1 00:00:00,160 --> 00:00:02,880 Speaker 1: One eight hundred d ui away now offering free remote 2 00:00:02,880 --> 00:00:06,280 Speaker 1: consultations by phone or video conference for any criminal offense. 3 00:00:06,360 --> 00:00:09,000 Speaker 1: Trust Brooke, Jeffrey and Jose's friends with a free remote 4 00:00:09,000 --> 00:00:12,159 Speaker 1: consultation from Bradley Johnson Lawyers. Visit one eight hundred d 5 00:00:12,200 --> 00:00:16,959 Speaker 1: Uyowa dot com or call eight day. When two people 6 00:00:17,000 --> 00:00:20,520 Speaker 1: have a kid, and Brooke knows this, you gotta communicate 7 00:00:20,520 --> 00:00:24,120 Speaker 1: with each other as parents to be on the same page. Absolutely, 8 00:00:25,360 --> 00:00:27,880 Speaker 1: kids will take over, right. Yeah, Well, today we call 9 00:00:27,920 --> 00:00:31,280 Speaker 1: a lady who's furious at her husband because he found 10 00:00:31,280 --> 00:00:34,919 Speaker 1: a flyer on some random telephone poll that said piano lessons. 11 00:00:35,960 --> 00:00:38,720 Speaker 1: He didn't think, he didn't ask any permission, He just 12 00:00:38,840 --> 00:00:42,000 Speaker 1: signed their daughter up and shelled out four hundred bucks 13 00:00:42,040 --> 00:00:44,920 Speaker 1: to do. Now, at least that's what he told his 14 00:00:44,960 --> 00:00:48,000 Speaker 1: wife he did. Yeah, so obviously she freaked out and 15 00:00:48,040 --> 00:00:50,720 Speaker 1: emailed the instructor and she's finally going to get her 16 00:00:50,760 --> 00:00:54,520 Speaker 1: questions answer, or will she because it is a phone 17 00:00:54,520 --> 00:00:59,200 Speaker 1: tapp after all, we're doing it right now on the 18 00:00:59,240 --> 00:01:07,240 Speaker 1: twenties clue, Hi is this Jamie, I'm speaking? This is 19 00:01:07,280 --> 00:01:10,800 Speaker 1: Peter Panist. I'm scheduled to teach your daughter Addison a 20 00:01:10,840 --> 00:01:15,560 Speaker 1: little beginner piano on Thursday. Oh yeah, you emailed me. 21 00:01:15,680 --> 00:01:19,640 Speaker 1: Remember yes, my husband just I guess he saw your 22 00:01:19,840 --> 00:01:24,600 Speaker 1: You had a flyer up on a street sign or something, 23 00:01:24,680 --> 00:01:29,000 Speaker 1: and that's me all over the city. He just he 24 00:01:29,040 --> 00:01:31,959 Speaker 1: didn't check with me first, and he should have, and 25 00:01:32,040 --> 00:01:35,240 Speaker 1: so I just had some questions. Go ahead and shoot 26 00:01:35,240 --> 00:01:39,720 Speaker 1: whatever questions you have, Peter Panis will answer for you. Okay, 27 00:01:39,720 --> 00:01:43,679 Speaker 1: thank you. So I'd like to know a little bit 28 00:01:43,720 --> 00:01:55,760 Speaker 1: about your background. Are you clapp women? Excuse me? Hold on, 29 00:01:55,760 --> 00:01:58,280 Speaker 1: I just need to me, sir, Peter what I just 30 00:01:58,320 --> 00:02:01,240 Speaker 1: need to finish this bar? No? No, no, no, no no. 31 00:02:03,160 --> 00:02:07,440 Speaker 1: Are you teaching someone right now? No? Listen, No, I'm 32 00:02:07,480 --> 00:02:12,960 Speaker 1: actually hold on. Sorry. Do you get distracted easily? No, 33 00:02:13,800 --> 00:02:20,440 Speaker 1: you get distracted. This is distracting. Listen. I a nice okay. Sorry. 34 00:02:20,480 --> 00:02:22,280 Speaker 1: As an artist, it's always playing in my head. I 35 00:02:22,360 --> 00:02:24,560 Speaker 1: said to get it out. Let the music flow through me, 36 00:02:24,919 --> 00:02:28,840 Speaker 1: right through my fingers. Listen. I would appreciate it if 37 00:02:28,880 --> 00:02:32,160 Speaker 1: you don't do that again. Let's just have a very 38 00:02:32,240 --> 00:02:35,280 Speaker 1: quick conversation. I let me just ask the questions and 39 00:02:35,280 --> 00:02:37,720 Speaker 1: then you can answer, and then that's it. Okay, you 40 00:02:37,720 --> 00:02:42,120 Speaker 1: you have my complete attention, My apologies, thank you. Wait 41 00:02:42,120 --> 00:02:44,239 Speaker 1: a minute, Wait a minute, Wait a minute. I'm being 42 00:02:44,320 --> 00:02:49,520 Speaker 1: serious right now. This isn't funny. I'm not playing then what? Okay? 43 00:02:49,520 --> 00:02:52,000 Speaker 1: I am, but hold on, I'm almost done. Oh my god, 44 00:02:55,639 --> 00:02:57,800 Speaker 1: I'm starty interrupt you. But do you know how fast 45 00:02:57,840 --> 00:03:02,640 Speaker 1: my fingers are moving and I'm talking? That's fine. I 46 00:03:02,720 --> 00:03:05,560 Speaker 1: really want to know about you. Are you classically trained? 47 00:03:05,680 --> 00:03:08,079 Speaker 1: I want to know about your background, how long you've studied. 48 00:03:08,360 --> 00:03:12,840 Speaker 1: Nothing's as classic as Chopsticks. Did that answer your question? No, 49 00:03:13,000 --> 00:03:15,360 Speaker 1: it doesn't. I didn't hear any applause or you know, 50 00:03:15,480 --> 00:03:18,000 Speaker 1: you know that's very typical in an orchestra or a 51 00:03:18,040 --> 00:03:22,280 Speaker 1: symphony to applause after a performance. You expect me to 52 00:03:22,720 --> 00:03:26,320 Speaker 1: applaud you when you've interrupted our conversation with while I 53 00:03:26,360 --> 00:03:29,200 Speaker 1: was playing a perfect rendition of Chopsticks. I mean, your 54 00:03:29,240 --> 00:03:31,359 Speaker 1: daughter's in great hands or I guess you could say 55 00:03:31,440 --> 00:03:35,160 Speaker 1: great fingers to me right now. That's a piano joke 56 00:03:35,280 --> 00:03:39,600 Speaker 1: from a professional penist. That was rude, It was inconsiderate, 57 00:03:39,640 --> 00:03:42,320 Speaker 1: and I never want to hear that song again. Okay, well, 58 00:03:42,320 --> 00:03:46,040 Speaker 1: I definitely no more Chopsticks. I agree, you're probably looking 59 00:03:46,080 --> 00:03:51,480 Speaker 1: for something more contemporary. How's this huh? Oh my god, 60 00:03:52,760 --> 00:03:57,280 Speaker 1: ray way better than chopsticks. Man. This takes you back 61 00:03:57,320 --> 00:04:00,000 Speaker 1: to community college when I used to play the keyboard 62 00:04:00,120 --> 00:04:03,560 Speaker 1: in the parking lot for spare change. Right now, first 63 00:04:03,560 --> 00:04:07,080 Speaker 1: time I got an STD actually many sense, but thankfully 64 00:04:07,360 --> 00:04:11,240 Speaker 1: all curable. All right. I would hang up on you, 65 00:04:11,280 --> 00:04:13,760 Speaker 1: but my husband already paid you, So let's just figure 66 00:04:13,760 --> 00:04:20,760 Speaker 1: this out. Oh, no refunds. Sorry, no refunds. Never refund 67 00:04:21,160 --> 00:04:25,599 Speaker 1: Oh my god, that's part of the song. You're early idiot. Okay, 68 00:04:25,600 --> 00:04:27,719 Speaker 1: hold on, did you want to request something else? Is 69 00:04:27,720 --> 00:04:30,680 Speaker 1: that's the problem. I wasn't paying Attention's not going to 70 00:04:30,760 --> 00:04:34,000 Speaker 1: study with you. No, she's not. Because I'm a radio personality. 71 00:04:34,120 --> 00:04:35,960 Speaker 1: This is a prank phone. Yeah, I get it. I 72 00:04:36,040 --> 00:04:39,839 Speaker 1: get it. You're you're multi talented. No, I get it. No, 73 00:04:40,320 --> 00:04:43,800 Speaker 1: I'm Jose for the radio Brook and Jeffrey in the morning, 74 00:04:43,880 --> 00:04:52,279 Speaker 1: and you're on the show show right now. Hey, are 75 00:04:52,279 --> 00:04:55,160 Speaker 1: you serious? I was playing a recording the whole time. 76 00:04:55,200 --> 00:04:57,279 Speaker 1: I'm not even buy a piano. I'm in the studio. 77 00:04:57,400 --> 00:05:03,440 Speaker 1: Your husband set you up. You had me so upset. Hey, 78 00:05:03,560 --> 00:05:06,840 Speaker 1: you sound a little uptight. Okay, Jamie, and I know 79 00:05:07,080 --> 00:05:15,400 Speaker 1: the solution to that Peter Panis on the piano. Yeah, 80 00:05:15,440 --> 00:05:20,040 Speaker 1: that's how you get up to smile. Here's the razzle devil. 81 00:05:23,680 --> 00:05:26,200 Speaker 1: Sounds like you. You're just jealous because I'm better. I 82 00:05:26,279 --> 00:05:31,279 Speaker 1: don't like No. Okay, fine, I'm gonna go back to 83 00:05:31,360 --> 00:05:33,840 Speaker 1: chopsticks from now on. How's that? No? No, I never 84 00:05:33,880 --> 00:05:36,280 Speaker 1: want to hear chopsticks again for the rest of my life. 85 00:05:37,720 --> 00:05:40,520 Speaker 1: Wake up every morning with funk taps weekday mornings on 86 00:05:40,600 --> 00:05:44,000 Speaker 1: the twenties Brooke and Jeffrey in the Morning,