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Speaker 1: All right, So I'm I'm I'm going to point out

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Speaker 1: something that's either going to blow your mind or totally

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Speaker 1: hohm and you have you've all known this?

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Speaker 2: Oh, I love it. I love the fifty to fifty chance.

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Speaker 1: Yeah, and I think I don't hear home a lot

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Speaker 1: anymore now like that. Okay, So when Indy was a baby,

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Speaker 1: we you know, we would sing to him. And I

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Speaker 1: had this moment where I was singing Twinkle Twinkle, Little

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Speaker 1: Star and then went into aby Seed and I realized,

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Speaker 1: oh my god, it's the same melody, right, and then

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Speaker 1: Bob Bob Black Sheep, and I was like, we're all

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Speaker 1: children's songs to the same melody. So have this realization,

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Speaker 1: you know, and I will. Did you ever think about this?

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Speaker 3: No, I don't have.

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Speaker 1: Yeah, exactly, if you don't have kids, you don't think

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Speaker 1: about it. They're all they use the same two or

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Speaker 1: three melodies over and over. Okay, So have that experience

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Speaker 1: by then. I play this game with Indy when we're

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Speaker 1: in the car. I have a like, I put on

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Speaker 1: a playlist of movie soundtracks and some of them he knows,

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Speaker 1: you know, And and the game is, can you guess

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Speaker 1: what movie it's from? That you've seen Harry Potter mostly

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Speaker 1: John Williams stuff he recognizes right away. Oh my god,

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Speaker 1: he's obsessed and it's so fun. But then I also

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Speaker 1: put in some that he has never seen the movie

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Speaker 1: and doesn't know it. And what I do then is

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Speaker 1: I'm like, what does this make you feel? What does

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Speaker 1: it make you think about? And it's really fun because

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Speaker 1: often you kind of land where the movie is without

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Speaker 1: knowing what movie it's from. So it'll be like, you know,

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Speaker 1: I feel like we're stressed out and we're in space,

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Speaker 1: but there's something magical going on, you know, And then

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Speaker 1: it's like it's Interstellar, you know, or whatever, and you

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Speaker 1: just keep playing with that. And I do it too,

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Speaker 1: like I don't look at what it is, it just

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Speaker 1: comes on. But anyway, Chariots a Fire came on the

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Speaker 1: classic movie, right, So it starts and it's like, you know,

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Speaker 1: and India, I'm like, what does this make you think?

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Speaker 1: And we're listening to it and the melody comes in

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Speaker 1: and goes, I can't sing it all, but you know,

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Speaker 1: it starts going and and I'm like, what does it

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Speaker 1: make you think? And he goes on top of spagety

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Speaker 1: Oh my god, and it literally is the same melody,

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Speaker 1: and I'm like Chariots a Fire, it's ruined and like

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Speaker 1: and then I remember in college, like I had this

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Speaker 1: friend who when that song Iris by the Google Dolls

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Speaker 1: came on where it was like you know, in the

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Speaker 1: don nd the world and my friends just started singing

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Speaker 1: singer a song, you're the piano man. I'm like, oh

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Speaker 1: my god, Like, there's so many examples of this. The

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Speaker 1: other one is, uh, Lady Madonna. I guess it's just

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Speaker 1: like the Beatle song is done over to. It's like

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Speaker 1: the Sublime song Early in the Morning, right ras it

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Speaker 1: it's the same melody.

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Speaker 3: Have you ever found Have you ever listened to Access

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Speaker 3: of Awesome?

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Speaker 2: No?

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Speaker 4: So.

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Speaker 3: Access of Awesome is a three person group from England,

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Speaker 3: either England or Australia. I think, oh, yes, you play

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Speaker 3: just play the four chord songs and they play the

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Speaker 3: same four chords over and over again and sing like

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Speaker 3: sixty songs.

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Speaker 1: The chords. Yes, the chords is one thing, right, because

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Speaker 1: there's but the actual melody, like note for note is

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Speaker 1: like the next level. And I actually don't think it's

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Speaker 1: really a gotcha moment, you know, Like I don't I

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Speaker 1: think it's more just speaks to the universality of these

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Speaker 1: good melodies, like they're hook they have a hook to them,

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Speaker 1: they're they're catchy, they're fun. Because yeah, if you look

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Speaker 1: at just like chord progression, something like like Pocable Canon,

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Speaker 1: which you and I both used to love when we

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Speaker 1: were teenagers, that like those chords are just sort of

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Speaker 1: like mathematically perfect, that that so many songs just riff

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Speaker 1: on that same chord progression because it's so satisfying to hear.

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Speaker 1: It's like that you build the tension and you come

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Speaker 1: back to a sense of release and repetitive. It's so great.

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Speaker 1: But yeah, when it's the actual melody, I love it.

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Speaker 1: I find it so fun. I actually think it's inspiring

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Speaker 1: in a way because it's like there's nothing new under

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Speaker 1: the sun, you know, like.

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Speaker 2: Tables actually hire music experts now to make sure this

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Speaker 2: doesn't happen because there have been so many lawsuits and.

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Speaker 3: Rip plangierism, right, it's just essential.

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Speaker 1: Well, but I don't think it's conscious most of the time,

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Speaker 1: you know, Like I think that you know, yeah, I'm

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Speaker 1: fascinated by this too, Like I'm reading all about the

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Speaker 1: what was that the song that lost the lawsuit a

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Speaker 1: couple of years ago. Oh my god, what's his name?

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Speaker 1: He was the son of a sick comm actor Rob

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Speaker 1: and they lost that.

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Speaker 2: But you Gay's estate, right, Yeah.

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Speaker 1: And now when you can hear it's like, oh that

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Speaker 1: you stole the whole vibe, like you still like all

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Speaker 1: the instrumentation and the melody. You know, it's like, wow, okay,

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Speaker 1: that's you know, whereas what's his name? The English singer

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Speaker 1: who got sued recently and got out of it again,

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Speaker 1: I'm horrible with sharing, you know, that is like a

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Speaker 1: much more Yeah, that's just like like you're saying, well,

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Speaker 1: those are like just the same chords and a similar melody.

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Speaker 1: But you and you can see that that there's a

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Speaker 1: an unconsciousness to the absorption of, you know, a good

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Speaker 1: song and then sort of writing your own song and

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Speaker 1: not realizing, oh, I'm I'm actually quoting something without even

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Speaker 1: knowing it.

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Speaker 2: Very interesting. Well, writer, we'll have to have you come

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Speaker 2: up with your own individual song that just steals another

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Speaker 2: melody and then I want to hear your lyrics totally.

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Speaker 2: Next next pre show chatter, I want to hear your song.

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Speaker 3: I'm going to have on tap a spaghetti in my

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Speaker 3: head for months now.

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Speaker 2: Thank you for that great song. We love it in

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Speaker 2: this house. Welcome to Pond Meets World. I'm Daniel Fischel,

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Speaker 2: I'm Rider Strong, and I'm Wilfordell. Welcome to this episode.

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Speaker 2: Recap of season four, episode eighteen, Uncle Daddy. It originally

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Speaker 2: aired February fourteenth, Valentine's Day, Yeah, nineteen ninety seven. The synopsis.

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Speaker 2: When Eric discovers his girlfriend Kelly has a son, he

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Speaker 2: decides he's ready to have an adult relationship. However, he's

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Speaker 2: not as prepared for adult responsibility as he thought. Meanwhile,

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Speaker 2: Corey Tapanga and Sean study for the SATs. It was

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Speaker 2: directed by Jeff McCracken. It was written by Steve Young.

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Speaker 2: And before I jump into our guest stars, do you

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Speaker 2: guys have any overall thoughts?

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Speaker 1: I completely forgot this episode existed. Me too, really, ifoundly

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Speaker 1: didn't remember anything. Yeah, I assumed you you had some

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Speaker 1: memories of it, but I was sort of like, oh,

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Speaker 1: is this Tommy? Is this a Tommy? Like I remember

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Speaker 1: Tommy storyline, but of course we brought him back for

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Speaker 1: Girl Meets World and all that. And then I remembered

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Speaker 1: that we that the kid who had guest starred on

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Speaker 1: our show, went on to do Liar Liar. I remember

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Speaker 1: think he did.

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Speaker 3: Liar Liar first.

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Speaker 1: Okay, yeah, I remember, okay, But for some reason I

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Speaker 1: made the connection later. So in my mind it was like, oh,

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Speaker 1: he's doing Liar and Liar and that was a big movie.

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Speaker 1: But no, didn't remember anything about this. I remember the.

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Speaker 2: Story Justin Justin Cooper the actor were talking about. I

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Speaker 2: remembered the same thing. When the episode started, I was like, oh,

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Speaker 2: are we all ready to Tommy? And then when I

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Speaker 2: saw Justin, I was like, oh, I remember Justin. I

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Speaker 2: was a teenager who loved kids, like loved kids, and

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Speaker 2: so anytime we had small kids on set for me,

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Speaker 2: it was like very fun. So I remember Justin. I

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Speaker 2: remembered enjoying like hanging out with him and thinking he

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Speaker 2: was the sweet But I did not remember anything about

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Speaker 2: the storyline, the A storyline or the B storyline. But

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Speaker 2: will you said you do, so.

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Speaker 1: I just remembered.

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Speaker 3: I remembered working with Justin, who was very very cool

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Speaker 3: little kid, and he and I got along really well.

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Speaker 3: And I remember working with Britney who.

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Speaker 2: Was great, such a good actress.

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Speaker 3: Yeah, and she and I got along very very well,

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Speaker 3: I actually saw her years later. She and I hung

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Speaker 3: out a little bit, so yeah, no, I mean I

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Speaker 3: knew Brittany as well, but the actual storyline I didn't

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Speaker 3: remember much of. I didn't remember the sat part of

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Speaker 3: the storyline at all, and it wasn't my favorite episode.

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Speaker 3: But because of me, I thought the writing was fine.

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Speaker 3: I thought my acting wasn't great in this episode. I

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Speaker 3: felt it felt kind of I don't know, like at

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Speaker 3: least I looked at it. When I finished, I was like, well,

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Speaker 3: I was definitely trying to make choices, so I gave

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Speaker 3: myself that kind of pat on the back. But I

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Speaker 3: didn't think a lot of the choices were that good.

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Speaker 3: But at least I was attempting something. And I thought

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Speaker 3: my scenes with the little kid were better than my

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Speaker 3: scenes with Britney. That makes sense. I thought I was

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Speaker 3: more natural with Justin than I was with Brittany.

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Speaker 2: Yeah, I agree with you. You were you were more

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Speaker 2: natural with Justin, and yet I still loved your scenes

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Speaker 2: with Brittany. For me, I loved the episode. I think

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Speaker 2: it's a great I think it's a great episode idea.

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Speaker 2: I think the storyline of dating somebody with a kid

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Speaker 2: and how that changes your relationship and how that you

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Speaker 2: know what it means to truly take on that kind

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Speaker 2: of responsibility. I love all of it. I did not

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Speaker 2: think she looked any older than you, and I also

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Speaker 2: didn't think she needed to be any older than you. No,

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Speaker 2: I felt like they could have and I guess the

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Speaker 2: only reason they're doing that is because I guess, what

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Speaker 2: is Eric at this point? Nineteen and so if she

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Speaker 2: had a six year old, I guess she would have

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Speaker 2: had a kid at thirteen. So they had to make

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Speaker 2: her a little older.

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Speaker 1: They didn't say how.

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Speaker 3: Much older though, right, I mean they never really got

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Speaker 3: to You said a few years.

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Speaker 2: Yeah, you said, you know, you're a few years older,

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Speaker 2: like right at the beginning.

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Speaker 3: So figure she's what twenty five maybe twenty four?

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Speaker 2: Maybe twenty four. The other thing, I'll say that because

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Speaker 2: I loved the episode. I was shocked by the clapping

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Speaker 2: at the end over the SATs really weird.

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Speaker 3: It's also I didn't understand. I thought they could have

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Speaker 3: done and I know we'll get into it, but I

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Speaker 3: thought they could have attached what Eric learns more to

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Speaker 3: then I've got to go take my SATs. Yeah, than

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Speaker 3: just one line at the end, like well gonna go

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Speaker 3: take my sat And it was like, oh, that was

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Speaker 3: a weird transition. It wasn't earned at all.

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Speaker 1: But you know what's funny about this episode for me,

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Speaker 1: and I'm curious what you think about it. Will Like

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Speaker 1: we've talked about how Eric never had a partner or never,

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Speaker 1: but we actually investigated his dating life pretty I know,

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Speaker 1: you know, this is now, I would say, the third

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Speaker 1: time where Eric has fallen for sort of the wrong

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Speaker 1: girl or a girl that he doesn't expect to fall

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Speaker 1: for and grows from it. And because you know, is

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Speaker 1: a good date, is a good guy? Is? Like you know,

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Speaker 1: and I was like, wow, we I think in our

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Speaker 1: minds we've all absorbed season five and forward Eric, which

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Speaker 1: is just sort of wacky Eric. Yeah, he's not He's

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Speaker 1: not a romantic. I mean, I can't wait to see

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Speaker 1: those episodes because I know you were pursuing Rachel and

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Speaker 1: a lot of that, but like, yeah, but this is now.

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Speaker 1: This is you know, first of all, Eric and the

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Speaker 1: older women like multiple episodes, but we.

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Speaker 3: Talk about taking from our lives and I always dated

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Speaker 3: older women and they took stuff from your life, and

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Speaker 3: I bet you they took that from my life.

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Speaker 1: The way already at this point in real life, you

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Speaker 1: were dating older women.

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Speaker 3: Oh yeah, well remember I mean season two, when I

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Speaker 3: was eighteen, I was already with Jill, who was ten

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Speaker 3: eleven years older than me. And I mean that was two.

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Speaker 3: That was just my I mean that's I've always my

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Speaker 3: entire life dated older women. Always. I think once or

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Speaker 3: twice in my life I dated somebody my age or younger.

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Speaker 3: It was always older women. I just have always been

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Speaker 3: attracted older women.

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Speaker 1: You know, they probably did from your life and it

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Speaker 1: just made sense they took it.

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Speaker 3: But you know, the funny thing is exactly what you're

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Speaker 3: talking about is where remembering it the same way. You

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Speaker 3: and I remember never having worked together, and then when

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Speaker 3: we watched the show, we were like, we work together all.

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Speaker 2: The time, all the time.

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Speaker 1: So it's did in the beginning, but in the beginning

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Speaker 1: we were now season four when of Eric and now

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Speaker 1: we're done. Oh wait, we got in a fight. Yeah,

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Speaker 1: you pushed me again.

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Speaker 3: But for the most part, but I remembered it was

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Speaker 3: like writer and I did two scenes together and couldn't

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Speaker 3: stop laughing. And that's why. But when we watched it,

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Speaker 3: it was we worked together a lot. I think it's

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Speaker 3: the same thing where I'm like, Eric never had a girlfriend.

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Speaker 3: It's kind of like, oh no, he actually dated a

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Speaker 3: specific type of woman that wasn't always right for him.

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Speaker 3: But they were always good women. They never had they

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Speaker 3: were never awful older women. They were just it was

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Speaker 3: wrong timing or they had other things going on in

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Speaker 3: their life that Eric wasn't prepared to deal with. But

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Speaker 3: they always had him with good people that weren't right

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Speaker 3: for him, and then he took from that to grow

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Speaker 3: better as a person, which is great and go take

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Speaker 3: your SATs. But yeah, so I liked it. It was just

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Speaker 3: my performance wasn't my favorite.

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Speaker 1: It is really intense in the cosmog a boy mets world.

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Speaker 1: How important sat is in college. I know, like it's

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Speaker 1: just you either are a towny with no job prospects

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Speaker 1: and a child out of wedlock, or you are You

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Speaker 1: go to college and you uh and you get and

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Speaker 1: it's so interesting to consider. You know, something that Jeff

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Speaker 1: Sherman pointed out when he came back on our show

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Speaker 1: that Michael didn't go to college. You know, our sort

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Speaker 1: of leading creative voice was not a college graduate. Had

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Speaker 1: actually I think started and dropped out and and yeah,

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Speaker 1: but it's just it's that the world of Boy meets

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Speaker 1: World just pushes towards that as like the ticket to

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Speaker 1: a better life.

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Speaker 3: And I think that was also very much an eighties

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Speaker 3: and nineties thing. Was absolutely to a better life. It

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Speaker 3: was you know, nowadays, I you keep hearing about people

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Speaker 3: and if I had a kid that was college age,

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Speaker 3: I'd be like, maybe go to two year school. Maybe right,

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Speaker 3: But you can hear it.

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Speaker 1: I mean, I think, like what we hear in that

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Speaker 1: applause at the end at Eric's line is that it's

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Speaker 1: so tethered to like he has learned this lesson and

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Speaker 1: therefore he's going to do the right thing. Whereas nowadays

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Speaker 1: we kind of hear that and we go, is that

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Speaker 1: what what?

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Speaker 3: What?

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Speaker 1: This doesn't equal this?

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Speaker 4: Right?

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Speaker 1: This plus this does not equal that? And yet the

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Speaker 1: audience and I don't know it. Part of the reason

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Speaker 1: it felt awkward, I think is because the audience applause

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Speaker 1: was inserted or at least bumped up. It sounded like

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Speaker 1: they started a little earlier than what actually naturally happened.

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Speaker 1: And again that was a choice in the editing, a

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Speaker 1: choice to make sure the end on a triumphant note

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Speaker 1: of SATs and that just felt forced. Yeah nowadays, you know,

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Speaker 1: at the time, I don't know if it did, but

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Speaker 1: it felt very forced watching I.

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Speaker 3: Remember I remember Michael and Jeff Sherman both telling me

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Speaker 3: at the time when they said Eric was going to college, like,

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Speaker 3: do you realize how many people will go to college

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Speaker 3: because they see you go to college on the show?

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Speaker 3: When I remember getting letters and from people saying like

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Speaker 3: I didn't think I could do it, and because of you,

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Speaker 3: I went to college and bought and it was so

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Speaker 3: I mean, it made it so it is that was

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Speaker 3: something that they were cognizant of.

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Speaker 1: Is there. It's an instructional element moralizing, an element of

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Speaker 1: in a way, and it does make sense. You think

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Speaker 1: about Feenie as like the figure of values. You know,

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Speaker 1: he's a teacher. It's about education. You are supposed to

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Speaker 1: get an education according to the laws of boys.

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Speaker 3: They mentioned so they mentioned Alan goes into the Navy,

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Speaker 3: but they say he and Amy medic college.

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Speaker 1: No, because they would have met before college.

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Speaker 2: Did they traveled there?

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Speaker 1: They're they're steamy Europe a wild time in Reginal.

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Speaker 3: Reginal Fairfield over there they had a two and a half,

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Speaker 3: a two and a half way.

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Speaker 2: This episode guest starring Britney Powell as Kelly, a former

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Speaker 2: playboy model who was seen on TV shows like Friends,

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Speaker 2: California Dreams, and Pacific Palisades. Also, she dated Vern Troyer,

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Speaker 2: the actor behind the iconic role of Mini Me in

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Speaker 2: the Austin Powers movie, from two thousand and seven until

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Speaker 2: his death in twenty eighteen.

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Speaker 3: Yeah's are together for a long time. She was also

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Speaker 3: an Airborne just like like you know, the huge teen

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Speaker 3: movie back in the day with Shane West, the rollerblading

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Speaker 3: movie with Jack Black, And.

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Speaker 1: There's a rollerblading movie, Yes, Shane West to Jack Black.

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Speaker 3: Hell, yeah, it's I'm not pretty sure Shane Am I wrong?

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Speaker 3: It might not be Shane West. But this was like,

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Speaker 3: this was before the deca Shane West. Yeah, yeah, this

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Speaker 3: was before Brink became big on on Disney Channel original movies.

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Speaker 3: Airborne was like the it was the North Shore or

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Speaker 3: rad of rollerblading movies. Was it was great?

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Speaker 2: Great?

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Speaker 1: Didn't know this exists?

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Speaker 4: Yeah?

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Speaker 2: Great? Also guest starring Justin Cooper as Ryan, the adorable

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Speaker 2: child actor best known for his role Little Max, the

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Speaker 2: son of Jim Carrey's son and Liar Liar. He was

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Speaker 2: also seen on Full House, and starred in two different

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Speaker 2: sitcoms that each only went one season, The Boys Are

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Speaker 2: Back and Brothers Keeper.

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Speaker 3: He was Ja McDermott, by the way, Shane Shane McDermott,

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Speaker 3: not Shane West got it.

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Speaker 2: He was also Dennis the Menace in the straight to

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Speaker 2: video sequel Dennis the Menace Strikes Again. And he is

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Speaker 2: now a radio producer and on air personality on Fox

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Speaker 2: Sports Radio, and we are going to be having him

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Speaker 2: as a guest next week.

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Speaker 3: Oh, I can't wait to see him. I think he

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Speaker 3: was five the last time I saw him exactly.

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Speaker 1: I wonder how old he actually was when we filmed this.

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Speaker 3: I think he was like five or six.

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Speaker 1: Yeah, No, really, yeah, I think he was. Usually was

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Speaker 1: an older playing young kid actor, so I assumed he

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Speaker 1: was probably seven. But wow.

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Speaker 2: Jumping into our recap, we are in Chubby's. Eric and

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Speaker 2: a new mystery girl are heavily making out in a booth.

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Speaker 2: He pulls away to ask, I hope I'm not getting

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Speaker 2: mixed signals here, and then they kiss again because I'd

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Speaker 2: hate to think the fact that you're a few years

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Speaker 2: older than me is putting you off. They continue to

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Speaker 2: kiss again, but Eric keeps interrupting, I mean, what is

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Speaker 2: age really? The woman finally responds, just shut up, you're winning.

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Speaker 2: Eric is stoked.

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Speaker 1: Did you guys notice the swing wall for the first time?

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Speaker 3: Of course, there's a couple of different angles of Chubbies

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Speaker 3: this time.

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Speaker 1: But yeah, we never see that other we've never seen,

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Speaker 1: you know, looking downstage at the booth when she kisses

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Speaker 1: you back. That her angle is a new wall that

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Speaker 1: we've never seen. It's right there by the way.

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Speaker 3: Really, it's tight.

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Speaker 2: I know you had no idea that Chubby's was just

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Speaker 2: right there.

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Speaker 3: It's a small place. It's a small place for the

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Speaker 3: entire town to go to.

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Speaker 2: And then also that other angle where we see from

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Speaker 2: behind you, where we actually get the real view that

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Speaker 2: that pill table's back from there. Yeah, so Eric wants

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Speaker 2: to know what she's doing tomorrow. She's apprehensive. Three days

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Speaker 2: in a row. I don't know, that's starting to sound

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Speaker 2: kind of serious. I mean, how well do they know

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Speaker 2: each other really? Eric offers, well, let's start with me.

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Speaker 2: He gives her a sly smile and concludes that's pretty

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Speaker 2: much it. He asks her to tell him everything. She

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Speaker 2: gets nervous everything. The woman stutters, thinking over the question.

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Speaker 2: Eventually she gives up, why don't we go back to

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Speaker 2: my place? Eric gives out a little yeah yeah, such.

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Speaker 3: A Michael, that's such a Michael line and reading absolutely.

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Speaker 2: And then we're in the mystery woman's apartment. She warns

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Speaker 2: Eric in the hallway if he wants to pursue a

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Speaker 2: relationship with her, he's going to need to commit to

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Speaker 2: someone else as well. She opens the door to reveal

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Speaker 2: another pretty woman.

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Speaker 1: Well in the second you see that basketball above the door,

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Speaker 1: you know what's comed.

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Speaker 3: Of course, it's actually a pretty it's a very adult

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Speaker 3: but very funny joke that she's a very funny into

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Speaker 3: a three way, which is what's what's happening. I mean,

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Speaker 3: just yeah, crazy, it is.

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Speaker 2: It is funny.

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Speaker 1: It keeps going for like, I know, page and a

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Speaker 1: half of jokes. The babysitter, the you know, it's like okay.

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Speaker 2: Eric looks at them both. Oh no, this is too

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Speaker 2: good to be true. Your vampires, aren't you? He pulls

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Speaker 2: down his shirt collar. Go ahead. She explains that this

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Speaker 2: is Diana the babysitter. Oh. Eric loves this. He thinks

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Speaker 2: they're role playing. I want to be the commander in

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Speaker 2: chief of the Allied armies. The woman explains, no, no,

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Speaker 2: Diana is my babysitter. And then a little boy runs

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Speaker 2: into the room. Hi, mommy. He gives Eric's date a

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Speaker 2: big hug, and then Eric puts two and two together, Mommy,

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Speaker 2: that would be like, she cuts him off, I'd like

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Speaker 2: you to meet my son Ryan.

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Speaker 1: And then, which is a little intense. Yeah, not to

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Speaker 1: not tell a guy that you have a kid until

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Speaker 1: the kid is there, and to not tell the kid

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Speaker 1: that you're bringing a guy. All of it seems a.

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Speaker 3: Little what what whendy? Is it the first date where

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Speaker 3: you would say I have a kid? I mean, do

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Speaker 3: you think that's the right time to say it? Do

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Speaker 3: you tell him right on the first date? Or is

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Speaker 3: it just now, I'm gonna go have some fun. I'm

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Speaker 3: gonna kind of forget that I'm a mom tonight and

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Speaker 3: I'm just going to go on a date. Like, when's

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Speaker 3: the proper time to say, By the way, I have

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Speaker 3: a child.

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Speaker 1: Nowadays, you would know right away ahead of time, because well,

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Speaker 1: because you would meet on the line right and you

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Speaker 1: would have like a profile, and you'd probably know these

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Speaker 1: things about each other. But yeah, I assume it's the

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Speaker 1: first It's big part of your life. You can't go

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Speaker 1: on a date without somebody watching the kids, so it

437
00:21:04,640 --> 00:21:07,080
Speaker 1: seems like it would be By the way, this is

438
00:21:07,119 --> 00:21:08,280
Speaker 1: part of who I am.

439
00:21:08,920 --> 00:21:11,280
Speaker 2: Yeah, I mean, being a mom is so much now

440
00:21:11,320 --> 00:21:13,200
Speaker 2: a part of who I am, for better or worse.

441
00:21:13,880 --> 00:21:17,000
Speaker 2: I couldn't imagine sitting through an entire meal with someone

442
00:21:17,280 --> 00:21:19,840
Speaker 2: under the auspices of getting to know each other and

443
00:21:19,880 --> 00:21:27,480
Speaker 2: not mentioning the biggest, most time consuming, most important aspect

444
00:21:27,720 --> 00:21:28,959
Speaker 2: of my entire life.

445
00:21:29,880 --> 00:21:33,000
Speaker 1: I know she says three dates or three days.

446
00:21:32,680 --> 00:21:36,879
Speaker 2: Well, she says it three days in a row, but

447
00:21:37,000 --> 00:21:40,919
Speaker 2: it doesn't mean this is only your third date. It

448
00:21:40,960 --> 00:21:43,679
Speaker 2: could be that this is just the first time you

449
00:21:43,720 --> 00:21:45,640
Speaker 2: guys are now going to see each other three days

450
00:21:45,680 --> 00:21:47,239
Speaker 2: in a row, negatively.

451
00:21:46,840 --> 00:21:49,120
Speaker 1: Right, because you could have met You could have met

452
00:21:49,160 --> 00:21:51,800
Speaker 1: out and said hi and gotten each other's number and

453
00:21:51,840 --> 00:21:54,640
Speaker 1: then met the next day, and I guess just had

454
00:21:54,680 --> 00:21:57,000
Speaker 1: more of a casual situation meeting with other people, something

455
00:21:57,160 --> 00:21:59,920
Speaker 1: with other people involved, and then now it's their actual date.

456
00:22:00,119 --> 00:22:02,080
Speaker 3: Yeah, because Eric has so many friends, He's out with

457
00:22:02,119 --> 00:22:03,600
Speaker 3: all of his friends and.

458
00:22:03,680 --> 00:22:11,160
Speaker 2: They had a falling out exactly. Yes, yeah, so yeah,

459
00:22:11,200 --> 00:22:14,639
Speaker 2: I agree with you, writer obviously for a TV show.

460
00:22:14,760 --> 00:22:16,480
Speaker 2: It makes sense that this is the way they're going

461
00:22:16,520 --> 00:22:19,600
Speaker 2: to show it telling them obviously, But I think in

462
00:22:19,680 --> 00:22:22,560
Speaker 2: real life this would have been a real conversation. I

463
00:22:22,600 --> 00:22:26,639
Speaker 2: have a child, Are you interested in meeting my child?

464
00:22:26,680 --> 00:22:28,919
Speaker 2: Like it's a conversation you have with that other person

465
00:22:28,920 --> 00:22:32,000
Speaker 2: because that's a big responsibility. And then there's probably some

466
00:22:32,080 --> 00:22:34,280
Speaker 2: prep you do to your child as well.

467
00:22:34,440 --> 00:22:37,800
Speaker 1: Absolutely. I mean I feel like most people I know

468
00:22:38,200 --> 00:22:43,000
Speaker 1: single parents keep it keep very separated for like months,

469
00:22:43,280 --> 00:22:44,879
Speaker 1: do you know what I mean? Like they maybe that

470
00:22:45,320 --> 00:22:48,240
Speaker 1: everybody knows about the other person, but they don't bring

471
00:22:48,359 --> 00:22:51,119
Speaker 1: him into the house and into the life for a while,

472
00:22:51,200 --> 00:22:53,720
Speaker 1: because you know, it is really risky, like with a

473
00:22:53,800 --> 00:22:57,320
Speaker 1: kid's heart, for you know, to get attached to you know,

474
00:22:57,359 --> 00:23:00,400
Speaker 1: somebody like Eric in this situation, and then the by

475
00:23:00,680 --> 00:23:04,679
Speaker 1: Eric never see you again. Yeah that's gone, I can devastating.

476
00:23:05,320 --> 00:23:07,520
Speaker 2: Well, then we're in Corey's room. Corey is focused on

477
00:23:07,560 --> 00:23:10,960
Speaker 2: homework as leather Jacket Sean strolls around the room. I

478
00:23:10,960 --> 00:23:14,360
Speaker 2: think I'm developing quite a knack for these Scholastic aptitude tests,

479
00:23:14,640 --> 00:23:19,679
Speaker 2: or as I prefer to call them, SATs. Corey ignores him. Okay,

480
00:23:19,680 --> 00:23:23,119
Speaker 2: here's another one. Verbal Sean confidently answers, it's how you

481
00:23:23,160 --> 00:23:27,639
Speaker 2: talk and stuff keep them coming. Corey explains, no, listen

482
00:23:27,640 --> 00:23:31,959
Speaker 2: to the question. Perreghee is to apagee as Zenith is

483
00:23:32,040 --> 00:23:37,280
Speaker 2: to a niter B cortex or c sulfur. Sean grabs

484
00:23:37,320 --> 00:23:40,000
Speaker 2: his head in agony and makes disgruntled noises, and is

485
00:23:40,040 --> 00:23:42,680
Speaker 2: this the first episode where you do that? And don't

486
00:23:42,720 --> 00:23:45,800
Speaker 2: you continue? Isn't this a running just as before?

487
00:23:46,000 --> 00:23:51,400
Speaker 3: So they set it up originally where both Sean and

488
00:23:51,600 --> 00:23:59,480
Speaker 3: Eric in season two it was thinking cramps. That's right, Okay, yes,

489
00:23:59,680 --> 00:24:01,440
Speaker 3: we had a thinking cramp and that's what I thought.

490
00:24:01,440 --> 00:24:02,680
Speaker 3: I was like, oh, they're going to do that again.

491
00:24:02,720 --> 00:24:04,760
Speaker 3: He's going to say thinking cramp and Eric's going to

492
00:24:04,840 --> 00:24:07,199
Speaker 3: acknowledge that, right, And then no, they didn't do any

493
00:24:07,200 --> 00:24:08,800
Speaker 3: of that. They just they went a whole different route

494
00:24:08,800 --> 00:24:10,679
Speaker 3: with it, but it was the same. It's based on

495
00:24:10,760 --> 00:24:12,119
Speaker 3: the thinking.

496
00:24:12,640 --> 00:24:14,800
Speaker 1: It's almost like that they wrote the same joke over

497
00:24:15,200 --> 00:24:16,520
Speaker 1: forget that they had already done it.

498
00:24:16,520 --> 00:24:21,640
Speaker 3: And yes, they wrote drink a Little Star, right, that's amazing.

499
00:24:22,119 --> 00:24:23,280
Speaker 3: They plagiarize themselves.

500
00:24:23,520 --> 00:24:23,720
Speaker 4: Yeah.

501
00:24:24,040 --> 00:24:24,480
Speaker 3: Interesting.

502
00:24:24,800 --> 00:24:27,600
Speaker 2: Corey opens the window and Sean slowly crawls out, still

503
00:24:27,640 --> 00:24:30,040
Speaker 2: groaning in pain. Eric enters the room and heard the

504
00:24:30,040 --> 00:24:34,520
Speaker 2: whole conversation. Hey, Nater, I'm right al and I. Corey nods. Wow.

505
00:24:34,840 --> 00:24:37,359
Speaker 2: Eric explains, first two times I took the SATs, I

506
00:24:37,359 --> 00:24:39,359
Speaker 2: put down sulfur and cortex, and we saw how all

507
00:24:39,400 --> 00:24:40,080
Speaker 2: that worked out for me.

508
00:24:40,680 --> 00:24:43,000
Speaker 3: Boys back in the Corey and Eric back in the bedroom.

509
00:24:43,280 --> 00:24:45,399
Speaker 3: I know, it's kind of nice to be back in

510
00:24:45,440 --> 00:24:48,520
Speaker 3: that set and back just for his comfort again. Yeah,

511
00:24:48,560 --> 00:24:50,520
Speaker 3: there's something just kind of nice about that. Yeah.

512
00:24:50,600 --> 00:24:53,000
Speaker 2: Yeah, and especially since the last time we really saw

513
00:24:53,040 --> 00:24:55,320
Speaker 2: you guys in the bedroom there was a lot of tension,

514
00:24:55,600 --> 00:24:58,280
Speaker 2: and now there's none of that brother tension. It's really

515
00:24:58,320 --> 00:25:01,439
Speaker 2: it is a comforting it's a comforting feel. Corey asks

516
00:25:01,440 --> 00:25:03,520
Speaker 2: how his third date with Kelly went, and Eric says

517
00:25:03,560 --> 00:25:06,959
Speaker 2: she took him back to her apartment. Corey's impressed. Wow details.

518
00:25:07,359 --> 00:25:10,400
Speaker 2: Eric breaks it down. Nice apartment, hardwood floor's little kid

519
00:25:10,520 --> 00:25:13,680
Speaker 2: overlooking the park. Corey stops him, whoa, whoa? How did

520
00:25:13,680 --> 00:25:15,240
Speaker 2: she get an apartment overlooking the park?

521
00:25:15,560 --> 00:25:15,840
Speaker 1: Great?

522
00:25:15,960 --> 00:25:19,960
Speaker 2: Eric repeats, funny, I love I love so funny, Corey.

523
00:25:20,160 --> 00:25:22,240
Speaker 1: We go back to Corey the real estate when he

524
00:25:22,280 --> 00:25:24,480
Speaker 1: was trying to help turn her find a place. I

525
00:25:24,720 --> 00:25:25,160
Speaker 1: love it.

526
00:25:25,480 --> 00:25:27,280
Speaker 2: I thought location Location.

527
00:25:27,680 --> 00:25:30,520
Speaker 3: Incredible, this episode great. In this episode, he's so good

528
00:25:30,560 --> 00:25:32,520
Speaker 3: at this. I mean he's good at everything. He really is.

529
00:25:32,520 --> 00:25:34,640
Speaker 3: If the episode's about him, he can can't he can

530
00:25:34,680 --> 00:25:37,479
Speaker 3: handle the load. But when he's just this kind of

531
00:25:37,480 --> 00:25:40,680
Speaker 3: Corey who's coming in joke machine has the b storyline.

532
00:25:40,720 --> 00:25:41,280
Speaker 3: Oh god, he.

533
00:25:41,520 --> 00:25:44,440
Speaker 1: Has a face that he gives Alan later. That is

534
00:25:44,480 --> 00:25:46,320
Speaker 1: one of the funniest things I've ever seen in my life.

535
00:25:46,560 --> 00:25:48,399
Speaker 1: I have never seen it because I never watched the episode.

536
00:25:48,400 --> 00:25:49,760
Speaker 1: I'm not in the seats. I was like, what is

537
00:25:49,800 --> 00:25:50,320
Speaker 1: he doing?

538
00:25:50,920 --> 00:25:52,200
Speaker 3: He's great? Yeah, he's great.

539
00:25:52,640 --> 00:25:56,000
Speaker 2: Eric repeats, I said she has a kid. Corey's listening

540
00:25:56,040 --> 00:25:59,400
Speaker 2: skills or subpar? Now does she get the afternoon sun

541
00:25:59,480 --> 00:26:02,080
Speaker 2: and everything? Eric responds, If I'm going to involve you

542
00:26:02,119 --> 00:26:04,320
Speaker 2: in these adult conversations, you're gonna have to pick up

543
00:26:04,320 --> 00:26:07,639
Speaker 2: on little key phrases like she has a kid. Corey

544
00:26:07,680 --> 00:26:10,399
Speaker 2: is surprised. Well, that kind of complicates things, doesn't it.

545
00:26:10,720 --> 00:26:12,960
Speaker 2: Eric looks at the positives. They really like each other

546
00:26:12,960 --> 00:26:15,800
Speaker 2: and that's all that matters, right. Eric evaluates his life.

547
00:26:15,920 --> 00:26:17,960
Speaker 2: They're both out in the real world. He's got a

548
00:26:17,960 --> 00:26:21,040
Speaker 2: good job, got me a nice house, frankly, I think

549
00:26:21,080 --> 00:26:24,840
Speaker 2: I'm ready for an adult relationship. I love got me

550
00:26:24,920 --> 00:26:25,520
Speaker 2: a nice.

551
00:26:25,280 --> 00:26:31,120
Speaker 3: House bedroom share with his brother.

552
00:26:32,440 --> 00:26:34,360
Speaker 1: The door, like, it's just perfect.

553
00:26:34,760 --> 00:26:38,720
Speaker 2: Yep, so great, Corey is happy for him. That's great?

554
00:26:38,800 --> 00:26:41,080
Speaker 2: What ad mom and dad think? Eric whimpers, I'm too

555
00:26:41,119 --> 00:26:44,720
Speaker 2: scared to tell him. And then we're in Kelly's apartment

556
00:26:44,960 --> 00:26:47,920
Speaker 2: and now I'm wondering, are we in Ben Finals week?

557
00:26:49,680 --> 00:26:49,800
Speaker 4: This?

558
00:26:49,800 --> 00:26:52,040
Speaker 2: This feels like too big of an episode. This feels

559
00:26:52,040 --> 00:26:54,359
Speaker 2: like too and even for this, he's in too much

560
00:26:54,440 --> 00:26:56,160
Speaker 2: of it to be a Ben Finals week.

561
00:26:56,000 --> 00:26:57,800
Speaker 3: Right, Yeah, it's It's normally like a scene at the

562
00:26:57,880 --> 00:26:59,760
Speaker 3: end in a Ben Finals week or two scenes at

563
00:26:59,760 --> 00:27:02,000
Speaker 3: the end. It seemed like this was just a B storyline.

564
00:27:03,119 --> 00:27:07,679
Speaker 2: Yeah. Also, I've noticed, and Ben has Finals, his scenes

565
00:27:07,680 --> 00:27:10,320
Speaker 2: are usually in like the same set so they can be.

566
00:27:10,280 --> 00:27:14,040
Speaker 1: Shot sitting down somewhere so he doesn't have to rehearse.

567
00:27:14,200 --> 00:27:14,480
Speaker 3: Yeah.

568
00:27:14,560 --> 00:27:16,720
Speaker 2: Yeah. So Kelly is cleaning up toys when she hears

569
00:27:16,720 --> 00:27:18,520
Speaker 2: a knock at her front door. It's Eric with a

570
00:27:18,520 --> 00:27:21,440
Speaker 2: bouquet of flowers. She admits, I didn't expect to see

571
00:27:21,480 --> 00:27:24,240
Speaker 2: you again, so you didn't expect to see him again,

572
00:27:24,280 --> 00:27:28,080
Speaker 2: But your feels a little weird.

573
00:27:28,320 --> 00:27:29,960
Speaker 3: I think it's the final test.

574
00:27:30,400 --> 00:27:33,080
Speaker 2: Yeah, I guess, I guess, I guess worst case scenario.

575
00:27:33,280 --> 00:27:35,399
Speaker 2: She just introduced Ryan. She didn't say this is a

576
00:27:35,440 --> 00:27:37,600
Speaker 2: guy I'm dating. So for all Ryan knows, he could

577
00:27:37,600 --> 00:27:41,119
Speaker 2: have been there to fix the TV. Like, no, I

578
00:27:41,160 --> 00:27:43,399
Speaker 2: know you were not fix the TV.

579
00:27:44,440 --> 00:27:44,600
Speaker 4: Uh.

580
00:27:49,280 --> 00:27:53,920
Speaker 3: Way to make that for something? Just making of anything,

581
00:27:53,960 --> 00:27:55,280
Speaker 3: as long as you say it weird.

582
00:27:56,240 --> 00:28:01,280
Speaker 2: As long as I make you, you're onto something. There

583
00:28:03,960 --> 00:28:06,600
Speaker 2: when most guys find out about and Eric stops her,

584
00:28:06,920 --> 00:28:09,439
Speaker 2: I'm not most guys. Eric tells her he has a

585
00:28:09,440 --> 00:28:11,240
Speaker 2: little brother and a little sister, so he's used to

586
00:28:11,240 --> 00:28:14,119
Speaker 2: being around kids. In fact, he loves kids. He shoots

587
00:28:14,119 --> 00:28:16,679
Speaker 2: a mini basketball into a kid's basketball hoop and makes it.

588
00:28:16,920 --> 00:28:19,520
Speaker 1: No, wait, isn't it a mini football.

589
00:28:20,560 --> 00:28:21,040
Speaker 3: Basketball?

590
00:28:21,119 --> 00:28:24,200
Speaker 1: It is a basketball, wasn't it. I thought he picked

591
00:28:24,240 --> 00:28:26,800
Speaker 1: up a football and threw in the basketball. Was like, yeah,

592
00:28:27,000 --> 00:28:28,159
Speaker 1: it's my kind of sports.

593
00:28:28,240 --> 00:28:31,920
Speaker 2: No, rider, the round ones, the round ones are basketball.

594
00:28:33,000 --> 00:28:35,960
Speaker 2: The oblong shape is for football.

595
00:28:36,200 --> 00:28:38,760
Speaker 1: So he scored a goal. He scored a goal?

596
00:28:39,480 --> 00:28:47,840
Speaker 3: He why is yeah? I also thought be a joke.

597
00:28:47,960 --> 00:28:49,120
Speaker 3: I thought they were going to build it up for

598
00:28:49,160 --> 00:28:51,000
Speaker 3: a joke. He was gonna miss something was gonna happen.

599
00:28:51,080 --> 00:28:52,920
Speaker 3: I was like, oh no, you just shot from a foot.

600
00:28:52,720 --> 00:28:55,720
Speaker 2: Away, and it really like to add that in, really

601
00:28:55,800 --> 00:28:58,200
Speaker 2: like could have ruined some takes. If you don't make

602
00:28:58,240 --> 00:28:59,120
Speaker 2: it every time.

603
00:28:59,600 --> 00:29:05,760
Speaker 1: It's will. He did not miss anything, even if he.

604
00:29:05,840 --> 00:29:07,680
Speaker 2: Just made it the first one. Then you have it.

605
00:29:07,800 --> 00:29:10,920
Speaker 2: You don't need to worry about it the rest of them. So, uh,

606
00:29:10,920 --> 00:29:13,640
Speaker 2: that's true. So Kelly breaks it to him, having a kid,

607
00:29:13,640 --> 00:29:15,800
Speaker 2: brother and sister of your own is a little different

608
00:29:15,840 --> 00:29:18,600
Speaker 2: than being around someone else's kid. This doesn't scare Eric.

609
00:29:18,720 --> 00:29:21,120
Speaker 2: He's excited to get to know Ryan. Kelly gushes and

610
00:29:21,160 --> 00:29:24,240
Speaker 2: embraces him. I'm so glad I met you, Eric Matthews.

611
00:29:24,640 --> 00:29:27,560
Speaker 2: Then Ryan runs into the room. Mommy, he cowers as

612
00:29:27,560 --> 00:29:31,640
Speaker 2: he passes Eric. Hello, Sir. Eric playfully responds, sir, No, buddy,

613
00:29:31,680 --> 00:29:34,120
Speaker 2: it's Eric. I met you the other night. Kelly tells

614
00:29:34,160 --> 00:29:36,120
Speaker 2: him he gets a little shy around new people, and

615
00:29:36,240 --> 00:29:38,000
Speaker 2: Eric sits down next to Ryan and asks if he

616
00:29:38,000 --> 00:29:40,360
Speaker 2: can go out for a burger. They'll even bring his mom.

617
00:29:40,600 --> 00:29:43,120
Speaker 2: Ryan asks, you want to come with us? Kelly shrugs,

618
00:29:43,280 --> 00:29:45,280
Speaker 2: I suppose, but you got to put your sweater on first.

619
00:29:45,600 --> 00:29:48,480
Speaker 2: Ryan wins. He doesn't want to. Eric steps in and

620
00:29:48,520 --> 00:29:51,200
Speaker 2: grabs the sweater. I know something about this sweater, and

621
00:29:51,280 --> 00:29:54,120
Speaker 2: I bet that I bet you you don't. This sweater

622
00:29:54,280 --> 00:29:57,400
Speaker 2: was made by a magic genie. He whispers to Kelly,

623
00:29:57,480 --> 00:30:00,520
Speaker 2: our genie's still hot. She encourages him to keep going,

624
00:30:00,960 --> 00:30:04,480
Speaker 2: so Eric tells Ryan anyone who wears this sweater can fly.

625
00:30:05,600 --> 00:30:08,640
Speaker 2: Ryan isn't buying it. Give me a break. Eric shrugs, fine,

626
00:30:08,720 --> 00:30:11,160
Speaker 2: don't fly. Take the bus, and as the adults get

627
00:30:11,200 --> 00:30:13,560
Speaker 2: ready to leave, Ryan puts on the sweater. See this

628
00:30:13,640 --> 00:30:16,560
Speaker 2: sweater can't. Then Eric swoops in to pick up Ryan

629
00:30:16,560 --> 00:30:17,640
Speaker 2: and fly him around the room.

630
00:30:18,080 --> 00:30:21,160
Speaker 1: It makes such perfect sense that eron, I know, wonderful

631
00:30:21,200 --> 00:30:23,960
Speaker 1: with kids, right, Yes, I love this as a development

632
00:30:24,000 --> 00:30:29,160
Speaker 1: of his character. It's like, yes, that makes.

633
00:30:28,560 --> 00:30:30,440
Speaker 3: Well, that's where Tommy came from. I mean, this is

634
00:30:30,520 --> 00:30:34,240
Speaker 3: clearly it's so bonned the whole Tommy, because again, when

635
00:30:34,280 --> 00:30:37,280
Speaker 3: I was watching the episode, I'm way more comfortable working

636
00:30:37,320 --> 00:30:40,320
Speaker 3: with Justin than I was with Britney, and so I

637
00:30:40,440 --> 00:30:41,520
Speaker 3: was just more relaxed.

638
00:30:41,520 --> 00:30:44,040
Speaker 1: I don't know if that's all your fault, man, I

639
00:30:44,200 --> 00:30:47,640
Speaker 1: feel like the whole first half of this scene is

640
00:30:47,760 --> 00:30:50,920
Speaker 1: just a little conflict free in a way that like

641
00:30:51,720 --> 00:30:54,760
Speaker 1: I think, I don't know, there's just something about the

642
00:30:54,760 --> 00:30:57,360
Speaker 1: fact that you're like, I'm not most guys, and she's like,

643
00:30:57,560 --> 00:30:59,680
Speaker 1: I'm so glad I met you. Eric Matthews. It's like

644
00:31:00,120 --> 00:31:02,320
Speaker 1: all just sort of like everything's working out, and then

645
00:31:02,600 --> 00:31:04,360
Speaker 1: it also works out that you get along with the kid.

646
00:31:04,400 --> 00:31:05,760
Speaker 1: I was kind of like we could have had some

647
00:31:05,880 --> 00:31:08,920
Speaker 1: layers here of like Eric being nervous in the kid,

648
00:31:09,040 --> 00:31:11,280
Speaker 1: she being nervous about Eric and the kid. Then Eric

649
00:31:11,320 --> 00:31:13,960
Speaker 1: and the kid get along great. It could have been

650
00:31:14,000 --> 00:31:17,040
Speaker 1: like one more turn if because the beginning was so

651
00:31:17,200 --> 00:31:19,200
Speaker 1: conflict free, and I felt that for a couple of

652
00:31:19,240 --> 00:31:22,080
Speaker 1: these these scenes with her, it's it's just a little

653
00:31:22,200 --> 00:31:25,800
Speaker 1: like you know that people presenting their their ideas and

654
00:31:25,840 --> 00:31:28,160
Speaker 1: their state of life as opposed to being in conflict

655
00:31:28,160 --> 00:31:28,720
Speaker 1: with one another.

656
00:31:28,800 --> 00:31:31,920
Speaker 3: I think it's an overall conflict for Eric because this

657
00:31:32,040 --> 00:31:34,720
Speaker 3: is the yogurt cup, this is I found my level,

658
00:31:35,160 --> 00:31:36,880
Speaker 3: this is where I'm going to be, and this is

659
00:31:36,920 --> 00:31:38,640
Speaker 3: what I'm this is and I'm fine with it. I

660
00:31:38,680 --> 00:31:41,040
Speaker 3: love it. I'm embracing it. And I think they've done

661
00:31:41,080 --> 00:31:42,760
Speaker 3: that with Eric a bunch of times, where it's like,

662
00:31:42,920 --> 00:31:45,080
Speaker 3: you know, this is okay, here's I'm going.

663
00:31:45,080 --> 00:31:46,920
Speaker 1: To live in this time. He's fine, and then the

664
00:31:46,960 --> 00:31:50,200
Speaker 1: audience is supposed to know it's not sad for him, right,

665
00:31:50,240 --> 00:31:52,320
Speaker 1: But actually, as an actor, that's really hard to play

666
00:31:52,400 --> 00:31:55,120
Speaker 1: because it's a conflict, which is, right, yeah, you're just

667
00:31:55,160 --> 00:31:56,360
Speaker 1: like cool, everything's great.

668
00:31:58,240 --> 00:31:59,800
Speaker 2: He said, that's why I don't do it well. But

669
00:31:59,840 --> 00:32:03,320
Speaker 2: it's it's true because the same thing I felt in

670
00:32:03,360 --> 00:32:06,280
Speaker 2: that yogurt Cup episode, which is like I actually kind

671
00:32:06,320 --> 00:32:08,240
Speaker 2: of at the end of that I kind of thought,

672
00:32:08,240 --> 00:32:10,440
Speaker 2: maybe it would have been good for you to do it.

673
00:32:10,720 --> 00:32:12,840
Speaker 2: And at the end of this episode, I was a

674
00:32:12,920 --> 00:32:19,120
Speaker 2: little like everyone every parent has lost their kid for

675
00:32:19,200 --> 00:32:21,640
Speaker 2: one second and had this experience where they freaked out.

676
00:32:21,680 --> 00:32:24,160
Speaker 2: And I understand that what they're saying is parents have

677
00:32:24,200 --> 00:32:26,400
Speaker 2: made that choice. You don't get the opportunity to back

678
00:32:26,440 --> 00:32:28,680
Speaker 2: out of it after you've already become a parent. But

679
00:32:28,800 --> 00:32:32,520
Speaker 2: like Eric is really good at it, and Eric does

680
00:32:32,640 --> 00:32:35,120
Speaker 2: realize that he's freaked out and he made a mistake

681
00:32:35,160 --> 00:32:37,600
Speaker 2: and that it is really hard. I don't know. I

682
00:32:37,600 --> 00:32:39,240
Speaker 2: felt the same way at the end of this one too,

683
00:32:39,240 --> 00:32:42,040
Speaker 2: which is like, man, this guy's let him look at

684
00:32:42,080 --> 00:32:44,520
Speaker 2: these things. He's good at yeah, it feels like a

685
00:32:44,560 --> 00:32:48,000
Speaker 2: real relationship. But I will also say, the reason we

686
00:32:48,120 --> 00:32:49,920
Speaker 2: know and the reason it hurts us that Eric had

687
00:32:49,960 --> 00:32:53,240
Speaker 2: ever ended up then in a long term serious relationship,

688
00:32:53,560 --> 00:32:56,400
Speaker 2: is because these episodes showed us how much love he

689
00:32:56,440 --> 00:32:59,640
Speaker 2: has to give and showed us how great he is

690
00:32:59,680 --> 00:33:03,920
Speaker 2: in relationship. So it's extra bitter that we never actually

691
00:33:03,960 --> 00:33:05,320
Speaker 2: got to see it be carried out.

692
00:33:05,400 --> 00:33:08,720
Speaker 1: Yeah, and she goes from I'm so lucky to have

693
00:33:08,760 --> 00:33:12,400
Speaker 1: met you, Eric Matthews to breaking up with him because

694
00:33:12,440 --> 00:33:14,040
Speaker 1: he lost his kid.

695
00:33:14,840 --> 00:33:16,880
Speaker 3: I guess, well, no, I think it's because she's letting

696
00:33:16,960 --> 00:33:20,840
Speaker 3: him go because she not what's best for him.

697
00:33:21,240 --> 00:33:23,720
Speaker 2: Yeah, even if he decides, even if he's really fighting

698
00:33:23,760 --> 00:33:27,560
Speaker 2: for it, and I do like that. She at the

699
00:33:27,640 --> 00:33:31,360
Speaker 2: end says, well, you know where we live, and then

700
00:33:31,480 --> 00:33:33,560
Speaker 2: we don't know if maybe he's going to show back

701
00:33:33,640 --> 00:33:35,760
Speaker 2: up the next day. But by the time he comes home,

702
00:33:35,960 --> 00:33:38,760
Speaker 2: he has also agreed that what would be best for

703
00:33:38,840 --> 00:33:42,120
Speaker 2: him is taking the SATs. But I was a little

704
00:33:42,400 --> 00:33:43,040
Speaker 2: sad by it.

705
00:33:44,120 --> 00:33:46,160
Speaker 3: I'd be the mayor of yogurt toown right now with

706
00:33:46,240 --> 00:33:46,560
Speaker 3: a kid.

707
00:33:46,760 --> 00:33:49,960
Speaker 2: But no, nope, look at that, Eric yells, we have

708
00:33:50,040 --> 00:33:52,240
Speaker 2: engine failure, and together they land on the couch with

709
00:33:52,280 --> 00:33:54,840
Speaker 2: a big boom. Ryan loves it. He wants to do

710
00:33:54,880 --> 00:33:58,240
Speaker 2: it again. Kelly interrupts, mommy's hungry, let's go. Eric tells

711
00:33:58,240 --> 00:34:00,600
Speaker 2: her there's this really nice restaurant he knows of, but

712
00:34:00,680 --> 00:34:03,480
Speaker 2: Kelly says, kids in nice restaurants don't really work together.

713
00:34:03,920 --> 00:34:06,800
Speaker 2: Eric admits some might think it's elegant and romantic, but

714
00:34:07,560 --> 00:34:09,600
Speaker 2: and we optical flip to where else?

715
00:34:10,239 --> 00:34:12,800
Speaker 1: Chubby like this joke was undercup by the fact that

716
00:34:12,840 --> 00:34:15,360
Speaker 1: they already they were there. The data chokes.

717
00:34:15,520 --> 00:34:16,640
Speaker 3: I thought the same thing. I was like, it was

718
00:34:16,640 --> 00:34:17,560
Speaker 3: a little we were just.

719
00:34:17,640 --> 00:34:19,520
Speaker 1: I know where we're going. I'm getting the tea up

720
00:34:19,719 --> 00:34:22,880
Speaker 1: and the reveal. But oh, we already.

721
00:34:23,160 --> 00:34:23,799
Speaker 3: I felt the same thing.

722
00:34:24,440 --> 00:34:26,520
Speaker 2: So this new little family is sitting at a booth

723
00:34:26,560 --> 00:34:29,000
Speaker 2: and Ryan asks if he can play pinball. Eric pulls

724
00:34:29,000 --> 00:34:30,799
Speaker 2: some quarters out of his pocket and sends him on

725
00:34:30,840 --> 00:34:33,760
Speaker 2: his way. I think the O J Jersey is gone,

726
00:34:33,960 --> 00:34:36,640
Speaker 2: by the way, I saw no remnants.

727
00:34:36,840 --> 00:34:39,560
Speaker 3: You think somebody finally went, hey, wait a second, we

728
00:34:39,600 --> 00:34:41,800
Speaker 3: should take that down. This might not be the best.

729
00:34:42,680 --> 00:34:46,920
Speaker 2: So now alone, Eric and Kelly snuggle. Kelly asks, Okay,

730
00:34:47,040 --> 00:34:50,200
Speaker 2: what's wrong with you? Eric's confused? What the quarters. I

731
00:34:50,280 --> 00:34:53,839
Speaker 2: do my own laundry. Do they not have a washer

732
00:34:53,920 --> 00:34:54,920
Speaker 2: and dryer at the Matthews home?

733
00:34:54,960 --> 00:34:57,839
Speaker 3: Apparently they don't have a washer or a dryer at

734
00:34:57,880 --> 00:34:58,600
Speaker 3: the Matthew's house.

735
00:34:58,840 --> 00:34:59,960
Speaker 1: That seems really unlikely.

736
00:35:00,480 --> 00:35:02,760
Speaker 2: Or they make you do your laundry. It's very strange

737
00:35:02,800 --> 00:35:06,319
Speaker 2: at a laundromat, so Kelly explains, you say all the

738
00:35:06,360 --> 00:35:08,719
Speaker 2: right things. You're good with Ryan, you're cute as heck,

739
00:35:08,760 --> 00:35:11,080
Speaker 2: and you're not running away. Eric says the right thing

740
00:35:11,120 --> 00:35:13,440
Speaker 2: to her, yet again, what could be better than this?

741
00:35:14,040 --> 00:35:15,799
Speaker 2: He admits that all the other girls he's dated, if

742
00:35:15,800 --> 00:35:19,200
Speaker 2: seems so young, Kelly is well grounded and responsible for

743
00:35:19,280 --> 00:35:22,319
Speaker 2: a whole other life. Kelly nods Ryan has been a

744
00:35:22,360 --> 00:35:24,640
Speaker 2: blessing in her life, but at this point in Eric's life,

745
00:35:24,719 --> 00:35:27,600
Speaker 2: is that something he wants. They both look at Ryan,

746
00:35:27,640 --> 00:35:29,680
Speaker 2: who's playing pinball, and he gives them a cute little

747
00:35:29,680 --> 00:35:32,480
Speaker 2: wave and a grin. Eric admits, this is where my

748
00:35:32,520 --> 00:35:35,359
Speaker 2: life is going. Kelly smiles and asks Eric about his.

749
00:35:35,239 --> 00:35:37,520
Speaker 1: Family moving so fast, very quick.

750
00:35:38,000 --> 00:35:43,160
Speaker 2: I know this is where my life is going. Eric

751
00:35:43,200 --> 00:35:45,520
Speaker 2: tells her about Corey. He likes the guy he's turning

752
00:35:45,520 --> 00:35:47,840
Speaker 2: into and actually enjoys hanging out with him now and

753
00:35:47,920 --> 00:35:50,440
Speaker 2: on cue. Corey and Sean walk into Chubbies and Eric

754
00:35:50,480 --> 00:35:54,680
Speaker 2: says not now, get out of here. Sean asks, oh,

755
00:35:54,920 --> 00:35:58,560
Speaker 2: and this is hilarious.

756
00:35:59,000 --> 00:36:01,840
Speaker 1: It's really. I mean, I've definitely had this moment with

757
00:36:01,960 --> 00:36:05,360
Speaker 1: friends where like Indy was two years old and people

758
00:36:05,400 --> 00:36:08,680
Speaker 1: are like, how's your baby? I'm like my baby, Okay,

759
00:36:08,920 --> 00:36:10,680
Speaker 1: well it's been a while since we've seen each other.

760
00:36:10,719 --> 00:36:13,040
Speaker 1: Then you have no idea what children are like.

761
00:36:14,480 --> 00:36:17,040
Speaker 2: They baby.

762
00:36:18,000 --> 00:36:18,280
Speaker 3: Baby?

763
00:36:18,480 --> 00:36:21,239
Speaker 2: Sean asks, where's the baby? Eric repeats himself, get out

764
00:36:21,280 --> 00:36:23,800
Speaker 2: of here now. They don't listen. Corey introduces himself and

765
00:36:23,840 --> 00:36:26,120
Speaker 2: Sean and Sean asks again, no, really, where's the baby?

766
00:36:26,280 --> 00:36:29,400
Speaker 2: He looks under the table. Kelly points to the pinball

767
00:36:29,400 --> 00:36:31,360
Speaker 2: game and Sean responds, Oh, do you mind if I

768
00:36:31,360 --> 00:36:34,320
Speaker 2: go over there and play with the baby? Eric vouches

769
00:36:34,360 --> 00:36:36,520
Speaker 2: for him, so Sean walks over to play Cory.

770
00:36:36,520 --> 00:36:39,239
Speaker 1: The better joke would have been less awe and more

771
00:36:39,280 --> 00:36:42,920
Speaker 1: if I had gone like, oh, like, and you think

772
00:36:42,960 --> 00:36:44,960
Speaker 1: Sean's going to recognize, oh, he's not a baby, and

773
00:36:45,000 --> 00:36:47,200
Speaker 1: it said he's like, then turns oh, can I go

774
00:36:47,200 --> 00:36:48,839
Speaker 1: play with the baby?

775
00:36:48,920 --> 00:36:49,120
Speaker 2: Right?

776
00:36:51,360 --> 00:36:54,840
Speaker 1: Go back righter? And then I do the worst background

777
00:36:54,880 --> 00:36:59,239
Speaker 1: acting in the history of Hysterically. I walk over and

778
00:36:59,360 --> 00:37:02,000
Speaker 1: don't talk to the kid. I don't even like play

779
00:37:02,040 --> 00:37:04,719
Speaker 1: with him. I just stand there and you can see

780
00:37:04,719 --> 00:37:09,000
Speaker 1: my face in the so bad I was not on

781
00:37:09,160 --> 00:37:09,799
Speaker 1: this week, guys.

782
00:37:11,320 --> 00:37:13,399
Speaker 3: He disengaged. I'm out.

783
00:37:13,480 --> 00:37:14,480
Speaker 1: I'm going to have a small part.

784
00:37:14,600 --> 00:37:19,560
Speaker 2: Okay, oh man. Corey says they're going to a movie

785
00:37:19,600 --> 00:37:21,600
Speaker 2: and was wondering if they'd like to come along. Eric

786
00:37:21,680 --> 00:37:23,719
Speaker 2: loves the idea, but Kelly admits I have to get

787
00:37:23,800 --> 00:37:26,680
Speaker 2: Ryan to bed. But you guys go ahead. Corey urges Eric,

788
00:37:26,719 --> 00:37:28,680
Speaker 2: you do not want to miss this one. It's Jim

789
00:37:28,760 --> 00:37:31,720
Speaker 2: Carrey and Steven Seagal starring, and what are you doing

790
00:37:31,800 --> 00:37:33,280
Speaker 2: in my movie?

791
00:37:34,840 --> 00:37:39,359
Speaker 4: I'd watch that, but it's such a random joke that

792
00:37:39,480 --> 00:37:41,839
Speaker 4: it seems like a placeholder joke, like a two am joke.

793
00:37:41,840 --> 00:37:42,800
Speaker 3: And they're like, we're not going to beat that.

794
00:37:42,920 --> 00:37:46,600
Speaker 1: Oh yes, you know. They kept going.

795
00:37:48,160 --> 00:37:48,480
Speaker 4: Keep it.

796
00:37:48,480 --> 00:37:48,879
Speaker 3: It's great.

797
00:37:49,960 --> 00:37:51,919
Speaker 2: Eric thinks about it, but tells Corey it's all about

798
00:37:51,920 --> 00:37:54,719
Speaker 2: priorities and his are changing. He turns to Kelly and

799
00:37:54,760 --> 00:37:56,359
Speaker 2: asks if he can come home with her and read

800
00:37:56,440 --> 00:37:59,120
Speaker 2: Ryan a story. Kelly's more than happy to hear that,

801
00:37:59,239 --> 00:38:02,000
Speaker 2: and Corey look a little let down, and then we're

802
00:38:02,000 --> 00:38:02,920
Speaker 2: in the Matthew's living room.

803
00:38:02,920 --> 00:38:04,680
Speaker 1: I think this is where I was kind of like,

804
00:38:06,760 --> 00:38:09,839
Speaker 1: wouldn't she be worried about this at all? I mean,

805
00:38:10,000 --> 00:38:12,880
Speaker 1: especially considering where she ends up, which is that she's

806
00:38:13,160 --> 00:38:16,040
Speaker 1: very aware of like him moving too fast and not

807
00:38:16,120 --> 00:38:19,240
Speaker 1: being ready, and so I don't know, I just want.

808
00:38:19,080 --> 00:38:21,800
Speaker 3: To I think maybe she's falling into the fantasy a

809
00:38:21,840 --> 00:38:23,480
Speaker 3: little bit too, where it's like, how did I meet

810
00:38:23,520 --> 00:38:27,759
Speaker 3: somebody that could this actually work? You know, I had

811
00:38:27,760 --> 00:38:29,560
Speaker 3: a kid so early in my life, is so different

812
00:38:29,600 --> 00:38:32,200
Speaker 3: than everybody around my age, Like, did I actually meet

813
00:38:32,200 --> 00:38:34,279
Speaker 3: somebody that this kid? So that's how I chalked it up.

814
00:38:34,320 --> 00:38:36,800
Speaker 3: Was kind of like she wants it to be yeah.

815
00:38:36,640 --> 00:38:40,480
Speaker 2: And she obviously hasn't experienced that before because she is

816
00:38:40,560 --> 00:38:43,279
Speaker 2: what she has experienced, does everyone running the minute they

817
00:38:43,280 --> 00:38:46,160
Speaker 2: hear about him? So she doesn't really know how does

818
00:38:46,239 --> 00:38:47,640
Speaker 2: this go when it goes? Well?

819
00:38:47,840 --> 00:38:49,399
Speaker 3: Playing into the fantasy at this.

820
00:38:49,360 --> 00:39:03,759
Speaker 2: Point, right exactly. So, Topanga and Corey are studying for

821
00:39:03,800 --> 00:39:06,320
Speaker 2: the SATs while Sean sets his feet on the coffee

822
00:39:06,320 --> 00:39:08,759
Speaker 2: table and leans back in a chair. Tapega reads a

823
00:39:08,840 --> 00:39:11,319
Speaker 2: question aloud and Sean can't handle it. He grabs his

824
00:39:11,360 --> 00:39:13,480
Speaker 2: head in agony again, and to Panga opens the front

825
00:39:13,520 --> 00:39:15,960
Speaker 2: door so he can stumble out. And you're not wearing

826
00:39:15,960 --> 00:39:20,719
Speaker 2: the leather jacket here. You're wearing a different jacket, and

827
00:39:20,800 --> 00:39:22,560
Speaker 2: I don't know why.

828
00:39:22,400 --> 00:39:24,520
Speaker 3: Are you wearing Is this the scene, Danielle where you're

829
00:39:24,560 --> 00:39:26,280
Speaker 3: wearing a sweater crop top.

830
00:39:26,200 --> 00:39:27,240
Speaker 2: A crop top sweater?

831
00:39:27,320 --> 00:39:29,520
Speaker 3: Yeah, you're now officially in that.

832
00:39:29,840 --> 00:39:33,879
Speaker 2: No. No, because my tummy's not showing. I have hot,

833
00:39:33,960 --> 00:39:36,520
Speaker 2: so my belly button still needs to be warm. I'm

834
00:39:36,560 --> 00:39:39,520
Speaker 2: like Lonnie who wants a coold belly button?

835
00:39:39,960 --> 00:39:40,320
Speaker 3: Gotcha?

836
00:39:40,400 --> 00:39:44,240
Speaker 1: I was wondering again, it was like warm about wardrobe

837
00:39:44,280 --> 00:39:47,200
Speaker 1: so much because I was really bothered by how color

838
00:39:47,239 --> 00:39:50,919
Speaker 1: clashing Eric and Corey's wardrobe was in this scene, because

839
00:39:50,920 --> 00:39:53,160
Speaker 1: it's like they're both you guys are both wearing like

840
00:39:53,280 --> 00:39:56,439
Speaker 1: reddish sweaters. I was just like, wait, it's like they're

841
00:39:56,560 --> 00:40:01,400
Speaker 1: just close enough to bug me, right, that's funny. Something

842
00:40:01,480 --> 00:40:02,520
Speaker 1: was off this this scene.

843
00:40:02,560 --> 00:40:06,000
Speaker 2: Something was off with the wardrobe this this scene. Maybe so,

844
00:40:06,080 --> 00:40:08,560
Speaker 2: Corey smiles, you did that just so we could be alone.

845
00:40:08,680 --> 00:40:11,440
Speaker 2: To Pega walks over and bites his ear while rubbing

846
00:40:11,480 --> 00:40:14,719
Speaker 2: his shoulders. Corey sighs, the ear nice.

847
00:40:17,400 --> 00:40:18,399
Speaker 3: From the audience too.

848
00:40:18,600 --> 00:40:22,600
Speaker 2: Oh yeah, Eric makes his way downstairs. You take those

849
00:40:22,719 --> 00:40:25,800
Speaker 2: SATs six or seven times, you start losing that loving feeling.

850
00:40:26,160 --> 00:40:28,400
Speaker 2: Corey tries to encourage him. Maybe the eighth times the

851
00:40:28,480 --> 00:40:30,879
Speaker 2: charm for you. Why don't you take the SATs again?

852
00:40:31,000 --> 00:40:33,799
Speaker 2: You could go to college, Corey asks if Eric's still

853
00:40:33,800 --> 00:40:36,720
Speaker 2: thinking about college, and Eric shrugs, maybe I'll get around

854
00:40:36,719 --> 00:40:38,600
Speaker 2: to it. But right now I'm happy with my life.

855
00:40:38,640 --> 00:40:41,360
Speaker 2: He's got a good job, a good girl, good kid.

856
00:40:41,600 --> 00:40:43,240
Speaker 2: His life is really coming together.

857
00:40:43,640 --> 00:40:47,440
Speaker 3: Yeah, at Wilderness Store plays it pays well at Wilderness Store.

858
00:40:47,480 --> 00:40:49,640
Speaker 3: That doubt still still living with mom and dad.

859
00:40:49,680 --> 00:40:51,920
Speaker 2: But well, that's one of the reasons that exactly, it's

860
00:40:51,920 --> 00:40:54,040
Speaker 2: one of the reasons the Wilderness Store pays so well. Yeah,

861
00:40:54,080 --> 00:40:56,920
Speaker 2: you don't have to pay for anything else. Then Amy

862
00:40:56,920 --> 00:40:59,399
Speaker 2: and Allen walk in looking less than happy. Corey into

863
00:40:59,440 --> 00:41:02,360
Speaker 2: Pega greet them, but they don't say anything. Penga gets nervous,

864
00:41:02,600 --> 00:41:05,160
Speaker 2: I'm gonna go now, your dad is scaring me. Cory

865
00:41:05,200 --> 00:41:08,239
Speaker 2: assures her everything is just fine. Alan butts in good

866
00:41:08,320 --> 00:41:11,320
Speaker 2: night to Panga. Pega says by and rushes out. Corey

867
00:41:11,320 --> 00:41:13,239
Speaker 2: tries to say he's leaving with her too, but Alan

868
00:41:13,280 --> 00:41:16,600
Speaker 2: points at him. You stay. Corey's confused. I thought you

869
00:41:16,640 --> 00:41:19,359
Speaker 2: guys were going out. Alan scoffs. We did. We got

870
00:41:19,360 --> 00:41:22,560
Speaker 2: about three blocks and the funniest thing happened. We ran

871
00:41:22,600 --> 00:41:26,320
Speaker 2: out of gas. Amy asks, now, who had that car last?

872
00:41:26,600 --> 00:41:30,080
Speaker 2: Alan shouts, good question. I think I know the answer.

873
00:41:30,320 --> 00:41:33,640
Speaker 2: Could it be Corey? Alan explains the rule he who

874
00:41:33,719 --> 00:41:37,320
Speaker 2: has the car last fills the tank with gas. Corey

875
00:41:37,360 --> 00:41:40,480
Speaker 2: apologizes and says he forgot, but Alan interrupts, you're about

876
00:41:40,520 --> 00:41:43,520
Speaker 2: three blocks too late for Sorry, no car for a week.

877
00:41:43,800 --> 00:41:46,359
Speaker 2: Corey's jaw drops and his parents walk out of the room.

878
00:41:46,760 --> 00:41:49,320
Speaker 1: Oh going back. This was where Ben made the face

879
00:41:49,480 --> 00:41:52,759
Speaker 1: when he was when Alan's teeing him up about who

880
00:41:53,000 --> 00:41:56,440
Speaker 1: you know, and I've telling the story and Corey knows

881
00:41:56,480 --> 00:41:59,919
Speaker 1: what's coming. Ben just makes the perfect light. I don't

882
00:42:00,040 --> 00:42:01,880
Speaker 1: I'm gonna pretend I don't know what you're talking about,

883
00:42:01,920 --> 00:42:05,480
Speaker 1: but I'm so worried. It was hysterical.

884
00:42:05,600 --> 00:42:07,160
Speaker 3: Oh my moments that.

885
00:42:09,120 --> 00:42:10,920
Speaker 1: It was perfect, so funny.

886
00:42:11,719 --> 00:42:14,080
Speaker 2: So Corey complains to Eric he could have at least

887
00:42:14,120 --> 00:42:16,680
Speaker 2: let me explain. Eric asks what he had and Corey

888
00:42:16,680 --> 00:42:20,600
Speaker 2: admits nothing. I had nothing. Eric is sympathetic. I was

889
00:42:20,600 --> 00:42:22,759
Speaker 2: once a son myself. I'll go in there and try

890
00:42:22,800 --> 00:42:24,880
Speaker 2: to straighten it out for you. Okay. Corey thanks him,

891
00:42:24,880 --> 00:42:27,160
Speaker 2: and Eric shows off a very proud strut on the

892
00:42:27,200 --> 00:42:27,960
Speaker 2: head of the kitchen.

893
00:42:28,080 --> 00:42:29,440
Speaker 3: Yeah.

894
00:42:29,480 --> 00:42:31,680
Speaker 2: And then we're in the Matthew's kitchen. Eric tells Alan,

895
00:42:31,719 --> 00:42:35,080
Speaker 2: who's dressed like he's delivering packages for you. Ps. I

896
00:42:35,120 --> 00:42:35,880
Speaker 2: can't believe.

897
00:42:35,920 --> 00:42:41,400
Speaker 3: It's like seventies brown the whole and what something's off?

898
00:42:40,800 --> 00:42:43,080
Speaker 3: Something weird because I noticed that as well. It's like

899
00:42:43,280 --> 00:42:46,239
Speaker 3: it's like, are we doing a time travel episode again?

900
00:42:46,239 --> 00:42:46,960
Speaker 1: What are they wearing?

901
00:42:47,400 --> 00:42:50,920
Speaker 2: Yeah, I can't believe the way Corey was laughing at

902
00:42:50,960 --> 00:42:55,320
Speaker 2: you behind your back. Alan. I know it is funny

903
00:42:55,320 --> 00:42:57,440
Speaker 2: because then it doesn't really go anywhere, but it's just like.

904
00:42:57,440 --> 00:43:00,240
Speaker 3: I'll take care of it. Then it's he was really

905
00:43:00,280 --> 00:43:01,279
Speaker 3: saying bad things about you.

906
00:43:01,600 --> 00:43:03,719
Speaker 2: Alan gives a confused look. Just as we hear a

907
00:43:03,760 --> 00:43:06,600
Speaker 2: car honk outside. Eric says that's Kelly and he begins

908
00:43:06,680 --> 00:43:08,839
Speaker 2: to leave, but Amy stops him. You guys have been

909
00:43:08,880 --> 00:43:10,680
Speaker 2: going out for a while, we still haven't met her.

910
00:43:10,719 --> 00:43:12,839
Speaker 2: You should invite her to come in. Eric says they're

911
00:43:12,840 --> 00:43:15,040
Speaker 2: in a hurry, but Amy yells to Kelly come on in.

912
00:43:15,640 --> 00:43:18,200
Speaker 2: Eric's obviously not into the idea, and Alan asks, afraid

913
00:43:18,239 --> 00:43:20,920
Speaker 2: I'll say something to embarrass you. Kelly walks through the

914
00:43:20,960 --> 00:43:24,120
Speaker 2: door and meets the Matthews, introducing herself. Alan child's at

915
00:43:24,160 --> 00:43:26,080
Speaker 2: a boy as he looks her up and down like

916
00:43:26,120 --> 00:43:28,240
Speaker 2: a total creep, Oh weird thing.

917
00:43:28,080 --> 00:43:31,440
Speaker 1: To do, boy, and.

918
00:43:31,440 --> 00:43:35,640
Speaker 2: Looks her up and down. Amy is rightfully embarrassed.

919
00:43:36,920 --> 00:43:40,360
Speaker 1: So many beautiful women. Every every time a door opens

920
00:43:40,360 --> 00:43:42,680
Speaker 1: and a woman walks in on the show, she's gorgeous.

921
00:43:43,520 --> 00:43:44,359
Speaker 1: It's like the.

922
00:43:44,440 --> 00:43:47,520
Speaker 3: Question I had was is and I might be just

923
00:43:47,600 --> 00:43:49,560
Speaker 3: reading too much into this or hopefully this is what

924
00:43:49,600 --> 00:43:54,320
Speaker 3: it was, is that Alan is doing that specifically to

925
00:43:54,400 --> 00:43:58,560
Speaker 3: embarrass Eric. No, because he says, you don't want you

926
00:43:58,560 --> 00:44:00,719
Speaker 3: don't want me to say anything embarrassing, do you like?

927
00:44:00,880 --> 00:44:04,200
Speaker 3: And then he comes in and so he specifically says something, yeah,

928
00:44:04,320 --> 00:44:05,520
Speaker 3: that he knows will be embarrassed.

929
00:44:05,560 --> 00:44:08,640
Speaker 1: It's a charitable to jay. I think if you inserted

930
00:44:08,640 --> 00:44:10,600
Speaker 1: a little more irony in the performance, I might have

931
00:44:10,640 --> 00:44:15,560
Speaker 1: seen that. I think actually the the the joke that

932
00:44:15,600 --> 00:44:18,000
Speaker 1: the writers were going for is that she's older.

933
00:44:18,080 --> 00:44:21,879
Speaker 2: Right, so more like right, it's somebody he would even

934
00:44:21,880 --> 00:44:24,160
Speaker 2: be attracted to like because.

935
00:44:24,040 --> 00:44:26,760
Speaker 1: Because remember when you dated the older woman that Amy

936
00:44:26,800 --> 00:44:29,360
Speaker 1: worked with, Alan was like stoked for you, Like that

937
00:44:29,480 --> 00:44:31,040
Speaker 1: was part of it. And so I think you're playing

938
00:44:31,080 --> 00:44:33,160
Speaker 1: back on that idea of like Alan being like, oh,

939
00:44:33,200 --> 00:44:36,520
Speaker 1: you've got a real woman this time. Unfortunately she you, guys,

940
00:44:36,560 --> 00:44:38,279
Speaker 1: you look older if you look like you're in your

941
00:44:38,280 --> 00:44:40,160
Speaker 1: early twenties, and she looks like she's in early twenties.

942
00:44:40,200 --> 00:44:43,400
Speaker 1: So it doesn't seem like that storyline doesn't visually read.

943
00:44:43,680 --> 00:44:47,640
Speaker 3: Agreed, I was trying to be charitable, Yeah, but unfortunately

944
00:44:47,760 --> 00:44:49,640
Speaker 3: I think you're both right, but I'm trying to be charitrible.

945
00:44:49,880 --> 00:44:53,200
Speaker 2: Amy is rightfully embarrassed, and she introduces herself and Alan.

946
00:44:53,360 --> 00:44:59,160
Speaker 2: Alan shyly smiles, Hello, Kelly, Zippit, Alan Zippit. Then Ryan

947
00:44:59,200 --> 00:45:01,960
Speaker 2: walks in and lodge himself between Eric and Kelly. Kelly

948
00:45:01,960 --> 00:45:04,640
Speaker 2: introduces Ryan to Alan and Amy, who stare at the

949
00:45:04,719 --> 00:45:08,120
Speaker 2: kid in shock. Alan stutters, trying to act normal. Did

950
00:45:08,120 --> 00:45:11,560
Speaker 2: you hear that? Amy? They've got a son? And then

951
00:45:11,920 --> 00:45:14,600
Speaker 2: we go to the commercial break. We're in the Matthew's kitchen.

952
00:45:14,640 --> 00:45:16,520
Speaker 2: Amy gets it together to tell Ryan and Kelly that

953
00:45:16,560 --> 00:45:19,040
Speaker 2: it's nice to meet them both. Alan offers to get

954
00:45:19,040 --> 00:45:22,360
Speaker 2: everyone a drink a juice box. Maybe. Kelly quietly asks

955
00:45:22,520 --> 00:45:25,240
Speaker 2: Eric why he didn't tell them, and he bluffs it's easy,

956
00:45:25,480 --> 00:45:28,400
Speaker 2: then proceeds to quickly introduce his parents to Ryan. Kelly

957
00:45:28,440 --> 00:45:30,759
Speaker 2: gives a full introduction of Ryan to the Matthew saying

958
00:45:30,800 --> 00:45:32,840
Speaker 2: he's six years old and the love of her life.

959
00:45:33,360 --> 00:45:35,960
Speaker 2: Then Morgan peeps her head into the kitchen. Did someone

960
00:45:35,960 --> 00:45:38,680
Speaker 2: mention laser tag? She wants to come too. Alan tells

961
00:45:38,680 --> 00:45:41,400
Speaker 2: her they're on a date and Morgan doesn't understand, so

962
00:45:41,760 --> 00:45:45,239
Speaker 2: she's bringing her brother. Ryan corrects her. I know they

963
00:45:45,239 --> 00:45:46,759
Speaker 2: acted like this was such a burn, like it.

964
00:45:46,719 --> 00:45:47,680
Speaker 3: Was such a huge thing.

965
00:45:47,920 --> 00:45:51,600
Speaker 1: Oh, I know, I do like this, you know, inserting

966
00:45:51,600 --> 00:45:53,640
Speaker 1: Morgan into this situation makes it a lot of sense,

967
00:45:53,680 --> 00:45:56,680
Speaker 1: and it's a cool way to highlight Oh this is awkward,

968
00:45:56,760 --> 00:45:59,919
Speaker 1: And I actually thought maybe they would play that out

969
00:46:00,000 --> 00:46:02,520
Speaker 1: throughout the episode, like Morgan does come along and then

970
00:46:02,640 --> 00:46:06,120
Speaker 1: Eric has to navigate having a father relationship with one

971
00:46:06,200 --> 00:46:09,279
Speaker 1: kid and a brother relationship with another. I thought that

972
00:46:09,440 --> 00:46:13,160
Speaker 1: was actually rich territory for a cool yeah, like conflict

973
00:46:13,200 --> 00:46:15,759
Speaker 1: as it is like right now, I guess the act

974
00:46:15,800 --> 00:46:19,279
Speaker 1: break conflict is that Alan and Amy are discovering that.

975
00:46:19,800 --> 00:46:21,520
Speaker 1: But then that's like, what are they going to do, Like,

976
00:46:21,560 --> 00:46:23,320
Speaker 1: it's not like they're going to say, don't date somebody

977
00:46:23,320 --> 00:46:25,680
Speaker 1: who as a kid. That's not a problem really, it's

978
00:46:25,760 --> 00:46:31,040
Speaker 1: just okay. So the conflict is kind of immediately evaporated. Yeah,

979
00:46:31,200 --> 00:46:34,080
Speaker 1: I was waiting for something more to kind of develop here,

980
00:46:34,160 --> 00:46:36,840
Speaker 1: and it, Yeah, doesn't it just happens.

981
00:46:37,440 --> 00:46:40,759
Speaker 2: Ryan corrects her, she's my mom. Morgan says, then she'll

982
00:46:40,800 --> 00:46:43,319
Speaker 2: just bring her mom too. Eric's had enough. Whoever wants

983
00:46:43,320 --> 00:46:44,959
Speaker 2: to come can come, but for the love of God,

984
00:46:45,040 --> 00:46:47,680
Speaker 2: no more talking. Kelly tells the Matthews it was nice

985
00:46:47,680 --> 00:46:50,160
Speaker 2: meeting them, and she hopes to see them again. Amy

986
00:46:50,200 --> 00:46:53,880
Speaker 2: says she's welcome anytime. Morgan apologizes to Ryan for thinking

987
00:46:53,920 --> 00:46:56,360
Speaker 2: his mom was his sister, and Ryan shrugs, it's okay.

988
00:46:56,480 --> 00:46:58,960
Speaker 2: It happens all the time. Kelly and Ryan walk out,

989
00:46:59,000 --> 00:47:02,960
Speaker 2: with Morgan and following behind them, Morgan, no, goodbye, she

990
00:47:03,040 --> 00:47:05,759
Speaker 2: just leaves. I was a little like, oh, I guess

991
00:47:05,800 --> 00:47:06,320
Speaker 2: she is going.

992
00:47:06,400 --> 00:47:09,400
Speaker 3: I didn't realize she's leaving now apparently.

993
00:47:09,480 --> 00:47:12,120
Speaker 2: Yeah, And then we're in Corey's room. Corey complains to

994
00:47:12,200 --> 00:47:14,080
Speaker 2: Eric about how nuts their dad is going about the

995
00:47:14,080 --> 00:47:16,719
Speaker 2: whole car thing. Eric asks you, he's been all over

996
00:47:16,760 --> 00:47:19,080
Speaker 2: me about Kelly and it's only been five dates. It's

997
00:47:19,120 --> 00:47:21,680
Speaker 2: not like I'm planning my big June wedding. And then

998
00:47:21,760 --> 00:47:23,880
Speaker 2: on cue, Eric walks out of the closet wearing a

999
00:47:23,920 --> 00:47:28,920
Speaker 2: good looking guy tucks. As he checks himself out, Corey

1000
00:47:28,920 --> 00:47:31,279
Speaker 2: brings up the SATs again. They can even take them

1001
00:47:31,280 --> 00:47:32,560
Speaker 2: together and help each other out.

1002
00:47:32,840 --> 00:47:35,440
Speaker 1: This is my favorite see it of the episode, by

1003
00:47:35,440 --> 00:47:38,000
Speaker 1: the way, just you two in the bedroom. Yeah, I

1004
00:47:38,000 --> 00:47:41,640
Speaker 1: don't know. Something about this too felt comfortable and it

1005
00:47:41,680 --> 00:47:43,759
Speaker 1: was all like, this is really fun. This felt old

1006
00:47:43,760 --> 00:47:47,319
Speaker 1: family sitcom dynamics, everyone sort of talking through where they're at.

1007
00:47:47,360 --> 00:47:49,000
Speaker 1: It's it's just good. It's good, and you guys are

1008
00:47:48,960 --> 00:47:49,680
Speaker 1: all so good in it.

1009
00:47:49,840 --> 00:47:53,799
Speaker 2: Yeah, Eric responds on my little Corey with your get

1010
00:47:53,880 --> 00:47:59,280
Speaker 2: smart quick schemes. The good old sessat ship sound.

1011
00:48:00,160 --> 00:48:02,640
Speaker 1: I mean, this is one of those lines that's just

1012
00:48:02,760 --> 00:48:06,759
Speaker 1: so so funny, I know, and yet so clever. It's

1013
00:48:06,800 --> 00:48:09,440
Speaker 1: just so stink and clever. I'm just like, yeah, that's

1014
00:48:09,480 --> 00:48:12,240
Speaker 1: the kind of thing that people like lodges into people's

1015
00:48:12,239 --> 00:48:15,120
Speaker 1: brains and they don't remember what episode of Boy thet

1016
00:48:15,120 --> 00:48:18,399
Speaker 1: World it is. But the good ship ss S s AT

1017
00:48:18,600 --> 00:48:22,000
Speaker 1: and your delivery. It's just so witty. I love it.

1018
00:48:22,040 --> 00:48:22,840
Speaker 1: I love it.

1019
00:48:22,840 --> 00:48:23,720
Speaker 3: It was fun dialogue.

1020
00:48:35,040 --> 00:48:38,560
Speaker 2: Corey clarifies, So that's it. No college. Eric shrugs. It's

1021
00:48:38,560 --> 00:48:40,440
Speaker 2: not like I'm ruining my life or anything. I'll just

1022
00:48:40,480 --> 00:48:42,320
Speaker 2: move on to what I would have done after college.

1023
00:48:42,480 --> 00:48:46,000
Speaker 2: Corey raises an eyebrow. Secret service guy. Eric gets serious,

1024
00:48:46,200 --> 00:48:49,520
Speaker 2: you read my secret dossier. Alan walks into say good night.

1025
00:48:49,600 --> 00:48:51,600
Speaker 2: He points to Corey. I hope you understand why I

1026
00:48:51,640 --> 00:48:55,120
Speaker 2: took away your driving privileges. Corey nods, I completely understand.

1027
00:48:55,280 --> 00:48:57,800
Speaker 2: So can I have the car tomorrow night? Alan scoffs.

1028
00:48:57,880 --> 00:49:00,000
Speaker 2: Cory must be kidding. Corey says, it's been a couple

1029
00:49:00,000 --> 00:49:02,880
Speaker 2: of days already. Why wouldn't he be able to Alan clarifies,

1030
00:49:03,080 --> 00:49:05,960
Speaker 2: I said a week. Alan then points to Eric. Take

1031
00:49:06,000 --> 00:49:10,879
Speaker 2: off my tuxedo. Eric groans fits Eric pretty perfectly right.

1032
00:49:11,200 --> 00:49:13,920
Speaker 3: We never ever get into why he's in the tuxio right,

1033
00:49:14,200 --> 00:49:15,840
Speaker 3: No idea? What I think we could be going to

1034
00:49:15,840 --> 00:49:17,000
Speaker 3: the prom somebody?

1035
00:49:17,160 --> 00:49:18,040
Speaker 1: No idea? Why never?

1036
00:49:18,160 --> 00:49:19,200
Speaker 3: It's never mentioned?

1037
00:49:19,480 --> 00:49:21,360
Speaker 1: Are you just trying to be more grown up? Is

1038
00:49:21,360 --> 00:49:23,040
Speaker 1: the idea? Like you're trying to dress up.

1039
00:49:23,360 --> 00:49:27,839
Speaker 2: I do think the the implication is that you were

1040
00:49:27,920 --> 00:49:32,080
Speaker 2: planning your June wedding and you are so invested in

1041
00:49:32,120 --> 00:49:35,759
Speaker 2: this relationship with her and imagining your future that you

1042
00:49:35,800 --> 00:49:37,640
Speaker 2: were like, I'm going to go try on my dad's top,

1043
00:49:37,680 --> 00:49:39,120
Speaker 2: I'm going to get a picture of this. That you

1044
00:49:39,160 --> 00:49:42,160
Speaker 2: really are lost in the fantasy of your future as

1045
00:49:42,160 --> 00:49:45,279
Speaker 2: a family man. So I think that's the implication, which

1046
00:49:45,280 --> 00:49:47,399
Speaker 2: is why it never really needs to be addressed. But

1047
00:49:47,840 --> 00:49:50,560
Speaker 2: it is odd. It's a little like Morgan getting into

1048
00:49:50,560 --> 00:49:54,000
Speaker 2: the tutu and then there'll be like no reason for

1049
00:49:54,080 --> 00:49:54,480
Speaker 2: that either.

1050
00:49:54,760 --> 00:49:57,280
Speaker 1: I mean maybe even just Alan being a little more confused,

1051
00:49:57,360 --> 00:49:59,520
Speaker 1: like take off my talks, what do you do? And

1052
00:49:59,520 --> 00:50:02,440
Speaker 1: then a response that kind of gives him.

1053
00:50:02,760 --> 00:50:06,040
Speaker 3: Anybody remember the last time Eric was in that same.

1054
00:50:05,880 --> 00:50:07,359
Speaker 2: Tux good look the good looking guy.

1055
00:50:07,400 --> 00:50:10,000
Speaker 1: Good looking guy, Yeah, which was an episode where you

1056
00:50:10,760 --> 00:50:12,320
Speaker 1: went on a date with a girl who does she

1057
00:50:12,360 --> 00:50:14,719
Speaker 1: have a kid? In that one too? Didn't at the

1058
00:50:14,800 --> 00:50:15,880
Speaker 1: end of the episode.

1059
00:50:15,480 --> 00:50:17,800
Speaker 2: You end up in it was the real episode?

1060
00:50:17,920 --> 00:50:20,319
Speaker 1: Yeah, yeah, and I think she also has a kid.

1061
00:50:20,680 --> 00:50:23,240
Speaker 3: She did? Yeah, I remember the kids making put on texes,

1062
00:50:23,560 --> 00:50:24,239
Speaker 3: that's what it is.

1063
00:50:24,320 --> 00:50:27,239
Speaker 1: Yeah, kids equals kids make him get a job. The

1064
00:50:27,239 --> 00:50:28,760
Speaker 1: fear of dating a woman.

1065
00:50:28,560 --> 00:50:31,480
Speaker 2: With a kid spurs fantasy.

1066
00:50:32,040 --> 00:50:34,959
Speaker 1: Go on to the SATs and focus on college, because god,

1067
00:50:35,440 --> 00:50:35,920
Speaker 1: you could.

1068
00:50:35,719 --> 00:50:39,440
Speaker 2: Be a dad right now, Alan hoofs between the two

1069
00:50:39,480 --> 00:50:42,520
Speaker 2: of you, guys, I've got nothing. He walks out, and

1070
00:50:42,560 --> 00:50:45,759
Speaker 2: Corey is defeated. He's taking this dad stuff way too seriously.

1071
00:50:46,200 --> 00:50:48,760
Speaker 2: Eric tries to be the voice of reason. I've learned

1072
00:50:48,760 --> 00:50:50,600
Speaker 2: something and all the time I've spent with Ryan, the

1073
00:50:50,680 --> 00:50:54,560
Speaker 2: key to a successful father son relationship is friendship, communication

1074
00:50:54,880 --> 00:50:57,839
Speaker 2: and trust. And occasionally you throw in a Tootsie roll.

1075
00:50:58,880 --> 00:50:59,880
Speaker 2: Not bad advice.

1076
00:51:00,680 --> 00:51:01,640
Speaker 3: Tutsi rolls are great.

1077
00:51:03,239 --> 00:51:05,600
Speaker 2: And then we get a variation on the optical flip

1078
00:51:05,640 --> 00:51:08,240
Speaker 2: to Chubby's. We focus on a huge pile of Tutsi

1079
00:51:08,320 --> 00:51:10,520
Speaker 2: rolls on the pool room table where Eric and Ryan

1080
00:51:10,560 --> 00:51:15,360
Speaker 2: are sitting. It's not the pool room table, right right, right, Yeah,

1081
00:51:15,400 --> 00:51:17,879
Speaker 2: there's a bunch of toys and stuffed animals scattered around them.

1082
00:51:17,960 --> 00:51:20,960
Speaker 2: Ryan asks his new dad, what do we do now?

1083
00:51:21,200 --> 00:51:24,080
Speaker 2: Eric replies, we sit now, buddy, If that's okay, I

1084
00:51:24,080 --> 00:51:26,600
Speaker 2: think sitting's the only thing we haven't done all day.

1085
00:51:27,160 --> 00:51:29,600
Speaker 2: Ryan excitedly asks can we go to the zoo? Eric

1086
00:51:29,640 --> 00:51:31,760
Speaker 2: tells him they already went to the zoo. He reminds

1087
00:51:31,800 --> 00:51:33,800
Speaker 2: him how he had to jump into the ocelot cage

1088
00:51:33,800 --> 00:51:36,239
Speaker 2: to get Ryan's sixers hat from the game they went to.

1089
00:51:36,719 --> 00:51:39,920
Speaker 2: It is worth noting. Eric holds up the Classic Sports

1090
00:51:39,960 --> 00:51:45,520
Speaker 2: Specialties Sixers snapback, which currently averages around two hundred dollars

1091
00:51:45,600 --> 00:51:47,480
Speaker 2: on eBay.

1092
00:51:48,120 --> 00:51:50,799
Speaker 3: Who says, I didn't, I didn't.

1093
00:51:50,800 --> 00:51:57,080
Speaker 2: It's got mothballs in it. Ryan remembers, yes, right, Ryan remembers,

1094
00:51:57,160 --> 00:51:59,880
Speaker 2: you were scared. You ran fast. Eric thought the a

1095
00:52:00,160 --> 00:52:01,920
Speaker 2: lot was part of the Gerbil organization.

1096
00:52:02,719 --> 00:52:06,560
Speaker 1: Laughs, falling asleep because we are just doing backstory conversation

1097
00:52:06,800 --> 00:52:08,960
Speaker 1: for a page and a half. That is not funny,

1098
00:52:08,960 --> 00:52:11,000
Speaker 1: but you get to say what's happening, just kind of

1099
00:52:11,920 --> 00:52:15,000
Speaker 1: why are we talking about what happened? And two characters

1100
00:52:15,239 --> 00:52:16,440
Speaker 1: regurgitating their.

1101
00:52:16,520 --> 00:52:20,200
Speaker 2: Daily They needed to set up why. Eric was ready

1102
00:52:20,280 --> 00:52:24,000
Speaker 2: to take it with yeah and why yes.

1103
00:52:23,920 --> 00:52:27,120
Speaker 1: They having a page and a half of it, and

1104
00:52:27,160 --> 00:52:29,480
Speaker 1: then you did this, and then you did that, and

1105
00:52:29,520 --> 00:52:31,640
Speaker 1: then you.

1106
00:52:29,880 --> 00:52:36,600
Speaker 2: Did Ryan laughs. So they were Leopards, Eric shoots back,

1107
00:52:36,680 --> 00:52:39,120
Speaker 2: but you told me they were Gerbils. They share a

1108
00:52:39,200 --> 00:52:41,279
Speaker 2: laugh and Ryan tells them he doesn't mind sitting just

1109
00:52:41,320 --> 00:52:43,640
Speaker 2: as long as Eric sits with him. Eric says he'll

1110
00:52:43,640 --> 00:52:45,920
Speaker 2: be sitting with him, no worries, and then Corey to

1111
00:52:45,920 --> 00:52:48,200
Speaker 2: Pega and Sean walk in and Sean's shouts it's the

1112
00:52:48,280 --> 00:52:52,960
Speaker 2: baby to Pengaleen's down and gushas, aren't you adorable? Ryan

1113
00:52:53,000 --> 00:52:55,799
Speaker 2: hans are a Tootsie roll. In return, Sean announces, all

1114
00:52:55,840 --> 00:52:57,839
Speaker 2: right to Penga, me and Corey against you and you're

1115
00:52:57,840 --> 00:53:01,480
Speaker 2: going down to thank doesn't think that's fair? You didn't

1116
00:53:01,520 --> 00:53:01,719
Speaker 2: like that?

1117
00:53:02,040 --> 00:53:05,200
Speaker 1: No, what is happening to me that? I feel like

1118
00:53:05,239 --> 00:53:07,880
Speaker 1: I just showed up on tape night, read the script

1119
00:53:07,960 --> 00:53:13,920
Speaker 1: and was like what am I saying? Okay, and make

1120
00:53:14,000 --> 00:53:17,200
Speaker 1: it so false and so like forced.

1121
00:53:17,680 --> 00:53:21,880
Speaker 2: It's so Bega doesn't think that's fair, so she asks

1122
00:53:22,040 --> 00:53:24,600
Speaker 2: Eric to be on her team. Eric can't. He takes

1123
00:53:24,600 --> 00:53:28,000
Speaker 2: his babysitting responsibilities pretty seriously. As the gang gets the

1124
00:53:28,040 --> 00:53:31,080
Speaker 2: game ready, Eric turns to Ryan and pleads one quick game?

1125
00:53:31,160 --> 00:53:33,560
Speaker 2: Can I? Ryan wines, you said you were going to

1126
00:53:33,600 --> 00:53:36,040
Speaker 2: be with me. Eric assures him he'll still be with him,

1127
00:53:36,080 --> 00:53:37,920
Speaker 2: He just wants to play a quick game with his friends.

1128
00:53:38,239 --> 00:53:40,360
Speaker 2: Ryan asks if he can be on Eric's team, and

1129
00:53:40,480 --> 00:53:42,680
Speaker 2: Eric jokes, well, you're still too short to see over

1130
00:53:42,680 --> 00:53:46,120
Speaker 2: the table. Ryan sadly asks, you'd rather be with them?

1131
00:53:46,480 --> 00:53:48,520
Speaker 2: Eric says no, it's just that he's been with Ryan

1132
00:53:48,560 --> 00:53:51,759
Speaker 2: all day. Ryan siys, it's okay, you can go play

1133
00:53:51,760 --> 00:53:53,960
Speaker 2: with them. Eric tells him he's the coolest and hands

1134
00:53:54,040 --> 00:53:56,400
Speaker 2: him a Tootsie roll before tousling his hair and endearment.

1135
00:53:56,960 --> 00:53:58,759
Speaker 2: Ryan looks at the Tutsi roll and then back at

1136
00:53:58,840 --> 00:54:01,759
Speaker 2: Eric as he walks away. He's bummed. Eric grabs a

1137
00:54:01,760 --> 00:54:03,800
Speaker 2: pool stick and Sean asks what he and his baby

1138
00:54:03,840 --> 00:54:07,480
Speaker 2: have been up. To Eric's s eyes, they did everything

1139
00:54:07,560 --> 00:54:10,080
Speaker 2: there is to do in the world. Eric tells Corey,

1140
00:54:10,200 --> 00:54:12,200
Speaker 2: you have no idea how adult you look to me

1141
00:54:12,280 --> 00:54:12,719
Speaker 2: right now.

1142
00:54:13,560 --> 00:54:16,239
Speaker 1: I just want to there is nothing more devastating than

1143
00:54:16,280 --> 00:54:18,919
Speaker 1: you are kid, or a kid being more mature than you,

1144
00:54:19,400 --> 00:54:22,719
Speaker 1: or or like having sympathy for you as a as

1145
00:54:22,760 --> 00:54:25,080
Speaker 1: like I had this moment with Indy. We were on

1146
00:54:25,160 --> 00:54:29,120
Speaker 1: vacation with some friends and they had a daughter who

1147
00:54:29,200 --> 00:54:32,719
Speaker 1: was like two years younger than Indy, and he had

1148
00:54:32,760 --> 00:54:35,960
Speaker 1: spent all day with this four year old and he

1149
00:54:36,040 --> 00:54:39,640
Speaker 1: was six, and you know, four year old to a

1150
00:54:39,680 --> 00:54:42,520
Speaker 1: six year old seem like they're annoying or right, and

1151
00:54:43,160 --> 00:54:44,600
Speaker 1: so at the end of the night, you know, he

1152
00:54:44,840 --> 00:54:47,600
Speaker 1: and I were swimming in the pool at this hotel

1153
00:54:47,239 --> 00:54:51,680
Speaker 1: and he's like, Dad, let's say this girl's name was Sarah.

1154
00:54:51,719 --> 00:54:54,080
Speaker 1: He's like, Dad, when you hang out with me, is

1155
00:54:54,080 --> 00:54:57,440
Speaker 1: it like Sarah? Do I annoy you? Like Sarah annoys me?

1156
00:54:57,960 --> 00:55:01,920
Speaker 1: And I was like, oh, yes, they are so insightful.

1157
00:55:02,360 --> 00:55:06,040
Speaker 1: That's exactly what it feels like. Oh, but it broke

1158
00:55:06,080 --> 00:55:08,120
Speaker 1: my heart because I was like, oh, I cannot let

1159
00:55:08,200 --> 00:55:10,279
Speaker 1: him feel that, you know, But of course I had

1160
00:55:10,320 --> 00:55:13,319
Speaker 1: because I'm a parent and I'm harried and doing other

1161
00:55:13,360 --> 00:55:14,920
Speaker 1: things and letting it, you know, and I just it

1162
00:55:15,000 --> 00:55:17,399
Speaker 1: was like such it was the most heartbreaking thing because

1163
00:55:17,400 --> 00:55:19,080
Speaker 1: if he had said to me, like, Dad, hang out

1164
00:55:19,080 --> 00:55:21,040
Speaker 1: with me, play with me, I would have, you know,

1165
00:55:21,360 --> 00:55:23,160
Speaker 1: found a way to like rebuff him and talk to

1166
00:55:23,239 --> 00:55:24,880
Speaker 1: him or try and do it. But for him to

1167
00:55:24,960 --> 00:55:28,000
Speaker 1: like have the next level of like putting he knew

1168
00:55:28,239 --> 00:55:30,440
Speaker 1: my mental state and was able to see it, and

1169
00:55:30,480 --> 00:55:32,880
Speaker 1: that was just so devastated. I was like, yeah, sometimes

1170
00:55:33,200 --> 00:55:34,959
Speaker 1: sometimes you are you know, you're young.

1171
00:55:35,200 --> 00:55:38,080
Speaker 2: It's okay, it's okay, I still love you.

1172
00:55:38,400 --> 00:55:40,600
Speaker 1: Oh. Anyway, just reminded me of that a lot.

1173
00:55:40,920 --> 00:55:43,680
Speaker 2: That's so funny. That is very insightful of him. Though

1174
00:55:43,680 --> 00:55:46,560
Speaker 2: I appreciate that I don't want children.

1175
00:55:46,960 --> 00:55:49,160
Speaker 3: The more you guys talk, let's be honest.

1176
00:55:49,560 --> 00:55:52,480
Speaker 1: No, it's great, man, Now, anyone like this moment, even

1177
00:55:52,480 --> 00:55:55,520
Speaker 1: though it was devastating, was really beautiful in a way.

1178
00:55:55,560 --> 00:55:57,480
Speaker 1: You know, it actually brought Andy and I closer together

1179
00:55:57,560 --> 00:56:00,160
Speaker 1: because you know that I could say to him like, yea,

1180
00:56:00,239 --> 00:56:02,600
Speaker 1: you are kid, you are different than me, and that's great. Like,

1181
00:56:02,640 --> 00:56:05,239
Speaker 1: that's what's fun about our engagement is that we're not

1182
00:56:05,600 --> 00:56:08,200
Speaker 1: just friends. We're not the same, We're not equals in

1183
00:56:08,560 --> 00:56:11,400
Speaker 1: all of our development. It's it's a constant conversation.

1184
00:56:12,200 --> 00:56:14,920
Speaker 2: Ryan hears this and looks crushed. He walks over to

1185
00:56:15,000 --> 00:56:16,840
Speaker 2: Eric and tugs on his sweater. He asks if he

1186
00:56:16,840 --> 00:56:19,120
Speaker 2: can get some ice cream. Eric hands him some money

1187
00:56:19,120 --> 00:56:22,279
Speaker 2: and Ryan thanks him for everything. He runs off and

1188
00:56:22,400 --> 00:56:25,200
Speaker 2: Eric takes his first pool shot. Eric asks the group

1189
00:56:25,200 --> 00:56:27,520
Speaker 2: when they're actually taking the SATs into Panga tells him

1190
00:56:27,560 --> 00:56:29,880
Speaker 2: it's a week from Saturday. Sean gets a burst of

1191
00:56:29,920 --> 00:56:34,000
Speaker 2: pain again. A Corey reveals he told Sean that Saturday

1192
00:56:34,080 --> 00:56:37,960
Speaker 2: is just cake day at school and perhaps some crem

1193
00:56:38,040 --> 00:56:41,680
Speaker 2: brew let. He and Sean both grin.

1194
00:56:41,800 --> 00:56:42,640
Speaker 1: It's a cake face.

1195
00:56:43,400 --> 00:56:44,520
Speaker 3: Yea, The Simpsons.

1196
00:56:47,000 --> 00:56:48,960
Speaker 2: Eric calls his next shot and tells Ryan to come

1197
00:56:49,000 --> 00:56:51,040
Speaker 2: watch it, but it gets no response. They all turn

1198
00:56:51,120 --> 00:56:54,160
Speaker 2: to look for him, but he's gone. Sean gasps, the

1199
00:56:54,239 --> 00:56:55,320
Speaker 2: baby's gone.

1200
00:56:56,440 --> 00:56:58,399
Speaker 3: That's the new Chubby's angle, isn't it. Have we seen

1201
00:56:58,400 --> 00:57:02,160
Speaker 3: an angle before? No, whole table room straight through.

1202
00:57:02,880 --> 00:57:05,920
Speaker 2: We haven't seen that. Yeah, we've never seen all the

1203
00:57:05,920 --> 00:57:09,479
Speaker 2: way from the pool table room to the bar line

1204
00:57:09,640 --> 00:57:12,920
Speaker 2: the counter. Yeah. And then we're in Kelly's apartment. Eric's pacing.

1205
00:57:13,000 --> 00:57:15,560
Speaker 2: He yelled at Ryan. He can't believe he yelled at Ryan.

1206
00:57:15,920 --> 00:57:18,960
Speaker 2: Kelly assures him it's fine. Ryan's in bed, he's sleeping.

1207
00:57:19,040 --> 00:57:21,800
Speaker 2: It's over. Eric admits, I flipped out. I saw him

1208
00:57:21,800 --> 00:57:24,160
Speaker 2: sitting outside on the curb, and I started screaming at him.

1209
00:57:24,440 --> 00:57:27,200
Speaker 2: Even there, Even though Eric only took his eye off

1210
00:57:27,200 --> 00:57:30,080
Speaker 2: of him for one minute, anything could have happened. Eric

1211
00:57:30,120 --> 00:57:32,440
Speaker 2: asks how she does this every day. She says she

1212
00:57:32,480 --> 00:57:35,120
Speaker 2: does it because she loves him. Eric explains, I was

1213
00:57:35,160 --> 00:57:37,200
Speaker 2: with him all day. I just wanted a minute to myself,

1214
00:57:37,200 --> 00:57:39,800
Speaker 2: and he got so upset. Kelly tells him, he's not

1215
00:57:39,880 --> 00:57:42,360
Speaker 2: upset at you, he's upset at not having a full

1216
00:57:42,400 --> 00:57:44,800
Speaker 2: time father every minute of every day to make up

1217
00:57:44,800 --> 00:57:48,120
Speaker 2: for what he's lost. Eric says he needs so much.

1218
00:57:48,680 --> 00:57:51,480
Speaker 2: Kelly agrees and tells Eric he's going to be such

1219
00:57:51,600 --> 00:57:55,400
Speaker 2: a great dad when he's ready. Just because she's a

1220
00:57:55,440 --> 00:57:59,160
Speaker 2: mom doesn't mean he has to be a dad. Eric

1221
00:57:59,200 --> 00:58:01,760
Speaker 2: grabs her hand. He's not looking to get out of this,

1222
00:58:02,040 --> 00:58:04,440
Speaker 2: She shakes her head. I know that, but listen to me.

1223
00:58:04,840 --> 00:58:07,280
Speaker 2: You still have so many options available to you in

1224
00:58:07,320 --> 00:58:11,200
Speaker 2: your life. Take advantage of them, she nervously. She nervously laughs,

1225
00:58:11,520 --> 00:58:14,960
Speaker 2: you know I'm right. Eric musters out, you're dumping me.

1226
00:58:15,640 --> 00:58:17,960
Speaker 2: She says, no, I just think that the fair thing

1227
00:58:18,000 --> 00:58:20,080
Speaker 2: would be to get out of this before anybody gets

1228
00:58:20,120 --> 00:58:23,480
Speaker 2: too attached. Eric thinks he let her down, and she

1229
00:58:23,480 --> 00:58:25,480
Speaker 2: tells him no, the only way he could have let

1230
00:58:25,520 --> 00:58:27,560
Speaker 2: her down is if he stuck around just to be

1231
00:58:27,680 --> 00:58:28,320
Speaker 2: a nice guy.

1232
00:58:28,800 --> 00:58:31,080
Speaker 3: When I am acting in this scene, ooh, I'm I'm

1233
00:58:31,280 --> 00:58:33,840
Speaker 3: trying swinging for the fences in the scene, I'm really trying.

1234
00:58:34,480 --> 00:58:36,080
Speaker 3: This is a scene where I was like, man, it's

1235
00:58:36,120 --> 00:58:38,600
Speaker 3: I'm I liked set. I'm making choices, but I didn't

1236
00:58:38,640 --> 00:58:41,560
Speaker 3: like the choices I was making, So yeah.

1237
00:58:41,200 --> 00:58:42,840
Speaker 2: I thought it was good. I thought I thought it

1238
00:58:42,880 --> 00:58:45,600
Speaker 2: was a good scene between the two of you. She

1239
00:58:45,800 --> 00:58:48,840
Speaker 2: was great, She's yeah, she's really good in this whole episode.

1240
00:58:48,880 --> 00:58:51,520
Speaker 2: I actually, I really thought she did a nice job.

1241
00:58:51,640 --> 00:58:52,840
Speaker 2: She did a nice job of.

1242
00:58:54,440 --> 00:58:54,640
Speaker 1: Yeah.

1243
00:58:54,720 --> 00:58:57,560
Speaker 2: It's a it's a tough balance to play a mom

1244
00:58:57,880 --> 00:59:02,880
Speaker 2: who is also a totally kind of well developed character

1245
00:59:03,000 --> 00:59:04,840
Speaker 2: outside of being a mom. And even though they don't

1246
00:59:04,840 --> 00:59:06,200
Speaker 2: give her like we don't know what she does for

1247
00:59:06,240 --> 00:59:08,840
Speaker 2: a living, we don't know any of her like, what

1248
00:59:08,880 --> 00:59:12,680
Speaker 2: she even likes. But I felt like, I, I don't know.

1249
00:59:12,720 --> 00:59:15,919
Speaker 2: I felt like I liked her as a woman, even

1250
00:59:15,960 --> 00:59:17,440
Speaker 2: though all I really knew about her was that she

1251
00:59:17,520 --> 00:59:19,320
Speaker 2: was a mom. But I didn't feel like that's one

1252
00:59:19,360 --> 00:59:20,000
Speaker 2: of the three types.

1253
00:59:20,160 --> 00:59:21,959
Speaker 1: Not a fast girl. She's a mom.

1254
00:59:22,040 --> 00:59:23,960
Speaker 2: She's a good girl. She's a mom, good girl, a

1255
00:59:23,960 --> 00:59:27,200
Speaker 2: good girl mom. Even though to be a out of

1256
00:59:27,280 --> 00:59:31,480
Speaker 2: wedlock mom means she used to be a fast a

1257
00:59:31,560 --> 00:59:32,880
Speaker 2: reformed fast.

1258
00:59:32,600 --> 00:59:35,960
Speaker 1: Girl or jacket. It's in the closet.

1259
00:59:36,080 --> 00:59:39,000
Speaker 3: Corey. She had her own Corey. They were married at eighteen,

1260
00:59:39,040 --> 00:59:41,800
Speaker 3: and he passed away in a fiery car crash. Right,

1261
00:59:41,960 --> 00:59:43,680
Speaker 3: you don't know, you don't know. She could have been

1262
00:59:43,760 --> 00:59:45,240
Speaker 3: a girl, girl, the entire way.

1263
00:59:45,400 --> 00:59:47,600
Speaker 2: You have no idea right. Yeah, she could have been

1264
00:59:47,600 --> 00:59:50,760
Speaker 2: married at eighteen and married for five days tbanga was

1265
00:59:51,960 --> 00:59:54,000
Speaker 2: Eric tells her again, I'm not looking to get out

1266
00:59:54,000 --> 00:59:57,120
Speaker 2: of this. She shrugs, well, you know where we live.

1267
00:59:57,600 --> 00:59:59,959
Speaker 2: They both look at each other endearingly, and then Ryan

1268
01:00:00,120 --> 01:00:02,080
Speaker 2: calls out for his mom. He needs her.

1269
01:00:02,600 --> 01:00:05,479
Speaker 1: She smiles, she's okay with caddily dating.

1270
01:00:07,240 --> 01:00:10,360
Speaker 2: No, I do think you know where we live is.

1271
01:00:12,000 --> 01:00:15,280
Speaker 3: You can come back if you grow up. No, you're

1272
01:00:15,360 --> 01:00:15,960
Speaker 3: ready for this.

1273
01:00:16,240 --> 01:00:22,280
Speaker 2: I really think. She's saying, you are too nice to

1274
01:00:22,920 --> 01:00:26,240
Speaker 2: tell me that you're in over your head. But I

1275
01:00:26,360 --> 01:00:29,600
Speaker 2: see that you're in over your head and that's make

1276
01:00:29,680 --> 01:00:31,760
Speaker 2: and so I'm going to end it. But you're also

1277
01:00:31,920 --> 01:00:34,560
Speaker 2: telling me that you're not willing. I don't want this

1278
01:00:34,640 --> 01:00:36,800
Speaker 2: to be put on me. I'm not willing to say yes,

1279
01:00:36,960 --> 01:00:38,840
Speaker 2: I'm breaking up with you because I don't like you.

1280
01:00:39,280 --> 01:00:42,080
Speaker 2: But I do think if I just if I give

1281
01:00:42,080 --> 01:00:44,800
Speaker 2: you an easy out and you really think about it,

1282
01:00:45,160 --> 01:00:47,320
Speaker 2: you won't be back because you do know that I'm right,

1283
01:00:47,680 --> 01:00:49,840
Speaker 2: And that is then kind of what happens. He leaves

1284
01:00:49,880 --> 01:00:54,680
Speaker 2: her house, and his drive home is him thinking about

1285
01:00:55,360 --> 01:00:58,360
Speaker 2: do I take the SATs? Do I go to college?

1286
01:00:58,640 --> 01:00:59,840
Speaker 2: Is that really what I want?

1287
01:01:00,400 --> 01:01:00,560
Speaker 4: Do?

1288
01:01:00,640 --> 01:01:02,600
Speaker 2: I want to be a dad now? And he ends

1289
01:01:02,640 --> 01:01:04,560
Speaker 2: up making the decision by the time he gets home,

1290
01:01:04,680 --> 01:01:09,480
Speaker 2: I'm going to take the SATs. So I did like

1291
01:01:09,600 --> 01:01:12,600
Speaker 2: that that that they didn't put him in as they

1292
01:01:12,600 --> 01:01:15,440
Speaker 2: didn't put Eric in a situation where she made the

1293
01:01:15,520 --> 01:01:16,160
Speaker 2: choice for.

1294
01:01:19,360 --> 01:01:21,120
Speaker 3: She opened the door and he's got to decide what

1295
01:01:21,160 --> 01:01:21,800
Speaker 3: he wants.

1296
01:01:21,560 --> 01:01:24,680
Speaker 2: To do exactly. And she said, you know, listen, I

1297
01:01:24,720 --> 01:01:27,000
Speaker 2: think I think if you really are honest with yourself

1298
01:01:27,040 --> 01:01:29,880
Speaker 2: and with me, you would realize that you're not ready

1299
01:01:29,920 --> 01:01:32,520
Speaker 2: for this. And and what would make me would what

1300
01:01:32,520 --> 01:01:34,560
Speaker 2: would be worse for me is for you sticking around

1301
01:01:34,640 --> 01:01:36,680
Speaker 2: just to be a nice guy. And and so I

1302
01:01:36,720 --> 01:01:38,439
Speaker 2: think they did a pretty good job there. I did

1303
01:01:38,560 --> 01:01:41,160
Speaker 2: like that that it was on him. It wasn't that she,

1304
01:01:41,160 --> 01:01:44,240
Speaker 2: she took made the choice for him. So Eric holds

1305
01:01:44,240 --> 01:01:47,120
Speaker 2: one of the stuffed animals that he got for Ryan

1306
01:01:47,160 --> 01:01:49,520
Speaker 2: today and he looks down at it in distress. He

1307
01:01:49,560 --> 01:01:51,480
Speaker 2: places it on the table by the doorway and he

1308
01:01:51,600 --> 01:01:55,400
Speaker 2: lets himself out, And then we're in the Matthews living room.

1309
01:01:55,600 --> 01:01:58,000
Speaker 2: Amy and Allen are cuddling on the couch watching the news.

1310
01:01:58,240 --> 01:02:00,959
Speaker 2: Corey tries to quietly sneak in the front door before

1311
01:02:01,000 --> 01:02:02,760
Speaker 2: realizing his parents are right there.

1312
01:02:03,120 --> 01:02:06,880
Speaker 3: They had to be howling, just the idea. It's he's

1313
01:02:07,160 --> 01:02:08,120
Speaker 3: they're staring at him.

1314
01:02:08,160 --> 01:02:10,560
Speaker 4: He's staring at them, but he still tiptoes up and

1315
01:02:10,680 --> 01:02:13,080
Speaker 4: so good, it's so so funny.

1316
01:02:13,480 --> 01:02:15,720
Speaker 2: He's like, commit, just commit.

1317
01:02:16,320 --> 01:02:18,120
Speaker 3: It was so funny.

1318
01:02:19,000 --> 01:02:21,400
Speaker 2: They stare at him as he tiptoes past them. Once

1319
01:02:21,440 --> 01:02:24,400
Speaker 2: he gets to the stairs, he whispers yes, then walks

1320
01:02:24,440 --> 01:02:26,360
Speaker 2: to the middle of the stairs, turns around and pretends

1321
01:02:26,400 --> 01:02:29,240
Speaker 2: like he's walking down for the first time. Hey, mommy, daddy,

1322
01:02:29,240 --> 01:02:32,120
Speaker 2: how you doing. Look at you two? Watching tv? He

1323
01:02:32,200 --> 01:02:34,880
Speaker 2: dramatically complains about his eyes. It'd be nice to look

1324
01:02:34,920 --> 01:02:37,760
Speaker 2: at something other than a book. Amy deadpans, we know

1325
01:02:37,840 --> 01:02:41,320
Speaker 2: you took the car. Corey responds, Sorry, guys, my friends

1326
01:02:41,320 --> 01:02:44,000
Speaker 2: needed a ride. You weren't around. It was late. Alan

1327
01:02:44,080 --> 01:02:47,120
Speaker 2: angrily responds, I don't care. Eric walks in as the

1328
01:02:47,200 --> 01:02:50,720
Speaker 2: argument begins, and Alan continues, you just bought yourself two weeks.

1329
01:02:51,240 --> 01:02:58,640
Speaker 2: Corey shocked, and he's acting very entitled. My friends needed

1330
01:02:58,640 --> 01:03:01,320
Speaker 2: a ride, Okay, it was late. Why are you treating

1331
01:03:01,320 --> 01:03:04,040
Speaker 2: me like a kid? Eric jumps in because you are

1332
01:03:04,080 --> 01:03:07,160
Speaker 2: a kid. Corey scoffs, this is none of your business. Okay.

1333
01:03:07,600 --> 01:03:10,680
Speaker 2: Eric admits, you're right, it's not because I'm not a dad.

1334
01:03:11,120 --> 01:03:13,240
Speaker 2: I do know that he's got a tough time raising us,

1335
01:03:13,440 --> 01:03:15,200
Speaker 2: and I know that we don't make it any easier.

1336
01:03:15,600 --> 01:03:17,920
Speaker 2: Eric points to Alan. You think he likes yelling at us.

1337
01:03:17,960 --> 01:03:19,920
Speaker 2: He doesn't. He hates it, and he can't keep his

1338
01:03:19,920 --> 01:03:21,919
Speaker 2: eyes on us every second. Now, go to your room.

1339
01:03:22,240 --> 01:03:25,400
Speaker 2: Corey's flabbergasted. He turns to Alan. Are you gonna let

1340
01:03:25,480 --> 01:03:28,040
Speaker 2: him just? Alan cuts him off, Go to your room.

1341
01:03:28,760 --> 01:03:32,120
Speaker 2: Alan turns to Eric pleasantly surprised. Maybe you are ready

1342
01:03:32,160 --> 01:03:35,320
Speaker 2: to be a dad. Eric reveals she dumped me. I'm

1343
01:03:35,320 --> 01:03:38,200
Speaker 2: gonna go upstairs and study for my SATs. And then

1344
01:03:38,440 --> 01:03:45,160
Speaker 2: the crown ooo round of applause. Apparently everyone was secretly

1345
01:03:45,280 --> 01:03:47,600
Speaker 2: really rooting for you to take the SATs. Yeah, I

1346
01:03:47,600 --> 01:03:49,840
Speaker 2: guess so, I was not aware of that.

1347
01:03:50,240 --> 01:03:52,640
Speaker 3: I wasn't either, but I guess it's I mean, the

1348
01:03:52,680 --> 01:03:53,560
Speaker 3: audience doesn't lie.

1349
01:03:53,920 --> 01:03:55,600
Speaker 2: Yeah, that's true, those inmates.

1350
01:03:55,960 --> 01:03:56,160
Speaker 4: Yeah.

1351
01:03:56,400 --> 01:03:58,080
Speaker 2: And then we're in the tag. We're in the Matthews

1352
01:03:58,120 --> 01:04:00,760
Speaker 2: living room. Alan and Amy are watching TV popcorn to

1353
01:04:00,840 --> 01:04:03,600
Speaker 2: Panga and Corey barge through the door. Corey greets them,

1354
01:04:03,800 --> 01:04:06,240
Speaker 2: how are you too this evening? Amy responds, you're home

1355
01:04:06,280 --> 01:04:09,360
Speaker 2: a little late. Corey nods, yes, we are. Isn't that interesting?

1356
01:04:09,800 --> 01:04:11,720
Speaker 2: Tapeka urges him not to make a big deal of it,

1357
01:04:11,760 --> 01:04:13,800
Speaker 2: but Corey dismisses it. He wants to know who had

1358
01:04:13,800 --> 01:04:17,440
Speaker 2: the car last. Amy points to Alan. Corey sarcastically asks,

1359
01:04:17,640 --> 01:04:19,320
Speaker 2: I just want to know what happened to that house

1360
01:04:19,400 --> 01:04:22,080
Speaker 2: rule the one that goes whoever had the car? Last

1361
01:04:22,160 --> 01:04:25,360
Speaker 2: puts gas in the tank. Alan mocks him, Sorry, core

1362
01:04:25,520 --> 01:04:29,240
Speaker 2: I forgot. Corey breaks into something very familiar. You're about

1363
01:04:29,280 --> 01:04:33,280
Speaker 2: seven blocks late for sorry. Alan needs some clarity. Let

1364
01:04:33,280 --> 01:04:35,640
Speaker 2: me get this straight. You're out with your girlfriend, you

1365
01:04:35,800 --> 01:04:38,480
Speaker 2: legitimately run out of gas. You push the car back

1366
01:04:38,600 --> 01:04:41,480
Speaker 2: seven blocks just to yell at me. Corey responds, no,

1367
01:04:41,720 --> 01:04:43,560
Speaker 2: I just wanted to explain why we were home so late,

1368
01:04:43,560 --> 01:04:47,000
Speaker 2: and to say thank you to Penga shouts Corey, and

1369
01:04:47,040 --> 01:04:48,600
Speaker 2: Corey tells her thank you too.

1370
01:04:49,320 --> 01:04:50,760
Speaker 1: I don't get it. What's the joke?

1371
01:04:51,440 --> 01:04:53,120
Speaker 2: Did you he made out in the car.

1372
01:04:53,360 --> 01:04:56,439
Speaker 3: That's something happened in the car, because the old joke is, Hey, babe, sorry,

1373
01:04:56,440 --> 01:04:58,320
Speaker 3: I ran out of her. Now we're trapped in the

1374
01:04:58,360 --> 01:05:02,520
Speaker 3: car with nothing dwe And so essentially what they were

1375
01:05:02,560 --> 01:05:05,840
Speaker 3: saying was the pango was due to your right while

1376
01:05:05,840 --> 01:05:06,520
Speaker 3: they were down there.

1377
01:05:06,680 --> 01:05:10,640
Speaker 2: Yeah, but we also pushed against everything. So I guess

1378
01:05:10,640 --> 01:05:14,080
Speaker 2: we were like making out while pushing a car back.

1379
01:05:14,280 --> 01:05:16,040
Speaker 1: No, because because you would have pushed the car back

1380
01:05:16,400 --> 01:05:20,280
Speaker 1: seven blocks relatively quickly and then you just outside.

1381
01:05:19,880 --> 01:05:22,680
Speaker 2: We were gone all night making out or you were.

1382
01:05:22,600 --> 01:05:24,400
Speaker 3: Making out seven blocks away and then.

1383
01:05:24,360 --> 01:05:32,720
Speaker 5: Pushed then pushed the car right, it's yeah, right, I really,

1384
01:05:32,760 --> 01:05:34,360
Speaker 5: I honestly just didn't understand what's happened.

1385
01:05:34,360 --> 01:05:35,800
Speaker 1: I was like, is the joke that they just came

1386
01:05:35,840 --> 01:05:37,280
Speaker 1: home and they didn't get to go on their day

1387
01:05:37,320 --> 01:05:38,440
Speaker 1: and then okay, now I get it.

1388
01:05:38,840 --> 01:05:41,000
Speaker 2: We to Panga.

1389
01:05:41,240 --> 01:05:45,320
Speaker 1: But against everything that Corey, Corey.

1390
01:05:45,760 --> 01:05:50,160
Speaker 2: Just kisses, just kisses, just kisses making out.

1391
01:05:50,200 --> 01:05:55,000
Speaker 1: It's you just called me, genuinely called me Sean. Did

1392
01:05:55,760 --> 01:05:59,960
Speaker 1: she did play back the tape? He just kisses show

1393
01:06:00,080 --> 01:06:03,040
Speaker 1: on My name is writer?

1394
01:06:04,080 --> 01:06:07,920
Speaker 2: God, you could tell me that as many times as

1395
01:06:07,960 --> 01:06:08,800
Speaker 2: you want. I don't believe it.

1396
01:06:08,920 --> 01:06:11,600
Speaker 1: You gotta hangro.

1397
01:06:15,080 --> 01:06:16,760
Speaker 2: Why is Seans away?

1398
01:06:17,800 --> 01:06:18,520
Speaker 1: God?

1399
01:06:18,160 --> 01:06:18,480
Speaker 3: My god?

1400
01:06:18,840 --> 01:06:23,840
Speaker 1: Why does Sean have so many books behind him Sean.

1401
01:06:22,360 --> 01:06:25,040
Speaker 2: Did Sean take the s A T S o.

1402
01:06:25,640 --> 01:06:29,400
Speaker 1: Oh, guys, I gotta go, I gotta go. Oh.

1403
01:06:30,640 --> 01:06:32,880
Speaker 2: Thank you all for joining us for this episode of

1404
01:06:32,880 --> 01:06:34,720
Speaker 2: Pod Meets World. As always, you can follow us on

1405
01:06:34,760 --> 01:06:37,240
Speaker 2: Instagram pod Meets World Show. You can send us your

1406
01:06:37,280 --> 01:06:40,280
Speaker 2: emails pod Meets World Show at gmail dot com and

1407
01:06:40,440 --> 01:06:41,320
Speaker 2: we have merch.

1408
01:06:41,720 --> 01:06:46,520
Speaker 3: Merch is to appage what apoplectic is to email us

1409
01:06:46,520 --> 01:06:47,840
Speaker 3: your answers.

1410
01:06:50,760 --> 01:06:53,040
Speaker 2: Pod Meets Worldshow dot com for that merch.

1411
01:06:53,280 --> 01:06:58,480
Speaker 6: Oh yeah, join us for our next episode recap Season

1412
01:06:58,480 --> 01:07:01,840
Speaker 6: four episode nineteen Quiz Show, which originally aired March twenty first,

1413
01:07:01,920 --> 01:07:04,320
Speaker 6: nineteen ninety seven, will send us out.

1414
01:07:04,800 --> 01:07:08,920
Speaker 3: We love you all, pod dismissed. Podmets World is niheart

1415
01:07:09,000 --> 01:07:12,400
Speaker 3: podcast producer and hosted by Danielle Fischel, Wilfredell and Ryder

1416
01:07:12,440 --> 01:07:16,360
Speaker 3: Strong executive producers Jensen Carp and Amy Sugarman, Executive in

1417
01:07:16,440 --> 01:07:21,120
Speaker 3: charge of production, Danielle Romo, producer and editor, Tara Sudbaksch, producer,

1418
01:07:21,200 --> 01:07:24,400
Speaker 3: Maddy Moore, engineer and Boy Meets World superfan Easton Allen.

1419
01:07:24,600 --> 01:07:26,800
Speaker 3: Our theme song is by Kyle Morton of Typhoon and

1420
01:07:26,840 --> 01:07:29,280
Speaker 3: you can follow us on Instagram at Podmeats World Show,

1421
01:07:29,520 --> 01:07:34,160
Speaker 3: or email us at Podmeats Worldshow at gmail dot com.