1 00:00:03,279 --> 00:00:14,760 Speaker 1: Transmitting the show's good. Hey, what's happening Mornen Studio Morning 2 00:00:14,960 --> 00:00:19,360 Speaker 1: coming up? It's like Australia Day, Keith Urban and Morgan Evans. 3 00:00:19,600 --> 00:00:22,280 Speaker 1: I am White, it's the whole show. We're going to interviews. 4 00:00:22,360 --> 00:00:26,439 Speaker 1: Uh so Keith Urban and a couple of segments and 5 00:00:26,640 --> 00:00:28,680 Speaker 1: Morgan Evans coming up in just a little bit. So 6 00:00:28,800 --> 00:00:32,360 Speaker 1: glad you're here. Amy, what happened before I tell my story? 7 00:00:32,600 --> 00:00:34,960 Speaker 1: What's the group text issue that you had? Oh? So, 8 00:00:35,040 --> 00:00:37,919 Speaker 1: a group text was sent out to a bunch of 9 00:00:37,960 --> 00:00:41,839 Speaker 1: people and the person that sent it specifically said, Hey, 10 00:00:41,880 --> 00:00:45,040 Speaker 1: I'm asking for this info, but reply to me separately. 11 00:00:45,720 --> 00:00:48,800 Speaker 1: So you know, obviously that's what I did. But then 12 00:00:48,920 --> 00:00:51,640 Speaker 1: other people, and there was a lot on here, started 13 00:00:51,680 --> 00:00:54,680 Speaker 1: replying to the text the info that she needed, and 14 00:00:54,720 --> 00:00:56,440 Speaker 1: it just, you know, it's just kind of one of 15 00:00:56,440 --> 00:00:58,640 Speaker 1: those things where it's like, uh, the people not read. 16 00:00:59,000 --> 00:01:01,280 Speaker 1: And then it got me thinking, like should we even 17 00:01:01,360 --> 00:01:05,080 Speaker 1: send out group messages like that? If you need individual responses, 18 00:01:05,160 --> 00:01:07,800 Speaker 1: just hit up each person individually. But I see how 19 00:01:07,840 --> 00:01:10,200 Speaker 1: that's annoying. So I don't know, just whole group text 20 00:01:10,200 --> 00:01:12,679 Speaker 1: annoyance happening in my life. People do that on work 21 00:01:12,680 --> 00:01:15,040 Speaker 1: emails too, where it's a whole send out and then 22 00:01:15,040 --> 00:01:17,559 Speaker 1: people keep applying all to it back to the person 23 00:01:17,600 --> 00:01:20,200 Speaker 1: who sent it, So that happens sometimes. But I'll tell 24 00:01:20,200 --> 00:01:22,520 Speaker 1: you what happened to me in a group text. I 25 00:01:22,560 --> 00:01:25,000 Speaker 1: get a group text from somebody who I know pretty well, 26 00:01:25,560 --> 00:01:28,000 Speaker 1: not super well or pretty well, and it's me in 27 00:01:28,080 --> 00:01:31,160 Speaker 1: a bunch of numbers I don't recognize, like sixty five numbers, 28 00:01:32,120 --> 00:01:35,200 Speaker 1: and it says, Hey, this is what's happening in politics, 29 00:01:35,400 --> 00:01:36,680 Speaker 1: and then it goes on and on about it goes 30 00:01:36,680 --> 00:01:39,240 Speaker 1: and if you don't believe in what I'm saying, to 31 00:01:39,360 --> 00:01:42,880 Speaker 1: unfollow me right now. And so this was said to me. 32 00:01:43,440 --> 00:01:45,840 Speaker 1: But then my phone just started to blow up from 33 00:01:45,840 --> 00:01:48,960 Speaker 1: all these people who I didn't know, arguing about politics. 34 00:01:49,560 --> 00:01:52,280 Speaker 1: And I also know this person pretty well, but I 35 00:01:52,280 --> 00:01:55,520 Speaker 1: went I unfollowed them because first of all, I don't 36 00:01:55,560 --> 00:01:57,000 Speaker 1: want to be friends with you, but it's gonna send 37 00:01:57,000 --> 00:01:58,480 Speaker 1: me a group text with seventy people I don't know 38 00:01:58,520 --> 00:02:01,360 Speaker 1: on it. And then two, don't be sending any political stuff. 39 00:02:01,360 --> 00:02:03,400 Speaker 1: And I didn't even agree with the political stuff honestly, 40 00:02:03,520 --> 00:02:05,120 Speaker 1: and so I was like, Okay, well, if he says 41 00:02:05,360 --> 00:02:08,760 Speaker 1: don't don't be his phone friend. Then I guess I 42 00:02:08,760 --> 00:02:10,720 Speaker 1: won't be his phone friends. Whine followed him, but I 43 00:02:10,760 --> 00:02:12,600 Speaker 1: had to go through and block every single number. It's 44 00:02:12,639 --> 00:02:15,000 Speaker 1: like seventy of them from my phone. Oh my gosh, 45 00:02:15,120 --> 00:02:18,360 Speaker 1: do you think that this person got hacked? Nope, I 46 00:02:18,400 --> 00:02:20,680 Speaker 1: don't think that. I think they probably saw something on 47 00:02:20,720 --> 00:02:24,560 Speaker 1: the news, reacted to it, copied and pasted it. But 48 00:02:24,600 --> 00:02:26,720 Speaker 1: what stunk was I think there were like forty other 49 00:02:26,720 --> 00:02:28,200 Speaker 1: people that felt like me, and they just kept applying 50 00:02:28,240 --> 00:02:29,960 Speaker 1: who is this? Who are all these people on this? 51 00:02:30,240 --> 00:02:32,519 Speaker 1: But I had like three hundred text messages on my phone. Dang, 52 00:02:33,000 --> 00:02:36,240 Speaker 1: that's crazy, man. You have to be feeling super extra 53 00:02:36,240 --> 00:02:38,560 Speaker 1: passionate that day to send out a group text of 54 00:02:38,720 --> 00:02:40,920 Speaker 1: politics to people. Well, then I got a text the 55 00:02:40,960 --> 00:02:43,120 Speaker 1: other day from the person who I've taken out on 56 00:02:43,200 --> 00:02:46,080 Speaker 1: my phone, just asking me a question like, Hey, what's happened, 57 00:02:46,160 --> 00:02:48,400 Speaker 1: how's your marriage? How's married life? And I didn't know 58 00:02:48,440 --> 00:02:51,000 Speaker 1: who it was because I've eliminated him from my phone, 59 00:02:51,160 --> 00:02:52,960 Speaker 1: and so I screenshot and said, hey, who is this 60 00:02:53,000 --> 00:02:54,520 Speaker 1: and he's like, hey, it's so, and so I was like, oh, yeah, 61 00:02:54,560 --> 00:02:56,480 Speaker 1: I blocked him. He sent me a seventy person group 62 00:02:56,560 --> 00:03:05,560 Speaker 1: text it's time to open up the mail bag. Get something. 63 00:03:05,840 --> 00:03:12,880 Speaker 1: We call hello Bobby Bones. My husband and I are 64 00:03:12,919 --> 00:03:15,440 Speaker 1: having a debate. He thinks food is okay to eat 65 00:03:15,520 --> 00:03:18,600 Speaker 1: even if it's three days after the expiration date. I 66 00:03:18,639 --> 00:03:21,960 Speaker 1: won't eat anything that has expired, even if it's just 67 00:03:22,080 --> 00:03:25,160 Speaker 1: the cell by date. I'll throw it out. That just 68 00:03:25,280 --> 00:03:28,160 Speaker 1: grows to me. My husband, on the other hand, tells 69 00:03:28,200 --> 00:03:30,960 Speaker 1: me that I'm being wasteful and gets mad when I 70 00:03:31,040 --> 00:03:34,040 Speaker 1: throw away food. He says we shouldn't be throwing out 71 00:03:34,040 --> 00:03:36,119 Speaker 1: any food as long as we are still three days 72 00:03:36,160 --> 00:03:38,920 Speaker 1: after the expiration date. This goes for milk, yogurt, and 73 00:03:38,920 --> 00:03:41,160 Speaker 1: anything else in the fridge. He thinks, as long as 74 00:03:41,160 --> 00:03:44,360 Speaker 1: it passes the smell test, I should eat it without question. 75 00:03:44,680 --> 00:03:46,560 Speaker 1: What do you guys think, Is it okay to eat 76 00:03:46,560 --> 00:03:49,240 Speaker 1: expired food if it's within three days? Or should I 77 00:03:49,240 --> 00:03:53,160 Speaker 1: tell my husband he is being unreasonable? Signed Sheila. We 78 00:03:53,200 --> 00:03:57,760 Speaker 1: have learned through reading stories talking to people that work 79 00:03:57,760 --> 00:04:02,520 Speaker 1: in the food packaging industry that the expiration day is 80 00:04:02,560 --> 00:04:05,880 Speaker 1: just a guess. Yes, it's just a guess, So therefore 81 00:04:05,920 --> 00:04:08,160 Speaker 1: you kind of do need to go buy smell an 82 00:04:08,160 --> 00:04:12,680 Speaker 1: eyeball test yes and taste if it's over two weeks, 83 00:04:12,520 --> 00:04:15,160 Speaker 1: that's too late. Two weeks for me is probably I'm 84 00:04:15,200 --> 00:04:18,080 Speaker 1: gonna go. They were guessing in the ballpark. In two 85 00:04:18,080 --> 00:04:19,880 Speaker 1: weeks is too much. Two weeks. You can't do two 86 00:04:19,880 --> 00:04:25,880 Speaker 1: weeks on chicken, smell it risk. I go like one 87 00:04:25,920 --> 00:04:29,000 Speaker 1: day on chicken. But anything over two weeks or so 88 00:04:29,160 --> 00:04:30,880 Speaker 1: is not even an option. There are certain things that 89 00:04:30,920 --> 00:04:33,120 Speaker 1: all look out for two weeks. Some vegetables, Oh yeah, 90 00:04:33,160 --> 00:04:36,279 Speaker 1: well vegetables don't have a carrot? Yeah, tell me carrots 91 00:04:36,320 --> 00:04:38,640 Speaker 1: don't have expiration dates on them. And if they're in 92 00:04:38,680 --> 00:04:41,000 Speaker 1: a bag, if you buy them like with the green 93 00:04:41,080 --> 00:04:43,120 Speaker 1: coming out of them, you don't know. You just have 94 00:04:43,200 --> 00:04:47,800 Speaker 1: to look and see if they're what, yeah, firm, because 95 00:04:47,800 --> 00:04:51,719 Speaker 1: they get real soft when they're not good anymore. Here's 96 00:04:51,760 --> 00:04:54,440 Speaker 1: what I would say. I would say, look at it, 97 00:04:54,880 --> 00:04:58,440 Speaker 1: smell it, eat it. If nothing's wrong with it, don't 98 00:04:58,520 --> 00:05:00,960 Speaker 1: go buy that expiration date. No need to go for 99 00:05:01,160 --> 00:05:03,720 Speaker 1: the cell by date, for sure, Yeah, the cell by date. 100 00:05:03,760 --> 00:05:09,400 Speaker 1: Who even carries the change those on there at the store. Um, Sheila, 101 00:05:09,480 --> 00:05:11,520 Speaker 1: we don't side with you. Don't wast food unless you 102 00:05:11,520 --> 00:05:13,840 Speaker 1: don't have to. If there's green on it, If listen 103 00:05:13,839 --> 00:05:16,600 Speaker 1: I'll eat bread a week after, but I'll look at 104 00:05:16,600 --> 00:05:18,640 Speaker 1: it see if there's green on it. If there's no green, 105 00:05:18,720 --> 00:05:23,200 Speaker 1: I eat sometimes there's If there's green as right, Yeah, 106 00:05:23,920 --> 00:05:27,159 Speaker 1: that's right. And done that on cheese too. If there's 107 00:05:27,400 --> 00:05:29,120 Speaker 1: mold on the cheese, I just cut that part off. 108 00:05:29,279 --> 00:05:31,320 Speaker 1: On the strawberry, I'll cut that part off too. I 109 00:05:31,320 --> 00:05:36,640 Speaker 1: don't do that. Yeah, I feel like they're all it's 110 00:05:36,720 --> 00:05:39,080 Speaker 1: all of it. I always go too far, Sheila, We 111 00:05:39,160 --> 00:05:43,000 Speaker 1: agree with your husband hanging there. Look at it, smell it. 112 00:05:43,040 --> 00:05:45,040 Speaker 1: If it ain't bag, keep eating it. Don't waste food. 113 00:05:45,320 --> 00:05:47,760 Speaker 1: Everybody good? Yeah, all right, that's the mailbag, Morgan. What 114 00:05:47,800 --> 00:05:49,320 Speaker 1: do they do if they want to reach out? Mail 115 00:05:49,360 --> 00:05:55,920 Speaker 1: bag at Bobby Bones dot com. We got your clothes. 116 00:05:59,400 --> 00:06:01,880 Speaker 1: Keith Urban stop by my house and it's awesome. We 117 00:06:01,960 --> 00:06:04,360 Speaker 1: hung out for over an hour and so I want 118 00:06:04,360 --> 00:06:05,960 Speaker 1: to play this for you, and we talked for a 119 00:06:06,080 --> 00:06:08,440 Speaker 1: long time, but I want to share this part of 120 00:06:08,440 --> 00:06:10,880 Speaker 1: the interview with Keith Urban. We talked about what country 121 00:06:10,920 --> 00:06:12,760 Speaker 1: music was like in Australia, how his dad got him 122 00:06:12,760 --> 00:06:15,520 Speaker 1: into country music. He also breaks down his song Somebody 123 00:06:15,560 --> 00:06:18,160 Speaker 1: Like You. So this is Keith Urban and myself here 124 00:06:18,320 --> 00:06:21,000 Speaker 1: a little clipped from the Bobby Cast. I remember once 125 00:06:21,080 --> 00:06:22,920 Speaker 1: you were kind enough to invite me over to your place. 126 00:06:22,920 --> 00:06:25,400 Speaker 1: It was a Christmas and we were in Australia and 127 00:06:25,440 --> 00:06:27,200 Speaker 1: he said, hey, you should come over, and I was 128 00:06:27,240 --> 00:06:31,920 Speaker 1: talking to you about music in Australia New Zealand and 129 00:06:32,000 --> 00:06:35,320 Speaker 1: country music in particular. I was like, what is country 130 00:06:35,400 --> 00:06:38,400 Speaker 1: music like here? And you had kind of expressed to 131 00:06:38,440 --> 00:06:42,120 Speaker 1: me that country music there is kind of am but 132 00:06:42,120 --> 00:06:44,400 Speaker 1: it's hard to find country music on the radio in Australia. 133 00:06:44,600 --> 00:06:48,279 Speaker 1: The struggle for Australian country artists is there isn't the 134 00:06:48,360 --> 00:06:51,640 Speaker 1: big mainstream infrastructure that there is here in America. You know, 135 00:06:51,800 --> 00:06:54,719 Speaker 1: here we have FM country stations everywhere, get satellite radio, 136 00:06:54,760 --> 00:06:59,960 Speaker 1: you've got multiple video platforms. This is even preceding YouTube 137 00:07:00,080 --> 00:07:04,000 Speaker 1: with CMT and GC. None of that existed in Australia. 138 00:07:04,200 --> 00:07:06,279 Speaker 1: So there was a lot of country out us wanting 139 00:07:06,320 --> 00:07:09,120 Speaker 1: to make more mainstream sounding country music, but there wasn't 140 00:07:09,120 --> 00:07:11,280 Speaker 1: the platforms for it. And to some degree that's still 141 00:07:11,280 --> 00:07:15,240 Speaker 1: a struggle there. So how growing up there, did you 142 00:07:15,360 --> 00:07:19,040 Speaker 1: attach yourself to the thought of country music and that 143 00:07:19,040 --> 00:07:20,600 Speaker 1: that's the kind of music you wanted to make, or 144 00:07:20,680 --> 00:07:23,960 Speaker 1: were you naturally just making it and it was the 145 00:07:24,000 --> 00:07:27,400 Speaker 1: most organic place for you to fit musically. Here it well, 146 00:07:27,760 --> 00:07:31,080 Speaker 1: I mean, Nashville was just the destination because why why 147 00:07:31,680 --> 00:07:33,200 Speaker 1: was it the destination? It was written on the back 148 00:07:33,240 --> 00:07:35,640 Speaker 1: of all the records that my dad had, Dom Leam's 149 00:07:35,720 --> 00:07:40,600 Speaker 1: mostly and Glenn Campbell, Charlie Pride, Merle Haggard, all of 150 00:07:40,600 --> 00:07:43,120 Speaker 1: those records all sit on the back of them recorded Nashville, Tennessee. 151 00:07:43,160 --> 00:07:44,560 Speaker 1: So as a kid, I'm like, oh, that's where you 152 00:07:44,600 --> 00:07:46,960 Speaker 1: go to make records. Period. I just thought that's where 153 00:07:46,960 --> 00:07:48,560 Speaker 1: you go if you want to make a record. What 154 00:07:48,640 --> 00:07:50,960 Speaker 1: was the relationship like with your dad and you as 155 00:07:50,960 --> 00:07:55,240 Speaker 1: you became twelve, fourteen, sixteen years old? My dad's alcoholic 156 00:07:55,600 --> 00:07:59,480 Speaker 1: was he's not here anymore, but he was an alcoholic 157 00:07:59,520 --> 00:08:01,480 Speaker 1: his whole life and never just never dealt with it, 158 00:08:01,640 --> 00:08:04,880 Speaker 1: you know. So my brother and I are classic adult 159 00:08:05,000 --> 00:08:10,360 Speaker 1: children of alcoholic raised and I got the same genetic 160 00:08:10,680 --> 00:08:13,800 Speaker 1: disposition as my dad, and my brother didn't have that 161 00:08:14,400 --> 00:08:16,800 Speaker 1: really it doesn't have it. But then he has no 162 00:08:16,880 --> 00:08:19,400 Speaker 1: hair and I have hair, so it's a fair trade. 163 00:08:20,000 --> 00:08:23,080 Speaker 1: Did you feel like as you tried to achieve musically 164 00:08:23,120 --> 00:08:25,480 Speaker 1: you were doing it for you or you were doing 165 00:08:25,480 --> 00:08:28,400 Speaker 1: it somewhat to create a bond to your dad. Maybe 166 00:08:28,560 --> 00:08:32,240 Speaker 1: wasn't there because of other circumstances. I probably both, you 167 00:08:32,280 --> 00:08:35,400 Speaker 1: know both, And you know I think in the song 168 00:08:35,440 --> 00:08:37,400 Speaker 1: we have Wild Hearts, you know, there's a song about 169 00:08:37,760 --> 00:08:39,720 Speaker 1: it opens with Johnny Cash, you know, sort of man 170 00:08:39,720 --> 00:08:42,199 Speaker 1: in Black, because when I was five, dad, mom and 171 00:08:42,280 --> 00:08:45,800 Speaker 1: dad took us to see Johnny Cash, and I remember 172 00:08:45,880 --> 00:08:48,960 Speaker 1: so much about that concert. But the thing I think 173 00:08:49,000 --> 00:08:52,320 Speaker 1: that is subconsciously in me. I was really taken by 174 00:08:52,360 --> 00:08:55,400 Speaker 1: how my dad was staring at this guy on stage 175 00:08:55,520 --> 00:08:58,160 Speaker 1: and probably thinking how do I get my dad to 176 00:08:58,160 --> 00:09:00,959 Speaker 1: look at me like that? Right? Isn't that wild? Yeah? 177 00:09:01,120 --> 00:09:03,080 Speaker 1: I don't know if I saw it. It's hard to know. 178 00:09:03,200 --> 00:09:06,160 Speaker 1: Right was that Did I recognize in that person on 179 00:09:06,200 --> 00:09:08,280 Speaker 1: stage with a guitar? Did I recognize something that I 180 00:09:08,360 --> 00:09:11,520 Speaker 1: was going to do or something that I wanted to do, 181 00:09:11,600 --> 00:09:13,880 Speaker 1: or something that I should do? I don't know. It 182 00:09:13,880 --> 00:09:16,320 Speaker 1: doesn't really matter in the end. Will you write songs 183 00:09:16,400 --> 00:09:18,880 Speaker 1: with melody? First? Just straight melody? Will you write a 184 00:09:18,920 --> 00:09:22,559 Speaker 1: melody and that's what you have? Then you create around 185 00:09:22,559 --> 00:09:25,120 Speaker 1: the melody? Yeah? Are you more prone to do that 186 00:09:25,240 --> 00:09:28,920 Speaker 1: when writing? If you're starting from scratch or an idea, 187 00:09:29,120 --> 00:09:31,959 Speaker 1: a lyric like where do you like to start? If 188 00:09:32,000 --> 00:09:34,160 Speaker 1: you get to choose, if I get to choose, I 189 00:09:34,240 --> 00:09:36,679 Speaker 1: like a groove. A beat doesn't have to be fast, 190 00:09:36,760 --> 00:09:38,880 Speaker 1: just any kind of beat that I can then play 191 00:09:38,920 --> 00:09:43,600 Speaker 1: along with. Whether it's bass, guitar, guitar, piano, something, banjo, 192 00:09:43,720 --> 00:09:47,200 Speaker 1: whatever the matter, just something that you pick up and 193 00:09:47,240 --> 00:09:50,800 Speaker 1: just respond to. And then a melody comes. A melody 194 00:09:50,800 --> 00:09:53,120 Speaker 1: comes of some sort, and then I think the music 195 00:09:53,160 --> 00:09:55,520 Speaker 1: has an emotion about it's trying to say something I 196 00:09:55,640 --> 00:09:58,560 Speaker 1: make somebody like you. You know. That song started from 197 00:09:58,559 --> 00:10:01,480 Speaker 1: flying out to La meeting this guy John Shanks, So 198 00:10:01,520 --> 00:10:05,520 Speaker 1: I didn't know. Um, I was so nervous to meet 199 00:10:05,559 --> 00:10:08,199 Speaker 1: with some LA guy, you know, And I'm like, what 200 00:10:08,640 --> 00:10:10,760 Speaker 1: do I know? I've showed up with my banjo and everything. 201 00:10:10,800 --> 00:10:12,680 Speaker 1: And before I went to the session, I went to 202 00:10:12,720 --> 00:10:15,959 Speaker 1: this Irish pub and I had a piney Guinness and 203 00:10:16,000 --> 00:10:17,719 Speaker 1: it was like ten in the morning and it was 204 00:10:17,760 --> 00:10:20,200 Speaker 1: really good. Sad another one and I was really good, 205 00:10:20,200 --> 00:10:22,040 Speaker 1: So I had like a third one. I get in 206 00:10:22,160 --> 00:10:24,720 Speaker 1: my car, drive over to the studio where he is 207 00:10:25,040 --> 00:10:26,959 Speaker 1: and by and by then I walked in and I 208 00:10:27,320 --> 00:10:31,240 Speaker 1: felt pretty pretty not bulletproof, but I felt very relaxed, 209 00:10:31,640 --> 00:10:34,320 Speaker 1: very confident, you know. And he had this little drum 210 00:10:34,320 --> 00:10:38,959 Speaker 1: machine and it was going, that's all it was doing. 211 00:10:39,000 --> 00:10:41,079 Speaker 1: And I pulled my banjo out of the case and go, 212 00:10:41,320 --> 00:10:46,160 Speaker 1: dang the dang dang danger, danger anger, No idea, why 213 00:10:46,320 --> 00:10:49,160 Speaker 1: just it just came out, and we're like, oh, it 214 00:10:49,280 --> 00:10:51,360 Speaker 1: feels good. What do we do with that? You know? 215 00:10:51,720 --> 00:10:57,880 Speaker 1: And then sound nothing some done, go and soder something good, 216 00:10:57,960 --> 00:11:01,400 Speaker 1: to find some words, and that's that's it, and then 217 00:11:01,440 --> 00:11:04,679 Speaker 1: you just the rest comes. You're creating that vocal melody too, 218 00:11:04,679 --> 00:11:07,320 Speaker 1: without putting the words on. Yeah, yeah, so ba ba 219 00:11:07,400 --> 00:11:09,959 Speaker 1: ba so that that and then you'll go would you 220 00:11:10,040 --> 00:11:11,959 Speaker 1: record that? You go back over and go, okay, you 221 00:11:12,040 --> 00:11:14,320 Speaker 1: know what's down here? Yeah. Well a lot of times 222 00:11:14,360 --> 00:11:16,800 Speaker 1: it Gibberish is actually trying to say something like you'll 223 00:11:16,800 --> 00:11:18,600 Speaker 1: listen to the type, which we had a type then, 224 00:11:18,640 --> 00:11:24,760 Speaker 1: and it would be then you're like, oh, there's a 225 00:11:25,480 --> 00:11:27,400 Speaker 1: there was that a new win something right there now 226 00:11:27,440 --> 00:11:31,640 Speaker 1: and never never known sounds like it's like screw, it's 227 00:11:31,640 --> 00:11:33,880 Speaker 1: all in there. I think Mick Jagger calls at making 228 00:11:34,000 --> 00:11:39,480 Speaker 1: foul movements great. Is the latest from Nashville and Tullywood. 229 00:11:39,720 --> 00:11:44,200 Speaker 1: Morgan Number two, thirty seven, Skinny and Shania Twyn announced 230 00:11:44,240 --> 00:11:47,400 Speaker 1: the final dates for her residency at Planet Hollywood in 231 00:11:47,520 --> 00:11:50,920 Speaker 1: Las Vegas. The show will run June third through sixteenth, 232 00:11:51,240 --> 00:11:54,679 Speaker 1: in August twenty six through September tenth. Tickets go on 233 00:11:54,800 --> 00:11:59,360 Speaker 1: sale this Friday. Riba shared her favorite Christmas memory from childhood, 234 00:11:59,600 --> 00:12:02,240 Speaker 1: motor brother Pike. When we were kids at home, he'd 235 00:12:02,240 --> 00:12:04,320 Speaker 1: always be the first one to jump out of bed 236 00:12:04,400 --> 00:12:06,959 Speaker 1: and run down the hall. And he'd just run down 237 00:12:07,000 --> 00:12:09,120 Speaker 1: the hall with his underwear own, and he'd say, if 238 00:12:09,160 --> 00:12:10,760 Speaker 1: you don't him, get up and get in here, I'm 239 00:12:10,800 --> 00:12:13,040 Speaker 1: opening all the prisons by myself. But he knew it 240 00:12:13,080 --> 00:12:14,439 Speaker 1: was a standing rule. We all had to be in 241 00:12:14,440 --> 00:12:16,520 Speaker 1: there for anybody could open a prison. But I can 242 00:12:16,559 --> 00:12:19,400 Speaker 1: steal see Pike running down the hall. Luke Bryan talked 243 00:12:19,440 --> 00:12:22,520 Speaker 1: about his favorite Christmas gift he received as a kid, 244 00:12:22,800 --> 00:12:26,040 Speaker 1: My first Honda fifty motorcycle that I got back in 245 00:12:26,240 --> 00:12:30,920 Speaker 1: nineteen eighty four. It was just an amazing gift to 246 00:12:31,000 --> 00:12:35,000 Speaker 1: have under the tree and I never will forget seeing that. 247 00:12:35,160 --> 00:12:37,800 Speaker 1: As I walked out, I'm Morgan number two. That's your 248 00:12:37,800 --> 00:12:40,920 Speaker 1: skinny hat. It's time for the good news producer. Ready. 249 00:12:44,920 --> 00:12:47,520 Speaker 1: There's a grandpa in Virginia named Keith Mitchell, and he 250 00:12:47,640 --> 00:12:50,400 Speaker 1: lives alone and his granddaughter six years old and says, Grandpa, 251 00:12:50,800 --> 00:12:52,760 Speaker 1: you don't have any Christmas lights up. You have to 252 00:12:52,920 --> 00:12:54,400 Speaker 1: like put Christmas lights up. And this is a few 253 00:12:54,440 --> 00:12:56,600 Speaker 1: years ago season. All right, I'll go to Walmart get 254 00:12:56,600 --> 00:12:59,760 Speaker 1: a hundred light of a hundred string of one hundred 255 00:12:59,800 --> 00:13:02,559 Speaker 1: lights and he puts them up well slowly. Every year 256 00:13:02,640 --> 00:13:05,240 Speaker 1: he's been putting up more lights and more lights, and 257 00:13:05,400 --> 00:13:08,280 Speaker 1: this year he is up to one point five million. 258 00:13:08,679 --> 00:13:13,400 Speaker 1: All think all things yet eight or what? All thanks 259 00:13:13,440 --> 00:13:15,640 Speaker 1: to his granddaughter who said, Grandpa, you gotta have some 260 00:13:15,800 --> 00:13:18,599 Speaker 1: Christmas spirit. And now his house like it brings in 261 00:13:18,720 --> 00:13:20,959 Speaker 1: two to three hundred people a day driving by to 262 00:13:21,000 --> 00:13:23,360 Speaker 1: watch these lights. A couple thoughts. One, he didn't go 263 00:13:23,480 --> 00:13:26,240 Speaker 1: one hundred each year, obviously, I think they started the 264 00:13:26,280 --> 00:13:29,880 Speaker 1: first day was one hundred and it kept yea yeah. Secondly, 265 00:13:30,000 --> 00:13:33,000 Speaker 1: the electric bill on something like that I think about. Yeah. Sure, 266 00:13:33,360 --> 00:13:37,439 Speaker 1: in some places that aren't businesses do have like a 267 00:13:37,480 --> 00:13:39,520 Speaker 1: tip jar where you can give a few bucks for 268 00:13:39,559 --> 00:13:41,800 Speaker 1: the electric bill. Like if you enjoyed this lighting display, 269 00:13:41,840 --> 00:13:44,199 Speaker 1: on foot, please give a few bucks to the electric bill. 270 00:13:44,280 --> 00:13:46,480 Speaker 1: He's not asking for tips, but this year he is saying, 271 00:13:46,520 --> 00:13:48,679 Speaker 1: can you please donate to the Children's Hospital of the 272 00:13:48,800 --> 00:13:52,360 Speaker 1: King's Daughter because that's where his granddaughter spent three weeks 273 00:13:52,440 --> 00:13:55,520 Speaker 1: as an infant. So he's asking that at least. That's nice. Yeah, 274 00:13:56,559 --> 00:13:58,959 Speaker 1: that's what it's all about, right there, America Christmas. That 275 00:13:59,360 --> 00:14:03,559 Speaker 1: was telling me something good. Amy had a good talk 276 00:14:03,640 --> 00:14:06,760 Speaker 1: with Morgan Evans, who I saw on Instagram just celebrated 277 00:14:06,760 --> 00:14:09,839 Speaker 1: anniversary with Kelsey Ballerini. They've been married. I don't know 278 00:14:09,840 --> 00:14:11,240 Speaker 1: a couple of years. Did you guys talk about that 279 00:14:11,280 --> 00:14:15,960 Speaker 1: at all? Yep, four years and we definitely talked about it. Wow. Wow, Okay, 280 00:14:16,000 --> 00:14:18,679 Speaker 1: Well then I'll shut up because I haven't heard this yet. 281 00:14:18,760 --> 00:14:22,280 Speaker 1: Here's Amy talking with Morgan Evans, a guy that you know, 282 00:14:22,480 --> 00:14:25,600 Speaker 1: we love when he's on the show, enjoy on the 283 00:14:25,680 --> 00:14:30,000 Speaker 1: Bobby Bones Show. Now, Hey Morgan, Hey, and he it's 284 00:14:30,040 --> 00:14:31,920 Speaker 1: good to say it. Well, first of all, before we 285 00:14:32,000 --> 00:14:35,040 Speaker 1: get into some questions, I just want to say thank 286 00:14:35,120 --> 00:14:37,360 Speaker 1: you again on behalf of the whole show for doing 287 00:14:37,480 --> 00:14:40,720 Speaker 1: the Saint Jude Radio than last week. That was amazing. 288 00:14:41,040 --> 00:14:43,200 Speaker 1: Of course, my pleasure just to set you up a 289 00:14:43,240 --> 00:14:46,040 Speaker 1: little bit, y'all. May know Morgan from Kiss Somebody. Sometimes 290 00:14:46,120 --> 00:14:49,560 Speaker 1: you gotta kiss somebody in the back of the camel 291 00:14:50,400 --> 00:14:54,400 Speaker 1: trains time to gotta kiss somebody, and a lot of 292 00:14:54,440 --> 00:14:58,120 Speaker 1: other things as well. So, Morgan, you just rapped or 293 00:14:58,200 --> 00:15:00,400 Speaker 1: you were on the Good Day tour with Brett Aldredge, 294 00:15:00,440 --> 00:15:03,200 Speaker 1: who is also known this time of year as mister Christmas. 295 00:15:03,600 --> 00:15:05,360 Speaker 1: So what is it like being on tour with Brett? 296 00:15:05,560 --> 00:15:07,600 Speaker 1: There's so many reasons why it was so good, you know, 297 00:15:07,960 --> 00:15:10,200 Speaker 1: not not doing a show for almost two years and 298 00:15:10,280 --> 00:15:13,040 Speaker 1: then getting to do shows again. And Brett's also one 299 00:15:13,080 --> 00:15:14,880 Speaker 1: of those guys you know in country music you kind 300 00:15:14,920 --> 00:15:17,400 Speaker 1: of run into each other a lot, but maybe never 301 00:15:18,200 --> 00:15:20,240 Speaker 1: get to hang out or get deep with anyone. And 302 00:15:20,320 --> 00:15:22,520 Speaker 1: it was really good to spend you know, a few 303 00:15:22,560 --> 00:15:23,920 Speaker 1: months on the road with him and get to know 304 00:15:24,040 --> 00:15:26,640 Speaker 1: him better and play a bunch of pickleball together and 305 00:15:26,760 --> 00:15:30,400 Speaker 1: drink some tequila together. It was really good professionally and 306 00:15:30,840 --> 00:15:33,760 Speaker 1: personally so well. So who's better at pickaball? You were Brett? 307 00:15:33,920 --> 00:15:36,640 Speaker 1: I reckon, I've probably got him At the moment. Does 308 00:15:36,680 --> 00:15:39,280 Speaker 1: anything happen like on the last day of tour with Brett. 309 00:15:39,400 --> 00:15:42,320 Speaker 1: That's special. His crew kind of did a little prank 310 00:15:42,400 --> 00:15:44,200 Speaker 1: on us. They were holding up these kind of funny 311 00:15:44,280 --> 00:15:46,840 Speaker 1: signs that really sort of just made us all crack 312 00:15:46,960 --> 00:15:49,680 Speaker 1: up laughing. But his end of two, a gift for 313 00:15:49,840 --> 00:15:52,360 Speaker 1: us was a pickleball set, like one of those ones 314 00:15:52,360 --> 00:15:54,840 Speaker 1: you could set up in net anywhere. And during his 315 00:15:54,920 --> 00:15:57,080 Speaker 1: show there's a section where he goes down the front 316 00:15:57,080 --> 00:15:58,520 Speaker 1: of the stage, right down the front of the thrust 317 00:15:58,560 --> 00:16:01,840 Speaker 1: and he starts singing My Girl and my whole crew 318 00:16:03,200 --> 00:16:06,760 Speaker 1: just jumped up there and startled to play pickleball during 319 00:16:06,800 --> 00:16:09,040 Speaker 1: his set and his credit he didn't even bat an 320 00:16:09,080 --> 00:16:11,440 Speaker 1: eye or anything. He's turned around, he kept saying, didn't 321 00:16:11,440 --> 00:16:14,720 Speaker 1: miss a note, walked back, stole the paddle and just 322 00:16:14,760 --> 00:16:16,920 Speaker 1: started playing with us. So it was cool, it was 323 00:16:16,960 --> 00:16:19,120 Speaker 1: a prank that it was very lighthearted. I love that. 324 00:16:19,440 --> 00:16:22,160 Speaker 1: And speaking of gifts, where are you with Christmas shopping? 325 00:16:22,200 --> 00:16:24,320 Speaker 1: Are you done? I'm not a good gift give Are 326 00:16:24,360 --> 00:16:26,360 Speaker 1: you done? How are you going? I mean I'm more 327 00:16:26,440 --> 00:16:29,640 Speaker 1: than halfway. Yeah, I'm seventy five percent done. But Morgan, 328 00:16:29,720 --> 00:16:31,720 Speaker 1: haven't you been watching the news up to shop? Early 329 00:16:31,840 --> 00:16:34,480 Speaker 1: Shipping's crazy? Finding gifts are crazy, like, do you at 330 00:16:34,560 --> 00:16:36,880 Speaker 1: least have Kelsey's gift bought? Well, we don't usually do 331 00:16:37,040 --> 00:16:41,360 Speaker 1: gifts per se. We usually do stuff like experiences. And 332 00:16:42,240 --> 00:16:44,200 Speaker 1: we are going to go home to Australia over the 333 00:16:44,240 --> 00:16:46,600 Speaker 1: holidays and so that's our gift to each other and 334 00:16:46,680 --> 00:16:49,320 Speaker 1: do some fun stuff down there as well as obviously 335 00:16:49,720 --> 00:16:51,400 Speaker 1: see family and friends that we haven't seen for a 336 00:16:51,440 --> 00:16:54,360 Speaker 1: couple of years. So I feel like that's a great gift. 337 00:16:54,400 --> 00:16:56,680 Speaker 1: I feel pretty pretty good about that one. But there's 338 00:16:56,720 --> 00:16:58,800 Speaker 1: actually there's gonna be five babies in my family when 339 00:16:58,840 --> 00:17:00,920 Speaker 1: we get home, and I'm going to buy all these 340 00:17:01,000 --> 00:17:02,840 Speaker 1: gifts for all these kids. That's that's kind of my 341 00:17:02,960 --> 00:17:06,360 Speaker 1: main my main job ahead. You know, well, let's play 342 00:17:06,400 --> 00:17:15,480 Speaker 1: some of Christmas in the Sun real quick. Christmas Tools 343 00:17:15,600 --> 00:17:33,840 Speaker 1: and San Angel. What month did you write that in? 344 00:17:36,680 --> 00:17:39,840 Speaker 1: It was definitely not during Christmas time, in mayting August 345 00:17:39,920 --> 00:17:41,879 Speaker 1: or something like that. This year, it was one of 346 00:17:41,960 --> 00:17:44,080 Speaker 1: those things like, hey, should we put a Christmas song out? 347 00:17:44,119 --> 00:17:46,760 Speaker 1: To see absolutely and I think I was missing home 348 00:17:46,800 --> 00:17:49,840 Speaker 1: at the time, and that's what we wrote the song about. 349 00:17:50,200 --> 00:17:53,240 Speaker 1: Did you have to decorate the studio with Christmas vibes 350 00:17:53,320 --> 00:17:55,800 Speaker 1: to get in the mood. Yeah. I wrote it with 351 00:17:55,880 --> 00:17:58,159 Speaker 1: the maid of mine named Jimmy Robbins, And when we 352 00:17:58,280 --> 00:18:01,360 Speaker 1: got into the studio that day, he had a Christmas 353 00:18:01,400 --> 00:18:03,440 Speaker 1: tree set up on the coffee table in the middle 354 00:18:03,480 --> 00:18:06,320 Speaker 1: of the studio and I think I wore like a 355 00:18:06,400 --> 00:18:09,600 Speaker 1: Christmas shirt or something like that too. We did, we did, 356 00:18:09,720 --> 00:18:12,280 Speaker 1: We made some effort to get in the spirit. What 357 00:18:12,440 --> 00:18:16,800 Speaker 1: about Christmas movies? Like, do you have a favorite love Ashley? 358 00:18:17,040 --> 00:18:19,359 Speaker 1: It might be one of my favorite movies. I know 359 00:18:19,480 --> 00:18:21,359 Speaker 1: that's a pretty common answer, but one of my favorite 360 00:18:21,359 --> 00:18:23,119 Speaker 1: songs is All I Want for Christmas Is You, And 361 00:18:23,200 --> 00:18:25,920 Speaker 1: I feel like that movie does the movie and the song. 362 00:18:26,119 --> 00:18:29,080 Speaker 1: So yeah, Well, I'm going to talk about your current 363 00:18:29,119 --> 00:18:31,159 Speaker 1: song on the radio right now. Love is Real? And 364 00:18:31,440 --> 00:18:33,280 Speaker 1: what was special about this song to make it your 365 00:18:33,320 --> 00:18:35,680 Speaker 1: next single? I love the way it makes me feel. 366 00:18:36,119 --> 00:18:38,760 Speaker 1: Just when we were making this new record, I remember 367 00:18:38,920 --> 00:18:41,800 Speaker 1: as we were writing it, it just it reminded me 368 00:18:41,880 --> 00:18:44,320 Speaker 1: of the same feeling of when we were making the 369 00:18:44,400 --> 00:18:47,119 Speaker 1: first record and we wrote kiss Somebody, and me and 370 00:18:47,160 --> 00:18:48,600 Speaker 1: the guys I wrote it with were like, Oh, this 371 00:18:48,680 --> 00:18:50,800 Speaker 1: feels like the start of something. Let's make the record 372 00:18:50,880 --> 00:18:53,240 Speaker 1: from here. And I've written a lot of songs up 373 00:18:53,280 --> 00:18:55,920 Speaker 1: to that point, but it wasn't until Love is Reel 374 00:18:56,000 --> 00:18:58,240 Speaker 1: came along that it felt like the beginning of the project. 375 00:18:58,440 --> 00:19:00,639 Speaker 1: And then we wrote all the other songs after that. 376 00:19:00,800 --> 00:19:03,400 Speaker 1: And so to me, it just feels right to share 377 00:19:03,440 --> 00:19:07,080 Speaker 1: this one first and share this feeling first. Well, I 378 00:19:07,160 --> 00:19:09,920 Speaker 1: need like an elevator pitch, Like what would you say 379 00:19:09,960 --> 00:19:12,280 Speaker 1: to someone if you were on an elevator with them 380 00:19:12,400 --> 00:19:14,560 Speaker 1: and you wanted to leave that and go listen to 381 00:19:14,680 --> 00:19:16,720 Speaker 1: it right away, but you only have like, you know, 382 00:19:16,840 --> 00:19:19,080 Speaker 1: a short amount of time. You know that feeling, like 383 00:19:19,240 --> 00:19:22,119 Speaker 1: one of those feelings where every single thing in the 384 00:19:22,200 --> 00:19:25,120 Speaker 1: world is right and you just don't want anything to change. Yeah, 385 00:19:25,280 --> 00:19:27,920 Speaker 1: this song sounds like that for three minutes. We're gonna 386 00:19:27,960 --> 00:19:31,080 Speaker 1: play it in a second. But I want to bring 387 00:19:31,200 --> 00:19:35,280 Speaker 1: up that you recently celebrated four years of marriage. So 388 00:19:35,840 --> 00:19:39,320 Speaker 1: what is something that you've learned about sharing your life 389 00:19:39,359 --> 00:19:41,920 Speaker 1: with someone in that way marriage the last four years? Like, 390 00:19:42,000 --> 00:19:45,080 Speaker 1: do you have any advice for us now that you 391 00:19:45,160 --> 00:19:47,760 Speaker 1: were four years in? Probably be a good listener and 392 00:19:47,880 --> 00:19:53,000 Speaker 1: to breathe a little bit more. I just think it's 393 00:19:53,040 --> 00:19:56,640 Speaker 1: just to keep keep keep doing, keep doing sweet things 394 00:19:56,720 --> 00:19:59,280 Speaker 1: and try to surprise each other. I think that that 395 00:19:59,480 --> 00:20:02,720 Speaker 1: is kind of the everyday trick to keeping it feeling 396 00:20:02,760 --> 00:20:05,440 Speaker 1: good at least at least I've found that, especially during 397 00:20:05,480 --> 00:20:07,879 Speaker 1: the pandemic, when everything is just like kind of feels 398 00:20:07,960 --> 00:20:10,960 Speaker 1: like boring and the same every day, Just a little 399 00:20:11,040 --> 00:20:14,480 Speaker 1: something that's some splice. Yeah, just make the most of 400 00:20:14,560 --> 00:20:18,800 Speaker 1: every day. Okay, lunchbox, what'd you do? So? I went 401 00:20:18,840 --> 00:20:22,159 Speaker 1: around to local businesses and I would find an employee 402 00:20:22,400 --> 00:20:24,919 Speaker 1: and I would just say, Hey, I'm Chris Kringle from 403 00:20:25,000 --> 00:20:28,680 Speaker 1: Chris Kringle's Carol's and someone has hired me to sing 404 00:20:28,800 --> 00:20:31,840 Speaker 1: you a Christmas Carol. And then I would sing them 405 00:20:31,880 --> 00:20:34,000 Speaker 1: a Christmas song and let them know that they are 406 00:20:34,080 --> 00:20:37,800 Speaker 1: loved and cared about from someone you would think if 407 00:20:37,880 --> 00:20:41,879 Speaker 1: someone hired a person to sing, it'd be someone that 408 00:20:41,960 --> 00:20:44,000 Speaker 1: could sing. Like that's gonna be weird when you start 409 00:20:44,080 --> 00:20:46,440 Speaker 1: singing to them and they're like, this guy's terrible. Oh yeah, 410 00:20:46,480 --> 00:20:49,040 Speaker 1: I'm awful. I can't stay on rhythm, can't stay on beat, 411 00:20:49,119 --> 00:20:51,639 Speaker 1: don't know how to do it. But I try to 412 00:20:51,680 --> 00:20:54,000 Speaker 1: put them in the Christmas spirit because it's my business 413 00:20:54,080 --> 00:20:56,040 Speaker 1: and I'm there to sing. Okay, here we go. Here 414 00:20:56,160 --> 00:20:58,040 Speaker 1: is lunchbox is going to a gas station, and there's 415 00:20:58,040 --> 00:21:00,520 Speaker 1: someone who works at the gas station who is received 416 00:21:00,600 --> 00:21:05,840 Speaker 1: this Christmas Carol Graham. Go ahead, how you doing? Someone 417 00:21:05,920 --> 00:21:08,879 Speaker 1: said that, they really They said, they love your personality 418 00:21:08,880 --> 00:21:10,440 Speaker 1: and they want to make sure you're in the mood 419 00:21:10,480 --> 00:21:13,040 Speaker 1: for Christmas. So I'm here to sing you a song. 420 00:21:13,920 --> 00:21:17,600 Speaker 1: Roote off the red nose, rain Dear raindeer had a 421 00:21:17,800 --> 00:21:22,400 Speaker 1: very shiny nose, and if you ever saw it solid, 422 00:21:22,760 --> 00:21:26,080 Speaker 1: you would even say it glows like a light. Yeah, 423 00:21:26,680 --> 00:21:30,440 Speaker 1: and all the other raindeer lovedown and you are love too. 424 00:21:31,200 --> 00:21:36,080 Speaker 1: Thank you. Merry Christmas Christmas. Yeah, there you go. People 425 00:21:36,400 --> 00:21:38,120 Speaker 1: people said that to you. They bought it. They said, 426 00:21:38,160 --> 00:21:41,679 Speaker 1: go sing to her. I said, all right, put us 427 00:21:41,760 --> 00:21:47,359 Speaker 1: my key. All right, here is clip number two at 428 00:21:47,359 --> 00:21:49,679 Speaker 1: a drug store. How you doing. I'm Chris king Kringle 429 00:21:49,760 --> 00:21:52,520 Speaker 1: from Chris Kringle's Carol's and someone has hired me to 430 00:21:52,640 --> 00:21:57,000 Speaker 1: sing a Christmas song to you. Are you ready? No? No, 431 00:22:00,200 --> 00:22:10,320 Speaker 1: Um'm dreaming of a wide Christmas just like the one 432 00:22:10,600 --> 00:22:18,200 Speaker 1: I used to know with you. Alright, Well, I hope 433 00:22:18,200 --> 00:22:20,800 Speaker 1: you enjoyed your Christmas Carol that someone sent me to 434 00:22:20,880 --> 00:22:26,000 Speaker 1: sing to you, all right? Merry Christmas was free? What 435 00:22:26,119 --> 00:22:31,480 Speaker 1: do you mean? All right, have a great day? What 436 00:22:31,560 --> 00:22:33,000 Speaker 1: do you think she meant? But I hope it was free. 437 00:22:34,040 --> 00:22:35,680 Speaker 1: I could tell that she thought it was really bad. 438 00:22:36,080 --> 00:22:38,159 Speaker 1: I mean her facial expression let me know that she 439 00:22:38,320 --> 00:22:40,399 Speaker 1: did not think my singing was up to par with 440 00:22:40,560 --> 00:22:44,760 Speaker 1: a singing Christmas Graham. All right, one more, this is 441 00:22:44,880 --> 00:22:46,640 Speaker 1: Lunchbo's going to do a coffee shop. How's it going. 442 00:22:47,760 --> 00:22:52,239 Speaker 1: I'm Chris Kringle from Christopher Kringles Carolers. Okay, someone has 443 00:22:52,280 --> 00:22:54,800 Speaker 1: sent me to send sing you a little song for Christmas. 444 00:22:55,440 --> 00:23:01,240 Speaker 1: Oh yeah, are you ready? A ready? All right? Jingle 445 00:23:01,320 --> 00:23:06,159 Speaker 1: bell jingle Bell lingle belt rock. I love it. Jingle 446 00:23:06,280 --> 00:23:11,400 Speaker 1: bell jingle bell jingle belt rock, jingle bell jingle belt 447 00:23:11,600 --> 00:23:17,720 Speaker 1: jingle belt rock with Yeah, there you go. That is 448 00:23:17,880 --> 00:23:20,479 Speaker 1: Christopher Kringles. And then he will tell you on Christmas 449 00:23:20,560 --> 00:23:22,480 Speaker 1: who just sent this message. I'm not allowed to tell you. 450 00:23:23,359 --> 00:23:27,240 Speaker 1: So Merry Christmas. Thank you so much, You're welcome. Happy holiday. 451 00:23:28,880 --> 00:23:30,800 Speaker 1: A couple of questions. One, how did you get a guitar? 452 00:23:31,400 --> 00:23:34,040 Speaker 1: There's one in the room. A couple of doors down 453 00:23:34,080 --> 00:23:36,760 Speaker 1: there was some guitar sitting on a stand, so I 454 00:23:36,840 --> 00:23:43,240 Speaker 1: grabbed one two, they're told on Christmas Day, Yeah, I 455 00:23:43,359 --> 00:23:45,560 Speaker 1: just find them. No, I'm not really gonna find him. 456 00:23:45,600 --> 00:23:47,600 Speaker 1: I'm just he's gonna on Christmas Day, he's gonna be like, man, 457 00:23:47,880 --> 00:23:49,560 Speaker 1: who got that for me? Who got that for me? 458 00:23:49,760 --> 00:23:52,880 Speaker 1: So all Christy, he's gonna be thinking, man who got 459 00:23:52,960 --> 00:23:56,879 Speaker 1: this for me? He's never gonna find out. Okay, but 460 00:23:57,119 --> 00:23:59,040 Speaker 1: they didn't think about it again. Did you hear the 461 00:23:59,160 --> 00:24:02,240 Speaker 1: standing ovation? I mean that was incredible. The whole coffee 462 00:24:02,280 --> 00:24:06,160 Speaker 1: shop cheered for me. That was incredible. I'll agree, Amy 463 00:24:06,200 --> 00:24:09,280 Speaker 1: was that incredible? I mean it was amazing, epic. That 464 00:24:09,400 --> 00:24:24,960 Speaker 1: was amazing. Yes, okay, Lunchbox, thank you show. Here's a 465 00:24:25,000 --> 00:24:28,320 Speaker 1: voicemail we got last night. Hey, this message is for Lunchbox. 466 00:24:28,480 --> 00:24:30,639 Speaker 1: We were watching Once upon a Time, which is on 467 00:24:30,840 --> 00:24:34,439 Speaker 1: Disney Plus, and I happen to think that the Prince 468 00:24:34,640 --> 00:24:37,440 Speaker 1: looks like Lunchbox. I just wanted to encourage him to 469 00:24:37,520 --> 00:24:40,280 Speaker 1: say he still has a shot at Hollywood. Go watch 470 00:24:40,440 --> 00:24:43,600 Speaker 1: Once Upon a Time on Disney Plus and see if 471 00:24:43,640 --> 00:24:46,760 Speaker 1: I'm right, Mikey, could you pull up the Prince? Oh, 472 00:24:48,640 --> 00:24:53,560 Speaker 1: I mean it doesn't look like him. She's blind, he 473 00:24:53,640 --> 00:24:58,920 Speaker 1: has brown hair. It's a white guy show. Show, Eddie. 474 00:24:59,320 --> 00:25:02,040 Speaker 1: He still look he's still trying to figure out how 475 00:25:02,040 --> 00:25:07,880 Speaker 1: to spell upon. Oh my gosh, you see him hair 476 00:25:07,960 --> 00:25:09,800 Speaker 1: show Look, Mikey, he has it up. You want to 477 00:25:09,800 --> 00:25:15,119 Speaker 1: see it there? That guy doesn't look no chance. I 478 00:25:15,200 --> 00:25:17,000 Speaker 1: have no idea if he looks like me? I guess 479 00:25:17,720 --> 00:25:20,560 Speaker 1: is he what? Is he handsome? I'm not gonna is 480 00:25:20,600 --> 00:25:23,040 Speaker 1: he clean cut? You can't say safely say that he 481 00:25:23,119 --> 00:25:24,879 Speaker 1: does not look like lunch. Yes, he's a handsome guy, 482 00:25:24,920 --> 00:25:26,280 Speaker 1: but I don't think him being handsome or not has 483 00:25:26,280 --> 00:25:28,520 Speaker 1: anything to do with lunch. I want more like not handsome, 484 00:25:28,600 --> 00:25:30,879 Speaker 1: like good look. I meant like clean cut, buttoned up 485 00:25:30,880 --> 00:25:37,840 Speaker 1: because lunch box is Harry and but thank you. Pretty good. 486 00:25:38,040 --> 00:25:41,320 Speaker 1: Guy's name is that David Nolan? Look at that guy? Um, 487 00:25:42,200 --> 00:25:44,560 Speaker 1: you still have your Hollywood dreams? Still got him? And 488 00:25:45,320 --> 00:25:48,600 Speaker 1: did you win your award? Um? Did they have the 489 00:25:48,680 --> 00:25:52,159 Speaker 1: awards ceremony? The awards ceremonies are this week. They are 490 00:25:52,320 --> 00:25:56,400 Speaker 1: to see if you won the Tella Emmy Tella Emmy. Okay, 491 00:25:56,920 --> 00:26:00,520 Speaker 1: can we support you somehow? No, you can't vote. Donate 492 00:26:00,560 --> 00:26:03,160 Speaker 1: to the teacher. You could really be have some corruption there. 493 00:26:03,160 --> 00:26:05,680 Speaker 1: At twenty bucks, it probably win an Award. Oh would you? 494 00:26:05,800 --> 00:26:10,120 Speaker 1: Would you be willing to do that for me? You're 495 00:26:10,160 --> 00:26:13,159 Speaker 1: Amy's pile of stories. So yesterday and the pile I 496 00:26:13,240 --> 00:26:16,600 Speaker 1: shared with you taste of Country's top five country Christmas 497 00:26:16,640 --> 00:26:18,800 Speaker 1: songs and y'all didn't like any of them. It's not true. 498 00:26:19,320 --> 00:26:21,600 Speaker 1: Well it's not true. Willie Nelson's Pretty Paper is a 499 00:26:21,640 --> 00:26:24,240 Speaker 1: good one. I just said, it's not indicative of anyone 500 00:26:24,359 --> 00:26:26,800 Speaker 1: under two hundred years old. Yeah, we said, like, maybe 501 00:26:26,800 --> 00:26:31,680 Speaker 1: an old person like that, like Martha Washington love that list. Yes, yes, yes, 502 00:26:31,880 --> 00:26:34,159 Speaker 1: I hope she heard it. Well, I have some modern 503 00:26:34,240 --> 00:26:36,480 Speaker 1: ones that I'm gonna go over with you. And this 504 00:26:36,680 --> 00:26:39,240 Speaker 1: is from Country Living. Oh, it's more of my style, 505 00:26:39,240 --> 00:26:41,879 Speaker 1: a lot younger, Yes is it? Though I don't know 506 00:26:42,960 --> 00:26:44,920 Speaker 1: these are all from the last five years. It probably 507 00:26:44,960 --> 00:26:46,680 Speaker 1: heard me do the segment. They're like, okay, ah, you 508 00:26:46,680 --> 00:26:48,800 Speaker 1: go ahead. And at number five, Christmas in the Country 509 00:26:48,840 --> 00:26:55,920 Speaker 1: by Thomas Brett Theuntries in the World. I don't like 510 00:26:56,680 --> 00:26:59,359 Speaker 1: for the most part, new Christmas songs. Oh. I do 511 00:26:59,720 --> 00:27:03,280 Speaker 1: like new takes on traditionals. The only person I want 512 00:27:03,320 --> 00:27:06,440 Speaker 1: to hear do a new Christmas song two Brett Eldridge 513 00:27:06,480 --> 00:27:11,000 Speaker 1: and Casey Musgrave's Yeah, otherwise zip it just sing classic 514 00:27:11,080 --> 00:27:13,360 Speaker 1: ones in a new fun way. Oh well, I got 515 00:27:13,480 --> 00:27:15,880 Speaker 1: something you're definitely gonna love. The next one is Casey 516 00:27:16,000 --> 00:27:18,440 Speaker 1: Musgrave's singing a classic. Okay, let's go. I want to 517 00:27:18,480 --> 00:27:23,920 Speaker 1: hit up the bottoms for Christmas. For Christmas, I love it. 518 00:27:24,920 --> 00:27:27,800 Speaker 1: And when Breton Casey do old songs even better, this 519 00:27:27,960 --> 00:27:30,920 Speaker 1: is a good one. Yeah. Next Carrie Underwood and John 520 00:27:31,000 --> 00:27:43,680 Speaker 1: Legend hallelujahel that's good. I like Hallelujah though by Jeff 521 00:27:43,720 --> 00:27:46,280 Speaker 1: Buckley not a Christmas song, right, which is not a 522 00:27:46,359 --> 00:27:48,080 Speaker 1: Christmas song. But when I said Hallelujah though, they were 523 00:27:48,119 --> 00:27:51,439 Speaker 1: covering the very famous Jeff Buckley song, I'll cover as 524 00:27:51,440 --> 00:27:56,359 Speaker 1: well too. Let me you know the real one. Yeah, Hallelujah. 525 00:27:56,840 --> 00:28:00,520 Speaker 1: The guy with dreads from American Idol singing never, Okay, 526 00:28:00,600 --> 00:28:04,960 Speaker 1: what are you talking about, Jason Castro? Is that in 527 00:28:05,040 --> 00:28:11,320 Speaker 1: the day Halla Hall? Yeah? I now see how Eddie 528 00:28:11,320 --> 00:28:15,080 Speaker 1: struggles to harmon or sing with me when I sing 529 00:28:15,200 --> 00:28:17,800 Speaker 1: so bad, you're struggling with me. Yeah, I'm trying to hit. 530 00:28:17,840 --> 00:28:19,399 Speaker 1: I'm trying to miss hitting right on there with you, 531 00:28:19,640 --> 00:28:23,080 Speaker 1: I think. Okay, go ahead in it too. Brett Aldridge 532 00:28:23,280 --> 00:28:27,800 Speaker 1: also known as Mister Christmas Glow the Angels as the 533 00:28:29,440 --> 00:28:32,720 Speaker 1: Good in the Life of My Christmas Street, he writes 534 00:28:32,760 --> 00:28:34,400 Speaker 1: this or is this an old song? Yeah? I think 535 00:28:34,520 --> 00:28:38,200 Speaker 1: him and um, I don't know, some gross coopperman. Yeah, 536 00:28:38,360 --> 00:28:40,360 Speaker 1: I heard so much. Now I'm confused if it's a 537 00:28:40,400 --> 00:28:43,320 Speaker 1: traditional one or not. Okay, what else? And a number one? 538 00:28:43,440 --> 00:28:49,080 Speaker 1: Dan and Shay take me home for Christmas? Chris, you 539 00:28:49,160 --> 00:28:50,719 Speaker 1: know what I were trying my statements. I like Dan 540 00:28:50,800 --> 00:28:52,520 Speaker 1: and Shay's new stuff. Put him on the list. Yeah, 541 00:28:52,640 --> 00:29:03,200 Speaker 1: let them make new ones too. Yeah, that's a good one. Yeah, good, Yeah, Okay, 542 00:29:03,440 --> 00:29:05,760 Speaker 1: you know what country living. Heck of a job making 543 00:29:05,800 --> 00:29:08,720 Speaker 1: a list that as the kids like, all right, what 544 00:29:08,800 --> 00:29:11,440 Speaker 1: else you get? Okay? Have you ever gotten into a 545 00:29:11,640 --> 00:29:15,920 Speaker 1: car argument? Yeah? Of course, yeah with Caitlin. Is that 546 00:29:15,960 --> 00:29:17,920 Speaker 1: who you get? And I've argue with people in the 547 00:29:17,960 --> 00:29:20,360 Speaker 1: car before. Yeah, well, so I have the top things 548 00:29:20,400 --> 00:29:22,520 Speaker 1: that we argue about in a car. One of them Eddie, 549 00:29:22,560 --> 00:29:24,280 Speaker 1: why are you late? We're trying to fly home after 550 00:29:24,320 --> 00:29:26,680 Speaker 1: this raging idiot? We have that one. Yes, it's it's 551 00:29:26,920 --> 00:29:29,000 Speaker 1: we have to go to the airport that's been there before. Okay, 552 00:29:29,160 --> 00:29:31,040 Speaker 1: that doesn't make the list. I'm sure people being late 553 00:29:31,160 --> 00:29:34,240 Speaker 1: is annoying, but it's whose directions to follow, Like one 554 00:29:34,320 --> 00:29:36,840 Speaker 1: person may know the best way to go. Bad driving 555 00:29:36,920 --> 00:29:40,719 Speaker 1: habits like speeding or um tailgating when you drive too 556 00:29:40,760 --> 00:29:43,640 Speaker 1: close that one meant hate that one messing with the 557 00:29:43,720 --> 00:29:46,360 Speaker 1: heat or the act. That's my kids. They fight over that. 558 00:29:46,560 --> 00:29:50,160 Speaker 1: Getting lost and back seat driving. Okay, here are are 559 00:29:50,240 --> 00:29:53,360 Speaker 1: two each of us. Have one me. I won't be 560 00:29:53,440 --> 00:29:54,880 Speaker 1: on my phone unless I'm at a red light, and 561 00:29:54,880 --> 00:29:56,040 Speaker 1: then I will be on. I'll look at my phone 562 00:29:56,040 --> 00:29:57,400 Speaker 1: because i gotta catch them on Twitter real quick. You 563 00:29:57,400 --> 00:30:00,200 Speaker 1: never know what's gonna happen, so I'll read, you know, 564 00:30:00,280 --> 00:30:03,000 Speaker 1: refresh it. And she'll be like, the lights green, let's go, 565 00:30:03,800 --> 00:30:06,440 Speaker 1: So I'll miss the light turning green. Sometimes. But for her, 566 00:30:06,600 --> 00:30:08,640 Speaker 1: she's a little more aggressive of the driver than I am, 567 00:30:09,040 --> 00:30:11,959 Speaker 1: and I'm always like no, no, She's like, relax, am 568 00:30:12,000 --> 00:30:15,280 Speaker 1: I gonna hit any But she's probably normal. You just 569 00:30:15,520 --> 00:30:20,560 Speaker 1: drive very Grandma. Very Grandma is like very like extremely Hey, 570 00:30:20,600 --> 00:30:23,640 Speaker 1: Merry Christmas. Okay, here we are having a fun segment. 571 00:30:24,320 --> 00:30:27,480 Speaker 1: Go ahead. I'm a gasper that annoys people when I'm driving. 572 00:30:28,280 --> 00:30:31,000 Speaker 1: I go and it freaks everybody out and we do 573 00:30:31,120 --> 00:30:33,240 Speaker 1: that while you're driving too. As we watch you drive, 574 00:30:34,640 --> 00:30:39,720 Speaker 1: did you are not the best driver? Okay that's relative. Hey, 575 00:30:39,720 --> 00:30:43,040 Speaker 1: go ahead, opinion. Um, so we're gonna start feeling tired 576 00:30:43,080 --> 00:30:45,360 Speaker 1: today at one oh four pm. Just to heads up 577 00:30:45,440 --> 00:30:47,760 Speaker 1: so quickly. Some things that will give you a boost, 578 00:30:48,120 --> 00:30:51,920 Speaker 1: chit chatting with a coworker. We see what we see, 579 00:30:51,920 --> 00:30:54,040 Speaker 1: what happens there, we're already doing that. Get up and 580 00:30:54,120 --> 00:30:56,600 Speaker 1: walk around just for a few minutes, get a change 581 00:30:56,640 --> 00:30:59,320 Speaker 1: of scenery somehow, leave your desk to get a little 582 00:30:59,360 --> 00:31:02,320 Speaker 1: snack or maybe some coffee. Don't drink too much though, 583 00:31:02,600 --> 00:31:05,480 Speaker 1: and then you know, stick to your routine, like maybe 584 00:31:05,560 --> 00:31:07,480 Speaker 1: create a routine throughout the week so that you have 585 00:31:07,640 --> 00:31:09,560 Speaker 1: that so you know at one or four pm that's 586 00:31:09,560 --> 00:31:10,920 Speaker 1: when you're going to be the most tired. I did 587 00:31:10,960 --> 00:31:13,800 Speaker 1: see a story too about people to take naps almost daily, 588 00:31:13,880 --> 00:31:17,240 Speaker 1: Live longer one. You have to find the time to 589 00:31:17,320 --> 00:31:22,360 Speaker 1: fit in take naps, live longer. Yeah, okay, well I 590 00:31:22,480 --> 00:31:26,120 Speaker 1: maybe that's my pile. That was Amy's pile of story 591 00:31:27,480 --> 00:31:36,000 Speaker 1: dates from Bobby and it's time for the good News lunchbox. Good. 592 00:31:38,240 --> 00:31:41,640 Speaker 1: Andrew mcclindon was the CEO of a company he retired, 593 00:31:41,760 --> 00:31:43,360 Speaker 1: he was just sitting around. He's like, I need to 594 00:31:43,440 --> 00:31:46,440 Speaker 1: do something my time. I want to start a nonprofit. 595 00:31:46,600 --> 00:31:48,720 Speaker 1: And he's like what do I do? Though? And his 596 00:31:48,880 --> 00:31:52,160 Speaker 1: friend had a kid with special needs that needed a bicycle, 597 00:31:52,440 --> 00:31:54,440 Speaker 1: and he went out and bought one for eight hundred dollars. 598 00:31:54,480 --> 00:31:57,360 Speaker 1: He's like, that's too expensive. So he started a family 599 00:31:57,840 --> 00:32:00,760 Speaker 1: foundation where they get donations and now they buy bikes 600 00:32:00,760 --> 00:32:03,360 Speaker 1: for kids with special needs. And they just donated their 601 00:32:03,400 --> 00:32:06,560 Speaker 1: four hundred and thirtieth bike. Wow. I thought you're gonna 602 00:32:06,560 --> 00:32:08,920 Speaker 1: say their tenth bike. There's lots h no, but these 603 00:32:08,960 --> 00:32:11,640 Speaker 1: bikes are like eight hundred thousand dollars that families can't afford, 604 00:32:12,000 --> 00:32:14,600 Speaker 1: and so he raises the money, goes out and gets them. 605 00:32:14,640 --> 00:32:17,160 Speaker 1: I think he meant eight hundred two one thousand dollars. 606 00:32:17,280 --> 00:32:19,240 Speaker 1: I was gonna say eight hundred thousand bike. That's basically 607 00:32:22,240 --> 00:32:26,840 Speaker 1: that's a fancy bike. That's a that's a twenty four 608 00:32:26,920 --> 00:32:31,000 Speaker 1: carried gold bike. Yes, all right, nice job by the family. Dang, 609 00:32:31,800 --> 00:32:33,440 Speaker 1: I'd like to have one of those eight hundred thousand 610 00:32:34,080 --> 00:32:37,120 Speaker 1: any of those laying around. Nice story. That's what it's 611 00:32:37,160 --> 00:32:42,400 Speaker 1: all about. That was tell me something good, all right, 612 00:32:42,480 --> 00:32:49,000 Speaker 1: let's go over and get Amy's Morning Corny, Morning Corny, 613 00:32:49,400 --> 00:32:51,080 Speaker 1: What do you call an elf on the shelf who 614 00:32:51,160 --> 00:32:53,960 Speaker 1: just won the lottery? What do you call an elf 615 00:32:54,040 --> 00:32:57,040 Speaker 1: on the shelf who just won the lottery? Wealthy? Wealthy? 616 00:33:00,480 --> 00:33:05,880 Speaker 1: That was the Morning Corny. But we had all saga 617 00:33:05,960 --> 00:33:09,640 Speaker 1: on this show where Abby, our phone screener, was talking 618 00:33:09,840 --> 00:33:14,200 Speaker 1: back and forth through text with the firefighter and I 619 00:33:14,320 --> 00:33:16,120 Speaker 1: encourage you to go back to the podcast and hear this. 620 00:33:16,280 --> 00:33:19,120 Speaker 1: But at first it was an accidental text. Oh, I 621 00:33:19,160 --> 00:33:22,760 Speaker 1: accidentally texted you, And then we're like, Abby, that seems suspicious, 622 00:33:23,040 --> 00:33:26,480 Speaker 1: and then we got the person on FaceTime because we 623 00:33:26,560 --> 00:33:29,640 Speaker 1: thought it might be a catfish. It wasn't. Now, Abby, 624 00:33:29,880 --> 00:33:33,360 Speaker 1: when this saga kind of ended, did you feel betrayed? 625 00:33:33,440 --> 00:33:35,520 Speaker 1: Did you feel lied to by this person? I mean 626 00:33:36,200 --> 00:33:38,400 Speaker 1: I still don't feel like I have the answers, but 627 00:33:39,160 --> 00:33:40,880 Speaker 1: I was just like, I don't think it's worth like 628 00:33:41,080 --> 00:33:44,120 Speaker 1: pursuing or anything. So so you're not talking to this 629 00:33:44,200 --> 00:33:48,680 Speaker 1: firefighter at all? Well, he does text me on holidays, 630 00:33:49,000 --> 00:33:52,400 Speaker 1: he does, like Thanksgiving, he did, and then he did recently. 631 00:33:52,560 --> 00:33:55,640 Speaker 1: So do you think that he knew you from the 632 00:33:55,760 --> 00:33:58,120 Speaker 1: radio show somehow found your number online? And just started 633 00:33:58,200 --> 00:34:00,760 Speaker 1: texting you. I still don't know, Abby. I really you 634 00:34:00,800 --> 00:34:02,360 Speaker 1: could say yes or no if you had to pick 635 00:34:02,600 --> 00:34:05,479 Speaker 1: gun to your head. No, I don't think he did. Okay, lunchbox, 636 00:34:05,520 --> 00:34:07,000 Speaker 1: how do you feel about this? In your heart? Gun 637 00:34:07,040 --> 00:34:09,320 Speaker 1: to your head? He wouldn't got her phone umber on 638 00:34:09,360 --> 00:34:13,400 Speaker 1: the internet. Absolutely, absolutely he did. He did his research 639 00:34:13,600 --> 00:34:15,880 Speaker 1: and found it and texted her. Yeah. No, one hundred 640 00:34:15,920 --> 00:34:17,880 Speaker 1: percent that this guy wanted to make it seem like 641 00:34:17,920 --> 00:34:19,520 Speaker 1: it was an accident, but he looked it up and 642 00:34:19,560 --> 00:34:24,120 Speaker 1: found her number. Well he has um. According to a 643 00:34:24,239 --> 00:34:28,799 Speaker 1: snitch on the show, has he sent you gifts? He did? 644 00:34:28,880 --> 00:34:32,239 Speaker 1: He sent me Christmas gifts? Yeah, he jected me and 645 00:34:32,440 --> 00:34:35,239 Speaker 1: was like, be looking in the mail because I sent 646 00:34:35,320 --> 00:34:38,880 Speaker 1: you some gifts. He heard he sent them to the studio. 647 00:34:39,120 --> 00:34:41,680 Speaker 1: Yeah he did. He did ask for my home address 648 00:34:41,800 --> 00:34:46,880 Speaker 1: and I said no, so oh I see here? Okay 649 00:34:47,360 --> 00:34:52,719 Speaker 1: actually probably yeah, let's act like he does. Okay, what 650 00:34:52,840 --> 00:34:54,520 Speaker 1: did he send you in the mail? Oh? You want 651 00:34:54,560 --> 00:34:57,000 Speaker 1: to see? Oh, it's it's kind of funny. Oh teddy 652 00:34:58,480 --> 00:35:03,080 Speaker 1: what teddy bar? What is that? The first one is 653 00:35:03,080 --> 00:35:07,680 Speaker 1: a calendar. It's a firefighter calendar twenty twenty two, and 654 00:35:08,239 --> 00:35:10,480 Speaker 1: is the one he's in. No, No, he's not in 655 00:35:10,560 --> 00:35:12,279 Speaker 1: this one. So he sent you a bunch of other 656 00:35:12,400 --> 00:35:15,920 Speaker 1: dudes on a calendar. Yeah. I just kind of like, tis, yeah, 657 00:35:15,960 --> 00:35:19,040 Speaker 1: he's not on this No, okay, go ahead, what else? 658 00:35:19,280 --> 00:35:22,520 Speaker 1: And then a mug that says I put out fires 659 00:35:22,760 --> 00:35:28,040 Speaker 1: and there's a fire extinguisher on it. Okay, And then 660 00:35:28,120 --> 00:35:30,759 Speaker 1: there's just like a little firefighter ornament. But he gave 661 00:35:30,880 --> 00:35:34,879 Speaker 1: me two guitar lessons because he knows that I sing, 662 00:35:35,000 --> 00:35:37,320 Speaker 1: but I don't like really sing because I can't play guitar. 663 00:35:37,400 --> 00:35:38,760 Speaker 1: And so he was like, I want you to follow 664 00:35:38,840 --> 00:35:47,600 Speaker 1: your dreams, Fallen. Is it nice or creepy? Creepy? She 665 00:35:47,640 --> 00:35:49,920 Speaker 1: would even respond to a text? Well, I thought I 666 00:35:49,960 --> 00:35:52,080 Speaker 1: said thank you to him. That's well. I didn't think 667 00:35:52,120 --> 00:35:57,800 Speaker 1: she had been responding, So you think I want to 668 00:35:57,960 --> 00:35:59,960 Speaker 1: I mean that was nice. It was a nice thought. 669 00:36:01,360 --> 00:36:02,839 Speaker 1: You need to go one way or the other. Either 670 00:36:02,920 --> 00:36:05,080 Speaker 1: embrace this and go let's get together and go out 671 00:36:05,120 --> 00:36:07,240 Speaker 1: and maybe we get married, or just ignore it completely. 672 00:36:07,560 --> 00:36:11,080 Speaker 1: But this whole middle of the road thing, You're right, 673 00:36:11,400 --> 00:36:14,719 Speaker 1: I don't think it's the healthiest. I agree, this could 674 00:36:14,719 --> 00:36:16,239 Speaker 1: be a great movie if you guys get together and 675 00:36:16,280 --> 00:36:18,960 Speaker 1: get married. This is wonderful. I don't think that's gonna work. 676 00:36:19,000 --> 00:36:21,200 Speaker 1: He's too far away, He's not even in Nashville. I 677 00:36:21,280 --> 00:36:26,279 Speaker 1: don't think there's a future internet, Like are you? I 678 00:36:26,360 --> 00:36:29,280 Speaker 1: mean not that distance thing abby, like, oh my goodness, 679 00:36:29,440 --> 00:36:34,720 Speaker 1: like as the percentage guys that it very slim. Okay, 680 00:36:34,840 --> 00:36:38,560 Speaker 1: but still what if he didn't look it up and 681 00:36:38,760 --> 00:36:43,160 Speaker 1: this was all by chance. See, I just don't believe it. 682 00:36:43,680 --> 00:36:45,839 Speaker 1: I don't. I don't believe it. If he came to town, though, 683 00:36:45,840 --> 00:36:47,279 Speaker 1: and he said, hey, I'm happy to be in town, 684 00:36:47,480 --> 00:36:53,959 Speaker 1: would you meet him? Yes, yeah, I would for the flight. 685 00:36:55,440 --> 00:37:08,000 Speaker 1: Oh no, okay. So if someone goes into a restaurant 686 00:37:08,080 --> 00:37:11,160 Speaker 1: and like doesn't look at the menu, it goes just 687 00:37:11,239 --> 00:37:13,080 Speaker 1: take whatever the chef recommends. Do you feel like it's 688 00:37:13,080 --> 00:37:18,960 Speaker 1: a baller move, Eddie lunchbox baller? Absolutely, baller move because 689 00:37:19,000 --> 00:37:22,719 Speaker 1: you're trust Somebody said, Okay, the chef is the guy 690 00:37:22,800 --> 00:37:26,120 Speaker 1: that created the restaurant, and so he knows what's best. 691 00:37:26,480 --> 00:37:28,880 Speaker 1: So you tell them, Hey, man, I trust the king 692 00:37:28,960 --> 00:37:32,359 Speaker 1: of the castle to bring another king what is good. 693 00:37:34,040 --> 00:37:39,120 Speaker 1: I don't think the chef created the restaurant though, maybe. 694 00:37:39,440 --> 00:37:41,880 Speaker 1: But here's why I bring this up, Amy tell him 695 00:37:41,880 --> 00:37:43,880 Speaker 1: your story. Okay, so my friend has gone on a 696 00:37:44,000 --> 00:37:47,960 Speaker 1: date with a guy three times, and all three times 697 00:37:48,600 --> 00:37:51,279 Speaker 1: for when it came time for him to order, he's like, 698 00:37:51,360 --> 00:37:55,920 Speaker 1: I'll just have whatever THEO And she can't figure out 699 00:37:56,120 --> 00:37:59,080 Speaker 1: if it's like she should be attracted to that and 700 00:37:59,200 --> 00:38:01,879 Speaker 1: it's a baller or it's totally lame because she does 701 00:38:02,040 --> 00:38:04,120 Speaker 1: like him. But it starts at the first time she's 702 00:38:04,160 --> 00:38:07,279 Speaker 1: like okay, the second time she's like interesting, third time 703 00:38:07,320 --> 00:38:09,520 Speaker 1: she's like, what the I really want to know bones 704 00:38:09,600 --> 00:38:13,400 Speaker 1: things about this? Are we sure he can read? I 705 00:38:13,480 --> 00:38:17,880 Speaker 1: mean that's like if you just can't read the menu, like, 706 00:38:17,920 --> 00:38:20,719 Speaker 1: I'll just have whatever the chef recommends the chef. The 707 00:38:20,800 --> 00:38:23,480 Speaker 1: weird thing is the chef may recommend something with onions. 708 00:38:23,520 --> 00:38:25,960 Speaker 1: I don't like onions or mayonnaise. I hate mayonnaise. So 709 00:38:26,320 --> 00:38:30,520 Speaker 1: I think he thinks it's cool, so he keeps doing it. So, yes, 710 00:38:30,880 --> 00:38:35,719 Speaker 1: I would put it in kind of that that that yeah, 711 00:38:35,800 --> 00:38:37,840 Speaker 1: that's kind of a duche movie. You have to think that. 712 00:38:38,200 --> 00:38:40,880 Speaker 1: I mean, yeah, that's what I thought. Third time, Like 713 00:38:41,080 --> 00:38:44,239 Speaker 1: one one time and then you see him actually read 714 00:38:44,280 --> 00:38:46,320 Speaker 1: them in you and order something for himself. But to 715 00:38:46,440 --> 00:38:49,440 Speaker 1: constantly be like whatever, the chef will bring out and 716 00:38:49,480 --> 00:38:52,759 Speaker 1: she said that all three times. I mean, if you 717 00:38:52,880 --> 00:38:55,399 Speaker 1: were the waiter, you would pick the most expensive thing. 718 00:38:55,600 --> 00:38:57,920 Speaker 1: And she's like, it's it's crazy because and then some 719 00:38:58,080 --> 00:39:00,000 Speaker 1: of it you don't. She said, she couldn't even tell 720 00:39:00,160 --> 00:39:02,160 Speaker 1: what it was. She's like, I felt bad for him. 721 00:39:02,200 --> 00:39:04,360 Speaker 1: She's like, I got the spaghetti and it was amazing. 722 00:39:06,120 --> 00:39:07,880 Speaker 1: Did he eat it like he liked it? Though? He's like, 723 00:39:07,920 --> 00:39:10,160 Speaker 1: oh man, this chef always recommends the best, and he's 724 00:39:10,160 --> 00:39:13,480 Speaker 1: like shoving it down his throat as he hates it. Yeah. 725 00:39:13,520 --> 00:39:16,839 Speaker 1: I mean, I don't know all the details of their date, 726 00:39:16,880 --> 00:39:19,200 Speaker 1: but she acted like he this must be his thing 727 00:39:19,280 --> 00:39:21,279 Speaker 1: and he likes to do it and he enjoys it. 728 00:39:21,480 --> 00:39:24,040 Speaker 1: But she just didn't know if he's trying to impress 729 00:39:24,120 --> 00:39:26,160 Speaker 1: her and if this is lame. I guess she can 730 00:39:26,239 --> 00:39:28,160 Speaker 1: just keep going out with him and see what continues 731 00:39:28,200 --> 00:39:29,719 Speaker 1: to happen. I don't know. I mean, if he goes 732 00:39:29,760 --> 00:39:31,439 Speaker 1: back at the end two and gives regards to the chef, 733 00:39:31,520 --> 00:39:35,400 Speaker 1: that gets really that's really weird. Yeah, didn't your dad 734 00:39:35,480 --> 00:39:36,960 Speaker 1: used to do that, go back and talk to the 735 00:39:37,040 --> 00:39:39,000 Speaker 1: chef and give his regards to them. Oh, he wouldn't 736 00:39:39,040 --> 00:39:40,920 Speaker 1: talk to anybody, know, he would just end up in 737 00:39:40,960 --> 00:39:44,200 Speaker 1: the kitchen. Oh yeah, no he I mean, of course, 738 00:39:44,280 --> 00:39:46,279 Speaker 1: if he came across the chef, he would thank them, 739 00:39:46,320 --> 00:39:48,239 Speaker 1: but not in like a snooty way whatsoever. He was 740 00:39:48,280 --> 00:39:50,440 Speaker 1: just more he loved food, He loved restaurants, and he 741 00:39:50,480 --> 00:39:53,040 Speaker 1: wanted to go see how the restaurant was doing it. 742 00:39:53,120 --> 00:39:55,440 Speaker 1: And he would just go make himself at home. That's 743 00:39:55,480 --> 00:40:00,520 Speaker 1: a boss's ball, or does that lunchbox? This is the bit. 744 00:40:00,680 --> 00:40:02,319 Speaker 1: I'll buy you a gift, I'll buy you a gift card. 745 00:40:02,400 --> 00:40:04,120 Speaker 1: I'll pay for your dinner at some point. Yes, but 746 00:40:04,239 --> 00:40:05,680 Speaker 1: after the dinner, you got to go back into the 747 00:40:05,760 --> 00:40:08,880 Speaker 1: kitchen and talk to the chef and just give your regards. Okay, 748 00:40:09,080 --> 00:40:11,200 Speaker 1: but bones should he do this like an Applebe's where 749 00:40:11,239 --> 00:40:15,279 Speaker 1: there's not really a chef. Oh for sure, he wants 750 00:40:15,280 --> 00:40:19,440 Speaker 1: to talk to his chef. I want to No, no, no, no, 751 00:40:19,960 --> 00:40:21,440 Speaker 1: they probably get it there. Yes, you have to go 752 00:40:21,480 --> 00:40:22,680 Speaker 1: to like a Chili's and be like, I like to 753 00:40:22,680 --> 00:40:24,680 Speaker 1: talk to my chef please, and then just give him 754 00:40:24,719 --> 00:40:28,759 Speaker 1: full regards and ask him and then ask him about 755 00:40:28,800 --> 00:40:32,600 Speaker 1: how he cooks certain things. Yes, the whole thing start. 756 00:40:32,640 --> 00:40:36,120 Speaker 1: It should start with when the waiter comes, lunchbox says, 757 00:40:36,400 --> 00:40:40,480 Speaker 1: I'll have with the chef recompence, yes, yes, and then 758 00:40:40,719 --> 00:40:44,400 Speaker 1: I'll pay for a lunchbox. Yes, okay, okay, I'll do it. 759 00:40:44,440 --> 00:40:47,080 Speaker 1: I love him. We brainstorm a bit here on the air. 760 00:40:47,239 --> 00:40:49,920 Speaker 1: Yeah yeah, all right, thank you Amy. It's time for 761 00:40:50,040 --> 00:40:58,359 Speaker 1: the good news. Big red vending machines have been set 762 00:40:58,440 --> 00:41:00,600 Speaker 1: up at locations from Arizona all the way to New 763 00:41:00,680 --> 00:41:02,879 Speaker 1: York to make it easier for people to give back. 764 00:41:03,560 --> 00:41:07,719 Speaker 1: For the fourth year hashtag Light the World, giving machines 765 00:41:08,480 --> 00:41:11,480 Speaker 1: are being put in well traveled areas in cities countrywide. 766 00:41:11,880 --> 00:41:15,160 Speaker 1: The vending machines offer users the ability to support charities 767 00:41:15,160 --> 00:41:19,280 Speaker 1: by letting them purchase items like food, clean water, healthcare services, shelter, betting, skills, training, 768 00:41:19,640 --> 00:41:22,960 Speaker 1: educational supplies, all starting at two dollars. You can literally 769 00:41:23,040 --> 00:41:26,839 Speaker 1: go up, swipe it and donate two bucks, or put 770 00:41:26,880 --> 00:41:29,319 Speaker 1: the money in the machine as well, and you'd push 771 00:41:29,360 --> 00:41:31,440 Speaker 1: it like you'd if you want to Fanta or a 772 00:41:31,480 --> 00:41:34,600 Speaker 1: mountain dew. You push it and it goes to that. 773 00:41:35,600 --> 00:41:37,560 Speaker 1: They have put again, They've put these all across the country. 774 00:41:37,560 --> 00:41:40,719 Speaker 1: They've raised over nine million dollars for local and global charities. Yeah, 775 00:41:40,960 --> 00:41:43,560 Speaker 1: the LDS Church then covers all the costs of the machines, 776 00:41:43,880 --> 00:41:45,759 Speaker 1: so one hundred percent of the donations goes to the 777 00:41:45,880 --> 00:41:48,839 Speaker 1: chosen charities. Pretty cool, huh, that's really good. They've got 778 00:41:48,920 --> 00:41:53,480 Speaker 1: one in Denver, Kansas City, Vegas, Nashville, New York. I 779 00:41:53,520 --> 00:41:56,080 Speaker 1: mean areas with a lot of people. They put these 780 00:41:56,160 --> 00:41:58,680 Speaker 1: up and they hope to expand. To me, it reminds 781 00:41:58,680 --> 00:42:00,160 Speaker 1: me of an airport machine. You know how they have 782 00:42:00,200 --> 00:42:02,080 Speaker 1: like headphones and who buys piphon do or headphones in 783 00:42:02,120 --> 00:42:04,359 Speaker 1: an airpop? I don't know which. Is the craziest thing 784 00:42:04,800 --> 00:42:05,880 Speaker 1: is like going through you would you like to buy 785 00:42:05,880 --> 00:42:07,759 Speaker 1: a big screen TV? And you push it and it 786 00:42:07,880 --> 00:42:10,120 Speaker 1: falls down? Yeah, I've thought of that, and I think 787 00:42:10,160 --> 00:42:12,600 Speaker 1: maybe people are on their way to see someone and 788 00:42:12,680 --> 00:42:14,480 Speaker 1: they're there. It's like a gift they were going to 789 00:42:14,560 --> 00:42:16,440 Speaker 1: get them maybe or they've had their eye on it 790 00:42:16,520 --> 00:42:18,759 Speaker 1: for a while and finally they're like, oh, well, this 791 00:42:18,920 --> 00:42:20,719 Speaker 1: musn't mean I shouldn't get them, because yeah, you get 792 00:42:20,760 --> 00:42:23,560 Speaker 1: them a hat that says Phoenix. You know. Yeah, I 793 00:42:23,560 --> 00:42:26,600 Speaker 1: don't know who Apple TV from the airport. It is weird. 794 00:42:27,040 --> 00:42:29,440 Speaker 1: That's a great story. That's what it's all about that 795 00:42:29,840 --> 00:42:33,640 Speaker 1: was tell me something good. I tried it last night 796 00:42:33,840 --> 00:42:37,600 Speaker 1: was the calm map. Never used it before, but I 797 00:42:37,719 --> 00:42:40,359 Speaker 1: went to a sleep doctor. I can get to that later, 798 00:42:40,360 --> 00:42:42,000 Speaker 1: but it's like I should try the calm map. So 799 00:42:42,040 --> 00:42:44,360 Speaker 1: it took a calm map. And I don't put headphones 800 00:42:44,400 --> 00:42:46,080 Speaker 1: in because I'm afraid if I fall asleep with headphones 801 00:42:46,120 --> 00:42:48,239 Speaker 1: in that won't be good, or it'll be playing in 802 00:42:48,320 --> 00:42:50,520 Speaker 1: my alarm won't go off. So I put up aside 803 00:42:50,520 --> 00:42:51,840 Speaker 1: my bed and I turned the volume up on my 804 00:42:51,880 --> 00:42:53,880 Speaker 1: phone and Kaitlin's down. She's like, I'll listen to it too. 805 00:42:54,719 --> 00:42:56,759 Speaker 1: And one of the options was Matthew McConaughey and reading 806 00:42:56,800 --> 00:42:59,360 Speaker 1: a story. Oh cool. And I started it with Matthew 807 00:42:59,440 --> 00:43:02,520 Speaker 1: McConaughy and like, I'm about to tell you a story. 808 00:43:04,080 --> 00:43:05,560 Speaker 1: So first of all, I wants you to take a 809 00:43:05,640 --> 00:43:07,560 Speaker 1: deep breath. It just felt like how to lose a 810 00:43:07,600 --> 00:43:09,000 Speaker 1: guy in ten days was right next to me in 811 00:43:09,040 --> 00:43:12,800 Speaker 1: the bed, and I couldn't take it. Seriously, Yeah, you 812 00:43:13,360 --> 00:43:17,200 Speaker 1: weren't getting calm, No, I wasn't. All right. First thing 813 00:43:17,239 --> 00:43:22,040 Speaker 1: we're gonna do, We're gonna take three breaths to your nose, 814 00:43:22,640 --> 00:43:25,600 Speaker 1: all right, all right, and I do it. I just thought, 815 00:43:25,600 --> 00:43:27,080 Speaker 1: I'm like, I can't. I can't. So we flipped it 816 00:43:27,160 --> 00:43:29,280 Speaker 1: over and we listened to some British guy talk about 817 00:43:29,719 --> 00:43:32,680 Speaker 1: the Nile River or something, and I fell asleep but 818 00:43:32,760 --> 00:43:37,120 Speaker 1: no sounds. I think I was just tired, but I did. 819 00:43:37,200 --> 00:43:39,920 Speaker 1: I called. I had an appointment with a sleep doctor 820 00:43:40,440 --> 00:43:44,040 Speaker 1: because every night, right right on schedule, I wake up 821 00:43:44,040 --> 00:43:47,960 Speaker 1: about four hours into my sleep. I'm not taking anything anymore. 822 00:43:48,320 --> 00:43:52,480 Speaker 1: I don't take I take nothing, to know, melotonin, nothing, 823 00:43:52,960 --> 00:43:54,600 Speaker 1: because I'm trying to figure out what the problem is. 824 00:43:55,120 --> 00:43:57,399 Speaker 1: And so like clockwork, if I fall asleep at eight, 825 00:43:57,480 --> 00:44:00,279 Speaker 1: I wake up at midnight at ten, I wake up 826 00:44:00,360 --> 00:44:02,680 Speaker 1: two and then I wake up and I'm up. So 827 00:44:02,840 --> 00:44:04,799 Speaker 1: I'm talking to the sleep doctor, which took me four 828 00:44:04,880 --> 00:44:07,680 Speaker 1: months to get into because I guess they're backed up 829 00:44:07,760 --> 00:44:10,320 Speaker 1: like a lot of doctor's offices are, and so I 830 00:44:10,400 --> 00:44:12,719 Speaker 1: had to do it virtually because I was not in 831 00:44:12,800 --> 00:44:15,680 Speaker 1: the States. And he's like, okay, well, let's talk about this. 832 00:44:15,880 --> 00:44:18,920 Speaker 1: I tell him a situation and he says, okay, are 833 00:44:18,960 --> 00:44:20,759 Speaker 1: you watching TV when you fall asleep? I am not. 834 00:44:21,040 --> 00:44:22,640 Speaker 1: I haven't done it in three months. I've cut it. 835 00:44:23,040 --> 00:44:26,080 Speaker 1: I've really tried to cleanse myself up every factor outside 836 00:44:26,120 --> 00:44:29,520 Speaker 1: of just my brain, so I can go this is 837 00:44:29,560 --> 00:44:31,759 Speaker 1: the root of the problem. I said, I am not. 838 00:44:31,880 --> 00:44:33,759 Speaker 1: He says, do you take anything I do not? Like, 839 00:44:34,000 --> 00:44:37,320 Speaker 1: I'm good. I exercise, I eat pretty good. Like everything 840 00:44:37,400 --> 00:44:39,560 Speaker 1: that I'm doing should lead to a good night's I 841 00:44:39,560 --> 00:44:43,279 Speaker 1: have a great bed. It's like everything is right. He said, Okay, well, 842 00:44:43,920 --> 00:44:47,399 Speaker 1: let's talk about you know, your your stresses, your stressors. 843 00:44:47,680 --> 00:44:51,400 Speaker 1: We talk about that, and then he says, you know, 844 00:44:51,719 --> 00:44:54,160 Speaker 1: you should hop on this this call map because I 845 00:44:54,239 --> 00:44:55,640 Speaker 1: think until we get you in a room to do 846 00:44:55,680 --> 00:44:57,960 Speaker 1: a sleep study, this would be good for you. And 847 00:44:58,080 --> 00:45:01,080 Speaker 1: so I spend sixty nine ninety nine for a year. 848 00:45:01,920 --> 00:45:03,640 Speaker 1: So now I'm invested. I'm gonna to listen to thing 849 00:45:03,680 --> 00:45:06,040 Speaker 1: working out and just get my money's bars now. So 850 00:45:07,560 --> 00:45:10,560 Speaker 1: I was just talking to him about, you know, some 851 00:45:10,680 --> 00:45:12,920 Speaker 1: of the stuff that's happening in my life, which I 852 00:45:13,000 --> 00:45:14,640 Speaker 1: have a new therapist I'm going to today, like I'm 853 00:45:14,680 --> 00:45:16,759 Speaker 1: really trying to figure out the sleep thing. And so 854 00:45:17,719 --> 00:45:19,960 Speaker 1: did the call map. But I'd always heard from listeners 855 00:45:20,000 --> 00:45:22,080 Speaker 1: that these sleep studies can be done in your own 856 00:45:22,160 --> 00:45:24,279 Speaker 1: house now, and I was like, okay, that'd be fine. 857 00:45:24,320 --> 00:45:26,600 Speaker 1: I don't know what I'd do. I'd lay down, put 858 00:45:26,640 --> 00:45:28,560 Speaker 1: a mask on, wake up in the morning, mail the 859 00:45:28,640 --> 00:45:31,120 Speaker 1: mask back, give my results. Oh that's awesome. No, that's 860 00:45:31,160 --> 00:45:32,320 Speaker 1: not what's happened with me. They want me to go 861 00:45:32,360 --> 00:45:34,440 Speaker 1: to some Hilton by the airport and oh no, no, 862 00:45:34,600 --> 00:45:39,600 Speaker 1: and now sleep hotel. Yeah. I may have exaggerated that 863 00:45:39,680 --> 00:45:41,239 Speaker 1: part of That's what it felt like. It's for sure 864 00:45:41,239 --> 00:45:43,359 Speaker 1: a Hilton. He's like, you got to come to the Hilton, 865 00:45:43,400 --> 00:45:45,840 Speaker 1: but I think by a college or something and sleep. 866 00:45:45,920 --> 00:45:47,200 Speaker 1: And I'm like, I supposed to come to you and 867 00:45:47,280 --> 00:45:51,640 Speaker 1: sleep in a random room behind waffle house. It's fine. 868 00:45:52,080 --> 00:45:55,920 Speaker 1: And so I'm a little nervous about that part of it. Okay, 869 00:45:56,400 --> 00:45:58,279 Speaker 1: I don't know what I do when I sleep. I 870 00:45:58,320 --> 00:46:00,600 Speaker 1: mean probably my hands go on my pants. You know, 871 00:46:01,120 --> 00:46:05,719 Speaker 1: well ask Caitlin, I do there's my gap? I don't know. 872 00:46:05,800 --> 00:46:07,279 Speaker 1: I don't we know that you talk like a girl. 873 00:46:07,440 --> 00:46:10,920 Speaker 1: I talked in an effeminate way. Absolutely, But are they 874 00:46:10,960 --> 00:46:13,840 Speaker 1: gonna have all this on camera or is this I 875 00:46:13,880 --> 00:46:16,880 Speaker 1: would assume they video it for do they video or 876 00:46:16,880 --> 00:46:20,440 Speaker 1: do they like monitor your vitals? Research? What research are 877 00:46:20,440 --> 00:46:22,040 Speaker 1: you gonna do with that? With me? And and then 878 00:46:22,040 --> 00:46:25,320 Speaker 1: do I sleep with my underwear no shirt. I just 879 00:46:25,400 --> 00:46:26,919 Speaker 1: have a lot of questions about what's going to happen. 880 00:46:27,480 --> 00:46:29,120 Speaker 1: Are we sure this was a doctor I was talking 881 00:46:29,160 --> 00:46:32,960 Speaker 1: to on the other side of zoom man just but 882 00:46:33,120 --> 00:46:35,239 Speaker 1: that's what I'm doing. I'm going through that process. Because 883 00:46:35,280 --> 00:46:37,160 Speaker 1: of that, I downloaded the call map and I slept 884 00:46:37,160 --> 00:46:40,719 Speaker 1: with Matthew McConaughey last night. Well, I tried too. It 885 00:46:40,800 --> 00:46:43,440 Speaker 1: was not successful. But that's that's what's happening right now 886 00:46:43,480 --> 00:46:45,120 Speaker 1: in my life. I'm curious to see how it goes. 887 00:46:45,280 --> 00:46:47,600 Speaker 1: I mean, obviously you'll keep us posted, but I mean, 888 00:46:47,680 --> 00:46:49,040 Speaker 1: I don't know that I'm going to commit to go 889 00:46:49,120 --> 00:46:50,960 Speaker 1: into the Hilton though in the next couple of it 890 00:46:51,040 --> 00:46:53,399 Speaker 1: doesn't seem right. Christmas is coming up, but then it's 891 00:46:53,400 --> 00:46:55,160 Speaker 1: just like i'd order do it in my house. Yeah, 892 00:46:55,239 --> 00:46:56,799 Speaker 1: And if you can't sleep well at home, how are 893 00:46:56,800 --> 00:46:59,080 Speaker 1: you going to sleep well at Hilton? Exactly? How's that 894 00:46:59,120 --> 00:47:01,480 Speaker 1: going to work? Yeah? I was like, you would think 895 00:47:01,600 --> 00:47:04,200 Speaker 1: they've gotten to a point where maybe they can bring Obviously, 896 00:47:04,239 --> 00:47:06,840 Speaker 1: if they're monitoring you, they can bring someone to your house. 897 00:47:07,560 --> 00:47:09,879 Speaker 1: You know, not you mail it in, but they come 898 00:47:09,920 --> 00:47:12,239 Speaker 1: there and physically observe you. Well, that's also weird too. 899 00:47:14,040 --> 00:47:16,000 Speaker 1: They stand over the bed the whole time of the clipboard. 900 00:47:16,160 --> 00:47:18,240 Speaker 1: That's what it seems like, all right, he just pete 901 00:47:18,280 --> 00:47:21,640 Speaker 1: a little. Let's make a note of that. You don't 902 00:47:21,800 --> 00:47:23,600 Speaker 1: feel a little thing. I don't know what I do. 903 00:47:24,360 --> 00:47:26,040 Speaker 1: I just wake up four hours later and have no 904 00:47:26,120 --> 00:47:28,040 Speaker 1: idea what he did tell me to do. And this 905 00:47:28,200 --> 00:47:29,960 Speaker 1: is something we've talked about on the show, and the 906 00:47:30,080 --> 00:47:32,400 Speaker 1: note I made to Shore with our listeners is that 907 00:47:32,560 --> 00:47:34,480 Speaker 1: if you wake up in the middle of the night 908 00:47:35,080 --> 00:47:36,680 Speaker 1: and you can't go to sleep in like the first 909 00:47:36,680 --> 00:47:39,440 Speaker 1: fifteen minutes, the doctor told me to get out of 910 00:47:39,560 --> 00:47:43,000 Speaker 1: my bed, go into a different spot, open a book, 911 00:47:43,040 --> 00:47:45,920 Speaker 1: and read the book until I'm tired again, because me 912 00:47:46,080 --> 00:47:48,239 Speaker 1: sitting there fighting myself to get to sleep is not 913 00:47:48,280 --> 00:47:50,960 Speaker 1: going to put me asleep, especially after about fifteen minutes. 914 00:47:51,360 --> 00:47:53,239 Speaker 1: Like you kind of have that grace period, you go 915 00:47:53,239 --> 00:47:55,480 Speaker 1: to the bathroom, you can fall back asleep, but after 916 00:47:56,160 --> 00:47:59,719 Speaker 1: fifteen twenty minutes, get up. And it's specifically a book 917 00:48:00,080 --> 00:48:02,920 Speaker 1: can't be Why I asked, I say, I love my phone. 918 00:48:03,200 --> 00:48:05,320 Speaker 1: He said, don't get on your phone because the lines 919 00:48:05,320 --> 00:48:09,120 Speaker 1: are stimulating your brain. Right, just clarifying for sure, Yeah, okay, 920 00:48:09,160 --> 00:48:11,360 Speaker 1: he said, don't binge something and don't get on your phone. 921 00:48:12,160 --> 00:48:15,879 Speaker 1: So that's where we are right now. Well, I don't 922 00:48:15,880 --> 00:48:17,600 Speaker 1: know when you and Kaitlin are for sure are gonna 923 00:48:17,680 --> 00:48:20,520 Speaker 1: have kids, but I feel like you'll have no trouble sleeping. 924 00:48:22,400 --> 00:48:24,400 Speaker 1: Like I put the kids in bed last night and 925 00:48:24,400 --> 00:48:26,400 Speaker 1: I crawled into bed and I literally like shut my 926 00:48:26,440 --> 00:48:29,440 Speaker 1: eyes and I didn't wake up. Okay, good for you. 927 00:48:29,680 --> 00:48:32,400 Speaker 1: Dragging a little No, I mean, I'm like, hey, you 928 00:48:32,600 --> 00:48:36,000 Speaker 1: have kids in your future, so well, but then they 929 00:48:36,080 --> 00:48:37,920 Speaker 1: cry and then but are you going to get up? 930 00:48:38,080 --> 00:48:40,680 Speaker 1: Or is Kaylin going to get up? I don't know. 931 00:48:40,960 --> 00:48:43,520 Speaker 1: I imagine I will be just as involved as she is. Okay, 932 00:48:44,239 --> 00:48:46,960 Speaker 1: I imagine, Eddie, how did that go for youh Man? 933 00:48:47,040 --> 00:48:51,280 Speaker 1: Not involved at all? I never got up, never exactly. 934 00:48:51,600 --> 00:48:54,600 Speaker 1: I don't know, but I imagine I will be just 935 00:48:54,680 --> 00:48:56,600 Speaker 1: as involved, especially if you have the twins that you 936 00:48:56,680 --> 00:48:59,520 Speaker 1: want to have, like she's gonna have one. I was 937 00:48:59,520 --> 00:49:01,120 Speaker 1: talking to her, but I'm gonna have one of the wins. 938 00:49:01,440 --> 00:49:04,359 Speaker 1: You like, they wake up comes out of my butt 939 00:49:04,440 --> 00:49:08,319 Speaker 1: her front, But okay, why did I have to come 940 00:49:08,360 --> 00:49:11,440 Speaker 1: out of your But I don't have another holes your 941 00:49:11,480 --> 00:49:13,600 Speaker 1: ear comes out of you hear it didn't come within 942 00:49:13,719 --> 00:49:18,640 Speaker 1: my brain. Well it's already a miracle anyway, Yeah, exactly. Okay, Wait, 943 00:49:18,800 --> 00:49:20,920 Speaker 1: you were going to say you talked the news. Oh, 944 00:49:21,080 --> 00:49:23,719 Speaker 1: but you talked to Caitlin about twins. No. No, I've 945 00:49:23,719 --> 00:49:25,360 Speaker 1: always told her like, that would be great. She's like 946 00:49:25,440 --> 00:49:30,520 Speaker 1: for you, Yeah, she's like, but okay, it's a no. 947 00:49:31,080 --> 00:49:33,600 Speaker 1: I would supposedly wouldn't be like, well, guys, it's funny 948 00:49:33,600 --> 00:49:35,719 Speaker 1: you ask. Yeah, it would just be nice to have 949 00:49:35,760 --> 00:49:40,680 Speaker 1: a one stop shop. Yeah. Yeah, and call it Chunk 950 00:49:40,760 --> 00:49:43,520 Speaker 1: the deuce. That's it. Yeah, all right, news time, let's 951 00:49:43,560 --> 00:49:48,520 Speaker 1: go Bobby's story. There are now some answers in the 952 00:49:48,600 --> 00:49:51,360 Speaker 1: case of the hundreds of packages found dumped near an 953 00:49:51,360 --> 00:49:54,879 Speaker 1: Alabama river. My theory was a guy just didn't want 954 00:49:54,880 --> 00:49:56,759 Speaker 1: to deliver home and wanted to go home early. That 955 00:49:56,920 --> 00:50:00,719 Speaker 1: was my theory. Authorities say DeAndre Charles has owned up 956 00:50:00,760 --> 00:50:04,600 Speaker 1: to dumping the packages between November seventeenth and November twenty four. 957 00:50:05,280 --> 00:50:07,840 Speaker 1: Of them, one hundred fifty three packages were able to 958 00:50:07,920 --> 00:50:11,040 Speaker 1: be scanned and identified, but another two hundred and forty 959 00:50:11,080 --> 00:50:16,480 Speaker 1: seven couldn't be. In total, four hundred and fifty customers 960 00:50:16,520 --> 00:50:19,279 Speaker 1: were affected. They call it a mass dump. I will 961 00:50:19,320 --> 00:50:24,400 Speaker 1: not all worth just shy of twenty five thousand dollars. 962 00:50:25,000 --> 00:50:27,640 Speaker 1: He said he did it because he had other issues 963 00:50:27,680 --> 00:50:29,560 Speaker 1: going on in his life and he just didn't want 964 00:50:29,560 --> 00:50:33,439 Speaker 1: to deliver them. That's simple. I mean they just wanted 965 00:50:33,480 --> 00:50:36,000 Speaker 1: to go home, be done with the day. He has 966 00:50:36,000 --> 00:50:38,840 Speaker 1: been charged with five counts of cargo theft and that 967 00:50:38,960 --> 00:50:43,320 Speaker 1: sources News Nation. Now, this story would be good for 968 00:50:43,400 --> 00:50:45,520 Speaker 1: me if it worked. Zapping the brains of people with 969 00:50:45,680 --> 00:50:49,920 Speaker 1: OCD could soon help them before symptoms even start. Around 970 00:50:49,960 --> 00:50:54,640 Speaker 1: one of fifty people suffer from obsessive compulsive disorder. Scientists 971 00:50:54,680 --> 00:50:56,719 Speaker 1: have insight into brain signals to kick in before people 972 00:50:56,760 --> 00:51:01,520 Speaker 1: start their rituals. It could help by brain stimulation. And 973 00:51:01,600 --> 00:51:04,680 Speaker 1: I like to only people in the room can see this. Listen. 974 00:51:04,800 --> 00:51:06,920 Speaker 1: I have some mild OCD, There's no doubt about it. 975 00:51:07,000 --> 00:51:09,399 Speaker 1: With a lot of things that I do in my life, 976 00:51:09,960 --> 00:51:11,920 Speaker 1: I have a schedule. I keep of how of what 977 00:51:12,000 --> 00:51:13,800 Speaker 1: we do on the show, and I keep every segment, 978 00:51:13,880 --> 00:51:16,360 Speaker 1: every every bit, and when I'm done with it, I 979 00:51:16,480 --> 00:51:18,720 Speaker 1: must block it out completely. It does not exist anymore. 980 00:51:18,760 --> 00:51:23,040 Speaker 1: Every with the biggest sharpie, you could possibly have. The 981 00:51:23,160 --> 00:51:25,600 Speaker 1: only sharpie bigger would possibly be one of cracker barrel 982 00:51:25,640 --> 00:51:27,279 Speaker 1: that use with two hands, because you know they have 983 00:51:27,320 --> 00:51:34,680 Speaker 1: supersizes everything get cats, sharpies, checkerboards. But I have an 984 00:51:35,200 --> 00:51:37,000 Speaker 1: I won't say suffer because I think some of my 985 00:51:37,040 --> 00:51:40,440 Speaker 1: OCD makes me better at what I do. But it 986 00:51:40,640 --> 00:51:48,000 Speaker 1: does at times keep me from living a completely balanced life. 987 00:51:49,280 --> 00:51:51,200 Speaker 1: But I would love it. Zat me away two thinks 988 00:51:51,239 --> 00:51:52,839 Speaker 1: I need to get the zapp and I gotta get 989 00:51:52,880 --> 00:51:55,360 Speaker 1: the booster. Yeah, I've been gone. I gotta get the booster. 990 00:51:56,000 --> 00:51:59,560 Speaker 1: Anybody boostered booster? Yeah? Did you get sick? No? I 991 00:51:59,640 --> 00:52:00,920 Speaker 1: just took a little nap. The next day. I had 992 00:52:00,920 --> 00:52:03,120 Speaker 1: a headache. That was it. He did have a headache. Yeah, 993 00:52:03,120 --> 00:52:06,040 Speaker 1: my wife got it nothing. Yeah, okay, Kaylen got sick 994 00:52:06,120 --> 00:52:11,440 Speaker 1: after the last her last shots. I never did second one. 995 00:52:11,600 --> 00:52:13,640 Speaker 1: Oh that was either of them? Oh? First one I 996 00:52:13,760 --> 00:52:16,200 Speaker 1: was fine, Second one I did. I felt like I 997 00:52:16,320 --> 00:52:21,080 Speaker 1: was sick for at least you know, eighteen hours or so. Well, 998 00:52:21,200 --> 00:52:23,680 Speaker 1: I'll wait till next week and I'll get the old boostie. 999 00:52:24,640 --> 00:52:26,000 Speaker 1: I want to be like that guy that got ten 1000 00:52:26,040 --> 00:52:29,840 Speaker 1: of them. He got ten shots, he got paid for 1001 00:52:30,000 --> 00:52:33,600 Speaker 1: he Yeah, uh, here's another story. A motorist involved in 1002 00:52:33,680 --> 00:52:36,200 Speaker 1: two unrelated fatal traffic accidents of two thousand and eight 1003 00:52:36,200 --> 00:52:39,200 Speaker 1: and two fourteen, was caught driving a car last year 1004 00:52:39,200 --> 00:52:42,040 Speaker 1: even though he'd been banned from doing so. He in 1005 00:52:42,040 --> 00:52:43,799 Speaker 1: an attempt to get himself off of the hook. Listen 1006 00:52:43,800 --> 00:52:46,600 Speaker 1: to this, he gave false information to a police officer 1007 00:52:46,680 --> 00:52:48,440 Speaker 1: where he claimed to be a younger brother because he 1008 00:52:48,560 --> 00:52:50,960 Speaker 1: was in trouble. The problem is the brother was one 1009 00:52:50,960 --> 00:52:55,959 Speaker 1: of my cops as well. They took him brother that's 1010 00:52:56,040 --> 00:53:00,400 Speaker 1: from something called Straits Times. And then uh Man arrested 1011 00:53:00,480 --> 00:53:04,120 Speaker 1: five times in three days due to his resemblance of 1012 00:53:04,160 --> 00:53:09,400 Speaker 1: a wanted criminal. And so the story is mostly in 1013 00:53:09,480 --> 00:53:11,680 Speaker 1: that headline right there. He looks like a criminal they 1014 00:53:11,719 --> 00:53:15,400 Speaker 1: were looking for, so they kept turning him in and 1015 00:53:15,520 --> 00:53:20,080 Speaker 1: he got arrested five times in three days. What's funny 1016 00:53:20,160 --> 00:53:23,080 Speaker 1: to me is Mike d who works on the show 1017 00:53:23,120 --> 00:53:25,640 Speaker 1: as he travels with me as my travel producer, but 1018 00:53:25,680 --> 00:53:27,799 Speaker 1: as also the head writer on the show. Mike, your 1019 00:53:27,920 --> 00:53:30,080 Speaker 1: name is that of a criminal as well, and you're 1020 00:53:30,080 --> 00:53:32,279 Speaker 1: often stopped, Yeah, every single time, because they had the 1021 00:53:32,360 --> 00:53:34,840 Speaker 1: exact same name as somebody they're looking for. So anytime 1022 00:53:34,880 --> 00:53:36,719 Speaker 1: they look at my passport. They're like, I think this 1023 00:53:36,840 --> 00:53:39,920 Speaker 1: could be the guy. So he was stopped in a 1024 00:53:40,000 --> 00:53:41,919 Speaker 1: Canadian airport and they put him in like a room 1025 00:53:42,400 --> 00:53:44,799 Speaker 1: for a long time. They wouldn't let him in when 1026 00:53:44,800 --> 00:53:47,480 Speaker 1: I was doing some stuff at ABC because he was 1027 00:53:47,480 --> 00:53:48,880 Speaker 1: going to the gates with me. They were like, we 1028 00:53:48,920 --> 00:53:52,040 Speaker 1: think you're criminal. Wow, what a pain. I think if 1029 00:53:52,080 --> 00:53:54,000 Speaker 1: I were you, I'd get nervous every time. Every time 1030 00:53:54,120 --> 00:53:57,080 Speaker 1: happened again. Can't think you get an asterisk added to 1031 00:53:57,200 --> 00:54:00,319 Speaker 1: your passport or something. Just get a tattoo across the chest. 1032 00:54:00,400 --> 00:54:04,040 Speaker 1: Not me. I don't know they astric passports any well, 1033 00:54:04,120 --> 00:54:06,480 Speaker 1: I don't know, just something because I mean, that is 1034 00:54:06,640 --> 00:54:08,879 Speaker 1: a huge pain to get flagged every time. What about 1035 00:54:08,920 --> 00:54:10,480 Speaker 1: this dude, He's just a burger king in the rest 1036 00:54:10,520 --> 00:54:12,799 Speaker 1: of him by time. Yeah, all right, that's the news. 1037 00:54:12,880 --> 00:54:20,320 Speaker 1: Thank you for story. Let's go to Meghan in Florida, 1038 00:54:20,520 --> 00:54:26,560 Speaker 1: who is on the phone. Megan, good morning, thanks for calling. Hi. 1039 00:54:26,800 --> 00:54:28,920 Speaker 1: How are you guys. We're doing pretty good. What can 1040 00:54:28,960 --> 00:54:32,600 Speaker 1: we do for you? Good now. I'm just listening to 1041 00:54:32,719 --> 00:54:35,200 Speaker 1: your segment about the Sleep Studies, and I wanted to 1042 00:54:35,400 --> 00:54:37,400 Speaker 1: let you know that I was actually an office manager 1043 00:54:37,520 --> 00:54:40,960 Speaker 1: for Sleep lad and you don't have to worry about anything. 1044 00:54:41,040 --> 00:54:44,280 Speaker 1: It's not bad at all. Um. They do do sleep 1045 00:54:44,320 --> 00:54:46,120 Speaker 1: home sleep studies and you don't have to worry about 1046 00:54:46,120 --> 00:54:50,160 Speaker 1: anybody coming to your home or standing over you. But 1047 00:54:50,480 --> 00:54:54,640 Speaker 1: it's a very easy process. Mine is not a home study. 1048 00:54:54,800 --> 00:54:56,440 Speaker 1: And they said I would have to come to the Hilton, 1049 00:54:57,600 --> 00:55:00,759 Speaker 1: and I just feel like they're could be pictures that 1050 00:55:00,880 --> 00:55:03,400 Speaker 1: exist after this floating on the internet and you're sleeping. 1051 00:55:03,440 --> 00:55:06,320 Speaker 1: You don't know what they're gonna do. Yeah, you know 1052 00:55:06,360 --> 00:55:09,920 Speaker 1: what I'm saying. Did they test out of hill? Do 1053 00:55:10,080 --> 00:55:12,800 Speaker 1: I wake up in my different parts of the store. 1054 00:55:14,239 --> 00:55:17,040 Speaker 1: I don't know what's going on? You know? Do they 1055 00:55:17,080 --> 00:55:22,960 Speaker 1: put a glove on all that? What? I have? These concerned? 1056 00:55:23,200 --> 00:55:29,160 Speaker 1: This real? Um, Megan, So I'm I'm a little I'm 1057 00:55:29,160 --> 00:55:33,960 Speaker 1: a little scared. Okay, So right, that's completely normal. Everybody 1058 00:55:34,000 --> 00:55:36,800 Speaker 1: has those same kind of questions. And it's they do 1059 00:55:37,120 --> 00:55:40,879 Speaker 1: video it. But I'm on a feed somewhere. I can't 1060 00:55:40,920 --> 00:55:46,320 Speaker 1: do this. I can't. She said, it's just monitoring, and 1061 00:55:46,680 --> 00:55:49,120 Speaker 1: they can't leak get out anywhere. There's a hip of 1062 00:55:49,239 --> 00:55:51,800 Speaker 1: violations are so big right now. They would get in 1063 00:55:51,840 --> 00:55:53,800 Speaker 1: so much trouble if that leaked out to the internet. 1064 00:55:53,840 --> 00:55:57,400 Speaker 1: So it's super safe, super protected. It's not going to 1065 00:55:57,480 --> 00:56:01,200 Speaker 1: get out to anyone or anywhere. But I sleep in 1066 00:56:01,320 --> 00:56:03,239 Speaker 1: my underwear, okay. And what if I have to go 1067 00:56:03,320 --> 00:56:06,520 Speaker 1: to the bathroom and I get up and they're okay, 1068 00:56:06,560 --> 00:56:08,520 Speaker 1: there's video me and mind we're walking to the bathroom. 1069 00:56:09,400 --> 00:56:13,040 Speaker 1: Somebody's going to see that. No, I'm not saying of 1070 00:56:13,200 --> 00:56:15,600 Speaker 1: me peeing. I'm saying when I get out of bed, 1071 00:56:15,760 --> 00:56:17,160 Speaker 1: am I going have to wrap myself in a sheet 1072 00:56:17,160 --> 00:56:19,320 Speaker 1: so people don't look at me. It's like you're in 1073 00:56:19,320 --> 00:56:21,920 Speaker 1: a swimsuit. People come to our sleepab we asked them 1074 00:56:21,960 --> 00:56:24,640 Speaker 1: to wear like shorts, comfy shorts, and maybe a t 1075 00:56:24,800 --> 00:56:27,440 Speaker 1: shirt because they do put some equipment on. You're in 1076 00:56:27,480 --> 00:56:30,680 Speaker 1: a turtleneck and jeans. You guys are out of your mind, Okay, Meg, 1077 00:56:30,760 --> 00:56:32,960 Speaker 1: and I know you're trying to settle me. I appreciate that. 1078 00:56:33,120 --> 00:56:37,200 Speaker 1: Thank you. It's not bad though, I promise you all right. 1079 00:56:37,320 --> 00:56:40,239 Speaker 1: Byebye Megan. Um. By the way, Eddie and I are 1080 00:56:40,280 --> 00:56:44,760 Speaker 1: playing Strawberry Festival in March. I believe. Um that's near Tampa. 1081 00:56:45,120 --> 00:56:46,719 Speaker 1: And so if you guys want to get tickets, go 1082 00:56:46,880 --> 00:56:49,880 Speaker 1: to Raging Idiots dot com. We didn't announce it on 1083 00:56:49,920 --> 00:56:51,560 Speaker 1: ticket day because we were doing Saint Jude. We were 1084 00:56:51,560 --> 00:56:54,040 Speaker 1: doing other more important stuff. But if you guys want 1085 00:56:54,040 --> 00:56:55,960 Speaker 1: to come to watch Eddie and I Strawberry Festival or 1086 00:56:56,040 --> 00:57:01,400 Speaker 1: Raging Idiots dot Com, let's go to Monster in North Carolina. Monster, 1087 00:57:01,440 --> 00:57:04,840 Speaker 1: you're on the Bobby Bones Show. What's going on? Morning, Bobby, 1088 00:57:04,880 --> 00:57:10,680 Speaker 1: Good morning studio morning, So real, real, real quick. Congratulations 1089 00:57:10,840 --> 00:57:14,560 Speaker 1: Eddie on the Blended Family and two lunchbox with a newborn. 1090 00:57:14,640 --> 00:57:16,480 Speaker 1: I'm a father with baby number nine on the way 1091 00:57:16,560 --> 00:57:23,720 Speaker 1: this month. But real quick, guys, the whole chef thing, Amy, 1092 00:57:24,120 --> 00:57:27,000 Speaker 1: tell your friend it's totally okay, It's totally normal. It's 1093 00:57:27,000 --> 00:57:29,080 Speaker 1: one of the biggest compliments you can do. My dad 1094 00:57:29,240 --> 00:57:32,600 Speaker 1: was a hash chef head chef for years. Just by 1095 00:57:32,640 --> 00:57:35,760 Speaker 1: simply saying i'll have you're basically telling the chef, I 1096 00:57:35,880 --> 00:57:39,120 Speaker 1: put all my trust in your menu, what you crafted, 1097 00:57:39,240 --> 00:57:42,160 Speaker 1: what you perfect. It's no different than getting reviews on 1098 00:57:42,320 --> 00:57:45,920 Speaker 1: some electronic device that you're purchasing. You're getting their reviews 1099 00:57:46,320 --> 00:57:50,000 Speaker 1: or recommendation from what he has crafted over the years. 1100 00:57:50,360 --> 00:57:53,120 Speaker 1: So it's not a baller thing. The best thing you 1101 00:57:53,120 --> 00:57:55,720 Speaker 1: can do is sometimes even call is if the chef 1102 00:57:55,920 --> 00:57:58,840 Speaker 1: is available, if he could come out and thank him 1103 00:57:58,880 --> 00:58:01,920 Speaker 1: for the mew I'm sorry the meal and hit him 1104 00:58:01,920 --> 00:58:04,320 Speaker 1: as well. So it's not a baller thing. It's a 1105 00:58:04,360 --> 00:58:07,120 Speaker 1: great compliment. Yeah, I appreciate that. Well, let's talk about 1106 00:58:07,120 --> 00:58:10,439 Speaker 1: these nine kids like we're burying the headline. You're about 1107 00:58:10,440 --> 00:58:14,480 Speaker 1: you're about to have your ninth. Yes, yes, there, I'm 1108 00:58:14,840 --> 00:58:18,240 Speaker 1: forty five years old. I got my ninth child on 1109 00:58:18,320 --> 00:58:20,520 Speaker 1: the way I have. This will be the sixth girl, 1110 00:58:20,960 --> 00:58:23,800 Speaker 1: three boys, and I already have my oldest daughter who's 1111 00:58:23,800 --> 00:58:26,560 Speaker 1: twenty three, already has three grand babies for me. So 1112 00:58:27,280 --> 00:58:30,200 Speaker 1: my beautiful and I just proposed on Friday to my 1113 00:58:30,280 --> 00:58:34,919 Speaker 1: beautiful woman that is giving me my ninth child. Um. Yeah, 1114 00:58:35,200 --> 00:58:37,320 Speaker 1: they were pregnant three times together. They thought that was 1115 00:58:37,400 --> 00:58:39,880 Speaker 1: kind of hilarious. Fist. He's on listening for you right now. 1116 00:58:39,920 --> 00:58:42,760 Speaker 1: But she's ready to pop December twenty seven, which we 1117 00:58:42,960 --> 00:58:45,320 Speaker 1: up Bobby. So, I have a lot of a lot 1118 00:58:45,320 --> 00:58:50,880 Speaker 1: of questions here. But because your sample size is so large, right, 1119 00:58:50,920 --> 00:58:53,280 Speaker 1: you have at eight kids, you're about to have your ninth. 1120 00:58:53,840 --> 00:58:55,960 Speaker 1: Is there anything that you have seen? If you do, 1121 00:58:56,960 --> 00:59:03,440 Speaker 1: can we'll allow a boy versus a girl. So I've 1122 00:59:03,560 --> 00:59:06,920 Speaker 1: heard all these things in these gimmicks. If you go 1123 00:59:07,080 --> 00:59:10,240 Speaker 1: to bed angry produces more test rossom you have a son. 1124 00:59:10,600 --> 00:59:12,400 Speaker 1: If you go to bed and you're making love, you 1125 00:59:12,520 --> 00:59:16,280 Speaker 1: produce more girls. I don't find it God's gonna bless 1126 00:59:16,320 --> 00:59:19,480 Speaker 1: you with what God's gonna bless you with. And We're 1127 00:59:19,600 --> 00:59:22,240 Speaker 1: very blessed to have amazing kids. And I work three 1128 00:59:22,320 --> 00:59:24,160 Speaker 1: jobs to take care of them. I don't let the 1129 00:59:24,240 --> 00:59:26,840 Speaker 1: tax money give me, not that it's a bad thing, 1130 00:59:26,920 --> 00:59:30,320 Speaker 1: but I don't collect unemployment and disability and stuff. So 1131 00:59:30,880 --> 00:59:34,360 Speaker 1: m yeah, just work hard and pray for a happy, 1132 00:59:34,760 --> 00:59:37,440 Speaker 1: you know, healthy baby like Amy was very blessed to 1133 00:59:37,480 --> 00:59:39,760 Speaker 1: get her kids. I'm so happy for Eddie. I love 1134 00:59:39,840 --> 00:59:42,320 Speaker 1: that they're a blended family, and I love that they 1135 00:59:42,360 --> 00:59:45,040 Speaker 1: don't use step child and stuff. So yeah, there's nothing 1136 00:59:45,080 --> 00:59:46,800 Speaker 1: you can really do except you put it in God's 1137 00:59:46,840 --> 00:59:49,120 Speaker 1: hands and you just have as many kids as you want, 1138 00:59:49,120 --> 00:59:50,720 Speaker 1: as long as you can take care of them. But 1139 00:59:50,840 --> 00:59:53,080 Speaker 1: there's a theory to it. I got nine kids now, 1140 00:59:53,440 --> 00:59:55,320 Speaker 1: and if they do half of what Dad does, that's 1141 00:59:55,360 --> 00:59:58,000 Speaker 1: thirty six grand babies, nine kids. I'll never live in 1142 00:59:58,040 --> 01:00:00,920 Speaker 1: an oldful tone. Someone's taking me in. Yeah, what's the 1143 01:00:01,040 --> 01:00:07,800 Speaker 1: motivation to having all these kids for you. So I 1144 01:00:08,680 --> 01:00:11,520 Speaker 1: come from a I toldly me and my sister, but 1145 01:00:11,720 --> 01:00:14,200 Speaker 1: I have a lot of cousins. They were um, I 1146 01:00:14,400 --> 01:00:17,240 Speaker 1: was the fourteenth grandchild born, and I was the first boy. 1147 01:00:17,400 --> 01:00:19,440 Speaker 1: And I was born on Father's Day, so all the 1148 01:00:19,520 --> 01:00:21,840 Speaker 1: uncles went crazy, And I said, if I could have 1149 01:00:22,240 --> 01:00:24,440 Speaker 1: I never wanted kids, but when I had my first child, 1150 01:00:24,560 --> 01:00:26,640 Speaker 1: if I could have kids and I could take care 1151 01:00:26,640 --> 01:00:28,520 Speaker 1: of them, I wanted to have a really big family 1152 01:00:28,840 --> 01:00:30,960 Speaker 1: because I missed the Sunday meals that we used to 1153 01:00:31,040 --> 01:00:33,880 Speaker 1: have back when I was up in Philadelphia. But I 1154 01:00:34,040 --> 01:00:36,400 Speaker 1: ended up staying in the Marine Corps forever, so I 1155 01:00:36,520 --> 01:00:38,600 Speaker 1: just stayed down here and miss this beautiful woman. But 1156 01:00:38,920 --> 01:00:41,640 Speaker 1: a big family can be really great, especially around holidays. 1157 01:00:41,680 --> 01:00:43,800 Speaker 1: It's just it's great to see them all get together. 1158 01:00:43,960 --> 01:00:46,320 Speaker 1: It's great when they open up gifts. It's it's fun 1159 01:00:46,400 --> 01:00:51,560 Speaker 1: when you have picnics in the summer. Yeah yeah, Okay, 1160 01:00:51,760 --> 01:00:55,320 Speaker 1: so is the woman you're about to marry, the mom 1161 01:00:55,400 --> 01:00:59,520 Speaker 1: of all nine kids. Y'all just haven't gotten married yet. No, 1162 01:00:59,640 --> 01:01:02,720 Speaker 1: I think talking to me any No. We met seven 1163 01:01:02,800 --> 01:01:05,760 Speaker 1: years ago. I said I never wanted to get married. 1164 01:01:05,800 --> 01:01:08,040 Speaker 1: I failed three marriages. I don't know if I really failed, 1165 01:01:08,080 --> 01:01:10,240 Speaker 1: but I was so committed to the Marine Corps that 1166 01:01:11,080 --> 01:01:14,520 Speaker 1: the marriages didn't work. And long story short, I met 1167 01:01:14,560 --> 01:01:17,560 Speaker 1: her when I got out the Marine Corps. Yeah, and 1168 01:01:17,880 --> 01:01:20,280 Speaker 1: I said, I everyone to get married. We had kids together, 1169 01:01:20,560 --> 01:01:24,720 Speaker 1: and I finally someone said, don't let your failures or 1170 01:01:24,920 --> 01:01:28,400 Speaker 1: mistakes in other marriages that didn't work out affect your 1171 01:01:28,440 --> 01:01:33,720 Speaker 1: relationship now. And I've proposed Friday at a restaurant that 1172 01:01:33,840 --> 01:01:37,040 Speaker 1: we actually had bit our first inner date six years ago. 1173 01:01:37,520 --> 01:01:40,200 Speaker 1: So so this will be your this will be your 1174 01:01:40,280 --> 01:01:44,960 Speaker 1: fourth marriage. Yeah, so I was. I was married three 1175 01:01:45,000 --> 01:01:47,320 Speaker 1: times in the Marine Corps. I married my high school 1176 01:01:47,320 --> 01:01:49,760 Speaker 1: sweetheart right out of school. I was in the Marine Corps. 1177 01:01:50,160 --> 01:01:52,320 Speaker 1: She didn't want to be away from home. Long story short, 1178 01:01:52,600 --> 01:01:54,480 Speaker 1: she just wanted to move back home. It didn't work out. 1179 01:01:55,640 --> 01:01:58,920 Speaker 1: So I'm pretty civil with them. We have kids, but 1180 01:01:59,200 --> 01:02:02,440 Speaker 1: this is Crystals, that's the one with now. This is 1181 01:02:02,480 --> 01:02:07,720 Speaker 1: Crystal's fifth push and we're extremely excited and we're hoping 1182 01:02:07,880 --> 01:02:13,120 Speaker 1: within the next nine months to twelve months will be married. 1183 01:02:13,160 --> 01:02:16,360 Speaker 1: And yeah, having more kids later. Are you trying to 1184 01:02:16,440 --> 01:02:20,880 Speaker 1: have a full decade? A ten spot? So no, Bobby, uh, 1185 01:02:21,080 --> 01:02:23,600 Speaker 1: everyone jokes because I love wrestling and college dressing team 1186 01:02:23,720 --> 01:02:26,800 Speaker 1: is ten. But we're absolutely done. We were not expecting 1187 01:02:27,160 --> 01:02:33,280 Speaker 1: the last three. Um, I know, but uh yeah, so no, 1188 01:02:33,560 --> 01:02:36,960 Speaker 1: this is dissent. Nine is a baseball team. Were fullally good. 1189 01:02:37,280 --> 01:02:40,919 Speaker 1: They don't make many vehicles to haul everybody around. Yeah yeah, well, 1190 01:02:41,720 --> 01:02:45,840 Speaker 1: well thank you for serving as well. Yeah, no problem, 1191 01:02:45,880 --> 01:02:47,800 Speaker 1: and Amy, tell your husband I said thank you for 1192 01:02:47,920 --> 01:02:50,600 Speaker 1: his service too. I am a huge, huge fan of 1193 01:02:50,720 --> 01:02:53,240 Speaker 1: veterans and people that are serving because there's just not 1194 01:02:53,360 --> 01:02:55,920 Speaker 1: many people that still want to do it. So let 1195 01:02:55,960 --> 01:02:59,200 Speaker 1: me ask one final question here. Do you have kids 1196 01:02:59,240 --> 01:03:04,440 Speaker 1: with all of the wives. Yes, so I am. I 1197 01:03:04,600 --> 01:03:07,680 Speaker 1: am a blended family of This will be our ninth 1198 01:03:08,160 --> 01:03:11,160 Speaker 1: um my first, my first wife. I only have one 1199 01:03:11,200 --> 01:03:14,280 Speaker 1: with her. She is amazing. She's in college, my oldest. 1200 01:03:14,360 --> 01:03:17,120 Speaker 1: When I met her, UM, I was driving, I was 1201 01:03:17,160 --> 01:03:21,040 Speaker 1: a general driver. I met her mom when we were 1202 01:03:21,080 --> 01:03:24,360 Speaker 1: working together. I have no biological kids with her, but 1203 01:03:24,520 --> 01:03:27,000 Speaker 1: I've been with her since she's four. I still talk 1204 01:03:27,040 --> 01:03:29,880 Speaker 1: to her. She's one of those amazing kids where hey, dad, 1205 01:03:30,040 --> 01:03:32,480 Speaker 1: you know even though she's twenty three and married, like 1206 01:03:32,760 --> 01:03:34,600 Speaker 1: I'm a little short on rent. Well, how much she 1207 01:03:34,680 --> 01:03:37,160 Speaker 1: used short nine hundred, Well what's your rent? Nine hundred? 1208 01:03:37,360 --> 01:03:39,880 Speaker 1: You still help them out. So I've been like Eddie, 1209 01:03:39,960 --> 01:03:43,760 Speaker 1: I they are my kids. She's twenty three, she's still mine. 1210 01:03:44,120 --> 01:03:47,600 Speaker 1: So um my second wife, no, no biological but I 1211 01:03:47,720 --> 01:03:50,439 Speaker 1: have my beautiful twenty three year old since she was four. 1212 01:03:50,880 --> 01:03:53,520 Speaker 1: And then I have my third wife. She had a 1213 01:03:53,640 --> 01:03:57,640 Speaker 1: son named Kai. He's amazing and I met him when 1214 01:03:57,720 --> 01:04:00,800 Speaker 1: he was three and we got married. We had a son, 1215 01:04:01,120 --> 01:04:04,440 Speaker 1: and yes that didn't work out so well, um, no 1216 01:04:04,600 --> 01:04:07,400 Speaker 1: big deal. We both won our separate ways. I was 1217 01:04:07,400 --> 01:04:09,880 Speaker 1: stayed in the marine corpse. She went, Yeah, so it 1218 01:04:10,000 --> 01:04:12,439 Speaker 1: wasn't that they were really bad. It's just when you're gone. 1219 01:04:12,560 --> 01:04:15,040 Speaker 1: I did thirty eight countries, thirty seven state, and three 1220 01:04:15,080 --> 01:04:18,520 Speaker 1: comments horse. So when you're gone, that's hard on women 1221 01:04:18,560 --> 01:04:20,880 Speaker 1: to take care of the kids, the dogs, the you know, 1222 01:04:21,120 --> 01:04:23,880 Speaker 1: the family, the builds, and then you know, they get 1223 01:04:23,960 --> 01:04:26,680 Speaker 1: lonely and then sometimes there's just people that sneak in 1224 01:04:26,800 --> 01:04:29,720 Speaker 1: and they try to soothe them, you know, and it's 1225 01:04:29,760 --> 01:04:32,800 Speaker 1: all good. Wait what you can use your imagination? So 1226 01:04:33,520 --> 01:04:35,840 Speaker 1: hinting that the women found someone else to cut up 1227 01:04:35,840 --> 01:04:38,920 Speaker 1: with while he was gone, Well, listen, this call was 1228 01:04:39,120 --> 01:04:41,360 Speaker 1: all about him saying, Hey, the asking the chef to 1229 01:04:41,400 --> 01:04:43,680 Speaker 1: come out. It's cool. Yeah, yeah, but it turned into 1230 01:04:44,160 --> 01:04:47,880 Speaker 1: quite the bio of a guy named Monster. We forgot 1231 01:04:47,960 --> 01:04:49,840 Speaker 1: too that his name was Monster, but I didn't. I 1232 01:04:49,960 --> 01:04:52,160 Speaker 1: missed that far. Is this multi layered? We just started 1233 01:04:52,200 --> 01:04:54,280 Speaker 1: peeling back the onion. Does anyone else feel like Monster? 1234 01:04:54,360 --> 01:04:57,240 Speaker 1: Sounds like doctor Oz? Could it be doctor Oz acting 1235 01:04:57,280 --> 01:05:00,080 Speaker 1: like someone else? I don't hear doctor really, yes, I 1236 01:05:00,240 --> 01:05:03,520 Speaker 1: kept hearing. I don't hear doctor. Hey, Monster, we appreciate you, 1237 01:05:03,760 --> 01:05:06,000 Speaker 1: thank you for calling, and thanks for providing us. I 1238 01:05:06,040 --> 01:05:09,960 Speaker 1: don't know eight minutes content a awesome, Yeah, good luck. Hey, 1239 01:05:10,440 --> 01:05:13,680 Speaker 1: congratulations to the new dads. I'm so excited for you, Bobby, 1240 01:05:13,680 --> 01:05:15,400 Speaker 1: I'm so excited for you to be a dad. And Amy, 1241 01:05:15,480 --> 01:05:18,120 Speaker 1: tell your husband thank you, thank you for service. Well 1242 01:05:18,200 --> 01:05:22,040 Speaker 1: do you got a monster? Hey? Keep rocking? All right? 1243 01:05:22,080 --> 01:05:23,880 Speaker 1: See yeah, he's got like three kids left in him. 1244 01:05:23,880 --> 01:05:25,360 Speaker 1: I have a feeling I got like three more left 1245 01:05:25,400 --> 01:05:28,040 Speaker 1: on him. All right? Well it did. And then a 1246 01:05:28,160 --> 01:05:30,360 Speaker 1: little sliver that was in there that we never went 1247 01:05:30,400 --> 01:05:32,959 Speaker 1: back on was that he said I never wanted kids 1248 01:05:33,400 --> 01:05:35,840 Speaker 1: or get married, or the sliver we didn't really invest 1249 01:05:35,920 --> 01:05:38,120 Speaker 1: in either, was you know, somebody came a comfort to him. 1250 01:05:38,320 --> 01:05:43,120 Speaker 1: We made a quick reference so much. See that's the deal. 1251 01:05:43,680 --> 01:05:45,439 Speaker 1: When you're live, you don't know what's going to happen 1252 01:05:45,480 --> 01:05:50,680 Speaker 1: here on this show. Tomorrow we'll draft our favorite Christmas movies, 1253 01:05:51,280 --> 01:05:55,720 Speaker 1: so be ready for that tomorrow morning. Fine, Breston and 1254 01:05:55,760 --> 01:05:59,320 Speaker 1: Mississippi is on the phone. Briston. What's going on? How's it? 1255 01:05:59,360 --> 01:06:03,919 Speaker 1: God's pretty gooduddy? What's happening? Oh? Not much? Man, Hey dude, 1256 01:06:03,920 --> 01:06:05,640 Speaker 1: I just wanted to tell you thank y'all for what 1257 01:06:05,800 --> 01:06:09,680 Speaker 1: y'all do. Man. My grandfather has got cancer and my 1258 01:06:09,800 --> 01:06:11,800 Speaker 1: bad passed away not long ago, and I just want 1259 01:06:11,840 --> 01:06:13,840 Speaker 1: to thank y'all. Man, y'all get me through the day, dude. 1260 01:06:14,040 --> 01:06:16,080 Speaker 1: I mean, y'all do an awesome job. Bro, you and 1261 01:06:16,320 --> 01:06:19,000 Speaker 1: the whole crew. I appreciate that. So are you going 1262 01:06:19,040 --> 01:06:23,480 Speaker 1: through that with your dad and your grandpa? Yeah? I know, man, 1263 01:06:24,360 --> 01:06:26,960 Speaker 1: but y'all get me through the day. Man. Like I say, y'all, y'all, 1264 01:06:27,000 --> 01:06:29,400 Speaker 1: y'all do great. Y'all, y'all have a great show. Man. 1265 01:06:29,640 --> 01:06:31,520 Speaker 1: Thank you. And I just wanted to tell you guys 1266 01:06:31,560 --> 01:06:34,640 Speaker 1: that well, we appreciate that call. Good luck to you man. 1267 01:06:36,000 --> 01:06:40,160 Speaker 1: Hopefully the rough road gets a little easier for you. Yeah, 1268 01:06:40,320 --> 01:06:43,400 Speaker 1: I hope so, man, because it's been pretty roughly. But 1269 01:06:43,480 --> 01:06:46,680 Speaker 1: I appreciate you guys. All right, breston see later. All right. Yeah, 1270 01:06:47,880 --> 01:06:50,880 Speaker 1: this is Larry in Mississippi who left us a voicemail 1271 01:06:50,960 --> 01:06:55,320 Speaker 1: last night. Hey, Bobby Bones, Good morning studio. I was 1272 01:06:55,440 --> 01:07:00,400 Speaker 1: just listening to the podcast on the conspiracy series of 1273 01:07:00,440 --> 01:07:02,880 Speaker 1: Bobby Bones, and I just had a question for Bobby. 1274 01:07:03,240 --> 01:07:05,479 Speaker 1: If you could get your eyes fixed, would you still 1275 01:07:05,520 --> 01:07:08,280 Speaker 1: wear the glasses? And then another question I wanted to 1276 01:07:08,360 --> 01:07:11,439 Speaker 1: ask was I read a while that when you first 1277 01:07:11,520 --> 01:07:16,400 Speaker 1: moved to Nashville you actually started a negative campaign about 1278 01:07:16,480 --> 01:07:19,520 Speaker 1: yourself on billboards and whatnot. I'd love to hear more 1279 01:07:19,520 --> 01:07:22,160 Speaker 1: about that. All right, to answer both of your questions, One, 1280 01:07:23,320 --> 01:07:26,000 Speaker 1: probably now, if I could get my eye fixed, I 1281 01:07:26,040 --> 01:07:29,480 Speaker 1: would still wear glasses at times because I'm such a 1282 01:07:29,560 --> 01:07:33,240 Speaker 1: generic white guy that people just know me from my glasses, 1283 01:07:33,880 --> 01:07:37,560 Speaker 1: probably now because they've just been stated and anything that 1284 01:07:37,640 --> 01:07:39,919 Speaker 1: I do on camera. So yes, but my eye can't 1285 01:07:39,960 --> 01:07:42,200 Speaker 1: be fixed because it's actually in my brain. I've been 1286 01:07:42,240 --> 01:07:44,600 Speaker 1: to every doctor. They all say the same thing. This 1287 01:07:44,720 --> 01:07:47,520 Speaker 1: is not an eye problem. This is something that happened 1288 01:07:47,600 --> 01:07:51,280 Speaker 1: upon birth and it's you know, you're a nogging Yeah, 1289 01:07:51,600 --> 01:07:54,240 Speaker 1: so two yes, And in my first book I write 1290 01:07:54,240 --> 01:07:57,080 Speaker 1: about it at length. My books called Barebones. But when 1291 01:07:57,120 --> 01:08:02,400 Speaker 1: we moved to Nashville, we were hated. I mean we 1292 01:08:02,520 --> 01:08:05,280 Speaker 1: didn't get on a social media for two years and 1293 01:08:05,480 --> 01:08:08,280 Speaker 1: really look at replies. And so I thought, well, if 1294 01:08:08,280 --> 01:08:11,480 Speaker 1: everybody already hates us, let's see what we can do here. 1295 01:08:11,520 --> 01:08:14,480 Speaker 1: So I bought some billboards, massive billboards, and just said 1296 01:08:14,560 --> 01:08:17,920 Speaker 1: go away, Bobby Bones. And I didn't tell anybody on 1297 01:08:17,960 --> 01:08:20,400 Speaker 1: the show. We can't tell anybody at the company. I 1298 01:08:20,560 --> 01:08:24,519 Speaker 1: was like, who bought these? This is so rude. And 1299 01:08:24,920 --> 01:08:28,240 Speaker 1: years later I revealed it in my book and it 1300 01:08:28,360 --> 01:08:30,679 Speaker 1: was really one of the greatest things ever did because 1301 01:08:30,840 --> 01:08:32,760 Speaker 1: people started to go that people that didn't know who 1302 01:08:32,800 --> 01:08:36,439 Speaker 1: I was, Who is this guy, Bobby Bones, who's the 1303 01:08:36,439 --> 01:08:38,240 Speaker 1: guy with the dumb name? What's he doing? And then 1304 01:08:38,320 --> 01:08:41,160 Speaker 1: other people were like, who's spending money to make this 1305 01:08:41,240 --> 01:08:45,160 Speaker 1: guy go away? So for me, I look back at 1306 01:08:45,240 --> 01:08:47,200 Speaker 1: our time here and go, man, I'm really glad I 1307 01:08:47,280 --> 01:08:49,439 Speaker 1: did that. I needed that, we needed that, you know, 1308 01:08:49,800 --> 01:08:51,559 Speaker 1: but yes I did. But you can read Bare Bones 1309 01:08:51,560 --> 01:08:54,760 Speaker 1: and it's all in there for you. Here is another 1310 01:08:54,840 --> 01:08:59,360 Speaker 1: voicemail from last night. Does Amy have a trinky two? Well, 1311 01:08:59,400 --> 01:09:01,519 Speaker 1: there's an piracy theory about Amy that she doesn't have 1312 01:09:01,600 --> 01:09:05,519 Speaker 1: a pinky toe on Earth. I have pinky toes on 1313 01:09:05,880 --> 01:09:10,720 Speaker 1: both feet. Yeah, why is that a thing? I don't know. 1314 01:09:11,520 --> 01:09:14,439 Speaker 1: Yesterday's show, we talked about things that are written about 1315 01:09:14,479 --> 01:09:18,160 Speaker 1: me that Jess aren't true. For example, my eyes rolling 1316 01:09:18,160 --> 01:09:20,040 Speaker 1: aren't messed up. That I wore glasses is fake. I'm 1317 01:09:20,080 --> 01:09:23,080 Speaker 1: really not six foot tall. Um, I didn't grow up poor. 1318 01:09:23,880 --> 01:09:25,880 Speaker 1: It's just stuff people make up because they know it'll 1319 01:09:25,920 --> 01:09:29,000 Speaker 1: get clicks or responses. And I guess the pinky toe 1320 01:09:29,040 --> 01:09:32,320 Speaker 1: on's got I've never seen them own eyes. You could 1321 01:09:32,320 --> 01:09:39,160 Speaker 1: be lying right now? No, no, no, no, that's weird. 1322 01:09:39,680 --> 01:09:42,200 Speaker 1: Is this a way to get my pinky toe? Like 1323 01:09:43,280 --> 01:09:45,800 Speaker 1: she asked it in such a way? Play that clip again? 1324 01:09:46,960 --> 01:09:49,960 Speaker 1: Does Amy have a pinky toe? Oh? Maybe she wants? 1325 01:09:50,840 --> 01:09:54,559 Speaker 1: I'm good. At one point on the show, what who 1326 01:09:54,640 --> 01:09:56,360 Speaker 1: was the race car driver that wanted to see Amy's feet? 1327 01:09:57,000 --> 01:09:59,640 Speaker 1: Did see my feet? I was wearing sandals and he 1328 01:10:00,080 --> 01:10:02,479 Speaker 1: complimented my feet. I don't know what he said, something 1329 01:10:02,600 --> 01:10:05,679 Speaker 1: like you have nice feet, lunch box. I think he said, 1330 01:10:05,680 --> 01:10:07,080 Speaker 1: you have nice feet, lunchbox. I think that was not 1331 01:10:09,200 --> 01:10:11,720 Speaker 1: because he was there. He said, Man, those are some 1332 01:10:11,920 --> 01:10:15,040 Speaker 1: really nice feet you got there. Yeah, I mean it was. 1333 01:10:15,200 --> 01:10:17,920 Speaker 1: It was aggressive. It wasn't like I like your shoes 1334 01:10:18,680 --> 01:10:21,200 Speaker 1: or like a like a like a way to compliment 1335 01:10:21,280 --> 01:10:23,920 Speaker 1: the feet without complimenting the feet. It was straight for 1336 01:10:24,000 --> 01:10:26,640 Speaker 1: the feet. Yeah, that's weird. You can leave us a 1337 01:10:26,720 --> 01:10:28,280 Speaker 1: voice melt any time we're not on the air, so 1338 01:10:28,479 --> 01:10:33,360 Speaker 1: call us eight seven, seven seventy seven, Bobby. One of 1339 01:10:33,400 --> 01:10:36,080 Speaker 1: the questions I get the most is and a lot 1340 01:10:36,120 --> 01:10:39,840 Speaker 1: of times I don't answer it because it's like somebody 1341 01:10:40,120 --> 01:10:43,040 Speaker 1: asking me in written form, like hey, what's good right now? 1342 01:10:43,360 --> 01:10:46,240 Speaker 1: And if I'm being fully transparent, a lot of this 1343 01:10:46,240 --> 01:10:48,240 Speaker 1: stuff that comes out now sounds very similar, and I 1344 01:10:48,280 --> 01:10:49,960 Speaker 1: don't spend a lot of time with it other than 1345 01:10:50,040 --> 01:10:51,720 Speaker 1: I listen to the radio songs and be like, yeah, 1346 01:10:51,800 --> 01:10:56,600 Speaker 1: good or not good. But again there's a problem. You 1347 01:10:56,680 --> 01:10:58,639 Speaker 1: could work in any format and it would feel the same, 1348 01:10:58,720 --> 01:11:01,080 Speaker 1: but everything just sounds the same. You know. I love 1349 01:11:01,160 --> 01:11:03,720 Speaker 1: the Stapleton stuff. There are certain things I do love, 1350 01:11:04,280 --> 01:11:07,639 Speaker 1: but for the most part, whatever, all the dude sound 1351 01:11:07,640 --> 01:11:12,080 Speaker 1: the same, you know. But I did find this Morgan 1352 01:11:12,200 --> 01:11:14,400 Speaker 1: Wade record, and I was telling you guys about it 1353 01:11:14,400 --> 01:11:15,800 Speaker 1: a couple weeks ago. But I'm gonna play some of 1354 01:11:15,840 --> 01:11:17,720 Speaker 1: the some of the songs here. This is the only 1355 01:11:17,760 --> 01:11:19,599 Speaker 1: project that I've been a real fan of the whole 1356 01:11:19,680 --> 01:11:22,880 Speaker 1: thing and probably three years, other than a Stapleton record, 1357 01:11:23,240 --> 01:11:25,599 Speaker 1: but where I listened to the whole thing and I'm like, man, 1358 01:11:25,720 --> 01:11:29,840 Speaker 1: this is so good that if like she doesn't become 1359 01:11:29,840 --> 01:11:32,599 Speaker 1: a star or it doesn't become massive, like I don't 1360 01:11:32,680 --> 01:11:35,320 Speaker 1: understand anymore, and I should just leave, I should just quit. 1361 01:11:36,080 --> 01:11:39,960 Speaker 1: So because I'm assuming you guys haven't listened to it, no, no, okay, 1362 01:11:40,720 --> 01:11:43,719 Speaker 1: here is Let's play a little bit from the beginning 1363 01:11:43,800 --> 01:11:50,200 Speaker 1: of the song Reckless. Here you go going dot way 1364 01:11:51,080 --> 01:11:55,720 Speaker 1: swimming out beast with Waysbury. I don't know where I'm 1365 01:11:55,880 --> 01:12:01,280 Speaker 1: going now, see no sense showing death trying to makes 1366 01:12:01,360 --> 01:12:06,479 Speaker 1: sense as this whole thing everybody runs from something someday. 1367 01:12:07,560 --> 01:12:13,280 Speaker 1: I don't have a clue. Who I am you oh 1368 01:12:16,080 --> 01:12:29,800 Speaker 1: hear me? Thinking I was, okay, love me? And if 1369 01:12:30,200 --> 01:12:34,439 Speaker 1: she has tattoos off her neck, it's awesome. She has 1370 01:12:34,439 --> 01:12:38,080 Speaker 1: over a hundred tattoos. You've met her, Yeah, I interviewed her. 1371 01:12:38,160 --> 01:12:40,519 Speaker 1: I did a full interviewing here with her for Women 1372 01:12:40,560 --> 01:12:43,000 Speaker 1: of My Heart Country. I've never amazing it was she 1373 01:12:43,080 --> 01:12:46,920 Speaker 1: good life? Oh yeah, she's great. Wow, look at you amies. 1374 01:12:46,960 --> 01:12:50,720 Speaker 1: Once I've had she knows yeah. Um okay, here's another one. 1375 01:12:50,840 --> 01:13:07,559 Speaker 1: This is matches and metaphors training. My house is raining 1376 01:13:07,800 --> 01:13:14,680 Speaker 1: alors when it rains force to hell with the metaphors. 1377 01:13:15,040 --> 01:13:21,519 Speaker 1: I won't you so back? I think my die, I'm 1378 01:13:21,760 --> 01:13:31,120 Speaker 1: sorry to keep feeding you these lines like sounds and 1379 01:13:32,320 --> 01:13:40,760 Speaker 1: he loved you, you laid down? Why you ain't get 1380 01:13:40,960 --> 01:13:47,880 Speaker 1: around now? Didn't even something? Baby? Can't use you right now? 1381 01:13:49,240 --> 01:13:51,120 Speaker 1: What if all of our tattoos were fake, like my 1382 01:13:51,400 --> 01:13:54,880 Speaker 1: eyes being messed up? Because you just believe her because 1383 01:13:54,920 --> 01:13:57,679 Speaker 1: she's so You're like, well she has some story to tell. Yeah, 1384 01:13:58,040 --> 01:14:03,160 Speaker 1: like regardless like she has. I mean I could never 1385 01:14:03,280 --> 01:14:08,479 Speaker 1: pull off a neck tattoo, could I? No? No? What 1386 01:14:08,560 --> 01:14:09,880 Speaker 1: would I get? What would I get if I already 1387 01:14:09,920 --> 01:14:13,880 Speaker 1: got a necktoo? Get flames? No, that's too hardcore, Like 1388 01:14:13,960 --> 01:14:16,280 Speaker 1: I would need something like a SpongeBob or something on 1389 01:14:16,360 --> 01:14:19,640 Speaker 1: my neck. That's not so hardcore. But you're still like 1390 01:14:19,840 --> 01:14:22,080 Speaker 1: that guy did it? You got a neck tattoo? Um? 1391 01:14:22,160 --> 01:14:23,760 Speaker 1: And this we can play a hook of her single. 1392 01:14:23,800 --> 01:14:44,040 Speaker 1: This is her single Wilder Days, Hate the Smell. We 1393 01:14:44,120 --> 01:14:45,880 Speaker 1: haven't stopped down on this show and just been like, 1394 01:14:46,120 --> 01:14:47,880 Speaker 1: here's all this music from this artist until now. But 1395 01:14:47,920 --> 01:14:50,599 Speaker 1: I'm just a massive fan of Morgan Wade. Also, it's 1396 01:14:50,640 --> 01:14:55,080 Speaker 1: interesting her name's almost like Morgan Wallen, which Morgan wa. 1397 01:14:55,640 --> 01:14:58,760 Speaker 1: I mean that's that's probably confusing for a lot of 1398 01:14:58,760 --> 01:15:01,000 Speaker 1: playlist when you're pulling it up more wah yeah, and 1399 01:15:01,040 --> 01:15:03,479 Speaker 1: it probably pulls up walling But man, she is. She 1400 01:15:03,600 --> 01:15:05,519 Speaker 1: is great. I'm just a massive fan. I've never met 1401 01:15:05,560 --> 01:15:09,800 Speaker 1: her Amy apparently it's bff's no, but I did spend 1402 01:15:09,800 --> 01:15:11,760 Speaker 1: about an hour with her. I'm nervous that people, and 1403 01:15:11,840 --> 01:15:13,720 Speaker 1: I really like people's like music. Do they come in 1404 01:15:13,760 --> 01:15:16,040 Speaker 1: and they can't play live? Oh? No, she performed live. 1405 01:15:16,160 --> 01:15:19,720 Speaker 1: She did Wilder Days. Um, she did. She did a 1406 01:15:19,760 --> 01:15:22,560 Speaker 1: cover of The Chicks. Um. She said that was like 1407 01:15:23,520 --> 01:15:25,439 Speaker 1: the Chicks were a big inspiration for her growing up. 1408 01:15:25,439 --> 01:15:27,200 Speaker 1: She grew up in a small town in Virginia and 1409 01:15:27,400 --> 01:15:32,120 Speaker 1: she carry knife. Uh. I did not ask her, but 1410 01:15:32,320 --> 01:15:35,479 Speaker 1: her eyes in person, she has she might have one 1411 01:15:35,520 --> 01:15:37,880 Speaker 1: of the most beautiful pair of eyes I've ever seen. 1412 01:15:37,960 --> 01:15:40,080 Speaker 1: You know, I'm not going to comment on that, but well, 1413 01:15:40,120 --> 01:15:42,640 Speaker 1: I'm just saying hair of eyes. Sometimes you see a 1414 01:15:42,680 --> 01:15:47,800 Speaker 1: beautiful one eye or what. I had a great singular eye. 1415 01:15:48,120 --> 01:15:50,840 Speaker 1: The other one sucked, but it's left one rock. Because 1416 01:15:50,880 --> 01:15:52,800 Speaker 1: then I started to be like should I even say this? 1417 01:15:52,960 --> 01:15:55,639 Speaker 1: And so I said it awkwardly. Um, but sometimes people 1418 01:15:55,640 --> 01:16:00,400 Speaker 1: have different colored eyes. Hers are both. Everybody, yeah, dog 1419 01:16:00,439 --> 01:16:04,160 Speaker 1: sent colored eyes. Okay, So her name is Morgan Wade. 1420 01:16:04,640 --> 01:16:06,280 Speaker 1: I don't know or I haven't met her, but I'm 1421 01:16:06,360 --> 01:16:08,360 Speaker 1: such a big fan of her entire album that I 1422 01:16:08,479 --> 01:16:10,360 Speaker 1: just it's the only thing that I've just turned on 1423 01:16:10,840 --> 01:16:13,600 Speaker 1: since Casey's last record. Not so much but since like 1424 01:16:13,680 --> 01:16:18,360 Speaker 1: Casey's Golden Hour record or Stapleton Records or Old Dominion 1425 01:16:18,439 --> 01:16:20,519 Speaker 1: I do. Other than that, I'm like, oh, check out 1426 01:16:20,520 --> 01:16:22,760 Speaker 1: a couple of songs and I'm good. Something cool that 1427 01:16:23,200 --> 01:16:26,320 Speaker 1: she mentioned was that like she didn't know, she knew 1428 01:16:26,360 --> 01:16:28,360 Speaker 1: she always wanted to kind of do this, and it 1429 01:16:28,479 --> 01:16:32,599 Speaker 1: wasn't until maybe nineteen she ever performed live in front 1430 01:16:32,600 --> 01:16:34,360 Speaker 1: of anybody. She had just kind of been doing her 1431 01:16:34,439 --> 01:16:36,760 Speaker 1: thing privately, not knowing if she was ever going to 1432 01:16:36,800 --> 01:16:38,000 Speaker 1: be able to go out there and do it, And 1433 01:16:38,120 --> 01:16:41,440 Speaker 1: then she did it at nineteen went out there first performance. 1434 01:16:42,120 --> 01:16:44,840 Speaker 1: I just thought that was interesting later in life, but 1435 01:16:45,000 --> 01:16:47,639 Speaker 1: knowing it, like thirteen fourteen, fifteen, that's what she wanted 1436 01:16:47,640 --> 01:16:53,600 Speaker 1: to do, bonehead, Sorry day. This story comes us from Tennessee. 1437 01:16:54,320 --> 01:16:56,920 Speaker 1: There was a woman at McDonald's waiting for order, you know, 1438 01:16:57,080 --> 01:17:00,320 Speaker 1: ordered a couple of hamburgers, some fry sitting there. One 1439 01:17:00,360 --> 01:17:03,639 Speaker 1: minute goes by, okay, two minutes, three minutes. She thinks 1440 01:17:03,680 --> 01:17:05,760 Speaker 1: they're taking too long, so she walks behind the counter 1441 01:17:05,840 --> 01:17:08,760 Speaker 1: and goes and gets the lady cooking the burger. What 1442 01:17:09,160 --> 01:17:13,479 Speaker 1: pops across the head? Yeah, huh yeah, three minutes too long? 1443 01:17:13,520 --> 01:17:16,280 Speaker 1: Await for those burgers and fries. Well, walcome behind the counter, 1444 01:17:16,800 --> 01:17:18,439 Speaker 1: all right? She walked, not behind the counter, she went 1445 01:17:18,560 --> 01:17:20,200 Speaker 1: behind the counter and then back to where they're cooking 1446 01:17:20,240 --> 01:17:23,120 Speaker 1: the food. That's everyone in the head. Risky for her, 1447 01:17:23,240 --> 01:17:24,800 Speaker 1: risky for the people that are back there. Like you're 1448 01:17:24,800 --> 01:17:26,840 Speaker 1: not safe anywhere anymore. I mean you could just take 1449 01:17:26,840 --> 01:17:28,479 Speaker 1: I mean, if you're the worker, you throw some hot 1450 01:17:28,520 --> 01:17:31,320 Speaker 1: oil on her or something, you know that whole well, 1451 01:17:31,360 --> 01:17:34,559 Speaker 1: you got to defend yourself to cooking war back there. Yeah, jeez, 1452 01:17:35,000 --> 01:17:37,280 Speaker 1: that'd escalated quickly. I don't know that i'd go third 1453 01:17:37,320 --> 01:17:40,360 Speaker 1: degree burns on someone. I'm lunchbox at your bone Head 1454 01:17:40,360 --> 01:17:43,479 Speaker 1: store of the day. Here are your top songs and 1455 01:17:43,600 --> 01:17:46,840 Speaker 1: country music this week. At number three, Chris Stapleton, you 1456 01:17:46,920 --> 01:18:00,280 Speaker 1: should probably leave, You should probably? And you know one? 1457 01:18:00,720 --> 01:18:09,320 Speaker 1: At number two, Michael Ray Whiskey and Rain. That really 1458 01:18:09,360 --> 01:18:11,640 Speaker 1: sounds like an old school song. That's why I like 1459 01:18:11,760 --> 01:18:16,519 Speaker 1: that when the recording of it sounds current, but like 1460 01:18:16,680 --> 01:18:18,760 Speaker 1: the vibe of it feels like a nineties, late nineties 1461 01:18:18,800 --> 01:18:22,280 Speaker 1: country song. Out number one, Dustin Lynch and Mackenzie Porter 1462 01:18:22,479 --> 01:18:39,720 Speaker 1: thinking about you. I'll just number one pop song. And 1463 01:18:39,800 --> 01:18:42,000 Speaker 1: I almost don't want to play this song because as 1464 01:18:42,040 --> 01:18:44,639 Speaker 1: soon as I do, it's bad news for me because 1465 01:18:44,640 --> 01:18:47,160 Speaker 1: I will not stop singing it all day? What do 1466 01:18:47,200 --> 01:18:49,080 Speaker 1: you think it is? And I only know one part 1467 01:18:49,160 --> 01:18:51,760 Speaker 1: of it. I only know basically just the main line 1468 01:18:51,760 --> 01:18:55,640 Speaker 1: of the chorus, heat wave? Is it heatwave? What's heatwave? Oh? 1469 01:18:55,720 --> 01:18:58,080 Speaker 1: That's the song that was all repeat, so I figure 1470 01:18:58,120 --> 01:19:01,280 Speaker 1: it must be big right now. It's my glass animal. Yeah, 1471 01:19:01,720 --> 01:19:04,360 Speaker 1: you jumped me on. I haven't been attached to any 1472 01:19:04,400 --> 01:19:06,960 Speaker 1: sort of new music or to TikTok for a month. No, 1473 01:19:07,080 --> 01:19:08,800 Speaker 1: it's not heat wave, but maybe we pull that up 1474 01:19:08,840 --> 01:19:10,280 Speaker 1: in a second. I'm curious to hear heat Wave by 1475 01:19:10,280 --> 01:19:19,640 Speaker 1: the Glass Animals. Yeah, Adele, easy on mee. I mean, 1476 01:19:19,840 --> 01:19:22,040 Speaker 1: one of the biggest earworms of the year. Just just 1477 01:19:22,280 --> 01:19:26,080 Speaker 1: a so when you say it gets stuck in your head? 1478 01:19:26,439 --> 01:19:29,200 Speaker 1: Do you sing it out loud like adele? Head? So 1479 01:19:29,360 --> 01:19:33,160 Speaker 1: you never never comes out of the mouth. Rarely sometimes 1480 01:19:33,200 --> 01:19:35,920 Speaker 1: it does, but mostly if this song comes out of 1481 01:19:35,960 --> 01:19:40,760 Speaker 1: my mouth, I just go you never go for it 1482 01:19:41,000 --> 01:19:44,000 Speaker 1: now rarely. I wonder if I can, though, Let me try, 1483 01:19:44,080 --> 01:19:48,080 Speaker 1: Come on, go eat h. Well, I know, but I'm 1484 01:19:48,080 --> 01:19:52,840 Speaker 1: trying to keep it low. Go eatsy on. Maybe babe, 1485 01:19:52,880 --> 01:19:54,680 Speaker 1: I can't. But if I were to go higher, go 1486 01:19:54,960 --> 01:19:59,200 Speaker 1: eat hey, that's not bad. Yeah, I have to pick 1487 01:19:59,320 --> 01:20:01,360 Speaker 1: my spot. What are you telling me to go higher for? 1488 01:20:02,120 --> 01:20:04,000 Speaker 1: I don't know. It sounded low. I just but I 1489 01:20:04,120 --> 01:20:05,439 Speaker 1: tried to keep up low so I could hit it. 1490 01:20:05,479 --> 01:20:07,360 Speaker 1: I know I can't hit it high. So he's doing 1491 01:20:07,400 --> 01:20:09,320 Speaker 1: the tenor version, so yes, I'm trying to. I'll do 1492 01:20:09,360 --> 01:20:15,080 Speaker 1: the bass version. Oh that's you nuber one pop song? Ray? 1493 01:20:15,160 --> 01:20:17,640 Speaker 1: Did you find the new what's this called again? He 1494 01:20:17,840 --> 01:20:24,000 Speaker 1: waves animals up? Oh? I know this song last night? Yeah, 1495 01:20:24,640 --> 01:20:30,040 Speaker 1: I know, Night June. He waved it. Yeah, I didn't 1496 01:20:30,040 --> 01:20:31,519 Speaker 1: know the name of it, though, I didn't know it 1497 01:20:31,640 --> 01:20:33,600 Speaker 1: was old. This is all we listened to. This is 1498 01:20:33,600 --> 01:20:35,880 Speaker 1: a good one though too. I'm like, I let him 1499 01:20:35,920 --> 01:20:37,800 Speaker 1: listen to the lyric video and watch it and sing it, 1500 01:20:37,880 --> 01:20:39,679 Speaker 1: and I'm like, oh, good, this is helping you read 1501 01:20:39,800 --> 01:20:42,439 Speaker 1: and you're English. Maybe I'm not as out of touch 1502 01:20:42,479 --> 01:20:44,760 Speaker 1: as I thought. Good, glad you know it well. This 1503 01:20:44,840 --> 01:20:48,400 Speaker 1: one was cold before I left, before I left the country. Yeah. Um, okay, 1504 01:20:48,439 --> 01:20:51,559 Speaker 1: we're done. That's it for now. Goodbye friends,