WEBVTT - This Is Bisexual Culture

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<v Speaker 1>Might what about it? That's what that. So it's been

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<v Speaker 1>such a fun month of doing these super special, super

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<v Speaker 1>spooky Halloween Spectacular episodes. And I'm not even spooky like that,

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<v Speaker 1>but like I got spooky this month. I watched a

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<v Speaker 1>lot of scary movies. Yeah, and I've really enjoyed the

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<v Speaker 1>chance to really focus in on one piece of media

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<v Speaker 1>and each of these bonus episodes, and this week we're

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<v Speaker 1>doing one that even before, like a virgin, you know,

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<v Speaker 1>took another look back at this piece of media. This

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<v Speaker 1>is something that has already been given this you know,

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<v Speaker 1>broader cultural reassessment, um. And that is Jennifer's Body, you know,

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<v Speaker 1>the Diabolo Cody film starring Nick and Fox and Amanda Seyfrid.

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<v Speaker 1>And we're going to talk a lot about it's played

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<v Speaker 1>some pop culture when it came out, why it was

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<v Speaker 1>so you know, maligned and misunderstood, and I guess off

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<v Speaker 1>screen controversy that like maybe made the film less successful

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<v Speaker 1>than it could have been. And we also talked about

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<v Speaker 1>that lesbian kiss and of course, yeah, and how it's

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<v Speaker 1>been you know, reclaimed and reassessed through a contemporary lens,

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<v Speaker 1>because this is like a Virgin, the show where we

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<v Speaker 1>give yesterday's pop culture today's takes. I'm most am you

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<v Speaker 1>and I'm fran Toronto Virgins. If you follow us on

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<v Speaker 1>Instagram at like a Virgin, you will know that we

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<v Speaker 1>did ask your opinion on what films and spooky themes

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<v Speaker 1>we should talk about this month. You also should know

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<v Speaker 1>that we just fully disregarded all of your suggestions. Yeah, sorry,

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<v Speaker 1>but you're not going to be disappointed with what we

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<v Speaker 1>chose instead. No, we were trying to account for one

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<v Speaker 1>past episode and the episode we decided to do. Well.

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<v Speaker 1>This is the last episode of series, but the last

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<v Speaker 1>episode we are recording, um and the one that we're

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<v Speaker 1>filling is for Jennifer's Body, which deserves to be discussed.

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<v Speaker 1>You know, it is a cult classic. It really has

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<v Speaker 1>been you know, reclaimed in recent years as you know,

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<v Speaker 1>part of Queer Girl canon. I think it also reverses

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<v Speaker 1>something in a quintessential like a version analysis, which is

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<v Speaker 1>that the you know a lot of times we watch

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<v Speaker 1>our read or look at things and it's like this

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<v Speaker 1>thing was very relevant then and it's like a little

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<v Speaker 1>less relevant now, and now we're consuming something that was

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<v Speaker 1>like at the time critically panned or had a lot

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<v Speaker 1>of controversy or like negative criticism around it, and now

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<v Speaker 1>um people are thinking that it was maybe more ahead

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<v Speaker 1>of its time, very ahead of its time for the Virgins.

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<v Speaker 1>Jennifer's Body is a two nine film written by Diablo

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<v Speaker 1>Cody about need Liz Nikki and her best friend Jennifer

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<v Speaker 1>check Um. They are besties living in you know, like

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<v Speaker 1>this ass backwards town and a emo band fronted by

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<v Speaker 1>Adam Brody of the O C Fame visits their town

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<v Speaker 1>and he and his bandmates, because they want to become famous,

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<v Speaker 1>sacrifice Jennifer as part of a satanic ritual because they

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<v Speaker 1>think she's a virgin. But she's not a virgin. So

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<v Speaker 1>the ritual goes wrong and she becomes a demon. She

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<v Speaker 1>becomes a succubus, and she starts feeding off of not people.

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<v Speaker 1>She specifies she's not killing people, she's killing boys, so

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<v Speaker 1>she starts seducing and then eating these boys who make

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<v Speaker 1>her powerful. Needy knows what's going on, UM, and you know,

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<v Speaker 1>UH is not going to let Jennifer you know, kill

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<v Speaker 1>these boys, even though we'll get to this later. I

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<v Speaker 1>think she should have Um and the the movie ends

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<v Speaker 1>spoiler alert with Needy killing Jennifer and winding up in prison,

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<v Speaker 1>but then she escapes at the end of the film

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<v Speaker 1>and goes to exact revenge on the band. Um. The

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<v Speaker 1>movie stars Amanda Cyfred is Needy, Megan Fox as Jennifer.

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<v Speaker 1>It is iconic in many ways. Um, something that should

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<v Speaker 1>be said is like that that Needy is kind of

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<v Speaker 1>like this nerd, which like lalad Amanda Cyford like playing

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<v Speaker 1>a nerd, like she's she's so beautiful, She's so beautiful,

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<v Speaker 1>like there's no world she would ever fall into that

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<v Speaker 1>like category. But I don't know that she's a nerd

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<v Speaker 1>as much as she's a horse girl. She's a horse girl. Yeah, yeah, yeah,

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<v Speaker 1>she's there is always that really beautiful but just weird

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<v Speaker 1>girl in school who has hair as long as Amanda

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<v Speaker 1>Cyford's hair is. It's it's just silly, but it but

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<v Speaker 1>it um the movie in general is actually playing into

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<v Speaker 1>tropes that we might find in like an after school special.

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<v Speaker 1>Like it has that kind kind of pulpy like after

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<v Speaker 1>school special quality to it that is very aware of itself.

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<v Speaker 1>And so Jennifer is like this liberated hot like slut

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<v Speaker 1>who Needy almost um well actually no, definitely looks up

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<v Speaker 1>to like at the beginning, at least at the beginning

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<v Speaker 1>of the movie, like she sees her as this pinnacle

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<v Speaker 1>of like sexual liberation that she doesn't quite have access

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<v Speaker 1>to yet. And I do think that the way Diablo

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<v Speaker 1>Cody wrote this movie, it like champions the like kind

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<v Speaker 1>of high school drama component of it as much as

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<v Speaker 1>it champions the horror um so it blends those together.

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<v Speaker 1>I mean, the opening line of the film is Hell

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<v Speaker 1>is a teenage girl, which you know, I think it's

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<v Speaker 1>interesting for me to look back on this is you know,

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<v Speaker 1>I was never a teenage girl. So I don't know

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<v Speaker 1>how true that statement is. I can imagine it is

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<v Speaker 1>very true, and I think I've consumed enough media to

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<v Speaker 1>know that that it is. And you know, that statement

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<v Speaker 1>is proven by the way that this film was received.

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<v Speaker 1>So I do want to talk a little bit about

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<v Speaker 1>the context of when this movie is released, because I

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<v Speaker 1>think it says a lot about the way it was received.

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<v Speaker 1>So this movie came out in two thousand nine. It's

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<v Speaker 1>written by Diablo Cody, who was fresh off of the

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<v Speaker 1>incredible surprising success of Juno Um, winning the Oscar for

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<v Speaker 1>the screenplay and nominated for Best Picture. Probably probably were

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<v Speaker 1>you a Juno head? I loved the movie, Yeah, I

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<v Speaker 1>you know kim Yall Dawson and soundtrack. I definitely. Um.

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<v Speaker 1>I don't know if I was like a Juno stand

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<v Speaker 1>but I did watch the movie over and over again

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<v Speaker 1>and love the soundtrack. And I wanted to be Diablo

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<v Speaker 1>Coody like I wanted to write something quirky and indie

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<v Speaker 1>like her. Yeah. The movie was directed by Karen kusama

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<v Speaker 1>Um who directed Girl Fight a on Flux a couple

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<v Speaker 1>of years ago. She directed that movie Destroyer with Nicole

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<v Speaker 1>Kidman with the wig um oh my gosh, and yeah,

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<v Speaker 1>and Megan Fox was fresh off of the Transformer sequel.

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<v Speaker 1>Amanda Seyfrid was fresh off of Mamma Mia. So you

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<v Speaker 1>look at this film and it's all of these women

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<v Speaker 1>who are really at that peak in many ways of

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<v Speaker 1>their fame, and so it had all of the ingredients

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<v Speaker 1>to be this really successful film, and it was a

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<v Speaker 1>huge flop um both commercially and critically. It only made

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<v Speaker 1>it made like barely twice it's budget. It currently has

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<v Speaker 1>a fort on Rotten Tomatoes, which I think that's crazy

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<v Speaker 1>that it hasn't gotten bumped up by you know, the

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<v Speaker 1>all of the people who still love it and the

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<v Speaker 1>way it's been you know, sort of reassessed today. But

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<v Speaker 1>I think it's very telling of where we were in

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<v Speaker 1>pop culture in two thousand nine. So you have to

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<v Speaker 1>think about and we we've talked a little bit about

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<v Speaker 1>this before in our Twilight episode. Two thousand nine was

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<v Speaker 1>like peak Twilight Mania. So we're at this time and yeah,

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<v Speaker 1>we're at this time in culture where no one in

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<v Speaker 1>pop culture is more hated than the teenage girl. You know, um,

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<v Speaker 1>so hell is a teenage girl. It was a time

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<v Speaker 1>when there was all of this real anger and uh, misogyny,

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<v Speaker 1>misogyny at work because teenage girls had proven their capitalistic

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<v Speaker 1>power to control media, um and to prop up the

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<v Speaker 1>things that they were interested in, and so because of that,

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<v Speaker 1>they became the butt of every joke. You know. It

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<v Speaker 1>was just a time when if a teenage girl liked something,

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<v Speaker 1>then that was just all the more reason for people

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<v Speaker 1>to hate it and to hate teenage girls themselves. So

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<v Speaker 1>it's no surprise that this film, which is about teenage girls,

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<v Speaker 1>was I'm sure marketed to them, uh, was you know,

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<v Speaker 1>critically panned and was a huge flop. Well what's actually, um,

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<v Speaker 1>I was reading a little bit and prep for this episode.

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<v Speaker 1>I was reading about like the runway to the movie

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<v Speaker 1>and and how that kind of teenage girl thing came

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<v Speaker 1>into fold and I you know, they greenlit this movie

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<v Speaker 1>and you know paid for it, um right after Juno,

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<v Speaker 1>just as you said, and um, and when it was announced,

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<v Speaker 1>like nothing's even in production. When it was announced, people

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<v Speaker 1>were protesting it because by then people already had a

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<v Speaker 1>problem with I guess like Diablo Cody, you know, succeeding

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<v Speaker 1>as a woman. But also just like the conceit of

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<v Speaker 1>it was like for some reason offensive to like certain

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<v Speaker 1>classes of people, which is insane. Um. But that is

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<v Speaker 1>just your as you're saying, the kind of white hot

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<v Speaker 1>heat that was on Diablo Cody at the time. But

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<v Speaker 1>I think that in you know, recent interviews and when

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<v Speaker 1>this movie is being looked at retrospectively, which it is,

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<v Speaker 1>you know a lot, especially last I want to say,

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<v Speaker 1>last year, like Megan Fox had a little bit of

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<v Speaker 1>a comeback. Megan Fox had her you know resurgence into

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<v Speaker 1>pop culture. Um. There were a lot of the younger

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<v Speaker 1>generation of celebrities we have now, um directly referencing Jennifer's body,

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<v Speaker 1>like Olivia Rodrigo and her Good for You music video

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<v Speaker 1>like is very obviously referencing Jennifer's body. So last year

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<v Speaker 1>was was a big moment for you know, reclaiming this film,

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<v Speaker 1>especially among queer women. Um and I think both young

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<v Speaker 1>queer women and also the queer women who probably loved

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<v Speaker 1>this film when it first came out, you know the

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<v Speaker 1>way that I did, exactly, But um, what what's interesting

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<v Speaker 1>about your Like the way you were thinking about, like

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<v Speaker 1>how this movie is for teenage girls is exactly correct,

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<v Speaker 1>but that's not how the movie was marketed. So Diablo

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<v Speaker 1>Cody and Karen Kusama went up against like the kind

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<v Speaker 1>of powers that be about how the film were to

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<v Speaker 1>be marketed, and they just like would not hear them.

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<v Speaker 1>They were like, no, this movie is for teen boys

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<v Speaker 1>because their horny period, Like we're not doing anything outside

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<v Speaker 1>of that, and the movie I feel maybe didn't find

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<v Speaker 1>it's real audience, um, because there was this kind of

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<v Speaker 1>patent refusal to like see teenage girls as a viable

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<v Speaker 1>audience for horror. Um. And so there was actually this

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<v Speaker 1>really funny moment in one of the interviews with Diablo

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<v Speaker 1>Cody I was reading wherein they were being presented a

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<v Speaker 1>very like misogynist ad um fixating on Jennifer's hotness, which

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<v Speaker 1>was kind of like the definitely the trailer, which she

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<v Speaker 1>also hated, like definitely the marketing plan like Megan Fox

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<v Speaker 1>being hot is like obviously was a part of the

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<v Speaker 1>pr plan um. And Cody like you know, replied to

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<v Speaker 1>the email and was like, hey, can you like clarify

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<v Speaker 1>like why you think this is like good for the

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<v Speaker 1>movie or like what you think this this will do

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<v Speaker 1>for the movie? And the email they got in response,

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<v Speaker 1>Cody said, was Jennifer sexy. She steal your boyfriend, like fully,

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<v Speaker 1>not a full sentence, like not even grammatically correct, like

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<v Speaker 1>she said, it was as if a caveman had written it,

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<v Speaker 1>and that was like what she was up against, trying

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<v Speaker 1>to help the film find its audience, which it maybe

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<v Speaker 1>didn't until later years. Yeah, and you know, watching it

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<v Speaker 1>again because I watched it last night preparing for this,

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<v Speaker 1>it's directly at odds with the actual product because I

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<v Speaker 1>every time I revisit this movie, I'm like, am I

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<v Speaker 1>am I like misremembering it? Am I remembering it as

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<v Speaker 1>being more for women than it actually was? And I'm

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<v Speaker 1>not because it really is. This movie is one of

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<v Speaker 1>the best examples of the female gays in film I've

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<v Speaker 1>ever seen, like down to the literal gaze of the camera.

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<v Speaker 1>You know, I think the most iconic image of this

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<v Speaker 1>movie is Megan Fox swimming in the lake after she's

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<v Speaker 1>eating her first victim. You know, that's like the reference

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<v Speaker 1>that Olivia Rodrigo pulled. And in a movie that was

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<v Speaker 1>directed by a man, when Jennifer gets out of the water,

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<v Speaker 1>you know, the camera would have lingered on like her

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<v Speaker 1>back and her as the parts that they think men

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<v Speaker 1>want to see. But then the way that it's shot

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<v Speaker 1>in this movie is she gets out of the water

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<v Speaker 1>and it's her wringing her hair out and very simple.

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<v Speaker 1>It's it's just like it's so obviously the gaze of

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<v Speaker 1>a woman. And even in the scene where Needy and

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<v Speaker 1>Jennifer kiss later in the film, it's not exploitative in

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<v Speaker 1>a way that I think a movie made by a

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<v Speaker 1>male director would be. The shot is so close on

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<v Speaker 1>their lips. It's such a hot but it's for like

0:13:59.160 --> 0:14:03.520
<v Speaker 1>all genders, like it's everybody, but it also is very

0:14:03.559 --> 0:14:06.840
<v Speaker 1>fem It's the gaze is on their lips, it's on

0:14:07.400 --> 0:14:11.200
<v Speaker 1>the tenderness and the intimacy and it's sticky and sweet

0:14:11.320 --> 0:14:15.360
<v Speaker 1>and intense, but not like pornographic at any point. Like

0:14:15.760 --> 0:14:17.880
<v Speaker 1>I was kind of I want to get your take

0:14:17.920 --> 0:14:20.840
<v Speaker 1>on that scene in general, like how you felt about it.

0:14:21.000 --> 0:14:24.520
<v Speaker 1>I when I was reading about this, people took huge

0:14:24.640 --> 0:14:26.680
<v Speaker 1>issue with the fact that there was a makeout scene,

0:14:26.720 --> 0:14:29.160
<v Speaker 1>Like queer people were like, this is exploitative and like

0:14:29.560 --> 0:14:32.040
<v Speaker 1>or like this is like so gratuitous or whatever, or

0:14:32.080 --> 0:14:35.440
<v Speaker 1>maybe like it was more like feminist critiques. We're like,

0:14:35.520 --> 0:14:38.400
<v Speaker 1>this is so for the male gaze. Like I didn't

0:14:38.440 --> 0:14:40.840
<v Speaker 1>feel that was true at all. No, I think that's misogyny.

0:14:40.920 --> 0:14:44.480
<v Speaker 1>I think it's misogyny to think that a movie written by,

0:14:44.480 --> 0:14:49.920
<v Speaker 1>directed by, and starring women could not include a very

0:14:50.000 --> 0:14:55.560
<v Speaker 1>like honest depiction of teen queer sexuality. Like I think

0:14:55.720 --> 0:15:00.360
<v Speaker 1>it's so believable that these girls are obsessed with each

0:15:00.400 --> 0:15:05.400
<v Speaker 1>other in a way that includes being sexually interested in

0:15:05.440 --> 0:15:07.640
<v Speaker 1>each other, and of course that would come out as

0:15:07.680 --> 0:15:11.000
<v Speaker 1>a kiss, like it's hammered in so often in this

0:15:11.080 --> 0:15:15.960
<v Speaker 1>movie that Needy is the one exception to Jennifer's you

0:15:16.000 --> 0:15:20.120
<v Speaker 1>know evil. When she first becomes a demon, she goes

0:15:20.240 --> 0:15:23.840
<v Speaker 1>immediately to Needy. She doesn't hurt her because she loves her,

0:15:24.320 --> 0:15:27.600
<v Speaker 1>and so of course there is an undercurrent of that

0:15:27.640 --> 0:15:31.200
<v Speaker 1>being sexual attraction. And yeah, I absolutely believe that they

0:15:31.200 --> 0:15:33.600
<v Speaker 1>would make out. I actually would believe that they've made

0:15:33.600 --> 0:15:36.280
<v Speaker 1>out before. Yeah. I actually would be mad if they

0:15:36.320 --> 0:15:38.360
<v Speaker 1>hadn't made out. I know, That's all she said. Well,

0:15:38.360 --> 0:15:40.480
<v Speaker 1>she even says, like, um, let's play we can play

0:15:40.480 --> 0:15:44.360
<v Speaker 1>a boyfriend girlfriend like we used to. Yes, exactly, Like

0:15:44.400 --> 0:15:47.320
<v Speaker 1>the infatuation is there, and also like there through the

0:15:47.320 --> 0:15:49.840
<v Speaker 1>whole movie, it's not unearned at all. And also it

0:15:49.880 --> 0:15:54.920
<v Speaker 1>makes sense plot wise because you know, Jennifer seduces her victims,

0:15:55.040 --> 0:15:57.920
<v Speaker 1>like and so this is when they were kissing, you

0:15:58.000 --> 0:16:00.280
<v Speaker 1>have these little alarm bells going off. You're like, oh no, no,

0:16:00.440 --> 0:16:03.960
<v Speaker 1>this means that she's gonna die. Like it also has

0:16:03.960 --> 0:16:07.440
<v Speaker 1>a kind of functioning foreshadow. Um as much as it,

0:16:07.800 --> 0:16:10.600
<v Speaker 1>you know, was just earned in the emotional intimacy of

0:16:10.600 --> 0:16:13.680
<v Speaker 1>the characters. And it's so good and it's it's this

0:16:13.760 --> 0:16:17.320
<v Speaker 1>is bisexual culture, you know, and she's by like the

0:16:17.440 --> 0:16:20.600
<v Speaker 1>character I think that Jennifer is by she kind of

0:16:20.960 --> 0:16:23.840
<v Speaker 1>she literally says when when they're in the pool, the

0:16:23.880 --> 0:16:26.160
<v Speaker 1>pool scene, she says, I thought you only killed boys

0:16:26.280 --> 0:16:29.840
<v Speaker 1>I swing both ways. It's supposed to be explicitly bisexual,

0:16:29.960 --> 0:16:32.280
<v Speaker 1>and I think at the time in two thousand nine,

0:16:32.440 --> 0:16:35.160
<v Speaker 1>people were like, well, that's just a joke. It wasn't

0:16:35.160 --> 0:16:37.720
<v Speaker 1>a joke. Oh, it's like why would you write it.

0:16:54.600 --> 0:16:56.920
<v Speaker 1>At the time of like Juno, like they were making

0:16:57.000 --> 0:17:00.240
<v Speaker 1>jokes about Diablo Cody on like Family Guy, you know

0:17:00.280 --> 0:17:06.760
<v Speaker 1>what I mean, Like she became Diablo Cody's whole sensibility.

0:17:07.119 --> 0:17:11.960
<v Speaker 1>I think with Juno became this easy joke, you know,

0:17:12.160 --> 0:17:16.040
<v Speaker 1>And that very much was grafted onto this film and

0:17:16.080 --> 0:17:18.920
<v Speaker 1>the way it was received, which is crazy because actually,

0:17:18.960 --> 0:17:23.400
<v Speaker 1>like um, even though like critically the noise around it

0:17:23.440 --> 0:17:27.280
<v Speaker 1>was loudly negative, like Roger Ebert loved like that, they

0:17:27.320 --> 0:17:29.600
<v Speaker 1>loved this film like that. It got positive reviews in

0:17:29.640 --> 0:17:31.840
<v Speaker 1>the time. I think the Times like got a ton

0:17:31.880 --> 0:17:36.160
<v Speaker 1>of really positive criticism, but because the conversation around Diablo

0:17:36.160 --> 0:17:41.240
<v Speaker 1>Cody was so loud um that it just like consumed

0:17:41.400 --> 0:17:43.520
<v Speaker 1>the kind of lens through which the movie was being

0:17:43.560 --> 0:17:48.439
<v Speaker 1>looked at. And that was then um compounded with the

0:17:48.440 --> 0:17:51.359
<v Speaker 1>Michael Bay drama, which is during the press junket of

0:17:51.400 --> 0:17:53.919
<v Speaker 1>this movie, like around the movie was being around the

0:17:53.920 --> 0:17:57.639
<v Speaker 1>time the movie is being marketed. Megan Fox said really

0:17:57.680 --> 0:18:00.359
<v Speaker 1>negative things about Michael Bay, the director of trans Farmers,

0:18:00.400 --> 0:18:02.040
<v Speaker 1>the movie she had just come off of, and she

0:18:02.160 --> 0:18:05.480
<v Speaker 1>also called him like Hitler, which is like, you know,

0:18:05.720 --> 0:18:10.240
<v Speaker 1>not very like um intentional words, but like she had

0:18:10.240 --> 0:18:13.320
<v Speaker 1>a horrible experience working with him, and for anybody like

0:18:13.440 --> 0:18:15.840
<v Speaker 1>for her to do this in like a pre two

0:18:16.119 --> 0:18:18.960
<v Speaker 1>era like is crazy, you know what I mean, Like

0:18:19.000 --> 0:18:23.199
<v Speaker 1>that is unheard of. It. It gives me just so

0:18:23.280 --> 0:18:26.879
<v Speaker 1>much more love and respect um for Megan Fox just

0:18:26.960 --> 0:18:30.639
<v Speaker 1>as an actor in general, Like she was blacklisted by

0:18:30.640 --> 0:18:34.200
<v Speaker 1>Michael Bay and like was like essentially like talk made

0:18:34.240 --> 0:18:38.680
<v Speaker 1>toxic in film and TV after this, And I think

0:18:38.800 --> 0:18:42.600
<v Speaker 1>their favorability of both Megan and Diablo went significantly down

0:18:42.880 --> 0:18:46.000
<v Speaker 1>because of Jennifer's body totally. And I think with the

0:18:46.040 --> 0:18:49.639
<v Speaker 1>Diablo cody of it all, I'm sure there was also

0:18:50.680 --> 0:18:54.840
<v Speaker 1>this expectation because you look at these two films, right,

0:18:54.880 --> 0:18:58.720
<v Speaker 1>you look at Juno, which almost has this like righteousness

0:18:58.760 --> 0:19:03.399
<v Speaker 1>to it of this character who like does this you know,

0:19:03.560 --> 0:19:06.439
<v Speaker 1>good thing, and like you know, she gets pregnant, she

0:19:06.480 --> 0:19:09.880
<v Speaker 1>gives her baby up for adoption. Like there's this I'm

0:19:09.880 --> 0:19:13.919
<v Speaker 1>not I'm not gonna say like st Lena's to Juno.

0:19:14.000 --> 0:19:18.200
<v Speaker 1>But it's a very twee film. It's very sweet, it's

0:19:18.400 --> 0:19:21.240
<v Speaker 1>it's very much a feel good movie. You immediately fall

0:19:21.240 --> 0:19:25.560
<v Speaker 1>in love with everyone involved and become protective Juno. And

0:19:25.640 --> 0:19:28.840
<v Speaker 1>so then for the follow up to that to be this,

0:19:29.400 --> 0:19:31.840
<v Speaker 1>So you have all these people who are already poised

0:19:31.840 --> 0:19:34.359
<v Speaker 1>to not like Diablo Cody, and then she writes this

0:19:34.400 --> 0:19:40.240
<v Speaker 1>movie about a bloodsucking female demon, you know, it's giving unfortunately,

0:19:40.280 --> 0:19:45.679
<v Speaker 1>gave people weapons to use against her. I wonder, like,

0:19:46.040 --> 0:19:47.800
<v Speaker 1>not that I want this to happen, but I wonder,

0:19:47.920 --> 0:19:51.399
<v Speaker 1>like what would have happened to either Megan or Diablo

0:19:51.840 --> 0:19:55.639
<v Speaker 1>if this if Jennifer's body was instead her like fifth

0:19:55.720 --> 0:19:57.720
<v Speaker 1>or sixth film, you know what I mean, Like if

0:19:57.720 --> 0:20:01.159
<v Speaker 1>it had come later in her career, when there was

0:20:01.240 --> 0:20:03.639
<v Speaker 1>there was like more breathing room around, you know, her

0:20:03.680 --> 0:20:07.280
<v Speaker 1>success or something, or it just felt like consequently and

0:20:07.520 --> 0:20:11.040
<v Speaker 1>unfortunately in the wrong place at the wrong time, Because

0:20:11.480 --> 0:20:15.080
<v Speaker 1>I mean, let's be honest, if this movie came out today,

0:20:15.200 --> 0:20:18.080
<v Speaker 1>this was a first time filmmaker and it was an movie,

0:20:18.520 --> 0:20:21.960
<v Speaker 1>it would like it would be an Oscar nomination, you

0:20:22.000 --> 0:20:25.639
<v Speaker 1>know it actually like there should know I was gonna

0:20:25.640 --> 0:20:27.399
<v Speaker 1>say there should be a reboot, but like, there should

0:20:27.400 --> 0:20:29.360
<v Speaker 1>just be more movies like it. There should be so

0:20:29.400 --> 0:20:31.119
<v Speaker 1>many more movies. I mean, I mean there are and

0:20:31.119 --> 0:20:33.359
<v Speaker 1>there there's movies and TV shows like it. And I

0:20:33.359 --> 0:20:35.679
<v Speaker 1>think so much of the media that we enjoy and

0:20:35.720 --> 0:20:39.080
<v Speaker 1>consume probably does owe a debt to Jennifer's body in

0:20:39.080 --> 0:20:42.160
<v Speaker 1>a way. And I think it's really ahead of its time.

0:20:42.359 --> 0:20:45.920
<v Speaker 1>I mean, there's it's not perfect. There's some no, there's

0:20:45.960 --> 0:20:49.640
<v Speaker 1>some very racist jokes in it. Um and you know,

0:20:50.040 --> 0:20:52.560
<v Speaker 1>there's a Chris Pratt jump scare and oh my god,

0:20:52.600 --> 0:20:54.920
<v Speaker 1>and then Chris Pratt says the word fags or whatever

0:20:54.960 --> 0:20:57.640
<v Speaker 1>he says like saga like oh my god, it's two

0:20:57.720 --> 0:21:01.199
<v Speaker 1>on the nose right now. Um It. It's just a

0:21:01.200 --> 0:21:03.840
<v Speaker 1>good movie. It's a good scary movie. Megan Fox is

0:21:03.960 --> 0:21:09.040
<v Speaker 1>genuinely terrifying, and she's also acting like she plays it

0:21:09.440 --> 0:21:12.320
<v Speaker 1>completely serious. Like a lot of the rest of the movie,

0:21:12.359 --> 0:21:15.480
<v Speaker 1>I would say, it's like pretty camp, and she decided

0:21:15.520 --> 0:21:17.920
<v Speaker 1>to play it straight. And I have so much respect

0:21:17.960 --> 0:21:20.520
<v Speaker 1>for her because of that, you know, And it also

0:21:20.640 --> 0:21:24.080
<v Speaker 1>just made me appreciative of what is demanded of an

0:21:24.119 --> 0:21:27.960
<v Speaker 1>actor in an action movie. I know, that Jennifer's body

0:21:28.000 --> 0:21:29.919
<v Speaker 1>is less of an action movie than Transformers. But I

0:21:29.960 --> 0:21:33.320
<v Speaker 1>was like, that really is like a whole different breadth

0:21:33.359 --> 0:21:35.880
<v Speaker 1>of skill sets that you have to take on and

0:21:35.880 --> 0:21:38.800
<v Speaker 1>and habit in your body in order to do this acting. Yeah,

0:21:38.880 --> 0:21:41.919
<v Speaker 1>and she and a man to deliver Diablo Cody's lines

0:21:42.240 --> 0:21:46.440
<v Speaker 1>so well that scene in the Poolhouse where Amanda Cyford

0:21:46.520 --> 0:21:49.480
<v Speaker 1>says something like when she's floating, she's like, oh, you

0:21:49.560 --> 0:21:51.720
<v Speaker 1>show off, And she's like, do you have to like,

0:21:52.240 --> 0:21:54.639
<v Speaker 1>you know, like have an opinion on everything I do?

0:21:54.680 --> 0:21:59.919
<v Speaker 1>It's it's just so funny. She's literally floating through the air, demonic,

0:22:00.040 --> 0:22:01.840
<v Speaker 1>he possessed, and she's like, why do you why do

0:22:01.880 --> 0:22:04.439
<v Speaker 1>you always have to like, you know, denigrate what I

0:22:04.840 --> 0:22:07.239
<v Speaker 1>It's just like it's like a caddy girl fight, but

0:22:07.320 --> 0:22:11.040
<v Speaker 1>she's floating in the air. It's genius. It's like really smart.

0:22:11.080 --> 0:22:14.400
<v Speaker 1>It's cinematic invention, like we've never seen that before. But yeah,

0:22:14.400 --> 0:22:17.800
<v Speaker 1>the movie, the ending, I didn't love the ending ending. Yeah,

0:22:18.080 --> 0:22:21.440
<v Speaker 1>So this is my problem is that I do think

0:22:21.560 --> 0:22:26.000
<v Speaker 1>if the movie were made today, it would end with

0:22:27.520 --> 0:22:31.320
<v Speaker 1>Needy also becoming a demon and her and Jennifer being

0:22:31.359 --> 0:22:33.800
<v Speaker 1>together being a couple and just like going off and

0:22:33.880 --> 0:22:36.239
<v Speaker 1>killing people, and that's how it should have ended. There

0:22:36.280 --> 0:22:38.960
<v Speaker 1>could have been like a love story in there somewhere.

0:22:39.040 --> 0:22:42.680
<v Speaker 1>I think it could have been, Like I mean, especially

0:22:42.760 --> 0:22:46.480
<v Speaker 1>now that like culture is like not completely primed, but

0:22:46.600 --> 0:22:49.240
<v Speaker 1>more prime than in two thousand nine, for like a

0:22:49.400 --> 0:22:54.280
<v Speaker 1>kind of lesbian revenge fantasy like that would absolutely eat

0:22:54.560 --> 0:22:57.840
<v Speaker 1>because Needy is a little sanctimonious. She's like, you're doing

0:22:57.840 --> 0:22:59.760
<v Speaker 1>bad things and you kill my boyfriend, so I'm gonna

0:22:59.840 --> 0:23:03.680
<v Speaker 1>kill you, and I mean fair, but also like this

0:23:03.760 --> 0:23:06.520
<v Speaker 1>is your best friend. Shouldn't you kind of be on

0:23:06.600 --> 0:23:09.000
<v Speaker 1>her side a little bit? Yeah, figure out how you

0:23:09.080 --> 0:23:13.600
<v Speaker 1>can exercise the semen or you know, all these different things. Um.

0:23:13.720 --> 0:23:15.800
<v Speaker 1>Can we also talk about the soundtrack of this movie.

0:23:16.240 --> 0:23:19.359
<v Speaker 1>Oh my god, this is I think this is the

0:23:19.400 --> 0:23:23.240
<v Speaker 1>first time I heard Florence the Machine was kiss with

0:23:23.280 --> 0:23:26.720
<v Speaker 1>a Fist because the trailer, it's in the it's in

0:23:26.720 --> 0:23:28.399
<v Speaker 1>the movie. I know it's in the movie, but I

0:23:28.440 --> 0:23:31.480
<v Speaker 1>was wondering if it was also I don't know it

0:23:31.560 --> 0:23:33.800
<v Speaker 1>might have been in the trailer because two nine is

0:23:33.840 --> 0:23:37.479
<v Speaker 1>the year that Lungs came out. It was with the

0:23:37.480 --> 0:23:41.719
<v Speaker 1>Fist was the first single, So I do believe that

0:23:41.760 --> 0:23:45.679
<v Speaker 1>this was how I discovered Florence the Machine. And also,

0:23:46.240 --> 0:23:50.280
<v Speaker 1>let's say it the song that Low Shoulder that becomes

0:23:50.320 --> 0:23:53.520
<v Speaker 1>famous in the movie because of their satanic ritual and

0:23:53.560 --> 0:23:57.200
<v Speaker 1>becomes like the soundtrack of of Devil's Kettle the town

0:23:57.280 --> 0:24:00.199
<v Speaker 1>and like everything bad that happens there, it does up

0:24:00.320 --> 0:24:03.359
<v Speaker 1>its laps. And also there's a there's a song by

0:24:03.400 --> 0:24:05.720
<v Speaker 1>the Black Kids that drops. It's called I'm Not going

0:24:05.760 --> 0:24:08.120
<v Speaker 1>to Teach your Boyfriend how to Dance with You, and

0:24:08.240 --> 0:24:10.520
<v Speaker 1>it sent me down such a huge spiral. I like

0:24:10.640 --> 0:24:13.960
<v Speaker 1>had no choice but to make like an indies Lee's playlist.

0:24:14.200 --> 0:24:17.119
<v Speaker 1>Um I I I had not heard that song in

0:24:17.400 --> 0:24:20.240
<v Speaker 1>ages UM. And I also think kiss with a Fist

0:24:20.280 --> 0:24:22.439
<v Speaker 1>is also in that like kind of era of music.

0:24:22.680 --> 0:24:25.879
<v Speaker 1>I was reading later that UM the soundtrack was produced

0:24:25.880 --> 0:24:30.120
<v Speaker 1>by Fueled by Ramen. Do you remember Fueled by Ramen? Girl?

0:24:30.600 --> 0:24:33.160
<v Speaker 1>I was like, I was like, damn, Like I want

0:24:33.400 --> 0:24:36.640
<v Speaker 1>like movies to go back to this because that like

0:24:36.960 --> 0:24:39.399
<v Speaker 1>era of music, Like I mean, it was very like

0:24:39.480 --> 0:24:43.560
<v Speaker 1>Sufjan Stevens kind of me. It's it's indie music that

0:24:43.880 --> 0:24:47.600
<v Speaker 1>you know. This is like um discovering the Kills through

0:24:47.640 --> 0:24:51.159
<v Speaker 1>a Gossip Girl episode. Era Yeah, this is like the

0:24:51.280 --> 0:24:57.320
<v Speaker 1>era of Paramore, Paramore of Feist being in an iPod commercial.

0:24:57.680 --> 0:25:02.040
<v Speaker 1>You know, this this US you know they even Adam

0:25:02.119 --> 0:25:04.520
<v Speaker 1>Adam Brody even says, do you know how hard it

0:25:04.640 --> 0:25:07.200
<v Speaker 1>is to make it as an indie band these days?

0:25:07.280 --> 0:25:09.879
<v Speaker 1>And like has the whole spiel and theble Cody's like

0:25:09.920 --> 0:25:12.840
<v Speaker 1>love for indie music, I think is something I appreciate.

0:25:12.880 --> 0:25:16.239
<v Speaker 1>Like Kimmy add Austin was like a nobody before that

0:25:16.320 --> 0:25:19.359
<v Speaker 1>movie and she I think her love of indie music

0:25:19.520 --> 0:25:23.320
<v Speaker 1>is actually something is something that isn't always appreciated. You know.

0:25:39.280 --> 0:25:44.000
<v Speaker 1>I did realize in watching this film that possession movies

0:25:44.200 --> 0:25:48.520
<v Speaker 1>are not really my go to with horror and kind

0:25:48.520 --> 0:25:50.919
<v Speaker 1>of a bit of a blind spot for me. Like

0:25:51.000 --> 0:25:54.880
<v Speaker 1>obviously I've seen The Exorcist. Have you ever? I think

0:25:54.880 --> 0:25:56.879
<v Speaker 1>I had to go home early because I was so scared.

0:25:57.000 --> 0:25:59.800
<v Speaker 1>It was really scary. It is, it is really scary.

0:26:00.280 --> 0:26:03.840
<v Speaker 1>Um It's but it's not like Super I don't. I don't,

0:26:04.040 --> 0:26:05.920
<v Speaker 1>I don't. I'm not obsessed with it. Like I get,

0:26:06.119 --> 0:26:08.800
<v Speaker 1>I get that are very of their time. Yeah, I

0:26:08.840 --> 0:26:11.120
<v Speaker 1>get that it's a great movie, but it's not one

0:26:11.160 --> 0:26:14.000
<v Speaker 1>that I've really wanted to revisit a lot. You know,

0:26:14.000 --> 0:26:17.560
<v Speaker 1>there's Hereditary, which I have truly only ever been able

0:26:17.600 --> 0:26:20.320
<v Speaker 1>to watch once. The first time I saw it in

0:26:20.400 --> 0:26:25.720
<v Speaker 1>theaters so so so scary. I still think about Tony

0:26:25.760 --> 0:26:30.640
<v Speaker 1>Colette hovering over the bed. My old apartment in Brooklyn

0:26:30.760 --> 0:26:34.680
<v Speaker 1>had really tall ceilings, and any time the lights were off,

0:26:34.720 --> 0:26:37.560
<v Speaker 1>I was like, Tony Colette is up there. She's gonna

0:26:37.560 --> 0:26:41.760
<v Speaker 1>get me. She's gonna like swim past my head. It's

0:26:41.760 --> 0:26:46.200
<v Speaker 1>the scariest part of Um. Have you seen Ghostbusters? Uh? Yeah,

0:26:46.240 --> 0:26:48.920
<v Speaker 1>I have? Okay, So Sigourney Weaver in the movie where

0:26:48.960 --> 0:26:52.000
<v Speaker 1>she gets possessed by the demon, she's feeling a little

0:26:52.080 --> 0:26:56.040
<v Speaker 1>Jennifer's body. Yeah, she is. Sigourney honestly is something of

0:26:56.080 --> 0:26:59.760
<v Speaker 1>like a kind of action thrilled. She honestly, like Megan

0:26:59.760 --> 0:27:03.640
<v Speaker 1>fa could have been the next Sigourney kind of not

0:27:03.760 --> 0:27:08.880
<v Speaker 1>known like alien transformers like the Alien No I haven't,

0:27:09.119 --> 0:27:13.199
<v Speaker 1>but like versatility, like in like a kind of Blockbuster action,

0:27:13.280 --> 0:27:15.520
<v Speaker 1>but also able to do something like campy and stupid.

0:27:15.840 --> 0:27:18.440
<v Speaker 1>Where do we what do we think Megan Fox's career

0:27:18.480 --> 0:27:22.440
<v Speaker 1>would be today if she hadn't been blacklisted. Oh that's

0:27:22.480 --> 0:27:25.760
<v Speaker 1>a good question. I feel like she she would not

0:27:25.800 --> 0:27:28.800
<v Speaker 1>be dating Machine Gun Kelly. Let's say that. No, No,

0:27:29.160 --> 0:27:31.960
<v Speaker 1>I mean I hope, I hope not she would be

0:27:32.040 --> 0:27:35.720
<v Speaker 1>dating Megan Kelly, as we said during our Hogus book

0:27:35.760 --> 0:27:40.679
<v Speaker 1>is rewatch um. But no, I think if she, if she,

0:27:40.920 --> 0:27:45.600
<v Speaker 1>she would probably be the muse of someone like maybe

0:27:45.640 --> 0:27:47.800
<v Speaker 1>even she would maybe be in an r astro movie,

0:27:48.000 --> 0:27:49.560
<v Speaker 1>you know who. I think she would kind of be

0:27:49.600 --> 0:27:52.040
<v Speaker 1>giving a little bit. I think she'd be a sort

0:27:52.040 --> 0:27:55.800
<v Speaker 1>of Juliette Lewis figure. Oh, I could see that. I

0:27:55.800 --> 0:28:00.280
<v Speaker 1>mean she's not like kind of cantankerous like Juliet Lewis.

0:28:00.280 --> 0:28:05.520
<v Speaker 1>She'd be sexy Juliette Lewis, sexy comedic relief because let's

0:28:05.720 --> 0:28:10.479
<v Speaker 1>Megan Fox has amazing comedic timing um and also like

0:28:10.600 --> 0:28:15.160
<v Speaker 1>incisive intense, a dead pan like unfazed by the world,

0:28:15.280 --> 0:28:19.120
<v Speaker 1>by everything around her, um, and you know, it's really

0:28:19.160 --> 0:28:21.080
<v Speaker 1>fear like Juliet Lewis is definitely like one of those

0:28:21.119 --> 0:28:25.000
<v Speaker 1>fearless characters. Megan Fox is definitely one of those people too.

0:28:25.040 --> 0:28:27.280
<v Speaker 1>I hope that she does more things. It doesn't seem

0:28:27.480 --> 0:28:31.840
<v Speaker 1>despite her renaissance um last year, if it is a zance,

0:28:32.480 --> 0:28:34.800
<v Speaker 1>it doesn't seem like she's signed up to do more movies.

0:28:35.280 --> 0:28:38.840
<v Speaker 1>It has more been a it has more been about

0:28:38.840 --> 0:28:41.040
<v Speaker 1>her as a person than has been about her as

0:28:41.080 --> 0:28:45.440
<v Speaker 1>an actress. She did some like Netflix vampire show or

0:28:45.520 --> 0:28:48.360
<v Speaker 1>movie or something she did. Yeah, but I think she

0:28:48.400 --> 0:28:51.320
<v Speaker 1>should do something like a Yellow Jackets, like not not

0:28:51.360 --> 0:28:54.840
<v Speaker 1>necessarily literally yellow Jackets, but I think she should show

0:28:54.920 --> 0:28:58.200
<v Speaker 1>up in you know, a streaming show or something like

0:28:58.240 --> 0:29:01.800
<v Speaker 1>a little Prestige, maybe a little spoon Key. And I

0:29:01.880 --> 0:29:05.120
<v Speaker 1>do think she's a good actress, Like I would like

0:29:05.240 --> 0:29:08.239
<v Speaker 1>to see her back in that space rather than just

0:29:08.280 --> 0:29:13.160
<v Speaker 1>like talking about how she like licks machine on Kelly's

0:29:13.160 --> 0:29:17.160
<v Speaker 1>Blood or something, you know, the Machineern Kelly stuff is

0:29:17.160 --> 0:29:20.040
<v Speaker 1>like so disappointing and honestly, now that I'm thinking about it,

0:29:20.160 --> 0:29:22.480
<v Speaker 1>when I'm thinking about what Megan Fox is susceptible to,

0:29:23.160 --> 0:29:27.479
<v Speaker 1>maybe she would become one of Ryan Murphy's music Like

0:29:27.520 --> 0:29:29.760
<v Speaker 1>maybe she would have been like an Emma Roberts kind

0:29:29.760 --> 0:29:31.880
<v Speaker 1>of you know, well, she's not totally. I think she

0:29:31.960 --> 0:29:34.360
<v Speaker 1>still could like get her get her in the next

0:29:34.360 --> 0:29:37.120
<v Speaker 1>season of American Horror Story. No, no, no, she deserves

0:29:37.160 --> 0:29:39.560
<v Speaker 1>better than that. Like Ryan Murphy is not writing the

0:29:39.600 --> 0:29:41.920
<v Speaker 1>best of his life in the American horror story franchise,

0:29:42.000 --> 0:29:43.680
<v Speaker 1>Like no, but I think it's a good place for

0:29:43.720 --> 0:29:46.640
<v Speaker 1>her to start out because look at look at Sarah Paulson.

0:29:46.720 --> 0:29:48.560
<v Speaker 1>You know, I think it would be I think it

0:29:48.560 --> 0:29:51.280
<v Speaker 1>would be a good chance for people to be like, oh, yeah,

0:29:51.320 --> 0:29:53.560
<v Speaker 1>she actually is a good actress. It would be a

0:29:53.600 --> 0:29:56.560
<v Speaker 1>good starting vehicle for the next phase of her career. Yes,

0:29:56.680 --> 0:29:59.440
<v Speaker 1>and then she makes the next bird Box, like Megan

0:29:59.520 --> 0:30:01.520
<v Speaker 1>Fox would make the next bird Box, you know what

0:30:01.600 --> 0:30:05.840
<v Speaker 1>I mean, like the next viral bad thriller. Yeah, totally,

0:30:05.920 --> 0:30:08.240
<v Speaker 1>Like she needs to be in the next thing that

0:30:08.440 --> 0:30:13.120
<v Speaker 1>is unavoidable, and so everyone in the world remembers who

0:30:13.160 --> 0:30:16.680
<v Speaker 1>she is. Yeah, eat ship, Michael Bay. This is actually

0:30:16.720 --> 0:30:19.920
<v Speaker 1>it should be said also that Amanda is another actress

0:30:19.960 --> 0:30:22.920
<v Speaker 1>that was like prestige before it was realized, you know

0:30:22.920 --> 0:30:25.200
<v Speaker 1>what I mean, like her MOMMYA era, or her like

0:30:25.280 --> 0:30:28.160
<v Speaker 1>Jennifer's Body era, like very camp but like no one

0:30:28.240 --> 0:30:30.800
<v Speaker 1>knew she could do something like the dropout, like you

0:30:30.840 --> 0:30:34.000
<v Speaker 1>know what, well, I mean, if Megan Fox hadn't been

0:30:34.000 --> 0:30:38.080
<v Speaker 1>black lusted, she might have a very similar career to Amanda's.

0:30:38.440 --> 0:30:43.440
<v Speaker 1>You know, maybe would have leaned a little sexier. I

0:30:43.480 --> 0:30:46.200
<v Speaker 1>don't know, I mean, you know, not that Amanda hasn't

0:30:46.280 --> 0:30:50.160
<v Speaker 1>had her own trials and tribulations in Hollywood. You know, Uh,

0:30:50.800 --> 0:30:54.280
<v Speaker 1>she had those photos of her having sex with her

0:30:55.200 --> 0:31:01.400
<v Speaker 1>uh future husband leaked. And also I think if Olivia

0:31:01.480 --> 0:31:04.840
<v Speaker 1>Rodrigo is going to do this like send up of

0:31:04.840 --> 0:31:07.920
<v Speaker 1>of Jennifer's body and like reference her visually, like bring

0:31:07.960 --> 0:31:10.720
<v Speaker 1>her out at a concert, put her in video, she

0:31:10.800 --> 0:31:13.280
<v Speaker 1>should be in the music video. They kind of look alike,

0:31:13.520 --> 0:31:16.960
<v Speaker 1>like Olivia Rodrigo propping up Megan Fox in a new

0:31:17.040 --> 0:31:19.960
<v Speaker 1>era and also propping up Paramore and not propping up

0:31:20.040 --> 0:31:23.080
<v Speaker 1>stealing from Paramore and then making Paramore kind of relevant

0:31:23.080 --> 0:31:26.800
<v Speaker 1>again to some extent. Um. God, is Olivia Rodrigo just

0:31:26.840 --> 0:31:29.640
<v Speaker 1>like a cultural suit sayer, like she really like show

0:31:29.720 --> 0:31:32.640
<v Speaker 1>us what we want and need out of culture? Like God?

0:31:32.720 --> 0:31:34.400
<v Speaker 1>I mean, I think it's more that she has the

0:31:34.480 --> 0:31:37.000
<v Speaker 1>right people on her team who know where to pull

0:31:37.040 --> 0:31:39.960
<v Speaker 1>references from it. It's not like I think Olivia Rodrigo's

0:31:40.040 --> 0:31:43.080
<v Speaker 1>like she's making the mood boards herself. Yeah no, no, no,

0:31:43.400 --> 0:31:46.240
<v Speaker 1>have you listened to the new Paramore song. I'm obsessed

0:31:46.280 --> 0:31:49.160
<v Speaker 1>with it. It's very um. I mean, I was gonna

0:31:49.200 --> 0:31:51.120
<v Speaker 1>say different for Paramore, but it sounds a lot like,

0:31:51.280 --> 0:31:52.920
<v Speaker 1>you know, the last few albums that they released that

0:31:52.920 --> 0:31:57.040
<v Speaker 1>no one listened to. It's kind of like groovy indie sleeves. Um.

0:31:57.080 --> 0:31:58.959
<v Speaker 1>Something I really like that they did is they just

0:31:59.040 --> 0:32:01.600
<v Speaker 1>revealed the track list to their new album by like

0:32:01.680 --> 0:32:05.000
<v Speaker 1>putting it in like secret writing on a T shirt

0:32:05.120 --> 0:32:07.959
<v Speaker 1>that was sold, like for merch somewhere, and like it

0:32:08.000 --> 0:32:10.840
<v Speaker 1>was revealed what the the track list for the album is,

0:32:10.880 --> 0:32:13.960
<v Speaker 1>which I thought was cool. I love Paramore. It does

0:32:14.040 --> 0:32:17.480
<v Speaker 1>feel like the stars have aligned in this way where

0:32:17.560 --> 0:32:21.080
<v Speaker 1>we truly are just back where we were twenty years ago.

0:32:21.400 --> 0:32:24.640
<v Speaker 1>You know. It's like we're in the revival of India.

0:32:24.680 --> 0:32:29.000
<v Speaker 1>Slee's tumbler Hell is a teenage girl and j Lo

0:32:29.160 --> 0:32:32.400
<v Speaker 1>and bed Affleck are back together again. Yeah, and you know,

0:32:32.520 --> 0:32:36.360
<v Speaker 1>I'm I'm fresh off of my second puberty, Yeah, as

0:32:36.400 --> 0:32:39.920
<v Speaker 1>a woman this time, and I'm ready, more ready than

0:32:39.960 --> 0:32:44.720
<v Speaker 1>ever to embrace Jennifer's body. And Megan Fox. Yeah, Megan

0:32:44.760 --> 0:32:47.800
<v Speaker 1>Fox please. And Amanda Seyford who now has an Emmy. Yes,

0:32:47.960 --> 0:32:50.480
<v Speaker 1>she won the Emmy for for the Dropout. Oh thank god,

0:32:50.560 --> 0:32:52.400
<v Speaker 1>she was so good. I didn't even know that because

0:32:52.600 --> 0:32:55.520
<v Speaker 1>I didn't watch the Emmys. Yeah it was great. Wow.

0:32:56.040 --> 0:32:57.880
<v Speaker 1>And you still need to watch Mamma Mia. I mean,

0:32:57.920 --> 0:33:02.720
<v Speaker 1>do I need yes to watch fand Virgins Friends with

0:33:02.800 --> 0:33:14.720
<v Speaker 1>Me frand you need to watch one movie. This Thursday,

0:33:14.760 --> 0:33:17.600
<v Speaker 1>we will be back with a normal episode, our final

0:33:18.120 --> 0:33:25.240
<v Speaker 1>Halloween episode on vampires. Oh my god. It honestly you

0:33:25.280 --> 0:33:28.560
<v Speaker 1>would think that we would be done with vampires. But no, girls,

0:33:28.600 --> 0:33:31.360
<v Speaker 1>it's just getting started. Oh no, we are going to

0:33:31.880 --> 0:33:35.640
<v Speaker 1>This is a topic that will live forever. Yea truly,

0:33:36.400 --> 0:33:40.360
<v Speaker 1>so sharpen your steaks. But yeah, Thursday, we will be

0:33:40.400 --> 0:33:44.520
<v Speaker 1>talking all about all things vampires, mostly about how gay

0:33:44.560 --> 0:33:48.120
<v Speaker 1>they are, very gay. Thank you so much to producer

0:33:48.200 --> 0:33:53.280
<v Speaker 1>Phoebe for editing these bonus episodes. Thank you to our

0:33:53.360 --> 0:33:55.240
<v Speaker 1>team at my Heart, and thank you to all of

0:33:55.280 --> 0:33:58.440
<v Speaker 1>you virgins for listening. Make sure you connect with us,

0:33:58.840 --> 0:34:01.600
<v Speaker 1>follow our fin stuff like a Virgin for twenties sixty

0:34:01.760 --> 0:34:06.680
<v Speaker 1>nine and uh and then that's it. That's all, Okay,

0:34:07.320 --> 0:34:07.840
<v Speaker 1>that's all.