1 00:00:03,200 --> 00:00:06,240 Speaker 1: Welcome to Stuff Mom Never Told You from how stupp 2 00:00:06,240 --> 00:00:14,200 Speaker 1: Works dot com. Hello, and welcome to the podcast. I'm 3 00:00:14,240 --> 00:00:18,200 Speaker 1: Caroline and I'm Kristen, and today's episode is dedicated to 4 00:00:18,200 --> 00:00:22,040 Speaker 1: a very special woman. This is one big happy birthday 5 00:00:22,040 --> 00:00:25,400 Speaker 1: card sealed with a kiss to miss Dolly Parton. That's right, 6 00:00:25,520 --> 00:00:28,120 Speaker 1: filled with a kiss and lots of glitz and glamor. 7 00:00:28,440 --> 00:00:33,320 Speaker 1: But Dolly Parton, her sixty eighth birthday was on January nineteenth, 8 00:00:33,720 --> 00:00:37,440 Speaker 1: and we figured we should do an entire episode on her. 9 00:00:37,880 --> 00:00:41,840 Speaker 1: And even though we're devoting an entire podcast just to Dolly, 10 00:00:41,880 --> 00:00:46,200 Speaker 1: it was hard to fit Dolly's life and accomplishments into 11 00:00:47,040 --> 00:00:50,239 Speaker 1: only one recording. Caroline. Yeah, we started going through this 12 00:00:50,320 --> 00:00:53,519 Speaker 1: timeline of her life and all of her awards and 13 00:00:53,560 --> 00:00:55,880 Speaker 1: her accomplishments and things, and I'm reading through it and 14 00:00:55,920 --> 00:00:58,200 Speaker 1: I'm like, okay, okay, so she did this, and she 15 00:00:58,240 --> 00:01:00,160 Speaker 1: won this, and she wrote this, and then she's are 16 00:01:00,200 --> 00:01:02,360 Speaker 1: in this and I'm like, wait, no, I can't even 17 00:01:02,440 --> 00:01:04,120 Speaker 1: keep track of all of this stuff because she has 18 00:01:04,280 --> 00:01:07,200 Speaker 1: done so much in her sixty eight years. And we 19 00:01:07,319 --> 00:01:12,479 Speaker 1: figured that she definitely deserved her own podcast because it's 20 00:01:12,480 --> 00:01:15,440 Speaker 1: her birthday and she's Dolly, and Dolly really deserves the 21 00:01:15,440 --> 00:01:18,399 Speaker 1: world if you ask me. But she was an incredible 22 00:01:18,440 --> 00:01:22,440 Speaker 1: it still is an incredible businesswoman. She's a legendary performer, 23 00:01:22,520 --> 00:01:27,399 Speaker 1: still performing, still touring, and she's often cited too as 24 00:01:27,400 --> 00:01:32,760 Speaker 1: a feminist icon, even though that's not necessarily a label 25 00:01:32,840 --> 00:01:36,320 Speaker 1: that she puts on herself. And she's one of those 26 00:01:36,480 --> 00:01:41,800 Speaker 1: unique people where no matter where on the political spectrum 27 00:01:41,840 --> 00:01:46,440 Speaker 1: you are, she everybody seems to love her. Yeah, so 28 00:01:46,520 --> 00:01:50,600 Speaker 1: much so that she is actually filling the Glastonbury Legend 29 00:01:50,720 --> 00:01:57,040 Speaker 1: slot during this huge festival's Sunday night performance in Yeah Yeah, 30 00:01:57,040 --> 00:02:01,000 Speaker 1: I mean, because who wouldn't want to still see Dolly Parton. 31 00:02:01,200 --> 00:02:04,040 Speaker 1: She's neabulous, she can do anything, she can wear anything, 32 00:02:04,120 --> 00:02:06,560 Speaker 1: she can say anything, she can go anywhere, and people 33 00:02:06,840 --> 00:02:11,359 Speaker 1: love her yeah uh, and she's incredibly talented to it. 34 00:02:11,760 --> 00:02:15,240 Speaker 1: We can't even hit all of the high points of 35 00:02:15,320 --> 00:02:18,680 Speaker 1: her career because there are simply too many to list 36 00:02:18,720 --> 00:02:22,080 Speaker 1: and that would become the most boring podcast in the world. 37 00:02:22,400 --> 00:02:27,640 Speaker 1: But for instance, she's written over three thousand songs, and 38 00:02:27,760 --> 00:02:32,280 Speaker 1: twenty five of those songs have been certified gold, platinum 39 00:02:32,440 --> 00:02:37,480 Speaker 1: and multi platinum, and she has garnered seven Grammy Awards, 40 00:02:37,720 --> 00:02:41,400 Speaker 1: ten Country Music Association Awards, five Academy of Country Music Awards, 41 00:02:41,440 --> 00:02:45,680 Speaker 1: three American Music Awards, and is only one of five 42 00:02:45,880 --> 00:02:50,840 Speaker 1: female artists to win the Country Music Association's Entertainer of 43 00:02:51,160 --> 00:02:55,359 Speaker 1: the Year award. And that's not even all. That's not all, Kristen. 44 00:02:56,000 --> 00:02:58,920 Speaker 1: She's the first artist to earn a number one record 45 00:02:59,080 --> 00:03:03,080 Speaker 1: twice with I Will Always Love You Yeah. And just 46 00:03:03,400 --> 00:03:06,880 Speaker 1: on a side note of what a what a persistent 47 00:03:06,960 --> 00:03:10,800 Speaker 1: and diligent businesswoman she is in the songwriting field, the 48 00:03:10,880 --> 00:03:15,080 Speaker 1: U S Copyright Office database shows eight hundred and sixty 49 00:03:15,120 --> 00:03:19,200 Speaker 1: two entries for Dolly Partners, either author or claimant, and 50 00:03:19,280 --> 00:03:23,280 Speaker 1: that wouldn't even include all of her copyrighted songs because 51 00:03:23,320 --> 00:03:29,799 Speaker 1: the database started collecting after she was writing songs. So 52 00:03:30,120 --> 00:03:35,560 Speaker 1: she's always been very much focused on her goal of 53 00:03:35,720 --> 00:03:39,240 Speaker 1: being who she is today, of this incredibly famous, talented, 54 00:03:39,400 --> 00:03:44,800 Speaker 1: successful performer, and has always been really diligent as well, 55 00:03:44,960 --> 00:03:47,640 Speaker 1: and on the business side of things, of making sure 56 00:03:47,640 --> 00:03:49,600 Speaker 1: that Dolly Parton gets her due for all of the 57 00:03:49,640 --> 00:03:53,240 Speaker 1: hard work that she has put into not just her 58 00:03:53,720 --> 00:03:57,120 Speaker 1: hair and makeup and clothes right well, so on the 59 00:03:57,120 --> 00:03:59,440 Speaker 1: business side of things, you know, obviously she has her 60 00:03:59,480 --> 00:04:03,040 Speaker 1: Dollywood amusement parks. She also has a production company called 61 00:04:03,160 --> 00:04:06,360 Speaker 1: sand Dollar, which, by the way, produced TV's Buffy the 62 00:04:06,400 --> 00:04:09,120 Speaker 1: Vampire Slayer. She also has a record label, because why 63 00:04:09,160 --> 00:04:12,600 Speaker 1: wouldn't she. Yeah, yeah, it's called Dolly Records, because of 64 00:04:12,600 --> 00:04:16,040 Speaker 1: course it would be called Dolly Records. On top of that, 65 00:04:16,200 --> 00:04:19,479 Speaker 1: she is an author her memoirs called My Life An 66 00:04:19,480 --> 00:04:22,640 Speaker 1: Other Unfinished Business, and she's also written a children's book, 67 00:04:22,880 --> 00:04:26,200 Speaker 1: The Coat of Many Colors, right after her song of 68 00:04:26,240 --> 00:04:28,760 Speaker 1: the same name, all about, you know, being a poor 69 00:04:28,839 --> 00:04:31,520 Speaker 1: child growing up in Tennessee and her mother's stitching together 70 00:04:31,600 --> 00:04:34,560 Speaker 1: this coat out of rags and being made fun of 71 00:04:34,600 --> 00:04:37,240 Speaker 1: at school. But now who's laughing? That's right all the 72 00:04:37,240 --> 00:04:40,440 Speaker 1: way to the bank in her sequin outfit. God, she's amazing. 73 00:04:40,440 --> 00:04:43,200 Speaker 1: It's amazing. Well, so I have said this on the 74 00:04:43,240 --> 00:04:46,640 Speaker 1: podcast before, but you know, Dolly is an actress as well, 75 00:04:46,720 --> 00:04:49,039 Speaker 1: and she is in one of my favorite movies of 76 00:04:49,080 --> 00:04:52,720 Speaker 1: all time. She debuted in nineteen eighties, Nine to five 77 00:04:52,800 --> 00:04:55,400 Speaker 1: with Jane Fonda and Lily Tomlin. Yeah, it's hard to 78 00:04:55,440 --> 00:05:00,400 Speaker 1: recommend Nine to five enough because it's hilarious and it's 79 00:05:00,440 --> 00:05:02,800 Speaker 1: not only Dolly Parton, but it's also Jane Fonda and 80 00:05:02,839 --> 00:05:06,000 Speaker 1: Lily Tomlin, and they are an incredible trio with a 81 00:05:06,200 --> 00:05:11,120 Speaker 1: fabulous eighties wardrobe. And there's some bizarre plot points, but 82 00:05:11,600 --> 00:05:13,320 Speaker 1: you've got to love it for what it is, which 83 00:05:13,360 --> 00:05:16,599 Speaker 1: is a snapshot of when women are really trying to 84 00:05:16,680 --> 00:05:21,039 Speaker 1: make their way into the workplace and have to deal 85 00:05:21,080 --> 00:05:23,920 Speaker 1: with all these sexist male bosses and they're not having 86 00:05:23,960 --> 00:05:26,520 Speaker 1: any of it. That's right. And there's a shotgun involved 87 00:05:26,520 --> 00:05:29,719 Speaker 1: in some bondage. It's great. Um. She also had roles 88 00:05:29,760 --> 00:05:33,360 Speaker 1: in Steel, Magnolia's Best Little Horhouse in Texas, rhyin Stone, 89 00:05:33,480 --> 00:05:37,440 Speaker 1: and Straight Talk, in addition to TV shows, made for 90 00:05:37,480 --> 00:05:41,520 Speaker 1: TV movies, HBO Specials, the whole Thing. Yeah. I think 91 00:05:41,560 --> 00:05:43,880 Speaker 1: one of her most recent guest darring roles was on 92 00:05:44,120 --> 00:05:47,960 Speaker 1: Hannah Montana because, come to find out, she's Miley Cyrus's godmother. Yeah. 93 00:05:48,000 --> 00:05:49,880 Speaker 1: She has stuck up for Miley through a lot of 94 00:05:49,920 --> 00:05:52,840 Speaker 1: this rigamarole in the media. Yeah, because I mean, Dollies 95 00:05:52,839 --> 00:05:55,200 Speaker 1: had to deal with her own rigamarole as well, but 96 00:05:55,240 --> 00:05:59,599 Speaker 1: she's always handled it very gracefully because when it comes 97 00:05:59,640 --> 00:06:04,240 Speaker 1: to Dolly, she she's just been so singularly focused on 98 00:06:05,320 --> 00:06:08,440 Speaker 1: success and wanting to achieve her goals and accepting herself 99 00:06:08,480 --> 00:06:11,000 Speaker 1: completely for who she is. And it's kind of like, well, 100 00:06:11,200 --> 00:06:13,279 Speaker 1: I'm Dolly. You can take me or leave me, but 101 00:06:13,279 --> 00:06:17,360 Speaker 1: you're gonna take me because I'm precious. But we've got 102 00:06:17,360 --> 00:06:21,960 Speaker 1: to go through her musical timeline as well, because it's 103 00:06:21,960 --> 00:06:28,520 Speaker 1: incredible how early her talent emerged. Because in in ninety six, 104 00:06:28,560 --> 00:06:31,680 Speaker 1: she was born in Locust Ridge, Tennessee, and she wrote 105 00:06:31,680 --> 00:06:36,559 Speaker 1: her first song in nineteen fifty one, she's five years old, 106 00:06:36,600 --> 00:06:39,599 Speaker 1: and she wrote a song called Tiny Little Tasseltop and 107 00:06:39,640 --> 00:06:42,600 Speaker 1: it was about this homemade doll that was made out 108 00:06:42,600 --> 00:06:46,599 Speaker 1: of corn husks, and it was her friend. Yeah, to 109 00:06:46,720 --> 00:06:49,520 Speaker 1: further flesh out this image, Dolly was the fourth of 110 00:06:49,640 --> 00:06:52,479 Speaker 1: twelve children, several of whom would later go on to 111 00:06:52,520 --> 00:06:55,440 Speaker 1: perform with her, and she was exposed to music thanks 112 00:06:55,440 --> 00:06:58,760 Speaker 1: to her mother, who stang, and thanks to music in church. 113 00:06:58,839 --> 00:07:01,880 Speaker 1: She's stanging a lot in church. And in nineteen fifty three, 114 00:07:02,279 --> 00:07:05,600 Speaker 1: so the timeline goes, she makes her first guitar out 115 00:07:05,600 --> 00:07:08,479 Speaker 1: of an old mandolin and two bass guitar strings. But 116 00:07:08,680 --> 00:07:11,280 Speaker 1: bio dot com said that a relative gave her first guitar, 117 00:07:11,360 --> 00:07:13,200 Speaker 1: so I'm not really sure, what the real story is 118 00:07:13,240 --> 00:07:15,360 Speaker 1: on that. I'm gonna believe that she made her first 119 00:07:15,400 --> 00:07:19,760 Speaker 1: guitar because she's Dolly and uh. Side note, a lot 120 00:07:19,840 --> 00:07:22,400 Speaker 1: of this timeline is coming from the Library of Congress 121 00:07:22,440 --> 00:07:27,040 Speaker 1: because she is a living legend from the in the 122 00:07:27,080 --> 00:07:30,280 Speaker 1: Library of Congress, So she's she's actually a bona fide 123 00:07:30,640 --> 00:07:34,480 Speaker 1: national icon. Uh And in nineteen fifty six, by this point, 124 00:07:34,480 --> 00:07:38,720 Speaker 1: she's become a regular singer on Knoxville's Cass Walker Show. 125 00:07:38,800 --> 00:07:42,320 Speaker 1: So she's ten years old and she's already having these 126 00:07:42,360 --> 00:07:46,040 Speaker 1: public gigs. Yeah. And in nineteen fifties seven, she makes 127 00:07:46,040 --> 00:07:49,800 Speaker 1: her first recording, Puppy Love on Gold Band Records. Uh. 128 00:07:49,840 --> 00:07:52,600 Speaker 1: In in in nineteen fifty nine, she gives her first performance 129 00:07:52,600 --> 00:07:55,280 Speaker 1: at the Grand Ol Operate No Big Deal, um. And 130 00:07:55,440 --> 00:07:58,440 Speaker 1: further No Big Deal, she's introduced by Johnny Cash and 131 00:07:58,520 --> 00:08:01,760 Speaker 1: performs his song you Gotta Be My Baby, earning three 132 00:08:02,120 --> 00:08:05,440 Speaker 1: encores at her performance. But she knows at this point 133 00:08:05,680 --> 00:08:09,760 Speaker 1: that she has to make the move to Nashville. She's 134 00:08:09,800 --> 00:08:12,400 Speaker 1: got to get out of Severeville where she's growing up, 135 00:08:12,880 --> 00:08:16,920 Speaker 1: into the big city if she's actually going to make it. Because, 136 00:08:16,960 --> 00:08:19,360 Speaker 1: as she was telling Terry Gross in a Fresh Air 137 00:08:19,400 --> 00:08:22,360 Speaker 1: interview in the early two thousand's, she didn't want to 138 00:08:22,400 --> 00:08:25,560 Speaker 1: have the life that her mom had. She you know, 139 00:08:25,600 --> 00:08:29,360 Speaker 1: she has what seven younger siblings, eight younger siblings, and 140 00:08:29,400 --> 00:08:33,200 Speaker 1: she essentially is already mother to these kids growing up. 141 00:08:33,240 --> 00:08:34,960 Speaker 1: And she was like, I was already, you know, I'd 142 00:08:34,960 --> 00:08:37,440 Speaker 1: already been a mother. I really wanted to be a woman, 143 00:08:37,559 --> 00:08:40,359 Speaker 1: and a successful woman at that. So she moves to Nashville, 144 00:08:40,400 --> 00:08:43,400 Speaker 1: and the first day that she's there, she goes to 145 00:08:43,640 --> 00:08:46,920 Speaker 1: a laundry Matt called the Wishy Washy, and that's where 146 00:08:46,960 --> 00:08:51,240 Speaker 1: she meets her soon to be husband, Carl Dean. So 147 00:08:51,320 --> 00:08:56,600 Speaker 1: after marrying, dreambout Carl Dean, who is very tall and handsome. Um, 148 00:08:56,720 --> 00:09:00,400 Speaker 1: she goes on to chart. She on January twenty first, 149 00:09:00,480 --> 00:09:03,240 Speaker 1: nineteen sixty seven, she first appeared on the Billboard Country 150 00:09:03,320 --> 00:09:07,120 Speaker 1: charts with two singles recorded for Monument, Dumb Blonde at 151 00:09:07,200 --> 00:09:11,040 Speaker 1: number twenty four and Something Fishy at number seventeen. And 152 00:09:11,080 --> 00:09:13,360 Speaker 1: you gotta love dumb Blonde coming out at this in 153 00:09:13,440 --> 00:09:17,760 Speaker 1: this era, because it just really attacked stereotypes about women. Yeah, 154 00:09:17,800 --> 00:09:20,959 Speaker 1: one of the lines of lyrics goes, just because I'm blonde, 155 00:09:20,960 --> 00:09:24,880 Speaker 1: don't think I'm dumb. Because this dumb Blonde ain't nobody's fool. 156 00:09:25,280 --> 00:09:27,880 Speaker 1: And that's one of the reasons why Dolly is so 157 00:09:27,960 --> 00:09:30,760 Speaker 1: well loved, whether you're a country fan or not, is 158 00:09:30,800 --> 00:09:35,320 Speaker 1: because she has always been very pro women and and 159 00:09:35,440 --> 00:09:38,720 Speaker 1: very much stands up for herself. But nineteen sixty seven, 160 00:09:38,760 --> 00:09:41,680 Speaker 1: the year Dumb Blonde comes out, is huge for Dolly 161 00:09:41,760 --> 00:09:45,560 Speaker 1: because she releases her first full length album, Hello I'm Dolly, 162 00:09:45,760 --> 00:09:48,520 Speaker 1: and then on September five of that year, she first 163 00:09:48,559 --> 00:09:51,480 Speaker 1: appears on The Porter Wagner Show. And I have a 164 00:09:51,520 --> 00:09:54,480 Speaker 1: feeling that a lot of people have probably listening have 165 00:09:54,559 --> 00:09:57,000 Speaker 1: probably not heard of Porter Wagner. But this was a 166 00:09:57,080 --> 00:10:00,120 Speaker 1: huge break because the show at the time had and 167 00:10:00,160 --> 00:10:03,800 Speaker 1: a half million viewers a week, and Porter Wagner was 168 00:10:03,880 --> 00:10:07,600 Speaker 1: this country star, this older kind of gentleman who would 169 00:10:07,640 --> 00:10:12,920 Speaker 1: wear these razzle dazzle rhyin stone and tassely jackets and 170 00:10:13,080 --> 00:10:15,760 Speaker 1: called Dolly his little lady. And he he had this 171 00:10:15,840 --> 00:10:18,760 Speaker 1: female sidekick for a while named Norma Jean, But then 172 00:10:18,760 --> 00:10:22,400 Speaker 1: Norma Jean left and Dolly came on the show and 173 00:10:22,440 --> 00:10:27,040 Speaker 1: she was a huge hit. Yeah, she initially told Porter 174 00:10:27,080 --> 00:10:29,560 Speaker 1: Wagner that she'd only stay five years because you know, 175 00:10:29,640 --> 00:10:31,160 Speaker 1: she she was on a mission. This was a lady 176 00:10:31,160 --> 00:10:32,800 Speaker 1: on a mission, and she wanted to start her own 177 00:10:32,800 --> 00:10:36,920 Speaker 1: solo career, but she ended up saying two years past that, 178 00:10:37,160 --> 00:10:40,320 Speaker 1: and during this time she she managed to land a 179 00:10:40,360 --> 00:10:43,160 Speaker 1: contract with r C A Records thanks to her partnership 180 00:10:43,160 --> 00:10:46,520 Speaker 1: with Wagner, and scored her first number one country hit 181 00:10:46,559 --> 00:10:49,320 Speaker 1: in nineteen seventy one with Joshua and from there, the 182 00:10:49,440 --> 00:10:52,760 Speaker 1: years nineteen seventy four to nineteen seventy are huge as 183 00:10:52,840 --> 00:10:55,840 Speaker 1: her star really begins to rise with the help of 184 00:10:55,880 --> 00:10:58,600 Speaker 1: being on The Porter Wagner Show. But she really pretty 185 00:10:58,679 --> 00:11:03,200 Speaker 1: quickly from that point starts to become a star in 186 00:11:03,280 --> 00:11:07,600 Speaker 1: her own right, because in nineteen seventy four, we have 187 00:11:08,320 --> 00:11:13,360 Speaker 1: Jolene Yes Joe Line Caroline. Since I started researching for 188 00:11:13,480 --> 00:11:17,160 Speaker 1: this episode, Joe Lene has been in my head because 189 00:11:17,200 --> 00:11:20,880 Speaker 1: it's such a catchy, such a catchy old tune, you know. 190 00:11:21,520 --> 00:11:23,679 Speaker 1: But it reached number one on the country charts and 191 00:11:23,760 --> 00:11:27,000 Speaker 1: number sixty on the pop charts, which the fact that 192 00:11:27,080 --> 00:11:31,400 Speaker 1: she's already crossing over onto the pop charts is pretty huge. 193 00:11:31,600 --> 00:11:35,240 Speaker 1: And from there, her next four singles also reach number 194 00:11:35,240 --> 00:11:38,480 Speaker 1: one on the country's charts, which include I Will Always 195 00:11:38,559 --> 00:11:43,120 Speaker 1: Love You, which she wrote for Porter Wagner as her 196 00:11:43,320 --> 00:11:47,080 Speaker 1: song to say, listen, dude, I said I was gonna 197 00:11:47,120 --> 00:11:49,640 Speaker 1: stay for this long five years. I've already stayed two 198 00:11:49,640 --> 00:11:52,880 Speaker 1: more years. I'll always love you. I gotta go. Thing's 199 00:11:52,880 --> 00:11:54,360 Speaker 1: gonna be better for us in the end. It's actually 200 00:11:54,400 --> 00:11:55,959 Speaker 1: not really a love song as you might think it 201 00:11:56,000 --> 00:11:58,040 Speaker 1: would be if you've heard the Whitney Houston version from 202 00:11:58,080 --> 00:12:01,720 Speaker 1: the Bodyguard. But it was really Dolly Parton kind of saying, 203 00:12:02,240 --> 00:12:05,880 Speaker 1: you know, you gotta go, come on, I I gotta go, 204 00:12:06,040 --> 00:12:08,760 Speaker 1: you gotta go. That it's not about Kevin Costner. It's 205 00:12:08,920 --> 00:12:12,000 Speaker 1: not about Kevin Costner. Well, but you know what it 206 00:12:12,040 --> 00:12:13,959 Speaker 1: can be about Kevin Costner if you want it to be. 207 00:12:14,679 --> 00:12:17,800 Speaker 1: I want every song to be about Kevin Costner. And 208 00:12:17,840 --> 00:12:21,240 Speaker 1: so within this this very short time, I mean seventy 209 00:12:21,240 --> 00:12:23,360 Speaker 1: eight that's not actually that long. But she won the 210 00:12:23,400 --> 00:12:26,160 Speaker 1: CMA Female Vocalist of the Year award. She gets her 211 00:12:26,160 --> 00:12:30,000 Speaker 1: own syndicated TV show. She ends her long professional association 212 00:12:30,040 --> 00:12:34,000 Speaker 1: with Porter Wagner. She releases New Harvest First Gathering, her 213 00:12:34,040 --> 00:12:37,600 Speaker 1: first self produced album, and the single from that album, 214 00:12:37,640 --> 00:12:40,840 Speaker 1: Here You Come Again, hit number three on the pop charts. Yeah, 215 00:12:40,840 --> 00:12:44,040 Speaker 1: and that album ended up going platinum, making Dolly Parton 216 00:12:44,080 --> 00:12:46,959 Speaker 1: the first female artist to have an album sell one 217 00:12:47,040 --> 00:12:50,480 Speaker 1: million copies. And Here You Come Again earned part in 218 00:12:50,600 --> 00:12:54,880 Speaker 1: her very first Grammy for Best Country Vocal Performance by 219 00:12:54,920 --> 00:13:00,199 Speaker 1: a Female, and the accolades don't stop there. Hits to 220 00:13:00,320 --> 00:13:03,640 Speaker 1: five is released, Dolly earns a Golden Globe nomination for 221 00:13:03,679 --> 00:13:07,360 Speaker 1: Best Supporting Actress, Best New Film Star, and Best Original Song, 222 00:13:07,800 --> 00:13:10,160 Speaker 1: as well as the People's Choice Award for Favorite Movie 223 00:13:10,200 --> 00:13:13,000 Speaker 1: Song and an Oscar nomination for the title song, It 224 00:13:13,200 --> 00:13:16,960 Speaker 1: is that catchy, people, It is so catchy. And from 225 00:13:17,000 --> 00:13:21,199 Speaker 1: there she stars in Two is Best Little Horhouse in Texas, 226 00:13:21,720 --> 00:13:24,280 Speaker 1: and her remake of I Will Always Love You for 227 00:13:24,320 --> 00:13:28,439 Speaker 1: the soundtrack earns a Grammy nomination. Six, She's inducted into 228 00:13:28,480 --> 00:13:32,840 Speaker 1: the Nashville Songwriters Hall of Fame nineteen eighties, six Dollywood opens, 229 00:13:33,400 --> 00:13:37,680 Speaker 1: and in more recent years, because of all of these 230 00:13:37,720 --> 00:13:40,480 Speaker 1: accolades that we have been blowing through, we haven't even 231 00:13:40,920 --> 00:13:44,480 Speaker 1: told you every single one of them, she is essentially 232 00:13:44,520 --> 00:13:49,280 Speaker 1: now just starting to earn the Lifetime awards like, yeah, 233 00:13:49,400 --> 00:13:51,720 Speaker 1: we just think you're awesome, Dolly. And so in two 234 00:13:51,760 --> 00:13:54,760 Speaker 1: thousand four, that's when she received a Living Legend Metal 235 00:13:54,800 --> 00:13:57,160 Speaker 1: from the Library of Congress. And in two thousand and six, 236 00:13:57,200 --> 00:14:00,560 Speaker 1: she was one of the celebrities recognized at the Kennedy 237 00:14:00,600 --> 00:14:03,760 Speaker 1: Center Honors. And I like how recently she received a 238 00:14:03,800 --> 00:14:07,679 Speaker 1: Lifetime Achievement Award from the Grammy Awards, because I think 239 00:14:07,679 --> 00:14:10,120 Speaker 1: what she already gotten like seven of them, and they're 240 00:14:10,160 --> 00:14:14,079 Speaker 1: like Grammys were like, listen, Dolly, just here's an award. 241 00:14:14,400 --> 00:14:16,960 Speaker 1: Just can you stop being so awesome? Other people have 242 00:14:17,040 --> 00:14:20,920 Speaker 1: to get awards, um, But she's not only popular though 243 00:14:21,280 --> 00:14:23,760 Speaker 1: in the United States. I'm sure we have some international 244 00:14:23,800 --> 00:14:28,479 Speaker 1: listeners who were well aware of Dolly Parton. But academically, 245 00:14:28,680 --> 00:14:31,360 Speaker 1: the one study I was surprised, the one study that 246 00:14:31,360 --> 00:14:34,920 Speaker 1: we could find on Dolly Parton was about how popular 247 00:14:34,960 --> 00:14:38,840 Speaker 1: she is in Zimbabwe. Yeah, this was this was surprising 248 00:14:38,880 --> 00:14:43,160 Speaker 1: to me. But Jonathan Zilberg basically did like this anthropological 249 00:14:43,360 --> 00:14:47,680 Speaker 1: look at the popularity that not only Dolly has, but 250 00:14:47,760 --> 00:14:50,480 Speaker 1: country music has in Zimbabwe. And a lot of it 251 00:14:50,520 --> 00:14:52,720 Speaker 1: just has to do with, you know, the entertainment that's 252 00:14:52,760 --> 00:14:55,960 Speaker 1: piped through the TV and the radio and the fact 253 00:14:55,960 --> 00:14:58,560 Speaker 1: that people identify with it. But you know, he looked 254 00:14:58,600 --> 00:15:01,880 Speaker 1: at Okay, well, why why do why this like blonde, 255 00:15:02,160 --> 00:15:05,160 Speaker 1: you know, big boobed, white American woman, Like what is 256 00:15:05,200 --> 00:15:08,000 Speaker 1: it about her? And he cites, you know, a lot 257 00:15:08,040 --> 00:15:10,440 Speaker 1: of her lyrics and her story itself, her rags to 258 00:15:10,560 --> 00:15:12,680 Speaker 1: richest story, the fact that she did come from twelve 259 00:15:12,800 --> 00:15:16,600 Speaker 1: children in the hills of Appalachia. You know, they didn't 260 00:15:16,600 --> 00:15:19,840 Speaker 1: have much, and now she's this famous singer who sings 261 00:15:19,840 --> 00:15:24,880 Speaker 1: about everyday experiences. She also incorporates uplifting Christian themes and 262 00:15:25,160 --> 00:15:29,240 Speaker 1: sings those very easy to identify with tragic love songs. Yeah, 263 00:15:29,240 --> 00:15:33,880 Speaker 1: he said that even Zimbabweans identify with the healing function, 264 00:15:34,000 --> 00:15:37,720 Speaker 1: as he calls it, of Dolly Parton's music. So, now 265 00:15:37,760 --> 00:15:41,640 Speaker 1: that we have clearly established that Dolly Parton is an incredible, 266 00:15:41,720 --> 00:15:46,160 Speaker 1: accomplished woman who is genuinely loved around the world, we're 267 00:15:46,160 --> 00:15:49,240 Speaker 1: going to take a quick break and then talk about 268 00:15:49,320 --> 00:15:54,480 Speaker 1: how she has parlayed her fame and wealth to help 269 00:15:54,560 --> 00:15:59,480 Speaker 1: other people as well. And now back to the podcast. Honestly, 270 00:15:59,640 --> 00:16:03,680 Speaker 1: I like, growing up, Dolly Parton was not played in 271 00:16:03,840 --> 00:16:06,440 Speaker 1: my household. You know, It's not I wasn't like a 272 00:16:06,440 --> 00:16:09,760 Speaker 1: hardcore Dolly fan or anything. It's only been in my 273 00:16:09,960 --> 00:16:14,680 Speaker 1: adulthood that I've really discovered her, and while I don't 274 00:16:15,000 --> 00:16:17,800 Speaker 1: really listen to her albums on repeat or anything like that, 275 00:16:18,040 --> 00:16:20,120 Speaker 1: I love her hits and I just, I don't know, 276 00:16:20,120 --> 00:16:25,440 Speaker 1: I appreciate her place in music history and in pop 277 00:16:25,480 --> 00:16:29,640 Speaker 1: culture in general, because she's she's just been so honest 278 00:16:30,040 --> 00:16:34,920 Speaker 1: and honestly unapologetic about who she is and what she's 279 00:16:34,960 --> 00:16:39,280 Speaker 1: done with her notoriety and all of the money that 280 00:16:39,320 --> 00:16:43,520 Speaker 1: she's earned, such as giving back as the book Lady Yeah. 281 00:16:43,600 --> 00:16:47,000 Speaker 1: Back in nine she started the Dollywood Foundation to inspire 282 00:16:47,120 --> 00:16:50,440 Speaker 1: children in her home community of severe Ville, Tennessee, and 283 00:16:50,520 --> 00:16:54,200 Speaker 1: it funds the Dolly Parton Imagination Library across America and 284 00:16:54,280 --> 00:16:58,080 Speaker 1: now in Canada and the UK by giving every preschool 285 00:16:58,160 --> 00:17:00,280 Speaker 1: child a book each month from the time year she 286 00:17:00,400 --> 00:17:05,000 Speaker 1: is born until the child reaches kindergarten, and as of August, 287 00:17:05,200 --> 00:17:08,760 Speaker 1: the program had spread communities across the US, England, and 288 00:17:08,840 --> 00:17:12,560 Speaker 1: Canada and given away almost fifty million free books, and 289 00:17:12,640 --> 00:17:14,840 Speaker 1: Dolly holds this so close to her heart. She said 290 00:17:14,840 --> 00:17:16,640 Speaker 1: that this was the thing that her father was most 291 00:17:16,640 --> 00:17:19,000 Speaker 1: proud of her for, not her stinging career, not all 292 00:17:19,040 --> 00:17:20,879 Speaker 1: of her country music awards, but the fact that she 293 00:17:21,000 --> 00:17:24,119 Speaker 1: was helping children to read because she said, you know, 294 00:17:24,240 --> 00:17:27,760 Speaker 1: if you as a child, particularly like a poor child, 295 00:17:28,240 --> 00:17:30,120 Speaker 1: you know, you don't have anything to call your own. 296 00:17:30,160 --> 00:17:31,600 Speaker 1: But if you get this book in the mail and 297 00:17:31,640 --> 00:17:33,240 Speaker 1: it has your name on it, and you learn to 298 00:17:33,240 --> 00:17:35,480 Speaker 1: read it, and you pour over it every month, and 299 00:17:35,480 --> 00:17:37,359 Speaker 1: then you get a new one, there's a sense of 300 00:17:37,400 --> 00:17:40,120 Speaker 1: ownership and pride in the act of learning to read. 301 00:17:40,160 --> 00:17:42,800 Speaker 1: You're gonna tell your mama or your daddy to teach 302 00:17:42,840 --> 00:17:44,960 Speaker 1: you how to read. And so that's something that she's 303 00:17:45,040 --> 00:17:48,000 Speaker 1: very proud of. Well, and what more empowering tool can 304 00:17:48,040 --> 00:17:51,760 Speaker 1: you give a child than the ability to read? You know? Um, 305 00:17:51,800 --> 00:17:54,720 Speaker 1: But let's talk for a minute about her personal life, 306 00:17:54,760 --> 00:17:58,080 Speaker 1: because I mean her her professional life is so huge, 307 00:17:58,400 --> 00:18:01,840 Speaker 1: and at least for um, what I've known of Dolly 308 00:18:01,920 --> 00:18:05,680 Speaker 1: before looking into her life for the podcast, I wasn't 309 00:18:05,720 --> 00:18:07,520 Speaker 1: very aware of her personal life because I feel like 310 00:18:07,520 --> 00:18:11,480 Speaker 1: she's always been pretty good at keeping the professional life 311 00:18:11,640 --> 00:18:16,600 Speaker 1: at the forefront. But certainly her longtime marriage to Carl 312 00:18:16,600 --> 00:18:18,680 Speaker 1: Dene They've been married for nearly fifty years. I think 313 00:18:18,680 --> 00:18:22,440 Speaker 1: they're actually about to renew their vows. But it certainly 314 00:18:22,560 --> 00:18:27,800 Speaker 1: has attracted gossip in rumors as well because she's worked 315 00:18:27,840 --> 00:18:33,000 Speaker 1: so closely with prominent men, whether they're musicians or actors 316 00:18:33,040 --> 00:18:37,439 Speaker 1: like Burt Reynolds. UM. And people always assume, well, Dolly 317 00:18:37,520 --> 00:18:39,480 Speaker 1: must be flirting with these men, and she must be 318 00:18:39,480 --> 00:18:42,120 Speaker 1: having a phase, I must have an open marriage. Yeah, 319 00:18:42,160 --> 00:18:44,240 Speaker 1: there's a lot of speculation people are dying to know. 320 00:18:44,400 --> 00:18:47,120 Speaker 1: And her quote is this, which is great. She says, 321 00:18:47,520 --> 00:18:49,360 Speaker 1: I love to flirt, and I've never met a man 322 00:18:49,400 --> 00:18:52,080 Speaker 1: I didn't like. Men of my weakness short, fat, bald, 323 00:18:52,160 --> 00:18:54,520 Speaker 1: or skinny. I've had crushes on some very unusual men, 324 00:18:54,560 --> 00:18:57,600 Speaker 1: but Carl knows I'll always come home and I'm not 325 00:18:57,680 --> 00:19:00,359 Speaker 1: having sex with these people. I'm just flirting and having fun. 326 00:19:00,560 --> 00:19:03,480 Speaker 1: I love that, she says. She said, crushes on unusual men. 327 00:19:04,240 --> 00:19:06,960 Speaker 1: That's so perfect. Well, yeah, because there was even a 328 00:19:07,040 --> 00:19:10,760 Speaker 1: rumor swirling that they were in an open marriage, because 329 00:19:11,359 --> 00:19:14,560 Speaker 1: I think she she's made comments about like poking fun 330 00:19:14,800 --> 00:19:17,480 Speaker 1: at long term monogamy because I mean, come on, they've 331 00:19:17,480 --> 00:19:20,359 Speaker 1: been married for like fifty years, um, and people were 332 00:19:20,400 --> 00:19:25,560 Speaker 1: scandalized by that. But she always seems so unfazed by 333 00:19:25,920 --> 00:19:29,080 Speaker 1: whatever kind of gossip people want to spread. Um. But 334 00:19:29,200 --> 00:19:32,000 Speaker 1: one thing too she's talked about publicly is the fact 335 00:19:32,000 --> 00:19:35,960 Speaker 1: that she and Carl don't have any kids, and she 336 00:19:36,040 --> 00:19:39,359 Speaker 1: actually went through a tough time about that. She told 337 00:19:39,400 --> 00:19:41,920 Speaker 1: the Globe at one point that she in the nineteen 338 00:19:41,960 --> 00:19:46,080 Speaker 1: eighties went through about a depression from from not having kids. 339 00:19:46,160 --> 00:19:48,199 Speaker 1: She said, I went through a dark time. It lasted 340 00:19:48,280 --> 00:19:50,199 Speaker 1: several months because I think I would have made a 341 00:19:50,280 --> 00:19:53,800 Speaker 1: nice mama. Yeah, and so, you know, she she had 342 00:19:53,800 --> 00:19:55,800 Speaker 1: thought she might have kids, but her you know, they 343 00:19:55,840 --> 00:19:58,480 Speaker 1: was on hold because of her career and all of 344 00:19:58,480 --> 00:20:01,760 Speaker 1: that stuff. And so then she she says, and I 345 00:20:01,800 --> 00:20:03,560 Speaker 1: want you to, like, I can't do a Dolly voice, 346 00:20:03,560 --> 00:20:05,359 Speaker 1: but I want you to imagine this in Dolly's voice. 347 00:20:05,400 --> 00:20:07,679 Speaker 1: She says, Then one day I just said to myself, right, 348 00:20:07,800 --> 00:20:10,240 Speaker 1: get off your fat butt, or if you really are suicidal, 349 00:20:10,240 --> 00:20:12,359 Speaker 1: then go and shoot your brains out. I thought, you know, 350 00:20:12,760 --> 00:20:14,760 Speaker 1: maybe God didn't want me to have kids so that 351 00:20:14,840 --> 00:20:17,920 Speaker 1: everybody else's kids could be mine. Well that's the thing too. 352 00:20:17,960 --> 00:20:20,840 Speaker 1: She talks about how she has so many nieces and 353 00:20:20,920 --> 00:20:26,320 Speaker 1: nephews because she has eleven siblings, so there are she 354 00:20:26,680 --> 00:20:28,080 Speaker 1: I think they call her what do they call her? 355 00:20:28,080 --> 00:20:30,520 Speaker 1: Great aunt? Granny? Is her name? They just call her 356 00:20:30,560 --> 00:20:33,160 Speaker 1: great aunt Granny. I can't do a Dolly Parton either, clearly. 357 00:20:33,520 --> 00:20:36,280 Speaker 1: But one of the most fascinating things to me about 358 00:20:36,320 --> 00:20:41,440 Speaker 1: Dolly Parton today and with her relationship to women our age, 359 00:20:41,520 --> 00:20:45,400 Speaker 1: especially Caroline, is how how many times I've seen her 360 00:20:45,440 --> 00:20:50,960 Speaker 1: being cited as this feminist icon, even though she's never 361 00:20:51,040 --> 00:20:54,040 Speaker 1: out and out said I'm a feminist. She's she's very 362 00:20:54,119 --> 00:20:59,280 Speaker 1: much loud and proud about her Christianity and her kind 363 00:20:59,320 --> 00:21:02,960 Speaker 1: of traditional family values. But at the same time, she 364 00:21:04,000 --> 00:21:06,680 Speaker 1: very much supports gay rights and gay marriage, and she's 365 00:21:06,680 --> 00:21:10,919 Speaker 1: been on the record about that. But in terms of feminism, 366 00:21:11,000 --> 00:21:16,119 Speaker 1: she pokes fun, but she's never said, well, I'm a feminist. Yeah, 367 00:21:16,320 --> 00:21:18,600 Speaker 1: But I think her life is such an excellent example 368 00:21:18,720 --> 00:21:20,560 Speaker 1: all in and of itself. I mean the way that 369 00:21:20,600 --> 00:21:23,920 Speaker 1: she has forged ahead with with a smile on her 370 00:21:23,920 --> 00:21:26,679 Speaker 1: face the whole time, you know. I mean she has 371 00:21:26,800 --> 00:21:29,199 Speaker 1: kind of laughed off all of this stuff as she 372 00:21:29,240 --> 00:21:32,520 Speaker 1: has pushed through the big machine to become as successful 373 00:21:32,560 --> 00:21:35,240 Speaker 1: as she is. Yeah. And one of one quote she 374 00:21:35,280 --> 00:21:38,320 Speaker 1: did give in response to her thoughts on feminism was 375 00:21:38,440 --> 00:21:40,480 Speaker 1: she said, I was the first woman woman to burn 376 00:21:40,520 --> 00:21:42,840 Speaker 1: my bra. It took the fire department four days to 377 00:21:42,880 --> 00:21:47,240 Speaker 1: put it out, and one thing that people really like 378 00:21:47,280 --> 00:21:50,440 Speaker 1: about her. It's just her very non judgmental attitude. I mean, 379 00:21:50,600 --> 00:21:52,520 Speaker 1: you look at the hair, you look at the boobs, 380 00:21:52,600 --> 00:21:54,640 Speaker 1: and you might start to assume things like, maybe she's 381 00:21:54,680 --> 00:21:57,320 Speaker 1: not that smart, she couldn't possibly be a feminist. But 382 00:21:57,359 --> 00:22:01,000 Speaker 1: what she's doing is basically championing your right to look 383 00:22:01,200 --> 00:22:04,359 Speaker 1: anyway you want. And I mean she's definitely not shy 384 00:22:04,400 --> 00:22:07,400 Speaker 1: about talking about her appearance, the wigs, the boobs, all 385 00:22:07,480 --> 00:22:10,399 Speaker 1: that stuff. In fact, she says things like it takes 386 00:22:10,400 --> 00:22:13,560 Speaker 1: a lot of money to look that cheap um. But 387 00:22:13,640 --> 00:22:16,719 Speaker 1: she just uses the self deprecation and humor and and 388 00:22:16,760 --> 00:22:19,360 Speaker 1: doesn't let it bother her. You know, she kind of 389 00:22:20,680 --> 00:22:24,440 Speaker 1: took back the female form. You could say, oh yeah, 390 00:22:24,520 --> 00:22:27,679 Speaker 1: I mean the fact that she has she is so big, 391 00:22:27,720 --> 00:22:30,639 Speaker 1: whether we're talking about her hair or her breast, or 392 00:22:30,760 --> 00:22:35,320 Speaker 1: just how loud her wardrobe tends to be. And it's 393 00:22:35,359 --> 00:22:38,240 Speaker 1: it's intentional on her part. I mean, she's even talked 394 00:22:38,240 --> 00:22:42,000 Speaker 1: about how her look today was inspired when she was 395 00:22:42,000 --> 00:22:45,800 Speaker 1: a little girl by a prostitute in her town who 396 00:22:45,880 --> 00:22:47,639 Speaker 1: she saw, and she talked about how she saw this 397 00:22:47,640 --> 00:22:50,160 Speaker 1: woman walking down the road and she was so glamorous 398 00:22:50,160 --> 00:22:52,600 Speaker 1: because she had big hair and red nails, and she 399 00:22:52,600 --> 00:22:55,840 Speaker 1: wanted to look exactly like her. And her mother noticed 400 00:22:55,960 --> 00:22:59,320 Speaker 1: Dolly paying attention to this prostitute and it was just 401 00:22:59,440 --> 00:23:01,600 Speaker 1: scandal I and said, Dolly, don't look at that woman. No, 402 00:23:02,320 --> 00:23:06,840 Speaker 1: And here, you know, She's like, well, sorry, mom, I'm 403 00:23:06,840 --> 00:23:10,240 Speaker 1: not sorry. Yeah. And I mean, if you look at 404 00:23:10,280 --> 00:23:13,880 Speaker 1: the song she's written, like dumb Blonde, which we cited earlier. 405 00:23:13,920 --> 00:23:16,000 Speaker 1: You know, I don't think I'm dumb because this dumb 406 00:23:16,040 --> 00:23:19,720 Speaker 1: blonde ain't nobody's fool just because I'm a woman and 407 00:23:19,840 --> 00:23:21,840 Speaker 1: nine to five, you know, just because I'm a woman. 408 00:23:21,880 --> 00:23:24,159 Speaker 1: She says, my mistakes are no worse than yours. Just 409 00:23:24,200 --> 00:23:27,080 Speaker 1: because I'm a woman nine to five talking about you 410 00:23:27,080 --> 00:23:30,120 Speaker 1: would think I would deserve a fat promotion, all this stuff, 411 00:23:30,680 --> 00:23:33,560 Speaker 1: and even with Joe Lene, you know where in the 412 00:23:33,760 --> 00:23:37,880 Speaker 1: story this woman is trying to steal Dolly's man. Dolly's 413 00:23:37,920 --> 00:23:41,439 Speaker 1: not calling her bad names. There's no hint of splut 414 00:23:41,480 --> 00:23:44,520 Speaker 1: shaming in this song whatsoever. She's simply saying like, look, 415 00:23:44,880 --> 00:23:47,480 Speaker 1: I know you're awesome, I know you're gorgeous, but please, 416 00:23:47,520 --> 00:23:49,680 Speaker 1: I love him, don't take him away. Yeah, I mean, 417 00:23:49,720 --> 00:23:53,400 Speaker 1: she's just earnestly saying I can't compete with you, Joline, 418 00:23:53,800 --> 00:23:56,440 Speaker 1: So if you could just kind of disappear, that would 419 00:23:56,440 --> 00:23:59,960 Speaker 1: be nice. Um and Dr Amy Pelloff, who's the is 420 00:24:00,000 --> 00:24:03,600 Speaker 1: asstant Director of the Comparative History of Ideas Program and 421 00:24:03,640 --> 00:24:06,359 Speaker 1: the Affiliate Assistant Director of Gender, Women in Sexuality Studies 422 00:24:06,359 --> 00:24:09,600 Speaker 1: at the University of Washington. Wow, that's quite a title. 423 00:24:09,880 --> 00:24:14,200 Speaker 1: Um has also looked into this intersection of feminism and 424 00:24:14,480 --> 00:24:19,440 Speaker 1: Dolly Parton from a performative standpoint, and she calls it 425 00:24:19,920 --> 00:24:25,360 Speaker 1: folk feminism what she sees in Dolly Parton. Uh. For instance, 426 00:24:25,520 --> 00:24:28,520 Speaker 1: she quotes Dolly Parton saying, I soon realized that I 427 00:24:28,560 --> 00:24:30,880 Speaker 1: had to play by men's rules to win. My way 428 00:24:30,880 --> 00:24:33,399 Speaker 1: of fighting back was to wear frilly clothes and to 429 00:24:33,480 --> 00:24:38,080 Speaker 1: put on the big blonde wigs. And pelaf is really 430 00:24:38,480 --> 00:24:42,560 Speaker 1: fascinated at how I mean, when we talk about gender, 431 00:24:42,600 --> 00:24:45,000 Speaker 1: we often talk about how gender is a performance, is 432 00:24:45,000 --> 00:24:47,200 Speaker 1: the things that you put on. It's the feminine versus 433 00:24:47,240 --> 00:24:50,320 Speaker 1: the masculine. Really boils down to how you are acting 434 00:24:50,560 --> 00:24:54,080 Speaker 1: and you know what you're wearing. These kinds of performance aspects, 435 00:24:54,359 --> 00:24:56,879 Speaker 1: and when it comes to femininity, Dolly is like the 436 00:24:57,160 --> 00:25:01,720 Speaker 1: highest most heightened version of of gender. Performance that you 437 00:25:01,720 --> 00:25:04,879 Speaker 1: could really imagine, right well, I mean she does say 438 00:25:05,000 --> 00:25:06,760 Speaker 1: I've always said that if I hadn't been a woman, 439 00:25:06,800 --> 00:25:08,879 Speaker 1: I would have been a drag queen exactly, and I 440 00:25:08,920 --> 00:25:12,000 Speaker 1: mean that goes. I mean she basically is like that 441 00:25:12,080 --> 00:25:15,920 Speaker 1: whole performance. Are the big wigs, all the makeup, the hair, everything. 442 00:25:16,200 --> 00:25:19,440 Speaker 1: I mean, she basically is a drag queen. And uh 443 00:25:19,520 --> 00:25:22,720 Speaker 1: Amy Pelov also points out her contradictory identities, and I 444 00:25:22,800 --> 00:25:25,760 Speaker 1: think that's interesting and I wonder if this is part 445 00:25:25,800 --> 00:25:29,560 Speaker 1: of why everybody loves Dolly is because you know, that 446 00:25:29,640 --> 00:25:33,520 Speaker 1: extreme femininity. There's the male fantasy part compared with the 447 00:25:33,560 --> 00:25:38,240 Speaker 1: gay icon aspect of her performance, the simple country girl 448 00:25:38,359 --> 00:25:42,639 Speaker 1: versus the jet setting celebrity, the faithfully married woman versus 449 00:25:42,680 --> 00:25:45,879 Speaker 1: the film fatale, and then the straight woman versus lesbian. 450 00:25:45,880 --> 00:25:47,680 Speaker 1: A lot of people have said, oh, well, Dolly must 451 00:25:47,720 --> 00:25:49,520 Speaker 1: be a lesbian causina she's not out with her husband 452 00:25:49,560 --> 00:25:51,400 Speaker 1: all the time, when in fact she's like, dude, we're 453 00:25:51,440 --> 00:25:54,600 Speaker 1: just she's my best friend, calmed down. And then that 454 00:25:54,640 --> 00:25:58,520 Speaker 1: whole dichotomy between the artificial and the authentic that almost 455 00:25:58,520 --> 00:26:01,440 Speaker 1: everything about her when you look at her probably fake, 456 00:26:02,080 --> 00:26:06,000 Speaker 1: but she herself is so genuine well, and she's so 457 00:26:06,280 --> 00:26:09,760 Speaker 1: genuine about the fakeness, you know. And and it was 458 00:26:10,000 --> 00:26:14,359 Speaker 1: one quote about the sexuality aspect or the sexualization of 459 00:26:14,400 --> 00:26:17,760 Speaker 1: her body. She said, there's nothing sexy about my look. 460 00:26:17,960 --> 00:26:21,000 Speaker 1: Men are not usually turned on by artificial looks. And 461 00:26:21,040 --> 00:26:23,520 Speaker 1: I've always been like that, Like she think it's thinks 462 00:26:23,520 --> 00:26:27,560 Speaker 1: it's kind of laughable to even consider herself, uh, sex 463 00:26:27,800 --> 00:26:31,199 Speaker 1: icon just because she has large breasts. Yeah, And I 464 00:26:31,240 --> 00:26:36,080 Speaker 1: mean she's been able to accomplish. I mean just you know, 465 00:26:36,160 --> 00:26:38,639 Speaker 1: we blew through that timeline of her life, but you know, 466 00:26:38,680 --> 00:26:41,440 Speaker 1: this woman has accomplished so much and been awarded with 467 00:26:41,480 --> 00:26:45,359 Speaker 1: so much, and she's done it on her own terms completely. 468 00:26:45,400 --> 00:26:47,520 Speaker 1: She has been able to do everything with a smile, 469 00:26:48,040 --> 00:26:50,719 Speaker 1: looking exactly the way she wants to look, doing what 470 00:26:50,760 --> 00:26:53,920 Speaker 1: she wants to do, and still gathering all of this, 471 00:26:54,560 --> 00:26:57,560 Speaker 1: all of these accolades, all of this notoriety. Yeah, and 472 00:26:57,600 --> 00:26:59,600 Speaker 1: I mean I think a lot of it goes back 473 00:26:59,640 --> 00:27:06,000 Speaker 1: to her being a child in tiny town Appalachia and 474 00:27:06,320 --> 00:27:10,440 Speaker 1: having this one dream and having some incredible work ethics. 475 00:27:10,480 --> 00:27:13,200 Speaker 1: She's She's even said that, Um, you know, she has 476 00:27:13,320 --> 00:27:17,640 Speaker 1: a lot of talented relatives. She's like, but I don't 477 00:27:17,680 --> 00:27:19,479 Speaker 1: think that any of them are as successful as I am, 478 00:27:19,520 --> 00:27:21,520 Speaker 1: because I don't know if anyone who really wants to 479 00:27:21,520 --> 00:27:24,520 Speaker 1: work as hard as I do, because I'm sure was 480 00:27:24,640 --> 00:27:29,080 Speaker 1: NonStop to write over three thousand songs and do everything 481 00:27:29,119 --> 00:27:33,600 Speaker 1: else that she's been doing. Um, and I don't know. 482 00:27:33,680 --> 00:27:37,479 Speaker 1: It's it's interesting to just think about someone who today 483 00:27:37,480 --> 00:27:41,280 Speaker 1: when I feel like in our social landscape, everything is 484 00:27:41,320 --> 00:27:43,840 Speaker 1: so polarized. Everything is you either hate it or you 485 00:27:43,920 --> 00:27:48,720 Speaker 1: love it, And it's rare to find a person who 486 00:27:49,080 --> 00:27:54,480 Speaker 1: doesn't attract as much criticism as they do praise, And 487 00:27:55,520 --> 00:27:58,400 Speaker 1: it's hard to find someone who wants can can legitimately 488 00:27:58,560 --> 00:28:01,840 Speaker 1: talk smack about Dolly Parton even if you don't like 489 00:28:01,920 --> 00:28:04,680 Speaker 1: her music, even if you're not a country fan, there's 490 00:28:04,680 --> 00:28:07,760 Speaker 1: something to like about her. And I think it's because 491 00:28:07,880 --> 00:28:12,199 Speaker 1: of those kind of lines that she's able to skirt 492 00:28:12,200 --> 00:28:15,800 Speaker 1: that you just mentioned of just like kind of somehow 493 00:28:15,840 --> 00:28:20,600 Speaker 1: being everything all at once and being totally humble and 494 00:28:20,640 --> 00:28:22,720 Speaker 1: also self deprecating about it, which I think the self 495 00:28:22,760 --> 00:28:28,160 Speaker 1: deprecation helps, you know, So happy birthday, Dolly, Happy birthday, 496 00:28:28,240 --> 00:28:31,560 Speaker 1: and call us anytime. Yeah, you can hang out if 497 00:28:31,560 --> 00:28:34,680 Speaker 1: you ever want to pop over to Atlanta. Dolly, now 498 00:28:34,720 --> 00:28:36,919 Speaker 1: that we're directly addressing you as though you're listening to 499 00:28:36,960 --> 00:28:40,920 Speaker 1: this episode, But I want to know though, if other 500 00:28:41,000 --> 00:28:45,800 Speaker 1: people listening consider her a feminist icon? Are you a fan? 501 00:28:45,960 --> 00:28:49,320 Speaker 1: Is there anyone out there who has a legit reason 502 00:28:49,360 --> 00:28:52,800 Speaker 1: to not like Dolly? Let us know. Let's let's talk 503 00:28:52,800 --> 00:28:56,600 Speaker 1: about Dolly for her birthday Moms stuff. Discovery dot com 504 00:28:56,640 --> 00:28:58,560 Speaker 1: is where you can send your letters, and we've got 505 00:28:58,560 --> 00:29:04,000 Speaker 1: a couple of letters to share with you right now. Well, 506 00:29:04,000 --> 00:29:07,000 Speaker 1: I've got an email here from Heather about our New 507 00:29:07,120 --> 00:29:11,680 Speaker 1: Year's episode on will Power, and she rightes say, lovely 508 00:29:11,760 --> 00:29:15,600 Speaker 1: Lady podcasters loved the New Year's Resolution podcast and thought 509 00:29:15,600 --> 00:29:19,280 Speaker 1: I'd cheer my willpower story with you. I started smoking 510 00:29:19,360 --> 00:29:22,360 Speaker 1: when I was fifteen and smoked for seven years. After 511 00:29:22,440 --> 00:29:25,000 Speaker 1: my appendix burst, Oh my goodness, and a week and 512 00:29:25,000 --> 00:29:26,680 Speaker 1: a half in the hospital, and watching both of my 513 00:29:26,680 --> 00:29:28,600 Speaker 1: grandmother spend their last few years in and out of 514 00:29:28,640 --> 00:29:31,080 Speaker 1: hospitals dying of cancer, I decided I had to quit 515 00:29:31,400 --> 00:29:33,720 Speaker 1: if I didn't want to spend my last year's in hospitals. 516 00:29:34,000 --> 00:29:36,760 Speaker 1: Once my surgeon cleared me for the physical stress of quitting, 517 00:29:37,600 --> 00:29:39,960 Speaker 1: I quit. It wasn't easy, at all, but I did it. 518 00:29:40,000 --> 00:29:43,600 Speaker 1: I used nicotine patches and a nicotine free e cigarette 519 00:29:43,600 --> 00:29:47,000 Speaker 1: and bribed myself constantly. My rule was that I could 520 00:29:47,040 --> 00:29:50,880 Speaker 1: have or do anything I wanted except have a cigarette. 521 00:29:51,040 --> 00:29:53,200 Speaker 1: If I wanted a pizza for breakfast, then I have it. 522 00:29:53,400 --> 00:29:55,120 Speaker 1: I want those new shoes that I don't need to 523 00:29:55,240 --> 00:29:58,640 Speaker 1: buy them, and it worked. Also. I avoided parties and 524 00:29:58,720 --> 00:30:00,760 Speaker 1: bars or lots of my friend and smoke and where 525 00:30:00,760 --> 00:30:02,880 Speaker 1: I used to smoke. For the first month or two. 526 00:30:03,240 --> 00:30:05,560 Speaker 1: I saved all my willpower from my goal, and now, 527 00:30:05,600 --> 00:30:09,600 Speaker 1: over two years later, I'm still a non smoker and proud. 528 00:30:10,000 --> 00:30:12,160 Speaker 1: Did I end up spending a lot of money, Yes? 529 00:30:12,440 --> 00:30:17,080 Speaker 1: Did I gain weight shockingly? No? Did I achieve my goal? Yes? 530 00:30:17,400 --> 00:30:19,960 Speaker 1: Of course I had a courb my bribery after a while, 531 00:30:19,960 --> 00:30:21,960 Speaker 1: but it was easy because I've broken my smoking habit 532 00:30:22,000 --> 00:30:24,280 Speaker 1: and no longer needed to distract myself. I'm not a 533 00:30:24,320 --> 00:30:26,800 Speaker 1: New Year's resolution girl, but I do achieve the few 534 00:30:26,800 --> 00:30:29,120 Speaker 1: goals I set for myself. Please share my story to 535 00:30:29,160 --> 00:30:33,160 Speaker 1: help others kick their nicotine addictions. I like that idea 536 00:30:33,200 --> 00:30:38,320 Speaker 1: of briberies. I'll take shoes, yeah, sure, um okay. I 537 00:30:38,360 --> 00:30:42,160 Speaker 1: have a letter here from Elizabeth talking about our crafting 538 00:30:42,200 --> 00:30:46,160 Speaker 1: episodes and our technology episodes. She says, I really enjoy 539 00:30:46,240 --> 00:30:49,080 Speaker 1: listening to your podcast, but sometimes get behind in episodes 540 00:30:49,120 --> 00:30:52,320 Speaker 1: and will podcast binge while cleaning or cooking. It is 541 00:30:52,360 --> 00:30:55,440 Speaker 1: probably only because I listened to the women in Coding podcasts, 542 00:30:55,480 --> 00:30:57,960 Speaker 1: particularly back to back with the d I y Revival 543 00:30:57,960 --> 00:31:01,360 Speaker 1: of craft podcast. Then I noticed you didn't mention how crafters, 544 00:31:01,400 --> 00:31:04,480 Speaker 1: particularly women, are becoming incredibly sex savvy is a way 545 00:31:04,480 --> 00:31:09,160 Speaker 1: to share, promote, and sell their crafts. The advent of Pinterest, Instagram, Facebook, 546 00:31:09,160 --> 00:31:11,760 Speaker 1: and Tumbler have done as much, if not more than etc. 547 00:31:11,920 --> 00:31:15,000 Speaker 1: As a way for crafting communities to develop, share ideas 548 00:31:15,040 --> 00:31:18,680 Speaker 1: and bond together. A couple of social media with blogs, YouTube, videos, 549 00:31:18,680 --> 00:31:21,080 Speaker 1: and software and hardware using crafting, and you have more 550 00:31:21,120 --> 00:31:23,760 Speaker 1: women than ever using technology daily as part of their 551 00:31:23,800 --> 00:31:28,240 Speaker 1: handmade craft. Very good point, Elizabeth, Thank you and thanks 552 00:31:28,320 --> 00:31:30,959 Speaker 1: everybody who's written into us. Mom Stuff at Discovery dot 553 00:31:30,960 --> 00:31:32,560 Speaker 1: com is where you can send your letters, but you 554 00:31:32,600 --> 00:31:34,880 Speaker 1: can also get in touch with us on Facebook or 555 00:31:34,920 --> 00:31:37,640 Speaker 1: tweet us at mom Stuff Podcasts and to find all 556 00:31:37,720 --> 00:31:40,960 Speaker 1: things stuff Mom never told you, including every single podcast 557 00:31:41,040 --> 00:31:43,960 Speaker 1: we have ever published, every single blog, every single video, 558 00:31:44,040 --> 00:31:46,920 Speaker 1: every single social media outlet we are on, which is 559 00:31:46,960 --> 00:31:49,400 Speaker 1: a lot. There's only one place to go on the 560 00:31:49,440 --> 00:31:53,040 Speaker 1: Internet now, and it's www. Dot stuff I've never told you. 561 00:31:53,200 --> 00:31:59,840 Speaker 1: Dot com for more on this and thousands of other topics. 562 00:32:00,160 --> 00:32:10,040 Speaker 1: Is that how staff works? Dot Com