1 00:00:00,160 --> 00:00:03,760 Speaker 1: Am I really that predictable? It's one more thing. I'm 2 00:00:05,040 --> 00:00:09,800 Speaker 1: one more thing before I get to how predictable I 3 00:00:10,080 --> 00:00:14,360 Speaker 1: or people like me are. Apparently this article I came across, 4 00:00:14,400 --> 00:00:19,600 Speaker 1: did you see this? I'll worry about Alzheimer's nose picking 5 00:00:20,920 --> 00:00:24,600 Speaker 1: likely partially to blame for Alzheimer's disease, say scientists, did 6 00:00:24,640 --> 00:00:26,000 Speaker 1: you see this story? It's real? 7 00:00:26,720 --> 00:00:27,040 Speaker 2: I did. 8 00:00:28,120 --> 00:00:30,320 Speaker 1: What do you think of it? 9 00:00:30,320 --> 00:00:34,560 Speaker 2: It's mostly like compulsive nose picking where your neuro damage 10 00:00:34,640 --> 00:00:38,680 Speaker 2: to your your nasal linings and bacteria gets up in. 11 00:00:38,760 --> 00:00:43,760 Speaker 1: Our Neuroinflammation in Alzheimer's disease might be partially caused by viral, bacterial, 12 00:00:43,800 --> 00:00:46,440 Speaker 1: and fungal pathogens entering the brain through the nose and 13 00:00:46,440 --> 00:00:51,560 Speaker 1: o factory system from excessive nose picking, which is gross 14 00:00:51,560 --> 00:00:52,320 Speaker 1: and I hate to even. 15 00:00:52,240 --> 00:00:54,480 Speaker 2: Keep it to a minimum. Just a couple of days 16 00:00:54,480 --> 00:00:54,760 Speaker 2: a week. 17 00:00:54,880 --> 00:00:55,480 Speaker 3: You would have to. 18 00:00:57,000 --> 00:00:58,800 Speaker 2: It's like golf, you can't play every day. 19 00:00:58,960 --> 00:01:00,880 Speaker 3: Yeah, your finger would have to like live up there 20 00:01:00,920 --> 00:01:03,080 Speaker 3: to do that cause that problem, right. 21 00:01:04,360 --> 00:01:06,600 Speaker 2: I don't know a couple of different things about how 22 00:01:06,680 --> 00:01:09,959 Speaker 2: if you infections can get from your nasal passages up 23 00:01:10,000 --> 00:01:11,080 Speaker 2: into your brain somehow. 24 00:01:11,120 --> 00:01:14,000 Speaker 3: But as a person with a nose piercing. I'm concerned. 25 00:01:15,959 --> 00:01:17,160 Speaker 2: God, I'm hippie. 26 00:01:17,760 --> 00:01:19,800 Speaker 1: If they find out that a couple of things like 27 00:01:19,920 --> 00:01:25,000 Speaker 1: that are, uh, have a lot of responsibility for something 28 00:01:25,000 --> 00:01:29,759 Speaker 1: as damaging as Alzheimer's disease. Hey, keep your fingers out 29 00:01:29,760 --> 00:01:33,240 Speaker 1: of your nose, you disgusting weirdo. Was Biden a nose picker? 30 00:01:35,000 --> 00:01:38,640 Speaker 1: Probably not, Michael. It's not the only factor. 31 00:01:39,319 --> 00:01:40,959 Speaker 2: Well, yeah, yeah, it's not, you know. 32 00:01:41,760 --> 00:01:46,520 Speaker 1: Okay, and then onto this story, which is odd. So 33 00:01:47,560 --> 00:01:50,200 Speaker 1: Katie Orgin or anybody can answer this question. Do you 34 00:01:50,240 --> 00:01:55,920 Speaker 1: know who Keith Jarrett is? Mm hmmm, I know the name, 35 00:01:56,400 --> 00:01:58,560 Speaker 1: which is where I was about a week ago. 36 00:01:59,320 --> 00:01:59,680 Speaker 3: Okay. 37 00:02:00,160 --> 00:02:03,200 Speaker 1: So I like all kinds of music, like there is 38 00:02:03,600 --> 00:02:05,560 Speaker 1: on a song by song basis. There is no genre 39 00:02:05,640 --> 00:02:07,840 Speaker 1: I don't like really except for metal. I just have 40 00:02:08,040 --> 00:02:10,079 Speaker 1: never been able to get in any metal. But other 41 00:02:10,160 --> 00:02:13,160 Speaker 1: than that, every genre there are songs I like and 42 00:02:13,240 --> 00:02:15,480 Speaker 1: songs I don't with songs I like. And so I'm 43 00:02:15,520 --> 00:02:17,680 Speaker 1: like really into learning to play the piano the last 44 00:02:17,720 --> 00:02:19,880 Speaker 1: couple of years, and I watch a lot of videos 45 00:02:19,880 --> 00:02:22,840 Speaker 1: about piano, and some guys I like were doing an 46 00:02:22,880 --> 00:02:25,800 Speaker 1: all time Greatest Pianist's list the other day who are 47 00:02:25,800 --> 00:02:28,360 Speaker 1: the goats? Are you familiar that people now refer to 48 00:02:28,400 --> 00:02:30,480 Speaker 1: goats as plural? It's a plural. 49 00:02:30,480 --> 00:02:34,960 Speaker 2: It's not no, no, no, that doesn't work at all. 50 00:02:35,200 --> 00:02:38,840 Speaker 1: Sorry, you're wrong. Apparently I'm wrong too. I've just become 51 00:02:38,880 --> 00:02:41,679 Speaker 1: aware enough times. Now you name goats. 52 00:02:42,880 --> 00:02:46,320 Speaker 2: These three are the goats, the greatests of all time? 53 00:02:47,080 --> 00:02:49,240 Speaker 1: Yeah, I don't get it, but that's the way people 54 00:02:49,280 --> 00:02:50,760 Speaker 1: refer to it. I think, you know what. 55 00:02:50,840 --> 00:02:55,200 Speaker 2: Honestly, although that is silly, you know, grammatically speaking, I 56 00:02:55,360 --> 00:02:58,799 Speaker 2: much prefer that who's the greatest guitar player? That's an 57 00:02:58,880 --> 00:03:01,760 Speaker 2: idiotic question. So now you say, if you want to 58 00:03:01,840 --> 00:03:04,440 Speaker 2: name a bunch of people around the very top tier grade, 59 00:03:04,480 --> 00:03:07,480 Speaker 2: that's what people mean when they say go now anyway, 60 00:03:07,720 --> 00:03:09,440 Speaker 2: So one of the goats was this Keith Jarrett piano 61 00:03:09,480 --> 00:03:11,120 Speaker 2: player who I had heard of, but like I'd tried to. 62 00:03:11,080 --> 00:03:13,960 Speaker 1: Listen to before and couldn't get into. Maybe I just 63 00:03:14,000 --> 00:03:16,000 Speaker 1: wasn't ready for it yet. Sometimes that is the case 64 00:03:16,000 --> 00:03:18,160 Speaker 1: with music. You're not ready for it yet for a 65 00:03:18,240 --> 00:03:21,399 Speaker 1: variety of reasons. Fairly complex is. 66 00:03:21,200 --> 00:03:23,160 Speaker 3: Like is this a new artist or is this no? 67 00:03:23,560 --> 00:03:26,200 Speaker 1: OK, he's still alive. He doesn't perform anymore because he 68 00:03:26,240 --> 00:03:28,000 Speaker 1: had some strokes and can't play the piano anymore, but 69 00:03:28,040 --> 00:03:32,519 Speaker 1: he is considered among jazz musicians like one of the top. 70 00:03:33,280 --> 00:03:36,720 Speaker 1: Rick Beato, the music producer, has got a YouTube video 71 00:03:36,760 --> 00:03:39,880 Speaker 1: that millions of people have watched an interview with Keith 72 00:03:39,960 --> 00:03:42,760 Speaker 1: Jarrett and calls him one of the great music composers 73 00:03:42,760 --> 00:03:45,480 Speaker 1: of the last century at least. I mean, he's just 74 00:03:45,640 --> 00:03:50,040 Speaker 1: an absolute genius, and a genius in the fact that 75 00:03:50,200 --> 00:03:55,840 Speaker 1: most of his famous albums are completely improvised. That was 76 00:03:55,880 --> 00:03:59,320 Speaker 1: his thing. He walks into a stadium and the feel 77 00:03:59,360 --> 00:04:02,040 Speaker 1: of the piano, the crowd, the room, the day, he 78 00:04:02,240 --> 00:04:05,120 Speaker 1: just makes it up, you know, like four songs, oh 79 00:04:05,160 --> 00:04:08,320 Speaker 1: he plays. And he even says that like if he 80 00:04:08,360 --> 00:04:10,400 Speaker 1: has an idea, he discounts it. He doesn't want to 81 00:04:10,400 --> 00:04:12,960 Speaker 1: have an idea before he goes out there. He just 82 00:04:13,000 --> 00:04:15,680 Speaker 1: wants to feel at as he goes. And it's just okay, 83 00:04:15,720 --> 00:04:18,120 Speaker 1: start going. You to hear some shit if that were me, 84 00:04:20,279 --> 00:04:21,920 Speaker 1: So go ahead and start the song, Michael, because I'm 85 00:04:21,920 --> 00:04:24,040 Speaker 1: going to talk about it over this. And so one 86 00:04:24,120 --> 00:04:26,560 Speaker 1: of the recommendations I was looking up to some of 87 00:04:26,600 --> 00:04:29,200 Speaker 1: the best Keith Jarrett stuff, and one of the recommendations 88 00:04:29,240 --> 00:04:35,240 Speaker 1: was this song. It's from a live Bordeaux concert live. 89 00:04:35,360 --> 00:04:37,160 Speaker 1: Most of his famous stuff is live, Like I said, 90 00:04:37,160 --> 00:04:38,880 Speaker 1: all improvised. Crank it up enough that we can hear. 91 00:04:40,000 --> 00:04:42,640 Speaker 1: This is part one. Where does the singing start? There's 92 00:04:42,640 --> 00:04:45,240 Speaker 1: no singing, it's instrumental. This is part three. There's just 93 00:04:45,279 --> 00:04:47,400 Speaker 1: four parts. Like I said, he's improvising it. So he 94 00:04:47,480 --> 00:04:51,400 Speaker 1: just does four songs ranging from four to fifteen minutes long, 95 00:04:51,720 --> 00:04:54,480 Speaker 1: just however long he's feeling it. Crowd goes wild. If 96 00:04:54,480 --> 00:04:56,960 Speaker 1: the crowd reacts poorly, he yells at them. He's very 97 00:04:57,080 --> 00:04:58,440 Speaker 1: touchy artist sort of person. 98 00:04:58,600 --> 00:04:59,920 Speaker 2: Yeah, where do you get off? 99 00:05:00,040 --> 00:05:02,800 Speaker 1: There a drum solo? There is no drum solo, and 100 00:05:03,480 --> 00:05:06,320 Speaker 1: and you good crank it up because this is what's interesting. 101 00:05:06,360 --> 00:05:10,719 Speaker 1: So I became obsessed with this song on Sundays after 102 00:05:10,720 --> 00:05:13,560 Speaker 1: the Grammy's. Interestingly enough, I became aware of it and 103 00:05:13,640 --> 00:05:15,239 Speaker 1: I listened to the whole thing while I was walking 104 00:05:15,320 --> 00:05:17,720 Speaker 1: the dog, and it hit me in a way like 105 00:05:17,800 --> 00:05:19,840 Speaker 1: I don't remember the last time a song has hit 106 00:05:19,880 --> 00:05:23,040 Speaker 1: me like this. And I probably listened to it ten 107 00:05:23,120 --> 00:05:25,719 Speaker 1: times that night, including in bed with my headphones on 108 00:05:25,760 --> 00:05:28,400 Speaker 1: while I was falling asleep, maybe ten times the next 109 00:05:28,480 --> 00:05:31,000 Speaker 1: day in the rain. I sent it to some people. 110 00:05:31,080 --> 00:05:33,479 Speaker 1: It's just it affected me in so much, in such 111 00:05:33,520 --> 00:05:36,040 Speaker 1: a way. I'm getting to the punchline that you're gonna 112 00:05:36,040 --> 00:05:39,440 Speaker 1: find quite hilarious. Oh boy, on this song affecting me 113 00:05:39,480 --> 00:05:42,599 Speaker 1: so much, It's like, man, this isn't really like even 114 00:05:42,720 --> 00:05:48,800 Speaker 1: my sort of thing. I mean, it's just so and 115 00:05:48,880 --> 00:05:51,960 Speaker 1: it gets slightly more complex. I mean, it's just very 116 00:05:53,400 --> 00:05:57,800 Speaker 1: pretty sweet piano music. It's four minutes here, let me 117 00:05:57,839 --> 00:06:00,640 Speaker 1: read this. So I started doing a little research on 118 00:06:01,440 --> 00:06:04,520 Speaker 1: famous Keith Jarrett albums, and this album has four and 119 00:06:04,640 --> 00:06:07,760 Speaker 1: five stars from all your big jazz magazines and top 120 00:06:07,800 --> 00:06:09,919 Speaker 1: reviewers of all time and that sort of stuff, and 121 00:06:09,920 --> 00:06:14,000 Speaker 1: particularly this song. Here's one of the reviews for this 122 00:06:14,120 --> 00:06:19,720 Speaker 1: song from McSweeney's. It's one of the most respected jazz 123 00:06:20,400 --> 00:06:25,359 Speaker 1: critics of all time. A note for Divorced Dads on 124 00:06:25,480 --> 00:06:29,880 Speaker 1: Keith Jarrett's Bordeaux Concert Part three, And I thought, what 125 00:06:29,880 --> 00:06:34,960 Speaker 1: what one would have a difficult time finding a musical 126 00:06:34,960 --> 00:06:38,200 Speaker 1: composition that better suits the emotions of a recently divorced 127 00:06:38,320 --> 00:06:42,440 Speaker 1: dad than Keith Jarrett's Bordeaux Concert Part three. If I 128 00:06:42,520 --> 00:06:45,599 Speaker 1: happened upon a divorced dad driving around looking for coffee 129 00:06:45,600 --> 00:06:48,320 Speaker 1: in his twenty eighteen Ford f one fifty or something. 130 00:06:48,640 --> 00:06:51,280 Speaker 1: I would stop him and play it for him. It 131 00:06:51,320 --> 00:06:55,440 Speaker 1: gives me goosebumps actually reading this. This is freaky. As 132 00:06:55,480 --> 00:06:58,320 Speaker 1: a guy who drove up twenty fifteen ford f one fifty. 133 00:06:58,880 --> 00:07:01,480 Speaker 1: The entirety of the piece is four minutes and four seconds. 134 00:07:01,520 --> 00:07:03,760 Speaker 1: I cannot think of a reason why a recently divorced 135 00:07:03,839 --> 00:07:07,440 Speaker 1: dad couldn't find that kind of time. Once the divorce 136 00:07:07,560 --> 00:07:10,040 Speaker 1: dad and I had an understanding, we would venture into 137 00:07:10,160 --> 00:07:13,560 Speaker 1: the composition. It begins with the stable rolling chords that 138 00:07:13,800 --> 00:07:17,080 Speaker 1: gently root the piece, drawing up imagery of a young 139 00:07:17,120 --> 00:07:20,040 Speaker 1: couple holding hands in a tall grass. They're one end 140 00:07:20,040 --> 00:07:22,840 Speaker 1: of the a zeygeite of relationship. And it goes on 141 00:07:22,960 --> 00:07:26,520 Speaker 1: and on like this, through the whole relationship, falling in love, 142 00:07:26,600 --> 00:07:29,440 Speaker 1: being in love, deciding to have kids, having kids, it 143 00:07:29,560 --> 00:07:33,840 Speaker 1: becoming difficult, and falling apart, the divorce happening, you trying 144 00:07:33,840 --> 00:07:36,640 Speaker 1: to raise your kids on your own. At the end 145 00:07:36,680 --> 00:07:39,520 Speaker 1: of this song, and then he ends actually with now 146 00:07:39,560 --> 00:07:42,560 Speaker 1: go pick up your kid from karate practice. Now this 147 00:07:42,640 --> 00:07:44,680 Speaker 1: is freaking me out. Turn it out just a little bit, Michael, 148 00:07:44,720 --> 00:07:47,320 Speaker 1: because now I think we're into the you realize you're 149 00:07:47,360 --> 00:07:49,720 Speaker 1: divorced and you're raising your kids on your own part. 150 00:07:49,840 --> 00:07:50,760 Speaker 1: I guess I don't know. 151 00:07:51,720 --> 00:07:54,240 Speaker 2: Now did Keith Jarrett say any of this or this 152 00:07:54,360 --> 00:07:58,320 Speaker 2: is just the reviewer figuring quote unquote figuring this out. 153 00:07:58,600 --> 00:08:00,680 Speaker 1: This is one of the weenies. This is one of 154 00:08:00,720 --> 00:08:03,360 Speaker 1: the most famous jazz reviewers of all time. That's the 155 00:08:03,360 --> 00:08:07,480 Speaker 1: way he interpreted this music and me as a recently 156 00:08:07,480 --> 00:08:09,960 Speaker 1: divorced dad laying in bed listening to it ten times 157 00:08:10,000 --> 00:08:11,840 Speaker 1: in a row because it touched me in a way 158 00:08:11,880 --> 00:08:15,160 Speaker 1: I can't remember music ever touching me. What the hell 159 00:08:15,240 --> 00:08:16,120 Speaker 1: is that? 160 00:08:15,880 --> 00:08:17,120 Speaker 3: That is weird as well? 161 00:08:17,160 --> 00:08:18,120 Speaker 1: It is weird. 162 00:08:19,320 --> 00:08:22,240 Speaker 3: Holy smuff, I know, isn't that strange? 163 00:08:22,800 --> 00:08:26,040 Speaker 2: Wow? Hey, you got anything for angsty empty nesters? 164 00:08:27,320 --> 00:08:28,360 Speaker 1: I like to play golf? 165 00:08:29,440 --> 00:08:33,160 Speaker 2: Yeah yeah, Wow, Wow. 166 00:08:33,400 --> 00:08:34,120 Speaker 3: What a trip. 167 00:08:34,440 --> 00:08:35,760 Speaker 1: Isn't that strange? 168 00:08:35,880 --> 00:08:42,480 Speaker 2: Though? Yeah? I mean, that's that's beyond strange. That's uh 169 00:08:42,520 --> 00:08:45,080 Speaker 2: does he expect? Well? I guess he kind of sort 170 00:08:45,120 --> 00:08:46,839 Speaker 2: of explains why, but not in no way that I 171 00:08:46,840 --> 00:08:50,600 Speaker 2: would find terribly compelling. If I came across it anywhere 172 00:08:50,679 --> 00:08:54,160 Speaker 2: else in any other context, I'd think, well, wait a minute, 173 00:08:54,160 --> 00:08:56,680 Speaker 2: there are a lot of you know, trips people go 174 00:08:56,800 --> 00:09:00,640 Speaker 2: through in their lives that maybe start like super excited, promising, 175 00:09:00,720 --> 00:09:02,640 Speaker 2: than get kind of rocky, and then you've just got 176 00:09:02,640 --> 00:09:04,160 Speaker 2: to make the most of it and move on. I mean, 177 00:09:04,520 --> 00:09:06,960 Speaker 2: there are a lot of things like that, but here 178 00:09:07,000 --> 00:09:07,440 Speaker 2: we are. 179 00:09:07,480 --> 00:09:09,880 Speaker 1: Well, there are also a million pieces of music that 180 00:09:09,920 --> 00:09:15,679 Speaker 1: are kind of sweet but modeling. But you know, whatever, 181 00:09:16,440 --> 00:09:19,280 Speaker 1: the fact that this well known jazz critic picks out 182 00:09:19,320 --> 00:09:23,640 Speaker 1: one of the most respected jazz pieces in history and 183 00:09:23,720 --> 00:09:26,960 Speaker 1: assigns this particular meaning to it, and then I, not 184 00:09:27,360 --> 00:09:30,000 Speaker 1: knowing that it'd be one thing if i'd read that first, 185 00:09:30,960 --> 00:09:34,200 Speaker 1: but not knowing that at all, get pulled into this 186 00:09:34,280 --> 00:09:37,000 Speaker 1: song in a way. I don't remember the last time 187 00:09:37,040 --> 00:09:38,920 Speaker 1: I've been pulled into a song where I listened to 188 00:09:39,000 --> 00:09:40,840 Speaker 1: it that many times in a row, if ever, in 189 00:09:40,880 --> 00:09:41,280 Speaker 1: my life. 190 00:09:42,240 --> 00:09:44,760 Speaker 3: It's amazing how different music works. That's how you felt 191 00:09:44,760 --> 00:09:46,080 Speaker 3: with that, And I felt like I was on hold 192 00:09:46,120 --> 00:09:48,520 Speaker 3: waiting for a prescription from like CVS. 193 00:09:49,440 --> 00:09:49,600 Speaker 2: Right. 194 00:09:49,679 --> 00:09:52,200 Speaker 1: I agree, in any other context, I would have been 195 00:09:52,240 --> 00:09:54,520 Speaker 1: the same way, and I probably would have listened to 196 00:09:54,600 --> 00:09:56,400 Speaker 1: like a minute thought for me and gone to the 197 00:09:56,440 --> 00:10:01,640 Speaker 1: next song. And it makes me question my understanding of 198 00:10:01,880 --> 00:10:04,360 Speaker 1: you know, abstract art and stuff like that. When I 199 00:10:04,400 --> 00:10:05,960 Speaker 1: look at a piece of art on a walm thing, 200 00:10:06,040 --> 00:10:07,679 Speaker 1: she's my three year old could do that. That doesn't 201 00:10:07,679 --> 00:10:12,320 Speaker 1: mean anything because that music, See, I'm into that normally, 202 00:10:12,520 --> 00:10:14,959 Speaker 1: that kind of music, Well, I agree with Hitler, it's 203 00:10:15,040 --> 00:10:19,640 Speaker 1: it's a ruse a strike guard. But that kind of 204 00:10:19,720 --> 00:10:21,959 Speaker 1: music usually, I think is just kind of meandering, and 205 00:10:22,000 --> 00:10:24,080 Speaker 1: I understand some people like it, but it's not really 206 00:10:24,120 --> 00:10:28,480 Speaker 1: my bag. The fact that it had such a specific 207 00:10:28,679 --> 00:10:29,880 Speaker 1: the fact that he even mentions a. 208 00:10:31,800 --> 00:10:31,839 Speaker 3: Es. 209 00:10:31,960 --> 00:10:33,800 Speaker 1: Okay, so here's here's the deal. 210 00:10:33,880 --> 00:10:38,200 Speaker 2: Obviously we're we're sitting here, you know, rolling around in 211 00:10:38,240 --> 00:10:41,560 Speaker 2: the wonder of it. We need to know more about this, 212 00:10:41,559 --> 00:10:46,360 Speaker 2: this gurlu, this sage, this omniscient McSweeney person. What the 213 00:10:46,400 --> 00:10:51,560 Speaker 2: hell's going on there? What sort of psychic witchery is 214 00:10:51,200 --> 00:10:51,800 Speaker 2: is that? 215 00:10:52,360 --> 00:10:54,520 Speaker 1: Does he have that ability with all songs in art? 216 00:10:54,559 --> 00:10:56,920 Speaker 1: That painting over there, If your cat just got hit 217 00:10:57,000 --> 00:10:59,120 Speaker 1: by a car, that's the perfect painting. 218 00:11:00,360 --> 00:11:03,040 Speaker 2: As you're sitting there thinking of little Fluffy and admiring 219 00:11:03,040 --> 00:11:04,880 Speaker 2: the brushstrokes. That's just freaky. 220 00:11:04,960 --> 00:11:05,160 Speaker 1: Man. 221 00:11:05,520 --> 00:11:08,560 Speaker 3: Man, Well, let me want to go find all of 222 00:11:08,600 --> 00:11:10,680 Speaker 3: my favorite songs and read the reviews on it, just 223 00:11:10,720 --> 00:11:13,040 Speaker 3: to see anything lines up. 224 00:11:13,160 --> 00:11:15,960 Speaker 1: One would have a difficult time finding a musical composition 225 00:11:16,000 --> 00:11:18,760 Speaker 1: that better suits the emotions of a recently divorced dad. 226 00:11:19,040 --> 00:11:22,240 Speaker 1: If I happened upon a divorced dad driving around looking 227 00:11:22,240 --> 00:11:24,679 Speaker 1: for coffee in his twenty eighteen Ford F one to 228 00:11:24,720 --> 00:11:27,880 Speaker 1: fifteen and you're a coffee addict, Yeah, I have done 229 00:11:27,920 --> 00:11:31,720 Speaker 1: that as a I would stop it a year wrong 230 00:11:31,920 --> 00:11:33,400 Speaker 1: the hack and he. 231 00:11:33,440 --> 00:11:35,440 Speaker 3: Left out going to get McDonald's on the way home. 232 00:11:36,000 --> 00:11:36,960 Speaker 1: Yeah, that's true. 233 00:11:37,040 --> 00:11:38,000 Speaker 2: That doesn't know anything. 234 00:11:39,240 --> 00:11:43,600 Speaker 1: It's freaky man laying in bed listening to it in 235 00:11:43,640 --> 00:11:46,400 Speaker 1: my headphones in the dark, moved by music in a 236 00:11:46,440 --> 00:11:49,520 Speaker 1: way maybe I never have been in my life weird. 237 00:11:50,480 --> 00:11:53,199 Speaker 2: Now. I've been trying to think if there's anything that's 238 00:11:53,240 --> 00:11:56,840 Speaker 2: been anything similar, any song or music similar to that, 239 00:11:56,920 --> 00:12:00,080 Speaker 2: And all I can come up with is is I 240 00:12:00,200 --> 00:12:03,959 Speaker 2: discovered an album several years after it was out by 241 00:12:03,960 --> 00:12:07,320 Speaker 2: a band from Indiana called Houndmouth, and the song is 242 00:12:07,360 --> 00:12:10,080 Speaker 2: my Cousin Greg, and the opening line is my cousin 243 00:12:10,120 --> 00:12:11,880 Speaker 2: Greg is a greedy son of a bitch. 244 00:12:12,440 --> 00:12:13,439 Speaker 1: And I'm just I'm. 245 00:12:13,280 --> 00:12:16,480 Speaker 2: Not sure what McSweeney would say about that. I have 246 00:12:16,600 --> 00:12:18,400 Speaker 2: no cousin Greg who's a greedy son of a bitch, 247 00:12:18,440 --> 00:12:24,880 Speaker 2: so obviously it's not that close a fit. That's freaky. 248 00:12:24,960 --> 00:12:27,839 Speaker 2: So I don't know what I'm You gotta look more 249 00:12:27,840 --> 00:12:30,240 Speaker 2: into this McSweeney dude because he's a witch. 250 00:12:31,760 --> 00:12:32,800 Speaker 1: Or following me around. 251 00:12:33,000 --> 00:12:35,640 Speaker 3: Yeah, that'd be my guess. 252 00:12:35,679 --> 00:12:37,000 Speaker 1: Although he wrote this years. 253 00:12:36,760 --> 00:12:40,000 Speaker 2: Ago, well right, that's weird, man, I know. 254 00:12:40,559 --> 00:12:42,520 Speaker 1: That's why I brought it to the podcast. I just 255 00:12:42,559 --> 00:12:44,640 Speaker 1: thought this is too effing freaky. 256 00:12:46,679 --> 00:12:50,160 Speaker 3: Next time, I'm gonna show a slow saxophone solo that 257 00:12:50,240 --> 00:12:53,600 Speaker 3: expresses the feelings of a man is broken TV and 258 00:12:53,640 --> 00:12:54,840 Speaker 3: no extended warranty. 259 00:12:56,880 --> 00:13:02,440 Speaker 2: Miss Cat's wearing football jerseys, well, I guess that's it.