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Speaker 1: Our favorite game, White people Ship or Black people Ship,

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Speaker 1: where I name things and then you tell me if

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Speaker 1: it's white people shit or black people.

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Speaker 2: I'm on a game called Let's Cancel Spade, Go ahead.

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Speaker 1: First one. It's for both of you. Pringles, that's w

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Speaker 1: p S.

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Speaker 2: Is that white people only? Y?

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Speaker 3: Yeah? Don't like fucking Pringles?

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Speaker 1: What do you like?

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Speaker 2: First night? You likes or not? It's Cheetos, that's not

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Speaker 2: Is that a white thing?

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Speaker 3: Yes?

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Speaker 1: I think you're wrong.

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Speaker 3: There ships is w PS.

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Speaker 2: I love how you tell a black guy no, that's

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Speaker 2: what you like? Yeah, let him vote?

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Speaker 4: Yeah, I do what pigs big tell me to pay

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Speaker 4: little pig, big big, singing a kig. I a pig,

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Speaker 4: big big tell me to play. I do a pig,

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Speaker 4: big big singing a cad.

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Speaker 2: I do a pig.

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Speaker 4: I do a pig, big big sing it again, I

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Speaker 4: do a pig.

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Speaker 1: What is up? What is good?

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Speaker 3: How you living?

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Speaker 1: How you feeling? How you're doing?

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Speaker 2: It?

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Speaker 1: Is the Big Podcast with Shack, where we always do

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Speaker 1: it big nice Shack. He's laughing. We've already had a

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Speaker 1: great time before the cameras rolled. Man, I give our

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Speaker 1: guest a formal introduction. Yes, you may from Richard Hayden.

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Speaker 2: To Joe Wikipedia, Let's go.

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Speaker 1: He's mastered the art of the side eyes smirk, A

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Speaker 1: comedy sniper with Timon so slick. He rolled an industrial

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Speaker 1: tire into Officer Fluzzo's an snl icon, a sitcom sensation.

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Speaker 1: His new stand up spece so Dandylion is sweeping the nation.

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Speaker 1: Put your one of the fucking hands together for the

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Speaker 1: one and only David Stay.

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Speaker 2: Yeah that was pretty good. Actually, you can you not

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Speaker 2: say a bad word on you? Is that what happened?

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Speaker 3: No?

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Speaker 1: I just yeah, I like the inference of dick.

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Speaker 2: Oh yeah, okay, you do, dude? Do I have a

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Speaker 2: filter on? I look kind of like a girl on Instagram?

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Speaker 2: Do I look the heather? Let me do it right?

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Speaker 1: I think it'll be better afterward.

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Speaker 2: I think it's just look like I'm trying to pull

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Speaker 2: some tricks here. I'm obviously one hundred years old. So

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Speaker 2: just so the people know, shit's falling apart on this end.

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Speaker 3: You look good? How you doing? Brother?

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Speaker 2: Thanks Bud Shack. I've not seen you in a while,

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Speaker 2: and uh, Jack's always very nice to me. I think

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Speaker 2: he's very nice to everyone.

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Speaker 3: No, I'm nice to you because I was a fan

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Speaker 3: of yours, of course. And I remember the first time

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Speaker 3: I met you and all the other guys. I'm growing

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Speaker 3: up through you. I don't know. I don't know how

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Speaker 3: you felt, but I was terrified.

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Speaker 2: No, we're scared of you.

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Speaker 3: No.

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Speaker 2: Actually, when I heard that Sandler, you know, he gets

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Speaker 2: just a woman. He's like, what do you think of

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Speaker 2: Shack for this? And we were all like Shaquille in this.

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Speaker 2: We were like, how great, but how random? And then

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Speaker 2: you came and it just added so much to it

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Speaker 2: and so much more fun. It's great.

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Speaker 3: I was so nervous, but it kind of put me

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Speaker 3: in basketball mode. I felt I was there. Well, you know,

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Speaker 3: you guys are comedy legends. But I remember the first

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Speaker 3: time going to the All Star Game playing with all

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Speaker 3: those legends. Yeah, even though you're scared just to have

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Speaker 3: to perform, So yeah, I wanted to. I wanted to

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Speaker 3: bring a lot to that movie. Thanks for being nice

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Speaker 3: to me. Appreciate you. Duah.

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Speaker 2: We had a blast on that movie. I'm glad you

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Speaker 2: were there. I still have good feelings about it. I

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Speaker 2: saw it, you know, I don't see it all the time.

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Speaker 2: It's hard to watch your own stuff, but it was

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Speaker 2: on TBS because it's on every fifteen minutes on TBS,

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Speaker 2: and that's keeping the lights on over there. And so

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Speaker 2: I was watching it was one and two, but I

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Speaker 2: saw a piece of each one. But I saw us

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Speaker 2: out there. So it's just good memories. It's a lot

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Speaker 2: of fun, good vibe. What a crack up? Put me

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Speaker 2: in that fucking tire. I remember when they stuffed me

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Speaker 2: in that tire. I said, well, I'm not listen, this

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Speaker 2: is fake movies. I'm not getting in that tire. I

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Speaker 2: know I'm a bit of a pip squeak. These are

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Speaker 2: other people's words, but I shouldn't be in the tire.

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Speaker 2: I'm first team, so I need to be protected at

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Speaker 2: all costs. But they go, just go in the tire

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Speaker 2: and just sit there and then we'll fake. We'll put

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Speaker 2: the stuffman in and who cares about him? Yeah, we

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Speaker 2: got a million of them, so we'll just smash those

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Speaker 2: guys around till they collapse. And then I said great.

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Speaker 2: And then when I get in the tire, they go, oh,

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Speaker 2: we figured out way to put a camera in, and

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Speaker 2: I go, oh, no, no, no, and I go, just

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Speaker 2: go a couple of turns, I go, this was a

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Speaker 2: hundred present not the deal, and I'm too scared of it,

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Speaker 2: and I'm too much of it. I mean, I come

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Speaker 2: off tough and I'm like a colossal pussy. So I said,

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Speaker 2: I don't want to get all spun around, and I go,

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Speaker 2: we're just going to take you about pull up by

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Speaker 2: a truck about fifty feet. I go, lie one, So

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Speaker 2: I go, you're gonna go fifty feet. It's just gonna stop.

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Speaker 2: I go, I don't want to do a full circle,

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Speaker 2: and they go, just act scared, and we'll do a

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Speaker 2: couple of times. Anyway. They pulled me about three hundred yards.

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Speaker 2: I'm screaming the whole time, and then they stop and

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Speaker 2: I go, I did it. I walk away. I'm a

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Speaker 2: bit of a prima down. I mean, you might remember.

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Speaker 2: And then I go. I would go to video village

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Speaker 2: and watch and I go, okay, we did it. Let's go.

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Speaker 2: I'm don and they go, no, we got to do

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Speaker 2: it again. I go, I acted scared. They go, no,

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Speaker 2: you act too scared. So I go, I was too scared,

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Speaker 2: and they go, it's not funny scared, it's too scared.

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Speaker 2: I go, motherfucker. So I had to go back there

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Speaker 2: and do it again and try not to act scared. Meanwhile,

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Speaker 2: there's diarrhea flying in there and pee. I mean everything

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Speaker 2: was evacuating because fight or flight. And then we got

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Speaker 2: it and then remember I get up when you're there,

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Speaker 2: I think and throw up.

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Speaker 3: Yeah, I remember that.

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Speaker 2: I don't know if it was real or not. I

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Speaker 2: mean it easily good.

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Speaker 3: It was real. It was real.

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Speaker 1: It's real that movie from Afar looks like you guys

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Speaker 1: are having a blast on set. So Shack enters and

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Speaker 1: you're a Lakers fan too, right, sure? So like, is

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Speaker 1: there a part of you guys that want to prank Shack?

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Speaker 1: Did anything like that happen? Or was it more like,

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Speaker 1: let's make sure he has a good time with it.

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Speaker 2: I think it was make sure he feels okay and

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Speaker 2: out here. Even though he is a superstar, he's a

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Speaker 2: lot of his element, and you forget that. People feel

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Speaker 2: a little weird coming somewhere. I feel weird coming in

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Speaker 2: to set when I don't know everybody because it's their thing.

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Speaker 2: So I want to come on and just be respectful

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Speaker 2: and just know my shit, just do whatever I'm supposed

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Speaker 2: to do. But he was great. I remember one time

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Speaker 2: we Oh, there was some mall in here. I think

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Speaker 2: we're in Boston or whatever. And they said, I don't

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Speaker 2: know how it happened. Oh, shacks at the mall. And

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Speaker 2: it was the weekend. And when you go say hi,

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Speaker 2: maybe he said, come say hi. So I went up

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Speaker 2: to I don't know what you're doing there. Sheil's probably

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Speaker 2: some charity or something nice. Yeah, So I went up

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Speaker 2: there and I thought I was one of the kids.

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Speaker 2: So I went up there and uh. And then and

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Speaker 2: then Shaq does this thing. I don't know if he

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Speaker 2: does of everyone. Of course, I hated it the most.

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Speaker 2: Picks me up in front of everyone. The old picked

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Speaker 2: me up, and he picked me up. I didn't start crying,

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Speaker 2: but I did. I didn't love it. And then it's

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Speaker 2: because I looked like such a fucking pip squeak. It's

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Speaker 2: like Stuart Little holding me in his hand, and so

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Speaker 2: I I, I'm like, it was right, it was just

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Speaker 2: before saying put me down like that.

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Speaker 1: So I did.

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Speaker 2: I rolled with it, you know, And then I was

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Speaker 2: a little shaken from the turbulence of being picked up.

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Speaker 2: And then I walked back to the fountain dazed. But

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Speaker 2: it was fun for everyone, literally everyone in the mall

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Speaker 2: but yeah, fun though, all.

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Speaker 3: Right, I apologize it does.

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Speaker 2: I think it's a good funny move to do. And uh,

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Speaker 2: I was the other end. I don't really care. But

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Speaker 2: what else can I tell you about that trip? Oh? Yeah,

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Speaker 2: we were just discussing why you weren't on the Blue

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Speaker 2: Origin spaceship.

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Speaker 1: Yes, that's what we're talking about beforehand.

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Speaker 3: Okay, you know what, let's discuss it.

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Speaker 2: Let's get into it.

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Speaker 1: Let me go first, okay, please.

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Speaker 3: I know, I know Jeff loves Laura. He wouldn't want

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Speaker 3: anything that happened to her, So I think it was

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Speaker 3: there's some green screen involvement there. That's one number two.

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Speaker 3: Their hair was fucking luxurious in space. Didn't move a

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Speaker 3: fucking bit. Katy Perry's hair didn't move, Laura's hair didn't move.

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Speaker 3: Nobody had moved. Yeah, and then I saw when they landed. Yeah,

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Speaker 3: Jeff had the special key, but it was already opened.

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Speaker 3: So I'm gonna go Universal Studios green screen on this one.

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Speaker 2: He did have like that spare tire lug nut wrench.

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Speaker 2: She was, yeah, And then he went up to like

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Speaker 2: maybe a different spaceship that was like three feet smaller

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Speaker 2: or something or bigger. There was a lot of things

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Speaker 2: that weren't tracking. God forbid you do anything when there's TikTok,

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Speaker 2: just everyone is analyzing it. I was just stuck in

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Speaker 2: some rabbit hole of going, oh my god, I don't

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Speaker 2: know if these people are in the same spaceship. There's

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Speaker 2: so much going on, but a lot of floating hair.

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Speaker 2: A lot of the fun part was how they made

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Speaker 2: it such a big deal and and I was like,

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Speaker 2: are they going to the moon with all this training?

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Speaker 2: And they're like, no, They'll be up there for about

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Speaker 2: forty five seconds. And I'm like, this is like a

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Speaker 2: bad Southwest trip or like a quick jump to Palm Springs.

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Speaker 2: It was kind of fun. I was working that they

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Speaker 2: didn't see the whole thing, but I saw clips. I

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Speaker 2: loved it. The whole spectacle was funny.

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Speaker 3: So how long does it take to good to space.

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Speaker 1: To get to space? Well, their whole trip lasted eleven minutes,

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Speaker 1: so that was up.

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Speaker 3: And back, so it takes space.

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Speaker 2: They didn't get the space did they get?

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Speaker 1: So if you're just trying to get to space, it

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Speaker 1: might be five and a half. I mean according to

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Speaker 1: the well what that happened?

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Speaker 3: Okay, So people laughed in me. People laughed to me, David,

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Speaker 3: when I say how far is Atlanta from California? Two

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Speaker 3: thousand miles? Right? And I said how far is the

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Speaker 3: moon from from Earth? So they say, what twent thousand

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Speaker 3: miles at? Okay? So how come when I look up

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Speaker 3: I can see Atlanta, but when I look to the west,

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Speaker 3: I don't see California.

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Speaker 2: Think about it, Dave, I'm thinking about it. That's a

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Speaker 2: bucking head scratcher. No one's thinking like that. Man, You're

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Speaker 2: ahead of the game.

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Speaker 3: Yeah, it's all.

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Speaker 1: That's on set of grown ups too, right, Like we

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Speaker 1: didn't get to this.

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Speaker 3: Yeah, we didn't get ball. Are you sure it takes

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Speaker 3: something eleven minutes to get the space?

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Speaker 1: Brother?

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Speaker 2: Well, wait, there's their trip? Was the rumor was eleven minutes?

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Speaker 2: But I don't know really where they went? Did they

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Speaker 2: go all the way up? Where you could? I mean,

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Speaker 2: I don't know. I don't know when it kicked in

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Speaker 2: the green screener for the free tape, but I don't know.

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Speaker 2: I don't know. I think it was yeah, something like that.

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Speaker 3: That's crazy, all right.

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Speaker 1: When things are in doubt, you go to chat GPT.

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Speaker 1: I asked, chat GPT, how long does it take to

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Speaker 1: get to outer space in a spaceship. It says it

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Speaker 1: takes eight to ten minutes for a spacecraft to reach

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Speaker 1: outer space, depending on the rocket and mission profile. The

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Speaker 1: outer space it is the Carmen line, which is about

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Speaker 1: sixty two miles above Earth's surface. So that's like the line,

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Speaker 1: and then and then thirty minutes to reach orbital velocity.

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Speaker 2: I don't think there's any.

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Speaker 1: Orbital But Jack, if our good friend David spad Here

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Speaker 1: called you and said, hey, I have a special coming

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Speaker 1: out on Amazon and Bezos wants to get more publicity

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Speaker 1: for it. Would you come on a blue or orbit

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Speaker 1: ride with me? Would you go with him to space?

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Speaker 3: Yeah? No, is they'll they'll they'll let us go to space.

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Speaker 3: I don't think they're gonna let those supermodels go to space.

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Speaker 3: That's why I think it was something.

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Speaker 2: Oh they would let us really go.

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Speaker 3: Yeah, they would let us really go and just our luck. Yeah,

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Speaker 3: you'd be scared, and I'll be scared, and I'll do

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Speaker 3: some shit, I just and we'll hit a button. Then

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Speaker 3: we'll be called forever.

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Speaker 2: They're wrong. But well, what about when you take off?

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Speaker 2: That's the thing like you're saying about Lauren is fiance

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Speaker 2: that it would be scary to put her. The beginning

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Speaker 2: is the hard part when it takes off right, so

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00:12:32,480 --> 00:12:36,760
Speaker 2: anything can go wrong. Not a perfect science. So do

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Speaker 2: you let them go up? I don't know. That's scary

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Speaker 2: that that's the scariest part of the whole thing. I

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Speaker 2: would be scared for that.

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Speaker 1: Our friends at DraftKings, they want us to talk about

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Speaker 1: the Oklahoma City Denver series. Just like in all the

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Speaker 1: other series, Denver, the lower seed, won the first game.

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Speaker 1: Before the season the series started, Oklahoma City was seven

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Speaker 1: minus seven hundred, so you were to bet seven hundred

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Speaker 1: to win one hundred. They were huge favorites. Denver went

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00:13:04,600 --> 00:13:08,199
Speaker 1: from plus five hundred to plus two forty and now

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Speaker 1: they're at about plus three point fifty. Who wins the series?

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Speaker 3: If I put a thousand one Denver to win, how

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Speaker 3: much I win?

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Speaker 1: You would win thirty five hundred, all right, And if

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Speaker 1: you bet a thousand on Oklahoma City you would win

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Speaker 1: like one hundred and eighty dollars.

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Speaker 3: I'm gonna go with Denver.

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Speaker 1: Is that because you want money or because you think

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Speaker 1: they can win?

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Speaker 3: No, because I like because I like what they did

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Speaker 3: in game one. Even though okay, see it's saying to themselves,

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Speaker 3: we gave it away, and they came back with yes.

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Speaker 1: So why was it? Why did New York have to

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Speaker 1: win game two? But Denver it was okay to lose

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Speaker 1: game two.

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Speaker 3: No, No, I'm not saying it's okay. But when you

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Speaker 3: go and take that a team as home court advantage,

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Speaker 3: you get a split, you're doing good. New York did great.

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Speaker 3: We got two of them. That's why if they win

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Speaker 3: game three, I'll put restaurantal so. The fact that they

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Speaker 3: won the first one lost the second one. Now we're

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Speaker 3: going back to our creb. They got any fight. They

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Speaker 3: remember that forty point ass whipping, and they'll return the favor.

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Speaker 3: So that's what I'm hoping to see. And then it'll

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Speaker 3: a series of course. OKC is favor they're going to win.

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Speaker 1: What time did I say say it was? It is

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Speaker 1: still game time baby. Could you pull off a real

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Speaker 1: conspiracy anymore with the Internet? Or is everything that it

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00:18:09,560 --> 00:18:12,119
Speaker 1: gets solved by the Internet these days, like back in

375
00:18:12,160 --> 00:18:14,399
Speaker 1: the day, I feel like you could fake anything. Can

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Speaker 1: anything really be faked anymore?

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Speaker 3: With that?

378
00:18:16,800 --> 00:18:19,080
Speaker 1: With the sluice on the internet.

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Speaker 3: I don't know.

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00:18:19,080 --> 00:18:21,320
Speaker 2: No one is really paying attention. There's the moon landing.

381
00:18:21,359 --> 00:18:23,720
Speaker 2: They questioned, there's nine to eleven. Everyone goes back and

382
00:18:23,760 --> 00:18:25,000
Speaker 2: starts dissecting every.

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Speaker 1: The NBA world. Now they're questioning Wilt Chamberlain. I just

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00:18:27,640 --> 00:18:31,160
Speaker 1: feel like everything is under question. There's a hundred point game.

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Speaker 3: You question them because you haven't seen the tape. That's you, buddy.

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Speaker 1: No, I believe it happened.

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Speaker 2: Oh the one hundred point game? I thought was how

388
00:18:38,920 --> 00:18:40,879
Speaker 2: many girls he slept with? I think it was twenty two?

389
00:18:41,160 --> 00:18:45,760
Speaker 1: Talked about that recently to twenty that's still shack did

390
00:18:45,800 --> 00:18:48,320
Speaker 1: the math at at around two point three per day?

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Speaker 2: Is that what it is? It sounds a lie. That's

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Speaker 2: very even game day Jesus.

393
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Speaker 3: Planners don't even have that much nuts. You just that.

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00:19:06,640 --> 00:19:10,000
Speaker 2: Who's is has Kyrie Harring falling off the edge? Now?

395
00:19:10,040 --> 00:19:14,359
Speaker 2: Who's who's the u? Is Kyrie saying he thinks he

396
00:19:14,400 --> 00:19:16,720
Speaker 2: says it's flat. I'm not even saying that's crazy. I'm

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00:19:16,760 --> 00:19:18,639
Speaker 2: just saying, does he say the earth is fly? Is

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Speaker 2: that what is?

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Speaker 1: I believe he's retracted it. But oh yeah he was

400
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Speaker 1: saying that.

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00:19:22,680 --> 00:19:25,479
Speaker 3: For I said that as a joke and in and

402
00:19:25,560 --> 00:19:30,400
Speaker 3: it went freaking crazy on me. I had I had

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00:19:30,400 --> 00:19:34,000
Speaker 3: a corporation I was working with, not this corporation, because

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00:19:34,000 --> 00:19:37,359
Speaker 3: this corporation is the best. Beat buck Yeah, you should

405
00:19:37,359 --> 00:19:40,720
Speaker 3: try to beat box. Yeah, beat boxes good. So when

406
00:19:40,720 --> 00:19:43,000
Speaker 3: I said it and it went viral, they actually called

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00:19:43,000 --> 00:19:47,119
Speaker 3: me in and I had to talk to the HR department. Yes,

408
00:19:47,280 --> 00:19:49,000
Speaker 3: and they were talking about dropping and so well, you

409
00:19:49,000 --> 00:19:51,000
Speaker 3: can drop me, just don't have to pay any But

410
00:19:51,560 --> 00:19:53,440
Speaker 3: he's like, yeah, we got a lot of hate mail.

411
00:19:54,000 --> 00:19:57,600
Speaker 3: That's why I knew the world was really shifting, especially

412
00:19:57,600 --> 00:19:58,520
Speaker 3: listening to comments.

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00:19:58,640 --> 00:20:03,080
Speaker 2: Yeah, oh well you're not allowed to say that. What

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00:20:03,119 --> 00:20:05,120
Speaker 2: the idea was? It is like you can't, you shouldn't

415
00:20:05,119 --> 00:20:05,920
Speaker 2: say stuff like that.

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00:20:06,080 --> 00:20:08,040
Speaker 3: Yes, exactly what it was. And I was like, well,

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00:20:08,080 --> 00:20:10,320
Speaker 3: you know what, I'm always gonna say stuff and then

418
00:20:10,359 --> 00:20:13,080
Speaker 3: I'm always gonna push their button. But if you guys

419
00:20:13,080 --> 00:20:14,879
Speaker 3: don't know what I'm joking, maybe I don't need to

420
00:20:14,920 --> 00:20:19,840
Speaker 3: be with this company anyway because them Oh no, okay,

421
00:20:20,080 --> 00:20:23,000
Speaker 3: I still use them, but I'm not still with them.

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00:20:23,119 --> 00:20:27,480
Speaker 2: Oh because it's Round Earth Productions. They're like, this kind

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00:20:27,480 --> 00:20:28,720
Speaker 2: of goes against our whole.

424
00:20:29,359 --> 00:20:33,040
Speaker 3: So I've been waiting to talk to you. Yes, the

425
00:20:33,160 --> 00:20:36,600
Speaker 3: mullet has made a comeback. So how much influence do

426
00:20:36,680 --> 00:20:38,960
Speaker 3: you think your movie Joe Dirt has had on the

427
00:20:39,000 --> 00:20:42,160
Speaker 3: White Guy a mullet revival? Because I'm seeing a lot

428
00:20:42,200 --> 00:20:43,000
Speaker 3: of mullets.

429
00:20:44,280 --> 00:20:48,359
Speaker 2: I love moults. Look at Theo vonn as a mullet rocks.

430
00:20:48,840 --> 00:20:51,640
Speaker 2: I think I think girl, I think women look great

431
00:20:51,640 --> 00:20:54,440
Speaker 2: with mullets. I think that's a cool look on girls

432
00:20:54,440 --> 00:20:57,360
Speaker 2: when they have that haircuts. It's so unusual and kind

433
00:20:57,359 --> 00:21:00,840
Speaker 2: of sexy. I like it. I got a little molly

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00:21:00,840 --> 00:21:04,399
Speaker 2: going on right now. Shows it. You know what we

435
00:21:04,440 --> 00:21:06,240
Speaker 2: did that. I did that movie with THEO and I

436
00:21:06,280 --> 00:21:08,840
Speaker 2: had it. I had it cut back here for because

437
00:21:08,840 --> 00:21:10,359
Speaker 2: I to wear a wig. But then I grew it up.

438
00:21:10,960 --> 00:21:13,359
Speaker 2: But uh, I like it. I think it's cool. I

439
00:21:13,400 --> 00:21:16,680
Speaker 2: love anything about Joe Dirt that's still going on. It's

440
00:21:16,720 --> 00:21:21,320
Speaker 2: good because rarely you get something that sticks around, you

441
00:21:21,359 --> 00:21:25,000
Speaker 2: know that people remember, and all those movies they weren't

442
00:21:25,119 --> 00:21:26,399
Speaker 2: you know, some of the movies I did in the

443
00:21:26,400 --> 00:21:30,040
Speaker 2: old days weren't one hundred million dollar movies, But I

444
00:21:30,240 --> 00:21:32,280
Speaker 2: would I would almost rather have one that just stuck

445
00:21:32,320 --> 00:21:35,000
Speaker 2: around and made some sort of dent in your brain,

446
00:21:35,160 --> 00:21:37,360
Speaker 2: so you think about it. Because the ones we grew

447
00:21:37,440 --> 00:21:39,520
Speaker 2: up with, I couldn't tell you what made what. I

448
00:21:39,520 --> 00:21:42,760
Speaker 2: couldn't take Caddy shack. I just remember which ones I

449
00:21:42,880 --> 00:21:47,080
Speaker 2: just locked on and then always had fun watching a

450
00:21:47,080 --> 00:21:48,960
Speaker 2: million times with your friends. That's the whole thing about

451
00:21:49,000 --> 00:21:51,320
Speaker 2: growing up, And that's why it's fun to be in movies,

452
00:21:51,359 --> 00:21:53,800
Speaker 2: because you never know one might work. A lot of

453
00:21:53,840 --> 00:21:56,680
Speaker 2: them don't. But if something works and sticks around, that's

454
00:21:56,720 --> 00:21:57,280
Speaker 2: the fun part.

455
00:21:57,760 --> 00:22:01,960
Speaker 1: Mike check, Mike check, I mean it oh so good.

456
00:22:02,560 --> 00:22:05,800
Speaker 1: So you're a Lakers fan. And Shaq and I have

457
00:22:05,840 --> 00:22:09,639
Speaker 1: obviously talked about his partnership with Kobe. I think you

458
00:22:09,720 --> 00:22:12,359
Speaker 1: and Farley had one of those true combinations. And then

459
00:22:12,400 --> 00:22:15,320
Speaker 1: we talked about grown ups and that team. I feel

460
00:22:15,359 --> 00:22:18,880
Speaker 1: like teams with entertainers is harder than teams with athletes,

461
00:22:18,920 --> 00:22:22,359
Speaker 1: whether it's like ego or whatever. What goes into a

462
00:22:22,440 --> 00:22:26,200
Speaker 1: strong duo, a strong team when it comes to comedians

463
00:22:26,200 --> 00:22:29,040
Speaker 1: and entertainers that you can see so much success.

464
00:22:29,440 --> 00:22:34,399
Speaker 2: You know some are are you see coming more? I

465
00:22:34,400 --> 00:22:37,320
Speaker 2: mean with grown ups, it was sort of ours to

466
00:22:37,320 --> 00:22:41,560
Speaker 2: screw up because we all knew each other, We already

467
00:22:41,640 --> 00:22:43,440
Speaker 2: were kind of established. It was kind of fun to

468
00:22:43,440 --> 00:22:46,560
Speaker 2: see them together. Like people like to watch Shaq and

469
00:22:46,640 --> 00:22:48,880
Speaker 2: Charles and stuff, it's fun to watch that stuff and

470
00:22:48,960 --> 00:22:52,399
Speaker 2: obviously Kobe in those days. So that's fun to be

471
00:22:52,440 --> 00:22:54,240
Speaker 2: with your team, and it's fun to go out with everybody.

472
00:22:54,320 --> 00:22:57,040
Speaker 2: When we were in Boston and you know, we should

473
00:22:57,040 --> 00:22:59,440
Speaker 2: all probably jump on the Blue Origin and do grown

474
00:22:59,520 --> 00:23:02,600
Speaker 2: ups in Spain is that's obviously something that's being written

475
00:23:02,640 --> 00:23:06,880
Speaker 2: right now. And then Shack, you'll have to we'll fake

476
00:23:06,920 --> 00:23:07,880
Speaker 2: it for sure, So you.

477
00:23:10,080 --> 00:23:10,320
Speaker 3: Shack.

478
00:23:10,440 --> 00:23:12,240
Speaker 2: The easy thing about you is that you could touch

479
00:23:12,280 --> 00:23:13,840
Speaker 2: every corner of the things. You're not going to get

480
00:23:13,880 --> 00:23:19,439
Speaker 2: a ton of turbulence. Oh yeah, here's that girl. I

481
00:23:19,520 --> 00:23:21,880
Speaker 2: like the one where no one cared about the lady

482
00:23:21,920 --> 00:23:24,800
Speaker 2: that was in space for nine months lost and then

483
00:23:25,200 --> 00:23:27,560
Speaker 2: her hair is floating around and no one gave a

484
00:23:27,560 --> 00:23:29,800
Speaker 2: bad funck about her, and then she gets back and

485
00:23:29,800 --> 00:23:31,880
Speaker 2: they're like out of the way. The models are here,

486
00:23:31,920 --> 00:23:35,000
Speaker 2: and then you know, and there. That was the funniest

487
00:23:35,000 --> 00:23:37,479
Speaker 2: part is that they were up there for five seconds.

488
00:23:37,560 --> 00:23:40,400
Speaker 2: They got worldwide press. But that's just one of those

489
00:23:40,400 --> 00:23:42,280
Speaker 2: fun things that happens in the world that just at

490
00:23:42,400 --> 00:23:46,280
Speaker 2: least alleviates the seriousness of everything. They go up there,

491
00:23:46,320 --> 00:23:48,119
Speaker 2: what'd you What did you get done up there? They're like,

492
00:23:48,400 --> 00:23:49,919
Speaker 2: literally nothing, what'd you do?

493
00:23:50,040 --> 00:23:50,080
Speaker 4: With?

494
00:23:51,040 --> 00:23:52,400
Speaker 2: Everyone's looking up to us?

495
00:23:52,400 --> 00:23:59,760
Speaker 3: Why? I don't know they should.

496
00:23:58,800 --> 00:24:00,520
Speaker 2: They literally looked up to you. But that was about

497
00:24:01,080 --> 00:24:05,600
Speaker 2: you took off. But I also say, like the Shaq Kobe.

498
00:24:05,640 --> 00:24:07,440
Speaker 2: You know, you get asked about Kobe lot I get

499
00:24:07,440 --> 00:24:11,199
Speaker 2: asked about Farley lot I get asked about Adam. You know,

500
00:24:11,240 --> 00:24:14,600
Speaker 2: it's it's fun because the people you're with everyone's curious

501
00:24:14,640 --> 00:24:17,360
Speaker 2: about that. I think that the relationship with Chris kind

502
00:24:17,359 --> 00:24:21,719
Speaker 2: of fell fell into place in the old days, and

503
00:24:21,760 --> 00:24:24,400
Speaker 2: then the movies got lucky. That's another one. Block Sheep

504
00:24:24,440 --> 00:24:26,960
Speaker 2: and Tommy Boy weren't one hundred million dollar movies, but

505
00:24:27,720 --> 00:24:30,399
Speaker 2: they stick around, or you know, you feel like you

506
00:24:30,400 --> 00:24:32,639
Speaker 2: did something right. Obviously those are big Farley movies, but

507
00:24:33,040 --> 00:24:35,160
Speaker 2: I get to be in them, and then you're part

508
00:24:35,160 --> 00:24:40,280
Speaker 2: of it. Richard, Yeah, fun things. Fun thing is remember

509
00:24:40,440 --> 00:24:43,320
Speaker 2: just the jokes that don't test the highest. You know

510
00:24:43,560 --> 00:24:47,240
Speaker 2: you don't. You're just looking for big scenes. Every movie

511
00:24:47,320 --> 00:24:49,080
Speaker 2: we do like Okay, that's the scene. They remember that,

512
00:24:49,119 --> 00:24:52,399
Speaker 2: and then later you just start to remember throwaway lines.

513
00:24:52,440 --> 00:24:54,399
Speaker 2: So all of our friends and you guys probably do

514
00:24:54,440 --> 00:24:57,480
Speaker 2: the same thing. Is that you just repeat everything from

515
00:24:57,480 --> 00:24:59,680
Speaker 2: some movie and you know every tenC line that you

516
00:24:59,680 --> 00:25:02,359
Speaker 2: didn't and here the first three times and now you're like,

517
00:25:02,400 --> 00:25:04,480
Speaker 2: that's my favorite part because I never heard them say that.

518
00:25:04,520 --> 00:25:05,520
Speaker 2: I was laughing over that.

519
00:25:05,880 --> 00:25:08,960
Speaker 1: I just thought about that you just said about testing lines.

520
00:25:09,840 --> 00:25:11,919
Speaker 1: It reminds me of like when Shack we get you

521
00:25:11,960 --> 00:25:14,080
Speaker 1: get an argument shack with like the Heat, where they

522
00:25:14,080 --> 00:25:15,760
Speaker 1: would tell you you need to be a certain weight.

523
00:25:15,800 --> 00:25:17,760
Speaker 1: You were like, don't fuck it. I know what works

524
00:25:17,800 --> 00:25:20,639
Speaker 1: for me. I have to imagine as comedian, you're also

525
00:25:20,800 --> 00:25:23,159
Speaker 1: like when something hits and they said it wouldn't, that

526
00:25:23,240 --> 00:25:26,000
Speaker 1: has to feel so much vindication to be like, of course,

527
00:25:26,080 --> 00:25:27,480
Speaker 1: like why would you know more than me?

528
00:25:27,880 --> 00:25:29,960
Speaker 2: Yeah, it's so fun. And then you're writing sketches and

529
00:25:30,000 --> 00:25:32,320
Speaker 2: they say at like s and now this, I don't

530
00:25:32,359 --> 00:25:35,320
Speaker 2: think this will work, And then it's like personal challenge,

531
00:25:35,320 --> 00:25:37,600
Speaker 2: like I think this is fine, I think this weird one.

532
00:25:38,119 --> 00:25:39,680
Speaker 2: Tommy Boy had a lot of those know that they

533
00:25:39,720 --> 00:25:41,240
Speaker 2: just go, I don't even know what this is, just

534
00:25:41,280 --> 00:25:43,840
Speaker 2: try it. And we were really left alone. I mean

535
00:25:44,320 --> 00:25:48,920
Speaker 2: director writers one writer and us two and then that

536
00:25:48,920 --> 00:25:51,800
Speaker 2: that's fun when it works, but they don't always work.

537
00:25:51,880 --> 00:25:54,680
Speaker 2: And you know, I think my Rotten Tomatoes score is

538
00:25:54,720 --> 00:25:58,639
Speaker 2: one hundred, but I think that's combined from thirty two movies,

539
00:25:58,680 --> 00:26:00,760
Speaker 2: So that's not great. That's gonna get me the All

540
00:26:00,800 --> 00:26:01,280
Speaker 2: Star Game.

541
00:26:02,080 --> 00:26:08,320
Speaker 3: It's better than my Rotten Tomato.

542
00:26:06,000 --> 00:26:10,719
Speaker 2: Sam I forgot about that? Was it called Kazama.

543
00:26:12,240 --> 00:26:16,240
Speaker 1: Sama? Is the fake movie with cinema that people think

544
00:26:16,320 --> 00:26:18,639
Speaker 1: is a real movie. But it's not. That's what I

545
00:26:18,840 --> 00:26:21,760
Speaker 1: thought seeing. Yeah, it doesn't exist.

546
00:26:22,040 --> 00:26:26,680
Speaker 3: Yeah, so don't move on from Kazam.

547
00:26:26,840 --> 00:26:28,360
Speaker 1: Let David talk about Kazama.

548
00:26:28,480 --> 00:26:30,159
Speaker 2: It's Kazama. Jeanie in a bottle.

549
00:26:30,560 --> 00:26:32,679
Speaker 3: Yeah, I know, Jeanie in a boom box.

550
00:26:33,680 --> 00:26:36,160
Speaker 2: Oh my god. Well, okay, I've got a couple of notes.

551
00:26:36,200 --> 00:26:37,520
Speaker 1: Sorry.

552
00:26:38,960 --> 00:26:40,680
Speaker 2: No, I like the idea of it.

553
00:26:40,960 --> 00:26:43,560
Speaker 1: Do you remember the little the little rap thing that

554
00:26:43,640 --> 00:26:45,880
Speaker 1: you said when you first came out. Do you remember that?

555
00:26:46,119 --> 00:26:46,239
Speaker 2: No?

556
00:26:46,320 --> 00:26:49,359
Speaker 3: Because then you're talking about fighting with the director. I'm like,

557
00:26:50,000 --> 00:26:52,280
Speaker 3: this is not a rap. He's like say it like this, like,

558
00:26:52,359 --> 00:26:55,560
Speaker 3: it's not a fucking rap. But I'll say how you

559
00:26:55,560 --> 00:26:56,679
Speaker 3: want to say it.

560
00:26:57,160 --> 00:26:58,119
Speaker 1: Get how it is.

561
00:26:58,600 --> 00:27:01,960
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562
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563
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564
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565
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566
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567
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568
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Speaker 3: who are covering the costs. When Morgan and Morgan takes

569
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Speaker 3: I know what it's like playing in front of celebrities.

613
00:29:43,160 --> 00:29:46,800
Speaker 3: I always wanted to give you guys the same enjoyment

614
00:29:46,840 --> 00:29:50,520
Speaker 3: that you gave me watching Timmy Boy in Black Sheep,

615
00:29:50,560 --> 00:29:52,920
Speaker 3: and you know, watching all the movies. So for you,

616
00:29:53,000 --> 00:29:56,920
Speaker 3: how is it sitting courtside from your side of things

617
00:29:57,000 --> 00:29:59,800
Speaker 3: and know your Lakers faning? You think the Lakers will

618
00:29:59,840 --> 00:30:02,040
Speaker 3: win a championship with Lucas. You know.

619
00:30:03,440 --> 00:30:05,520
Speaker 2: The first time it crossed my mind was literally when

620
00:30:05,520 --> 00:30:08,080
Speaker 2: I heard about that trade. I was like, like everyone,

621
00:30:08,160 --> 00:30:10,480
Speaker 2: I'm more of a casual fan. I thought you're joking.

622
00:30:11,160 --> 00:30:14,040
Speaker 2: They did not let Luca go and I don't know anything.

623
00:30:14,080 --> 00:30:16,800
Speaker 2: I'm like, is that one of the best Because I'm

624
00:30:16,880 --> 00:30:20,040
Speaker 2: from Phoenix, you know, I'm from Scottsdale. So we almost

625
00:30:20,080 --> 00:30:21,120
Speaker 2: got Luca one year.

626
00:30:21,520 --> 00:30:27,320
Speaker 1: I think we got in the drafty and over Luca.

627
00:30:27,680 --> 00:30:29,160
Speaker 2: Yeah, And it was like a tough call even though

628
00:30:29,160 --> 00:30:31,240
Speaker 2: everyone's like, maybe we should do this guy. Obviously you

629
00:30:31,280 --> 00:30:34,720
Speaker 2: look back and it's more clear. But so that and

630
00:30:34,760 --> 00:30:37,479
Speaker 2: then we get Kevin Durant, who I love, and then

631
00:30:37,520 --> 00:30:39,640
Speaker 2: we get Bradley Beale, who I thought would help. And

632
00:30:39,680 --> 00:30:42,080
Speaker 2: then it just it didn't sink. And that's like putting

633
00:30:42,080 --> 00:30:44,920
Speaker 2: three talk about egos and stuff. You put three stars

634
00:30:44,920 --> 00:30:47,320
Speaker 2: in a movie together, it doesn't always work. And then

635
00:30:47,360 --> 00:30:50,040
Speaker 2: you put these guys together, Shack, are you in a

636
00:30:50,120 --> 00:30:54,400
Speaker 2: chugging context? What's going on? Jack took out his earplugs.

637
00:30:54,440 --> 00:30:57,800
Speaker 2: He's just like chugging. This is a great story.

638
00:30:58,240 --> 00:30:59,960
Speaker 1: It took a lot longer than I thought it would.

639
00:31:00,160 --> 00:31:01,000
Speaker 3: Oh no, it was good.

640
00:31:02,680 --> 00:31:05,240
Speaker 2: He goes, I can hear you. There's zero interest going on,

641
00:31:05,360 --> 00:31:08,640
Speaker 2: but I can hear you. So anyway, Shack, I was

642
00:31:08,760 --> 00:31:12,640
Speaker 2: schooling everyone on basketball. So what it is is is

643
00:31:12,680 --> 00:31:15,480
Speaker 2: that it's a game of no. But so I kind

644
00:31:15,480 --> 00:31:18,080
Speaker 2: of like Phoenix. But then when they start losing, I

645
00:31:18,120 --> 00:31:21,760
Speaker 2: fade back over the Lakers when they're winning, and it's

646
00:31:21,880 --> 00:31:24,000
Speaker 2: very common that happens a lot. You know, you go

647
00:31:24,040 --> 00:31:27,040
Speaker 2: for a team. And here's my problem, Shack, I'm going

648
00:31:27,120 --> 00:31:29,760
Speaker 2: to go deeper on this. When I grew up in Arizona,

649
00:31:31,040 --> 00:31:33,240
Speaker 2: Connie Hawkins. You will never have heard of these guys,

650
00:31:33,280 --> 00:31:36,240
Speaker 2: Dick ben Arsdale, these guys that was like a team,

651
00:31:36,640 --> 00:31:39,080
Speaker 2: and it was my team all the way growing up,

652
00:31:39,320 --> 00:31:42,760
Speaker 2: the same dudes, even Lakers, you guys, it was pretty

653
00:31:42,800 --> 00:31:45,440
Speaker 2: much to set. You know, there's long chunks. I just

654
00:31:45,480 --> 00:31:48,960
Speaker 2: don't like when teams go like this so much that

655
00:31:49,040 --> 00:31:52,080
Speaker 2: I go, it's a new coach, new coaches, new owner,

656
00:31:52,200 --> 00:31:55,000
Speaker 2: and new players, and I go, who am I voting for?

657
00:31:55,320 --> 00:31:57,920
Speaker 2: Who I like? Again? Like, now I hate that guy

658
00:31:58,000 --> 00:32:01,000
Speaker 2: because he went there and now I like. So that's

659
00:32:01,040 --> 00:32:02,600
Speaker 2: why it's hard to keep track and get into it.

660
00:32:02,640 --> 00:32:03,880
Speaker 2: I wish it'd slowed down a.

661
00:32:03,800 --> 00:32:04,160
Speaker 1: Bit on that.

662
00:32:04,240 --> 00:32:07,280
Speaker 2: I know there's no way, but no, I agree you

663
00:32:07,400 --> 00:32:08,800
Speaker 2: kind of like that. But is it fun to even

664
00:32:08,840 --> 00:32:10,560
Speaker 2: play for the same spot.

665
00:32:10,600 --> 00:32:11,640
Speaker 1: It's fun to be at S and L.

666
00:32:11,680 --> 00:32:13,360
Speaker 2: For six years. It's fun to be on Just shoot

667
00:32:13,440 --> 00:32:17,440
Speaker 2: Me for six seven years. But if I change sitcoms

668
00:32:17,440 --> 00:32:19,880
Speaker 2: every year, it's just such a weird. It would have

669
00:32:19,880 --> 00:32:22,040
Speaker 2: been weird school point check.

670
00:32:22,120 --> 00:32:25,680
Speaker 1: Actually, I want your theory on this too. David saying

671
00:32:25,680 --> 00:32:27,360
Speaker 1: that made me think of there's this coach in college.

672
00:32:27,400 --> 00:32:31,120
Speaker 1: His name's Buzz Williams. And apparently he had his people

673
00:32:31,200 --> 00:32:34,640
Speaker 1: do a study about the love of a coach based

674
00:32:34,680 --> 00:32:37,840
Speaker 1: on time spent at a school, and what he learned was,

675
00:32:38,320 --> 00:32:41,280
Speaker 1: after six years, even if you pick up a school

676
00:32:41,560 --> 00:32:43,720
Speaker 1: where they're the worst team in college and you bring

677
00:32:43,760 --> 00:32:48,200
Speaker 1: him to number three after six years, people forget what

678
00:32:48,280 --> 00:32:50,920
Speaker 1: they were when you first got them, and they compare

679
00:32:50,960 --> 00:32:53,360
Speaker 1: you to what you did last So even if you

680
00:32:53,400 --> 00:32:56,560
Speaker 1: brought them from zero all the way up to number three,

681
00:32:56,840 --> 00:32:58,920
Speaker 1: if the next year you go to five, the fan

682
00:32:59,000 --> 00:33:03,080
Speaker 1: base is disappointed. So literally he has gone He's switched

683
00:33:03,120 --> 00:33:06,360
Speaker 1: schools every six years. He's been at Marquette, he's been

684
00:33:06,360 --> 00:33:09,000
Speaker 1: at Texas, A and M. He's been and now he

685
00:33:09,160 --> 00:33:12,560
Speaker 1: just went to I believe Maryland. And it's funny, David,

686
00:33:12,600 --> 00:33:14,320
Speaker 1: you just said you were at you know, just shoot

687
00:33:14,360 --> 00:33:16,920
Speaker 1: me for six years in SNL for six years and

688
00:33:16,960 --> 00:33:19,800
Speaker 1: now I'm thinking, Shack, you were in Orlando from ninety

689
00:33:19,840 --> 00:33:21,800
Speaker 1: two to about what five years?

690
00:33:22,080 --> 00:33:25,400
Speaker 3: Yeah, So military is the same thing, but every four years.

691
00:33:25,520 --> 00:33:29,000
Speaker 3: So I've always based everything off military. So every deal

692
00:33:29,040 --> 00:33:31,600
Speaker 3: I did was a seven year with the option at

693
00:33:31,600 --> 00:33:31,920
Speaker 3: the four.

694
00:33:32,320 --> 00:33:34,120
Speaker 1: But wait, why four? Why is the mill?

695
00:33:34,320 --> 00:33:34,920
Speaker 3: What do you mean? Four?

696
00:33:35,040 --> 00:33:35,800
Speaker 1: For the military?

697
00:33:35,920 --> 00:33:38,640
Speaker 3: Okay, so you said, the coach said, six years you

698
00:33:38,680 --> 00:33:41,760
Speaker 3: get bored, and the military is four for the soldiers,

699
00:33:42,160 --> 00:33:45,280
Speaker 3: they get stationed somewhere for four years and the station somewhere else.

700
00:33:45,320 --> 00:33:49,280
Speaker 3: So being growing up doing that, every contract I did

701
00:33:49,400 --> 00:33:51,360
Speaker 3: was a seven year deal with the option at the four.

702
00:33:51,760 --> 00:33:55,720
Speaker 3: So Orlando, I spent one term Lakers. I spent two terms.

703
00:33:56,080 --> 00:33:57,520
Speaker 3: In Miami, I spent one.

704
00:33:57,400 --> 00:33:58,840
Speaker 1: Term and this was on the purpose.

705
00:33:59,400 --> 00:34:03,400
Speaker 3: Yes, wow, because I'm used to moving every four years.

706
00:34:03,760 --> 00:34:06,320
Speaker 2: Yeah, it's like in the military when they go I'm

707
00:34:06,360 --> 00:34:11,520
Speaker 2: tired of Iraq, move me to Iran. I hope I

708
00:34:11,520 --> 00:34:18,839
Speaker 2: can handle the different sand. By the way, your friend,

709
00:34:18,880 --> 00:34:22,040
Speaker 2: you know, Charles Barkley, he's on that show with you. Yes,

710
00:34:22,520 --> 00:34:25,719
Speaker 2: he he hosted Now I have you hosted s L?

711
00:34:26,280 --> 00:34:27,680
Speaker 3: Yes? You don't remember?

712
00:34:28,160 --> 00:34:28,840
Speaker 2: Was I there?

713
00:34:29,480 --> 00:34:29,560
Speaker 6: No?

714
00:34:30,000 --> 00:34:33,360
Speaker 3: It was me and Wilfer l Tracy Morgan.

715
00:34:33,560 --> 00:34:36,720
Speaker 2: Oh you had that era. Oh that's fun, that's great.

716
00:34:37,360 --> 00:34:40,040
Speaker 3: I actually I actually did some legendary skits.

717
00:34:40,560 --> 00:34:42,600
Speaker 2: Have you ever you say so?

718
00:34:45,360 --> 00:34:48,120
Speaker 3: If you haven't seen my skit with Tracy Morgan here

719
00:34:48,120 --> 00:34:48,480
Speaker 3: it is.

720
00:34:48,880 --> 00:34:49,960
Speaker 2: Yeah, I like it, I got it.

721
00:34:50,000 --> 00:34:50,600
Speaker 1: I got it.

722
00:34:51,400 --> 00:34:53,280
Speaker 2: But that I fucking love those guys.

723
00:34:54,520 --> 00:34:54,759
Speaker 1: Yeah.

724
00:34:54,800 --> 00:34:57,640
Speaker 2: I had Chaz Barkley and he was fun because I was,

725
00:34:57,680 --> 00:35:00,239
Speaker 2: you know, living in Arizona, and I think I saw

726
00:35:00,320 --> 00:35:01,839
Speaker 2: him after he drove me around a little bit.

727
00:35:02,480 --> 00:35:02,800
Speaker 3: Uh.

728
00:35:03,200 --> 00:35:04,600
Speaker 2: I think we went out to dinner a few times.

729
00:35:04,600 --> 00:35:06,360
Speaker 2: He was great. He was a lot of fun. He

730
00:35:06,440 --> 00:35:09,200
Speaker 2: was on the Nirvana once. That's pretty cool.

731
00:35:09,560 --> 00:35:09,840
Speaker 3: Wow.

732
00:35:09,880 --> 00:35:12,160
Speaker 2: We did a we did a gap girls together where

733
00:35:12,440 --> 00:35:14,040
Speaker 2: he played a girl I hooked. I played I had

734
00:35:14,080 --> 00:35:17,439
Speaker 2: to play girl, and then I hooked up with in

735
00:35:17,480 --> 00:35:19,360
Speaker 2: like a Truther or Dare game and then he comes

736
00:35:19,360 --> 00:35:23,400
Speaker 2: into the gap. Yeah, let's take a look at a

737
00:35:23,400 --> 00:35:30,200
Speaker 2: clip that's for editing, shack so. But yeah, Charles was great,

738
00:35:30,239 --> 00:35:33,000
Speaker 2: and uh I remember he had Nirvana. What a score

739
00:35:33,200 --> 00:35:33,640
Speaker 2: he got?

740
00:35:34,200 --> 00:35:36,200
Speaker 1: Yeah, who is the musical act for you? Shack do

741
00:35:36,200 --> 00:35:37,200
Speaker 1: you remember you remember?

742
00:35:37,880 --> 00:35:40,479
Speaker 3: No? I think I think it was I'm not sure.

743
00:35:40,680 --> 00:35:42,040
Speaker 3: I was going to say it was me, but I'm

744
00:35:42,040 --> 00:35:42,359
Speaker 3: not sure.

745
00:35:42,520 --> 00:35:45,880
Speaker 2: Mama, dude, I had eagle eyed Cherry. I'm like, fuck,

746
00:35:45,960 --> 00:35:48,640
Speaker 2: that guy got less famous. As he was walking off

747
00:35:48,640 --> 00:35:52,040
Speaker 2: the stage, I'm like, this is a eagle eye Cherry.

748
00:35:52,040 --> 00:35:56,680
Speaker 2: He sings, Yeah, this guy, now that's in your iPod.

749
00:35:56,880 --> 00:35:59,840
Speaker 3: It is save me tonight.

750
00:36:00,239 --> 00:36:06,520
Speaker 1: No, I don't think it's does not save tonight.

751
00:36:06,640 --> 00:36:09,759
Speaker 2: It is until the Break tomorrow, and I don't know

752
00:36:09,920 --> 00:36:12,920
Speaker 2: it was good. I was good. I took it. I

753
00:36:12,960 --> 00:36:15,200
Speaker 2: think I twice hosted. I can't remember the other one.

754
00:36:15,600 --> 00:36:18,319
Speaker 2: But uh, all you have to remember is ladies and

755
00:36:18,400 --> 00:36:20,879
Speaker 2: gentlemen cherry.

756
00:36:21,480 --> 00:36:24,680
Speaker 3: I've never heard that, so that.

757
00:36:24,880 --> 00:36:25,920
Speaker 2: I'll send you a clip of.

758
00:36:29,239 --> 00:36:34,560
Speaker 3: Your new standard special. Dandelion is out on Amazon.

759
00:36:34,239 --> 00:36:36,280
Speaker 2: Amazon wherever you get your toasters.

760
00:36:37,280 --> 00:36:39,960
Speaker 3: Besides the jokes, what makes this one special? Because I

761
00:36:40,040 --> 00:36:42,600
Speaker 3: see most of all your stand up but what makes

762
00:36:42,640 --> 00:36:45,040
Speaker 3: this one special from all your previous ones? You know?

763
00:36:45,160 --> 00:36:47,480
Speaker 2: Shock? I have to say, you said on some podcasts

764
00:36:47,600 --> 00:36:49,960
Speaker 2: nice things about me as a stand up, so I

765
00:36:50,040 --> 00:36:53,319
Speaker 2: really really appreciate it. Thank you for doing that. It's

766
00:36:53,320 --> 00:36:55,839
Speaker 2: always good when the kids here like some guy they

767
00:36:55,840 --> 00:36:58,600
Speaker 2: look up to. Thought it was funny, honestly, So I

768
00:36:58,680 --> 00:36:59,480
Speaker 2: give you one comment.

769
00:36:59,520 --> 00:36:59,799
Speaker 3: Thank you.

770
00:36:59,800 --> 00:37:06,439
Speaker 2: By and Dandelion, the title comes from which you didn't

771
00:37:06,440 --> 00:37:10,120
Speaker 2: ask me, but I'll tell you. The title comes from, Oh,

772
00:37:10,120 --> 00:37:12,120
Speaker 2: because I almost got to fight at McDonald's, and I

773
00:37:12,200 --> 00:37:14,560
Speaker 2: say in the special, I'm a bit of a dandelion.

774
00:37:15,040 --> 00:37:17,800
Speaker 2: So I really can't get the shit kicked out of

775
00:37:17,840 --> 00:37:20,719
Speaker 2: me all the time because I will I'm up for

776
00:37:20,719 --> 00:37:22,720
Speaker 2: getting in a fight because of my rage and anger,

777
00:37:23,080 --> 00:37:26,359
Speaker 2: but I will probably lose. This is the problem. So

778
00:37:26,880 --> 00:37:28,520
Speaker 2: but I always realized, oh my god, I'm going to

779
00:37:28,560 --> 00:37:30,400
Speaker 2: get a fight some so psycho about it, and then

780
00:37:30,400 --> 00:37:32,080
Speaker 2: I'm but I know I'll lose, and that's a bad

781
00:37:32,120 --> 00:37:34,960
Speaker 2: way to go in. So Dandelion is just like a

782
00:37:35,000 --> 00:37:39,560
Speaker 2: little whispy flower, so I named it that. And then

783
00:37:39,600 --> 00:37:42,680
Speaker 2: the other part is what's different about it. I don't

784
00:37:42,680 --> 00:37:49,240
Speaker 2: want to say nothing, but it's just a regular funny

785
00:37:49,520 --> 00:37:53,000
Speaker 2: cavalcade of laughs. But I did have a good time

786
00:37:53,000 --> 00:37:55,759
Speaker 2: in this one. I was saying the other day, I

787
00:37:55,800 --> 00:37:58,200
Speaker 2: did my first one for HBO. That's when I just

788
00:37:58,280 --> 00:38:01,680
Speaker 2: left SNL back when HBO had like very a lot

789
00:38:01,719 --> 00:38:03,840
Speaker 2: of impact. I don't think I even thought about it

790
00:38:03,880 --> 00:38:06,319
Speaker 2: that much. They paid pretty good. They only did about

791
00:38:06,360 --> 00:38:08,800
Speaker 2: three a year. I had seen Eddie Murphy, obviously, I

792
00:38:08,840 --> 00:38:12,040
Speaker 2: had seen the big ones, and there were so few

793
00:38:12,080 --> 00:38:16,600
Speaker 2: and there's so few channels. There was Network and HBO basically,

794
00:38:17,040 --> 00:38:20,760
Speaker 2: and so a lot of people saw that I wasn't touring.

795
00:38:20,800 --> 00:38:22,680
Speaker 2: I mean, this is a new world of touring stand

796
00:38:22,719 --> 00:38:24,719
Speaker 2: ups where it's not just clubs where you never hear

797
00:38:24,760 --> 00:38:26,920
Speaker 2: of it's like they're coming to your city, like you

798
00:38:26,960 --> 00:38:29,759
Speaker 2: go to theater, you know. And so when I'm on

799
00:38:29,800 --> 00:38:32,520
Speaker 2: the road right now, it's like I'm in Iowa at theater,

800
00:38:32,560 --> 00:38:35,600
Speaker 2: I'm in Boston or whatever. So that's the fun of it.

801
00:38:35,600 --> 00:38:39,160
Speaker 2: It's a bigger crowd and you have to kind of

802
00:38:39,200 --> 00:38:41,399
Speaker 2: go through the material a little quicker. Like I used

803
00:38:41,400 --> 00:38:45,040
Speaker 2: to hang with that same hour for five seven years

804
00:38:45,040 --> 00:38:47,319
Speaker 2: because I wasn't doing I was on a sitcom. Then

805
00:38:47,320 --> 00:38:49,400
Speaker 2: I go to Rules of Engagement and I'm there for

806
00:38:49,440 --> 00:38:53,160
Speaker 2: five or six years, So I'm not really out. The

807
00:38:53,200 --> 00:38:56,480
Speaker 2: new world of stand ups from your naborgatzis even the

808
00:38:56,480 --> 00:39:00,440
Speaker 2: THEO and everybody, or Shane, they make more as a

809
00:39:00,440 --> 00:39:02,520
Speaker 2: stand up. It's a full time job, you know. You

810
00:39:02,560 --> 00:39:04,359
Speaker 2: don't have to try to get the movies. You don't

811
00:39:04,360 --> 00:39:06,640
Speaker 2: have to try to get the sitcom. It's the reverse.

812
00:39:07,080 --> 00:39:09,879
Speaker 2: You were doing stand up to get seen, to get

813
00:39:09,920 --> 00:39:12,960
Speaker 2: on there, maybe do Letterman or do whatever, and then

814
00:39:13,400 --> 00:39:16,120
Speaker 2: now or get on SNL. And now it's like they

815
00:39:16,160 --> 00:39:18,080
Speaker 2: can't take that pay cut to go to do a

816
00:39:18,120 --> 00:39:20,759
Speaker 2: movie or do us. Now they're just crushing out there.

817
00:39:20,800 --> 00:39:24,120
Speaker 2: And so I'm sort of old school obviously, and I

818
00:39:24,360 --> 00:39:26,000
Speaker 2: like the idea of doing movies, and I like the

819
00:39:26,040 --> 00:39:28,960
Speaker 2: idea of having grown ups floating out there so people

820
00:39:29,000 --> 00:39:29,359
Speaker 2: see you.

821
00:39:29,640 --> 00:39:30,200
Speaker 1: So it's just.

822
00:39:30,239 --> 00:39:32,440
Speaker 2: More than your stand up. You just want to do

823
00:39:32,560 --> 00:39:36,000
Speaker 2: different things creatively. And so I did a movie called

824
00:39:36,040 --> 00:39:38,480
Speaker 2: bus Boys with theo we wrote and it's a small movie,

825
00:39:38,480 --> 00:39:41,040
Speaker 2: but that will come out soon. And then great to

826
00:39:41,080 --> 00:39:42,880
Speaker 2: be with him because I just get that world of

827
00:39:43,680 --> 00:39:45,960
Speaker 2: stand up where I see these guys out and then

828
00:39:46,200 --> 00:39:48,120
Speaker 2: get to know them and go, holy shit, these guys.

829
00:39:48,239 --> 00:39:49,959
Speaker 2: There's a lot going on out there in that stand

830
00:39:50,000 --> 00:39:50,400
Speaker 2: up world.

831
00:39:50,440 --> 00:39:54,440
Speaker 1: Now he's like the real world Joe Dirt Like sometimes

832
00:39:54,480 --> 00:39:56,759
Speaker 1: like the things he says, I'm like, that's a Joe

833
00:39:56,800 --> 00:39:58,000
Speaker 1: Dirt line. I swear it again.

834
00:39:58,080 --> 00:39:59,719
Speaker 2: Oh my god. Even on I said, He's like, you know,

835
00:40:00,040 --> 00:40:02,200
Speaker 2: in third grade, my teacher was a raccoon. I'm like,

836
00:40:02,960 --> 00:40:06,120
Speaker 2: what's going on And he's like, yeah, I used to

837
00:40:06,120 --> 00:40:08,360
Speaker 2: live next to an aweso lot with no ribs. I'm like,

838
00:40:08,600 --> 00:40:11,080
Speaker 2: you know, let's just stick to what we're doing and focused.

839
00:40:11,480 --> 00:40:14,560
Speaker 2: But he is very funny. He's very genuinely cool dude.

840
00:40:15,880 --> 00:40:18,160
Speaker 2: And then we were both bus boys growing up and

841
00:40:18,200 --> 00:40:21,120
Speaker 2: we talked about at dinner and we just decided to

842
00:40:21,120 --> 00:40:23,040
Speaker 2: write a little movie about it. And it's just an old,

843
00:40:23,160 --> 00:40:24,680
Speaker 2: old school R rated movie.

844
00:40:25,200 --> 00:40:25,440
Speaker 1: You know.

845
00:40:25,960 --> 00:40:29,480
Speaker 2: I used to hear like Brett Favre, random example, kind

846
00:40:29,480 --> 00:40:31,799
Speaker 2: of name driving, but he goes, we would always pop

847
00:40:31,840 --> 00:40:33,800
Speaker 2: your movies in on the bus or on the plane.

848
00:40:34,520 --> 00:40:37,239
Speaker 2: And that's the funnest thing is like, holy shit, all

849
00:40:37,280 --> 00:40:40,640
Speaker 2: these guys are bored. They're just between games waiting the

850
00:40:40,680 --> 00:40:43,160
Speaker 2: same shit we do on the set. We watched sports,

851
00:40:43,200 --> 00:40:45,799
Speaker 2: you watch movies. But it's kind of funny, Shack.

852
00:40:45,880 --> 00:40:48,200
Speaker 1: I'm realizing too. Like one thing that used to upset

853
00:40:48,200 --> 00:40:50,040
Speaker 1: you Shack a lot is there would be certain guys

854
00:40:50,040 --> 00:40:53,080
Speaker 1: that would have really good clips, but they couldn't play basketball,

855
00:40:53,239 --> 00:40:56,040
Speaker 1: Like you'd be like, yeah, they can dunk whatever. And

856
00:40:56,120 --> 00:40:58,319
Speaker 1: I'm realizing listening to David that that's kind of what

857
00:40:58,400 --> 00:41:01,360
Speaker 1: comedy is a little bit right now. Where some of

858
00:41:01,400 --> 00:41:03,759
Speaker 1: these comedians, I'm sure you get that one joke that

859
00:41:03,880 --> 00:41:07,000
Speaker 1: hits your Instagram feed or your YouTube short and you

860
00:41:07,040 --> 00:41:09,839
Speaker 1: can sell out and then suddenly what else do you have?

861
00:41:10,480 --> 00:41:12,120
Speaker 1: And I feel like you guys are both from that,

862
00:41:12,239 --> 00:41:14,319
Speaker 1: Like you need to have an hour ten, you need

863
00:41:14,360 --> 00:41:16,319
Speaker 1: to have like sour Yeah, if.

864
00:41:16,239 --> 00:41:18,920
Speaker 2: It's something that works the whole time. It's like Star Search.

865
00:41:18,960 --> 00:41:21,799
Speaker 2: I remember Brad Garrett. He's very funny comic, but he

866
00:41:21,880 --> 00:41:23,960
Speaker 2: won Star Search. In the old days. You might remember

867
00:41:24,000 --> 00:41:26,200
Speaker 2: Star Search, but you're a comic. You had to do

868
00:41:26,320 --> 00:41:29,879
Speaker 2: two minutes. So he won one hundred grand and won

869
00:41:29,920 --> 00:41:32,440
Speaker 2: the whole thing. But he did about five two minute sets,

870
00:41:32,800 --> 00:41:34,960
Speaker 2: and so he was a headliner and he's like, dude,

871
00:41:35,000 --> 00:41:37,719
Speaker 2: I only have ten minutes, and so he had to

872
00:41:37,760 --> 00:41:39,359
Speaker 2: go out there and go, fuck, I got to come

873
00:41:39,400 --> 00:41:41,719
Speaker 2: up with an hour because now I'm famous first, which

874
00:41:41,760 --> 00:41:44,399
Speaker 2: is very rare. And clips are like that. You see

875
00:41:44,400 --> 00:41:46,839
Speaker 2: clips of there's a lot of crowd work and people

876
00:41:47,000 --> 00:41:49,200
Speaker 2: probably wonder why, but it's because you don't want to

877
00:41:49,200 --> 00:41:52,640
Speaker 2: burn your material that you might sell in a special

878
00:41:53,239 --> 00:41:55,439
Speaker 2: and have it already know it, So you do crowd

879
00:41:55,480 --> 00:41:57,920
Speaker 2: work because that's a one time thing. So you say, hey,

880
00:41:57,920 --> 00:42:00,360
Speaker 2: where you from? This guy driving here, and then it

881
00:42:00,360 --> 00:42:02,560
Speaker 2: gets a laugh, you get out, and then people go, oh,

882
00:42:02,640 --> 00:42:05,239
Speaker 2: this person's funny, and then when you see him. They

883
00:42:05,239 --> 00:42:08,319
Speaker 2: don't always do crowd work because that's a hook to

884
00:42:08,400 --> 00:42:10,359
Speaker 2: get you to like them and to follow them.

885
00:42:10,680 --> 00:42:12,640
Speaker 1: And now I feel like a lot of young comedians

886
00:42:12,680 --> 00:42:14,160
Speaker 1: are trying to do all crowd work.

887
00:42:14,320 --> 00:42:17,360
Speaker 2: Yeah, I mean, I don't really have a bias against

888
00:42:17,400 --> 00:42:19,920
Speaker 2: crowd work. I just know that it's it's a it's

889
00:42:20,000 --> 00:42:22,719
Speaker 2: kind of hard, and it can go south sometimes. And

890
00:42:22,760 --> 00:42:24,520
Speaker 2: if they're paying all this money to come see me,

891
00:42:25,440 --> 00:42:27,480
Speaker 2: I want to buff out the jokes and make sure

892
00:42:27,520 --> 00:42:30,399
Speaker 2: they're they're walking out laughing, going, okay, it was worth

893
00:42:30,400 --> 00:42:31,839
Speaker 2: getting a babysitter. Coming out of the sea.

894
00:42:32,000 --> 00:42:34,160
Speaker 1: Jack wants to get roasted. If he goes to a

895
00:42:34,200 --> 00:42:36,279
Speaker 1: comedy show, he wants to get destroyed.

896
00:42:36,640 --> 00:42:37,200
Speaker 3: I do.

897
00:42:39,360 --> 00:42:41,520
Speaker 2: Have you actually been roasted? Didn't you do that?

898
00:42:42,360 --> 00:42:44,719
Speaker 3: Yeah? Yeah, I actually did a roast a long time ago,

899
00:42:44,760 --> 00:42:47,720
Speaker 3: and I'm talking to Jeff about doing another one.

900
00:42:48,080 --> 00:42:49,480
Speaker 2: Yeah, you could be good.

901
00:42:49,719 --> 00:42:54,279
Speaker 3: Because Tom Brady his roast was very funny. But I

902
00:42:54,360 --> 00:42:56,600
Speaker 3: don't think he enjoyed it. Enjoy it?

903
00:42:56,840 --> 00:42:58,920
Speaker 2: Oh yeah, I mean I don't know if he was

904
00:42:59,000 --> 00:42:59,600
Speaker 2: ready for it.

905
00:42:59,640 --> 00:43:01,840
Speaker 3: I think you went crazy.

906
00:43:02,000 --> 00:43:04,920
Speaker 2: Oh my gosh, so many body punches. I just just

907
00:43:05,480 --> 00:43:08,200
Speaker 2: dropped him. That was tough. He was done then, and

908
00:43:08,239 --> 00:43:11,719
Speaker 2: then okay, here's the eight more guys. I think he

909
00:43:11,800 --> 00:43:14,279
Speaker 2: was looking around Baffle going what the fuck is going on?

910
00:43:14,400 --> 00:43:16,880
Speaker 2: I know how much I got paid yeah, and I

911
00:43:17,280 --> 00:43:19,879
Speaker 2: know that sounded great. And then I'm gonna get dressed up.

912
00:43:19,960 --> 00:43:22,400
Speaker 2: I look great. They didn't mention I'm gonna get the

913
00:43:22,520 --> 00:43:25,239
Speaker 2: ship kick out and you know, and then the gizelle

914
00:43:25,280 --> 00:43:28,120
Speaker 2: and every personal thing about your life and kids. And

915
00:43:28,520 --> 00:43:30,480
Speaker 2: I think he said the kids would be off limits.

916
00:43:30,840 --> 00:43:32,560
Speaker 2: I don't know if all these roasters listen to all

917
00:43:32,600 --> 00:43:34,680
Speaker 2: these rules. I don't know, because they're like, fuck it.

918
00:43:34,800 --> 00:43:37,319
Speaker 2: This is where I get famous. You know, I'm gonna

919
00:43:37,320 --> 00:43:37,799
Speaker 2: get out there.

920
00:43:38,160 --> 00:43:40,759
Speaker 3: Nothing is off limits with me. So I'm thinking about

921
00:43:40,800 --> 00:43:43,000
Speaker 3: I'm thinking about calling my roast black and white.

922
00:43:44,120 --> 00:43:47,240
Speaker 1: I like it because is that an old Dennis Miller special?

923
00:43:47,520 --> 00:43:50,040
Speaker 3: No, but I'm have five black comedians and five white

924
00:43:50,719 --> 00:43:54,000
Speaker 3: I like that. Yeah, gonna go black and white.

925
00:43:54,200 --> 00:43:56,440
Speaker 2: That's good. You get nicky in there.

926
00:43:56,320 --> 00:44:01,000
Speaker 1: Tode, you're gonna have to go Blue Origin. If you're

927
00:44:01,000 --> 00:44:02,240
Speaker 1: getting an Amazon.

928
00:44:01,880 --> 00:44:03,960
Speaker 3: I'm not going on a fucking space shuttle.

929
00:44:05,000 --> 00:44:06,360
Speaker 2: Flahod you do it that.

930
00:44:06,880 --> 00:44:09,640
Speaker 3: I'll tell you what. I'll tell you what. You know

931
00:44:09,680 --> 00:44:13,360
Speaker 3: what I'm gonna do. I'ma go on. I'm gonna go

932
00:44:13,360 --> 00:44:14,400
Speaker 3: on Blue Origin tonight.

933
00:44:15,200 --> 00:44:18,120
Speaker 2: Oh Blue Argin. You know what you could do? You

934
00:44:18,120 --> 00:44:19,960
Speaker 2: could probably fit on the first one, it was a

935
00:44:20,000 --> 00:44:22,320
Speaker 2: little higher, but then the one that landed that's a

936
00:44:22,360 --> 00:44:23,880
Speaker 2: little smaller. I don't think you could.

937
00:44:23,680 --> 00:44:25,880
Speaker 3: Fit on Dave. Have you ever had to deal with

938
00:44:25,920 --> 00:44:27,319
Speaker 3: hecklers and how you deal with them?

939
00:44:27,560 --> 00:44:29,840
Speaker 2: I you know, the problem with putting out clips like

940
00:44:29,880 --> 00:44:32,439
Speaker 2: that is you it makes more people want to talk

941
00:44:32,480 --> 00:44:34,840
Speaker 2: to the comic on the road, which is some comics

942
00:44:34,840 --> 00:44:37,440
Speaker 2: have a bias against it because I don't want to

943
00:44:37,480 --> 00:44:40,800
Speaker 2: get heckled, and if I do, I will try to

944
00:44:40,840 --> 00:44:43,080
Speaker 2: deal with it. But most of it, like when I

945
00:44:43,120 --> 00:44:45,280
Speaker 2: went out with Adam, when the crowds are too big,

946
00:44:45,840 --> 00:44:49,360
Speaker 2: like ten thousand or something, my jokes are kind of

947
00:44:49,360 --> 00:44:52,799
Speaker 2: more thrown away and quieter, and it's easier to be

948
00:44:52,960 --> 00:44:56,200
Speaker 2: like a more forceful comic and louder, and because you

949
00:44:56,280 --> 00:44:59,279
Speaker 2: got to wrangle. It's where you're having a fucking Lakers game.

950
00:44:59,320 --> 00:45:01,920
Speaker 2: You know, it's the same thing Staple Center and you

951
00:45:01,960 --> 00:45:05,000
Speaker 2: have that and when you're looking out, people are you know,

952
00:45:05,120 --> 00:45:07,120
Speaker 2: they're getting up to get beer. These guys are over

953
00:45:07,160 --> 00:45:08,920
Speaker 2: here talking, these guys are on their phone. You know,

954
00:45:08,920 --> 00:45:12,000
Speaker 2: you just there's so much going on and you and

955
00:45:12,040 --> 00:45:14,400
Speaker 2: if they're kind of lit, you realize they're not all

956
00:45:14,480 --> 00:45:17,799
Speaker 2: just staring like this. They're all like this fucking guy

957
00:45:17,920 --> 00:45:20,000
Speaker 2: sucks or whatever they're doing, and it throws you out

958
00:45:20,000 --> 00:45:22,360
Speaker 2: of it. And then there's also a low murmur and

959
00:45:22,440 --> 00:45:26,800
Speaker 2: buzz because you can't keep ten thousand people quiet, dead, silent,

960
00:45:27,360 --> 00:45:31,000
Speaker 2: and so you're doing bigger jokes. You're just trying. There's

961
00:45:31,000 --> 00:45:33,560
Speaker 2: not enough energy on your end to match. You know,

962
00:45:33,560 --> 00:45:37,560
Speaker 2: when there's a fucking basketball game, they're crazy. The game

963
00:45:37,640 --> 00:45:40,799
Speaker 2: is loud, crazy yelling. It's a lot of energy. Or

964
00:45:40,800 --> 00:45:43,200
Speaker 2: if you're a band, you've got music coming out to

965
00:45:43,280 --> 00:45:45,799
Speaker 2: them and it's like you're meeting all that. But if

966
00:45:45,840 --> 00:45:50,280
Speaker 2: you're just like one guy bullshitting your act, mumbling your jokes,

967
00:45:50,320 --> 00:45:52,160
Speaker 2: it's a little trickier. So I found when I was

968
00:45:52,160 --> 00:45:55,360
Speaker 2: with ATOM, I didn't love the bigger crowds as much.

969
00:45:56,239 --> 00:45:57,799
Speaker 2: I don't even know what this question was, but this

970
00:45:57,880 --> 00:46:00,840
Speaker 2: is I'm just drifting off. It was hard to keep

971
00:46:01,440 --> 00:46:05,000
Speaker 2: them going because they wouldn't listen as closely as I

972
00:46:05,000 --> 00:46:07,799
Speaker 2: would like in a smaller one. You know, I think

973
00:46:07,920 --> 00:46:11,400
Speaker 2: Nate does it well. Nate Bergatzi. He's clean, he brings

974
00:46:11,440 --> 00:46:13,399
Speaker 2: a good, sharp crowd that wants to listen, and they're

975
00:46:13,440 --> 00:46:17,160
Speaker 2: kind of trained and they know, no yelling, He's not

976
00:46:17,200 --> 00:46:19,560
Speaker 2: gonna He just wants to do the act, you know,

977
00:46:19,600 --> 00:46:21,759
Speaker 2: and they want to hear it. So when I get

978
00:46:21,800 --> 00:46:24,759
Speaker 2: thrown by that, mostly it's a dead spot. What I meant,

979
00:46:24,800 --> 00:46:27,520
Speaker 2: It's like in those big crowds, they want attention, so

980
00:46:27,560 --> 00:46:30,640
Speaker 2: if there's one moment of silence, they will yell, and

981
00:46:30,640 --> 00:46:34,240
Speaker 2: it's yelling Joe dirt, or it's yelling anything that isn't

982
00:46:34,280 --> 00:46:38,160
Speaker 2: even something to answer, you know what I mean, it's

983
00:46:38,200 --> 00:46:40,240
Speaker 2: just drunk in babbling to get attention.

984
00:46:40,880 --> 00:46:44,120
Speaker 1: I've never thought of who you travel with determines what

985
00:46:44,200 --> 00:46:48,000
Speaker 1: kind of an audience and does that like sometimes you're like, ooh,

986
00:46:48,040 --> 00:46:51,160
Speaker 1: a new audience to challenge myself with, But then also,

987
00:46:51,480 --> 00:46:53,800
Speaker 1: are you gonna want to do that for an entire tour?

988
00:46:54,640 --> 00:46:55,440
Speaker 1: Of facing that.

989
00:46:55,520 --> 00:46:58,719
Speaker 2: Uncertainty and stand up's weird because if when we're out

990
00:46:58,800 --> 00:47:00,840
Speaker 2: it's it was kind of like a grown tour in

991
00:47:00,880 --> 00:47:03,480
Speaker 2: the way that it had me and a Schneider and

992
00:47:03,520 --> 00:47:06,640
Speaker 2: Norm and everybody. And so because Norm was in grown ups,

993
00:47:06,640 --> 00:47:11,319
Speaker 2: he got caught up. But they're excited to see you

994
00:47:12,520 --> 00:47:14,560
Speaker 2: and they want to yell and they want to just

995
00:47:14,680 --> 00:47:16,200
Speaker 2: sort of talk to you. They're just glad you're in

996
00:47:16,239 --> 00:47:19,200
Speaker 2: their town. And then they some of them don't want

997
00:47:19,239 --> 00:47:21,680
Speaker 2: to sit and listen. They're just like, I'm amped up, dude,

998
00:47:22,239 --> 00:47:23,759
Speaker 2: and they go, okay, now sit for two and a

999
00:47:23,760 --> 00:47:26,720
Speaker 2: half hours dollars are like, no, I want to fucking scream.

1000
00:47:26,760 --> 00:47:28,319
Speaker 2: I got a concert, like I want to go nuts.

1001
00:47:28,320 --> 00:47:30,000
Speaker 2: And Adam's really good about it. He's got a guitar

1002
00:47:30,040 --> 00:47:32,440
Speaker 2: and he does jokes and he plays a song and

1003
00:47:32,440 --> 00:47:34,120
Speaker 2: then they get into it and he makes them sing,

1004
00:47:34,160 --> 00:47:38,279
Speaker 2: and he's got a spotlight, so he's really utilizing the

1005
00:47:38,280 --> 00:47:43,560
Speaker 2: big audience. I don't do that exactly that Jack.

1006
00:47:43,680 --> 00:47:45,279
Speaker 1: I have one more thing for him. So wait, So

1007
00:47:46,080 --> 00:47:49,640
Speaker 1: the dandylion joke where you get into a fight at McDonald's. Yeah,

1008
00:47:49,800 --> 00:47:53,440
Speaker 1: as someone that wants to fight but then realizes they

1009
00:47:53,480 --> 00:47:56,000
Speaker 1: can't fight, do you have a way that you typically

1010
00:47:56,080 --> 00:47:57,239
Speaker 1: get out of fights?

1011
00:47:58,480 --> 00:48:02,080
Speaker 2: I just yell my dad's a lawyer. And then they go,

1012
00:48:02,400 --> 00:48:04,680
Speaker 2: I thought your dad passed away ten years ago on life,

1013
00:48:04,880 --> 00:48:09,440
Speaker 2: but still no, I go, I'm famous. I'm famous. That's

1014
00:48:09,440 --> 00:48:11,560
Speaker 2: what I say. Anyway, just walk in any situation when

1015
00:48:11,560 --> 00:48:13,680
Speaker 2: people are fighting, I walk and I go it's okay,

1016
00:48:13,719 --> 00:48:16,279
Speaker 2: I'm famous. I walk right to the front. There's a

1017
00:48:16,280 --> 00:48:18,920
Speaker 2: car accident. Can I get through? Excuse guys, I'm famous.

1018
00:48:19,120 --> 00:48:20,439
Speaker 2: Let me just get to the front. Let me see

1019
00:48:20,440 --> 00:48:22,000
Speaker 2: what's going on. Maybe I can help.

1020
00:48:23,760 --> 00:48:23,800
Speaker 4: You.

1021
00:48:23,920 --> 00:48:27,399
Speaker 2: Know, it's funny. It's funny how many people know who

1022
00:48:27,440 --> 00:48:30,319
Speaker 2: you are out there in the world, because I have

1023
00:48:30,480 --> 00:48:33,840
Speaker 2: seeped in over the years from comedy specials to whatever,

1024
00:48:34,440 --> 00:48:36,680
Speaker 2: and so it takes people about a second and a

1025
00:48:36,680 --> 00:48:39,759
Speaker 2: half if you can get past them before they go oh,

1026
00:48:40,360 --> 00:48:42,759
Speaker 2: then you keep going. But Shaq, do you have these

1027
00:48:42,800 --> 00:48:45,200
Speaker 2: guys that meet at the airport? You probably fly private,

1028
00:48:45,200 --> 00:48:47,520
Speaker 2: but I don't know if you can remember when you're

1029
00:48:47,560 --> 00:48:50,279
Speaker 2: like me, like the every man that's out there and

1030
00:48:50,280 --> 00:48:52,399
Speaker 2: you're and the guys want you to sign stuff. They're

1031
00:48:52,400 --> 00:48:55,680
Speaker 2: the funniest because the hardcore ones aren't fans at all.

1032
00:48:56,000 --> 00:48:58,239
Speaker 2: They just want you to sign shit, and they give

1033
00:48:58,239 --> 00:49:02,120
Speaker 2: you fake compliments while they're hey, man, you're the best.

1034
00:49:02,400 --> 00:49:04,279
Speaker 2: Hey did you ever you ever been to Rolanda before?

1035
00:49:04,280 --> 00:49:06,040
Speaker 2: I'm like, just give me that fucking bobble ahead and

1036
00:49:06,080 --> 00:49:07,799
Speaker 2: me sign it. Let me move on. I don't want

1037
00:49:08,120 --> 00:49:10,479
Speaker 2: to have a fake convo with you while you I.

1038
00:49:10,360 --> 00:49:14,799
Speaker 1: Got to experience the level of Shack's fame one time, Shack.

1039
00:49:14,840 --> 00:49:16,200
Speaker 1: I don't know if you remember it. We were in

1040
00:49:16,239 --> 00:49:19,000
Speaker 1: San Francisco and they were coming off stage and I

1041
00:49:19,120 --> 00:49:22,719
Speaker 1: just hung around after I got done my stuff, and

1042
00:49:22,800 --> 00:49:25,800
Speaker 1: Shaq put his arms on my shoulders and we walked

1043
00:49:25,840 --> 00:49:28,839
Speaker 1: through a crowd of like a thousand Warriors fans, and

1044
00:49:28,880 --> 00:49:32,560
Speaker 1: so all of the energy was directed at Shaq, but

1045
00:49:32,680 --> 00:49:36,000
Speaker 1: it looked like it was coming right at me. I

1046
00:49:36,080 --> 00:49:39,640
Speaker 1: watched a grown man doing jumping Jackson, a woman just

1047
00:49:39,680 --> 00:49:44,480
Speaker 1: going it's my birthday, and it was just stop for

1048
00:49:44,600 --> 00:49:47,239
Speaker 1: like one hundred yards and we get in it and

1049
00:49:47,320 --> 00:49:49,640
Speaker 1: I go and I go, Shack, is that what it's like?

1050
00:49:49,680 --> 00:49:51,480
Speaker 1: He's like yeah, And I was just like.

1051
00:49:51,640 --> 00:49:54,560
Speaker 2: Fuck, Like, this is one of the most recognizable people

1052
00:49:54,560 --> 00:49:55,040
Speaker 2: on the planet.

1053
00:49:55,320 --> 00:49:55,959
Speaker 1: He can't hide.

1054
00:49:56,520 --> 00:49:59,600
Speaker 2: He's tall, he looks exactly like he looks in real life.

1055
00:50:00,080 --> 00:50:00,440
Speaker 3: Uh.

1056
00:50:00,719 --> 00:50:02,799
Speaker 2: You know the funny thing, Shock these guys that like

1057
00:50:02,840 --> 00:50:05,799
Speaker 2: are behind backstage and they wait for you, and they're

1058
00:50:05,840 --> 00:50:08,040
Speaker 2: fake fans. And the best is when they got a

1059
00:50:08,080 --> 00:50:09,320
Speaker 2: kid with them. Because it's a trick because I go,

1060
00:50:09,360 --> 00:50:11,319
Speaker 2: all do want each you know, I'm not even saying

1061
00:50:11,320 --> 00:50:14,200
Speaker 2: I'm super famous. I'm just saying for these people. So

1062
00:50:14,760 --> 00:50:16,840
Speaker 2: they go sign this, and I go which one? And

1063
00:50:16,880 --> 00:50:19,360
Speaker 2: they have like a Joder Tommy boy and like, I

1064
00:50:19,360 --> 00:50:21,320
Speaker 2: gotta make him pick one, and I sign it and

1065
00:50:21,400 --> 00:50:24,000
Speaker 2: they go, but my daughter, will you sign one for her?

1066
00:50:24,040 --> 00:50:26,160
Speaker 2: And I go, she's your biggest fan in the world.

1067
00:50:26,360 --> 00:50:28,560
Speaker 2: I look down and I go, yeah, this is the

1068
00:50:28,600 --> 00:50:31,200
Speaker 2: stupidest move I do. I go oh, and I believe it.

1069
00:50:31,239 --> 00:50:33,600
Speaker 2: I go, what movie did you like that I'm in?

1070
00:50:33,640 --> 00:50:36,799
Speaker 2: And she goes, who the fuck are you? And I

1071
00:50:36,880 --> 00:50:39,359
Speaker 2: go oh, And the guys like, just sign her ship, dude,

1072
00:50:39,400 --> 00:50:42,000
Speaker 2: I just hired her. Get out of here. It's so true.

1073
00:50:42,040 --> 00:50:44,000
Speaker 2: They don't know anything. And she's like this.

1074
00:50:47,760 --> 00:50:50,640
Speaker 3: Bigger fan, Like it's fucking too Yeah.

1075
00:50:51,080 --> 00:50:53,279
Speaker 2: This guy gave me a caprice son to stand here

1076
00:50:53,280 --> 00:50:53,799
Speaker 2: in the rain.

1077
00:50:55,200 --> 00:50:57,920
Speaker 3: So, David, is there is there any comedian that you

1078
00:50:58,000 --> 00:51:01,720
Speaker 3: feel doesn't get their flowers and people probably won't fully

1079
00:51:01,760 --> 00:51:03,480
Speaker 3: appreciate their work until they're going.

1080
00:51:04,360 --> 00:51:08,200
Speaker 2: I think Norm's getting a lot of attention, uh post mortem,

1081
00:51:08,200 --> 00:51:11,879
Speaker 2: which she always did. He kind of liked the being

1082
00:51:12,120 --> 00:51:15,520
Speaker 2: not the everyman comic. He kind of liked rubbing people

1083
00:51:15,520 --> 00:51:18,520
Speaker 2: the wrong way and just having some weird, clever stuff

1084
00:51:18,640 --> 00:51:21,879
Speaker 2: and I and for knowing him pretty well, I see

1085
00:51:21,920 --> 00:51:25,480
Speaker 2: clips now and uh, I see things he did that

1086
00:51:25,560 --> 00:51:28,160
Speaker 2: I didn't know and didn't see, and it's fucking hilarious.

1087
00:51:28,160 --> 00:51:30,279
Speaker 2: So I do think he was a show.

1088
00:51:30,320 --> 00:51:32,680
Speaker 1: Which what were you thinking of just there? Which moment?

1089
00:51:33,000 --> 00:51:33,080
Speaker 4: Me?

1090
00:51:33,280 --> 00:51:34,920
Speaker 2: Oh, I've just se I've seen probably two a day.

1091
00:51:34,920 --> 00:51:37,239
Speaker 2: Everyone is in everyone's like in my dms. You see

1092
00:51:37,280 --> 00:51:40,080
Speaker 2: this one. I've seen him all motherfuckers.

1093
00:51:40,080 --> 00:51:43,000
Speaker 1: So but dude, when he would go on like talk

1094
00:51:43,040 --> 00:51:46,800
Speaker 1: shows and just completely derail the talk shows, like the View,

1095
00:51:47,239 --> 00:51:48,399
Speaker 1: Oh my god, it was.

1096
00:51:48,640 --> 00:51:51,600
Speaker 2: The View was ruthless. Or when he goes on that

1097
00:51:51,640 --> 00:51:55,120
Speaker 2: poor woman talking about Carrot Top and he's talking about

1098
00:51:55,120 --> 00:51:58,719
Speaker 2: how dumber movie ish. But he liked to be the

1099
00:51:58,840 --> 00:52:01,880
Speaker 2: rabble rouser and he like to really offend, and he

1100
00:52:01,920 --> 00:52:04,960
Speaker 2: had his talk show. He's really nuts kind of a podcast.

1101
00:52:05,120 --> 00:52:08,040
Speaker 2: But I still like to see. I like, I think

1102
00:52:08,160 --> 00:52:11,239
Speaker 2: Nate's really good right now. I think Nikki does great job.

1103
00:52:11,320 --> 00:52:14,359
Speaker 2: Nicky and I do Vegas together. She's always funny, she's

1104
00:52:14,400 --> 00:52:17,279
Speaker 2: always working really hard on it. She does it no

1105
00:52:17,440 --> 00:52:18,920
Speaker 2: days off. She's not married.

1106
00:52:20,160 --> 00:52:24,239
Speaker 3: Oh is not married. Oh we need to hook her

1107
00:52:24,280 --> 00:52:24,799
Speaker 3: brother up.

1108
00:52:25,960 --> 00:52:28,560
Speaker 2: Oh brother come out to we're at the Venetian. We

1109
00:52:28,640 --> 00:52:33,600
Speaker 2: do two more shows. Yeah, you got a plane. Take

1110
00:52:33,680 --> 00:52:35,000
Speaker 2: the fucking Blue Origin.

1111
00:52:35,320 --> 00:52:39,280
Speaker 3: The Glazer, the Glazer and the Diesel Shack.

1112
00:52:40,040 --> 00:52:44,280
Speaker 1: New idea minute Blue Origin date with Nicki Glazer.

1113
00:52:44,400 --> 00:52:46,279
Speaker 2: It's taking Shark tank over here.

1114
00:52:46,520 --> 00:52:46,920
Speaker 1: You know what.

1115
00:52:47,400 --> 00:52:49,799
Speaker 2: I like this idea. You go dates in space. You

1116
00:52:49,960 --> 00:52:52,960
Speaker 2: take him up for eleven minutes. See how it goes.

1117
00:52:53,000 --> 00:52:54,320
Speaker 2: Come on Amazon now I'm.

1118
00:52:54,320 --> 00:52:58,279
Speaker 1: Collabing Bezos Cranks. Open the door and it's will there

1119
00:52:58,320 --> 00:52:59,120
Speaker 1: be a second date?

1120
00:52:59,840 --> 00:53:02,640
Speaker 2: And if you like her, you give her a dandelion.

1121
00:53:03,640 --> 00:53:05,520
Speaker 3: Tell Nikki Glaves. I would love to take her on

1122
00:53:05,640 --> 00:53:05,960
Speaker 3: the day.

1123
00:53:06,360 --> 00:53:08,560
Speaker 2: I will talk to Nikki Glazer today because I have this.

1124
00:53:09,960 --> 00:53:10,440
Speaker 3: I love it.

1125
00:53:10,520 --> 00:53:12,240
Speaker 2: Yeah, she does a great job. Yeah.

1126
00:53:12,360 --> 00:53:15,480
Speaker 1: I just want to end with our favorite game, White

1127
00:53:15,480 --> 00:53:19,160
Speaker 1: People Ship or Black People Shit, where I name things

1128
00:53:19,200 --> 00:53:21,359
Speaker 1: and then you tell me if it's White people Shit

1129
00:53:21,480 --> 00:53:22,480
Speaker 1: or Black people Shit.

1130
00:53:22,680 --> 00:53:25,160
Speaker 2: I'm a game called Let's Cancel Spade. Go ahead.

1131
00:53:26,680 --> 00:53:29,000
Speaker 1: First one, it's for both of you. Pringles.

1132
00:53:30,120 --> 00:53:31,520
Speaker 3: That's WPS.

1133
00:53:32,480 --> 00:53:33,640
Speaker 2: Is that white people only?

1134
00:53:33,920 --> 00:53:36,200
Speaker 3: Yes, yes, we were like Pringles.

1135
00:53:37,160 --> 00:53:39,040
Speaker 2: I do like the organization of Pringles.

1136
00:53:39,040 --> 00:53:41,560
Speaker 1: I will say that it's very structured.

1137
00:53:42,960 --> 00:53:44,799
Speaker 2: Oh Jesus, we really hit a nerve here.

1138
00:53:45,000 --> 00:53:48,480
Speaker 1: Well, I realized so spade. Every time he walks to

1139
00:53:48,560 --> 00:53:51,720
Speaker 1: the snack section at the backstage of MB on TNT,

1140
00:53:51,960 --> 00:53:54,480
Speaker 1: he always grabs the pringles and he goes, can we

1141
00:53:54,520 --> 00:53:56,840
Speaker 1: get some fucking black people snacks in here? And then

1142
00:53:56,960 --> 00:53:57,960
Speaker 1: throws the pringles.

1143
00:53:57,960 --> 00:53:59,640
Speaker 2: Oh that's you set him up for that one.

1144
00:53:59,760 --> 00:54:01,600
Speaker 1: Yeah, I've never told them that I've noticed, but it's

1145
00:54:01,640 --> 00:54:02,920
Speaker 1: always the fucking pringles.

1146
00:54:02,920 --> 00:54:07,880
Speaker 2: That what do you like? First night? You likes ors?

1147
00:54:09,360 --> 00:54:09,920
Speaker 1: Colors of.

1148
00:54:12,200 --> 00:54:14,480
Speaker 2: It's Cheetos. That's not a Is that a white thing?

1149
00:54:14,880 --> 00:54:16,160
Speaker 3: Yes, that might be.

1150
00:54:16,680 --> 00:54:18,600
Speaker 1: I think you're wrong there, shacked.

1151
00:54:19,719 --> 00:54:20,439
Speaker 3: WPS.

1152
00:54:20,480 --> 00:54:22,440
Speaker 2: I love how you tell a black guy heat that's

1153
00:54:22,480 --> 00:54:23,040
Speaker 2: what you like?

1154
00:54:25,560 --> 00:54:30,919
Speaker 1: Ws BPS owning a parakeet wps.

1155
00:54:30,920 --> 00:54:33,080
Speaker 2: Come on, yeah, I mean I don't even know if,

1156
00:54:33,239 --> 00:54:35,720
Speaker 2: I don't even know why anyone would, but go ahead.

1157
00:54:35,880 --> 00:54:40,240
Speaker 1: I don't want to driving a slingshot those three wheeled.

1158
00:54:39,840 --> 00:54:44,480
Speaker 3: Vehicles bps is it? Oh? Yeah, because I got the

1159
00:54:44,520 --> 00:54:48,040
Speaker 3: fucking lights. I got some Oh you got I got

1160
00:54:48,080 --> 00:54:48,520
Speaker 3: three of them.

1161
00:54:48,680 --> 00:54:52,919
Speaker 1: It's really speakers.

1162
00:54:53,719 --> 00:55:00,920
Speaker 3: Everything is it lifted? Nope? Lowered wps.

1163
00:55:01,840 --> 00:55:03,360
Speaker 2: Well this is a little one sided.

1164
00:55:04,320 --> 00:55:04,440
Speaker 3: Uh.

1165
00:55:05,360 --> 00:55:08,640
Speaker 2: That sounds white trashy too. White trash is the only

1166
00:55:08,640 --> 00:55:11,439
Speaker 2: thing you can say really against white people. That everyone

1167
00:55:11,560 --> 00:55:16,680
Speaker 2: lets slide you so fucking rude. Yeah, And it was like, oh, yeah,

1168
00:55:16,719 --> 00:55:18,680
Speaker 2: you're trash. You can't really say any of the races

1169
00:55:18,680 --> 00:55:20,399
Speaker 2: are just trash.

1170
00:55:20,440 --> 00:55:24,840
Speaker 1: Adam Sandler movies, oh aps.

1171
00:55:25,120 --> 00:55:28,160
Speaker 2: All people, I think it is. Yeah, yeah, he's got

1172
00:55:28,160 --> 00:55:29,040
Speaker 2: a lot of black fans.

1173
00:55:29,360 --> 00:55:32,400
Speaker 1: I have a coffee fans.

1174
00:55:33,400 --> 00:55:33,799
Speaker 3: She does.

1175
00:55:35,000 --> 00:55:36,880
Speaker 1: I have a coffee shop around the corner for me,

1176
00:55:36,960 --> 00:55:38,919
Speaker 1: and I've been going there for years and I talked

1177
00:55:38,960 --> 00:55:41,160
Speaker 1: to them in Spanish and I walk in there and

1178
00:55:41,200 --> 00:55:44,400
Speaker 1: the one guy was saying Alexander, and I thought that

1179
00:55:44,480 --> 00:55:47,200
Speaker 1: he thought my name was Alexander. And so one day

1180
00:55:47,200 --> 00:55:48,560
Speaker 1: I go to my said, by the way, my name

1181
00:55:48,640 --> 00:55:50,279
Speaker 1: is Adam, not Alexander.

1182
00:55:50,320 --> 00:55:53,880
Speaker 10: And he goes, no, no, no, no, Adam Sandler. And he's

1183
00:55:53,920 --> 00:55:58,600
Speaker 10: been thinking that I look like Adam Sandler for two years. Yes,

1184
00:55:58,920 --> 00:56:01,680
Speaker 10: but he said that grown Up is like his favorite movie.

1185
00:56:01,719 --> 00:56:04,760
Speaker 10: He's a best movie, best movie. I think Adam Standler

1186
00:56:04,880 --> 00:56:07,719
Speaker 10: is one of the most those movies all people.

1187
00:56:07,520 --> 00:56:09,640
Speaker 2: Shit, Yeah, for sure, for sure.

1188
00:56:10,160 --> 00:56:12,680
Speaker 1: The special Dandelion on Amazon.

1189
00:56:12,840 --> 00:56:15,160
Speaker 2: Dandelion, Well, Shack, will black people watch it?

1190
00:56:15,200 --> 00:56:17,560
Speaker 3: You tell me yes, I'm gonna watch it because you know.

1191
00:56:17,560 --> 00:56:19,080
Speaker 1: I love you.

1192
00:56:18,640 --> 00:56:20,800
Speaker 3: You were very nice of me on growing up, so

1193
00:56:20,880 --> 00:56:23,720
Speaker 3: you didn't have to be I appreciate how you guys

1194
00:56:23,760 --> 00:56:26,200
Speaker 3: look out for me and hopefully I did you Proud

1195
00:56:26,400 --> 00:56:26,799
Speaker 3: you did it?

1196
00:56:26,800 --> 00:56:28,440
Speaker 2: Great man, you made that movie a hit. I mean

1197
00:56:28,480 --> 00:56:30,560
Speaker 2: we're all part of one that worked in a very

1198
00:56:30,640 --> 00:56:31,920
Speaker 2: rare last one.

1199
00:56:32,000 --> 00:56:37,680
Speaker 1: I apologize fucking sorry. You could do it right afterwards.

1200
00:56:38,040 --> 00:56:40,600
Speaker 1: Uh he is doctor O'Neill. We have a segment called

1201
00:56:40,640 --> 00:56:43,600
Speaker 1: ask Doctor O'Neill, So right now you are Doctor Spade.

1202
00:56:44,040 --> 00:56:48,600
Speaker 1: This one comes from Clueless Rob in Indiana. Uh Shaq,

1203
00:56:48,640 --> 00:56:51,799
Speaker 1: why don't you let doctor Spade go first? Quote Shack.

1204
00:56:51,880 --> 00:56:53,960
Speaker 1: I'm a white guy and this is my first time

1205
00:56:54,080 --> 00:56:57,319
Speaker 1: dating a black woman. We've been together eight months now

1206
00:56:57,400 --> 00:56:59,960
Speaker 1: and I've met her mother, but she hasn't met mine yet.

1207
00:57:00,239 --> 00:57:02,719
Speaker 1: That's the part I'm nervous about. To be clear. My

1208
00:57:02,760 --> 00:57:05,400
Speaker 1: mom lives in an all white world town and is

1209
00:57:05,440 --> 00:57:08,680
Speaker 1: what you would call a Karen. My girl is all

1210
00:57:08,719 --> 00:57:12,160
Speaker 1: about black girl magic, and she's been bugging me to

1211
00:57:12,200 --> 00:57:14,440
Speaker 1: meet my mom, but I'm not ready yet. What's the

1212
00:57:14,480 --> 00:57:18,040
Speaker 1: best way to approach introducing them without making it too awkward?

1213
00:57:18,520 --> 00:57:20,640
Speaker 1: Doctor Spade? Why don't you take it correct?

1214
00:57:20,760 --> 00:57:24,440
Speaker 2: I like that this guy's in nineteen sixty six. Well,

1215
00:57:24,520 --> 00:57:27,760
Speaker 2: I think it's it's we have seen a few interracial

1216
00:57:27,760 --> 00:57:31,160
Speaker 2: couples out there in the world lately, so I think

1217
00:57:32,960 --> 00:57:37,280
Speaker 2: I mean, if it's so horrible, it's a tough conversation, Shaq,

1218
00:57:37,440 --> 00:57:38,560
Speaker 2: what's the best way to do this?

1219
00:57:40,360 --> 00:57:44,840
Speaker 3: He should test it out FaceTime first, like, hey, mom,

1220
00:57:44,960 --> 00:57:45,800
Speaker 3: this is Monique.

1221
00:57:46,040 --> 00:57:47,200
Speaker 2: Oh and see how bad it goes.

1222
00:57:47,440 --> 00:57:50,080
Speaker 3: Yes, I said, like like, hey mom, I just called

1223
00:57:50,080 --> 00:57:52,440
Speaker 3: to say, you know, by the way, mom, this is Monique,

1224
00:57:52,880 --> 00:57:55,480
Speaker 3: and then go on the other room and just to

1225
00:57:55,960 --> 00:57:57,080
Speaker 3: h yeah, and just oh my god.

1226
00:57:57,400 --> 00:58:00,520
Speaker 1: You don't think his mom even knows he's dating a girl.

1227
00:58:01,640 --> 00:58:05,120
Speaker 2: He doesn't, so uh, FaceTime. And if she yells, oh

1228
00:58:05,120 --> 00:58:10,520
Speaker 2: my god, we're being robbed, then you said, well, she's

1229
00:58:10,520 --> 00:58:13,080
Speaker 2: definitely not coming over that if she's scared of the FaceTime.

1230
00:58:13,480 --> 00:58:18,240
Speaker 3: Yeah, So he needs to do or I say. I

1231
00:58:18,280 --> 00:58:20,520
Speaker 3: had to say sometimes you have to. You have to

1232
00:58:20,520 --> 00:58:23,640
Speaker 3: cut people off, even if it's your own family. This

1233
00:58:23,800 --> 00:58:27,080
Speaker 3: woman makes you happy and mom doesn't, and you just

1234
00:58:27,120 --> 00:58:29,240
Speaker 3: have to separate until mom gets the picture.

1235
00:58:29,800 --> 00:58:31,680
Speaker 1: Doctor O'Neil, Can I take a stab at this one

1236
00:58:31,720 --> 00:58:36,840
Speaker 1: as someone who is in an interracial marriage. Number one,

1237
00:58:37,240 --> 00:58:40,240
Speaker 1: I think that you take it out of a house,

1238
00:58:40,400 --> 00:58:41,960
Speaker 1: because you never want the mom to be able to

1239
00:58:41,960 --> 00:58:44,680
Speaker 1: say something like get out of my house. You do

1240
00:58:44,720 --> 00:58:47,479
Speaker 1: it at the fanciest place in that rural town, likely

1241
00:58:47,520 --> 00:58:49,400
Speaker 1: a cracker barrel, where she's going to be on her

1242
00:58:49,400 --> 00:58:53,360
Speaker 1: best behaviors. And you make it a time limit. We're

1243
00:58:53,400 --> 00:58:56,280
Speaker 1: not doing all day. We have an hour, and then

1244
00:58:56,320 --> 00:58:58,680
Speaker 1: we have something to do right after this so that

1245
00:58:58,720 --> 00:59:01,640
Speaker 1: you can get a taste and then afterwards, Oh, that

1246
00:59:01,800 --> 00:59:05,400
Speaker 1: wasn't that bad if because he wrote it as if

1247
00:59:05,440 --> 00:59:08,080
Speaker 1: he is concerned his mom is going to say something.

1248
00:59:08,680 --> 00:59:09,360
Speaker 3: Of course he is.

1249
00:59:10,080 --> 00:59:11,760
Speaker 2: Fucking hour seems like a long time.

1250
00:59:12,000 --> 00:59:16,040
Speaker 1: Might maybe like, yeah, I don't know.

1251
00:59:16,080 --> 00:59:18,840
Speaker 2: I mean, it would almost be better to do it more.

1252
00:59:20,240 --> 00:59:21,920
Speaker 2: I don't know, it's got to be shorter. I think

1253
00:59:22,960 --> 00:59:27,040
Speaker 2: someone's not getting along. It's that's forever. FaceTime tests, Yeah,

1254
00:59:27,120 --> 00:59:28,600
Speaker 2: FaceTime feels like the answer.

1255
00:59:28,680 --> 00:59:31,320
Speaker 1: All right, shack. So then give more love to David's

1256
00:59:31,320 --> 00:59:31,880
Speaker 1: fade as we.

1257
00:59:31,960 --> 00:59:32,960
Speaker 2: No, no, we did good.

1258
00:59:33,640 --> 00:59:35,600
Speaker 3: Thank you, brother. I appreciate you. You know, if you

1259
00:59:35,640 --> 00:59:39,120
Speaker 3: ever need me for anything, I love it beautifully and

1260
00:59:39,480 --> 00:59:42,560
Speaker 3: I love you and hope danel well, I know Dandelion's

1261
00:59:42,560 --> 00:59:44,439
Speaker 3: going to do well. Just thank you, for taking time

1262
00:59:44,440 --> 00:59:47,920
Speaker 3: out of your day with that ugly ass sweater with

1263
00:59:47,960 --> 00:59:49,640
Speaker 3: the motherfucking rob low collar.

1264
00:59:50,960 --> 00:59:54,800
Speaker 2: You know, this is a good white look. It's it's teal,

1265
00:59:54,840 --> 00:59:56,320
Speaker 2: which I don't even know if they make anymore. It's

1266
00:59:56,360 --> 01:00:01,160
Speaker 2: very expensive, very expensive color. But thanks for talking about

1267
01:00:01,200 --> 01:00:03,040
Speaker 2: dan Line at night. Shock. I'll see you around. I

1268
01:00:03,040 --> 01:00:04,160
Speaker 2: appreciate it. Thank you, guys.

1269
01:00:04,680 --> 01:00:04,880
Speaker 3: Brother.

1270
01:00:28,400 --> 01:00:40,760
Speaker 2: Yeah, no one cared about the lady that was in

1271
01:00:40,840 --> 01:00:43,680
Speaker 2: space for nine months lost and then she gets back

1272
01:00:43,720 --> 01:00:45,840
Speaker 2: and they're like out of the way. The models are here.