WEBVTT - TGI – Episode 418 “Uncle Daddy”

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<v Speaker 1>All right, So I'm I'm I'm going to point out

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<v Speaker 1>something that's either going to blow your mind or totally

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<v Speaker 1>hohm and you have you've all known this?

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<v Speaker 2>Oh, I love it. I love the fifty to fifty chance.

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<v Speaker 1>Yeah, and I think I don't hear home a lot

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<v Speaker 1>anymore now like that. Okay, So when Indy was a baby,

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<v Speaker 1>we you know, we would sing to him. And I

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<v Speaker 1>had this moment where I was singing Twinkle Twinkle, Little

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<v Speaker 1>Star and then went into aby Seed and I realized,

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<v Speaker 1>oh my god, it's the same melody, right, and then

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<v Speaker 1>Bob Bob Black Sheep, and I was like, we're all

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<v Speaker 1>children's songs to the same melody. So have this realization,

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<v Speaker 1>you know, and I will. Did you ever think about this?

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<v Speaker 3>No, I don't have.

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<v Speaker 1>Yeah, exactly, if you don't have kids, you don't think

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<v Speaker 1>about it. They're all they use the same two or

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<v Speaker 1>three melodies over and over. Okay, So have that experience

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<v Speaker 1>by then. I play this game with Indy when we're

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<v Speaker 1>in the car. I have a like, I put on

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<v Speaker 1>a playlist of movie soundtracks and some of them he knows,

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<v Speaker 1>you know, And and the game is, can you guess

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<v Speaker 1>what movie it's from? That you've seen Harry Potter mostly

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<v Speaker 1>John Williams stuff he recognizes right away. Oh my god,

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<v Speaker 1>he's obsessed and it's so fun. But then I also

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<v Speaker 1>put in some that he has never seen the movie

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<v Speaker 1>and doesn't know it. And what I do then is

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<v Speaker 1>I'm like, what does this make you feel? What does

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<v Speaker 1>it make you think about? And it's really fun because

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<v Speaker 1>often you kind of land where the movie is without

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<v Speaker 1>knowing what movie it's from. So it'll be like, you know,

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<v Speaker 1>I feel like we're stressed out and we're in space,

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<v Speaker 1>but there's something magical going on, you know, And then

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<v Speaker 1>it's like it's Interstellar, you know, or whatever, and you

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<v Speaker 1>just keep playing with that. And I do it too,

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<v Speaker 1>like I don't look at what it is, it just

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<v Speaker 1>comes on. But anyway, Chariots a Fire came on the

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<v Speaker 1>classic movie, right, So it starts and it's like, you know,

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<v Speaker 1>and India, I'm like, what does this make you think?

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<v Speaker 1>And we're listening to it and the melody comes in

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<v Speaker 1>and goes, I can't sing it all, but you know,

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<v Speaker 1>it starts going and and I'm like, what does it

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<v Speaker 1>make you think? And he goes on top of spagety

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<v Speaker 1>Oh my god, and it literally is the same melody,

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<v Speaker 1>and I'm like Chariots a Fire, it's ruined and like

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<v Speaker 1>and then I remember in college, like I had this

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<v Speaker 1>friend who when that song Iris by the Google Dolls

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<v Speaker 1>came on where it was like you know, in the

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<v Speaker 1>don nd the world and my friends just started singing

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<v Speaker 1>singer a song, you're the piano man. I'm like, oh

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<v Speaker 1>my god, Like, there's so many examples of this. The

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<v Speaker 1>other one is, uh, Lady Madonna. I guess it's just

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<v Speaker 1>like the Beatle song is done over to. It's like

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<v Speaker 1>the Sublime song Early in the Morning, right ras it

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<v Speaker 1>it's the same melody.

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<v Speaker 3>Have you ever found Have you ever listened to Access

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<v Speaker 3>of Awesome?

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<v Speaker 2>No?

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<v Speaker 4>So.

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<v Speaker 3>Access of Awesome is a three person group from England,

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<v Speaker 3>either England or Australia. I think, oh, yes, you play

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<v Speaker 3>just play the four chord songs and they play the

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<v Speaker 3>same four chords over and over again and sing like

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<v Speaker 3>sixty songs.

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<v Speaker 1>The chords. Yes, the chords is one thing, right, because

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<v Speaker 1>there's but the actual melody, like note for note is

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<v Speaker 1>like the next level. And I actually don't think it's

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<v Speaker 1>really a gotcha moment, you know, Like I don't I

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<v Speaker 1>think it's more just speaks to the universality of these

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<v Speaker 1>good melodies, like they're hook they have a hook to them,

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<v Speaker 1>they're they're catchy, they're fun. Because yeah, if you look

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<v Speaker 1>at just like chord progression, something like like Pocable Canon,

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<v Speaker 1>which you and I both used to love when we

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<v Speaker 1>were teenagers, that like those chords are just sort of

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<v Speaker 1>like mathematically perfect, that that so many songs just riff

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<v Speaker 1>on that same chord progression because it's so satisfying to hear.

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<v Speaker 1>It's like that you build the tension and you come

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<v Speaker 1>back to a sense of release and repetitive. It's so great.

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<v Speaker 1>But yeah, when it's the actual melody, I love it.

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<v Speaker 1>I find it so fun. I actually think it's inspiring

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<v Speaker 1>in a way because it's like there's nothing new under

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<v Speaker 1>the sun, you know, like.

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<v Speaker 2>Tables actually hire music experts now to make sure this

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<v Speaker 2>doesn't happen because there have been so many lawsuits and.

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<v Speaker 3>Rip plangierism, right, it's just essential.

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<v Speaker 1>Well, but I don't think it's conscious most of the time,

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<v Speaker 1>you know, Like I think that you know, yeah, I'm

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<v Speaker 1>fascinated by this too, Like I'm reading all about the

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<v Speaker 1>what was that the song that lost the lawsuit a

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<v Speaker 1>couple of years ago. Oh my god, what's his name?

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<v Speaker 1>He was the son of a sick comm actor Rob

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<v Speaker 1>and they lost that.

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<v Speaker 2>But you Gay's estate, right, Yeah.

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<v Speaker 1>And now when you can hear it's like, oh that

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<v Speaker 1>you stole the whole vibe, like you still like all

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<v Speaker 1>the instrumentation and the melody. You know, it's like, wow, okay,

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<v Speaker 1>that's you know, whereas what's his name? The English singer

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<v Speaker 1>who got sued recently and got out of it again,

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<v Speaker 1>I'm horrible with sharing, you know, that is like a

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<v Speaker 1>much more Yeah, that's just like like you're saying, well,

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<v Speaker 1>those are like just the same chords and a similar melody.

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<v Speaker 1>But you and you can see that that there's a

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<v Speaker 1>an unconsciousness to the absorption of, you know, a good

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<v Speaker 1>song and then sort of writing your own song and

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<v Speaker 1>not realizing, oh, I'm I'm actually quoting something without even

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<v Speaker 1>knowing it.

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<v Speaker 2>Very interesting. Well, writer, we'll have to have you come

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<v Speaker 2>up with your own individual song that just steals another

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<v Speaker 2>melody and then I want to hear your lyrics totally.

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<v Speaker 2>Next next pre show chatter, I want to hear your song.

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<v Speaker 3>I'm going to have on tap a spaghetti in my

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<v Speaker 3>head for months now.

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<v Speaker 2>Thank you for that great song. We love it in

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<v Speaker 2>this house. Welcome to Pond Meets World. I'm Daniel Fischel,

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<v Speaker 2>I'm Rider Strong, and I'm Wilfordell. Welcome to this episode.

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<v Speaker 2>Recap of season four, episode eighteen, Uncle Daddy. It originally

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<v Speaker 2>aired February fourteenth, Valentine's Day, Yeah, nineteen ninety seven. The synopsis.

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<v Speaker 2>When Eric discovers his girlfriend Kelly has a son, he

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<v Speaker 2>decides he's ready to have an adult relationship. However, he's

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<v Speaker 2>not as prepared for adult responsibility as he thought. Meanwhile,

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<v Speaker 2>Corey Tapanga and Sean study for the SATs. It was

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<v Speaker 2>directed by Jeff McCracken. It was written by Steve Young.

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<v Speaker 2>And before I jump into our guest stars, do you

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<v Speaker 2>guys have any overall thoughts?

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<v Speaker 1>I completely forgot this episode existed. Me too, really, ifoundly

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<v Speaker 1>didn't remember anything. Yeah, I assumed you you had some

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<v Speaker 1>memories of it, but I was sort of like, oh,

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<v Speaker 1>is this Tommy? Is this a Tommy? Like I remember

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<v Speaker 1>Tommy storyline, but of course we brought him back for

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<v Speaker 1>Girl Meets World and all that. And then I remembered

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<v Speaker 1>that we that the kid who had guest starred on

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<v Speaker 1>our show, went on to do Liar Liar. I remember

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<v Speaker 1>think he did.

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<v Speaker 3>Liar Liar first.

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<v Speaker 1>Okay, yeah, I remember, okay, But for some reason I

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<v Speaker 1>made the connection later. So in my mind it was like, oh,

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<v Speaker 1>he's doing Liar and Liar and that was a big movie.

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<v Speaker 1>But no, didn't remember anything about this. I remember the.

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<v Speaker 2>Story Justin Justin Cooper the actor were talking about. I

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<v Speaker 2>remembered the same thing. When the episode started, I was like, oh,

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<v Speaker 2>are we all ready to Tommy? And then when I

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<v Speaker 2>saw Justin, I was like, oh, I remember Justin. I

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<v Speaker 2>was a teenager who loved kids, like loved kids, and

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<v Speaker 2>so anytime we had small kids on set for me,

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<v Speaker 2>it was like very fun. So I remember Justin. I

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<v Speaker 2>remembered enjoying like hanging out with him and thinking he

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<v Speaker 2>was the sweet But I did not remember anything about

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<v Speaker 2>the storyline, the A storyline or the B storyline. But

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<v Speaker 2>will you said you do, so.

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<v Speaker 1>I just remembered.

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<v Speaker 3>I remembered working with Justin, who was very very cool

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<v Speaker 3>little kid, and he and I got along really well.

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<v Speaker 3>And I remember working with Britney who.

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<v Speaker 2>Was great, such a good actress.

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<v Speaker 3>Yeah, and she and I got along very very well,

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<v Speaker 3>I actually saw her years later. She and I hung

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<v Speaker 3>out a little bit, so yeah, no, I mean I

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<v Speaker 3>knew Brittany as well, but the actual storyline I didn't

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<v Speaker 3>remember much of. I didn't remember the sat part of

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<v Speaker 3>the storyline at all, and it wasn't my favorite episode.

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<v Speaker 3>But because of me, I thought the writing was fine.

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<v Speaker 3>I thought my acting wasn't great in this episode. I

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<v Speaker 3>felt it felt kind of I don't know, like at

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<v Speaker 3>least I looked at it. When I finished, I was like, well,

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<v Speaker 3>I was definitely trying to make choices, so I gave

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<v Speaker 3>myself that kind of pat on the back. But I

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<v Speaker 3>didn't think a lot of the choices were that good.

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<v Speaker 3>But at least I was attempting something. And I thought

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<v Speaker 3>my scenes with the little kid were better than my

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<v Speaker 3>scenes with Britney. That makes sense. I thought I was

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<v Speaker 3>more natural with Justin than I was with Brittany.

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<v Speaker 2>Yeah, I agree with you. You were you were more

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<v Speaker 2>natural with Justin, and yet I still loved your scenes

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<v Speaker 2>with Brittany. For me, I loved the episode. I think

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<v Speaker 2>it's a great I think it's a great episode idea.

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<v Speaker 2>I think the storyline of dating somebody with a kid

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<v Speaker 2>and how that changes your relationship and how that you

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<v Speaker 2>know what it means to truly take on that kind

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<v Speaker 2>of responsibility. I love all of it. I did not

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<v Speaker 2>think she looked any older than you, and I also

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<v Speaker 2>didn't think she needed to be any older than you. No,

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<v Speaker 2>I felt like they could have and I guess the

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<v Speaker 2>only reason they're doing that is because I guess, what

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<v Speaker 2>is Eric at this point? Nineteen and so if she

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<v Speaker 2>had a six year old, I guess she would have

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<v Speaker 2>had a kid at thirteen. So they had to make

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<v Speaker 2>her a little older.

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<v Speaker 1>They didn't say how.

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<v Speaker 3>Much older though, right, I mean they never really got

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<v Speaker 3>to You said a few years.

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<v Speaker 2>Yeah, you said, you know, you're a few years older,

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<v Speaker 2>like right at the beginning.

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<v Speaker 3>So figure she's what twenty five maybe twenty four?

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<v Speaker 2>Maybe twenty four. The other thing, I'll say that because

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<v Speaker 2>I loved the episode. I was shocked by the clapping

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<v Speaker 2>at the end over the SATs really weird.

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<v Speaker 3>It's also I didn't understand. I thought they could have

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<v Speaker 3>done and I know we'll get into it, but I

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<v Speaker 3>thought they could have attached what Eric learns more to

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<v Speaker 3>then I've got to go take my SATs. Yeah, than

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<v Speaker 3>just one line at the end, like well gonna go

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<v Speaker 3>take my sat And it was like, oh, that was

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<v Speaker 3>a weird transition. It wasn't earned at all.

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<v Speaker 1>But you know what's funny about this episode for me,

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<v Speaker 1>and I'm curious what you think about it. Will Like

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<v Speaker 1>we've talked about how Eric never had a partner or never,

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<v Speaker 1>but we actually investigated his dating life pretty I know,

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<v Speaker 1>you know, this is now, I would say, the third

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<v Speaker 1>time where Eric has fallen for sort of the wrong

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<v Speaker 1>girl or a girl that he doesn't expect to fall

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<v Speaker 1>for and grows from it. And because you know, is

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<v Speaker 1>a good date, is a good guy? Is? Like you know,

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<v Speaker 1>and I was like, wow, we I think in our

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<v Speaker 1>minds we've all absorbed season five and forward Eric, which

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<v Speaker 1>is just sort of wacky Eric. Yeah, he's not He's

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<v Speaker 1>not a romantic. I mean, I can't wait to see

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<v Speaker 1>those episodes because I know you were pursuing Rachel and

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<v Speaker 1>a lot of that, but like, yeah, but this is now.

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<v Speaker 1>This is you know, first of all, Eric and the

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<v Speaker 1>older women like multiple episodes, but we.

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<v Speaker 3>Talk about taking from our lives and I always dated

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<v Speaker 3>older women and they took stuff from your life, and

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<v Speaker 3>I bet you they took that from my life.

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<v Speaker 1>The way already at this point in real life, you

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<v Speaker 1>were dating older women.

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<v Speaker 3>Oh yeah, well remember I mean season two, when I

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<v Speaker 3>was eighteen, I was already with Jill, who was ten

0:11:37.480 --> 0:11:39.679
<v Speaker 3>eleven years older than me. And I mean that was two.

0:11:40.000 --> 0:11:43.720
<v Speaker 3>That was just my I mean that's I've always my

0:11:43.840 --> 0:11:46.280
<v Speaker 3>entire life dated older women. Always. I think once or

0:11:46.320 --> 0:11:49.040
<v Speaker 3>twice in my life I dated somebody my age or younger.

0:11:49.080 --> 0:11:50.720
<v Speaker 3>It was always older women. I just have always been

0:11:50.720 --> 0:11:51.600
<v Speaker 3>attracted older women.

0:11:52.400 --> 0:11:54.839
<v Speaker 1>You know, they probably did from your life and it

0:11:54.960 --> 0:11:56.400
<v Speaker 1>just made sense they took it.

0:11:56.559 --> 0:11:58.880
<v Speaker 3>But you know, the funny thing is exactly what you're

0:11:58.880 --> 0:12:01.679
<v Speaker 3>talking about is where remembering it the same way. You

0:12:01.720 --> 0:12:04.800
<v Speaker 3>and I remember never having worked together, and then when

0:12:04.800 --> 0:12:06.880
<v Speaker 3>we watched the show, we were like, we work together all.

0:12:06.800 --> 0:12:07.920
<v Speaker 2>The time, all the time.

0:12:08.280 --> 0:12:11.120
<v Speaker 1>So it's did in the beginning, but in the beginning

0:12:11.160 --> 0:12:13.480
<v Speaker 1>we were now season four when of Eric and now

0:12:13.480 --> 0:12:16.400
<v Speaker 1>we're done. Oh wait, we got in a fight. Yeah,

0:12:16.440 --> 0:12:17.160
<v Speaker 1>you pushed me again.

0:12:18.120 --> 0:12:19.920
<v Speaker 3>But for the most part, but I remembered it was

0:12:20.000 --> 0:12:22.080
<v Speaker 3>like writer and I did two scenes together and couldn't

0:12:22.080 --> 0:12:24.160
<v Speaker 3>stop laughing. And that's why. But when we watched it,

0:12:24.160 --> 0:12:25.840
<v Speaker 3>it was we worked together a lot. I think it's

0:12:25.880 --> 0:12:28.120
<v Speaker 3>the same thing where I'm like, Eric never had a girlfriend.

0:12:28.160 --> 0:12:30.520
<v Speaker 3>It's kind of like, oh no, he actually dated a

0:12:30.559 --> 0:12:34.640
<v Speaker 3>specific type of woman that wasn't always right for him.

0:12:34.640 --> 0:12:36.800
<v Speaker 3>But they were always good women. They never had they

0:12:36.800 --> 0:12:39.720
<v Speaker 3>were never awful older women. They were just it was

0:12:39.760 --> 0:12:41.760
<v Speaker 3>wrong timing or they had other things going on in

0:12:41.760 --> 0:12:44.000
<v Speaker 3>their life that Eric wasn't prepared to deal with. But

0:12:44.520 --> 0:12:47.040
<v Speaker 3>they always had him with good people that weren't right

0:12:47.080 --> 0:12:49.800
<v Speaker 3>for him, and then he took from that to grow

0:12:49.840 --> 0:12:52.079
<v Speaker 3>better as a person, which is great and go take

0:12:52.080 --> 0:12:54.800
<v Speaker 3>your SATs. But yeah, so I liked it. It was just

0:12:54.840 --> 0:12:56.280
<v Speaker 3>my performance wasn't my favorite.

0:12:56.360 --> 0:13:01.200
<v Speaker 1>It is really intense in the cosmog a boy mets world.

0:13:01.280 --> 0:13:04.360
<v Speaker 1>How important sat is in college. I know, like it's

0:13:04.559 --> 0:13:08.160
<v Speaker 1>just you either are a towny with no job prospects

0:13:08.200 --> 0:13:11.280
<v Speaker 1>and a child out of wedlock, or you are You

0:13:11.320 --> 0:13:13.480
<v Speaker 1>go to college and you uh and you get and

0:13:13.520 --> 0:13:16.560
<v Speaker 1>it's so interesting to consider. You know, something that Jeff

0:13:16.600 --> 0:13:18.439
<v Speaker 1>Sherman pointed out when he came back on our show

0:13:19.040 --> 0:13:23.080
<v Speaker 1>that Michael didn't go to college. You know, our sort

0:13:23.120 --> 0:13:26.640
<v Speaker 1>of leading creative voice was not a college graduate. Had

0:13:26.679 --> 0:13:31.600
<v Speaker 1>actually I think started and dropped out and and yeah,

0:13:31.600 --> 0:13:35.360
<v Speaker 1>but it's just it's that the world of Boy meets

0:13:35.360 --> 0:13:39.520
<v Speaker 1>World just pushes towards that as like the ticket to

0:13:39.840 --> 0:13:40.640
<v Speaker 1>a better life.

0:13:40.679 --> 0:13:42.800
<v Speaker 3>And I think that was also very much an eighties

0:13:42.800 --> 0:13:45.040
<v Speaker 3>and nineties thing. Was absolutely to a better life. It

0:13:45.120 --> 0:13:48.200
<v Speaker 3>was you know, nowadays, I you keep hearing about people

0:13:48.200 --> 0:13:49.920
<v Speaker 3>and if I had a kid that was college age,

0:13:49.920 --> 0:13:52.600
<v Speaker 3>I'd be like, maybe go to two year school. Maybe right,

0:13:52.600 --> 0:13:53.280
<v Speaker 3>But you can hear it.

0:13:53.400 --> 0:13:55.160
<v Speaker 1>I mean, I think, like what we hear in that

0:13:55.280 --> 0:13:59.720
<v Speaker 1>applause at the end at Eric's line is that it's

0:13:59.800 --> 0:14:02.959
<v Speaker 1>so tethered to like he has learned this lesson and

0:14:03.000 --> 0:14:06.160
<v Speaker 1>therefore he's going to do the right thing. Whereas nowadays

0:14:06.160 --> 0:14:07.800
<v Speaker 1>we kind of hear that and we go, is that

0:14:07.840 --> 0:14:08.400
<v Speaker 1>what what?

0:14:08.400 --> 0:14:08.600
<v Speaker 3>What?

0:14:08.800 --> 0:14:10.040
<v Speaker 1>This doesn't equal this?

0:14:10.320 --> 0:14:10.440
<v Speaker 4>Right?

0:14:10.880 --> 0:14:13.160
<v Speaker 1>This plus this does not equal that? And yet the

0:14:13.240 --> 0:14:16.000
<v Speaker 1>audience and I don't know it. Part of the reason

0:14:16.000 --> 0:14:18.680
<v Speaker 1>it felt awkward, I think is because the audience applause

0:14:18.720 --> 0:14:21.080
<v Speaker 1>was inserted or at least bumped up. It sounded like

0:14:21.120 --> 0:14:25.000
<v Speaker 1>they started a little earlier than what actually naturally happened.

0:14:25.240 --> 0:14:27.840
<v Speaker 1>And again that was a choice in the editing, a

0:14:27.960 --> 0:14:31.560
<v Speaker 1>choice to make sure the end on a triumphant note

0:14:31.600 --> 0:14:36.000
<v Speaker 1>of SATs and that just felt forced. Yeah nowadays, you know,

0:14:36.120 --> 0:14:37.480
<v Speaker 1>at the time, I don't know if it did, but

0:14:37.680 --> 0:14:39.160
<v Speaker 1>it felt very forced watching I.

0:14:39.080 --> 0:14:42.160
<v Speaker 3>Remember I remember Michael and Jeff Sherman both telling me

0:14:42.360 --> 0:14:44.520
<v Speaker 3>at the time when they said Eric was going to college, like,

0:14:44.520 --> 0:14:46.640
<v Speaker 3>do you realize how many people will go to college

0:14:46.680 --> 0:14:49.320
<v Speaker 3>because they see you go to college on the show?

0:14:49.480 --> 0:14:51.640
<v Speaker 3>When I remember getting letters and from people saying like

0:14:51.680 --> 0:14:53.240
<v Speaker 3>I didn't think I could do it, and because of you,

0:14:53.360 --> 0:14:54.920
<v Speaker 3>I went to college and bought and it was so

0:14:55.040 --> 0:14:56.600
<v Speaker 3>I mean, it made it so it is that was

0:14:56.640 --> 0:14:58.040
<v Speaker 3>something that they were cognizant of.

0:14:58.120 --> 0:15:01.440
<v Speaker 1>Is there. It's an instructional element moralizing, an element of

0:15:01.600 --> 0:15:03.040
<v Speaker 1>in a way, and it does make sense. You think

0:15:03.080 --> 0:15:07.000
<v Speaker 1>about Feenie as like the figure of values. You know,

0:15:07.040 --> 0:15:09.600
<v Speaker 1>he's a teacher. It's about education. You are supposed to

0:15:09.640 --> 0:15:12.600
<v Speaker 1>get an education according to the laws of boys.

0:15:12.880 --> 0:15:16.080
<v Speaker 3>They mentioned so they mentioned Alan goes into the Navy,

0:15:16.600 --> 0:15:19.600
<v Speaker 3>but they say he and Amy medic college.

0:15:20.040 --> 0:15:22.840
<v Speaker 1>No, because they would have met before college.

0:15:23.880 --> 0:15:24.520
<v Speaker 2>Did they traveled there?

0:15:24.760 --> 0:15:29.400
<v Speaker 1>They're they're steamy Europe a wild time in Reginal.

0:15:29.400 --> 0:15:34.880
<v Speaker 3>Reginal Fairfield over there they had a two and a half,

0:15:36.120 --> 0:15:37.040
<v Speaker 3>a two and a half way.

0:15:38.600 --> 0:15:41.680
<v Speaker 2>This episode guest starring Britney Powell as Kelly, a former

0:15:41.720 --> 0:15:44.240
<v Speaker 2>playboy model who was seen on TV shows like Friends,

0:15:44.280 --> 0:15:49.120
<v Speaker 2>California Dreams, and Pacific Palisades. Also, she dated Vern Troyer,

0:15:49.240 --> 0:15:51.840
<v Speaker 2>the actor behind the iconic role of Mini Me in

0:15:51.880 --> 0:15:55.360
<v Speaker 2>the Austin Powers movie, from two thousand and seven until

0:15:55.400 --> 0:15:57.000
<v Speaker 2>his death in twenty eighteen.

0:15:57.240 --> 0:15:59.320
<v Speaker 3>Yeah's are together for a long time. She was also

0:15:59.360 --> 0:16:02.760
<v Speaker 3>an Airborne just like like you know, the huge teen

0:16:02.840 --> 0:16:05.240
<v Speaker 3>movie back in the day with Shane West, the rollerblading

0:16:05.280 --> 0:16:07.680
<v Speaker 3>movie with Jack Black, And.

0:16:10.000 --> 0:16:13.280
<v Speaker 1>There's a rollerblading movie, Yes, Shane West to Jack Black.

0:16:13.480 --> 0:16:16.120
<v Speaker 3>Hell, yeah, it's I'm not pretty sure Shane Am I wrong?

0:16:16.160 --> 0:16:19.400
<v Speaker 3>It might not be Shane West. But this was like,

0:16:19.920 --> 0:16:22.720
<v Speaker 3>this was before the deca Shane West. Yeah, yeah, this

0:16:22.920 --> 0:16:26.360
<v Speaker 3>was before Brink became big on on Disney Channel original movies.

0:16:26.600 --> 0:16:29.320
<v Speaker 3>Airborne was like the it was the North Shore or

0:16:29.480 --> 0:16:32.080
<v Speaker 3>rad of rollerblading movies. Was it was great?

0:16:32.320 --> 0:16:32.520
<v Speaker 2>Great?

0:16:32.560 --> 0:16:33.440
<v Speaker 1>Didn't know this exists?

0:16:33.480 --> 0:16:33.720
<v Speaker 4>Yeah?

0:16:33.840 --> 0:16:37.280
<v Speaker 2>Great? Also guest starring Justin Cooper as Ryan, the adorable

0:16:37.360 --> 0:16:40.400
<v Speaker 2>child actor best known for his role Little Max, the

0:16:40.400 --> 0:16:42.960
<v Speaker 2>son of Jim Carrey's son and Liar Liar. He was

0:16:43.000 --> 0:16:45.600
<v Speaker 2>also seen on Full House, and starred in two different

0:16:45.640 --> 0:16:48.680
<v Speaker 2>sitcoms that each only went one season, The Boys Are

0:16:48.680 --> 0:16:50.400
<v Speaker 2>Back and Brothers Keeper.

0:16:50.640 --> 0:16:53.920
<v Speaker 3>He was Ja McDermott, by the way, Shane Shane McDermott,

0:16:53.920 --> 0:16:55.400
<v Speaker 3>not Shane West got it.

0:16:55.920 --> 0:16:58.160
<v Speaker 2>He was also Dennis the Menace in the straight to

0:16:58.280 --> 0:17:01.640
<v Speaker 2>video sequel Dennis the Menace Strikes Again. And he is

0:17:01.680 --> 0:17:05.240
<v Speaker 2>now a radio producer and on air personality on Fox

0:17:05.320 --> 0:17:08.000
<v Speaker 2>Sports Radio, and we are going to be having him

0:17:08.040 --> 0:17:09.600
<v Speaker 2>as a guest next week.

0:17:09.800 --> 0:17:11.480
<v Speaker 3>Oh, I can't wait to see him. I think he

0:17:11.600 --> 0:17:13.840
<v Speaker 3>was five the last time I saw him exactly.

0:17:13.960 --> 0:17:16.040
<v Speaker 1>I wonder how old he actually was when we filmed this.

0:17:16.119 --> 0:17:17.439
<v Speaker 3>I think he was like five or six.

0:17:17.560 --> 0:17:20.240
<v Speaker 1>Yeah, No, really, yeah, I think he was. Usually was

0:17:20.280 --> 0:17:22.600
<v Speaker 1>an older playing young kid actor, so I assumed he

0:17:22.640 --> 0:17:23.800
<v Speaker 1>was probably seven. But wow.

0:17:35.160 --> 0:17:37.600
<v Speaker 2>Jumping into our recap, we are in Chubby's. Eric and

0:17:37.600 --> 0:17:40.320
<v Speaker 2>a new mystery girl are heavily making out in a booth.

0:17:40.600 --> 0:17:42.600
<v Speaker 2>He pulls away to ask, I hope I'm not getting

0:17:42.640 --> 0:17:45.320
<v Speaker 2>mixed signals here, and then they kiss again because I'd

0:17:45.320 --> 0:17:47.160
<v Speaker 2>hate to think the fact that you're a few years

0:17:47.160 --> 0:17:49.720
<v Speaker 2>older than me is putting you off. They continue to

0:17:49.760 --> 0:17:52.399
<v Speaker 2>kiss again, but Eric keeps interrupting, I mean, what is

0:17:52.560 --> 0:17:56.399
<v Speaker 2>age really? The woman finally responds, just shut up, you're winning.

0:17:57.200 --> 0:17:57.840
<v Speaker 2>Eric is stoked.

0:17:57.840 --> 0:17:59.840
<v Speaker 1>Did you guys notice the swing wall for the first time?

0:18:00.040 --> 0:18:02.600
<v Speaker 3>Of course, there's a couple of different angles of Chubbies

0:18:02.640 --> 0:18:05.119
<v Speaker 3>this time.

0:18:05.680 --> 0:18:08.359
<v Speaker 1>But yeah, we never see that other we've never seen,

0:18:08.760 --> 0:18:11.080
<v Speaker 1>you know, looking downstage at the booth when she kisses

0:18:11.080 --> 0:18:13.560
<v Speaker 1>you back. That her angle is a new wall that

0:18:13.600 --> 0:18:15.440
<v Speaker 1>we've never seen. It's right there by the way.

0:18:15.680 --> 0:18:16.280
<v Speaker 3>Really, it's tight.

0:18:17.320 --> 0:18:19.520
<v Speaker 2>I know you had no idea that Chubby's was just

0:18:19.720 --> 0:18:20.080
<v Speaker 2>right there.

0:18:20.280 --> 0:18:22.320
<v Speaker 3>It's a small place. It's a small place for the

0:18:22.440 --> 0:18:23.240
<v Speaker 3>entire town to go to.

0:18:24.840 --> 0:18:27.080
<v Speaker 2>And then also that other angle where we see from

0:18:27.119 --> 0:18:29.800
<v Speaker 2>behind you, where we actually get the real view that

0:18:29.800 --> 0:18:34.120
<v Speaker 2>that pill table's back from there. Yeah, so Eric wants

0:18:34.119 --> 0:18:37.120
<v Speaker 2>to know what she's doing tomorrow. She's apprehensive. Three days

0:18:37.160 --> 0:18:39.240
<v Speaker 2>in a row. I don't know, that's starting to sound

0:18:39.320 --> 0:18:41.800
<v Speaker 2>kind of serious. I mean, how well do they know

0:18:41.840 --> 0:18:44.919
<v Speaker 2>each other really? Eric offers, well, let's start with me.

0:18:45.200 --> 0:18:47.879
<v Speaker 2>He gives her a sly smile and concludes that's pretty

0:18:47.920 --> 0:18:50.639
<v Speaker 2>much it. He asks her to tell him everything. She

0:18:50.680 --> 0:18:54.440
<v Speaker 2>gets nervous everything. The woman stutters, thinking over the question.

0:18:54.720 --> 0:18:57.600
<v Speaker 2>Eventually she gives up, why don't we go back to

0:18:57.640 --> 0:19:02.399
<v Speaker 2>my place? Eric gives out a little yeah yeah, such.

0:19:02.240 --> 0:19:06.280
<v Speaker 3>A Michael, that's such a Michael line and reading absolutely.

0:19:06.680 --> 0:19:09.280
<v Speaker 2>And then we're in the mystery woman's apartment. She warns

0:19:09.359 --> 0:19:11.280
<v Speaker 2>Eric in the hallway if he wants to pursue a

0:19:11.320 --> 0:19:13.520
<v Speaker 2>relationship with her, he's going to need to commit to

0:19:13.560 --> 0:19:16.719
<v Speaker 2>someone else as well. She opens the door to reveal

0:19:16.880 --> 0:19:18.200
<v Speaker 2>another pretty woman.

0:19:18.840 --> 0:19:21.520
<v Speaker 1>Well in the second you see that basketball above the door,

0:19:21.560 --> 0:19:22.600
<v Speaker 1>you know what's comed.

0:19:22.560 --> 0:19:26.200
<v Speaker 3>Of course, it's actually a pretty it's a very adult

0:19:26.320 --> 0:19:29.200
<v Speaker 3>but very funny joke that she's a very funny into

0:19:29.680 --> 0:19:32.840
<v Speaker 3>a three way, which is what's what's happening. I mean,

0:19:32.960 --> 0:19:34.560
<v Speaker 3>just yeah, crazy, it is.

0:19:34.640 --> 0:19:35.440
<v Speaker 2>It is funny.

0:19:35.520 --> 0:19:37.399
<v Speaker 1>It keeps going for like, I know, page and a

0:19:37.440 --> 0:19:42.600
<v Speaker 1>half of jokes. The babysitter, the you know, it's like okay.

0:19:43.160 --> 0:19:45.920
<v Speaker 2>Eric looks at them both. Oh no, this is too

0:19:45.920 --> 0:19:48.600
<v Speaker 2>good to be true. Your vampires, aren't you? He pulls

0:19:48.600 --> 0:19:51.359
<v Speaker 2>down his shirt collar. Go ahead. She explains that this

0:19:51.480 --> 0:19:55.640
<v Speaker 2>is Diana the babysitter. Oh. Eric loves this. He thinks

0:19:55.640 --> 0:19:58.119
<v Speaker 2>they're role playing. I want to be the commander in

0:19:58.200 --> 0:20:00.879
<v Speaker 2>chief of the Allied armies. The woman explains, no, no,

0:20:01.119 --> 0:20:05.119
<v Speaker 2>Diana is my babysitter. And then a little boy runs

0:20:05.119 --> 0:20:07.879
<v Speaker 2>into the room. Hi, mommy. He gives Eric's date a

0:20:07.880 --> 0:20:11.800
<v Speaker 2>big hug, and then Eric puts two and two together, Mommy,

0:20:12.000 --> 0:20:14.600
<v Speaker 2>that would be like, she cuts him off, I'd like

0:20:14.640 --> 0:20:16.280
<v Speaker 2>you to meet my son Ryan.

0:20:17.520 --> 0:20:21.600
<v Speaker 1>And then, which is a little intense. Yeah, not to

0:20:21.600 --> 0:20:24.600
<v Speaker 1>not tell a guy that you have a kid until

0:20:24.800 --> 0:20:26.920
<v Speaker 1>the kid is there, and to not tell the kid

0:20:26.960 --> 0:20:29.040
<v Speaker 1>that you're bringing a guy. All of it seems a.

0:20:29.040 --> 0:20:33.840
<v Speaker 3>Little what what whendy? Is it the first date where

0:20:33.840 --> 0:20:36.000
<v Speaker 3>you would say I have a kid? I mean, do

0:20:36.000 --> 0:20:38.800
<v Speaker 3>you think that's the right time to say it? Do

0:20:38.840 --> 0:20:40.320
<v Speaker 3>you tell him right on the first date? Or is

0:20:40.320 --> 0:20:41.600
<v Speaker 3>it just now, I'm gonna go have some fun. I'm

0:20:41.600 --> 0:20:43.080
<v Speaker 3>gonna kind of forget that I'm a mom tonight and

0:20:43.080 --> 0:20:45.359
<v Speaker 3>I'm just going to go on a date. Like, when's

0:20:45.400 --> 0:20:48.040
<v Speaker 3>the proper time to say, By the way, I have

0:20:48.040 --> 0:20:48.560
<v Speaker 3>a child.

0:20:48.760 --> 0:20:52.080
<v Speaker 1>Nowadays, you would know right away ahead of time, because well,

0:20:52.080 --> 0:20:53.600
<v Speaker 1>because you would meet on the line right and you

0:20:53.600 --> 0:20:56.600
<v Speaker 1>would have like a profile, and you'd probably know these

0:20:56.640 --> 0:20:58.960
<v Speaker 1>things about each other. But yeah, I assume it's the

0:20:58.960 --> 0:21:02.080
<v Speaker 1>first It's big part of your life. You can't go

0:21:02.119 --> 0:21:04.639
<v Speaker 1>on a date without somebody watching the kids, so it

0:21:04.640 --> 0:21:07.080
<v Speaker 1>seems like it would be By the way, this is

0:21:07.119 --> 0:21:08.280
<v Speaker 1>part of who I am.

0:21:08.920 --> 0:21:11.280
<v Speaker 2>Yeah, I mean, being a mom is so much now

0:21:11.320 --> 0:21:13.200
<v Speaker 2>a part of who I am, for better or worse.

0:21:13.880 --> 0:21:17.000
<v Speaker 2>I couldn't imagine sitting through an entire meal with someone

0:21:17.280 --> 0:21:19.840
<v Speaker 2>under the auspices of getting to know each other and

0:21:19.880 --> 0:21:27.480
<v Speaker 2>not mentioning the biggest, most time consuming, most important aspect

0:21:27.720 --> 0:21:28.959
<v Speaker 2>of my entire life.

0:21:29.880 --> 0:21:33.000
<v Speaker 1>I know she says three dates or three days.

0:21:32.680 --> 0:21:36.879
<v Speaker 2>Well, she says it three days in a row, but

0:21:37.000 --> 0:21:40.919
<v Speaker 2>it doesn't mean this is only your third date. It

0:21:40.960 --> 0:21:43.679
<v Speaker 2>could be that this is just the first time you

0:21:43.720 --> 0:21:45.640
<v Speaker 2>guys are now going to see each other three days

0:21:45.680 --> 0:21:47.239
<v Speaker 2>in a row, negatively.

0:21:46.840 --> 0:21:49.120
<v Speaker 1>Right, because you could have met You could have met

0:21:49.160 --> 0:21:51.800
<v Speaker 1>out and said hi and gotten each other's number and

0:21:51.840 --> 0:21:54.640
<v Speaker 1>then met the next day, and I guess just had

0:21:54.680 --> 0:21:57.000
<v Speaker 1>more of a casual situation meeting with other people, something

0:21:57.160 --> 0:21:59.920
<v Speaker 1>with other people involved, and then now it's their actual date.

0:22:00.119 --> 0:22:02.080
<v Speaker 3>Yeah, because Eric has so many friends, He's out with

0:22:02.119 --> 0:22:03.600
<v Speaker 3>all of his friends and.

0:22:03.680 --> 0:22:11.160
<v Speaker 2>They had a falling out exactly. Yes, yeah, so yeah,

0:22:11.200 --> 0:22:14.639
<v Speaker 2>I agree with you, writer obviously for a TV show.

0:22:14.760 --> 0:22:16.480
<v Speaker 2>It makes sense that this is the way they're going

0:22:16.520 --> 0:22:19.600
<v Speaker 2>to show it telling them obviously, But I think in

0:22:19.680 --> 0:22:22.560
<v Speaker 2>real life this would have been a real conversation. I

0:22:22.600 --> 0:22:26.639
<v Speaker 2>have a child, Are you interested in meeting my child?

0:22:26.680 --> 0:22:28.919
<v Speaker 2>Like it's a conversation you have with that other person

0:22:28.920 --> 0:22:32.000
<v Speaker 2>because that's a big responsibility. And then there's probably some

0:22:32.080 --> 0:22:34.280
<v Speaker 2>prep you do to your child as well.

0:22:34.440 --> 0:22:37.800
<v Speaker 1>Absolutely. I mean I feel like most people I know

0:22:38.200 --> 0:22:43.000
<v Speaker 1>single parents keep it keep very separated for like months,

0:22:43.280 --> 0:22:44.879
<v Speaker 1>do you know what I mean? Like they maybe that

0:22:45.320 --> 0:22:48.240
<v Speaker 1>everybody knows about the other person, but they don't bring

0:22:48.359 --> 0:22:51.119
<v Speaker 1>him into the house and into the life for a while,

0:22:51.200 --> 0:22:53.720
<v Speaker 1>because you know, it is really risky, like with a

0:22:53.800 --> 0:22:57.320
<v Speaker 1>kid's heart, for you know, to get attached to you know,

0:22:57.359 --> 0:23:00.400
<v Speaker 1>somebody like Eric in this situation, and then the by

0:23:00.680 --> 0:23:04.679
<v Speaker 1>Eric never see you again. Yeah that's gone, I can devastating.

0:23:05.320 --> 0:23:07.520
<v Speaker 2>Well, then we're in Corey's room. Corey is focused on

0:23:07.560 --> 0:23:10.960
<v Speaker 2>homework as leather Jacket Sean strolls around the room. I

0:23:10.960 --> 0:23:14.360
<v Speaker 2>think I'm developing quite a knack for these Scholastic aptitude tests,

0:23:14.640 --> 0:23:19.679
<v Speaker 2>or as I prefer to call them, SATs. Corey ignores him. Okay,

0:23:19.680 --> 0:23:23.119
<v Speaker 2>here's another one. Verbal Sean confidently answers, it's how you

0:23:23.160 --> 0:23:27.639
<v Speaker 2>talk and stuff keep them coming. Corey explains, no, listen

0:23:27.640 --> 0:23:31.959
<v Speaker 2>to the question. Perreghee is to apagee as Zenith is

0:23:32.040 --> 0:23:37.280
<v Speaker 2>to a niter B cortex or c sulfur. Sean grabs

0:23:37.320 --> 0:23:40.000
<v Speaker 2>his head in agony and makes disgruntled noises, and is

0:23:40.040 --> 0:23:42.680
<v Speaker 2>this the first episode where you do that? And don't

0:23:42.720 --> 0:23:45.800
<v Speaker 2>you continue? Isn't this a running just as before?

0:23:46.000 --> 0:23:51.400
<v Speaker 3>So they set it up originally where both Sean and

0:23:51.600 --> 0:23:59.480
<v Speaker 3>Eric in season two it was thinking cramps. That's right, Okay, yes,

0:23:59.680 --> 0:24:01.440
<v Speaker 3>we had a thinking cramp and that's what I thought.

0:24:01.440 --> 0:24:02.680
<v Speaker 3>I was like, oh, they're going to do that again.

0:24:02.720 --> 0:24:04.760
<v Speaker 3>He's going to say thinking cramp and Eric's going to

0:24:04.840 --> 0:24:07.199
<v Speaker 3>acknowledge that, right, And then no, they didn't do any

0:24:07.200 --> 0:24:08.800
<v Speaker 3>of that. They just they went a whole different route

0:24:08.800 --> 0:24:10.679
<v Speaker 3>with it, but it was the same. It's based on

0:24:10.760 --> 0:24:12.119
<v Speaker 3>the thinking.

0:24:12.640 --> 0:24:14.800
<v Speaker 1>It's almost like that they wrote the same joke over

0:24:15.200 --> 0:24:16.520
<v Speaker 1>forget that they had already done it.

0:24:16.520 --> 0:24:21.640
<v Speaker 3>And yes, they wrote drink a Little Star, right, that's amazing.

0:24:22.119 --> 0:24:23.280
<v Speaker 3>They plagiarize themselves.

0:24:23.520 --> 0:24:23.720
<v Speaker 4>Yeah.

0:24:24.040 --> 0:24:24.480
<v Speaker 3>Interesting.

0:24:24.800 --> 0:24:27.600
<v Speaker 2>Corey opens the window and Sean slowly crawls out, still

0:24:27.640 --> 0:24:30.040
<v Speaker 2>groaning in pain. Eric enters the room and heard the

0:24:30.040 --> 0:24:34.520
<v Speaker 2>whole conversation. Hey, Nater, I'm right al and I. Corey nods. Wow.

0:24:34.840 --> 0:24:37.359
<v Speaker 2>Eric explains, first two times I took the SATs, I

0:24:37.359 --> 0:24:39.359
<v Speaker 2>put down sulfur and cortex, and we saw how all

0:24:39.400 --> 0:24:40.080
<v Speaker 2>that worked out for me.

0:24:40.680 --> 0:24:43.000
<v Speaker 3>Boys back in the Corey and Eric back in the bedroom.

0:24:43.280 --> 0:24:45.399
<v Speaker 3>I know, it's kind of nice to be back in

0:24:45.440 --> 0:24:48.520
<v Speaker 3>that set and back just for his comfort again. Yeah,

0:24:48.560 --> 0:24:50.520
<v Speaker 3>there's something just kind of nice about that. Yeah.

0:24:50.600 --> 0:24:53.000
<v Speaker 2>Yeah, and especially since the last time we really saw

0:24:53.040 --> 0:24:55.320
<v Speaker 2>you guys in the bedroom there was a lot of tension,

0:24:55.600 --> 0:24:58.280
<v Speaker 2>and now there's none of that brother tension. It's really

0:24:58.320 --> 0:25:01.439
<v Speaker 2>it is a comforting it's a comforting feel. Corey asks

0:25:01.440 --> 0:25:03.520
<v Speaker 2>how his third date with Kelly went, and Eric says

0:25:03.560 --> 0:25:06.959
<v Speaker 2>she took him back to her apartment. Corey's impressed. Wow details.

0:25:07.359 --> 0:25:10.400
<v Speaker 2>Eric breaks it down. Nice apartment, hardwood floor's little kid

0:25:10.520 --> 0:25:13.680
<v Speaker 2>overlooking the park. Corey stops him, whoa, whoa? How did

0:25:13.680 --> 0:25:15.240
<v Speaker 2>she get an apartment overlooking the park?

0:25:15.560 --> 0:25:15.840
<v Speaker 1>Great?

0:25:15.960 --> 0:25:19.960
<v Speaker 2>Eric repeats, funny, I love I love so funny, Corey.

0:25:20.160 --> 0:25:22.240
<v Speaker 1>We go back to Corey the real estate when he

0:25:22.280 --> 0:25:24.480
<v Speaker 1>was trying to help turn her find a place. I

0:25:24.720 --> 0:25:25.160
<v Speaker 1>love it.

0:25:25.480 --> 0:25:27.280
<v Speaker 2>I thought location Location.

0:25:27.680 --> 0:25:30.520
<v Speaker 3>Incredible, this episode great. In this episode, he's so good

0:25:30.560 --> 0:25:32.520
<v Speaker 3>at this. I mean he's good at everything. He really is.

0:25:32.520 --> 0:25:34.640
<v Speaker 3>If the episode's about him, he can can't he can

0:25:34.680 --> 0:25:37.479
<v Speaker 3>handle the load. But when he's just this kind of

0:25:37.480 --> 0:25:40.680
<v Speaker 3>Corey who's coming in joke machine has the b storyline.

0:25:40.720 --> 0:25:41.280
<v Speaker 3>Oh god, he.

0:25:41.520 --> 0:25:44.440
<v Speaker 1>Has a face that he gives Alan later. That is

0:25:44.480 --> 0:25:46.320
<v Speaker 1>one of the funniest things I've ever seen in my life.

0:25:46.560 --> 0:25:48.399
<v Speaker 1>I have never seen it because I never watched the episode.

0:25:48.400 --> 0:25:49.760
<v Speaker 1>I'm not in the seats. I was like, what is

0:25:49.800 --> 0:25:50.320
<v Speaker 1>he doing?

0:25:50.920 --> 0:25:52.200
<v Speaker 3>He's great? Yeah, he's great.

0:25:52.640 --> 0:25:56.000
<v Speaker 2>Eric repeats, I said she has a kid. Corey's listening

0:25:56.040 --> 0:25:59.400
<v Speaker 2>skills or subpar? Now does she get the afternoon sun

0:25:59.480 --> 0:26:02.080
<v Speaker 2>and everything? Eric responds, If I'm going to involve you

0:26:02.119 --> 0:26:04.320
<v Speaker 2>in these adult conversations, you're gonna have to pick up

0:26:04.320 --> 0:26:07.639
<v Speaker 2>on little key phrases like she has a kid. Corey

0:26:07.680 --> 0:26:10.399
<v Speaker 2>is surprised. Well, that kind of complicates things, doesn't it.

0:26:10.720 --> 0:26:12.960
<v Speaker 2>Eric looks at the positives. They really like each other

0:26:12.960 --> 0:26:15.800
<v Speaker 2>and that's all that matters, right. Eric evaluates his life.

0:26:15.920 --> 0:26:17.960
<v Speaker 2>They're both out in the real world. He's got a

0:26:17.960 --> 0:26:21.040
<v Speaker 2>good job, got me a nice house, frankly, I think

0:26:21.080 --> 0:26:24.840
<v Speaker 2>I'm ready for an adult relationship. I love got me

0:26:24.920 --> 0:26:25.520
<v Speaker 2>a nice.

0:26:25.280 --> 0:26:31.120
<v Speaker 3>House bedroom share with his brother.

0:26:32.440 --> 0:26:34.360
<v Speaker 1>The door, like, it's just perfect.

0:26:34.760 --> 0:26:38.720
<v Speaker 2>Yep, so great, Corey is happy for him. That's great?

0:26:38.800 --> 0:26:41.080
<v Speaker 2>What ad mom and dad think? Eric whimpers, I'm too

0:26:41.119 --> 0:26:44.720
<v Speaker 2>scared to tell him. And then we're in Kelly's apartment

0:26:44.960 --> 0:26:47.920
<v Speaker 2>and now I'm wondering, are we in Ben Finals week?

0:26:49.680 --> 0:26:49.800
<v Speaker 4>This?

0:26:49.800 --> 0:26:52.040
<v Speaker 2>This feels like too big of an episode. This feels

0:26:52.040 --> 0:26:54.359
<v Speaker 2>like too and even for this, he's in too much

0:26:54.440 --> 0:26:56.160
<v Speaker 2>of it to be a Ben Finals week.

0:26:56.000 --> 0:26:57.800
<v Speaker 3>Right, Yeah, it's It's normally like a scene at the

0:26:57.880 --> 0:26:59.760
<v Speaker 3>end in a Ben Finals week or two scenes at

0:26:59.760 --> 0:27:02.000
<v Speaker 3>the end. It seemed like this was just a B storyline.

0:27:03.119 --> 0:27:07.679
<v Speaker 2>Yeah. Also, I've noticed, and Ben has Finals, his scenes

0:27:07.680 --> 0:27:10.320
<v Speaker 2>are usually in like the same set so they can be.

0:27:10.280 --> 0:27:14.040
<v Speaker 1>Shot sitting down somewhere so he doesn't have to rehearse.

0:27:14.200 --> 0:27:14.480
<v Speaker 3>Yeah.

0:27:14.560 --> 0:27:16.720
<v Speaker 2>Yeah. So Kelly is cleaning up toys when she hears

0:27:16.720 --> 0:27:18.520
<v Speaker 2>a knock at her front door. It's Eric with a

0:27:18.520 --> 0:27:21.440
<v Speaker 2>bouquet of flowers. She admits, I didn't expect to see

0:27:21.480 --> 0:27:24.240
<v Speaker 2>you again, so you didn't expect to see him again,

0:27:24.280 --> 0:27:28.080
<v Speaker 2>But your feels a little weird.

0:27:28.320 --> 0:27:29.960
<v Speaker 3>I think it's the final test.

0:27:30.400 --> 0:27:33.080
<v Speaker 2>Yeah, I guess, I guess, I guess worst case scenario.

0:27:33.280 --> 0:27:35.399
<v Speaker 2>She just introduced Ryan. She didn't say this is a

0:27:35.440 --> 0:27:37.600
<v Speaker 2>guy I'm dating. So for all Ryan knows, he could

0:27:37.600 --> 0:27:41.119
<v Speaker 2>have been there to fix the TV. Like, no, I

0:27:41.160 --> 0:27:43.399
<v Speaker 2>know you were not fix the TV.

0:27:44.440 --> 0:27:44.600
<v Speaker 4>Uh.

0:27:49.280 --> 0:27:53.920
<v Speaker 3>Way to make that for something? Just making of anything,

0:27:53.960 --> 0:27:55.280
<v Speaker 3>as long as you say it weird.

0:27:56.240 --> 0:28:01.280
<v Speaker 2>As long as I make you, you're onto something. There

0:28:03.960 --> 0:28:06.600
<v Speaker 2>when most guys find out about and Eric stops her,

0:28:06.920 --> 0:28:09.439
<v Speaker 2>I'm not most guys. Eric tells her he has a

0:28:09.440 --> 0:28:11.240
<v Speaker 2>little brother and a little sister, so he's used to

0:28:11.240 --> 0:28:14.119
<v Speaker 2>being around kids. In fact, he loves kids. He shoots

0:28:14.119 --> 0:28:16.679
<v Speaker 2>a mini basketball into a kid's basketball hoop and makes it.

0:28:16.920 --> 0:28:19.520
<v Speaker 1>No, wait, isn't it a mini football.

0:28:20.560 --> 0:28:21.040
<v Speaker 3>Basketball?

0:28:21.119 --> 0:28:24.200
<v Speaker 1>It is a basketball, wasn't it. I thought he picked

0:28:24.240 --> 0:28:26.800
<v Speaker 1>up a football and threw in the basketball. Was like, yeah,

0:28:27.000 --> 0:28:28.159
<v Speaker 1>it's my kind of sports.

0:28:28.240 --> 0:28:31.920
<v Speaker 2>No, rider, the round ones, the round ones are basketball.

0:28:33.000 --> 0:28:35.960
<v Speaker 2>The oblong shape is for football.

0:28:36.200 --> 0:28:38.760
<v Speaker 1>So he scored a goal. He scored a goal?

0:28:39.480 --> 0:28:47.840
<v Speaker 3>He why is yeah? I also thought be a joke.

0:28:47.960 --> 0:28:49.120
<v Speaker 3>I thought they were going to build it up for

0:28:49.160 --> 0:28:51.000
<v Speaker 3>a joke. He was gonna miss something was gonna happen.

0:28:51.080 --> 0:28:52.920
<v Speaker 3>I was like, oh no, you just shot from a foot.

0:28:52.720 --> 0:28:55.720
<v Speaker 2>Away, and it really like to add that in, really

0:28:55.800 --> 0:28:58.200
<v Speaker 2>like could have ruined some takes. If you don't make

0:28:58.240 --> 0:28:59.120
<v Speaker 2>it every time.

0:28:59.600 --> 0:29:05.760
<v Speaker 1>It's will. He did not miss anything, even if he.

0:29:05.840 --> 0:29:07.680
<v Speaker 2>Just made it the first one. Then you have it.

0:29:07.800 --> 0:29:10.920
<v Speaker 2>You don't need to worry about it the rest of them. So, uh,

0:29:10.920 --> 0:29:13.640
<v Speaker 2>that's true. So Kelly breaks it to him, having a kid,

0:29:13.640 --> 0:29:15.800
<v Speaker 2>brother and sister of your own is a little different

0:29:15.840 --> 0:29:18.600
<v Speaker 2>than being around someone else's kid. This doesn't scare Eric.

0:29:18.720 --> 0:29:21.120
<v Speaker 2>He's excited to get to know Ryan. Kelly gushes and

0:29:21.160 --> 0:29:24.240
<v Speaker 2>embraces him. I'm so glad I met you, Eric Matthews.

0:29:24.640 --> 0:29:27.560
<v Speaker 2>Then Ryan runs into the room. Mommy, he cowers as

0:29:27.560 --> 0:29:31.640
<v Speaker 2>he passes Eric. Hello, Sir. Eric playfully responds, sir, No, buddy,

0:29:31.680 --> 0:29:34.120
<v Speaker 2>it's Eric. I met you the other night. Kelly tells

0:29:34.160 --> 0:29:36.120
<v Speaker 2>him he gets a little shy around new people, and

0:29:36.240 --> 0:29:38.000
<v Speaker 2>Eric sits down next to Ryan and asks if he

0:29:38.000 --> 0:29:40.360
<v Speaker 2>can go out for a burger. They'll even bring his mom.

0:29:40.600 --> 0:29:43.120
<v Speaker 2>Ryan asks, you want to come with us? Kelly shrugs,

0:29:43.280 --> 0:29:45.280
<v Speaker 2>I suppose, but you got to put your sweater on first.

0:29:45.600 --> 0:29:48.480
<v Speaker 2>Ryan wins. He doesn't want to. Eric steps in and

0:29:48.520 --> 0:29:51.200
<v Speaker 2>grabs the sweater. I know something about this sweater, and

0:29:51.280 --> 0:29:54.120
<v Speaker 2>I bet that I bet you you don't. This sweater

0:29:54.280 --> 0:29:57.400
<v Speaker 2>was made by a magic genie. He whispers to Kelly,

0:29:57.480 --> 0:30:00.520
<v Speaker 2>our genie's still hot. She encourages him to keep going,

0:30:00.960 --> 0:30:04.480
<v Speaker 2>so Eric tells Ryan anyone who wears this sweater can fly.

0:30:05.600 --> 0:30:08.640
<v Speaker 2>Ryan isn't buying it. Give me a break. Eric shrugs, fine,

0:30:08.720 --> 0:30:11.160
<v Speaker 2>don't fly. Take the bus, and as the adults get

0:30:11.200 --> 0:30:13.560
<v Speaker 2>ready to leave, Ryan puts on the sweater. See this

0:30:13.640 --> 0:30:16.560
<v Speaker 2>sweater can't. Then Eric swoops in to pick up Ryan

0:30:16.560 --> 0:30:17.640
<v Speaker 2>and fly him around the room.

0:30:18.080 --> 0:30:21.160
<v Speaker 1>It makes such perfect sense that eron, I know, wonderful

0:30:21.200 --> 0:30:23.960
<v Speaker 1>with kids, right, Yes, I love this as a development

0:30:24.000 --> 0:30:29.160
<v Speaker 1>of his character. It's like, yes, that makes.

0:30:28.560 --> 0:30:30.440
<v Speaker 3>Well, that's where Tommy came from. I mean, this is

0:30:30.520 --> 0:30:34.240
<v Speaker 3>clearly it's so bonned the whole Tommy, because again, when

0:30:34.280 --> 0:30:37.280
<v Speaker 3>I was watching the episode, I'm way more comfortable working

0:30:37.320 --> 0:30:40.320
<v Speaker 3>with Justin than I was with Britney, and so I

0:30:40.440 --> 0:30:41.520
<v Speaker 3>was just more relaxed.

0:30:41.520 --> 0:30:44.040
<v Speaker 1>I don't know if that's all your fault, man, I

0:30:44.200 --> 0:30:47.640
<v Speaker 1>feel like the whole first half of this scene is

0:30:47.760 --> 0:30:50.920
<v Speaker 1>just a little conflict free in a way that like

0:30:51.720 --> 0:30:54.760
<v Speaker 1>I think, I don't know, there's just something about the

0:30:54.760 --> 0:30:57.360
<v Speaker 1>fact that you're like, I'm not most guys, and she's like,

0:30:57.560 --> 0:30:59.680
<v Speaker 1>I'm so glad I met you. Eric Matthews. It's like

0:31:00.120 --> 0:31:02.320
<v Speaker 1>all just sort of like everything's working out, and then

0:31:02.600 --> 0:31:04.360
<v Speaker 1>it also works out that you get along with the kid.

0:31:04.400 --> 0:31:05.760
<v Speaker 1>I was kind of like we could have had some

0:31:05.880 --> 0:31:08.920
<v Speaker 1>layers here of like Eric being nervous in the kid,

0:31:09.040 --> 0:31:11.280
<v Speaker 1>she being nervous about Eric and the kid. Then Eric

0:31:11.320 --> 0:31:13.960
<v Speaker 1>and the kid get along great. It could have been

0:31:14.000 --> 0:31:17.040
<v Speaker 1>like one more turn if because the beginning was so

0:31:17.200 --> 0:31:19.200
<v Speaker 1>conflict free, and I felt that for a couple of

0:31:19.240 --> 0:31:22.080
<v Speaker 1>these these scenes with her, it's it's just a little

0:31:22.200 --> 0:31:25.800
<v Speaker 1>like you know that people presenting their their ideas and

0:31:25.840 --> 0:31:28.160
<v Speaker 1>their state of life as opposed to being in conflict

0:31:28.160 --> 0:31:28.720
<v Speaker 1>with one another.

0:31:28.800 --> 0:31:31.920
<v Speaker 3>I think it's an overall conflict for Eric because this

0:31:32.040 --> 0:31:34.720
<v Speaker 3>is the yogurt cup, this is I found my level,

0:31:35.160 --> 0:31:36.880
<v Speaker 3>this is where I'm going to be, and this is

0:31:36.920 --> 0:31:38.640
<v Speaker 3>what I'm this is and I'm fine with it. I

0:31:38.680 --> 0:31:41.040
<v Speaker 3>love it. I'm embracing it. And I think they've done

0:31:41.080 --> 0:31:42.760
<v Speaker 3>that with Eric a bunch of times, where it's like,

0:31:42.920 --> 0:31:45.080
<v Speaker 3>you know, this is okay, here's I'm going.

0:31:45.080 --> 0:31:46.920
<v Speaker 1>To live in this time. He's fine, and then the

0:31:46.960 --> 0:31:50.200
<v Speaker 1>audience is supposed to know it's not sad for him, right,

0:31:50.240 --> 0:31:52.320
<v Speaker 1>But actually, as an actor, that's really hard to play

0:31:52.400 --> 0:31:55.120
<v Speaker 1>because it's a conflict, which is, right, yeah, you're just

0:31:55.160 --> 0:31:56.360
<v Speaker 1>like cool, everything's great.

0:31:58.240 --> 0:31:59.800
<v Speaker 2>He said, that's why I don't do it well. But

0:31:59.840 --> 0:32:03.320
<v Speaker 2>it's it's true because the same thing I felt in

0:32:03.360 --> 0:32:06.280
<v Speaker 2>that yogurt Cup episode, which is like I actually kind

0:32:06.320 --> 0:32:08.240
<v Speaker 2>of at the end of that I kind of thought,

0:32:08.240 --> 0:32:10.440
<v Speaker 2>maybe it would have been good for you to do it.

0:32:10.720 --> 0:32:12.840
<v Speaker 2>And at the end of this episode, I was a

0:32:12.920 --> 0:32:19.120
<v Speaker 2>little like everyone every parent has lost their kid for

0:32:19.200 --> 0:32:21.640
<v Speaker 2>one second and had this experience where they freaked out.

0:32:21.680 --> 0:32:24.160
<v Speaker 2>And I understand that what they're saying is parents have

0:32:24.200 --> 0:32:26.400
<v Speaker 2>made that choice. You don't get the opportunity to back

0:32:26.440 --> 0:32:28.680
<v Speaker 2>out of it after you've already become a parent. But

0:32:28.800 --> 0:32:32.520
<v Speaker 2>like Eric is really good at it, and Eric does

0:32:32.640 --> 0:32:35.120
<v Speaker 2>realize that he's freaked out and he made a mistake

0:32:35.160 --> 0:32:37.600
<v Speaker 2>and that it is really hard. I don't know. I

0:32:37.600 --> 0:32:39.240
<v Speaker 2>felt the same way at the end of this one too,

0:32:39.240 --> 0:32:42.040
<v Speaker 2>which is like, man, this guy's let him look at

0:32:42.080 --> 0:32:44.520
<v Speaker 2>these things. He's good at yeah, it feels like a

0:32:44.560 --> 0:32:48.000
<v Speaker 2>real relationship. But I will also say, the reason we

0:32:48.120 --> 0:32:49.920
<v Speaker 2>know and the reason it hurts us that Eric had

0:32:49.960 --> 0:32:53.240
<v Speaker 2>ever ended up then in a long term serious relationship,

0:32:53.560 --> 0:32:56.400
<v Speaker 2>is because these episodes showed us how much love he

0:32:56.440 --> 0:32:59.640
<v Speaker 2>has to give and showed us how great he is

0:32:59.680 --> 0:33:03.920
<v Speaker 2>in relationship. So it's extra bitter that we never actually

0:33:03.960 --> 0:33:05.320
<v Speaker 2>got to see it be carried out.

0:33:05.400 --> 0:33:08.720
<v Speaker 1>Yeah, and she goes from I'm so lucky to have

0:33:08.760 --> 0:33:12.400
<v Speaker 1>met you, Eric Matthews to breaking up with him because

0:33:12.440 --> 0:33:14.040
<v Speaker 1>he lost his kid.

0:33:14.840 --> 0:33:16.880
<v Speaker 3>I guess, well, no, I think it's because she's letting

0:33:16.960 --> 0:33:20.840
<v Speaker 3>him go because she not what's best for him.

0:33:21.240 --> 0:33:23.720
<v Speaker 2>Yeah, even if he decides, even if he's really fighting

0:33:23.760 --> 0:33:27.560
<v Speaker 2>for it, and I do like that. She at the

0:33:27.640 --> 0:33:31.360
<v Speaker 2>end says, well, you know where we live, and then

0:33:31.480 --> 0:33:33.560
<v Speaker 2>we don't know if maybe he's going to show back

0:33:33.640 --> 0:33:35.760
<v Speaker 2>up the next day. But by the time he comes home,

0:33:35.960 --> 0:33:38.760
<v Speaker 2>he has also agreed that what would be best for

0:33:38.840 --> 0:33:42.120
<v Speaker 2>him is taking the SATs. But I was a little

0:33:42.400 --> 0:33:43.040
<v Speaker 2>sad by it.

0:33:44.120 --> 0:33:46.160
<v Speaker 3>I'd be the mayor of yogurt toown right now with

0:33:46.240 --> 0:33:46.560
<v Speaker 3>a kid.

0:33:46.760 --> 0:33:49.960
<v Speaker 2>But no, nope, look at that, Eric yells, we have

0:33:50.040 --> 0:33:52.240
<v Speaker 2>engine failure, and together they land on the couch with

0:33:52.280 --> 0:33:54.840
<v Speaker 2>a big boom. Ryan loves it. He wants to do

0:33:54.880 --> 0:33:58.240
<v Speaker 2>it again. Kelly interrupts, mommy's hungry, let's go. Eric tells

0:33:58.240 --> 0:34:00.600
<v Speaker 2>her there's this really nice restaurant he knows of, but

0:34:00.680 --> 0:34:03.480
<v Speaker 2>Kelly says, kids in nice restaurants don't really work together.

0:34:03.920 --> 0:34:06.800
<v Speaker 2>Eric admits some might think it's elegant and romantic, but

0:34:07.560 --> 0:34:09.600
<v Speaker 2>and we optical flip to where else?

0:34:10.239 --> 0:34:12.800
<v Speaker 1>Chubby like this joke was undercup by the fact that

0:34:12.840 --> 0:34:15.360
<v Speaker 1>they already they were there. The data chokes.

0:34:15.520 --> 0:34:16.640
<v Speaker 3>I thought the same thing. I was like, it was

0:34:16.640 --> 0:34:17.560
<v Speaker 3>a little we were just.

0:34:17.640 --> 0:34:19.520
<v Speaker 1>I know where we're going. I'm getting the tea up

0:34:19.719 --> 0:34:22.880
<v Speaker 1>and the reveal. But oh, we already.

0:34:23.160 --> 0:34:23.799
<v Speaker 3>I felt the same thing.

0:34:24.440 --> 0:34:26.520
<v Speaker 2>So this new little family is sitting at a booth

0:34:26.560 --> 0:34:29.000
<v Speaker 2>and Ryan asks if he can play pinball. Eric pulls

0:34:29.000 --> 0:34:30.799
<v Speaker 2>some quarters out of his pocket and sends him on

0:34:30.840 --> 0:34:33.760
<v Speaker 2>his way. I think the O J Jersey is gone,

0:34:33.960 --> 0:34:36.640
<v Speaker 2>by the way, I saw no remnants.

0:34:36.840 --> 0:34:39.560
<v Speaker 3>You think somebody finally went, hey, wait a second, we

0:34:39.600 --> 0:34:41.800
<v Speaker 3>should take that down. This might not be the best.

0:34:42.680 --> 0:34:46.920
<v Speaker 2>So now alone, Eric and Kelly snuggle. Kelly asks, Okay,

0:34:47.040 --> 0:34:50.200
<v Speaker 2>what's wrong with you? Eric's confused? What the quarters. I

0:34:50.280 --> 0:34:53.839
<v Speaker 2>do my own laundry. Do they not have a washer

0:34:53.920 --> 0:34:54.920
<v Speaker 2>and dryer at the Matthews home?

0:34:54.960 --> 0:34:57.839
<v Speaker 3>Apparently they don't have a washer or a dryer at

0:34:57.880 --> 0:34:58.600
<v Speaker 3>the Matthew's house.

0:34:58.840 --> 0:34:59.960
<v Speaker 1>That seems really unlikely.

0:35:00.480 --> 0:35:02.760
<v Speaker 2>Or they make you do your laundry. It's very strange

0:35:02.800 --> 0:35:06.319
<v Speaker 2>at a laundromat, so Kelly explains, you say all the

0:35:06.360 --> 0:35:08.719
<v Speaker 2>right things. You're good with Ryan, you're cute as heck,

0:35:08.760 --> 0:35:11.080
<v Speaker 2>and you're not running away. Eric says the right thing

0:35:11.120 --> 0:35:13.440
<v Speaker 2>to her, yet again, what could be better than this?

0:35:14.040 --> 0:35:15.799
<v Speaker 2>He admits that all the other girls he's dated, if

0:35:15.800 --> 0:35:19.200
<v Speaker 2>seems so young, Kelly is well grounded and responsible for

0:35:19.280 --> 0:35:22.319
<v Speaker 2>a whole other life. Kelly nods Ryan has been a

0:35:22.360 --> 0:35:24.640
<v Speaker 2>blessing in her life, but at this point in Eric's life,

0:35:24.719 --> 0:35:27.600
<v Speaker 2>is that something he wants. They both look at Ryan,

0:35:27.640 --> 0:35:29.680
<v Speaker 2>who's playing pinball, and he gives them a cute little

0:35:29.680 --> 0:35:32.480
<v Speaker 2>wave and a grin. Eric admits, this is where my

0:35:32.520 --> 0:35:35.359
<v Speaker 2>life is going. Kelly smiles and asks Eric about his.

0:35:35.239 --> 0:35:37.520
<v Speaker 1>Family moving so fast, very quick.

0:35:38.000 --> 0:35:43.160
<v Speaker 2>I know this is where my life is going. Eric

0:35:43.200 --> 0:35:45.520
<v Speaker 2>tells her about Corey. He likes the guy he's turning

0:35:45.520 --> 0:35:47.840
<v Speaker 2>into and actually enjoys hanging out with him now and

0:35:47.920 --> 0:35:50.440
<v Speaker 2>on cue. Corey and Sean walk into Chubbies and Eric

0:35:50.480 --> 0:35:54.680
<v Speaker 2>says not now, get out of here. Sean asks, oh,

0:35:54.920 --> 0:35:58.560
<v Speaker 2>and this is hilarious.

0:35:59.000 --> 0:36:01.840
<v Speaker 1>It's really. I mean, I've definitely had this moment with

0:36:01.960 --> 0:36:05.360
<v Speaker 1>friends where like Indy was two years old and people

0:36:05.400 --> 0:36:08.680
<v Speaker 1>are like, how's your baby? I'm like my baby, Okay,

0:36:08.920 --> 0:36:10.680
<v Speaker 1>well it's been a while since we've seen each other.

0:36:10.719 --> 0:36:13.040
<v Speaker 1>Then you have no idea what children are like.

0:36:14.480 --> 0:36:17.040
<v Speaker 2>They baby.

0:36:18.000 --> 0:36:18.280
<v Speaker 3>Baby?

0:36:18.480 --> 0:36:21.239
<v Speaker 2>Sean asks, where's the baby? Eric repeats himself, get out

0:36:21.280 --> 0:36:23.800
<v Speaker 2>of here now. They don't listen. Corey introduces himself and

0:36:23.840 --> 0:36:26.120
<v Speaker 2>Sean and Sean asks again, no, really, where's the baby?

0:36:26.280 --> 0:36:29.400
<v Speaker 2>He looks under the table. Kelly points to the pinball

0:36:29.400 --> 0:36:31.360
<v Speaker 2>game and Sean responds, Oh, do you mind if I

0:36:31.360 --> 0:36:34.320
<v Speaker 2>go over there and play with the baby? Eric vouches

0:36:34.360 --> 0:36:36.520
<v Speaker 2>for him, so Sean walks over to play Cory.

0:36:36.520 --> 0:36:39.239
<v Speaker 1>The better joke would have been less awe and more

0:36:39.280 --> 0:36:42.920
<v Speaker 1>if I had gone like, oh, like, and you think

0:36:42.960 --> 0:36:44.960
<v Speaker 1>Sean's going to recognize, oh, he's not a baby, and

0:36:45.000 --> 0:36:47.200
<v Speaker 1>it said he's like, then turns oh, can I go

0:36:47.200 --> 0:36:48.839
<v Speaker 1>play with the baby?

0:36:48.920 --> 0:36:49.120
<v Speaker 2>Right?

0:36:51.360 --> 0:36:54.840
<v Speaker 1>Go back righter? And then I do the worst background

0:36:54.880 --> 0:36:59.239
<v Speaker 1>acting in the history of Hysterically. I walk over and

0:36:59.360 --> 0:37:02.000
<v Speaker 1>don't talk to the kid. I don't even like play

0:37:02.040 --> 0:37:04.719
<v Speaker 1>with him. I just stand there and you can see

0:37:04.719 --> 0:37:09.000
<v Speaker 1>my face in the so bad I was not on

0:37:09.160 --> 0:37:09.799
<v Speaker 1>this week, guys.

0:37:11.320 --> 0:37:13.399
<v Speaker 3>He disengaged. I'm out.

0:37:13.480 --> 0:37:14.480
<v Speaker 1>I'm going to have a small part.

0:37:14.600 --> 0:37:19.560
<v Speaker 2>Okay, oh man. Corey says they're going to a movie

0:37:19.600 --> 0:37:21.600
<v Speaker 2>and was wondering if they'd like to come along. Eric

0:37:21.680 --> 0:37:23.719
<v Speaker 2>loves the idea, but Kelly admits I have to get

0:37:23.800 --> 0:37:26.680
<v Speaker 2>Ryan to bed. But you guys go ahead. Corey urges Eric,

0:37:26.719 --> 0:37:28.680
<v Speaker 2>you do not want to miss this one. It's Jim

0:37:28.760 --> 0:37:31.720
<v Speaker 2>Carrey and Steven Seagal starring, and what are you doing

0:37:31.800 --> 0:37:33.280
<v Speaker 2>in my movie?

0:37:34.840 --> 0:37:39.359
<v Speaker 4>I'd watch that, but it's such a random joke that

0:37:39.480 --> 0:37:41.839
<v Speaker 4>it seems like a placeholder joke, like a two am joke.

0:37:41.840 --> 0:37:42.800
<v Speaker 3>And they're like, we're not going to beat that.

0:37:42.920 --> 0:37:46.600
<v Speaker 1>Oh yes, you know. They kept going.

0:37:48.160 --> 0:37:48.480
<v Speaker 4>Keep it.

0:37:48.480 --> 0:37:48.879
<v Speaker 3>It's great.

0:37:49.960 --> 0:37:51.919
<v Speaker 2>Eric thinks about it, but tells Corey it's all about

0:37:51.920 --> 0:37:54.719
<v Speaker 2>priorities and his are changing. He turns to Kelly and

0:37:54.760 --> 0:37:56.359
<v Speaker 2>asks if he can come home with her and read

0:37:56.440 --> 0:37:59.120
<v Speaker 2>Ryan a story. Kelly's more than happy to hear that,

0:37:59.239 --> 0:38:02.000
<v Speaker 2>and Corey look a little let down, and then we're

0:38:02.000 --> 0:38:02.920
<v Speaker 2>in the Matthew's living room.

0:38:02.920 --> 0:38:04.680
<v Speaker 1>I think this is where I was kind of like,

0:38:06.760 --> 0:38:09.839
<v Speaker 1>wouldn't she be worried about this at all? I mean,

0:38:10.000 --> 0:38:12.880
<v Speaker 1>especially considering where she ends up, which is that she's

0:38:13.160 --> 0:38:16.040
<v Speaker 1>very aware of like him moving too fast and not

0:38:16.120 --> 0:38:19.240
<v Speaker 1>being ready, and so I don't know, I just want.

0:38:19.080 --> 0:38:21.800
<v Speaker 3>To I think maybe she's falling into the fantasy a

0:38:21.840 --> 0:38:23.480
<v Speaker 3>little bit too, where it's like, how did I meet

0:38:23.520 --> 0:38:27.759
<v Speaker 3>somebody that could this actually work? You know, I had

0:38:27.760 --> 0:38:29.560
<v Speaker 3>a kid so early in my life, is so different

0:38:29.600 --> 0:38:32.200
<v Speaker 3>than everybody around my age, Like, did I actually meet

0:38:32.200 --> 0:38:34.279
<v Speaker 3>somebody that this kid? So that's how I chalked it up.

0:38:34.320 --> 0:38:36.800
<v Speaker 3>Was kind of like she wants it to be yeah.

0:38:36.640 --> 0:38:40.480
<v Speaker 2>And she obviously hasn't experienced that before because she is

0:38:40.560 --> 0:38:43.279
<v Speaker 2>what she has experienced, does everyone running the minute they

0:38:43.280 --> 0:38:46.160
<v Speaker 2>hear about him? So she doesn't really know how does

0:38:46.239 --> 0:38:47.640
<v Speaker 2>this go when it goes? Well?

0:38:47.840 --> 0:38:49.399
<v Speaker 3>Playing into the fantasy at this.

0:38:49.360 --> 0:39:03.759
<v Speaker 2>Point, right exactly. So, Topanga and Corey are studying for

0:39:03.800 --> 0:39:06.320
<v Speaker 2>the SATs while Sean sets his feet on the coffee

0:39:06.320 --> 0:39:08.759
<v Speaker 2>table and leans back in a chair. Tapega reads a

0:39:08.840 --> 0:39:11.319
<v Speaker 2>question aloud and Sean can't handle it. He grabs his

0:39:11.360 --> 0:39:13.480
<v Speaker 2>head in agony again, and to Panga opens the front

0:39:13.520 --> 0:39:15.960
<v Speaker 2>door so he can stumble out. And you're not wearing

0:39:15.960 --> 0:39:20.719
<v Speaker 2>the leather jacket here. You're wearing a different jacket, and

0:39:20.800 --> 0:39:22.560
<v Speaker 2>I don't know why.

0:39:22.400 --> 0:39:24.520
<v Speaker 3>Are you wearing Is this the scene, Danielle where you're

0:39:24.560 --> 0:39:26.280
<v Speaker 3>wearing a sweater crop top.

0:39:26.200 --> 0:39:27.240
<v Speaker 2>A crop top sweater?

0:39:27.320 --> 0:39:29.520
<v Speaker 3>Yeah, you're now officially in that.

0:39:29.840 --> 0:39:33.879
<v Speaker 2>No. No, because my tummy's not showing. I have hot,

0:39:33.960 --> 0:39:36.520
<v Speaker 2>so my belly button still needs to be warm. I'm

0:39:36.560 --> 0:39:39.520
<v Speaker 2>like Lonnie who wants a coold belly button?

0:39:39.960 --> 0:39:40.320
<v Speaker 3>Gotcha?

0:39:40.400 --> 0:39:44.240
<v Speaker 1>I was wondering again, it was like warm about wardrobe

0:39:44.280 --> 0:39:47.200
<v Speaker 1>so much because I was really bothered by how color

0:39:47.239 --> 0:39:50.919
<v Speaker 1>clashing Eric and Corey's wardrobe was in this scene, because

0:39:50.920 --> 0:39:53.160
<v Speaker 1>it's like they're both you guys are both wearing like

0:39:53.280 --> 0:39:56.439
<v Speaker 1>reddish sweaters. I was just like, wait, it's like they're

0:39:56.560 --> 0:40:01.400
<v Speaker 1>just close enough to bug me, right, that's funny. Something

0:40:01.480 --> 0:40:02.520
<v Speaker 1>was off this this scene.

0:40:02.560 --> 0:40:06.000
<v Speaker 2>Something was off with the wardrobe this this scene. Maybe so,

0:40:06.080 --> 0:40:08.560
<v Speaker 2>Corey smiles, you did that just so we could be alone.

0:40:08.680 --> 0:40:11.440
<v Speaker 2>To Pega walks over and bites his ear while rubbing

0:40:11.480 --> 0:40:14.719
<v Speaker 2>his shoulders. Corey sighs, the ear nice.

0:40:17.400 --> 0:40:18.399
<v Speaker 3>From the audience too.

0:40:18.600 --> 0:40:22.600
<v Speaker 2>Oh yeah, Eric makes his way downstairs. You take those

0:40:22.719 --> 0:40:25.800
<v Speaker 2>SATs six or seven times, you start losing that loving feeling.

0:40:26.160 --> 0:40:28.400
<v Speaker 2>Corey tries to encourage him. Maybe the eighth times the

0:40:28.480 --> 0:40:30.879
<v Speaker 2>charm for you. Why don't you take the SATs again?

0:40:31.000 --> 0:40:33.799
<v Speaker 2>You could go to college, Corey asks if Eric's still

0:40:33.800 --> 0:40:36.720
<v Speaker 2>thinking about college, and Eric shrugs, maybe I'll get around

0:40:36.719 --> 0:40:38.600
<v Speaker 2>to it. But right now I'm happy with my life.

0:40:38.640 --> 0:40:41.360
<v Speaker 2>He's got a good job, a good girl, good kid.

0:40:41.600 --> 0:40:43.240
<v Speaker 2>His life is really coming together.

0:40:43.640 --> 0:40:47.440
<v Speaker 3>Yeah, at Wilderness Store plays it pays well at Wilderness Store.

0:40:47.480 --> 0:40:49.640
<v Speaker 3>That doubt still still living with mom and dad.

0:40:49.680 --> 0:40:51.920
<v Speaker 2>But well, that's one of the reasons that exactly, it's

0:40:51.920 --> 0:40:54.040
<v Speaker 2>one of the reasons the Wilderness Store pays so well. Yeah,

0:40:54.080 --> 0:40:56.920
<v Speaker 2>you don't have to pay for anything else. Then Amy

0:40:56.920 --> 0:40:59.399
<v Speaker 2>and Allen walk in looking less than happy. Corey into

0:40:59.440 --> 0:41:02.360
<v Speaker 2>Pega greet them, but they don't say anything. Penga gets nervous,

0:41:02.600 --> 0:41:05.160
<v Speaker 2>I'm gonna go now, your dad is scaring me. Cory

0:41:05.200 --> 0:41:08.239
<v Speaker 2>assures her everything is just fine. Alan butts in good

0:41:08.320 --> 0:41:11.320
<v Speaker 2>night to Panga. Pega says by and rushes out. Corey

0:41:11.320 --> 0:41:13.239
<v Speaker 2>tries to say he's leaving with her too, but Alan

0:41:13.280 --> 0:41:16.600
<v Speaker 2>points at him. You stay. Corey's confused. I thought you

0:41:16.640 --> 0:41:19.359
<v Speaker 2>guys were going out. Alan scoffs. We did. We got

0:41:19.360 --> 0:41:22.560
<v Speaker 2>about three blocks and the funniest thing happened. We ran

0:41:22.600 --> 0:41:26.320
<v Speaker 2>out of gas. Amy asks, now, who had that car last?

0:41:26.600 --> 0:41:30.080
<v Speaker 2>Alan shouts, good question. I think I know the answer.

0:41:30.320 --> 0:41:33.640
<v Speaker 2>Could it be Corey? Alan explains the rule he who

0:41:33.719 --> 0:41:37.320
<v Speaker 2>has the car last fills the tank with gas. Corey

0:41:37.360 --> 0:41:40.480
<v Speaker 2>apologizes and says he forgot, but Alan interrupts, you're about

0:41:40.520 --> 0:41:43.520
<v Speaker 2>three blocks too late for Sorry, no car for a week.

0:41:43.800 --> 0:41:46.359
<v Speaker 2>Corey's jaw drops and his parents walk out of the room.

0:41:46.760 --> 0:41:49.320
<v Speaker 1>Oh going back. This was where Ben made the face

0:41:49.480 --> 0:41:52.759
<v Speaker 1>when he was when Alan's teeing him up about who

0:41:53.000 --> 0:41:56.440
<v Speaker 1>you know, and I've telling the story and Corey knows

0:41:56.480 --> 0:41:59.919
<v Speaker 1>what's coming. Ben just makes the perfect light. I don't

0:42:00.040 --> 0:42:01.880
<v Speaker 1>I'm gonna pretend I don't know what you're talking about,

0:42:01.920 --> 0:42:05.480
<v Speaker 1>but I'm so worried. It was hysterical.

0:42:05.600 --> 0:42:07.160
<v Speaker 3>Oh my moments that.

0:42:09.120 --> 0:42:10.920
<v Speaker 1>It was perfect, so funny.

0:42:11.719 --> 0:42:14.080
<v Speaker 2>So Corey complains to Eric he could have at least

0:42:14.120 --> 0:42:16.680
<v Speaker 2>let me explain. Eric asks what he had and Corey

0:42:16.680 --> 0:42:20.600
<v Speaker 2>admits nothing. I had nothing. Eric is sympathetic. I was

0:42:20.600 --> 0:42:22.759
<v Speaker 2>once a son myself. I'll go in there and try

0:42:22.800 --> 0:42:24.880
<v Speaker 2>to straighten it out for you. Okay. Corey thanks him,

0:42:24.880 --> 0:42:27.160
<v Speaker 2>and Eric shows off a very proud strut on the

0:42:27.200 --> 0:42:27.960
<v Speaker 2>head of the kitchen.

0:42:28.080 --> 0:42:29.440
<v Speaker 3>Yeah.

0:42:29.480 --> 0:42:31.680
<v Speaker 2>And then we're in the Matthew's kitchen. Eric tells Alan,

0:42:31.719 --> 0:42:35.080
<v Speaker 2>who's dressed like he's delivering packages for you. Ps. I

0:42:35.120 --> 0:42:35.880
<v Speaker 2>can't believe.

0:42:35.920 --> 0:42:41.400
<v Speaker 3>It's like seventies brown the whole and what something's off?

0:42:40.800 --> 0:42:43.080
<v Speaker 3>Something weird because I noticed that as well. It's like

0:42:43.280 --> 0:42:46.239
<v Speaker 3>it's like, are we doing a time travel episode again?

0:42:46.239 --> 0:42:46.960
<v Speaker 1>What are they wearing?

0:42:47.400 --> 0:42:50.920
<v Speaker 2>Yeah, I can't believe the way Corey was laughing at

0:42:50.960 --> 0:42:55.320
<v Speaker 2>you behind your back. Alan. I know it is funny

0:42:55.320 --> 0:42:57.440
<v Speaker 2>because then it doesn't really go anywhere, but it's just like.

0:42:57.440 --> 0:43:00.240
<v Speaker 3>I'll take care of it. Then it's he was really

0:43:00.280 --> 0:43:01.279
<v Speaker 3>saying bad things about you.

0:43:01.600 --> 0:43:03.719
<v Speaker 2>Alan gives a confused look. Just as we hear a

0:43:03.760 --> 0:43:06.600
<v Speaker 2>car honk outside. Eric says that's Kelly and he begins

0:43:06.680 --> 0:43:08.839
<v Speaker 2>to leave, but Amy stops him. You guys have been

0:43:08.880 --> 0:43:10.680
<v Speaker 2>going out for a while, we still haven't met her.

0:43:10.719 --> 0:43:12.839
<v Speaker 2>You should invite her to come in. Eric says they're

0:43:12.840 --> 0:43:15.040
<v Speaker 2>in a hurry, but Amy yells to Kelly come on in.

0:43:15.640 --> 0:43:18.200
<v Speaker 2>Eric's obviously not into the idea, and Alan asks, afraid

0:43:18.239 --> 0:43:20.920
<v Speaker 2>I'll say something to embarrass you. Kelly walks through the

0:43:20.960 --> 0:43:24.120
<v Speaker 2>door and meets the Matthews, introducing herself. Alan child's at

0:43:24.160 --> 0:43:26.080
<v Speaker 2>a boy as he looks her up and down like

0:43:26.120 --> 0:43:28.240
<v Speaker 2>a total creep, Oh weird thing.

0:43:28.080 --> 0:43:31.440
<v Speaker 1>To do, boy, and.

0:43:31.440 --> 0:43:35.640
<v Speaker 2>Looks her up and down. Amy is rightfully embarrassed.

0:43:36.920 --> 0:43:40.360
<v Speaker 1>So many beautiful women. Every every time a door opens

0:43:40.360 --> 0:43:42.680
<v Speaker 1>and a woman walks in on the show, she's gorgeous.

0:43:43.520 --> 0:43:44.359
<v Speaker 1>It's like the.

0:43:44.440 --> 0:43:47.520
<v Speaker 3>Question I had was is and I might be just

0:43:47.600 --> 0:43:49.560
<v Speaker 3>reading too much into this or hopefully this is what

0:43:49.600 --> 0:43:54.320
<v Speaker 3>it was, is that Alan is doing that specifically to

0:43:54.400 --> 0:43:58.560
<v Speaker 3>embarrass Eric. No, because he says, you don't want you

0:43:58.560 --> 0:44:00.719
<v Speaker 3>don't want me to say anything embarrassing, do you like?

0:44:00.880 --> 0:44:04.200
<v Speaker 3>And then he comes in and so he specifically says something, yeah,

0:44:04.320 --> 0:44:05.520
<v Speaker 3>that he knows will be embarrassed.

0:44:05.560 --> 0:44:08.640
<v Speaker 1>It's a charitable to jay. I think if you inserted

0:44:08.640 --> 0:44:10.600
<v Speaker 1>a little more irony in the performance, I might have

0:44:10.640 --> 0:44:15.560
<v Speaker 1>seen that. I think actually the the the joke that

0:44:15.600 --> 0:44:18.000
<v Speaker 1>the writers were going for is that she's older.

0:44:18.080 --> 0:44:21.879
<v Speaker 2>Right, so more like right, it's somebody he would even

0:44:21.880 --> 0:44:24.160
<v Speaker 2>be attracted to like because.

0:44:24.040 --> 0:44:26.760
<v Speaker 1>Because remember when you dated the older woman that Amy

0:44:26.800 --> 0:44:29.360
<v Speaker 1>worked with, Alan was like stoked for you, Like that

0:44:29.480 --> 0:44:31.040
<v Speaker 1>was part of it. And so I think you're playing

0:44:31.080 --> 0:44:33.160
<v Speaker 1>back on that idea of like Alan being like, oh,

0:44:33.200 --> 0:44:36.520
<v Speaker 1>you've got a real woman this time. Unfortunately she you, guys,

0:44:36.560 --> 0:44:38.279
<v Speaker 1>you look older if you look like you're in your

0:44:38.280 --> 0:44:40.160
<v Speaker 1>early twenties, and she looks like she's in early twenties.

0:44:40.200 --> 0:44:43.400
<v Speaker 1>So it doesn't seem like that storyline doesn't visually read.

0:44:43.680 --> 0:44:47.640
<v Speaker 3>Agreed, I was trying to be charitable, Yeah, but unfortunately

0:44:47.760 --> 0:44:49.640
<v Speaker 3>I think you're both right, but I'm trying to be charitrible.

0:44:49.880 --> 0:44:53.200
<v Speaker 2>Amy is rightfully embarrassed, and she introduces herself and Alan.

0:44:53.360 --> 0:44:59.160
<v Speaker 2>Alan shyly smiles, Hello, Kelly, Zippit, Alan Zippit. Then Ryan

0:44:59.200 --> 0:45:01.960
<v Speaker 2>walks in and lodge himself between Eric and Kelly. Kelly

0:45:01.960 --> 0:45:04.640
<v Speaker 2>introduces Ryan to Alan and Amy, who stare at the

0:45:04.719 --> 0:45:08.120
<v Speaker 2>kid in shock. Alan stutters, trying to act normal. Did

0:45:08.120 --> 0:45:11.560
<v Speaker 2>you hear that? Amy? They've got a son? And then

0:45:11.920 --> 0:45:14.600
<v Speaker 2>we go to the commercial break. We're in the Matthew's kitchen.

0:45:14.640 --> 0:45:16.520
<v Speaker 2>Amy gets it together to tell Ryan and Kelly that

0:45:16.560 --> 0:45:19.040
<v Speaker 2>it's nice to meet them both. Alan offers to get

0:45:19.040 --> 0:45:22.360
<v Speaker 2>everyone a drink a juice box. Maybe. Kelly quietly asks

0:45:22.520 --> 0:45:25.240
<v Speaker 2>Eric why he didn't tell them, and he bluffs it's easy,

0:45:25.480 --> 0:45:28.400
<v Speaker 2>then proceeds to quickly introduce his parents to Ryan. Kelly

0:45:28.440 --> 0:45:30.759
<v Speaker 2>gives a full introduction of Ryan to the Matthew saying

0:45:30.800 --> 0:45:32.840
<v Speaker 2>he's six years old and the love of her life.

0:45:33.360 --> 0:45:35.960
<v Speaker 2>Then Morgan peeps her head into the kitchen. Did someone

0:45:35.960 --> 0:45:38.680
<v Speaker 2>mention laser tag? She wants to come too. Alan tells

0:45:38.680 --> 0:45:41.400
<v Speaker 2>her they're on a date and Morgan doesn't understand, so

0:45:41.760 --> 0:45:45.239
<v Speaker 2>she's bringing her brother. Ryan corrects her. I know they

0:45:45.239 --> 0:45:46.759
<v Speaker 2>acted like this was such a burn, like it.

0:45:46.719 --> 0:45:47.680
<v Speaker 3>Was such a huge thing.

0:45:47.920 --> 0:45:51.600
<v Speaker 1>Oh, I know, I do like this, you know, inserting

0:45:51.600 --> 0:45:53.640
<v Speaker 1>Morgan into this situation makes it a lot of sense,

0:45:53.680 --> 0:45:56.680
<v Speaker 1>and it's a cool way to highlight Oh this is awkward,

0:45:56.760 --> 0:45:59.919
<v Speaker 1>And I actually thought maybe they would play that out

0:46:00.000 --> 0:46:02.520
<v Speaker 1>throughout the episode, like Morgan does come along and then

0:46:02.640 --> 0:46:06.120
<v Speaker 1>Eric has to navigate having a father relationship with one

0:46:06.200 --> 0:46:09.279
<v Speaker 1>kid and a brother relationship with another. I thought that

0:46:09.440 --> 0:46:13.160
<v Speaker 1>was actually rich territory for a cool yeah, like conflict

0:46:13.200 --> 0:46:15.759
<v Speaker 1>as it is like right now, I guess the act

0:46:15.800 --> 0:46:19.279
<v Speaker 1>break conflict is that Alan and Amy are discovering that.

0:46:19.800 --> 0:46:21.520
<v Speaker 1>But then that's like, what are they going to do, Like,

0:46:21.560 --> 0:46:23.320
<v Speaker 1>it's not like they're going to say, don't date somebody

0:46:23.320 --> 0:46:25.680
<v Speaker 1>who as a kid. That's not a problem really, it's

0:46:25.760 --> 0:46:31.040
<v Speaker 1>just okay. So the conflict is kind of immediately evaporated. Yeah,

0:46:31.200 --> 0:46:34.080
<v Speaker 1>I was waiting for something more to kind of develop here,

0:46:34.160 --> 0:46:36.840
<v Speaker 1>and it, Yeah, doesn't it just happens.

0:46:37.440 --> 0:46:40.759
<v Speaker 2>Ryan corrects her, she's my mom. Morgan says, then she'll

0:46:40.800 --> 0:46:43.319
<v Speaker 2>just bring her mom too. Eric's had enough. Whoever wants

0:46:43.320 --> 0:46:44.959
<v Speaker 2>to come can come, but for the love of God,

0:46:45.040 --> 0:46:47.680
<v Speaker 2>no more talking. Kelly tells the Matthews it was nice

0:46:47.680 --> 0:46:50.160
<v Speaker 2>meeting them, and she hopes to see them again. Amy

0:46:50.200 --> 0:46:53.880
<v Speaker 2>says she's welcome anytime. Morgan apologizes to Ryan for thinking

0:46:53.920 --> 0:46:56.360
<v Speaker 2>his mom was his sister, and Ryan shrugs, it's okay.

0:46:56.480 --> 0:46:58.960
<v Speaker 2>It happens all the time. Kelly and Ryan walk out,

0:46:59.000 --> 0:47:02.960
<v Speaker 2>with Morgan and following behind them, Morgan, no, goodbye, she

0:47:03.040 --> 0:47:05.759
<v Speaker 2>just leaves. I was a little like, oh, I guess

0:47:05.800 --> 0:47:06.320
<v Speaker 2>she is going.

0:47:06.400 --> 0:47:09.400
<v Speaker 3>I didn't realize she's leaving now apparently.

0:47:09.480 --> 0:47:12.120
<v Speaker 2>Yeah, And then we're in Corey's room. Corey complains to

0:47:12.200 --> 0:47:14.080
<v Speaker 2>Eric about how nuts their dad is going about the

0:47:14.080 --> 0:47:16.719
<v Speaker 2>whole car thing. Eric asks you, he's been all over

0:47:16.760 --> 0:47:19.080
<v Speaker 2>me about Kelly and it's only been five dates. It's

0:47:19.120 --> 0:47:21.680
<v Speaker 2>not like I'm planning my big June wedding. And then

0:47:21.760 --> 0:47:23.880
<v Speaker 2>on cue, Eric walks out of the closet wearing a

0:47:23.920 --> 0:47:28.920
<v Speaker 2>good looking guy tucks. As he checks himself out, Corey

0:47:28.920 --> 0:47:31.279
<v Speaker 2>brings up the SATs again. They can even take them

0:47:31.280 --> 0:47:32.560
<v Speaker 2>together and help each other out.

0:47:32.840 --> 0:47:35.440
<v Speaker 1>This is my favorite see it of the episode, by

0:47:35.440 --> 0:47:38.000
<v Speaker 1>the way, just you two in the bedroom. Yeah, I

0:47:38.000 --> 0:47:41.640
<v Speaker 1>don't know. Something about this too felt comfortable and it

0:47:41.680 --> 0:47:43.759
<v Speaker 1>was all like, this is really fun. This felt old

0:47:43.760 --> 0:47:47.319
<v Speaker 1>family sitcom dynamics, everyone sort of talking through where they're at.

0:47:47.360 --> 0:47:49.000
<v Speaker 1>It's it's just good. It's good, and you guys are

0:47:48.960 --> 0:47:49.680
<v Speaker 1>all so good in it.

0:47:49.840 --> 0:47:53.799
<v Speaker 2>Yeah, Eric responds on my little Corey with your get

0:47:53.880 --> 0:47:59.280
<v Speaker 2>smart quick schemes. The good old sessat ship sound.

0:48:00.160 --> 0:48:02.640
<v Speaker 1>I mean, this is one of those lines that's just

0:48:02.760 --> 0:48:06.759
<v Speaker 1>so so funny, I know, and yet so clever. It's

0:48:06.800 --> 0:48:09.440
<v Speaker 1>just so stink and clever. I'm just like, yeah, that's

0:48:09.480 --> 0:48:12.240
<v Speaker 1>the kind of thing that people like lodges into people's

0:48:12.239 --> 0:48:15.120
<v Speaker 1>brains and they don't remember what episode of Boy thet

0:48:15.120 --> 0:48:18.399
<v Speaker 1>World it is. But the good ship ss S s AT

0:48:18.600 --> 0:48:22.000
<v Speaker 1>and your delivery. It's just so witty. I love it.

0:48:22.040 --> 0:48:22.840
<v Speaker 1>I love it.

0:48:22.840 --> 0:48:23.720
<v Speaker 3>It was fun dialogue.

0:48:35.040 --> 0:48:38.560
<v Speaker 2>Corey clarifies, So that's it. No college. Eric shrugs. It's

0:48:38.560 --> 0:48:40.440
<v Speaker 2>not like I'm ruining my life or anything. I'll just

0:48:40.480 --> 0:48:42.320
<v Speaker 2>move on to what I would have done after college.

0:48:42.480 --> 0:48:46.000
<v Speaker 2>Corey raises an eyebrow. Secret service guy. Eric gets serious,

0:48:46.200 --> 0:48:49.520
<v Speaker 2>you read my secret dossier. Alan walks into say good night.

0:48:49.600 --> 0:48:51.600
<v Speaker 2>He points to Corey. I hope you understand why I

0:48:51.640 --> 0:48:55.120
<v Speaker 2>took away your driving privileges. Corey nods, I completely understand.

0:48:55.280 --> 0:48:57.800
<v Speaker 2>So can I have the car tomorrow night? Alan scoffs.

0:48:57.880 --> 0:49:00.000
<v Speaker 2>Cory must be kidding. Corey says, it's been a couple

0:49:00.000 --> 0:49:02.880
<v Speaker 2>of days already. Why wouldn't he be able to Alan clarifies,

0:49:03.080 --> 0:49:05.960
<v Speaker 2>I said a week. Alan then points to Eric. Take

0:49:06.000 --> 0:49:10.879
<v Speaker 2>off my tuxedo. Eric groans fits Eric pretty perfectly right.

0:49:11.200 --> 0:49:13.920
<v Speaker 3>We never ever get into why he's in the tuxio right,

0:49:14.200 --> 0:49:15.840
<v Speaker 3>No idea? What I think we could be going to

0:49:15.840 --> 0:49:17.000
<v Speaker 3>the prom somebody?

0:49:17.160 --> 0:49:18.040
<v Speaker 1>No idea? Why never?

0:49:18.160 --> 0:49:19.200
<v Speaker 3>It's never mentioned?

0:49:19.480 --> 0:49:21.360
<v Speaker 1>Are you just trying to be more grown up? Is

0:49:21.360 --> 0:49:23.040
<v Speaker 1>the idea? Like you're trying to dress up.

0:49:23.360 --> 0:49:27.839
<v Speaker 2>I do think the the implication is that you were

0:49:27.920 --> 0:49:32.080
<v Speaker 2>planning your June wedding and you are so invested in

0:49:32.120 --> 0:49:35.759
<v Speaker 2>this relationship with her and imagining your future that you

0:49:35.800 --> 0:49:37.640
<v Speaker 2>were like, I'm going to go try on my dad's top,

0:49:37.680 --> 0:49:39.120
<v Speaker 2>I'm going to get a picture of this. That you

0:49:39.160 --> 0:49:42.160
<v Speaker 2>really are lost in the fantasy of your future as

0:49:42.160 --> 0:49:45.279
<v Speaker 2>a family man. So I think that's the implication, which

0:49:45.280 --> 0:49:47.399
<v Speaker 2>is why it never really needs to be addressed. But

0:49:47.840 --> 0:49:50.560
<v Speaker 2>it is odd. It's a little like Morgan getting into

0:49:50.560 --> 0:49:54.000
<v Speaker 2>the tutu and then there'll be like no reason for

0:49:54.080 --> 0:49:54.480
<v Speaker 2>that either.

0:49:54.760 --> 0:49:57.280
<v Speaker 1>I mean maybe even just Alan being a little more confused,

0:49:57.360 --> 0:49:59.520
<v Speaker 1>like take off my talks, what do you do? And

0:49:59.520 --> 0:50:02.440
<v Speaker 1>then a response that kind of gives him.

0:50:02.760 --> 0:50:06.040
<v Speaker 3>Anybody remember the last time Eric was in that same.

0:50:05.880 --> 0:50:07.359
<v Speaker 2>Tux good look the good looking guy.

0:50:07.400 --> 0:50:10.000
<v Speaker 1>Good looking guy, Yeah, which was an episode where you

0:50:10.760 --> 0:50:12.320
<v Speaker 1>went on a date with a girl who does she

0:50:12.360 --> 0:50:14.719
<v Speaker 1>have a kid? In that one too? Didn't at the

0:50:14.800 --> 0:50:15.880
<v Speaker 1>end of the episode.

0:50:15.480 --> 0:50:17.800
<v Speaker 2>You end up in it was the real episode?

0:50:17.920 --> 0:50:20.319
<v Speaker 1>Yeah, yeah, and I think she also has a kid.

0:50:20.680 --> 0:50:23.240
<v Speaker 3>She did? Yeah, I remember the kids making put on texes,

0:50:23.560 --> 0:50:24.239
<v Speaker 3>that's what it is.

0:50:24.320 --> 0:50:27.239
<v Speaker 1>Yeah, kids equals kids make him get a job. The

0:50:27.239 --> 0:50:28.760
<v Speaker 1>fear of dating a woman.

0:50:28.560 --> 0:50:31.480
<v Speaker 2>With a kid spurs fantasy.

0:50:32.040 --> 0:50:34.959
<v Speaker 1>Go on to the SATs and focus on college, because god,

0:50:35.440 --> 0:50:35.920
<v Speaker 1>you could.

0:50:35.719 --> 0:50:39.440
<v Speaker 2>Be a dad right now, Alan hoofs between the two

0:50:39.480 --> 0:50:42.520
<v Speaker 2>of you, guys, I've got nothing. He walks out, and

0:50:42.560 --> 0:50:45.759
<v Speaker 2>Corey is defeated. He's taking this dad stuff way too seriously.

0:50:46.200 --> 0:50:48.760
<v Speaker 2>Eric tries to be the voice of reason. I've learned

0:50:48.760 --> 0:50:50.600
<v Speaker 2>something and all the time I've spent with Ryan, the

0:50:50.680 --> 0:50:54.560
<v Speaker 2>key to a successful father son relationship is friendship, communication

0:50:54.880 --> 0:50:57.839
<v Speaker 2>and trust. And occasionally you throw in a Tootsie roll.

0:50:58.880 --> 0:50:59.880
<v Speaker 2>Not bad advice.

0:51:00.680 --> 0:51:01.640
<v Speaker 3>Tutsi rolls are great.

0:51:03.239 --> 0:51:05.600
<v Speaker 2>And then we get a variation on the optical flip

0:51:05.640 --> 0:51:08.240
<v Speaker 2>to Chubby's. We focus on a huge pile of Tutsi

0:51:08.320 --> 0:51:10.520
<v Speaker 2>rolls on the pool room table where Eric and Ryan

0:51:10.560 --> 0:51:15.360
<v Speaker 2>are sitting. It's not the pool room table, right right, right, Yeah,

0:51:15.400 --> 0:51:17.879
<v Speaker 2>there's a bunch of toys and stuffed animals scattered around them.

0:51:17.960 --> 0:51:20.960
<v Speaker 2>Ryan asks his new dad, what do we do now?

0:51:21.200 --> 0:51:24.080
<v Speaker 2>Eric replies, we sit now, buddy, If that's okay, I

0:51:24.080 --> 0:51:26.600
<v Speaker 2>think sitting's the only thing we haven't done all day.

0:51:27.160 --> 0:51:29.600
<v Speaker 2>Ryan excitedly asks can we go to the zoo? Eric

0:51:29.640 --> 0:51:31.760
<v Speaker 2>tells him they already went to the zoo. He reminds

0:51:31.800 --> 0:51:33.800
<v Speaker 2>him how he had to jump into the ocelot cage

0:51:33.800 --> 0:51:36.239
<v Speaker 2>to get Ryan's sixers hat from the game they went to.

0:51:36.719 --> 0:51:39.920
<v Speaker 2>It is worth noting. Eric holds up the Classic Sports

0:51:39.960 --> 0:51:45.520
<v Speaker 2>Specialties Sixers snapback, which currently averages around two hundred dollars

0:51:45.600 --> 0:51:47.480
<v Speaker 2>on eBay.

0:51:48.120 --> 0:51:50.799
<v Speaker 3>Who says, I didn't, I didn't.

0:51:50.800 --> 0:51:57.080
<v Speaker 2>It's got mothballs in it. Ryan remembers, yes, right, Ryan remembers,

0:51:57.160 --> 0:51:59.880
<v Speaker 2>you were scared. You ran fast. Eric thought the a

0:52:00.160 --> 0:52:01.920
<v Speaker 2>lot was part of the Gerbil organization.

0:52:02.719 --> 0:52:06.560
<v Speaker 1>Laughs, falling asleep because we are just doing backstory conversation

0:52:06.800 --> 0:52:08.960
<v Speaker 1>for a page and a half. That is not funny,

0:52:08.960 --> 0:52:11.000
<v Speaker 1>but you get to say what's happening, just kind of

0:52:11.920 --> 0:52:15.000
<v Speaker 1>why are we talking about what happened? And two characters

0:52:15.239 --> 0:52:16.440
<v Speaker 1>regurgitating their.

0:52:16.520 --> 0:52:20.200
<v Speaker 2>Daily They needed to set up why. Eric was ready

0:52:20.280 --> 0:52:24.000
<v Speaker 2>to take it with yeah and why yes.

0:52:23.920 --> 0:52:27.120
<v Speaker 1>They having a page and a half of it, and

0:52:27.160 --> 0:52:29.480
<v Speaker 1>then you did this, and then you did that, and

0:52:29.520 --> 0:52:31.640
<v Speaker 1>then you.

0:52:29.880 --> 0:52:36.600
<v Speaker 2>Did Ryan laughs. So they were Leopards, Eric shoots back,

0:52:36.680 --> 0:52:39.120
<v Speaker 2>but you told me they were Gerbils. They share a

0:52:39.200 --> 0:52:41.279
<v Speaker 2>laugh and Ryan tells them he doesn't mind sitting just

0:52:41.320 --> 0:52:43.640
<v Speaker 2>as long as Eric sits with him. Eric says he'll

0:52:43.640 --> 0:52:45.920
<v Speaker 2>be sitting with him, no worries, and then Corey to

0:52:45.920 --> 0:52:48.200
<v Speaker 2>Pega and Sean walk in and Sean's shouts it's the

0:52:48.280 --> 0:52:52.960
<v Speaker 2>baby to Pengaleen's down and gushas, aren't you adorable? Ryan

0:52:53.000 --> 0:52:55.799
<v Speaker 2>hans are a Tootsie roll. In return, Sean announces, all

0:52:55.840 --> 0:52:57.839
<v Speaker 2>right to Penga, me and Corey against you and you're

0:52:57.840 --> 0:53:01.480
<v Speaker 2>going down to thank doesn't think that's fair? You didn't

0:53:01.520 --> 0:53:01.719
<v Speaker 2>like that?

0:53:02.040 --> 0:53:05.200
<v Speaker 1>No, what is happening to me that? I feel like

0:53:05.239 --> 0:53:07.880
<v Speaker 1>I just showed up on tape night, read the script

0:53:07.960 --> 0:53:13.920
<v Speaker 1>and was like what am I saying? Okay, and make

0:53:14.000 --> 0:53:17.200
<v Speaker 1>it so false and so like forced.

0:53:17.680 --> 0:53:21.880
<v Speaker 2>It's so Bega doesn't think that's fair, so she asks

0:53:22.040 --> 0:53:24.600
<v Speaker 2>Eric to be on her team. Eric can't. He takes

0:53:24.600 --> 0:53:28.000
<v Speaker 2>his babysitting responsibilities pretty seriously. As the gang gets the

0:53:28.040 --> 0:53:31.080
<v Speaker 2>game ready, Eric turns to Ryan and pleads one quick game?

0:53:31.160 --> 0:53:33.560
<v Speaker 2>Can I? Ryan wines, you said you were going to

0:53:33.600 --> 0:53:36.040
<v Speaker 2>be with me. Eric assures him he'll still be with him,

0:53:36.080 --> 0:53:37.920
<v Speaker 2>He just wants to play a quick game with his friends.

0:53:38.239 --> 0:53:40.360
<v Speaker 2>Ryan asks if he can be on Eric's team, and

0:53:40.480 --> 0:53:42.680
<v Speaker 2>Eric jokes, well, you're still too short to see over

0:53:42.680 --> 0:53:46.120
<v Speaker 2>the table. Ryan sadly asks, you'd rather be with them?

0:53:46.480 --> 0:53:48.520
<v Speaker 2>Eric says no, it's just that he's been with Ryan

0:53:48.560 --> 0:53:51.759
<v Speaker 2>all day. Ryan siys, it's okay, you can go play

0:53:51.760 --> 0:53:53.960
<v Speaker 2>with them. Eric tells him he's the coolest and hands

0:53:54.040 --> 0:53:56.400
<v Speaker 2>him a Tootsie roll before tousling his hair and endearment.

0:53:56.960 --> 0:53:58.759
<v Speaker 2>Ryan looks at the Tutsi roll and then back at

0:53:58.840 --> 0:54:01.759
<v Speaker 2>Eric as he walks away. He's bummed. Eric grabs a

0:54:01.760 --> 0:54:03.800
<v Speaker 2>pool stick and Sean asks what he and his baby

0:54:03.840 --> 0:54:07.480
<v Speaker 2>have been up. To Eric's s eyes, they did everything

0:54:07.560 --> 0:54:10.080
<v Speaker 2>there is to do in the world. Eric tells Corey,

0:54:10.200 --> 0:54:12.200
<v Speaker 2>you have no idea how adult you look to me

0:54:12.280 --> 0:54:12.719
<v Speaker 2>right now.

0:54:13.560 --> 0:54:16.239
<v Speaker 1>I just want to there is nothing more devastating than

0:54:16.280 --> 0:54:18.919
<v Speaker 1>you are kid, or a kid being more mature than you,

0:54:19.400 --> 0:54:22.719
<v Speaker 1>or or like having sympathy for you as a as

0:54:22.760 --> 0:54:25.080
<v Speaker 1>like I had this moment with Indy. We were on

0:54:25.160 --> 0:54:29.120
<v Speaker 1>vacation with some friends and they had a daughter who

0:54:29.200 --> 0:54:32.719
<v Speaker 1>was like two years younger than Indy, and he had

0:54:32.760 --> 0:54:35.960
<v Speaker 1>spent all day with this four year old and he

0:54:36.040 --> 0:54:39.640
<v Speaker 1>was six, and you know, four year old to a

0:54:39.680 --> 0:54:42.520
<v Speaker 1>six year old seem like they're annoying or right, and

0:54:43.160 --> 0:54:44.600
<v Speaker 1>so at the end of the night, you know, he

0:54:44.840 --> 0:54:47.600
<v Speaker 1>and I were swimming in the pool at this hotel

0:54:47.239 --> 0:54:51.680
<v Speaker 1>and he's like, Dad, let's say this girl's name was Sarah.

0:54:51.719 --> 0:54:54.080
<v Speaker 1>He's like, Dad, when you hang out with me, is

0:54:54.080 --> 0:54:57.440
<v Speaker 1>it like Sarah? Do I annoy you? Like Sarah annoys me?

0:54:57.960 --> 0:55:01.920
<v Speaker 1>And I was like, oh, yes, they are so insightful.

0:55:02.360 --> 0:55:06.040
<v Speaker 1>That's exactly what it feels like. Oh, but it broke

0:55:06.080 --> 0:55:08.120
<v Speaker 1>my heart because I was like, oh, I cannot let

0:55:08.200 --> 0:55:10.279
<v Speaker 1>him feel that, you know, But of course I had

0:55:10.320 --> 0:55:13.319
<v Speaker 1>because I'm a parent and I'm harried and doing other

0:55:13.360 --> 0:55:14.920
<v Speaker 1>things and letting it, you know, and I just it

0:55:15.000 --> 0:55:17.399
<v Speaker 1>was like such it was the most heartbreaking thing because

0:55:17.400 --> 0:55:19.080
<v Speaker 1>if he had said to me, like, Dad, hang out

0:55:19.080 --> 0:55:21.040
<v Speaker 1>with me, play with me, I would have, you know,

0:55:21.360 --> 0:55:23.160
<v Speaker 1>found a way to like rebuff him and talk to

0:55:23.239 --> 0:55:24.880
<v Speaker 1>him or try and do it. But for him to

0:55:24.960 --> 0:55:28.000
<v Speaker 1>like have the next level of like putting he knew

0:55:28.239 --> 0:55:30.440
<v Speaker 1>my mental state and was able to see it, and

0:55:30.480 --> 0:55:32.880
<v Speaker 1>that was just so devastated. I was like, yeah, sometimes

0:55:33.200 --> 0:55:34.959
<v Speaker 1>sometimes you are you know, you're young.

0:55:35.200 --> 0:55:38.080
<v Speaker 2>It's okay, it's okay, I still love you.

0:55:38.400 --> 0:55:40.600
<v Speaker 1>Oh. Anyway, just reminded me of that a lot.

0:55:40.920 --> 0:55:43.680
<v Speaker 2>That's so funny. That is very insightful of him. Though

0:55:43.680 --> 0:55:46.560
<v Speaker 2>I appreciate that I don't want children.

0:55:46.960 --> 0:55:49.160
<v Speaker 3>The more you guys talk, let's be honest.

0:55:49.560 --> 0:55:52.480
<v Speaker 1>No, it's great, man, Now, anyone like this moment, even

0:55:52.480 --> 0:55:55.520
<v Speaker 1>though it was devastating, was really beautiful in a way.

0:55:55.560 --> 0:55:57.480
<v Speaker 1>You know, it actually brought Andy and I closer together

0:55:57.560 --> 0:56:00.160
<v Speaker 1>because you know that I could say to him like, yea,

0:56:00.239 --> 0:56:02.600
<v Speaker 1>you are kid, you are different than me, and that's great. Like,

0:56:02.640 --> 0:56:05.239
<v Speaker 1>that's what's fun about our engagement is that we're not

0:56:05.600 --> 0:56:08.200
<v Speaker 1>just friends. We're not the same, We're not equals in

0:56:08.560 --> 0:56:11.400
<v Speaker 1>all of our development. It's it's a constant conversation.

0:56:12.200 --> 0:56:14.920
<v Speaker 2>Ryan hears this and looks crushed. He walks over to

0:56:15.000 --> 0:56:16.840
<v Speaker 2>Eric and tugs on his sweater. He asks if he

0:56:16.840 --> 0:56:19.120
<v Speaker 2>can get some ice cream. Eric hands him some money

0:56:19.120 --> 0:56:22.279
<v Speaker 2>and Ryan thanks him for everything. He runs off and

0:56:22.400 --> 0:56:25.200
<v Speaker 2>Eric takes his first pool shot. Eric asks the group

0:56:25.200 --> 0:56:27.520
<v Speaker 2>when they're actually taking the SATs into Panga tells him

0:56:27.560 --> 0:56:29.880
<v Speaker 2>it's a week from Saturday. Sean gets a burst of

0:56:29.920 --> 0:56:34.000
<v Speaker 2>pain again. A Corey reveals he told Sean that Saturday

0:56:34.080 --> 0:56:37.960
<v Speaker 2>is just cake day at school and perhaps some crem

0:56:38.040 --> 0:56:41.680
<v Speaker 2>brew let. He and Sean both grin.

0:56:41.800 --> 0:56:42.640
<v Speaker 1>It's a cake face.

0:56:43.400 --> 0:56:44.520
<v Speaker 3>Yea, The Simpsons.

0:56:47.000 --> 0:56:48.960
<v Speaker 2>Eric calls his next shot and tells Ryan to come

0:56:49.000 --> 0:56:51.040
<v Speaker 2>watch it, but it gets no response. They all turn

0:56:51.120 --> 0:56:54.160
<v Speaker 2>to look for him, but he's gone. Sean gasps, the

0:56:54.239 --> 0:56:55.320
<v Speaker 2>baby's gone.

0:56:56.440 --> 0:56:58.399
<v Speaker 3>That's the new Chubby's angle, isn't it. Have we seen

0:56:58.400 --> 0:57:02.160
<v Speaker 3>an angle before? No, whole table room straight through.

0:57:02.880 --> 0:57:05.920
<v Speaker 2>We haven't seen that. Yeah, we've never seen all the

0:57:05.920 --> 0:57:09.479
<v Speaker 2>way from the pool table room to the bar line

0:57:09.640 --> 0:57:12.920
<v Speaker 2>the counter. Yeah. And then we're in Kelly's apartment. Eric's pacing.

0:57:13.000 --> 0:57:15.560
<v Speaker 2>He yelled at Ryan. He can't believe he yelled at Ryan.

0:57:15.920 --> 0:57:18.960
<v Speaker 2>Kelly assures him it's fine. Ryan's in bed, he's sleeping.

0:57:19.040 --> 0:57:21.800
<v Speaker 2>It's over. Eric admits, I flipped out. I saw him

0:57:21.800 --> 0:57:24.160
<v Speaker 2>sitting outside on the curb, and I started screaming at him.

0:57:24.440 --> 0:57:27.200
<v Speaker 2>Even there, Even though Eric only took his eye off

0:57:27.200 --> 0:57:30.080
<v Speaker 2>of him for one minute, anything could have happened. Eric

0:57:30.120 --> 0:57:32.440
<v Speaker 2>asks how she does this every day. She says she

0:57:32.480 --> 0:57:35.120
<v Speaker 2>does it because she loves him. Eric explains, I was

0:57:35.160 --> 0:57:37.200
<v Speaker 2>with him all day. I just wanted a minute to myself,

0:57:37.200 --> 0:57:39.800
<v Speaker 2>and he got so upset. Kelly tells him, he's not

0:57:39.880 --> 0:57:42.360
<v Speaker 2>upset at you, he's upset at not having a full

0:57:42.400 --> 0:57:44.800
<v Speaker 2>time father every minute of every day to make up

0:57:44.800 --> 0:57:48.120
<v Speaker 2>for what he's lost. Eric says he needs so much.

0:57:48.680 --> 0:57:51.480
<v Speaker 2>Kelly agrees and tells Eric he's going to be such

0:57:51.600 --> 0:57:55.400
<v Speaker 2>a great dad when he's ready. Just because she's a

0:57:55.440 --> 0:57:59.160
<v Speaker 2>mom doesn't mean he has to be a dad. Eric

0:57:59.200 --> 0:58:01.760
<v Speaker 2>grabs her hand. He's not looking to get out of this,

0:58:02.040 --> 0:58:04.440
<v Speaker 2>She shakes her head. I know that, but listen to me.

0:58:04.840 --> 0:58:07.280
<v Speaker 2>You still have so many options available to you in

0:58:07.320 --> 0:58:11.200
<v Speaker 2>your life. Take advantage of them, she nervously. She nervously laughs,

0:58:11.520 --> 0:58:14.960
<v Speaker 2>you know I'm right. Eric musters out, you're dumping me.

0:58:15.640 --> 0:58:17.960
<v Speaker 2>She says, no, I just think that the fair thing

0:58:18.000 --> 0:58:20.080
<v Speaker 2>would be to get out of this before anybody gets

0:58:20.120 --> 0:58:23.480
<v Speaker 2>too attached. Eric thinks he let her down, and she

0:58:23.480 --> 0:58:25.480
<v Speaker 2>tells him no, the only way he could have let

0:58:25.520 --> 0:58:27.560
<v Speaker 2>her down is if he stuck around just to be

0:58:27.680 --> 0:58:28.320
<v Speaker 2>a nice guy.

0:58:28.800 --> 0:58:31.080
<v Speaker 3>When I am acting in this scene, ooh, I'm I'm

0:58:31.280 --> 0:58:33.840
<v Speaker 3>trying swinging for the fences in the scene, I'm really trying.

0:58:34.480 --> 0:58:36.080
<v Speaker 3>This is a scene where I was like, man, it's

0:58:36.120 --> 0:58:38.600
<v Speaker 3>I'm I liked set. I'm making choices, but I didn't

0:58:38.640 --> 0:58:41.560
<v Speaker 3>like the choices I was making, So yeah.

0:58:41.200 --> 0:58:42.840
<v Speaker 2>I thought it was good. I thought I thought it

0:58:42.880 --> 0:58:45.600
<v Speaker 2>was a good scene between the two of you. She

0:58:45.800 --> 0:58:48.840
<v Speaker 2>was great, She's yeah, she's really good in this whole episode.

0:58:48.880 --> 0:58:51.520
<v Speaker 2>I actually, I really thought she did a nice job.

0:58:51.640 --> 0:58:52.840
<v Speaker 2>She did a nice job of.

0:58:54.440 --> 0:58:54.640
<v Speaker 1>Yeah.

0:58:54.720 --> 0:58:57.560
<v Speaker 2>It's a it's a tough balance to play a mom

0:58:57.880 --> 0:59:02.880
<v Speaker 2>who is also a totally kind of well developed character

0:59:03.000 --> 0:59:04.840
<v Speaker 2>outside of being a mom. And even though they don't

0:59:04.840 --> 0:59:06.200
<v Speaker 2>give her like we don't know what she does for

0:59:06.240 --> 0:59:08.840
<v Speaker 2>a living, we don't know any of her like, what

0:59:08.880 --> 0:59:12.680
<v Speaker 2>she even likes. But I felt like, I, I don't know.

0:59:12.720 --> 0:59:15.919
<v Speaker 2>I felt like I liked her as a woman, even

0:59:15.960 --> 0:59:17.440
<v Speaker 2>though all I really knew about her was that she

0:59:17.520 --> 0:59:19.320
<v Speaker 2>was a mom. But I didn't feel like that's one

0:59:19.360 --> 0:59:20.000
<v Speaker 2>of the three types.

0:59:20.160 --> 0:59:21.959
<v Speaker 1>Not a fast girl. She's a mom.

0:59:22.040 --> 0:59:23.960
<v Speaker 2>She's a good girl. She's a mom, good girl, a

0:59:23.960 --> 0:59:27.200
<v Speaker 2>good girl mom. Even though to be a out of

0:59:27.280 --> 0:59:31.480
<v Speaker 2>wedlock mom means she used to be a fast a

0:59:31.560 --> 0:59:32.880
<v Speaker 2>reformed fast.

0:59:32.600 --> 0:59:35.960
<v Speaker 1>Girl or jacket. It's in the closet.

0:59:36.080 --> 0:59:39.000
<v Speaker 3>Corey. She had her own Corey. They were married at eighteen,

0:59:39.040 --> 0:59:41.800
<v Speaker 3>and he passed away in a fiery car crash. Right,

0:59:41.960 --> 0:59:43.680
<v Speaker 3>you don't know, you don't know. She could have been

0:59:43.760 --> 0:59:45.240
<v Speaker 3>a girl, girl, the entire way.

0:59:45.400 --> 0:59:47.600
<v Speaker 2>You have no idea right. Yeah, she could have been

0:59:47.600 --> 0:59:50.760
<v Speaker 2>married at eighteen and married for five days tbanga was

0:59:51.960 --> 0:59:54.000
<v Speaker 2>Eric tells her again, I'm not looking to get out

0:59:54.000 --> 0:59:57.120
<v Speaker 2>of this. She shrugs, well, you know where we live.

0:59:57.600 --> 0:59:59.959
<v Speaker 2>They both look at each other endearingly, and then Ryan

1:00:00.120 --> 1:00:02.080
<v Speaker 2>calls out for his mom. He needs her.

1:00:02.600 --> 1:00:05.479
<v Speaker 1>She smiles, she's okay with caddily dating.

1:00:07.240 --> 1:00:10.360
<v Speaker 2>No, I do think you know where we live is.

1:00:12.000 --> 1:00:15.280
<v Speaker 3>You can come back if you grow up. No, you're

1:00:15.360 --> 1:00:15.960
<v Speaker 3>ready for this.

1:00:16.240 --> 1:00:22.280
<v Speaker 2>I really think. She's saying, you are too nice to

1:00:22.920 --> 1:00:26.240
<v Speaker 2>tell me that you're in over your head. But I

1:00:26.360 --> 1:00:29.600
<v Speaker 2>see that you're in over your head and that's make

1:00:29.680 --> 1:00:31.760
<v Speaker 2>and so I'm going to end it. But you're also

1:00:31.920 --> 1:00:34.560
<v Speaker 2>telling me that you're not willing. I don't want this

1:00:34.640 --> 1:00:36.800
<v Speaker 2>to be put on me. I'm not willing to say yes,

1:00:36.960 --> 1:00:38.840
<v Speaker 2>I'm breaking up with you because I don't like you.

1:00:39.280 --> 1:00:42.080
<v Speaker 2>But I do think if I just if I give

1:00:42.080 --> 1:00:44.800
<v Speaker 2>you an easy out and you really think about it,

1:00:45.160 --> 1:00:47.320
<v Speaker 2>you won't be back because you do know that I'm right,

1:00:47.680 --> 1:00:49.840
<v Speaker 2>And that is then kind of what happens. He leaves

1:00:49.880 --> 1:00:54.680
<v Speaker 2>her house, and his drive home is him thinking about

1:00:55.360 --> 1:00:58.360
<v Speaker 2>do I take the SATs? Do I go to college?

1:00:58.640 --> 1:00:59.840
<v Speaker 2>Is that really what I want?

1:01:00.400 --> 1:01:00.560
<v Speaker 4>Do?

1:01:00.640 --> 1:01:02.600
<v Speaker 2>I want to be a dad now? And he ends

1:01:02.640 --> 1:01:04.560
<v Speaker 2>up making the decision by the time he gets home,

1:01:04.680 --> 1:01:09.480
<v Speaker 2>I'm going to take the SATs. So I did like

1:01:09.600 --> 1:01:12.600
<v Speaker 2>that that that they didn't put him in as they

1:01:12.600 --> 1:01:15.440
<v Speaker 2>didn't put Eric in a situation where she made the

1:01:15.520 --> 1:01:16.160
<v Speaker 2>choice for.

1:01:19.360 --> 1:01:21.120
<v Speaker 3>She opened the door and he's got to decide what

1:01:21.160 --> 1:01:21.800
<v Speaker 3>he wants.

1:01:21.560 --> 1:01:24.680
<v Speaker 2>To do exactly. And she said, you know, listen, I

1:01:24.720 --> 1:01:27.000
<v Speaker 2>think I think if you really are honest with yourself

1:01:27.040 --> 1:01:29.880
<v Speaker 2>and with me, you would realize that you're not ready

1:01:29.920 --> 1:01:32.520
<v Speaker 2>for this. And and what would make me would what

1:01:32.520 --> 1:01:34.560
<v Speaker 2>would be worse for me is for you sticking around

1:01:34.640 --> 1:01:36.680
<v Speaker 2>just to be a nice guy. And and so I

1:01:36.720 --> 1:01:38.439
<v Speaker 2>think they did a pretty good job there. I did

1:01:38.560 --> 1:01:41.160
<v Speaker 2>like that that it was on him. It wasn't that she,

1:01:41.160 --> 1:01:44.240
<v Speaker 2>she took made the choice for him. So Eric holds

1:01:44.240 --> 1:01:47.120
<v Speaker 2>one of the stuffed animals that he got for Ryan

1:01:47.160 --> 1:01:49.520
<v Speaker 2>today and he looks down at it in distress. He

1:01:49.560 --> 1:01:51.480
<v Speaker 2>places it on the table by the doorway and he

1:01:51.600 --> 1:01:55.400
<v Speaker 2>lets himself out, And then we're in the Matthews living room.

1:01:55.600 --> 1:01:58.000
<v Speaker 2>Amy and Allen are cuddling on the couch watching the news.

1:01:58.240 --> 1:02:00.959
<v Speaker 2>Corey tries to quietly sneak in the front door before

1:02:01.000 --> 1:02:02.760
<v Speaker 2>realizing his parents are right there.

1:02:03.120 --> 1:02:06.880
<v Speaker 3>They had to be howling, just the idea. It's he's

1:02:07.160 --> 1:02:08.120
<v Speaker 3>they're staring at him.

1:02:08.160 --> 1:02:10.560
<v Speaker 4>He's staring at them, but he still tiptoes up and

1:02:10.680 --> 1:02:13.080
<v Speaker 4>so good, it's so so funny.

1:02:13.480 --> 1:02:15.720
<v Speaker 2>He's like, commit, just commit.

1:02:16.320 --> 1:02:18.120
<v Speaker 3>It was so funny.

1:02:19.000 --> 1:02:21.400
<v Speaker 2>They stare at him as he tiptoes past them. Once

1:02:21.440 --> 1:02:24.400
<v Speaker 2>he gets to the stairs, he whispers yes, then walks

1:02:24.440 --> 1:02:26.360
<v Speaker 2>to the middle of the stairs, turns around and pretends

1:02:26.400 --> 1:02:29.240
<v Speaker 2>like he's walking down for the first time. Hey, mommy, daddy,

1:02:29.240 --> 1:02:32.120
<v Speaker 2>how you doing. Look at you two? Watching tv? He

1:02:32.200 --> 1:02:34.880
<v Speaker 2>dramatically complains about his eyes. It'd be nice to look

1:02:34.920 --> 1:02:37.760
<v Speaker 2>at something other than a book. Amy deadpans, we know

1:02:37.840 --> 1:02:41.320
<v Speaker 2>you took the car. Corey responds, Sorry, guys, my friends

1:02:41.320 --> 1:02:44.000
<v Speaker 2>needed a ride. You weren't around. It was late. Alan

1:02:44.080 --> 1:02:47.120
<v Speaker 2>angrily responds, I don't care. Eric walks in as the

1:02:47.200 --> 1:02:50.720
<v Speaker 2>argument begins, and Alan continues, you just bought yourself two weeks.

1:02:51.240 --> 1:02:58.640
<v Speaker 2>Corey shocked, and he's acting very entitled. My friends needed

1:02:58.640 --> 1:03:01.320
<v Speaker 2>a ride, Okay, it was late. Why are you treating

1:03:01.320 --> 1:03:04.040
<v Speaker 2>me like a kid? Eric jumps in because you are

1:03:04.080 --> 1:03:07.160
<v Speaker 2>a kid. Corey scoffs, this is none of your business. Okay.

1:03:07.600 --> 1:03:10.680
<v Speaker 2>Eric admits, you're right, it's not because I'm not a dad.

1:03:11.120 --> 1:03:13.240
<v Speaker 2>I do know that he's got a tough time raising us,

1:03:13.440 --> 1:03:15.200
<v Speaker 2>and I know that we don't make it any easier.

1:03:15.600 --> 1:03:17.920
<v Speaker 2>Eric points to Alan. You think he likes yelling at us.

1:03:17.960 --> 1:03:19.920
<v Speaker 2>He doesn't. He hates it, and he can't keep his

1:03:19.920 --> 1:03:21.919
<v Speaker 2>eyes on us every second. Now, go to your room.

1:03:22.240 --> 1:03:25.400
<v Speaker 2>Corey's flabbergasted. He turns to Alan. Are you gonna let

1:03:25.480 --> 1:03:28.040
<v Speaker 2>him just? Alan cuts him off, Go to your room.

1:03:28.760 --> 1:03:32.120
<v Speaker 2>Alan turns to Eric pleasantly surprised. Maybe you are ready

1:03:32.160 --> 1:03:35.320
<v Speaker 2>to be a dad. Eric reveals she dumped me. I'm

1:03:35.320 --> 1:03:38.200
<v Speaker 2>gonna go upstairs and study for my SATs. And then

1:03:38.440 --> 1:03:45.160
<v Speaker 2>the crown ooo round of applause. Apparently everyone was secretly

1:03:45.280 --> 1:03:47.600
<v Speaker 2>really rooting for you to take the SATs. Yeah, I

1:03:47.600 --> 1:03:49.840
<v Speaker 2>guess so, I was not aware of that.

1:03:50.240 --> 1:03:52.640
<v Speaker 3>I wasn't either, but I guess it's I mean, the

1:03:52.680 --> 1:03:53.560
<v Speaker 3>audience doesn't lie.

1:03:53.920 --> 1:03:55.600
<v Speaker 2>Yeah, that's true, those inmates.

1:03:55.960 --> 1:03:56.160
<v Speaker 4>Yeah.

1:03:56.400 --> 1:03:58.080
<v Speaker 2>And then we're in the tag. We're in the Matthews

1:03:58.120 --> 1:04:00.760
<v Speaker 2>living room. Alan and Amy are watching TV popcorn to

1:04:00.840 --> 1:04:03.600
<v Speaker 2>Panga and Corey barge through the door. Corey greets them,

1:04:03.800 --> 1:04:06.240
<v Speaker 2>how are you too this evening? Amy responds, you're home

1:04:06.280 --> 1:04:09.360
<v Speaker 2>a little late. Corey nods, yes, we are. Isn't that interesting?

1:04:09.800 --> 1:04:11.720
<v Speaker 2>Tapeka urges him not to make a big deal of it,

1:04:11.760 --> 1:04:13.800
<v Speaker 2>but Corey dismisses it. He wants to know who had

1:04:13.800 --> 1:04:17.440
<v Speaker 2>the car last. Amy points to Alan. Corey sarcastically asks,

1:04:17.640 --> 1:04:19.320
<v Speaker 2>I just want to know what happened to that house

1:04:19.400 --> 1:04:22.080
<v Speaker 2>rule the one that goes whoever had the car? Last

1:04:22.160 --> 1:04:25.360
<v Speaker 2>puts gas in the tank. Alan mocks him, Sorry, core

1:04:25.520 --> 1:04:29.240
<v Speaker 2>I forgot. Corey breaks into something very familiar. You're about

1:04:29.280 --> 1:04:33.280
<v Speaker 2>seven blocks late for sorry. Alan needs some clarity. Let

1:04:33.280 --> 1:04:35.640
<v Speaker 2>me get this straight. You're out with your girlfriend, you

1:04:35.800 --> 1:04:38.480
<v Speaker 2>legitimately run out of gas. You push the car back

1:04:38.600 --> 1:04:41.480
<v Speaker 2>seven blocks just to yell at me. Corey responds, no,

1:04:41.720 --> 1:04:43.560
<v Speaker 2>I just wanted to explain why we were home so late,

1:04:43.560 --> 1:04:47.000
<v Speaker 2>and to say thank you to Penga shouts Corey, and

1:04:47.040 --> 1:04:48.600
<v Speaker 2>Corey tells her thank you too.

1:04:49.320 --> 1:04:50.760
<v Speaker 1>I don't get it. What's the joke?

1:04:51.440 --> 1:04:53.120
<v Speaker 2>Did you he made out in the car.

1:04:53.360 --> 1:04:56.439
<v Speaker 3>That's something happened in the car, because the old joke is, Hey, babe, sorry,

1:04:56.440 --> 1:04:58.320
<v Speaker 3>I ran out of her. Now we're trapped in the

1:04:58.360 --> 1:05:02.520
<v Speaker 3>car with nothing dwe And so essentially what they were

1:05:02.560 --> 1:05:05.840
<v Speaker 3>saying was the pango was due to your right while

1:05:05.840 --> 1:05:06.520
<v Speaker 3>they were down there.

1:05:06.680 --> 1:05:10.640
<v Speaker 2>Yeah, but we also pushed against everything. So I guess

1:05:10.640 --> 1:05:14.080
<v Speaker 2>we were like making out while pushing a car back.

1:05:14.280 --> 1:05:16.040
<v Speaker 1>No, because because you would have pushed the car back

1:05:16.400 --> 1:05:20.280
<v Speaker 1>seven blocks relatively quickly and then you just outside.

1:05:19.880 --> 1:05:22.680
<v Speaker 2>We were gone all night making out or you were.

1:05:22.600 --> 1:05:24.400
<v Speaker 3>Making out seven blocks away and then.

1:05:24.360 --> 1:05:32.720
<v Speaker 5>Pushed then pushed the car right, it's yeah, right, I really,

1:05:32.760 --> 1:05:34.360
<v Speaker 5>I honestly just didn't understand what's happened.

1:05:34.360 --> 1:05:35.800
<v Speaker 1>I was like, is the joke that they just came

1:05:35.840 --> 1:05:37.280
<v Speaker 1>home and they didn't get to go on their day

1:05:37.320 --> 1:05:38.440
<v Speaker 1>and then okay, now I get it.

1:05:38.840 --> 1:05:41.000
<v Speaker 2>We to Panga.

1:05:41.240 --> 1:05:45.320
<v Speaker 1>But against everything that Corey, Corey.

1:05:45.760 --> 1:05:50.160
<v Speaker 2>Just kisses, just kisses, just kisses making out.

1:05:50.200 --> 1:05:55.000
<v Speaker 1>It's you just called me, genuinely called me Sean. Did

1:05:55.760 --> 1:05:59.960
<v Speaker 1>she did play back the tape? He just kisses show

1:06:00.080 --> 1:06:03.040
<v Speaker 1>on My name is writer?

1:06:04.080 --> 1:06:07.920
<v Speaker 2>God, you could tell me that as many times as

1:06:07.960 --> 1:06:08.800
<v Speaker 2>you want. I don't believe it.

1:06:08.920 --> 1:06:11.600
<v Speaker 1>You gotta hangro.

1:06:15.080 --> 1:06:16.760
<v Speaker 2>Why is Seans away?

1:06:17.800 --> 1:06:18.520
<v Speaker 1>God?

1:06:18.160 --> 1:06:18.480
<v Speaker 3>My god?

1:06:18.840 --> 1:06:23.840
<v Speaker 1>Why does Sean have so many books behind him Sean.

1:06:22.360 --> 1:06:25.040
<v Speaker 2>Did Sean take the s A T S o.

1:06:25.640 --> 1:06:29.400
<v Speaker 1>Oh, guys, I gotta go, I gotta go. Oh.

1:06:30.640 --> 1:06:32.880
<v Speaker 2>Thank you all for joining us for this episode of

1:06:32.880 --> 1:06:34.720
<v Speaker 2>Pod Meets World. As always, you can follow us on

1:06:34.760 --> 1:06:37.240
<v Speaker 2>Instagram pod Meets World Show. You can send us your

1:06:37.280 --> 1:06:40.280
<v Speaker 2>emails pod Meets World Show at gmail dot com and

1:06:40.440 --> 1:06:41.320
<v Speaker 2>we have merch.

1:06:41.720 --> 1:06:46.520
<v Speaker 3>Merch is to appage what apoplectic is to email us

1:06:46.520 --> 1:06:47.840
<v Speaker 3>your answers.

1:06:50.760 --> 1:06:53.040
<v Speaker 2>Pod Meets Worldshow dot com for that merch.

1:06:53.280 --> 1:06:58.480
<v Speaker 6>Oh yeah, join us for our next episode recap Season

1:06:58.480 --> 1:07:01.840
<v Speaker 6>four episode nineteen Quiz Show, which originally aired March twenty first,

1:07:01.920 --> 1:07:04.320
<v Speaker 6>nineteen ninety seven, will send us out.

1:07:04.800 --> 1:07:08.920
<v Speaker 3>We love you all, pod dismissed. Podmets World is niheart

1:07:09.000 --> 1:07:12.400
<v Speaker 3>podcast producer and hosted by Danielle Fischel, Wilfredell and Ryder

1:07:12.440 --> 1:07:16.360
<v Speaker 3>Strong executive producers Jensen Carp and Amy Sugarman, Executive in

1:07:16.440 --> 1:07:21.120
<v Speaker 3>charge of production, Danielle Romo, producer and editor, Tara Sudbaksch, producer,

1:07:21.200 --> 1:07:24.400
<v Speaker 3>Maddy Moore, engineer and Boy Meets World superfan Easton Allen.

1:07:24.600 --> 1:07:26.800
<v Speaker 3>Our theme song is by Kyle Morton of Typhoon and

1:07:26.840 --> 1:07:29.280
<v Speaker 3>you can follow us on Instagram at Podmeats World Show,

1:07:29.520 --> 1:07:34.160
<v Speaker 3>or email us at Podmeats Worldshow at gmail dot com.