1 00:00:03,920 --> 00:00:08,479 Speaker 1: It's that time time time, luck and load. 2 00:00:11,240 --> 00:00:13,400 Speaker 2: So Michael Darry Show is. 3 00:00:13,280 --> 00:00:13,880 Speaker 3: On the air. 4 00:00:19,720 --> 00:00:26,200 Speaker 2: Oh, yes, that means it's Friday. 5 00:00:28,840 --> 00:00:29,600 Speaker 3: A moment. 6 00:00:30,120 --> 00:00:33,400 Speaker 2: I know you know what Friday open sun egg a moment. 7 00:00:33,720 --> 00:00:38,680 Speaker 2: Let it wash over you. The show started right, See 8 00:00:38,680 --> 00:00:39,639 Speaker 2: how I hit the post. 9 00:00:39,560 --> 00:00:47,760 Speaker 4: Moment heavy Indeed, happy day, like. 10 00:00:47,920 --> 00:00:49,080 Speaker 2: Jerry writes, Friday. 11 00:00:49,680 --> 00:00:58,400 Speaker 4: When it war, when jess. 12 00:01:01,080 --> 00:01:03,600 Speaker 3: She is away, he loves. 13 00:01:06,400 --> 00:01:12,479 Speaker 5: Happy day or happy d he happy. 14 00:01:14,319 --> 00:01:15,240 Speaker 3: Or happy d. 15 00:01:18,319 --> 00:01:30,160 Speaker 6: When Jesus war, Oh witty war, when Jus war, I 16 00:01:30,600 --> 00:01:32,800 Speaker 6: feel the way he loved. 17 00:01:32,959 --> 00:02:17,480 Speaker 5: It's a happy day, happy day, a happy day. 18 00:02:20,360 --> 00:02:33,440 Speaker 7: Winter those war, oh whendy war winter those war feels away? 19 00:02:33,600 --> 00:02:38,520 Speaker 5: He loved, happy. 20 00:02:38,240 --> 00:03:23,000 Speaker 8: Door, happy day, poor a happy day of. 21 00:04:35,920 --> 00:04:49,000 Speaker 4: Happy day? Oh happy they when Jesus war waity war, 22 00:04:51,200 --> 00:04:52,880 Speaker 4: when jos War. 23 00:04:55,040 --> 00:05:03,520 Speaker 2: Three away, he needed to look yesterday was a good day. 24 00:05:03,720 --> 00:05:12,160 Speaker 2: Oh the listener of irusman Cameron Mitchell, US military veteran. 25 00:05:13,520 --> 00:05:16,359 Speaker 2: After he completed his service, he became a professor at 26 00:05:16,400 --> 00:05:24,080 Speaker 2: the University of Houston. Cameron Mitchell and he passed and 27 00:05:25,240 --> 00:05:29,359 Speaker 2: the order to his estate was how to distribute his assets, 28 00:05:29,920 --> 00:05:32,839 Speaker 2: and he had dedicated two hundred and thirty thousand dollars 29 00:05:32,960 --> 00:05:39,320 Speaker 2: to Hope of his estate, and so David Maulsby was 30 00:05:39,360 --> 00:05:44,400 Speaker 2: set to drive to Belleville and receive the gift at 31 00:05:44,400 --> 00:05:48,919 Speaker 2: the BFW Paul at their meeting on behalf of Camp Hope. 32 00:05:49,760 --> 00:05:51,760 Speaker 3: And I had forwarded it to Russell Lebar as. 33 00:05:51,680 --> 00:05:54,040 Speaker 2: Well, and he said, well, I like to join, So 34 00:05:54,240 --> 00:05:56,360 Speaker 2: he did, and. 35 00:05:56,320 --> 00:05:58,920 Speaker 3: He brought all sorts of stuff for the. 36 00:05:58,400 --> 00:06:03,600 Speaker 2: BFW members and it was basically a grand time for all. 37 00:06:04,120 --> 00:06:07,760 Speaker 2: And afterwards he had dinner with his beautiful wife Monica 38 00:06:08,279 --> 00:06:12,320 Speaker 2: at ninety was it ninety six sixty? What is uh? 39 00:06:13,080 --> 00:06:16,520 Speaker 2: Cody Vasik's placed there in Belleville a restaurant on the 40 00:06:16,880 --> 00:06:21,480 Speaker 2: on the street. Fantastic twenty two eleven something. It's got 41 00:06:21,480 --> 00:06:23,800 Speaker 2: a number in it if you look it up in Belleville, 42 00:06:24,120 --> 00:06:29,040 Speaker 2: best restaurant in town. It's just wonderful anyway, So it was. 43 00:06:29,080 --> 00:06:32,359 Speaker 2: It was a good thing. It was a It was 44 00:06:32,400 --> 00:06:36,320 Speaker 2: a wonderful thing. Twenty two North Holland. Where did I 45 00:06:36,320 --> 00:06:41,560 Speaker 2: get ninety six sixty? I'm not Cray Cray, but I 46 00:06:41,560 --> 00:06:43,599 Speaker 2: can't remember what it. I don't know where I got 47 00:06:43,600 --> 00:06:46,760 Speaker 2: twenty two North Holland. That's it. That sounds like a 48 00:06:46,800 --> 00:06:48,240 Speaker 2: movie or something, doesn't it. 49 00:06:51,160 --> 00:06:51,520 Speaker 9: Me too. 50 00:06:53,200 --> 00:06:56,520 Speaker 2: Isn't there a famous address on North Holland in in 51 00:06:56,800 --> 00:07:02,159 Speaker 2: uh Los Angeles? Why do I think that? Huh, mullhaul 52 00:07:02,240 --> 00:07:04,640 Speaker 2: and drive. That's what I'm talking about, Tom Petty saying 53 00:07:04,640 --> 00:07:13,120 Speaker 2: about it, So did everybody else. We went by and 54 00:07:13,240 --> 00:07:22,280 Speaker 2: visited the Italian vin Santo yesterday. That was a nice 55 00:07:22,280 --> 00:07:34,280 Speaker 2: little place, wasn't it. Ramona asked me this morning, you 56 00:07:34,360 --> 00:07:37,960 Speaker 2: think I could take my kids there? I think it'd 57 00:07:38,000 --> 00:07:40,720 Speaker 2: be weird to take your kids into a very adult 58 00:07:40,760 --> 00:07:43,800 Speaker 2: wine bar. But you know, if you want to do it, 59 00:07:45,480 --> 00:07:48,880 Speaker 2: that's a good question. I don't know that your kids 60 00:07:48,920 --> 00:07:50,880 Speaker 2: have good taste of wine. Oh well, you know, hey, 61 00:07:50,880 --> 00:07:54,480 Speaker 2: if I can appreciate a good wine, that's very European 62 00:07:54,520 --> 00:08:01,360 Speaker 2: of you. I'm always amused when white American we'll talk 63 00:08:01,400 --> 00:08:04,640 Speaker 2: about Europe. You know, in Europe they don't. 64 00:08:04,520 --> 00:08:05,559 Speaker 3: Drink like here. 65 00:08:06,360 --> 00:08:08,360 Speaker 2: They you know that, even their kids will you know, 66 00:08:08,440 --> 00:08:11,680 Speaker 2: they just they have a little drink and and you 67 00:08:11,720 --> 00:08:15,640 Speaker 2: know they don't drink to get drunk and act stupid. 68 00:08:16,520 --> 00:08:20,240 Speaker 2: You know, you Germany or England, you know they don't really. 69 00:08:20,760 --> 00:08:23,040 Speaker 2: Well I've lived there, have you, because I can tell 70 00:08:23,080 --> 00:08:26,960 Speaker 2: you this. It's as dangerous as downtown Detroit, to walk 71 00:08:27,000 --> 00:08:31,240 Speaker 2: along an English street at ten o'clock at night after 72 00:08:31,280 --> 00:08:34,240 Speaker 2: a soccer game lets out. I can guarantee you it's 73 00:08:34,280 --> 00:08:37,839 Speaker 2: called getting pissed, where they get drunk and these hudlums, 74 00:08:37,920 --> 00:08:41,080 Speaker 2: white hudlums go out looking for a fight. They're used to. 75 00:08:41,120 --> 00:08:44,640 Speaker 2: It's all pakistins now, but back in those days, and 76 00:08:44,720 --> 00:08:47,600 Speaker 2: they are they are brewing for a fight, I'm telling you. 77 00:08:47,640 --> 00:08:50,480 Speaker 2: And they are drunk. You just didn't see it when 78 00:08:50,520 --> 00:08:52,439 Speaker 2: you were on vacation. 79 00:08:56,240 --> 00:08:56,520 Speaker 10: Time. 80 00:09:00,120 --> 00:09:02,680 Speaker 2: The sleepy heads out of bed, get them fed, get 81 00:09:02,720 --> 00:09:06,040 Speaker 2: them rested up, get your stuff in the truck, blow 82 00:09:06,080 --> 00:09:08,280 Speaker 2: them both. The kids when you drop them all by 83 00:09:08,440 --> 00:09:14,600 Speaker 2: kids by kids on you've got a chimney sweep Mondays. 84 00:09:14,880 --> 00:09:16,160 Speaker 3: Since I had. 85 00:09:16,200 --> 00:09:22,480 Speaker 2: Break, I need somebody to check our fireplace. There's a 86 00:09:22,480 --> 00:09:25,839 Speaker 2: guy over on fifty nine called fireplace man. I think 87 00:09:25,880 --> 00:09:30,480 Speaker 2: he's got a guy that doesn't. I wonder what percentage 88 00:09:30,520 --> 00:09:34,680 Speaker 2: of people have their fireplace checked out before they fired 89 00:09:34,760 --> 00:09:38,679 Speaker 2: up for the not zero? No, there's some people. Emily's 90 00:09:38,679 --> 00:09:40,559 Speaker 2: been obsessing over it the last couple of days. I 91 00:09:40,600 --> 00:09:42,640 Speaker 2: don't know what you got to be in her bonnet 92 00:09:42,679 --> 00:09:45,400 Speaker 2: over it, and her next door neighbors fired up their 93 00:09:46,160 --> 00:09:48,240 Speaker 2: fireplace and they didn't have it checked, and so she 94 00:09:48,320 --> 00:09:51,319 Speaker 2: said she was willing to pay to have their fireplace 95 00:09:51,400 --> 00:09:53,880 Speaker 2: check because they share an adjoining wall. And I said, well, 96 00:09:53,920 --> 00:09:57,240 Speaker 2: they have a firewall in between. She said, I'd just rather, 97 00:09:57,440 --> 00:10:00,800 Speaker 2: you know, I'd just rather know that they're fire places checked. 98 00:10:00,840 --> 00:10:01,000 Speaker 3: Dude. 99 00:10:01,040 --> 00:10:02,800 Speaker 2: That's that's when you're getting to the point of an 100 00:10:02,840 --> 00:10:06,920 Speaker 2: obsession that you're willing to pay for your neighbor's fireplace 101 00:10:07,040 --> 00:10:10,640 Speaker 2: to be checked just because you're so afraid they're going 102 00:10:10,720 --> 00:10:14,560 Speaker 2: to burn your place down. Yeah, they're probably busy this 103 00:10:14,600 --> 00:10:17,880 Speaker 2: time of year, though, you know, there's you know, hey, 104 00:10:17,880 --> 00:10:22,079 Speaker 2: what does your son Dwayne do well? Dwayne slow? Oh 105 00:10:22,120 --> 00:10:27,280 Speaker 2: he is? Yeah, yeah, does he have a job? You 106 00:10:27,400 --> 00:10:31,000 Speaker 2: pick up odds and ends oddly enough at at Christmas. 107 00:10:31,000 --> 00:10:34,120 Speaker 2: He gets busy because he's a chimney sweep, old fashioned 108 00:10:34,120 --> 00:10:36,800 Speaker 2: you know, Dick Van Dyke chimney sweep, you know, jim 109 00:10:36,880 --> 00:10:39,560 Speaker 2: chimminey chim chimminy chim chim cherue kind of thing. And 110 00:10:39,600 --> 00:10:42,120 Speaker 2: that's what he humps while he's working. But he's is, 111 00:10:42,160 --> 00:10:45,200 Speaker 2: he is, he busy. He's probably got I don't know, 112 00:10:45,320 --> 00:10:48,360 Speaker 2: forty houses he'll go out to and Uh, and he's 113 00:10:48,360 --> 00:10:50,280 Speaker 2: actually pretty good at it. He you know, he reads 114 00:10:50,280 --> 00:10:52,480 Speaker 2: the websites and stays up on all the you know, 115 00:10:52,600 --> 00:10:56,640 Speaker 2: newest form of kreosote and sew it and uh, you know, 116 00:10:56,800 --> 00:11:02,720 Speaker 2: the latest developments in in accumulation and removal and and everything. 117 00:11:02,880 --> 00:11:05,720 Speaker 2: So how much he get paid at per day? I 118 00:11:05,760 --> 00:11:09,240 Speaker 2: don't I don't know, but you know it look it 119 00:11:09,400 --> 00:11:12,480 Speaker 2: keeps him busy. But he doesn't even drive, does he. No, 120 00:11:12,640 --> 00:11:15,640 Speaker 2: he rides a bus. He got a whole. He got 121 00:11:15,640 --> 00:11:18,920 Speaker 2: it like a Duffel bag, and he puts all his 122 00:11:18,920 --> 00:11:20,319 Speaker 2: his gear and he enjoys it. 123 00:11:20,480 --> 00:11:20,720 Speaker 3: You know. 124 00:11:20,800 --> 00:11:23,200 Speaker 2: Now when he comes home, he looks like he's been 125 00:11:23,200 --> 00:11:25,400 Speaker 2: working in a carbon black plant. But the way I 126 00:11:25,440 --> 00:11:29,080 Speaker 2: look at it is it keeps him busy. Yeah, yeah, 127 00:11:29,200 --> 00:11:31,440 Speaker 2: keeps him busy. Bill, you're on the Michael Berry Show. 128 00:11:31,480 --> 00:11:36,079 Speaker 2: What you got, sir? Bill? 129 00:11:38,559 --> 00:11:38,800 Speaker 3: Bill? 130 00:11:38,840 --> 00:11:43,239 Speaker 2: Fat fingered the mute button? Seven one three nine nine 131 00:11:43,679 --> 00:11:47,960 Speaker 2: one thousand, seven one three nine nine nine one thousand? 132 00:11:53,800 --> 00:12:00,280 Speaker 2: Is it raining? Bill? You don't have Bill? We didn't 133 00:12:00,320 --> 00:12:04,520 Speaker 2: play that. We can review yet, seven thousand to get 134 00:12:04,520 --> 00:12:07,280 Speaker 2: a start, as we always do. Courtesy the greatest executive 135 00:12:07,320 --> 00:12:12,680 Speaker 2: producer in all the land, Chatt Cooney, Nakanishi, the hell 136 00:12:12,800 --> 00:12:18,640 Speaker 2: was that? Oh my god, you didn't have Chad Donger ready. 137 00:12:20,160 --> 00:12:23,680 Speaker 2: Tell me when you're ready. Okay, are you sure because 138 00:12:23,679 --> 00:12:28,959 Speaker 2: it's weird? Yeah, okay, here we go. Rewind. Rewind the tape, folks, 139 00:12:28,960 --> 00:12:33,600 Speaker 2: rewind the tape, take two and to get a start, 140 00:12:33,679 --> 00:12:36,160 Speaker 2: as we always do, courtesy the greatest executive producer in 141 00:12:36,240 --> 00:12:40,400 Speaker 2: all the land, Chattacony Nakanishi. You're a weekend review. 142 00:12:46,120 --> 00:12:47,000 Speaker 11: Talk about the lane. 143 00:12:47,840 --> 00:12:50,880 Speaker 2: Totally can change it if you want. 144 00:12:50,960 --> 00:12:51,400 Speaker 3: I don't care. 145 00:12:51,400 --> 00:12:51,880 Speaker 8: It's up to you. 146 00:12:51,960 --> 00:12:56,960 Speaker 12: I can live with it if you can suit yourself. 147 00:13:00,360 --> 00:13:03,120 Speaker 2: Boy, of those vocals, I'm a dude. I don't normally 148 00:13:03,200 --> 00:13:06,480 Speaker 2: like women lead singers. I have to just stand in 149 00:13:06,679 --> 00:13:10,040 Speaker 2: awe of her voice. And who does is mesmerize. 150 00:13:11,200 --> 00:13:14,000 Speaker 11: The jury has reached a unanimous verdict in the case 151 00:13:14,000 --> 00:13:17,400 Speaker 11: of Daniel Penning not guilty, not guilty on the charge 152 00:13:17,400 --> 00:13:19,480 Speaker 11: of criminally negligent homicide. 153 00:13:19,559 --> 00:13:22,760 Speaker 12: America hate black people? Can we see it from that jury? 154 00:13:23,040 --> 00:13:27,319 Speaker 1: We need some black vigilities, right, people want to jump 155 00:13:27,440 --> 00:13:30,120 Speaker 1: up and choke us. How about we do the same. 156 00:13:30,280 --> 00:13:32,360 Speaker 2: And this is what they want. They want the race war. 157 00:13:32,520 --> 00:13:35,280 Speaker 2: Every person in America understands what's happening? 158 00:13:35,760 --> 00:13:39,240 Speaker 1: A former Houston urban park langer back in custody, this 159 00:13:39,400 --> 00:13:41,120 Speaker 1: time under federal indictat. 160 00:13:41,160 --> 00:13:44,319 Speaker 10: Ellis is accused of violating his victim's rights after investigators 161 00:13:44,360 --> 00:13:46,760 Speaker 10: say he would force men to strip in the parks 162 00:13:46,880 --> 00:13:49,160 Speaker 10: he was patrolling, and in some cases would have them 163 00:13:49,160 --> 00:13:52,360 Speaker 10: perform sex acts on him. Prosecutors say these alleged incidents 164 00:13:52,360 --> 00:13:55,120 Speaker 10: happened in city parks where usually gay men are known. 165 00:13:55,160 --> 00:13:58,200 Speaker 2: To me, I actually had an encounter with this guy. 166 00:13:58,440 --> 00:14:02,360 Speaker 2: I thought he just didn't like it. I was jogging 167 00:14:02,640 --> 00:14:06,120 Speaker 2: Memorial Park. That dude, Joey Ellis was standing there and 168 00:14:06,200 --> 00:14:09,280 Speaker 2: I go past, and he mutters under his breath. 169 00:14:09,000 --> 00:14:10,800 Speaker 3: What an ass? Little did I know. 170 00:14:11,000 --> 00:14:15,440 Speaker 2: Ramon Quick, the Houston icon who was recovering after surgery. 171 00:14:15,480 --> 00:14:17,679 Speaker 10: Doctress Mack is on the road to recovery. 172 00:14:17,880 --> 00:14:21,000 Speaker 2: The owner of Gallery Furniture had open heart surgery. 173 00:14:21,440 --> 00:14:24,400 Speaker 10: Doctor ed, you told me don't look at the cary 174 00:14:24,440 --> 00:14:24,920 Speaker 10: you too much. 175 00:14:25,000 --> 00:14:28,480 Speaker 3: But I'm grateful to have a great doctors and great care. 176 00:14:28,600 --> 00:14:29,560 Speaker 3: Though I'm good. 177 00:14:29,600 --> 00:14:32,040 Speaker 2: A lot of folks who we've been out here praying 178 00:14:32,240 --> 00:14:36,440 Speaker 2: for your successful surgery and now your recovery, and we 179 00:14:36,520 --> 00:14:39,360 Speaker 2: know you'll be back sooner than have it. 180 00:14:39,480 --> 00:14:58,960 Speaker 3: We love you, budd. 181 00:15:00,080 --> 00:15:03,880 Speaker 2: I'm glad Chad caught my wed an asked joke because 182 00:15:03,880 --> 00:15:05,680 Speaker 2: I was so proud of that joke because you didn't laugh, 183 00:15:05,720 --> 00:15:08,920 Speaker 2: and nobody commented on it. You know, we started that 184 00:15:10,040 --> 00:15:14,720 Speaker 2: we can review or Chad did with my Karen Carpenter comments, 185 00:15:15,120 --> 00:15:18,120 Speaker 2: and several of you come in and worth noting that 186 00:15:18,160 --> 00:15:23,160 Speaker 2: she was apparently a phenomenal drummer, as in there were 187 00:15:23,200 --> 00:15:28,040 Speaker 2: classic rock bands who remarked upon seeing her drum that 188 00:15:28,280 --> 00:15:32,440 Speaker 2: she was not just for a girl, she was a drummer, 189 00:15:32,600 --> 00:15:40,120 Speaker 2: a real good drummer period. Can you can you rewind 190 00:15:40,120 --> 00:15:42,960 Speaker 2: to the black dude saying we've got a hells some 191 00:15:43,160 --> 00:15:47,600 Speaker 2: black d laddies. He sounds like he's out of fat 192 00:15:47,640 --> 00:15:53,000 Speaker 2: Albert that guy. It sounds like me making fun of 193 00:15:53,040 --> 00:15:56,600 Speaker 2: some BLM dude or some you know, race Bader. You 194 00:15:56,600 --> 00:15:57,440 Speaker 2: can't believe. 195 00:15:57,160 --> 00:16:00,440 Speaker 1: He's really we've got a good off something now or 196 00:16:00,640 --> 00:16:02,120 Speaker 1: Virgilian is that's black? 197 00:16:02,200 --> 00:16:03,120 Speaker 3: What we got to do? 198 00:16:03,800 --> 00:16:06,040 Speaker 2: That's really? You really talk like that. See if you 199 00:16:06,080 --> 00:16:11,400 Speaker 2: can find it's pretty early on you got it. You 200 00:16:11,400 --> 00:16:12,840 Speaker 2: can just play it and we'll tell you where it is. 201 00:16:12,880 --> 00:16:13,640 Speaker 2: We know where it is. 202 00:16:13,680 --> 00:16:16,760 Speaker 11: In the case of Daniel Pennay not guilty, not guilty 203 00:16:16,960 --> 00:16:19,640 Speaker 11: on the charge of criminally negligent homicide. 204 00:16:19,680 --> 00:16:22,920 Speaker 12: America hates black people, and we see it from that jury. 205 00:16:23,160 --> 00:16:25,480 Speaker 1: We need something black rigilities. 206 00:16:27,760 --> 00:16:31,160 Speaker 12: America hates black people, and we see it from that jury. 207 00:16:31,240 --> 00:16:33,560 Speaker 1: We need something black rigilities. 208 00:16:37,160 --> 00:16:37,960 Speaker 2: He says a little more. 209 00:16:38,000 --> 00:16:41,080 Speaker 11: I think on the charge of criminally negligent homicide. 210 00:16:41,080 --> 00:16:44,360 Speaker 12: America hates black people, and we see it from that jury. 211 00:16:44,560 --> 00:16:49,400 Speaker 1: We need something blackglities. People want to jump up and 212 00:16:49,680 --> 00:16:50,880 Speaker 1: choke us, how. 213 00:16:50,800 --> 00:16:53,400 Speaker 2: About and this is what they want. They want the 214 00:16:53,480 --> 00:16:55,680 Speaker 2: race war. Yeah, why don't you try to jump up 215 00:16:55,720 --> 00:16:58,880 Speaker 2: and choke somebody fat? So, why don't you do that? 216 00:17:00,120 --> 00:17:03,680 Speaker 2: You'd be like the dude that was selling singles in 217 00:17:03,840 --> 00:17:09,200 Speaker 2: New York. Remember the guy he'd buy a pack huh Lucy's. Yeah, 218 00:17:09,240 --> 00:17:12,400 Speaker 2: he'd buy a pack of cigarettes and stand at the 219 00:17:12,440 --> 00:17:19,240 Speaker 2: corner of the convenience store and he'd sell each one individually, 220 00:17:19,560 --> 00:17:22,720 Speaker 2: because you know, if you need a cigarette real bad, 221 00:17:22,760 --> 00:17:25,280 Speaker 2: but you don't have enough for a pack, you'd pay 222 00:17:25,320 --> 00:17:30,359 Speaker 2: old boy for you know, a fifty percent mark up 223 00:17:30,440 --> 00:17:33,520 Speaker 2: on a Lucy. And the cops come up on him. 224 00:17:33,560 --> 00:17:37,439 Speaker 2: He's wearing no shoes, bad as a hog, and they 225 00:17:37,560 --> 00:17:39,520 Speaker 2: come up on him, and then they try to take 226 00:17:39,600 --> 00:17:42,919 Speaker 2: him into custody and he strokes out and dies right 227 00:17:43,000 --> 00:17:49,040 Speaker 2: there on the spot, and they murdered him. They murdered it. 228 00:17:49,160 --> 00:17:53,000 Speaker 2: They didn't murder him. He died of his own accord. 229 00:17:53,119 --> 00:17:59,160 Speaker 2: He murdered himself on grease and cholesterol. They didn't murder him. 230 00:17:59,280 --> 00:18:03,280 Speaker 2: I actually just me. I actually think it's a stupid 231 00:18:03,320 --> 00:18:06,560 Speaker 2: reason to arrest somebody, and I think it's yet another 232 00:18:06,720 --> 00:18:10,240 Speaker 2: example of a police state gone too far. But nobody 233 00:18:10,359 --> 00:18:13,440 Speaker 2: murdered the fat bastard. He kind of slowly but surely 234 00:18:13,520 --> 00:18:17,440 Speaker 2: killed himself. But it was kind of funny, fat dude 235 00:18:17,520 --> 00:18:20,040 Speaker 2: on the corner of his barefoot. But that's how I 236 00:18:20,040 --> 00:18:20,840 Speaker 2: imagine he talked. 237 00:18:21,080 --> 00:18:21,439 Speaker 3: It's a. 238 00:18:23,080 --> 00:18:25,520 Speaker 1: Very show, Michael Vary. 239 00:18:46,840 --> 00:18:47,600 Speaker 7: I got one. 240 00:18:47,520 --> 00:18:49,800 Speaker 2: Hundred dollars walking in my bill. 241 00:18:50,880 --> 00:18:55,520 Speaker 13: I know how you're doing. This is Shirley cue lickor good. 242 00:18:55,560 --> 00:18:58,080 Speaker 13: Everything had got to the print now to where you 243 00:18:58,200 --> 00:19:00,439 Speaker 13: have to be so politically correct about it, like I 244 00:19:00,480 --> 00:19:05,760 Speaker 13: had to rewrite my songs. I'm dreaming of a black. 245 00:19:07,400 --> 00:19:12,959 Speaker 14: Quanza, just like the one in our formerly economically underserved 246 00:19:13,000 --> 00:19:19,359 Speaker 14: development community where my domesticated mother and em would sit 247 00:19:19,480 --> 00:19:22,920 Speaker 14: up there and cook vegetarian things for all of us 248 00:19:22,920 --> 00:19:27,119 Speaker 14: to eat, and father was spending quality time beating our ass. 249 00:19:27,240 --> 00:19:28,399 Speaker 3: What the truth is. 250 00:19:29,040 --> 00:19:30,480 Speaker 2: You're not lying about that, but. 251 00:19:31,040 --> 00:19:32,000 Speaker 1: Reading us stories. 252 00:19:33,560 --> 00:19:36,920 Speaker 14: I'm dreaming of the sixteen year Clifford go Ad demonstration 253 00:19:38,640 --> 00:19:41,880 Speaker 14: that was a damn nightmare that was horrible for us, 254 00:19:42,280 --> 00:19:44,960 Speaker 14: and the elections that always favor demo crack. 255 00:19:46,000 --> 00:19:47,160 Speaker 2: That's what we need. 256 00:19:49,080 --> 00:19:52,800 Speaker 14: With my aunt t andem served dinner with her lesbian, 257 00:19:52,920 --> 00:19:59,960 Speaker 14: domesticated partner and it was a tobacco free black Kwansa 258 00:20:00,520 --> 00:20:07,480 Speaker 14: had my own embarrassed rainbow entities. That's so ignorantly well, 259 00:20:07,520 --> 00:20:10,280 Speaker 14: I hope you have my happy quins headed my sugar 260 00:20:10,640 --> 00:20:11,040 Speaker 14: dream on. 261 00:20:16,920 --> 00:20:25,040 Speaker 2: Uh. Guy that I know that has a distribution company 262 00:20:25,960 --> 00:20:30,480 Speaker 2: I talked to about a week ago, there were several 263 00:20:30,560 --> 00:20:34,280 Speaker 2: of us sitting around and he said, well, I said, 264 00:20:34,280 --> 00:20:39,240 Speaker 2: everybody tell something interesting to the group that you can't 265 00:20:39,280 --> 00:20:42,040 Speaker 2: like an AA meeting. That's tell something interesting to the 266 00:20:42,040 --> 00:20:45,439 Speaker 2: group that you can't really tell anybody at work or church. 267 00:20:46,359 --> 00:20:49,439 Speaker 2: It can be off color, it can be awkward, it 268 00:20:49,480 --> 00:20:53,840 Speaker 2: can you know whatever that thing is. So this guy, 269 00:20:53,880 --> 00:20:58,760 Speaker 2: who I didn't know very well, says, well, I got 270 00:20:58,760 --> 00:21:06,359 Speaker 2: a woman that works for me. She's a black lesbian 271 00:21:08,040 --> 00:21:12,080 Speaker 2: and she has four kids, and we all just kind 272 00:21:12,080 --> 00:21:15,879 Speaker 2: of sat. Everybody's waiting, you know, on the punchline, so 273 00:21:15,960 --> 00:21:17,639 Speaker 2: I couldn't help it. I said, well, what does she do? 274 00:21:18,440 --> 00:21:32,400 Speaker 2: She drives a forklift. She's a black lesbian with four kids, 275 00:21:33,760 --> 00:21:37,040 Speaker 2: and she drives a forklift. Wouldn't you like to have 276 00:21:37,119 --> 00:21:40,000 Speaker 2: beers with that woman? She's got some stories to tell. 277 00:21:40,119 --> 00:21:46,080 Speaker 2: I guarantee you she has got some stories to tell. Eric, 278 00:21:46,320 --> 00:21:48,240 Speaker 2: you're old the Michael Berry Show. What say you, sir? 279 00:21:51,480 --> 00:21:54,280 Speaker 2: Something's wrong with our phones? That's now it's on you, Ramon. 280 00:21:55,040 --> 00:21:58,200 Speaker 2: It didn't test the phone lines this morning. I'm gonna 281 00:21:58,240 --> 00:22:02,719 Speaker 2: get about thirty emails. Your phone system is always down. 282 00:22:03,320 --> 00:22:06,560 Speaker 2: You're the only person I've ever heard your phone system 283 00:22:06,600 --> 00:22:09,439 Speaker 2: doesn't work half the time. It's you. Something's wrong with 284 00:22:09,480 --> 00:22:12,600 Speaker 2: your phone system. Well, I'm going to tell you again. 285 00:22:13,320 --> 00:22:17,760 Speaker 2: I actually thought I hated our phone system when we 286 00:22:17,760 --> 00:22:21,120 Speaker 2: were at the studios, and I would always bitch and 287 00:22:21,240 --> 00:22:25,359 Speaker 2: Bob Stroop's job is to install phone systems that work 288 00:22:25,800 --> 00:22:28,800 Speaker 2: and don't break. But I thought, oh, we ought to 289 00:22:28,840 --> 00:22:31,480 Speaker 2: be able to operate the phone systems from anywhere in 290 00:22:31,480 --> 00:22:34,240 Speaker 2: the world. They should be web based. So I make 291 00:22:34,280 --> 00:22:36,560 Speaker 2: all these calls. I call every talk show host in 292 00:22:36,640 --> 00:22:39,399 Speaker 2: the top ten in the country, what phone system do 293 00:22:39,480 --> 00:22:43,000 Speaker 2: you use? I call a head of Talkers Magazine, the 294 00:22:43,040 --> 00:22:46,480 Speaker 2: Bible of talk radio. I'm checking with every I'm talking 295 00:22:46,520 --> 00:22:49,240 Speaker 2: to engineers, and I'm going to show Stroop We're gonna 296 00:22:49,280 --> 00:22:52,240 Speaker 2: have the best phone system ever. And it's not even 297 00:22:52,280 --> 00:22:54,960 Speaker 2: gonna be hardwired. It's gonna be all web based. And 298 00:22:55,400 --> 00:22:57,439 Speaker 2: Stroop's going to have to bow before me that I 299 00:22:57,480 --> 00:23:01,040 Speaker 2: have the best phone system ever. And here we are, 300 00:23:01,040 --> 00:23:03,359 Speaker 2: what two or three years later, and I go, hey, Stroop, 301 00:23:03,400 --> 00:23:05,480 Speaker 2: you were right. I should have just gone with the 302 00:23:05,560 --> 00:23:11,080 Speaker 2: tee los hardwired stupid bone system like we had before, 303 00:23:11,119 --> 00:23:13,520 Speaker 2: because at least it always worked. Are you able to 304 00:23:13,520 --> 00:23:21,600 Speaker 2: get them up? No, you have to restart it. Oh wow, 305 00:23:21,720 --> 00:23:26,840 Speaker 2: that's that sounds like some very interesting Uh yeah, Well 306 00:23:27,119 --> 00:23:29,200 Speaker 2: while you're doing that, did I mention that everybody should 307 00:23:29,240 --> 00:23:34,720 Speaker 2: watch Landman? Land Man is fantastic. Taylor Sheridan's a genius. 308 00:23:35,640 --> 00:23:39,240 Speaker 2: There's a there's some moments in land Man that I 309 00:23:39,359 --> 00:23:42,960 Speaker 2: kind of I'm annoyed by because it's sort of like, oh, 310 00:23:43,320 --> 00:23:48,680 Speaker 2: inter pretty girl, you're supposed to be extremely distracted by 311 00:23:48,720 --> 00:23:53,000 Speaker 2: how pretty she is. And I'm thinking, this is so trite. 312 00:23:54,119 --> 00:23:57,840 Speaker 2: I'm better than this. You're gonna she's so like some 313 00:23:59,119 --> 00:24:04,159 Speaker 2: people are disturbingly pretty, and you can't have that person 314 00:24:04,320 --> 00:24:07,280 Speaker 2: play a serious role, Like really, you're gonna be the 315 00:24:07,400 --> 00:24:12,280 Speaker 2: high powered attorney and you're a complete knockout, and you 316 00:24:13,040 --> 00:24:16,320 Speaker 2: expect me to buy into this character. This is the 317 00:24:16,560 --> 00:24:21,160 Speaker 2: worst casting ever. She should kind of grow on you, right. 318 00:24:21,600 --> 00:24:26,360 Speaker 2: You shouldn't even notice she's attractive, Like Beth in Yellowstone, 319 00:24:27,280 --> 00:24:29,800 Speaker 2: some dudes get into her because I think they like 320 00:24:29,880 --> 00:24:32,200 Speaker 2: her fighting or something. You know, some guys are into that. 321 00:24:32,880 --> 00:24:36,040 Speaker 2: But you never look at Beth and go, she's attractive. 322 00:24:36,080 --> 00:24:38,400 Speaker 2: When she first came on the scene, the first time 323 00:24:38,440 --> 00:24:41,399 Speaker 2: she walked in, long before Rip and all that, you 324 00:24:41,440 --> 00:24:45,240 Speaker 2: didn't think to yourself, Wow, she's hot. I'm looking forward 325 00:24:45,240 --> 00:24:47,680 Speaker 2: to her being on the screen. You could just tell 326 00:24:47,720 --> 00:24:50,720 Speaker 2: she was a mess. And everybody knows a wreck of 327 00:24:50,760 --> 00:24:53,879 Speaker 2: a woman like that, a hysterical kind of crazy. You 328 00:24:53,960 --> 00:24:56,600 Speaker 2: didn't know she was so violent then, but everybody knows 329 00:24:56,840 --> 00:24:58,399 Speaker 2: that kind of woman. And as long as you're not 330 00:24:58,560 --> 00:25:01,440 Speaker 2: married to that woman, know you can have some fun 331 00:25:01,440 --> 00:25:03,600 Speaker 2: with it. You can find it funny, and you know, 332 00:25:03,640 --> 00:25:06,080 Speaker 2: you want to hear the stories and all of that. 333 00:25:07,320 --> 00:25:12,480 Speaker 2: The problem. The problem is and so over time you're like, oh, 334 00:25:12,560 --> 00:25:15,359 Speaker 2: she got with rip and that's good, and you know 335 00:25:15,520 --> 00:25:18,320 Speaker 2: she she sort of grows on you. But this woman 336 00:25:18,359 --> 00:25:24,000 Speaker 2: in Landman that plays the lawyer, she is disturbingly good looking, 337 00:25:24,440 --> 00:25:28,520 Speaker 2: and her makeup is always perfect, which that's not realistic, 338 00:25:29,160 --> 00:25:31,960 Speaker 2: and they're always doing close up on hers, close ups 339 00:25:31,960 --> 00:25:34,760 Speaker 2: on her and Verman. I don't want to make this creepy, 340 00:25:34,800 --> 00:25:37,639 Speaker 2: but I like her teeth. I don't know why. I 341 00:25:37,640 --> 00:25:40,000 Speaker 2: don't know why I like her teeth. She has nice 342 00:25:40,160 --> 00:25:43,520 Speaker 2: she has she has nice. I don't require perfectly straight 343 00:25:43,560 --> 00:25:46,240 Speaker 2: teeth because I don't know if her teeth or crooked 344 00:25:46,320 --> 00:25:49,160 Speaker 2: or whatever. But they do really tight close ups. That's 345 00:25:49,240 --> 00:25:51,639 Speaker 2: that's something I've noticed they do on this show. It's 346 00:25:51,720 --> 00:25:55,639 Speaker 2: kind of a distinctive element. And she has freckles and 347 00:25:55,680 --> 00:25:58,000 Speaker 2: I've never I never knew that I like freckles, but 348 00:25:58,040 --> 00:26:00,679 Speaker 2: I like her freckles. Did you notice I haven't seen it. 349 00:26:02,000 --> 00:26:02,560 Speaker 2: Give me see. 350 00:26:02,840 --> 00:26:03,760 Speaker 9: Can can you hear me? 351 00:26:04,080 --> 00:26:06,760 Speaker 2: Yeah? I can hear you. Okay, I was just testing 352 00:26:06,800 --> 00:26:10,800 Speaker 2: the phones. We're good, okay, But what about the collars. 353 00:26:12,119 --> 00:26:13,000 Speaker 9: Well, we'll get to them. 354 00:26:13,400 --> 00:26:16,520 Speaker 2: You still haven't seen I can't understand. Did you see 355 00:26:16,960 --> 00:26:18,400 Speaker 2: lamb Man or not? No? 356 00:26:21,800 --> 00:26:23,159 Speaker 3: Hey, this Tracy. 357 00:26:22,800 --> 00:26:28,240 Speaker 5: Bird and I tipped my hand to the keeper of 358 00:26:28,280 --> 00:26:29,000 Speaker 5: the Star. 359 00:26:29,920 --> 00:26:33,639 Speaker 9: And the Chimney sweep wood. 360 00:26:35,560 --> 00:26:42,800 Speaker 1: When there's hardly no day, nordly no night, there's things 361 00:26:43,200 --> 00:26:44,560 Speaker 1: off the shadow. 362 00:26:45,720 --> 00:26:54,920 Speaker 3: And off way in white on the rooftops of London. Cool, 363 00:26:56,000 --> 00:26:56,960 Speaker 3: what a sight. 364 00:26:58,280 --> 00:26:59,040 Speaker 2: That's a good ass. 365 00:26:59,080 --> 00:27:04,320 Speaker 8: Me Chim Jiminy Chim jiminy Chim Chimsery. 366 00:27:04,359 --> 00:27:04,960 Speaker 2: She don't need it. 367 00:27:04,960 --> 00:27:06,040 Speaker 3: You're right, she don't need it. 368 00:27:06,160 --> 00:27:10,240 Speaker 2: She's trying to get competitive. No where is their am 369 00:27:10,680 --> 00:27:19,159 Speaker 2: happy cups Jim Jimmy Chery, Jimmy, the Sherman brothers. I 370 00:27:19,160 --> 00:27:23,359 Speaker 2: think it's Richard and Roberts that wrote this and this 371 00:27:23,440 --> 00:27:28,760 Speaker 2: whole musical and most everything else at Disney. Did their 372 00:27:28,840 --> 00:27:35,000 Speaker 2: body of work is you know, if you were to 373 00:27:35,080 --> 00:27:38,760 Speaker 2: break down your life into its components, the parts you 374 00:27:38,800 --> 00:27:42,640 Speaker 2: can't see your brain, and you were to just say, 375 00:27:42,680 --> 00:27:46,760 Speaker 2: all right, here are my influences in life, there's a 376 00:27:46,800 --> 00:27:50,560 Speaker 2: lot of things that you think would be really important, like, oh, 377 00:27:50,600 --> 00:27:54,280 Speaker 2: I bet death leopards thirteen percent. No, No, death leopards 378 00:27:54,520 --> 00:27:59,800 Speaker 2: is less than one percent. There are certain people who 379 00:27:59,840 --> 00:28:04,960 Speaker 2: have had an influence on your life. You're you're developing 380 00:28:05,119 --> 00:28:10,480 Speaker 2: brain at the time, and the Sherman Brothers and all 381 00:28:10,520 --> 00:28:13,560 Speaker 2: of their songs. You know, when you when you think 382 00:28:13,600 --> 00:28:19,199 Speaker 2: about your cartoons, your Bugs Bunny and Wylie Coyote, that 383 00:28:19,400 --> 00:28:23,040 Speaker 2: has way more You will never see the word actme 384 00:28:24,040 --> 00:28:26,680 Speaker 2: and and not think of that, even if you don't 385 00:28:26,720 --> 00:28:29,480 Speaker 2: consciously think of it. Your brain goes there, But you 386 00:28:29,560 --> 00:28:34,000 Speaker 2: think about Elmer Fudd. How much of our view of 387 00:28:34,119 --> 00:28:40,400 Speaker 2: things is is informed by our brain developing on those 388 00:28:40,440 --> 00:28:43,200 Speaker 2: sorts of things. And once it's wired that way. Every 389 00:28:43,240 --> 00:28:46,600 Speaker 2: time you see Tim Waltz with the jazz hands and 390 00:28:46,600 --> 00:28:50,720 Speaker 2: and the latent homosexuality maybe latent, we don't know, you 391 00:28:50,760 --> 00:28:52,600 Speaker 2: know out you know the I'm going to show you 392 00:28:52,680 --> 00:28:54,800 Speaker 2: all how to hunt because I'm going to be a man. 393 00:28:55,000 --> 00:28:57,760 Speaker 2: You're gonna want to vote for me. Your brain goes 394 00:28:57,800 --> 00:29:01,680 Speaker 2: to Elmer Fudd. You know, you got be real quiet 395 00:29:02,360 --> 00:29:06,320 Speaker 2: and and uh, what was the putty tat? What was 396 00:29:06,360 --> 00:29:12,960 Speaker 2: the what a tweety? And Sylvester and Mary Poppins At 397 00:29:13,040 --> 00:29:16,920 Speaker 2: least for my generation, Mary Poppins and Chim chimminey Chim 398 00:29:17,000 --> 00:29:20,680 Speaker 2: Chim true Dick Van dyke Man. You talk about a 399 00:29:20,760 --> 00:29:26,680 Speaker 2: guy with some talent, wow, he is Uh. Every time 400 00:29:26,720 --> 00:29:28,160 Speaker 2: I bring up who was the one I brought up 401 00:29:28,160 --> 00:29:31,200 Speaker 2: the other day, and people bring up Hugh Jackman, I don't. 402 00:29:31,240 --> 00:29:33,120 Speaker 2: I haven't watched anything Hugh Jackman was in. But I 403 00:29:33,200 --> 00:29:36,680 Speaker 2: understand he's kind of from that. He's built on that chassis. 404 00:29:36,680 --> 00:29:41,000 Speaker 2: He's got a lot of the sort of classical talents. 405 00:29:41,000 --> 00:29:43,320 Speaker 2: But who were we talking about the other day that 406 00:29:43,480 --> 00:29:48,440 Speaker 2: I declared was the greatest? Do you remember? Huh? 407 00:29:49,000 --> 00:29:49,560 Speaker 3: Oh? 408 00:29:49,800 --> 00:29:49,880 Speaker 5: What? 409 00:29:51,320 --> 00:30:00,160 Speaker 2: No, it wasn't Fred Astaire stage actor. It was somebody 410 00:30:00,200 --> 00:30:04,400 Speaker 2: that has started on the stage. And then he oh, oh, 411 00:30:04,440 --> 00:30:07,000 Speaker 2: I know who it was. It was the dad in 412 00:30:07,760 --> 00:30:11,920 Speaker 2: Dirty Dancing. I will have y'all know that we went 413 00:30:12,000 --> 00:30:16,240 Speaker 2: to Vincanto last night, and this is for all y'all 414 00:30:16,280 --> 00:30:21,080 Speaker 2: that think that Ramone's such a nice guy. We went 415 00:30:21,320 --> 00:30:24,000 Speaker 2: and my only rule with my wife is that I 416 00:30:24,080 --> 00:30:28,040 Speaker 2: not drive, so Ramone brought me there and my buddy 417 00:30:28,120 --> 00:30:31,120 Speaker 2: Michael Robinson, the Aggie plumber, drove me home. And we 418 00:30:31,200 --> 00:30:35,080 Speaker 2: had some friends that all gathered last night and we 419 00:30:35,200 --> 00:30:39,080 Speaker 2: hung out with the Italian at Vincanto. Oss that and 420 00:30:39,120 --> 00:30:42,240 Speaker 2: at some point because he thinks he's funny, but I 421 00:30:42,240 --> 00:30:44,160 Speaker 2: didn't realize that I was the butt of this joke. 422 00:30:44,280 --> 00:30:47,440 Speaker 2: Ramone decided that it would be good for Oh, Patrick 423 00:30:47,480 --> 00:30:49,680 Speaker 2: Swayze is who we were talking about. That's who I 424 00:30:49,720 --> 00:30:53,240 Speaker 2: was originally talking about. Ramone decided it would be good 425 00:30:53,880 --> 00:30:57,240 Speaker 2: for me to stand up and do the scene where 426 00:30:57,960 --> 00:31:03,960 Speaker 2: Patrick Swayze walks up to Jennifer Gray, and because I 427 00:31:04,000 --> 00:31:06,800 Speaker 2: had described it the week before and he goads me 428 00:31:06,960 --> 00:31:09,600 Speaker 2: into doing it, and I had had a glass or 429 00:31:09,640 --> 00:31:12,560 Speaker 2: tin of wine, and so in front of this whole restaurant, 430 00:31:12,600 --> 00:31:15,520 Speaker 2: I get up and do my Patrick swayzey, you know, 431 00:31:15,560 --> 00:31:20,240 Speaker 2: where he's down load to the ground. And the worst 432 00:31:20,280 --> 00:31:23,680 Speaker 2: part is at that moment, at that exact moment, I 433 00:31:23,760 --> 00:31:27,920 Speaker 2: thought it was a good idea to do. I think, yeah, 434 00:31:28,000 --> 00:31:29,440 Speaker 2: I did it pretty good, And if I may say 435 00:31:29,520 --> 00:31:32,440 Speaker 2: to myself, I did thank you. I looked pretty much 436 00:31:32,520 --> 00:31:34,920 Speaker 2: like him, because that's a hard move to pull off. 437 00:31:34,960 --> 00:31:36,719 Speaker 2: You know, you got to get down load to the ground, 438 00:31:36,800 --> 00:31:40,760 Speaker 2: your shoulders are very prominent, you know, and you're kind 439 00:31:40,760 --> 00:31:44,280 Speaker 2: of swaying back and forth without any classical dance background. 440 00:31:44,320 --> 00:31:47,120 Speaker 2: I felt like I pulled that move off pretty well. Bill, 441 00:31:47,320 --> 00:31:49,200 Speaker 2: You're on the Michael Berry Show. What you got. 442 00:31:51,160 --> 00:31:59,040 Speaker 9: Well, I would like to give a shout out. 443 00:31:59,200 --> 00:32:01,320 Speaker 2: We don't really do shout outs per se, but you 444 00:32:01,360 --> 00:32:04,400 Speaker 2: can do a point of special recognition unless you're black. 445 00:32:06,360 --> 00:32:12,160 Speaker 9: Ah point special recognition, Okay for Yeah, I've got a nice, 446 00:32:12,640 --> 00:32:19,600 Speaker 9: nice roof over my head thanks to Peter Brown. And 447 00:32:21,560 --> 00:32:28,400 Speaker 9: his price was reasonable and they put it in real fast. 448 00:32:28,920 --> 00:32:32,320 Speaker 9: And I'm really thankful I got the name from you, 449 00:32:33,200 --> 00:32:37,160 Speaker 9: and I mentioned that when I called him. 450 00:32:37,520 --> 00:32:40,280 Speaker 2: That's awesome. I'm glad that I get a lot of 451 00:32:40,400 --> 00:32:44,000 Speaker 2: very positive feedback. We are trying to track down a 452 00:32:44,160 --> 00:32:48,920 Speaker 2: chimney sweep by the name of Billy Little. There's a 453 00:32:48,960 --> 00:32:51,680 Speaker 2: picture of him and his way. He wears the Dick 454 00:32:51,800 --> 00:32:54,080 Speaker 2: Van Dyke hat, which I like. He's all, if you're 455 00:32:54,120 --> 00:32:56,240 Speaker 2: going to be a chimney sweep, you need to wear 456 00:32:56,280 --> 00:32:58,920 Speaker 2: the outfit. In my opinion, you shouldn't just show up 457 00:32:59,000 --> 00:33:02,320 Speaker 2: like you know, you just got off, you know, walking 458 00:33:02,360 --> 00:33:04,920 Speaker 2: around Walmart. You should have the old fashioned and you 459 00:33:04,960 --> 00:33:11,959 Speaker 2: should effect a fake uh Cockney accent, a low brow 460 00:33:11,960 --> 00:33:16,600 Speaker 2: English accent. Yeah, I do believe that, and you should 461 00:33:16,640 --> 00:33:21,720 Speaker 2: drive a really old English truck. Anyway, we're trying to 462 00:33:21,760 --> 00:33:24,239 Speaker 2: track him or any other chimney suite. Now he's got 463 00:33:24,240 --> 00:33:26,240 Speaker 2: a cute wife, though D. Her name is D in 464 00:33:26,280 --> 00:33:29,040 Speaker 2: this picture seven one three, nine nine nine, one thousand,