WEBVTT - Richard E. Grant on eating the same seven meals growing up, Henry Higgins and coping with loss 

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<v Speaker 1>You were listening to Ruthie's Table four in Partnership with Montclair.

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<v Speaker 2>When I think of Richardy Grant, of course I think

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<v Speaker 2>of his brilliant films and him as a great actor.

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<v Speaker 2>But what I really think of is Richard and his

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<v Speaker 2>wife Joan in the early days of the River Cafe.

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<v Speaker 2>They were married a year before the restaurant opened and

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<v Speaker 2>lived right across the river. Coming in for lunch, are

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<v Speaker 2>we sitting at the same table. They were warm and

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<v Speaker 2>lovely and absorbed in each other. I remember their daughter,

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<v Speaker 2>Olivia being born a few years later, and then bringing

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<v Speaker 2>her in as a baby when the restaurant was still

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<v Speaker 2>small and starting up. Just like her. We all grew

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<v Speaker 2>up and off into our own lives. Now over thirty

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<v Speaker 2>years later, Richard and I share something else in common,

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<v Speaker 2>the loss of the partner we loved. People once asked me.

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<v Speaker 2>Someone asked me about my advice on grief, and I

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<v Speaker 2>have no advice on grief because it's so personal how

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<v Speaker 2>you do it. Whether I have a friend whose mother

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<v Speaker 2>went to bed for six months and never got out

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<v Speaker 2>because her son had died. She just took to her bed,

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<v Speaker 2>and you know, I never stopped. So we all have

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<v Speaker 2>different ways, And I was thinking, if we start with

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<v Speaker 2>the food part of that, do you eat for comfort

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<v Speaker 2>or did you stop eating when.

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<v Speaker 1>I add for comfort? And the last once Journal was diagnosed,

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<v Speaker 1>and the subsequent eight months that she had left, which

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<v Speaker 1>we didn't know we're going to be so short, I

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<v Speaker 1>cooked three times a day, did you? But you know,

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<v Speaker 1>I'm so struck when everybody, anybody subsequent to her death

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<v Speaker 1>says to me, what would your final meal be? And

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<v Speaker 1>I said, well, the experience is of somebody who is

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<v Speaker 1>dying is that food is the last thing that they want.

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<v Speaker 1>That Because of the drugs that she was on for

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<v Speaker 1>lung cancer, everything started tasting like sam so it didn't matter.

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<v Speaker 1>It got to the point where it didn't matter what

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<v Speaker 1>I cooked. She would say, well, this doesn't really taste

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<v Speaker 1>of anything, or the texture of it is awful. So

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<v Speaker 1>she lost interest completely in food. But it didn't stop

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<v Speaker 1>having to make meals all the time. So I got

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<v Speaker 1>very inventive, more inventive in going through cookbooks, obviously yours,

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<v Speaker 1>trying to find things that would that she would like.

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<v Speaker 2>So you were thinking of her when you were cooking.

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<v Speaker 2>It was not just a distraction for you to kind

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<v Speaker 2>of do something, because cooking can be that way. You

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<v Speaker 2>have to follow the recipe, you have to put the matter,

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<v Speaker 2>how sad you feel, you do have to put the

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<v Speaker 2>olive oil in the pan at a certain time. And

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<v Speaker 2>it does create a rhythm. It came as a method,

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<v Speaker 2>It came to order, almost, doesn't it. It does.

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<v Speaker 1>And it's also because she said to me when she

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<v Speaker 1>was diagnosed, please make a promise to me, if you

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<v Speaker 1>can possibly keep it, that we are together all the

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<v Speaker 1>time and that I die with you in our house.

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<v Speaker 1>And I said, well, you know, I can try and

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<v Speaker 1>make that promise, but we just don't know what's down

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<v Speaker 1>the line. And apart from four days when she had

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<v Speaker 1>to go into the Royal Marsden because she got an infection,

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<v Speaker 1>we managed to honor that. So to go back to

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<v Speaker 1>your thing about cooking, it meant that, however short the

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<v Speaker 1>time was that I was in the kitchen, it meant

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<v Speaker 1>that it gave me some respite from dealing with her

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<v Speaker 1>pending imminent loss. And I suppose gave her time away

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<v Speaker 1>from me as well. And sometimes, you know, she would

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<v Speaker 1>fall asleep and then that gave me time to go

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<v Speaker 1>and cook. But having that routine and something to do

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<v Speaker 1>was incredibly important. And in terms of what you said

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<v Speaker 1>earlier that you can't give advice about how to deal

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<v Speaker 1>with loss or death. What I've found is when people

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<v Speaker 1>have said to me, oh, you get over it in time,

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<v Speaker 1>I really object to that because I think that I've

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<v Speaker 1>never wanted to get over it. It's a navigation around

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<v Speaker 1>it on a daily basis, and that's that really is

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<v Speaker 1>the way that I find that is the way that

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<v Speaker 1>I've I've coped with it that I don't have an

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<v Speaker 1>anticipation that is sort of a hump in the road

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<v Speaker 1>that I'm going to get over and the other side

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<v Speaker 1>it is going to be. You know, I'm now free

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<v Speaker 1>because I don't feel like that.

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<v Speaker 2>I always thought the worst two words in the English

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<v Speaker 2>language was move on.

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<v Speaker 1>So somebody said to me the other day, said, it's

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<v Speaker 1>been five years, Richard, you know you've got to move

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<v Speaker 1>on and you've got a man up and you've got

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<v Speaker 1>to start dating other people.

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<v Speaker 2>Yeah, that tells you more about the other person than

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<v Speaker 2>I think. If you can, I would say that because

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<v Speaker 2>I kind of went through a death experience of my

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<v Speaker 2>son six maybe ten years before, Richard, so I kind.

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<v Speaker 1>Of knew and you had no preparation for that.

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<v Speaker 2>That one was that I always say there too, because

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<v Speaker 2>he had a seizure and yeah, it was like a

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<v Speaker 2>car crash.

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<v Speaker 1>He was here one day.

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<v Speaker 2>Yeah, So the ones like you know, Richard, my Richard

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<v Speaker 2>and your jone is kind of being eased into that

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<v Speaker 2>world and the knowledge and everything. And then there's the

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<v Speaker 2>ones that you get a call and it's a car crash.

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<v Speaker 2>But I think that and so each one, you know,

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<v Speaker 2>for me, I couldn't cook after bo died, after the

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<v Speaker 2>car you know, I got the phone, I'd go in

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<v Speaker 2>the kitchen, I'd start cooking and start to cry or whatever,

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<v Speaker 2>you know. And actually coming in here was for me,

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<v Speaker 2>it was like coming home. But with Richard, we you know,

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<v Speaker 2>we ate all the time. We had meals around you know,

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<v Speaker 2>in the bed, we had meals upstairs, we had you know,

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<v Speaker 2>and he really loved to eat, not at all, No,

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<v Speaker 2>he loved yeah, you know, But but what about it?

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<v Speaker 2>What about cooking for your daughter? Where was Olivia at

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<v Speaker 2>this time?

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<v Speaker 1>She was she came to stay with us for that

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<v Speaker 1>entire time. Did she eat? She yeah, and she yes,

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<v Speaker 1>she did, she cooked sometimes, but I think she found

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<v Speaker 1>it so overwhelming. Yeah, you know, dealing with what was

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<v Speaker 1>what was coming. And I don't know whether you found this,

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<v Speaker 1>but did you did you have a sense or get

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<v Speaker 1>told when Richard's life was nearing it its.

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<v Speaker 2>End, not really, not until because he had brained down.

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<v Speaker 2>He had Richard had a fall, yeah, and he fell

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<v Speaker 2>on his head and he had a bleed, and then

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<v Speaker 2>it was a slow We were in Mexico, and that

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<v Speaker 2>was also interesting because Mexico to be away from my country,

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<v Speaker 2>away from my friends, away from well, although I was surrounded,

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<v Speaker 2>I never I took two rooms in a hotel and

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<v Speaker 2>I was never alone for four months, but I was

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<v Speaker 2>suddenly in the Mexican world of eating at a different time,

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<v Speaker 2>eating different foods, having no wine, but eating drinking tequila.

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<v Speaker 2>And there was a whole thing. And the hospital that

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<v Speaker 2>he was in was a beautiful place, and the food

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<v Speaker 2>was part of the whole. It was really important that

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<v Speaker 2>people would bring food and he always ate and you know,

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<v Speaker 2>he was a great eating Richard. So it was something

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<v Speaker 2>we share to the very end. I knew he was

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<v Speaker 2>going to die. Probably we knew we were coming towards

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<v Speaker 2>the end, probably about a month before, because he had

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<v Speaker 2>as true, this is after two years, but I think

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<v Speaker 2>it might have been a different kind of experience in

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<v Speaker 2>terms of JOm did she eat?

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<v Speaker 1>She didn't eat. In the last week of her life,

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<v Speaker 1>she at almost nothing. And we had a palliative care

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<v Speaker 1>who would come in twice a day for ten to

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<v Speaker 1>fifteen minutes. And she said to me ten days before,

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<v Speaker 1>she said, when in her experience, when the person who

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<v Speaker 1>is terminally ill stops really not wanting to eat, that

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<v Speaker 1>is usually three four days. And Joan had said to

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<v Speaker 1>Olivia and I two weeks before she died, she said,

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<v Speaker 1>I know that it's the end is very near. And

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<v Speaker 1>she said, please let me go. And I think that

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<v Speaker 1>this is I've now my reading and other people who

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<v Speaker 1>share their experience said that that it is a very

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<v Speaker 1>common thing for people to say, let me go. They

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<v Speaker 1>want they want you to give them permission to not

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<v Speaker 1>hold on anymore. And said, you know, I'm so exhausted.

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<v Speaker 1>I've had a good life. I want you to, you know,

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<v Speaker 1>to find a pocket full of happiness in each day

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<v Speaker 1>and not be sad when I'm gone, she said, because

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<v Speaker 1>all of us are going to die. She said, you too, included, Yeah,

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<v Speaker 1>I have it. It's been a great mantra by which

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<v Speaker 1>to navigate grief. Ever since then, I found consciously finding

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<v Speaker 1>joy in things that you may have just taken for

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<v Speaker 1>granted beforehand. And that's been a great gift that she's

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<v Speaker 1>given me and our daughter.

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<v Speaker 2>And what about work.

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<v Speaker 1>I have had a huge amount of work since Joan died,

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<v Speaker 1>and rather than retreat, I have grabbed all of it

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<v Speaker 1>with great gusts.

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<v Speaker 2>Me too, I have I have moments where I think,

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<v Speaker 2>you know, how are we going to get through this?

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<v Speaker 2>But never that idea that I might stop or give up.

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<v Speaker 2>You know, I love doing this, We love writing our books.

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<v Speaker 2>As I said, love the podcast. Sit down and have

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<v Speaker 2>excuse me go on? Did you get that on camera?

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<v Speaker 2>You just lifted the plate, clicked every bit of the plate.

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<v Speaker 2>Why not? Why not?

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<v Speaker 1>You can't really do it in a restaurant without offending people.

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<v Speaker 2>Do you think maybe you know, have you done it

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<v Speaker 2>and offended? A woman actually said I'm offended by this?

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<v Speaker 2>Or you could just see the.

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<v Speaker 1>Look accommodation and JOm used to say, for God's sake, please,

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<v Speaker 1>so all I would do is do this and then

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<v Speaker 1>do it behind or lean down pretending that I'm doing

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<v Speaker 1>something on the floor.

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<v Speaker 2>Do you think it tastes different when you look what

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<v Speaker 2>you're tasting looking off the plate. Is that different what

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<v Speaker 2>you've put in your mouth?

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<v Speaker 1>I think that. I think that what it is is

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<v Speaker 1>like the encore at the end of a performance.

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<v Speaker 2>What is an encore like at the end of a performance.

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<v Speaker 1>I've only done one musical, My Fair Lady, And because

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<v Speaker 1>a musical there's music for people to reperform, you can

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<v Speaker 1>do a sort of final verse of something, but in

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<v Speaker 1>the theater you can't. All you can do is about it.

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<v Speaker 1>You can't say, oh well I'll do I'll do to

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<v Speaker 1>be or not to be again, you know what I mean?

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<v Speaker 1>That's amazing.

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<v Speaker 2>That's what I really love is sometimes when the end

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<v Speaker 2>of a musical then it's all over, and then they

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<v Speaker 2>come like guys and dolls will come out and do

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<v Speaker 2>you know lucky a lady or when you see a

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<v Speaker 2>guy or My fair Lady, you could come out. You

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<v Speaker 2>obviously played Henry Higgins.

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<v Speaker 1>Higgins, what a great part, absolutely amazing role.

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<v Speaker 2>What's your favorite song from My Fair Lady? I think

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<v Speaker 2>whenever the same as mine go on?

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<v Speaker 1>What is yours?

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<v Speaker 2>I've grown accustomed to her face?

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<v Speaker 1>Yeah?

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<v Speaker 2>Is there a better song? No, I've grown a custom

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<v Speaker 2>begin I've gone accustomed.

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<v Speaker 1>To the to you, she whistles nice and new smiles

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<v Speaker 1>her friends, her das secondment to me, now just to you.

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<v Speaker 1>That should be the ending of this from the beginning.

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<v Speaker 2>Oh, I we should sang it for my seventeenth birthday

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<v Speaker 2>to be, I said, that's all I want you to

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<v Speaker 2>do is to sing me. I've gon accustomed to it.

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<v Speaker 2>I do think it's a beautiful BEAUTI is amazing. Was

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<v Speaker 2>that the last theater that you did.

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<v Speaker 1>Yeah, that's the last time I did theater and I

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<v Speaker 1>did it in Chicago ten years ago, and then I

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<v Speaker 1>did it at the Sydney Opera fifteen years ago.

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<v Speaker 2>I should bring it to London. I would love to

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<v Speaker 2>see it again. You can't do it now because of misogyny,

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<v Speaker 2>because yeah, tell me about that.

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<v Speaker 1>McCarthy's daughters came to see it in Chicago and they

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<v Speaker 1>were ten and thirteen, and they were appalled by the

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<v Speaker 1>misogyny of it. They said, how can any woman put

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<v Speaker 1>up with that?

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<v Speaker 2>When you were performing it, did you feel a sense.

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<v Speaker 1>Well, my steer on it was that Higgins is on

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<v Speaker 1>the spectrum, and that he is. He doesn't mean to

0:12:24.880 --> 0:12:29.240
<v Speaker 1>be as cruel as he is. He just he you know,

0:12:29.559 --> 0:12:32.560
<v Speaker 1>he says that there's no filter whatsoever, so it just

0:12:32.559 --> 0:12:34.880
<v Speaker 1>comes out, you know, you should be thrown out like

0:12:34.960 --> 0:12:39.959
<v Speaker 1>a cabbage le for whatever. And he is so joy

0:12:40.040 --> 0:12:45.720
<v Speaker 1>filled when Eliza gets all the words phonetically correct yees,

0:12:45.760 --> 0:12:48.960
<v Speaker 1>he embraces her. Yeah. And you know, it's no accident

0:12:48.960 --> 0:12:51.439
<v Speaker 1>to me that straight after that she sings, I could

0:12:51.480 --> 0:12:54.480
<v Speaker 1>have danced all night. And it is the way that

0:12:54.720 --> 0:12:57.679
<v Speaker 1>I interpreted it was that that was as close as

0:12:57.679 --> 0:12:59.640
<v Speaker 1>he could ever get to saying he's in love with

0:12:59.640 --> 0:13:04.000
<v Speaker 1>somebody interesting. So it was very physical and we grabbed

0:13:04.000 --> 0:13:04.360
<v Speaker 1>each other.

0:13:04.400 --> 0:13:06.959
<v Speaker 2>And I think it's the first musical I ever saw.

0:13:07.200 --> 0:13:10.160
<v Speaker 2>I think I went to see it. I was saying

0:13:10.240 --> 0:13:11.800
<v Speaker 2>the other day that my dad used to take me

0:13:11.800 --> 0:13:14.079
<v Speaker 2>because we lived in upstate New York, and every sort

0:13:14.080 --> 0:13:16.320
<v Speaker 2>of big treat, maybe once every couple of months, you

0:13:16.320 --> 0:13:18.600
<v Speaker 2>would take me down to New York in the car

0:13:18.679 --> 0:13:20.400
<v Speaker 2>and we'd have lunch, and then you'd take me to

0:13:20.440 --> 0:13:23.920
<v Speaker 2>a musical, and then we would buy the record, and

0:13:23.960 --> 0:13:25.680
<v Speaker 2>then we would take it home to the country, and

0:13:25.679 --> 0:13:28.360
<v Speaker 2>there was nothing else to do except just listen to

0:13:28.400 --> 0:13:29.120
<v Speaker 2>it all the time.

0:13:29.200 --> 0:13:31.960
<v Speaker 1>So I yeah, really, this is really generational that we

0:13:32.040 --> 0:13:36.840
<v Speaker 1>share on this because in the sixties, every musical that

0:13:36.960 --> 0:13:39.960
<v Speaker 1>came out, my parents had the lp of it and

0:13:40.080 --> 0:13:44.080
<v Speaker 1>played it incessantly, so our whole family knew the lyrics

0:13:44.080 --> 0:13:46.600
<v Speaker 1>of every single musical that came out. You say it

0:13:46.600 --> 0:13:49.840
<v Speaker 1>to people now, I think you're yeah, it's insane.

0:13:49.960 --> 0:13:52.880
<v Speaker 2>But the other thing about the musicals, without being naming

0:13:52.920 --> 0:13:55.200
<v Speaker 2>any is that they don't have those two and so

0:13:55.320 --> 0:13:58.520
<v Speaker 2>much anymore. They're not as kind of hummable, are they

0:13:58.559 --> 0:14:01.120
<v Speaker 2>that you come out you can remember on the street

0:14:01.160 --> 0:14:01.720
<v Speaker 2>where you live.

0:14:02.360 --> 0:14:05.520
<v Speaker 1>People who would argue with probably yeah.

0:14:05.559 --> 0:14:08.160
<v Speaker 2>But I find it, yeah, I find it slightly challenging.

0:14:08.320 --> 0:14:11.800
<v Speaker 2>But but it isn't. I haven't seen My Fair Lady ever,

0:14:12.200 --> 0:14:15.280
<v Speaker 2>probably even since I was a kid a long time ago.

0:14:16.000 --> 0:14:16.440
<v Speaker 1>Broadway.

0:14:16.760 --> 0:14:20.680
<v Speaker 2>Yeah, I remember. I think it was Julie Andrews and

0:14:20.720 --> 0:14:23.840
<v Speaker 2>Rex Harrison. I think it was, but I was really young,

0:14:24.040 --> 0:14:25.800
<v Speaker 2>I have to say so, I think. But it was

0:14:25.840 --> 0:14:29.800
<v Speaker 2>my very first musical. And then I saw I saw

0:14:29.840 --> 0:14:33.280
<v Speaker 2>West Side Story, I saw My Fair Lady. I saw

0:14:33.600 --> 0:14:36.120
<v Speaker 2>I really one that and he used to come in here,

0:14:37.120 --> 0:14:41.920
<v Speaker 2>stop the world, I want to get off. Yeah, yeah,

0:14:42.120 --> 0:14:45.160
<v Speaker 2>and Leslie and Evie came here all the time. But

0:14:45.240 --> 0:14:46.720
<v Speaker 2>I used to come up to it. I remember the

0:14:46.720 --> 0:14:48.520
<v Speaker 2>first time I met him, he was with Michael Gate

0:14:48.880 --> 0:14:51.320
<v Speaker 2>and I said, I bet, I'm the only person in

0:14:51.360 --> 0:14:55.640
<v Speaker 2>this room that knows, you know, say my Miski mischial

0:14:55.760 --> 0:14:58.960
<v Speaker 2>for whatever those songs are or what kind of full

0:14:59.000 --> 0:15:00.840
<v Speaker 2>of And he loved and he would sing it with

0:15:00.880 --> 0:15:02.960
<v Speaker 2>me because you could see I have any chance to see.

0:15:03.240 --> 0:15:05.480
<v Speaker 2>But those, yeah, they kind of grow up with those,

0:15:05.680 --> 0:15:07.800
<v Speaker 2>you know, do you know what your first one are?

0:15:08.080 --> 0:15:12.720
<v Speaker 1>The first one was the Sound of Music, and then

0:15:12.800 --> 0:15:16.000
<v Speaker 1>Mary Poppins. But I'd heard My Fair Lady before I

0:15:16.040 --> 0:15:19.480
<v Speaker 1>saw those, before I saw the movie, and my parents

0:15:19.480 --> 0:15:23.160
<v Speaker 1>had all the Rogers and Hammerstein, Carousel King, and I

0:15:23.200 --> 0:15:25.920
<v Speaker 1>had all of those record collection, so I knew all

0:15:25.960 --> 0:15:28.200
<v Speaker 1>of those before I ever saw the movies.

0:15:35.560 --> 0:15:38.080
<v Speaker 2>An open kitchen in the River Cafe means we as

0:15:38.160 --> 0:15:40.680
<v Speaker 2>chefs are able to talk to our guests dining in

0:15:40.800 --> 0:15:43.720
<v Speaker 2>the restaurant, sharing how we cook their food, where the

0:15:43.880 --> 0:15:47.440
<v Speaker 2>ingredients come from, as well as hints and advice for

0:15:47.520 --> 0:15:50.760
<v Speaker 2>cooking the recipes in the books. And now we're bringing

0:15:50.800 --> 0:15:54.320
<v Speaker 2>that same ethos to our podcast, a question and answer

0:15:54.360 --> 0:15:58.080
<v Speaker 2>episode with me and our two executive chefs, Sean Winnow,

0:15:58.080 --> 0:16:01.360
<v Speaker 2>and Joseph Travelli. We need is to hear from you

0:16:01.520 --> 0:16:04.360
<v Speaker 2>about what you would like to know. Send a voice

0:16:04.400 --> 0:16:08.200
<v Speaker 2>note with your question to Questions at Rivercafe dot co

0:16:08.600 --> 0:16:11.920
<v Speaker 2>dot uk and you might just be our next great

0:16:12.080 --> 0:16:14.040
<v Speaker 2>guest on Ruthie's Table four.

0:16:22.280 --> 0:16:25.360
<v Speaker 1>You were born in Swaziland, which is now called Eswatini,

0:16:25.400 --> 0:16:29.200
<v Speaker 1>which is the tiniest country in the Southern Hemisphere Southeast Africa,

0:16:29.600 --> 0:16:33.600
<v Speaker 1>below Zimbabwe besides South Africa and Mozambique.

0:16:34.160 --> 0:16:35.040
<v Speaker 2>And why were you there?

0:16:35.440 --> 0:16:37.880
<v Speaker 1>My father was the director of education for the British government,

0:16:38.080 --> 0:16:39.400
<v Speaker 1>so that's why we were there, and that's why I

0:16:39.480 --> 0:16:40.160
<v Speaker 1>went to school there.

0:16:40.680 --> 0:16:43.480
<v Speaker 2>Yeah, and tell you it was az Tell me about

0:16:43.480 --> 0:16:45.680
<v Speaker 2>your dad, what did he he was?

0:16:45.880 --> 0:16:49.240
<v Speaker 1>He was incredibly charming good man by day and then

0:16:50.240 --> 0:16:54.480
<v Speaker 1>a very violent, unrecognizable alcoholic by night, because after my

0:16:54.760 --> 0:17:00.560
<v Speaker 1>mother cuckolded and left him for his best friend. Yeah

0:17:02.240 --> 0:17:03.280
<v Speaker 1>that or did you? No? No?

0:17:03.360 --> 0:17:06.000
<v Speaker 2>I stayed with my father as an only child.

0:17:06.680 --> 0:17:09.800
<v Speaker 1>I had a younger brother. But I think my mother

0:17:10.040 --> 0:17:14.360
<v Speaker 1>was Her argument was that she didn't want to take

0:17:14.720 --> 0:17:17.440
<v Speaker 1>me away from everything that was familiar to me and

0:17:17.560 --> 0:17:21.800
<v Speaker 1>living at home. She was not a very maternal person.

0:17:21.960 --> 0:17:24.960
<v Speaker 1>I think she's one of those people that you might yeah,

0:17:25.000 --> 0:17:28.440
<v Speaker 1>if you unkind, would call it narcissism. Shouldn't really have

0:17:28.520 --> 0:17:29.040
<v Speaker 1>had children?

0:17:29.080 --> 0:17:30.120
<v Speaker 2>Did she marry very young?

0:17:30.920 --> 0:17:34.080
<v Speaker 1>I think in that time, that generation, she got married

0:17:34.080 --> 0:17:37.680
<v Speaker 1>at twenty four, which was when people got married in

0:17:37.800 --> 0:17:40.120
<v Speaker 1>Jane Austin, not that she was in Jane Olson time.

0:17:40.160 --> 0:17:41.520
<v Speaker 1>But by the time you were twenty six, you were

0:17:41.520 --> 0:17:42.000
<v Speaker 1>an old maid.

0:17:42.359 --> 0:17:44.879
<v Speaker 2>You're exactly exactly what are we going to do?

0:17:45.600 --> 0:17:47.639
<v Speaker 1>Yeah, so twenty four was not when when was your

0:17:47.680 --> 0:17:48.680
<v Speaker 1>mother married to your father?

0:17:48.880 --> 0:17:51.119
<v Speaker 2>Yeah? Probably the same, maybe even younger.

0:17:51.160 --> 0:17:51.760
<v Speaker 1>And I was young.

0:17:51.840 --> 0:17:53.440
<v Speaker 2>I was married when I was twenty. Well, I met

0:17:53.480 --> 0:17:56.480
<v Speaker 2>Richard when I was nineteen and then was married, had

0:17:56.520 --> 0:17:58.760
<v Speaker 2>my first kid at twenty four, so I started very

0:17:59.320 --> 0:18:04.080
<v Speaker 2>very y. That was a baby. But so did your

0:18:04.119 --> 0:18:06.240
<v Speaker 2>mother move down the street or did she know?

0:18:06.359 --> 0:18:08.879
<v Speaker 1>She moved to another country, another country, another country, and

0:18:08.920 --> 0:18:11.800
<v Speaker 1>then that man got transferred to Peru, and then she

0:18:11.960 --> 0:18:16.000
<v Speaker 1>came back to Swaziland and was treated like she may

0:18:16.040 --> 0:18:22.440
<v Speaker 1>as well have adulters. Yeah, and so people it was

0:18:22.480 --> 0:18:25.879
<v Speaker 1>that awful situation where I would meet, you know, in

0:18:25.960 --> 0:18:29.400
<v Speaker 1>the Saturday market where people were buying fruit and vegetables.

0:18:29.920 --> 0:18:32.000
<v Speaker 1>I would be with my mother on her weekend visit

0:18:32.640 --> 0:18:36.240
<v Speaker 1>twice a month, and people would speak to me who

0:18:36.280 --> 0:18:39.600
<v Speaker 1>were her former friends and would literally blank her. It

0:18:39.800 --> 0:18:41.600
<v Speaker 1>was it felt very cruel.

0:18:42.119 --> 0:18:43.720
<v Speaker 2>So what was food like my mother?

0:18:43.920 --> 0:18:47.440
<v Speaker 1>My mother had no interest in cooking, so she we

0:18:47.560 --> 0:18:51.679
<v Speaker 1>had a cook who she taught to cook seven meals,

0:18:52.560 --> 0:18:54.000
<v Speaker 1>so I know every day of the week.

0:18:54.200 --> 0:18:57.440
<v Speaker 2>You say seven meals, seven as in seven days.

0:18:57.840 --> 0:19:00.359
<v Speaker 1>And they did not rotate and they did not altar.

0:19:00.680 --> 0:19:04.120
<v Speaker 1>So every Monday tin fish was on a Friday. Okay,

0:19:04.200 --> 0:19:07.800
<v Speaker 1>so fishy fish on Fridays. No fresh fresh fish. There,

0:19:08.400 --> 0:19:12.359
<v Speaker 1>beef on a Monday, pork on a Tuesday, chicken on

0:19:12.440 --> 0:19:17.440
<v Speaker 1>a Wednesday, lamb on a Thursday, fish on a Friday,

0:19:18.280 --> 0:19:22.720
<v Speaker 1>and then we'd have roast beef again on the Saturday,

0:19:22.760 --> 0:19:25.920
<v Speaker 1>and then a barbecue on Sunday unless we went to Mozambique,

0:19:26.119 --> 0:19:31.200
<v Speaker 1>which we would then have Peri Pery prawns, prawns with

0:19:31.400 --> 0:19:32.479
<v Speaker 1>Perry Perry sauce on them.

0:19:32.680 --> 0:19:33.720
<v Speaker 2>That's Perry Pery sauce.

0:19:34.600 --> 0:19:38.280
<v Speaker 1>Oh, it's the stuff that the Nando's chain have based

0:19:38.400 --> 0:19:41.399
<v Speaker 1>all their fortune on. It's a very very hot sauce.

0:19:41.600 --> 0:19:44.960
<v Speaker 1>Rectal fire basically for your head. What did you say,

0:19:45.119 --> 0:19:48.159
<v Speaker 1>rectal fire? Yeah, Yeah, you have to sit on an

0:19:48.160 --> 0:19:50.879
<v Speaker 1>inner tube. If you have no sensitivity, if you have

0:19:51.000 --> 0:19:54.480
<v Speaker 1>no tolerance for spice like I don't, you have to

0:19:54.560 --> 0:19:57.000
<v Speaker 1>sit on an inner tube for about three days. It

0:19:57.119 --> 0:19:57.720
<v Speaker 1>is brutal.

0:19:58.320 --> 0:20:03.040
<v Speaker 2>Yeah, before we leave the Monday, Tuesday, Wednesday was the

0:20:03.200 --> 0:20:05.480
<v Speaker 2>Tinfish cook exactly the same way there.

0:20:05.440 --> 0:20:09.840
<v Speaker 1>Exactly the same as tin tuna cooked with a fresh today.

0:20:09.880 --> 0:20:12.200
<v Speaker 2>You looked forward to more in when you dreaded.

0:20:12.320 --> 0:20:15.440
<v Speaker 1>No, because if you don't know anything else, then you're

0:20:15.520 --> 0:20:18.879
<v Speaker 1>used to that. And then my father remarried when I

0:20:19.000 --> 0:20:24.360
<v Speaker 1>was twelve and my stepmother cooked spaghetti for the first time.

0:20:24.400 --> 0:20:27.480
<v Speaker 1>I'd never seen spaghetti, had a spaghetti. So in nineteen

0:20:27.560 --> 0:20:30.560
<v Speaker 1>sixty nine I had spaghetti and I was absolutely appalled.

0:20:31.560 --> 0:20:34.280
<v Speaker 1>I thought that it looked like white worms in a bowl,

0:20:34.520 --> 0:20:36.440
<v Speaker 1>and how could you possibly eat that? I mean, that's

0:20:36.560 --> 0:20:40.200
<v Speaker 1>how provincial and isolated we were.

0:20:40.480 --> 0:20:42.480
<v Speaker 2>So you grew up there when you came to London.

0:20:42.560 --> 0:20:43.280
<v Speaker 2>Back to London.

0:20:43.440 --> 0:20:45.920
<v Speaker 1>I came to London in nineteen eighty two when I

0:20:46.160 --> 0:20:47.480
<v Speaker 1>was twenty five years old.

0:20:47.359 --> 0:20:50.679
<v Speaker 2>To see he grew up in Africa college there.

0:20:51.000 --> 0:20:54.400
<v Speaker 1>I went to college in University in Cape Town, which

0:20:54.480 --> 0:20:57.040
<v Speaker 1>is the nearest by twelve hundred miles that you could

0:20:57.080 --> 0:21:01.520
<v Speaker 1>do a combined English degree as well as a theaterre diploma,

0:21:01.600 --> 0:21:03.359
<v Speaker 1>because my father said he wouldn't pay for me to

0:21:03.560 --> 0:21:04.960
<v Speaker 1>just go to a drama school in England.

0:21:05.080 --> 0:21:06.760
<v Speaker 2>At what age that you wanted to be an actor?

0:21:07.600 --> 0:21:13.840
<v Speaker 1>Well, I made shoe box theaters with cutouts and when

0:21:13.840 --> 0:21:16.040
<v Speaker 1>I was seven, and then when I was nine I

0:21:16.119 --> 0:21:18.680
<v Speaker 1>made clove puppets and then when I was twelve I

0:21:18.800 --> 0:21:22.439
<v Speaker 1>got some marionettes. So and then I had full scale

0:21:22.600 --> 0:21:26.720
<v Speaker 1>marionette theater in my parents garage and did school you know,

0:21:26.880 --> 0:21:28.640
<v Speaker 1>plays in the school holidays.

0:21:28.280 --> 0:21:30.879
<v Speaker 2>For kids who well encourage you to do actor to have.

0:21:32.240 --> 0:21:34.879
<v Speaker 1>To some extent. And there was an amateur theater club

0:21:35.359 --> 0:21:37.320
<v Speaker 1>in swarzil Ad, so I was a member of that.

0:21:38.080 --> 0:21:41.240
<v Speaker 1>So it was you know, the line of when I

0:21:41.280 --> 0:21:43.720
<v Speaker 1>look back on it is very very clear that I

0:21:43.760 --> 0:21:47.560
<v Speaker 1>think it chooses you. But the notion of saying that

0:21:47.600 --> 0:21:49.000
<v Speaker 1>you were going to be an actor where I grew

0:21:49.080 --> 0:21:50.520
<v Speaker 1>up was you know people's.

0:21:50.640 --> 0:21:54.000
<v Speaker 2>You know, father was head of education. You would have

0:21:54.000 --> 0:21:57.800
<v Speaker 2>thought it was an educationalist that he would have encouraged

0:21:57.920 --> 0:22:00.760
<v Speaker 2>the edu know the education that you would.

0:22:00.640 --> 0:22:03.040
<v Speaker 1>Think, but he said, you know, you were a good

0:22:03.119 --> 0:22:06.040
<v Speaker 1>brain and you have good school results, why waste it

0:22:06.119 --> 0:22:08.119
<v Speaker 1>on becoming an active because ninety nine percent of their

0:22:08.240 --> 0:22:11.800
<v Speaker 1>unemployed from what I've statistically read. And he said, you know,

0:22:11.880 --> 0:22:14.920
<v Speaker 1>I dread that you're going to spend your life destitute,

0:22:15.000 --> 0:22:17.400
<v Speaker 1>wearing tights, makeup and avoiding a buggery.

0:22:18.800 --> 0:22:20.000
<v Speaker 2>Did he enjoy the theater that?

0:22:20.520 --> 0:22:23.680
<v Speaker 1>Yeah? He loved it. Yeah. Whenever we came back to

0:22:23.760 --> 0:22:28.359
<v Speaker 1>England every three years, he would take me to every

0:22:28.480 --> 0:22:31.080
<v Speaker 1>single show that was on. So I remember when I

0:22:31.160 --> 0:22:33.960
<v Speaker 1>came when I was seven, and then especially when I

0:22:34.040 --> 0:22:38.639
<v Speaker 1>was twelve years old, I saw just a huge variety

0:22:38.640 --> 0:22:41.320
<v Speaker 1>of things. I saw Oliver the Musical in the in

0:22:41.400 --> 0:22:44.000
<v Speaker 1>the theater, I saw Ginger Rogers do Auntie Mame and

0:22:44.080 --> 0:22:44.640
<v Speaker 1>Jory Lane.

0:22:45.800 --> 0:22:48.800
<v Speaker 2>Yeah. Wow, so what year is that?

0:22:49.119 --> 0:22:50.000
<v Speaker 1>Nineteen sixty nine?

0:22:50.359 --> 0:22:51.040
<v Speaker 2>Did she dance?

0:22:51.720 --> 0:22:54.720
<v Speaker 1>Yeah? She did dance outside wow.

0:22:55.119 --> 0:22:59.639
<v Speaker 2>Anti Ma, did you feel like, in food terms and

0:22:59.760 --> 0:23:02.399
<v Speaker 2>real terms that you were always a foreigner in another

0:23:02.480 --> 0:23:03.600
<v Speaker 2>country growing.

0:23:03.680 --> 0:23:06.040
<v Speaker 1>Because all the food that I had was English food,

0:23:06.240 --> 0:23:08.440
<v Speaker 1>where I grew up was English, and all the people

0:23:08.480 --> 0:23:11.840
<v Speaker 1>that I grew up with were English. So they were yes,

0:23:11.920 --> 0:23:14.280
<v Speaker 1>so they weren't all the expat community there were essentially

0:23:15.440 --> 0:23:18.879
<v Speaker 1>mainly from England. So or people that had been on

0:23:18.960 --> 0:23:23.119
<v Speaker 1>the colonial circuit that if they had lived in India

0:23:23.240 --> 0:23:26.000
<v Speaker 1>had then coming to Kenya. It was as it was

0:23:26.040 --> 0:23:30.920
<v Speaker 1>then called then Kenya, then to Rhodesia was then became Zimbabwe.

0:23:31.280 --> 0:23:33.440
<v Speaker 1>It was like this sort of the trail of the

0:23:33.560 --> 0:23:36.359
<v Speaker 1>last country is becoming independent one by one from the

0:23:36.359 --> 0:23:39.240
<v Speaker 1>British Empire. And the people who couldn't face coming back

0:23:39.280 --> 0:23:43.080
<v Speaker 1>to live in England had got so enamored of a

0:23:43.160 --> 0:23:45.719
<v Speaker 1>colonial life ended up in Swaziland.

0:23:46.000 --> 0:23:49.880
<v Speaker 2>So do you remember what the food of Swaziland, apart

0:23:49.920 --> 0:23:52.720
<v Speaker 2>from the prons which you described, was there a kind

0:23:52.760 --> 0:23:54.960
<v Speaker 2>of cultural.

0:23:55.640 --> 0:23:59.000
<v Speaker 1>Maze people maize which is corn and it was made

0:23:59.040 --> 0:24:04.560
<v Speaker 1>into a kind of polanta type mixture with gravy and

0:24:04.600 --> 0:24:08.200
<v Speaker 1>a small amount of meat. Yeah, that was the traditional food.

0:24:09.160 --> 0:24:13.600
<v Speaker 2>And that was whether vegetables or fruits or anything exotic that.

0:24:13.680 --> 0:24:17.639
<v Speaker 1>You were There were amazing subtropical fruit there, light cheese

0:24:18.119 --> 0:24:20.520
<v Speaker 1>or we called the lee cheese mangoes. But it was

0:24:20.560 --> 0:24:23.119
<v Speaker 1>all seasonal. You couldn't you know. That is what is

0:24:23.160 --> 0:24:25.359
<v Speaker 1>so extraordin about living in London is that you can

0:24:25.440 --> 0:24:27.280
<v Speaker 1>get all of this stuff all year around for the

0:24:27.359 --> 0:24:27.800
<v Speaker 1>most part.

0:24:28.920 --> 0:24:32.200
<v Speaker 2>But started going to the market where your mother was snubbed.

0:24:32.560 --> 0:24:33.520
<v Speaker 2>Do you remember the market?

0:24:33.960 --> 0:24:36.639
<v Speaker 1>Oh? Yeah, it was big. What was it like? It

0:24:36.760 --> 0:24:40.240
<v Speaker 1>was a big, open air market and all the people

0:24:41.200 --> 0:24:47.639
<v Speaker 1>running the market were Swazi women and they had piled

0:24:47.680 --> 0:24:52.919
<v Speaker 1>up stores of fresh fruit and vegetables, and you bartered

0:24:53.000 --> 0:24:57.240
<v Speaker 1>and every every person arrived at the basket and bought

0:24:57.280 --> 0:25:00.720
<v Speaker 1>their stuff. And there was there was one supermarket as well,

0:25:00.800 --> 0:25:03.280
<v Speaker 1>but going to the market on Saturday was an absolute ritual.

0:25:03.840 --> 0:25:07.560
<v Speaker 1>And I think that going to the market, my mother

0:25:07.600 --> 0:25:09.920
<v Speaker 1>would buy these vegetables. She didn't cook them, of course,

0:25:10.280 --> 0:25:12.240
<v Speaker 1>but she would buy all the produce. And it was

0:25:12.280 --> 0:25:14.480
<v Speaker 1>also a very social thing that you got to meet

0:25:14.920 --> 0:25:18.199
<v Speaker 1>everybody else. And then she stopped going when all these

0:25:18.240 --> 0:25:19.000
<v Speaker 1>people snubbed her.

0:25:19.480 --> 0:25:21.880
<v Speaker 2>And what was the move like to Cape Town because

0:25:21.920 --> 0:25:24.399
<v Speaker 2>then you were in university there. Yeah, it was you

0:25:24.520 --> 0:25:25.280
<v Speaker 2>have your own place.

0:25:25.400 --> 0:25:27.680
<v Speaker 1>It was. Yeah. It was nineteen seventy six, and it

0:25:27.840 --> 0:25:32.040
<v Speaker 1>was the year that black South African students rioted against

0:25:32.119 --> 0:25:35.680
<v Speaker 1>being taught in Afrikaans. So you felt that it was

0:25:35.880 --> 0:25:39.760
<v Speaker 1>the kind of crucible of revolution, and being nineteen years

0:25:39.800 --> 0:25:42.960
<v Speaker 1>old at that I just thought it's all going to happen.

0:25:43.000 --> 0:25:43.119
<v Speaker 2>Now.

0:25:43.200 --> 0:25:44.719
<v Speaker 1>The whole thing is going to change because I've been

0:25:45.680 --> 0:25:49.240
<v Speaker 1>Nelson Mandela's daughter, cinzian Zenni were at school with me

0:25:49.359 --> 0:25:51.680
<v Speaker 1>in Swazia and I did school plays with them. So

0:25:53.320 --> 0:25:57.000
<v Speaker 1>we really felt that this was this was the moment

0:25:57.080 --> 0:25:59.360
<v Speaker 1>that apart it would end. And of course it took

0:26:00.080 --> 0:26:05.240
<v Speaker 1>another Did you never never met her, No, because they

0:26:05.320 --> 0:26:07.840
<v Speaker 1>used to. They used to come to Swazland by by

0:26:07.960 --> 0:26:10.920
<v Speaker 1>bus from South Africa and then go back by bus.

0:26:11.520 --> 0:26:15.560
<v Speaker 2>Then you were taking drama courses? What was that like?

0:26:16.680 --> 0:26:16.960
<v Speaker 2>It was?

0:26:17.400 --> 0:26:23.320
<v Speaker 1>I found doing the academic part extremely tiresome because all

0:26:23.359 --> 0:26:26.840
<v Speaker 1>I wanted to do was the practical theater stuff. But

0:26:27.000 --> 0:26:29.679
<v Speaker 1>in order to appease my father to get a degree

0:26:29.920 --> 0:26:33.480
<v Speaker 1>because he said, you know, without that, there's no guarantee

0:26:33.480 --> 0:26:34.760
<v Speaker 1>that you could have a job at the other end.

0:26:34.760 --> 0:26:37.320
<v Speaker 2>Maybe he was right, Yeah, maybe he was right, so

0:26:37.960 --> 0:26:38.560
<v Speaker 2>partly right.

0:26:38.760 --> 0:26:41.639
<v Speaker 1>Yeah, he heedged his bets, but I think he was What.

0:26:41.800 --> 0:26:43.000
<v Speaker 2>Was the other degree? I can't remember.

0:26:43.040 --> 0:26:45.399
<v Speaker 1>You said, oh, does an English drama degree? And then

0:26:45.440 --> 0:26:47.600
<v Speaker 1>I did a theatre diploma. Yeah, I love doing it.

0:26:48.320 --> 0:26:51.120
<v Speaker 1>I co founded a multiracial theater company in Cape Town

0:26:51.200 --> 0:26:53.439
<v Speaker 1>for a year for the true Theater Company.

0:26:53.680 --> 0:26:55.119
<v Speaker 2>Was that a challenge for you.

0:26:56.520 --> 0:27:00.480
<v Speaker 1>The the what is so contradictory and a knack chronistic

0:27:00.520 --> 0:27:04.320
<v Speaker 1>about the apartheid system was that you could in the theater,

0:27:04.480 --> 0:27:09.359
<v Speaker 1>you could work with black actors and you could socialize together,

0:27:09.800 --> 0:27:12.480
<v Speaker 1>but you couldn't live in the same place, and you

0:27:12.520 --> 0:27:17.280
<v Speaker 1>couldn't go to the same restaurants, which was really bizarre.

0:27:18.119 --> 0:27:21.600
<v Speaker 1>So people could shag each other, and you know, if

0:27:21.640 --> 0:27:23.359
<v Speaker 1>people came to stay that I was at school with

0:27:24.200 --> 0:27:26.320
<v Speaker 1>neighbors in the apartment block that I was living in

0:27:26.480 --> 0:27:29.760
<v Speaker 1>reported us and said there were black people staying in

0:27:29.880 --> 0:27:33.720
<v Speaker 1>a white area. So I then had to go every

0:27:33.800 --> 0:27:37.800
<v Speaker 1>two weeks to police station to take my up Swazland

0:27:37.840 --> 0:27:41.359
<v Speaker 1>and British passports and hand them over and make a

0:27:41.440 --> 0:27:45.960
<v Speaker 1>declaration that I was not harboring any subversives or terrorists.

0:27:46.560 --> 0:27:49.080
<v Speaker 2>The theater company did well, Yeah, did really well.

0:27:49.119 --> 0:27:51.400
<v Speaker 1>We were the right people at the right time. Yeah,

0:27:51.600 --> 0:27:52.000
<v Speaker 1>did both.

0:27:52.080 --> 0:27:53.560
<v Speaker 2>Do you remember any of the players you put on?

0:27:54.359 --> 0:27:57.800
<v Speaker 1>Oh, we did. The first play that we did we launched,

0:27:58.080 --> 0:28:01.840
<v Speaker 1>was a play about the Communist revolution in nineteen forty

0:28:01.880 --> 0:28:05.560
<v Speaker 1>seven by David Hare called Fanshan, and he very graciously

0:28:05.800 --> 0:28:10.639
<v Speaker 1>because of the politics, all other British playwrights said embargoed.

0:28:10.840 --> 0:28:13.399
<v Speaker 1>Their weren't being done in South Africa, and he allowed

0:28:13.440 --> 0:28:17.080
<v Speaker 1>it because he thought that a play about social change

0:28:17.720 --> 0:28:22.879
<v Speaker 1>was apt for that country. And they flew the censorship

0:28:22.960 --> 0:28:26.560
<v Speaker 1>board from Pretoria, twelve hundred miles away to Cape Town

0:28:26.640 --> 0:28:29.639
<v Speaker 1>to come and watch this said. So this bunch of

0:28:30.080 --> 0:28:35.040
<v Speaker 1>very grumpy looking men in suits sat watching us playing

0:28:35.400 --> 0:28:36.200
<v Speaker 1>Chinese peasants.

0:28:36.720 --> 0:28:39.120
<v Speaker 2>So yeah, and when you went to Cape Town, you

0:28:39.200 --> 0:28:41.440
<v Speaker 2>were on your own, and you didn't have that Monday

0:28:41.960 --> 0:28:45.360
<v Speaker 2>Monday beef. Monday beef, I know, the tinfish on Friday?

0:28:45.920 --> 0:28:46.600
<v Speaker 2>What did you eat?

0:28:47.280 --> 0:28:49.600
<v Speaker 1>I moved in with two other students who could cook,

0:28:50.040 --> 0:28:52.440
<v Speaker 1>and I used to barter with them, so I will

0:28:52.520 --> 0:28:55.280
<v Speaker 1>do other things. I'll do the shopping is as long

0:28:55.360 --> 0:28:58.400
<v Speaker 1>as you do the cooking. So that's that's sort of

0:28:58.440 --> 0:29:00.480
<v Speaker 1>how it worked. But when I came to England, I

0:29:00.520 --> 0:29:01.880
<v Speaker 1>couldn't I couldn't cook.

0:29:02.800 --> 0:29:03.600
<v Speaker 2>How old are you then?

0:29:04.000 --> 0:29:07.200
<v Speaker 1>I have twenty five? I couldn't even boil an egg kitchen.

0:29:07.360 --> 0:29:09.520
<v Speaker 1>My first job in London was as a waiter at

0:29:09.560 --> 0:29:14.000
<v Speaker 1>Touttan's Brasserie Garden. Ye still there? So I was there

0:29:14.040 --> 0:29:17.400
<v Speaker 1>for seven months and worked as a waiter and I

0:29:17.520 --> 0:29:20.120
<v Speaker 1>never got fired. Because I didn't drink allergic to alcohol,

0:29:20.160 --> 0:29:22.640
<v Speaker 1>and I didn't steal because the amount of stealing that

0:29:22.720 --> 0:29:25.000
<v Speaker 1>went on was just extortiny. People take sort a wheel

0:29:25.040 --> 0:29:27.800
<v Speaker 1>of cheese and a winter coat and say, come on mate,

0:29:27.880 --> 0:29:30.000
<v Speaker 1>just get that out, or take this bottle for me.

0:29:30.800 --> 0:29:33.920
<v Speaker 2>What did you learn from working in a restaurant? Oh?

0:29:35.000 --> 0:29:40.680
<v Speaker 1>Just the entitlement of some guests was absolutely extraordinary. And

0:29:40.760 --> 0:29:44.959
<v Speaker 1>if people were very rude, their service became even slower.

0:29:45.400 --> 0:29:47.560
<v Speaker 1>And then you could always blame the kitchen and say,

0:29:47.560 --> 0:29:51.200
<v Speaker 1>I'm ly sorry, but oh your food is cold, or

0:29:51.280 --> 0:29:53.560
<v Speaker 1>oh it isn't the full order or whatever. There are

0:29:53.680 --> 0:29:55.840
<v Speaker 1>ways of torturing people.

0:29:56.120 --> 0:29:58.080
<v Speaker 2>How long did you work there? Seven months? And was

0:29:58.120 --> 0:29:59.800
<v Speaker 2>that the only restaurant job you had?

0:30:00.080 --> 0:30:00.280
<v Speaker 1>Yeah?

0:30:00.520 --> 0:30:02.040
<v Speaker 2>Yeah, and a strong job.

0:30:02.480 --> 0:30:04.960
<v Speaker 1>And then I started getting work as an actor, And tell.

0:30:04.840 --> 0:30:06.960
<v Speaker 2>Me about those days. Did you have your own apartment?

0:30:07.560 --> 0:30:11.320
<v Speaker 1>I had a bedsit on Blenham Crescent number eighty nine,

0:30:11.760 --> 0:30:14.880
<v Speaker 1>which was thirty pounds a week. You could put your

0:30:14.920 --> 0:30:18.720
<v Speaker 1>hands out either side and touch both walls. It had

0:30:18.960 --> 0:30:24.000
<v Speaker 1>a loo, a tiny cubicle for a shower, and a

0:30:24.080 --> 0:30:28.280
<v Speaker 1>kitchenette beneath a bed that was upper ladder, so the

0:30:28.360 --> 0:30:32.040
<v Speaker 1>width of the bed was the width of the kitchenette underneath.

0:30:32.320 --> 0:30:36.840
<v Speaker 1>Because it was parallel to Portobello Road. And at the

0:30:36.920 --> 0:30:40.160
<v Speaker 1>end of the market day we didn't have much money.

0:30:40.440 --> 0:30:43.280
<v Speaker 1>You could go and get you'd get the throwaway and

0:30:43.320 --> 0:30:45.800
<v Speaker 1>the leftover. It's very, very cheap, all for free. So

0:30:45.920 --> 0:30:46.280
<v Speaker 1>I lived.

0:30:46.360 --> 0:30:50.280
<v Speaker 2>I lived on that, and so acting and starting what

0:30:50.440 --> 0:30:51.200
<v Speaker 2>year are we in now?

0:30:51.640 --> 0:30:55.960
<v Speaker 1>Nineteen eighty three I met the person who I then married.

0:30:56.480 --> 0:31:01.040
<v Speaker 1>It did, yeah, And she was a brilliant court absolutely

0:31:01.120 --> 0:31:06.880
<v Speaker 1>amazing cook and rarely followed recipe books, but if she did,

0:31:07.360 --> 0:31:10.640
<v Speaker 1>it was a kind of what do you call a blueprint,

0:31:11.080 --> 0:31:13.640
<v Speaker 1>and then she would improvise on top of that.

0:31:14.000 --> 0:31:17.520
<v Speaker 2>So this became a cooking eating relationship.

0:31:17.960 --> 0:31:19.800
<v Speaker 1>And when we got married, she said, you have to

0:31:19.840 --> 0:31:23.040
<v Speaker 1>cook every other night out one night you cooked the

0:31:23.080 --> 0:31:26.520
<v Speaker 1>other night. You have to be an evolved twentieth century

0:31:26.640 --> 0:31:29.000
<v Speaker 1>late twentieth century man. You have to cook as much

0:31:29.040 --> 0:31:29.400
<v Speaker 1>as I do.

0:31:29.640 --> 0:31:30.480
<v Speaker 2>And did you go for that?

0:31:30.720 --> 0:31:33.560
<v Speaker 1>Yeah, yeah, yeah. And she also insisted that when we

0:31:33.640 --> 0:31:36.600
<v Speaker 1>got married she'd been married before, that we cook for

0:31:36.720 --> 0:31:39.680
<v Speaker 1>our own wedding party. So we had one hundred people

0:31:39.840 --> 0:31:42.480
<v Speaker 1>and we cooked the day before, well for two days before.

0:31:42.560 --> 0:31:43.880
<v Speaker 2>Remember the things we cooked.

0:31:44.080 --> 0:31:49.000
<v Speaker 1>Everything was cold, but we cooked poach, salmon and chicken

0:31:49.280 --> 0:31:53.200
<v Speaker 1>and beefillt. All of this stuff was done in advance.

0:31:53.760 --> 0:31:58.000
<v Speaker 1>She had one rule that whatever party we had, specially

0:31:58.000 --> 0:32:00.160
<v Speaker 1>a Christmas party, she said, every guest has to know

0:32:00.320 --> 0:32:04.400
<v Speaker 1>a minimum of two other people. Otherwise you're not going

0:32:04.480 --> 0:32:07.160
<v Speaker 1>to get harmony in a group of people. And I

0:32:07.240 --> 0:32:11.800
<v Speaker 1>found that pretty fool proof, a safeguard for getting people together.

0:32:11.840 --> 0:32:14.280
<v Speaker 1>Although it's always interesting to have people that don't know

0:32:14.360 --> 0:32:19.040
<v Speaker 1>each other at all, but for that real buzz of

0:32:19.760 --> 0:32:22.480
<v Speaker 1>an event, knowing people some of the people knowing each

0:32:22.520 --> 0:32:26.440
<v Speaker 1>other really helps, I think. And so and she also

0:32:26.520 --> 0:32:30.480
<v Speaker 1>thought that cooking for people that people appreciated it more

0:32:30.560 --> 0:32:32.840
<v Speaker 1>than if you got in a cater or somebody to

0:32:32.920 --> 0:32:37.120
<v Speaker 1>help you. Joe used to make your chocolate Nemesis every

0:32:37.360 --> 0:32:40.960
<v Speaker 1>single Christmas party we had, and she'd make two of them.

0:32:41.200 --> 0:32:44.040
<v Speaker 1>And I think the combination of that is must be

0:32:44.120 --> 0:32:48.440
<v Speaker 1>thirty six eggs exactly who is I used to make

0:32:48.440 --> 0:32:48.800
<v Speaker 1>it with her?

0:32:49.320 --> 0:32:50.720
<v Speaker 2>What about food and film?

0:32:51.120 --> 0:32:52.840
<v Speaker 1>Oh, the first film I was ever in with now

0:32:52.840 --> 0:32:56.280
<v Speaker 1>and I Richard Griffiths, who was playing Uncle Monte. My

0:32:56.440 --> 0:32:59.520
<v Speaker 1>uncle had arrived from Italy had been filming there with

0:32:59.520 --> 0:33:03.680
<v Speaker 1>the Hunchild and had not done any he hadn't learnt

0:33:03.720 --> 0:33:06.520
<v Speaker 1>the lines terribly well, and Paul McGann and I had

0:33:06.560 --> 0:33:08.800
<v Speaker 1>had a ten days of rehearsal, so we knew the

0:33:08.960 --> 0:33:13.720
<v Speaker 1>script back to front, and Richard kept fluffing his lines

0:33:13.760 --> 0:33:17.720
<v Speaker 1>in this Cumbrian cottage where we were filming, And because

0:33:17.800 --> 0:33:21.080
<v Speaker 1>my character had not supposedly eaten for three days, I

0:33:21.120 --> 0:33:23.400
<v Speaker 1>had to eat very very fast a Sunday lunch of

0:33:23.520 --> 0:33:26.840
<v Speaker 1>roast lamb and roast potatoes, and I think I got

0:33:26.920 --> 0:33:30.080
<v Speaker 1>through four legs of lamb, and I don't know how

0:33:30.120 --> 0:33:33.560
<v Speaker 1>many kilos of potatoes. Eventually had to have a vomit

0:33:33.640 --> 0:33:36.520
<v Speaker 1>bucket next next to me because I couldn't keep it down.

0:33:36.960 --> 0:33:40.600
<v Speaker 1>So I've never eaten lamb willingly since then. But that

0:33:40.800 --> 0:33:44.480
<v Speaker 1>is my That is an extreme experience of eating on set.

0:33:44.840 --> 0:33:46.160
<v Speaker 1>But we used to join and I used to do

0:33:46.520 --> 0:33:50.680
<v Speaker 1>a movie night once a month where if we did

0:33:50.720 --> 0:33:55.440
<v Speaker 1>The Godfather, we had spaghetti. Yeah, we did China Town,

0:33:55.520 --> 0:33:58.880
<v Speaker 1>we had Chinese food, watched Cabaret, we had German food.

0:33:59.320 --> 0:34:03.000
<v Speaker 1>So we do food according to the thing slender excuse

0:34:03.080 --> 0:34:07.200
<v Speaker 1>to to rewatch a great movie and also he delicious food.

0:34:07.760 --> 0:34:10.040
<v Speaker 2>We did a podcast with Francis a couple of I

0:34:10.640 --> 0:34:13.839
<v Speaker 2>know recently, and it was you know, he went into

0:34:13.920 --> 0:34:18.480
<v Speaker 2>great detail about the food and the Godfather, yeah, and

0:34:18.719 --> 0:34:21.160
<v Speaker 2>making the past sauce. There was a movie called The

0:34:21.239 --> 0:34:24.240
<v Speaker 2>Grand Bouf Did you Receive? It was about the many yourself,

0:34:25.400 --> 0:34:25.560
<v Speaker 2>you know.

0:34:27.000 --> 0:34:29.279
<v Speaker 1>And I was in couple ofs dracked with Gary Olden

0:34:29.320 --> 0:34:31.239
<v Speaker 1>one hundred years ago and we were all staying at

0:34:31.280 --> 0:34:35.919
<v Speaker 1>the Napa Valley estate at his house for a week

0:34:35.960 --> 0:34:40.120
<v Speaker 1>of rehearsals because the sony wouldn't pay for them. And

0:34:40.880 --> 0:34:43.480
<v Speaker 1>every night he would cook. There must have been fifteen

0:34:43.760 --> 0:34:48.960
<v Speaker 1>sixteen people. And I asked him whether he ever cooked

0:34:49.040 --> 0:34:50.880
<v Speaker 1>just for his wife, and he said he didn't know

0:34:50.920 --> 0:34:53.160
<v Speaker 1>how to cook for two people. He could only cook

0:34:53.360 --> 0:34:54.879
<v Speaker 1>for fifteen to thirty people.

0:35:01.080 --> 0:35:04.160
<v Speaker 2>Imagine a state bottled olive oil chosen and bottled for

0:35:04.239 --> 0:35:08.080
<v Speaker 2>the River Cafe, arriving at your door every month. Our

0:35:08.200 --> 0:35:12.080
<v Speaker 2>subscription is available for six or twelve months, with each

0:35:12.200 --> 0:35:15.640
<v Speaker 2>oil chosen personally by our head chefs and varying with

0:35:15.760 --> 0:35:19.000
<v Speaker 2>each delivery. It's a perfect way to bring some River

0:35:19.080 --> 0:35:22.279
<v Speaker 2>Cafe flavor into your home, or to show someone you

0:35:22.440 --> 0:35:25.800
<v Speaker 2>really care for them with the gift. Visit our website

0:35:26.280 --> 0:35:36.080
<v Speaker 2>shop the Rivercafe dot co UK to place your order. Now, So, Richard,

0:35:36.520 --> 0:35:38.439
<v Speaker 2>we are going to talk about food because I would

0:35:38.520 --> 0:35:43.960
<v Speaker 2>ask you, having watched the make crabblinguenie, would you like

0:35:44.120 --> 0:35:48.120
<v Speaker 2>to read the recipe for crabblingueni because I have it here.

0:35:50.000 --> 0:35:54.640
<v Speaker 1>Linguini with crabs of ten two large live mail crabs cooked.

0:35:54.960 --> 0:35:57.560
<v Speaker 1>The don't know how you distablished their mail. Yeah, that's

0:35:57.600 --> 0:36:01.360
<v Speaker 1>the River Cafe recipe. Three fresh red chilies, seeded and

0:36:01.440 --> 0:36:05.280
<v Speaker 1>finely chopped, juice of four lemons, three clothes of garlic

0:36:05.360 --> 0:36:07.600
<v Speaker 1>peeled and grown to a paste. Two hundred and fifty

0:36:07.640 --> 0:36:10.640
<v Speaker 1>miles of olive oil, five hundred grams of linguini. Remove

0:36:10.719 --> 0:36:13.960
<v Speaker 1>the claws and legs from the crabs, break the bodies open, carefully,

0:36:14.040 --> 0:36:16.719
<v Speaker 1>remove the brown meat from inside the shell, and transfer,

0:36:17.040 --> 0:36:19.640
<v Speaker 1>along with any juice, to a large bowl. I get

0:36:19.719 --> 0:36:22.120
<v Speaker 1>rid of most of the brown meat. Remove the white

0:36:22.160 --> 0:36:23.719
<v Speaker 1>meat from the claws and eggs, and add to the

0:36:23.760 --> 0:36:26.720
<v Speaker 1>brown meat in the bowl and mix together a tiny amount.

0:36:27.120 --> 0:36:28.760
<v Speaker 1>Add the chili, is, the lemon juice and the garlic

0:36:28.840 --> 0:36:30.520
<v Speaker 1>to the crab. Mikejuke, you have have enough of those

0:36:30.760 --> 0:36:33.560
<v Speaker 1>season well, lots of molden salt, stirring the olive oil.

0:36:33.800 --> 0:36:37.000
<v Speaker 1>The sauce should be quite liquid. Cook the linguini and

0:36:37.000 --> 0:36:39.520
<v Speaker 1>a generous amount of boiling salted water. Then drain thoroughly,

0:36:39.640 --> 0:36:43.040
<v Speaker 1>stir into the crab sauce, but do not reheat. Serve

0:36:43.160 --> 0:36:45.160
<v Speaker 1>immediately and stuff your face.

0:36:46.800 --> 0:36:50.359
<v Speaker 2>So tell me what you saw differently in rast doing

0:36:50.400 --> 0:36:52.000
<v Speaker 2>it with you? Did it well?

0:36:52.160 --> 0:36:56.600
<v Speaker 1>Ross? I mean, he's so brilliantly fast at doing everything.

0:36:56.920 --> 0:36:59.719
<v Speaker 1>And he put in dried chili, and he put in

0:36:59.800 --> 0:37:03.560
<v Speaker 1>fae as well, which I'd never had. I'd never used that,

0:37:03.840 --> 0:37:07.640
<v Speaker 1>and it isn't specified in your on your recipe changes.

0:37:08.640 --> 0:37:10.640
<v Speaker 1>And he added a little bit of the liquid that

0:37:10.800 --> 0:37:15.080
<v Speaker 1>the pastor was cooked in into the sauce, which gave

0:37:15.080 --> 0:37:17.920
<v Speaker 1>it its cre Yeah, maybe whatever it does or the

0:37:18.000 --> 0:37:21.200
<v Speaker 1>magic of science. And it was absolutely delicious.

0:37:21.600 --> 0:37:23.960
<v Speaker 2>So did you miss the coriander? And did you miss? No?

0:37:24.440 --> 0:37:25.960
<v Speaker 1>No means the version.

0:37:26.040 --> 0:37:29.480
<v Speaker 2>There you go, And that's about cooking, isn't it. Let's

0:37:29.520 --> 0:37:34.200
<v Speaker 2>compare a recipe to a script. So when you're verrising

0:37:34.280 --> 0:37:37.399
<v Speaker 2>your lines, tell me about the difference between a kind

0:37:37.400 --> 0:37:38.000
<v Speaker 2>of script and.

0:37:38.400 --> 0:37:40.160
<v Speaker 1>The exact same way. You have the recipe in front

0:37:40.200 --> 0:37:43.880
<v Speaker 1>of you. But then something inspires you to add something,

0:37:44.120 --> 0:37:46.440
<v Speaker 1>or though you're you go of in a tangent, do

0:37:46.560 --> 0:37:50.239
<v Speaker 1>you ask if the director or the writer are open

0:37:50.360 --> 0:37:53.759
<v Speaker 1>to an adjunct to something, or an addition or an

0:37:53.920 --> 0:37:57.840
<v Speaker 1>improvisation of round sections. So it means that it evolves,

0:37:58.000 --> 0:38:01.960
<v Speaker 1>is not? Unless it's Shakespeare. You can't improve on a genius. Really,

0:38:02.040 --> 0:38:04.640
<v Speaker 1>I don't think so. And because of the rhythm and

0:38:04.680 --> 0:38:07.520
<v Speaker 1>the meter of it, you would be doing a disservice,

0:38:07.560 --> 0:38:09.520
<v Speaker 1>I think if you tried to extemporize on it.

0:38:09.920 --> 0:38:12.160
<v Speaker 2>Do you remember cooking for Olivia as a baby? It

0:38:12.440 --> 0:38:15.600
<v Speaker 2>was important? Does she cook?

0:38:16.040 --> 0:38:17.239
<v Speaker 1>She cooks fantastic.

0:38:17.440 --> 0:38:20.320
<v Speaker 2>Yeah, she loves her mother's influence.

0:38:20.400 --> 0:38:23.400
<v Speaker 1>Yeah, so we do still do cook together.

0:38:23.280 --> 0:38:25.600
<v Speaker 2>And she's working on your fragrance.

0:38:26.400 --> 0:38:31.280
<v Speaker 1>She does. Oh I was. I've been obsessed with smelling

0:38:31.320 --> 0:38:34.080
<v Speaker 1>everything all my life, and I don't understand why everybody doesn't.

0:38:34.680 --> 0:38:36.720
<v Speaker 2>Can you remember the smells of the markets?

0:38:36.760 --> 0:38:39.320
<v Speaker 1>And oh yeah you can? Yeah, And if you go

0:38:39.440 --> 0:38:44.840
<v Speaker 1>into an old fashioned green groser that there's one still

0:38:45.120 --> 0:38:48.480
<v Speaker 1>in twicken Them that I go to every other other week,

0:38:49.120 --> 0:38:51.919
<v Speaker 1>where you can smell the soil and you can smell

0:38:52.040 --> 0:38:56.040
<v Speaker 1>vegetables and fruits in a way that is completely non

0:38:56.120 --> 0:38:58.120
<v Speaker 1>existent in a supermarket. You have to go to French

0:38:58.239 --> 0:39:01.960
<v Speaker 1>or Italian street markets together that as you know all

0:39:02.000 --> 0:39:06.359
<v Speaker 1>too well. So I remember that that smell very much.

0:39:06.440 --> 0:39:11.560
<v Speaker 1>But I've had a mad crush on the first American

0:39:11.600 --> 0:39:14.080
<v Speaker 1>that I'd ever met in nineteen sixty nine, called Betsy

0:39:14.160 --> 0:39:18.000
<v Speaker 1>Clap with a double pa and Armstrong had just landed

0:39:18.040 --> 0:39:21.280
<v Speaker 1>on the Moon that July, so everything American was so exotic.

0:39:21.480 --> 0:39:23.360
<v Speaker 1>I'd never met an American, you know, I'd seen them

0:39:23.400 --> 0:39:26.880
<v Speaker 1>in the movies, so it had this gum chewing, fast talking.

0:39:27.200 --> 0:39:29.400
<v Speaker 1>Taught me out a French kiss, and I thought, well,

0:39:29.440 --> 0:39:32.800
<v Speaker 1>I'd try and make her perfume for her birthday, And

0:39:33.480 --> 0:39:38.680
<v Speaker 1>of course I boiled up rose and gardenia petals into

0:39:39.560 --> 0:39:41.920
<v Speaker 1>boiled sugar water, and of course it didn't turn it

0:39:42.000 --> 0:39:45.960
<v Speaker 1>to osmos itself into beautiful scent, just into a stink bomb.

0:39:46.560 --> 0:39:48.960
<v Speaker 1>And then forty years later, I was on holiday in

0:39:49.000 --> 0:39:51.560
<v Speaker 1>the Caribbean and a fellow house guest, Annie Heinmarch, said,

0:39:51.960 --> 0:39:54.759
<v Speaker 1>I've never seen anybody so obsessed with smelling everything and

0:39:54.880 --> 0:39:58.080
<v Speaker 1>scent as you are. Try and make do one professionally,

0:39:58.280 --> 0:39:59.759
<v Speaker 1>So that's what inspired me to do.

0:39:59.880 --> 0:40:02.279
<v Speaker 2>So are those smells that you can't be in the

0:40:02.400 --> 0:40:05.720
<v Speaker 2>rooms if you smell it. You can't be with cheese.

0:40:06.560 --> 0:40:09.560
<v Speaker 1>When the cheese course comes out, I will I'll just

0:40:09.640 --> 0:40:12.400
<v Speaker 1>remove myself, do you Yeah, I think it's the most putrid,

0:40:13.760 --> 0:40:20.200
<v Speaker 1>almost all cheese. Yeah. I can tolerate a caesar salad

0:40:21.000 --> 0:40:24.080
<v Speaker 1>because it is delicious, but that's about as smell as

0:40:24.120 --> 0:40:24.400
<v Speaker 1>I can go.

0:40:24.560 --> 0:40:26.440
<v Speaker 2>And so if you have a pastor, you'll never have

0:40:26.560 --> 0:40:27.320
<v Speaker 2>parmesan on it.

0:40:28.520 --> 0:40:33.080
<v Speaker 1>And I'll never eat a pizza with cheese. Yeah. Chocolate

0:40:33.200 --> 0:40:35.560
<v Speaker 1>is another thing that I find that the smell of

0:40:35.600 --> 0:40:37.759
<v Speaker 1>it is not so it's a bit claggy, but the

0:40:37.800 --> 0:40:39.440
<v Speaker 1>taste of it is absolutely repellent to me.

0:40:40.160 --> 0:40:43.440
<v Speaker 2>I see that smells and music, You know, I can

0:40:43.560 --> 0:40:47.400
<v Speaker 2>remember the song. If I hear a song, I can remember,

0:40:48.040 --> 0:40:49.960
<v Speaker 2>you know, what I was wearing, where I was when

0:40:50.000 --> 0:40:50.640
<v Speaker 2>I was with.

0:40:51.080 --> 0:40:54.560
<v Speaker 1>Scent is exactly the same, the same. Scent is the

0:40:54.680 --> 0:40:58.440
<v Speaker 1>shortest synaptic leap in your brain to your memory. So

0:40:58.600 --> 0:41:00.520
<v Speaker 1>you can smell something that you haven't smell for forty

0:41:00.600 --> 0:41:03.640
<v Speaker 1>years and it will like music, it will instantly take

0:41:03.680 --> 0:41:05.520
<v Speaker 1>you back to the place where you first smelled.

0:41:05.560 --> 0:41:07.840
<v Speaker 2>That is there a smell that if you need comfort

0:41:08.680 --> 0:41:11.560
<v Speaker 2>that you want to smell. What is yours tomato sauce?

0:41:11.640 --> 0:41:14.799
<v Speaker 2>When my son died and we were all ran back

0:41:14.840 --> 0:41:17.640
<v Speaker 2>to the house, everybody was everywhere, and so all the

0:41:17.680 --> 0:41:19.960
<v Speaker 2>other children and my husband we got to the house

0:41:20.320 --> 0:41:23.440
<v Speaker 2>and I was going up the steps into our bedroom

0:41:23.760 --> 0:41:27.120
<v Speaker 2>and one of my kids came in and I said, Abe,

0:41:27.560 --> 0:41:30.880
<v Speaker 2>put tomato sauce on. I need to smell tomato sauce

0:41:30.960 --> 0:41:34.480
<v Speaker 2>cooking that I just needed to have that smell in

0:41:34.560 --> 0:41:38.600
<v Speaker 2>the house, that somehow there was a continuation was whatever

0:41:38.680 --> 0:41:41.320
<v Speaker 2>it was. So I think that smelled to me always

0:41:41.400 --> 0:41:42.400
<v Speaker 2>is a sense of comfort.

0:41:42.520 --> 0:41:43.960
<v Speaker 1>What is yours Christmas pudding?

0:41:44.400 --> 0:41:44.560
<v Speaker 2>Ah?

0:41:44.760 --> 0:41:47.239
<v Speaker 1>Which I eat once a month? You don't, I do?

0:41:47.560 --> 0:41:47.919
<v Speaker 1>You don't?

0:41:47.960 --> 0:41:49.800
<v Speaker 2>You don't wait up all year for Christmas?

0:41:50.000 --> 0:41:52.120
<v Speaker 1>Can't wait that long. I'd need one once a week,

0:41:52.640 --> 0:41:56.560
<v Speaker 1>but I'd explode. And in January every store and shop

0:41:56.920 --> 0:42:00.360
<v Speaker 1>is literally throwing them like footballs at such a scant

0:42:00.440 --> 0:42:02.279
<v Speaker 1>to get So I got twenty seven waiting in my

0:42:02.400 --> 0:42:03.560
<v Speaker 1>pantry at the moment.

0:42:03.880 --> 0:42:07.040
<v Speaker 2>So we have your smell, your favorite smell Christmas pudding?

0:42:07.320 --> 0:42:08.560
<v Speaker 2>What is your comfort food?

0:42:08.760 --> 0:42:09.719
<v Speaker 1>Baked beans? Oh?

0:42:09.840 --> 0:42:10.640
<v Speaker 2>Is it? Tell me about that?

0:42:10.960 --> 0:42:15.239
<v Speaker 1>Oh? Just baked beans, because I've had them my entire life,

0:42:15.560 --> 0:42:17.400
<v Speaker 1>and you just heat them up and put them on

0:42:17.440 --> 0:42:20.440
<v Speaker 1>a piece of toast. What's yours probably does.

0:42:20.520 --> 0:42:24.279
<v Speaker 2>If I feel a sense of stress or pandic, I

0:42:24.360 --> 0:42:27.040
<v Speaker 2>do want chocolate. I do find a piece of chocolate.

0:42:27.080 --> 0:42:29.480
<v Speaker 2>It's that crave. I crave a piece of chocolate. But

0:42:29.560 --> 0:42:34.279
<v Speaker 2>then again, for me, it would be tomato pasta. Yeah,

0:42:34.440 --> 0:42:36.080
<v Speaker 2>that if I can have, even if it's cold the

0:42:36.160 --> 0:42:39.720
<v Speaker 2>next morning, I can have. If I have that carb

0:42:40.000 --> 0:42:43.320
<v Speaker 2>of the of the pasta with tomato sauce, I'm a

0:42:43.400 --> 0:42:44.080
<v Speaker 2>happy person.

0:42:44.440 --> 0:42:46.800
<v Speaker 1>Have you always said tomato sauce instead of tomato? So

0:42:46.920 --> 0:42:48.000
<v Speaker 1>I go back and forth, you do?

0:42:48.280 --> 0:42:50.560
<v Speaker 2>It just depends on my where I am. But I'll say, yeah,

0:42:50.680 --> 0:42:53.880
<v Speaker 2>you say tomato asking tomatow Okay, but let's definitely not

0:42:54.000 --> 0:42:54.879
<v Speaker 2>call the whole thing off.

0:42:55.000 --> 0:43:02.880
<v Speaker 1>Okay. Thank you, Richard, thank you, thank you for listening

0:43:02.920 --> 0:43:05.880
<v Speaker 1>to Ruthie's Table for in partnership with Montclair