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Speaker 1: Boulet Cap Podcasts, special guests, My guy, good to see you, man,

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Speaker 1: Good to see you mane Shady Records, Newest Grip, what's

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Speaker 1: happening everybody. Atlanta's finance is in the building. Man, welcome, man, welcome.

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Speaker 1: He First of all, I just want to say congratulations,

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Speaker 1: thank you, thank you. Yeah, because I remember when my boy,

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Speaker 1: Erica Rock put me onto your shit. Uh he put

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Speaker 1: me on the Stunnosed project. I was like, I gotta fuck,

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Speaker 1: I gotta find this guy. We gotta get him on

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Speaker 1: the show. People want to people that restyle. Yeah, man,

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Speaker 1: like it was so it's so dope. And then just

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Speaker 1: to see you kind of like just drop consistently throughout

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Speaker 1: the pandemic, just dropping records and just staying like staying

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Speaker 1: on your ship man, and like obviously it paid off.

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Speaker 1: Like kind of take me to what led to him

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Speaker 1: coming to the table, Like what what what caught his attention? Yeah,

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Speaker 1: I'll give you the months, like the months leading up

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Speaker 1: to this ship. So like with draw sna nose in

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Speaker 1: like October twenty nineteen teen, right, right, sh It's god damn.

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Speaker 1: You know it was getting critical acclaim and you know,

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Speaker 1: went on tour with Jed uh, Europe came back like December,

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Speaker 1: like Christmas, right January. We setting up for this Brent tour.

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Speaker 1: We're fin the tour the States with Brent right then

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Speaker 1: COVID and then everything shut down and we're kind of

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Speaker 1: just like that could have been a big tour too,

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Speaker 1: a big tour. I was supposed to make some good money, right,

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Speaker 1: so like it's like, damn, all right, well what we're

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Speaker 1: gonna do? So automatically just start I just lock in

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Speaker 1: and I make Halo, you know what I'm saying. Make Halo.

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Speaker 1: And I think like a week and I'm like, all shure,

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Speaker 1: we're at least on band camp. But thease that way,

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Speaker 1: you know, people can't go just tune in and throw

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Speaker 1: some money out of it. So make Halo? Did that

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Speaker 1: ship turn around? Made Probacitia were kind of just wait,

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Speaker 1: nobody knows at this point, nobody knows, like what's going

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Speaker 1: on in the where's the world going open back up?

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Speaker 1: Like everything's shutting down, everything's getting canceled. I made that one.

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Speaker 1: I think shortly after I made that one, I think

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Speaker 1: Paul might have reached out, you know, you know, just

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Speaker 1: show interest, you know what I'm saying. So at first

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Speaker 1: it was just talking with Paul, and then it turned

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Speaker 1: into well heard it. You know what I'm saying, He's interested.

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Speaker 1: So from there, you know, we kind of just like,

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Speaker 1: all right, well, let's figure something out. You know what

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Speaker 1: I'm saying. So this is in the pandemic, this is

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Speaker 1: like this is twenty nineteen, right, you know what I'm

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Speaker 1: saying twenty twenty. Yeah, that's just how I fucked up.

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Speaker 1: So this is tall blur buddy, It's all fucking blur

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Speaker 1: man blur. Right, So like this is twenty twenty. I

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Speaker 1: just go back to and at the start January I started,

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Speaker 1: I started recording I Died for This January, so you

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Speaker 1: already started working on the album. So then after but

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Speaker 1: then I took a pause. I recorded those other projects

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Speaker 1: and put them out just to have some shit out.

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Speaker 1: So then once we talked to you know and Paul,

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Speaker 1: it was kind of like, all right, bet, like so

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Speaker 1: now I gotta I'm inspire it again, so let me

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Speaker 1: finish this ship. So that way, if I fly out

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Speaker 1: there and ship and play some ship for him, I

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Speaker 1: got a body of work ready to go. Yeah, so

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Speaker 1: started working continue working on our Die for This. By

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Speaker 1: the time we got up there. Uh. It was just

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Speaker 1: like all I had to do was ask him, like, Yo,

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Speaker 1: this is the song I want you on. And you know,

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Speaker 1: I'm saying, think about Royce on this ship, you know

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Speaker 1: what I'm saying. But I think that m said he

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Speaker 1: heard he heard a Snubnose and two to two six

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Speaker 1: caught him kind of rapping fast and switching cadences and

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Speaker 1: ship Big Ruby at the beginning. He's like, yeah, he's

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Speaker 1: like that ship. So with Snubnose it caught. I feel

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Speaker 1: like Snubnose was so like slept On, especially like on

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Speaker 1: the DSPs, Like I feel like once you started dropping

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Speaker 1: music in the pandemic, like I was like, oh, ship,

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Speaker 1: I see I see Grip making these fucking big playlists.

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Speaker 1: This is dope, you know what I'm saying. Yeah, And

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Speaker 1: the people was going back to snub you know what

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Speaker 1: I'm saying. So it was cool. I think every like

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Speaker 1: every drop I've ever had, it just kind of got

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Speaker 1: bigger at the time, you know what I'm saying, Like naturally,

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Speaker 1: just it's got to be dope. Though, Like to have

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Speaker 1: like a concept project like Snubnose be the thing that

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Speaker 1: catches Eminem's attention. Hell yeah, man, I feel like because

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Speaker 1: for a long time, man, I was, I was kind

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Speaker 1: of upset with it because like I felt like it

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Speaker 1: was it was a great body of work that kind

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Speaker 1: of just like fell under the radar. No, it definitely did. Yeah,

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Speaker 1: So then I was just like, you know, for a

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Speaker 1: long time, I was kind of just like I was

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Speaker 1: frustrated for people who don't understand. Like, you had a

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Speaker 1: project in twenty nineteen you put out called Snubnose. This

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Speaker 1: is a project that kind of got me onto you

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Speaker 1: real tough, but what like it was a whole entire

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Speaker 1: concept to the album break break down what that was.

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Speaker 1: So Snubnose, of course is a is a revolver. So

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Speaker 1: so pretty much, I just like compare like the mechanism,

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Speaker 1: like the secular mechanism to like the hood, like just

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Speaker 1: like our environment, so like and kind of like spoke

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Speaker 1: from the perspective of a gun, spoke on different cycles, uh,

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Speaker 1: and brought it back for a circle at the end.

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Speaker 1: So pretty much, you know, in a nutshell, like that's

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Speaker 1: what it was. It was like the most creative ill

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Speaker 1: way to do what like Nas and Tupac did, but

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Speaker 1: like over an entire body of word, the entire body

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Speaker 1: of work, and I just remember, like as a kid,

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Speaker 1: like hearing like I gave you power, I gave you

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Speaker 1: powers the best damn. I think it was one of

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Speaker 1: those songs. I was like, the fuck yeah, powers, like

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Speaker 1: one of those songs. You're like, nas Is goat man,

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Speaker 1: what the fuck are we're doing here? I remember, like

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Speaker 1: I remember, like so uh. I think that it was

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Speaker 1: just dope that that at least am caught that ship.

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Speaker 1: You know what I'm saying, Like, at least this kind

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Speaker 1: of catapulted me to this next level. You know what

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Speaker 1: I'm saying. I mean that means that the project service purpose.

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Speaker 1: Saying purpose and think about Ematic right, emadic at. I

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Speaker 1: mean it was was it was an underground favorite. I

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Speaker 1: mean obviously came out on Columbia, but like really, once

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Speaker 1: Notves really started a pop, I think a lot of

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Speaker 1: people had to go back to that show, back to

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Speaker 1: that ship. Barely just went double platinum like six months ago.

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Speaker 1: You know what I'm saying, We think it Illmatic is

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Speaker 1: just like the holy grail, the holy grail of hip hop,

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Speaker 1: and it's like, bro, it's barely double platinum, you know

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Speaker 1: what I'm saying, Like I guess it reasonable doubt the

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Speaker 1: same thing right without reasonable out How many people like

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Speaker 1: no idea about reasonable doubt until Jay started really really

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Speaker 1: getting these commercial records. And so I think that's kind

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Speaker 1: of like your moment. So the album, like, obviously, when

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Speaker 1: you have a body work that's done, you presented the

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Speaker 1: shady records, right, you picked the song you want eminem

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Speaker 1: on or does he pick it? Well? I did that,

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Speaker 1: I did. I don't know how to go usually, but

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Speaker 1: like I was like, because when I played it, well,

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Speaker 1: I played it before I told him, so then when

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Speaker 1: I played it, he was like, damn, this hook, this

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Speaker 1: hook is dope as fuck. I was like, well, Greg,

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Speaker 1: the one that's the one I wanted. That's the one

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Speaker 1: I wanted you on. Yeah. Man, So like nah, I

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Speaker 1: kind of we are we kind of catered you know

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Speaker 1: what I'm saying. We kind of catered that ship like

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Speaker 1: to like, all right, man, let's if we was gonna

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Speaker 1: get him on a song, what would you know what

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Speaker 1: I'm saying, what I wanted to be what I don't

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Speaker 1: want this shit to sound like. So like that's kind

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Speaker 1: of like why I kind of feel like it was

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Speaker 1: easy for him to just like walk straight into it,

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Speaker 1: and it's got to be hard to cause, like especially

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Speaker 1: brought up Royce and you know I always say Royce,

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Speaker 1: and I mean Royce is a fucking Jedi. He's a Maniam,

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Speaker 1: one of the greatest of all time. But you would

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Speaker 1: think you wouldn't. Like, you get your m verse back,

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Speaker 1: you get your voice verse back. You already got your

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Speaker 1: ship done, right, so you gotta like it's almost like

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Speaker 1: you gotta had already recorded that hoping that they was

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Speaker 1: gonna get on it, and you went super stupid hard

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Speaker 1: or did you like recut any of your ship? I

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Speaker 1: don't recut, man, I don't recut man. I respect, you know,

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Speaker 1: I respect you know. Sometimes you'll send the record out

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Speaker 1: with the hook and then the open verse, see what,

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Speaker 1: see what's okay? This was? I know what I need

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Speaker 1: to do. It's a cold for me. So like if

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Speaker 1: I most of the time, if an artist is bigger

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Speaker 1: than you, they're gonna want they gonna want to hear

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Speaker 1: your ship on that first right because they don't want

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Speaker 1: to look crazy cannibish it happened. And yeah, so you know,

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Speaker 1: out of respect and just like you know, like I said,

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Speaker 1: it's a cold man like all right, cool. I'm gonna

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Speaker 1: send it with my shit on that I'm gonna try

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Speaker 1: to go as hard as possible, but some motherfucker's gonna

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Speaker 1: flip some shit to go crazy, you know what I'm saying, Like,

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Speaker 1: and it's just like, hey, it is what it is,

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Speaker 1: so like with them, like with Royce. With Royce, I

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Speaker 1: had already had the song constructed, like the first half

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Speaker 1: in the second half, so he just took the whole

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Speaker 1: middle you know what I'm saying, the whole middle portion

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Speaker 1: and killed the shit like, which is what I was

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Speaker 1: expecting him to do anyways. But then with like m

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Speaker 1: shit I spent at sixteen, I was just trying to

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Speaker 1: write some the most motherfucking internal just that lyrical school,

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Speaker 1: you know what I'm saying, Like, I'm going in you

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Speaker 1: know what I'm saying about the same time, trying to

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Speaker 1: like do my own thing. So when I said it

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Speaker 1: to him, you know, and he sent back, and I

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Speaker 1: was like, I was already knowing that he was coming

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Speaker 1: with at least thirty six bars, you know what I'm saying,

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Speaker 1: Like I already knew. I was like, all r I

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Speaker 1: bet like he went in, he just went the funk

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Speaker 1: off and it was like, ya, I don't change shit,

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Speaker 1: you know what I'm saying. I never I don't change

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Speaker 1: nothing like any time. It's crazy too because like I

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Speaker 1: just feel like am You know what I appreciate about

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Speaker 1: what Eminem does on Shady is it's not about cloud politics.

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Speaker 1: It's like who's dope? Yeah, like who like look at it,

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Speaker 1: Boogie is dope. The Griselda guys fire. Like people forget

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Speaker 1: when Eminem brought Griselda to Shady, Like Griselda was buzzing

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Speaker 1: and like amongst the hip hop has like boomback kids,

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Speaker 1: but it was nothing like it is now. Like he's

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Speaker 1: super early on you. You know what I'm saying. And

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Speaker 1: I think it's dope because like a lot of times

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Speaker 1: we'll see a lot of these executives are artists turns executives,

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Speaker 1: and it's really about like it's really not it's not

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Speaker 1: as much about the talent and the capabilities as a

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Speaker 1: rapper as it is about like the dollar signs. You

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Speaker 1: know what I'm saying. Yeah, Man, I think that's one

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Speaker 1: of the things when talking to him. Of course, I

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Speaker 1: know it's a business, you know what I'm saying. Of course,

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Speaker 1: Like when I talk to him and shit, it's like

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Speaker 1: you still felt like he was he's an artist and

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Speaker 1: like he kind of just like you know what I'm saying.

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Speaker 1: It's like it's like it's like a coach who used

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Speaker 1: to play basketball. Yeah, you know what I'm saying. Like

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Speaker 1: it's a difference. It's a difference a coach who played

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Speaker 1: in the NBA. Yet different respect them with the players.

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Speaker 1: That's why you always hear like, yeah, man, this guy

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Speaker 1: feel me. Ex player always gets the locker room easier,

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Speaker 1: you feel me, Like, so like I felt that. I

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Speaker 1: mean I felt that like before we even any paperwork anything,

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Speaker 1: you know what I mean. And he was just like, yo,

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Speaker 1: like I don't want to change nothing like I you

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Speaker 1: know what I mean, Like pretty much, that's just great.

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Speaker 1: You created control. So I was just like, so you

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Speaker 1: have created control in your situation. Oh that's fire, that's big,

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Speaker 1: that's huge. That's a very also very uncommon. Yeah for real.

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Speaker 1: So obviously Eminem is one of the greatest rappers of

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Speaker 1: all time. I mean obviously respect him as an MC.

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Speaker 1: As far as like coming up, like, were you listening

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Speaker 1: to a lot of like you know, I'm not saying

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Speaker 1: you were listening to a revival by the way whatever,

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Speaker 1: if you were love But were you like like, were

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Speaker 1: you like tapped in as like a pretty big Eminem

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Speaker 1: fan coming up? Yeah, yeah I was. I could probably

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Speaker 1: spit Verba, Slim Shady LP all the way to the

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Speaker 1: Eminem show. Those are my three yeah yeah, and then

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Speaker 1: eight Mile soundtrack. Yeah, eight Miles soundtrack. I wish you

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Speaker 1: would have made a whole album when he Bro if

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Speaker 1: Eminem would have did a whole album when he was

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Speaker 1: in eight mile fucking mode. Them three records on eight

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Speaker 1: mile fucking crazy, Yeah, Bro going hard. There's some ship

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Speaker 1: on the encore too, remember the Yeah, the mid types

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Speaker 1: and DJ types and show he had a verse. There

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Speaker 1: was a song called We All Die One Day on

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Speaker 1: Obie Trice's album. It was Obie Lloyd Banks fifty and Eminem.

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Speaker 1: It's my favorite Eminem verse ever. I feel like no

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Speaker 1: one talks about that version, but that era of like

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Speaker 1: early g unit Hell yeah, Man, eight mile and when

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Speaker 1: m was jumping on all the who Kid tapes, the

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Speaker 1: Green Lantern Ship talking about job Rule talking. I mean

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Speaker 1: it was just like, you know, it's one of the

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Speaker 1: best eras ever man. Bro. So yeah, no, I was,

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Speaker 1: I was, Yeah, I was big on them, like before,

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Speaker 1: what's your favorite album from him? Like favorite, I'm not

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Speaker 1: saying best because I think they're different. Ship probably the

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Speaker 1: maybe the show that's my favorite. I think, like probably

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Speaker 1: the best. You could probably say Martial Matters, but to

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Speaker 1: me and a show is the one, Yeah, because I

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Speaker 1: think like Marshall Mathers LP, like I wanted And I

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Speaker 1: remember the first time I lived Bro. I vividly remember

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Speaker 1: like my big sister had just maybe she had just

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Speaker 1: got our license or some ship and we're just driving

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Speaker 1: up the street to mom, can we go to the

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Speaker 1: to the gas station or whatever, and flying off with

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Speaker 1: c the end. You know what I'm saying, Like literally

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Speaker 1: just wanted some wild ship. I'm gonna kill you, see

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Speaker 1: what I'm saying. Like, So it was hard, Bro, like

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Speaker 1: Mom turned that ship off, You're gonna take my cut?

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Speaker 1: And I could I could hear like how his style

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Speaker 1: had changed and ship like him adjusting to you know,

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Speaker 1: to the industry and ship. So it was dope, man,

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Speaker 1: But I probably say the eminem Show shows my ship.

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Speaker 1: So what's been dope about just watching Atlanta over the

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Speaker 1: last like five or six years. It's just like Atlanta,

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Speaker 1: I obviously well for the last twenty to twenty. It's

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Speaker 1: been twenty strong years where Atlanta's ran rap music, right,

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Speaker 1: but like just in terms of like you know, obviously

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Speaker 1: there's the Migos, twenty one, Savage Chains, like all these

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Speaker 1: guys who've been like superstars shaping the culture. But to

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Speaker 1: see guys like Ji d, to see Black, to see

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Speaker 1: yourself like all like like Atlanta always to me was

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Speaker 1: like you know, growing up, Outcast was my favorite shit,

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Speaker 1: like Equiminized, my second favorite album, Ember, and like it's

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Speaker 1: just dope that like there's still that like like lineage

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Speaker 1: of like you know that that energy still coming out

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Speaker 1: of that A And what's dope about it too is

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Speaker 1: now it's like you know, I'm sure when you were

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Speaker 1: growing up and I when we were probably coming up

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Speaker 1: around the same era, it felt like hip hop was

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Speaker 1: a lot more segregated. Yeah, it'd be like this is

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Speaker 1: the real rap shit, this the commercial shit, this the

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Speaker 1: boom bab shit. But now I feel like everyone just

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Speaker 1: fucks with each other. Like it's like, you know, you

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Speaker 1: remember how crazy it was when telip Quality did a

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Speaker 1: song with jay Z. Yeah, or it wasn't even that

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Speaker 1: it was it was it wasn't even that. It was

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Speaker 1: it wasn't even that. Actually, I take that back. It

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Speaker 1: was just the fact that Jay shouted out tlip quality

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Speaker 1: on a song. They didn't even do a record together.

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Speaker 1: It was what he said lyrically, I'd be telling quality

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Speaker 1: everything like oh my god, he shout like common sense, right,

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Speaker 1: like common sense. But it's crazy to think like we

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Speaker 1: came from an era when like the rocket ship, the

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Speaker 1: common ship, the black Star ship was like another world

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Speaker 1: from Nas and jay Z because they were commercially successful artists.

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Speaker 1: But I feel like nowadays, like everything blends in together.

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Speaker 1: Yeah somewhat for the most part. Yeah, like you would

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Speaker 1: see like you know, Griselda doing records with two chains,

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Speaker 1: you know what I'm saying. And I think that come

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Speaker 1: out of like just like that, see like for instance

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Speaker 1: like outcasts and and uh and motherfucking who who would

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Speaker 1: jump on that a frequent a frequent collaborator too, like

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Speaker 1: like they had some wu tang on that ship, Yeah

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Speaker 1: what I'm saying. So, like you know, like I think

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Speaker 1: it's like so like it was to the bar b

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Speaker 1: respect thing like like oh no, I see y'all doing

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Speaker 1: y'all things with it, like and if time allows like

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Speaker 1: ship let's let's think about like even like big Boy, right,

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Speaker 1: he just he put out He's I mean I just

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Speaker 1: think like as a kid, like to think that like

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Speaker 1: a trapped out rapper like Jez would do a song

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Speaker 1: with outcasts. It just wouldn't make sense to me as

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Speaker 1: a fan. But but now yeah, but it's like I'm

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Speaker 1: just glad that, like because I used to be one

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Speaker 1: of them little hip hop snopper. I mean that ain't

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Speaker 1: real rap ship man? The fuck is this ship man?

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Speaker 1: But it's like all this ship is fun, It's all

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00:15:44,760 --> 00:15:48,200
Speaker 1: it's it's how do you feel about like kind of

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Speaker 1: the current state of Atlanta and just like where it

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Speaker 1: is as far as like artists integrity, Like I feel

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Speaker 1: like Atlanta still runs this whole ship bro, Like yeah,

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Speaker 1: I think that, Uh. I think it's in a place. Man,

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00:16:00,760 --> 00:16:03,960
Speaker 1: I think that has a decent balance, you know what

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Speaker 1: I'm saying. I feel like, uh, the trap the trap ship,

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Speaker 1: or at least the trap sound, you know what I'm saying.

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Speaker 1: Because it started off as trap because he was talking

333
00:16:11,400 --> 00:16:15,200
Speaker 1: about trap, right, ship Now it's just a sound now, right,

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00:16:15,240 --> 00:16:22,160
Speaker 1: So like uh, I feel like, hm, even if it's

335
00:16:22,200 --> 00:16:24,560
Speaker 1: if it may not have been. It's like as hard

336
00:16:24,600 --> 00:16:27,480
Speaker 1: as it was like ten years ago, but it's still

337
00:16:27,560 --> 00:16:31,080
Speaker 1: like the hardest ship is. It dominates the airwaves, you

338
00:16:31,120 --> 00:16:33,360
Speaker 1: know what I'm saying, Like it's it's more friendly on

339
00:16:33,400 --> 00:16:34,920
Speaker 1: the ear now, you know what I'm saying, Like kids

340
00:16:34,920 --> 00:16:39,320
Speaker 1: can fuck with it, and and everybody twenty one Savage rappers,

341
00:16:39,360 --> 00:16:43,720
Speaker 1: ass Offgos feel literally probably the most influential rappers in

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Speaker 1: the last decades. So I saw I fucked with it, bro,

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00:16:46,080 --> 00:16:48,760
Speaker 1: and then and then on the just like the lyrical

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Speaker 1: side of things, you know, just like I feel like

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00:16:52,200 --> 00:16:54,680
Speaker 1: we all gotta like we kind of fuck with the

346
00:16:54,840 --> 00:16:56,560
Speaker 1: like for the most part, everybody fucked with each other,

347
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Speaker 1: right right, you know what I'm saying in Atlanta, you

348
00:16:59,040 --> 00:17:00,800
Speaker 1: know what I'm saying from on the lyrical shit. So

349
00:17:00,880 --> 00:17:03,760
Speaker 1: like like I said, like like jid, like that's the

350
00:17:03,800 --> 00:17:06,400
Speaker 1: homie and shit. So like you know, we talk out there.

351
00:17:06,840 --> 00:17:09,399
Speaker 1: You know. Kenny Mason, Kenny Mason was just here. He freestyle.

352
00:17:09,440 --> 00:17:13,280
Speaker 1: He's a fucking beast. He's almy and shit, man, So like,

353
00:17:14,000 --> 00:17:15,560
Speaker 1: you know, I think it's in a good spot. Bro,

354
00:17:15,680 --> 00:17:17,480
Speaker 1: Hey what up? Man? We gotta interrupt the interview real

355
00:17:17,520 --> 00:17:20,080
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376
00:18:25,680 --> 00:18:28,359
Speaker 1: what's your in your opinion? Uh? What like if you

377
00:18:28,480 --> 00:18:30,760
Speaker 1: if somebody was coming to Atlanta and they'd never been

378
00:18:30,760 --> 00:18:32,200
Speaker 1: to a strip club, what would be the one place

379
00:18:32,240 --> 00:18:33,800
Speaker 1: you'd be, like, you gotta go here? I was like

380
00:18:33,840 --> 00:18:37,520
Speaker 1: the Magic City. I went to Magic City. I was disappointed. Wings.

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00:18:37,720 --> 00:18:41,920
Speaker 1: They weren't good. They were all right? Were you there? Cook?

382
00:18:43,040 --> 00:18:45,200
Speaker 1: I was very disappointed. They were tiny ass wings. Bro.

383
00:18:45,680 --> 00:18:48,199
Speaker 1: You know that Magic City wings? You want to jumbo wings? Bro?

384
00:18:48,359 --> 00:18:50,160
Speaker 1: You know that Magic City wings? As small as hell?

385
00:18:50,280 --> 00:18:53,359
Speaker 1: You want to jumbo? Are they not? Small ass wings?

386
00:18:53,880 --> 00:18:56,120
Speaker 1: On one night? Man a wing? This, a wing this side.

387
00:18:56,760 --> 00:18:59,360
Speaker 1: I heard the Blue Flame is better food wise? Maybe

388
00:18:59,400 --> 00:19:01,840
Speaker 1: I don't know. Guess what Killer Mike told me. No, no,

389
00:19:02,440 --> 00:19:04,080
Speaker 1: I ain't going. I ain't going. I ain't gonna. But

390
00:19:05,040 --> 00:19:08,400
Speaker 1: you say, yeah, he's of the flying Alright, let's see

391
00:19:08,440 --> 00:19:10,680
Speaker 1: if we talking about food ship Cheetah is a five

392
00:19:10,720 --> 00:19:13,360
Speaker 1: star restaurant, and that's like they play like nickel back

393
00:19:13,359 --> 00:19:19,760
Speaker 1: in there. I don't know what they play. Yeah, yo,

394
00:19:19,880 --> 00:19:22,680
Speaker 1: Jared Benon tried to take me to the Claremont Lounge.

395
00:19:22,760 --> 00:19:25,000
Speaker 1: That's like a real scums, a little freak show. He said.

396
00:19:25,000 --> 00:19:28,480
Speaker 1: There was midgets and elderly women showing there. Bro, one arm,

397
00:19:28,560 --> 00:19:31,400
Speaker 1: one one leg, ladies and ship's you've been in there

398
00:19:31,760 --> 00:19:33,680
Speaker 1: yeah that couple times. Yeah, he was like, Yo, I'm

399
00:19:33,680 --> 00:19:37,000
Speaker 1: gonna take you to this place. Bro, it's crazy fucking

400
00:19:37,040 --> 00:19:41,320
Speaker 1: old women in one arm. Yeah, man, midget all kinds

401
00:19:41,320 --> 00:19:43,760
Speaker 1: of ship is one of them. Player. I could imagine

402
00:19:43,760 --> 00:19:46,000
Speaker 1: like that ship being in like Tijuana or some ship.

403
00:19:46,240 --> 00:19:47,800
Speaker 1: You know what I'm saying, Like just a just a

404
00:19:47,880 --> 00:19:49,439
Speaker 1: random knight. Just drive down there and just like you

405
00:19:49,440 --> 00:19:51,959
Speaker 1: ever been to teacher No man were playing on going sooner. Man,

406
00:19:51,960 --> 00:19:54,240
Speaker 1: I got a homie in San Diego. Go to San Diego.

407
00:19:54,320 --> 00:19:56,160
Speaker 1: Check out t J. They got great Mexican food man,

408
00:19:56,640 --> 00:20:00,400
Speaker 1: great Mexican food man. Yeah, they got to talk every

409
00:20:00,440 --> 00:20:03,800
Speaker 1: corner that the best tacos. We probably gonna hit that ship. Yeah.

410
00:20:04,480 --> 00:20:08,119
Speaker 1: So the album is out. What is like because I think, like,

411
00:20:08,160 --> 00:20:10,520
Speaker 1: you know, obviously with I don't know how your deal structure.

412
00:20:10,560 --> 00:20:11,840
Speaker 1: But what was kind of cool about what happened with

413
00:20:11,840 --> 00:20:13,520
Speaker 1: Grizelda was like they were signed a Shady but they

414
00:20:13,560 --> 00:20:16,959
Speaker 1: also were just dropping independent shiite. It was like, Yo,

415
00:20:17,040 --> 00:20:19,359
Speaker 1: what the fuck is going on? Is this on Shady?

416
00:20:19,400 --> 00:20:21,800
Speaker 1: Is it's not on Shady? Like Conway still hasn't dropped

417
00:20:21,800 --> 00:20:23,560
Speaker 1: his Shady Records album and I heard it like a

418
00:20:23,640 --> 00:20:28,320
Speaker 1: year ago, but like, what's like your situation? Are you

419
00:20:28,320 --> 00:20:31,480
Speaker 1: gonna just flood the fucking marketplace? So like that ship

420
00:20:31,600 --> 00:20:36,080
Speaker 1: was released, Uh, it was distributed to Shady. I died

421
00:20:36,119 --> 00:20:41,119
Speaker 1: for this. Uh so that straight society through Shady distribution.

422
00:20:42,960 --> 00:20:45,399
Speaker 1: But yeah, man, so I mean technically we haven't even

423
00:20:45,840 --> 00:20:50,360
Speaker 1: had a debut, so technically they just distributed the project.

424
00:20:50,520 --> 00:20:53,960
Speaker 1: Yeah technically, Yeah, so they haven't had a debut Shady

425
00:20:54,000 --> 00:20:56,800
Speaker 1: album yet, but we'll be one for sure. Are you

426
00:20:56,840 --> 00:20:59,960
Speaker 1: already working on it? Yeah? Okay, okay? Is that gonna

427
00:20:59,960 --> 00:21:01,480
Speaker 1: be something where you like let him come in and

428
00:21:01,480 --> 00:21:04,520
Speaker 1: maybe do some executive producing or you kind of got

429
00:21:04,520 --> 00:21:08,439
Speaker 1: you got the creative control. If the executive produces it,

430
00:21:08,480 --> 00:21:14,520
Speaker 1: you're gonna have Skyler Gray singing on every fucking hook.

431
00:21:14,720 --> 00:21:18,200
Speaker 1: You're gonna have Pink and Skylar Grace singing on everything.

432
00:21:19,760 --> 00:21:23,560
Speaker 1: Bring Yeah, yeah, shout out to him a legend. But nah,

433
00:21:24,880 --> 00:21:27,760
Speaker 1: as far as like you're you're you know what you're

434
00:21:27,800 --> 00:21:30,520
Speaker 1: a fan of right now? Artists who inspire you right now?

435
00:21:30,680 --> 00:21:32,920
Speaker 1: Who's out there that you're like really? Just like, man,

436
00:21:33,080 --> 00:21:36,359
Speaker 1: I'm just a fan politics aside. I just fun with

437
00:21:36,359 --> 00:21:43,680
Speaker 1: your ship. Let's see uh tr Ot for sure. You

438
00:21:43,760 --> 00:21:46,200
Speaker 1: know what I'm saying, Uh fuck with school Boy heavy

439
00:21:47,119 --> 00:21:51,560
Speaker 1: Kendrick of course, Uh Kendrick verse on that family ties crazy? Yeah, yeah,

440
00:21:52,000 --> 00:21:56,720
Speaker 1: better than Drake's whole album, that verse he says, I

441
00:21:56,760 --> 00:21:59,080
Speaker 1: said it not you, he smoked on your top five?

442
00:22:00,800 --> 00:22:03,360
Speaker 1: Uh ship? Who else we got? Of course? Like Cole

443
00:22:03,840 --> 00:22:07,440
Speaker 1: with Cole uh jigs. You know what I'm saying, Anderson

444
00:22:07,520 --> 00:22:13,960
Speaker 1: pat Ship Man Tyler is fucking really killing it right now.

445
00:22:14,280 --> 00:22:17,040
Speaker 1: His album is so crazy. Yeah, bro, he put a

446
00:22:17,040 --> 00:22:19,600
Speaker 1: whole rapping ass gangster grills out in this album of

447
00:22:19,640 --> 00:22:21,280
Speaker 1: the year. He's in a He's in a in a

448
00:22:21,320 --> 00:22:27,080
Speaker 1: different bad right now. Oh man, of course three stacks.

449
00:22:27,280 --> 00:22:29,720
Speaker 1: I'm still waiting to god, Damn did you hear or

450
00:22:29,720 --> 00:22:33,280
Speaker 1: some ship? Did you hear the Kanye song? Oh man? God, Like,

451
00:22:33,320 --> 00:22:35,480
Speaker 1: how did this not make the album? I mean that

452
00:22:35,800 --> 00:22:38,200
Speaker 1: second verse that Kanye came, I was like, what's he doing?

453
00:22:38,359 --> 00:22:41,120
Speaker 1: Like he kind of just ruined, like what was going

454
00:22:41,160 --> 00:22:43,720
Speaker 1: on the song. It's like, Bro, did you not just

455
00:22:43,760 --> 00:22:46,880
Speaker 1: hear Andre cours fucking hard out? Like, yo, you come

456
00:22:46,920 --> 00:22:49,040
Speaker 1: here talking to other ship. I mean maybe that's why

457
00:22:49,080 --> 00:22:51,280
Speaker 1: it just didn't come out. Yeah, yeah, I get it,

458
00:22:51,280 --> 00:22:55,199
Speaker 1: but yeah no, of course, like I'm waiting. I'm waiting

459
00:22:55,240 --> 00:22:58,840
Speaker 1: bro for the day that and I'm sending three stacks

460
00:22:58,840 --> 00:23:01,840
Speaker 1: a fucking song. Bro, bro it You know what it

461
00:23:01,880 --> 00:23:03,960
Speaker 1: feels like with andre basically, like when I saw him

462
00:23:04,000 --> 00:23:06,399
Speaker 1: put out that statement about that song where he was like,

463
00:23:06,440 --> 00:23:08,560
Speaker 1: I love to work with Kendrake. I'm like, I feel

464
00:23:08,560 --> 00:23:11,359
Speaker 1: like he would do a lot more versus if people

465
00:23:11,359 --> 00:23:13,480
Speaker 1: would just ask people reached out to I don't think

466
00:23:13,480 --> 00:23:14,840
Speaker 1: people reach out to him because I just feel like

467
00:23:14,880 --> 00:23:18,080
Speaker 1: people think he's unobtainable. People to find his ass, you

468
00:23:18,240 --> 00:23:21,240
Speaker 1: know what I'm saying, just in random places, fucking you

469
00:23:21,280 --> 00:23:23,199
Speaker 1: know what I'm saying, eating that food and playing the

470
00:23:23,200 --> 00:23:25,840
Speaker 1: flute and crazy. Some people might say they saw him

471
00:23:25,840 --> 00:23:28,000
Speaker 1: in a concert or some ship. It's Andre, like your

472
00:23:28,560 --> 00:23:33,720
Speaker 1: like number one all time three stacks. Yeah, I think

473
00:23:33,800 --> 00:23:37,360
Speaker 1: Andreas He's in my top five. Man. Yeah, I feel

474
00:23:37,400 --> 00:23:39,879
Speaker 1: like Outcast is undisputably the greatest hip hop group of

475
00:23:39,880 --> 00:23:44,359
Speaker 1: all time. Yeah, yeah, it's close with the I think that.

476
00:23:44,520 --> 00:23:47,680
Speaker 1: I think for me it's it's it's outcast and then

477
00:23:48,080 --> 00:23:52,440
Speaker 1: I like Wu Tang Tribe as my three I was

478
00:23:52,600 --> 00:23:56,560
Speaker 1: kind of my personal I might say t yeah, yeah,

479
00:23:57,080 --> 00:24:00,399
Speaker 1: outcast Wu Tang Tribe. And then from there it's really

480
00:24:00,560 --> 00:24:04,439
Speaker 1: whatever you're into. Gangstar Mob, I mean Gang Star Primo

481
00:24:04,560 --> 00:24:09,359
Speaker 1: wasn't rapping, yeah mob deep Yeah, I mean n w A.

482
00:24:09,960 --> 00:24:11,480
Speaker 1: But me with like n w A, I just like

483
00:24:11,520 --> 00:24:17,680
Speaker 1: that ship was before No Limits Soldiers, that was really ship.

484
00:24:17,680 --> 00:24:21,720
Speaker 1: It was ship slip. Yeah, I got that. Yeah. Yeah,

485
00:24:22,160 --> 00:24:28,920
Speaker 1: Murders remember Magic You remember uh every time you get

486
00:24:28,920 --> 00:24:31,479
Speaker 1: a no Limited album, it'd be all these fucking albums

487
00:24:31,480 --> 00:24:34,280
Speaker 1: that like every like you'd be like, Yo, when the

488
00:24:34,320 --> 00:24:41,920
Speaker 1: fuck is this little Soldier's album ever? Yeah? Mercedes rear End, Bro.

489
00:24:42,000 --> 00:24:44,000
Speaker 1: You know how many times I touched myself as a

490
00:24:44,040 --> 00:24:46,600
Speaker 1: kid to that album cover. That was the closest thing

491
00:24:46,600 --> 00:24:48,639
Speaker 1: to pussy I had. I've been like, yo, let me

492
00:24:48,800 --> 00:24:51,640
Speaker 1: let me see Mercedes fucking cross on this fucking album cover.

493
00:24:53,160 --> 00:24:56,320
Speaker 1: It was like never I never heard none of the music. Never.

494
00:24:56,960 --> 00:24:59,560
Speaker 1: How many there were so many no limited artists like that?

495
00:24:59,720 --> 00:25:05,320
Speaker 1: Son A Harmony, a bunch of mac Yeah, brouh Fiend

496
00:25:05,400 --> 00:25:07,760
Speaker 1: was dope, though there's one in every family was fire.

497
00:25:09,160 --> 00:25:12,800
Speaker 1: And then also how many different versions of the five

498
00:25:12,880 --> 00:25:16,879
Speaker 1: or four Boys album was promoted. Every no Limited album

499
00:25:16,880 --> 00:25:19,399
Speaker 1: you'd buy, it'd be like five or four Boys coming soon,

500
00:25:19,840 --> 00:25:23,479
Speaker 1: and they'd be like one version would have like c Murders,

501
00:25:23,520 --> 00:25:27,080
Speaker 1: Mister cool Pe and Silk in it. And then the

502
00:25:27,119 --> 00:25:29,000
Speaker 1: next album you buy, it'd be like five or four

503
00:25:29,000 --> 00:25:31,320
Speaker 1: Boys coming soon with Snoop Dogg in the fiber four

504
00:25:34,000 --> 00:25:37,240
Speaker 1: four Boys album. Can wait for this ship for two years? Yeah.

505
00:25:37,440 --> 00:25:39,080
Speaker 1: I used to have a No Limit chain as a kid.

506
00:25:39,440 --> 00:25:41,480
Speaker 1: I think we had to tang on them, the little

507
00:25:41,520 --> 00:25:44,240
Speaker 1: silver guy from the mall, from the Beautiful Story, and

508
00:25:44,280 --> 00:25:46,080
Speaker 1: then they put their fucking clothes out and I couldn't

509
00:25:46,080 --> 00:25:47,440
Speaker 1: afford I was trying to get one of them No

510
00:25:47,520 --> 00:25:49,919
Speaker 1: Limit ninety nine jerseys and mister Rags, but them sh

511
00:25:50,119 --> 00:25:52,280
Speaker 1: was like one hundred dollars and I could never afford these. Yeah,

512
00:25:52,359 --> 00:25:54,840
Speaker 1: I see, man, we got them. Yeah, we just never

513
00:25:54,840 --> 00:25:58,760
Speaker 1: had the masterpiece market. Do you ever get the masterpiece sneakers?

514
00:25:59,600 --> 00:26:01,240
Speaker 1: I think that by that point, I think I was

515
00:26:01,320 --> 00:26:04,040
Speaker 1: kind of just like, yeah, you know, what was crazy? Hey,

516
00:26:04,240 --> 00:26:06,560
Speaker 1: the No Limit ship was so popping, and then it

517
00:26:06,680 --> 00:26:12,240
Speaker 1: just wasn't really fast go bro, but like so fast.

518
00:26:12,520 --> 00:26:14,359
Speaker 1: It was like the hottest ship in the world. And

519
00:26:14,400 --> 00:26:17,040
Speaker 1: then it was just over yeah man, And it was

520
00:26:17,400 --> 00:26:19,600
Speaker 1: I feel like the last master P album where I

521
00:26:19,640 --> 00:26:21,399
Speaker 1: was like, oh, this ship ain't it It is the

522
00:26:21,440 --> 00:26:23,440
Speaker 1: only guy can judge me ship with the cross the

523
00:26:23,840 --> 00:26:25,800
Speaker 1: diamond out cross on the front. I remember I listened

524
00:26:25,840 --> 00:26:28,760
Speaker 1: to that ship. I was like, it's over with and

525
00:26:28,800 --> 00:26:31,560
Speaker 1: then he put out the album where he had he

526
00:26:31,640 --> 00:26:33,440
Speaker 1: was in his hornets jersey on the basketball court on

527
00:26:33,560 --> 00:26:37,000
Speaker 1: the cover. Yeah, man, ghetto. I think MP The Last

528
00:26:37,000 --> 00:26:38,639
Speaker 1: Down was probably the last No Limited album I really

529
00:26:38,680 --> 00:26:41,959
Speaker 1: fucked with. I kind of like it was the one

530
00:26:42,000 --> 00:26:43,640
Speaker 1: that had like the three D cover with the top

531
00:26:43,680 --> 00:26:45,640
Speaker 1: hat and the rings and ship had make him say

532
00:26:45,800 --> 00:26:49,879
Speaker 1: Part two on it. Yeah. See he had movies and

533
00:26:50,280 --> 00:26:53,679
Speaker 1: lot like I got the hook up with fire. I

534
00:26:53,680 --> 00:26:56,520
Speaker 1: got the hookup was so slept on bro. Yeah. I

535
00:26:56,520 --> 00:26:58,680
Speaker 1: think like P is like obviously, you know, shouts to

536
00:26:58,720 --> 00:27:01,720
Speaker 1: pe Man. That's one guy han't interview if I ever

537
00:27:01,760 --> 00:27:03,800
Speaker 1: interviewed him. B f P. The pac Man's calling me

538
00:27:03,840 --> 00:27:05,280
Speaker 1: in the middle of an interview. See what he says.

539
00:27:07,720 --> 00:27:10,520
Speaker 1: I'm in the middle of an interview right now, Bro, Bro,

540
00:27:10,720 --> 00:27:18,239
Speaker 1: don't treat me like I'm regular. I got you, I

541
00:27:18,359 --> 00:27:24,640
Speaker 1: got you. Hey, hold on, Hey, this is my producer.

542
00:27:24,680 --> 00:27:26,639
Speaker 1: He ain't send me the pholder. Hey, hey, cook, what

543
00:27:26,640 --> 00:27:38,200
Speaker 1: then are we doing now? Like my guy got you

544
00:27:38,280 --> 00:27:40,399
Speaker 1: and get you a photo? Right now? Let me finish it.

545
00:27:40,400 --> 00:27:43,520
Speaker 1: I'm in I'm in the middle of an interview the

546
00:27:43,560 --> 00:27:45,720
Speaker 1: homie Grip was having. Bro was hading. How you doing.

547
00:27:47,359 --> 00:27:52,240
Speaker 1: I'm good, brother, how you Oh no, you're good? For

548
00:27:52,400 --> 00:27:58,080
Speaker 1: you good? All right? Man? Okay, that's not your ass, man,

549
00:27:58,119 --> 00:28:00,640
Speaker 1: I need I need an interview to you. You fun

550
00:28:00,720 --> 00:28:03,240
Speaker 1: would be a be the pac Man. I never have

551
00:28:03,320 --> 00:28:06,240
Speaker 1: you heard of him? Na, Oh my god, he's like

552
00:28:06,320 --> 00:28:08,760
Speaker 1: the bro. He's like the funniest rapper a lot. Matter fact.

553
00:28:08,840 --> 00:28:10,320
Speaker 1: Matter of fact, you by the ship. You buy this

554
00:28:10,320 --> 00:28:15,239
Speaker 1: ship from me. He's fucking hilarious. He's from Flint, Michigan. Right,

555
00:28:15,280 --> 00:28:17,720
Speaker 1: Oh yeah, yeah, yeah, we watched this ship. Yeah, we

556
00:28:17,760 --> 00:28:20,359
Speaker 1: watched it. He was cold, Bro, he was cold. Funny,

557
00:28:20,400 --> 00:28:24,399
Speaker 1: he was cold. That's dope. Yeah, he's like the funniest rapper.

558
00:28:24,440 --> 00:28:26,399
Speaker 1: He'd be just saying normal ship that we all be thinking,

559
00:28:26,400 --> 00:28:27,920
Speaker 1: but he'd just be saying it. He's saying that ship

560
00:28:27,960 --> 00:28:30,600
Speaker 1: Yeah he cold, he called I watched the ship ship

561
00:28:30,680 --> 00:28:32,480
Speaker 1: all night with this nigga. He was just going down

562
00:28:32,480 --> 00:28:35,040
Speaker 1: our little rabbit hole. Yeah yeah, yeah, the pac Man

563
00:28:35,119 --> 00:28:37,480
Speaker 1: rabbit holes gets deep. Man, it's hard. What was the

564
00:28:37,680 --> 00:28:40,040
Speaker 1: we were just talking about master P shouts master anyway,

565
00:28:40,040 --> 00:28:43,120
Speaker 1: respect to Master P, respect to No Himan Records. It

566
00:28:43,200 --> 00:28:46,640
Speaker 1: did end fast. What's your favorite No Limit album? Ship?

567
00:28:46,680 --> 00:28:48,640
Speaker 1: I don't know, shoots to the game, I don't know.

568
00:28:49,680 --> 00:28:52,720
Speaker 1: I fuck with that ghetto dope, ghetto dough. It'll be

569
00:28:52,760 --> 00:29:00,320
Speaker 1: hardest fun, you know, make crack like this man, and

570
00:29:00,360 --> 00:29:04,440
Speaker 1: I missed my homies was crazy. Yeah, yeah, you're right,

571
00:29:05,120 --> 00:29:09,520
Speaker 1: So yeah, man, I don't know, bro. Ghetto is like, yeah,

572
00:29:09,520 --> 00:29:12,560
Speaker 1: ghetto d is there though, Bron, Like of course you

573
00:29:12,560 --> 00:29:15,640
Speaker 1: got like the motherfucking ug ks and of course you know,

574
00:29:15,920 --> 00:29:19,440
Speaker 1: obviously how about this outside of cast, even outside of

575
00:29:19,480 --> 00:29:23,160
Speaker 1: the Dungeon family, right, because Goodie Mob is incredible, but like,

576
00:29:23,200 --> 00:29:26,160
Speaker 1: who is some Southern influences coming up as an MC

577
00:29:26,280 --> 00:29:29,960
Speaker 1: that really you know, kind of helped shape your your style.

578
00:29:30,000 --> 00:29:31,840
Speaker 1: That was like, oh, Ship, there's other motherfuckers out here.

579
00:29:31,840 --> 00:29:40,080
Speaker 1: That really got bars obviously a tip man face scarface ship. Actually, uh,

580
00:29:40,560 --> 00:29:43,640
Speaker 1: fucking Sean J from phil Mob is a motherfucking monster.

581
00:29:43,800 --> 00:29:45,520
Speaker 1: He had a He had a bar on one of

582
00:29:45,560 --> 00:29:49,600
Speaker 1: his songs where he said, uh, so poor I forge's

583
00:29:49,640 --> 00:29:53,400
Speaker 1: something about the soap being so small. Yeah, the soap

584
00:29:53,560 --> 00:29:57,120
Speaker 1: sides of the size of a certain Yes. Yeah, bro, like, hey,

585
00:29:57,200 --> 00:30:00,360
Speaker 1: no he got bars man. Hey, y'all, fi, I was

586
00:30:00,560 --> 00:30:04,080
Speaker 1: crazy from the tutor Man from Maruta to the Tour

587
00:30:04,160 --> 00:30:08,080
Speaker 1: Sean J got bars dog film. I was crazy. Yeah,

588
00:30:08,120 --> 00:30:10,360
Speaker 1: now they're slept on. I wonder. Yeah, that's that's crazy.

589
00:30:10,360 --> 00:30:12,800
Speaker 1: I forgot about field Mown and they had some hits

590
00:30:12,800 --> 00:30:18,960
Speaker 1: too that Sarah, Yeah, so what what At one point,

591
00:30:19,000 --> 00:30:21,120
Speaker 1: you know, we was on Luda this ship. You know,

592
00:30:21,200 --> 00:30:23,000
Speaker 1: Lula was hard. Hey that t I freestyle. That did

593
00:30:23,080 --> 00:30:24,320
Speaker 1: it for me. He had a jack and for beachs

594
00:30:24,320 --> 00:30:28,200
Speaker 1: freestyle he named he said it before that was yes

595
00:30:28,520 --> 00:30:31,719
Speaker 1: And when he said, uh what did he say? Uh,

596
00:30:31,880 --> 00:30:34,720
Speaker 1: I'm like, uh like Martin Luther King with the g

597
00:30:34,840 --> 00:30:40,480
Speaker 1: A T ship heave me, Oh my god. But see

598
00:30:40,520 --> 00:30:42,480
Speaker 1: he had an older one man when he was like

599
00:30:42,640 --> 00:30:44,560
Speaker 1: just going by tip that he had a jack and

600
00:30:44,600 --> 00:30:46,720
Speaker 1: for beats that was hard, bro Like he had like

601
00:30:47,360 --> 00:30:49,840
Speaker 1: he was doing biggie beats and some motion on that ship.

602
00:30:49,920 --> 00:30:53,360
Speaker 1: Bro Like. But yeah, no tips definitely a coming out

603
00:30:53,360 --> 00:30:56,640
Speaker 1: of Atlanta, bro Like, that ship was huge. Would you

604
00:30:56,680 --> 00:30:59,560
Speaker 1: ever want to do, obviously with Tyler kind of bringing

605
00:30:59,560 --> 00:31:01,080
Speaker 1: back the game your girls thing, would you ever want

606
00:31:01,080 --> 00:31:02,680
Speaker 1: to do a gangster girls because I feel like that's

607
00:31:02,680 --> 00:31:04,360
Speaker 1: like a you know, obviously growing up that was a

608
00:31:04,360 --> 00:31:06,400
Speaker 1: big deal. Man, Yeah, of course, but now I feel

609
00:31:06,440 --> 00:31:09,240
Speaker 1: like we in a day and age that now people

610
00:31:09,320 --> 00:31:11,240
Speaker 1: just gonna be like, oh, you copy you copying off.

611
00:31:11,840 --> 00:31:14,640
Speaker 1: It's like, you know what I'm saying, Tyler just was

612
00:31:14,680 --> 00:31:17,560
Speaker 1: just kind of paying hommage to ignore that to Erar

613
00:31:17,640 --> 00:31:19,640
Speaker 1: and ship. So but you know how people do nowaday,

614
00:31:19,680 --> 00:31:21,320
Speaker 1: So I would probably just do it with it. Was

615
00:31:21,360 --> 00:31:26,120
Speaker 1: there any uh, any sort of competition as far as

616
00:31:26,720 --> 00:31:28,400
Speaker 1: whether or not you signed with Shady? Were there other

617
00:31:28,400 --> 00:31:32,760
Speaker 1: people you were considering signing with mm kind of? But

618
00:31:32,800 --> 00:31:35,240
Speaker 1: this ship just made them? This ship made the most sense,

619
00:31:35,320 --> 00:31:37,200
Speaker 1: you know what I'm saying, Like it was you know

620
00:31:37,320 --> 00:31:39,400
Speaker 1: a few people, man, I ain't ta ain't taught to

621
00:31:39,440 --> 00:31:41,520
Speaker 1: some people saying stand and ship. You don't know if

622
00:31:41,520 --> 00:31:43,440
Speaker 1: they feel the way or what. But oh you think

623
00:31:43,480 --> 00:31:47,400
Speaker 1: like maybe because you passed. The people are weirdose man

624
00:31:47,920 --> 00:31:50,400
Speaker 1: a little bit. It's called business business move man. End

625
00:31:50,440 --> 00:31:52,560
Speaker 1: of the day, Like this will be with my friends.

626
00:31:52,400 --> 00:31:56,320
Speaker 1: It's like, man, with you music industry people are just

627
00:31:56,560 --> 00:32:00,400
Speaker 1: emotional motherfuckers. Man. Man. But' see sometimes man, I ain't

628
00:32:00,440 --> 00:32:04,040
Speaker 1: gonna lie bro like deals failed throwing ship not kind

629
00:32:04,040 --> 00:32:06,520
Speaker 1: of like yeah, ship gave me like a chip on

630
00:32:06,520 --> 00:32:08,560
Speaker 1: my shoulder and ship, so like you had you had

631
00:32:08,560 --> 00:32:11,280
Speaker 1: deals fall through. Yeah, so like even the like the

632
00:32:11,320 --> 00:32:13,360
Speaker 1: an rs or whoever that was bringing the deals to

633
00:32:13,360 --> 00:32:15,920
Speaker 1: the table and ship, like I slicked just like didn't

634
00:32:15,960 --> 00:32:18,040
Speaker 1: talk to them for a while and ship. And it's

635
00:32:18,080 --> 00:32:19,560
Speaker 1: not like I was mad at them because I know,

636
00:32:19,640 --> 00:32:22,280
Speaker 1: like it ain't Joe fault you saying and ship to

637
00:32:22,520 --> 00:32:24,040
Speaker 1: you know what I'm saying to the bosses and ship.

638
00:32:24,120 --> 00:32:26,680
Speaker 1: But you know, so I gotta get over that type

639
00:32:26,680 --> 00:32:28,000
Speaker 1: of ship. You know what I'm saying. I would chip

640
00:32:28,000 --> 00:32:30,800
Speaker 1: on my shoulder and ship, you know what I mean? Yeah? Yeah,

641
00:32:31,200 --> 00:32:34,800
Speaker 1: it's hey, man, the most emotional friends I have are

642
00:32:35,040 --> 00:32:38,560
Speaker 1: are artists because it's it's like you almost have to

643
00:32:38,560 --> 00:32:40,560
Speaker 1: be an emotional person to give a fuck that much

644
00:32:40,600 --> 00:32:43,160
Speaker 1: to get so good at something and it's art, right,

645
00:32:43,240 --> 00:32:45,880
Speaker 1: So you're it's it's like you watched the Last Dance,

646
00:32:46,000 --> 00:32:49,200
Speaker 1: of course, fucking mad at anything anything, And when you're

647
00:32:49,240 --> 00:32:51,720
Speaker 1: talking about art like this is like literally like your

648
00:32:51,720 --> 00:32:54,480
Speaker 1: blood sweating tears right right, you really you know what

649
00:32:54,520 --> 00:32:57,520
Speaker 1: I'm saying. It's not like you're you're you're like a

650
00:32:57,600 --> 00:33:00,760
Speaker 1: contractor and you put in flooring or something like. Now,

651
00:33:00,800 --> 00:33:02,800
Speaker 1: this is my art, bro, this is like my expression,

652
00:33:02,800 --> 00:33:05,680
Speaker 1: this is my everything life. You're putting out here, man,

653
00:33:05,800 --> 00:33:07,400
Speaker 1: you know what I'm saying and putting out here for

654
00:33:07,440 --> 00:33:09,640
Speaker 1: the world to hear. Well, Look, the album is out

655
00:33:10,400 --> 00:33:14,240
Speaker 1: and you're working. It's not even your Shady Records debut, Yeah,

656
00:33:14,520 --> 00:33:17,800
Speaker 1: just distributed. You got the distrust the debut release, say,

657
00:33:17,880 --> 00:33:21,440
Speaker 1: debut album. What is it like? You know, obviously, Paul's

658
00:33:21,480 --> 00:33:24,160
Speaker 1: a guy who is a legendary executive. You know, was

659
00:33:24,200 --> 00:33:26,880
Speaker 1: running death Cham for a few years, has managed a

660
00:33:26,920 --> 00:33:29,400
Speaker 1: bunch of big art I mean, eminem but also you know,

661
00:33:29,440 --> 00:33:31,760
Speaker 1: mismanaging action boonton for a little bit. What's Paul like?

662
00:33:31,920 --> 00:33:34,000
Speaker 1: You know, I feel like we don't really know a

663
00:33:34,000 --> 00:33:36,680
Speaker 1: lot about Paul as far as like most executives are

664
00:33:36,680 --> 00:33:40,600
Speaker 1: a little bit more out there than he is as

665
00:33:40,640 --> 00:33:43,960
Speaker 1: far as doing interviews and ship, Like, how is he? Yeah, man, Paul,

666
00:33:44,480 --> 00:33:48,400
Speaker 1: Paul is cool man, I am. I heard so many

667
00:33:48,400 --> 00:33:50,600
Speaker 1: different things before, you know what I'm saying getting into

668
00:33:50,600 --> 00:33:54,120
Speaker 1: the situation about Paul, you know, so like just from everywhere,

669
00:33:54,160 --> 00:33:56,560
Speaker 1: so like you know, I kind of just like washed

670
00:33:56,600 --> 00:33:59,320
Speaker 1: that out and went and ready to just like assess

671
00:33:59,320 --> 00:34:03,080
Speaker 1: it myself, get your own opinion. Yeah, so far, so

672
00:34:03,120 --> 00:34:04,800
Speaker 1: good man, cool man. You know what I'm saying. We

673
00:34:05,680 --> 00:34:07,480
Speaker 1: him and tied talks all the time and ship, you

674
00:34:07,480 --> 00:34:09,560
Speaker 1: know what I'm saying, shooting text messages and ship. So

675
00:34:10,480 --> 00:34:13,840
Speaker 1: you know, Paul's cool man, like from from what I

676
00:34:14,160 --> 00:34:16,040
Speaker 1: you know, I man and meeting them and ship. How

677
00:34:16,080 --> 00:34:17,680
Speaker 1: big did you go to Eminem's house when you went

678
00:34:17,719 --> 00:34:20,759
Speaker 1: to Detroit? We went to the studio. Oh he's got

679
00:34:20,760 --> 00:34:23,120
Speaker 1: his own studio, right, I'm sure he hasn't He has

680
00:34:23,160 --> 00:34:25,839
Speaker 1: his own studio. But so you went to Detroit though, Yeah,

681
00:34:25,880 --> 00:34:27,600
Speaker 1: I went to Detroit. Is that like you gotta go

682
00:34:27,640 --> 00:34:29,480
Speaker 1: to Like I feel like Eminem's not going nowhere? You

683
00:34:29,480 --> 00:34:31,160
Speaker 1: got to go to Detroit. Yeah, You're gonna come to

684
00:34:31,160 --> 00:34:34,160
Speaker 1: Detroit whenever I see like Eminem somewhere else besides Michigan.

685
00:34:34,200 --> 00:34:36,879
Speaker 1: I'm like, what's going on, man? He was in La

686
00:34:37,000 --> 00:34:39,719
Speaker 1: for what it must be working on the Detos or something.

687
00:34:39,760 --> 00:34:41,680
Speaker 1: All right, all right, you're gonna pull up to Detroit,

688
00:34:41,760 --> 00:34:44,200
Speaker 1: you know, if he's working on any new music himself,

689
00:34:44,239 --> 00:34:46,399
Speaker 1: because his music to be murdered by the best shit

690
00:34:46,440 --> 00:34:51,600
Speaker 1: he's put out in like hard oh incredible too. I'm

691
00:34:51,600 --> 00:34:53,799
Speaker 1: not gonna lie this. I said this, you know, because

692
00:34:53,840 --> 00:34:56,200
Speaker 1: I've been very critical of m and his music over

693
00:34:56,200 --> 00:34:59,680
Speaker 1: the last eight or nine years. Music to me, murdered

694
00:34:59,680 --> 00:35:02,120
Speaker 1: By at the end of the year was like my

695
00:35:02,200 --> 00:35:05,440
Speaker 1: second most listening. It made me feel like vintage Eminem.

696
00:35:05,719 --> 00:35:07,759
Speaker 1: I felt like he handled some production. It sounds because

697
00:35:07,760 --> 00:35:10,680
Speaker 1: you you know, back in the day and with you know,

698
00:35:10,800 --> 00:35:13,040
Speaker 1: it's crazy because I don't think Eminem ever got enough

699
00:35:13,120 --> 00:35:15,120
Speaker 1: love as a producer because he had a he had

700
00:35:15,160 --> 00:35:18,640
Speaker 1: a literal sound. He's nasty and but em had a

701
00:35:18,680 --> 00:35:20,800
Speaker 1: sound where you'd be like, oh no, those are Eminem drums.

702
00:35:20,800 --> 00:35:22,319
Speaker 1: This sounds like an Eminem b like when he did

703
00:35:22,320 --> 00:35:23,839
Speaker 1: the Cross for Nows or whatever, like you know, that's

704
00:35:23,840 --> 00:35:26,239
Speaker 1: an MB and I feel like he kind of got

705
00:35:26,239 --> 00:35:30,439
Speaker 1: back to like that. Yeah, because man, I ain't man

706
00:35:30,520 --> 00:35:36,640
Speaker 1: shot men. Listen, bro Skylar Gray Man, Skylar fucking gray

707
00:35:36,680 --> 00:35:40,279
Speaker 1: Man man list when I saw music be murdered, but

708
00:35:40,320 --> 00:35:41,719
Speaker 1: I looked at the track list and I got so

709
00:35:41,760 --> 00:35:43,239
Speaker 1: mad because I saw her name on there again. But

710
00:35:43,320 --> 00:35:47,800
Speaker 1: she was cool on this one. God damn. Everyone was

711
00:35:47,840 --> 00:35:49,960
Speaker 1: like it is crazy because, like I gotta tell my man,

712
00:35:50,200 --> 00:35:51,799
Speaker 1: my mass is a fan. You know what I'm saying,

713
00:35:51,840 --> 00:35:57,760
Speaker 1: Like you, this broad was on fucking Bad meets Evil.

714
00:35:58,239 --> 00:36:00,920
Speaker 1: Why is she on Bad Meats Evil? I want to

715
00:36:00,920 --> 00:36:04,200
Speaker 1: hear Skylar Gray singing a ballad hook on bat meets Evil.

716
00:36:07,200 --> 00:36:09,600
Speaker 1: Shout out to her. She owes a lot to em

717
00:36:09,640 --> 00:36:12,399
Speaker 1: you know what I'm saying. Yeah, hey man, listen. Well look,

718
00:36:13,160 --> 00:36:15,920
Speaker 1: we're gonna do a freestyle separate YouTube video. The album

719
00:36:16,000 --> 00:36:18,759
Speaker 1: is out. I know Eminem and Paul's gonna watch this.

720
00:36:19,239 --> 00:36:25,040
Speaker 1: At least Paul will I love Eminem next album. Leave

721
00:36:25,040 --> 00:36:28,480
Speaker 1: Skylar Gray off that motherfucker from me, please Jesus Christ.

722
00:36:28,840 --> 00:36:29,759
Speaker 1: All right, there we go,