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Speaker 1: I got shows coming up, people, and I really want

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Speaker 1: to see you there. So let me give you some

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Speaker 1: specifics so you can get tickets and make plans. I'll

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Speaker 1: be in California at the San Jose Improv this weekend.

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Speaker 1: That's July twenty two to July twenty Thursday, Friday, Saturday Sunday.

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Speaker 1: As of now, I think there's seven shows, six or

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Speaker 1: seven shows. There might be eight. We don't know. Um

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Speaker 1: check it out. It might be sold out, and if

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Speaker 1: it's not, I'll go buy tickets and if it is,

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Speaker 1: hit them up and maybe we'll add us another show.

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Speaker 1: Who cares. We'll see what happens. Then. I'll be in

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Speaker 1: Oklahoma City from August fifth to August seven at the

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Speaker 1: Bricktown Comedy Club. From August twelve to August fourteenth, I'll

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Speaker 1: be in Liberty Township, Ohio at the Funny Bone a

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Speaker 1: k a. The Cincinnati Funny Bone, but it's really not

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Speaker 1: in Cincinnati, it's in Liberty Township. After that, I'm back

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Speaker 1: in California at the American Comedy Company in San Diego, California,

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Speaker 1: from augustine to the twenty second, and on August I

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Speaker 1: will be in West Palm Beach Florida at the Improv

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Speaker 1: and don't forget. On September sevent I'm doing a very

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Speaker 1: special performance at the new Anti Had Arena and Abu Dhabi.

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Speaker 1: I'm the first artist in there and you need to

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Speaker 1: be there. It is gonna be a historical moment. More

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Speaker 1: shows are always being added to Just keep checking Russell

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Speaker 1: Peters dot com for updates or my Instagram. Now enjoy

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Speaker 1: the show. Are you drinking more? During the pandemic of ess? Hey,

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Speaker 1: you guys, are you drink at all? I never really

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Speaker 1: see you drink? Yeah I am. I just not saying

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Speaker 1: I'm an alcoholic. Yeah, I'm getting worse, you know, I

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Speaker 1: mean with me with the drinks. That just depends on

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Speaker 1: where I'm trying to go. You know, sometime as Jack

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Speaker 1: and Cole sometimes, uh, Jameson and Gingerrell, you get your

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Speaker 1: Moscow mule on quick, Yeah together, the Moscow mule. But

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Speaker 1: lately I've been hooked to this Malibu pineapple like a

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Speaker 1: splash of were together when we discovered it. Yeah it

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Speaker 1: what a splash like fruit punch. Did the bartender that

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Speaker 1: I had here at the party did he serve anything decent?

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Speaker 1: I had what I had to lemon drop. Oh yeah,

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Speaker 1: that's what I had. That kind of hit me later.

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Speaker 1: I like what I like when they put the sugar

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Speaker 1: on the rim Aoh, I like a THREEE rim. That

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Speaker 1: guy knew he was like, what hawking ship? If I

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Speaker 1: want to I want to give me he was. He

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Speaker 1: was Australian. I think there's from Sydney that he was

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Speaker 1: from Sydney. Almost didn't. There's a same deal in Perth.

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Speaker 1: There's a wallhawkan restaurant where they go to wahaka and

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Speaker 1: ship haaka Mexico. Yeah, I wonder if Waka Flocka ever

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Speaker 1: played in Whaka Wahaka Flocca. Dude, I gotta do that

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Speaker 1: mix next you do the Wahaka. It's all uh Mexican

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Speaker 1: hip hop. You Eddie. Eddie has an album that he

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Speaker 1: recorded and I don't know if you know that. You

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Speaker 1: know this next Eddie has like sixteen tracks recorded. They're

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Speaker 1: fucking awful. Bird. I collect bad demos that he's still

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Speaker 1: send it my way. I'm gonna send it to you.

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Speaker 1: One of the songs called Rusty, right, Steve Scissors, what's

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Speaker 1: that all about? Yeah, I'm a stabby with Rusty. His

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Speaker 1: fucking lyrics are vile word but it doesn't match his

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Speaker 1: kind of I'm gonna rip out your veins and use

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Speaker 1: them as shoelaces. Damn, you got quotables, Eddie? Yeah, bro,

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Speaker 1: oh my god, Eddie has the most and he sounds

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Speaker 1: like that when he rapped one of his lyrics, no joke.

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Speaker 1: One of his lyrics was, you're a homo. I heard

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Speaker 1: you stick your dick in the keyboard because one of

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Speaker 1: the button's head of colon. What hey, man, he's quoting

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Speaker 1: you and he doesn't even know where we're from. So

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Speaker 1: I gotta get it. Dude. A G White just walking,

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Speaker 1: Come on, sit down, a G. White right, yeah, more

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Speaker 1: the merrier. We need help. I'm hosting for him now,

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Speaker 1: A V A G A G A V. You all

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Speaker 1: know each other? Yeah, already that's a G. White. He's white. Um,

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Speaker 1: hey listen, I read up on Adam. Adam Levine is

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Speaker 1: Jewish and wasn't Baltz neither. Really yeah, I read that

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Speaker 1: you were, man, Nope, you got you know how to

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Speaker 1: use the money? Yeah? Yeah, okay, no money. His family

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Speaker 1: was rich, I think, well, his family was rich. My

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Speaker 1: family wasn't. No, I know. That's why I'm surprised he

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Speaker 1: didn't have a bar mitzvah. But I guess I knew

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Speaker 1: you wouldn't have a bar mitzvah. Yeah, No, I was bad. Yeah,

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Speaker 1: the bo had a bay mitzvah. A bro mitzvah, bro Bro,

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Speaker 1: this whole podcast is a mitzvah. Anyway, that's cut Chemist

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Speaker 1: Doing And that's DJ Newmark. Pleasure to meet you, my friend, brother.

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Speaker 1: How you alright? Living the dream? No doubt? L A

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Speaker 1: Living the Dream. They're both l A natives and they're dope.

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Speaker 1: They're dope, dope DJ's I was fans of both of

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Speaker 1: those before they even knew I existed in life. Really yeah,

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Speaker 1: very much. So, Yeah, I still want that fucking one mix,

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Speaker 1: Like I just mix tape in England in like two

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Speaker 1: thousand and five, and and they were mixing in burnt

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Speaker 1: or Turner. What song is that? Yeah, sounds like King

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Speaker 1: of the Beat. And then he kept cutting we Are

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Speaker 1: we Are? It was a J five songs? Was one

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Speaker 1: of ours? No, it was one of your songs. What

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Speaker 1: song is that? We are? Started? We are? Yeah, but

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Speaker 1: we are without a doubt the as what I'm tripping

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Speaker 1: not it's not. I think you asked the wrong you know.

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Speaker 1: That was word of mouth the song we made word

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Speaker 1: of Mouth that never came out. What he's talking about it?

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Speaker 1: I think, yeah, that it was out in England. Buddy

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Speaker 1: doesn't mixing over King of the Beats by Man Tronic. Yeah.

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Speaker 1: I used to use it as my intro track to

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Speaker 1: walk on stage. Well we want a royalties? Yeah, giving

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Speaker 1: you a call, don't we all? It's a long way

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Speaker 1: down that hill. Vanessa still waiting on royalties from Fat

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Speaker 1: Boy Slim, And he really does when you talk to us,

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Speaker 1: he really does sound like the check it out now,

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Speaker 1: check it out and keep hearing it like I know

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Speaker 1: so many other Nest songs. But I just when I

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Speaker 1: talked to him, that's all I'm hearing now when I

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Speaker 1: speak to him. It's funny how many songs of Nessa's

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Speaker 1: I quote in conversation like lyrics? Ness I want a

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Speaker 1: quotable from my next album? Can you do a quote

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Speaker 1: for me? Man, We'll come up with something. Do you

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Speaker 1: like the opposite right about now? Like left about then?

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Speaker 1: Oh my god, Jesus Christ, I know it's like gears

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Speaker 1: moving right, yea, sometimes you grind the gears. Actually want

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Speaker 1: to do another version of that? You know, somebody doing

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Speaker 1: like one of them beats come on, you know, to

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Speaker 1: make those types of beats cut what the fat lim Yeah?

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Speaker 1: Kind of those dancy yeah, dancy big. I mean it's

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Speaker 1: just produced that J Live album, the first one, you

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Speaker 1: just had a track on it. Who had a track?

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Speaker 1: You didn't? I had it on the second or third album?

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Speaker 1: No second. I think that was that one album where

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Speaker 1: it looked like a blue Note album. Yeah, that's a

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Speaker 1: good one. Spin it, spin it that album. Chemist would

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Speaker 1: come up with something. It's just simple. Check it out

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Speaker 1: now the funk so right about now. So it's simple, man,

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Speaker 1: look a look at Courtney and let actually like, oh

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Speaker 1: my god, I know that song, doesn't it kind of

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Speaker 1: like uplift your soul a little bit? Yeah? See, I'm

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Speaker 1: not the only one put a put put me swanks

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Speaker 1: from over again. Oh ship nine, Oh boy, that ain't

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Speaker 1: happening ever again. You know, like the opposite of fat

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Speaker 1: boy slim, thin man slick or thin man thin man thick,

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Speaker 1: he's moving the parts a thin man come out on

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Speaker 1: the thin man thick ben then man thick. That'll be dope. Wait,

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Speaker 1: who's Who's Who's Who's the fastest comedian in your book? Though?

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Speaker 1: Like that, I mean, did Don Rickles are you the like?

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Speaker 1: Is it like? What's um? There was the guys. There

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Speaker 1: was some guys in Canada coming up that were quick like,

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Speaker 1: oh so a really local cat. Yeah, there was a

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Speaker 1: lot of them that was that was kind of like

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Speaker 1: a Toronto thing. A lot of guys did did their

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Speaker 1: comedy that way, the older white guys, and I would

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Speaker 1: watch them and I go, that's sucking dope. I want

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Speaker 1: to do that. And then you know, growing up, you'd

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Speaker 1: have to snap on people coming home from school and ship.

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Speaker 1: Remember that, and when you're the only Indian kid running

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Speaker 1: a bunch of black dudes, you gotta really defend yourself quick,

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Speaker 1: you know, because they would always pose it like they

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Speaker 1: were asking you a real question. They'd be like, yo,

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Speaker 1: when your dad um, you think, um your dad and

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Speaker 1: get me uh when you definished working and get me

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Speaker 1: a slurpy on his way out and that kind of ship.

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Speaker 1: And then I was like, and then I when I

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Speaker 1: was going to you know, it's funny as you mentioned

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Speaker 1: your dad, you don't even know yours mothercker, you know

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Speaker 1: what I mean. So I always thought that one of

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Speaker 1: our group member should have been a comedian. Always thought

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Speaker 1: soup that was that came here. If you spent more

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Speaker 1: time with him, you would see how funny he actually is.

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Speaker 1: He would just come up with some of the illest

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Speaker 1: ship like you know, he'd always pick on Mark and

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Speaker 1: so like one of our sessions he was Mark is

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Speaker 1: one of the m c s in j five Mark seven.

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Speaker 1: So so he started out one of his jokes with, well,

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Speaker 1: you know Mark with me and your mother had you

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Speaker 1: and we just all fell out, like, you know, just

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Speaker 1: claiming that he's his daddy. You know, like didn't even

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Speaker 1: finish the joke. We're just on the floor. You got

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Speaker 1: to do sometimes you just set it up, Yeah, I

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Speaker 1: mean his setups were always ill like that. And my dude,

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Speaker 1: I think you might be a comedian on the low,

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Speaker 1: isn't either one that said Mark had asked? Yeah, Mark

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Speaker 1: came over with tight jeans one day, recording his vocals

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Speaker 1: of the damn Mark you got asked and just walked away.

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Speaker 1: I said that to Melly Mel one time, weren't you're there?

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Speaker 1: And maybe Mel walked away to go, man, Mel's got

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Speaker 1: a great ass. You got a great ass, motherfucker is

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Speaker 1: did he take his shirt off when he said that

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Speaker 1: he didn't have it on. It's funnier when they when

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Speaker 1: it's like, you know, like it's like one of the

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Speaker 1: more homophone guys saying that. You know, like damn, you

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Speaker 1: got asked like we were crying, We're like Jesus Christ

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Speaker 1: where they come from? And then you were like he

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Speaker 1: So we didn't record that night. We just ended up laughing.

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Speaker 1: That's when you came up. We are that's it. Yeah,

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Speaker 1: it stopped. That's all they cut in. Yeah, we are

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Speaker 1: without a doubt the Yeah, that's the record that he

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Speaker 1: mixed in there. I don't know, man, I'm gonna go

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Speaker 1: back and listen to every song we've ever done. Yeah,

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Speaker 1: it's true. And he got it from a live show.

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Speaker 1: That's possible. Yeah. Remember when they when they used J

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Speaker 1: five in the movie Made. Yeah, that's one of my

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Speaker 1: favorite movies, by the way. Yeah that's what the quality right, Yeah,

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Speaker 1: quality control. When they're walking into the nightclub, Yeah, that

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Speaker 1: was your big day production do Yeah. Jigab Man's in

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Speaker 1: the house, Yes, right, a G. Why I've known a

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Speaker 1: G six years now? How you guys know each other

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Speaker 1: from comedy stand up and we still do the black

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Speaker 1: rooms together? He still doesn't. I always bombed in the

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Speaker 1: black room, though, except for in Toronto or England. In

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Speaker 1: Canada or in England where they have like a West

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Speaker 1: Indian community, I would kill black people black room, Like

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Speaker 1: I know you can tell about the way bad You

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Speaker 1: ain't that bad kills in the black rooms and I

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Speaker 1: just eat it. What are your nerves like going into

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Speaker 1: these rooms? Like just just all the variety of rooms,

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Speaker 1: like I would ought to be a mess. He's more

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Speaker 1: nervous in the white room. I'm more nervous in a

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Speaker 1: white room. Whe room really, Yeah, even the gentrification room

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Speaker 1: scares me, you know, full of hipsters and stuff like that,

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Speaker 1: the ones that moving in the city for for for

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Speaker 1: for cheaper rent. Those ones they don't have any idea

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Speaker 1: of the urban culture, but they moved in and like

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Speaker 1: you know, people on the outside like fire fire, gentra fire,

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Speaker 1: and then all in the neighborhoods now and they moved in.

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Speaker 1: And now they look at me, being the only white

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Speaker 1: family is still left in the inner city. They look

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Speaker 1: at me like you're new. I'm like, I'm history here,

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Speaker 1: no doubt. But what's the most nervous you guys? Have

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Speaker 1: you guys ever like gotten so nervous you have to

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Speaker 1: throw up or anything crazy like that. No, just a

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Speaker 1: big wedding profusely the pits and the tits like run

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Speaker 1: into my teeths oh man, I just get a little butterflies.

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Speaker 1: I don't. Some people get really bad, you know, as artists.

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Speaker 1: If I may say, you know, yeah, once we get

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Speaker 1: that first joke out, we're good. Yeah. I just think

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Speaker 1: the build up first of all, if you don't get

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Speaker 1: nervous as artists, you know, respectfully, if you don't get

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Speaker 1: nervous on you know, actually on the build up to performing,

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Speaker 1: then what are you doing it for? Like you know,

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Speaker 1: I mean, if you're just gonna go out there nonchalant, nonchalantly,

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Speaker 1: then you asses, yes, grass, yeah, you can make it

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Speaker 1: look at chalant when you get out there. But you know, inside,

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Speaker 1: I think we got to that point at some port

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Speaker 1: you maybe, but that's why we got to improv to

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Speaker 1: keep those butterflies going. Yeah. No, I think, um, I

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Speaker 1: pre gain you know, I got to the point when

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Speaker 1: I come to perform. Now it's like if I'm pre

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Speaker 1: gaming in the backstage with blind, I'm about like three

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Speaker 1: four drinks and I'm let when I come out on stage,

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Speaker 1: I'm like fearless. I'm waiting for somebody to say anything.

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Speaker 1: You know, you keep your camera up too long. I'm like, yo,

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Speaker 1: fucking work for the Feds. Put your fucking camera down, man,

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Speaker 1: been up there fucking twenty minutes with the funk you've taping,

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Speaker 1: trying to get your subscribers up. You know, I'm like lit.

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Speaker 1: So you gain your focus from having a few drinking

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Speaker 1: poods going on stage, you know what it is? I

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Speaker 1: think with artists, with rappers, they're so focused on doing

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Speaker 1: songs that they don't pay attention to the crowd. So

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Speaker 1: just the fact that you could point out somebody like

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Speaker 1: twenty rolls back and say something, it shows the whole

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Speaker 1: crowd that, damn this nigga is alert. You know. Most

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Speaker 1: rappers are so busy talking today entourage and walking back

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Speaker 1: and forth on the stage looking downward, you know, so

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Speaker 1: to give that crowd that attention. I always believe the

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Speaker 1: crowd feeds off your energy. If your energy is up,

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Speaker 1: they're gonna get even more up because they're gonna say,

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Speaker 1: this motherfucker is really working. But when motherfucker's like fons

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Speaker 1: a Relli up there, they're too cool. Let should look boring. Man.

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Speaker 1: I hate when people like I will take all their

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Speaker 1: friends on stage with them, and then they sunk up.

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Speaker 1: The song doesn't sound anything like the song. The ladies like,

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Speaker 1: all right, shut up. A song never sounded that lane,

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Speaker 1: Why are you making it sound? I lose my energy

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Speaker 1: on stage when the equipment is sucked up, like when

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Speaker 1: they're like when the writer isn't take care of like

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Speaker 1: something basic. That's all. My ship is just drained. I

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Speaker 1: can't seem to get it back. I guess my give

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Speaker 1: me the obstacles, man, I love them. Yeah, this guy

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Speaker 1: getting him around, Yeah, he loves it. When the turntable

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Speaker 1: is broken, or the powers going in and out of

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Speaker 1: the heves. How to funk? Do you love that? I

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Speaker 1: have a beef where and Russ? You know when we

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Speaker 1: perform at the impros, well, I mean your your stadiums.

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Speaker 1: But when you do when you do, when you do

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Speaker 1: do the clubs. The ship that kills me is when

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Speaker 1: there's no monitor on stage. That ship kills me. I

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Speaker 1: need to I need to hear the train of thought,

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Speaker 1: you know what I mean? And and and when there's

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Speaker 1: an echo in the room all when worse than that

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Speaker 1: is when the speakers are in front of you, so

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Speaker 1: you hear yourself kind of sort of on a delay,

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Speaker 1: and that ship just throws your whole tree. We've had

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Speaker 1: many of nights trying to fix like that, and it's yeah,

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Speaker 1: that's got herself. So just a note to anybody booking

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Speaker 1: cut chemists. You have a sledge ham of the timetables,

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Speaker 1: have a controller set up for him. Yeah, oh I've

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Speaker 1: done it. Probably would Yeah, I know the writer, you

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Speaker 1: know all the turntables you want. But I went to

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Speaker 1: a h it was just before COVID. It was some

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Speaker 1: place in Ohio and I get there. It's some like

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Speaker 1: a barn. It was crazy barn. Yeah, like some dust

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Speaker 1: hippie ship. Anyway, Um, I get there and it's just

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Speaker 1: this controller. They're they're like, yeah, so there there you go. Wow. Recently, yeah,

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Speaker 1: people show up with CD James. But here they are.

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Speaker 1: Those aren't fucking turntables. Yeah, And I was like, okay,

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Speaker 1: and I need it work somehow, but yeah, it's gas

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Speaker 1: lamp from out here. Yeah he did he come up

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Speaker 1: with you guys. No, he's quite a bit younger. I

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Speaker 1: remember he used to look terrible. Uh. I used to

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Speaker 1: see him at all the graves. I used to DJ

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Speaker 1: when he was like fourteen her. Yeah, like audio to

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Speaker 1: stick and things like that. What would you play? Uh No,

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Speaker 1: I would be in the hip hop room. Yeah, that's

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Speaker 1: when they do the hip hop room, in the E

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Speaker 1: D M Room whatever, because I used to go to

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Speaker 1: the real raves in London back in the early nineties

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Speaker 1: and I would go to Bagley's warehouse and they would

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Speaker 1: have like Groove Rider and d J Brocky and all

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Speaker 1: those drumm and bass DJs. Said but I wasn't on

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Speaker 1: drugs so I still still not, but I am I

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Speaker 1: never really I had it such a good time. Yeah,

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Speaker 1: so wait a minute, when you say you don't care

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Speaker 1: about the well that that you kind of liked the

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Speaker 1: obstacles like that. Remember the one gig we have with

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Speaker 1: J five where it was just they switched our set

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Speaker 1: with Green Days. The Green Day was supposed to play

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Speaker 1: of the gear. That's that's the world that's putting us

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Speaker 1: in a whole different you know. So in that okay

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Speaker 1: that day, but that was awesome. We because that's a

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Speaker 1: great story. We got bottles of sand thrown at us.

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Speaker 1: So we got like so a tour called Warp Tour

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Speaker 1: right where they remember the Warp Tour so we were

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Speaker 1: on it. We were doing our debut album. You know

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Speaker 1: about doing a white room. I mean, so they don't

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Speaker 1: post when people play. They posted like an hour before

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Speaker 1: you play. No, it's it's that Day, so new Yeah,

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Speaker 1: that Day supposed it up. So we were supposed to.

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Speaker 1: So Green Day was supposed to go on at a

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Speaker 1: certain time and so area was packed instead Green Day

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Speaker 1: couldn't make it or they were still on the road

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Speaker 1: and they put us there instead, and it was so

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Speaker 1: we have a bunch of Green Day fanatics in front

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Speaker 1: of it was raining bottles on us like and then

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Speaker 1: bottle of like half sand and half like orange crush

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Speaker 1: hit my turntable way before Serato Baby, and it it

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00:18:35,800 --> 00:18:38,639
Speaker 1: crushed it for sure. The needle went across the record,

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00:18:38,720 --> 00:18:43,639
Speaker 1: gashed my show record, and then I had and I

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00:18:43,880 --> 00:18:45,960
Speaker 1: tapped out the drums while the m c s were

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00:18:46,000 --> 00:18:49,200
Speaker 1: still rhyming and he was cutting and we got through.

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Speaker 1: I saw a bottle get thrown at Charlie's face. Everybody

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Speaker 1: everybody got there was one where they just like rapping

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Speaker 1: and he caught it like on some fucking Jedi ship.

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00:18:58,600 --> 00:19:00,639
Speaker 1: Well maybe that's what it was. And I saw that

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00:19:00,680 --> 00:19:03,359
Speaker 1: happen in Toronto. That's not a good one. There was

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Speaker 1: this I was hosting. It was called the Bone Beach Bash,

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00:19:06,960 --> 00:19:09,040
Speaker 1: and uh I was hosting, and Maya was on it,

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Speaker 1: Bounty Killer was on it, and so they were like

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Speaker 1: ready for like R and B and reggae. No. But

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00:19:16,240 --> 00:19:19,560
Speaker 1: then this these three Filipino kids that were singers, this

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Speaker 1: group I think they were called Kolia, if I'm not mistaken,

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Speaker 1: And they got on and they were singing and they

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Speaker 1: were like trying to do their like rhythmic dancing and stuff,

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Speaker 1: and people are booing them. And I'm standing on stage.

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Speaker 1: I'm standing about here, and there were Paulie and Courtney

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Speaker 1: are and I'm standing there watching them get booed. And

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00:19:37,720 --> 00:19:40,040
Speaker 1: I see this champagne bottle. It was like in slow motion.

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00:19:41,760 --> 00:19:43,639
Speaker 1: I think guys are singing. They just whoop and they

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00:19:43,680 --> 00:19:45,560
Speaker 1: went right past him and I watched to go past me,

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Speaker 1: and I'm like god, and they just kept singing. I

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00:19:50,680 --> 00:19:55,080
Speaker 1: also remember the Montreal show being pretty roughed, same situation,

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Speaker 1: like they wanted to beat us up or something. Yeah,

365
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Speaker 1: they wanted to hear punk music. They want to hear punk. See.

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Speaker 1: You would think that the punk audience would be more

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Speaker 1: aligned with the hip hop audience because it's counterculture. Yeah.

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00:20:06,760 --> 00:20:09,080
Speaker 1: Maybe in the eighties that was the case, but in

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Speaker 1: two thousand not so much. It's kid Koala on that

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Speaker 1: with you guys. No, no, I don't think we've ever

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Speaker 1: I've toured with him, but I don't think J five A.

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Speaker 1: But we're shadow. He's at home? Does he live out here?

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Speaker 1: I never met him, San Francisco, I never met him.

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Speaker 1: Is the white guy too? He's white too. Yeah, there's

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Speaker 1: not really a shadow, a white shadow. He's the white

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Speaker 1: dok Dok shadow. Great show, by the way, white shadow,

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00:20:36,240 --> 00:20:40,040
Speaker 1: remember the white shadow shadow to watch that religiously. Jim Reeves,

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00:20:41,400 --> 00:20:45,600
Speaker 1: Ken Reeves, that's right, Ken Reeves. That's it. Avi's got

379
00:20:45,680 --> 00:20:48,080
Speaker 1: the mic too late. He has nothing left. After Ken Reeves,

380
00:20:48,440 --> 00:20:50,199
Speaker 1: we're moving on to the next topic. We can talk

381
00:20:50,200 --> 00:20:55,120
Speaker 1: about what salami Coolidge, the rest of the Coolidge Salamia shit,

382
00:20:55,680 --> 00:21:00,639
Speaker 1: Salami Damn. I haven't heard that, Heyward, the big frow.

383
00:21:03,400 --> 00:21:06,159
Speaker 1: So we all know how a VPN protected privacy and

384
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Speaker 1: security online, right, it's taken my TV watching game to

385
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Speaker 1: the next level. You can use a VPN to unlock

386
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Speaker 1: movies and shows that are only available in other countries.

387
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Speaker 1: I can use Express VPN to binge watch Fresh Prince

388
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Speaker 1: of bel Air on Australian Netflix. I used Express VPN

389
00:21:21,800 --> 00:21:26,560
Speaker 1: when I was on tour. I was in Holland and

390
00:21:26,680 --> 00:21:29,439
Speaker 1: I wanted to watch Power, which was only on the

391
00:21:29,600 --> 00:21:32,920
Speaker 1: UK Netflix, and I used my Express VPN to watch

392
00:21:33,000 --> 00:21:35,840
Speaker 1: the all the seasons of Power while I was in

393
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Speaker 1: the Netherlands and I was watching it via England. It

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Speaker 1: was an incredible treat. You see, Express VPN hides your

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Speaker 1: hundred different countries. So just think about all the Netflix

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Speaker 1: libraries you can go through, or whatever libraries you want

399
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Speaker 1: to go to. But it's not just Netflix. Express VPN

400
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Speaker 1: works with any streaming service, Hulu, BBC, I Player, YouTube,

401
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Speaker 1: you name it. Let's just say you're in a country

402
00:22:00,680 --> 00:22:03,879
Speaker 1: that has deemed let's say say, you know, let me

403
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Speaker 1: throw a porn hub. Let's just say that they've deemed

404
00:22:06,720 --> 00:22:08,879
Speaker 1: it it is it is not allowed in that country.

405
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Speaker 1: Well guess what Express VPN might make it allowed in

406
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Speaker 1: that country. You know what I'm saying. Winky wink, wink wink. Look,

407
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Speaker 1: if you say you're in Thailand. You want to watch

408
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409
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410
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411
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Speaker 1: the reason I personally use the Express VPN, and have

413
00:22:28,560 --> 00:22:31,440
Speaker 1: used Express VPN since before they even sponsored my show,

414
00:22:32,000 --> 00:22:35,000
Speaker 1: was to watch shows in other countries. Because I'm always

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Speaker 1: on the road. There's never any buffering or lag, and

416
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420
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421
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422
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423
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Speaker 1: you on and protect yourself and Express vpn dot com

424
00:23:03,720 --> 00:23:10,200
Speaker 1: slash peters. What about what about the scariest or weirdest

425
00:23:10,200 --> 00:23:13,240
Speaker 1: ship that's happened you on the road? Uh Russ, what's

426
00:23:13,320 --> 00:23:16,040
Speaker 1: what's been like? The thing? Like? Your questions are amazing,

427
00:23:16,040 --> 00:23:18,280
Speaker 1: by the way, Yeah, because he's fucking dropping the goddamn

428
00:23:18,359 --> 00:23:20,320
Speaker 1: ball here. I feel like I gotta go wipe his

429
00:23:20,359 --> 00:23:23,080
Speaker 1: fucking ask the podcast. I want to paycheck. That's why

430
00:23:23,119 --> 00:23:25,200
Speaker 1: I that's why, that's why I have this podcast so

431
00:23:25,240 --> 00:23:27,080
Speaker 1: I can let you guys talk. And I was getting

432
00:23:27,080 --> 00:23:28,760
Speaker 1: ready to drink today and cool out. Now I know

433
00:23:28,840 --> 00:23:30,320
Speaker 1: I can't. I gotta stay sharp for you. And you

434
00:23:30,320 --> 00:23:32,760
Speaker 1: should get a drinking Yeah, what your peanut butter? We

435
00:23:32,800 --> 00:23:34,840
Speaker 1: get him some blind squirrel. You want some blind squirrel,

436
00:23:35,040 --> 00:23:41,280
Speaker 1: I'll take a whiskey ship peanut whiskey, a water, I'll

437
00:23:41,280 --> 00:23:45,720
Speaker 1: take whiskey. There's a whiskey whisky. Yeah, that's perfect. Don't

438
00:23:45,760 --> 00:23:47,520
Speaker 1: buy food by the rocks that he's gone. Now he's

439
00:23:47,520 --> 00:23:49,200
Speaker 1: really gonna stay. I don't mean, I don't mean to

440
00:23:49,240 --> 00:23:51,520
Speaker 1: be demanding him. I'm just I'm just talking shit. Just

441
00:23:51,760 --> 00:23:54,000
Speaker 1: whatever is there? Whatever? Don't you want some buffalo trace?

442
00:23:54,040 --> 00:23:56,120
Speaker 1: That's good. I don't want anything sweet, just to give

443
00:23:56,200 --> 00:23:59,560
Speaker 1: him some buffalo trace, PAULI thank you man. Uh wait, wait,

444
00:23:59,600 --> 00:24:01,199
Speaker 1: what about the weird ship that's happened to you on

445
00:24:01,200 --> 00:24:03,600
Speaker 1: the road? Like? What what's like the strong? How did

446
00:24:03,600 --> 00:24:06,080
Speaker 1: I get here? Like me and a g and Freddie

447
00:24:06,160 --> 00:24:09,240
Speaker 1: Ricks did a gig? What was it like? Ninety seven

448
00:24:10,280 --> 00:24:16,600
Speaker 1: Island Rikers Island with jail. It's like the Alcatrazi, And

449
00:24:16,640 --> 00:24:20,080
Speaker 1: I was like, I tried to be clever, but in

450
00:24:20,119 --> 00:24:22,680
Speaker 1: front of a bunch of criminals, I was like, yeah,

451
00:24:22,720 --> 00:24:24,560
Speaker 1: I just came down. I came in from up North,

452
00:24:24,960 --> 00:24:27,320
Speaker 1: because you know, that was the old slang for being

453
00:24:27,359 --> 00:24:30,080
Speaker 1: in jail. It's got in from up North Toronto. And

454
00:24:30,119 --> 00:24:35,960
Speaker 1: they're like, this is a little fucking twisted face, and

455
00:24:36,000 --> 00:24:37,720
Speaker 1: it wasn't util. I started picking on dudes. Then I

456
00:24:37,720 --> 00:24:40,000
Speaker 1: started getting the response. I was like, Okay, I got this,

457
00:24:40,320 --> 00:24:42,000
Speaker 1: but I was also scared to pick on dudes because

458
00:24:42,000 --> 00:24:43,720
Speaker 1: I didn't want to get fucking shanked. But I forgot

459
00:24:43,760 --> 00:24:48,159
Speaker 1: that the CEOs are all standing inside with shotguns ready.

460
00:24:48,640 --> 00:24:51,520
Speaker 1: Like literally there's shotguns. Like CEO's are standing there Washington

461
00:24:51,520 --> 00:24:53,600
Speaker 1: Show with shotguns in case somebody gets up and does something.

462
00:24:53,760 --> 00:24:56,040
Speaker 1: But they don't have real bullets. I don't know. No,

463
00:24:56,080 --> 00:24:57,960
Speaker 1: it's not Canada. They have real bullets. In Canada. We

464
00:24:58,000 --> 00:25:00,919
Speaker 1: have we have bullets and no guns. So we get

465
00:25:01,200 --> 00:25:05,399
Speaker 1: drive by shootings are just like Jesus Christ. We have

466
00:25:05,480 --> 00:25:09,920
Speaker 1: drive by insults. Drive by Um, we're I know you.

467
00:25:10,080 --> 00:25:12,399
Speaker 1: We must have some strange ship going on on your

468
00:25:12,480 --> 00:25:16,440
Speaker 1: DJ fucking Adventures. Man, does something strange happened in the

469
00:25:16,480 --> 00:25:18,320
Speaker 1: role where you're just like, I can't believe this ship happen?

470
00:25:18,359 --> 00:25:20,920
Speaker 1: Oh yeah, A bunch nothing I can mention. I mean,

471
00:25:21,000 --> 00:25:25,000
Speaker 1: I mean I can anyway, we all do um if

472
00:25:25,000 --> 00:25:27,000
Speaker 1: you don't have it, I got one from when we

473
00:25:27,040 --> 00:25:29,919
Speaker 1: toured together. Why don't you start with that one? We

474
00:25:30,160 --> 00:25:35,040
Speaker 1: we played Prince's uh venue first half? Wait a minute,

475
00:25:35,080 --> 00:25:38,199
Speaker 1: what what do we do? We played J five played

476
00:25:38,359 --> 00:25:43,360
Speaker 1: first half? Right, yea, Princes the right. So we are

477
00:25:43,440 --> 00:25:46,840
Speaker 1: all getting on the tour bus, putting our ship away,

478
00:25:47,119 --> 00:25:50,080
Speaker 1: getting ready to, you know, call it a night, and

479
00:25:50,080 --> 00:25:52,560
Speaker 1: our tour manager says he found a girl underneath our

480
00:25:52,600 --> 00:25:55,480
Speaker 1: bus dead. No, just trying to hit your ride to

481
00:25:55,520 --> 00:25:59,240
Speaker 1: the next city, which was fucking Denver. In the Winner.

482
00:26:00,160 --> 00:26:02,879
Speaker 1: She was tucked behind the apple case, behind the twelve hundreds,

483
00:26:02,960 --> 00:26:05,359
Speaker 1: behind the mixers, behind all our gear that we traveled with.

484
00:26:06,680 --> 00:26:08,399
Speaker 1: I never saw her. I just was like, I just

485
00:26:08,400 --> 00:26:11,760
Speaker 1: heard that our tour manager going off on her. Yo,

486
00:26:11,920 --> 00:26:14,000
Speaker 1: what the funk? Like it would have been our ass man,

487
00:26:14,480 --> 00:26:16,120
Speaker 1: you'd have been It would have killed that poor girl.

488
00:26:16,240 --> 00:26:18,639
Speaker 1: She would have froze to death. Yeah, we have been

489
00:26:18,640 --> 00:26:20,800
Speaker 1: sleeping in a bunk snorn and she would have woke

490
00:26:20,880 --> 00:26:23,000
Speaker 1: up in Denver, Yo. She wouldn't have woken up. Yeah,

491
00:26:23,040 --> 00:26:28,840
Speaker 1: that would have been say no, we said, here's were

492
00:26:28,880 --> 00:26:30,560
Speaker 1: still at the club. We hadn't left the club yet.

493
00:26:31,320 --> 00:26:34,840
Speaker 1: We were still in Minnesota. So that's pretty freaking weird. Yeah,

494
00:26:34,840 --> 00:26:37,040
Speaker 1: that was weird. That was weird. I think it was

495
00:26:37,119 --> 00:26:41,919
Speaker 1: Lalo that found her. Who probably Lalo Art Lala Medina

496
00:26:42,119 --> 00:26:44,399
Speaker 1: Art to our manager to see what the musicians, You

497
00:26:44,440 --> 00:26:47,879
Speaker 1: guys always have too many people with you, the artists.

498
00:26:48,000 --> 00:26:52,159
Speaker 1: We were d manager. I don't know. We kept it

499
00:26:52,200 --> 00:26:54,639
Speaker 1: pretty light though. J five kept it pretty tight. How

500
00:26:54,640 --> 00:26:57,040
Speaker 1: many people would be on tour with you guys, just

501
00:26:57,160 --> 00:27:01,080
Speaker 1: when it was just J five, maybe eleven twelve? You

502
00:27:01,119 --> 00:27:02,480
Speaker 1: know what, now that you say that, I realized I

503
00:27:02,520 --> 00:27:04,719
Speaker 1: have about ten or ten or twelve. That's just you.

504
00:27:05,520 --> 00:27:07,960
Speaker 1: That many people, Russ because you don't got lighting and stuff,

505
00:27:08,000 --> 00:27:09,800
Speaker 1: do you? And you have Oh I got me, I

506
00:27:09,840 --> 00:27:12,680
Speaker 1: got the opener, and then we'd have the two DJs.

507
00:27:13,200 --> 00:27:17,560
Speaker 1: Then we'd have the three camera men, then Eddie my

508
00:27:17,640 --> 00:27:20,880
Speaker 1: brother and uh, all right because you bring your cameraman,

509
00:27:20,960 --> 00:27:23,560
Speaker 1: damn right, and then maybe one other person. I guess right,

510
00:27:25,640 --> 00:27:27,240
Speaker 1: that's ten. That's so we got about ten people with

511
00:27:27,320 --> 00:27:30,240
Speaker 1: those nine ten. Oh yeah, security, we got a lot

512
00:27:30,240 --> 00:27:33,280
Speaker 1: of people. And that actually a pretty comfortable tour bus tennis,

513
00:27:33,320 --> 00:27:34,960
Speaker 1: and we never do tour bus. Is a little funny.

514
00:27:35,000 --> 00:27:37,200
Speaker 1: We don't do tour buses. You fly every everything. We

515
00:27:37,280 --> 00:27:43,480
Speaker 1: find everywhere. PJ. Right, sometimes sometimes we do the PJ.

516
00:27:43,640 --> 00:27:46,840
Speaker 1: But know when it makes sense, caters or nothing like that.

517
00:27:47,440 --> 00:27:49,320
Speaker 1: Catering on my catering is really easy. Would be like,

518
00:27:49,320 --> 00:27:52,359
Speaker 1: just give me some KFC and some fine squirrel. I

519
00:27:52,400 --> 00:27:54,280
Speaker 1: think I think you should lose. You should lose Eddie

520
00:27:54,280 --> 00:27:57,000
Speaker 1: and just get catering. Man, we should definitely lose Eddie. Um.

521
00:27:59,800 --> 00:28:03,560
Speaker 1: Hear the arrogance in that he's writing his rhymes over there,

522
00:28:03,560 --> 00:28:10,640
Speaker 1: don't miss you. You know that's how it starts. You're

523
00:28:10,680 --> 00:28:13,359
Speaker 1: a homo and then know how it starts is also

524
00:28:13,480 --> 00:28:17,520
Speaker 1: fucking drunk. I got to hear these demos, man, I

525
00:28:17,520 --> 00:28:18,760
Speaker 1: got him. I'm gonna play it for you as soon

526
00:28:18,800 --> 00:28:21,200
Speaker 1: as we get off, Eddie, can you clear these songs

527
00:28:21,200 --> 00:28:24,000
Speaker 1: so we can play them on the show. There's samples.

528
00:28:24,600 --> 00:28:26,760
Speaker 1: He has a he has a has a song called

529
00:28:26,800 --> 00:28:30,280
Speaker 1: absurd but it spelled you be and it wasn't trying

530
00:28:30,320 --> 00:28:33,440
Speaker 1: to be um misspelled. He just didn't not a spell absurd.

531
00:28:36,760 --> 00:28:41,720
Speaker 1: He thought absurd was absurd, So I'm sure that's that

532
00:28:41,840 --> 00:28:45,480
Speaker 1: was The song was drunk and the beats were like

533
00:28:45,520 --> 00:28:48,000
Speaker 1: those creepy boo doo doo doo doo doo doo doo

534
00:28:48,000 --> 00:28:50,960
Speaker 1: doo doo do do. Did you see the war g

535
00:28:51,120 --> 00:28:52,840
Speaker 1: thing I posted where he was saying he was finding

536
00:28:52,880 --> 00:28:55,600
Speaker 1: all Dre's samples. Now I saw that we were talking

537
00:28:55,640 --> 00:28:58,440
Speaker 1: about digging for Dre. Yeah, that's what it's called. It's

538
00:28:58,480 --> 00:29:00,480
Speaker 1: like as a little serious he does. No, No, I

539
00:29:00,520 --> 00:29:02,960
Speaker 1: don't know. It was Ebro posted it and then I

540
00:29:03,040 --> 00:29:07,120
Speaker 1: reposted saying that warreng Dre was like, you know him,

541
00:29:07,160 --> 00:29:11,720
Speaker 1: go find go see Kevin. Yeah, yeah, yeah, but he

542
00:29:11,840 --> 00:29:14,440
Speaker 1: was calling it around the world as the record turns,

543
00:29:14,480 --> 00:29:17,640
Speaker 1: as the record, as a record turns, right, Yeah, but

544
00:29:17,840 --> 00:29:20,640
Speaker 1: wasn't it a one before. No, it's a different place,

545
00:29:20,720 --> 00:29:23,800
Speaker 1: but that's where he started, Kevin. Yeah, as the record

546
00:29:23,840 --> 00:29:26,000
Speaker 1: turns was how it started. No, A one is where

547
00:29:26,040 --> 00:29:28,800
Speaker 1: he started. As the record turns, his own place, that's

548
00:29:29,360 --> 00:29:31,920
Speaker 1: called a record, right. I thought I was losing my

549
00:29:32,720 --> 00:29:34,920
Speaker 1: was on large Mont and Melrose and then as the

550
00:29:34,960 --> 00:29:37,800
Speaker 1: record turns is on Hollywood. He tried to get you

551
00:29:37,880 --> 00:29:40,760
Speaker 1: to get in the program for ten gram. Yet, what

552
00:29:40,760 --> 00:29:43,680
Speaker 1: do you mean well with ten thousand? Give him ten thousand?

553
00:29:43,760 --> 00:29:46,000
Speaker 1: One is a mona year. I think it's I think

554
00:29:46,080 --> 00:29:49,680
Speaker 1: it's a one time and he and he like digs

555
00:29:49,720 --> 00:29:51,680
Speaker 1: for record like it's like a library. He could take

556
00:29:51,720 --> 00:29:54,320
Speaker 1: as many records as you want out. But I went

557
00:29:54,400 --> 00:29:56,200
Speaker 1: in there a couple of times cleaned out. They had

558
00:29:56,200 --> 00:29:58,040
Speaker 1: a lot of great did you get to keep the records?

559
00:29:58,520 --> 00:30:01,080
Speaker 1: I brought the record. No, No, that the program was

560
00:30:01,160 --> 00:30:04,400
Speaker 1: you bringing back? That was the whole deal. Really, yeah,

561
00:30:04,680 --> 00:30:07,640
Speaker 1: so take it home, listen to recorded sample or whatever. Yeah,

562
00:30:07,680 --> 00:30:10,920
Speaker 1: but I wasn't with the program the program I want.

563
00:30:11,040 --> 00:30:14,400
Speaker 1: I brought the records, and I noticed one thing, like

564
00:30:14,520 --> 00:30:17,080
Speaker 1: he had a lot of records. So my goal was

565
00:30:17,160 --> 00:30:19,320
Speaker 1: I brought like two copies of each. I've seen like

566
00:30:19,440 --> 00:30:22,240
Speaker 1: four or five six copies, So I figured I'm gonna

567
00:30:22,240 --> 00:30:24,600
Speaker 1: go there the next day and give me another two

568
00:30:24,760 --> 00:30:27,400
Speaker 1: three because these records, I was boyd was expensive records.

569
00:30:28,200 --> 00:30:30,280
Speaker 1: I went back and there literally he moved all the

570
00:30:30,360 --> 00:30:32,720
Speaker 1: records that I brought, like I don't know, he must

571
00:30:32,760 --> 00:30:36,200
Speaker 1: have hit him or something. They wasn't there. Well, I

572
00:30:36,240 --> 00:30:39,760
Speaker 1: remember a little used to go there to right Yeah, yeah,

573
00:30:40,120 --> 00:30:42,120
Speaker 1: I used to go there. Oh, you guys go together.

574
00:30:42,240 --> 00:30:44,880
Speaker 1: You can go digging with biz all the time. That's

575
00:30:45,000 --> 00:30:48,600
Speaker 1: the best. Back in ninety nine, I used to right

576
00:30:48,640 --> 00:30:51,520
Speaker 1: around in my mom's old seventy seven Seville with this,

577
00:30:52,000 --> 00:30:55,360
Speaker 1: just hooping around buying records. So you didn't grow up

578
00:30:55,360 --> 00:30:59,600
Speaker 1: with money then, that's nice to know that we were

579
00:30:59,640 --> 00:31:02,200
Speaker 1: all or at the same time. You know, you were you,

580
00:31:02,400 --> 00:31:06,240
Speaker 1: you were middle class. My mom went was, came here

581
00:31:06,520 --> 00:31:10,440
Speaker 1: with nothing, has something, lost it through divorces, then got

582
00:31:10,520 --> 00:31:12,880
Speaker 1: it back. Son. Isn't the woman's supposed to leave with

583
00:31:13,000 --> 00:31:18,280
Speaker 1: stuff after a divorce? Two? Yeah, but he wasn't making

584
00:31:18,320 --> 00:31:21,280
Speaker 1: no money. But at least he was smart. Yeah, he

585
00:31:21,400 --> 00:31:23,680
Speaker 1: was the intellect. Yeah, pops and in like my mom

586
00:31:23,800 --> 00:31:26,560
Speaker 1: was scrappy in from Iran and knew how to move

587
00:31:26,640 --> 00:31:29,520
Speaker 1: real estate around a little bit while she worked forty

588
00:31:29,560 --> 00:31:34,720
Speaker 1: five years at Kaiser. Wow, forty five years at Kaiser.

589
00:31:34,760 --> 00:31:37,240
Speaker 1: Actually a little shy. I think she was forty three.

590
00:31:37,360 --> 00:31:39,560
Speaker 1: That's a long time to be doing. I mean, I'm

591
00:31:39,640 --> 00:31:41,920
Speaker 1: doing stand up thirty. She's earner stripes trying to think

592
00:31:41,960 --> 00:31:44,400
Speaker 1: of how long I've been deechen since you're eleven? Right,

593
00:31:44,480 --> 00:31:48,440
Speaker 1: So what am I now? Right? So that's thirty nine

594
00:31:48,520 --> 00:31:53,120
Speaker 1: years almost, I'm not What do you do for your man?

595
00:31:53,440 --> 00:31:55,920
Speaker 1: What am I gonna do? That's going next next year?

596
00:31:55,960 --> 00:31:57,720
Speaker 1: That's next year, right, that's right that I always forget this.

597
00:31:57,800 --> 00:32:01,080
Speaker 1: Probably just chill and watch you know, movies. We're not

598
00:32:01,200 --> 00:32:04,560
Speaker 1: let you do that. Watch movies from I'm gonna have

599
00:32:04,680 --> 00:32:11,479
Speaker 1: a party here. Actually, yeah, I'm down. I'm down for that. Um,

600
00:32:11,840 --> 00:32:13,400
Speaker 1: you don't have to convince me that a party. But

601
00:32:13,480 --> 00:32:16,400
Speaker 1: what movie do you wish you were in? Russ Um?

602
00:32:16,680 --> 00:32:19,240
Speaker 1: What movie you're like actually been in that ship? My

603
00:32:19,320 --> 00:32:21,240
Speaker 1: agent should suck a dick for not putting me in

604
00:32:21,320 --> 00:32:23,680
Speaker 1: that joint. Well, it's never anybody else's fault. They just

605
00:32:23,760 --> 00:32:26,080
Speaker 1: either wants all that. I'm just trying to hype up

606
00:32:26,120 --> 00:32:29,680
Speaker 1: the question I audition. I'm trying to put you I'm

607
00:32:29,680 --> 00:32:32,240
Speaker 1: trying to have this thing up, man, this is this

608
00:32:32,360 --> 00:32:34,680
Speaker 1: is amplus. Um, you guys could chime me at any moment.

609
00:32:35,640 --> 00:32:39,120
Speaker 1: I auditioned for Goodwill Hunting back in the day. It

610
00:32:39,240 --> 00:32:42,320
Speaker 1: was shot in Toronto, US and I and I was

611
00:32:42,400 --> 00:32:45,000
Speaker 1: so mad because the scene was. If you remember the movie,

612
00:32:45,040 --> 00:32:46,840
Speaker 1: there's a scene early in the movie when they're in

613
00:32:46,840 --> 00:32:49,720
Speaker 1: the university and the teacher writes a math problem on

614
00:32:49,760 --> 00:32:52,200
Speaker 1: the wall and he comes in the next day and

615
00:32:52,240 --> 00:32:57,120
Speaker 1: the problem is solved. Classic scene and they say who

616
00:32:57,640 --> 00:33:00,360
Speaker 1: who did this? And they asked the Indian kid, did

617
00:33:00,400 --> 00:33:03,120
Speaker 1: you do it? It goes right, it wasn't me. Auditioned

618
00:33:03,120 --> 00:33:05,760
Speaker 1: to be that guy. You get a lot of that. Still,

619
00:33:05,960 --> 00:33:07,880
Speaker 1: you get a lot of that, the Indian character, and

620
00:33:07,960 --> 00:33:09,400
Speaker 1: you well know he didn't have an accent, but they

621
00:33:09,440 --> 00:33:11,200
Speaker 1: wanted somebody I guess who looked way more because he

622
00:33:11,240 --> 00:33:13,080
Speaker 1: was darker and younger hair and stuff. I was like,

623
00:33:13,560 --> 00:33:14,880
Speaker 1: how the fund do I not get this? But he

624
00:33:15,160 --> 00:33:17,920
Speaker 1: but he he nailed that part because he was like convinced,

625
00:33:18,080 --> 00:33:21,120
Speaker 1: wasn't me, you know, like it was really convincing. One

626
00:33:21,160 --> 00:33:25,560
Speaker 1: thing to know about Lucas he has a photographic phonographic

627
00:33:25,640 --> 00:33:29,120
Speaker 1: memory phonographic memory pograph. You know you can remember shipped

628
00:33:29,160 --> 00:33:34,360
Speaker 1: from lines from movies, but nothing yesterday, nothing yesterday, Really

629
00:33:35,880 --> 00:33:39,880
Speaker 1: a lot of stuff in the hard drive and saying

630
00:33:40,880 --> 00:33:43,920
Speaker 1: I can recall from back in the day, names two

631
00:33:44,000 --> 00:33:47,840
Speaker 1: days ago, the worst All right, I'm doing with faces

632
00:33:48,240 --> 00:33:50,480
Speaker 1: you're great with names. He's like, fucking one of the

633
00:33:50,520 --> 00:33:54,480
Speaker 1: most amazing record digging cats, but he remembers the oddball names.

634
00:33:54,520 --> 00:33:58,400
Speaker 1: Oh that's the Jeffrey McClanahan, fucking clanahan, fucking you know,

635
00:33:58,560 --> 00:34:02,200
Speaker 1: weird old, fucking you got that. You got that McClanahan breaks.

636
00:34:02,680 --> 00:34:04,280
Speaker 1: That's something you would say it from me, and I'd

637
00:34:04,280 --> 00:34:09,080
Speaker 1: be like mcleanhan from Golden Girl and she put out

638
00:34:09,080 --> 00:34:13,000
Speaker 1: a record on an Annex label owned by Doing Records

639
00:34:13,040 --> 00:34:15,320
Speaker 1: out of Jersey at the time. Yeah, that that's just

640
00:34:15,400 --> 00:34:17,080
Speaker 1: what I hear on the road with this guy. Um

641
00:34:17,560 --> 00:34:19,440
Speaker 1: I learned from I learned how to dig through a

642
00:34:19,719 --> 00:34:21,600
Speaker 1: from a cat named Brother Soul. He had a lot

643
00:34:21,680 --> 00:34:24,120
Speaker 1: of ship turned out. He knew Lucas as well through

644
00:34:24,239 --> 00:34:29,080
Speaker 1: Drive Records, and then after meeting Luke, he he was

645
00:34:29,160 --> 00:34:32,800
Speaker 1: like part two of the training class. He was like, oh, this, this, this,

646
00:34:32,920 --> 00:34:35,360
Speaker 1: and this. I was like, Brother, I was naming the

647
00:34:35,520 --> 00:34:37,200
Speaker 1: things we were sampling in an old demo and I

648
00:34:37,239 --> 00:34:39,960
Speaker 1: was like, oh, shoot, you know that. Yeah. I was

649
00:34:40,080 --> 00:34:42,560
Speaker 1: never good at digging. I didn't I didn't like it. Yeah,

650
00:34:42,600 --> 00:34:45,000
Speaker 1: but you got that cool little Uh that's great. Eric

651
00:34:45,000 --> 00:34:47,439
Speaker 1: B and rockam acetated. I mean I mean that's because

652
00:34:47,560 --> 00:34:50,160
Speaker 1: Eric B gave that to me. Oh ship, Yeah, Killer

653
00:34:50,239 --> 00:34:52,799
Speaker 1: Mike was here. Do you I saw that man? Yeah,

654
00:34:52,840 --> 00:34:54,719
Speaker 1: he signed my Run the Jewels album that I have here.

655
00:34:54,800 --> 00:34:58,239
Speaker 1: That's what's up. Um. You know I could never get

656
00:34:58,280 --> 00:35:00,640
Speaker 1: into digging. I would just one of the records. But

657
00:35:00,719 --> 00:35:03,040
Speaker 1: it didn't matter to me how I had it. Like

658
00:35:03,120 --> 00:35:06,759
Speaker 1: if I had to repress one of those bullshit knockoff compilations,

659
00:35:06,920 --> 00:35:08,359
Speaker 1: I was long as I get the song, I don't

660
00:35:08,360 --> 00:35:09,879
Speaker 1: give it ship, as long as you got the joint. Yeah,

661
00:35:11,120 --> 00:35:13,520
Speaker 1: like those UK pressings that had the really low volume

662
00:35:13,600 --> 00:35:15,560
Speaker 1: on it. It's nothing wrong with that. And sometimes you

663
00:35:15,600 --> 00:35:17,320
Speaker 1: get those UK pressings and would be like a forty

664
00:35:17,600 --> 00:35:20,120
Speaker 1: twelve inch and I fucking hated those. I had to

665
00:35:20,280 --> 00:35:26,359
Speaker 1: Peter Pipers on the London pressing. Oh wait a minute,

666
00:35:26,360 --> 00:35:28,840
Speaker 1: so you have to do actual yeah yeah, yeah, I

667
00:35:28,880 --> 00:35:32,880
Speaker 1: hated that. Ship. I mean actually a record digging before

668
00:35:32,920 --> 00:35:35,320
Speaker 1: it was you know, structured in stores. It was like

669
00:35:35,760 --> 00:35:40,320
Speaker 1: the backup bookstores when it was on the mass Yeah exactly.

670
00:35:41,200 --> 00:35:45,560
Speaker 1: And um, I'm used to go digging with Rizz Lucky

671
00:35:45,880 --> 00:35:48,880
Speaker 1: and um yeah, we used to come out least you

672
00:35:49,000 --> 00:35:51,040
Speaker 1: just get all the soot and you know in the

673
00:35:51,120 --> 00:35:53,600
Speaker 1: nostrils and ship. But it wasn't pretty when you started

674
00:35:53,600 --> 00:35:55,520
Speaker 1: put them in stores all alphabetimes and it was like,

675
00:35:55,719 --> 00:35:58,279
Speaker 1: oh yeah, you guys. You guys remember your first time

676
00:35:58,480 --> 00:36:00,560
Speaker 1: doing like a proper record dig, like a first time

677
00:36:00,600 --> 00:36:02,719
Speaker 1: going to a record store and finding a few things.

678
00:36:02,760 --> 00:36:04,879
Speaker 1: They're like, oh, this is this sample or or even

679
00:36:04,920 --> 00:36:06,680
Speaker 1: hip hop shit or whatever. Like you guys remember the

680
00:36:06,920 --> 00:36:09,879
Speaker 1: first time like drove you or you took a bus,

681
00:36:10,040 --> 00:36:12,120
Speaker 1: or you walked downtown or what. Do you remember any

682
00:36:12,160 --> 00:36:16,040
Speaker 1: of that as a kid. Oh yeah, yeah, there was

683
00:36:17,120 --> 00:36:20,399
Speaker 1: there was this. There was a general store called um

684
00:36:20,960 --> 00:36:24,120
Speaker 1: TSS Times Square Stores and it had a little record

685
00:36:24,200 --> 00:36:28,360
Speaker 1: section and I remember buying um. I think it was

686
00:36:28,400 --> 00:36:32,040
Speaker 1: like the No Donna Summer's album on the on the

687
00:36:32,160 --> 00:36:36,960
Speaker 1: radio and had she was actually sitting on I'm sorry

688
00:36:36,960 --> 00:36:39,719
Speaker 1: sitting on a jukebox and all that and remember that

689
00:36:40,239 --> 00:36:45,920
Speaker 1: and um but yeah, like little moment. I mean they

690
00:36:45,920 --> 00:36:48,800
Speaker 1: weren't they were like stores that we were considered to

691
00:36:48,800 --> 00:36:51,440
Speaker 1: be like Target on Marshals and had a little record section.

692
00:36:51,760 --> 00:36:53,880
Speaker 1: It wasn't like a formal record store. Yeah, we had

693
00:36:53,920 --> 00:37:00,040
Speaker 1: that at Woolworth. Yes, Kmart had even Zodias. I think it.

694
00:37:00,160 --> 00:37:02,360
Speaker 1: Why don't all you Luke, what was your remember your

695
00:37:02,400 --> 00:37:05,480
Speaker 1: first like time? Like what what? What? What was the

696
00:37:05,520 --> 00:37:08,879
Speaker 1: record that that got me hooked? Um? Well, at first

697
00:37:08,960 --> 00:37:11,279
Speaker 1: I was like a chump. I was digging a tower

698
00:37:11,320 --> 00:37:14,040
Speaker 1: and warehouse like I didn't know about we all did, no.

699
00:37:14,160 --> 00:37:16,080
Speaker 1: But I mean I was coming up at those places

700
00:37:16,160 --> 00:37:19,120
Speaker 1: like music No check it out the warehouse in Baldwin Hills.

701
00:37:19,120 --> 00:37:21,840
Speaker 1: Whoever is doing the buying there major props because I

702
00:37:21,880 --> 00:37:24,640
Speaker 1: was finding things like Trouble Funk and I found um

703
00:37:26,320 --> 00:37:28,080
Speaker 1: scratch into the Funk there, stuff like that, you know,

704
00:37:28,160 --> 00:37:32,759
Speaker 1: cash money record. But anyway, um, I think it was

705
00:37:33,080 --> 00:37:36,400
Speaker 1: the World of Records, which was across the street from

706
00:37:36,480 --> 00:37:38,320
Speaker 1: l ACC. They had a basement, so there was this

707
00:37:38,360 --> 00:37:40,640
Speaker 1: place World of Records, and you had to kind of

708
00:37:41,040 --> 00:37:43,680
Speaker 1: when this certain person was working there. You could go

709
00:37:43,760 --> 00:37:47,480
Speaker 1: down there and anything was a buck. And so I,

710
00:37:47,800 --> 00:37:49,840
Speaker 1: you know, we were finding things like Funk Incorporated for

711
00:37:49,920 --> 00:37:53,480
Speaker 1: some whatever, sealed fat back down Rufus Thomas whatever, and

712
00:37:54,040 --> 00:37:56,520
Speaker 1: for a buck. So I would get my little you know,

713
00:37:56,640 --> 00:37:59,760
Speaker 1: eight dollars, take the bus and come out with eight records.

714
00:38:00,440 --> 00:38:03,160
Speaker 1: And but there were eight heaters, you know, and I

715
00:38:03,239 --> 00:38:05,640
Speaker 1: was like what fourteen at the time, So I see

716
00:38:05,680 --> 00:38:07,640
Speaker 1: I would always look at like people go, oh, this

717
00:38:07,800 --> 00:38:10,640
Speaker 1: is the break for whatever, and I'm like, what am

718
00:38:10,640 --> 00:38:13,360
Speaker 1: I going to do with it? Right? Okay, I got it,

719
00:38:13,400 --> 00:38:14,560
Speaker 1: but what am I gonna do with it? When I

720
00:38:14,640 --> 00:38:17,600
Speaker 1: first met Luke, I was that dude I know, well,

721
00:38:17,760 --> 00:38:19,440
Speaker 1: he took it a step further when I first met him.

722
00:38:19,440 --> 00:38:20,560
Speaker 1: I want to hear what you gotta say too and

723
00:38:20,680 --> 00:38:23,600
Speaker 1: us about this um. When I first met Luke, he

724
00:38:23,840 --> 00:38:29,239
Speaker 1: was recreating full rap songs with all the original breaks. Yeah.

725
00:38:29,640 --> 00:38:31,800
Speaker 1: This is so after Brother Soul. I got like the

726
00:38:31,840 --> 00:38:33,960
Speaker 1: training wheels from him, and I was like, why are

727
00:38:34,000 --> 00:38:36,719
Speaker 1: you remaking day Lost Souls piece? Now? It was one

728
00:38:36,760 --> 00:38:38,360
Speaker 1: of those things where it was like I wanted to

729
00:38:38,400 --> 00:38:40,520
Speaker 1: know how they did it, so I tried to figure

730
00:38:40,560 --> 00:38:45,160
Speaker 1: out all the elements they used and re doing. Yeah,

731
00:38:46,320 --> 00:38:49,320
Speaker 1: so one of the ones was right that was like

732
00:38:49,440 --> 00:38:52,879
Speaker 1: the Tom Waits diamonds on my windshield. I was like, okay, cool.

733
00:38:53,080 --> 00:38:55,480
Speaker 1: I sampled that, and then I sampled the Voodoo numb break,

734
00:38:55,480 --> 00:38:56,920
Speaker 1: but I was like, that doesn't sound right. So then

735
00:38:56,960 --> 00:38:59,880
Speaker 1: I realized they sampled nobody beats the bid with sample

736
00:39:00,280 --> 00:39:03,480
Speaker 1: the food or break, but you can hear the background

737
00:39:04,000 --> 00:39:06,000
Speaker 1: over it, and so I was like okay, and then

738
00:39:06,040 --> 00:39:09,239
Speaker 1: the heartbeat boom boom under it, Like the genius that

739
00:39:09,320 --> 00:39:12,600
Speaker 1: went into that ship. I didn't really fully realize until

740
00:39:12,640 --> 00:39:14,959
Speaker 1: I took all the steps to do. I thought after

741
00:39:15,080 --> 00:39:17,200
Speaker 1: meeting you that it was genius that you were doing it,

742
00:39:17,360 --> 00:39:20,520
Speaker 1: because you know, we all hit these strides that we

743
00:39:20,640 --> 00:39:23,239
Speaker 1: are not really motivated, but you want to stay, you

744
00:39:23,280 --> 00:39:26,640
Speaker 1: want to keep you that that it was an exercise.

745
00:39:26,719 --> 00:39:28,680
Speaker 1: You want to keep your sword sharp, right, and it

746
00:39:28,760 --> 00:39:30,520
Speaker 1: was an exercise you did, and I was just like puzzled,

747
00:39:30,560 --> 00:39:32,920
Speaker 1: like why would you want it? Biting is like you know,

748
00:39:33,120 --> 00:39:35,799
Speaker 1: I got yeah, we all got chastised for biting man,

749
00:39:35,880 --> 00:39:37,520
Speaker 1: but I mean it, but you weren't doing it on

750
00:39:37,560 --> 00:39:42,640
Speaker 1: a level. You were doing it because sometimes a good one.

751
00:39:42,760 --> 00:39:45,960
Speaker 1: Another one I did was um just hanging out main

752
00:39:46,040 --> 00:39:49,399
Speaker 1: source and figured out how he chopped around the Gwen

753
00:39:49,520 --> 00:39:52,040
Speaker 1: McCray voices your Nest. The way he was doing it though,

754
00:39:52,160 --> 00:39:55,080
Speaker 1: was like this is the record, but sounding more punchier

755
00:39:55,160 --> 00:39:59,280
Speaker 1: like it was like, yeah, we were doing it, recording

756
00:39:59,320 --> 00:40:01,680
Speaker 1: it and doing it. Yeah, well I was. It wasn't

757
00:40:01,719 --> 00:40:03,880
Speaker 1: a live performance thing. It was more like just tracking it.

758
00:40:04,080 --> 00:40:06,560
Speaker 1: It's in my drum machine. There's a mixtape that I

759
00:40:06,680 --> 00:40:09,840
Speaker 1: have by this guy named United States of Audio, and

760
00:40:10,000 --> 00:40:12,480
Speaker 1: he really he did the three ft High and Rising

761
00:40:12,560 --> 00:40:17,239
Speaker 1: album he reconstructed. It's fucking dope. I'll give you guys,

762
00:40:17,640 --> 00:40:20,760
Speaker 1: I'll email it to It's so ill like literally every

763
00:40:20,840 --> 00:40:24,759
Speaker 1: sample down to like the interviews and the sound bite.

764
00:40:25,960 --> 00:40:29,719
Speaker 1: Every single day, every every single backgund he would play

765
00:40:29,719 --> 00:40:31,239
Speaker 1: them and then he would mix the track in. But

766
00:40:31,400 --> 00:40:33,000
Speaker 1: the way he did it wasn't as simple as that.

767
00:40:33,120 --> 00:40:35,399
Speaker 1: It was far more intricate. That was kind of dope.

768
00:40:35,400 --> 00:40:37,600
Speaker 1: I would only like, when did he do that? Like

769
00:40:37,680 --> 00:40:40,480
Speaker 1: on the anniversary album, so like five five years ago.

770
00:40:43,080 --> 00:40:45,080
Speaker 1: As you can probably tell her from listening to my podcast,

771
00:40:45,560 --> 00:40:48,000
Speaker 1: I like hanging out with people in my backyard and talking.

772
00:40:48,520 --> 00:40:51,600
Speaker 1: And sometimes after we get into the meat of the conversations,

773
00:40:52,320 --> 00:40:54,960
Speaker 1: my guests and I start getting hungry for some actual

774
00:40:55,080 --> 00:40:58,400
Speaker 1: meat a yo. And that's why it's handy to have

775
00:40:58,520 --> 00:41:02,520
Speaker 1: butcher Box around. Butcher Box delivers humanely sourced meat of

776
00:41:02,640 --> 00:41:06,480
Speaker 1: your choosing right to your doorstep. Might affract options like

777
00:41:07,200 --> 00:41:12,320
Speaker 1: grass fed and finished beef, free range organic chicken, humanely

778
00:41:12,440 --> 00:41:16,560
Speaker 1: raised pork, wild cot, labster tails, and wild cat Alaskan

779
00:41:16,640 --> 00:41:21,520
Speaker 1: salmon and sugar and nitrate free bacon. Each box ships

780
00:41:21,560 --> 00:41:24,640
Speaker 1: with nine to eleven pounds of meat. You know, I

781
00:41:24,640 --> 00:41:26,480
Speaker 1: don't want to brag, but that's what I used to

782
00:41:26,520 --> 00:41:29,520
Speaker 1: tell the ladies. We go out ship with at least

783
00:41:29,600 --> 00:41:32,239
Speaker 1: nine to eleven pounds of meat, neither here nor there,

784
00:41:32,600 --> 00:41:36,200
Speaker 1: packed fresh, ship frozen and vacuum sealed, making it simple

785
00:41:36,280 --> 00:41:38,200
Speaker 1: to store in the freezer and grab later for a

786
00:41:38,280 --> 00:41:41,520
Speaker 1: delicious meal with friends or enemies. Maybe you want to

787
00:41:41,560 --> 00:41:43,520
Speaker 1: feed your enemies one day. I love taking care of

788
00:41:43,560 --> 00:41:45,640
Speaker 1: people whenever they're in my house, and butcher Box makes

789
00:41:45,680 --> 00:41:48,279
Speaker 1: it so simple to make sure that my guests get

790
00:41:48,360 --> 00:41:52,319
Speaker 1: fed the best food at an incredible price. So make

791
00:41:52,360 --> 00:41:55,080
Speaker 1: sure your summer gatherings are top notch with butcher Box.

792
00:41:55,600 --> 00:41:58,920
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793
00:41:59,040 --> 00:42:02,600
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794
00:42:02,920 --> 00:42:05,399
Speaker 1: so you can serve a high quality surf and turf

795
00:42:05,520 --> 00:42:08,279
Speaker 1: meal with friends or enjoy it by yourself, which is

796
00:42:08,400 --> 00:42:11,200
Speaker 1: what I would do because I'm damn greedy. The process

797
00:42:11,280 --> 00:42:14,200
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798
00:42:14,320 --> 00:42:17,799
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799
00:42:17,920 --> 00:42:21,000
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800
00:42:21,000 --> 00:42:23,440
Speaker 1: you choose your favorite cuts, so it's easy to plan

801
00:42:23,520 --> 00:42:26,759
Speaker 1: for specific meals or try new things. Butcher Box will

802
00:42:26,800 --> 00:42:30,239
Speaker 1: then ship your order frozen at the peak freshness and

803
00:42:30,360 --> 00:42:34,320
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804
00:42:34,400 --> 00:42:37,160
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805
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806
00:42:39,880 --> 00:42:44,320
Speaker 1: less time shopping and more time having good times again.

807
00:42:44,600 --> 00:42:48,400
Speaker 1: Butcher Boxes offering our listeners to five ounce lobster tails

808
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Speaker 1: and to ten ounce rib bis for free in your

809
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810
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811
00:42:55,920 --> 00:43:00,480
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812
00:43:01,040 --> 00:43:04,480
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813
00:43:04,640 --> 00:43:08,480
Speaker 1: canceled for free lobster tails and everybody's in your first box.

814
00:43:10,680 --> 00:43:12,560
Speaker 1: What about New York News? What what was your first

815
00:43:12,680 --> 00:43:16,400
Speaker 1: What was your first dig that you can remember that

816
00:43:16,520 --> 00:43:19,600
Speaker 1: You're like, wow, this, I'm hoping I was using the

817
00:43:19,680 --> 00:43:22,160
Speaker 1: cheek code in the early years. The cheek cold was

818
00:43:22,239 --> 00:43:27,160
Speaker 1: the breakbeats, so you would I would go down Street

819
00:43:27,920 --> 00:43:33,000
Speaker 1: Music Factory and see stand with the glasses and acts

820
00:43:33,040 --> 00:43:34,759
Speaker 1: and what was the new records that he got in

821
00:43:34,840 --> 00:43:39,840
Speaker 1: it was either wrap or was um it was the

822
00:43:39,920 --> 00:43:43,239
Speaker 1: break beats, and they had they had different sections in there.

823
00:43:43,680 --> 00:43:45,600
Speaker 1: So I started off with the break beats. I think

824
00:43:45,840 --> 00:43:49,600
Speaker 1: as time went on and I got more into digging,

825
00:43:50,200 --> 00:43:52,600
Speaker 1: that's when I wanted originals. I adn't want the break

826
00:43:52,640 --> 00:43:56,160
Speaker 1: beats no more. You wanted original records because we started

827
00:43:56,200 --> 00:44:00,200
Speaker 1: to learn that the repressing and the breakbeats some time,

828
00:44:00,280 --> 00:44:04,520
Speaker 1: the quality wasn't as good as the original, the original stereo.

829
00:44:05,239 --> 00:44:09,880
Speaker 1: It was just it was a beefiest sound with the originals,

830
00:44:09,960 --> 00:44:12,920
Speaker 1: especially the forty five. So if you found something on

831
00:44:13,040 --> 00:44:16,320
Speaker 1: forty five is way it sounds way heavier than it

832
00:44:16,440 --> 00:44:19,400
Speaker 1: does on an album. So yeah, I started off in

833
00:44:19,480 --> 00:44:23,640
Speaker 1: the music factory and then started Then that jazz wave

834
00:44:23,840 --> 00:44:27,360
Speaker 1: came in, and then that's when we was all buying jazz.

835
00:44:27,440 --> 00:44:30,920
Speaker 1: That's when I learned about cal Jada and the c

836
00:44:31,200 --> 00:44:36,239
Speaker 1: t I Wave and uh Man, Miles Davis and how

837
00:44:36,320 --> 00:44:38,960
Speaker 1: competitive were the record fairs in New York. Like you

838
00:44:39,000 --> 00:44:43,040
Speaker 1: know when you like right, because like we would hear

839
00:44:43,160 --> 00:44:46,200
Speaker 1: things on the West Coast and like cutting, I would

840
00:44:46,200 --> 00:44:47,480
Speaker 1: be like, well, we got a lot of catching up

841
00:44:47,520 --> 00:44:50,160
Speaker 1: to do because there they're finding heat on the East coast.

842
00:44:50,680 --> 00:44:52,440
Speaker 1: Like when I met him, it was well for me,

843
00:44:52,560 --> 00:44:53,880
Speaker 1: I'll just speak for me. It was like we got

844
00:44:53,960 --> 00:44:56,440
Speaker 1: a lot of catching up to do. Me especially like man,

845
00:44:56,440 --> 00:44:57,879
Speaker 1: I got a lot of find a lot of breaks.

846
00:44:57,960 --> 00:45:00,959
Speaker 1: But I can imagine it was very competitive well plus,

847
00:45:01,000 --> 00:45:03,239
Speaker 1: I mean that wasn't it. T Ra would be like, yo,

848
00:45:03,320 --> 00:45:07,200
Speaker 1: you had Prince b Juju Tip you, like all the

849
00:45:07,320 --> 00:45:12,839
Speaker 1: major heads were there, and it was like, what did

850
00:45:12,880 --> 00:45:15,040
Speaker 1: I feel like? What was it competitive like that? To

851
00:45:15,120 --> 00:45:20,000
Speaker 1: find It's crazy because when you when I when I

852
00:45:20,120 --> 00:45:23,120
Speaker 1: go back into that time, I think about me, me

853
00:45:23,800 --> 00:45:29,239
Speaker 1: buck um An LP. We would hang out all the time,

854
00:45:29,320 --> 00:45:32,439
Speaker 1: easy LP and we would hang out all the time.

855
00:45:32,640 --> 00:45:36,640
Speaker 1: So we would literally be in a club Saturday night

856
00:45:37,440 --> 00:45:40,719
Speaker 1: hanging out drinking. You know what I'm saying, that's what

857
00:45:40,880 --> 00:45:44,719
Speaker 1: the broads And then be like, yo, you know we're

858
00:45:44,719 --> 00:45:49,080
Speaker 1: gonna get back up at like four thirty five am,

859
00:45:49,520 --> 00:45:52,120
Speaker 1: and literally I'll be in the crib, Yo, we're downstairs

860
00:45:52,280 --> 00:45:56,520
Speaker 1: four thirty am. We had the Roosevelt by like five

861
00:45:56,640 --> 00:46:02,840
Speaker 1: five thirty and it was crazy because the opening early

862
00:46:02,960 --> 00:46:05,600
Speaker 1: fee would be at eight o'clock and I think it

863
00:46:05,719 --> 00:46:08,560
Speaker 1: was twenty dollars. We were literally like hand and du

864
00:46:08,760 --> 00:46:11,719
Speaker 1: sixty dollars, like look man, we just want to get

865
00:46:11,760 --> 00:46:15,680
Speaker 1: in here now. And the advantage was that all the

866
00:46:15,760 --> 00:46:19,239
Speaker 1: records were still covered. Dealers were still setting up, and

867
00:46:19,400 --> 00:46:24,160
Speaker 1: we're in there their crates before anybody comes. About time

868
00:46:24,560 --> 00:46:27,400
Speaker 1: the early birds ship at eight come, we're leaving with

869
00:46:27,719 --> 00:46:29,880
Speaker 1: stacks of records. Your whole ship was you were just

870
00:46:30,080 --> 00:46:31,719
Speaker 1: you were just the early bird. That's your whole. That

871
00:46:31,840 --> 00:46:34,759
Speaker 1: was your whole. There wasn't It wasn't like crabs fighting

872
00:46:34,800 --> 00:46:37,080
Speaker 1: in the barrel. Was just like you guys got there earlier.

873
00:46:37,120 --> 00:46:39,280
Speaker 1: You got the heat and you bounce. You got there earlier.

874
00:46:39,480 --> 00:46:45,680
Speaker 1: It's something it's already over sounding dealers, some dealers. But

875
00:46:45,840 --> 00:46:49,120
Speaker 1: see we called on because what dealers would do. Let's

876
00:46:49,160 --> 00:46:52,040
Speaker 1: say Russ as a dealer, and you got a lot

877
00:46:52,160 --> 00:46:54,520
Speaker 1: of rare records, but you don't know the value of

878
00:46:54,640 --> 00:46:58,439
Speaker 1: your records. You have dealers in there that would pick

879
00:46:58,560 --> 00:47:02,200
Speaker 1: through other dealers, wreck is, reprice your records and put

880
00:47:02,239 --> 00:47:06,239
Speaker 1: them in their crates. So now what's happening. It's something

881
00:47:06,320 --> 00:47:10,120
Speaker 1: you sold Let's say Chimis for five dollars, is now

882
00:47:10,239 --> 00:47:13,359
Speaker 1: in Chimiss create for like sixty dollars because you don't

883
00:47:13,400 --> 00:47:19,040
Speaker 1: know the value. So that's what kind of made it possible.

884
00:47:19,040 --> 00:47:21,799
Speaker 1: While we had to go early when I couldn't get

885
00:47:21,880 --> 00:47:24,799
Speaker 1: in dealers, I couldn't get into conventions early. I ain't

886
00:47:24,840 --> 00:47:27,120
Speaker 1: want to go because I already knew what other dealers

887
00:47:27,239 --> 00:47:30,600
Speaker 1: was doing, and now I gotta pay extra because he's

888
00:47:30,640 --> 00:47:32,560
Speaker 1: in there early, and then that's the at least you

889
00:47:32,640 --> 00:47:35,960
Speaker 1: can go. Dealers was doing fly ships. So let's say

890
00:47:36,760 --> 00:47:40,480
Speaker 1: Newmark here, I'm gonna sell records, Newmark coming in with

891
00:47:40,600 --> 00:47:45,000
Speaker 1: fucking to crates of bullshit, and he's just using to

892
00:47:45,160 --> 00:47:49,239
Speaker 1: get in and he's raising everybody else's crates because he

893
00:47:49,440 --> 00:47:52,680
Speaker 1: got that access that you don't have. So no, it

894
00:47:52,880 --> 00:47:56,080
Speaker 1: was very This is interesting because when I first linked

895
00:47:56,160 --> 00:48:01,600
Speaker 1: up with Cut, he was like, basically like, yo, man,

896
00:48:01,640 --> 00:48:03,160
Speaker 1: I'm leaving at four thirties, so what then are you

897
00:48:03,200 --> 00:48:05,720
Speaker 1: gonna do? Like he was like he would he wouldn't

898
00:48:05,719 --> 00:48:07,719
Speaker 1: say meet me at my crib. He would just say, yeah,

899
00:48:07,760 --> 00:48:09,239
Speaker 1: I'm leaving at this time. You come in and you're not,

900
00:48:09,880 --> 00:48:11,919
Speaker 1: And so you kicked me in my ass to wake

901
00:48:12,040 --> 00:48:14,759
Speaker 1: up the very few times that I'd wake up early

902
00:48:14,800 --> 00:48:18,839
Speaker 1: after whatever debauchery happened the night before. And then when

903
00:48:18,920 --> 00:48:22,640
Speaker 1: I watched cut dig and he would go, Yo, did

904
00:48:22,719 --> 00:48:24,160
Speaker 1: you you want to hear what I found? And he

905
00:48:24,160 --> 00:48:26,680
Speaker 1: would play the ship. I would just be like, Yo,

906
00:48:27,160 --> 00:48:31,680
Speaker 1: what the fund is that break? Like yeah, so this

907
00:48:31,880 --> 00:48:33,920
Speaker 1: is like full circle for me next because I was

908
00:48:34,000 --> 00:48:37,640
Speaker 1: always curious when the couple play me the break or

909
00:48:37,680 --> 00:48:40,800
Speaker 1: I would find something cool and we would talk about

910
00:48:40,960 --> 00:48:43,560
Speaker 1: Pete Rock, We would talk about you. We would talk

911
00:48:43,600 --> 00:48:48,440
Speaker 1: about you know, um large professor and everybody. What was

912
00:48:48,520 --> 00:48:51,359
Speaker 1: happening exactly on the East Coast, Like were you guys

913
00:48:51,440 --> 00:48:53,799
Speaker 1: put in like the earth? We knew you guys were

914
00:48:53,840 --> 00:48:56,400
Speaker 1: putting in the early hours, but what what was the climate?

915
00:48:56,400 --> 00:48:58,800
Speaker 1: And so this is like full circle. It was expeditions,

916
00:48:58,880 --> 00:49:02,880
Speaker 1: though I mean Roosevelt is one aspect of it. We

917
00:49:02,960 --> 00:49:06,120
Speaker 1: would hit another spot called the Jazz Center, where you

918
00:49:06,239 --> 00:49:09,360
Speaker 1: go in this building and literally you go into this

919
00:49:09,640 --> 00:49:13,320
Speaker 1: like office type space is nothing but jazz records, and

920
00:49:13,480 --> 00:49:16,479
Speaker 1: we would hit that. Would you see like tip, would

921
00:49:16,480 --> 00:49:21,400
Speaker 1: you see like all you like? It depends. Sometimes you

922
00:49:21,520 --> 00:49:25,840
Speaker 1: bump into some artists in the weirdest places. Did you

923
00:49:25,920 --> 00:49:29,600
Speaker 1: go in knowing what you're looking for? Though somewhat you

924
00:49:29,719 --> 00:49:32,160
Speaker 1: got a list of the ship you're looking for, and

925
00:49:32,239 --> 00:49:36,080
Speaker 1: then you took a lot of ships. But that's based

926
00:49:36,120 --> 00:49:40,080
Speaker 1: on what the record cover. The record cover, the artists

927
00:49:40,120 --> 00:49:44,400
Speaker 1: and the producer, the musicians that's playing on it. The

928
00:49:45,600 --> 00:49:53,360
Speaker 1: label funky stuff was what sixty nine to like se before.

929
00:49:53,880 --> 00:49:57,200
Speaker 1: So you had like a timeline to span of what

930
00:49:57,320 --> 00:49:59,560
Speaker 1: you was looking for. But it was like that with

931
00:49:59,560 --> 00:50:01,400
Speaker 1: a lot of honors. Would you agree? You think you

932
00:50:01,560 --> 00:50:05,239
Speaker 1: got it, and then you get this wave of European ship,

933
00:50:07,520 --> 00:50:12,080
Speaker 1: wave of fucking sound libraries. You get this wave of soundtrack.

934
00:50:12,239 --> 00:50:15,919
Speaker 1: So every time you think I'm on top of the game,

935
00:50:16,800 --> 00:50:19,040
Speaker 1: they throw something else at you. I mean even to

936
00:50:19,200 --> 00:50:22,640
Speaker 1: this day now I buy records, but now it's like

937
00:50:23,480 --> 00:50:28,480
Speaker 1: I tell people that's starting collectors. If you go digging

938
00:50:28,560 --> 00:50:30,560
Speaker 1: with me, you're gonna have more fund than I'm gonna

939
00:50:30,600 --> 00:50:34,520
Speaker 1: have because I know all this ship. So I got

940
00:50:34,600 --> 00:50:36,879
Speaker 1: three copies of this. You could pass up the drum

941
00:50:36,960 --> 00:50:39,759
Speaker 1: break and give it to like you go far enough

942
00:50:39,800 --> 00:50:42,319
Speaker 1: and before you know it, you're like Beatles covers from

943
00:50:42,360 --> 00:50:48,239
Speaker 1: Bolivia only like that y only person anthem trans Kenny

944
00:50:48,280 --> 00:50:50,320
Speaker 1: Dope was like Yo Rust when you go to India,

945
00:50:50,400 --> 00:50:52,080
Speaker 1: got this record shop like to go and go. What

946
00:50:52,400 --> 00:50:55,440
Speaker 1: he's like, Yo, you never listened to Indian funk. I'm like, what,

947
00:50:55,640 --> 00:51:00,680
Speaker 1: I didn't a similar beat, you know or something. I

948
00:51:01,040 --> 00:51:02,520
Speaker 1: literally didn't know that. I thought he was kidding, and

949
00:51:02,560 --> 00:51:06,279
Speaker 1: I was like a kidding right. But that was the

950
00:51:06,360 --> 00:51:11,320
Speaker 1: blessing too, is traveling, because a lot of stuff that

951
00:51:11,480 --> 00:51:13,160
Speaker 1: by the time and make it to Cali or make

952
00:51:13,200 --> 00:51:17,480
Speaker 1: it to New York, it's it's just a little next

953
00:51:17,560 --> 00:51:20,120
Speaker 1: to nothing. But if you go to the spot where

954
00:51:20,400 --> 00:51:24,439
Speaker 1: these records was created, you run into all that ship.

955
00:51:25,200 --> 00:51:27,880
Speaker 1: So we had like a trade ship going on. Like

956
00:51:28,520 --> 00:51:30,919
Speaker 1: if I go into certain record stores in New York,

957
00:51:31,640 --> 00:51:35,400
Speaker 1: they had all these high priced records on the wall. Cool.

958
00:51:36,400 --> 00:51:40,560
Speaker 1: Now if I'm out scavenging hunt in Japan Europe, I'm

959
00:51:40,600 --> 00:51:44,680
Speaker 1: seeing the same records for like a fractional was being sold.

960
00:51:45,160 --> 00:51:47,800
Speaker 1: So I would come back to New York with a

961
00:51:47,920 --> 00:51:50,919
Speaker 1: ton of records and basically trade them into the record

962
00:51:50,960 --> 00:51:53,759
Speaker 1: store for credit. So it was a way of like

963
00:51:54,520 --> 00:51:57,800
Speaker 1: stacking up. I might have liked two thousand and credit.

964
00:51:58,440 --> 00:52:01,080
Speaker 1: So when I'm going to records store US, now I'm

965
00:52:01,160 --> 00:52:04,640
Speaker 1: using a credit versus using my money. So that's what

966
00:52:04,760 --> 00:52:08,040
Speaker 1: we also did with digging. Remember we had one trip

967
00:52:08,280 --> 00:52:11,920
Speaker 1: where thank god we were out there nine something like that.

968
00:52:12,200 --> 00:52:14,319
Speaker 1: When we went to Mr Bongle for the first time,

969
00:52:16,200 --> 00:52:18,480
Speaker 1: the cut was like, Yo, we gotta go here because

970
00:52:18,520 --> 00:52:21,520
Speaker 1: this is gonna be like the basement access They said,

971
00:52:21,560 --> 00:52:24,040
Speaker 1: we yeah, but there was. But your tone was different

972
00:52:24,080 --> 00:52:26,640
Speaker 1: because I know you. You said something like I was like,

973
00:52:26,680 --> 00:52:28,359
Speaker 1: I'm gonna be on the train at three you're coming

974
00:52:28,440 --> 00:52:31,040
Speaker 1: or not. Well, that for sure, all that was there always,

975
00:52:32,640 --> 00:52:34,640
Speaker 1: But he you said something like this is gonna be

976
00:52:34,800 --> 00:52:37,520
Speaker 1: the tentacles to our digging trip or something like that,

977
00:52:37,640 --> 00:52:40,200
Speaker 1: and I was like, well, it was our first trip overseas,

978
00:52:40,320 --> 00:52:44,960
Speaker 1: so to see what right, what they considered digging and

979
00:52:45,080 --> 00:52:46,840
Speaker 1: to get from that pull from that, it was was

980
00:52:46,840 --> 00:52:48,000
Speaker 1: I knew it was going to be a big deal

981
00:52:48,040 --> 00:52:51,600
Speaker 1: because and it was because I had discovered I saw

982
00:52:51,840 --> 00:52:54,160
Speaker 1: libraries and the first time I saw things like Spider

983
00:52:54,239 --> 00:52:57,880
Speaker 1: d Rapple and like that the jb L soundtrack or

984
00:52:57,920 --> 00:53:00,120
Speaker 1: the first time I've ever seen the Jake Way the

985
00:53:01,920 --> 00:53:03,960
Speaker 1: they had a box that We're like, we'll take doubles

986
00:53:03,960 --> 00:53:06,920
Speaker 1: of that. Yeah, that's right. That was that trip. Yeah, man,

987
00:53:07,000 --> 00:53:09,839
Speaker 1: I fucking solid memory. Then it was just like thank yeah,

988
00:53:09,840 --> 00:53:12,080
Speaker 1: they're like, yeah, well that's it. That's just it. They're like,

989
00:53:12,160 --> 00:53:14,480
Speaker 1: because we don't know all the copies to everybody out

990
00:53:14,520 --> 00:53:16,600
Speaker 1: here that want something, so thank god these chomps are

991
00:53:16,600 --> 00:53:19,280
Speaker 1: coming in that. You know, Johnny come Lately's I remember

992
00:53:19,320 --> 00:53:21,680
Speaker 1: bringing up I know all the how we got to

993
00:53:21,840 --> 00:53:26,359
Speaker 1: listeners one and a half on this Yeah, Luke, it's old,

994
00:53:26,440 --> 00:53:29,960
Speaker 1: it's old stopping around so yeah, shouts to Hugh. Yeah,

995
00:53:30,160 --> 00:53:33,960
Speaker 1: I used to Tony Vegas. Yeah, and did you go

996
00:53:34,040 --> 00:53:36,160
Speaker 1: to black Market? Wait? Did? Was Vegas working there at

997
00:53:36,200 --> 00:53:38,839
Speaker 1: that time? He was doing the buying. So I met

998
00:53:39,239 --> 00:53:40,840
Speaker 1: Tony Vegas in l A because he was doing the

999
00:53:40,880 --> 00:53:44,600
Speaker 1: buying for Bongo to go to black Market records too?

1000
00:53:45,320 --> 00:53:48,120
Speaker 1: And is that in Camden? It's yeah, it's not. It's

1001
00:53:48,160 --> 00:53:52,200
Speaker 1: on the same area, Okay, but I mean I remember

1002
00:53:52,280 --> 00:53:55,960
Speaker 1: after that, Luke, we were fucking cleaning house. No, but

1003
00:53:56,080 --> 00:53:57,680
Speaker 1: you know who hit me to the European ship was

1004
00:53:57,760 --> 00:54:00,520
Speaker 1: t Ray. I was like, what the fun is all this?

1005
00:54:00,680 --> 00:54:03,040
Speaker 1: Like Guru group, But so before we went to the UK,

1006
00:54:03,400 --> 00:54:05,640
Speaker 1: before J five blew up on the EP or whatever

1007
00:54:05,680 --> 00:54:07,640
Speaker 1: the funk you want to call it, it was t

1008
00:54:07,840 --> 00:54:09,239
Speaker 1: Ray that was like, yeah, you gotta go see Mr

1009
00:54:09,320 --> 00:54:11,239
Speaker 1: bongo was no, no, no, no, he was just hitting

1010
00:54:11,280 --> 00:54:17,600
Speaker 1: me things like French and okay, Belgian, right right, right, right, yeah,

1011
00:54:17,840 --> 00:54:19,600
Speaker 1: well that was a good time and you're right, and

1012
00:54:19,640 --> 00:54:21,600
Speaker 1: that's just the fucking European ship was a whole another

1013
00:54:21,680 --> 00:54:24,000
Speaker 1: fucking level. And then you, you know, go to the

1014
00:54:24,400 --> 00:54:27,239
Speaker 1: Japan and you're like, oh, wait a minute, Japanese ship,

1015
00:54:27,400 --> 00:54:32,640
Speaker 1: all right, Japanese animals from Japanese animation. If you could

1016
00:54:32,680 --> 00:54:34,840
Speaker 1: go anywhere and dig right now, nest, where would you go,

1017
00:54:35,080 --> 00:54:36,279
Speaker 1: Like if you could just get on a plane and

1018
00:54:36,480 --> 00:54:37,800
Speaker 1: bounced like I'm gonna go there and go to that

1019
00:54:37,880 --> 00:54:39,799
Speaker 1: shop or now if you're not the name of the shop,

1020
00:54:39,960 --> 00:54:47,840
Speaker 1: go to that territory. So always uh, Japan too. I

1021
00:54:47,960 --> 00:54:53,000
Speaker 1: found the spot and uh Melbourne, um, Australia that had

1022
00:54:53,080 --> 00:54:57,520
Speaker 1: some ship, you know, but it's it's Japan because what

1023
00:54:57,760 --> 00:55:02,680
Speaker 1: what happened is uh don't you Because what they do

1024
00:55:03,120 --> 00:55:06,000
Speaker 1: is they come here and shot for months at a time,

1025
00:55:06,360 --> 00:55:09,880
Speaker 1: but they dig in the rarest warehouses in spots and

1026
00:55:09,920 --> 00:55:12,880
Speaker 1: they take it all back to Japan. So some of

1027
00:55:12,920 --> 00:55:16,120
Speaker 1: the rarest stuff that you're looking for when you walk

1028
00:55:16,160 --> 00:55:19,239
Speaker 1: in the store, the ship is just like waving at you.

1029
00:55:19,320 --> 00:55:22,680
Speaker 1: It's like somebody coming out to the United States and

1030
00:55:22,800 --> 00:55:25,800
Speaker 1: going to all the stores that got all the Jordan's

1031
00:55:25,880 --> 00:55:29,440
Speaker 1: that you might not know, and they find in all

1032
00:55:29,520 --> 00:55:32,120
Speaker 1: the Jordan in these weird mom and pop stores that

1033
00:55:32,239 --> 00:55:34,520
Speaker 1: you don't know about, and they take that ship back

1034
00:55:34,560 --> 00:55:37,520
Speaker 1: to Japan and you walk in and you see every

1035
00:55:37,640 --> 00:55:39,919
Speaker 1: Jordan you have a thought of, and you go, oh ship,

1036
00:55:40,320 --> 00:55:42,400
Speaker 1: and yeah, it's gonna be a little bit pricey, but

1037
00:55:42,840 --> 00:55:46,239
Speaker 1: it's not whatever you want. It's gonna you're gonna see

1038
00:55:46,280 --> 00:55:49,160
Speaker 1: it there and it's it's it's gonna be so blatantly

1039
00:55:49,200 --> 00:55:51,640
Speaker 1: waving at you. You're gonna just like, I can't believe

1040
00:55:51,719 --> 00:55:53,880
Speaker 1: that this is the record I've been looking for for

1041
00:55:53,960 --> 00:55:56,960
Speaker 1: twenty years in Japan? Does that I found two copies

1042
00:55:57,000 --> 00:56:00,080
Speaker 1: of The Invaders album original on the same day, and

1043
00:56:00,160 --> 00:56:02,480
Speaker 1: I've never seen that record of my life and Boom

1044
00:56:02,520 --> 00:56:04,200
Speaker 1: the same day. I mean, there were a thousand dollars

1045
00:56:04,280 --> 00:56:06,439
Speaker 1: a pop. But I was like, I'm buying them because

1046
00:56:06,440 --> 00:56:08,640
Speaker 1: I'm both for a thousand bucks each. I traded one

1047
00:56:08,719 --> 00:56:11,160
Speaker 1: for forty five and the other one I bought, so

1048
00:56:11,640 --> 00:56:17,400
Speaker 1: good deal. Um Vern Blair debate. I can't remember the

1049
00:56:17,480 --> 00:56:20,520
Speaker 1: name Super Funky now they regularly. I mean they really

1050
00:56:20,640 --> 00:56:23,360
Speaker 1: up on the coach out in Japan, especially when with

1051
00:56:23,560 --> 00:56:29,080
Speaker 1: digging hip hop even fashion. It's just amazing and it

1052
00:56:29,680 --> 00:56:33,360
Speaker 1: feels weird to go to a spot outside of the

1053
00:56:33,440 --> 00:56:39,400
Speaker 1: United States that celebrate the culture harder than United Harder

1054
00:56:39,560 --> 00:56:41,799
Speaker 1: is the whole rest of the world than the whole Yeah,

1055
00:56:41,960 --> 00:56:44,759
Speaker 1: I mean harder is an understatement. They just yeah, they

1056
00:56:44,960 --> 00:56:50,440
Speaker 1: everything's missing, the music, the whole culture of it, and

1057
00:56:50,560 --> 00:56:53,600
Speaker 1: it's like, damn man. But like I called the United

1058
00:56:53,640 --> 00:56:58,200
Speaker 1: States to spoil capital because we get everything, get it seven,

1059
00:56:58,800 --> 00:57:01,040
Speaker 1: don't appreciate it at the while because you get so

1060
00:57:01,200 --> 00:57:03,719
Speaker 1: much of it until you go somewhere else and you

1061
00:57:03,840 --> 00:57:08,800
Speaker 1: see how it's still relevant. They but you also a

1062
00:57:08,840 --> 00:57:11,319
Speaker 1: lot of that as a testament to like what call

1063
00:57:11,400 --> 00:57:17,280
Speaker 1: it eighty seven eight when we were like not the

1064
00:57:17,360 --> 00:57:19,320
Speaker 1: birthday hip hop was much earlier than that, but when

1065
00:57:19,360 --> 00:57:21,240
Speaker 1: it was really you know, oh my god, fat boys

1066
00:57:21,280 --> 00:57:23,200
Speaker 1: and all this ship was happening, and be boxing is

1067
00:57:23,240 --> 00:57:26,360
Speaker 1: new and breakdancing is really new, you know, yeah eighty four,

1068
00:57:26,480 --> 00:57:28,240
Speaker 1: you know, like when everything was brand new. We were

1069
00:57:28,280 --> 00:57:31,439
Speaker 1: looking at all that ship and even new wave music,

1070
00:57:31,520 --> 00:57:34,920
Speaker 1: all all the births of the eighties mid eighties, they

1071
00:57:34,960 --> 00:57:38,080
Speaker 1: were like, Okay, America, let's go grab all that funking

1072
00:57:38,160 --> 00:57:41,040
Speaker 1: soul and for ten cents on the on the copy, right.

1073
00:57:41,120 --> 00:57:44,000
Speaker 1: I mean, it's crazy, and it might be blasphemy for

1074
00:57:44,120 --> 00:57:46,880
Speaker 1: me to say this, but if you was to have

1075
00:57:47,040 --> 00:57:51,720
Speaker 1: a B boy competition right now, some of these people

1076
00:57:51,760 --> 00:57:57,280
Speaker 1: out in Japan and Korea's number one, how can something

1077
00:57:57,400 --> 00:58:01,800
Speaker 1: be created in the United States? Send in you go

1078
00:58:02,240 --> 00:58:12,600
Speaker 1: and you see some extraterrestrial ship and fucking the Korean ridiculous.

1079
00:58:12,960 --> 00:58:14,560
Speaker 1: There's a clip you need to play some Korean B

1080
00:58:14,680 --> 00:58:20,920
Speaker 1: boys physics. Yeah, the ship they do is just imagination.

1081
00:58:21,280 --> 00:58:25,560
Speaker 1: But the States has always been on the new thing,

1082
00:58:25,800 --> 00:58:29,760
Speaker 1: the new release, the new trap joint, the new dance,

1083
00:58:29,880 --> 00:58:33,120
Speaker 1: the new It's always been that. It's always been the

1084
00:58:33,240 --> 00:58:37,720
Speaker 1: way of the US, right, I mean a good amount

1085
00:58:37,760 --> 00:58:39,960
Speaker 1: of the times. Well, i'll stay in the eighties we

1086
00:58:40,040 --> 00:58:43,080
Speaker 1: were definitely inventing, like crazy, this is that kid physics.

1087
00:58:44,040 --> 00:58:47,840
Speaker 1: This guy's fucking with the exception of the physics. Let's

1088
00:58:47,840 --> 00:58:51,120
Speaker 1: see what think on purpose to keep it hip up.

1089
00:58:53,000 --> 00:58:57,040
Speaker 1: I'm a nerd for this ship, you know. Yeah, just

1090
00:58:57,200 --> 00:58:59,520
Speaker 1: to see that clip, to see him doing what he's doing.

1091
00:59:00,000 --> 00:59:07,600
Speaker 1: Can with the gear on right, Oh, okay, wow, you

1092
00:59:07,640 --> 00:59:10,800
Speaker 1: don't see elbow spins ever. You know, there was never

1093
00:59:10,880 --> 00:59:13,040
Speaker 1: a moment go spin on your elbow would have been

1094
00:59:13,040 --> 00:59:21,960
Speaker 1: a joke doing. It's just fucking just crazy. I don't know, man.

1095
00:59:22,000 --> 00:59:24,480
Speaker 1: I think it's seldom that the inventor is the perfecto

1096
00:59:24,560 --> 00:59:29,840
Speaker 1: though it's they're always two different things. So to inventor

1097
00:59:29,920 --> 00:59:33,040
Speaker 1: always gets the fucking uh short ended the clip right,

1098
00:59:33,320 --> 00:59:35,280
Speaker 1: because the next guy comes along perfects it makes it.

1099
00:59:35,680 --> 00:59:37,120
Speaker 1: He goes, oh, that's a good idea. Let me add

1100
00:59:37,160 --> 00:59:39,560
Speaker 1: this year and and make it. I went to a

1101
00:59:39,640 --> 00:59:44,320
Speaker 1: beat battle and um, Russia, right, so um they got

1102
00:59:44,400 --> 00:59:47,600
Speaker 1: me as the one of the judges. And I'm like,

1103
00:59:48,200 --> 00:59:50,880
Speaker 1: you know, first of all, I'm coming from here. I'm like, okay,

1104
00:59:50,920 --> 00:59:53,680
Speaker 1: this ship gonna be corny. Then they're doing in Russia.

1105
00:59:55,200 --> 00:59:57,600
Speaker 1: I got some clips of the ship they was playing

1106
00:59:57,680 --> 01:00:01,880
Speaker 1: and they was doing and every every person that was

1107
01:00:01,920 --> 01:00:05,280
Speaker 1: in a beat battle is like a drummer. They're playing

1108
01:00:05,360 --> 01:00:08,880
Speaker 1: the sample and the drums and their finger drumming, and

1109
01:00:09,040 --> 01:00:13,320
Speaker 1: the ship was ridiculous. Like like here, you go to

1110
01:00:13,400 --> 01:00:15,360
Speaker 1: a beat battle. They played a beat and they just

1111
01:00:18,080 --> 01:00:21,160
Speaker 1: he just hits play. Yeah. I stopped finger drumming in

1112
01:00:21,240 --> 01:00:24,200
Speaker 1: two thousand and three Baby and Russia. They was doing

1113
01:00:24,240 --> 01:00:27,400
Speaker 1: a finger drumming with some weird drum machines and stuff

1114
01:00:27,800 --> 01:00:30,200
Speaker 1: like they had little boxes and ship and I'm like,

1115
01:00:30,520 --> 01:00:36,800
Speaker 1: the fuck. So let me tell you something, people, if

1116
01:00:36,840 --> 01:00:39,880
Speaker 1: you're looking for glasses or sunglasses or even blue light glasses,

1117
01:00:40,280 --> 01:00:42,360
Speaker 1: finding the right frames for your face can be rough.

1118
01:00:42,520 --> 01:00:44,400
Speaker 1: Let me tell you I got a big nose, and

1119
01:00:44,560 --> 01:00:46,680
Speaker 1: if the thing has a high bridge, it'll look like

1120
01:00:46,760 --> 01:00:48,600
Speaker 1: the nose and the glasses came together as one of

1121
01:00:48,640 --> 01:00:51,240
Speaker 1: those joke kind of glasses things or whatever. You might

1122
01:00:51,280 --> 01:00:53,000
Speaker 1: think you look great, but then as soon as your friends,

1123
01:00:53,120 --> 01:00:55,680
Speaker 1: you become the butt of every joke and nobody wants that.

1124
01:00:56,360 --> 01:01:00,160
Speaker 1: That's why Warby Parker is so fantastic. You can take

1125
01:01:00,200 --> 01:01:02,320
Speaker 1: the quiz that helps you find the perfect glasses for you,

1126
01:01:03,080 --> 01:01:05,760
Speaker 1: order a home tryon kit, and then try them on

1127
01:01:05,800 --> 01:01:08,600
Speaker 1: in front of your friends before you buy them so

1128
01:01:08,760 --> 01:01:11,400
Speaker 1: that you're absolutely sure you don't look like an ignoramus.

1129
01:01:12,000 --> 01:01:14,560
Speaker 1: Warby Parker makes it very easy to try on up

1130
01:01:14,600 --> 01:01:18,000
Speaker 1: to five pairs of glasses in your home tryon kit

1131
01:01:18,440 --> 01:01:20,680
Speaker 1: so you can give them a spin and see what

1132
01:01:20,840 --> 01:01:24,160
Speaker 1: works for you and what doesn't. My friends definitely chimed

1133
01:01:24,200 --> 01:01:26,480
Speaker 1: him with their opinions and now I feel super confident

1134
01:01:26,480 --> 01:01:29,520
Speaker 1: about the glasses I chose and Warby Parker system made

1135
01:01:29,560 --> 01:01:32,560
Speaker 1: me feel more comfortable about getting glasses than ever before.

1136
01:01:33,840 --> 01:01:36,680
Speaker 1: And if you have an iPhone X, you can download

1137
01:01:36,720 --> 01:01:39,120
Speaker 1: Warby Parker's app where you can use their brand new

1138
01:01:39,240 --> 01:01:43,000
Speaker 1: virtual tryon, allowing you to try on eyeglasses seeing the

1139
01:01:43,080 --> 01:01:46,280
Speaker 1: realistic color, texture, and size of each style using just

1140
01:01:46,520 --> 01:01:49,360
Speaker 1: your phone. So they've really thought of everything. You'll be

1141
01:01:49,440 --> 01:01:52,840
Speaker 1: amazed at the quality of these glasses. Warby Parker's entire

1142
01:01:52,920 --> 01:01:56,480
Speaker 1: mission is to create boutique quality eyewear at a revolutionary

1143
01:01:56,560 --> 01:02:01,120
Speaker 1: price point, offering eyeglasses, sunglasses, contact lenses, and I exams.

1144
01:02:01,400 --> 01:02:05,640
Speaker 1: Warby Parker is committed to providing exceptional vision care online

1145
01:02:06,040 --> 01:02:11,840
Speaker 1: and in stores. Glasses started and that includes prescription lenses, sunglasses,

1146
01:02:11,880 --> 01:02:15,520
Speaker 1: progressives and blue light lenses are also available. So there's

1147
01:02:15,520 --> 01:02:18,800
Speaker 1: a reason for everybody to try Warby Parker. So try

1148
01:02:18,880 --> 01:02:23,240
Speaker 1: Warby Parker's free home tryon program. Order five pairs of

1149
01:02:23,280 --> 01:02:26,160
Speaker 1: glasses to try at home for free for five days.

1150
01:02:26,400 --> 01:02:29,080
Speaker 1: There's no obligation to buy. Your glasses will ship free

1151
01:02:29,280 --> 01:02:33,280
Speaker 1: and include a prepaid return shipping label. Try five pairs

1152
01:02:33,320 --> 01:02:37,240
Speaker 1: of glasses at home for free at warby Parker dot

1153
01:02:37,320 --> 01:02:43,960
Speaker 1: com slash peters ns. Who who's an artist you wish

1154
01:02:44,000 --> 01:02:46,080
Speaker 1: you would have produced for a wishy you could produce

1155
01:02:46,120 --> 01:02:50,600
Speaker 1: for now? It doesn't matter what era artists, any artists,

1156
01:02:51,120 --> 01:02:57,920
Speaker 1: solo group, whatever, doesn't even need to be about anything. Uh,

1157
01:02:58,480 --> 01:03:01,600
Speaker 1: that's that's tricky. I know. I've always want to ask

1158
01:03:01,680 --> 01:03:06,160
Speaker 1: you this specifically because you've been Uh. I've worked with

1159
01:03:06,840 --> 01:03:12,520
Speaker 1: some of the greatest, from Big to to maybe Jay

1160
01:03:12,640 --> 01:03:16,040
Speaker 1: Z in the early years. I'm not saying Jay now.

1161
01:03:16,080 --> 01:03:18,960
Speaker 1: I will still work with J now, but the J

1162
01:03:19,240 --> 01:03:21,360
Speaker 1: back then, I think I would have to have mortal

1163
01:03:21,480 --> 01:03:26,040
Speaker 1: off of J because the way the culture was going, Um,

1164
01:03:26,560 --> 01:03:29,480
Speaker 1: it would have been J Pun. You know, it's fun

1165
01:03:29,920 --> 01:03:32,760
Speaker 1: people to fill out my bucket list of artists that

1166
01:03:32,880 --> 01:03:39,600
Speaker 1: I truly appreciate. Yeah, I knew Pun. But like the

1167
01:03:39,760 --> 01:03:41,800
Speaker 1: thing about D I. T. C. Is like when we

1168
01:03:42,080 --> 01:03:45,520
Speaker 1: got together, we put each other on. We ain't ever

1169
01:03:45,640 --> 01:03:49,520
Speaker 1: look at really branching out. You had to be you

1170
01:03:49,640 --> 01:03:53,560
Speaker 1: got honorary members. When you think of digging, you got Premier.

1171
01:03:53,840 --> 01:03:57,480
Speaker 1: Of course he's number one. You got brand newby in

1172
01:03:57,680 --> 01:04:02,280
Speaker 1: between my alliance with Poopa and Diamond alliance with Sadat

1173
01:04:02,600 --> 01:04:06,400
Speaker 1: and how we all cool. You could say Brand Nubians

1174
01:04:06,520 --> 01:04:10,520
Speaker 1: is a part of digging. Um, the digging aspect with

1175
01:04:11,000 --> 01:04:15,080
Speaker 1: Walton Evil, we used to always dig together. So you

1176
01:04:15,200 --> 01:04:19,760
Speaker 1: could put Black Moon into that with you know, beat

1177
01:04:19,800 --> 01:04:24,360
Speaker 1: minus uh. Same thing, especially with Large Professor, because he's

1178
01:04:24,360 --> 01:04:26,760
Speaker 1: a mentor of mind. He's the one that taught me

1179
01:04:26,800 --> 01:04:32,320
Speaker 1: a lot about producing besides show, So show and Large

1180
01:04:32,400 --> 01:04:34,720
Speaker 1: is the reason why I am the way I am

1181
01:04:35,200 --> 01:04:38,280
Speaker 1: when it comes to production. And of course you elevate

1182
01:04:38,400 --> 01:04:41,800
Speaker 1: and evolve as time goes on. But all these people

1183
01:04:42,800 --> 01:04:45,640
Speaker 1: you could say they're digging. You know, you could say

1184
01:04:45,680 --> 01:04:54,160
Speaker 1: they're digging anybody you wish you We're on the record. Yeah,

1185
01:04:54,160 --> 01:04:56,480
Speaker 1: actually did make a couple of tracks back in the day.

1186
01:04:56,520 --> 01:05:00,240
Speaker 1: You know, have some placements on like some the place

1187
01:05:00,240 --> 01:05:02,600
Speaker 1: once we had like UM and One mixtapes because you

1188
01:05:02,600 --> 01:05:04,160
Speaker 1: remember how I like you, you know, whatever they were

1189
01:05:04,200 --> 01:05:06,120
Speaker 1: showing on the clips, you'd have some of those hip

1190
01:05:06,160 --> 01:05:08,600
Speaker 1: hop sounding beats in the background. Yeah, so I had

1191
01:05:08,640 --> 01:05:11,280
Speaker 1: some beats placed on that. Did some tracks for UM

1192
01:05:11,400 --> 01:05:15,280
Speaker 1: for Elderson, say, um, what else I gotta track on

1193
01:05:15,360 --> 01:05:19,360
Speaker 1: Master aces Um disupposable Arts tour. He's supposed to feel

1194
01:05:19,360 --> 01:05:23,080
Speaker 1: like arts album. One song it's called I like that.

1195
01:05:23,640 --> 01:05:26,800
Speaker 1: Master keeps putting out dope ship. Oh he stays concerned.

1196
01:05:28,240 --> 01:05:30,160
Speaker 1: He's putting out dope ship like a matter of fact,

1197
01:05:30,200 --> 01:05:32,439
Speaker 1: Master as is the reason Eddie and I became friends.

1198
01:05:32,520 --> 01:05:39,080
Speaker 1: Really now we're not friends, but we we started off

1199
01:05:39,160 --> 01:05:43,720
Speaker 1: as friends. What do you know about this? I see

1200
01:05:43,720 --> 01:05:46,720
Speaker 1: Masters on there, and then we started just quoting that

1201
01:05:46,960 --> 01:05:53,160
Speaker 1: the skits from that album, the David the Cobarmer's kids

1202
01:05:53,880 --> 01:05:57,080
Speaker 1: jump in Jehosah fat something that goes with that. I'm

1203
01:05:57,160 --> 01:05:59,240
Speaker 1: more funky than the four year old yoga man and

1204
01:05:59,280 --> 01:06:02,479
Speaker 1: I used to tj it. I got Paul Barman. Yeah, wow,

1205
01:06:02,520 --> 01:06:09,080
Speaker 1: I didn't know the real I got. We're saying it

1206
01:06:09,360 --> 01:06:12,160
Speaker 1: is just propaganda. We should do like all the college circuits.

1207
01:06:13,960 --> 01:06:16,240
Speaker 1: It was. It was interesting. What about you, Luke, what

1208
01:06:16,640 --> 01:06:19,200
Speaker 1: someone you would Yeah, that's a I know that's a

1209
01:06:19,240 --> 01:06:24,640
Speaker 1: big question for you. Bro. I want to I wouldn't

1210
01:06:24,640 --> 01:06:30,840
Speaker 1: want to produce frozen Molley, you know. Uh sheez. That's

1211
01:06:30,880 --> 01:06:32,760
Speaker 1: a tough one, man. I know it is. That's why

1212
01:06:32,760 --> 01:06:38,680
Speaker 1: I asked, I don't know, Lord Finesse, Lord, you know

1213
01:06:38,720 --> 01:06:43,120
Speaker 1: what a supergroup of all the digging mcs. Okay, so

1214
01:06:43,320 --> 01:06:45,800
Speaker 1: like check it out. That's fun. Yeah, let's say I

1215
01:06:45,880 --> 01:06:52,080
Speaker 1: know Pasta News digs all right? Yeah, lord, Finesse DRez

1216
01:06:52,600 --> 01:07:00,560
Speaker 1: is a digger. Also not a hard art please. Yeah,

1217
01:07:01,840 --> 01:07:04,000
Speaker 1: you're talking about Puba right now? Next Yeah yeah, yeah.

1218
01:07:04,080 --> 01:07:07,120
Speaker 1: When you think of one for all, that's Puba. Yeah.

1219
01:07:07,240 --> 01:07:09,480
Speaker 1: I mean that's listen to that flip. When you think

1220
01:07:09,520 --> 01:07:13,880
Speaker 1: of what goes around comes around, that's Puba. Needed to

1221
01:07:13,960 --> 01:07:17,800
Speaker 1: be aligned with the whole everything. Well were growing up

1222
01:07:17,840 --> 01:07:19,560
Speaker 1: on those twelve inches. I was just like you just

1223
01:07:19,560 --> 01:07:22,000
Speaker 1: see the line. Anybody that could pick out that part

1224
01:07:22,040 --> 01:07:24,080
Speaker 1: of the James Brown song and and go that's that

1225
01:07:24,160 --> 01:07:25,920
Speaker 1: could be a song and make it all for one

1226
01:07:26,760 --> 01:07:32,320
Speaker 1: is ridiculous. Yeah. Now, Puba is underrated producer, especially when

1227
01:07:32,360 --> 01:07:35,560
Speaker 1: he came with what Goes Around Comes Around with you know,

1228
01:07:35,640 --> 01:07:38,800
Speaker 1: they chopped up Tramp and then have the baseline and

1229
01:07:39,640 --> 01:07:43,520
Speaker 1: even the Gladdest Night thing, and uh, Puba told me

1230
01:07:43,680 --> 01:07:46,200
Speaker 1: reached out to Gladdys Night and that's how I got

1231
01:07:46,320 --> 01:07:51,320
Speaker 1: to clear. Oh word, that's how we're down. But you

1232
01:07:51,400 --> 01:07:52,720
Speaker 1: know who I'd want to sit in the room with

1233
01:07:52,840 --> 01:07:56,600
Speaker 1: and just watch him work? Oh, yeah, come on, Yeah,

1234
01:07:56,600 --> 01:07:58,280
Speaker 1: I can make that happen if you want to. I mean,

1235
01:07:58,320 --> 01:08:00,080
Speaker 1: I can make it happen. And I know him, but

1236
01:08:00,440 --> 01:08:03,800
Speaker 1: just like he's probably the number one influence in my

1237
01:08:03,960 --> 01:08:08,880
Speaker 1: entire life. He's a scientist, he's he's singularly focused on.

1238
01:08:10,280 --> 01:08:11,880
Speaker 1: Is that guy who has that kind of he can

1239
01:08:11,960 --> 01:08:15,160
Speaker 1: just he sit there and he could be the only

1240
01:08:15,240 --> 01:08:16,360
Speaker 1: one in the room. He could be he could be

1241
01:08:16,400 --> 01:08:18,479
Speaker 1: in the room with ten people. He'll be the only

1242
01:08:18,520 --> 01:08:21,200
Speaker 1: person in that room that that can pick up on

1243
01:08:21,400 --> 01:08:26,720
Speaker 1: something and translated into something that everybody would love. The

1244
01:08:26,800 --> 01:08:31,000
Speaker 1: only other person I know that I've met and I

1245
01:08:31,120 --> 01:08:34,400
Speaker 1: saw that in action was Biz Right. You could play

1246
01:08:34,479 --> 01:08:36,080
Speaker 1: this is a bunch of ships and he'll pick out

1247
01:08:36,120 --> 01:08:39,280
Speaker 1: something you never in a million you wouldn't think of, right,

1248
01:08:39,360 --> 01:08:41,240
Speaker 1: and he'll be like, No, that part right there, that's

1249
01:08:41,280 --> 01:08:43,080
Speaker 1: the part you look, that's the that's the hook, that's

1250
01:08:43,120 --> 01:08:46,280
Speaker 1: the that's that's that's the that's the coorse, that's the

1251
01:08:46,360 --> 01:08:48,559
Speaker 1: fucking me and potatoes of this beautiful song. But I'll

1252
01:08:48,600 --> 01:08:51,840
Speaker 1: tell you King is the person that inspired me to

1253
01:08:51,920 --> 01:08:55,240
Speaker 1: want to make music. Before that was just Dejan. But

1254
01:08:55,320 --> 01:08:57,519
Speaker 1: when I when I heard Cool, I think I knew

1255
01:08:57,560 --> 01:09:00,160
Speaker 1: that about you. Yeah, I just realized it, like after

1256
01:09:00,200 --> 01:09:02,280
Speaker 1: a lot of self reflection. I was like, for me,

1257
01:09:02,320 --> 01:09:07,320
Speaker 1: it was Molly. I mean Marley made now. Marley's like

1258
01:09:07,960 --> 01:09:10,720
Speaker 1: made some of my favorite records, of course, but I

1259
01:09:11,160 --> 01:09:13,000
Speaker 1: didn't want to make records when I heard the Molly

1260
01:09:13,040 --> 01:09:14,680
Speaker 1: Mall records because I didn't think I could do it.

1261
01:09:15,240 --> 01:09:17,720
Speaker 1: His ship was very five king stuff. I was like,

1262
01:09:17,800 --> 01:09:19,439
Speaker 1: that's a cool in the gang example, I got that

1263
01:09:19,560 --> 01:09:21,799
Speaker 1: record or you know, I could connect. It was inviting

1264
01:09:21,880 --> 01:09:26,439
Speaker 1: to you. Yeah, and I was like, okay, so anyway,

1265
01:09:27,920 --> 01:09:33,080
Speaker 1: respect d J. Mark hit it. Mark. He's such he's

1266
01:09:33,120 --> 01:09:35,800
Speaker 1: a such a sweet guy though he's incredible. I love

1267
01:09:35,880 --> 01:09:38,280
Speaker 1: his videos when he's like burning his cookies, like he's

1268
01:09:39,040 --> 01:09:43,800
Speaker 1: baking burnt cookies. It's so wild. He sent me a

1269
01:09:43,920 --> 01:09:48,160
Speaker 1: little sent me a little forty five kingut case recently,

1270
01:09:49,200 --> 01:09:52,400
Speaker 1: and and he made me some jacket like a yellow

1271
01:09:53,080 --> 01:09:54,800
Speaker 1: jacket that he made for me, has my name on

1272
01:09:54,880 --> 01:09:56,560
Speaker 1: it and sent it to me. I would love to

1273
01:09:56,680 --> 01:09:59,160
Speaker 1: hear his first record, which is a forty five he

1274
01:09:59,200 --> 01:10:01,720
Speaker 1: put out in eighty four. I think it's just called

1275
01:10:01,800 --> 01:10:05,000
Speaker 1: funky Beat, but that's got to be like one of

1276
01:10:05,000 --> 01:10:09,760
Speaker 1: the rarest records. That he does. I'll tell you a

1277
01:10:09,880 --> 01:10:13,519
Speaker 1: rare record and I don't know who got it, but uh,

1278
01:10:14,000 --> 01:10:18,280
Speaker 1: that's the record. Was showing Diamond wrapping together, no digging members,

1279
01:10:18,360 --> 01:10:26,880
Speaker 1: just them before yeah, before like digging in the Craze record.

1280
01:10:26,960 --> 01:10:29,920
Speaker 1: It was just showing Diamond on I think it was

1281
01:10:30,040 --> 01:10:34,400
Speaker 1: this Headhunter's joint. They're going back and forth and it

1282
01:10:34,560 --> 01:10:37,559
Speaker 1: was so crazy because I never knew neither either one

1283
01:10:37,600 --> 01:10:40,760
Speaker 1: of them was rapping. And I used to have it

1284
01:10:40,840 --> 01:10:46,080
Speaker 1: on cassette. I don't know where is that but something

1285
01:10:46,320 --> 01:10:54,960
Speaker 1: They ain't even make it too ascid, just cassette. Well,

1286
01:10:55,439 --> 01:10:57,800
Speaker 1: while our our podcast host is leaving. Yeah, so so

1287
01:10:57,840 --> 01:11:00,479
Speaker 1: I guess we're gonna wrap it up. What's up? I

1288
01:11:00,560 --> 01:11:03,240
Speaker 1: want to thank everybody for tuning into this episode of

1289
01:11:03,880 --> 01:11:11,800
Speaker 1: Newmarks culturally canceled. Um, now let's let's start this podect going.

1290
01:11:12,400 --> 01:11:14,960
Speaker 1: I got a quick question. I got a quick question.

1291
01:11:15,479 --> 01:11:19,360
Speaker 1: Was talking to Mike the time you had that battle

1292
01:11:19,400 --> 01:11:23,000
Speaker 1: with Percy pet from the Projects? Was that planned like

1293
01:11:23,200 --> 01:11:25,040
Speaker 1: the whole because I saw a video and I think

1294
01:11:25,040 --> 01:11:27,559
Speaker 1: it was like YouTube, is this something you guys really

1295
01:11:27,600 --> 01:11:31,000
Speaker 1: like already had mapped out? It was anticipated. It was

1296
01:11:31,160 --> 01:11:34,799
Speaker 1: like a g battled this man and beat his partner.

1297
01:11:35,520 --> 01:11:38,280
Speaker 1: So me and a G was running around battling people

1298
01:11:38,960 --> 01:11:43,719
Speaker 1: at a point like before Funky Technicians. So that battle

1299
01:11:43,840 --> 01:11:46,600
Speaker 1: was set up between me and Percy, and it was

1300
01:11:46,720 --> 01:11:50,680
Speaker 1: so set up in advance that we kept missing each other,

1301
01:11:50,800 --> 01:11:54,560
Speaker 1: Like he actually came to my project and just completely

1302
01:11:54,720 --> 01:12:00,080
Speaker 1: just demolished somebody. Did you ever see the video? Is

1303
01:12:00,760 --> 01:12:04,640
Speaker 1: there was a well that rematch is just a rehash

1304
01:12:05,000 --> 01:12:08,439
Speaker 1: for the same place. It was like it was like

1305
01:12:09,080 --> 01:12:12,040
Speaker 1: June June, the dude that shot it, was doing a

1306
01:12:12,160 --> 01:12:16,640
Speaker 1: college project and he wanted to rehash the battle, and

1307
01:12:16,760 --> 01:12:18,479
Speaker 1: that's what it is, just a reb but it ain't

1308
01:12:18,560 --> 01:12:21,519
Speaker 1: really a battle. It's just us just rhyming. But there

1309
01:12:21,600 --> 01:12:25,920
Speaker 1: is video of it. But battle is an eighty nine,

1310
01:12:26,400 --> 01:12:31,439
Speaker 1: the year before the year before, I mean the day

1311
01:12:31,520 --> 01:12:38,240
Speaker 1: before the seminar. Yeah, that's Percy P. So when I've

1312
01:12:38,240 --> 01:12:42,360
Speaker 1: seen this dude, he got on like fucking silk shirt,

1313
01:12:42,800 --> 01:12:46,160
Speaker 1: fucking slacks. I'm like, I'm gonna bust this dude ass.

1314
01:12:46,320 --> 01:12:49,760
Speaker 1: And when he started rhyming, I ain't gonna front man.

1315
01:12:50,320 --> 01:12:55,200
Speaker 1: This dude was like nothing I've ever heard. He was.

1316
01:12:55,479 --> 01:13:02,160
Speaker 1: He was unique. Here smea at like nineteen years old.

1317
01:13:02,439 --> 01:13:05,680
Speaker 1: Look at this new that's you, oh Percy and uh

1318
01:13:05,880 --> 01:13:08,880
Speaker 1: finacing eighty nine world. This is what I want to see.

1319
01:13:08,920 --> 01:13:13,760
Speaker 1: This is my kind of party service. Damn Yeah. I

1320
01:13:13,920 --> 01:13:18,080
Speaker 1: first heard uh Homicides in eighty eight when Molly played

1321
01:13:18,120 --> 01:13:25,880
Speaker 1: it for Red Alert. I got first time I want

1322
01:13:25,960 --> 01:13:30,320
Speaker 1: to and want to and a checond I wrapped with

1323
01:13:30,479 --> 01:13:33,120
Speaker 1: knowledge styles, lying for power for words, word to play

1324
01:13:33,160 --> 01:13:36,280
Speaker 1: a pitch of me but next time wrap competitive or

1325
01:13:36,439 --> 01:13:38,960
Speaker 1: waiting for my metaphor and phrase together but made for

1326
01:13:39,120 --> 01:13:41,920
Speaker 1: the djut crack. They catched the record. I mastered the

1327
01:13:42,040 --> 01:13:45,200
Speaker 1: kimpole with there is the Queens, tack my brand, courts

1328
01:13:45,200 --> 01:13:46,920
Speaker 1: of my brand for there is cut ring to stand

1329
01:13:46,960 --> 01:13:55,479
Speaker 1: it for, this is my nigs I'm doing for a

1330
01:13:55,760 --> 01:13:59,400
Speaker 1: change the battom because he's fucked up and his man

1331
01:13:59,560 --> 01:14:04,800
Speaker 1: was I'm like, nah, you can't what's going on? That

1332
01:14:05,080 --> 01:14:08,880
Speaker 1: changed the scope because literally lyrically he was somewhere else.

1333
01:14:08,960 --> 01:14:11,519
Speaker 1: I was like, God, damn, where can we trace his

1334
01:14:11,600 --> 01:14:14,719
Speaker 1: style back from? What are his influences? What like super Levercy?

1335
01:14:16,520 --> 01:14:18,880
Speaker 1: I mean, because I know there's a lot of likea

1336
01:14:20,600 --> 01:14:22,120
Speaker 1: that's you know I heard that and like do the

1337
01:14:22,200 --> 01:14:27,360
Speaker 1: James a little bit um Kumo d Or I think

1338
01:14:27,479 --> 01:14:29,280
Speaker 1: is in there a little bit as well with but

1339
01:14:29,439 --> 01:14:31,639
Speaker 1: you know, talk about like hydrogen and like all this other.

1340
01:14:33,520 --> 01:14:35,600
Speaker 1: When they would start doing that ship, you know, I

1341
01:14:35,720 --> 01:14:37,439
Speaker 1: was like getting a little out there for me. I

1342
01:14:37,600 --> 01:14:40,439
Speaker 1: think that's what kind of made the battle interest in

1343
01:14:40,600 --> 01:14:43,439
Speaker 1: this because he was so advanced. He was going over

1344
01:14:43,560 --> 01:14:47,040
Speaker 1: everybody head with all his science diffical ship and I'm

1345
01:14:47,120 --> 01:14:50,360
Speaker 1: just hitting people with punch lines. You could just straight

1346
01:14:50,479 --> 01:14:53,400
Speaker 1: up visualize me saying, and you're gonna oh ship. That

1347
01:14:53,560 --> 01:14:58,160
Speaker 1: was funny his ship. You trying to fucking dissect one line.

1348
01:14:58,240 --> 01:15:01,720
Speaker 1: He liked dirty lines ahead now okay, I got that

1349
01:15:01,880 --> 01:15:04,320
Speaker 1: line and he finished by then. It's like I think,

1350
01:15:04,960 --> 01:15:07,439
Speaker 1: is like just two over people's head. I think person

1351
01:15:07,520 --> 01:15:11,040
Speaker 1: was like one of the he had the best, one

1352
01:15:11,080 --> 01:15:13,200
Speaker 1: of the best pockets out of the mcs out there.

1353
01:15:13,240 --> 01:15:18,360
Speaker 1: Like he had some but patterns. Remember Percy p Can

1354
01:15:18,439 --> 01:15:22,040
Speaker 1: we see you? And I was like yeah, I mean yeah,

1355
01:15:22,320 --> 01:15:24,040
Speaker 1: a lot of a lot of freestyle guys couldn't when

1356
01:15:24,040 --> 01:15:26,559
Speaker 1: I when I look at him, I look at Black

1357
01:15:26,640 --> 01:15:31,040
Speaker 1: Thought the same way, right, love Black Thort probably one

1358
01:15:31,120 --> 01:15:33,760
Speaker 1: of the best ces right now out would you put

1359
01:15:33,840 --> 01:15:36,840
Speaker 1: Black Thought in your top five ness yes, right now, yes,

1360
01:15:36,960 --> 01:15:39,559
Speaker 1: right now, right now, yes. I mean the only thing

1361
01:15:39,720 --> 01:15:41,679
Speaker 1: is like, if I'm doing a record, what you black thought,

1362
01:15:41,760 --> 01:15:44,600
Speaker 1: you can't do a thousand bars? We gotta do I

1363
01:15:44,720 --> 01:15:49,000
Speaker 1: gotta keep it simple here rhyme for like a huntred bars,

1364
01:15:49,080 --> 01:15:52,479
Speaker 1: and it's like that's the thing. And I think he's dope.

1365
01:15:52,520 --> 01:15:54,200
Speaker 1: But I really like that on record though. I mean

1366
01:15:54,360 --> 01:15:56,120
Speaker 1: he has a structure too. I mean he's with with

1367
01:15:56,240 --> 01:16:02,280
Speaker 1: the roots, I mean with his joints, you know, with Royce.

1368
01:16:04,520 --> 01:16:11,800
Speaker 1: Royce is an amazing Roy's birthday went last right, Happy birthday, Royce?

1369
01:16:12,320 --> 01:16:15,920
Speaker 1: Where's the camera? Happy Birthday Royce. I'm a fan, baby.

1370
01:16:16,400 --> 01:16:21,519
Speaker 1: This isn't gonna after but no, but I'm I'm impressed

1371
01:16:21,560 --> 01:16:25,320
Speaker 1: with the culture, especially impressed with with artists like Royce

1372
01:16:25,520 --> 01:16:30,720
Speaker 1: and um Thought and still Jail Electronica. Even though I

1373
01:16:30,760 --> 01:16:33,760
Speaker 1: don't know what Jay is doing, but I did get

1374
01:16:34,400 --> 01:16:38,280
Speaker 1: confirmation if I was working on something he's in. So hey,

1375
01:16:38,400 --> 01:16:41,960
Speaker 1: I guess, huh, I'll be calling that that coupon, that favor,

1376
01:16:42,200 --> 01:16:44,960
Speaker 1: you know, that's that's that's a good coup on. You

1377
01:16:45,080 --> 01:16:48,080
Speaker 1: got some credit with your electronica, some good coupon right there. Yeah,

1378
01:16:48,280 --> 01:16:53,280
Speaker 1: one of my favorites like I said Royce um thought

1379
01:16:53,600 --> 01:16:57,679
Speaker 1: of course Pharaoh, Yeah, and the new dude my boy

1380
01:16:57,920 --> 01:17:00,720
Speaker 1: or j Payne problem. I know the question for you

1381
01:17:00,800 --> 01:17:03,840
Speaker 1: from us for a joint like actual fact do you

1382
01:17:03,920 --> 01:17:06,320
Speaker 1: wait for everybody else to go? And then you wrote yours?

1383
01:17:06,600 --> 01:17:08,559
Speaker 1: Because he was the last guy. The room was already written,

1384
01:17:09,680 --> 01:17:15,160
Speaker 1: like one thing I could say about like and I

1385
01:17:15,320 --> 01:17:19,240
Speaker 1: say big at the same way, whatever was written was written.

1386
01:17:19,320 --> 01:17:22,840
Speaker 1: It wasn't no oh shit, I heard his verse I

1387
01:17:22,920 --> 01:17:26,560
Speaker 1: gotta rewrite my ship. I know. I was confident that

1388
01:17:26,680 --> 01:17:29,599
Speaker 1: I got enough bars and punchlines where I don't care

1389
01:17:29,640 --> 01:17:34,559
Speaker 1: what you come with. It's I'm good. You know, only

1390
01:17:34,640 --> 01:17:37,960
Speaker 1: one I think who came in, but I still started

1391
01:17:38,040 --> 01:17:40,559
Speaker 1: the record off. He just ended the record was Caress

1392
01:17:40,680 --> 01:17:46,920
Speaker 1: one on Brainstorm. Well, I'm like, I'm straight up that's

1393
01:17:46,960 --> 01:17:49,600
Speaker 1: the teacher. That's my record. But I'm I'm gonna let

1394
01:17:49,680 --> 01:17:53,040
Speaker 1: you ended, you know, because I had that much love

1395
01:17:53,120 --> 01:17:57,120
Speaker 1: and respect still for Chris, you know, because any actual

1396
01:17:57,200 --> 01:17:59,680
Speaker 1: factors just so smooth. It was just like damn, it

1397
01:17:59,840 --> 01:18:04,360
Speaker 1: was just some of my favorite artists man large puba

1398
01:18:04,520 --> 01:18:07,880
Speaker 1: sadat like I'm like, yeah, I'm gonna have fun. This

1399
01:18:08,040 --> 01:18:11,160
Speaker 1: is gonna be fun. It was more like a fun record.

1400
01:18:12,960 --> 01:18:15,960
Speaker 1: It was a fun record because it was like, I

1401
01:18:16,080 --> 01:18:19,559
Speaker 1: give Neil Lavina on the penalty, just all the props

1402
01:18:20,160 --> 01:18:23,080
Speaker 1: for him signing me as a president of a label.

1403
01:18:23,280 --> 01:18:26,200
Speaker 1: Him personally saying I want law fin that's not like

1404
01:18:26,720 --> 01:18:29,080
Speaker 1: and all like we got law Finess is like nah,

1405
01:18:29,280 --> 01:18:32,400
Speaker 1: he available bring him hand and was basically telling me

1406
01:18:33,120 --> 01:18:36,000
Speaker 1: just do whatever you want and we're gonna mark it around.

1407
01:18:36,120 --> 01:18:40,480
Speaker 1: Whatever you do. This is your this is your situation

1408
01:18:41,040 --> 01:18:43,960
Speaker 1: to control. So at the and I, you know, I

1409
01:18:44,120 --> 01:18:46,080
Speaker 1: was like, yo, man, I want to do a record

1410
01:18:46,120 --> 01:18:49,479
Speaker 1: with Puba Sadat and you know, lost Profest and he

1411
01:18:49,600 --> 01:18:52,000
Speaker 1: was like, yeah, okay, let's do it. And he was

1412
01:18:52,080 --> 01:18:54,400
Speaker 1: like yeah, you know, I draw up some paperwork. I'm like,

1413
01:18:54,560 --> 01:18:57,280
Speaker 1: now we can't do it like this, show you how

1414
01:18:57,360 --> 01:18:59,720
Speaker 1: we're gonna do it. I need the money, this is

1415
01:18:59,800 --> 01:19:03,320
Speaker 1: the watch it. I need it in cash because that's

1416
01:19:03,360 --> 01:19:06,479
Speaker 1: the way I knew I could get the feature to work.

1417
01:19:07,640 --> 01:19:10,000
Speaker 1: And I think people could do that now you know,

1418
01:19:10,360 --> 01:19:13,720
Speaker 1: have it cash. So as they came in and did

1419
01:19:13,800 --> 01:19:17,439
Speaker 1: the verse, their money was in an envelope. Val I

1420
01:19:17,520 --> 01:19:21,080
Speaker 1: used to get paid in cheesesteaks only only so it's

1421
01:19:21,160 --> 01:19:23,840
Speaker 1: kind of similar. So I mean, right now, if you

1422
01:19:23,960 --> 01:19:26,240
Speaker 1: was to do that with artists right now and say, look,

1423
01:19:26,280 --> 01:19:28,720
Speaker 1: I got that bag for you, just coming and give

1424
01:19:28,760 --> 01:19:32,720
Speaker 1: me sixteen who who's not gonna do that? But it's like, no,

1425
01:19:32,960 --> 01:19:36,160
Speaker 1: you do mind do yours and then I gotta fight

1426
01:19:36,240 --> 01:19:38,519
Speaker 1: when it's time for a person to return to favor.

1427
01:19:39,320 --> 01:19:41,639
Speaker 1: Cash is like money on the wood. Make the game

1428
01:19:41,720 --> 01:19:44,560
Speaker 1: look good, you know. Oh ship, that's the name of

1429
01:19:44,560 --> 01:19:47,160
Speaker 1: the episode. In the video, you had Evil D doing

1430
01:19:47,200 --> 01:19:48,680
Speaker 1: the cuts? Was that him actually doing the cuts in

1431
01:19:48,720 --> 01:19:53,720
Speaker 1: the storm? Um? Who did? Actually? Fine? No, I was

1432
01:19:53,840 --> 01:20:00,280
Speaker 1: my boy, my boy, I'm at simber Land. Um. But yeah,

1433
01:20:00,280 --> 01:20:01,840
Speaker 1: I had a lot of people in the video. It

1434
01:20:02,000 --> 01:20:04,639
Speaker 1: was fun. If you look at that video, actual facts,

1435
01:20:05,200 --> 01:20:09,599
Speaker 1: it's a Connelli, it's big Al, it's Evil D. It's

1436
01:20:09,640 --> 01:20:12,360
Speaker 1: fat Man Scoop before the fat Man scoop as we

1437
01:20:12,479 --> 01:20:17,000
Speaker 1: know today. It's a fucking fat Joe on the base,

1438
01:20:17,439 --> 01:20:21,240
Speaker 1: Diamond on the drums, caress one on the pianos. You

1439
01:20:21,400 --> 01:20:28,000
Speaker 1: had a g there. Yeah, you have to dot you

1440
01:20:28,360 --> 01:20:34,280
Speaker 1: that was the Yeah. So when you look at all

1441
01:20:34,360 --> 01:20:36,280
Speaker 1: the people that was in the video and we were

1442
01:20:36,320 --> 01:20:39,519
Speaker 1: just all chilling, had a little scram there a connelly dancer.

1443
01:20:40,160 --> 01:20:43,080
Speaker 1: It was. It was a complete vibe of just all

1444
01:20:43,160 --> 01:20:47,080
Speaker 1: your friends. That's what I found out to to do videos.

1445
01:20:47,560 --> 01:20:51,439
Speaker 1: When you with your friends, it's natural. If they got

1446
01:20:51,520 --> 01:20:56,320
Speaker 1: you in some remote location, shoot look hard and this

1447
01:20:56,560 --> 01:20:58,679
Speaker 1: scene we want you to act. That ship is corny,

1448
01:20:59,439 --> 01:21:03,840
Speaker 1: but when you around uh a situation you're familiar with,

1449
01:21:04,800 --> 01:21:09,560
Speaker 1: it's fun. Even when you're not shooting, it's fun. And

1450
01:21:09,720 --> 01:21:11,439
Speaker 1: to the point they're going, day, we should have been

1451
01:21:11,479 --> 01:21:14,719
Speaker 1: shooting this because this ship is fun, you know. So Okay,

1452
01:21:14,840 --> 01:21:18,320
Speaker 1: I got one last question. Record that you wish you

1453
01:21:18,320 --> 01:21:24,840
Speaker 1: would have produced the record I would have produced? Yeah, damn,

1454
01:21:24,920 --> 01:21:27,040
Speaker 1: that's that's that's a tough one first of all, and

1455
01:21:27,120 --> 01:21:31,960
Speaker 1: that you're gonna go hip hop, but I'm gonna go yeah, ship,

1456
01:21:32,320 --> 01:21:35,000
Speaker 1: I wish I produced thriller? Ship? Who thriller was a

1457
01:21:35,200 --> 01:21:39,759
Speaker 1: fucking beast? Yeah? The song or the album? The album?

1458
01:21:39,880 --> 01:21:43,040
Speaker 1: Right album? Yeah, the whole album? You went with the

1459
01:21:43,080 --> 01:21:47,040
Speaker 1: whole album? Yeah, they're so greedy, You're so greedy. I mean,

1460
01:21:47,640 --> 01:21:49,880
Speaker 1: beat it girl. Hey, let's call it van Halen. Have

1461
01:21:50,320 --> 01:21:52,479
Speaker 1: you called me one night or you text me when night?

1462
01:21:52,520 --> 01:21:56,519
Speaker 1: Say yo? Have you heard how ill the fucking arrangement

1463
01:21:56,600 --> 01:21:59,200
Speaker 1: is on beat it you hit no no, well, yeah

1464
01:21:59,240 --> 01:22:02,080
Speaker 1: it it. I don't know where you hit me when

1465
01:22:02,120 --> 01:22:03,840
Speaker 1: I think, because when I got the stems and I

1466
01:22:03,920 --> 01:22:05,600
Speaker 1: was just doing some like you know, looking under the

1467
01:22:05,640 --> 01:22:07,960
Speaker 1: hood on that ship, I was like, damn dude, because

1468
01:22:08,080 --> 01:22:11,280
Speaker 1: Stevan Hillen with no publishing. Yeah yeah, he just came

1469
01:22:11,280 --> 01:22:14,000
Speaker 1: in and broke up. But and that's not him on

1470
01:22:14,120 --> 01:22:21,160
Speaker 1: the right up. Yeah. Man, he broke up from the photo. Yeah.

1471
01:22:22,040 --> 01:22:23,840
Speaker 1: And that's not him on the main part of the song.

1472
01:22:23,960 --> 01:22:26,800
Speaker 1: It's just him on the solo. Oh really, and it's

1473
01:22:26,840 --> 01:22:31,600
Speaker 1: like by the way, yeah, and and who you know,

1474
01:22:31,680 --> 01:22:34,760
Speaker 1: they splice that to make it nice and consistent. I

1475
01:22:34,840 --> 01:22:37,799
Speaker 1: wish I produced that, but that that that whole album

1476
01:22:38,160 --> 01:22:42,000
Speaker 1: taught me a lot, you know, because it taught me

1477
01:22:43,040 --> 01:22:45,800
Speaker 1: when I thought it as being a producer, I thought

1478
01:22:45,880 --> 01:22:48,080
Speaker 1: you had to do everything. That was the key, don't

1479
01:22:48,120 --> 01:22:51,919
Speaker 1: want the kate until I went into other people studio

1480
01:22:52,040 --> 01:22:54,799
Speaker 1: sessions and they got like a whole fucking staff section

1481
01:22:55,320 --> 01:22:59,920
Speaker 1: and yeah, and that's what you know, learning that album

1482
01:23:00,320 --> 01:23:04,519
Speaker 1: as Quincy still a producer. He just got the best

1483
01:23:04,600 --> 01:23:08,160
Speaker 1: of the best and put it all together. Rio talk though,

1484
01:23:08,280 --> 01:23:10,920
Speaker 1: like right now, like some of the biggest hits right

1485
01:23:10,960 --> 01:23:15,800
Speaker 1: now in today's pop slash hip hop records are got

1486
01:23:15,880 --> 01:23:18,840
Speaker 1: like twelve writers on that ship plus, so there's a

1487
01:23:18,920 --> 01:23:26,599
Speaker 1: lot of Yeah, I don't think it's writers. I don't

1488
01:23:26,640 --> 01:23:28,920
Speaker 1: think it's done in the same sense as far as

1489
01:23:29,960 --> 01:23:34,439
Speaker 1: the from a musician standpoint, writers, Yeah, I wrote this

1490
01:23:34,600 --> 01:23:37,960
Speaker 1: little hook, well, I wrote this line. I wrote. That's

1491
01:23:38,040 --> 01:23:42,360
Speaker 1: when you say writers. But Quincy had to write that music,

1492
01:23:42,520 --> 01:23:46,439
Speaker 1: compose it, and get all these people on the same page.

1493
01:23:47,040 --> 01:23:50,640
Speaker 1: From a writer standpoint of musicians as far as like

1494
01:23:51,479 --> 01:23:54,040
Speaker 1: fucking a v could be doing a record and I

1495
01:23:54,120 --> 01:23:58,280
Speaker 1: could just say, yo, something something, dude, you should rhyme

1496
01:23:58,360 --> 01:24:03,080
Speaker 1: that with shoe, Okay, I need that. Don't mean I'm

1497
01:24:03,120 --> 01:24:06,240
Speaker 1: sure that's part of writer, you know. Yeah, But I

1498
01:24:06,280 --> 01:24:11,080
Speaker 1: think also though that they do that again. Yeah, picked

1499
01:24:11,160 --> 01:24:14,040
Speaker 1: up on it. There was a shifting on my torso

1500
01:24:14,160 --> 01:24:17,599
Speaker 1: I can't really do it right. Yeah, I wish I wrote.

1501
01:24:17,680 --> 01:24:19,080
Speaker 1: I think it was. I think it's a lot of

1502
01:24:19,400 --> 01:24:21,200
Speaker 1: I think it's a lot of the maneuvering around the

1503
01:24:21,320 --> 01:24:27,040
Speaker 1: sample issue was was accruing a lot of writers music writers.

1504
01:24:27,439 --> 01:24:30,000
Speaker 1: So like you know, as we all know, sampling is

1505
01:24:30,040 --> 01:24:31,639
Speaker 1: a pain in the fucking ask, like, if you get

1506
01:24:31,680 --> 01:24:37,439
Speaker 1: two three writers to sit down and coordinate together, then

1507
01:24:38,160 --> 01:24:42,000
Speaker 1: that's cool. But when you got like eight writers on

1508
01:24:42,120 --> 01:24:44,840
Speaker 1: a song, really but yo, on a lot of joints

1509
01:24:44,960 --> 01:24:48,719
Speaker 1: right now, that's the case. A lot of the Beyonce,

1510
01:24:50,400 --> 01:24:52,360
Speaker 1: A lot of the Beyonce is like that. I mean,

1511
01:24:52,400 --> 01:24:53,760
Speaker 1: I don't want to know. I don't want to blow

1512
01:24:53,800 --> 01:24:57,439
Speaker 1: up anybody spot like that shade out. But I've had

1513
01:24:57,439 --> 01:25:00,880
Speaker 1: a research like that because I'm doing covers and like that.

1514
01:25:01,000 --> 01:25:05,160
Speaker 1: So didn't you didn't know? What has a gang of writers?

1515
01:25:05,640 --> 01:25:08,519
Speaker 1: I don't know. I don't she but I got five

1516
01:25:08,600 --> 01:25:11,480
Speaker 1: on it as a whole another thing because they sampled.

1517
01:25:12,200 --> 01:25:14,800
Speaker 1: I got like when that's not that's not the best

1518
01:25:14,840 --> 01:25:17,240
Speaker 1: example because as a sample in it. Well yeah, and

1519
01:25:17,280 --> 01:25:21,360
Speaker 1: that got a sample on it. And you gotta understand, right,

1520
01:25:21,439 --> 01:25:23,559
Speaker 1: But I'm talking about like when everybody's in the room

1521
01:25:23,800 --> 01:25:26,040
Speaker 1: avoiding the sample writing a new joint, you know what

1522
01:25:26,080 --> 01:25:30,000
Speaker 1: I'm saying, So like, yeah, that's the only point. Yeah,

1523
01:25:30,040 --> 01:25:33,000
Speaker 1: but you know, so I think you got writers that

1524
01:25:33,120 --> 01:25:36,160
Speaker 1: do write songs. I mean, one of the most amazing

1525
01:25:36,360 --> 01:25:38,760
Speaker 1: artists right now, you know, I love her work is her?

1526
01:25:39,360 --> 01:25:42,559
Speaker 1: Oh she's on top of them. She's a beast godlike,

1527
01:25:42,800 --> 01:25:49,280
Speaker 1: she's she's like doing everything right and everything. You know,

1528
01:25:49,400 --> 01:25:51,400
Speaker 1: she was sitting right behind us when we're having dinner. Yeah,

1529
01:25:51,400 --> 01:25:53,920
Speaker 1: I've seen it, but I I ain't want to groupie out.

1530
01:25:54,040 --> 01:25:57,200
Speaker 1: I don't know, you know, the the owner of the restaurants,

1531
01:25:57,280 --> 01:25:59,560
Speaker 1: like you know, you know her sitting right behind you.

1532
01:25:59,680 --> 01:26:02,160
Speaker 1: And and I looked, and you know, I was in

1533
01:26:02,240 --> 01:26:05,000
Speaker 1: a mold like yo should I And it's like naha,

1534
01:26:05,640 --> 01:26:08,000
Speaker 1: that's when we walked in. We've seen Stephen A Smith.

1535
01:26:08,160 --> 01:26:10,400
Speaker 1: You know, he was sitting there. He was sitting there

1536
01:26:11,320 --> 01:26:14,240
Speaker 1: at the table. First the ship is for like six people.

1537
01:26:14,400 --> 01:26:18,320
Speaker 1: He's there with just him and his woman or whatever.

1538
01:26:18,680 --> 01:26:20,439
Speaker 1: This was that and then the game was there too

1539
01:26:20,560 --> 01:26:23,479
Speaker 1: that night, but the game came over. Game is Game

1540
01:26:23,600 --> 01:26:27,960
Speaker 1: is always loved man, he always showed love. But um yeah, man,

1541
01:26:28,200 --> 01:26:31,000
Speaker 1: so cut and that said it on a whole different trajectory.

1542
01:26:31,080 --> 01:26:33,680
Speaker 1: Now now I'm thinking of, like, you know, he went

1543
01:26:33,760 --> 01:26:35,800
Speaker 1: for the diamonds, and you know, you know, I'm thinking

1544
01:26:35,840 --> 01:26:39,599
Speaker 1: of like stand by slying the family stone or something,

1545
01:26:39,640 --> 01:26:42,479
Speaker 1: you know what I mean, Like you know, like, yeah,

1546
01:26:42,520 --> 01:26:44,880
Speaker 1: that'd be dope if I produced that ship, because you know,

1547
01:26:44,960 --> 01:26:50,800
Speaker 1: it's such a seminal album for me. Um, I don't know, man,

1548
01:26:51,080 --> 01:26:56,479
Speaker 1: you know what about you? I don't think mine would

1549
01:26:56,479 --> 01:27:00,519
Speaker 1: be a big record. Well, something that came became big later.

1550
01:27:00,680 --> 01:27:04,600
Speaker 1: Like I always thought Quincy's production on Summer in the

1551
01:27:04,680 --> 01:27:08,479
Speaker 1: City was just beautiful, just just a beautiful song, Like

1552
01:27:08,760 --> 01:27:11,439
Speaker 1: how did he? I don't know how anybody can compose

1553
01:27:11,520 --> 01:27:15,599
Speaker 1: something that incredible, honestly, like it. It's so much bigger

1554
01:27:15,720 --> 01:27:18,439
Speaker 1: than anything I can imagine. So I guess it would

1555
01:27:18,479 --> 01:27:22,160
Speaker 1: be Summer in the City Quincy. What about it? Really? Uh?

1556
01:27:23,200 --> 01:27:25,760
Speaker 1: The well, the texture of the song alone is incredible,

1557
01:27:25,840 --> 01:27:29,560
Speaker 1: but his riding on the keys, it's just I thinking

1558
01:27:29,720 --> 01:27:32,960
Speaker 1: throughout the song tells different stories and just that alone

1559
01:27:33,080 --> 01:27:36,599
Speaker 1: is I don't think about anything but the song when

1560
01:27:36,640 --> 01:27:38,240
Speaker 1: I'm listening to that song, and I think that's what

1561
01:27:38,360 --> 01:27:42,040
Speaker 1: music is about. Interesting. Now, if I was a producer, yeah,

1562
01:27:42,120 --> 01:27:43,920
Speaker 1: talk to me, Russ, it would be doing Again by

1563
01:27:43,960 --> 01:27:47,360
Speaker 1: Steely Dan Steely because of all the little all the

1564
01:27:47,439 --> 01:27:50,880
Speaker 1: little levels, in the little different instruments they were using,

1565
01:27:50,920 --> 01:27:53,639
Speaker 1: in the little different solos they were doing that. There's

1566
01:27:53,680 --> 01:27:56,760
Speaker 1: a there's like a Hammond organ solo in it, you

1567
01:27:56,760 --> 01:28:00,479
Speaker 1: know what I mean. You can hear that really double group.

1568
01:28:00,880 --> 01:28:03,559
Speaker 1: They didn't care so much about the tour life. They

1569
01:28:03,600 --> 01:28:05,840
Speaker 1: were just like, let's just put together the dopest record

1570
01:28:05,920 --> 01:28:09,840
Speaker 1: and bringing in any musician we want different solos for

1571
01:28:09,920 --> 01:28:14,600
Speaker 1: peg musicianship were about let's talk about I mean, I know,

1572
01:28:14,640 --> 01:28:16,880
Speaker 1: we gotta We're gonna we gotta wrap we we wrapped,

1573
01:28:16,920 --> 01:28:24,000
Speaker 1: Like thirty minutes ago a conversation, Paul just said so,

1574
01:28:24,120 --> 01:28:26,800
Speaker 1: he said, new keep it bubbling, like albums that bring

1575
01:28:26,880 --> 01:28:29,240
Speaker 1: in people like the Van Halen like that was a

1576
01:28:29,320 --> 01:28:33,479
Speaker 1: weird curveball um Headhunters bringing in point of Sisters for

1577
01:28:33,600 --> 01:28:36,680
Speaker 1: God to make me funky? You know that's weird? Or

1578
01:28:36,880 --> 01:28:39,920
Speaker 1: what is it? Was it Young Americans that brought in

1579
01:28:40,000 --> 01:28:43,639
Speaker 1: John Lennon or something? Was it? Yeah, David Bowie, Yeah,

1580
01:28:45,560 --> 01:28:47,400
Speaker 1: you know, like let's pull these names but not really

1581
01:28:47,439 --> 01:28:49,599
Speaker 1: give them Like so what's the question though, But what's

1582
01:28:49,640 --> 01:28:51,920
Speaker 1: the question though? What are some other groups that brought

1583
01:28:51,960 --> 01:28:54,360
Speaker 1: in big names but didn't highlight it, Like you wouldn't

1584
01:28:54,360 --> 01:28:56,960
Speaker 1: know that they played on them. You know, it wasn't

1585
01:28:57,000 --> 01:28:59,320
Speaker 1: like featuring Da Da Da. It was just there on there.

1586
01:28:59,439 --> 01:29:06,320
Speaker 1: They were just on the record. Yeah, oh ship the Beatles,

1587
01:29:06,360 --> 01:29:09,960
Speaker 1: how they used fucking the drummer. God damnon, like talking

1588
01:29:10,000 --> 01:29:12,200
Speaker 1: about in the beginning stages or they're already know they're

1589
01:29:12,200 --> 01:29:16,519
Speaker 1: already stars, they already stars. Use but that but that

1590
01:29:16,680 --> 01:29:19,200
Speaker 1: was that was just session work, like no one's supposed

1591
01:29:19,200 --> 01:29:21,240
Speaker 1: to know that sing you're saying they're not no, no no,

1592
01:29:21,439 --> 01:29:23,599
Speaker 1: but I mean you you could see it. It's credited,

1593
01:29:23,680 --> 01:29:26,800
Speaker 1: but it's not like credited. It's just next to the

1594
01:29:26,880 --> 01:29:29,880
Speaker 1: Alto sacks guy and then background vocals. Point. But wait,

1595
01:29:29,920 --> 01:29:34,400
Speaker 1: so your question is uh, groups that no albums that

1596
01:29:34,600 --> 01:29:38,280
Speaker 1: use big names to to do a part. But aren't

1597
01:29:39,040 --> 01:29:42,320
Speaker 1: they weren't they were brandy, They weren't. They weren't manipulating

1598
01:29:42,360 --> 01:29:49,519
Speaker 1: the artists. They were just using their using their talents. Yeah.

1599
01:29:50,000 --> 01:29:51,839
Speaker 1: I mean I think bernarf is in a lot of categories.

1600
01:29:51,880 --> 01:29:56,880
Speaker 1: So that McDonald sang back up on peg. Wait wasn't

1601
01:29:56,920 --> 01:30:01,160
Speaker 1: Michael macdonne also with Christopher Cross you know what? Oh

1602
01:30:01,240 --> 01:30:07,720
Speaker 1: yeah he did right about okay, throwing another one four

1603
01:30:07,840 --> 01:30:09,599
Speaker 1: year old version. It's like, if I hear yam will

1604
01:30:09,640 --> 01:30:12,639
Speaker 1: be here one more fun myself, I'm gonna kill myself.

1605
01:30:12,800 --> 01:30:16,720
Speaker 1: It's y'amia kill myself. Yeah, I'm gonna kill myself. What

1606
01:30:16,960 --> 01:30:22,479
Speaker 1: was it Janet Jackson was on what's the song Herb

1607
01:30:22,520 --> 01:30:25,760
Speaker 1: Albert keep your eye on me? Um making Love in

1608
01:30:25,800 --> 01:30:29,280
Speaker 1: the Rain and diamonds and keep your eye on me,

1609
01:30:29,400 --> 01:30:39,639
Speaker 1: wasn't it? Keep on brother? You gotta give him the mic?

1610
01:30:40,200 --> 01:30:45,519
Speaker 1: So Jannet what what record? She jacked her brother? Um?

1611
01:30:46,439 --> 01:30:51,000
Speaker 1: Funny how Tom flies? No, she did the same Michael

1612
01:30:51,080 --> 01:30:55,720
Speaker 1: Jackson riff. Don't you go? Noway? Wait? Wait? So on Rockwell,

1613
01:30:56,920 --> 01:31:00,760
Speaker 1: Michael Jackson, I forget off the top of my head,

1614
01:31:00,800 --> 01:31:05,240
Speaker 1: so forgive me internet, No, no, no. But when Michael

1615
01:31:05,320 --> 01:31:06,920
Speaker 1: Jackson was on it, did they did they push him

1616
01:31:06,920 --> 01:31:09,479
Speaker 1: as the feature or was it just like really quiet?

1617
01:31:09,520 --> 01:31:12,400
Speaker 1: So hey, man, I just got the Dawn one. I

1618
01:31:12,520 --> 01:31:15,080
Speaker 1: just caught the best one. I just caught the Dawn one.

1619
01:31:15,120 --> 01:31:18,000
Speaker 1: Then because Rockwell. But I'm not fairness, you know, I

1620
01:31:18,120 --> 01:31:20,400
Speaker 1: posted Rockwell about something on my page and people like,

1621
01:31:20,479 --> 01:31:24,280
Speaker 1: that's fucking Michael Jackson. I'm like, it's Rockwell. But at

1622
01:31:24,320 --> 01:31:26,599
Speaker 1: that time, Michael Jackson was sucking. That's what I thought

1623
01:31:26,640 --> 01:31:29,639
Speaker 1: when I was nine years old, playing, you know, as

1624
01:31:30,200 --> 01:31:35,439
Speaker 1: a trojan. But yeah, and that was right at the height.

1625
01:31:36,360 --> 01:31:37,880
Speaker 1: Like wait a minute, is it though? Because when they

1626
01:31:37,920 --> 01:31:40,400
Speaker 1: have mentioned it, but they didn't write. They didn't say

1627
01:31:40,640 --> 01:31:43,000
Speaker 1: because Rockwell was trying to get a legit career going.

1628
01:31:43,120 --> 01:31:45,840
Speaker 1: It was like you said, a credit, but it wasn't

1629
01:31:45,840 --> 01:31:47,519
Speaker 1: a feature and the damn will should have been a

1630
01:31:47,560 --> 01:31:49,799
Speaker 1: fucking feature that would have selled a gang more records.

1631
01:31:49,920 --> 01:31:53,040
Speaker 1: Just remember, maybe not the video host. I would like

1632
01:31:53,160 --> 01:31:55,599
Speaker 1: intro the video would say that's Michael Jackson the hook.

1633
01:31:55,840 --> 01:31:57,719
Speaker 1: But I don't know if it was actually like empty

1634
01:31:59,040 --> 01:32:02,639
Speaker 1: night videos right right right, I find someone stunding there.

1635
01:32:04,400 --> 01:32:10,160
Speaker 1: I don't know or do that? You know, can you

1636
01:32:10,240 --> 01:32:14,479
Speaker 1: do that in a John Lovett's voice, like if John Rockwell? Yeah,

1637
01:32:14,720 --> 01:32:18,639
Speaker 1: can you do that? When I got a bed at night,

1638
01:32:22,160 --> 01:32:26,000
Speaker 1: give me a verse, give me close it on a

1639
01:32:26,080 --> 01:32:31,200
Speaker 1: real tight I'll do the course to. I always feel

1640
01:32:31,280 --> 01:32:46,759
Speaker 1: like somebody's watching me? Where are they? Who's watching? Right? Oh? Baby,

1641
01:32:46,920 --> 01:32:54,000
Speaker 1: who's watching? Someone standing there? You gotta do a picture

1642
01:32:54,040 --> 01:32:59,760
Speaker 1: of love. It's all on that part. Oh hey, I

1643
01:33:00,040 --> 01:33:07,439
Speaker 1: pay the price? Is that your best? Yeah? I think

1644
01:33:07,600 --> 01:33:09,920
Speaker 1: I love this is my best impression because that's the

1645
01:33:09,920 --> 01:33:11,439
Speaker 1: first one I ever did. Even before I started doing

1646
01:33:11,479 --> 01:33:15,800
Speaker 1: stand up, I used to be used to do impressions

1647
01:33:15,840 --> 01:33:20,280
Speaker 1: of them out to meet girls like No, it never works.

1648
01:33:20,600 --> 01:33:24,400
Speaker 1: I used to do it for the fucking goofy kid. Guys,

1649
01:33:24,439 --> 01:33:26,960
Speaker 1: you gotta understand well, I think that's the best way

1650
01:33:27,000 --> 01:33:30,799
Speaker 1: to end it. Now, thanks for tuning in and almost

1651
01:33:30,800 --> 01:33:33,479
Speaker 1: turned into Howard Coachell on that one. I'd like to

1652
01:33:33,520 --> 01:33:37,160
Speaker 1: thank everybody for tuning into Newmark's Culturally Canceled. Um. Let's

1653
01:33:37,200 --> 01:33:42,320
Speaker 1: give a shout out to DJ Newmark, the cut Chemist

1654
01:33:44,160 --> 01:33:47,240
Speaker 1: and d J a V who finally chimed in at

1655
01:33:47,320 --> 01:33:51,759
Speaker 1: some point, and Lord Finesse for Lord Finesse and Newmark

1656
01:33:51,800 --> 01:33:55,760
Speaker 1: for keeping this one moving for us, Yeah, Chess, and

1657
01:33:55,880 --> 01:34:00,880
Speaker 1: then Eddie for being right there. Um that this episode

1658
01:34:00,920 --> 01:34:07,559
Speaker 1: of Culturally Canceled. Bye, Hey, thanks for listening. I hope

1659
01:34:07,560 --> 01:34:10,640
Speaker 1: you enjoyed the conversation. If you like the podcast, be

1660
01:34:10,720 --> 01:34:12,600
Speaker 1: sure to rate and review it on Apple Podcasts. Some

1661
01:34:12,680 --> 01:34:15,080
Speaker 1: more people can find out about it, and if you're negative,

1662
01:34:15,200 --> 01:34:18,400
Speaker 1: keep your bullshit to yourself and follow us on Instagram

1663
01:34:18,479 --> 01:34:22,760
Speaker 1: and Culturally Canceled and at culturally RP on Twitter. We're

1664
01:34:22,760 --> 01:34:24,760
Speaker 1: also on YouTube if you want to see what some

1665
01:34:24,920 --> 01:34:28,240
Speaker 1: of the backyard looks like. Also, we have a phone

1666
01:34:28,280 --> 01:34:30,360
Speaker 1: line now so you can call and leave a message.

1667
01:34:30,720 --> 01:34:33,480
Speaker 1: You can ask me about hip hop parenting, food boxing, relationships,

1668
01:34:33,600 --> 01:34:35,479
Speaker 1: mm a, jiu jitsu. I don't care whatever it is,

1669
01:34:35,760 --> 01:34:37,120
Speaker 1: so you can ask you about things I don't even

1670
01:34:37,160 --> 01:34:39,519
Speaker 1: know about. Let's find out. Just to ask me whatever

1671
01:34:39,520 --> 01:34:41,280
Speaker 1: you want and I'll do my best to answer your question.

1672
01:34:42,120 --> 01:34:44,200
Speaker 1: If you want to leave a message, the phone number

1673
01:34:44,360 --> 01:34:48,760
Speaker 1: is four two four six six six three. That's four

1674
01:34:48,840 --> 01:34:55,120
Speaker 1: two four six six six three until next week. Keep

1675
01:34:55,200 --> 01:35:00,920
Speaker 1: doing what you're doing or do something better. FO