:26:04.080
<v Speaker 3>Yeah, I mean it's you know, it's the title track

0:26:04.119 --> 0:26:07.000
<v Speaker 3>the album, because really this album, this is you know,

0:26:07.160 --> 0:26:09.159
<v Speaker 3>years in the making, and it's our life. Like our

0:26:09.200 --> 0:26:13.399
<v Speaker 3>first album, Halle Andights was so autobiographical. It's so where

0:26:13.440 --> 0:26:15.840
<v Speaker 3>we were and where we were headed, and you know,

0:26:16.080 --> 0:26:18.320
<v Speaker 3>and it was even like the biggest song on that record,

0:26:18.400 --> 0:26:19.840
<v Speaker 3>Greatest Love Story, and the even Born to Love You.

0:26:19.880 --> 0:26:23.480
<v Speaker 3>It's this coming of age discovering love and what that

0:26:23.560 --> 0:26:26.840
<v Speaker 3>means and then this you know, as much as social

0:26:26.880 --> 0:26:29.320
<v Speaker 3>media as a thing and and all of that, there

0:26:29.359 --> 0:26:31.480
<v Speaker 3>is an aspect where with your fans, the way that

0:26:31.520 --> 0:26:33.959
<v Speaker 3>you communicate to them is through your music. That's how

0:26:34.000 --> 0:26:35.679
<v Speaker 3>they get to know you, and that's how they have

0:26:35.760 --> 0:26:37.840
<v Speaker 3>this relationship with you. And so we wanted the different

0:26:37.880 --> 0:26:39.840
<v Speaker 3>pieces of our lives to be on this record. And

0:26:39.880 --> 0:26:42.159
<v Speaker 3>when you know we we're gonna make it, actually the

0:26:42.200 --> 0:26:45.000
<v Speaker 3>last song we recorded for the record, and when you

0:26:45.080 --> 0:26:47.600
<v Speaker 3>listen to the record, you realize there is this theme

0:26:47.680 --> 0:26:51.240
<v Speaker 3>of ups and downs and trial and tribulation and good

0:26:51.280 --> 0:26:53.359
<v Speaker 3>times but also some really hard times, and through it

0:26:53.400 --> 0:26:55.480
<v Speaker 3>all there was this theme in our personal lives of

0:26:55.960 --> 0:26:57.680
<v Speaker 3>we're going to make it out of this valley. We're

0:26:57.680 --> 0:26:59.080
<v Speaker 3>in a valley right now, We're gonna make it to

0:26:59.080 --> 0:27:01.200
<v Speaker 3>that hilltop, and we're gonna look back and be better

0:27:01.240 --> 0:27:04.439
<v Speaker 3>because of it. And so that's a yeah, it kind

0:27:04.480 --> 0:27:05.639
<v Speaker 3>of summarized the whole album.

0:27:05.920 --> 0:27:08.040
<v Speaker 1>Reminds me of the story of the king that had

0:27:08.200 --> 0:27:12.160
<v Speaker 1>this too shall Pass ring, and when times are really tough,

0:27:12.200 --> 0:27:15.560
<v Speaker 1>he would look at the ring and he'd remind himself,

0:27:15.600 --> 0:27:16.639
<v Speaker 1>this too shall pass.

0:27:17.119 --> 0:27:17.560
<v Speaker 2>Hang in.

0:27:18.359 --> 0:27:20.520
<v Speaker 1>But when times were amazing, he would look at the

0:27:20.560 --> 0:27:24.880
<v Speaker 1>ring and go, this too shall pass, So treasure it

0:27:24.960 --> 0:27:28.240
<v Speaker 1>because in the future it will not be like this,

0:27:29.119 --> 0:27:32.520
<v Speaker 1>and so this too shall pass. Was always the theme,

0:27:32.640 --> 0:27:35.840
<v Speaker 1>and it wasn't to not appreciate and value what's happening now.

0:27:36.119 --> 0:27:38.719
<v Speaker 1>It was to have an understanding and perspective of how

0:27:38.800 --> 0:27:40.800
<v Speaker 1>quickly things can change, but when they change, and if

0:27:40.840 --> 0:27:44.120
<v Speaker 1>they do change, they can change back. Based on as

0:27:44.160 --> 0:27:45.640
<v Speaker 1>I mentioned at the very beginning of this, like if

0:27:45.640 --> 0:27:47.360
<v Speaker 1>you work hard enough and long enough and smart enough,

0:27:47.400 --> 0:27:48.120
<v Speaker 1>you can move the rock.

0:27:48.400 --> 0:27:51.240
<v Speaker 2>Yeah, sometimes the rocks heavier. Yeah, sometimes the.

0:27:51.280 --> 0:27:53.440
<v Speaker 1>Rock's not very heavy at all. But if you work

0:27:53.840 --> 0:27:55.800
<v Speaker 1>long enough, hard enough and smart enough, you can move

0:27:55.840 --> 0:27:59.199
<v Speaker 1>the rock. I think about you guys when riding. Do

0:27:59.240 --> 0:28:01.840
<v Speaker 1>you guys pull many outside writers to write with you?

0:28:02.200 --> 0:28:03.840
<v Speaker 1>And why I asked that is because that's a lot

0:28:03.840 --> 0:28:05.560
<v Speaker 1>of people, that's a lot of cutters. You gave to

0:28:05.560 --> 0:28:07.240
<v Speaker 1>cut a song like five or six different ways?

0:28:08.480 --> 0:28:11.919
<v Speaker 4>Yeah, no, we do everything everything in between.

0:28:12.400 --> 0:28:14.320
<v Speaker 3>So like we have a song called Low Class Lovers

0:28:14.320 --> 0:28:17.520
<v Speaker 3>on the record, that's a solo right that. I just

0:28:17.560 --> 0:28:20.040
<v Speaker 3>wrote that one by myself after going out with my

0:28:20.080 --> 0:28:22.160
<v Speaker 3>wife on a date night and fell out of place.

0:28:22.200 --> 0:28:24.720
<v Speaker 3>In the environment that I was in and wrote a

0:28:24.760 --> 0:28:26.600
<v Speaker 3>song about it, and then like Honey, out's my job today.

0:28:26.640 --> 0:28:29.760
<v Speaker 3>I actually wrote that one by myself, but then Jeremy Spilman.

0:28:30.160 --> 0:28:34.240
<v Speaker 3>It was such a heavy topic to discuss unemployment, especially

0:28:34.320 --> 0:28:36.080
<v Speaker 3>when yes, it was scary for me and I didn't

0:28:36.119 --> 0:28:37.920
<v Speaker 3>know the future, but there also were people that were

0:28:37.920 --> 0:28:40.040
<v Speaker 3>in way worse situations than me, so kind of like

0:28:40.160 --> 0:28:42.760
<v Speaker 3>being a poster child having a song like that, I

0:28:43.160 --> 0:28:45.520
<v Speaker 3>felt like a heavy responsibility. So I brought Jeremy into

0:28:45.600 --> 0:28:49.200
<v Speaker 3>make like, hey, you help me work on this song

0:28:49.320 --> 0:28:51.520
<v Speaker 3>and word it right. Then there are times where it's

0:28:51.520 --> 0:28:54.240
<v Speaker 3>the whole band, and you know, we bring in one

0:28:54.280 --> 0:28:56.880
<v Speaker 3>writer and we may just start jamming in the studio

0:28:56.960 --> 0:28:58.880
<v Speaker 3>literally just having like band practice and come up with

0:28:58.880 --> 0:29:00.720
<v Speaker 3>a vibe and so on, that's a cool idea and

0:29:00.720 --> 0:29:04.479
<v Speaker 3>we just start singing. So it's everything, everything all in between.

0:29:05.040 --> 0:29:09.440
<v Speaker 1>What about other guys, Do they write themselves for other artists?

0:29:09.560 --> 0:29:09.880
<v Speaker 4>Yeah?

0:29:09.960 --> 0:29:12.440
<v Speaker 3>Yeah, so Chandler's actually it all right right now, and

0:29:12.520 --> 0:29:16.160
<v Speaker 3>yeah everyone Chandler trip and Jared all right, and then

0:29:16.240 --> 0:29:17.200
<v Speaker 3>Jared's like a writer.

0:29:17.040 --> 0:29:20.720
<v Speaker 1>Producer and that's never caused any sort of issue. No,

0:29:20.840 --> 0:29:22.160
<v Speaker 1>you do, do you encourage that.

0:29:22.600 --> 0:29:25.400
<v Speaker 3>Yeah, oh yeah, I mean, I you know, Lanco's a

0:29:25.480 --> 0:29:28.960
<v Speaker 3>Landco's a thing. It's a specific thing. And it doesn't

0:29:29.000 --> 0:29:30.640
<v Speaker 3>mean that there's a lot of songs that I hear

0:29:31.280 --> 0:29:33.120
<v Speaker 3>on the radio or whatever that I'm like, oh that

0:29:33.120 --> 0:29:35.680
<v Speaker 3>could Landco could have sang this, So you know, there's

0:29:35.840 --> 0:29:38.520
<v Speaker 3>but it's a specific enough thing that we know the

0:29:38.560 --> 0:29:40.320
<v Speaker 3>goal we're trying to achieve, and we're together and working

0:29:40.360 --> 0:29:42.680
<v Speaker 3>on a Lanco thing. And and if they're working, I

0:29:42.720 --> 0:29:43.920
<v Speaker 3>think they like it too because it gives them an

0:29:43.920 --> 0:29:45.880
<v Speaker 3>outlet because there are things that we just wouldn't sing

0:29:46.160 --> 0:29:49.200
<v Speaker 3>or they're just not our vibe, even sonically, and it

0:29:49.240 --> 0:29:50.959
<v Speaker 3>gives everyone an outlet to be able to do that.

0:29:51.880 --> 0:29:54.040
<v Speaker 1>Do you ever think about doing even a couple of

0:29:54.080 --> 0:29:57.240
<v Speaker 1>songs by yourself and its sounding completely different than Lanco?

0:29:57.320 --> 0:29:59.440
<v Speaker 1>That'd be the only reason you would do it. Yeah,

0:29:59.480 --> 0:30:02.680
<v Speaker 1>But it's like I want to do this garage rock, Yeah,

0:30:02.680 --> 0:30:04.239
<v Speaker 1>a couple of songs. Do you ever think about that?

0:30:04.480 --> 0:30:06.520
<v Speaker 3>Yeah? Yeah, yeah, And that's something I'd like to do

0:30:06.560 --> 0:30:09.000
<v Speaker 3>and I think would be cool just to see because

0:30:09.040 --> 0:30:12.440
<v Speaker 3>I love love love, I mean, it's literally the I have.

0:30:12.520 --> 0:30:15.280
<v Speaker 3>There's one reason I fight so hard for is because

0:30:15.280 --> 0:30:16.720
<v Speaker 3>I have the best job in the world because I

0:30:16.720 --> 0:30:18.200
<v Speaker 3>get to be creative and I get to go with

0:30:18.240 --> 0:30:21.080
<v Speaker 3>my best friends and create with them, and it's really fun.

0:30:21.360 --> 0:30:23.800
<v Speaker 3>But there's a thing where I have my own a

0:30:23.800 --> 0:30:26.800
<v Speaker 3>cool thing about land because we all have different influences

0:30:26.840 --> 0:30:29.080
<v Speaker 3>and sonic influences and we can all throw that into

0:30:29.200 --> 0:30:31.240
<v Speaker 3>kind of the pot, and that is Lanco. But yeah,

0:30:31.240 --> 0:30:33.960
<v Speaker 3>it'd be interesting. I've definitely thought about and I've talked

0:30:34.080 --> 0:30:35.520
<v Speaker 3>like it. You know, it's not like a secret. At

0:30:35.520 --> 0:30:38.400
<v Speaker 3>some point, I could see myself just you and I

0:30:38.440 --> 0:30:40.360
<v Speaker 3>just recorded in like my little home studio and just

0:30:40.440 --> 0:30:42.520
<v Speaker 3>throw it out, you know who you know, just this

0:30:42.680 --> 0:30:43.120
<v Speaker 3>is me?

0:30:43.760 --> 0:30:45.520
<v Speaker 1>Uh like if you like a trip onto a hip

0:30:45.560 --> 0:30:47.320
<v Speaker 1>hop album, yeah, or hip hop couple of tracks?

0:30:47.400 --> 0:30:49.720
<v Speaker 3>Yeah, And I could see that like letter rip right, Yeah, yeah,

0:30:49.720 --> 0:30:52.400
<v Speaker 3>I don't if any I mean, you know, we're land

0:30:52.440 --> 0:30:54.160
<v Speaker 3>Co's a thing, but we also are all artists in

0:30:54.200 --> 0:30:56.600
<v Speaker 3>our own right. We all have our own creative outlets

0:30:56.600 --> 0:31:00.600
<v Speaker 3>and if yeah, I mean, yeah, whatever, just create.

0:31:00.880 --> 0:31:01.800
<v Speaker 2>What are you doing for fun?

0:31:02.600 --> 0:31:06.680
<v Speaker 3>What am I doing for fun? I'm trying to raise

0:31:06.840 --> 0:31:10.040
<v Speaker 3>two children, which is the most fun thing but also

0:31:10.120 --> 0:31:11.400
<v Speaker 3>the hardest thing.

0:31:11.840 --> 0:31:12.760
<v Speaker 4>I've ever done in my life.

0:31:12.960 --> 0:31:15.240
<v Speaker 3>If not that, I don't know, man' pretty basic all.

0:31:15.280 --> 0:31:17.680
<v Speaker 3>I used to fish a lot. That's gotten harder, trip

0:31:17.720 --> 0:31:20.520
<v Speaker 3>and I used to, like seriously fish, Like tournaments.

0:31:21.440 --> 0:31:23.200
<v Speaker 2>Don't get you that, you guys tournament fish.

0:31:23.480 --> 0:31:25.920
<v Speaker 3>Yeah, that's specially due that was a big thing during

0:31:25.960 --> 0:31:28.480
<v Speaker 3>the pandemic. We like got it was us. Morgan Wallen

0:31:28.600 --> 0:31:30.440
<v Speaker 3>was out there like these little fishing tournaments.

0:31:30.720 --> 0:31:33.840
<v Speaker 2>So is it one because I've early earlier version of

0:31:33.840 --> 0:31:34.080
<v Speaker 2>my life.

0:31:34.120 --> 0:31:35.800
<v Speaker 1>I used to fish the tournaments and all the boats

0:31:35.800 --> 0:31:37.800
<v Speaker 1>would lunch, are on the same It's just like go

0:31:38.240 --> 0:31:40.200
<v Speaker 1>and all the boats launched. So that kind of you

0:31:40.200 --> 0:31:41.440
<v Speaker 1>guys were fishing in real tournament.

0:31:41.480 --> 0:31:44.719
<v Speaker 3>Oh yeah, bass tournaments. Oh yeah, we we came in second.

0:31:44.760 --> 0:31:46.440
<v Speaker 3>We never we never won, never brought it home.

0:31:46.640 --> 0:31:48.760
<v Speaker 2>To put the little weights in. I know, puts in

0:31:48.760 --> 0:31:49.200
<v Speaker 2>the f man.

0:31:49.280 --> 0:31:53.160
<v Speaker 3>There's that's there's some sketchy stuff that started frustrating me.

0:31:53.160 --> 0:31:54.640
<v Speaker 3>It's kind of like golf too. It's the thing where

0:31:54.680 --> 0:31:57.320
<v Speaker 3>it's like, all right, I know that I'm not the best,

0:31:57.320 --> 0:31:59.520
<v Speaker 3>but I know some of y'all are not beating me.

0:32:00.560 --> 0:32:01.080
<v Speaker 3>But no, I go.

0:32:01.240 --> 0:32:04.000
<v Speaker 4>I try to golf and then man, just real basic stuff.

0:32:04.000 --> 0:32:06.000
<v Speaker 3>I mean, well, you know, I still try to have

0:32:06.040 --> 0:32:09.320
<v Speaker 3>friends over, like just have fires and and but golf

0:32:09.400 --> 0:32:12.160
<v Speaker 3>is a is an outlet for sure, not good at it,

0:32:12.200 --> 0:32:15.920
<v Speaker 3>but try just get out. You haven't gotten pickleball yet, no,

0:32:16.160 --> 0:32:18.240
<v Speaker 3>so I actually man, pickleball is tough though, because it's

0:32:18.640 --> 0:32:20.320
<v Speaker 3>it's like golf. You can go, you can get with

0:32:20.320 --> 0:32:22.360
<v Speaker 3>the group buddies, but you also can go and do

0:32:22.400 --> 0:32:24.440
<v Speaker 3>it by yourself or just go to the driving something pickleball.

0:32:24.480 --> 0:32:29.360
<v Speaker 3>I love pickleball. I've had a hard time coordinating getting.

0:32:29.040 --> 0:32:30.080
<v Speaker 2>People together to do it.

0:32:30.440 --> 0:32:33.560
<v Speaker 1>Okay, fair, I would meet that with because I used

0:32:33.600 --> 0:32:37.080
<v Speaker 1>to play a lot of golf, but I I don't

0:32:37.080 --> 0:32:38.320
<v Speaker 1>want to be that guy. But I'm a bagga for

0:32:38.360 --> 0:32:40.800
<v Speaker 1>a second. I don't have four hours anymore. Yeah yeah,

0:32:40.880 --> 0:32:41.360
<v Speaker 1>it sucks.

0:32:41.440 --> 0:32:41.920
<v Speaker 3>Yeah yeah.

0:32:41.920 --> 0:32:44.000
<v Speaker 1>And I'm a member of a club and I haven't

0:32:44.040 --> 0:32:45.840
<v Speaker 1>been to the club in eight months. Yeah yeah, And

0:32:45.880 --> 0:32:47.520
<v Speaker 1>so I'm paym a DU's and I love it, but

0:32:47.560 --> 0:32:50.120
<v Speaker 1>I don't have four hours. Or by the time I

0:32:50.200 --> 0:32:52.040
<v Speaker 1>drive fifteen minutes to the club and I get on

0:32:52.080 --> 0:32:54.120
<v Speaker 1>the range and hit thirty minutes, then I drive back

0:32:54.200 --> 0:32:56.760
<v Speaker 1>that that hour's gone. Where I can just I have

0:32:56.800 --> 0:32:58.240
<v Speaker 1>a court here at the house. If I get I

0:32:58.240 --> 0:33:00.440
<v Speaker 1>get an hour workout at and play pickleba. Yeah, we

0:33:00.520 --> 0:33:02.120
<v Speaker 1>have to play with who do you play? Like?

0:33:03.000 --> 0:33:03.520
<v Speaker 2>Great point.

0:33:03.760 --> 0:33:05.920
<v Speaker 1>That's why you hire people that are your friends and

0:33:05.960 --> 0:33:09.840
<v Speaker 1>then you go so like today Reid and I are

0:33:09.840 --> 0:33:13.000
<v Speaker 1>gonna play, Uh, asked Brandon, and Brandon was already away

0:33:13.000 --> 0:33:14.240
<v Speaker 1>over here and he had closed. He's like, I'm in

0:33:14.320 --> 0:33:18.280
<v Speaker 1>jeans and but yes, I could see where coordinating the

0:33:18.320 --> 0:33:19.000
<v Speaker 1>other person.

0:33:19.320 --> 0:33:21.840
<v Speaker 2>I guess my thing was time. I just have the time.

0:33:21.920 --> 0:33:24.600
<v Speaker 3>Yeah, I like man if I could get I I

0:33:24.680 --> 0:33:27.400
<v Speaker 3>literally I went through a pickleball phase like the end

0:33:27.440 --> 0:33:29.720
<v Speaker 3>of last year, and I'm like, this is my new identity.

0:33:29.960 --> 0:33:32.200
<v Speaker 3>I'm gonna I'm gonna be one of those guys. But yeah,

0:33:32.200 --> 0:33:33.560
<v Speaker 3>it was just tough fun with people I love. I

0:33:33.560 --> 0:33:36.480
<v Speaker 3>also like pickleball because golf is fun, but I do

0:33:36.600 --> 0:33:39.760
<v Speaker 3>like I was like to play basketball. And there was

0:33:39.800 --> 0:33:41.640
<v Speaker 3>a game that was going on a lot with a

0:33:41.640 --> 0:33:43.600
<v Speaker 3>bunch of like songwriter and artists stuff in town like

0:33:43.640 --> 0:33:44.120
<v Speaker 3>Gordon as.

0:33:44.520 --> 0:33:49.440
<v Speaker 1>Yeah, we played over there once together there Travis that pandemic. Yeah,

0:33:50.320 --> 0:33:52.840
<v Speaker 1>oh it's for Travis's video. It's for like a content shoot.

0:33:53.120 --> 0:33:55.000
<v Speaker 1>They always played like nine o'clock I'll get a call,

0:33:55.240 --> 0:33:56.120
<v Speaker 1>Hey we're playing again?

0:33:56.840 --> 0:33:57.600
<v Speaker 2>Okay, what time?

0:33:58.040 --> 0:33:58.680
<v Speaker 3>Nine pm?

0:33:59.480 --> 0:34:00.160
<v Speaker 2>Like as don't you know?

0:34:00.200 --> 0:34:02.040
<v Speaker 1>I wake up? But like butt whole o'clock. Yeah, there's

0:34:02.080 --> 0:34:02.640
<v Speaker 1>no chance.

0:34:02.880 --> 0:34:04.120
<v Speaker 2>So you're not playing basketball anymore.

0:34:04.080 --> 0:34:06.240
<v Speaker 3>And that game, I you know, I just texted, uh

0:34:06.520 --> 0:34:08.160
<v Speaker 3>texted one of the guys in that in that group,

0:34:08.200 --> 0:34:09.920
<v Speaker 3>and I don't know. I lose, Like is there a

0:34:09.960 --> 0:34:11.759
<v Speaker 3>new game? I texted the John Chris goes out there

0:34:11.800 --> 0:34:13.520
<v Speaker 3>and plays. I text shandals like is there do I

0:34:13.520 --> 0:34:15.719
<v Speaker 3>get kicked out of the chat? Like is there a game?

0:34:15.760 --> 0:34:17.839
<v Speaker 3>I don't know about? But it seems like it's it's

0:34:17.880 --> 0:34:19.840
<v Speaker 3>just now that you want to talk about coordinating people,

0:34:19.920 --> 0:34:22.120
<v Speaker 3>that's a lot of you need like fifteen people because

0:34:22.480 --> 0:34:26.200
<v Speaker 3>unless yeah, so that's tough. But I like pickleball because

0:34:26.239 --> 0:34:30.520
<v Speaker 3>it's active. I like, you know, you're breathing hard, you're sweating,

0:34:30.680 --> 0:34:32.040
<v Speaker 3>you endorphins are going.

0:34:32.080 --> 0:34:33.080
<v Speaker 1>How far do you live from here?

0:34:33.640 --> 0:34:35.560
<v Speaker 3>Uh? It took me thirty minutes.

0:34:35.600 --> 0:34:38.960
<v Speaker 2>Oh that's too far for what to invite you?

0:34:39.640 --> 0:34:44.200
<v Speaker 3>Dude, I drive here, I gotn't. I drive every day

0:34:43.360 --> 0:34:47.759
<v Speaker 3>and that's that's pretty far. We'll move if it means

0:34:47.760 --> 0:34:52.399
<v Speaker 3>having a pickleball got yeah, And we're moving out for sure.

0:34:52.480 --> 0:34:54.879
<v Speaker 1>Yeah, I'll invite you to come play because we I mean,

0:34:54.920 --> 0:34:56.480
<v Speaker 1>we're always looking to.

0:34:57.000 --> 0:34:58.600
<v Speaker 2>Have people over to play. Let's do it.

0:34:58.680 --> 0:35:01.719
<v Speaker 3>That's been the heart is just finding if if but

0:35:01.760 --> 0:35:03.680
<v Speaker 3>no driving thirty minutes. That's that's kind of I did

0:35:03.680 --> 0:35:05.360
<v Speaker 3>it on because I used to live in East Nashville.

0:35:05.640 --> 0:35:07.120
<v Speaker 3>We moved out and I live like a half hour

0:35:07.160 --> 0:35:09.400
<v Speaker 3>outside of the city. But it's very it's very normal

0:35:09.440 --> 0:35:12.080
<v Speaker 3>to me to for rights and I'm gonna come to

0:35:12.080 --> 0:35:12.600
<v Speaker 3>town a lot.

0:35:12.719 --> 0:35:14.760
<v Speaker 2>So I got thirty minutes is forever.

0:35:15.719 --> 0:35:17.960
<v Speaker 3>I can tell you, Yeah, I can tell you you

0:35:17.960 --> 0:35:19.600
<v Speaker 3>You get to bring people to your world.

0:35:19.640 --> 0:35:22.040
<v Speaker 1>That's for the most part. We all still go into

0:35:22.080 --> 0:35:24.799
<v Speaker 1>the studio, the downtown studio. But you're talking about I

0:35:24.800 --> 0:35:28.000
<v Speaker 1>George work and nobody's on the road. So it's nine minutes,

0:35:28.200 --> 0:35:32.399
<v Speaker 1>yeah to get downtown. And then I mostly don't leave

0:35:33.239 --> 0:35:39.239
<v Speaker 1>unless for anything, Yeah, unless I'm traveling to go somewhere. Yeah,

0:35:39.320 --> 0:35:41.960
<v Speaker 1>because we'll work here out of here. I got a

0:35:42.000 --> 0:35:44.600
<v Speaker 1>gym trainer comes here, like pick a ball back there.

0:35:45.360 --> 0:35:48.919
<v Speaker 1>Vet comes here. That's our friend though, that's our close friends.

0:35:48.920 --> 0:35:50.440
<v Speaker 3>So that way you just need to have So what

0:35:50.520 --> 0:35:52.239
<v Speaker 3>you're saying is I need to you to make sure

0:35:52.280 --> 0:35:53.239
<v Speaker 3>all your friends.

0:35:53.920 --> 0:35:55.719
<v Speaker 1>Oh, that's true. My Vet is my friend. However, she

0:35:55.840 --> 0:35:59.120
<v Speaker 1>was a VET before a friend. I think I didn't.

0:35:59.160 --> 0:36:00.880
<v Speaker 1>I wasn't our friend walk she went to VET school.

0:36:01.760 --> 0:36:03.880
<v Speaker 1>I met her, my wife actually met her. But she

0:36:03.960 --> 0:36:06.399
<v Speaker 1>does a podcast now for us too, doctor Josie. But yeah,

0:36:06.400 --> 0:36:08.839
<v Speaker 1>that's right, all my Yeah. Somehow I either hire all

0:36:08.840 --> 0:36:10.600
<v Speaker 1>my friends or people that I work closely with, I

0:36:10.640 --> 0:36:11.279
<v Speaker 1>make on my friend.

0:36:11.480 --> 0:36:13.480
<v Speaker 3>That way I never have to leave my I get that.

0:36:13.520 --> 0:36:15.360
<v Speaker 3>I try to that I'm in a band. I yeah

0:36:15.360 --> 0:36:17.160
<v Speaker 3>that too. Well you're saying I need to hit up

0:36:17.200 --> 0:36:19.680
<v Speaker 3>our crew and get them to play.

0:36:20.320 --> 0:36:23.240
<v Speaker 1>Or hire new crew that you would like to play

0:36:23.480 --> 0:36:28.760
<v Speaker 1>sports with. That's that's the thing. Like Brandon for example,

0:36:28.760 --> 0:36:31.799
<v Speaker 1>Brandon Ray who's over there, and Brandon has been one

0:36:31.840 --> 0:36:36.000
<v Speaker 1>of my closest friends for a decade and one of

0:36:36.000 --> 0:36:39.759
<v Speaker 1>those friends where you don't have to see them every week.

0:36:40.040 --> 0:36:41.560
<v Speaker 1>You know. I have friends like that from college who

0:36:41.560 --> 0:36:42.839
<v Speaker 1>I would be like, you need a kidney. I'm still

0:36:42.840 --> 0:36:44.680
<v Speaker 1>here with you, but you don't talk. But you do

0:36:44.760 --> 0:36:48.440
<v Speaker 1>have those friendships. But Brandon is a plus singer, a

0:36:48.520 --> 0:36:50.359
<v Speaker 1>plus player, players with raging idiots. When we do our

0:36:50.400 --> 0:36:54.080
<v Speaker 1>charity stuff, plays guitar, and Reid has been my guy

0:36:54.400 --> 0:36:58.560
<v Speaker 1>doing all my digital for five years. Like Reid was

0:36:58.560 --> 0:37:01.480
<v Speaker 1>a pup and emailed me and was like, I like

0:37:01.560 --> 0:37:03.000
<v Speaker 1>to do some videos for you.

0:37:03.200 --> 0:37:04.719
<v Speaker 3>That's his voice, Yeah, it's pretty much.

0:37:04.760 --> 0:37:04.920
<v Speaker 1>Yeah.

0:37:04.920 --> 0:37:06.280
<v Speaker 4>Well I haven't heard him talk yet.

0:37:06.120 --> 0:37:06.720
<v Speaker 1>But he doesn't.

0:37:06.719 --> 0:37:09.240
<v Speaker 2>But when he does hit, I was like, dudn okay.

0:37:09.360 --> 0:37:11.640
<v Speaker 1>And so I didn't know him, but he was a

0:37:11.719 --> 0:37:14.520
<v Speaker 1>kid from Arkansas, and I was like, I'll probably related,

0:37:14.520 --> 0:37:16.240
<v Speaker 1>So I go ahead and hire you. You're from Texas,

0:37:16.360 --> 0:37:19.680
<v Speaker 1>you get it. Yeah, And so my cousin, Yeah, I

0:37:19.760 --> 0:37:21.680
<v Speaker 1>hired him, and he's been here for five years, right,

0:37:21.719 --> 0:37:26.080
<v Speaker 1>and and everybody going travels with me, but he's does

0:37:26.239 --> 0:37:29.880
<v Speaker 1>photos and videos and we go and we do shows

0:37:29.960 --> 0:37:32.640
<v Speaker 1>and like he's just been like at my hip for

0:37:32.640 --> 0:37:35.279
<v Speaker 1>for the last five years. And so Read's like, Read goes, well,

0:37:35.280 --> 0:37:39.120
<v Speaker 1>I gotta move, Like where you move? Are you?

0:37:39.280 --> 0:37:40.120
<v Speaker 3>What are you talking about?

0:37:40.160 --> 0:37:40.680
<v Speaker 1>You gotta move.

0:37:40.840 --> 0:37:43.840
<v Speaker 2>I gotta move to Saint Louis. Saint Louis.

0:37:44.080 --> 0:37:46.520
<v Speaker 1>His wife's about to be a doctor, got to a medicool.

0:37:46.520 --> 0:37:48.759
<v Speaker 1>So Reads leaving, I'm looking for a new person right

0:37:48.800 --> 0:37:51.680
<v Speaker 1>to run the digital operation, which has become big, you

0:37:51.680 --> 0:37:54.040
<v Speaker 1>know how this sometimes it just grows and you look

0:37:54.080 --> 0:37:57.520
<v Speaker 1>down and you're like, oh man, this is actually quite robust.

0:37:57.600 --> 0:38:01.000
<v Speaker 1>And if that person's gone, we're So. I was interviewing

0:38:01.040 --> 0:38:04.600
<v Speaker 1>a bunch of people and Brandon, who was writing all

0:38:04.600 --> 0:38:07.319
<v Speaker 1>this sync music for like TV shows and commercials, hits

0:38:07.320 --> 0:38:08.600
<v Speaker 1>me up and he's like, hey, would you ever think

0:38:08.600 --> 0:38:11.879
<v Speaker 1>about me for that job? And I was like, no, sure, what, No,

0:38:11.920 --> 0:38:14.440
<v Speaker 1>not at all. I never thought And so ended up

0:38:14.520 --> 0:38:18.400
<v Speaker 1>hiring Brandon. And so now Brandon's doing this, So I

0:38:18.440 --> 0:38:19.680
<v Speaker 1>guess I just hired another friend.

0:38:19.719 --> 0:38:21.600
<v Speaker 2>I guess I perfect keep it. That's I'm just giving you.

0:38:21.680 --> 0:38:24.239
<v Speaker 3>Yeah, keeping the family your friends. Yeah, I love that.

0:38:24.320 --> 0:38:27.520
<v Speaker 1>Yeah, then they come over you. My wife is always like,

0:38:27.760 --> 0:38:29.560
<v Speaker 1>who are you hiring now? And I'm like, don't worry

0:38:30.320 --> 0:38:32.160
<v Speaker 1>a friend, you already already know them.

0:38:32.640 --> 0:38:38.040
<v Speaker 5>The Bobby Cast will be right back. Welcome back to

0:38:38.160 --> 0:38:38.960
<v Speaker 5>the Bobby Cast.

0:38:39.280 --> 0:38:42.600
<v Speaker 3>Did your wife ever while with you on the road? Yes? Yeah,

0:38:42.600 --> 0:38:44.600
<v Speaker 3>two kids. Yeah, we bring the kids too. We're we're

0:38:44.640 --> 0:38:48.400
<v Speaker 3>traveling circus, man. We yeah, like just a few weeks ago,

0:38:48.800 --> 0:38:52.399
<v Speaker 3>and especially we'll work it now. Like they do seem

0:38:52.440 --> 0:38:54.760
<v Speaker 3>to go places like they came on the road.

0:38:54.600 --> 0:38:56.040
<v Speaker 4>A few weeks ago because we were in Florida.

0:38:56.520 --> 0:38:59.160
<v Speaker 3>Uh so like Sarasota and Tampa and like that bus

0:38:59.280 --> 0:39:03.600
<v Speaker 3>road or they fly so both so they so they

0:39:03.680 --> 0:39:05.800
<v Speaker 3>flew let me think how they Okay, So they flew

0:39:06.480 --> 0:39:07.319
<v Speaker 3>the Florida one.

0:39:07.360 --> 0:39:08.120
<v Speaker 4>They flew to Florida.

0:39:08.200 --> 0:39:09.960
<v Speaker 3>We have family in Florida, they say with and then

0:39:10.000 --> 0:39:12.080
<v Speaker 3>they just like met us there and then a few

0:39:12.360 --> 0:39:15.239
<v Speaker 3>and then the last week of the tour Northeast, they

0:39:15.239 --> 0:39:18.120
<v Speaker 3>flew to Boston fam or she has my in law

0:39:18.239 --> 0:39:21.320
<v Speaker 3>or my sister in law's family is from Boston area.

0:39:21.680 --> 0:39:24.040
<v Speaker 3>So it flew up stay with them, then hopped on

0:39:24.080 --> 0:39:26.520
<v Speaker 3>the bus with us, went to Buffalo, and then busted

0:39:26.520 --> 0:39:29.120
<v Speaker 3>down to Nashville with us. And yeah, my, my, we

0:39:29.160 --> 0:39:31.200
<v Speaker 3>have some bunks open, so my daughter just jumps in

0:39:31.200 --> 0:39:32.520
<v Speaker 3>a little bunk and then we set up like a

0:39:32.560 --> 0:39:34.000
<v Speaker 3>pack and play thing in the back and my wife

0:39:34.000 --> 0:39:36.359
<v Speaker 3>sleeps back there with it. It's yeah, make it work,

0:39:36.560 --> 0:39:37.320
<v Speaker 3>just carnies.

0:39:37.560 --> 0:39:40.160
<v Speaker 1>Whenever you decided to go back on the road, which

0:39:40.200 --> 0:39:43.280
<v Speaker 1>inevitably you knew what you would do, a bit nervous

0:39:43.360 --> 0:39:44.560
<v Speaker 1>put tickets back out there.

0:39:44.840 --> 0:39:48.200
<v Speaker 4>Oh yeah, terrified and what was so weird at that time?

0:39:48.239 --> 0:39:50.120
<v Speaker 3>That was still we went out, start going out, and

0:39:50.160 --> 0:39:52.680
<v Speaker 3>like end of twenty one, twenty and then twenty two

0:39:53.280 --> 0:39:56.920
<v Speaker 3>that was still the whole country handled that whole thing differently.

0:39:57.200 --> 0:39:59.440
<v Speaker 3>So we might play in like Montana and it'd be

0:39:59.480 --> 0:40:02.560
<v Speaker 3>like thousand people like, oh we're back baby. Then we'd

0:40:02.560 --> 0:40:04.799
<v Speaker 3>go play a show and there's like seventeen people at

0:40:04.800 --> 0:40:07.360
<v Speaker 3>tables cause it was just the vibe was still, and

0:40:07.360 --> 0:40:08.880
<v Speaker 3>people like, I'm not going out to a shit and so,

0:40:09.560 --> 0:40:11.720
<v Speaker 3>and then that we would play shows like is it us?

0:40:12.440 --> 0:40:15.680
<v Speaker 3>Is it the world? Is it the We just couldn't

0:40:15.719 --> 0:40:17.520
<v Speaker 3>get a because here's a thing that was really weird

0:40:17.560 --> 0:40:21.560
<v Speaker 3>about our career. Everyone, unless you're like George Straight, there

0:40:21.560 --> 0:40:23.880
<v Speaker 3>are some that get to hack this and don't, but

0:40:24.000 --> 0:40:26.960
<v Speaker 3>everyone does. Eventually you do have that last and even

0:40:27.000 --> 0:40:29.640
<v Speaker 3>George Straight, you have that last hit, that last single,

0:40:30.280 --> 0:40:33.040
<v Speaker 3>and then you start you do get a phone call like, hey,

0:40:33.880 --> 0:40:36.280
<v Speaker 3>it's not you know, they're not biting, it's not reacting.

0:40:36.280 --> 0:40:38.200
<v Speaker 3>You know it's and then you get to if you're huge,

0:40:38.200 --> 0:40:39.920
<v Speaker 3>you get to choose like are we going to be legacy?

0:40:39.960 --> 0:40:42.000
<v Speaker 3>You know, what are we going to do? Or for

0:40:42.239 --> 0:40:45.200
<v Speaker 3>most artists, you have this career and then you have

0:40:45.239 --> 0:40:47.200
<v Speaker 3>a song and it doesn't any You try again and

0:40:47.200 --> 0:40:49.840
<v Speaker 3>it and you go from say you're doing five thousand

0:40:49.880 --> 0:40:53.000
<v Speaker 3>tickets to them maybe you're doing thirty five to two

0:40:53.040 --> 0:40:53.520
<v Speaker 3>and you it.

0:40:53.680 --> 0:40:56.160
<v Speaker 4>But it's years of this, like you're seeing it.

0:40:56.480 --> 0:40:59.399
<v Speaker 3>We went from like top of the world selling out

0:40:59.400 --> 0:41:00.400
<v Speaker 3>in different cun trees.

0:41:00.960 --> 0:41:04.520
<v Speaker 4>Two we play a show and there's fifteen pe and like, wait, is.

0:41:04.480 --> 0:41:06.920
<v Speaker 3>This because of us or the world or did we

0:41:06.960 --> 0:41:09.040
<v Speaker 3>fall off that hard or what is it? And it

0:41:09.080 --> 0:41:11.960
<v Speaker 3>was a really weird whiplash because it wasn't a fair representation.

0:41:12.040 --> 0:41:13.080
<v Speaker 4>We didn't know where we were.

0:41:13.160 --> 0:41:15.680
<v Speaker 3>We didn't know like do people do we have fans

0:41:15.680 --> 0:41:18.240
<v Speaker 3>out there? And so that was a that was definitely

0:41:18.320 --> 0:41:21.080
<v Speaker 3>a really scary process and and what'd you find out?

0:41:21.120 --> 0:41:21.759
<v Speaker 1>What was it?

0:41:21.760 --> 0:41:22.000
<v Speaker 2>Then?

0:41:22.120 --> 0:41:24.000
<v Speaker 3>I think it was, I mean, we definitely found we

0:41:24.160 --> 0:41:25.920
<v Speaker 3>found that we still i mean we sold out shows

0:41:25.920 --> 0:41:27.800
<v Speaker 3>on this We have not had like a hit, like

0:41:27.840 --> 0:41:31.920
<v Speaker 3>a number one song in like eight years, and we

0:41:32.040 --> 0:41:35.239
<v Speaker 3>still can go to certain markets and you know, clear

0:41:35.280 --> 0:41:36.800
<v Speaker 3>thousand tickets and sell out and we go to a

0:41:36.840 --> 0:41:39.400
<v Speaker 3>lot of these you know exit in type venues and

0:41:39.520 --> 0:41:41.759
<v Speaker 3>sell it out. And that was honestly, even at the time,

0:41:41.840 --> 0:41:45.040
<v Speaker 3>that was still like around. You know, we're kind of

0:41:45.520 --> 0:41:49.440
<v Speaker 3>we somehow do have this fan base that really a

0:41:49.440 --> 0:41:51.279
<v Speaker 3>lot of people know it's for Grace Love Story, but

0:41:51.360 --> 0:41:53.760
<v Speaker 3>like our fans, they'll sing the other songs and they'll

0:41:53.800 --> 0:41:56.480
<v Speaker 3>talk to us about how these other songs have impacted them.

0:41:56.480 --> 0:41:58.120
<v Speaker 3>And so we still have this fan base. We can

0:41:58.160 --> 0:42:00.360
<v Speaker 3>go out and do our thing. Now it's just trying

0:42:00.360 --> 0:42:03.200
<v Speaker 3>to capitalize on that and grow from there and kind

0:42:03.200 --> 0:42:03.880
<v Speaker 3>of relaunch.

0:42:04.480 --> 0:42:08.000
<v Speaker 1>Uh. Yeah, you talked about a song you wrote on

0:42:08.120 --> 0:42:12.640
<v Speaker 1>this record by yourself, which was Low Class Lovers. So

0:42:12.800 --> 0:42:14.600
<v Speaker 1>first I'm gonna ask you about that. Where were you

0:42:14.640 --> 0:42:16.200
<v Speaker 1>with your wife where you're like, we don't belong?

0:42:16.920 --> 0:42:18.160
<v Speaker 4>Why I don't everyone it's called it.

0:42:18.360 --> 0:42:22.480
<v Speaker 3>It was a restaurant in Green Hills and part of

0:42:22.480 --> 0:42:25.080
<v Speaker 3>the not belonging thing too. That was our first time

0:42:25.120 --> 0:42:27.720
<v Speaker 3>going out after having a baby and with the COVID,

0:42:27.719 --> 0:42:29.960
<v Speaker 3>so we had been like living in sweatpants and like

0:42:30.239 --> 0:42:32.600
<v Speaker 3>it was the first time we'd like seen society went out,

0:42:32.719 --> 0:42:34.440
<v Speaker 3>so we already felt, you know, it's like, oh okay,

0:42:34.600 --> 0:42:37.040
<v Speaker 3>like out in the world. And then also, yeah, we'd

0:42:37.080 --> 0:42:40.160
<v Speaker 3>been like living in sweatpants and just chilling, and now

0:42:40.160 --> 0:42:42.319
<v Speaker 3>we're like a you know, white tablecloths, whatever, and it

0:42:42.360 --> 0:42:44.799
<v Speaker 3>was it was really nice, but it was you know,

0:42:45.000 --> 0:42:48.040
<v Speaker 3>things on the menu. You're like a kind of a cheeseburger,

0:42:48.200 --> 0:42:50.440
<v Speaker 3>like I don't know. I'm sure it's good, but I

0:42:50.480 --> 0:42:53.080
<v Speaker 3>don't know if I want the whatever type of eggs

0:42:53.400 --> 0:42:55.160
<v Speaker 3>as a garnish on that thing.

0:42:55.520 --> 0:42:58.600
<v Speaker 1>When you write a song by yourself, that one specifically,

0:42:59.680 --> 0:43:03.120
<v Speaker 1>when you done, you really can't send it and have

0:43:03.320 --> 0:43:07.120
<v Speaker 1>somebody give you critiques or changes, right, because then they.

0:43:07.640 --> 0:43:08.319
<v Speaker 2>Co wrote it.

0:43:09.000 --> 0:43:11.120
<v Speaker 1>Yeah, yeah, I mean you know fine line.

0:43:11.440 --> 0:43:15.320
<v Speaker 3>Yeah, and uh, you know, I think that my process

0:43:15.320 --> 0:43:16.719
<v Speaker 3>of that is if I write a song that I

0:43:16.760 --> 0:43:18.880
<v Speaker 3>think is cool, I'll take it to the guys and

0:43:18.920 --> 0:43:23.560
<v Speaker 3>be like and then they're they generally don't yeah, they

0:43:23.560 --> 0:43:25.000
<v Speaker 3>don't try to like get in on it and be like,

0:43:25.040 --> 0:43:27.000
<v Speaker 3>you know, well maybe if the second verse, it's like

0:43:27.239 --> 0:43:29.799
<v Speaker 3>this is when I wrote yeah or nay, because I

0:43:29.960 --> 0:43:32.680
<v Speaker 3>do bring like a pretty much completed thing and it's

0:43:32.920 --> 0:43:34.680
<v Speaker 3>like is this cool or not? And that one was

0:43:34.719 --> 0:43:36.600
<v Speaker 3>cool like on guitar, And then we got in the

0:43:36.640 --> 0:43:39.319
<v Speaker 3>studio and I told Jay he produced that one. I

0:43:39.360 --> 0:43:41.360
<v Speaker 3>was like, I want this to be like a Bohemian

0:43:41.440 --> 0:43:44.080
<v Speaker 3>rhapste like this up and down and in and it

0:43:44.239 --> 0:43:46.960
<v Speaker 3>just this kind of this. He kept calling it my opus.

0:43:48.400 --> 0:43:50.680
<v Speaker 3>And so once we start in the studio attacking it

0:43:50.760 --> 0:43:51.160
<v Speaker 3>like that, it.

0:43:51.120 --> 0:43:52.000
<v Speaker 4>Just became really fun.

0:43:52.000 --> 0:43:55.560
<v Speaker 1>And yeah, will they ever say nay, Yeah, if you

0:43:55.600 --> 0:43:57.200
<v Speaker 1>bring in the song by yourself, you're like, this is it,

0:43:58.280 --> 0:43:59.879
<v Speaker 1>they'll go and naw, I don't think this is it.

0:44:00.560 --> 0:44:04.200
<v Speaker 3>They never say that. They'll say that could be cool.

0:44:05.520 --> 0:44:08.479
<v Speaker 3>But now you know what that means exactly. So you know, God,

0:44:08.600 --> 0:44:09.560
<v Speaker 3>what about Greatest Love Story?

0:44:09.560 --> 0:44:09.920
<v Speaker 2>When you wrote?

0:44:09.920 --> 0:44:10.680
<v Speaker 1>You wrote that by yourself?

0:44:10.760 --> 0:44:11.600
<v Speaker 2>Yeah?

0:44:11.640 --> 0:44:12.160
<v Speaker 1>What was that?

0:44:12.200 --> 0:44:15.720
<v Speaker 2>Did you? Did you write that before them? I wrote

0:44:15.760 --> 0:44:17.160
<v Speaker 2>that around.

0:44:16.920 --> 0:44:19.040
<v Speaker 3>The time we'd start as a band, but I had

0:44:19.040 --> 0:44:21.160
<v Speaker 3>a bun I'd written all the songs like and had

0:44:21.200 --> 0:44:22.839
<v Speaker 3>these songs I wanted to put a band around it.

0:44:23.640 --> 0:44:26.480
<v Speaker 3>And so that was one I wrote right as it

0:44:26.560 --> 0:44:29.560
<v Speaker 3>was forming, and we had finished rehearsal and we were

0:44:29.680 --> 0:44:31.480
<v Speaker 3>on this back patio and I was we were like,

0:44:31.520 --> 0:44:32.759
<v Speaker 3>what do we do you know, cause we kind of

0:44:32.840 --> 0:44:36.080
<v Speaker 3>practice the songs, and uh, I was like, I kind

0:44:36.080 --> 0:44:38.759
<v Speaker 3>of I wrote this little thing and I wrote it

0:44:38.840 --> 0:44:41.399
<v Speaker 3>played like the first chorus, and everyone was like, yeah,

0:44:41.400 --> 0:44:43.359
<v Speaker 3>that's cool. And so we just went right in and

0:44:43.360 --> 0:44:46.719
<v Speaker 3>started putting music to it. Yeah, they liked that one.

0:44:47.160 --> 0:44:48.279
<v Speaker 2>What do you chase now?

0:44:48.840 --> 0:44:53.960
<v Speaker 1>Meaning there are like eight versions of finger quote success,

0:44:54.880 --> 0:45:00.719
<v Speaker 1>There's lots of streams, there's viral, there's radio, there's and

0:45:00.960 --> 0:45:03.440
<v Speaker 1>one or two of them without the others is great. Yeah,

0:45:03.440 --> 0:45:06.279
<v Speaker 1>because it cut right. There's many ways to cut, but

0:45:06.360 --> 0:45:08.080
<v Speaker 1>you almost have to pick your lanes that you chase

0:45:08.080 --> 0:45:10.080
<v Speaker 1>because if you're chasing all day, if you're chasing eight rabbit,

0:45:10.120 --> 0:45:12.040
<v Speaker 1>you're not going to catch any of them. Yeah, Like

0:45:12.080 --> 0:45:13.640
<v Speaker 1>what are you guys as a band, Like, what are

0:45:13.640 --> 0:45:14.160
<v Speaker 1>you chasing?

0:45:14.400 --> 0:45:16.080
<v Speaker 3>Well, I'd say I'd say, you know, for the for

0:45:16.120 --> 0:45:19.480
<v Speaker 3>the past few years, we've been focusing on like building

0:45:19.560 --> 0:45:21.960
<v Speaker 3>socials and then and streaming and that's you know, and

0:45:22.000 --> 0:45:24.760
<v Speaker 3>that's how people consume music. Uh, Like they're not buying

0:45:24.760 --> 0:45:27.840
<v Speaker 3>CDEs as much anymore, you know, if at all. So

0:45:27.920 --> 0:45:29.480
<v Speaker 3>that's part of it. But I would say, I mean,

0:45:29.560 --> 0:45:30.640
<v Speaker 3>right now we really are.

0:45:31.680 --> 0:45:32.360
<v Speaker 4>We have an.

0:45:32.200 --> 0:45:36.480
<v Speaker 3>Opportunity to be at radio and go because that does

0:45:36.560 --> 0:45:38.840
<v Speaker 3>take I mean, that takes a team of people around

0:45:38.840 --> 0:45:40.400
<v Speaker 3>you as far as like the industries, because like you

0:45:40.400 --> 0:45:41.879
<v Speaker 3>have to have a radio team and stuff, and right

0:45:41.920 --> 0:45:44.680
<v Speaker 3>now we have that and they're really great, and it

0:45:44.719 --> 0:45:46.240
<v Speaker 3>does get to put you out in front of an audience,

0:45:46.239 --> 0:45:47.799
<v Speaker 3>and it does put you in a lane of when

0:45:47.840 --> 0:45:49.520
<v Speaker 3>you're looking at those festivals and you're looking at these

0:45:49.600 --> 0:45:51.680
<v Speaker 3>tours like that is kind of a qualifier.

0:45:52.680 --> 0:45:54.560
<v Speaker 1>It is an investment though, when I say Chase to

0:45:54.680 --> 0:45:57.520
<v Speaker 1>do that version, to do the radio version, you got

0:45:57.560 --> 0:46:00.200
<v Speaker 1>to be places. Yeah, And that's time and effort and money.

0:46:00.280 --> 0:46:03.799
<v Speaker 3>Yes, So okay, the thing is so the thing is

0:46:03.840 --> 0:46:07.600
<v Speaker 3>with us, Like I wish that I was a talented

0:46:07.719 --> 0:46:10.160
<v Speaker 3>enough content creator that I just knew because it is

0:46:10.200 --> 0:46:13.040
<v Speaker 3>an art form, like they know the lighting, getting the back,

0:46:13.160 --> 0:46:15.200
<v Speaker 3>like they just know. Like I know artists that are

0:46:15.239 --> 0:46:17.680
<v Speaker 3>so good at that and they don't feel silly doing it.

0:46:17.920 --> 0:46:20.120
<v Speaker 3>I also know artists that honestly feel a little silly

0:46:20.160 --> 0:46:23.240
<v Speaker 3>on stage, and they where I don't I feel silly

0:46:23.520 --> 0:46:26.279
<v Speaker 3>like pointing to nothing and then putting captions over it.

0:46:26.560 --> 0:46:29.359
<v Speaker 3>They don't. I don't feel silly on stage. I don't

0:46:29.400 --> 0:46:31.400
<v Speaker 3>care if it's at some event where there's twenty people.

0:46:31.920 --> 0:46:35.279
<v Speaker 3>This is like, this is my home, and so I

0:46:35.320 --> 0:46:37.200
<v Speaker 3>don't mind. Like I like going out on the road

0:46:37.239 --> 0:46:41.000
<v Speaker 3>and playing shows and even going into a station and

0:46:41.280 --> 0:46:43.640
<v Speaker 3>playing some songs I like talking. I like hanging out.

0:46:44.200 --> 0:46:47.520
<v Speaker 3>So for me, that's a that's a I don't mind

0:46:47.560 --> 0:46:50.000
<v Speaker 3>at all investing my time there and even you know,

0:46:50.040 --> 0:46:52.200
<v Speaker 3>going to these cities and playing shows and partnering with

0:46:52.200 --> 0:46:55.319
<v Speaker 3>with radio. H it's I like, it's a partnership. Hey,

0:46:55.360 --> 0:46:58.000
<v Speaker 3>you give us some you know, like you we give

0:46:58.040 --> 0:47:00.640
<v Speaker 3>each other attention, and we work together and you're playing

0:47:00.640 --> 0:47:03.840
<v Speaker 3>our music and we, you know, come out of the

0:47:03.840 --> 0:47:06.279
<v Speaker 3>show and let's hang and meet your listeners or you know,

0:47:06.320 --> 0:47:06.880
<v Speaker 3>whatever it is.

0:47:07.280 --> 0:47:10.480
<v Speaker 1>You're right about qualifiers in the way.

0:47:10.280 --> 0:47:12.520
<v Speaker 2>Of their different qualifiers for the different rabbits.

0:47:12.640 --> 0:47:15.600
<v Speaker 1>I'll just use rabbits as you know, the analogy here

0:47:15.840 --> 0:47:18.520
<v Speaker 1>that's chasing rabbits. Like if you have a top ten,

0:47:18.600 --> 0:47:20.520
<v Speaker 1>top five, number one song on radio, that is a

0:47:20.560 --> 0:47:24.040
<v Speaker 1>qualifier for festivals, that is a qualifier for award shows.

0:47:25.000 --> 0:47:28.160
<v Speaker 1>If you have one hundred million streams, if you have

0:47:28.200 --> 0:47:30.120
<v Speaker 1>there's a number, there's a qualifying number. If you have

0:47:30.520 --> 0:47:34.640
<v Speaker 1>this many followers, but you don't have the radio, like,

0:47:34.680 --> 0:47:37.440
<v Speaker 1>that's a qualifier. And it's like the more qualifiers you

0:47:37.480 --> 0:47:41.320
<v Speaker 1>can have, the more qualified the people that are making

0:47:41.640 --> 0:47:45.040
<v Speaker 1>the decisions think you are right right, yeah, and so

0:47:46.680 --> 0:47:48.560
<v Speaker 1>and if I and I have friends of mine that

0:47:48.600 --> 0:47:50.839
<v Speaker 1>have chosen to try them all at once, and it

0:47:50.920 --> 0:47:53.040
<v Speaker 1>never works when they try to do them all with

0:47:53.080 --> 0:47:56.600
<v Speaker 1>the ut most priority, because priorities aren't doing everything the same. Yeah,

0:47:56.640 --> 0:47:58.680
<v Speaker 1>but you can literally just be a streaming artist and

0:47:58.719 --> 0:48:01.400
<v Speaker 1>crush and do everything anybody else can do, if that's

0:48:01.800 --> 0:48:04.000
<v Speaker 1>what you have dedicated, if that's the rabbit, you were

0:48:04.000 --> 0:48:08.279
<v Speaker 1>totally into. Same thing with being viral, if you're like

0:48:08.280 --> 0:48:11.560
<v Speaker 1>you're talking about a social media artist and I'm not

0:48:11.600 --> 0:48:13.880
<v Speaker 1>even saying that as any sort of slide, No, of

0:48:13.880 --> 0:48:17.000
<v Speaker 1>course not. If that's your thing and you have four

0:48:17.040 --> 0:48:19.000
<v Speaker 1>and a half million followers and you have videos that

0:48:19.040 --> 0:48:21.640
<v Speaker 1>are doing three four hundred thousand every time, that's a

0:48:21.680 --> 0:48:25.439
<v Speaker 1>freaking qualifier as much as anything else is. So it's

0:48:25.440 --> 0:48:27.279
<v Speaker 1>interesting to see the roads that people go down. But

0:48:27.320 --> 0:48:29.480
<v Speaker 1>what's crazy about you is most people that would talk

0:48:29.560 --> 0:48:34.040
<v Speaker 1>like you would be older. You're young. You just did

0:48:34.080 --> 0:48:35.759
<v Speaker 1>it way early and you got to go through a

0:48:35.760 --> 0:48:38.440
<v Speaker 1>lot of trials and tribulations young, so you have the

0:48:38.480 --> 0:48:40.080
<v Speaker 1>perspective of someone that's a lot older.

0:48:40.200 --> 0:48:40.759
<v Speaker 4>Yeah.

0:48:40.880 --> 0:48:43.000
<v Speaker 3>Yeah, And I mean that's the thing where for me,

0:48:43.120 --> 0:48:47.719
<v Speaker 3>it's everything you know, you don't they're all opportunities like

0:48:47.719 --> 0:48:50.080
<v Speaker 3>social media's a opportunity, it's a marketing opportunity, put yourself

0:48:50.080 --> 0:48:51.560
<v Speaker 3>out there. You get to communicate and use it as

0:48:51.560 --> 0:48:55.319
<v Speaker 3>a way to communicate with your fans. Streaming is, you know,

0:48:56.480 --> 0:48:59.400
<v Speaker 3>a big way that people invest in music and consume music,

0:48:59.440 --> 0:49:03.040
<v Speaker 3>and that's great. And then yeah, radio it's it's it's

0:49:03.080 --> 0:49:07.080
<v Speaker 3>still a platform that that people really invest in and

0:49:07.080 --> 0:49:09.520
<v Speaker 3>pay attention to. And and especially you know, I think

0:49:09.560 --> 0:49:13.279
<v Speaker 3>even you know, a country music demographic a lot, it's

0:49:13.280 --> 0:49:14.200
<v Speaker 3>still getting their work.

0:49:14.239 --> 0:49:15.879
<v Speaker 4>They go, they can still get in.

0:49:15.800 --> 0:49:17.920
<v Speaker 3>Their car and go to work, and more so than

0:49:17.960 --> 0:49:19.800
<v Speaker 3>any other formul Yeah, and turn that on and I

0:49:19.840 --> 0:49:23.120
<v Speaker 3>even find myself there's times where yeah, I can like

0:49:23.239 --> 0:49:25.600
<v Speaker 3>I'm in the driveway trying to find something, but it's

0:49:25.640 --> 0:49:28.320
<v Speaker 3>I end up doing this with TV. I'm just scrolling

0:49:28.360 --> 0:49:29.960
<v Speaker 3>trying to find something. It's easier for me to just

0:49:30.000 --> 0:49:32.360
<v Speaker 3>turn on all right, you know, and what's on the radio,

0:49:32.520 --> 0:49:36.240
<v Speaker 3>and and it definitely has an impact and it's a yeah,

0:49:36.280 --> 0:49:40.640
<v Speaker 3>but I don't know, it's it's I've we've we've pursued

0:49:40.640 --> 0:49:42.319
<v Speaker 3>it all. We've had success and all I mean, we've

0:49:42.320 --> 0:49:44.719
<v Speaker 3>had some songs of and it's interesting too This is

0:49:44.719 --> 0:49:47.400
<v Speaker 3>a hard thing too. There's songs that stream really well

0:49:48.080 --> 0:49:52.200
<v Speaker 3>that will not work at in the country music space

0:49:52.200 --> 0:49:54.480
<v Speaker 3>at radio, you know, and and vice versa even and

0:49:54.560 --> 0:49:58.000
<v Speaker 3>so it's it's a crazy puzzle that that I know

0:49:58.120 --> 0:50:00.319
<v Speaker 3>a lot about. I don't have the crystal or the

0:50:00.320 --> 0:50:02.080
<v Speaker 3>magic answer it, and I don't think anybody does what

0:50:02.120 --> 0:50:05.359
<v Speaker 3>they did then they would be uh, yeah, I don't know.

0:50:06.120 --> 0:50:08.760
<v Speaker 5>Let's take a quick pause for a message from our sponsor.

0:50:10.920 --> 0:50:12.640
<v Speaker 3>This is the Bobby Cast.

0:50:13.080 --> 0:50:14.880
<v Speaker 1>Who do you look at? And I give you an

0:50:14.920 --> 0:50:16.359
<v Speaker 1>example as I asked the question to give you time

0:50:16.400 --> 0:50:18.200
<v Speaker 1>to think. This is an interview technique called I will

0:50:18.200 --> 0:50:19.600
<v Speaker 1>ask you a difficult question, then I will talk for

0:50:19.600 --> 0:50:22.120
<v Speaker 1>a second to give you time to think about an answer. Yeah,

0:50:22.160 --> 0:50:24.560
<v Speaker 1>who do you see? And you go, man, how they

0:50:24.640 --> 0:50:27.960
<v Speaker 1>strategize that. That's pretty freaking cool. I give you an example.

0:50:28.040 --> 0:50:32.560
<v Speaker 1>Drew Baldridge, who who had it all fell off, like

0:50:33.160 --> 0:50:36.400
<v Speaker 1>it all fell off for him and really with no options,

0:50:36.480 --> 0:50:40.319
<v Speaker 1>dude's playing backyards. One social media video blows up and

0:50:40.320 --> 0:50:42.120
<v Speaker 1>he's like, well, crap, I'll just do this over and

0:50:42.120 --> 0:50:45.239
<v Speaker 1>over again. Well, I really don't know how to do

0:50:45.320 --> 0:50:47.120
<v Speaker 1>a label. And since no label will sign me off,

0:50:47.160 --> 0:50:50.080
<v Speaker 1>figure it out, creates his own label, hires his own

0:50:50.120 --> 0:50:53.359
<v Speaker 1>independent and did it and did it and is doing

0:50:53.360 --> 0:50:55.520
<v Speaker 1>it again. Like I said, got another. So I look

0:50:55.560 --> 0:50:58.480
<v Speaker 1>at Drew, who I didn't really know. I'd seen him around,

0:50:58.520 --> 0:50:59.560
<v Speaker 1>and he had just turned into it.

0:51:00.160 --> 0:51:01.960
<v Speaker 2>Uh. I don't think he would care, and I would

0:51:01.960 --> 0:51:03.520
<v Speaker 2>actually don't care if he thinks if he cares.

0:51:03.719 --> 0:51:05.680
<v Speaker 1>But he was just another guy that had a second

0:51:05.840 --> 0:51:08.759
<v Speaker 1>was gone, which there's one hundred of them in town, yeah,

0:51:08.800 --> 0:51:10.680
<v Speaker 1>every year. And he was like, oh yeah, that guy

0:51:10.680 --> 0:51:12.319
<v Speaker 1>people kind of believe thought he was a shiny toy

0:51:12.360 --> 0:51:14.799
<v Speaker 1>for a second, not anymore. But he like figured it

0:51:14.840 --> 0:51:15.920
<v Speaker 1>out through necessity.

0:51:16.080 --> 0:51:17.440
<v Speaker 3>Yeah. So I look at Drew.

0:51:17.360 --> 0:51:20.000
<v Speaker 1>When I say, man, this is the guy who strategized

0:51:20.040 --> 0:51:23.480
<v Speaker 1>it and never had it figured out. Still doesn't, but

0:51:23.640 --> 0:51:25.960
<v Speaker 1>like didn't stop figuring it out right until he had

0:51:26.000 --> 0:51:27.920
<v Speaker 1>some success. He kept chasing it. Who do you Who

0:51:27.920 --> 0:51:28.640
<v Speaker 1>do you see that does that?

0:51:28.680 --> 0:51:28.960
<v Speaker 2>Well?

0:51:28.960 --> 0:51:31.359
<v Speaker 3>Man, there's there's a few. If you wouldn't have said

0:51:31.560 --> 0:51:32.759
<v Speaker 3>you can say Drew too. I'll just say if you

0:51:32.800 --> 0:51:35.520
<v Speaker 3>wouldn't have said Drew deaf because we played dude, I've

0:51:35.560 --> 0:51:37.440
<v Speaker 3>played shows with him ten years ago.

0:51:37.640 --> 0:51:38.840
<v Speaker 4>You know, he's open for us.

0:51:38.840 --> 0:51:42.359
<v Speaker 3>We've over him, like and I've just known him, and yeah,

0:51:42.440 --> 0:51:44.960
<v Speaker 3>just the it's there's it's never a straight line, and

0:51:45.040 --> 0:51:48.120
<v Speaker 3>his story is definitely an example of that. But you

0:51:48.200 --> 0:51:50.160
<v Speaker 3>do just figure it out, I would say him. I'd

0:51:50.200 --> 0:51:53.480
<v Speaker 3>say Walker Hayes, like we knew Walker years ago, years

0:51:53.480 --> 0:51:56.759
<v Speaker 3>before the Applebee's thing, and and you know, good, I

0:51:56.920 --> 0:51:58.760
<v Speaker 3>love his music, like I thought it was so honest

0:51:58.800 --> 0:52:02.239
<v Speaker 3>and raw, but uh, just actually continuing to do that

0:52:02.360 --> 0:52:05.279
<v Speaker 3>kind of real left of center thing until you just

0:52:05.760 --> 0:52:08.040
<v Speaker 3>catch the right wave, right. I'd also say, like a

0:52:08.120 --> 0:52:11.600
<v Speaker 3>Muscatine bloodline right now they've done it from a non

0:52:11.719 --> 0:52:15.560
<v Speaker 3>terrestrial radio side, but really just engaging a fan base

0:52:15.600 --> 0:52:20.160
<v Speaker 3>and continuing to just uh you know, be a you know,

0:52:20.440 --> 0:52:23.840
<v Speaker 3>a unified small business that is music and continuing to

0:52:23.840 --> 0:52:25.120
<v Speaker 3>put out music for your fans.

0:52:26.360 --> 0:52:28.640
<v Speaker 2>But yeah, and those are three people that did it

0:52:28.640 --> 0:52:29.320
<v Speaker 2>completely different.

0:52:29.440 --> 0:52:31.799
<v Speaker 1>I know that's what I was because completely they'd all

0:52:31.880 --> 0:52:33.000
<v Speaker 1>chase different rabbits.

0:52:32.719 --> 0:52:35.400
<v Speaker 2>And made it in their own way. Yeah, what do

0:52:35.480 --> 0:52:36.120
<v Speaker 2>you listen to?

0:52:37.600 --> 0:52:39.640
<v Speaker 3>Oh podcast?

0:52:40.040 --> 0:52:42.080
<v Speaker 1>Now what about music?

0:52:42.120 --> 0:52:47.399
<v Speaker 3>Yeah, we could do both. No, I with music like true,

0:52:47.440 --> 0:52:49.120
<v Speaker 3>it's funny. That's probably why I say the top of

0:52:49.120 --> 0:52:53.680
<v Speaker 3>mine is mustling. I was listening to their stuff. I listened, man,

0:52:53.719 --> 0:52:57.080
<v Speaker 3>I listened to competitors. I hate giving them such such

0:52:57.120 --> 0:52:59.320
<v Speaker 3>a what are you out out? But like Flatland Cavalry,

0:52:59.320 --> 0:53:02.720
<v Speaker 3>like I like that stuff. I also like like Jason

0:53:02.800 --> 0:53:07.120
<v Speaker 3>Isabel and and some like Americana kind of Americana folk

0:53:07.160 --> 0:53:10.000
<v Speaker 3>type stuff. But then even like then like bumping this

0:53:10.040 --> 0:53:13.319
<v Speaker 3>guy Forrest Frank, who you know is a great dance

0:53:13.360 --> 0:53:19.000
<v Speaker 3>party for the family, and uh, trying to think I

0:53:19.040 --> 0:53:22.000
<v Speaker 3>have to get on my Spotify. I music consumption is

0:53:22.000 --> 0:53:24.680
<v Speaker 3>weird for me, to be totally honest, Like I sometimes

0:53:24.719 --> 0:53:28.880
<v Speaker 3>it's very hard for me to to not listen to

0:53:28.960 --> 0:53:31.800
<v Speaker 3>music critically, like I have like a steam son it

0:53:32.000 --> 0:53:33.919
<v Speaker 3>sure you're in it, yeah, And so like if I'm

0:53:33.960 --> 0:53:35.719
<v Speaker 3>if I like getting my son and I'm trying to chill,

0:53:35.760 --> 0:53:38.560
<v Speaker 3>I literally put on a spa music playlist because there's

0:53:38.600 --> 0:53:42.640
<v Speaker 3>no uh, there's no tempo, there's no time signature, there's

0:53:42.719 --> 0:53:46.480
<v Speaker 3>it's just ambient noise, and that helps me like and

0:53:46.480 --> 0:53:49.560
<v Speaker 3>then that's like podcasts too. It's at least I'm critically

0:53:49.600 --> 0:53:52.040
<v Speaker 3>thinking about words people are saying as opposed to like

0:53:52.320 --> 0:53:53.880
<v Speaker 3>why did they do that? Why did they and the

0:53:53.960 --> 0:53:56.439
<v Speaker 3>chorus there, well you know like that. So sometimes music

0:53:56.520 --> 0:53:57.680
<v Speaker 3>is honestly tough to listen to.

0:53:57.800 --> 0:53:58.880
<v Speaker 2>What podcast do you listen to?

0:53:59.760 --> 0:54:04.759
<v Speaker 3>Oh? Uh, I listened to this one. I listened to like,

0:54:04.840 --> 0:54:07.120
<v Speaker 3>I mean just pretty basic stuff. Listened like Joe Rogan.

0:54:07.680 --> 0:54:09.880
<v Speaker 1>But then I'll listen what's your number one listen to podcast?

0:54:09.920 --> 0:54:12.480
<v Speaker 1>If they did a rap as of whatever? Today is

0:54:13.200 --> 0:54:16.000
<v Speaker 1>April May, like so far this year, you probably listen

0:54:16.040 --> 0:54:16.959
<v Speaker 1>to what podcast the most?

0:54:17.120 --> 0:54:20.120
<v Speaker 3>Oh man, I'm gonna sound real weird. Sorry, there's a

0:54:20.160 --> 0:54:22.239
<v Speaker 3>podcast called Blurry Creatures.

0:54:23.640 --> 0:54:24.080
<v Speaker 1>Shut Out.

0:54:24.080 --> 0:54:25.000
<v Speaker 2>I don't know them, tell me more.

0:54:25.080 --> 0:54:28.799
<v Speaker 3>Yeah, it's so, it's called Blurry Creatures. It started as

0:54:28.800 --> 0:54:33.080
<v Speaker 3>a big Foot podcast because every photo of Bigfoot is blurry?

0:54:33.160 --> 0:54:36.760
<v Speaker 1>Do you know it? The podcast, Oh you just love Bigfoot?

0:54:36.840 --> 0:54:38.600
<v Speaker 1>I was like real read also listens and no, no

0:54:38.680 --> 0:54:41.480
<v Speaker 1>read love Bigfoot? Got it? Yeah, it's like you're in

0:54:41.520 --> 0:54:44.520
<v Speaker 1>a city Bakersville.

0:54:44.760 --> 0:54:49.160
<v Speaker 3>Yeah Bigfoot. Okay, we got to see they're Bigfoot fans.

0:54:49.360 --> 0:54:51.359
<v Speaker 4>I'm not even a Bigfoot guy like that.

0:54:51.480 --> 0:54:55.239
<v Speaker 3>But it's called Burry Creatures because there is you know,

0:54:55.280 --> 0:54:57.480
<v Speaker 3>it's like, okay, every but does he exist? So it

0:54:57.600 --> 0:54:59.560
<v Speaker 3>turned but what it is now it's like a super

0:54:59.640 --> 0:55:04.279
<v Speaker 3>natural podcast from kind of like a religious perspective, like

0:55:04.480 --> 0:55:07.160
<v Speaker 3>a worldview of like Okay, they're really weird things like

0:55:07.160 --> 0:55:10.160
<v Speaker 3>in the Bible there, like do the aliens, you know,

0:55:10.400 --> 0:55:11.040
<v Speaker 3>do these things.

0:55:11.040 --> 0:55:13.080
<v Speaker 4>It's the weird. It's a weird podcast, but it's fun.

0:55:13.120 --> 0:55:14.480
<v Speaker 3>They like I'll just listen to a guest I was

0:55:14.520 --> 0:55:17.600
<v Speaker 3>talking about near death experiences, so they'll have really interesting,

0:55:18.680 --> 0:55:22.120
<v Speaker 3>like qualified people on there that just that once again

0:55:22.160 --> 0:55:24.600
<v Speaker 3>from my mind, like near death experiences I have no

0:55:25.200 --> 0:55:27.440
<v Speaker 3>I can't really analyze that or critically. I can just

0:55:27.440 --> 0:55:28.920
<v Speaker 3>turn my brain off and like clean the house or

0:55:28.960 --> 0:55:30.279
<v Speaker 3>do something around the house and listen to a guy

0:55:30.360 --> 0:55:33.040
<v Speaker 3>talk about studying thousands of people who have had near

0:55:33.080 --> 0:55:34.240
<v Speaker 3>death experiences.

0:55:34.920 --> 0:55:36.759
<v Speaker 1>Yeah, that's good because it's so different than what you

0:55:36.800 --> 0:55:38.759
<v Speaker 1>do all the time, so you're not comparing it to

0:55:38.800 --> 0:55:41.000
<v Speaker 1>what you do, or you're not comparing it to other

0:55:41.080 --> 0:55:45.319
<v Speaker 1>things that are like what you do. That's why I

0:55:45.480 --> 0:55:47.120
<v Speaker 1>what sucks is I now do a lot of sports,

0:55:47.120 --> 0:55:49.440
<v Speaker 1>but that's why we listen to all sports podcasts. Yeah, yeah, yeah,

0:55:49.440 --> 0:55:51.600
<v Speaker 1>because it just took me away from this place completely.

0:55:51.880 --> 0:55:53.319
<v Speaker 1>Not that I don't love the place, but there gets

0:55:53.360 --> 0:55:57.359
<v Speaker 1>to be a point where I've had enough for the day.

0:55:57.680 --> 0:56:00.680
<v Speaker 1>Yeah in every way. Yeah, and so but then, like

0:56:00.719 --> 0:56:02.960
<v Speaker 1>I typically do, I just started was like I think

0:56:02.960 --> 0:56:04.200
<v Speaker 1>I'll do it now too. And so now I got

0:56:04.200 --> 0:56:05.919
<v Speaker 1>like two sports podcasts. I can't even listen to them

0:56:06.280 --> 0:56:08.759
<v Speaker 1>and enjoy them like I used to because now I'm

0:56:09.120 --> 0:56:11.760
<v Speaker 1>either thinking about, man, this guy's really good.

0:56:12.239 --> 0:56:13.279
<v Speaker 2>This guy I like how.

0:56:13.160 --> 0:56:15.400
<v Speaker 1>He does it, or this sucks or what a terrible guest,

0:56:15.560 --> 0:56:17.360
<v Speaker 1>or now I'm thinking I never booked this guest.

0:56:17.520 --> 0:56:18.880
<v Speaker 2>So now I've kind of run that for myself.

0:56:18.960 --> 0:56:21.120
<v Speaker 3>Yeah, no, that you you're a person. I'm like that

0:56:21.160 --> 0:56:23.439
<v Speaker 3>you turn your you take your passions and then turn

0:56:23.480 --> 0:56:26.279
<v Speaker 3>them into something, and then your passion them becomes I

0:56:26.280 --> 0:56:28.080
<v Speaker 3>even got like that with golf, Like in same fish,

0:56:28.160 --> 0:56:30.760
<v Speaker 3>I'm in fishing, I was in fish tournaments, got into golf,

0:56:30.960 --> 0:56:33.440
<v Speaker 3>joined a golf league, and like was trying to be

0:56:33.560 --> 0:56:34.920
<v Speaker 3>the number one ranks in.

0:56:34.920 --> 0:56:38.960
<v Speaker 4>My little dumb league. And I'm like, I can turn

0:56:39.040 --> 0:56:39.839
<v Speaker 4>things into like.

0:56:41.000 --> 0:56:42.120
<v Speaker 3>Yeah, I get a little serious.

0:56:42.280 --> 0:56:45.680
<v Speaker 1>My wife will tell me to stop turning hobbies into

0:56:45.800 --> 0:56:49.360
<v Speaker 1>things that I'm monetizing. Yeah, And I tell her I

0:56:49.400 --> 0:56:52.879
<v Speaker 1>don't start them to monetize them, but I do them

0:56:52.920 --> 0:56:56.200
<v Speaker 1>and get so obsessed. And I also can go, I

0:56:56.239 --> 0:56:59.239
<v Speaker 1>can monetize this while also loving it. But then it

0:56:59.280 --> 0:57:02.040
<v Speaker 1>gets to the point then I have to create the product.

0:57:02.080 --> 0:57:05.880
<v Speaker 1>Then then it becomes obsession with product creation, and I

0:57:06.000 --> 0:57:08.120
<v Speaker 1>kind of lose what I originally got in. So every

0:57:08.160 --> 0:57:11.120
<v Speaker 1>hobby I've ever had, I've turned it into content and

0:57:11.160 --> 0:57:12.799
<v Speaker 1>then not loved it as much.

0:57:12.800 --> 0:57:15.239
<v Speaker 3>Well, and it's hard for you because your career is

0:57:15.280 --> 0:57:18.800
<v Speaker 3>like you're a facilitator of conversation and ideas and people,

0:57:19.120 --> 0:57:21.480
<v Speaker 3>and so if it's if you get you could do

0:57:21.520 --> 0:57:24.400
<v Speaker 3>that with anything, Like for a musician, no matter how

0:57:24.480 --> 0:57:27.280
<v Speaker 3>much I'm into golf, Like I'm not gonna write golf songs,

0:57:27.280 --> 0:57:29.040
<v Speaker 3>you know, And so where I could see that being

0:57:29.080 --> 0:57:31.960
<v Speaker 3>a challenge for you because it's it's definitely anything you

0:57:31.960 --> 0:57:35.000
<v Speaker 3>get into you could take this format and you could

0:57:35.480 --> 0:57:39.439
<v Speaker 3>use the tools and the resources that you have to

0:57:39.600 --> 0:57:40.240
<v Speaker 3>I think golf.

0:57:40.080 --> 0:57:42.440
<v Speaker 2>So pretty good, man, What I think golf's long be

0:57:42.440 --> 0:57:42.840
<v Speaker 2>pretty good?

0:57:43.160 --> 0:57:45.160
<v Speaker 4>Yeah, I mean there is one out there if we

0:57:45.240 --> 0:57:45.880
<v Speaker 4>get the artists.

0:57:45.920 --> 0:57:49.520
<v Speaker 2>I started listening to Blurry Bigfoots or whatever.

0:57:49.520 --> 0:57:52.160
<v Speaker 3>It's coloring creatures, dude, it's a it's an out there.

0:57:52.200 --> 0:57:53.960
<v Speaker 3>It's just literally when it's just top my mind, I

0:57:54.000 --> 0:57:56.520
<v Speaker 3>was listened to it last night. But I will listen

0:57:56.560 --> 0:57:58.800
<v Speaker 3>to things that are not I love sports too, but

0:57:58.840 --> 0:58:01.040
<v Speaker 3>I'll like watch I was like Sports Center, you know,

0:58:01.360 --> 0:58:05.120
<v Speaker 3>something like that on no sports podcasts don't really listen

0:58:05.160 --> 0:58:07.640
<v Speaker 3>to cause I kind of I'll like watch high. I

0:58:07.640 --> 0:58:09.760
<v Speaker 3>get on social and like look at like what's if

0:58:09.840 --> 0:58:12.120
<v Speaker 3>Niko's wanting four million dollars whatever, Like I'll go down

0:58:12.160 --> 0:58:14.720
<v Speaker 3>a rabbit hole of that. But sometimes I'll listen to

0:58:14.720 --> 0:58:19.320
<v Speaker 3>like sports radio, like in the car, but I don't

0:58:19.520 --> 0:58:21.120
<v Speaker 3>a lot of times intentionally cigret that.

0:58:21.240 --> 0:58:22.080
<v Speaker 4>But yeah, I don't know.

0:58:23.280 --> 0:58:25.840
<v Speaker 1>Yeah, you're always writing songs in your head? Is there

0:58:25.880 --> 0:58:27.680
<v Speaker 1>always something you're going, Oh, that could be a concept,

0:58:27.720 --> 0:58:29.920
<v Speaker 1>that could be a that could be a yeah.

0:58:29.960 --> 0:58:32.480
<v Speaker 3>So I actually am I've discovered this in my life

0:58:32.560 --> 0:58:35.000
<v Speaker 3>the past few years, is that I am a seasonal writer.

0:58:35.240 --> 0:58:36.840
<v Speaker 4>So I'll go through seasons of that.

0:58:36.960 --> 0:58:40.200
<v Speaker 3>I'll go through now now there's it's always kind of

0:58:40.200 --> 0:58:42.680
<v Speaker 3>there because they like even today, I could get my

0:58:42.680 --> 0:58:44.560
<v Speaker 3>car like, oh you know what, and I will write

0:58:44.600 --> 0:58:47.280
<v Speaker 3>it down. But when I'm in like a season of writing,

0:58:47.680 --> 0:58:50.600
<v Speaker 3>then everything the faucet is always on it, everything is

0:58:50.600 --> 0:58:52.520
<v Speaker 3>a song at the point where it's like obsessive. I

0:58:52.560 --> 0:58:55.440
<v Speaker 3>can roll down my window and roll everything is something

0:58:55.440 --> 0:58:56.240
<v Speaker 3>that could be in a song.

0:58:57.360 --> 0:58:59.200
<v Speaker 4>But sometimes I don't want to.

0:58:59.360 --> 0:59:02.240
<v Speaker 3>I don't want to be the too long because then

0:59:02.360 --> 0:59:05.520
<v Speaker 3>everything nothing really sticks out Like I don't I'm not

0:59:05.560 --> 0:59:08.160
<v Speaker 3>actually captivating. I'm just like in that obsessive mode where

0:59:08.200 --> 0:59:11.320
<v Speaker 3>everything's a lyric, where right now something stands out to me.

0:59:11.400 --> 0:59:14.640
<v Speaker 3>It's like, oh, in the midst of everything that stood out,

0:59:14.640 --> 0:59:15.760
<v Speaker 3>that's probably pretty cool.

0:59:16.040 --> 0:59:18.720
<v Speaker 1>The album, We're gonna make it. You guys still have

0:59:18.800 --> 0:59:21.360
<v Speaker 1>dates all the way till I see end of August,

0:59:21.600 --> 0:59:23.320
<v Speaker 1>still doing shows, right, Yeah.

0:59:23.400 --> 0:59:25.880
<v Speaker 3>Yeah, We're headed into like kind of that summer festival

0:59:25.920 --> 0:59:29.320
<v Speaker 3>season thing. We're all over the place and then gonna

0:59:29.320 --> 0:59:31.560
<v Speaker 3>do like a fall winter tour.

0:59:32.440 --> 0:59:34.960
<v Speaker 2>All the seasons you just said all the seasons.

0:59:35.200 --> 0:59:38.520
<v Speaker 3>Well, summer for anyone listening, Spring and summer for a

0:59:38.520 --> 0:59:40.560
<v Speaker 3>lot of artists. There are summer tours, but for a

0:59:40.600 --> 0:59:42.920
<v Speaker 3>lot of artists it's it's not routed.

0:59:42.960 --> 0:59:44.479
<v Speaker 4>It's just a crazy festival season.

0:59:44.520 --> 0:59:46.439
<v Speaker 3>You're flying all over the place because if Charlotte's gonna

0:59:46.440 --> 0:59:49.120
<v Speaker 3>have you on Saturday, and then San Francisco, you know

0:59:49.280 --> 0:59:52.080
<v Speaker 3>LA's gonna have you on Wisconsin. Madison you're just all

0:59:52.120 --> 0:59:54.760
<v Speaker 3>over the place because you're going where the festivals and

0:59:54.800 --> 0:59:57.960
<v Speaker 3>fairs are. But then like fall, winter is more where

0:59:57.960 --> 1:00:01.440
<v Speaker 3>you're like routing theaters and clubs and you're like go, like.

1:00:01.520 --> 1:00:02.480
<v Speaker 4>We're gonna go to Chicago.

1:00:02.560 --> 1:00:06.680
<v Speaker 3>We're going to Cincinnati, Chicago, Madison, Minneapolis. It's a little

1:00:06.720 --> 1:00:09.880
<v Speaker 3>more organized, but some are literally is like a thrown

1:00:09.920 --> 1:00:11.240
<v Speaker 3>a dart darts of a map.

1:00:11.560 --> 1:00:12.479
<v Speaker 2>What's good to see again?

1:00:12.520 --> 1:00:14.920
<v Speaker 1>Man? Yeah it is again. I don't feel like I

1:00:14.960 --> 1:00:17.520
<v Speaker 1>haven't seen you. It's the weird thing. It hasn't been.

1:00:18.000 --> 1:00:19.479
<v Speaker 1>I mean, it's been a long time since we've actually

1:00:19.520 --> 1:00:22.200
<v Speaker 1>spent time together. But yeah, I find that sometimes because

1:00:22.200 --> 1:00:23.560
<v Speaker 1>somebody will come over and I haven't seen them forever,

1:00:23.600 --> 1:00:25.120
<v Speaker 1>and I don't even make a big deal about seeing

1:00:25.160 --> 1:00:28.600
<v Speaker 1>them again because it feels like I've seen them because

1:00:28.600 --> 1:00:29.320
<v Speaker 1>of what socials.

1:00:29.400 --> 1:00:34.000
<v Speaker 2>I'm quite social media.

1:00:32.240 --> 1:00:34.800
<v Speaker 3>I can't, though I would say I can't either.

1:00:34.960 --> 1:00:37.400
<v Speaker 4>I just had a social media meeting yesterday.

1:00:37.480 --> 1:00:37.960
<v Speaker 1>How'd that go?

1:00:38.440 --> 1:00:39.400
<v Speaker 4>It never goes well.

1:00:39.880 --> 1:00:42.320
<v Speaker 1>What I find problematic about those meetings, especially if I

1:00:42.360 --> 1:00:44.280
<v Speaker 1>talk to people about the algorithm, is they never really know.

1:00:45.040 --> 1:00:49.680
<v Speaker 1>There's never any actual knowledge backed by data they can

1:00:49.760 --> 1:00:52.760
<v Speaker 1>give you that will be the same next week. So

1:00:52.800 --> 1:00:54.960
<v Speaker 1>it's always this is what it was, but based on

1:00:55.000 --> 1:00:56.760
<v Speaker 1>what we know about algorithms, it will not be this

1:00:56.760 --> 1:00:58.880
<v Speaker 1>way next week. So uh yeah, good luck.

1:00:59.160 --> 1:01:02.960
<v Speaker 3>Yeah yeah, that could be a whole winding trail we go.

1:01:03.200 --> 1:01:05.080
<v Speaker 3>But it's tough because for me, I just want to

1:01:05.120 --> 1:01:07.760
<v Speaker 3>put out I want to showcase our music and our

1:01:07.840 --> 1:01:11.560
<v Speaker 3>our shows and our lifestyle whatever. But a lot of

1:01:11.560 --> 1:01:13.720
<v Speaker 3>things at work it's like, hey, this trend is happening.

1:01:13.720 --> 1:01:16.920
<v Speaker 3>Can you do this trend? It's like, well, yeah, it's

1:01:16.960 --> 1:01:17.320
<v Speaker 3>I can.

1:01:17.400 --> 1:01:17.760
<v Speaker 4>I don't know.

1:01:17.840 --> 1:01:20.480
<v Speaker 3>It's always a it's a it's a dance that never ends.

1:01:20.560 --> 1:01:21.840
<v Speaker 3>But and when I say it didn't go well, it's

1:01:21.840 --> 1:01:24.120
<v Speaker 3>not it doesn't go well. It just is like for me,

1:01:24.720 --> 1:01:27.520
<v Speaker 3>it's way more fun like writing a song or the show.

1:01:27.920 --> 1:01:30.960
<v Speaker 3>So it's hard when you're not like I don't love it,

1:01:32.360 --> 1:01:34.080
<v Speaker 3>and so it's just trying to find what I love

1:01:34.120 --> 1:01:37.720
<v Speaker 3>about it and what excites me to put on there.

1:01:37.760 --> 1:01:39.480
<v Speaker 3>But a lot of times what excites me may not

1:01:40.320 --> 1:01:44.120
<v Speaker 3>be the trendiest, most captivating. I don't know, it's a

1:01:44.320 --> 1:01:47.360
<v Speaker 3>I just want to do blurry bigfoot. Yeah, just to

1:01:47.400 --> 1:01:48.800
<v Speaker 3>start talking about bigfoot.

1:01:48.400 --> 1:01:52.120
<v Speaker 1>All right? Follow at Lanco Music for Lanco and Brandon Lanka.

1:01:53.760 --> 1:01:54.080
<v Speaker 1>That's just it.

1:01:54.160 --> 1:01:56.160
<v Speaker 2>It's Brandon lank renan out of characters.

1:01:56.440 --> 1:02:00.520
<v Speaker 3>Yeah, that's uh. Yeah. I'm never on my personal but

1:02:00.760 --> 1:02:01.440
<v Speaker 3>you are.

1:02:01.720 --> 1:02:03.200
<v Speaker 1>No, that's why it was lefted second here. But I

1:02:03.200 --> 1:02:04.800
<v Speaker 1>thought I would just know Brandon Linka out there because

1:02:04.840 --> 1:02:05.400
<v Speaker 1>it looks weird.

1:02:05.960 --> 1:02:08.120
<v Speaker 2>Yeah, it's not your whole name. There were two any characters.

1:02:08.200 --> 1:02:10.440
<v Speaker 3>Yeah, I should just get a new page now, I know.

1:02:10.840 --> 1:02:13.400
<v Speaker 3>I like run all the Lanco stuff, so I'm always

1:02:13.400 --> 1:02:13.920
<v Speaker 3>on there.

1:02:13.720 --> 1:02:16.880
<v Speaker 1>And it would have just made did you do Brandon

1:02:16.960 --> 1:02:19.720
<v Speaker 1>Lanka before at Lanco Music?

1:02:20.000 --> 1:02:23.120
<v Speaker 3>Dude, I made Brandon Lanka before Instagram was even It

1:02:23.200 --> 1:02:24.920
<v Speaker 3>was like a photo editing because I would have said,

1:02:24.920 --> 1:02:25.400
<v Speaker 3>you could have just.

1:02:25.320 --> 1:02:27.800
<v Speaker 2>Done Brandon Lanco instead of Brandon Lankab.

1:02:27.800 --> 1:02:29.720
<v Speaker 1>But your name is Lancaster but yeah, yeah, well I

1:02:29.840 --> 1:02:33.520
<v Speaker 1>was Bob Man seventeen for a long time.

1:02:33.720 --> 1:02:35.200
<v Speaker 2>Yeah, that's it's like a.

1:02:35.200 --> 1:02:38.760
<v Speaker 1>It's an old screen name from like high school, Brandon Lanka.

1:02:38.560 --> 1:02:40.440
<v Speaker 4>That they just like automatically a sign don't.

1:02:40.320 --> 1:02:43.640
<v Speaker 1>Worry about Brandon Lanka. Go follow at Lanco Music and

1:02:43.680 --> 1:02:46.560
<v Speaker 1>you guys check out the music and tell all the

1:02:46.600 --> 1:02:48.640
<v Speaker 1>boys it said hello, I will it'd be awesome.

1:02:48.920 --> 1:02:49.960
<v Speaker 2>There is Brandon lincash

1:02:49.960 --> 1:02:53.880
<v Speaker 5>Every Thanks for listening to a Bobby Cast production