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Speaker 1: Right right, ray yo, charlote maney, what are we lying?

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Speaker 2: This is your time to get it off your chest.

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Speaker 3: I got an indoor pool, outdoor poo.

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Speaker 2: We want to hear from you on the breakfast club.

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Speaker 4: Get on the phone right now here, tell you what

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Speaker 4: we live.

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Speaker 2: Hello, who's this and what? Get it off your chest?

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Speaker 5: Man.

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Speaker 3: I'm just saying I'm best black and highly favored, Yes, sir,

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Speaker 3: And I want to say you know I'm typical, mediocre, average,

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Speaker 3: and in the form of by.

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Speaker 5: Are you stuck in?

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Speaker 6: Are you stuck in the what is it the low

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Speaker 6: expectations of bigotry?

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Speaker 7: Then yes, sir, average, super cold, mediocre.

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Speaker 8: We we appreciate all the TSA workers, man, We definitely do.

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Speaker 5: We definitely appreciate that.

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Speaker 1: I just want to throw you guys.

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Speaker 3: Please do not be mad at us when we take

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Speaker 3: your bottles the water away. Don't bring it up.

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Speaker 2: Yeah, I hate I hate it myself.

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Speaker 8: I'll be behind somebody they got a bottle of water

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Speaker 8: in their bag, Like, come on, you never flew before,

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Speaker 8: you know you can't have about a bottle time you forget.

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Speaker 3: Man, be thinking the man, I'm gonna pick up all

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Speaker 3: the t if they workers across.

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Speaker 2: The world man. Absolutely have a good one.

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Speaker 9: Brother.

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Speaker 2: Hello, who's this all right?

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Speaker 9: Man?

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Speaker 1: This trade man? What's going on with you?

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Speaker 9: J Trade?

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Speaker 10: What's up?

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Speaker 2: Get it off your chest?

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Speaker 1: Hey man, look, I was just first. I want to

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Speaker 1: say that you're doing a great with the car with

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Speaker 1: the car show and every day. Hey, I'm a car

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Speaker 1: and do with myself. I build cars every year. I

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Speaker 1: wanted to make it for the one in Houston, but

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Speaker 1: I couldn't.

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Speaker 7: Make it this year.

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Speaker 2: What kind of cause you, Bill Well?

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Speaker 1: I be an old school most of the time. It's

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Speaker 1: the body, you know, malible mine Carlos.

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Speaker 2: I'm looking.

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Speaker 8: I'm looking for a seventy Chevelle convertib But you got

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Speaker 8: you got something.

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Speaker 1: I ain't got nothing like that. My pop's got a

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Speaker 1: sixty in Shaville. He's supposed to give me when uh he'll.

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Speaker 2: But he but he what those.

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Speaker 5: He said? Decide that, Leo. It's like, we gotta chose you, right,

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Speaker 5: I'm gonna die.

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Speaker 1: Jesus Christy to Charlotte made man. I wanted to make

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Speaker 1: it to your Black Effects podcast. My girl actually does

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Speaker 1: a podcast that you're doing the gout job. She's a

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Speaker 1: parenting coach, a very intentional parent. So watch the following.

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Speaker 1: She should be on the show one day. Man. Her

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Speaker 1: name on Instagram is Destiny.

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Speaker 5: With an eye that hand, Destiny with an eye.

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Speaker 1: Yeah, Destiny with her eye that hand. She got like

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Speaker 1: four hundred and some thousand followers, She got a podcast,

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Speaker 1: she got one point five million on TikTok, He did

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Speaker 1: a ted x talk this year. She got the number

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Speaker 1: one selling parenting books on Amazon.

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Speaker 2: Apparent and she cook and flew to her Absolutely.

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Speaker 1: Yeah, she got to show. She got to show Allen Man,

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Speaker 1: they had an article on her. That's the magazine.

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Speaker 5: Oh that's dope.

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Speaker 2: I love the promotion that you have given your lady.

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Speaker 2: That's absolutely man.

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Speaker 1: Listen, listen. She amazing.

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Speaker 2: All right, well that's what you got for us today,

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Speaker 2: throwing off and look hilarious.

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Speaker 1: Man, he couldn't make it.

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Speaker 5: What you say, you.

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Speaker 1: Couldn't make it. She was hurt by because she broke

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Speaker 1: her foot the day before.

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Speaker 6: Oh, we're doing it again next year. Black Effect Podcast

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Speaker 6: Festival will be an annual event. We'll be back in

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Speaker 6: Atlanta next year with it.

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Speaker 1: Oh, definitely, definitely. But what I wanted to get off

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Speaker 1: my chest was, Man, I've been winning the call and

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Speaker 1: talk to you all about people going to college and

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Speaker 1: they spend all this money in college. I'm a crane

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Speaker 1: operator in Savannah, Georgia at the Court and they paid

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Speaker 1: me seventy grand for ten months to train. I made

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Speaker 1: my training, they paid me the train, right, and then

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Speaker 1: now you're gonna make the six figures. You got guys

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Speaker 1: that worked with me that have been there for five

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Speaker 1: years that make two hundred thousand dollars a year and

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Speaker 1: hold those student business.

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Speaker 9: Yeah.

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Speaker 2: I mean, college isn't for everybody.

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Speaker 8: But you know, like I said, I enjoyed my time

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Speaker 8: in college, and I feel like if I didn't necessarily

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Speaker 8: go to Hampton University, I don't think I would be

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Speaker 8: as well rounded and got me to the position that

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Speaker 8: I was on radio if I didn't take that step.

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Speaker 2: So for me, I think it was worth it.

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Speaker 1: Yeah for some people that's worked there, but a lot

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Speaker 1: of kids they don't know what they want to do

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Speaker 1: and they go in enough to that. Man, I think

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Speaker 1: that's a real big rip.

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Speaker 9: Yeah.

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Speaker 1: Because I originally became a boom crane operator where I

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Speaker 1: traveled around. It cost me ten grand to go to

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Speaker 1: school for three weeks.

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Speaker 2: Wow, all right? Brother? With take I made ninety grand.

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Speaker 1: My first year.

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Speaker 5: I respect that. I think everybody should god dare and

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Speaker 5: learn the trade.

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Speaker 3: Man.

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Speaker 2: I think trades are great too.

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Speaker 8: Get it off your chest eight hundred and five eight

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Speaker 8: five one oh five one. If you need to vent,

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Speaker 8: hit us up now it's the breakfast club.

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Speaker 2: Good morning. Wait, this is your time to get it

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Speaker 2: off your chest.

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Speaker 9: Eight hundred and five eight five one five one.

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Speaker 2: We want to hear from you on the breakfast Club. Hello.

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Speaker 2: Who's this?

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Speaker 11: Hey?

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Speaker 2: This is Denisa, Hey Tenisa, good morning.

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Speaker 4: Good morning. I was calling because listen to see I

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Speaker 4: topic about people not getting degrees and some people getting trade.

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Speaker 4: I got a business uh business computer technology degree.

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Speaker 12: I never you.

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Speaker 4: I went to trade schools for well don for ten

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Speaker 4: weeks and I've been well in five years. I'm structuring

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Speaker 4: in type thirty five.

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Speaker 8: I make good money, oh well making mad Money's what

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Speaker 8: school did you go to?

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Speaker 4: I went to highest community college in Mississippi. I'm from Blissia, Mississippi,

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Speaker 4: but I work at the second Biggish shipyard in the US.

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Speaker 4: I work at engliship Building and Pest School, Mississippi. And

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Speaker 4: shout out to all.

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Speaker 2: Blue colloween how much you make it out?

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Speaker 4: Dang, I'll make thirty dollars an hour.

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Speaker 5: There you go, girls, lu all of my homegirl Jordan,

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Speaker 5: she a welder. She listens to the breakfast club all

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Speaker 5: the time.

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Speaker 2: I love it.

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Speaker 8: I love I love the trades. And you always have

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Speaker 8: a job no matter what goes on in this world.

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Speaker 8: They'll always need a welder. There'll always need somebody for HVAC.

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Speaker 8: There will always needs somebody to fix cars and all that,

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Speaker 8: and definitely health care so life.

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Speaker 5: Like you know what I'm saying.

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Speaker 4: I encourage everybody to keep them a trade because in

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Speaker 4: my house, college might not be for my kids, but

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Speaker 4: you definitely get a trade.

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Speaker 6: I wonder, I wonder how I protected those jobs are

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Speaker 6: against artificial intelligence. I feel like jobs like that you're

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Speaker 6: gonna need human hands always, right.

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Speaker 4: It's hard being it was because there's so much stuff

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Speaker 4: you gotta fig to do.

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Speaker 1: It's a lie.

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Speaker 4: Why she like all my sus got about eight thousand

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Speaker 4: people and I work first stip I'm going.

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Speaker 12: In now Calloween.

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Speaker 9: I love it.

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Speaker 13: Yeah.

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Speaker 14: But even if they do try to get a out

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Speaker 14: to do something like that, like I think they won't

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Speaker 14: stop trying, but they'll just keep failing at it because

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Speaker 14: it ain't no way.

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Speaker 6: Yeah, imagine I could imagine talking to an AI about

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Speaker 6: trying to fix your car, you know what I mean,

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Speaker 6: even the AI about.

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Speaker 2: Your healthcare you know, taking your blood pressure? What's wrong?

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Speaker 6: You know?

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Speaker 8: I mean you you have a try to call your

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Speaker 8: banking it like press one, this is your problem, pressed to. Yeah.

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Speaker 6: AI might help in the healthcare system, but you're still

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Speaker 6: gonna need a human.

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Speaker 2: You need a human.

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Speaker 5: You're still gonna need a human there.

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Speaker 2: But what's wrong.

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Speaker 6: I do think that's one of the places that AI

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Speaker 6: is going to help u as far as far as

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Speaker 6: the medical system. But you're still gonna need a human

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Speaker 6: and human name, but you.

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Speaker 2: Need a human because every case ain't the same. Hello,

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Speaker 2: who's this.

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Speaker 5: Just happening?

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Speaker 1: Man?

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Speaker 4: I just while we got away.

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Speaker 5: But somebody who need to get their flowers?

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Speaker 3: Well, I mean like general like okay you.

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Speaker 8: Yeah, I people say that you said you' said my

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Speaker 8: name right now, let him go.

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Speaker 2: Send me the flowers?

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Speaker 1: Said what no got God.

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Speaker 2: God, God, you said dj M. You definitely need your flowers. Gay,

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Speaker 2: But I'm listening.

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Speaker 1: The work.

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Speaker 2: Help everybody help just just like release her flowers to

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Speaker 2: y actual just just need helower. Thank you, appreciate you.

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Speaker 5: That black Sai. They don't give me my flowers, I'm

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Speaker 5: just gonna take them out to dirt.

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Speaker 2: Mmm.

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Speaker 5: No, no, that's fine. I mean that's what he said

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Speaker 5: on Pistols and Pearls.

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Speaker 2: I thought you was a soft girl. Yeah, I am

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Speaker 2: girls using.

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Speaker 8: The Kodak black you hard with no flowers out, no

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Speaker 8: dirt because they' nobody giving you not all right?

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Speaker 5: Please don't lest some nobody garden.

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Speaker 6: Please give me flowers. He's just getting up people, garden.

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Speaker 6: Please don't please nobody give me some flo Get.

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Speaker 2: It off your chest. Ain't a drink five A five

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Speaker 2: one on one. If you need the vent, you can

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Speaker 2: hit it up. Gets the Breakfast Club on b e

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Speaker 2: T the Breakfast Club.

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Speaker 8: More than everybody is DJ n V Charlamagne the guy.

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Speaker 8: We are the Breakfast Club on b ET and we

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Speaker 8: got a special guest for us this morning, big legend

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Speaker 8: Coppo Coppo is here.

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Speaker 2: Jim Jones. What's up, Jim?

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Speaker 11: You'll still get up hello earlyamp like you're just going

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Speaker 11: to sleep. Definitely, definitely, just definitely got an hour of

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Speaker 11: sleep before I got here.

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Speaker 9: But it's good.

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Speaker 2: How you feeling, man, I'm feeling pretty good.

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Speaker 9: I mean, for what it's worth.

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Speaker 6: Man, somebody told us to day for whatever reason, I

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Speaker 6: thought it was longer, but they said, you've been in

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Speaker 6: the game twenty years.

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Speaker 9: More than that.

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Speaker 5: That's what I feel like. I feel like it's more

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Speaker 5: than twenty right.

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Speaker 10: Camp Gout signed in ninety seven.

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Speaker 9: Yeah, you know what I mean.

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Speaker 11: He he was outside. We've been outside for a long time.

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Speaker 11: But yeah, we side started the ninety seven So what's that?

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Speaker 9: Twenty six year?

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Speaker 6: Twenty six six year still making quality music. I feel

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Speaker 6: like nostalgia's back. It is, like, you know what I mean,

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Speaker 6: which because it was a classic timeless era, so I

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Speaker 6: feel like it never left. But I feel like it's

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Speaker 6: a whole new generation on that way, especially with dip set.

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Speaker 11: Well music always goes usually just three sixty like everything

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Speaker 11: else in life, where the goals coming back around and

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Speaker 11: things like that. And with New York music is there

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Speaker 11: from anybody else's music, you know what I mean? So

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Speaker 11: we got like our own sound sonically and things like that.

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Speaker 11: And just to hear like the people starting to rap

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Speaker 11: again and then going on aggressive beats and.

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Speaker 10: Things like that makes me feel It makes me feel good.

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Speaker 9: In New York.

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Speaker 11: We we we've been out the loop musically for a

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Speaker 11: long time, and right now it feels good to see

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Speaker 11: the resurgers that we have when it comes to us

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Speaker 11: again inside of the musical race, you know what I mean.

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Speaker 11: Shot all the artists that's popping out here right now

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Speaker 11: and putting on from New York City.

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Speaker 9: I tip my hat to you. I know it ain't easy.

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Speaker 6: What if it feels like nobody can perform in Harlem

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Speaker 6: now without bringing somebody the whole Dip set out.

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Speaker 10: We actually was in the building of a night when

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Speaker 10: Cam was performing.

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Speaker 5: Oh you were there, okay, okay, Me.

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Speaker 11: And jo Well's was in the crowd watching the show.

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Speaker 11: We came out to support. Mysteriously Cam came out.

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Speaker 2: You know, was coming out. Always a surprise to you too.

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Speaker 11: Super surprised. Everything with came to me is a surprise

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Speaker 11: that new. You know, it ain't like it used to.

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Speaker 11: It ain't like I know his movies and things like that.

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Speaker 11: You know, what's what's the best of him and all

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Speaker 11: this in depths and things like that.

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Speaker 10: See he's doing a sports show right now.

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Speaker 2: Y'all got the craziest relationship. Because I swear.

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Speaker 8: Sometimes I feel like Dip sets on tour, everything's cooding

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Speaker 8: and it's like, nah, I had no idea it's coming out,

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Speaker 8: because even with the Drake all came out together for

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Speaker 8: the Drake Show. And how was that when when Drake

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Speaker 8: reached out and called and said, he what did y'all

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Speaker 8: guys to be a part of it?

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Speaker 11: That was dope shouts to Drake, shouts and chubs. I

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Speaker 11: got a great relationship with him. I got to speak

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Speaker 11: to him earlier about that. You know, I think I

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Speaker 11: put it out there there. You're coming to all them, bro,

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Speaker 11: He's like, oh, we gotta go up shouting them boys.

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Speaker 11: I was a hell of a moment for us, for

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Speaker 11: Dipper Mass, for Harlem, all of what we put him

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Speaker 11: for all the years, vice versa.

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Speaker 9: You know what I mean? Pretty dope, Pretty dope. Even

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Speaker 9: with that.

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Speaker 6: Drake is a branch off the family treat though, because

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Speaker 6: you know, I think people forget, you know how Wayne

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Speaker 6: was running around.

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Speaker 11: With your money and Wayne and Wayne is our buzzing

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Speaker 11: your hair shouts the Wayne man shouts the whole cash

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Speaker 11: money washing Wayne the other day inside of the Apollo.

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Speaker 11: Forget how many hits that boy got did like two

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Speaker 11: hours orfor straight this hits with a band in the

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Speaker 11: back of him.

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Speaker 9: Pretty dope man shouts the wheezy.

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Speaker 5: I saw you get back in your directed bag with.

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Speaker 11: That was dope shouts the drama man that was dope

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Speaker 11: called me one day like you still directed, and I'm like, yeah,

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Speaker 11: but I used to direct all my videos or videos

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Speaker 11: from my artists and things like that. He like, I

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Speaker 11: got something I want you to director, not necessarily a video,

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Speaker 11: and then he told me. I was like, oh man,

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Speaker 11: that's crazy, Like I want to shoot some scenes from

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Speaker 11: Juice Over and I got all the artists, I got

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Speaker 11: all the actors from the original movie.

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Speaker 1: You know.

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Speaker 9: I was like Goupac to be like.

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Speaker 2: Get couldn't get pot.

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Speaker 9: I got everybody else.

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Speaker 11: So you know, well, directing directing Queen Latifa definitely was

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Speaker 11: the highlight of the whole thing for me. You know,

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Speaker 11: you get to direct the Queen. That's that's big right there.

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Speaker 11: Not just taking nothing away from all my apps and

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Speaker 11: you know what I mean. But I'm just saying, queen,

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Speaker 11: my teeth, this queen lot for my absolutely.

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Speaker 6: Now I heard you talking about doing a dipset TV show,

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Speaker 6: a movie.

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Speaker 9: I wanted to.

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Speaker 11: I want to go to start to create, uh called

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Speaker 11: five Ah, which is my life in five Ah before

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Speaker 11: we actually got the fame and went on to be

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Speaker 11: being dipsessed. So that whole time inside of five Ation,

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Speaker 11: Cam and Mason, everybody was living me inside of my

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Speaker 11: grandmother's apartment and things like that very instrumental to our success.

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Speaker 11: And it's so much wild things were going on inside

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Speaker 11: of that five Ation apartment. I think people will be

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Speaker 11: very enthused to see some of these scenes about our

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Speaker 11: history coming up loosely based on loosely based you don't

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Speaker 11: get nobody in trouble out.

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Speaker 5: The Statute of Limitations up because.

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Speaker 2: I will hope so.

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Speaker 11: And that was a long time ago on the produce

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Speaker 11: of five Ation, but yeah, I mean we got so

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Speaker 11: much history and with all of these shows, with the

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Speaker 11: Wu Tang Show and all these shows picked in the

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Speaker 11: hip hop culture and things that went on in the past,

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Speaker 11: and all the stuff that we've been into, especially for

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Speaker 11: New York City, I think it's only right.

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Speaker 2: Well we get a dip set documentary.

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Speaker 8: I would love to see you know you guys meeting

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Speaker 8: and how y'all got on and the relationship with Mace

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Speaker 8: and how y'all signed and do the the trials and

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Speaker 8: tripulations and like.

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Speaker 11: All of us, like five h that's all a high

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Speaker 11: school and just graduating out of high school er and

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Speaker 11: things like that, and Cam Mace Gold in the same

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Speaker 11: high school, Me and Kim living on the first on

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Speaker 11: the same side and they being from the West side.

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Speaker 11: Like all that was around the high school with the

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Speaker 11: five Ah stays and that one Cam and Mace went

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Speaker 11: to college. They both got kicked out when they got

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Speaker 11: kicked out from school and end up coming to live

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Speaker 11: with me at my grandmother house.

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Speaker 9: Used to be passed away, Yeah, both of them.

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Speaker 11: So Cam, Mace Dwells, few other famous artists that made

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Speaker 11: it pretty successful in this game, all came out my

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Speaker 11: grandmother house. She provided the shelter for us, so we

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Speaker 11: would have to be in the streets at night.

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Speaker 5: That's crazy.

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Speaker 10: So that's what the whole five.

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Speaker 11: AH story is about, exactly what you're talking about, the

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Speaker 11: very humble beginnings of who we were before we became

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Speaker 11: diplomats and Jim Jones and.

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Speaker 2: Killer Can and what's so, what's your relationship with Mace Now?

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Speaker 8: It's weird to see that at one time you would

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Speaker 8: be through with all these guys when they were in

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Speaker 8: your grandmother's house.

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Speaker 2: Yes, y'all grew up with each other. Like y'all lived

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Speaker 2: with each other.

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Speaker 11: We definitely lived with each other. We definitely grew up

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Speaker 11: each other. We know each other as we got older.

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Speaker 11: We all kind of separated when out on ways and

376
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Speaker 11: things like that, but we started together a whole hearted.

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Speaker 11: Don't care for mixed too much. Tell MASO say some prayers.

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Speaker 11: World up you heard like deck make the.

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Speaker 9: Me style.

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Speaker 5: That is what it is. Is entertaining though what it is,

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Speaker 5: what it is.

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Speaker 6: Show I like you do the weather mass them do

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Speaker 6: that like hy it is.

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Speaker 11: They definitely U. They definitely very funny, the Google comedians.

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Speaker 11: I can't take that away from them. And they're very

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Speaker 11: knowledgeable about basketball. They both grew up playing basketball. Mason's

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Speaker 11: cool camp was definitely us had a chance to go

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Speaker 11: to the NBA. I can't say that without with no

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Speaker 11: hate and nothing in my heart. Boy was dumb nice

390
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Speaker 11: and since we was younger doing playing starting the ruck

391
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Speaker 11: at age fifteen, they called him Camon all American him

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Speaker 11: and make it to the championship in Madison Square Guarden

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Speaker 11: and things like that for my hand center and stuff

394
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Speaker 11: like that.

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Speaker 10: So they was some ball There were some ballers.

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Speaker 11: So see them on the television show What Is it

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00:14:57,760 --> 00:14:59,960
Speaker 11: what it is pretty dope.

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Speaker 6: They get a check for that, you know, and you

399
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Speaker 6: know you got to back in my prime album? Who

400
00:15:04,040 --> 00:15:06,080
Speaker 6: would hit make? I love that title? Do you do

401
00:15:06,120 --> 00:15:07,800
Speaker 6: you feel that way? You feel like you're back in

402
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Speaker 6: your prime.

403
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Speaker 2: For like the third time.

404
00:15:10,320 --> 00:15:11,200
Speaker 9: But yeah, it feel good.

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Speaker 11: I mean, I've been through so much and still be

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Speaker 11: able to make music at this capacity, end still be

407
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Speaker 11: in the game, still getting records played on the radio,

408
00:15:18,800 --> 00:15:21,560
Speaker 11: still making top forty hits and things like that. I've

409
00:15:21,560 --> 00:15:23,440
Speaker 11: seen a lot of people coming go, especially being in

410
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Speaker 11: the game so long, or get to a stand still.

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Speaker 11: I'm blessed to be able to keep going and keep

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Speaker 11: being able to make this good music. Shout to on

413
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Speaker 11: my artists and d G v O all the youngsters

414
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Speaker 11: that be around me to keep me, keep me in

415
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Speaker 11: tune of what's going on. It's a medium you gotta have,

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Speaker 11: you know what I mean, You gotta it's we gotta

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Speaker 11: guy each other.

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Speaker 9: So that's what I'm matt.

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Speaker 6: Where was Where was Coppo's first prime? What would you

420
00:15:45,400 --> 00:15:48,120
Speaker 6: consider as a solo? It's solo. What would you consider

421
00:15:48,160 --> 00:15:49,520
Speaker 6: your first rome? Because you say it for like the

422
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Speaker 6: third time.

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Speaker 9: Our first prome was when I was in the streets.

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Speaker 2: That was music, that was musically.

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Speaker 10: The second prome was when I was able to do

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Speaker 10: the music. And my third problems with I'm at right.

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Speaker 2: Now was it was it balling on Certay five Gangster Balling.

428
00:16:02,440 --> 00:16:05,960
Speaker 11: I will say I reached out Certify Gangster was my introduction.

429
00:16:06,920 --> 00:16:09,000
Speaker 11: I was kind of hot off the intro stuff like that.

430
00:16:09,040 --> 00:16:13,000
Speaker 11: But I think that moving into Balling and Hustle's Phone

431
00:16:13,120 --> 00:16:16,080
Speaker 11: was kind of like me moving into my first crime

432
00:16:16,120 --> 00:16:18,160
Speaker 11: and went out. Was at the top of the game

433
00:16:18,200 --> 00:16:20,920
Speaker 11: at that time and things like that, and then it

434
00:16:21,000 --> 00:16:22,880
Speaker 11: builds you up to knock again. If you're not strong

435
00:16:23,000 --> 00:16:25,520
Speaker 11: enough to persevere, you won't be here next year. You

436
00:16:25,560 --> 00:16:27,880
Speaker 11: know I'm still here, so God bless.

437
00:16:28,160 --> 00:16:29,960
Speaker 8: All right, we got more with Jim Jones when we

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00:16:30,000 --> 00:16:30,400
Speaker 8: come back.

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00:16:30,440 --> 00:16:34,320
Speaker 2: Don't move. It's the Breakfast Club. Good morning, the Breakfast Club.

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Speaker 5: Morning.

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Speaker 8: Everybody's DJ Envy Charlomagne, the guy we are to Breakfast

442
00:16:40,560 --> 00:16:43,200
Speaker 8: Club on this Friday. We're still kicking it with Jim Jones, Charlomagne.

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Speaker 6: Now they push your tea reach out, They push your

444
00:16:44,880 --> 00:16:46,560
Speaker 6: tea reach out and say, Jim, you bug it on

445
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Speaker 6: top fifty.

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00:16:48,200 --> 00:16:50,040
Speaker 9: I don't think push your Tea will reach out to me.

447
00:16:50,080 --> 00:16:51,800
Speaker 11: I'm not that type of person who gonna reach out

448
00:16:51,800 --> 00:16:52,880
Speaker 11: to me about my opinion.

449
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Speaker 5: Y'are not cool.

450
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Speaker 11: I mean, I ain't cool with him like that. I

451
00:16:58,280 --> 00:17:00,000
Speaker 11: don't know him like that. I know him to say,

452
00:17:00,040 --> 00:17:02,360
Speaker 11: he what's up? Give them a PAM you did, and

453
00:17:02,440 --> 00:17:04,359
Speaker 11: I wasn't trying to dis them, and just they asked

454
00:17:04,359 --> 00:17:07,000
Speaker 11: me a question. You get very exciting and things like that.

455
00:17:07,040 --> 00:17:08,840
Speaker 11: But I don't think my phone ain't the line to

456
00:17:08,920 --> 00:17:09,280
Speaker 11: be calling.

457
00:17:11,160 --> 00:17:13,000
Speaker 8: I wasn't trying to get them. But Jim said he's

458
00:17:13,000 --> 00:17:14,800
Speaker 8: not top fifty. I don't think he was selling drugs

459
00:17:14,800 --> 00:17:19,399
Speaker 8: and crack like that, like I mean, just keep going dope.

460
00:17:21,480 --> 00:17:23,280
Speaker 11: I mean, maybe I might have took it a little

461
00:17:23,280 --> 00:17:25,440
Speaker 11: bit fall, a little bit fall. I could have said

462
00:17:25,480 --> 00:17:28,040
Speaker 11: something else to give my point across. And I don't

463
00:17:28,040 --> 00:17:29,760
Speaker 11: want to sit up here looking like we using pushing

464
00:17:29,800 --> 00:17:32,240
Speaker 11: Tea for the butt of our jok and things like that.

465
00:17:32,320 --> 00:17:34,040
Speaker 11: But I mean, it's like it is what it is,

466
00:17:34,040 --> 00:17:35,520
Speaker 11: man Like, We're not going to sit up here and

467
00:17:35,600 --> 00:17:37,160
Speaker 11: go back and forth about I don't really care.

468
00:17:37,440 --> 00:17:39,960
Speaker 9: I don't do you know? Can can you sing along

469
00:17:40,000 --> 00:17:42,000
Speaker 9: the five push your t records right now?

470
00:17:42,040 --> 00:17:47,920
Speaker 11: His records, Yes, his records, nostalgia Push your T fairs.

471
00:17:49,000 --> 00:17:50,720
Speaker 11: I didn't know he had fans like that. Can you

472
00:17:50,840 --> 00:17:53,360
Speaker 11: name five push your TE records? His records?

473
00:17:53,640 --> 00:17:56,520
Speaker 9: But can you know? But can you wrap the five push?

474
00:17:56,800 --> 00:17:56,919
Speaker 5: Can?

475
00:17:57,040 --> 00:17:57,840
Speaker 2: I can't wrap five?

476
00:17:58,080 --> 00:18:00,680
Speaker 9: All right? Can you? Can you wrap the five? Wait? Wait?

477
00:18:00,720 --> 00:18:04,359
Speaker 9: Can you wrap five Pushing T five Pushing T records?

478
00:18:04,359 --> 00:18:06,800
Speaker 9: Not the records he's featured on. If five Pushing T

479
00:18:06,960 --> 00:18:09,560
Speaker 9: Records came on right now? Could you wrap them?

480
00:18:09,720 --> 00:18:11,280
Speaker 2: You could rap five PUSHD records?

481
00:18:12,080 --> 00:18:13,800
Speaker 9: Could you? Could you wait?

482
00:18:14,000 --> 00:18:17,280
Speaker 11: Could you rap five Pushing T records right now?

483
00:18:17,359 --> 00:18:18,439
Speaker 9: If they started playing?

484
00:18:18,640 --> 00:18:20,040
Speaker 2: What do you like the hook?

485
00:18:20,560 --> 00:18:22,240
Speaker 9: Could you sing them verse for.

486
00:18:22,600 --> 00:18:25,200
Speaker 2: They came on like certain joints like? No, no, sir,

487
00:18:26,440 --> 00:18:27,320
Speaker 2: I'm saying.

488
00:18:27,119 --> 00:18:30,760
Speaker 11: Could you rapped all right because you wrapped five j versus?

489
00:18:30,760 --> 00:18:33,480
Speaker 11: If they came because you wrapped with five Drake versus

490
00:18:33,520 --> 00:18:34,240
Speaker 11: as they came on?

491
00:18:34,400 --> 00:18:34,440
Speaker 14: No?

492
00:18:35,160 --> 00:18:37,080
Speaker 5: You lying, But I've never been a big I've never

493
00:18:37,080 --> 00:18:37,600
Speaker 5: been a big rap.

494
00:18:37,800 --> 00:18:39,960
Speaker 9: You're lying because you work at radio. If five Drake

495
00:18:40,000 --> 00:18:42,120
Speaker 9: Records came on right now, you could do more be.

496
00:18:42,119 --> 00:18:45,440
Speaker 11: Rapping the record because they play on the radio all day.

497
00:18:46,359 --> 00:18:48,880
Speaker 8: To wrap to learn like I could do ja, I couldn't,

498
00:18:48,880 --> 00:18:50,040
Speaker 8: but he still don't and.

499
00:18:52,440 --> 00:18:53,359
Speaker 5: Foot before you did that.

500
00:18:54,200 --> 00:18:56,080
Speaker 11: I'm just gonna say that because I don't want to

501
00:18:56,080 --> 00:18:58,639
Speaker 11: get it because gimer Way, wait well and I'm shouting

502
00:18:58,640 --> 00:19:00,680
Speaker 11: to pushing t love your dog.

503
00:19:00,800 --> 00:19:02,040
Speaker 9: Did you not in my top fifty?

504
00:19:02,080 --> 00:19:04,600
Speaker 11: You might be in Charlemagne's top fifty and things like that,

505
00:19:04,640 --> 00:19:07,000
Speaker 11: but you haven't done that much for me in my life?

506
00:19:07,000 --> 00:19:08,440
Speaker 11: Like I didn't never want to be like push you.

507
00:19:08,440 --> 00:19:09,880
Speaker 11: I didn't never I never had to push them moment

508
00:19:09,960 --> 00:19:11,840
Speaker 11: in my life. I never thought like you did, like

509
00:19:11,920 --> 00:19:14,280
Speaker 11: where I'm from doing to be like you if you

510
00:19:14,400 --> 00:19:16,480
Speaker 11: was really that dude in that rappering and things like that.

511
00:19:18,080 --> 00:19:20,280
Speaker 9: Pushing, Yeah, okay.

512
00:19:19,920 --> 00:19:22,240
Speaker 5: Cool, why I pushing the mister me two records?

513
00:19:22,320 --> 00:19:27,119
Speaker 9: Okay cool, you're a very strong pushing teeth. And I

514
00:19:27,160 --> 00:19:29,400
Speaker 9: don't care because people are like, look at Jim talking.

515
00:19:29,920 --> 00:19:33,680
Speaker 11: He was nowhere near top fifty, your top nine and fifty.

516
00:19:33,800 --> 00:19:35,320
Speaker 9: You carry that, you think, I don't really care.

517
00:19:35,320 --> 00:19:36,720
Speaker 8: I wouldn't say the push you had a you know,

518
00:19:36,800 --> 00:19:38,520
Speaker 8: I went to School of Virginia where pushing was from,

519
00:19:38,560 --> 00:19:39,640
Speaker 8: and I know push a long time?

520
00:19:39,680 --> 00:19:39,959
Speaker 9: All right?

521
00:19:40,000 --> 00:19:42,880
Speaker 11: Could you five five Jim Jones Records play right now

522
00:19:42,880 --> 00:19:43,400
Speaker 11: on this radio.

523
00:19:43,440 --> 00:19:45,000
Speaker 9: Could you could you sugar along to them?

524
00:19:45,080 --> 00:19:45,359
Speaker 2: Yeah?

525
00:19:45,560 --> 00:19:48,399
Speaker 11: Five Jim Jones records played right, Five Jim Jones records.

526
00:19:48,760 --> 00:19:50,760
Speaker 11: You can't tell me five Pushing Tea records, but you

527
00:19:50,800 --> 00:19:53,200
Speaker 11: could tell me five Jim Jones record. You can't tell

528
00:19:53,240 --> 00:19:55,200
Speaker 11: me five Pushing Tea records, but you can say five.

529
00:19:55,480 --> 00:19:56,520
Speaker 9: So what were talking about?

530
00:19:56,560 --> 00:19:58,440
Speaker 11: You want me to get into the real semantics in this,

531
00:19:58,720 --> 00:19:59,680
Speaker 11: like what we're talking about?

532
00:19:59,720 --> 00:20:01,280
Speaker 5: I think push the top fifty man.

533
00:20:01,119 --> 00:20:03,840
Speaker 11: All right, cool, but you can't. You can't put on

534
00:20:03,960 --> 00:20:07,920
Speaker 11: let's staying pushing records. Said he's nice. I'm not saying nice.

535
00:20:08,000 --> 00:20:11,160
Speaker 11: He's not not well that listen, being nice and being

536
00:20:11,200 --> 00:20:13,960
Speaker 11: in the category is two different things, if you That's.

537
00:20:13,800 --> 00:20:15,399
Speaker 6: What I ring the top rappers on. I wring him

538
00:20:15,440 --> 00:20:17,520
Speaker 6: on actual rap, like who can really spit?

539
00:20:17,720 --> 00:20:19,440
Speaker 5: You know's what I got. I gotta put in the top

540
00:20:19,480 --> 00:20:21,040
Speaker 5: fifty for rap, just rap.

541
00:20:21,280 --> 00:20:23,879
Speaker 11: We're talking bars, So this what is we gauge in

542
00:20:23,880 --> 00:20:25,359
Speaker 11: the top fifty on just rapping?

543
00:20:25,920 --> 00:20:28,440
Speaker 9: Anybody can slap, so anybody can slide in there.

544
00:20:28,800 --> 00:20:30,960
Speaker 5: I don't be knowing what these lists, but you were.

545
00:20:30,840 --> 00:20:33,000
Speaker 11: Talking about somebody's supposed to be the top fifty greatest

546
00:20:33,040 --> 00:20:33,560
Speaker 11: of all time?

547
00:20:33,600 --> 00:20:34,639
Speaker 9: What are we gauging it on?

548
00:20:34,760 --> 00:20:35,959
Speaker 5: That's true, that's what I want to hear.

549
00:20:36,359 --> 00:20:38,240
Speaker 9: It gotta be it gotta be everything.

550
00:20:38,440 --> 00:20:41,000
Speaker 11: It can't just because he could he could rap nice, Well,

551
00:20:41,000 --> 00:20:42,640
Speaker 11: we could go a bunch of battle rappers that could

552
00:20:42,680 --> 00:20:45,520
Speaker 11: rap nice right now and go crazy they nice as hell?

553
00:20:45,840 --> 00:20:46,240
Speaker 1: You heard?

554
00:20:46,560 --> 00:20:46,600
Speaker 14: Or?

555
00:20:46,600 --> 00:20:47,600
Speaker 9: What else has he bring to.

556
00:20:47,600 --> 00:20:50,080
Speaker 11: The game that did? Did he make people want to

557
00:20:50,160 --> 00:20:52,360
Speaker 11: dress like him? Did he have some slang that everybody

558
00:20:52,400 --> 00:20:53,200
Speaker 11: was talking like him?

559
00:20:53,480 --> 00:20:53,680
Speaker 1: Uh?

560
00:20:53,880 --> 00:20:55,639
Speaker 9: There would be the girls, all the girls wanted to

561
00:20:55,960 --> 00:20:58,000
Speaker 9: do him, Like what is the you? Did you define?

562
00:20:58,040 --> 00:20:58,760
Speaker 5: We create a slang?

563
00:20:58,920 --> 00:20:59,400
Speaker 9: Which one?

564
00:21:00,280 --> 00:21:00,520
Speaker 5: Sorry?

565
00:21:00,600 --> 00:21:02,760
Speaker 6: I'm trying to come home like in this era with

566
00:21:02,800 --> 00:21:05,119
Speaker 6: all of these rappers, who what like did he create

567
00:21:05,680 --> 00:21:09,280
Speaker 6: sorry clip? That's an acronym?

568
00:21:09,480 --> 00:21:10,199
Speaker 9: I don't even know.

569
00:21:10,280 --> 00:21:16,199
Speaker 11: Nobody even know the.

570
00:21:13,640 --> 00:21:16,359
Speaker 13: Besides pushing like we can't forget your clips?

571
00:21:16,480 --> 00:21:16,800
Speaker 5: Was now?

572
00:21:16,800 --> 00:21:18,520
Speaker 9: The clips? Was the clips? That's different?

573
00:21:18,520 --> 00:21:22,680
Speaker 11: Amazing group, that's different, hard, that's different. The clips are dope.

574
00:21:22,720 --> 00:21:25,240
Speaker 11: They had the record grinding, they had what happened to

575
00:21:25,280 --> 00:21:25,720
Speaker 11: that boy?

576
00:21:26,880 --> 00:21:27,240
Speaker 2: You did?

577
00:21:27,320 --> 00:21:27,399
Speaker 9: Like?

578
00:21:27,440 --> 00:21:30,040
Speaker 11: So I'm not It's not like I don't know the music.

579
00:21:30,080 --> 00:21:31,520
Speaker 11: We're not gonna sit there and say that, but the

580
00:21:31,520 --> 00:21:31,960
Speaker 11: clips and.

581
00:21:31,920 --> 00:21:33,160
Speaker 9: Push your T two different things.

582
00:21:33,240 --> 00:21:35,280
Speaker 5: I would think you would like pushing I just say

583
00:21:35,320 --> 00:21:35,640
Speaker 5: I don't.

584
00:21:35,680 --> 00:21:36,280
Speaker 2: I'm not kidding.

585
00:21:36,600 --> 00:21:37,440
Speaker 5: You make a great album.

586
00:21:37,480 --> 00:21:39,480
Speaker 11: I never listened to one whole Push a T album.

587
00:21:39,720 --> 00:21:43,080
Speaker 11: Let's push man does never I've never listened to the

588
00:21:43,119 --> 00:21:45,240
Speaker 11: whole Push of T album. He just had an album

589
00:21:45,320 --> 00:21:47,200
Speaker 11: that wanted Grammy. Do you'll know any of the records

590
00:21:47,240 --> 00:21:47,680
Speaker 11: on that album?

591
00:21:48,320 --> 00:21:50,600
Speaker 5: Nominated? Last nominated?

592
00:21:50,760 --> 00:21:51,000
Speaker 14: Okay?

593
00:21:51,080 --> 00:21:51,280
Speaker 9: Cool?

594
00:21:51,280 --> 00:21:53,680
Speaker 10: Do y'all know any records on these on these Grammy nominator?

595
00:21:54,080 --> 00:21:54,439
Speaker 9: Yes?

596
00:21:54,480 --> 00:21:59,360
Speaker 5: What colbum is almost dry? Crampton, roll my neck, my wrists.

597
00:22:00,040 --> 00:22:02,600
Speaker 9: And listen to base because I never hear it nowhere.

598
00:22:02,760 --> 00:22:04,680
Speaker 9: You heard like I never hear nowhere.

599
00:22:04,680 --> 00:22:08,160
Speaker 11: Like don't disrespect like like you and like like let's

600
00:22:08,200 --> 00:22:12,240
Speaker 11: get like people, don't crucify me because let's not make

601
00:22:12,320 --> 00:22:14,840
Speaker 11: this about me and him, because it's not about hearing him,

602
00:22:15,240 --> 00:22:17,800
Speaker 11: because you're like, it's not about me if I'm just

603
00:22:17,920 --> 00:22:19,919
Speaker 11: talking like that's.

604
00:22:19,840 --> 00:22:21,680
Speaker 9: Just why I don't want to do no more interviews.

605
00:22:22,320 --> 00:22:23,680
Speaker 9: I don't want to do no more interviews.

606
00:22:24,440 --> 00:22:29,240
Speaker 11: Let's just mann I'm the local for your label, right, yeah,

607
00:22:29,240 --> 00:22:30,280
Speaker 11: it's a local phone label.

608
00:22:30,800 --> 00:22:32,800
Speaker 9: Should say everybody out here. That's a rapper, Mary.

609
00:22:32,960 --> 00:22:34,800
Speaker 10: I mean, I don't try to I'm not trying to

610
00:22:34,800 --> 00:22:35,400
Speaker 10: this nobody.

611
00:22:35,680 --> 00:22:35,840
Speaker 9: You know.

612
00:22:36,160 --> 00:22:38,199
Speaker 11: I'm a bit of a comedian that time. So and

613
00:22:38,240 --> 00:22:40,639
Speaker 11: then so it surppart me for that. It is what

614
00:22:40,680 --> 00:22:42,960
Speaker 11: it is, man, But just don't call my phone. This

615
00:22:43,040 --> 00:22:45,160
Speaker 11: ain't the type of phone you want to call for any.

616
00:22:45,000 --> 00:22:48,240
Speaker 10: Type of smoke. You heard, smoke detector, You better leave

617
00:22:48,280 --> 00:22:49,160
Speaker 10: that phone alone.

618
00:22:49,359 --> 00:22:52,280
Speaker 11: You heard you better continue to give me high files

619
00:22:52,280 --> 00:22:55,639
Speaker 11: on your seee. That's all I'm about. This is good energy.

620
00:22:55,680 --> 00:22:57,840
Speaker 11: Let's continue to throw this love out here. You heard

621
00:22:58,400 --> 00:22:59,800
Speaker 11: champagne toss.

622
00:22:59,440 --> 00:22:59,800
Speaker 6: And all that.

623
00:22:59,840 --> 00:23:01,600
Speaker 9: We all live a pretty good life. Man.

624
00:23:01,880 --> 00:23:04,040
Speaker 6: One time Jim called me. Jim called me. I said

625
00:23:04,040 --> 00:23:04,639
Speaker 6: something you didn't like.

626
00:23:04,680 --> 00:23:08,960
Speaker 5: Jim was like, what was that?

627
00:23:09,480 --> 00:23:10,240
Speaker 2: I'm like, my bad.

628
00:23:10,600 --> 00:23:13,359
Speaker 9: I can tell you do not listen to it. Do

629
00:23:13,480 --> 00:23:14,119
Speaker 9: not listen to it.

630
00:23:14,359 --> 00:23:19,400
Speaker 11: I'm not the type of person. I'm a very lovely person, man, Jim.

631
00:23:19,440 --> 00:23:20,560
Speaker 11: Jim has done some wild stuff.

632
00:23:20,560 --> 00:23:22,840
Speaker 8: I see Jim say, the first comedian to walk out

633
00:23:22,880 --> 00:23:24,240
Speaker 8: the building.

634
00:23:24,520 --> 00:23:26,440
Speaker 2: I said, damn, I said, I'm not walking out the building.

635
00:23:26,760 --> 00:23:27,400
Speaker 9: I'm a comedian.

636
00:23:29,080 --> 00:23:29,320
Speaker 8: Man.

637
00:23:29,440 --> 00:23:30,760
Speaker 9: I was terrible, man.

638
00:23:31,400 --> 00:23:32,160
Speaker 5: Jim said, what was that?

639
00:23:32,240 --> 00:23:33,439
Speaker 6: You don't play with me like that, because if you

640
00:23:33,440 --> 00:23:34,879
Speaker 6: play with me like that, then everybody's gonna take to

641
00:23:34,880 --> 00:23:35,600
Speaker 6: go play with me like that.

642
00:23:35,800 --> 00:23:36,920
Speaker 2: They don't play with none of y'am.

643
00:23:37,200 --> 00:23:39,320
Speaker 11: Yeah, like thennis day, we got that, we got a

644
00:23:39,320 --> 00:23:42,720
Speaker 11: problem like yo, like, no, let me stop, man this,

645
00:23:42,840 --> 00:23:44,760
Speaker 11: God damn I grew up hard.

646
00:23:44,800 --> 00:23:47,880
Speaker 9: Man, Gotta part me. Man.

647
00:23:48,080 --> 00:23:50,080
Speaker 11: I don't know, man, I'm just well right now, I'm

648
00:23:50,119 --> 00:23:52,080
Speaker 11: in the place of love in my heart and and

649
00:23:52,080 --> 00:23:54,080
Speaker 11: and it kind of gets twisted when people asking me

650
00:23:54,320 --> 00:23:56,800
Speaker 11: ask me these difficult questions, and I don't know how

651
00:23:56,800 --> 00:23:58,520
Speaker 11: to answer him without.

652
00:23:58,280 --> 00:24:00,159
Speaker 9: Honestly you know, you know what I mean?

653
00:24:00,280 --> 00:24:02,800
Speaker 11: That's okay. Can we leave it at this just my opinion.

654
00:24:03,480 --> 00:24:04,840
Speaker 11: I don't want to I don't want to push your

655
00:24:04,840 --> 00:24:06,520
Speaker 11: t smoke. I don't want to end up in none

656
00:24:06,560 --> 00:24:15,520
Speaker 11: of his raps. You dig I say he's nice, right

657
00:24:16,040 --> 00:24:18,080
Speaker 11: the boy? You know how to talk about some cocaine.

658
00:24:18,119 --> 00:24:20,679
Speaker 11: You're already talking about Pablo Numbers. You're heard like that

659
00:24:20,760 --> 00:24:24,359
Speaker 11: boy talking about you, understand it. God damn it, I

660
00:24:24,359 --> 00:24:26,160
Speaker 11: ain't even saying that he ain't nice.

661
00:24:26,480 --> 00:24:28,800
Speaker 8: Well, the album is out right now, back in my prime.

662
00:24:29,280 --> 00:24:31,640
Speaker 8: Make sure you have the albums playing now.

663
00:24:31,800 --> 00:24:34,840
Speaker 11: Shouts the Young Bird, one of the most incredible producers

664
00:24:34,840 --> 00:24:36,679
Speaker 11: out there. I was, I was very blessed to be

665
00:24:36,680 --> 00:24:39,200
Speaker 11: able to do this album. Very dope album. Shouts to Chrisy.

666
00:24:39,280 --> 00:24:41,439
Speaker 11: This album is pretty much written about her in so

667
00:24:41,480 --> 00:24:45,600
Speaker 11: many different ways. I would say, let's go with Gunshot

668
00:24:45,880 --> 00:24:48,199
Speaker 11: gun Shot.

669
00:24:47,440 --> 00:24:50,359
Speaker 10: Featuring being but I thank you, man, just one to

670
00:24:50,359 --> 00:24:51,080
Speaker 10: tip my hat to y'all.

671
00:24:51,119 --> 00:24:53,280
Speaker 11: Y'all keep doing things for us to look at and

672
00:24:53,400 --> 00:24:57,440
Speaker 11: be inspired by your b T move yellow, the new building.

673
00:24:58,000 --> 00:25:00,520
Speaker 11: You got thrones that you're sitting on, you know what

674
00:25:00,560 --> 00:25:02,520
Speaker 11: I mean? What could be better than this? But I

675
00:25:02,560 --> 00:25:04,719
Speaker 11: seen you. I've seen y'all grind the same light. Say well,

676
00:25:04,760 --> 00:25:06,800
Speaker 11: y'all see me grind and things like that. From the beginning.

677
00:25:06,840 --> 00:25:09,240
Speaker 11: I know things wasn't as good as it is now

678
00:25:09,359 --> 00:25:11,240
Speaker 11: coming up and things like that. But you'll continue to

679
00:25:11,240 --> 00:25:14,320
Speaker 11: break down barriers inside of this journalism game and when

680
00:25:14,320 --> 00:25:16,280
Speaker 11: it comes to you know, on the radio and things

681
00:25:16,320 --> 00:25:20,280
Speaker 11: like that and taking number one morning shows and oh man,

682
00:25:20,400 --> 00:25:23,280
Speaker 11: tip that I type yourself in the back some time.

683
00:25:23,520 --> 00:25:25,520
Speaker 9: You heard correct? Oh man, I appreciate you.

684
00:25:25,800 --> 00:25:26,000
Speaker 12: Man.

685
00:25:26,440 --> 00:25:29,240
Speaker 2: It's Jim Jones, It's the Breakfast Club. Good morning on BT.

686
00:25:30,280 --> 00:25:33,480
Speaker 2: The breakfast Club. Your mornings will never be the same.

687
00:25:33,920 --> 00:25:36,240
Speaker 8: What it's time to get with someone special. The best

688
00:25:36,240 --> 00:25:38,960
Speaker 8: way to do it is with Magnum large size condoms.

689
00:25:39,160 --> 00:25:41,720
Speaker 8: That gold foil rapper is a badge of honor and

690
00:25:41,760 --> 00:25:44,320
Speaker 8: it means you're protected and you take care of things

691
00:25:44,320 --> 00:25:44,920
Speaker 8: with comfort.

692
00:25:45,160 --> 00:25:46,320
Speaker 2: Accept no substitutes.

693
00:25:46,440 --> 00:25:54,679
Speaker 8: Bring the pleasure with the gold standard Magnum large size condoms.

694
00:25:55,200 --> 00:25:59,399
Speaker 11: It's topic time called eight hundred five five five one

695
00:25:59,440 --> 00:26:02,840
Speaker 11: to join it to the discussion with the breakfast club morning.

696
00:26:02,880 --> 00:26:06,159
Speaker 8: Everybody is DJ Envy Charlamagne to God. We are to

697
00:26:06,200 --> 00:26:09,640
Speaker 8: breakfast club Nowhew just joining us. We're talking about Gabrielle

698
00:26:09,720 --> 00:26:12,280
Speaker 8: Union and the Waye Wade. Now this comes from a

699
00:26:12,280 --> 00:26:15,040
Speaker 8: recent interview she did and she was talking about hustplitting

700
00:26:15,040 --> 00:26:16,520
Speaker 8: the bills fifty to fifty with our husband.

701
00:26:16,560 --> 00:26:21,760
Speaker 15: Let's listen that first sense of security and that the

702
00:26:21,800 --> 00:26:23,680
Speaker 15: work is coming and I just as long as I

703
00:26:23,760 --> 00:26:26,680
Speaker 15: keep knocking it out, there's gonna be more. And there

704
00:26:26,760 --> 00:26:29,160
Speaker 15: isn't this sort of sense of the rug is going,

705
00:26:29,240 --> 00:26:30,480
Speaker 15: could could still be pulled out.

706
00:26:30,840 --> 00:26:33,560
Speaker 16: I struggle with that still just because I think I

707
00:26:33,720 --> 00:26:37,400
Speaker 16: just have more responsibilities, you know, for my money. It's

708
00:26:37,400 --> 00:26:40,239
Speaker 16: weird to say, I'm head of household because in this

709
00:26:40,280 --> 00:26:43,159
Speaker 16: household we split everything fifty to fifty. But in the

710
00:26:43,200 --> 00:26:46,959
Speaker 16: other households that each of us have to support, it

711
00:26:47,000 --> 00:26:50,720
Speaker 16: puts this there's always this like gorilla on your back

712
00:26:50,880 --> 00:26:51,920
Speaker 16: that is like.

713
00:26:52,119 --> 00:26:54,280
Speaker 5: You better work, better work.

714
00:26:54,400 --> 00:26:58,280
Speaker 16: Somebody might not eat work, and it's hard. It's hard

715
00:26:58,320 --> 00:26:58,879
Speaker 16: to let that go.

716
00:26:59,320 --> 00:27:00,720
Speaker 2: So I'm working on that, all right.

717
00:27:00,760 --> 00:27:02,560
Speaker 8: So we're asking what are your thoughts? When we got

718
00:27:02,560 --> 00:27:05,119
Speaker 8: Tracy on the line, Tracy, good morning, Say good morning,

719
00:27:05,440 --> 00:27:06,720
Speaker 8: hey bro, what's your thoughts?

720
00:27:06,720 --> 00:27:06,920
Speaker 9: Brother?

721
00:27:07,200 --> 00:27:09,919
Speaker 3: So my thoughts is this, if it's a regular couple

722
00:27:10,119 --> 00:27:12,520
Speaker 3: and they work, they both work in jobs, I don't

723
00:27:12,560 --> 00:27:14,680
Speaker 3: see nothing wrong with going fifty to fifty. But if

724
00:27:14,680 --> 00:27:16,879
Speaker 3: the woman's in like school or something like that, I

725
00:27:17,000 --> 00:27:19,440
Speaker 3: understand the man paying the bills. But if the man's

726
00:27:19,480 --> 00:27:21,720
Speaker 3: paying all the bills and the woman's not doing anything,

727
00:27:22,200 --> 00:27:24,040
Speaker 3: how they ever going to get anywhere, like as far

728
00:27:24,080 --> 00:27:26,760
Speaker 3: as investments and growing a better future for the family,

729
00:27:26,840 --> 00:27:29,239
Speaker 3: leaven the legacy, how they gonna get anywhere if they

730
00:27:29,320 --> 00:27:31,440
Speaker 3: regular people and the man's just spending all the money

731
00:27:31,440 --> 00:27:32,000
Speaker 3: on the build And.

732
00:27:31,920 --> 00:27:34,119
Speaker 6: It's like, now this goes back to exactly what we

733
00:27:34,119 --> 00:27:34,920
Speaker 6: were just talking about.

734
00:27:34,960 --> 00:27:36,800
Speaker 5: You just said that woman is not doing nothing.

735
00:27:36,840 --> 00:27:38,960
Speaker 6: But I guarantee you if you go to that woman

736
00:27:39,000 --> 00:27:41,639
Speaker 6: that you're the hypothetical woman's house you're talking about, and

737
00:27:41,680 --> 00:27:43,800
Speaker 6: you see all of the things that she does on

738
00:27:43,880 --> 00:27:47,240
Speaker 6: the daily end that house, you would realize that nothing

739
00:27:47,280 --> 00:27:49,080
Speaker 6: you're saying is a huge something.

740
00:27:49,160 --> 00:27:49,920
Speaker 2: Tracy, Are you married?

741
00:27:49,960 --> 00:27:50,320
Speaker 9: Tracy?

742
00:27:50,760 --> 00:27:50,960
Speaker 11: Nah?

743
00:27:51,000 --> 00:27:53,240
Speaker 3: I'm not mad. I'm not saying she's not doing nothing,

744
00:27:53,240 --> 00:27:55,480
Speaker 3: but I'm saying, with the money, what is she doing

745
00:27:55,520 --> 00:27:55,840
Speaker 3: with them?

746
00:27:56,080 --> 00:27:56,240
Speaker 2: Yeah?

747
00:27:56,280 --> 00:27:58,240
Speaker 3: No, No, listen to what I'm saying, though. Okay, with

748
00:27:58,440 --> 00:28:01,080
Speaker 3: the money that she's saving, she's not paying bills. I

749
00:28:01,200 --> 00:28:02,520
Speaker 3: understand that she's being a mother.

750
00:28:02,640 --> 00:28:04,760
Speaker 2: You say that money, what.

751
00:28:04,840 --> 00:28:07,080
Speaker 3: Is she doing with that money that she's not spending?

752
00:28:07,400 --> 00:28:09,280
Speaker 3: Get what you're saying, you're putting it in investments for

753
00:28:09,359 --> 00:28:11,360
Speaker 3: the family? I give you said you know what I mean?

754
00:28:12,960 --> 00:28:15,200
Speaker 5: What thought you said she wasn't making no money?

755
00:28:15,560 --> 00:28:18,000
Speaker 2: Fifty fifty? What is she doing with her money?

756
00:28:18,040 --> 00:28:19,639
Speaker 8: She's just putting her money in her account and spending

757
00:28:19,680 --> 00:28:21,840
Speaker 8: and buying bag shoes and going on trips with the girls.

758
00:28:21,920 --> 00:28:24,480
Speaker 8: Or is she taking that money and putting it back

759
00:28:24,480 --> 00:28:26,320
Speaker 8: to the house or investigate or whatever it is?

760
00:28:26,359 --> 00:28:27,120
Speaker 2: No, I agree that.

761
00:28:27,119 --> 00:28:28,960
Speaker 8: That's why I say you have to put it all

762
00:28:29,000 --> 00:28:31,760
Speaker 8: into one pot, and it should be the households money to,

763
00:28:31,920 --> 00:28:33,720
Speaker 8: you know, to take care of the household, build the

764
00:28:33,800 --> 00:28:34,360
Speaker 8: kids and all lives.

765
00:28:34,400 --> 00:28:34,959
Speaker 2: I see what you say.

766
00:28:35,760 --> 00:28:36,800
Speaker 5: Fact, thank you brother.

767
00:28:37,359 --> 00:28:37,639
Speaker 10: Hello?

768
00:28:37,680 --> 00:28:39,720
Speaker 17: Who's this Valencia?

769
00:28:39,920 --> 00:28:41,960
Speaker 2: Hey Valencia, good morning, Good morning.

770
00:28:41,960 --> 00:28:43,040
Speaker 12: How are y'all doing good?

771
00:28:44,600 --> 00:28:48,560
Speaker 17: Amen? What's your thoughts so on your on your topic.

772
00:28:48,880 --> 00:28:51,360
Speaker 14: I don't think there's anything wrong with fifty fifty.

773
00:28:51,600 --> 00:28:53,840
Speaker 18: I think the issue comes.

774
00:28:53,560 --> 00:28:56,600
Speaker 17: In where if Gabrielle feels like her money has to

775
00:28:56,640 --> 00:28:59,479
Speaker 17: go to more places, maybe he should pay more. But

776
00:28:59,520 --> 00:29:01,600
Speaker 17: I also I feel like maybe she hasn't had a

777
00:29:01,640 --> 00:29:02,760
Speaker 17: conversation about it.

778
00:29:03,240 --> 00:29:04,920
Speaker 8: But you mean her money has to go to other places,

779
00:29:04,920 --> 00:29:07,680
Speaker 8: I mean past relationships or parents or family, something like that.

780
00:29:08,280 --> 00:29:10,959
Speaker 17: No, in the interview, she said she feels like she

781
00:29:11,080 --> 00:29:15,000
Speaker 17: has more households to contribute to, so she's constantly stressed

782
00:29:15,000 --> 00:29:17,840
Speaker 17: about her money. So maybe it shouldn't be fifty fifty.

783
00:29:17,920 --> 00:29:20,040
Speaker 17: Maybe he should take over more in their household.

784
00:29:20,160 --> 00:29:21,640
Speaker 6: I mean, I didn't see the interviews. I don't know

785
00:29:21,640 --> 00:29:23,160
Speaker 6: what that means, but that means that could mean she'd

786
00:29:23,160 --> 00:29:24,880
Speaker 6: be taking care of family. That's what I was thinking.

787
00:29:24,880 --> 00:29:26,560
Speaker 6: I'm saying, you're taking care of other family members, you

788
00:29:26,600 --> 00:29:27,680
Speaker 6: know what I mean, Like you could be taking care

789
00:29:27,680 --> 00:29:29,480
Speaker 6: of your mom, you'd be taking care of your pops,

790
00:29:29,520 --> 00:29:31,760
Speaker 6: your grandma. I don't know her family situation, but it

791
00:29:32,120 --> 00:29:32,520
Speaker 6: sounds like.

792
00:29:32,560 --> 00:29:35,200
Speaker 8: But even in family situation, when it's ours, it's we

793
00:29:35,480 --> 00:29:37,200
Speaker 8: both decide what goes.

794
00:29:36,960 --> 00:29:39,480
Speaker 6: To family members, you know what I mean all the time.

795
00:29:39,600 --> 00:29:43,680
Speaker 6: Because there's family members that may ask my wife for money, correct.

796
00:29:43,680 --> 00:29:44,320
Speaker 5: You know what I'm saying.

797
00:29:44,320 --> 00:29:47,200
Speaker 6: There's family members that may ask me for money, correct,

798
00:29:47,280 --> 00:29:50,160
Speaker 6: you know, And those are conversations that we have.

799
00:29:50,320 --> 00:29:53,360
Speaker 2: It's usually simple because I ain't got it. But you know, hello,

800
00:29:53,400 --> 00:29:56,520
Speaker 2: is this Dare's rejection? Hey, Aaron, good morning to talk

801
00:29:56,560 --> 00:29:56,840
Speaker 2: to us.

802
00:29:57,240 --> 00:29:59,040
Speaker 1: Hey, good morning first and foremost of both of you

803
00:29:59,280 --> 00:29:59,760
Speaker 1: of the show.

804
00:30:00,160 --> 00:30:00,720
Speaker 5: Thank you, brother.

805
00:30:00,800 --> 00:30:01,520
Speaker 2: What's your thoughts?

806
00:30:01,880 --> 00:30:02,120
Speaker 9: Hey?

807
00:30:02,200 --> 00:30:04,920
Speaker 7: My thing is like you know, I've said this before

808
00:30:04,920 --> 00:30:07,480
Speaker 7: and this this situation is a prime example of that.

809
00:30:08,200 --> 00:30:11,320
Speaker 7: And you know, women treat equality like it's a buffet

810
00:30:11,360 --> 00:30:12,920
Speaker 7: that they can just pick and choose what they want

811
00:30:12,920 --> 00:30:13,160
Speaker 7: out of it.

812
00:30:14,640 --> 00:30:15,200
Speaker 13: You know what I mean.

813
00:30:15,280 --> 00:30:17,560
Speaker 1: It's a it's a it's a solve.

814
00:30:17,600 --> 00:30:24,000
Speaker 7: It's basically like, you know, my money is our money,

815
00:30:24,120 --> 00:30:27,080
Speaker 7: and our money is her bo you know what I mean.

816
00:30:27,040 --> 00:30:29,160
Speaker 5: Like I got you, you.

817
00:30:29,120 --> 00:30:32,240
Speaker 1: Know what I'm saying. So it's basically like I just

818
00:30:32,280 --> 00:30:34,440
Speaker 1: think it's you know, Gabrielle Union is justicified.

819
00:30:35,280 --> 00:30:36,320
Speaker 5: I don't have a problem with it.

820
00:30:36,360 --> 00:30:39,320
Speaker 6: Gabrielle Union makes money, Dwayne Wade makes money. If she

821
00:30:39,400 --> 00:30:41,800
Speaker 6: chooses to be fifty to fifty, that's fine, you know

822
00:30:41,840 --> 00:30:43,280
Speaker 6: what I mean. I don't have a problem with it.

823
00:30:43,320 --> 00:30:46,040
Speaker 6: And I agree with what he's saying because this is

824
00:30:46,040 --> 00:30:46,880
Speaker 6: one of those situations.

825
00:30:46,920 --> 00:30:47,360
Speaker 5: Women want to.

826
00:30:47,360 --> 00:30:50,520
Speaker 6: Scream independence and you know, they got their own. But

827
00:30:50,560 --> 00:30:52,560
Speaker 6: then when you hear a situation like this, you like, well,

828
00:30:52,600 --> 00:30:54,360
Speaker 6: how come here paying all the bails when he got

829
00:30:54,360 --> 00:30:54,920
Speaker 6: all the money?

830
00:30:55,160 --> 00:30:55,360
Speaker 9: Right?

831
00:30:55,480 --> 00:30:59,280
Speaker 6: Like maybe because Gabrielle don't want him to Pam, Good morning, Pam.

832
00:31:00,560 --> 00:31:03,160
Speaker 3: D how you feel the breakfast club?

833
00:31:03,720 --> 00:31:04,480
Speaker 4: I'm doing good.

834
00:31:04,520 --> 00:31:05,200
Speaker 12: How are you?

835
00:31:05,240 --> 00:31:05,680
Speaker 2: What's up?

836
00:31:05,720 --> 00:31:06,040
Speaker 5: Pam?

837
00:31:06,120 --> 00:31:07,080
Speaker 2: What's your thoughts? Pam?

838
00:31:07,560 --> 00:31:07,960
Speaker 13: All right?

839
00:31:08,280 --> 00:31:10,360
Speaker 18: So this is what it is. I used to do

840
00:31:10,800 --> 00:31:13,400
Speaker 18: the fifty fifty and then I heard one of my

841
00:31:13,560 --> 00:31:18,040
Speaker 18: passes say one day that the breadwinner and typically it

842
00:31:18,120 --> 00:31:19,800
Speaker 18: is men in a relationship.

843
00:31:19,840 --> 00:31:23,040
Speaker 12: That's just the facts. It should really be split like.

844
00:31:23,000 --> 00:31:28,880
Speaker 18: A seventy thirty situation. And here's why men don't typically

845
00:31:28,880 --> 00:31:29,680
Speaker 18: do half.

846
00:31:29,440 --> 00:31:30,200
Speaker 3: Of the laundry.

847
00:31:30,360 --> 00:31:33,760
Speaker 18: They don't typically do half of the cooking, and and

848
00:31:33,760 --> 00:31:36,280
Speaker 18: and so it shouldn't be a case where a woman

849
00:31:36,320 --> 00:31:39,280
Speaker 18: should really basically never have to split the bills and half.

850
00:31:39,440 --> 00:31:41,400
Speaker 6: We just I don't know, you probably didn't hear us

851
00:31:41,440 --> 00:31:43,080
Speaker 6: because you might have just been joined us. But we

852
00:31:43,120 --> 00:31:44,480
Speaker 6: said the same thing. I'm like, yo, if you could

853
00:31:44,520 --> 00:31:46,960
Speaker 6: give if you could calculate all of the things that

854
00:31:47,000 --> 00:31:49,320
Speaker 6: women do in a house correct from being from being

855
00:31:49,520 --> 00:31:54,080
Speaker 6: from being a mom, a nurk, the laundry and the cleaning,

856
00:31:54,560 --> 00:31:57,040
Speaker 6: just putting the kids bad, all of these different things

857
00:31:57,040 --> 00:32:00,480
Speaker 6: that women do, the scale would be tremendously towards the

858
00:32:00,520 --> 00:32:02,479
Speaker 6: woman if there was a percentage of who provided what.

859
00:32:02,920 --> 00:32:05,240
Speaker 18: You know, Like, y'all have a good man out there.

860
00:32:05,480 --> 00:32:08,800
Speaker 18: I'm glad y'all see that your wives they have done

861
00:32:08,800 --> 00:32:09,880
Speaker 18: well for themselves.

862
00:32:10,120 --> 00:32:11,719
Speaker 5: Oh thank you. That's a compliment.

863
00:32:11,840 --> 00:32:14,000
Speaker 8: Now, I wouldn't listen to everything the pastor says all

864
00:32:14,040 --> 00:32:15,720
Speaker 8: the times. If the pastor tells you, you know, you

865
00:32:15,760 --> 00:32:17,040
Speaker 8: should sometimes.

866
00:32:17,040 --> 00:32:18,400
Speaker 6: First of all, I don't like how you just pay

867
00:32:18,480 --> 00:32:21,760
Speaker 6: past that compliment. Okay, what that woman said that our

868
00:32:21,760 --> 00:32:26,200
Speaker 6: wives are blessed and privileged to have men like us.

869
00:32:26,240 --> 00:32:27,880
Speaker 2: That's what I heard.

870
00:32:27,240 --> 00:32:31,200
Speaker 12: That's that's exactly that's exactly what I said, because you

871
00:32:31,400 --> 00:32:34,600
Speaker 12: recognize the value and the worth of a woman and what.

872
00:32:34,560 --> 00:32:36,560
Speaker 18: She contributes to the household.

873
00:32:36,720 --> 00:32:38,280
Speaker 12: And that's absolutely fact.

874
00:32:38,920 --> 00:32:39,480
Speaker 5: That's a fact.

875
00:32:39,520 --> 00:32:43,040
Speaker 3: We like you, Pam, I like y'all too. Y'all have

876
00:32:43,120 --> 00:32:44,640
Speaker 3: a good day.

877
00:32:45,160 --> 00:32:46,560
Speaker 5: Yeah, I'm not. I'm not mad at it.

878
00:32:46,680 --> 00:32:48,440
Speaker 6: And you know, we were talking about something earlier too,

879
00:32:48,440 --> 00:32:51,600
Speaker 6: in regards of like family members when they ask us

880
00:32:51,600 --> 00:32:53,640
Speaker 6: for money. My people might ask me for money, or

881
00:32:53,640 --> 00:32:55,680
Speaker 6: they might have my wife for money. My wife is

882
00:32:55,680 --> 00:32:59,600
Speaker 6: the no person. I'm well, I'm the sucker. My wife

883
00:32:59,680 --> 00:33:02,600
Speaker 6: is the no person. My wife. No, it don't matter

884
00:33:02,640 --> 00:33:04,200
Speaker 6: who it is. Way, even if it's people on my

885
00:33:04,240 --> 00:33:06,360
Speaker 6: side of the family, tell them to talk to me. See,

886
00:33:06,400 --> 00:33:08,240
Speaker 6: he's the no person. It's just a good thing. See,

887
00:33:08,280 --> 00:33:10,960
Speaker 6: you gotta it's like you gotta go through my mom

888
00:33:11,000 --> 00:33:13,960
Speaker 6: and pops. Right, My mom and pops kind of handle

889
00:33:14,360 --> 00:33:16,920
Speaker 6: my finances, but they don't meaning they look at it

890
00:33:16,960 --> 00:33:17,760
Speaker 6: like you work hard.

891
00:33:17,880 --> 00:33:20,120
Speaker 8: Nobody else works hard but you, so you ain't gonna

892
00:33:20,160 --> 00:33:20,720
Speaker 8: lend no money.

893
00:33:21,000 --> 00:33:21,640
Speaker 2: So my mom and.

894
00:33:21,640 --> 00:33:24,520
Speaker 8: Pops be like no, like before any family if they

895
00:33:24,560 --> 00:33:26,200
Speaker 8: you know, you know, sometimes I'm feeling but like, let

896
00:33:26,240 --> 00:33:27,840
Speaker 8: me talk to the garage, let me talk to this room.

897
00:33:28,320 --> 00:33:29,280
Speaker 2: My pops come right with me.

898
00:33:29,400 --> 00:33:32,840
Speaker 8: No, absolutely no, but that's that's mom and pops. Absolutely

899
00:33:32,960 --> 00:33:34,760
Speaker 8: all right. Well, what's the moil of the stories.

900
00:33:34,560 --> 00:33:36,440
Speaker 5: And all the stories doing worse for you? You know

901
00:33:36,440 --> 00:33:36,800
Speaker 5: what I'm saying.

902
00:33:36,840 --> 00:33:40,440
Speaker 6: But I really don't like this, this this conversation about percentages.

903
00:33:40,480 --> 00:33:42,040
Speaker 6: You know what I mean, Because, like we've been saying

904
00:33:42,080 --> 00:33:45,120
Speaker 6: all morning, if you really broke it down and calculated

905
00:33:45,600 --> 00:33:49,120
Speaker 6: what each person does in their respective roles, if you

906
00:33:49,160 --> 00:33:52,280
Speaker 6: look at all the things a woman does to make

907
00:33:52,400 --> 00:33:54,640
Speaker 6: our lives easier, yep, oh my god.

908
00:33:54,480 --> 00:33:55,600
Speaker 5: It would not be fifty to fifty.

909
00:33:55,640 --> 00:33:59,400
Speaker 6: It'd be like seventy thirty, eighty twenty a gear towards

910
00:33:59,400 --> 00:33:59,720
Speaker 6: the woman.

911
00:34:00,040 --> 00:34:03,200
Speaker 2: Let's love the morning. The Breakfast Club.

912
00:34:05,400 --> 00:34:08,960
Speaker 8: On Everybody's dj MV. Charlamagne to God, we got a

913
00:34:09,000 --> 00:34:09,839
Speaker 8: special guest in the.

914
00:34:09,800 --> 00:34:12,640
Speaker 5: Building, guest family host.

915
00:34:13,000 --> 00:34:16,480
Speaker 13: Thank you. I'm trying to a very member of the

916
00:34:16,520 --> 00:34:17,160
Speaker 13: Breakfast Club.

917
00:34:17,160 --> 00:34:20,160
Speaker 6: You got too many jobs already, Tianna Taylor, where's my throne?

918
00:34:20,400 --> 00:34:21,839
Speaker 13: Why you gotta be in this regular work chair?

919
00:34:22,160 --> 00:34:24,480
Speaker 5: What you mean, is you one of the hardest working

920
00:34:24,480 --> 00:34:25,280
Speaker 5: women in show business?

921
00:34:25,320 --> 00:34:27,560
Speaker 13: There you go exactly why I need to be in

922
00:34:27,600 --> 00:34:28,120
Speaker 13: the throne.

923
00:34:28,760 --> 00:34:29,920
Speaker 5: How does it feel to be in front of the

924
00:34:30,000 --> 00:34:31,640
Speaker 5: camera now with A thousand and one?

925
00:34:32,120 --> 00:34:33,359
Speaker 13: Oh, it feels good.

926
00:34:33,440 --> 00:34:33,640
Speaker 4: You know.

927
00:34:33,640 --> 00:34:35,880
Speaker 13: I hadn't been in front uh in a minute. You know,

928
00:34:35,920 --> 00:34:37,960
Speaker 13: I had kind of took some time to get behind

929
00:34:37,960 --> 00:34:40,759
Speaker 13: the lens and uh just help people like get their

930
00:34:40,840 --> 00:34:43,799
Speaker 13: visions out, and you know, it felt good to be

931
00:34:43,880 --> 00:34:46,640
Speaker 13: in front of the lens doing like what I actually

932
00:34:46,680 --> 00:34:48,319
Speaker 13: really want to do, you know, which is a really

933
00:34:48,400 --> 00:34:52,560
Speaker 13: really dramatic role, really heavy role, something I always wanted

934
00:34:52,560 --> 00:34:52,759
Speaker 13: to do.

935
00:34:53,440 --> 00:34:55,200
Speaker 8: Now, break down the movie for people that don't know

936
00:34:55,239 --> 00:34:56,840
Speaker 8: what this movie is about.

937
00:34:58,080 --> 00:35:00,560
Speaker 13: You know, I want to say that the movie really

938
00:35:01,600 --> 00:35:05,360
Speaker 13: it's a love letter, you know to just all moms,

939
00:35:05,920 --> 00:35:11,160
Speaker 13: single moms. That's just like trying to navigate this thing

940
00:35:11,200 --> 00:35:14,719
Speaker 13: that we call life, you know, especially Black women. And

941
00:35:14,800 --> 00:35:20,120
Speaker 13: for me, I feel like we're not protected enough, We're

942
00:35:20,160 --> 00:35:24,319
Speaker 13: not appreciated enough, we're not loved enough. You know, our

943
00:35:24,440 --> 00:35:28,239
Speaker 13: strength is constantly used against us, you know, like we're

944
00:35:28,239 --> 00:35:31,720
Speaker 13: forced to be strong women, but it's not by choice.

945
00:35:32,280 --> 00:35:35,160
Speaker 13: And then it's just like it's beneficial to others when

946
00:35:35,200 --> 00:35:36,840
Speaker 13: it's time for us to show up and time for

947
00:35:36,920 --> 00:35:39,399
Speaker 13: us to show strength to others. But when we show

948
00:35:39,480 --> 00:35:43,200
Speaker 13: for ourselves or we you know, we're strong, it's an issue.

949
00:35:43,239 --> 00:35:44,440
Speaker 13: So it's kind of like, damn if you do, damn

950
00:35:44,440 --> 00:35:47,160
Speaker 13: if you don't. I think that you know, this movie

951
00:35:48,440 --> 00:35:53,000
Speaker 13: shines a light on a woman who is strong, like

952
00:35:53,080 --> 00:35:56,960
Speaker 13: you know, every day women and just the struggle that

953
00:35:57,000 --> 00:35:59,160
Speaker 13: black women go through, you know, and I think is

954
00:35:59,200 --> 00:36:03,040
Speaker 13: a really eye o and then film for the world

955
00:36:03,120 --> 00:36:03,439
Speaker 13: to see.

956
00:36:03,520 --> 00:36:05,080
Speaker 5: Now that what interested you about the rope?

957
00:36:05,320 --> 00:36:08,880
Speaker 13: Absolutely with Naz when I first read it, I really

958
00:36:08,920 --> 00:36:13,799
Speaker 13: connected with her instantly, you know, me coming from just

959
00:36:13,880 --> 00:36:15,880
Speaker 13: retiring because this was the first project I took on

960
00:36:16,000 --> 00:36:20,080
Speaker 13: since my retirement, so you know, coming from a place

961
00:36:20,160 --> 00:36:25,640
Speaker 13: where I felt undervalued or you know, unappreciated or almost

962
00:36:25,760 --> 00:36:29,920
Speaker 13: even invisible or maybe unheard. That was her same struggle.

963
00:36:30,000 --> 00:36:31,920
Speaker 13: It may not have been the same reasons, but we

964
00:36:32,000 --> 00:36:33,560
Speaker 13: had the same struggles.

965
00:36:33,120 --> 00:36:33,279
Speaker 8: You know.

966
00:36:34,000 --> 00:36:38,440
Speaker 13: And you know, I Nas was really an outlet for me,

967
00:36:38,800 --> 00:36:43,120
Speaker 13: I want to say, therapeutic. You know, you and I

968
00:36:43,160 --> 00:36:45,319
Speaker 13: spoke when I came the last time, and he was like, yo,

969
00:36:45,360 --> 00:36:47,680
Speaker 13: you like literally one of the most sane artists in

970
00:36:47,680 --> 00:36:49,759
Speaker 13: the industry, like how do you do that? And I

971
00:36:49,760 --> 00:36:52,839
Speaker 13: think for a long time, I just keep a lot

972
00:36:52,880 --> 00:36:55,360
Speaker 13: of things bottled in, you know, and I'm so busy.

973
00:36:55,400 --> 00:36:56,960
Speaker 13: I just keep it pushing, you know. That's the hustle

974
00:36:57,000 --> 00:36:59,040
Speaker 13: in me, Like, yeah, that should happened, but I gotta

975
00:36:59,080 --> 00:37:01,319
Speaker 13: keep it rong, I gotta keep it. And I think

976
00:37:01,360 --> 00:37:03,719
Speaker 13: that with Inaz, I was finally able to let all

977
00:37:03,800 --> 00:37:08,239
Speaker 13: those years of like whatever, you know, quiet battles. I

978
00:37:08,280 --> 00:37:13,279
Speaker 13: was fighting, dealing with postpartum depression, coming back home to

979
00:37:13,400 --> 00:37:16,160
Speaker 13: film such a heavy role, and having to go to

980
00:37:16,320 --> 00:37:19,960
Speaker 13: funerals during my lunch breaks. It was crazy. So it

981
00:37:20,040 --> 00:37:23,160
Speaker 13: was like I had to pour all of that into Anez,

982
00:37:23,239 --> 00:37:25,520
Speaker 13: and you know, she was the outlet of like, oh

983
00:37:25,520 --> 00:37:28,759
Speaker 13: my god, I can finally like throw my capeall from

984
00:37:28,800 --> 00:37:33,600
Speaker 13: being Superman, being super Wife, being you know, super director,

985
00:37:33,760 --> 00:37:35,560
Speaker 13: super artists, you know what I'm saying, and get to

986
00:37:35,680 --> 00:37:38,080
Speaker 13: just finally have a moment of weakness. You know what

987
00:37:38,120 --> 00:37:41,440
Speaker 13: I'm saying, Like be weak for once and it be

988
00:37:41,560 --> 00:37:42,319
Speaker 13: considered art.

989
00:37:42,960 --> 00:37:45,640
Speaker 8: It's dope because y'all take it back to the nineties

990
00:37:45,640 --> 00:37:47,719
Speaker 8: era where I mean from everything in that movie, from

991
00:37:47,760 --> 00:37:51,160
Speaker 8: the cars to the close to you know, the music

992
00:37:51,200 --> 00:37:53,359
Speaker 8: to I mean, Angie Martinez was on the other station

993
00:37:53,600 --> 00:37:55,960
Speaker 8: during she was she was on the other station. So

994
00:37:56,000 --> 00:37:58,080
Speaker 8: how was that and how she had one slip up

995
00:37:58,080 --> 00:38:01,640
Speaker 8: though what she wants to be living. You said, talk

996
00:38:01,680 --> 00:38:05,360
Speaker 8: to me nice, nobody baseball.

997
00:38:06,560 --> 00:38:08,200
Speaker 13: You know, it was crazy because only get over with

998
00:38:08,239 --> 00:38:11,640
Speaker 13: your people to talk to me nice in that way.

999
00:38:12,000 --> 00:38:17,399
Speaker 13: I didn't even know, but technically, I'm your mother.

1000
00:38:17,600 --> 00:38:25,319
Speaker 8: Talk to me nice, talk to me nice. So how

1001
00:38:25,360 --> 00:38:27,160
Speaker 8: involved were you with doing some of that? Because I

1002
00:38:27,160 --> 00:38:28,839
Speaker 8: know that sometimes you love that era as well.

1003
00:38:29,360 --> 00:38:33,040
Speaker 13: Yeah, y'all know, I'm like obsessed with that era. You know,

1004
00:38:33,120 --> 00:38:35,680
Speaker 13: it's also crazy to look back at it because to

1005
00:38:35,920 --> 00:38:37,800
Speaker 13: have to step into the ever now as an adult,

1006
00:38:37,840 --> 00:38:40,759
Speaker 13: not only as an adult, but as a mother. It's

1007
00:38:40,840 --> 00:38:43,520
Speaker 13: crazy because in ninety six I was little Terry's age.

1008
00:38:43,520 --> 00:38:46,600
Speaker 13: I was six, you know, not understanding all the way,

1009
00:38:46,600 --> 00:38:49,800
Speaker 13: processing what was going on, and you know, the city

1010
00:38:49,840 --> 00:38:52,000
Speaker 13: around me, the world around me, you know. So to

1011
00:38:52,120 --> 00:38:54,640
Speaker 13: kind of like go back and relivet some of those

1012
00:38:54,640 --> 00:38:56,880
Speaker 13: moments as an adult one was pretty cool because you know,

1013
00:38:56,880 --> 00:38:58,399
Speaker 13: I always wanted to be in that era. I'm amost

1014
00:38:58,440 --> 00:39:00,560
Speaker 13: like this ever, don't deserve y'all need to go to

1015
00:39:00,560 --> 00:39:02,680
Speaker 13: the nineties. I should have been like seventeen eighteen in

1016
00:39:02,680 --> 00:39:05,839
Speaker 13: the nineties, so you know, it was it was dope

1017
00:39:05,880 --> 00:39:07,560
Speaker 13: to go back, but it was also emotional because it

1018
00:39:07,560 --> 00:39:11,360
Speaker 13: made you like realize how much of that is now gone?

1019
00:39:11,719 --> 00:39:15,400
Speaker 13: How much of that have been erased? That vibrants, the color,

1020
00:39:16,160 --> 00:39:18,600
Speaker 13: that mom and pop feeling, like when you used to

1021
00:39:18,600 --> 00:39:21,719
Speaker 13: walk on a block and you know, everybody the sprinklers

1022
00:39:21,760 --> 00:39:23,759
Speaker 13: is out. You know, we lost a lot of that

1023
00:39:24,120 --> 00:39:26,920
Speaker 13: to gentrification and different things like that, and it's just

1024
00:39:26,920 --> 00:39:30,160
Speaker 13: like yeah, and it's just like, you know, to evolve

1025
00:39:30,320 --> 00:39:33,920
Speaker 13: is amazing, of course, but when you want our city

1026
00:39:33,960 --> 00:39:36,520
Speaker 13: and our community to evolve and not have us included

1027
00:39:36,600 --> 00:39:39,920
Speaker 13: and you're pushing us out, it's not beneficial. So all

1028
00:39:39,960 --> 00:39:44,160
Speaker 13: the glass, all the gray less brick, you feel what

1029
00:39:44,200 --> 00:39:46,840
Speaker 13: I'm saying, Like it's cool and all for their aesthetic,

1030
00:39:47,239 --> 00:39:50,600
Speaker 13: but it's like y'all pushing my people out. You feel

1031
00:39:50,600 --> 00:39:50,960
Speaker 13: what I'm saying.

1032
00:39:50,960 --> 00:39:53,239
Speaker 8: You never wanted to get married on the Brownstone the

1033
00:39:53,280 --> 00:39:55,040
Speaker 8: hall because that when I seen it, I'm like, that

1034
00:39:55,280 --> 00:39:55,920
Speaker 8: is Tiana.

1035
00:39:56,160 --> 00:39:57,960
Speaker 13: You know what's crazy? It makes sense though me and

1036
00:39:58,000 --> 00:40:01,960
Speaker 13: Emon got married and Eveland like right, in front of

1037
00:40:01,960 --> 00:40:03,840
Speaker 13: our bathroom where we had JUNI. That was the closest

1038
00:40:03,840 --> 00:40:06,600
Speaker 13: thing because he was playing for the Cavaliers, so it's like, yeah,

1039
00:40:06,640 --> 00:40:09,920
Speaker 13: you know, we're here, so I could see myself doing that.

1040
00:40:10,320 --> 00:40:11,399
Speaker 2: And how was he during the time.

1041
00:40:11,880 --> 00:40:13,520
Speaker 8: How was he during the time when you said you

1042
00:40:13,600 --> 00:40:15,359
Speaker 8: were depressed and you wanted to retire and you felt

1043
00:40:15,400 --> 00:40:18,080
Speaker 8: like people didn't appreciate and respect you because that's the

1044
00:40:18,080 --> 00:40:18,640
Speaker 8: main support.

1045
00:40:18,680 --> 00:40:20,800
Speaker 2: Yeah, of course, mom, Dukes and your hubby.

1046
00:40:21,000 --> 00:40:25,520
Speaker 13: Honestly, it was the hardest for my closest whether it

1047
00:40:25,600 --> 00:40:28,800
Speaker 13: was my mom, my husband, my close my friends, my pops,

1048
00:40:28,840 --> 00:40:32,920
Speaker 13: it was the no, see, my pops is reckless. He

1049
00:40:33,080 --> 00:40:35,560
Speaker 13: liked me, so you're like, man, if you don't want

1050
00:40:35,560 --> 00:40:37,520
Speaker 13: to do it, you ain't gonta do that. Yeah, bowe money.

1051
00:40:38,000 --> 00:40:42,040
Speaker 13: I love that. He's like team Tiana, Like I'm rying

1052
00:40:42,120 --> 00:40:43,759
Speaker 13: with you, you know what I'm saying. Of course he's

1053
00:40:43,760 --> 00:40:46,960
Speaker 13: gonna always give me his honest opinions though exactly. But

1054
00:40:47,040 --> 00:40:49,680
Speaker 13: you need that balance, You need that one that's like, yeah,

1055
00:40:49,680 --> 00:40:52,719
Speaker 13: all right, well cool, we we out, we out, you know.

1056
00:40:52,800 --> 00:40:55,200
Speaker 13: And then you got mom and my husband where they're

1057
00:40:55,280 --> 00:40:58,480
Speaker 13: literally my biggest fan. So to them, I'm like the

1058
00:40:58,640 --> 00:41:02,120
Speaker 13: greatest person in the world, so they can't really see

1059
00:41:02,160 --> 00:41:04,040
Speaker 13: and they hear me. Don't get me wrong, I cry

1060
00:41:04,080 --> 00:41:07,279
Speaker 13: in their arms like they're there one hundred percent, but

1061
00:41:07,320 --> 00:41:09,680
Speaker 13: they want me to, like, you know, keep pushing. But

1062
00:41:09,719 --> 00:41:11,759
Speaker 13: the great thing about it is that supporter is gonna

1063
00:41:11,800 --> 00:41:14,040
Speaker 13: always be there. And like I said, you need that balance,

1064
00:41:14,080 --> 00:41:17,680
Speaker 13: and nobody's gonna ever really see what you see or feel,

1065
00:41:18,200 --> 00:41:21,359
Speaker 13: you know what you feel. So like when I came

1066
00:41:21,400 --> 00:41:23,480
Speaker 13: out and retire, like I locked myself in a room,

1067
00:41:23,560 --> 00:41:25,600
Speaker 13: like nobody even knew I was doing it, but I

1068
00:41:25,640 --> 00:41:27,440
Speaker 13: had hinted towards it, like y'all, I think I'm ready

1069
00:41:27,480 --> 00:41:29,279
Speaker 13: to die, and it was kind of like, no, tan

1070
00:41:29,680 --> 00:41:31,920
Speaker 13: you too, fire for all that, and then one day

1071
00:41:31,960 --> 00:41:33,680
Speaker 13: I'm like, you know what, I gotta do, what I

1072
00:41:33,680 --> 00:41:35,920
Speaker 13: gotta do, And I walked into a room and I

1073
00:41:36,000 --> 00:41:38,399
Speaker 13: went live and all my family watching from a different

1074
00:41:38,440 --> 00:41:39,879
Speaker 13: room and didn't even know that I was going live

1075
00:41:40,640 --> 00:41:42,240
Speaker 13: to do it, but it was something that I needed

1076
00:41:42,280 --> 00:41:44,600
Speaker 13: to do for me, you know, like I didn't need

1077
00:41:44,719 --> 00:41:48,080
Speaker 13: any other outside noise, even from the closest people to me.

1078
00:41:48,160 --> 00:41:50,319
Speaker 13: I didn't need that. I needed to go and like

1079
00:41:50,480 --> 00:41:54,120
Speaker 13: follow my heart, you know, and follow what I felt

1080
00:41:54,160 --> 00:41:57,239
Speaker 13: like my higher path was, which wound up being one

1081
00:41:57,280 --> 00:41:59,000
Speaker 13: of the best decisions in my life, because you know,

1082
00:41:59,120 --> 00:42:01,840
Speaker 13: for a minute, everything was like the music was an

1083
00:42:01,880 --> 00:42:03,960
Speaker 13: indoor b all, but like, nah, nah, this's got a

1084
00:42:04,000 --> 00:42:06,480
Speaker 13: hold off because like when this album drop, you know

1085
00:42:06,480 --> 00:42:08,520
Speaker 13: how that music go and it kind of takes up

1086
00:42:09,200 --> 00:42:11,840
Speaker 13: a lot of your world, you know, And I was

1087
00:42:11,840 --> 00:42:14,160
Speaker 13: ready to do other things that I love that I

1088
00:42:14,160 --> 00:42:17,239
Speaker 13: felt like had been put on a back burner, you know,

1089
00:42:17,320 --> 00:42:20,120
Speaker 13: And I feel like I was ready for this moment.

1090
00:42:20,160 --> 00:42:21,600
Speaker 13: I had done a lot of movies ready, but it

1091
00:42:21,640 --> 00:42:23,880
Speaker 13: was always like dance movies or like I was this

1092
00:42:24,000 --> 00:42:25,840
Speaker 13: sexy girl, I was the hot girl, and it was

1093
00:42:25,920 --> 00:42:29,040
Speaker 13: like nah, like I'm I'm ready to evolve. I'm ready

1094
00:42:29,040 --> 00:42:33,560
Speaker 13: to really bask, you know. In My True Journey, we got.

1095
00:42:33,440 --> 00:42:35,520
Speaker 8: More with Tianna Taylor. When we come back, don't Move.

1096
00:42:35,560 --> 00:42:36,399
Speaker 8: It's to Breakfast Club.

1097
00:42:36,400 --> 00:42:36,840
Speaker 2: Good morning.

1098
00:42:37,000 --> 00:42:40,319
Speaker 8: Everybody is dej n V Charlamagne, the guy we are

1099
00:42:40,360 --> 00:42:42,560
Speaker 8: the Breakfast Club was still kicking in with Tianna Taylor.

1100
00:42:42,640 --> 00:42:46,360
Speaker 2: Now you said unappreciated, right, Yeah? Who made you feel

1101
00:42:46,360 --> 00:42:46,640
Speaker 2: that way?

1102
00:42:46,719 --> 00:42:46,839
Speaker 9: Right?

1103
00:42:46,840 --> 00:42:49,440
Speaker 8: Because if you look at the music, your fans supported you, right,

1104
00:42:49,520 --> 00:42:51,880
Speaker 8: all your shows were sold out. I mean, you had

1105
00:42:51,880 --> 00:42:53,759
Speaker 8: a good time on shows and you have so many

1106
00:42:53,760 --> 00:42:57,520
Speaker 8: people that come support you. So what made you feel underappreciated?

1107
00:42:57,760 --> 00:43:00,520
Speaker 8: Like what accolades? Because you were sold out, people loved you.

1108
00:43:00,800 --> 00:43:03,439
Speaker 8: Nobody ever came you. Never everybody said that your music

1109
00:43:03,760 --> 00:43:06,319
Speaker 8: was trash. They loved your music, So what was it?

1110
00:43:06,560 --> 00:43:09,560
Speaker 13: But like, just imagine if all of that was happening

1111
00:43:10,040 --> 00:43:13,400
Speaker 13: with nothing. Imagine all of that with the proper push,

1112
00:43:13,760 --> 00:43:17,680
Speaker 13: proper promo, proper machine doing what they have to do

1113
00:43:18,160 --> 00:43:20,120
Speaker 13: for you. You know what I'm saying, Like I've been

1114
00:43:20,560 --> 00:43:22,720
Speaker 13: me It's like I was just signed to a record label.

1115
00:43:22,760 --> 00:43:25,920
Speaker 13: I've been in positions and around people that could really

1116
00:43:26,800 --> 00:43:28,960
Speaker 13: make shit go. You know what I'm saying. And we've

1117
00:43:29,040 --> 00:43:33,360
Speaker 13: even spoken about it, Like you know that time me

1118
00:43:33,520 --> 00:43:36,640
Speaker 13: as an artist deserved way more. As you know, the

1119
00:43:36,760 --> 00:43:39,560
Speaker 13: sold out shows was the hard work that I put in,

1120
00:43:39,600 --> 00:43:41,560
Speaker 13: and I feel like it was almost like that core

1121
00:43:41,719 --> 00:43:44,399
Speaker 13: fan base that just kind of always stayed with me.

1122
00:43:44,640 --> 00:43:47,400
Speaker 13: But it is hurtful to hear, like yo, like I

1123
00:43:47,480 --> 00:43:49,640
Speaker 13: just wish she had a better I just wish she

1124
00:43:49,719 --> 00:43:52,760
Speaker 13: had I just wish, you know, she had a bigger push,

1125
00:43:52,840 --> 00:43:54,520
Speaker 13: Like you know, it's just a lot of different things.

1126
00:43:54,520 --> 00:43:56,839
Speaker 13: I remember when I put out Gonna let Me Damn

1127
00:43:56,880 --> 00:43:59,839
Speaker 13: It independently, I caught Charlotte, I'm like, yo, I got

1128
00:43:59,840 --> 00:44:04,799
Speaker 13: this remix. Well, Wu Tang were dropping it what we're

1129
00:44:04,800 --> 00:44:07,879
Speaker 13: doing exactly. And at that point I couldn't even really

1130
00:44:07,920 --> 00:44:09,680
Speaker 13: get cleared for a video budget.

1131
00:44:09,320 --> 00:44:09,480
Speaker 14: You know.

1132
00:44:09,560 --> 00:44:11,319
Speaker 13: And I remember when we when we put that out,

1133
00:44:11,600 --> 00:44:13,520
Speaker 13: they wound up clearing me for a little video budget.

1134
00:44:13,520 --> 00:44:16,879
Speaker 13: It was something small, but like that one small yes though,

1135
00:44:16,920 --> 00:44:18,920
Speaker 13: which I'm still grateful for because that one small yes

1136
00:44:19,000 --> 00:44:21,960
Speaker 13: open up the door for bigger, bigger budgets. And when

1137
00:44:22,000 --> 00:44:23,279
Speaker 13: it was time to do my other videos, and that's

1138
00:44:23,280 --> 00:44:25,680
Speaker 13: when I really got into my directors heavy because I

1139
00:44:25,760 --> 00:44:28,160
Speaker 13: knew that I was able to, you know, tell a story.

1140
00:44:28,400 --> 00:44:31,280
Speaker 6: It's crazy because there's probably artist who might have went platinum,

1141
00:44:31,320 --> 00:44:34,360
Speaker 6: double platinum, whatever, but they don't get the respect deserve

1142
00:44:35,360 --> 00:44:36,759
Speaker 6: at them and be like that's a talented yeah.

1143
00:44:36,760 --> 00:44:38,680
Speaker 13: But it was also from it was also from Pairs too.

1144
00:44:38,840 --> 00:44:41,360
Speaker 13: You gotta understand one thing y'all know about Tiana, and

1145
00:44:41,360 --> 00:44:42,480
Speaker 13: this is why I see so much of myself and

1146
00:44:42,520 --> 00:44:47,560
Speaker 13: our naz Is. Tiana shows up for everybody, everybody, whether

1147
00:44:47,560 --> 00:44:52,080
Speaker 13: it's through radio, you know, other singers, rappers, whether I'm

1148
00:44:52,080 --> 00:44:55,480
Speaker 13: doing people's video, I'm styling people, I'm creative directing, like

1149
00:44:55,520 --> 00:44:58,560
Speaker 13: I show up for everybody in the midst of still

1150
00:44:58,560 --> 00:45:00,879
Speaker 13: trying to be an artist myself, which is hard to do.

1151
00:45:01,200 --> 00:45:02,600
Speaker 13: A lot of people feel like now it's either me

1152
00:45:03,239 --> 00:45:05,399
Speaker 13: or it's either them. And you know, I've been very

1153
00:45:05,520 --> 00:45:09,560
Speaker 13: selfless within my career, and you know a lot of

1154
00:45:10,160 --> 00:45:13,520
Speaker 13: me showing up just wasn't being reciprocated. So that was

1155
00:45:13,560 --> 00:45:16,160
Speaker 13: the part of feeling unappreciated, you know what I'm saying,

1156
00:45:16,200 --> 00:45:19,160
Speaker 13: and you know, just feeling like, damn, it could be

1157
00:45:19,239 --> 00:45:23,320
Speaker 13: more like I'm literally doing everything for everybody. I'm being

1158
00:45:23,360 --> 00:45:26,439
Speaker 13: suck drive my creativity and when I need some water

1159
00:45:26,600 --> 00:45:28,759
Speaker 13: and you know, it ain't no more water left than

1160
00:45:28,800 --> 00:45:30,799
Speaker 13: a bottle, or it's quiet, you know what I'm saying,

1161
00:45:30,920 --> 00:45:33,520
Speaker 13: Like everybody need everything from me and I do it.

1162
00:45:33,800 --> 00:45:36,920
Speaker 5: How how much did you drain yourself though a lot?

1163
00:45:37,080 --> 00:45:40,360
Speaker 13: My cup was empty by the time I finally got

1164
00:45:40,360 --> 00:45:43,400
Speaker 13: on Live and said I'm going to retire, I was empty.

1165
00:45:44,040 --> 00:45:53,480
Speaker 13: I was empty. And I remember really just asking God, like, okay,

1166
00:45:53,520 --> 00:45:56,239
Speaker 13: what is my higher purpose? Like what do you want

1167
00:45:56,280 --> 00:45:58,839
Speaker 13: me to do what is my job so I can

1168
00:45:58,880 --> 00:46:01,680
Speaker 13: get that done, you know. And I realized because I

1169
00:46:01,760 --> 00:46:03,960
Speaker 13: always been a helpful person since I was fifteen. I've

1170
00:46:03,960 --> 00:46:07,919
Speaker 13: been choreographing, creative, directing, styling, you know what I'm saying.

1171
00:46:07,960 --> 00:46:10,279
Speaker 13: So it's just like for me, I have a real

1172
00:46:10,360 --> 00:46:14,200
Speaker 13: love of helping other artists and helping develop other artists.

1173
00:46:14,239 --> 00:46:16,319
Speaker 13: I think that's why I was hurtful, Like when you

1174
00:46:16,400 --> 00:46:18,600
Speaker 13: see a lot of people that you work with not

1175
00:46:18,600 --> 00:46:21,560
Speaker 13: really reciprocate the love. I see more love after I

1176
00:46:21,640 --> 00:46:23,440
Speaker 13: retire than I did before I retire.

1177
00:46:23,560 --> 00:46:24,520
Speaker 5: She's not a threat no more.

1178
00:46:24,600 --> 00:46:26,400
Speaker 2: She's going Yeah, it's like, oh my god, you was

1179
00:46:26,440 --> 00:46:27,240
Speaker 2: such an inspiration.

1180
00:46:27,320 --> 00:46:29,480
Speaker 13: Da da da, And it's like, baby, but where was

1181
00:46:29,520 --> 00:46:30,919
Speaker 13: that when I asked you to get on this record,

1182
00:46:30,960 --> 00:46:32,399
Speaker 13: or where was this when I you know what I'm saying,

1183
00:46:32,440 --> 00:46:34,600
Speaker 13: like when I was just you know, but me, you know,

1184
00:46:34,680 --> 00:46:37,640
Speaker 13: I keep it graceful like I don't. It's no reason

1185
00:46:37,760 --> 00:46:40,840
Speaker 13: to be upset about things that you cannot control. You

1186
00:46:40,840 --> 00:46:42,440
Speaker 13: got to keep it pushing. And that's what I did.

1187
00:46:42,480 --> 00:46:45,880
Speaker 13: I made myself a glade plugging Like why only be

1188
00:46:45,920 --> 00:46:46,760
Speaker 13: plugged in the bathroom?

1189
00:46:46,840 --> 00:46:48,360
Speaker 2: Yeah, I'm glad plugging.

1190
00:46:48,360 --> 00:46:49,759
Speaker 13: Why I don't be plugged in the bathroom when I

1191
00:46:49,800 --> 00:46:51,640
Speaker 13: could smell the foods in my label, or throughout the house,

1192
00:46:51,760 --> 00:46:53,399
Speaker 13: or plug anyway you.

1193
00:46:53,360 --> 00:46:54,600
Speaker 2: See a socket, I'm plugged.

1194
00:46:55,280 --> 00:46:57,319
Speaker 13: That's it, you feel me. But that's when, that's when

1195
00:46:57,360 --> 00:46:59,320
Speaker 13: you could just smell. You start smelling your own roses,

1196
00:46:59,320 --> 00:47:01,200
Speaker 13: and you ain't got to look for anybody else to

1197
00:47:01,239 --> 00:47:02,880
Speaker 13: do that for you. You know what I'm saying. And

1198
00:47:02,920 --> 00:47:04,960
Speaker 13: that's where I am. You know where I am now.

1199
00:47:05,000 --> 00:47:07,400
Speaker 13: And I was able to pour all of those nose,

1200
00:47:07,840 --> 00:47:11,319
Speaker 13: all of the pain, all of the hurt into this one. Yes,

1201
00:47:12,040 --> 00:47:13,480
Speaker 13: And I knew that I had a point to prove,

1202
00:47:13,520 --> 00:47:15,040
Speaker 13: and I knew that I was willing to do the work.

1203
00:47:15,200 --> 00:47:18,319
Speaker 8: Ow nerve wracking was shooting this movie because you don't

1204
00:47:18,320 --> 00:47:20,520
Speaker 8: have a part in the movie. The movie is all

1205
00:47:20,560 --> 00:47:23,360
Speaker 8: about you, so it's so many different emotions. How nervous

1206
00:47:23,400 --> 00:47:24,759
Speaker 8: did you get with filming that? And how long did

1207
00:47:24,760 --> 00:47:24,960
Speaker 8: it take?

1208
00:47:25,000 --> 00:47:25,120
Speaker 1: The long?

1209
00:47:25,160 --> 00:47:25,839
Speaker 9: Oh my god?

1210
00:47:26,000 --> 00:47:30,799
Speaker 13: Honestly, me and av the writer and director, we did

1211
00:47:30,840 --> 00:47:35,560
Speaker 13: a lot of layering with Dynaz and we color coordinated

1212
00:47:35,640 --> 00:47:42,120
Speaker 13: her layers so like pink was for vulnerability and blue

1213
00:47:42,120 --> 00:47:44,160
Speaker 13: may have been for her inner child, and I'm sorry.

1214
00:47:44,200 --> 00:47:47,080
Speaker 13: Blue may have been for her being cold, Green may

1215
00:47:47,080 --> 00:47:48,800
Speaker 13: have been for her inner child, and red may have

1216
00:47:48,880 --> 00:47:51,120
Speaker 13: been for her anger. So by the time we got

1217
00:47:51,120 --> 00:47:53,920
Speaker 13: done workshopping, I had a rainbow script, you know, so

1218
00:47:53,960 --> 00:47:56,440
Speaker 13: I was able to know what emotion to jump and

1219
00:47:56,520 --> 00:47:58,560
Speaker 13: it was a perfect shorthand for us to kind of like, Okay,

1220
00:47:58,600 --> 00:48:01,560
Speaker 13: we on set and this scene you may be blue

1221
00:48:01,600 --> 00:48:05,080
Speaker 13: and pink today. So then you see the scene with

1222
00:48:05,120 --> 00:48:06,840
Speaker 13: the with the cup of noodles. How I'm able to

1223
00:48:07,840 --> 00:48:09,759
Speaker 13: laugh but like cry at the same time.

1224
00:48:11,280 --> 00:48:12,120
Speaker 2: No, for real, like.

1225
00:48:12,120 --> 00:48:16,320
Speaker 13: Don't you know what I'm saying, Like, and it's crazy

1226
00:48:16,360 --> 00:48:18,959
Speaker 13: because I want to say I shot that scene coming

1227
00:48:19,000 --> 00:48:21,480
Speaker 13: straight from my lunch break, but during my lunch break,

1228
00:48:21,480 --> 00:48:24,799
Speaker 13: I had just attended the funeral, so I was I

1229
00:48:24,840 --> 00:48:27,560
Speaker 13: wasn't nervous. Remember I told you earlier. Inez was my outlet.

1230
00:48:27,640 --> 00:48:30,520
Speaker 13: She was my therapy, you know. And I know you

1231
00:48:30,520 --> 00:48:32,480
Speaker 13: you're big on mental health and different things like that,

1232
00:48:32,600 --> 00:48:36,000
Speaker 13: So you know, I was using a naz to cry

1233
00:48:36,040 --> 00:48:39,480
Speaker 13: out loud because I knew that once av yelled cut

1234
00:48:39,640 --> 00:48:41,560
Speaker 13: get home at the end of the day and really

1235
00:48:41,600 --> 00:48:43,720
Speaker 13: throw that cap back on the same thing that Batman

1236
00:48:43,800 --> 00:48:45,200
Speaker 13: do when you go home and take his cable. He

1237
00:48:45,200 --> 00:48:45,920
Speaker 13: may be bruised up.

1238
00:48:46,480 --> 00:48:47,120
Speaker 5: Say that for me.

1239
00:48:47,600 --> 00:48:49,759
Speaker 6: When I hear that, I'll be like, man, what I try,

1240
00:48:49,800 --> 00:48:51,600
Speaker 6: What I want to do is how do we help

1241
00:48:51,680 --> 00:48:53,799
Speaker 6: black women not always have to put the cape on?

1242
00:48:54,040 --> 00:48:55,560
Speaker 5: Exactly? You don't want to put the cape on?

1243
00:48:55,600 --> 00:49:00,279
Speaker 13: And that And I mentioned that earlier, like we're strong

1244
00:49:00,440 --> 00:49:02,600
Speaker 13: and ninety nine percent of the time and it is

1245
00:49:02,680 --> 00:49:05,160
Speaker 13: not by choice. So yeah, me look at it. Yeah,

1246
00:49:05,200 --> 00:49:07,200
Speaker 13: this is a strong Black woman. That's why I said

1247
00:49:07,400 --> 00:49:10,760
Speaker 13: to be I Naz and to be weak for twelve

1248
00:49:10,840 --> 00:49:13,359
Speaker 13: hours was the most amazing feeling. When I say week,

1249
00:49:13,360 --> 00:49:15,799
Speaker 13: I don't mean like literally weak, but just to have

1250
00:49:15,840 --> 00:49:19,600
Speaker 13: a moment of weakness, to just be able to exhale.

1251
00:49:19,760 --> 00:49:20,040
Speaker 9: Wow.

1252
00:49:20,320 --> 00:49:22,759
Speaker 13: You know, like that is a lot because we are

1253
00:49:22,760 --> 00:49:26,640
Speaker 13: forced to be strong until it's against We're forced to

1254
00:49:26,680 --> 00:49:28,479
Speaker 13: be strong for others until it sounded to be strong

1255
00:49:28,520 --> 00:49:30,800
Speaker 13: for ourselves. And that's why I could connect with it.

1256
00:49:31,239 --> 00:49:34,520
Speaker 13: Wasn't a bit of nervousness in my heart to play

1257
00:49:34,520 --> 00:49:36,040
Speaker 13: on nes because I knew I had a story to

1258
00:49:36,040 --> 00:49:37,480
Speaker 13: tell through our Naz and our Nats had a story

1259
00:49:37,520 --> 00:49:40,040
Speaker 13: to tell through me, you know, So I was in

1260
00:49:40,120 --> 00:49:45,360
Speaker 13: her skin. We were like two souls in one body.

1261
00:49:45,520 --> 00:49:47,600
Speaker 8: Was what was the most difficult part of that movie,

1262
00:49:47,640 --> 00:49:48,600
Speaker 8: if there was any, you know, it.

1263
00:49:48,560 --> 00:49:50,120
Speaker 5: Wasn't even them noodles, I'll tell you that much.

1264
00:49:50,120 --> 00:49:50,839
Speaker 2: We say so much.

1265
00:49:52,640 --> 00:49:56,560
Speaker 13: We seen the head and that was tell an afternoons cold,

1266
00:49:57,440 --> 00:49:59,920
Speaker 13: but it looked like it was hot.

1267
00:50:01,040 --> 00:50:04,640
Speaker 8: Yeah, what was the most difficult part, if any.

1268
00:50:04,640 --> 00:50:08,040
Speaker 13: The most difficult part was I think raising my three

1269
00:50:08,040 --> 00:50:13,600
Speaker 13: sons and you know, acting out the different layers of

1270
00:50:13,600 --> 00:50:16,719
Speaker 13: oz because we don't shoot in order, so like one

1271
00:50:16,760 --> 00:50:20,640
Speaker 13: day I'm twenty two year old, vibrant inaz thick ass accent,

1272
00:50:21,160 --> 00:50:23,480
Speaker 13: you know, next day I'm thirty four years barely got

1273
00:50:23,480 --> 00:50:26,000
Speaker 13: a voice. But it was really eye opening to see

1274
00:50:26,239 --> 00:50:29,120
Speaker 13: what a single mother go through because being a mom

1275
00:50:29,600 --> 00:50:32,800
Speaker 13: is a It's the biggest job. Even with the partner,

1276
00:50:32,840 --> 00:50:36,640
Speaker 13: even with the husband, it's the biggest job. Especially women

1277
00:50:36,719 --> 00:50:40,960
Speaker 13: with girls. You know, it's harder because they're mommy girls

1278
00:50:40,960 --> 00:50:44,000
Speaker 13: and they want to do what mommy's doing. You know,

1279
00:50:44,120 --> 00:50:46,680
Speaker 13: it's it's it's it's a bigger job. It's the biggest job.

1280
00:50:46,840 --> 00:50:48,520
Speaker 13: I don't care what nobody to say. It's the biggest job.

1281
00:50:48,800 --> 00:50:49,560
Speaker 2: All right, Well, don't move.

1282
00:50:49,600 --> 00:50:51,400
Speaker 8: We got more with Tianna Taylor when we come back,

1283
00:50:51,440 --> 00:50:55,560
Speaker 8: it's the Breakfast Club. Good morning, Everybody's dj n V. Charlomagne,

1284
00:50:55,560 --> 00:50:57,560
Speaker 8: the guy we are the Breakfast Club was still kicking

1285
00:50:57,600 --> 00:50:59,600
Speaker 8: in with Tiana Taylor Charlamagne.

1286
00:50:59,320 --> 00:51:01,600
Speaker 6: When you you know in the movie, there's a point

1287
00:51:01,600 --> 00:51:04,040
Speaker 6: where that she has to let her son go, right

1288
00:51:04,600 --> 00:51:06,279
Speaker 6: that makes you think about you know, at some point

1289
00:51:06,360 --> 00:51:07,880
Speaker 6: you're gonna have to let your daughters go.

1290
00:51:08,120 --> 00:51:13,399
Speaker 13: And I think about that often. And Junie's only seven

1291
00:51:13,560 --> 00:51:16,960
Speaker 13: and Rules only three, and I'm just like, uhh, yeah,

1292
00:51:16,960 --> 00:51:19,759
Speaker 13: I'm like I don't like that. That's why I'm like

1293
00:51:20,200 --> 00:51:23,400
Speaker 13: trying to give them that independence to be able to

1294
00:51:23,560 --> 00:51:27,960
Speaker 13: express themselves, that freedom, you know that because kids need

1295
00:51:28,040 --> 00:51:29,480
Speaker 13: that too. And people think because their kids are not

1296
00:51:29,600 --> 00:51:32,319
Speaker 13: allowed to express themselves and have feelings. And I want

1297
00:51:32,360 --> 00:51:34,319
Speaker 13: them to because when you do get older, I want

1298
00:51:34,320 --> 00:51:35,800
Speaker 13: you to feel like you don't got to leave me.

1299
00:51:36,880 --> 00:51:41,279
Speaker 2: You tell mammy anything, you know, stay here for as

1300
00:51:41,320 --> 00:51:42,080
Speaker 2: long as you want.

1301
00:51:42,000 --> 00:51:44,080
Speaker 13: As long as you want. Ain't ain't no rush.

1302
00:51:44,239 --> 00:51:46,320
Speaker 8: I was asking you there was one part where you

1303
00:51:46,480 --> 00:51:50,120
Speaker 8: push your friend's moms. Yeah, she should have beat you up,

1304
00:51:50,160 --> 00:51:51,560
Speaker 8: though she definitely.

1305
00:51:52,600 --> 00:51:56,320
Speaker 13: Definitely should not have a push them I wouldn't have

1306
00:51:56,360 --> 00:51:59,480
Speaker 13: done nothing like that. However, you are not going to

1307
00:51:59,560 --> 00:52:01,440
Speaker 13: call me a she. I think it was really her

1308
00:52:01,520 --> 00:52:04,319
Speaker 13: at the house trying to do right.

1309
00:52:05,040 --> 00:52:06,239
Speaker 2: How I literally came in.

1310
00:52:06,280 --> 00:52:08,800
Speaker 13: From finding work and you down my throat? Can you

1311
00:52:09,000 --> 00:52:10,400
Speaker 13: I remember I was crying that person. I'm like, yo,

1312
00:52:10,440 --> 00:52:13,080
Speaker 13: can you pleas acknowledge me trying to have that moment

1313
00:52:13,120 --> 00:52:15,480
Speaker 13: of vulnerability. This is the point, this is the problem.

1314
00:52:15,560 --> 00:52:18,920
Speaker 13: Now we're too forced into having to go into survival

1315
00:52:19,000 --> 00:52:22,040
Speaker 13: mode because she was vulnerable before she went into survival mode,

1316
00:52:22,640 --> 00:52:24,719
Speaker 13: and it was and it was once again, it was

1317
00:52:24,760 --> 00:52:27,600
Speaker 13: not the right decision at all, wasn't the right thing

1318
00:52:27,719 --> 00:52:30,000
Speaker 13: to do. But her head just wasn't in that space.

1319
00:52:30,040 --> 00:52:32,480
Speaker 13: She was in survival mode. She had never been loved,

1320
00:52:32,520 --> 00:52:34,759
Speaker 13: she never had a mom, she never been seeing She

1321
00:52:34,880 --> 00:52:37,040
Speaker 13: don't know nobody sat like, I got no damn home training.

1322
00:52:37,160 --> 00:52:40,440
Speaker 2: She literally don't. She has no home to train in.

1323
00:52:41,920 --> 00:52:43,680
Speaker 6: But that's why I say you shouldn't judge people based

1324
00:52:43,719 --> 00:52:45,160
Speaker 6: off what they do in survival mode.

1325
00:52:45,239 --> 00:52:46,640
Speaker 13: Exactly exactly.

1326
00:52:46,880 --> 00:52:48,680
Speaker 2: I was gonna ask, so all you done? Reality TV?

1327
00:52:48,719 --> 00:52:49,040
Speaker 2: That's done?

1328
00:52:49,040 --> 00:52:50,720
Speaker 8: Because I remember one time your family was on reality

1329
00:52:50,800 --> 00:52:52,280
Speaker 8: TV and we got to see it twice.

1330
00:52:52,440 --> 00:52:57,080
Speaker 13: Yeah, for v H one and E. I'm thinking about it,

1331
00:52:57,160 --> 00:52:59,239
Speaker 13: but this time, if I do it, it's going to

1332
00:52:59,280 --> 00:53:03,320
Speaker 13: be on my Yeah, my own network, you know what

1333
00:53:03,360 --> 00:53:06,520
Speaker 13: I'm saying. Like for me, it's just we busy in

1334
00:53:06,640 --> 00:53:09,439
Speaker 13: real life. Majority of the times, people don't even see

1335
00:53:09,480 --> 00:53:12,200
Speaker 13: me anym on together. Like he's literally Chicago doing the

1336
00:53:12,239 --> 00:53:13,880
Speaker 13: shaw I'm literally out here doing the press from like

1337
00:53:13,920 --> 00:53:18,000
Speaker 13: we are like literally famouside. We are that family that's

1338
00:53:18,120 --> 00:53:21,440
Speaker 13: literally a working family, including Junior. So she got billboards,

1339
00:53:21,600 --> 00:53:24,680
Speaker 13: like we're literally a working family, you know. So it's

1340
00:53:24,719 --> 00:53:28,320
Speaker 13: like for reality TV, even though they say it's your reality.

1341
00:53:28,640 --> 00:53:30,600
Speaker 13: And I loved working with both VH one and E

1342
00:53:31,520 --> 00:53:33,960
Speaker 13: and they loved us, you know, and I appreciate their

1343
00:53:33,960 --> 00:53:36,440
Speaker 13: support even to this day. They always showing love. But

1344
00:53:36,880 --> 00:53:40,359
Speaker 13: even within reality, it's still not really a reality if

1345
00:53:40,480 --> 00:53:43,040
Speaker 13: it's a certain type schedule, you know. And due to

1346
00:53:43,080 --> 00:53:45,439
Speaker 13: COVID made it hard too, Like they can't just come

1347
00:53:45,840 --> 00:53:47,359
Speaker 13: on my movie set, you know what I'm saying. They

1348
00:53:47,400 --> 00:53:50,000
Speaker 13: can't just come on the set of The Shah. Like

1349
00:53:50,320 --> 00:53:52,480
Speaker 13: it was really tough. So it's almost like we were

1350
00:53:52,520 --> 00:53:54,000
Speaker 13: in a relationship with them. It's like we when y'all

1351
00:53:54,040 --> 00:53:55,759
Speaker 13: gonna make time for us, you know. And it's just

1352
00:53:55,840 --> 00:53:57,680
Speaker 13: like we got to do the things that make y'all

1353
00:53:57,760 --> 00:53:59,879
Speaker 13: love us to want to be able to follow our life,

1354
00:54:00,320 --> 00:54:02,480
Speaker 13: you get what I'm saying. Like we got a family

1355
00:54:02,560 --> 00:54:03,840
Speaker 13: to raise, so I think it was just like a

1356
00:54:04,160 --> 00:54:08,520
Speaker 13: clash in scheduling and honestly with working with the real

1357
00:54:08,560 --> 00:54:10,720
Speaker 13: I want to really make sure I got the space

1358
00:54:10,760 --> 00:54:12,919
Speaker 13: and opportunity to really give them that. Like I feel

1359
00:54:12,920 --> 00:54:15,160
Speaker 13: like we wasn't able to like give them all of us,

1360
00:54:15,320 --> 00:54:17,799
Speaker 13: you know, even just the bare minimum. We weren't able

1361
00:54:17,880 --> 00:54:19,719
Speaker 13: to like give them. Look how many people love the show.

1362
00:54:19,719 --> 00:54:22,680
Speaker 13: Imagine they would have had one hundred percent of the jumper,

1363
00:54:22,760 --> 00:54:24,120
Speaker 13: do you know what I'm saying. But it's just like

1364
00:54:24,440 --> 00:54:26,360
Speaker 13: we were just extremely busy. We were never in the

1365
00:54:26,440 --> 00:54:28,560
Speaker 13: same place. So even that costs a lot of money

1366
00:54:28,880 --> 00:54:30,400
Speaker 13: to send a camera cool with the mons and a

1367
00:54:30,440 --> 00:54:31,920
Speaker 13: camera coop with me, to send a chemic cool with

1368
00:54:31,960 --> 00:54:33,640
Speaker 13: my mom when she got to take JUNI to her

1369
00:54:33,800 --> 00:54:35,719
Speaker 13: job because I got to work over here. Like that

1370
00:54:36,120 --> 00:54:38,680
Speaker 13: just a lot in doing it through COVID was the craziest.

1371
00:54:38,719 --> 00:54:40,720
Speaker 13: So it's like I and I loved it though I want.

1372
00:54:40,560 --> 00:54:42,479
Speaker 6: To see you know, I want to see Tianna Taylor

1373
00:54:42,600 --> 00:54:43,920
Speaker 6: in front of the camera, and I want to see

1374
00:54:43,960 --> 00:54:45,240
Speaker 6: her with big budgets.

1375
00:54:44,920 --> 00:54:47,440
Speaker 13: Shooting, and that's why we have to make executive decisions.

1376
00:54:47,480 --> 00:54:50,160
Speaker 13: And you see, that's what I'm doing right now once again,

1377
00:54:50,239 --> 00:54:52,400
Speaker 13: just like music, just putting certain things on a standstill.

1378
00:54:52,400 --> 00:54:54,600
Speaker 13: And I look at all these different things like college.

1379
00:54:54,640 --> 00:54:56,319
Speaker 13: You know, it'll always be there for you when you're

1380
00:54:56,320 --> 00:54:58,280
Speaker 13: ready to matter what age, I can make a beautiful

1381
00:54:58,320 --> 00:55:00,239
Speaker 13: song at sixty, you know what I'm saying. I make

1382
00:55:00,280 --> 00:55:02,200
Speaker 13: a reality. I can come back at any time. But

1383
00:55:02,320 --> 00:55:04,520
Speaker 13: right now, I want to focus on where I'm loved,

1384
00:55:04,520 --> 00:55:06,839
Speaker 13: where I'm appreciating, where I'm seen, and where I'm heard.

1385
00:55:07,080 --> 00:55:09,600
Speaker 13: And I feel like mentally, emotionally, I was really heard

1386
00:55:09,640 --> 00:55:11,840
Speaker 13: through this movie. So to honestly get all the support

1387
00:55:11,920 --> 00:55:13,960
Speaker 13: and love from this is amazing.

1388
00:55:14,280 --> 00:55:16,520
Speaker 5: What does success look like for you when it comes

1389
00:55:16,560 --> 00:55:17,560
Speaker 5: to one thousand and one.

1390
00:55:18,040 --> 00:55:20,200
Speaker 13: It looked like this for me. You know, I don't

1391
00:55:20,320 --> 00:55:23,560
Speaker 13: require a lot, you know, I think the awards and

1392
00:55:23,719 --> 00:55:27,960
Speaker 13: being rewarded is amazing, But the biggest reward is the

1393
00:55:28,080 --> 00:55:31,320
Speaker 13: prayers that are answered, the blessings. You know, to be

1394
00:55:31,480 --> 00:55:34,560
Speaker 13: able to go from a lot of no's to one

1395
00:55:34,600 --> 00:55:37,480
Speaker 13: little yes that would change your world is enough for me,

1396
00:55:37,840 --> 00:55:41,160
Speaker 13: you know. So like the Oscar buzz and if there

1397
00:55:41,280 --> 00:55:44,080
Speaker 13: is an Oscar nomination in the future or any award

1398
00:55:44,160 --> 00:55:47,120
Speaker 13: nomination in the future, I'm grateful for that, and of

1399
00:55:47,200 --> 00:55:49,520
Speaker 13: course we want to you know, manifest it and claim it.

1400
00:55:49,640 --> 00:55:52,920
Speaker 13: But like that's not really like my headspace. My headspaces

1401
00:55:52,960 --> 00:55:55,680
Speaker 13: that I was able to one get this therapy very

1402
00:55:55,760 --> 00:55:59,839
Speaker 13: much heeded therapy, very much needed healing and being able

1403
00:55:59,840 --> 00:56:01,600
Speaker 13: to being able to really show what I can do.

1404
00:56:01,760 --> 00:56:04,400
Speaker 13: And now they're no longer hitting the snooze button, you

1405
00:56:04,440 --> 00:56:06,640
Speaker 13: know what I'm saying, Like everybody's woke, and I love that.

1406
00:56:06,840 --> 00:56:08,640
Speaker 2: I know you gotta go, but just got to ask,

1407
00:56:08,640 --> 00:56:10,600
Speaker 2: white man can't jump, what's your part in that?

1408
00:56:11,760 --> 00:56:16,680
Speaker 13: I am sin Qua's wife. I'm the lead's wife. Round

1409
00:56:16,719 --> 00:56:17,960
Speaker 13: away girl, you know, just just.

1410
00:56:17,960 --> 00:56:19,800
Speaker 8: Don't playing no ball because've seeen how you you almost

1411
00:56:19,840 --> 00:56:21,839
Speaker 8: did justin Bieber and that that celebrity basketball game.

1412
00:56:21,920 --> 00:56:23,560
Speaker 13: Yeah, no, I'm not playing no ball. And I'm actually

1413
00:56:23,600 --> 00:56:26,160
Speaker 13: I'm doing here, doing here out of my house like real,

1414
00:56:26,480 --> 00:56:30,520
Speaker 13: just like day one down ass wife, raising our son,

1415
00:56:30,640 --> 00:56:32,279
Speaker 13: trying to get it popping. So I'm even excited about

1416
00:56:32,280 --> 00:56:34,080
Speaker 13: that because it's like three different, three different roles. I

1417
00:56:34,080 --> 00:56:35,040
Speaker 13: have another movie coming out to.

1418
00:56:39,000 --> 00:56:40,120
Speaker 2: That was aki thing.

1419
00:56:40,239 --> 00:56:43,880
Speaker 13: Yeah, but it's it's really cute because it's two different characters,

1420
00:56:43,960 --> 00:56:45,839
Speaker 13: you know what I'm saying, But it's three movies. It's

1421
00:56:45,920 --> 00:56:47,920
Speaker 13: it's one thousand and one White Man Can't Jump in

1422
00:56:48,000 --> 00:56:50,840
Speaker 13: a Book of Clarence, which is a biblical film, September

1423
00:56:50,920 --> 00:56:55,879
Speaker 13: twenty one. No, I'm not doing here, but if you're doing.

1424
00:56:56,000 --> 00:56:59,960
Speaker 5: A biblical movie, rap Jesus, come here, let me get back.

1425
00:57:00,880 --> 00:57:02,960
Speaker 2: It's like, that's crazy.

1426
00:57:04,320 --> 00:57:06,239
Speaker 13: It's like a biblical movie for real. You know what

1427
00:57:06,280 --> 00:57:08,879
Speaker 13: I'm saying. But I think it's really dope because look

1428
00:57:08,920 --> 00:57:11,320
Speaker 13: at that timing. Like I shot three, all three of

1429
00:57:11,360 --> 00:57:13,040
Speaker 13: these movies in different times and it all coming out

1430
00:57:13,080 --> 00:57:16,960
Speaker 13: in the same year. Thousand and one Friday, White Man

1431
00:57:17,000 --> 00:57:20,200
Speaker 13: Can't Jump May nineteenth, book a clearance September twenty second.

1432
00:57:20,360 --> 00:57:22,040
Speaker 13: So not only am I doing what I love, but

1433
00:57:22,120 --> 00:57:23,160
Speaker 13: I'm showing range now.

1434
00:57:23,560 --> 00:57:25,360
Speaker 2: Like it's really like you cannot go back to sleep.

1435
00:57:25,640 --> 00:57:28,560
Speaker 13: It's no sleep as be prepared to be tired.

1436
00:57:28,760 --> 00:57:30,760
Speaker 6: After you started doing the therapy and got the healing,

1437
00:57:30,840 --> 00:57:33,040
Speaker 6: is that when everything started to open up like even Korea.

1438
00:57:33,120 --> 00:57:35,480
Speaker 13: Why, well, that's hard to say because I never had

1439
00:57:35,560 --> 00:57:38,880
Speaker 13: real therapy. My therapy was through I new. Yes, So

1440
00:57:38,960 --> 00:57:41,439
Speaker 13: I had twelve hours of therapy for six weeks.

1441
00:57:42,480 --> 00:57:42,600
Speaker 11: You do.

1442
00:57:42,760 --> 00:57:45,320
Speaker 13: It's okay, you be listening.

1443
00:57:45,480 --> 00:57:46,480
Speaker 9: Just you know, he just won.

1444
00:57:46,680 --> 00:57:49,960
Speaker 13: He just want really more in depth. I had started

1445
00:57:50,000 --> 00:57:53,000
Speaker 13: my healing journey when I decided to retire, That's what

1446
00:57:53,000 --> 00:57:55,160
Speaker 13: I'm saying. Like, you see, I retired with grace. I

1447
00:57:55,280 --> 00:57:57,480
Speaker 13: wasn't upset, I wasn't angry. I wasn't mad at anyone

1448
00:57:57,680 --> 00:58:01,080
Speaker 13: like you know me, I'd be chilling. I just needed

1449
00:58:01,120 --> 00:58:02,880
Speaker 13: to get that out so it wouldn't be like, oh,

1450
00:58:02,880 --> 00:58:05,080
Speaker 13: why she's not putting out music. Was I'm gonna let

1451
00:58:05,120 --> 00:58:06,720
Speaker 13: y'all know what it is. So when I am doing

1452
00:58:06,760 --> 00:58:09,440
Speaker 13: every everything else in this world, you know what it's for.

1453
00:58:09,720 --> 00:58:11,080
Speaker 13: You know what that fight is for. You know what

1454
00:58:11,080 --> 00:58:12,640
Speaker 13: I'm saying. You know what the extra pushes for, the

1455
00:58:12,680 --> 00:58:16,440
Speaker 13: extra grind. You know, like that's just me. So it's like,

1456
00:58:16,560 --> 00:58:18,880
Speaker 13: you know, I had already started my process and the

1457
00:58:19,000 --> 00:58:23,120
Speaker 13: moment I decided to keep that door cracked and allow

1458
00:58:23,240 --> 00:58:25,480
Speaker 13: myself to continue to open doors until I found the

1459
00:58:25,520 --> 00:58:28,400
Speaker 13: master key. That was my healing, you know, knowing that

1460
00:58:28,880 --> 00:58:31,960
Speaker 13: every single door on this floor is for me. I

1461
00:58:32,160 --> 00:58:34,200
Speaker 13: just got to find the key to open it, and

1462
00:58:34,680 --> 00:58:37,440
Speaker 13: I started finding the master key to put into the

1463
00:58:37,480 --> 00:58:38,960
Speaker 13: master lock to unlock it.

1464
00:58:39,160 --> 00:58:41,120
Speaker 2: Are you unretired, you're gonna start doing music again or

1465
00:58:41,480 --> 00:58:43,360
Speaker 2: we're not there yet. Let me get my moscar first.

1466
00:58:43,400 --> 00:58:43,880
Speaker 2: I'm like, get.

1467
00:58:46,920 --> 00:58:48,360
Speaker 5: Taylor Afar with Tims on.

1468
00:58:50,440 --> 00:58:54,120
Speaker 13: God, with the suits, some butters.

1469
00:58:55,160 --> 00:58:57,880
Speaker 6: This is up to put that in an avisphere. Even

1470
00:58:57,920 --> 00:59:00,479
Speaker 6: though we don't need those rewards for validation, I would

1471
00:59:00,520 --> 00:59:00,960
Speaker 6: like to see that.

1472
00:59:01,320 --> 00:59:04,120
Speaker 13: Yes, you know, only we go to eat guys status,

1473
00:59:04,200 --> 00:59:05,960
Speaker 13: Like maybe it might take me to get the odds

1474
00:59:06,000 --> 00:59:07,400
Speaker 13: to be like, you know, let me do this album.

1475
00:59:07,440 --> 00:59:09,920
Speaker 13: So going get this, you know what.

1476
00:59:09,920 --> 00:59:12,400
Speaker 6: I'm saying, Like God's playing is the best player you

1477
00:59:12,480 --> 00:59:14,240
Speaker 6: never you never know how it's going unfold.

1478
00:59:14,560 --> 00:59:17,840
Speaker 2: Hello all for joining us. We appreciate it.

1479
00:59:17,920 --> 00:59:20,000
Speaker 8: The new movie A thousand and make sure you go

1480
00:59:20,120 --> 00:59:22,400
Speaker 8: see it, and thank you Tianna for joining us right now.

1481
00:59:24,160 --> 00:59:27,640
Speaker 2: Yeah, it's the breakfast Club. Good morning, the Breakfast Club.

1482
00:59:27,720 --> 00:59:29,880
Speaker 2: Your morning's will never be the same.

1483
00:59:30,920 --> 00:59:32,160
Speaker 5: When you're a business owner.

1484
00:59:32,120 --> 00:59:33,760
Speaker 6: And you're juggling a lot of things, you need a

1485
00:59:33,800 --> 00:59:35,880
Speaker 6: team of people to keep your business running successful?

1486
00:59:36,240 --> 00:59:37,800
Speaker 2: How do you find and hire the right people?

1487
00:59:38,120 --> 00:59:40,760
Speaker 5: Zip recruited. Try it for free at ziprecruited, dot com,

1488
00:59:40,880 --> 00:59:41,600
Speaker 5: slash breakfast.

1489
00:59:42,080 --> 00:59:42,920
Speaker 11: What's up?

1490
00:59:45,640 --> 00:59:52,040
Speaker 2: Damn heg it's I mean trying to beat donkey today?

1491
00:59:52,120 --> 00:59:52,360
Speaker 2: No more.

1492
00:59:52,440 --> 00:59:54,680
Speaker 6: They should be embarrassed by what they already did. I'm

1493
00:59:54,680 --> 00:59:55,800
Speaker 6: not making these people do these.

1494
00:59:55,720 --> 00:59:58,680
Speaker 2: Days called Donkey of the Day, and it really caught

1495
00:59:58,720 --> 00:59:59,360
Speaker 2: me off guard.

1496
00:59:59,560 --> 00:59:59,760
Speaker 16: Damn.

1497
01:00:00,280 --> 01:00:03,280
Speaker 13: The man who got the donkey out of day today.

1498
01:00:04,600 --> 01:00:07,120
Speaker 6: Well, just hilarious Donkey of to day, which was a

1499
01:00:07,160 --> 01:00:09,760
Speaker 6: double donkey. It goes to thirty eighth year old Chief

1500
01:00:09,880 --> 01:00:13,360
Speaker 6: Chastain and the Clovis Police Department. It comes a point

1501
01:00:13,360 --> 01:00:15,680
Speaker 6: in time in life where we all must remember it

1502
01:00:15,800 --> 01:00:16,360
Speaker 6: takes to you.

1503
01:00:17,120 --> 01:00:18,000
Speaker 5: Okay, to you?

1504
01:00:18,400 --> 01:00:20,760
Speaker 6: All right, kids, gather around your uncle Shallah would like

1505
01:00:20,800 --> 01:00:22,520
Speaker 6: to tell you about some things that have been going

1506
01:00:22,560 --> 01:00:23,960
Speaker 6: on since the nineteen hundreds.

1507
01:00:23,960 --> 01:00:24,240
Speaker 9: Okay.

1508
01:00:24,320 --> 01:00:27,400
Speaker 5: One of those things is the saying it takes to you.

1509
01:00:28,000 --> 01:00:31,480
Speaker 6: Okay, are it takes to you to tango? That means

1510
01:00:31,560 --> 01:00:34,480
Speaker 6: that a situational argument involves.

1511
01:00:34,080 --> 01:00:37,560
Speaker 2: Two people and they are both therefore.

1512
01:00:37,160 --> 01:00:38,320
Speaker 5: Responsible for it.

1513
01:00:38,440 --> 01:00:42,400
Speaker 6: I repeat, it takes to you to tango means that

1514
01:00:42,480 --> 01:00:45,439
Speaker 6: a situational argument involves two people, and they are both

1515
01:00:45,520 --> 01:00:46,880
Speaker 6: therefore responsible for it.

1516
01:00:47,000 --> 01:00:47,600
Speaker 5: It takes two.

1517
01:00:47,800 --> 01:00:50,280
Speaker 6: There's also a classic hip hop record that will make

1518
01:00:50,360 --> 01:00:52,600
Speaker 6: anyone with a soul who grew up in the nineteen

1519
01:00:52,680 --> 01:00:56,240
Speaker 6: hundreds and eighties lose their mind. Okay, the reason I'm

1520
01:00:56,240 --> 01:00:57,960
Speaker 6: giving you this history less than to day is because

1521
01:00:58,080 --> 01:01:00,960
Speaker 6: in this donkey that I'm delivering, it absolutely took to you.

1522
01:01:01,360 --> 01:01:01,680
Speaker 9: All right.

1523
01:01:01,760 --> 01:01:02,400
Speaker 5: See, Keith was.

1524
01:01:02,480 --> 01:01:08,000
Speaker 6: Arrested ten times in one monff. I repeat, Keith Chastain

1525
01:01:08,160 --> 01:01:11,320
Speaker 6: was arrested ten times in one monff. See y'all think

1526
01:01:11,360 --> 01:01:13,360
Speaker 6: I'd be lying, Let's go to Fox twenty six News

1527
01:01:13,400 --> 01:01:13,840
Speaker 6: for the report.

1528
01:01:13,880 --> 01:01:18,160
Speaker 19: Police local law enforcement agencies say they are very familiar

1529
01:01:18,360 --> 01:01:21,240
Speaker 19: with thirty eight year old Keith Chastain, who has been

1530
01:01:21,280 --> 01:01:25,400
Speaker 19: booked in Fresno County jail not once, not twice, but

1531
01:01:25,680 --> 01:01:29,360
Speaker 19: ten times in the last thirty one days. Chastain is

1532
01:01:29,400 --> 01:01:33,600
Speaker 19: from Fresno and is currently facing eighteen felonies and fifteen

1533
01:01:33,680 --> 01:01:37,600
Speaker 19: misdemeanors from his recent arrests. According to Clovis Police Department.

1534
01:01:37,880 --> 01:01:43,320
Speaker 19: His charges include stealing six vehicles, a dui, vandalism, fraud,

1535
01:01:43,800 --> 01:01:48,240
Speaker 19: possession of controlled substance, and more. Clovis Police Department alone

1536
01:01:48,600 --> 01:01:52,240
Speaker 19: says it has arrested Chastain six times in the last month.

1537
01:01:52,560 --> 01:01:56,000
Speaker 19: Around nine thirty Tuesday morning, Clovis Police received a call

1538
01:01:56,080 --> 01:01:59,640
Speaker 19: about a stolen truck that Chastain was suspected of driving.

1539
01:02:00,240 --> 01:02:03,360
Speaker 19: Police sayan officer found the stolen truck driving an old

1540
01:02:03,440 --> 01:02:07,760
Speaker 19: town Clovis and followed it until more officers arrived. Officers

1541
01:02:07,800 --> 01:02:11,040
Speaker 19: pulled Chestain over in front of Clovis Police Department and

1542
01:02:11,240 --> 01:02:14,680
Speaker 19: arrested him without incident. Police say he was the only

1543
01:02:14,760 --> 01:02:17,400
Speaker 19: person in the stolen truck and happened to be on

1544
01:02:17,560 --> 01:02:20,400
Speaker 19: his way to pick up his personal property from Clovis

1545
01:02:20,440 --> 01:02:24,040
Speaker 19: Police Department. From the last time he was arrested. Mind you,

1546
01:02:24,440 --> 01:02:25,960
Speaker 19: he was in a stolen vehicle.

1547
01:02:29,640 --> 01:02:33,960
Speaker 6: Now, as you just heard, Keith Chastain was arrested ten

1548
01:02:34,080 --> 01:02:35,880
Speaker 6: times by Clovis Police.

1549
01:02:36,360 --> 01:02:37,000
Speaker 5: Six times.

1550
01:02:37,440 --> 01:02:41,440
Speaker 6: Okay, six times by Clovis Police and four times by

1551
01:02:41,520 --> 01:02:42,400
Speaker 6: other agencies.

1552
01:02:42,480 --> 01:02:43,800
Speaker 9: He was in a.

1553
01:02:43,880 --> 01:02:47,040
Speaker 6: Stolen vehicle on the way to pick up his items

1554
01:02:47,480 --> 01:02:48,160
Speaker 6: from the jail.

1555
01:02:48,800 --> 01:02:49,080
Speaker 9: Okay.

1556
01:02:49,760 --> 01:02:52,240
Speaker 6: Now, if he had gotten locked up by different agencies

1557
01:02:52,280 --> 01:02:54,520
Speaker 6: once or twice, I would understand. But if you get

1558
01:02:54,560 --> 01:02:57,000
Speaker 6: locked up by the same agency. The Clovise Police department

1559
01:02:57,280 --> 01:03:00,720
Speaker 6: six times, six times. At what point point does it

1560
01:03:00,800 --> 01:03:05,000
Speaker 6: become the police department's fault as well for constantly letting

1561
01:03:05,040 --> 01:03:05,320
Speaker 6: you out?

1562
01:03:05,600 --> 01:03:07,640
Speaker 5: At what point does it become a judge's fault for

1563
01:03:07,720 --> 01:03:08,880
Speaker 5: constantly grant you bail.

1564
01:03:09,120 --> 01:03:12,520
Speaker 6: He's facing eighteen felonies in fifteen misdemeanors, with charges including

1565
01:03:12,600 --> 01:03:16,240
Speaker 6: stealing six vehicles, dui E vandalism, fraud, possession of a

1566
01:03:16,280 --> 01:03:19,080
Speaker 6: controlled substance, and a whole lot more. At some point,

1567
01:03:19,160 --> 01:03:22,640
Speaker 6: maybe after arrest number three, possibly after arrest number five,

1568
01:03:23,800 --> 01:03:27,600
Speaker 6: surely at arrest number six, someone at the Clovis Police

1569
01:03:27,640 --> 01:03:29,360
Speaker 6: Department has to say, no, need.

1570
01:03:29,360 --> 01:03:31,480
Speaker 5: To let this man out, because he's just gonna come

1571
01:03:31,560 --> 01:03:31,920
Speaker 5: right back.

1572
01:03:32,200 --> 01:03:32,400
Speaker 9: Okay.

1573
01:03:32,440 --> 01:03:35,360
Speaker 6: If the Clovis Police Department had a customer loyalty program

1574
01:03:35,560 --> 01:03:38,360
Speaker 6: like Starbucks or Subway or so far, this man Keith

1575
01:03:38,520 --> 01:03:40,080
Speaker 6: would get his temph arrest for free.

1576
01:03:40,360 --> 01:03:42,520
Speaker 5: Okay, hit the rest of nine times, get your temph

1577
01:03:42,600 --> 01:03:43,240
Speaker 5: arrest for free.

1578
01:03:43,560 --> 01:03:45,000
Speaker 2: Clearly this man has.

1579
01:03:44,880 --> 01:03:47,080
Speaker 5: A boyfriend behind those walls. Either that or he likes

1580
01:03:47,120 --> 01:03:47,919
Speaker 5: the food. Okay.

1581
01:03:48,000 --> 01:03:50,680
Speaker 6: When someone shows you who they are, believe them. And

1582
01:03:50,800 --> 01:03:54,880
Speaker 6: this man Keif has shown us he's a serial criminal. Okay,

1583
01:03:54,960 --> 01:03:56,959
Speaker 6: so give him what he wants, and what he wants

1584
01:03:57,240 --> 01:04:01,240
Speaker 6: is clearly zero bond, ten arrest in thirty one days.

1585
01:04:01,880 --> 01:04:04,400
Speaker 6: Insanity is doing the same thing over and over and

1586
01:04:04,480 --> 01:04:07,560
Speaker 6: expecting different results. So yes, Keith is insane because he

1587
01:04:07,680 --> 01:04:10,760
Speaker 6: keeps committing crimes in the same crimes and getting locked up.

1588
01:04:10,880 --> 01:04:13,560
Speaker 6: And the Clovis Police Department is insane because they keep

1589
01:04:13,640 --> 01:04:16,360
Speaker 6: locking keep up for these crimes, the same crimes, and

1590
01:04:16,480 --> 01:04:17,080
Speaker 6: letting them out.

1591
01:04:17,360 --> 01:04:18,440
Speaker 5: They both are to blame.

1592
01:04:18,600 --> 01:04:21,040
Speaker 6: So please give Keith Chastain a heat and give the

1593
01:04:21,080 --> 01:04:24,760
Speaker 6: Clovis Police Department a hall together, because it takes two

1594
01:04:25,200 --> 01:04:31,240
Speaker 6: to give them the biggest he hal This man wrote

1595
01:04:31,280 --> 01:04:32,680
Speaker 6: his name in jail. Ya, that's why they say I

1596
01:04:32,680 --> 01:04:34,200
Speaker 6: don't write your name and they don't write your name

1597
01:04:34,720 --> 01:04:34,960
Speaker 6: on the.

1598
01:04:35,000 --> 01:04:37,600
Speaker 5: Walls in jail. You keep coming back to that jail.

1599
01:04:37,880 --> 01:04:47,240
Speaker 2: Jesus. The breakfast Club. Time ask Charlemagne and dj Envy anything.

1600
01:04:49,800 --> 01:04:53,800
Speaker 8: It's time dj Envy, Charlomagne the guy we are the

1601
01:04:53,840 --> 01:04:54,520
Speaker 8: breakfast club.

1602
01:04:54,600 --> 01:04:56,320
Speaker 2: It's tough for us C and E. If you need

1603
01:04:56,360 --> 01:04:58,080
Speaker 2: relationship advice, and who do we have on the line?

1604
01:04:58,120 --> 01:05:00,520
Speaker 2: Good morning, good morning? Hey, what's your name?

1605
01:05:00,920 --> 01:05:01,440
Speaker 12: Grena?

1606
01:05:01,760 --> 01:05:03,880
Speaker 2: What's the matter of Anita? While you sound so upset, Mama.

1607
01:05:05,600 --> 01:05:08,520
Speaker 12: My boyfriend and I we lived together, but he decided

1608
01:05:08,600 --> 01:05:10,520
Speaker 12: he does not want to be in a relationship with

1609
01:05:10,640 --> 01:05:12,640
Speaker 12: me anymore. But we still live together.

1610
01:05:12,720 --> 01:05:13,040
Speaker 1: We have to.

1611
01:05:14,320 --> 01:05:16,959
Speaker 12: He doesn't drive to work at driving to work every morning?

1612
01:05:17,400 --> 01:05:18,320
Speaker 9: Oh, that has to stop.

1613
01:05:18,560 --> 01:05:20,720
Speaker 8: He broke up with you, and now he still wants

1614
01:05:20,760 --> 01:05:22,560
Speaker 8: the benefits of being able to be able to sleep

1615
01:05:22,600 --> 01:05:24,840
Speaker 8: with you and get your car and be able to

1616
01:05:24,960 --> 01:05:27,000
Speaker 8: use your car and use your lights and your electricity

1617
01:05:27,040 --> 01:05:27,400
Speaker 8: and all of that.

1618
01:05:28,120 --> 01:05:30,479
Speaker 2: Yeah, nah, that got to stop right there, mama.

1619
01:05:31,040 --> 01:05:33,040
Speaker 12: He doesn't have a driver's license to a drive, So

1620
01:05:33,080 --> 01:05:34,520
Speaker 12: I won't feel bad.

1621
01:05:34,800 --> 01:05:36,240
Speaker 2: If he did.

1622
01:05:36,280 --> 01:05:37,960
Speaker 8: He feel bad when he just broke your heart and

1623
01:05:38,040 --> 01:05:39,320
Speaker 8: broke up with you and said he don't want to

1624
01:05:39,320 --> 01:05:39,920
Speaker 8: be with you no more?

1625
01:05:39,960 --> 01:05:41,360
Speaker 2: Did he feel bad like you're driving?

1626
01:05:41,400 --> 01:05:45,360
Speaker 5: That's why he broke up with you. You don't like

1627
01:05:45,480 --> 01:05:45,880
Speaker 5: your driver?

1628
01:05:46,960 --> 01:05:47,000
Speaker 14: No?

1629
01:05:47,360 --> 01:05:52,680
Speaker 5: Even call him on three right now? Call ye, I

1630
01:05:52,720 --> 01:05:53,120
Speaker 5: don't care.

1631
01:05:54,640 --> 01:05:55,120
Speaker 2: What's his name?

1632
01:05:55,920 --> 01:06:00,120
Speaker 5: Let me stel he'll pick up. He don't think if

1633
01:06:00,120 --> 01:06:01,360
Speaker 5: he don't love you? What kind of job you got?

1634
01:06:02,600 --> 01:06:02,720
Speaker 9: Oh?

1635
01:06:02,800 --> 01:06:03,720
Speaker 5: She must be calling.

1636
01:06:14,520 --> 01:06:17,720
Speaker 1: Hello, I'm not available now name?

1637
01:06:18,160 --> 01:06:18,880
Speaker 12: He didn't pick up?

1638
01:06:19,040 --> 01:06:20,040
Speaker 5: So what do you want us to do?

1639
01:06:20,760 --> 01:06:23,280
Speaker 12: I just want advice, like y'all think I should stop

1640
01:06:23,400 --> 01:06:24,280
Speaker 12: driving in the work and.

1641
01:06:26,520 --> 01:06:30,560
Speaker 2: Yes together, Yes, he's not gonna listen you love that man.

1642
01:06:30,640 --> 01:06:32,360
Speaker 5: You ain't going nowhere. That Pepe too good.

1643
01:06:32,400 --> 01:06:35,200
Speaker 6: Y'all been having too much unprotected sex. You ain't ready

1644
01:06:35,240 --> 01:06:35,640
Speaker 6: to walk.

1645
01:06:35,480 --> 01:06:38,040
Speaker 12: In And it's a five year relationship.

1646
01:06:38,120 --> 01:06:39,640
Speaker 5: So I don't want to leave exactly.

1647
01:06:39,800 --> 01:06:41,400
Speaker 2: Yeah, but you gotta you know right now he's just

1648
01:06:41,520 --> 01:06:41,840
Speaker 2: using you.

1649
01:06:42,000 --> 01:06:43,400
Speaker 8: The fact that he broke up with you, he could

1650
01:06:43,400 --> 01:06:45,440
Speaker 8: still sleep with you, He could still use you to

1651
01:06:45,480 --> 01:06:46,160
Speaker 8: take him around.

1652
01:06:46,360 --> 01:06:47,960
Speaker 2: You gotta stop that. You gotta let him know, like,

1653
01:06:48,080 --> 01:06:50,000
Speaker 2: look like, if it's over, it's over.

1654
01:06:50,080 --> 01:06:52,040
Speaker 8: I'm not driving you around. No, I'm not doing that

1655
01:06:52,120 --> 01:06:54,440
Speaker 8: no more. You find you find your new bitch to drive.

1656
01:06:54,320 --> 01:06:55,200
Speaker 5: You that I agree with.

1657
01:06:55,280 --> 01:06:57,520
Speaker 6: You gotta set boundaries and being that he don't want

1658
01:06:57,520 --> 01:07:00,360
Speaker 6: to be your man, is certain perks he don't gonna get.

1659
01:07:00,360 --> 01:07:02,200
Speaker 6: So you can't be his uber no more. Nope, you

1660
01:07:02,240 --> 01:07:03,919
Speaker 6: know what I'm saying. You can't give him the poom

1661
01:07:03,960 --> 01:07:06,920
Speaker 6: poom on. You know what I mean for none of

1662
01:07:06,960 --> 01:07:08,320
Speaker 6: that stuff. He gotta do all that on his own.

1663
01:07:08,360 --> 01:07:09,280
Speaker 5: Treat them like a roommate.

1664
01:07:09,320 --> 01:07:09,920
Speaker 2: That's right, that's it.

1665
01:07:10,000 --> 01:07:11,760
Speaker 6: Tell me so I guess we're roommates now, so treat

1666
01:07:11,800 --> 01:07:13,680
Speaker 6: them like a roommate. I don't have my roommates.

1667
01:07:13,760 --> 01:07:15,120
Speaker 2: He got to sleep on the couch. He can't sleep

1668
01:07:15,160 --> 01:07:15,840
Speaker 2: with you in the same bed.

1669
01:07:16,040 --> 01:07:18,920
Speaker 5: I don't drive my roommates to work. That's right, Okay,

1670
01:07:19,280 --> 01:07:20,920
Speaker 5: all right, you ain't gonna listen. You're gonna sleep with

1671
01:07:20,960 --> 01:07:21,400
Speaker 5: them to night.

1672
01:07:21,520 --> 01:07:22,200
Speaker 2: You better listen.

1673
01:07:23,280 --> 01:07:26,160
Speaker 5: Watch all right, I'm gonna sleep with him to night.

1674
01:07:26,360 --> 01:07:27,600
Speaker 2: Don't lie. Good luck?

1675
01:07:28,840 --> 01:07:29,160
Speaker 9: All right?

1676
01:07:29,760 --> 01:07:31,080
Speaker 5: I want to I want you to call us back

1677
01:07:31,120 --> 01:07:32,360
Speaker 5: next week and tell us how this went.

1678
01:07:32,600 --> 01:07:37,160
Speaker 2: Please, now, Hello, who's this Aaron? Hey, mama, what's up?

1679
01:07:37,520 --> 01:07:37,880
Speaker 10: I see?

1680
01:07:38,880 --> 01:07:39,920
Speaker 17: Yes, I have a question.

1681
01:07:40,040 --> 01:07:40,560
Speaker 2: I want to know.

1682
01:07:40,880 --> 01:07:42,240
Speaker 1: Do I have a right to be mad?

1683
01:07:42,400 --> 01:07:43,280
Speaker 14: Or am I being city?

1684
01:07:44,160 --> 01:07:46,640
Speaker 4: Me and my fiance's been together for five years and.

1685
01:07:46,760 --> 01:07:51,160
Speaker 12: We've been on holidays together, like we don't even have to.

1686
01:07:51,160 --> 01:07:55,120
Speaker 17: Have a conversation about it's just automatic. But this year

1687
01:07:55,200 --> 01:07:56,080
Speaker 17: for Easter, he.

1688
01:07:56,240 --> 01:07:59,000
Speaker 14: Just told me todays ago that he was going to

1689
01:07:59,120 --> 01:08:00,880
Speaker 14: church and then work without you.

1690
01:08:01,120 --> 01:08:02,720
Speaker 17: And it's like very last minute.

1691
01:08:04,600 --> 01:08:05,800
Speaker 9: So he told you.

1692
01:08:05,880 --> 01:08:08,160
Speaker 17: He's very organized, very pomped.

1693
01:08:08,320 --> 01:08:10,320
Speaker 12: He is very very organized.

1694
01:08:10,320 --> 01:08:11,200
Speaker 5: How long y'all been together?

1695
01:08:11,360 --> 01:08:11,880
Speaker 2: Five years?

1696
01:08:12,800 --> 01:08:14,760
Speaker 8: So wait a minute, So he said he's going to church,

1697
01:08:14,840 --> 01:08:16,640
Speaker 8: ain't going to work, hanging out with his family, and

1698
01:08:16,720 --> 01:08:17,840
Speaker 8: didn't tell you and invite you.

1699
01:08:18,640 --> 01:08:20,080
Speaker 17: Yes, I was talking about.

1700
01:08:19,840 --> 01:08:21,200
Speaker 4: It the other day, trying to see what I was

1701
01:08:21,240 --> 01:08:23,360
Speaker 4: going to wear to church, and he was like, oh, no,

1702
01:08:23,560 --> 01:08:24,080
Speaker 4: I'm going.

1703
01:08:24,000 --> 01:08:25,360
Speaker 17: To church and then I'm going to work.

1704
01:08:25,439 --> 01:08:28,760
Speaker 6: Well, listen, he's making as he's doing something he really

1705
01:08:28,760 --> 01:08:31,080
Speaker 6: shouldn't be doing right now. He's breaking a rule. A

1706
01:08:31,240 --> 01:08:33,960
Speaker 6: rule is spending holidays with his side chicks. His side

1707
01:08:34,040 --> 01:08:36,639
Speaker 6: chick invited him to church on Sunday and he's going

1708
01:08:36,720 --> 01:08:37,000
Speaker 6: with her.

1709
01:08:37,240 --> 01:08:38,000
Speaker 2: Yeah, I'm not gonna lie.

1710
01:08:38,000 --> 01:08:39,760
Speaker 8: It sounds kind of odd that he's not taking you

1711
01:08:39,840 --> 01:08:41,680
Speaker 8: to church and not taking you to work when you've

1712
01:08:41,680 --> 01:08:43,960
Speaker 8: been together five years. You've been doing everything with him,

1713
01:08:44,000 --> 01:08:45,360
Speaker 8: and that all of a sudden he doesn't want to

1714
01:08:45,400 --> 01:08:47,920
Speaker 8: go with you. I'm sorry to say that he might

1715
01:08:48,080 --> 01:08:49,400
Speaker 8: he might have another family on the side.

1716
01:08:49,600 --> 01:08:51,040
Speaker 6: No, I don't think he got another family because y'all

1717
01:08:51,040 --> 01:08:53,240
Speaker 6: been together five years. But he has been with this

1718
01:08:53,400 --> 01:08:55,960
Speaker 6: side chick for way too long and he's getting too

1719
01:08:56,080 --> 01:08:58,040
Speaker 6: close to her, and he's going with her to church

1720
01:08:58,120 --> 01:08:58,639
Speaker 6: on Sunday.

1721
01:08:58,680 --> 01:09:00,280
Speaker 2: You go to church on Sunday. You make sure you

1722
01:09:00,360 --> 01:09:02,479
Speaker 2: take your ass the church with him on Sunday and you're.

1723
01:09:02,400 --> 01:09:04,519
Speaker 6: Gonna find him East Dagg hunting with another family and

1724
01:09:04,560 --> 01:09:05,360
Speaker 6: you're gonna have a fix.

1725
01:09:05,920 --> 01:09:08,160
Speaker 2: But he don't want me to coll You better go.

1726
01:09:08,400 --> 01:09:08,960
Speaker 9: What that means?

1727
01:09:09,800 --> 01:09:12,719
Speaker 2: You got a call, you got uber, you got money.

1728
01:09:12,760 --> 01:09:14,840
Speaker 2: You better pop up at that church if you know

1729
01:09:14,920 --> 01:09:15,240
Speaker 2: what I know.

1730
01:09:15,640 --> 01:09:17,360
Speaker 6: That's right, pop up at that church the way Jesus

1731
01:09:17,400 --> 01:09:18,920
Speaker 6: popped up on Resurrection Sunday.

1732
01:09:20,200 --> 01:09:22,639
Speaker 2: Okay, all good luck and tell us how.

1733
01:09:22,600 --> 01:09:23,040
Speaker 9: It works out.

1734
01:09:23,400 --> 01:09:24,160
Speaker 12: Okay, thank you?

1735
01:09:24,600 --> 01:09:25,960
Speaker 2: All right, see that we helpe it lives.

1736
01:09:26,120 --> 01:09:29,120
Speaker 8: I love it as eight hundred and five eighty five

1737
01:09:29,200 --> 01:09:30,880
Speaker 8: one O five one. If you need a relationship advice,

1738
01:09:30,960 --> 01:09:33,160
Speaker 8: hit this now. It's the breakfast club. Good morning, time

1739
01:09:34,520 --> 01:09:37,479
Speaker 8: asked Charlemagne and DJ Envy anything, pick it up?

1740
01:09:37,520 --> 01:09:37,920
Speaker 11: Pick it up.

1741
01:09:39,360 --> 01:09:41,920
Speaker 2: It's time to ask see any morning.

1742
01:09:41,960 --> 01:09:46,679
Speaker 8: Everybody's DJ Envy Charlomagne to God, we are the breakfast club.

1743
01:09:47,080 --> 01:09:49,400
Speaker 2: We're in the middle of ass C and E. Hello,

1744
01:09:49,479 --> 01:09:55,360
Speaker 2: who's this? Hey? CC say what's up?

1745
01:09:55,520 --> 01:09:55,720
Speaker 11: Y'all?

1746
01:09:56,200 --> 01:09:58,160
Speaker 14: I made it through the other day and now the

1747
01:09:58,280 --> 01:10:00,320
Speaker 14: mom I did then that I just want to live, y'all.

1748
01:10:00,400 --> 01:10:03,600
Speaker 14: No beg ain't y'all about the topic we discussed the

1749
01:10:03,720 --> 01:10:06,080
Speaker 14: other day, because I was saying that I feel like

1750
01:10:06,160 --> 01:10:08,800
Speaker 14: I have not been vaited the way that I feel

1751
01:10:08,880 --> 01:10:09,559
Speaker 14: like I should.

1752
01:10:09,720 --> 01:10:10,479
Speaker 5: Oh, I remember you.

1753
01:10:11,280 --> 01:10:14,799
Speaker 6: You said you wanted to go to McDonald's and somewhere

1754
01:10:15,000 --> 01:10:17,719
Speaker 6: McDonald No, you said you're about.

1755
01:10:17,520 --> 01:10:19,120
Speaker 14: To take me the crocker bar, And I thought you

1756
01:10:19,960 --> 01:10:20,759
Speaker 14: could at least.

1757
01:10:20,640 --> 01:10:23,719
Speaker 5: Off of shop, because you are you. You started, you started,

1758
01:10:23,800 --> 01:10:25,639
Speaker 5: you started the bidding at McDonald You did.

1759
01:10:25,560 --> 01:10:27,320
Speaker 2: Start to bid at McDonald's. I tell you need better

1760
01:10:27,360 --> 01:10:27,799
Speaker 2: for yourself.

1761
01:10:28,760 --> 01:10:33,040
Speaker 6: That no, because it tries to hook up with Oh, yeah,

1762
01:10:33,120 --> 01:10:34,760
Speaker 6: you're right, you're right, you're right, you're right.

1763
01:10:34,920 --> 01:10:36,599
Speaker 1: Don't put me on that, y'all.

1764
01:10:38,120 --> 01:10:39,719
Speaker 2: What's your question, mama? What's your question?

1765
01:10:41,280 --> 01:10:45,840
Speaker 14: My question is how do you how do you like

1766
01:10:46,080 --> 01:10:51,400
Speaker 14: put up a barrant to basically stop people potentially when

1767
01:10:51,479 --> 01:10:55,120
Speaker 14: they're not good for you, Like it's basically toxic, but

1768
01:10:55,640 --> 01:10:58,040
Speaker 14: you feel like you see good and then so you

1769
01:10:58,200 --> 01:11:01,200
Speaker 14: stick around because you want to nurtures are good in them.

1770
01:11:01,680 --> 01:11:04,639
Speaker 17: Man, how do you change your frame of thinking?

1771
01:11:05,600 --> 01:11:07,240
Speaker 12: You start makes you snap out of that?

1772
01:11:07,439 --> 01:11:09,160
Speaker 6: You start off of looking in the mirror and saying,

1773
01:11:09,280 --> 01:11:13,760
Speaker 6: nigga please, and you remember one thing, just because just

1774
01:11:13,800 --> 01:11:16,320
Speaker 6: because somebody does something good for you doesn't mean they

1775
01:11:16,360 --> 01:11:18,720
Speaker 6: are good for you. So I don't I don't know

1776
01:11:18,800 --> 01:11:21,640
Speaker 6: about that whole. I see the good in them that

1777
01:11:21,840 --> 01:11:23,080
Speaker 6: you know, but they don't.

1778
01:11:23,120 --> 01:11:24,479
Speaker 2: They don't. They're not good to me.

1779
01:11:24,720 --> 01:11:27,160
Speaker 5: Like no, if they're not good to you, they're not good.

1780
01:11:27,200 --> 01:11:29,200
Speaker 2: By Sometimes it's as easy as letting it go.

1781
01:11:29,439 --> 01:11:34,519
Speaker 14: I'm coming situation though, that's coming where people will basically settle,

1782
01:11:35,439 --> 01:11:39,360
Speaker 14: and I guess that that is truly like just settling,

1783
01:11:39,479 --> 01:11:41,760
Speaker 14: and they know they need more or they know they're

1784
01:11:41,840 --> 01:11:42,400
Speaker 14: worth more.

1785
01:11:42,560 --> 01:11:43,320
Speaker 5: Why are you settling?

1786
01:11:43,400 --> 01:11:44,759
Speaker 2: Boom, Yeah, you don't have to settle?

1787
01:11:45,160 --> 01:11:45,439
Speaker 16: I know.

1788
01:11:45,640 --> 01:11:47,600
Speaker 14: I think I feel like a lot of times with me,

1789
01:11:47,880 --> 01:11:51,200
Speaker 14: I work a lot, a whole lot, like an average

1790
01:11:51,200 --> 01:11:54,639
Speaker 14: of like sixty two hours a week, and I don't

1791
01:11:54,800 --> 01:11:59,040
Speaker 14: go many places to like really need many stations. So

1792
01:11:59,200 --> 01:12:01,360
Speaker 14: when I do come in contact with somebody and I

1793
01:12:01,479 --> 01:12:03,400
Speaker 14: feel like I like them, which is rare for.

1794
01:12:03,479 --> 01:12:08,519
Speaker 2: Me to do like somebody like that, I would just

1795
01:12:08,560 --> 01:12:10,599
Speaker 2: tell you, Ma, ma, Ma, you never have to settle.

1796
01:12:10,640 --> 01:12:12,679
Speaker 8: You shouldn't have to settle, because if you're settling, it's

1797
01:12:12,800 --> 01:12:17,000
Speaker 8: you're always letting things go somebody else.

1798
01:12:17,280 --> 01:12:19,400
Speaker 6: She ain't telling us about how good the penis is.

1799
01:12:19,560 --> 01:12:22,519
Speaker 6: That's all this is about. This man is knocking you.

1800
01:12:22,920 --> 01:12:25,080
Speaker 6: This man got your toes.

1801
01:12:26,439 --> 01:12:26,920
Speaker 2: Yes it is.

1802
01:12:28,840 --> 01:12:29,679
Speaker 11: I know what I got.

1803
01:12:29,800 --> 01:12:31,200
Speaker 14: So it's not about the penis.

1804
01:12:31,360 --> 01:12:33,479
Speaker 5: I don't believe it. Not about the pea.

1805
01:12:37,360 --> 01:12:38,400
Speaker 2: Well, the penis good.

1806
01:12:38,960 --> 01:12:41,599
Speaker 4: I mean I had a few good tenis.

1807
01:12:42,760 --> 01:12:45,040
Speaker 5: I ain't ask you that I said this one good.

1808
01:12:45,600 --> 01:12:46,880
Speaker 12: Oh I got one right now?

1809
01:12:47,360 --> 01:12:48,439
Speaker 5: So what is she talking about?

1810
01:12:48,880 --> 01:12:51,120
Speaker 12: I want to know I've settled.

1811
01:12:51,280 --> 01:12:54,840
Speaker 14: Okay, I'm not settling right now, but I want to avoid.

1812
01:12:55,120 --> 01:12:57,439
Speaker 8: But you're settling the past. And Charlamagne was saying, you

1813
01:12:57,479 --> 01:12:59,120
Speaker 8: can't let the penis talk for you. You can't let

1814
01:12:59,160 --> 01:13:00,479
Speaker 8: it be all about the peace is. It has to

1815
01:13:00,520 --> 01:13:02,360
Speaker 8: be about the person that don't try to change somebody

1816
01:13:02,600 --> 01:13:04,960
Speaker 8: if they show you believable.

1817
01:13:07,120 --> 01:13:09,360
Speaker 2: It's not about It's not about the penis.

1818
01:13:09,360 --> 01:13:11,880
Speaker 6: People always want to get mad at persons, places and things,

1819
01:13:11,920 --> 01:13:13,320
Speaker 6: but they don't never mentioned penises.

1820
01:13:14,000 --> 01:13:15,879
Speaker 5: A penises is in the mire.

1821
01:13:16,479 --> 01:13:18,120
Speaker 2: Why you want to talk about penis?

1822
01:13:19,280 --> 01:13:20,840
Speaker 12: It ain't about penis with me.

1823
01:13:20,960 --> 01:13:23,840
Speaker 14: Okay, I'm not a penis like person because I know

1824
01:13:24,000 --> 01:13:27,559
Speaker 14: my skill share. Therefore, any penis that come and contact

1825
01:13:27,600 --> 01:13:29,880
Speaker 14: with me it's gonna have good okay.

1826
01:13:29,760 --> 01:13:31,519
Speaker 8: Okay, but we're just making sure that you're just not

1827
01:13:31,640 --> 01:13:33,400
Speaker 8: settling for the penis because you said you're settling, and

1828
01:13:33,479 --> 01:13:35,400
Speaker 8: if you're settling, the gotta be a reason why you're settling.

1829
01:13:35,400 --> 01:13:37,720
Speaker 2: If they're not treating you well and it ain't, then

1830
01:13:37,760 --> 01:13:38,080
Speaker 2: what is it?

1831
01:13:38,640 --> 01:13:42,400
Speaker 14: Sometimes I don't know. I feel like if if there

1832
01:13:42,479 --> 01:13:45,639
Speaker 14: are certain things within them that I haven't gotten from

1833
01:13:45,680 --> 01:13:48,439
Speaker 14: somewhere else, I feel like that's a relatability and I

1834
01:13:48,640 --> 01:13:50,400
Speaker 14: kind of stick around to see where it goes.

1835
01:13:50,880 --> 01:13:51,840
Speaker 5: Then it'll go too far.

1836
01:13:52,000 --> 01:13:53,519
Speaker 12: My heart is kind of in it.

1837
01:13:54,320 --> 01:13:56,680
Speaker 14: It's that part at that point in time, you know

1838
01:13:56,760 --> 01:13:58,799
Speaker 14: what I'm saying, Like, No, you don't.

1839
01:13:58,600 --> 01:13:59,040
Speaker 2: Want to let go.

1840
01:13:59,120 --> 01:14:00,800
Speaker 8: I get it, Like you put your heart into it

1841
01:14:00,840 --> 01:14:02,880
Speaker 8: and then you feel like you're connected to the person

1842
01:14:02,960 --> 01:14:04,680
Speaker 8: and you love them, and you feel like if you

1843
01:14:04,760 --> 01:14:08,320
Speaker 8: let them go, it's like you know it's right right,

1844
01:14:08,400 --> 01:14:08,640
Speaker 8: But and.

1845
01:14:08,800 --> 01:14:10,680
Speaker 6: The man probably got a good yall game, So you

1846
01:14:10,720 --> 01:14:12,800
Speaker 6: don't want to just let that go away to somebody else.

1847
01:14:13,960 --> 01:14:16,400
Speaker 14: No, Honestly, I feel like a lot of men lacking

1848
01:14:16,479 --> 01:14:17,080
Speaker 14: that department.

1849
01:14:19,320 --> 01:14:22,800
Speaker 8: I got you, I got you understands that. It's like

1850
01:14:22,880 --> 01:14:24,559
Speaker 8: what we said from the door, give mean from the door.

1851
01:14:24,640 --> 01:14:27,320
Speaker 8: If you feel like you have to change somebody to

1852
01:14:27,439 --> 01:14:29,920
Speaker 8: make them better, you might not have to put that

1853
01:14:30,000 --> 01:14:31,719
Speaker 8: work in. You might want to try to find somebody

1854
01:14:31,760 --> 01:14:33,519
Speaker 8: that's already done to work on themselves, because a lot

1855
01:14:33,560 --> 01:14:35,439
Speaker 8: of times these brothers haven't done the work on themselves,

1856
01:14:35,439 --> 01:14:36,920
Speaker 8: and then they're up to you to change them. And

1857
01:14:37,000 --> 01:14:39,040
Speaker 8: you shouldn't have to be putting that predicament. Now if

1858
01:14:39,040 --> 01:14:41,120
Speaker 8: you just chasing penis, that's something different. You know, you're

1859
01:14:41,120 --> 01:14:42,920
Speaker 8: talking to her about a hypothetical man that she don't

1860
01:14:42,960 --> 01:14:43,240
Speaker 8: even have.

1861
01:14:43,640 --> 01:14:45,600
Speaker 6: I've been checked out of this conversation, man, because I

1862
01:14:45,640 --> 01:14:47,800
Speaker 6: thought you called in here talking about a particular human.

1863
01:14:48,800 --> 01:14:53,880
Speaker 14: Huh No, No, no, it's not about a particular human,

1864
01:14:54,080 --> 01:14:55,880
Speaker 14: because I want to change me as a human.

1865
01:14:55,880 --> 01:14:57,080
Speaker 4: It's all picked the wrong.

1866
01:14:57,040 --> 01:14:57,720
Speaker 5: Human, that's right.

1867
01:14:57,720 --> 01:14:59,280
Speaker 6: And that's all you need to be working on, working

1868
01:14:59,320 --> 01:15:02,120
Speaker 6: on changing your up and being a focus on being

1869
01:15:02,200 --> 01:15:03,719
Speaker 6: what it is that you want to attract.

1870
01:15:03,920 --> 01:15:04,400
Speaker 13: And that's it.

1871
01:15:04,760 --> 01:15:07,000
Speaker 6: Because right now we're talking to you about ghosts because

1872
01:15:07,000 --> 01:15:08,519
Speaker 6: you ain't got nobody ghost of penises.

1873
01:15:09,920 --> 01:15:14,560
Speaker 5: We're talking about the spirits of penises past right now, man, Okay.

1874
01:15:16,640 --> 01:15:18,800
Speaker 8: They have a good weekend, and good luck with the

1875
01:15:18,880 --> 01:15:21,040
Speaker 8: with the with the penis you know, situation for the weekend.

1876
01:15:21,080 --> 01:15:22,040
Speaker 2: It's gonna be a long weekend.

1877
01:15:22,160 --> 01:15:26,559
Speaker 6: God bless you, Queen, thank you. It's okay to say

1878
01:15:26,600 --> 01:15:29,000
Speaker 6: thanks for nothing. It's okay to tell us thank you

1879
01:15:29,080 --> 01:15:37,040
Speaker 6: for nothing. I thought you were talking about a real

1880
01:15:37,120 --> 01:15:39,280
Speaker 6: person once I finally, you ain't talking about nobody real.

1881
01:15:39,320 --> 01:15:41,720
Speaker 6: What we discussing here hypothetical aint. No, I don't got

1882
01:15:41,760 --> 01:15:44,760
Speaker 6: time for hypotheticals. Life is too short for hypotheticals. It's

1883
01:15:44,840 --> 01:15:48,759
Speaker 6: deal with reality. It's the breakfast logan boting the breakfast club.

1884
01:15:51,560 --> 01:15:54,800
Speaker 8: Everybody is the envy, Charlamagne, the gud. We are the

1885
01:15:54,840 --> 01:15:55,519
Speaker 8: breakfast club.

1886
01:15:55,600 --> 01:15:56,920
Speaker 2: Now, Charlamae, youve got a positive note.

1887
01:15:56,960 --> 01:15:58,439
Speaker 6: I do, But I also want to tell people, man,

1888
01:15:58,479 --> 01:16:02,000
Speaker 6: make sure you go in pre all Invisible Generals by

1889
01:16:02,120 --> 01:16:02,919
Speaker 6: Doug Melville.

1890
01:16:03,000 --> 01:16:04,320
Speaker 5: Doug Melville is my guy.

1891
01:16:04,640 --> 01:16:07,760
Speaker 6: Invisible Generals is one of the next books coming out

1892
01:16:07,800 --> 01:16:10,800
Speaker 6: on my book in print, Black Privileged Publishing be a

1893
01:16:10,920 --> 01:16:13,160
Speaker 6: Simon and Schuster. And you know what I love about

1894
01:16:13,200 --> 01:16:16,639
Speaker 6: having a book in print is we're able to tell stories,

1895
01:16:16,760 --> 01:16:19,640
Speaker 6: especially stories about these hidden figures in our culture. And

1896
01:16:19,720 --> 01:16:22,800
Speaker 6: Invisible Generals is the amazing true story of America's first

1897
01:16:22,840 --> 01:16:26,120
Speaker 6: black generals, Benjamin Old Davis Senior and JUNR. A father

1898
01:16:26,240 --> 01:16:28,800
Speaker 6: and son who helped integrate the American military and create

1899
01:16:29,000 --> 01:16:32,599
Speaker 6: the famous Tuskegee Airmen. So it'll be out November seventh

1900
01:16:33,280 --> 01:16:35,640
Speaker 6: of this year, but you can pre order right now

1901
01:16:35,920 --> 01:16:39,040
Speaker 6: wherever you buy books. Man, So go to Barnes and Nobles,

1902
01:16:39,120 --> 01:16:41,840
Speaker 6: go to Amazon and pre order Invisible Generals by my

1903
01:16:41,960 --> 01:16:45,960
Speaker 6: guy Doug Melville. Okay, okay, not a positive notice. Simply

1904
01:16:46,040 --> 01:16:49,320
Speaker 6: this man, be humble and never think that you are

1905
01:16:49,360 --> 01:16:51,040
Speaker 6: better than anyone else.

1906
01:16:51,360 --> 01:16:53,720
Speaker 2: Breakfast Club, you finish for y'all.

1907
01:16:53,800 --> 01:16:54,000
Speaker 9: Done,