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Speaker 1: What's up, guys, and welcome to the What hip Hop

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Speaker 1: Questions Legends and List. I am Nila Simone and I am.

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Speaker 2: The man to puts the Juncks and juxon position. Mounts Jones, Hey, this.

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Speaker 1: Be on it and I'm excited because we have a

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Speaker 1: lot to talk about.

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Speaker 2: Just talking about this fit, this fit gang. You like it.

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Speaker 2: I'm doing Dennim with the brown at the bottom is crazy.

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Speaker 2: The agenda is no longer a gender, but you don't

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Speaker 2: have to talk about that. They don't know what I'm

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Speaker 2: talking about. That's fine, you know what I'm talking.

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Speaker 3: About, Okay, But the agenda it's coming back. But you know,

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Speaker 3: right now, I gotta cash in. I have to cash in,

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Speaker 3: so that's what I'm doing. But really, I just have

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Speaker 3: a few things going on today, so I just I

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Speaker 3: thought I woul address up a little more.

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Speaker 2: I like it looks good. I like it. I'm always

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Speaker 2: been a fan of like big pockets.

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Speaker 1: Oh my god, you know, baggy jeans gives me makes

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Speaker 1: me feel like Aliyah.

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Speaker 3: Come on, boy, I've been watching you.

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Speaker 1: This is that the real This is what it feels

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Speaker 1: like it might be. Honestly, the videos so.

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Speaker 2: Many just do that, just do it with my yeah, okay, yeah,

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Speaker 2: you practice the baby sound doing.

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Speaker 1: Like, No, that's not like some walking.

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Speaker 2: It's like a class of us.

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Speaker 1: That's exacinitely the last.

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Speaker 3: Oh my god, speaking of TV film stuff, this so

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Speaker 3: Jonathan may.

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Speaker 2: Man, what are we doing? Oh? We're here? It's crazy

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Speaker 2: vindication for that black man?

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Speaker 3: Vindication? Are they really going to give him vindication?

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Speaker 2: Like?

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Speaker 3: Are you ever really vindicated when you get these type

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Speaker 3: of allegations.

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Speaker 4: One thing I love about today is the same thing

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Speaker 4: that we hate about today, these fucking phones. Video footage

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Speaker 4: will always vindicate the word of mouth. Don't do ship.

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Speaker 4: When video footage drops, everybody will.

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Speaker 1: Get there dropping footage.

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Speaker 2: They're dropping the footage. What the attorney said.

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Speaker 3: I love that good. I just I hate that this happened,

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Speaker 3: especially right now, like they're on a Pinnacle Creed three

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Speaker 3: was amazing, amazing, and then now that now this, I'm like,

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Speaker 3: of course they just can't let the king.

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Speaker 2: Is that why you didn't want to go see the

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Speaker 2: movie yesterday?

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Speaker 3: No?

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Speaker 2: No, I still go okay, because we were supposed to

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Speaker 2: go yesterday.

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Speaker 3: And you didn't text me back what it was. How

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Speaker 3: dare he try to act like like I'm the reason

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Speaker 3: why we didn't go to the movies. I said, Yo,

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Speaker 3: were still going to the movies or what I know?

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Speaker 3: We got an early recorded right.

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Speaker 1: And he didn't taket me.

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Speaker 4: Back after I did. That's what that's on me. I'm

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Speaker 4: not always the best.

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Speaker 1: That is why I don't like light skin.

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Speaker 2: I'm not light skin about okay?

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Speaker 1: Anyway? So today, oh shut down, absolutely not. You know

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Speaker 1: what I'm not anyway?

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Speaker 3: Today on what we're gonna be talking about top five

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Speaker 3: best storytelling records.

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Speaker 2: A favorite topic of mine.

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Speaker 1: This is a hard one.

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Speaker 3: Honestly, I thought it was gonna be easy, but I'm like, damn,

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Speaker 3: there's so many.

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Speaker 2: There's so many, there's a lot, there's so many.

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Speaker 1: Let's get into it, all right, guys, it's to what

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Speaker 1: hip hop questions. Let us listen.

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Speaker 3: Today we're talking top five best storytelling rap songs. But

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Speaker 3: I want to know Mouse and d Block like to you, guys,

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Speaker 3: what makes a good storytelling record?

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Speaker 2: Oh? I mean one telling a story? Yeah? Got to

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Speaker 2: tell a story. Yeah, you know it's right there. Sometimes

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Speaker 2: you got to take it right there or make forgure

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Speaker 2: that's good, doing more than enough, but not doing too

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Speaker 2: much right where Like.

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Speaker 4: I think when people get just to do a good storytelling,

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Speaker 4: you don't have to.

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Speaker 2: Have like the greatest lyrical decksterity. You just have to

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Speaker 2: be able to keep somebody's attention for three minutes, right.

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Speaker 4: So I think sometimes the lyrical miracle rappers do a

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Speaker 4: little bit too much.

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Speaker 2: I'm not the hate like that type of rap. I

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Speaker 2: like it.

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Speaker 4: I'm just saying some time they can do too much

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Speaker 4: and you lose people because you have to keep people attention.

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Speaker 4: I think, to be honest, I would love to hear

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Speaker 4: a storytelling record from like g Z.

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Speaker 2: I think GIZ does it good.

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Speaker 4: I think GZ does it like an amazing job of

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Speaker 4: keeping you captivated and engaged throughout songs. I would love

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Speaker 4: to hear him just tell one story, which he kind

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Speaker 4: of did on this last mixtage with Drama, talking about

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Speaker 4: I think it was like something Michael Jackson cry. I

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Speaker 4: think that's the name of the song he's talking about. No,

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Speaker 4: it's says not the name of song. I forgot named

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Speaker 4: the song. But he's talking about like his homeboys, all

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Speaker 4: his friends passing. Sure, it wasn't like one linear storyline

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Speaker 4: about one person, but it's still it's stayed on topic.

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Speaker 4: So I would have loved to hear more stuff like

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Speaker 4: that from him. But I just think being able to

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Speaker 4: keep someone's attention almost like writing a movie, you know,

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Speaker 4: being able to keeping me on the edge of my

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Speaker 4: seat for the next word.

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Speaker 1: Yeah, I agree, nothing black.

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Speaker 5: I was just gonna say, just like any story beginning,

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Speaker 5: middle and end, you know, I think that middle part

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Speaker 5: sometimes gets lost as far as like creating those steaks.

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Speaker 5: I think that's why Biggie does such a good job

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Speaker 5: on a lot of his storytelling wraps is that he

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Speaker 5: has that middle park that kind of gets you, gets

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Speaker 5: that has the stakes in it, you know, especially now

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Speaker 5: I got a story to tell, you know, that middle

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Speaker 5: part where the man walks in, man walks in and

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Speaker 5: he has to figure out what to do.

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Speaker 2: You know.

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Speaker 3: Yeah, I think for me, I really like like records

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Speaker 3: that evoke emotion. So like you're telling the story of

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Speaker 3: maybe something I've been through, or like something somebody I

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Speaker 3: know has run away.

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Speaker 2: I don't know. I don't know why that jump. I

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Speaker 2: don't know why that jumped.

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Speaker 1: Not bad, You've been practicing something that's familiar.

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Speaker 3: Who's inspired that? No, you said something that special? Yeah,

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Speaker 3: something that's familiar, something that I'm like, Damn.

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Speaker 1: I feel this.

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Speaker 3: So that's what that's what gets me going when it

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Speaker 3: comes to storytelling records.

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Speaker 1: So let's start off.

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Speaker 2: Let's do it. Start with me you first, Yeah, come.

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Speaker 1: On, I know, right, it's so hard to pick.

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Speaker 2: Yeah, I was gonna say, can we do honorable mentions?

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Speaker 1: Are you guys doing a specific order?

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Speaker 2: I have mine in order.

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Speaker 1: My one is just the one and then the rest of.

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Speaker 4: Your number one is your number one, two, three, four, five, Yeah, yeah.

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Speaker 2: Mine is in order.

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Speaker 5: Let's get some honorable mentions out.

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Speaker 2: So my honorable mention is Keisha song.

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Speaker 3: Wait, can we do honorable mentions at the end, because

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Speaker 3: I don't know who's going to.

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Speaker 1: Make my five?

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Speaker 2: See, get your shit together.

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Speaker 6: You can name one that's not gonna make your five, Okay,

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Speaker 6: yeah I can't.

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Speaker 4: Actually I'm gonna say Keisha song by Kendrick Lamar.

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Speaker 2: That is like it's not on my five.

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Speaker 4: But it's it's a it's a huge, huge favorite of mine,

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Speaker 4: like since SEC Like, I think you had two records

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Speaker 4: on section eighty that were like super heavy and storytelling.

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Speaker 4: I want to say it was that song and Timmy song.

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Speaker 4: Tamn song obviously was a little bit more playful, you know,

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Speaker 4: like with the whole. You know, the girl ended up

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Speaker 4: turning you know, queer at the end. But Keisha song

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Speaker 4: just you know, telling that story of the young prostitute.

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Speaker 3: Kenrick actually has a ship little His first album is

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Speaker 3: one big story, like I love it. Even his early

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Speaker 3: mixtape it's too many. But that's that's a good one.

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Speaker 2: Yeah, what about you the honorable mentions.

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Speaker 5: I put something that's a little fun just a Friend

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Speaker 5: by bis Marky. Yeah, just a great story.

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Speaker 6: Stop Tomato Tomato for that on the what we're talking

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Speaker 6: about the greatest we're talking about that time the.

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Speaker 1: New Generation flipp did the commercial.

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Speaker 2: That had Mark Did that song stand at tot time?

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Speaker 2: I did the Or did Mario's remix stay at touch Time? No?

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Speaker 5: Not Mario remix.

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Speaker 1: Mario's remix?

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Speaker 3: Absolutely whoa wa wait to show wait to show your

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Speaker 3: age block?

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Speaker 2: No, Marry what are you ready for me? Bridge? You

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Speaker 2: called me anytime? You ooh any time?

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Speaker 7: Said it doesn't matter whoa whoa whoa.

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Speaker 2: Don't fight the feeling. Don't fight the feeling. So oh girl,

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Speaker 2: and they not doing that. They're not doing that. But

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Speaker 2: we should change the.

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Speaker 5: Name of this podcast to wash Young and somewhere in the.

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Speaker 1: Middle and somewhere in the middle.

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Speaker 2: What about you, Ana listens, we're just putting anything up

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Speaker 2: there now.

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Speaker 1: Wait, that's your only one.

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Speaker 5: I got misfat Booty by most stuff too as your

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Speaker 5: honorable mention. But there's another honorable mention that I think

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Speaker 5: we need to talk about what you better not say it.

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Speaker 5: Stan is a good storytelling song.

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Speaker 1: The Tomatoes Today, Derek got all.

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Speaker 2: All yours today. It's a good story. Though. It's a

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Speaker 2: good story, good story end. I mean, if a black

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Speaker 2: man wrote that, he'd be locked up.

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Speaker 5: I gotta say, I.

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Speaker 3: Think form a movie another similar.

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Speaker 2: What the FU.

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Speaker 5: When Clark Kent was on here, he talked about Kendrick

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Speaker 5: and Eminem's similarities, a sense that he's talking about stuff

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Speaker 5: that's unspoken right in white, white families. So it is,

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Speaker 5: I know, I didn't think over all. I think the

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Speaker 5: worst part about stan Is is when Eminem comes into

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Speaker 5: the song at the end. I think the guy from

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Speaker 5: the point of view of the fan, when he comes

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Speaker 5: in at the end, it feels kind of like milk

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Speaker 5: toast to me.

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Speaker 2: It feels like, I mean, like that song doesn't live

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Speaker 2: without that, the song does not connect her. But yeah,

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Speaker 2: that song doesn't that So Sharper. You know, it's like, yeah,

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Speaker 2: but I'm saying it was.

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Speaker 4: That song doesn't become the hit it does without that,

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Speaker 4: like because no one was, no one's playing, no one's

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Speaker 4: playing that song.

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Speaker 5: There's also am of like and we should be together,

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Speaker 5: just like all that ship that he was going out there.

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Speaker 5: Stan became a part of the vernacular after that. Yeah,

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Speaker 5: you know, I think it's a very it's a you know,

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Speaker 5: it's a great song. It's not my top five.

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Speaker 2: Though it sounds like it's close to your.

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Speaker 1: I say that I would go with Lupe Fiasco. Paris Tokyo.

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Speaker 3: It's one of my favorites.

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Speaker 1: You don't like Paris Tokyo.

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Speaker 5: I thought you're gonna say Kick Push.

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Speaker 3: Kick pushes one too. But I like Paris Tokyo because I.

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Speaker 2: Just feel like I want them to ann.

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Speaker 1: Anyway.

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Speaker 3: I love Faris Tokyo is one of my favorite records

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Speaker 3: just in general, because it's a guy who's saying I'm working,

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Speaker 3: but you're still with me, like in spirit, and then

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Speaker 3: eventually she does actually get to go with him to

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Speaker 3: like Paris into Tokyo and travel the world and as

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Speaker 3: he makes money on music, and I just fuck with

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Speaker 3: it because I am a girl who's working and making

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Speaker 3: money on music, so I feel it.

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Speaker 1: So anyway, Wow, I don't like.

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Speaker 5: Your parents the other any other outsideer. Do you want

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Speaker 5: to get to that layer?

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Speaker 2: Neither.

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Speaker 3: I guess I'll go with ice Cube. Today was a

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Speaker 3: good day.

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Speaker 2: Okay, wow wow, Okay, that's goode. I'm not mad. I

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Speaker 2: also would like to say I forgot to mention what

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Speaker 2: we mean you talked about slow down that I think

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Speaker 2: about it is Brandy Brand Nubian like yeah, like that's yeah.

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Speaker 1: That's don't let it go to your head.

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Speaker 3: That's the other one, because I feel like it's half storytelling,

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Speaker 3: half not ishue. But I listen to that record a

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Speaker 3: lot when I just be looking at the culture and

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Speaker 3: things that it's happening.

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Speaker 2: Or just I want y'all know Niledge thirty.

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Speaker 3: When I interact with certain people, I just be like,

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Speaker 3: she's been here before, this brand Nuvian to get my

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Speaker 3: mind right, because these niggas is crazy.

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Speaker 2: We're out here listening and touching Monday and good she's doing.

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Speaker 5: Some Internet nerds realized the actual day ice Cy was

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Speaker 5: talking about. They put it all together.

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Speaker 2: What day was off?

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Speaker 5: The day is February twenty third, nineteen ninety three.

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Speaker 2: The Lakers, because last night it's actually pretty easy.

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Speaker 5: Oh you have to do it all points and looked

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Speaker 5: at all of it.

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Speaker 4: Oh you have it's not hard at all. Last night

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Speaker 4: the Lakers beat the SuperSonics. So all you have to

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Speaker 4: do is look up the night the Lakers beat the SuperSonics.

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Speaker 2: Shake them up, shake them up, shake them up, shake

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Speaker 2: them throw it in a circle.

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Speaker 5: It's a little and authentic. Got a triple double?

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Speaker 2: No, it's not.

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Speaker 4: Sometimes that let me know you won't be playing basketball

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Speaker 4: with the homies, because sometimes.

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Speaker 2: It just be your day and it feels like you

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Speaker 2: fucked around and got a triple double. And it might

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Speaker 2: not have been a strong double. Ten ten tents, might

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Speaker 2: have been ten turnovers, might have had ten turnovers tennis

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Speaker 2: is and you might have got blocked ten times. But

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Speaker 2: you fucked around and you got a triple double. We

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Speaker 2: didn't say. He didn't say what kind of triple double?

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Speaker 5: It was true, that's true.

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Speaker 1: Can we start with my number five or I number one?

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Speaker 1: Number five?

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Speaker 3: Because my number one is so important to me and

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Speaker 3: I would be pissed if y'all said, hold on, let

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Speaker 3: me get to these tomatoes. Oh, he's ready because I

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Speaker 3: put some young niggas on here because I knew y'all

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Speaker 3: was it.

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Speaker 2: I love the show.

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Speaker 5: This is Wash.

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Speaker 1: What why Wash the Young One? And somewhere in the

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Speaker 1: middle of featuring the Wash the Young.

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Speaker 2: One and soon as long as everyone knows who's h.

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Speaker 1: I am definitely young somewhere.

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Speaker 2: No, no, you have to fuck now, it's somewhere lost.

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Speaker 2: All right, let's do it. I'll kick it off. My

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Speaker 2: number five The Artist Storytelling by alcas I love that

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Speaker 2: I love me personally, I love cohesiveness, and I love

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Speaker 2: I mean outcast is my I've said this with a

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Speaker 2: multiple occasion Outcast of my favorite group. But as a

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Speaker 2: kid growing up in New York, I didn't hear those stories.

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Speaker 2: I didn't hear it that way.

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Speaker 4: You hit You know that one hundred three thousand verse

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Speaker 4: probably one of my one of my favorite hundred three

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Speaker 4: thousand verses, just talking about the young girl, like there

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Speaker 4: was just so much stuff nuanced that I was hearing

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Speaker 4: that you didn't expect to hear from a person from

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Speaker 4: the South. And you know that might have been just

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Speaker 4: my young ignorance at the time. I also love that

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Speaker 4: the artist storytelling isn't the only artist storytelling.

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Speaker 2: It's four of them.

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Speaker 4: Yeah, and each one I don't know about two, but

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Speaker 4: each one two is not my favorite.

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Speaker 2: But like three and four.

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Speaker 3: That's the one with no.

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Speaker 2: I think that's three. Three has Lickoric. Four is him

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Speaker 2: and the drama. No, I don't think so.

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Speaker 5: The artist storytelling much is on my list. Is the

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Speaker 5: story of two women, Susie Screw Susie's and Sasha and Thumper.

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Speaker 5: Sasha he calls her Thumper because she's one is a

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Speaker 5: very promisciuous woman. The other is a drug. I think

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Speaker 5: it's I think it's a great song.

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Speaker 4: Like I said, you don't hear those stories, you know

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Speaker 4: what I mean, Like you weren't hearing those stories. And then,

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Speaker 4: like I said, there's something about that southern drawl that

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Speaker 4: Andre three thousand was in the middle of, like crafting

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Speaker 4: at the time, that just literally pulls you in.

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Speaker 3: Oh you know what, he's on part one.

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Speaker 4: He's on the first one, I think a sample. Oh okay,

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Speaker 4: but slick Rick is on the third one.

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Speaker 2: You're not on the second. Yeah.

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Speaker 3: No, that's a that's a great one. That's definitely on

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Speaker 3: my list too. But this is on your list. I'm

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Speaker 3: taking it off my list, so I can just give

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Speaker 3: you somebody else favorite line and that song su.

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Speaker 2: I think that I think that intro my favorite, just

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Speaker 2: the way he played with the the way.

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Speaker 4: He sung it, the cadence. I don't know if I

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Speaker 4: have a favorite. To me, it's not one of those.

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Speaker 4: It's like, I goes back to what I was saying

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Speaker 4: earlier about lyrical deckstery. I don't think it was so

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Speaker 4: much that the line. There were favorite lines.

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Speaker 2: It was the through line that got me, like as

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Speaker 2: if I was watching a movie and then hearing, you know,

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Speaker 2: hearing big boys look, hearing Andrea's look, and then I

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Speaker 2: really loved the way Andre brought in his verse. So

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Speaker 2: the girl name said, like it just was like okay.

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Speaker 2: It was like.

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Speaker 4: It was like sitting in a bathtub and just letting

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Speaker 4: the water fill up, if that makes sense, right, Like

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Speaker 4: You're just okay, I'm comfortable. I'm here wherever you want to,

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Speaker 4: wherever you want to take me, I'm going at this point,

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Speaker 4: production was phenomenal. You want to be when you grow up,

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Speaker 4: she said, she said, she said alive, She said, I

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Speaker 4: want to be alive.

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Speaker 1: I really liked the beginning. It's this small thing that

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Speaker 1: I love.

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Speaker 2: That what from the drop, I'm ready for nihilist production. Yo.

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Speaker 5: I love that that whole organized?

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Speaker 3: Was it organized?

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Speaker 2: Organized? Noise?

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Speaker 1: Beautiful? What makes their production so great? I think to me,

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Speaker 1: it's just like you could.

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Speaker 3: Hear the soul and the beats absolutely once they start

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Speaker 3: rapping on it, It's just like magic that China.

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Speaker 4: It was all there, and then the end with like, yeah,

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Speaker 4: actually know some of.

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Speaker 3: The skins blow on me. I'm like, this should have

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Speaker 3: been on the album where you can like skip it,

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Speaker 3: not on the song where I got here the whole thing. Whoa,

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Speaker 3: You're so disrespectful And I'm not even talking about this

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Speaker 3: on the mis education Lauren.

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Speaker 1: I've always got to hear a skit. I'm so tired

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Speaker 1: of hearing that.

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Speaker 2: L Oh, what's happening here?

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Speaker 1: I love love, Heaven'll been in love every t.

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Speaker 2: J.

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Speaker 5: I can understand when it's coming.

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Speaker 2: Are you so you love them? I love you? Yes?

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Speaker 4: My thing with skin you if you put it on

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Speaker 4: the album, you gotta live with it. So when you

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Speaker 4: got to skip that works, you need it, You've got

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Speaker 4: to skit that doesn't work?

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Speaker 1: You keep this?

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Speaker 2: No, the album is not do you remember? I?

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Speaker 1: Oh, God, don't give it skip its own track.

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Speaker 2: I guess it's because it's a part of the song.

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Speaker 3: Yeah, But now when I'm trying to put it on

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Speaker 3: a playlist, you got a whole skit leading into the

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Speaker 3: song that I know.

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Speaker 2: You got to go into app Let me tell you,

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Speaker 2: go into Apple like we used to do back and

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Speaker 2: day and you you you remember we used to.

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Speaker 4: Be able to go yeah on iTunes, used to be

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Speaker 4: able to scrub you could. You used to be able

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Speaker 4: to change the time, so do that. Well, I don't

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Speaker 4: know if you can still do it on iTunes, but

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Speaker 4: back in the day you could. You remember when I'm

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Speaker 4: talking about like it used to be, like if the

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Speaker 4: song is like five minutes, you could go in there

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Speaker 4: and stop the song at like three.

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Speaker 1: Well, that's great.

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Speaker 3: I don't know if you can still do that on

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Speaker 3: my playlist, like I can't with these skits, Like you can.

400
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Speaker 4: Do it if it's downloaded to your computer computer, not

401
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Speaker 4: if it's like on Apple Music.

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Speaker 3: Got it.

403
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Speaker 5: But speaking of skits, with daylight back in all our minds,

404
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Speaker 5: three high and the eyes and skit is what the

405
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Speaker 5: whole game show that's happened?

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Speaker 3: Yeah, I will say, And even from listening to the

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Speaker 3: Daylight record, Daylight Album, Like it's making me a fan

408
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Speaker 3: of scratching, like I've always wanted to know, just so

409
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Speaker 3: hip hop pers or DJ Puris can't come and be.

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Speaker 2: Like you're not ready to.

411
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Speaker 3: But now it's like I actually like it sonically in

412
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Speaker 3: the music. I know when I hear it like on air,

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Speaker 3: i'd be like, do less and just play the record.

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Speaker 1: But it's a time and the place, and I think

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Speaker 1: it was done well.

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Speaker 2: The hope, the hope, Remember you asking me the favorite

417
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Speaker 2: the hook, the holk, the Hooklet y'all get the hunk

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Speaker 2: your back. Now it's like that and like that, and

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Speaker 2: it took me a lot of Let me also say

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Speaker 2: this because I know sometimes you know, our peers can

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Speaker 2: be on these platforms and do sometimes accidentally or even

422
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Speaker 2: on purpose, sound like you know historians.

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Speaker 4: Like yeah, I'm a historian a different way where like

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Speaker 4: it didn't hit me. I didn't know what the fuck

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Speaker 4: they was talking about for the longest.

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Speaker 2: It didn't hit me until but because like I told

427
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Speaker 2: you before, like my introduction to outcast was music videos

428
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Speaker 2: that would like like on rap City and then be

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Speaker 2: in my house.

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Speaker 4: I don't know if you remember that, but I know

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Speaker 4: you do, so like being my house would be like, well,

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Speaker 4: I guess you know, being older now you realize like

433
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Speaker 4: all the labels would have all these printed up CDs

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Speaker 4: and whatever then sell obviously they would have in a warehouse,

435
00:20:28,520 --> 00:20:31,640
Speaker 4: and then you can like subscribe to the CDs place,

436
00:20:31,680 --> 00:20:34,760
Speaker 4: so you you'd get like what was it that deep black? Sorry,

437
00:20:34,920 --> 00:20:37,600
Speaker 4: you get like ten CDs for like ninety nine cent,

438
00:20:38,080 --> 00:20:41,360
Speaker 4: and then the next time you'd order, like I guess,

439
00:20:41,359 --> 00:20:43,119
Speaker 4: you'd pay full price, and then you got like another

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Speaker 4: sixteen for like six cent. So like like Columbia Records,

441
00:20:48,480 --> 00:20:50,960
Speaker 4: there was like Columbia House, there's Columbia, there was being Mine,

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Speaker 4: there's somebody else.

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Speaker 2: But yeah, so that's how I got at Aliens.

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Speaker 4: And so I had At Aliens as a CD as

445
00:20:58,240 --> 00:21:00,400
Speaker 4: a kid, I didn't I'm just like like the music.

446
00:21:00,440 --> 00:21:01,960
Speaker 2: I didn't know what the hell was going on.

447
00:21:02,080 --> 00:21:05,399
Speaker 4: And like Outcast just every time they were on my TV,

448
00:21:05,480 --> 00:21:11,159
Speaker 4: they fucking grabbed my attention, like whether it was like me, you,

449
00:21:11,160 --> 00:21:16,560
Speaker 4: your mom, cousin too, very like cadlag Dog, like just

450
00:21:16,920 --> 00:21:21,560
Speaker 4: everything about them always encapsulated.

451
00:21:22,440 --> 00:21:26,399
Speaker 3: Yeah, so it's like yeah, there go again, talking that ship.

452
00:21:27,080 --> 00:21:30,960
Speaker 4: My duck, Like yeah, we're talking about two guys who don't.

453
00:21:31,480 --> 00:21:33,359
Speaker 4: They don't really get their credit. They don't get the

454
00:21:33,359 --> 00:21:34,040
Speaker 4: credit they deserve.

455
00:21:34,440 --> 00:21:36,440
Speaker 5: Big boys workplaces.

456
00:21:35,720 --> 00:21:38,200
Speaker 2: Like he's phenomenal. But I think that just happens.

457
00:21:38,200 --> 00:21:40,560
Speaker 4: And I've been you know, I've been a victim of

458
00:21:40,560 --> 00:21:44,240
Speaker 4: it as well, Like I've just jumped off the boat

459
00:21:44,280 --> 00:21:44,720
Speaker 4: and been.

460
00:21:44,600 --> 00:21:46,280
Speaker 2: Like, oh, I just think that's the greatest, which I

461
00:21:46,280 --> 00:21:46,680
Speaker 2: do believe.

462
00:21:47,080 --> 00:21:49,360
Speaker 4: I do believe one hundred three thousand is top three

463
00:21:49,400 --> 00:21:53,920
Speaker 4: greatest lyricists of all time. But man, big boy does

464
00:21:54,040 --> 00:21:56,880
Speaker 4: not get his credit for one just being as nice

465
00:21:56,880 --> 00:21:59,719
Speaker 4: as he is too, standing next to one hundred three

466
00:21:59,720 --> 00:22:01,480
Speaker 4: thousand being just as nice as he is.

467
00:22:01,560 --> 00:22:05,919
Speaker 3: So that's a good one. So you currently listen to

468
00:22:06,040 --> 00:22:08,560
Speaker 3: what hip hop questions, legends and lists will be right

469
00:22:08,600 --> 00:22:09,679
Speaker 3: back after this break.

470
00:22:12,960 --> 00:22:13,639
Speaker 2: What you got now?

471
00:22:13,920 --> 00:22:14,360
Speaker 5: What you got?

472
00:22:15,240 --> 00:22:17,960
Speaker 3: So for my number five, I'm just get this out

473
00:22:18,000 --> 00:22:18,280
Speaker 3: the way.

474
00:22:18,440 --> 00:22:18,879
Speaker 2: Here we go.

475
00:22:21,280 --> 00:22:22,520
Speaker 1: It's J Cold Lights.

476
00:22:22,520 --> 00:22:24,879
Speaker 3: Please are you? And you know what Jacob want another

477
00:22:24,880 --> 00:22:26,920
Speaker 3: one that I would just put Kamma J Cole lights

478
00:22:26,920 --> 00:22:31,480
Speaker 3: please Comma sideline story and I have to put you

479
00:22:31,480 --> 00:22:33,000
Speaker 3: don't like sideline story.

480
00:22:33,400 --> 00:22:37,640
Speaker 2: You're these are yours? These are your pick. I'm just saying,

481
00:22:37,640 --> 00:22:40,040
Speaker 2: he has songs that you are just skipping over.

482
00:22:40,600 --> 00:22:41,840
Speaker 3: Which one do you think should be.

483
00:22:41,800 --> 00:22:43,719
Speaker 2: It Dreams Dreams?

484
00:22:44,240 --> 00:22:48,000
Speaker 1: No, that's the one where he killed the boy. Yes, yeah, that's.

485
00:22:47,800 --> 00:22:51,880
Speaker 2: Not you Got Dreams and then knows the other one Enchanted.

486
00:22:52,320 --> 00:22:54,760
Speaker 1: Oh I love Enchanted, but yeah it's.

487
00:22:54,640 --> 00:22:58,160
Speaker 2: Not my pick five. I just said that.

488
00:22:58,200 --> 00:23:00,520
Speaker 3: So I'm going with J Cold Lights Please because that's

489
00:23:00,520 --> 00:23:03,520
Speaker 3: the first J Coot record I ever heard, and you

490
00:23:03,560 --> 00:23:08,720
Speaker 3: know that's my favorite rapper, so it's just like, yeah, yeah,

491
00:23:09,240 --> 00:23:11,440
Speaker 3: you see it now, So.

492
00:23:11,600 --> 00:23:12,640
Speaker 1: Love Cold Lights Please.

493
00:23:12,680 --> 00:23:16,720
Speaker 3: And then I also really like Sideline Story because it's

494
00:23:16,840 --> 00:23:20,040
Speaker 3: him just talking about like being in the rap game

495
00:23:20,080 --> 00:23:23,040
Speaker 3: and being unappreciated and just waiting for like his moment

496
00:23:23,160 --> 00:23:26,119
Speaker 3: to get up off the sideline. And I resonate with

497
00:23:26,200 --> 00:23:29,800
Speaker 3: that because you know, I'm in the entertainment industry and

498
00:23:30,280 --> 00:23:35,320
Speaker 3: it's a lot of shit I'm dealing with, So the

499
00:23:35,359 --> 00:23:38,200
Speaker 3: record just parallels to my life. So yeah, I like

500
00:23:38,280 --> 00:23:39,760
Speaker 3: the Sideline Story by Jay Cole.

501
00:23:40,520 --> 00:23:42,239
Speaker 2: Not mad at it. Not mad at it.

502
00:23:42,840 --> 00:23:45,560
Speaker 5: I mean I think what happens in Lights Please that

503
00:23:45,640 --> 00:23:48,119
Speaker 5: really appeals to you as far as with the storytelling.

504
00:23:47,600 --> 00:23:48,000
Speaker 2: Of it all.

505
00:23:48,400 --> 00:23:51,840
Speaker 3: I mean I really That's why I said slash sideline story,

506
00:23:51,840 --> 00:23:54,679
Speaker 3: because sideline story really resonates more with me than Lights Please,

507
00:23:54,960 --> 00:23:55,440
Speaker 3: Lights Please.

508
00:23:55,560 --> 00:23:58,720
Speaker 1: Is just him saying like he got this girl. She

509
00:23:58,880 --> 00:23:59,480
Speaker 1: bad as hell.

510
00:23:59,840 --> 00:24:02,800
Speaker 3: He's trying to like tell her about he's trying to

511
00:24:02,840 --> 00:24:04,919
Speaker 3: talk to her about real life ship that's going on,

512
00:24:04,960 --> 00:24:07,480
Speaker 3: but she just wants to fuck. And you know what,

513
00:24:07,560 --> 00:24:11,040
Speaker 3: he always he always falls victim to wanting to fuck

514
00:24:11,119 --> 00:24:14,920
Speaker 3: because like pussy is power and he's hypnotized by the pussy,

515
00:24:14,960 --> 00:24:19,360
Speaker 3: but and horny, and you know, he's trying to be

516
00:24:19,680 --> 00:24:22,160
Speaker 3: more of an intellectual, but she just wants to fuck,

517
00:24:22,320 --> 00:24:23,720
Speaker 3: and that's just what that's about.

518
00:24:23,920 --> 00:24:26,360
Speaker 1: So sideline story is more I think fitting.

519
00:24:27,160 --> 00:24:32,040
Speaker 5: But shout out to Cole, who's got next mouse?

520
00:24:32,359 --> 00:24:35,760
Speaker 2: I just like making it awkward. I just enjoy making

521
00:24:35,800 --> 00:24:39,199
Speaker 2: it awkward. Sometimes you didn't say you agree with me,

522
00:24:40,800 --> 00:24:41,120
Speaker 2: all right?

523
00:24:41,280 --> 00:24:46,399
Speaker 4: So once again mine is in order number four, ghost

524
00:24:46,440 --> 00:24:50,199
Speaker 4: face Killer. All that I got is you now my

525
00:24:50,280 --> 00:24:53,159
Speaker 4: favorite I want to I have this because it's like

526
00:24:53,160 --> 00:24:56,040
Speaker 4: my favorite line, or not my favorite line, my favorite setup.

527
00:24:56,160 --> 00:24:57,680
Speaker 2: So he said, family ain't family no more.

528
00:24:57,680 --> 00:24:59,720
Speaker 4: We used to play ball eggs after school, eat grits

529
00:24:59,760 --> 00:25:02,440
Speaker 4: because we was poor. Grabbed applies for the channel fixed

530
00:25:02,440 --> 00:25:05,000
Speaker 4: to hang on the TV, rocking each other's pants to

531
00:25:05,040 --> 00:25:06,080
Speaker 4: school wasn't easy.

532
00:25:06,440 --> 00:25:09,360
Speaker 2: We survived, whining snotty knows with no coachs. We kept

533
00:25:09,400 --> 00:25:12,359
Speaker 2: it real, but the older brother still had jokes. Sadly,

534
00:25:12,440 --> 00:25:14,560
Speaker 2: Daddy left me at the age of six. I didn't

535
00:25:14,560 --> 00:25:16,760
Speaker 2: know nothing, but Mommy neatly packed.

536
00:25:16,480 --> 00:25:20,439
Speaker 4: A shit so like that was like my that Like

537
00:25:20,920 --> 00:25:23,119
Speaker 4: I used to like rap that like it was mine.

538
00:25:23,560 --> 00:25:27,160
Speaker 4: Like he just painted a story that I knew so well,

539
00:25:28,240 --> 00:25:30,639
Speaker 4: like you know what I mean, just you know, to

540
00:25:30,720 --> 00:25:33,680
Speaker 4: take it there growing up black man in the community,

541
00:25:33,760 --> 00:25:37,080
Speaker 4: like in a black community, you see this, you see this,

542
00:25:37,480 --> 00:25:40,600
Speaker 4: like there was times where we was damn bad, not

543
00:25:40,720 --> 00:25:42,440
Speaker 4: like you know what I mean, not as bad as them,

544
00:25:42,480 --> 00:25:45,879
Speaker 4: but like it resonated, and I think, off rip, it

545
00:25:45,960 --> 00:25:48,119
Speaker 4: resonated like that was one of the first songs I

546
00:25:48,160 --> 00:25:50,639
Speaker 4: remember listening to her as a kid, with the tears

547
00:25:50,680 --> 00:25:53,639
Speaker 4: well Enough, Like to this day, I listened to that

548
00:25:53,720 --> 00:25:56,920
Speaker 4: song the Tears are Gonna well up, like because it's

549
00:25:56,920 --> 00:26:00,280
Speaker 4: so real, and I feel like even if it was

550
00:26:00,320 --> 00:26:02,359
Speaker 4: the song that I couldn't personally resonate, like if I

551
00:26:02,359 --> 00:26:04,520
Speaker 4: hadn't seen that with my cousins, if I wouldn't seen

552
00:26:04,520 --> 00:26:08,040
Speaker 4: that with myself. It's one of those songs where he

553
00:26:08,119 --> 00:26:12,080
Speaker 4: painted such a vivid picture. I felt like I was there.

554
00:26:12,520 --> 00:26:14,320
Speaker 4: I know, I know people like that, you know what

555
00:26:14,320 --> 00:26:16,600
Speaker 4: I mean, the people, the people up the street from

556
00:26:16,600 --> 00:26:17,960
Speaker 4: when we grew up. That was the first people I

557
00:26:17,960 --> 00:26:20,680
Speaker 4: ever met on Section eight. That was the first people.

558
00:26:20,840 --> 00:26:22,639
Speaker 4: They was at the end of all block. They were

559
00:26:22,680 --> 00:26:25,000
Speaker 4: the first people I ever met on section eight. And

560
00:26:25,119 --> 00:26:28,720
Speaker 4: we knew, you feel what I'm saying, Like we knew,

561
00:26:28,720 --> 00:26:30,399
Speaker 4: they knew they were on Section eight. That seemed they

562
00:26:30,440 --> 00:26:32,520
Speaker 4: knew the foodston They're going to Jimmy's, you know what

563
00:26:32,520 --> 00:26:34,360
Speaker 4: I mean, up there on Straight Path to get the

564
00:26:34,400 --> 00:26:36,760
Speaker 4: sandwich with the with the stamps, you know what I'm saying,

565
00:26:36,800 --> 00:26:38,960
Speaker 4: Like I seen that with my you know what I mean.

566
00:26:39,000 --> 00:26:42,040
Speaker 4: So like to see that and they hear that at

567
00:26:42,040 --> 00:26:45,119
Speaker 4: the time, you know, I'm young. Yeah, it resonated and

568
00:26:45,920 --> 00:26:48,520
Speaker 4: that that last that hit me, you know what I mean.

569
00:26:48,960 --> 00:26:51,359
Speaker 4: It kind of reverse for me because when I was

570
00:26:51,400 --> 00:26:54,360
Speaker 4: six is when my mom met and married the man

571
00:26:54,400 --> 00:26:57,720
Speaker 4: that raised me. But up until then, I was a kid,

572
00:26:57,760 --> 00:26:59,400
Speaker 4: I knew what it felt like not to have no dad.

573
00:26:59,440 --> 00:27:01,440
Speaker 4: So like where he says, you know, his dad left

574
00:27:01,440 --> 00:27:02,800
Speaker 4: when he was six. I kind of got a dad

575
00:27:02,840 --> 00:27:05,520
Speaker 4: when I was six, but it resonated with me, so

576
00:27:05,920 --> 00:27:08,000
Speaker 4: that right there or that got you, Like I said,

577
00:27:08,040 --> 00:27:11,520
Speaker 4: I listened to that once a month and it's still

578
00:27:11,600 --> 00:27:14,000
Speaker 4: the tears going well up every time, and everything was

579
00:27:14,000 --> 00:27:17,800
Speaker 4: just perfect. I think we understood, at least for me

580
00:27:18,480 --> 00:27:21,280
Speaker 4: growing up, I understood, like ghost faces bigger than just

581
00:27:21,280 --> 00:27:21,800
Speaker 4: a rapper.

582
00:27:22,359 --> 00:27:25,640
Speaker 5: That was his first big step out from the.

583
00:27:25,200 --> 00:27:28,040
Speaker 4: World, and like it was bigger than just some bragg

584
00:27:28,080 --> 00:27:32,080
Speaker 4: of doses fly gangster rap. It was like he used

585
00:27:32,119 --> 00:27:35,200
Speaker 4: his voice as an instrument, like for the first time

586
00:27:35,200 --> 00:27:37,960
Speaker 4: for me, Like his voice cut is just as important

587
00:27:38,000 --> 00:27:40,240
Speaker 4: as the strings on the sample and the keys on

588
00:27:40,280 --> 00:27:43,040
Speaker 4: the sample. Mat of course, Mary jay on that on

589
00:27:43,119 --> 00:27:47,480
Speaker 4: that hook is amazing. The video video is amazing.

590
00:27:47,119 --> 00:27:49,960
Speaker 5: The video and also for me, the familiar part that

591
00:27:50,000 --> 00:27:51,920
Speaker 5: now I mentioned, like the roaches out of the Cereal

592
00:27:52,000 --> 00:27:54,760
Speaker 5: box line, that was familiar for me growing up in

593
00:27:54,760 --> 00:27:57,440
Speaker 5: the projects. We did have roaches everywhere in the projects

594
00:27:57,440 --> 00:27:58,800
Speaker 5: going up, Like it was you turn on the lights

595
00:27:58,840 --> 00:28:01,520
Speaker 5: in the morning. That shit was really really real, the rots,

596
00:28:01,600 --> 00:28:02,679
Speaker 5: water bucks everywhere.

597
00:28:06,359 --> 00:28:10,080
Speaker 3: Listening to you describe the emotions evoked from the record

598
00:28:10,880 --> 00:28:13,399
Speaker 3: evoked to other records in my brain, but I'm like,

599
00:28:13,800 --> 00:28:15,880
Speaker 3: all right, I don't have time to name them all

600
00:28:16,400 --> 00:28:18,840
Speaker 3: so much, but I'm gonna go with Clock with No

601
00:28:18,960 --> 00:28:22,280
Speaker 3: Hands by Black Thought. And I really like this record

602
00:28:22,480 --> 00:28:27,280
Speaker 3: because he's just talking about like dealing with like family

603
00:28:27,760 --> 00:28:33,320
Speaker 3: and friends and how frustrating it can be. And it's

604
00:28:33,359 --> 00:28:36,199
Speaker 3: just it's just a real ass record, like you know,

605
00:28:37,240 --> 00:28:39,480
Speaker 3: you could cut other people off in your life, like

606
00:28:39,680 --> 00:28:42,520
Speaker 3: you know, there's like coworkers, you don't really like you

607
00:28:42,600 --> 00:28:45,120
Speaker 3: only got one family, you know, you just gotta deal

608
00:28:45,160 --> 00:28:47,920
Speaker 3: with it kind of thing. So this record Clock with

609
00:28:48,000 --> 00:28:53,920
Speaker 3: No Hands is fucking a damn near perfect song, just

610
00:28:53,960 --> 00:28:56,520
Speaker 3: if you're going through that and you're in that thought process,

611
00:28:57,240 --> 00:29:01,480
Speaker 3: especially like I feel like when it first drop, well

612
00:29:02,320 --> 00:29:03,800
Speaker 3: I don't even know actually want to fill out. But

613
00:29:03,800 --> 00:29:05,120
Speaker 3: when I first found out about.

614
00:29:04,880 --> 00:29:07,240
Speaker 1: It, come on.

615
00:29:08,760 --> 00:29:11,480
Speaker 3: When I first found out about the record, I was

616
00:29:11,560 --> 00:29:14,280
Speaker 3: still in Maryland, but it really resonated me. When I

617
00:29:14,320 --> 00:29:16,760
Speaker 3: got to New York and I was by myself, and

618
00:29:16,800 --> 00:29:20,280
Speaker 3: I guess I had time to reflect on family.

619
00:29:21,520 --> 00:29:23,280
Speaker 1: So yeah, and just Black Thought, it is.

620
00:29:23,280 --> 00:29:26,600
Speaker 2: Just an amazing artists, amazing lyricist.

621
00:29:26,800 --> 00:29:31,480
Speaker 3: Probably one of the best rappers period definitely underrated.

622
00:29:31,080 --> 00:29:31,240
Speaker 2: So.

623
00:29:33,000 --> 00:29:38,880
Speaker 3: Judging by mouth's face, I guess so agreed. Okay, all right,

624
00:29:38,920 --> 00:29:39,280
Speaker 3: all right.

625
00:29:39,320 --> 00:29:44,960
Speaker 5: Next the artist peer Pressure by Kindrack shout out to

626
00:29:45,040 --> 00:29:52,240
Speaker 5: Kendrick get in love on the fucking list the yeah yeah,

627
00:29:52,240 --> 00:29:54,400
Speaker 5: I mean I think the whole thing about you know,

628
00:29:54,720 --> 00:29:56,600
Speaker 5: for the Holmianes line, and he keeps on saying like,

629
00:29:56,920 --> 00:29:59,560
Speaker 5: I'm sober, but the Homies, I went to homies, I

630
00:29:59,640 --> 00:30:02,760
Speaker 5: went to home. Means when he says something, I'm usually

631
00:30:02,800 --> 00:30:04,680
Speaker 5: not violent, but I'm with the Homianes. That ship is

632
00:30:04,760 --> 00:30:07,960
Speaker 5: just it's real for a lot of people going.

633
00:30:08,320 --> 00:30:11,400
Speaker 2: Let's drop k DoD off because that his mama's been

634
00:30:11,720 --> 00:30:13,240
Speaker 2: because I know he's trying to fuck on Cherain to

635
00:30:13,360 --> 00:30:16,280
Speaker 2: night you're mad. In fact, drop me off too, I'm

636
00:30:16,280 --> 00:30:18,080
Speaker 2: trying to funk on something to neck. Man, it's such

637
00:30:18,120 --> 00:30:22,080
Speaker 2: a dumb ass back then, well, the whole hook.

638
00:30:21,880 --> 00:30:23,479
Speaker 5: Like one day it's going to burn you out. I mean,

639
00:30:23,520 --> 00:30:26,520
Speaker 5: that's just you gotta figure out. I think as everybody.

640
00:30:26,120 --> 00:30:28,200
Speaker 2: Growing down, you have to figure.

641
00:30:27,920 --> 00:30:32,400
Speaker 5: Out what you do with your friends and how you

642
00:30:32,440 --> 00:30:33,520
Speaker 5: need to create that separation.

643
00:30:33,560 --> 00:30:36,440
Speaker 2: At some point, they just yo, can we oh man?

644
00:30:36,720 --> 00:30:39,360
Speaker 2: I know it's your song, but can we talk about like, Yo,

645
00:30:39,800 --> 00:30:44,960
Speaker 2: Kendrick was, Kendrick was not he wasn't human on Good Kid,

646
00:30:44,800 --> 00:30:48,400
Speaker 2: Mad City, but specifically on Auto peer Pressure when he's

647
00:30:48,400 --> 00:30:53,400
Speaker 2: talking about it's the way he merges his cadence with

648
00:30:53,480 --> 00:30:56,560
Speaker 2: the beat, with the with the beat, the actual beat,

649
00:30:56,600 --> 00:30:59,320
Speaker 2: but also taking beats, which is leaving that pocket of

650
00:30:59,360 --> 00:31:00,560
Speaker 2: air in between words.

651
00:31:00,920 --> 00:31:04,280
Speaker 4: So like when he says we hit the black, say

652
00:31:04,720 --> 00:31:07,080
Speaker 4: hit the black. He hit the crib looking for anything,

653
00:31:07,160 --> 00:31:09,720
Speaker 4: and Nintendo hit the black from them, and he's like,

654
00:31:09,800 --> 00:31:12,800
Speaker 4: who it was righty right, made a left and made

655
00:31:12,840 --> 00:31:15,720
Speaker 4: it right and made a left one lucky night with

656
00:31:15,800 --> 00:31:16,400
Speaker 4: the homies.

657
00:31:16,720 --> 00:31:18,560
Speaker 1: I like how he called him not human.

658
00:31:18,680 --> 00:31:23,280
Speaker 2: He's not human. If you listen to that song, listeners

659
00:31:23,280 --> 00:31:25,000
Speaker 2: at home, I want you to stop the show right now,

660
00:31:25,040 --> 00:31:27,480
Speaker 2: press for us, and I want you to go listen.

661
00:31:27,760 --> 00:31:29,760
Speaker 2: Can we play? Can we put that part in it?

662
00:31:30,160 --> 00:31:31,840
Speaker 2: Can we just put that part left the right part?

663
00:31:32,280 --> 00:31:34,520
Speaker 4: Can we put that either that part or the part

664
00:31:34,560 --> 00:31:36,600
Speaker 4: where he's talking about the actual breaking, Because the part

665
00:31:36,600 --> 00:31:38,040
Speaker 4: where he put the actual breaking is the way I

666
00:31:38,080 --> 00:31:40,360
Speaker 4: realized we're not dealing with a human.

667
00:31:41,680 --> 00:31:43,920
Speaker 2: Because the way like I can't even.

668
00:31:45,240 --> 00:31:47,440
Speaker 4: As a person who's not a rapper, let alone, a

669
00:31:47,520 --> 00:31:51,800
Speaker 4: rapper of his his caliber. I can't even re enact

670
00:31:51,840 --> 00:31:53,440
Speaker 4: it the way he did it, but it's like the

671
00:31:53,480 --> 00:31:56,720
Speaker 4: way he's like just the way it's like a snake

672
00:31:56,880 --> 00:31:59,400
Speaker 4: moving through a room, the way he put those words

673
00:31:59,440 --> 00:32:02,600
Speaker 4: together that he was just like, you know, in search

674
00:32:02,640 --> 00:32:04,560
Speaker 4: of it, in search of anything, like, because he could

675
00:32:04,560 --> 00:32:05,400
Speaker 4: have said looking.

676
00:32:05,120 --> 00:32:08,680
Speaker 2: For in search of any and then it was.

677
00:32:08,920 --> 00:32:11,520
Speaker 4: That's crit shout out to you, d Block, because I

678
00:32:11,800 --> 00:32:14,320
Speaker 4: definitely forgot about that record, and I, like I said,

679
00:32:14,320 --> 00:32:18,000
Speaker 4: I had Kendrick for my honorable mentions, but yes, or

680
00:32:18,040 --> 00:32:19,200
Speaker 4: the peer pressure.

681
00:32:20,000 --> 00:32:21,600
Speaker 5: A lot of story, Duckworth is.

682
00:32:22,160 --> 00:32:27,840
Speaker 2: Duckworth is like I think I think people one that

683
00:32:27,960 --> 00:32:29,920
Speaker 2: being at the end of the album he's a he's

684
00:32:29,960 --> 00:32:30,600
Speaker 2: a nutcase.

685
00:32:30,600 --> 00:32:33,440
Speaker 4: He's not human, but just that story being a true

686
00:32:33,480 --> 00:32:38,600
Speaker 4: story and the way he told the story, he's not

687
00:32:38,720 --> 00:32:41,960
Speaker 4: human like Kendricks is not human in the way that

688
00:32:42,000 --> 00:32:43,280
Speaker 4: he performs these records.

689
00:32:43,320 --> 00:32:45,280
Speaker 1: Hell of a solid four was four?

690
00:32:45,440 --> 00:32:49,080
Speaker 2: That was just four? All right? Number three. I'm sitting

691
00:32:49,160 --> 00:32:53,040
Speaker 2: in the crib dreaming, somebody got died A big.

692
00:32:54,640 --> 00:32:56,440
Speaker 1: Dang mine is a biggie one too?

693
00:32:56,680 --> 00:32:58,280
Speaker 3: What is a different one? Bi got masked?

694
00:32:59,640 --> 00:33:02,840
Speaker 4: He want to put you to sleep. You want to

695
00:33:02,840 --> 00:33:04,560
Speaker 4: put your sleep, You wanted to put you out of sleep.

696
00:33:04,560 --> 00:33:07,120
Speaker 4: You got some night top stories, but said. I'm sitting

697
00:33:07,120 --> 00:33:09,680
Speaker 4: in the crib dreaming by lid Jets and coops, the

698
00:33:09,720 --> 00:33:12,560
Speaker 4: way Salt shoots and how they sell records like Snoop.

699
00:33:12,720 --> 00:33:15,920
Speaker 2: I'm interrupted by a doorbell three point fifty two. Who

700
00:33:15,960 --> 00:33:18,600
Speaker 2: the hell is this? It gets up quick cocks my ship,

701
00:33:18,840 --> 00:33:22,080
Speaker 2: stop the dog from balk and proceed like I feel

702
00:33:22,080 --> 00:33:27,080
Speaker 2: like I got to like you're you're so invested, you

703
00:33:27,080 --> 00:33:28,240
Speaker 2: get what I'm saying, like.

704
00:33:30,000 --> 00:33:32,160
Speaker 4: If you pay, if you're like outside of all I

705
00:33:32,160 --> 00:33:34,440
Speaker 4: got is you. These other songs are catching me from

706
00:33:34,480 --> 00:33:39,000
Speaker 4: the then from the beginning, Big says this, and I

707
00:33:39,040 --> 00:33:42,680
Speaker 4: feel like I'm gonna sound like I'm selling being extra,

708
00:33:42,680 --> 00:33:46,240
Speaker 4: but this is really hot, like ingest music. Every time

709
00:33:46,280 --> 00:33:48,840
Speaker 4: I hear the record, I feel like I'm sitting down

710
00:33:49,000 --> 00:33:52,280
Speaker 4: and the TV credit just open up and you see

711
00:33:52,280 --> 00:33:54,600
Speaker 4: the big pin. It's like a like a like an

712
00:33:54,640 --> 00:33:59,360
Speaker 4: allegory film, like like uh Wu tang is doing has

713
00:33:59,400 --> 00:34:01,400
Speaker 4: done over this last season. I feel like I'm watching

714
00:34:01,400 --> 00:34:03,760
Speaker 4: the allegory, like I feel like.

715
00:34:03,720 --> 00:34:07,040
Speaker 2: I'm watching what he's talking about. I want to see

716
00:34:07,040 --> 00:34:13,200
Speaker 2: this movie he's chilling, dreamingly, jets and coops the way.

717
00:34:13,040 --> 00:34:16,920
Speaker 5: He brings, and he also mentions that when he drops

718
00:34:16,640 --> 00:34:20,120
Speaker 5: like snoop, like something's going on at that time, it's

719
00:34:20,160 --> 00:34:23,719
Speaker 5: just he just says, like very non nonchalantly, like actually, like.

720
00:34:23,680 --> 00:34:26,200
Speaker 2: He said, and I get to walk and you see

721
00:34:26,239 --> 00:34:30,839
Speaker 2: this big, hulking figure walking around with the GAT. He's like, yeah, big, yeah,

722
00:34:30,880 --> 00:34:31,719
Speaker 2: it was going on.

723
00:34:31,880 --> 00:34:35,520
Speaker 4: Somebody gotta die. Let the gun shots go. Somebody got

724
00:34:35,520 --> 00:34:41,440
Speaker 4: to die. Nobody has to know that kid. He's crazy.

725
00:34:42,239 --> 00:34:45,719
Speaker 3: My big record, which is number three, is every Day Struggle,

726
00:34:46,480 --> 00:34:50,040
Speaker 3: And I was like, it was hard to pick one

727
00:34:50,160 --> 00:34:52,440
Speaker 3: of him because he can do we can do a

728
00:34:52,520 --> 00:34:56,319
Speaker 3: top five best big storytelling. Yeah, just on him because

729
00:34:56,320 --> 00:34:58,759
Speaker 3: he got so many. But you know, I've always liked

730
00:34:58,760 --> 00:35:01,959
Speaker 3: when big rap, fastatory stuff, so I like the second person.

731
00:35:02,120 --> 00:35:05,320
Speaker 3: He's like, I mean, I got the master pan.

732
00:35:06,760 --> 00:35:09,640
Speaker 4: On my way to Maveryland in two texts take over

733
00:35:09,719 --> 00:35:12,480
Speaker 4: the Projects, they call it two texts. He told two texts,

734
00:35:12,480 --> 00:35:17,720
Speaker 4: and when he sparked a bunch like the answer next

735
00:35:18,560 --> 00:35:19,719
Speaker 4: Biggs nuts.

736
00:35:19,800 --> 00:35:20,960
Speaker 2: He was nuts. Yeah.

737
00:35:21,000 --> 00:35:24,319
Speaker 3: His storytelling is just phenomenal and I just love it,

738
00:35:24,360 --> 00:35:32,640
Speaker 3: Like with in the crack of ass to make a

739
00:35:32,719 --> 00:35:33,480
Speaker 3: quick cash.

740
00:35:34,160 --> 00:35:37,719
Speaker 2: They got, he said, when they got his bitch, he said,

741
00:35:37,760 --> 00:35:39,840
Speaker 2: I hold the damn should be holding three.

742
00:35:42,200 --> 00:35:44,920
Speaker 1: For the whole family. True, g that's me.

743
00:35:47,120 --> 00:35:49,319
Speaker 4: I don't want to live no more the time they

744
00:35:49,360 --> 00:35:52,359
Speaker 4: hear death knocking at my front door. Living every day

745
00:35:52,440 --> 00:35:56,360
Speaker 4: at the trestle, another drug to juggle, another day, another struggle.

746
00:35:56,560 --> 00:36:01,000
Speaker 2: Right, people, do you understand lucky you was to lift

747
00:36:01,000 --> 00:36:01,319
Speaker 2: through that?

748
00:36:02,200 --> 00:36:06,400
Speaker 5: Oh my god, I can tell you my number three

749
00:36:06,440 --> 00:36:08,279
Speaker 5: is who the fuck is this page me?

750
00:36:08,440 --> 00:36:11,239
Speaker 2: That's your number three in the morning, your number two.

751
00:36:11,800 --> 00:36:14,279
Speaker 2: Let me tell you that your number two and your

752
00:36:14,360 --> 00:36:16,080
Speaker 2: number one better be phenomenal.

753
00:36:16,160 --> 00:36:16,520
Speaker 5: Picture.

754
00:36:17,719 --> 00:36:20,279
Speaker 2: It's my nigga pot from the barber shot. So he

755
00:36:20,480 --> 00:36:23,040
Speaker 2: was in the gambling spot. I heard the intricate plot.

756
00:36:23,120 --> 00:36:26,399
Speaker 2: A niggas water stick, your light, flying papers, cable, slow down,

757
00:36:26,480 --> 00:36:29,840
Speaker 2: love your piece dropped the caper. Remember them niggas up

758
00:36:30,360 --> 00:36:35,000
Speaker 2: you that you grew up? It got nice with Yeah,

759
00:36:35,080 --> 00:36:37,560
Speaker 2: that's my nigga fame from the pros. I didn't say

760
00:36:37,680 --> 00:36:41,080
Speaker 2: that love dis respect. I didn't say this it Clark

761
00:36:41,160 --> 00:36:43,600
Speaker 2: returned the niggas that you do from back when when

762
00:36:43,640 --> 00:36:46,400
Speaker 2: you was locking minding figures. Now to here you're blowing

763
00:36:46,480 --> 00:36:49,680
Speaker 2: up like night Troll and the water through your way

764
00:36:49,760 --> 00:36:54,960
Speaker 2: pipe slow, hold than me? Now water you got tell

765
00:36:55,000 --> 00:36:59,520
Speaker 2: me what you want to do? Man? Why didn't my paper? Damn?

766
00:37:00,719 --> 00:37:02,480
Speaker 5: I think what's going on in that song? Like even

767
00:37:02,520 --> 00:37:04,480
Speaker 5: the fact that the whole part like I didn't say

768
00:37:04,600 --> 00:37:09,400
Speaker 5: them like that storytelling is so specific. No, I'm not

769
00:37:09,400 --> 00:37:14,719
Speaker 5: talking about those guys else You're you're ready incredible, because like.

770
00:37:14,719 --> 00:37:15,600
Speaker 2: He wasn't human.

771
00:37:16,080 --> 00:37:20,640
Speaker 5: And also like the paranoia that you feel in his songwriters,

772
00:37:20,680 --> 00:37:22,840
Speaker 5: like he was really fucking nervous about like what you

773
00:37:22,840 --> 00:37:23,719
Speaker 5: think all the guns.

774
00:37:23,600 --> 00:37:25,200
Speaker 2: For what you think? I was just about to say

775
00:37:25,200 --> 00:37:29,200
Speaker 2: that what you think all the guns is full? He

776
00:37:29,280 --> 00:37:33,640
Speaker 2: said in the feet of Gunpowder. So they trying to

777
00:37:33,719 --> 00:37:34,320
Speaker 2: talk about.

778
00:37:34,160 --> 00:37:38,920
Speaker 5: This, I mean, the psychosis that was going to his

779
00:37:38,920 --> 00:37:40,440
Speaker 5: head and a lot of his lyrics.

780
00:37:40,440 --> 00:37:43,200
Speaker 1: It's just like you he got too many, honestly he

781
00:37:43,320 --> 00:37:44,600
Speaker 1: got because.

782
00:37:45,239 --> 00:37:47,040
Speaker 5: How could you want to live like that? You make

783
00:37:47,080 --> 00:37:48,759
Speaker 5: all this money to get out of the hood, and

784
00:37:48,800 --> 00:37:51,319
Speaker 5: then you just like it's so sad how it ended.

785
00:37:51,320 --> 00:37:53,680
Speaker 5: But it's just like when you think about once he

786
00:37:53,760 --> 00:37:55,400
Speaker 5: got out, he had this whole other.

787
00:37:57,080 --> 00:37:59,680
Speaker 4: And they say he was really paranoid, like Little Season

788
00:37:59,760 --> 00:38:02,279
Speaker 4: and said like in those latter you know, in that

789
00:38:02,400 --> 00:38:04,760
Speaker 4: latter part of at least when they were recording that album,

790
00:38:04,800 --> 00:38:07,000
Speaker 4: he was really pardo, especially after the accident.

791
00:38:08,760 --> 00:38:11,040
Speaker 5: And we've seen even more recent stuff with you know,

792
00:38:11,080 --> 00:38:13,560
Speaker 5: pop smoke and all these guys who've been.

793
00:38:13,680 --> 00:38:17,040
Speaker 2: Damn, why don't want to stick me from my paper? Damn?

794
00:38:17,280 --> 00:38:19,120
Speaker 2: Why didn't want to stick me from my paper?

795
00:38:19,280 --> 00:38:21,759
Speaker 5: Great song and I and I put that ahead of

796
00:38:21,760 --> 00:38:24,359
Speaker 5: another Biggie song, which I think Mouse may talk about

797
00:38:24,480 --> 00:38:27,719
Speaker 5: later because of the entertaining part about the guy with

798
00:38:27,920 --> 00:38:31,160
Speaker 5: what the the auto tune did on the voice, as

799
00:38:31,160 --> 00:38:36,440
Speaker 5: if he's calling from itself. I just think I love song.

800
00:38:36,480 --> 00:38:38,479
Speaker 5: I think Mouse is going to talk about maybe later,

801
00:38:38,520 --> 00:38:41,359
Speaker 5: but it's just I think the entertainment value of Warning is.

802
00:38:41,320 --> 00:38:44,359
Speaker 2: The entertainment values with all of these records. Big does

803
00:38:44,480 --> 00:38:47,160
Speaker 2: something no matter if it's all ready to die, no

804
00:38:47,200 --> 00:38:50,839
Speaker 2: matter if it's on his feature Like Big, you can

805
00:38:50,960 --> 00:38:54,000
Speaker 2: tell and you can appreciate it as like you know,

806
00:38:54,040 --> 00:38:58,480
Speaker 2: with with hindsight, how talented he was and how intelligent

807
00:38:58,640 --> 00:39:02,319
Speaker 2: he was. You know, well even the worst rapper is

808
00:39:02,400 --> 00:39:03,360
Speaker 2: you know, kind of.

809
00:39:04,840 --> 00:39:06,760
Speaker 4: Kind of a bit more intelligent than the average person,

810
00:39:07,120 --> 00:39:09,239
Speaker 4: because you have to be entertaining. I think there's a

811
00:39:09,320 --> 00:39:11,800
Speaker 4: level of intelligence that has to go into entertaining.

812
00:39:11,440 --> 00:39:13,719
Speaker 1: People, right, I disagree with this thing, but okay.

813
00:39:14,120 --> 00:39:17,200
Speaker 2: Big was so entertaining he because he attacked it like TV,

814
00:39:18,239 --> 00:39:21,320
Speaker 2: like you think of you know, he painted a picture.

815
00:39:22,120 --> 00:39:24,440
Speaker 2: You're now listening to the what hipov questions legend. The

816
00:39:24,440 --> 00:39:26,200
Speaker 2: list will be right back after the break.

817
00:39:28,800 --> 00:39:30,040
Speaker 1: All right, Number two.

818
00:39:30,360 --> 00:39:31,080
Speaker 2: My number two.

819
00:39:33,200 --> 00:39:36,400
Speaker 4: This is it's my favorite. But if I have to

820
00:39:36,440 --> 00:39:39,520
Speaker 4: be honest, it's number two. I just think and I

821
00:39:39,560 --> 00:39:43,600
Speaker 4: think I've crafted my list based on like a hard criteria. Right, So,

822
00:39:44,080 --> 00:39:46,799
Speaker 4: although this is my number two is my favorite storytelling

823
00:39:46,880 --> 00:39:52,080
Speaker 4: rap of all time, I understand it putting it number two,

824
00:39:52,440 --> 00:39:55,160
Speaker 4: even number three on some people's list, I don't understand

825
00:39:55,200 --> 00:39:56,680
Speaker 4: it not being on people's list.

826
00:39:57,040 --> 00:39:58,000
Speaker 2: Meet the Parents by.

827
00:39:57,920 --> 00:40:00,279
Speaker 4: Jay Z, Meet the Parents on jay Z on the

828
00:40:00,280 --> 00:40:05,600
Speaker 4: Blueprint two is the It's like a master class in storytelling.

829
00:40:06,000 --> 00:40:09,239
Speaker 4: Not only is it a master class in storytelling, you

830
00:40:09,239 --> 00:40:13,240
Speaker 4: can tell he was influenced by one of the greatest

831
00:40:13,239 --> 00:40:17,359
Speaker 4: storytellers ever, Biggie, and you know Blueprint two starts off.

832
00:40:17,560 --> 00:40:21,160
Speaker 4: Blueprint two starts off with the conversation with Big in

833
00:40:21,280 --> 00:40:24,520
Speaker 4: hole and Faith on the hook and you know.

834
00:40:24,520 --> 00:40:27,200
Speaker 2: So just to see. As the album progresses, we get

835
00:40:27,239 --> 00:40:31,640
Speaker 2: Meet the Parents where jay Z is literally rapping about

836
00:40:31,840 --> 00:40:36,080
Speaker 2: a father killing his son, and he talks about you know,

837
00:40:36,239 --> 00:40:41,120
Speaker 2: he says, he said, seems like the young seems like

838
00:40:41,200 --> 00:40:43,479
Speaker 2: the end of every young black life. It's this line.

839
00:40:43,560 --> 00:40:47,000
Speaker 2: Damn him already, because then we saw some of us.

840
00:40:47,040 --> 00:40:50,200
Speaker 2: He fought like us, talk like smacked him, get the

841
00:40:50,239 --> 00:40:52,120
Speaker 2: wall even you know what I mean. And he's like,

842
00:40:52,560 --> 00:40:55,399
Speaker 2: even how he ended six shots into your kin out

843
00:40:55,400 --> 00:40:58,520
Speaker 2: of a gun. Niggas be a father, you're killing your son.

844
00:40:58,760 --> 00:41:02,279
Speaker 2: Meet the parents and talks about isis and and Mike,

845
00:41:02,400 --> 00:41:03,600
Speaker 2: and Mike.

846
00:41:03,560 --> 00:41:06,680
Speaker 4: Was just this. He wasn't really the one to love her, right,

847
00:41:06,800 --> 00:41:08,680
Speaker 4: there was a nigga names want to take it out

848
00:41:08,719 --> 00:41:11,439
Speaker 4: the city life. But what he said, he said about

849
00:41:11,440 --> 00:41:15,080
Speaker 4: isis like this. She iis loved this city. She liked

850
00:41:15,120 --> 00:41:16,520
Speaker 4: the Gucci sneakers, the red.

851
00:41:16,400 --> 00:41:18,480
Speaker 2: Green and right. She was so turned on when he

852
00:41:18,520 --> 00:41:20,600
Speaker 2: first saw the fight. They had to go home and

853
00:41:20,800 --> 00:41:21,880
Speaker 2: she had a shower twice.

854
00:41:22,080 --> 00:41:25,200
Speaker 4: Like he paints this picture, you feel like you were

855
00:41:25,440 --> 00:41:29,560
Speaker 4: in bedsty and you know Mike and you know Isis

856
00:41:29,800 --> 00:41:32,319
Speaker 4: you know they son, You could see them. You could

857
00:41:32,320 --> 00:41:35,839
Speaker 4: see them like you can almost like paint this young

858
00:41:35,920 --> 00:41:38,279
Speaker 4: man's face, like just.

859
00:41:38,200 --> 00:41:39,840
Speaker 5: Did think about it? Is that he didn't know was

860
00:41:39,880 --> 00:41:42,719
Speaker 5: his son, right, he had no idea that this was

861
00:41:42,719 --> 00:41:44,040
Speaker 5: his son, that he that he but.

862
00:41:44,080 --> 00:41:46,840
Speaker 2: He had no because that's how far removed he just

863
00:41:46,880 --> 00:41:49,879
Speaker 2: on like there was so much it's like a it's

864
00:41:49,920 --> 00:41:51,040
Speaker 2: like a scor Saves.

865
00:41:50,960 --> 00:41:54,960
Speaker 5: Or Spiker tragedy. Right, So you talk about the father

866
00:41:55,040 --> 00:41:58,360
Speaker 5: killing on sons, those Greek tragedies, Yeah, electric complex, the

867
00:41:58,440 --> 00:42:01,920
Speaker 5: mother has sex with on some all like those classic

868
00:42:01,960 --> 00:42:02,960
Speaker 5: Greek storyline and.

869
00:42:02,920 --> 00:42:04,080
Speaker 2: You look at it and you're like.

870
00:42:05,560 --> 00:42:07,920
Speaker 4: Everybody's I don't know how long it took jay Z

871
00:42:07,960 --> 00:42:10,960
Speaker 4: to craft a song. If somebody told me it took

872
00:42:11,040 --> 00:42:12,360
Speaker 4: him a year to craft the song, I would be

873
00:42:12,360 --> 00:42:13,080
Speaker 4: like you damn right.

874
00:42:13,360 --> 00:42:16,200
Speaker 2: Because if you think about a movie, right, like deb

875
00:42:16,320 --> 00:42:19,000
Speaker 2: like you you're a producer or director, like even to

876
00:42:19,040 --> 00:42:21,400
Speaker 2: get to what we do every day, it's not just

877
00:42:22,360 --> 00:42:23,839
Speaker 2: you know me and I look great, but there's still

878
00:42:23,920 --> 00:42:25,759
Speaker 2: is some part where you're like, all right, hey, what

879
00:42:25,760 --> 00:42:27,719
Speaker 2: are we talking about. We'll go here, we'll go here.

880
00:42:29,200 --> 00:42:31,520
Speaker 2: So on these like longer shoots when you're doing your

881
00:42:31,520 --> 00:42:34,919
Speaker 2: documentaries and things of that nature, it's like, Okay, we

882
00:42:35,080 --> 00:42:36,200
Speaker 2: know how I want to start. I know how I

883
00:42:36,200 --> 00:42:37,920
Speaker 2: want to finish, and we have to fill all the

884
00:42:37,960 --> 00:42:40,680
Speaker 2: sin and then when I fill this stuff in, you know,

885
00:42:41,280 --> 00:42:43,960
Speaker 2: this interview is really a splice of like because I

886
00:42:43,960 --> 00:42:45,520
Speaker 2: really want to touch on like five or six more

887
00:42:45,560 --> 00:42:47,319
Speaker 2: things from this interview. He had to do that.

888
00:42:47,400 --> 00:42:49,400
Speaker 4: Jay Z had to do that, almost as if he

889
00:42:49,520 --> 00:42:52,680
Speaker 4: was writing a script. There was character breakdowns that you know,

890
00:42:52,760 --> 00:42:55,160
Speaker 4: you had to like what he said. He said, like

891
00:42:55,239 --> 00:42:58,880
Speaker 4: you talk about the dad Mike and he's like this MoMA.

892
00:42:59,440 --> 00:43:01,400
Speaker 4: He says, oh, mom is baby. He said, if that

893
00:43:01,440 --> 00:43:03,399
Speaker 4: baby was mine, it would be more dog.

894
00:43:03,520 --> 00:43:07,680
Speaker 2: So is Mama's baby pop is maybe like you know

895
00:43:07,680 --> 00:43:10,759
Speaker 2: what I mean? Like and now that's become something in

896
00:43:10,800 --> 00:43:12,880
Speaker 2: the in the ethos, right, everybody says it.

897
00:43:12,960 --> 00:43:15,040
Speaker 4: Now you know, you watch more Mama's Baby pop is

898
00:43:15,120 --> 00:43:16,960
Speaker 4: maybe you know what I mean? And you just look

899
00:43:17,000 --> 00:43:19,600
Speaker 4: at that and it's like, how the fuck did you

900
00:43:19,680 --> 00:43:21,960
Speaker 4: come up with this? What was going in yet? But

901
00:43:22,480 --> 00:43:26,799
Speaker 4: it's not that hard to think, like I don't know,

902
00:43:26,800 --> 00:43:29,040
Speaker 4: I didn't it could have been you know, I'm thirty three.

903
00:43:29,120 --> 00:43:31,919
Speaker 4: I never I didn't hear it before Jae MoMA's Baby

904
00:43:31,960 --> 00:43:32,320
Speaker 4: pop is.

905
00:43:32,360 --> 00:43:34,560
Speaker 5: Maybe I don't it might have been like an old

906
00:43:34,560 --> 00:43:36,680
Speaker 5: school saying, I don't know if it was on wax,

907
00:43:36,760 --> 00:43:38,480
Speaker 5: but I think the peeling of the onion that you're

908
00:43:38,480 --> 00:43:41,200
Speaker 5: talking about. He starts off, just saying, this is your

909
00:43:41,200 --> 00:43:44,000
Speaker 5: typical stuff, rainy night night, Yep, you know this kind

910
00:43:44,000 --> 00:43:46,360
Speaker 5: of and then there's more layers to this. Yeah, I

911
00:43:46,360 --> 00:43:47,560
Speaker 5: think that's what is amazing.

912
00:43:47,600 --> 00:43:51,640
Speaker 4: Yeah, that's the in every layer felt I'm gonna sound

913
00:43:51,680 --> 00:43:54,440
Speaker 4: like such. I probably sound like sound every time we

914
00:43:54,480 --> 00:43:57,799
Speaker 4: talked about hip hop. I could smell the rain the

915
00:43:57,840 --> 00:44:00,879
Speaker 4: first time I'm listening to it, I can smell the rain.

916
00:44:01,880 --> 00:44:06,359
Speaker 2: I can feel that that moment where jay.

917
00:44:06,320 --> 00:44:11,239
Speaker 4: Z says the moment he says, he tells her young

918
00:44:11,280 --> 00:44:13,200
Speaker 4: and get off the block. But the younger it ain't

919
00:44:13,280 --> 00:44:16,399
Speaker 4: buzz stood him, he said, but in him he saw

920
00:44:16,520 --> 00:44:19,359
Speaker 4: something like a bird Nate scene from the old He says,

921
00:44:19,400 --> 00:44:23,160
Speaker 4: like a sign from the almighty Lord. You know what

922
00:44:23,200 --> 00:44:26,360
Speaker 4: I'm saying, Like I'm I feel like I'm and you know,

923
00:44:26,840 --> 00:44:29,600
Speaker 4: I have my own you know, I mean issues with

924
00:44:29,640 --> 00:44:30,560
Speaker 4: my biological father.

925
00:44:30,680 --> 00:44:31,800
Speaker 2: So I'm really connected.

926
00:44:31,800 --> 00:44:34,080
Speaker 4: I'm really feeling like I've stood there, I stood you

927
00:44:34,080 --> 00:44:35,319
Speaker 4: know what I mean I'm stood in front of this

928
00:44:35,360 --> 00:44:38,319
Speaker 4: nigga like playing with me, like you know, and and

929
00:44:38,400 --> 00:44:40,759
Speaker 4: what jay Z said, J said, he said, he's like

930
00:44:40,800 --> 00:44:42,680
Speaker 4: a like a like a self, like he's seen him,

931
00:44:42,680 --> 00:44:45,520
Speaker 4: but like he's like he's looking at himself, but more mature.

932
00:44:45,880 --> 00:44:47,880
Speaker 4: I've been there, I've stood in this man face and

933
00:44:47,920 --> 00:44:51,000
Speaker 4: had issues with him and look at him like damn,

934
00:44:51,040 --> 00:44:51,799
Speaker 4: he canna look like me.

935
00:44:52,680 --> 00:44:53,120
Speaker 2: You know what I mean.

936
00:44:53,160 --> 00:44:55,279
Speaker 4: I've been there, So it's like you know what I mean,

937
00:44:55,280 --> 00:44:59,040
Speaker 4: Like you're standing there. No, I always boom him, but

938
00:44:59,080 --> 00:45:00,720
Speaker 4: I'm just sitting there like I' been in this situation

939
00:45:00,760 --> 00:45:03,120
Speaker 4: where there's tension between us, and I'm like looking at

940
00:45:03,160 --> 00:45:04,960
Speaker 4: him and it's like in my mind, I want to

941
00:45:05,000 --> 00:45:07,200
Speaker 4: do this to him, Like I want to do something

942
00:45:07,239 --> 00:45:11,640
Speaker 4: to this man, but there's something that's stopping me because

943
00:45:12,040 --> 00:45:14,839
Speaker 4: there's an innate connection between us, and I don't think

944
00:45:14,880 --> 00:45:18,520
Speaker 4: this man is I don't think it's reverbing to him.

945
00:45:18,520 --> 00:45:21,080
Speaker 2: I don't think he's seeing it the same way in

946
00:45:21,080 --> 00:45:22,279
Speaker 2: my mind. And that happened with me.

947
00:45:22,800 --> 00:45:25,480
Speaker 4: So to hear jay Z talk about with Mike and

948
00:45:25,520 --> 00:45:28,319
Speaker 4: his son, he's like, he's like, you know what I mean?

949
00:45:28,360 --> 00:45:30,319
Speaker 4: He said, what do he pulled out, pulled out a

950
00:45:30,360 --> 00:45:33,319
Speaker 4: brand new theory. But you know, you say what you

951
00:45:33,360 --> 00:45:35,919
Speaker 4: know what they say about he who hesitates a war,

952
00:45:36,800 --> 00:45:41,960
Speaker 4: he who hesitates his last didn't even blank for his mind.

953
00:45:41,719 --> 00:45:46,399
Speaker 2: Went meet the parent. Yo, that what kind of line

954
00:45:46,440 --> 00:45:47,440
Speaker 2: did that to say?

955
00:45:47,880 --> 00:45:50,200
Speaker 5: He calls me the parents of the last the last

956
00:45:50,200 --> 00:45:52,880
Speaker 5: line of the parents, the parents.

957
00:45:55,760 --> 00:45:56,760
Speaker 2: That's my favorite.

958
00:45:58,440 --> 00:46:00,440
Speaker 4: That's my number. It's my favorite of all time. But

959
00:46:01,160 --> 00:46:03,760
Speaker 4: number two. It's a number two for a reason.

960
00:46:04,360 --> 00:46:07,680
Speaker 3: Okay, my number two, I'm gonna go with. I feel

961
00:46:07,719 --> 00:46:12,279
Speaker 3: like it's way less a sentimental as what Mouth just said,

962
00:46:12,320 --> 00:46:14,440
Speaker 3: like that was some real ship just now. I'm like, damn,

963
00:46:14,480 --> 00:46:17,200
Speaker 3: all right, Yeah, that's that's great. But I think mine's

964
00:46:17,239 --> 00:46:19,840
Speaker 3: is like a fun one. Everybody likes Troy.

965
00:46:21,160 --> 00:46:25,880
Speaker 2: They reminisced sob my god, I'm not gonna song.

966
00:46:26,239 --> 00:46:29,440
Speaker 3: That record is just the beat is great, the story

967
00:46:29,520 --> 00:46:29,879
Speaker 3: is great.

968
00:46:29,880 --> 00:46:31,480
Speaker 5: It is about want to heavy these dancers.

969
00:46:32,239 --> 00:46:38,840
Speaker 4: Yeah really I thought that was about no Troy.

970
00:46:39,120 --> 00:46:41,480
Speaker 5: It's about one of Heavy's backup dancs.

971
00:46:41,520 --> 00:46:47,279
Speaker 2: Troy is one of the boys. Yeah, I never put

972
00:46:47,440 --> 00:46:48,560
Speaker 2: on two togethern't know that.

973
00:46:48,800 --> 00:46:52,080
Speaker 5: Yeah, someone said I think on Twitter recently, like you know,

974
00:46:52,760 --> 00:46:56,480
Speaker 5: there's been no better eulogy song than Troy.

975
00:46:56,800 --> 00:46:59,200
Speaker 1: That's a eulogy song when.

976
00:46:59,040 --> 00:47:04,240
Speaker 5: They reminisceed my god, wow, the horns, those horns.

977
00:47:04,280 --> 00:47:04,400
Speaker 2: Man.

978
00:47:04,480 --> 00:47:05,360
Speaker 5: He used to find.

979
00:47:06,640 --> 00:47:08,800
Speaker 4: First of all, Mecca the Soul Brother one of my

980
00:47:08,840 --> 00:47:11,800
Speaker 4: favorite albums, one of my favorite albums of one of

981
00:47:11,880 --> 00:47:14,480
Speaker 4: my favorite albums across any genre of all time, like

982
00:47:14,600 --> 00:47:20,520
Speaker 4: p Rod. But you talk about as good as Mecca

983
00:47:20,560 --> 00:47:23,400
Speaker 4: and the Soul Brother, is Troy being the song that

984
00:47:23,520 --> 00:47:24,080
Speaker 4: stands out?

985
00:47:24,440 --> 00:47:25,400
Speaker 2: Said so much.

986
00:47:25,680 --> 00:47:27,760
Speaker 1: Record listen to it again.

987
00:47:27,960 --> 00:47:29,759
Speaker 3: I thought that was him talking about his life and

988
00:47:30,080 --> 00:47:31,280
Speaker 3: I thought so too, But it's.

989
00:47:31,160 --> 00:47:34,120
Speaker 4: Just certain things wasn't making sense with like interviews and stuff.

990
00:47:34,280 --> 00:47:36,080
Speaker 4: So I didn't put two in together until d Black

991
00:47:36,160 --> 00:47:37,759
Speaker 4: just said it. And then when I think about it,

992
00:47:37,880 --> 00:47:40,480
Speaker 4: reminists over you, Troy. If you look it up, Troy

993
00:47:40,680 --> 00:47:41,160
Speaker 4: is one.

994
00:47:41,080 --> 00:47:43,400
Speaker 2: Of the boys. You know, it's heavy in the boys.

995
00:47:43,840 --> 00:47:45,319
Speaker 2: One of the one of the boys name is Troy

996
00:47:45,360 --> 00:47:47,040
Speaker 2: and he did die yeah.

997
00:47:47,280 --> 00:47:50,440
Speaker 3: Yeah, forget this the days the way back, even just

998
00:47:50,560 --> 00:47:53,040
Speaker 3: down to so he just that's his good friend. Because

999
00:47:53,040 --> 00:47:56,080
Speaker 3: he talked about mom being the youngest, always.

1000
00:47:55,840 --> 00:48:00,239
Speaker 2: Had yoh my god, just that yo're talking about getting out.

1001
00:48:00,520 --> 00:48:03,600
Speaker 1: Check it positive over negative for a woman to master.

1002
00:48:03,880 --> 00:48:07,480
Speaker 3: It's like, what you're gonna do.

1003
00:48:07,920 --> 00:48:08,279
Speaker 2: I don't know.

1004
00:48:08,480 --> 00:48:11,400
Speaker 3: That's impressive. That's actually really impressive.

1005
00:48:11,440 --> 00:48:12,279
Speaker 1: I didn't know that, all right.

1006
00:48:12,400 --> 00:48:14,080
Speaker 3: Number one or number two.

1007
00:48:14,200 --> 00:48:19,680
Speaker 5: Number two is, here's a little story. I got the

1008
00:48:20,719 --> 00:48:23,319
Speaker 5: it's not going to be here. It's not gonna be here.

1009
00:48:25,280 --> 00:48:28,800
Speaker 2: I gotta flip this table. It was poor through this

1010
00:48:29,040 --> 00:48:32,040
Speaker 2: table that once upon a time, not long ago, people

1011
00:48:32,120 --> 00:48:35,560
Speaker 2: with pajamas and lived life slow with justice. Justice.

1012
00:48:36,040 --> 00:48:38,400
Speaker 7: If people weren't behaving like that author cook, there was

1013
00:48:38,480 --> 00:48:41,160
Speaker 7: a little boy who was led by another little boy,

1014
00:48:41,160 --> 00:48:43,200
Speaker 7: and this is what he said, me and U K,

1015
00:48:43,360 --> 00:48:46,319
Speaker 7: we're gonna make the cash robbing old folks and making

1016
00:48:46,400 --> 00:48:46,799
Speaker 7: it dad.

1017
00:48:47,160 --> 00:48:49,920
Speaker 2: They did. Money came with it, but one can't stop

1018
00:48:50,040 --> 00:48:53,640
Speaker 2: it like you had it, you robbing up and try

1019
00:48:53,680 --> 00:48:58,239
Speaker 2: to rob it was yo. That ships, Yo.

1020
00:48:58,320 --> 00:49:01,000
Speaker 4: But if you talk about stort like if you just

1021
00:49:01,040 --> 00:49:02,800
Speaker 4: think about it, I know I be dragon ship. But

1022
00:49:02,840 --> 00:49:04,799
Speaker 4: if you think about it like yes, high like.

1023
00:49:04,920 --> 00:49:06,200
Speaker 2: That, I know I be draggon.

1024
00:49:06,440 --> 00:49:08,040
Speaker 4: I know, I know I love I love hip hop.

1025
00:49:10,840 --> 00:49:14,480
Speaker 4: I know I know I be dragon ship. I love

1026
00:49:14,640 --> 00:49:17,120
Speaker 4: hip hop, and I make no qualms about it. Yes,

1027
00:49:17,520 --> 00:49:22,000
Speaker 4: it's not just your fucking Patty and everyone's gonna sing

1028
00:49:22,160 --> 00:49:25,319
Speaker 4: poo putt song. Think about what he's saying in the record.

1029
00:49:25,360 --> 00:49:27,600
Speaker 4: He's saying some fly ship. He's telling a fly story.

1030
00:49:28,560 --> 00:49:30,960
Speaker 4: Like no, he said, no need for static, No, no, no,

1031
00:49:31,000 --> 00:49:33,359
Speaker 4: no no, and he gave him a slap. Little did

1032
00:49:33,400 --> 00:49:34,240
Speaker 4: he know the little.

1033
00:49:34,040 --> 00:49:38,719
Speaker 2: Boy was strapped, said watch you hit me straight for

1034
00:49:38,880 --> 00:49:39,280
Speaker 2: the cops.

1035
00:49:39,320 --> 00:49:45,280
Speaker 7: Kid me like you talking about even talking about dave shoes,

1036
00:49:45,840 --> 00:49:50,879
Speaker 7: walk to no soap me bullets, hurry up, running the cop,

1037
00:49:51,280 --> 00:49:52,319
Speaker 7: back up bank shot.

1038
00:49:53,040 --> 00:49:55,360
Speaker 1: Each time that you gotta say a record, it reminds

1039
00:49:55,400 --> 00:49:56,280
Speaker 1: me of another record.

1040
00:49:56,800 --> 00:49:57,680
Speaker 3: Give an honorable mention.

1041
00:49:58,040 --> 00:49:58,799
Speaker 1: Y'all gonna laugh.

1042
00:49:59,320 --> 00:50:03,200
Speaker 3: But this is a story all about how much life

1043
00:50:03,520 --> 00:50:04,759
Speaker 3: turned upside down.

1044
00:50:06,120 --> 00:50:07,879
Speaker 2: I think that's a fun but I think that goes

1045
00:50:07,960 --> 00:50:09,920
Speaker 2: back and I'm not shooting. I think that goes back

1046
00:50:09,960 --> 00:50:11,359
Speaker 2: to what I was saying, like a few seconds ago.

1047
00:50:11,480 --> 00:50:13,879
Speaker 2: I think that's a fun song, dance to tell the story.

1048
00:50:14,000 --> 00:50:17,320
Speaker 2: It's a fun song. List no flash, this is a pioneer.

1049
00:50:19,040 --> 00:50:21,879
Speaker 2: I thought that was a I know, but I thought

1050
00:50:21,920 --> 00:50:23,239
Speaker 2: it was a No, that's not a.

1051
00:50:23,239 --> 00:50:24,920
Speaker 1: Real record, that's just TV interest.

1052
00:50:25,040 --> 00:50:27,680
Speaker 2: So it wasn't the original, it wasn't right.

1053
00:50:28,120 --> 00:50:30,640
Speaker 5: Well, we talked about on list about you know, we

1054
00:50:30,760 --> 00:50:33,680
Speaker 5: can't give the pioneers. I mean, pioneers are pioneers, you know,

1055
00:50:34,080 --> 00:50:37,319
Speaker 5: like when we had the groups just because your person

1056
00:50:37,520 --> 00:50:40,360
Speaker 5: pioneering storytelling song. So it gets a lot of points

1057
00:50:40,400 --> 00:50:43,120
Speaker 5: from me. But it's also like, just when you listen

1058
00:50:43,200 --> 00:50:45,400
Speaker 5: to it again, some of those slick ricks Cadence that

1059
00:50:45,480 --> 00:50:47,560
Speaker 5: you when he says this seem funny. So don't you

1060
00:50:47,600 --> 00:50:50,520
Speaker 5: dare laugh? It's like there's something about the upbeatness of

1061
00:50:50,600 --> 00:50:52,600
Speaker 5: the song still, but the kid is shot by the

1062
00:50:52,640 --> 00:50:55,080
Speaker 5: cops at the end, right, so just when you realize

1063
00:50:55,120 --> 00:50:56,400
Speaker 5: that the darkness.

1064
00:50:57,320 --> 00:51:01,120
Speaker 3: Sure, I feel like Children's story probably if we're just

1065
00:51:01,160 --> 00:51:03,440
Speaker 3: talking about like most famous, it's probably number one.

1066
00:51:03,600 --> 00:51:06,040
Speaker 2: Yeah, we're talking about the most famous. Yea, I think

1067
00:51:06,160 --> 00:51:06,800
Speaker 2: I think it will go.

1068
00:51:07,120 --> 00:51:09,959
Speaker 4: I think it's number two to what you just raped.

1069
00:51:09,960 --> 00:51:12,759
Speaker 4: I think fresh friends about let number one? I think

1070
00:51:12,840 --> 00:51:16,000
Speaker 4: I honestly, yeah, I think those the most popular. Yeah, yeah,

1071
00:51:16,080 --> 00:51:17,200
Speaker 4: I would say, but.

1072
00:51:17,400 --> 00:51:24,239
Speaker 2: Also honorable mentioned the message Oh yeah in sugar Hill

1073
00:51:24,800 --> 00:51:29,680
Speaker 2: the rapper's delay. Those are story records. Yeah, you haven't

1074
00:51:29,719 --> 00:51:30,880
Speaker 2: been a somebody eating.

1075
00:51:31,000 --> 00:51:33,160
Speaker 3: But you know, as we talk about this, I'm like, damn,

1076
00:51:33,640 --> 00:51:36,279
Speaker 3: I think a lot of songs tell stories, but then

1077
00:51:36,320 --> 00:51:40,839
Speaker 3: they're storytelling records. Because when you were talking about Damn,

1078
00:51:40,880 --> 00:51:42,480
Speaker 3: I think the number three version number.

1079
00:51:42,239 --> 00:51:49,120
Speaker 2: Three, my number three was I can't remember my number three.

1080
00:51:49,280 --> 00:51:50,359
Speaker 2: I think I got to die.

1081
00:51:50,640 --> 00:51:53,040
Speaker 3: Your number three reminded me of how I felt about

1082
00:51:53,160 --> 00:51:54,760
Speaker 3: when I heard Queen Latifa Unity.

1083
00:51:55,000 --> 00:51:57,040
Speaker 1: I'm like, that's not really a storytelling record, but she

1084
00:51:57,160 --> 00:51:57,960
Speaker 1: is telling the story.

1085
00:51:58,440 --> 00:52:00,960
Speaker 3: She walks down the street a dude, disrespect BacT and

1086
00:52:01,160 --> 00:52:05,120
Speaker 3: she's like, who you calling the bitch? Respect Unity And anyway,

1087
00:52:05,600 --> 00:52:07,200
Speaker 3: that's how I felt. But I'm like, it's not really

1088
00:52:07,239 --> 00:52:08,360
Speaker 3: a storyteller record.

1089
00:52:08,440 --> 00:52:09,239
Speaker 1: Does she telling us.

1090
00:52:10,680 --> 00:52:11,319
Speaker 2: Storytelling?

1091
00:52:11,680 --> 00:52:12,120
Speaker 1: It's hard.

1092
00:52:12,400 --> 00:52:14,040
Speaker 4: It sucks you right then it's like, like I said,

1093
00:52:14,080 --> 00:52:17,759
Speaker 4: like allegory, like you're stuck and you're just like when

1094
00:52:17,800 --> 00:52:20,160
Speaker 4: the song ends, you feel like you're watching credits instead

1095
00:52:20,160 --> 00:52:21,239
Speaker 4: of the next song is going.

1096
00:52:21,840 --> 00:52:22,960
Speaker 2: That's the way I kind of see it.

1097
00:52:23,120 --> 00:52:25,520
Speaker 1: Number one, Let's get to a mouse.

1098
00:52:27,080 --> 00:52:30,120
Speaker 2: Damn doors for you, even all my mother fucking holes

1099
00:52:30,200 --> 00:52:35,480
Speaker 2: for you, Frank pussy with with the Kodak. It's the

1100
00:52:35,560 --> 00:52:37,920
Speaker 2: mad Tech. Come on, man, I got a story to tell, Biggie.

1101
00:52:38,719 --> 00:52:41,200
Speaker 2: I got a story to tell by Biggie for so

1102
00:52:41,520 --> 00:52:42,360
Speaker 2: many reasons.

1103
00:52:42,400 --> 00:52:46,279
Speaker 4: Once again, it's layers upon layers upon layers, you know,

1104
00:52:46,840 --> 00:52:51,160
Speaker 4: it being about motherfucking Anthony Anthony Mason, you know, the.

1105
00:52:51,200 --> 00:52:52,600
Speaker 2: New York Knicks fucking bully.

1106
00:52:52,760 --> 00:52:54,080
Speaker 5: That was my guy on the next two.

1107
00:52:54,160 --> 00:52:57,239
Speaker 2: I loved him all all my people loved him, all

1108
00:52:57,320 --> 00:52:58,359
Speaker 2: my old heads loved him.

1109
00:52:58,520 --> 00:52:59,920
Speaker 5: That Nick team of the early nine.

1110
00:53:00,040 --> 00:53:00,800
Speaker 2: He was amazing.

1111
00:53:01,040 --> 00:53:03,080
Speaker 5: Hopfully, Mason starts.

1112
00:53:03,800 --> 00:53:08,600
Speaker 2: It was so crazy, but like just big, just what

1113
00:53:09,200 --> 00:53:09,839
Speaker 2: what y'all over? There?

1114
00:53:09,880 --> 00:53:11,799
Speaker 3: Don arm legs.

1115
00:53:13,640 --> 00:53:14,280
Speaker 5: Like legs.

1116
00:53:15,000 --> 00:53:18,759
Speaker 4: But but it's so dope because that's his career. That's

1117
00:53:18,840 --> 00:53:23,399
Speaker 4: that's but but also that's five. That's five percenter. That's

1118
00:53:23,480 --> 00:53:29,320
Speaker 4: five percent. Now the five arm leg leg that's the

1119
00:53:29,400 --> 00:53:36,080
Speaker 4: five that's the together. Yeah yeah, but like I don't play.

1120
00:53:36,440 --> 00:53:37,440
Speaker 1: That's a great number one?

1121
00:53:37,680 --> 00:53:41,440
Speaker 2: Is that the man? Listen from just you're engaged from there,

1122
00:53:41,880 --> 00:53:43,120
Speaker 2: like just from the minute you hit that.

1123
00:53:45,400 --> 00:53:46,120
Speaker 3: Check it out.

1124
00:53:47,600 --> 00:53:54,360
Speaker 2: Talking about oh my niggas, the niggas crib. I like,

1125
00:53:56,239 --> 00:53:59,960
Speaker 2: so yeah, like after what you said, got the head,

1126
00:54:00,360 --> 00:54:03,000
Speaker 2: got the bread, I'm gone.

1127
00:54:04,080 --> 00:54:05,239
Speaker 1: Now that's a great number one.

1128
00:54:05,400 --> 00:54:08,440
Speaker 2: Like you just said, like you were, I don't the

1129
00:54:08,560 --> 00:54:10,360
Speaker 2: first time. I don't know, man, I keep saying this

1130
00:54:10,360 --> 00:54:13,480
Speaker 2: shit like the first time. Every time I heard, for

1131
00:54:13,560 --> 00:54:14,360
Speaker 2: the exception of.

1132
00:54:16,360 --> 00:54:18,680
Speaker 4: For except the three out of the forty record, three

1133
00:54:18,719 --> 00:54:20,440
Speaker 4: of the four, three of the five of these records,

1134
00:54:20,600 --> 00:54:22,920
Speaker 4: I'm on the edge of my seat every word because

1135
00:54:23,680 --> 00:54:24,959
Speaker 4: you know, obviously you got.

1136
00:54:24,880 --> 00:54:25,359
Speaker 2: All that I got.

1137
00:54:26,040 --> 00:54:31,360
Speaker 4: He just recant in his life say and with Dard storytelling,

1138
00:54:31,440 --> 00:54:33,160
Speaker 4: you know, I was a little you know, I was

1139
00:54:33,200 --> 00:54:34,960
Speaker 4: a little green. I didn't know what he was talking about.

1140
00:54:34,960 --> 00:54:36,160
Speaker 4: I just enjoyed what they were.

1141
00:54:37,040 --> 00:54:39,480
Speaker 2: So I wasn't on the you know, there's no it

1142
00:54:39,520 --> 00:54:43,000
Speaker 2: didn't connect now that connected. There was no. It wasn't

1143
00:54:43,040 --> 00:54:46,759
Speaker 2: a ride. I wasn't like, oh, what's next? You know

1144
00:54:46,800 --> 00:54:51,200
Speaker 2: what I mean? But with these other three on the

1145
00:54:51,600 --> 00:54:55,600
Speaker 2: edge of my seat, what is going to happen? Will

1146
00:54:55,719 --> 00:54:57,960
Speaker 2: be will Big make it out next time? On Dragon

1147
00:54:58,000 --> 00:54:58,279
Speaker 2: ball Z?

1148
00:54:58,520 --> 00:55:00,840
Speaker 4: Like you know what I'm saying, Like, that's that's what

1149
00:55:00,960 --> 00:55:03,759
Speaker 4: I'm here. Like so like when he's like, you know

1150
00:55:05,000 --> 00:55:06,040
Speaker 4: what she said, what she said?

1151
00:55:06,520 --> 00:55:07,399
Speaker 2: He said, tell me cool?

1152
00:55:07,400 --> 00:55:10,879
Speaker 4: He said, no, no, he said he when Big told

1153
00:55:10,920 --> 00:55:12,719
Speaker 4: the girls that you better tell your man be cool,

1154
00:55:12,880 --> 00:55:13,360
Speaker 4: she don't know.

1155
00:55:13,520 --> 00:55:16,319
Speaker 2: I'm cool as a fig gas head. I don't want

1156
00:55:16,360 --> 00:55:18,880
Speaker 2: to blast him, man, but I can in the window.

1157
00:55:19,200 --> 00:55:21,480
Speaker 1: I'm trying to even though the situation.

1158
00:55:21,680 --> 00:55:25,240
Speaker 4: You look, it came to me like a song I wrote,

1159
00:55:25,360 --> 00:55:29,760
Speaker 4: Come boy, it can't tell me yo. First of all, inception,

1160
00:55:30,480 --> 00:55:32,960
Speaker 4: it came to me like a song I wrote. Wait, nigga,

1161
00:55:33,640 --> 00:55:38,120
Speaker 4: this is a song you wrote. Wait again, nigga, Wait again, nigga.

1162
00:55:38,400 --> 00:55:41,040
Speaker 2: You don't even write. You don't even write.

1163
00:55:42,080 --> 00:55:45,520
Speaker 1: Oh my god, no, great record. That's a that's a

1164
00:55:45,680 --> 00:55:46,080
Speaker 1: good one.

1165
00:55:48,160 --> 00:55:51,040
Speaker 5: But before we get you your one, because I want

1166
00:55:51,080 --> 00:55:52,920
Speaker 5: you to finish, can I just tell you what my

1167
00:55:53,040 --> 00:55:55,400
Speaker 5: number one is? I wonder you I think you finished this?

1168
00:55:56,600 --> 00:55:59,239
Speaker 5: Yeah no, but my number one is black Steel in

1169
00:55:59,239 --> 00:56:02,560
Speaker 5: the r of cast pump Endemy And I think you know,

1170
00:56:02,680 --> 00:56:05,040
Speaker 5: I got a letter from the government like that song

1171
00:56:05,160 --> 00:56:07,840
Speaker 5: to me is a is a great story that you

1172
00:56:07,920 --> 00:56:11,359
Speaker 5: can when you talk about the visualization, you can see

1173
00:56:11,560 --> 00:56:14,840
Speaker 5: all that happening as he's talking about with the prison

1174
00:56:14,960 --> 00:56:17,560
Speaker 5: rate and just like just them getting to the helicopter

1175
00:56:17,640 --> 00:56:19,320
Speaker 5: on top of the prison and getting out and just

1176
00:56:19,360 --> 00:56:21,520
Speaker 5: shooting its way out. I think that's the dope.

1177
00:56:21,600 --> 00:56:22,640
Speaker 1: I think that's a fair one.

1178
00:56:24,760 --> 00:56:25,960
Speaker 3: It don't resonate with me, but that.

1179
00:56:27,800 --> 00:56:31,239
Speaker 1: What I just I know it's a great one.

1180
00:56:31,520 --> 00:56:33,279
Speaker 2: Dad, it's like one of the record.

1181
00:56:33,440 --> 00:56:35,960
Speaker 4: It's yeah, like we can always acknowledge how great some

1182
00:56:36,040 --> 00:56:37,320
Speaker 4: ships even if it don't resonate.

1183
00:56:37,480 --> 00:56:39,920
Speaker 1: Yeah, yeah, all right, but mine?

1184
00:56:41,960 --> 00:56:45,719
Speaker 4: Wow, I just want to tell you why you put

1185
00:56:45,760 --> 00:56:47,520
Speaker 4: a lot of pressure on yourself. You said it's better

1186
00:56:47,840 --> 00:56:48,279
Speaker 4: than I got to.

1187
00:56:48,600 --> 00:56:49,279
Speaker 1: I think it's better.

1188
00:56:49,400 --> 00:56:51,520
Speaker 3: But they're in different lanes because, like you said, like

1189
00:56:51,600 --> 00:56:54,239
Speaker 3: I got a storyteller is entertainment where this is?

1190
00:56:55,000 --> 00:56:57,479
Speaker 6: This is really If you say waterfalls, I'm gonna flip

1191
00:56:58,080 --> 00:57:00,279
Speaker 6: because Left Eyes Verse was so crazy.

1192
00:57:01,800 --> 00:57:04,720
Speaker 2: At the launches.

1193
00:57:05,560 --> 00:57:08,080
Speaker 1: No, my number one is common I used to love her.

1194
00:57:08,640 --> 00:57:11,160
Speaker 2: You are you kidding me? Better than a story to.

1195
00:57:11,200 --> 00:57:13,480
Speaker 1: Tell common I used to love her absolutely.

1196
00:57:13,600 --> 00:57:17,800
Speaker 3: That's one of the best hip hop records period, like,

1197
00:57:18,400 --> 00:57:22,080
Speaker 3: and it's great because it talks about like hip hop

1198
00:57:22,160 --> 00:57:25,120
Speaker 3: in its purest form, and then it's transformation, I mean, yeah,

1199
00:57:25,200 --> 00:57:29,560
Speaker 3: as it evolves to like mass media selling itself, whereas

1200
00:57:29,640 --> 00:57:32,480
Speaker 3: to now you're trying to tell me that certain records

1201
00:57:32,480 --> 00:57:33,120
Speaker 3: are great.

1202
00:57:32,920 --> 00:57:35,240
Speaker 2: When it's a rund like common Sense.

1203
00:57:40,640 --> 00:57:42,520
Speaker 1: I used to love her. It's great, and I will

1204
00:57:42,600 --> 00:57:43,240
Speaker 1: never forget.

1205
00:57:43,920 --> 00:57:46,560
Speaker 3: I thought the record was like cute as I'm listening

1206
00:57:46,560 --> 00:57:47,840
Speaker 3: to it, because I thought it was about a girl.

1207
00:57:48,880 --> 00:57:51,480
Speaker 2: I'm like, we've been wrapping this whole episode opening this

1208
00:57:51,560 --> 00:57:52,120
Speaker 2: song up. Bro.

1209
00:57:52,360 --> 00:57:54,520
Speaker 3: I met this girl when I was ten years old,

1210
00:57:54,840 --> 00:57:56,880
Speaker 3: and what I love most she has so much so

1211
00:57:57,480 --> 00:57:59,640
Speaker 3: she was old school when I was just a shorty.

1212
00:57:59,680 --> 00:58:02,160
Speaker 3: Never throughout my life she would be there for me

1213
00:58:02,320 --> 00:58:05,040
Speaker 3: on a regular not a church girl. She was secular,

1214
00:58:05,320 --> 00:58:07,800
Speaker 3: not about the money. The stuff is Mike, check it up.

1215
00:58:07,840 --> 00:58:08,720
Speaker 3: But I respected her.

1216
00:58:08,960 --> 00:58:09,960
Speaker 1: She hit me in the heart.

1217
00:58:10,120 --> 00:58:12,880
Speaker 3: A few New York niggas had did it in the dark,

1218
00:58:13,080 --> 00:58:15,040
Speaker 3: but she was there for me, and I was there

1219
00:58:15,080 --> 00:58:16,880
Speaker 3: for her, put out a chair for her like. I

1220
00:58:17,000 --> 00:58:19,520
Speaker 3: just really liked the way he dressed hip hop up

1221
00:58:19,560 --> 00:58:20,040
Speaker 3: as a woman.

1222
00:58:20,360 --> 00:58:22,200
Speaker 1: And then at the end, no, not as.

1223
00:58:24,280 --> 00:58:25,000
Speaker 3: My friend's nigga.

1224
00:58:25,280 --> 00:58:27,240
Speaker 1: Why because why is that sip?

1225
00:58:27,720 --> 00:58:30,280
Speaker 2: Because I know a few New York nigga did the dark.

1226
00:58:30,320 --> 00:58:33,600
Speaker 2: I'll pulled up the chair for hunks.

1227
00:58:32,800 --> 00:58:34,040
Speaker 3: Anyway, So I didn't like that.

1228
00:58:34,080 --> 00:58:37,960
Speaker 2: It was a dig. I ain't like that. Yeah, that

1229
00:58:38,080 --> 00:58:39,920
Speaker 2: was a little dig. That was a little dig. That

1230
00:58:40,120 --> 00:58:40,640
Speaker 2: was not it.

1231
00:58:41,560 --> 00:58:42,360
Speaker 1: He was just saying, like.

1232
00:58:43,840 --> 00:58:49,000
Speaker 2: Adult New York niggas was doing her like she was

1233
00:58:49,040 --> 00:58:49,360
Speaker 2: a whole.

1234
00:58:50,560 --> 00:58:52,960
Speaker 3: Well then she broke to the West Coast, and that

1235
00:58:53,120 --> 00:58:54,720
Speaker 3: was cool because around the same time, I went to

1236
00:58:54,800 --> 00:58:56,800
Speaker 3: way to school and I'm a man of expanded, so

1237
00:58:56,880 --> 00:58:59,080
Speaker 3: why should I stand in a way? She probably get

1238
00:58:59,160 --> 00:59:01,000
Speaker 3: her money in LA and she did so that she

1239
00:59:01,080 --> 00:59:03,000
Speaker 3: got big fu for what was foul. She said that

1240
00:59:03,120 --> 00:59:05,080
Speaker 3: the pro black was going out of staff, like I

1241
00:59:05,200 --> 00:59:07,800
Speaker 3: just like how he broke down the eras of hip hop,

1242
00:59:08,040 --> 00:59:09,760
Speaker 3: Like yes, was fell in love with it.

1243
00:59:10,280 --> 00:59:11,120
Speaker 1: He fell in love with.

1244
00:59:11,200 --> 00:59:12,960
Speaker 3: It when it was in the New York scene, but

1245
00:59:13,080 --> 00:59:15,240
Speaker 3: he wanted a piece of it for himself. He sees

1246
00:59:15,320 --> 00:59:17,920
Speaker 3: her going out west and he starts expanding, which, by

1247
00:59:17,960 --> 00:59:21,400
Speaker 3: the way, commons commons evolution from his first album to

1248
00:59:21,480 --> 00:59:25,880
Speaker 3: his second album is two different commons, which is I

1249
00:59:25,960 --> 00:59:28,720
Speaker 3: think he's explaining that also in the record.

1250
00:59:28,840 --> 00:59:32,040
Speaker 1: So just so I want to talk about y'all's hip hop.

1251
00:59:32,200 --> 00:59:35,600
Speaker 3: I was just like, oh, like that emoji the brain

1252
00:59:35,760 --> 00:59:38,320
Speaker 3: is like lifted, and you're like, quick question, put that

1253
00:59:38,440 --> 00:59:39,320
Speaker 3: emoji in my face.

1254
00:59:39,360 --> 00:59:41,080
Speaker 5: But do you think when she goes into the West

1255
00:59:41,120 --> 00:59:43,040
Speaker 5: Coast side of things that he actually has a little

1256
00:59:43,040 --> 00:59:44,960
Speaker 5: bit of this, Like you know when he says, now

1257
00:59:44,960 --> 00:59:46,960
Speaker 5: black music is black music, and it's all good. So

1258
00:59:47,040 --> 00:59:48,840
Speaker 5: when he says that line is he kind of like

1259
00:59:48,960 --> 00:59:51,840
Speaker 5: still looking at her differently? You think, I mean hip

1260
00:59:51,880 --> 00:59:54,400
Speaker 5: hop is the herd, right, So is he looking at

1261
00:59:54,440 --> 00:59:54,960
Speaker 5: it differently?

1262
00:59:55,360 --> 00:59:58,520
Speaker 3: Based question the way he said he wasn't salty. She

1263
00:59:58,680 --> 01:00:00,000
Speaker 3: was with the boys in the hood.

1264
01:00:00,400 --> 01:00:02,360
Speaker 2: But do you believe it? Sure it was because they

1265
01:00:02,640 --> 01:00:03,840
Speaker 2: got into a beef right after that.

1266
01:00:04,760 --> 01:00:06,840
Speaker 3: I think they got into a beef for other reasons,

1267
01:00:06,880 --> 01:00:10,160
Speaker 3: not because of that record, because like even Erica, but

1268
01:00:10,280 --> 01:00:10,800
Speaker 3: I do love.

1269
01:00:10,720 --> 01:00:11,160
Speaker 1: In my life.

1270
01:00:11,200 --> 01:00:12,880
Speaker 2: He's got to ask you, which one do you like better, though,

1271
01:00:14,000 --> 01:00:14,760
Speaker 2: love my life.

1272
01:00:14,680 --> 01:00:17,400
Speaker 3: Or that I like I used to love her better,

1273
01:00:17,440 --> 01:00:19,080
Speaker 3: but I love the Erica I do record too. But

1274
01:00:19,200 --> 01:00:22,600
Speaker 3: I'm to Darren's question of do I think he was salty? No,

1275
01:00:22,680 --> 01:00:25,680
Speaker 3: because he says the boys made her better to grow.

1276
01:00:25,800 --> 01:00:27,920
Speaker 3: I had to let her to be the Jeddah and

1277
01:00:28,040 --> 01:00:30,080
Speaker 3: I understood that looking for cheese.

1278
01:00:30,120 --> 01:00:31,440
Speaker 2: That don't make her a hood right.

1279
01:00:31,720 --> 01:00:34,480
Speaker 3: In fact, she's a queen to me, like Beams on me.

1280
01:00:34,960 --> 01:00:37,640
Speaker 3: I love it when she sings to me like, oh

1281
01:00:38,040 --> 01:00:49,280
Speaker 3: you know you like I think when it comes to

1282
01:00:49,440 --> 01:00:52,240
Speaker 3: like my POV of hip hop and what it means

1283
01:00:52,320 --> 01:00:55,280
Speaker 3: to me, I love I used to love her.

1284
01:00:56,240 --> 01:00:58,160
Speaker 1: It's like all the songs I named are songs that

1285
01:00:58,320 --> 01:00:58,840
Speaker 1: really resonate.

1286
01:00:58,920 --> 01:01:00,800
Speaker 5: The first time you guys heard that song, did you

1287
01:01:00,920 --> 01:01:02,760
Speaker 5: know what the metaphor was right away?

1288
01:01:02,800 --> 01:01:04,480
Speaker 2: Way? Because somebody introduced it to me.

1289
01:01:04,640 --> 01:01:05,000
Speaker 3: I knew that.

1290
01:01:05,400 --> 01:01:07,080
Speaker 2: They told you. Somebody told me.

1291
01:01:07,360 --> 01:01:10,040
Speaker 4: My cousin was like like that was when I was

1292
01:01:10,480 --> 01:01:13,240
Speaker 4: getting into my lyrical bag, and I was like, yeah,

1293
01:01:13,400 --> 01:01:16,680
Speaker 4: like having like creating my standard of rap. And my

1294
01:01:16,760 --> 01:01:19,160
Speaker 4: cousin like, yo, listen to this, like he rapping about

1295
01:01:19,520 --> 01:01:21,920
Speaker 4: hip hop, Like it's not a woman, it's hip hop.

1296
01:01:22,200 --> 01:01:24,160
Speaker 4: So I already went into it knowing, which kind of

1297
01:01:24,200 --> 01:01:26,560
Speaker 4: helped because I was able to come down one thousand percent.

1298
01:01:26,600 --> 01:01:27,920
Speaker 2: Sure. If I listened to it the first time, I

1299
01:01:27,960 --> 01:01:29,320
Speaker 2: would have been like, Oh, he's talking my hip hop.

1300
01:01:29,480 --> 01:01:30,680
Speaker 2: I'm like, what girl he talking about?

1301
01:01:30,680 --> 01:01:33,760
Speaker 3: The whole stop you would have thought she was a

1302
01:01:33,840 --> 01:01:36,320
Speaker 3: whore girl from New York to.

1303
01:01:38,760 --> 01:01:38,800
Speaker 2: No.

1304
01:01:39,160 --> 01:01:42,120
Speaker 3: I was watching I saw it on the countdown. I

1305
01:01:42,200 --> 01:01:44,640
Speaker 3: got in TV channel and I'm just watching it. I'm like,

1306
01:01:44,720 --> 01:01:45,400
Speaker 3: this is a vibe.

1307
01:01:45,960 --> 01:01:46,760
Speaker 1: This is a vibe.

1308
01:01:47,040 --> 01:01:47,720
Speaker 2: This is the vibe.

1309
01:01:47,800 --> 01:01:48,760
Speaker 1: Who I'm talking about, y'all.

1310
01:01:50,120 --> 01:01:52,160
Speaker 2: I'm like watching TV.

1311
01:01:52,320 --> 01:01:56,760
Speaker 1: Oh ship hip hop? I'm like, call dad, you know

1312
01:01:56,760 --> 01:01:57,439
Speaker 1: what this song about?

1313
01:01:57,480 --> 01:01:59,919
Speaker 5: Common Car wait a minute time out common sense.

1314
01:02:00,000 --> 01:02:02,320
Speaker 2: No, No, I'm talking about when did you discover this song?

1315
01:02:03,240 --> 01:02:05,000
Speaker 2: Because you said you picked up a cell phone?

1316
01:02:05,600 --> 01:02:09,479
Speaker 1: Well, no, a phone like the house phone. All okay,

1317
01:02:09,640 --> 01:02:11,640
Speaker 1: she's probably like two thousand and four.

1318
01:02:11,800 --> 01:02:16,800
Speaker 2: Okay, okay, okay, okay, that's okay. I my parents discovered

1319
01:02:16,840 --> 01:02:17,480
Speaker 2: the song yesterday.

1320
01:02:17,600 --> 01:02:20,000
Speaker 3: They couldn't afford a babysitter, you know something, the crib,

1321
01:02:20,560 --> 01:02:21,360
Speaker 3: be in the creb whatever.

1322
01:02:21,520 --> 01:02:23,400
Speaker 2: But I call him up a parents, real niggas.

1323
01:02:23,400 --> 01:02:27,520
Speaker 1: No, I'm like, Dad, I just found this song. He's like,

1324
01:02:28,240 --> 01:02:30,600
Speaker 1: I played that song your entire life, Like, you don't

1325
01:02:30,640 --> 01:02:31,160
Speaker 1: know that song.

1326
01:02:31,240 --> 01:02:33,680
Speaker 2: I'm like, like, not at work? You never you remember

1327
01:02:33,720 --> 01:02:37,160
Speaker 2: you remember calling your parents at work to ask something dumb.

1328
01:02:37,360 --> 01:02:39,560
Speaker 3: No, my brother used to be getting on my nerves.

1329
01:02:40,280 --> 01:02:43,000
Speaker 2: Shout out to just hell, okay, I speak to, I

1330
01:02:43,120 --> 01:02:48,160
Speaker 2: speak to to have some first chokes, put some in

1331
01:02:48,200 --> 01:02:48,439
Speaker 2: the oven.

1332
01:02:48,560 --> 01:02:49,760
Speaker 1: Joe, he's standing at the door.

1333
01:02:49,800 --> 01:02:51,280
Speaker 3: I keep telling him to get out, but he's just

1334
01:02:51,320 --> 01:02:55,040
Speaker 3: standing at the door, like, oh man.

1335
01:02:55,240 --> 01:02:56,360
Speaker 2: Yeah, that was a good way to end.

1336
01:02:56,440 --> 01:03:00,320
Speaker 5: It was as far as that storytelling raps, A great

1337
01:03:00,360 --> 01:03:01,640
Speaker 5: storytelling rap, Yeah.

1338
01:03:01,560 --> 01:03:04,120
Speaker 3: I think I got a storytellers more like he said,

1339
01:03:04,440 --> 01:03:08,040
Speaker 3: more like spins, you're not. It's not suspenseful one. I

1340
01:03:08,160 --> 01:03:10,080
Speaker 3: used to love her. It's just a story.

1341
01:03:10,960 --> 01:03:14,400
Speaker 4: But he takes I don't argue with it being a

1342
01:03:14,520 --> 01:03:17,200
Speaker 4: fucking master craft of a song, of a storytelling song.

1343
01:03:17,440 --> 01:03:20,240
Speaker 2: Just say that I got a storytelling No, no, it's real.

1344
01:03:20,280 --> 01:03:22,560
Speaker 3: People, all right, you know what, Let's make this a poll.

1345
01:03:22,680 --> 01:03:23,400
Speaker 2: Let's make it a poll.

1346
01:03:24,440 --> 01:03:26,480
Speaker 3: Let's do it, all right, guys, me.

1347
01:03:26,520 --> 01:03:28,720
Speaker 1: And Moss want to know who do you Who do

1348
01:03:28,760 --> 01:03:30,520
Speaker 1: you think has a better storytelling record?

1349
01:03:30,640 --> 01:03:32,040
Speaker 3: Is it common? I used to love her?

1350
01:03:32,280 --> 01:03:34,640
Speaker 2: Or biggie, I got a story to tell.

1351
01:03:35,280 --> 01:03:37,200
Speaker 1: Drop comments in the section below.

1352
01:03:37,960 --> 01:03:38,560
Speaker 2: Click the poll.

1353
01:03:38,640 --> 01:03:40,880
Speaker 4: All of that, we make sure d block a king,

1354
01:03:40,960 --> 01:03:42,840
Speaker 4: Make sure we got a nice clip to post. I'm

1355
01:03:42,960 --> 01:03:44,760
Speaker 4: posted to the page. Make sure I want to see that.

1356
01:03:45,200 --> 01:03:46,840
Speaker 4: Because this is ridiculous, that would be so.

1357
01:03:47,240 --> 01:03:49,640
Speaker 1: Let's collapse that one.

1358
01:03:49,960 --> 01:03:53,760
Speaker 2: Okay, so people can yell at your people. Your people

1359
01:03:53,800 --> 01:03:57,560
Speaker 2: are probably gonna agree with me. Don't don't bring the

1360
01:03:58,240 --> 01:03:59,919
Speaker 2: book community who don't?

1361
01:04:00,560 --> 01:04:03,000
Speaker 3: Did he shima? Did he just make up?

1362
01:04:03,080 --> 01:04:04,520
Speaker 2: All?

1363
01:04:04,640 --> 01:04:04,800
Speaker 5: Right?

1364
01:04:07,360 --> 01:04:08,400
Speaker 1: Any any last words?

1365
01:04:08,600 --> 01:04:11,200
Speaker 2: Yeah? I got a story to tell.

1366
01:04:12,480 --> 01:04:13,160
Speaker 3: Speaking got a.

1367
01:04:13,160 --> 01:04:14,800
Speaker 1: Story and tell you got anything going on that you

1368
01:04:14,840 --> 01:04:15,880
Speaker 1: want shout out real quick?

1369
01:04:16,360 --> 01:04:18,120
Speaker 2: The same thing I always got going on. Man, it's

1370
01:04:18,160 --> 01:04:19,000
Speaker 2: the what I question.

1371
01:04:19,080 --> 01:04:20,920
Speaker 4: Like the list each and every Monday, got next door

1372
01:04:20,960 --> 01:04:25,480
Speaker 4: each and every Monday, and track karaoke on the road.

1373
01:04:25,560 --> 01:04:27,480
Speaker 2: Make sure you get your tickets. Check karaoke dot com.

1374
01:04:27,880 --> 01:04:29,320
Speaker 2: You got something coming up. You got a whole bunch

1375
01:04:29,320 --> 01:04:30,200
Speaker 2: of stuff coming up? What's going on?

1376
01:04:30,920 --> 01:04:32,480
Speaker 3: You've got a whole bunch of stuff going up too,

1377
01:04:32,640 --> 01:04:34,560
Speaker 3: Like you forgot about Broccoli Fest by the way.

1378
01:04:35,400 --> 01:04:38,000
Speaker 1: Oh my god, Yes, I'm not gonna talk about your jobs.

1379
01:04:38,280 --> 01:04:41,320
Speaker 2: I'm sorry. Well, that's why we're such good brother and sisters,

1380
01:04:41,360 --> 01:04:42,240
Speaker 2: because we hold each other.

1381
01:04:42,880 --> 01:04:43,760
Speaker 1: I'm excited to see.

1382
01:04:43,600 --> 01:04:45,840
Speaker 2: You know your schedule, you know, we just don't know

1383
01:04:46,120 --> 01:04:46,880
Speaker 2: our own schedule.

1384
01:04:47,880 --> 01:04:49,280
Speaker 3: Bracy is gonna be dope though.

1385
01:04:49,360 --> 01:04:51,840
Speaker 2: Yes, insane. I cannot wait.

1386
01:04:52,160 --> 01:04:54,760
Speaker 1: It's gonna be dope. All right, I got a special visitor.

1387
01:04:55,720 --> 01:04:59,160
Speaker 1: Who who, there's somebody popping out?

1388
01:04:59,240 --> 01:05:04,400
Speaker 3: No, all right, anyway, I'm so annoying, So all right,

1389
01:05:04,600 --> 01:05:07,520
Speaker 3: I just wanted to shout out my Amazon show every

1390
01:05:07,560 --> 01:05:09,960
Speaker 3: Wednesday night on Twitch makes you guys tune in.

1391
01:05:10,240 --> 01:05:11,120
Speaker 1: It's called rotation.

1392
01:05:11,800 --> 01:05:12,760
Speaker 2: Arguing with y'all.

1393
01:05:13,080 --> 01:05:16,200
Speaker 1: Yeah, so what I do with mouse? Honestly, after arguing

1394
01:05:16,240 --> 01:05:18,760
Speaker 1: with him I'm ready to argue with anybody. Mouse has

1395
01:05:18,840 --> 01:05:21,600
Speaker 1: got me prepped and ready for war. So shut up

1396
01:05:21,680 --> 01:05:23,360
Speaker 1: to Mouse for that makes you guys.

1397
01:05:23,400 --> 01:05:26,560
Speaker 3: Tune into Rotation every Wednesday, and then make sure you

1398
01:05:26,560 --> 01:05:29,560
Speaker 3: guys tune into AMP every Tuesday and Thursday twelve pm.

1399
01:05:29,800 --> 01:05:31,920
Speaker 1: Tune in and listen. But we're just more so playing

1400
01:05:31,960 --> 01:05:32,960
Speaker 1: new music on there.

1401
01:05:33,400 --> 01:05:34,880
Speaker 2: Like what you got going on? You got stuff going on?

1402
01:05:35,760 --> 01:05:37,880
Speaker 5: I got the what hip Hop Questions listening list every

1403
01:05:37,880 --> 01:05:41,280
Speaker 5: Monday in the documentary documentary.

1404
01:05:42,800 --> 01:05:44,480
Speaker 2: More on that later to.

1405
01:05:46,120 --> 01:05:47,040
Speaker 1: Come and we'll be back.

1406
01:05:47,080 --> 01:05:50,000
Speaker 4: My favorite thing about hip hop is you know when

1407
01:05:50,040 --> 01:05:53,160
Speaker 4: people know, like when they do interviews niggas, that would

1408
01:05:53,200 --> 01:05:55,120
Speaker 4: be my favorite thing, Like that's how I know niggas lit.

1409
01:05:55,560 --> 01:05:57,280
Speaker 4: That's that would be my like marker for how to

1410
01:05:57,320 --> 01:05:59,280
Speaker 4: let you are like throwing the stuff you can't talk about.

1411
01:05:59,800 --> 01:06:01,240
Speaker 2: Like I hate when the artist come up to there.

1412
01:06:01,400 --> 01:06:03,880
Speaker 2: Oh yeah, just dropping this day, just dropping this day now,

1413
01:06:04,160 --> 01:06:06,600
Speaker 2: ask them if when just coming. We're working on dates

1414
01:06:06,680 --> 01:06:09,600
Speaker 2: right now. You know, third quarter, you know, look out

1415
01:06:09,640 --> 01:06:11,760
Speaker 2: for that third quarter. That used to be my favorite.

1416
01:06:12,120 --> 01:06:14,240
Speaker 2: Second quarter, your second we come in, we come in

1417
01:06:14,320 --> 01:06:17,320
Speaker 2: early second quarter. I be like, yeah, this is lip.

1418
01:06:19,360 --> 01:06:22,760
Speaker 3: Okay understandable. I got some things I'm working on to

1419
01:06:22,920 --> 01:06:26,680
Speaker 3: that I can't really talk about yet for second quarter,

1420
01:06:26,760 --> 01:06:29,680
Speaker 3: second third quarter. Yeah yeah, I'm wait to Q three

1421
01:06:30,280 --> 01:06:35,920
Speaker 3: to drop some more bombs, clue bombs. All right, Next

1422
01:06:36,000 --> 01:06:38,520
Speaker 3: Monday to another episode of The Wedding Questions.

1423
01:06:39,720 --> 01:06:40,400
Speaker 1: Can you start with.

1424
01:06:43,080 --> 01:06:51,880
Speaker 3: That isnay, We'll be back next Monday. Till next time, guys, He's.

1425
01:06:52,000 --> 01:06:54,680
Speaker 4: So, don't miss an episode of the What hip Hop

1426
01:06:54,760 --> 01:06:57,480
Speaker 4: Questions Legends and list Listen and subscribe on the Black

1427
01:06:57,520 --> 01:07:00,960
Speaker 4: Effect Podcast Network, iHeart Radio, app or wherever.

1428
01:07:00,720 --> 01:07:01,680
Speaker 2: You get your podcasts.

1429
01:07:01,880 --> 01:07:04,360
Speaker 4: So What hip Hop Questions Legends and Lists podcasts as

1430
01:07:04,360 --> 01:07:06,760
Speaker 4: a production of the Black Effect Podcast Network and our

1431
01:07:06,800 --> 01:07:10,120
Speaker 4: executive producer is Darren Byrne and produced by A King