WEBVTT - Bend It Like Beckham with Subhah Agarwal

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<v Speaker 1>On the Bedel Cast, the questions asked if movies have

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<v Speaker 1>women in um, are all their discussions just boyfriends and husbands,

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<v Speaker 1>or do they have individualism the patriarchy? Zef in best

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<v Speaker 1>start changing it with the Bechdel Cast. Hello, Welcome to

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<v Speaker 1>the Bechtel Cast. My name is Jamie Loftus and my

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<v Speaker 1>name is Caitlin Rante. This is our podcast about the

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<v Speaker 1>representation of women in movies. You've seen before? You have it? Yeah, Jamie,

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<v Speaker 1>how do you feel the representation of women in mainstream

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<v Speaker 1>American cinema is? I'll tell you what, pretty bad? Yeah?

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<v Speaker 1>I would agree, don't care for it. Usually feel it's

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<v Speaker 1>like a bit of a slap in the face, for sure.

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<v Speaker 1>And that conversation just passed the Bechtel test, which is

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<v Speaker 1>the test that we use as just a jumping off

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<v Speaker 1>point to initiate a larger conversation about the representation of

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<v Speaker 1>women in movies. The Bechtel test for us requires that

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<v Speaker 1>the movie has two female I entifying characters in it.

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<v Speaker 1>They have to have names already, Why bothers those characters

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<v Speaker 1>have to speak to each other? That happens, I'm leaving

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<v Speaker 1>the theater. Who wants to watch women talk right, and

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<v Speaker 1>their conversation has to be about anything besides men, sorry,

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<v Speaker 1>talking about food. There's nothing has to talk about right,

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<v Speaker 1>So here here, let's let's play to test the test

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<v Speaker 1>really quick. I'd love to okay, Caitlin, Hey, Jamie, you

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<v Speaker 1>play sports? I do play soccer. Well, I played soccer

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<v Speaker 1>when I was four, but then I got kicked off

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<v Speaker 1>of a youth team, which isn't supposed to be allowed

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<v Speaker 1>to happen to four year old But I what did

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<v Speaker 1>you do to get kicked off the team? Quote refused

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<v Speaker 1>to participate? Unquote I see and quote picked flowers and

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<v Speaker 1>quote through them at the opposing team, which I would

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<v Speaker 1>argue was probably helpful to my team. And they shouldn't

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<v Speaker 1>let me stay, I think, but that may be some

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<v Speaker 1>poor sportsmanship. Well, we'll do matter next time. Sorry, we're

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<v Speaker 1>just done. Women. Shall we introduce please? She's a comedian

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<v Speaker 1>and she's a writer for the Jim Jefferies Show. Suba

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<v Speaker 1>our gar Wall. Hey, welcome, thanks for having me, Thanks

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<v Speaker 1>for being here. So we're talking about Bendett, like Beckham,

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<v Speaker 1>tell us about your history with this movie, your relationship

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<v Speaker 1>to it. When did you first see it? I? Oh,

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<v Speaker 1>I think I was young. I don't remember exactly one,

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<v Speaker 1>but um, it was very relatable. I loved it. It It

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<v Speaker 1>was like, I think it was the first because when

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<v Speaker 1>I was little, the only the brown girl I really saw.

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<v Speaker 1>I was like, well, of course there's Bollywood films, but

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<v Speaker 1>I had no idea what the hell was going on there.

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<v Speaker 1>And then there was Princess Jasmine. And when I was

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<v Speaker 1>super little, I thought I was a princess because I

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<v Speaker 1>saw Jasmine and my dad would call me princess, and

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<v Speaker 1>then all of our white school teachers called my house

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<v Speaker 1>and we're like, is your daughter really a princess? And

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<v Speaker 1>was like, no, soups embarrassing, that's adorable. Though, could have

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<v Speaker 1>just leaned into it, like he just doesn't want people

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<v Speaker 1>to know they're trying to murder me because I'm going

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<v Speaker 1>to inherit the throne. Now I think we were merchants.

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<v Speaker 1>Was our cast? I don't know, but so yeah, back on,

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<v Speaker 1>I absolutely adored it because it kind of became my

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<v Speaker 1>life story with the whole entire double life thing with

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<v Speaker 1>me and stand up where it's like, um, my parents

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<v Speaker 1>took me to my first ever open mic and then

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<v Speaker 1>they forbade me from doing comedy and then I would

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<v Speaker 1>sneak out and say I was going to parties and

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<v Speaker 1>like go out and do shows and stuff. So it

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<v Speaker 1>was very like Backham. They were cool with parties, but

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<v Speaker 1>not well, you have to understand who my friends were. Okay,

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<v Speaker 1>I was such a loser. This is completely true. I

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<v Speaker 1>got into comedy because I thought it would teach me

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<v Speaker 1>how to talk to people. Work even weirder on direction. Yeah,

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<v Speaker 1>I think I've gotten way socially worse since I started

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<v Speaker 1>to stand up. Hey, now I talked, but everything I

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<v Speaker 1>say it's an appropriate perfect I mean, it's more complicated

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<v Speaker 1>than that. But so my friends, this is true. I

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<v Speaker 1>was so awkward and so nerdy that the people who

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<v Speaker 1>took me into their friend circle was this Korean church

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<v Speaker 1>youth group at my school because they saw me and

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<v Speaker 1>it was like adopting strike. Yeah, they took me another

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<v Speaker 1>group and they like let me come to their like

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<v Speaker 1>youth group Friday. So it's like, yeah, we would go

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<v Speaker 1>real crazy. We would do karaoke and like go to

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<v Speaker 1>a hay patch. You were their project, their project. So

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<v Speaker 1>those were the parties that you told your parents you

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<v Speaker 1>were going to and instead you were going out and

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<v Speaker 1>doing stand up. Okay, it is really bend it like

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<v Speaker 1>that up, but I think I like that better. Jamie,

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<v Speaker 1>when did you first see the movie? I'm pretty sure

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<v Speaker 1>I first saw this movie. I definitely didn't see it

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<v Speaker 1>when it first came out. I would have been tune

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<v Speaker 1>to see it, But I saw it at some point

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<v Speaker 1>in high school. Um. I think that a bunch of

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<v Speaker 1>my friends and I watched it, and it would have

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<v Speaker 1>probably been because we knew by that point who Kira

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<v Speaker 1>Nightly was, and so we were like, oh, you're not

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<v Speaker 1>lisening this movie, we'll watch it, And yeah, I really

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<v Speaker 1>liked it. I've seen it a couple of times over

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<v Speaker 1>the years, and it's always been just like I don't

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<v Speaker 1>know I was. I was a little bit worried, as

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<v Speaker 1>I always am anytime we rewatch a movie with this

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<v Speaker 1>like Lens. I was a little bit weird going into

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<v Speaker 1>it because I didn't remember all the details white and

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<v Speaker 1>usually when that happens, it means that I'm about to

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<v Speaker 1>not love the movie anymore. It's gonna be very upset.

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<v Speaker 1>But this movie held up for me. I thought, I

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<v Speaker 1>I really it's it just warms my heart to feel

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<v Speaker 1>like movie still banks it's right. It's very rare that

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<v Speaker 1>we revisit a movie after having been doing this podcast

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<v Speaker 1>for a while and are able to still enjoy a

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<v Speaker 1>movie so without without like that weird feeling of like

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<v Speaker 1>but astros gast you know, right. So it came on

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<v Speaker 1>two thousand two. I think I saw it shortly after

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<v Speaker 1>it came out. I would have been in high school

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<v Speaker 1>at the time, and I was really at the top

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<v Speaker 1>of my soccer career in that moment. I was a

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<v Speaker 1>captain of my soccer team. I I know, I was

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<v Speaker 1>a left forward. I was scoring goals all the time.

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<v Speaker 1>What does left forward mean is that just I played

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<v Speaker 1>an offensive position, so like upstage, but but I didn't

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<v Speaker 1>drama closer to the traffic line. I would okay, okay,

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<v Speaker 1>So like I would enter the field stage left field, left,

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<v Speaker 1>and um hit the mark. I would hit my mark.

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<v Speaker 1>And yeah. So I'm a huge soccer fan, and so

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<v Speaker 1>I kind of just automatically liked this movie because it

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<v Speaker 1>was about women playing soccer. It was around the time

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<v Speaker 1>in my life where I was like really gung ho

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<v Speaker 1>about soccer, and you could argue that I still am

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<v Speaker 1>because right after this, I'm going to play soccer in Pasadena.

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<v Speaker 1>So yeah, yeah, yeah, so um. I really enjoyed this

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<v Speaker 1>movie at the time, and then I would watch it

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<v Speaker 1>here and there. I haven't seen it that many times.

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<v Speaker 1>I loved soccer too. I wanted to be I tried, really,

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<v Speaker 1>I wanted to be a professional soccer player, but my

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<v Speaker 1>health and my genetics gotten away. So sorry, did you

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<v Speaker 1>think you're gonna do soccer? You're going to do math.

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<v Speaker 1>I'm sorry, you're physically suited to math. Your bones are

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<v Speaker 1>shaped for this wheel, wheel in desk shape for I mean,

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<v Speaker 1>make no mistake, I'm not good at soccer. I've been

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<v Speaker 1>playing for over twenty five years, so I should be

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<v Speaker 1>much better than I am, and I'm literally still very bad.

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<v Speaker 1>And my problem was I was fat when I was little,

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<v Speaker 1>and then when you're fat and they don't know what

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<v Speaker 1>they're doing, they just make you the goalie. They're like, well,

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<v Speaker 1>she doesn't move, and I would get so mad that

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<v Speaker 1>they would put me in goalie because I know what

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<v Speaker 1>I'm like, this is because I'm fat. And then like

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<v Speaker 1>I stopped, I refused to play goalie and I started

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<v Speaker 1>playing these positions. But by the time, my school was

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<v Speaker 1>very competitive, so it was really hard to get on

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<v Speaker 1>the team, and I started working out and I draw

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<v Speaker 1>and I lost all this weight and like I ended

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<v Speaker 1>up like for a soccer for soccer, like wolfer soccer.

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<v Speaker 1>And I was also tired of, you know, not being

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<v Speaker 1>fuckable in the night, Like now it's better, but now

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<v Speaker 1>I'm sure there'd be a dude who's like, yeah, you

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<v Speaker 1>don't have to look like that. I'm totally into you.

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<v Speaker 1>But you know, but then no, but yeah, I mean

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<v Speaker 1>when you're ye ten in the nineties, it's yeah, no,

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<v Speaker 1>it's a so yeah, I lost this wight. I started jogging,

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<v Speaker 1>I started working out and training really hard, and I

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<v Speaker 1>could not catch up. I still couldn't make it, but

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<v Speaker 1>I was like, well, I guess at least I'm not

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<v Speaker 1>going to diet of a heart attack at thirty. I

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<v Speaker 1>guess I'll just be healthy. Into your mouth and I

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<v Speaker 1>was told I was once perfectly physically built to play

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<v Speaker 1>the oboe because I like, when I had a back braise,

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<v Speaker 1>I went to my oboe instructor and I thought he

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<v Speaker 1>was going to tell me to quit because I'm like,

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<v Speaker 1>I have to wear a back braid all the time,

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<v Speaker 1>how am I supposed to? And he was like, you

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<v Speaker 1>don't understand what a blessing. This is that the way

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<v Speaker 1>I was leading, like my crooked spine was leaning on

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<v Speaker 1>my lung in such a way that was very advantageous

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<v Speaker 1>to Obo play. So not to brag, that was a gift.

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<v Speaker 1>So we've got an athlete, a musician, and a mathematician.

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<v Speaker 1>We are basically three most fuckable people in the entire world. Um,

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<v Speaker 1>so I'll do the recap recap it u baby, Okay,

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<v Speaker 1>so bend it like Beckham. The movie focuses on a

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<v Speaker 1>character named Jess Bamra. She is a young woman living

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<v Speaker 1>in England with her family, and her parents are immigrants.

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<v Speaker 1>They're Indian and they're this very traditional family and they

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<v Speaker 1>do not like that Jess plays soccer and loves soccer

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<v Speaker 1>and loves David Beckham. And then we meet Jules that's

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<v Speaker 1>Kara Knightley's character. Her mother's all like, try on these

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<v Speaker 1>sexy bras and she's like, I'd rather it's fully like

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<v Speaker 1>calling the manager white lady. Mom. Yeah, right, And Jules

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<v Speaker 1>sees Jess playing soccer in the park and she's like, wow,

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<v Speaker 1>she's really good and she goes up to her and

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<v Speaker 1>Jules was like, hey, you should like try out for

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<v Speaker 1>this women's league that I'm on, and Jesse is like,

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<v Speaker 1>am I good enough for this? And she's like yeah,

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<v Speaker 1>so really far with the gig. So Jess goes and

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<v Speaker 1>tries out and she makes the team. Her coach is

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<v Speaker 1>named Joe and he's played by Jonathan Rees Smyers, and

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<v Speaker 1>he thinks that she's got a lot of potential, but

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<v Speaker 1>her parents don't want her to play anymore, and like

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<v Speaker 1>her sister's gearing up to get married and they're all

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<v Speaker 1>like stressed out because of that. So her sister is

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<v Speaker 1>played by Archie Punjabi, who is my favorite character. I'm

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<v Speaker 1>the Good Wife show that I have seen every episode

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<v Speaker 1>of and remember could tell you zero things that happened

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<v Speaker 1>the entire show. It was like, I have no idea,

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<v Speaker 1>I have no idea. I love Archie Enny of Alan Cuming,

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<v Speaker 1>and that's all I know about the show. Who was

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<v Speaker 1>even the lead in that show? Probably a wife that's

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<v Speaker 1>good Julianna Margolie's trick questions a good job anyways? Oh wait,

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<v Speaker 1>quite really quick, Alfred Molina mentioned please Chris know a

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<v Speaker 1>k Mr Big plays the husband in the Good Wife,

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<v Speaker 1>and Chris not as we all know, is the poor

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<v Speaker 1>man's Alfred Molina I said it. Yeah, okay, okay, I

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<v Speaker 1>can do. I'm glad we got that out there. So

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<v Speaker 1>Jess has to lie to her parents and like tell

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<v Speaker 1>them that she's got a job so that she can

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<v Speaker 1>start playing on this women's league women's side. I don't

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<v Speaker 1>know club club soccer. They're British and they use words

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<v Speaker 1>that I don't want to understand. And then Jules and

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<v Speaker 1>just develop a close friendship, and then they're both interested

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<v Speaker 1>in their coach Joe and tell each other for a

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<v Speaker 1>long time, right or they like they're only like kind

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<v Speaker 1>of hinting at it. But like there's a million times

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<v Speaker 1>where Kara and Knightley is like, I didn't know whatever,

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<v Speaker 1>and Jess is like, okay, you know, Jess plays it

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<v Speaker 1>way cooler than Kia Knightley. Kia Knightley is spazzing out anyways. Yeah,

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<v Speaker 1>I have never played it cool, not once. It's really

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<v Speaker 1>hard being chill for you. On a second, Oh, I

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<v Speaker 1>can't relate. So different things happen. Like there's a moment

0:12:28.320 --> 0:12:30.640
<v Speaker 1>where like Jess and Jewels are like kind of laughing

0:12:30.760 --> 0:12:33.400
<v Speaker 1>and hugging, and like a family friend drives by and

0:12:33.760 --> 0:12:36.440
<v Speaker 1>they think that Jesse is kissing someone, so like they

0:12:36.480 --> 0:12:39.080
<v Speaker 1>tell her family and then the wedding gets called off

0:12:39.320 --> 0:12:43.440
<v Speaker 1>because that's very frowned upon in the community. Jess has

0:12:43.480 --> 0:12:45.800
<v Speaker 1>to like sneak off to Germany to play a game,

0:12:46.080 --> 0:12:48.160
<v Speaker 1>and she has her sister cover for her. But like

0:12:48.280 --> 0:12:51.520
<v Speaker 1>all this stuff gets revealed that she has been playing

0:12:51.559 --> 0:12:53.840
<v Speaker 1>and her parents like forbid her from continuing to play.

0:12:54.400 --> 0:12:57.600
<v Speaker 1>But then she just keeps at it. She keeps lying.

0:12:59.040 --> 0:13:04.160
<v Speaker 1>She committed to lie. She and Joe almost kiss for

0:13:04.240 --> 0:13:06.160
<v Speaker 1>a moment, and then like Jess walks in on them,

0:13:06.320 --> 0:13:11.520
<v Speaker 1>and then that creates some tension between them. Finally, her parents,

0:13:12.080 --> 0:13:14.920
<v Speaker 1>I think they find out about the Germany trip and

0:13:15.000 --> 0:13:18.000
<v Speaker 1>they like forbid her from ever playing soccer again. It

0:13:18.080 --> 0:13:20.160
<v Speaker 1>gets kind of convolated because it happens a bunch of

0:13:20.240 --> 0:13:22.760
<v Speaker 1>different times where it's like I think that the big

0:13:22.880 --> 0:13:25.720
<v Speaker 1>plot points go, like, they think she's gay, they capture

0:13:25.720 --> 0:13:29.160
<v Speaker 1>playing soccer, they think she's gay playing soccer. They think

0:13:29.240 --> 0:13:32.680
<v Speaker 1>she's gay, they let her play soccer. The movie's over,

0:13:33.000 --> 0:13:34.840
<v Speaker 1>but it is kind of like the same two conflicts

0:13:34.880 --> 0:13:37.600
<v Speaker 1>that keep sort of manifesting in different ways, right, yeah, Yeah,

0:13:38.000 --> 0:13:41.400
<v Speaker 1>So by the end, there is this like big tournament

0:13:41.520 --> 0:13:44.079
<v Speaker 1>game that there's like an American scout going to be

0:13:44.480 --> 0:13:48.120
<v Speaker 1>at who has his eye on both Jess and Jewels.

0:13:48.440 --> 0:13:52.600
<v Speaker 1>But that's the same day of Jesse's sister's wedding, which

0:13:52.679 --> 0:13:58.600
<v Speaker 1>gets are fighting fighting over this man, and we'll get

0:13:58.679 --> 0:14:01.160
<v Speaker 1>there because I'm like, should he be dating any of

0:14:01.360 --> 0:14:05.679
<v Speaker 1>these girls? That doesn't seem like you should, right, But

0:14:05.840 --> 0:14:10.360
<v Speaker 1>the movie does not acknowledge that the characters do. They

0:14:10.440 --> 0:14:13.600
<v Speaker 1>keep saying yeah, like he's off limits, but then they

0:14:13.679 --> 0:14:16.199
<v Speaker 1>go for it anyway. But then he's like, j K,

0:14:16.320 --> 0:14:19.280
<v Speaker 1>I'm not like they're the reasons I thought he was

0:14:19.320 --> 0:14:21.280
<v Speaker 1>off limits and the reasons they thought he was off

0:14:21.320 --> 0:14:23.760
<v Speaker 1>limits were different reasons. I thought it was an age thing.

0:14:23.800 --> 0:14:27.200
<v Speaker 1>But he's just like, oh no, I'm your coach. Oh right,

0:14:27.240 --> 0:14:30.240
<v Speaker 1>because they're they're meant to be in their late teens,

0:14:30.360 --> 0:14:32.440
<v Speaker 1>like about to go to you. They're on like some yeah,

0:14:32.480 --> 0:14:35.120
<v Speaker 1>they're like it's like summer Bread looks young too. It's

0:14:35.160 --> 0:14:38.440
<v Speaker 1>not that I hope so he could also be like

0:14:38.680 --> 0:14:42.280
<v Speaker 1>twenty four though, and they're like eighteen. I don't know.

0:14:42.720 --> 0:14:44.560
<v Speaker 1>I guess. I mean, I I don't think laws are

0:14:44.640 --> 0:14:49.120
<v Speaker 1>being broken. It's just a little weird slightly Um yeah, well,

0:14:49.200 --> 0:14:52.200
<v Speaker 1>we'll get into that went off. It's like, I don't

0:14:52.200 --> 0:14:56.400
<v Speaker 1>know if you should be um. So the final kind

0:14:56.440 --> 0:14:59.280
<v Speaker 1>of big moment in the story is that she's at

0:14:59.320 --> 0:15:02.360
<v Speaker 1>her sister wedding and has decided, well, you know, I

0:15:02.440 --> 0:15:05.600
<v Speaker 1>can't play soccer anymore because my parents forbid it. But

0:15:05.680 --> 0:15:08.320
<v Speaker 1>then her dad finally gives her his blessing because he

0:15:08.440 --> 0:15:10.800
<v Speaker 1>had seen her play in a game and like recognizes

0:15:10.880 --> 0:15:13.480
<v Speaker 1>her talent. So he's like, go off, and if this

0:15:13.640 --> 0:15:15.240
<v Speaker 1>is going to make you happy, go do it. So

0:15:15.520 --> 0:15:18.000
<v Speaker 1>she leaves the wedding, goes and plays like the second

0:15:18.040 --> 0:15:22.040
<v Speaker 1>half of this soccer game, scores the winning goal. The

0:15:22.200 --> 0:15:26.200
<v Speaker 1>scouts sees her and he's like, wow, great, let's send

0:15:26.240 --> 0:15:28.720
<v Speaker 1>you off to America, you know, the country that loves

0:15:28.920 --> 0:15:31.800
<v Speaker 1>soccer and that there are so many opportunities for soccer

0:15:31.880 --> 0:15:35.680
<v Speaker 1>players at Oh I didn't even think of that. There's

0:15:35.880 --> 0:15:39.200
<v Speaker 1>so many times in this movie where these characters in

0:15:39.280 --> 0:15:42.680
<v Speaker 1>the UK are like, we can't play soccer here, we

0:15:42.840 --> 0:15:46.120
<v Speaker 1>have to go to America in order to like make

0:15:46.160 --> 0:15:48.760
<v Speaker 1>a living at soccer, and it's like, is that that

0:15:49.000 --> 0:15:52.600
<v Speaker 1>might have been true? But also like the US like

0:15:52.760 --> 0:15:58.240
<v Speaker 1>hates soccer and women athletes and seems like a real

0:15:58.360 --> 0:16:02.720
<v Speaker 1>blanket lose. Maybe that's the movie being like, we want

0:16:02.760 --> 0:16:06.040
<v Speaker 1>to get international distribution. Maybe if we just compliment America

0:16:06.120 --> 0:16:10.440
<v Speaker 1>a bunch of times, they'll be like, okay, well, and

0:16:10.560 --> 0:16:14.160
<v Speaker 1>that must have worked because we've seen it and this

0:16:14.280 --> 0:16:18.840
<v Speaker 1>movie was financially huge success. Six million dollar budget, seventy

0:16:18.880 --> 0:16:23.520
<v Speaker 1>seven million dollar box off box office, so they got him.

0:16:23.720 --> 0:16:26.200
<v Speaker 1>I'm so jealous of that one part of the movie

0:16:26.200 --> 0:16:28.240
<v Speaker 1>because our stories are pretty similar with the whole like

0:16:28.320 --> 0:16:31.840
<v Speaker 1>double life, lying blah blah blag ruining whatever. And then

0:16:31.960 --> 0:16:34.320
<v Speaker 1>like the port where her dad's like I saw her

0:16:34.360 --> 0:16:36.600
<v Speaker 1>and she's so talented, Like I never got that moment.

0:16:36.720 --> 0:16:39.280
<v Speaker 1>My mom has never been like your dick joke was

0:16:39.440 --> 0:16:43.600
<v Speaker 1>so well crested. I can't hold you back from the world.

0:16:43.680 --> 0:16:45.920
<v Speaker 1>There was more of I'm not going to stop doing this.

0:16:47.280 --> 0:16:49.720
<v Speaker 1>So they have kind to accept it, but they're not

0:16:49.880 --> 0:16:52.840
<v Speaker 1>necessarily they are not on board. She tries, bless her

0:16:52.920 --> 0:16:57.240
<v Speaker 1>heart in this day. Yeah, she even tries because she

0:16:57.280 --> 0:16:59.080
<v Speaker 1>won't see I won't let her it into a show.

0:16:59.720 --> 0:17:01.840
<v Speaker 1>I mean, if she does, maybe one day, but I

0:17:02.000 --> 0:17:03.440
<v Speaker 1>need a heads up, and it's gonna be a whole

0:17:03.480 --> 0:17:05.760
<v Speaker 1>different set and it's gonna be super annoying um, but

0:17:06.040 --> 0:17:09.560
<v Speaker 1>like she tries to watch stuff online or like she

0:17:09.720 --> 0:17:12.080
<v Speaker 1>tried to watch the Gym Jeffrey Show, which is gonna

0:17:12.080 --> 0:17:15.600
<v Speaker 1>be like news based, and she's like, I didn't like

0:17:15.960 --> 0:17:20.160
<v Speaker 1>current events and she was like, I tried to watch

0:17:20.160 --> 0:17:21.920
<v Speaker 1>it while I was fooling my laundries. So I tried.

0:17:22.000 --> 0:17:25.640
<v Speaker 1>I'm like, all right, thanks mom, thank you. Every time

0:17:25.720 --> 0:17:28.200
<v Speaker 1>she tries, it's just way worse. Like she tried to

0:17:28.240 --> 0:17:30.240
<v Speaker 1>watch me I got head like a small non speaking

0:17:30.359 --> 0:17:32.760
<v Speaker 1>role on the front show, and she's like, why did

0:17:32.840 --> 0:17:36.600
<v Speaker 1>you look fat and nervous? And I was like I

0:17:36.840 --> 0:17:39.160
<v Speaker 1>was I could not look nervous. I didn't have any

0:17:39.240 --> 0:17:41.080
<v Speaker 1>lines and what do you mean fat? She's like she

0:17:41.240 --> 0:17:43.359
<v Speaker 1>just was like, am I just skinnier in knee life?

0:17:43.400 --> 0:17:49.000
<v Speaker 1>And I'm like what I very? Your mom sounds like

0:17:49.160 --> 0:17:52.439
<v Speaker 1>a very chill. She just has no fill. I mean,

0:17:52.480 --> 0:17:54.600
<v Speaker 1>I adhore it. I think it's really funny because she

0:17:54.720 --> 0:17:58.040
<v Speaker 1>has no filter. It's like and it like taught me

0:17:58.160 --> 0:18:00.800
<v Speaker 1>to be like I'm still very. I mean I would

0:18:00.800 --> 0:18:04.639
<v Speaker 1>like to be less sensitive, but what little insensitivity I

0:18:04.760 --> 0:18:06.960
<v Speaker 1>have to be? Like escrew it. It's like because my

0:18:07.040 --> 0:18:09.800
<v Speaker 1>mom has just been talking the entire time, I'm like,

0:18:09.960 --> 0:18:11.800
<v Speaker 1>I was some weird egg on Twitter. Wants to call

0:18:11.880 --> 0:18:13.880
<v Speaker 1>me a horror I'm like, well, get in line after

0:18:13.960 --> 0:18:21.560
<v Speaker 1>my mom. My mom's the ultimate egg. Come at my mom.

0:18:21.960 --> 0:18:25.639
<v Speaker 1>Does your mom member make comments on like your job? No,

0:18:25.880 --> 0:18:29.680
<v Speaker 1>She's been surprisingly supportive from the get go. She did

0:18:30.040 --> 0:18:32.800
<v Speaker 1>question whether or not I'd be able to ever make

0:18:32.840 --> 0:18:35.080
<v Speaker 1>a living at it, and when I did decide to

0:18:35.160 --> 0:18:37.879
<v Speaker 1>go to grad school to get a master's degree in

0:18:38.040 --> 0:18:40.399
<v Speaker 1>screenwriting from Boston University, I hate to bring it up.

0:18:40.440 --> 0:18:42.879
<v Speaker 1>I don't know if if anyone knows this about me,

0:18:43.040 --> 0:18:46.720
<v Speaker 1>because I would never mention it. But my mom she

0:18:46.920 --> 0:18:48.480
<v Speaker 1>was like, yeah, I don't know if that's a good

0:18:48.520 --> 0:18:51.560
<v Speaker 1>idea of Caitlin. Um. You already don't use your first

0:18:51.680 --> 0:18:55.359
<v Speaker 1>film degree, so like what are you thinking? And I

0:18:55.480 --> 0:18:57.119
<v Speaker 1>was like, no, this is really going to work out.

0:18:57.200 --> 0:19:00.560
<v Speaker 1>And look at me now we've got a movie podcast

0:19:01.359 --> 0:19:03.840
<v Speaker 1>and I was like, wait, I'm trying to draw okay, yeah. Yeah.

0:19:04.640 --> 0:19:07.080
<v Speaker 1>My mom just sometimes will like look at something I did,

0:19:07.359 --> 0:19:10.000
<v Speaker 1>or like not even the full thing, like an image

0:19:10.040 --> 0:19:13.960
<v Speaker 1>of it, which she'll be like, I just it's just disgusting.

0:19:15.960 --> 0:19:19.400
<v Speaker 1>Oh okay, your issue with it is that it's disgusting

0:19:19.520 --> 0:19:23.080
<v Speaker 1>to you. And she's like it's good and I'm glad people,

0:19:23.280 --> 0:19:27.400
<v Speaker 1>but I find it disgusting. So cool, cool, I gotta

0:19:27.480 --> 0:19:32.080
<v Speaker 1>love our mom's I love I love an unfiltered mom. Um. Okay,

0:19:32.119 --> 0:19:34.000
<v Speaker 1>So the very end of the story is, so she

0:19:34.160 --> 0:19:37.160
<v Speaker 1>leaves the wedding to go play soccer. She gets recognized

0:19:37.200 --> 0:19:40.000
<v Speaker 1>as being a very talented player, goes off to the

0:19:40.200 --> 0:19:43.840
<v Speaker 1>US to play soccer in this you know, wonderful haven

0:19:43.880 --> 0:19:46.040
<v Speaker 1>that is this country that loves the sport of soccer

0:19:46.200 --> 0:19:49.359
<v Speaker 1>and loves female athlete, but not before a weird last

0:19:49.440 --> 0:19:54.439
<v Speaker 1>minute airport kiss. There's an airport kiss, and her parents

0:19:54.560 --> 0:19:57.480
<v Speaker 1>like finally she gives a speech, and then her dad

0:19:57.560 --> 0:19:59.480
<v Speaker 1>kind of was like, yeah, like we should let her

0:19:59.520 --> 0:20:02.080
<v Speaker 1>be being do it she wants. And then she's like, yeah,

0:20:02.200 --> 0:20:05.560
<v Speaker 1>I wanna this is like what's gonna make me happy,

0:20:05.680 --> 0:20:07.840
<v Speaker 1>so please let me make this choice. And her family

0:20:07.880 --> 0:20:12.119
<v Speaker 1>comes around, and then like she and Jules makeup and

0:20:12.200 --> 0:20:15.040
<v Speaker 1>they go off to play soccer together, but not before

0:20:15.160 --> 0:20:18.639
<v Speaker 1>there's a heatero kiss, and then that's pretty much the

0:20:18.720 --> 0:20:21.600
<v Speaker 1>end of the movie. Let's take a quick break and

0:20:21.640 --> 0:20:29.639
<v Speaker 1>then we will be right back and we're back. Sorry,

0:20:29.640 --> 0:20:34.840
<v Speaker 1>I had to go score some goals. Yeah, you can

0:20:34.880 --> 0:20:37.200
<v Speaker 1>only get one point in soccer right at a time.

0:20:37.400 --> 0:20:44.040
<v Speaker 1>At a time, yes, okay, mean total one goal, close

0:20:44.119 --> 0:20:47.520
<v Speaker 1>one point? Quit it right. There is a quaffle, there

0:20:47.600 --> 0:20:51.480
<v Speaker 1>is a snitch, there are some bloodguers, and yeah, I'm exhausted.

0:20:53.560 --> 0:20:55.560
<v Speaker 1>I don't want to like go right to the end.

0:20:55.720 --> 0:20:58.800
<v Speaker 1>But the logic of the airport kissing, it's so clearly

0:20:59.000 --> 0:21:00.960
<v Speaker 1>like to that I'm just like they got a note,

0:21:01.400 --> 0:21:03.840
<v Speaker 1>like they gotta note that. They're like, we gotta we

0:21:03.960 --> 0:21:07.320
<v Speaker 1>gotta see a kiss by the end of the movie.

0:21:07.840 --> 0:21:11.240
<v Speaker 1>But the logic of that scene is so weird because

0:21:11.359 --> 0:21:13.959
<v Speaker 1>I feel like, based on everything we know about Jesse's

0:21:13.960 --> 0:21:17.760
<v Speaker 1>family in this entire movie, they would not be like,

0:21:18.040 --> 0:21:20.760
<v Speaker 1>oh yeah, definitely make out with this guy at the airport.

0:21:21.160 --> 0:21:24.240
<v Speaker 1>But the guy enters behind the family, and we're to

0:21:24.320 --> 0:21:27.680
<v Speaker 1>believe the family just doesn't turn around, because this whole

0:21:27.720 --> 0:21:33.240
<v Speaker 1>scene takes place behind both families, Jesse's family and Jules's family,

0:21:33.320 --> 0:21:37.359
<v Speaker 1>and in front of Jules where you know she just

0:21:37.600 --> 0:21:39.960
<v Speaker 1>made up, but the reason they were fighting was this guy.

0:21:40.000 --> 0:21:44.040
<v Speaker 1>And like it's pretty like like Jess, that's a move

0:21:44.160 --> 0:21:47.040
<v Speaker 1>to just be like, remember this guy who didn't want

0:21:47.080 --> 0:21:50.400
<v Speaker 1>to fuck you feel like has like that and then

0:21:50.560 --> 0:21:52.440
<v Speaker 1>and then I don't know, I was just like the

0:21:52.640 --> 0:21:56.680
<v Speaker 1>logic of that scene was wild. It feels very tecked

0:21:56.760 --> 0:21:59.400
<v Speaker 1>on and like it wasn't given that much thought. Yeah,

0:22:00.040 --> 0:22:02.960
<v Speaker 1>where they're just like, oh, well, just everyone who isn't

0:22:03.119 --> 0:22:05.919
<v Speaker 1>indirectly evolved in the kiss avert your eyes as if

0:22:05.960 --> 0:22:09.800
<v Speaker 1>this is something that would happen. Very weird. So the

0:22:09.840 --> 0:22:11.640
<v Speaker 1>first thing I just want to mention about this movie

0:22:11.920 --> 0:22:15.920
<v Speaker 1>is that it is a movie about an Indian woman

0:22:16.440 --> 0:22:21.080
<v Speaker 1>directed by an Indian woman get Out. Yeah. I didn't

0:22:21.119 --> 0:22:24.000
<v Speaker 1>know that her name, and I am afraid I'm going

0:22:24.040 --> 0:22:28.320
<v Speaker 1>to mispronounce it, but it's um grinder Chattah. She also

0:22:28.480 --> 0:22:32.000
<v Speaker 1>co wrote it with another Indian woman and her husband.

0:22:32.040 --> 0:22:33.400
<v Speaker 1>I don't know if they were married at the time,

0:22:33.480 --> 0:22:36.760
<v Speaker 1>but yeah, so it's those people involved. It's also several

0:22:36.800 --> 0:22:40.399
<v Speaker 1>of the producers are Indian and um, like the cinematographer

0:22:40.800 --> 0:22:44.359
<v Speaker 1>is an Asian man. So it's like, yeah, we so

0:22:44.640 --> 0:22:47.720
<v Speaker 1>rare really come across this because oftentimes, if there's a

0:22:47.840 --> 0:22:52.040
<v Speaker 1>movie that does tell the story of a person who

0:22:52.359 --> 0:22:58.920
<v Speaker 1>is marginalized, Scarlett handsome place to lead and it was

0:22:59.200 --> 0:23:04.439
<v Speaker 1>directed and produced and written by exclusively straight CIS white men,

0:23:04.800 --> 0:23:07.600
<v Speaker 1>and the best friend is played by Emma Stone and

0:23:07.760 --> 0:23:12.880
<v Speaker 1>the person who just simply doesn't know exactly. I think

0:23:12.920 --> 0:23:15.159
<v Speaker 1>that has a lot The fact that this movie holds

0:23:15.280 --> 0:23:17.520
<v Speaker 1>up well. And that's not to say that this movie

0:23:18.440 --> 0:23:21.600
<v Speaker 1>is perfect, that it doesn't mishandle some things here and there,

0:23:22.040 --> 0:23:24.320
<v Speaker 1>which we'll get into, but I think the fact that

0:23:24.400 --> 0:23:26.960
<v Speaker 1>it holds up as well as it does and handles

0:23:27.040 --> 0:23:30.080
<v Speaker 1>the issues that this movie brings up because it was

0:23:30.359 --> 0:23:35.439
<v Speaker 1>made by someone who shares the experience of the character. So, um,

0:23:36.080 --> 0:23:38.880
<v Speaker 1>she directed a lot of films I like, I just said,

0:23:39.040 --> 0:23:43.400
<v Speaker 1>films like I'm sucking a genius. Okay, she's directed Bennett

0:23:43.400 --> 0:23:47.800
<v Speaker 1>like Beckham, Bride and Prejudice and Angus Thongs and Perfect Snogging,

0:23:49.080 --> 0:23:52.159
<v Speaker 1>a book series and a movie I really liked. Yeah, well,

0:23:52.200 --> 0:23:57.959
<v Speaker 1>we talked about on the Sisterhood of the Traveling Pants episode. Um,

0:23:58.119 --> 0:24:00.720
<v Speaker 1>so there you go. So just get that in mind,

0:24:01.040 --> 0:24:03.399
<v Speaker 1>because this is a movie that like explores a lot

0:24:03.440 --> 0:24:05.720
<v Speaker 1>of different things in terms of like a woman of

0:24:05.880 --> 0:24:10.120
<v Speaker 1>color coming from a family of immigrants, having to deal

0:24:10.240 --> 0:24:13.480
<v Speaker 1>with racism, having to deal with sexism because she's existing

0:24:13.560 --> 0:24:18.760
<v Speaker 1>mostly in like a straight male, white space. There's different

0:24:18.840 --> 0:24:23.719
<v Speaker 1>things where she's self conscious about her body and different

0:24:23.800 --> 0:24:26.640
<v Speaker 1>things where her family, you know, has a very specific

0:24:27.000 --> 0:24:29.119
<v Speaker 1>idea of what she should and should not be doing,

0:24:29.760 --> 0:24:32.280
<v Speaker 1>a very specific idea of who she should and should

0:24:32.320 --> 0:24:35.200
<v Speaker 1>not be romantically involved with. So she's dealing with all

0:24:35.240 --> 0:24:37.479
<v Speaker 1>of these things, and she you know, finds herself at

0:24:37.520 --> 0:24:41.320
<v Speaker 1>the intersection of being a woman, being a person of color,

0:24:42.080 --> 0:24:46.480
<v Speaker 1>being a female athlete, and just the idea of like

0:24:46.720 --> 0:24:51.720
<v Speaker 1>femininity and masculinity and like how people perceive that to

0:24:51.880 --> 0:24:56.000
<v Speaker 1>relate to sexual identity and like different things like that.

0:24:56.080 --> 0:24:58.879
<v Speaker 1>So this movie like tackles a lot of really interesting things,

0:24:59.119 --> 0:25:03.160
<v Speaker 1>but it's so fun and it's funny when you was like, whoa,

0:25:03.240 --> 0:25:05.560
<v Speaker 1>it really does tackle all that stuff, but it's so

0:25:05.680 --> 0:25:08.159
<v Speaker 1>fun to watch. It doesn't feel I don't know, for me,

0:25:08.200 --> 0:25:09.840
<v Speaker 1>it doesn't beat you over the head with it. Yeah,

0:25:09.920 --> 0:25:12.560
<v Speaker 1>it's not like kind of limited. Yeah, it's cool. And

0:25:12.760 --> 0:25:16.800
<v Speaker 1>and also just god watching Jess have to deal with

0:25:17.280 --> 0:25:21.400
<v Speaker 1>so many things when you're just like, she's a good kid,

0:25:22.119 --> 0:25:25.560
<v Speaker 1>a kid just trying to pursue an extracurricular to save

0:25:25.600 --> 0:25:29.159
<v Speaker 1>her a lot, right, So, yeah, her sort of history

0:25:29.280 --> 0:25:32.720
<v Speaker 1>is that she has played soccer in a park mostly

0:25:32.800 --> 0:25:35.600
<v Speaker 1>with men. I think all of them are Indian men.

0:25:36.240 --> 0:25:39.080
<v Speaker 1>If I'm not, I'm pretty sure. Yeah. They have like

0:25:39.240 --> 0:25:43.320
<v Speaker 1>a friendly rapport, but they also like will make sexist

0:25:43.359 --> 0:25:46.400
<v Speaker 1>comments to her a lot, where you know, they talk

0:25:46.480 --> 0:25:48.760
<v Speaker 1>about like her hitting the ball, like the soccer ball

0:25:48.880 --> 0:25:50.920
<v Speaker 1>with her chest and like how like how can you

0:25:50.960 --> 0:25:56.240
<v Speaker 1>do that when you've got and then like later, but

0:25:56.359 --> 0:26:01.600
<v Speaker 1>you do it anyway, right, yeah, because women have a

0:26:01.720 --> 0:26:06.000
<v Speaker 1>higher threshold for pay. Later in the story, is revealed

0:26:06.040 --> 0:26:08.000
<v Speaker 1>that she has like a burn scar on her leg,

0:26:08.160 --> 0:26:12.080
<v Speaker 1>which she is ashamed about, and we realized that probably

0:26:12.119 --> 0:26:14.439
<v Speaker 1>one of the reasons she's ashamed about this is because

0:26:14.520 --> 0:26:18.159
<v Speaker 1>her mother makes her feel shame about it, because she's like, like,

0:26:18.240 --> 0:26:19.920
<v Speaker 1>how can you be showing your legs in front of

0:26:19.920 --> 0:26:22.119
<v Speaker 1>all these men, Like you should cover that up, And

0:26:22.200 --> 0:26:24.639
<v Speaker 1>then like the guys who she plays soccer with their like,

0:26:24.680 --> 0:26:28.080
<v Speaker 1>oh my god, that's disgusting, Like, oh god. And every

0:26:28.160 --> 0:26:32.440
<v Speaker 1>time she's confronted with anything like that, like any sort

0:26:32.480 --> 0:26:35.800
<v Speaker 1>of sexism, she challenges it, which is a really nice

0:26:35.840 --> 0:26:39.960
<v Speaker 1>thing to see because usually in movies a character will

0:26:39.960 --> 0:26:43.480
<v Speaker 1>say a really horribly sexist thing and no one's even

0:26:43.520 --> 0:26:46.199
<v Speaker 1>aware that it was sexist. The character is just barrel

0:26:46.320 --> 0:26:50.560
<v Speaker 1>through and it goes unchallenged. Yeah, at the beginning, watching

0:26:50.960 --> 0:26:53.040
<v Speaker 1>Jess play soccer with the guys and like they were

0:26:53.119 --> 0:26:56.399
<v Speaker 1>giving her a lot of ship, But it felt like

0:26:56.560 --> 0:26:59.720
<v Speaker 1>so much in this movie feels so like realistic in

0:26:59.800 --> 0:27:03.400
<v Speaker 1>way is that team movies rarely do where they're being

0:27:03.440 --> 0:27:06.040
<v Speaker 1>sexist towards her. But you can all you can also

0:27:06.560 --> 0:27:09.200
<v Speaker 1>because I'm sure like we've all had this experience, you

0:27:09.240 --> 0:27:13.359
<v Speaker 1>can also understand why she stays because they're awful to her,

0:27:13.440 --> 0:27:16.320
<v Speaker 1>but they also know she's a good player. There's where

0:27:16.359 --> 0:27:18.840
<v Speaker 1>else is she going to go? Like, there's there's all

0:27:18.920 --> 0:27:21.879
<v Speaker 1>these like dynamics that play where I don't even think

0:27:21.920 --> 0:27:25.040
<v Speaker 1>that just like dislikes those guys. But it's like if

0:27:25.080 --> 0:27:26.840
<v Speaker 1>she wants to play at the beginning of the movie,

0:27:27.040 --> 0:27:29.080
<v Speaker 1>that's the only way she knows how, And so she

0:27:29.760 --> 0:27:32.840
<v Speaker 1>challenges it and then compartmentalizes it sort of on and

0:27:32.960 --> 0:27:35.159
<v Speaker 1>off in a way that felt, I don't know, like

0:27:35.240 --> 0:27:39.600
<v Speaker 1>reminded me of being a teenager in any male dominated

0:27:39.800 --> 0:27:42.840
<v Speaker 1>teen space. Yeah, you're just like, Okay, this is the

0:27:42.840 --> 0:27:45.159
<v Speaker 1>battle I'm going to push back on, and this is

0:27:45.200 --> 0:27:48.480
<v Speaker 1>the one where I'm just gonna pretend I didn't hear anything, right,

0:27:49.680 --> 0:27:52.240
<v Speaker 1>because she doesn't have any other options to play until

0:27:52.320 --> 0:27:55.359
<v Speaker 1>she gets sort of recruited to be on this team, which,

0:27:55.840 --> 0:27:58.359
<v Speaker 1>like Karen Nitley's character says like, oh, they finally let

0:27:58.480 --> 0:28:02.560
<v Speaker 1>us like form women's side, and it sounds like you're

0:28:02.640 --> 0:28:06.000
<v Speaker 1>in Nightly. I think Jewels, I think says, or maybe

0:28:06.119 --> 0:28:09.159
<v Speaker 1>Joe says this, that it was like Jewels was the

0:28:09.200 --> 0:28:12.240
<v Speaker 1>one who's really really pushing for because he was playing

0:28:12.359 --> 0:28:14.840
<v Speaker 1>for the men's club and she was hanging around, right,

0:28:14.960 --> 0:28:17.200
<v Speaker 1>and so she just I like to imagine her like

0:28:17.480 --> 0:28:19.600
<v Speaker 1>lingering around and then waiting for one of the men

0:28:19.680 --> 0:28:21.479
<v Speaker 1>to get injured and be like, you're our coach now

0:28:23.320 --> 0:28:26.040
<v Speaker 1>because he couldn't play anymore, so he had to coach.

0:28:26.160 --> 0:28:29.200
<v Speaker 1>And I think she just like scooped him up and

0:28:29.400 --> 0:28:32.560
<v Speaker 1>was like, you were my coach now, thank you job.

0:28:32.960 --> 0:28:35.080
<v Speaker 1>She just purposely Tanya Harding is one of them. I'm

0:28:35.119 --> 0:28:39.440
<v Speaker 1>so sorry your knees are gone better coach me and

0:28:39.520 --> 0:28:46.800
<v Speaker 1>a bunch of other ladies. I love that fan theory.

0:28:47.160 --> 0:28:49.280
<v Speaker 1>Maybe that's why he doesn't want to date her. It's

0:28:49.320 --> 0:28:54.080
<v Speaker 1>like you hired someone to bash my knee in and

0:28:54.160 --> 0:28:57.200
<v Speaker 1>she's like, it was never proven, and it's never proven.

0:28:58.080 --> 0:29:05.000
<v Speaker 1>Cre knightly glue him straight up. There is a character

0:29:05.160 --> 0:29:08.200
<v Speaker 1>among the men that she plays with in the park

0:29:08.360 --> 0:29:11.960
<v Speaker 1>named Tony, who is a close friend of her feminist

0:29:12.200 --> 0:29:15.360
<v Speaker 1>icon queer icon because later in the movie he comes

0:29:15.360 --> 0:29:18.160
<v Speaker 1>out to her, I forgot about that, so did I. Yeah,

0:29:18.200 --> 0:29:22.080
<v Speaker 1>So basically anytime she's confronted with any sort of misogyny

0:29:22.960 --> 0:29:25.760
<v Speaker 1>or racism, Like there's a moment towards the end when

0:29:25.800 --> 0:29:28.360
<v Speaker 1>they're playing a game and one of the players on

0:29:28.440 --> 0:29:32.800
<v Speaker 1>the opposing team calls her like a slur for Pakistani people,

0:29:33.480 --> 0:29:36.360
<v Speaker 1>and then she like she sort of pushes and kind

0:29:36.400 --> 0:29:38.400
<v Speaker 1>of comes at the player who did this, and then

0:29:38.440 --> 0:29:41.200
<v Speaker 1>she gets a red card and then her coach, Joe

0:29:41.400 --> 0:29:43.600
<v Speaker 1>like yells at her for doing that, and she's like,

0:29:43.640 --> 0:29:46.360
<v Speaker 1>you don't understand, like this person like called me a

0:29:46.440 --> 0:29:49.080
<v Speaker 1>slur and she's like, well, you wouldn't get it, and

0:29:49.160 --> 0:29:53.800
<v Speaker 1>he's like, I'm Irish, so yeah, I get it. And

0:29:53.880 --> 0:29:57.840
<v Speaker 1>then that goes on challenge and I'm just like I'm sorry,

0:29:58.240 --> 0:30:03.360
<v Speaker 1>Like I'm sure I people in England do experience some

0:30:03.560 --> 0:30:11.280
<v Speaker 1>sort of prejudice, but it seemed kind of apples and oranges. Yeah, Ok,

0:30:12.920 --> 0:30:14.880
<v Speaker 1>that was like one of the few moments of the

0:30:14.920 --> 0:30:17.240
<v Speaker 1>movie where else like I didn't like how that there,

0:30:17.280 --> 0:30:19.760
<v Speaker 1>and just the way it played out felt weird and

0:30:19.920 --> 0:30:22.800
<v Speaker 1>not not quite lining up with like what it seems

0:30:22.880 --> 0:30:26.600
<v Speaker 1>like the characters would expect the joke character because like,

0:30:26.840 --> 0:30:30.680
<v Speaker 1>it makes sense that Jeff got angry then that happened,

0:30:30.840 --> 0:30:33.120
<v Speaker 1>and but it didn't make sense to me that if

0:30:33.160 --> 0:30:34.920
<v Speaker 1>he knew that that he would yell at her, because

0:30:34.960 --> 0:30:37.040
<v Speaker 1>that's not really didn't seem like the kind of person

0:30:37.120 --> 0:30:39.640
<v Speaker 1>he was. And then even after she explained it, he

0:30:39.760 --> 0:30:42.920
<v Speaker 1>was kind of just like, I'm irish, We've got to

0:30:43.560 --> 0:30:46.719
<v Speaker 1>like something a white dude would do to me ore,

0:30:47.720 --> 0:30:51.160
<v Speaker 1>Like I could see that happening. Absolutely. I think it

0:30:51.280 --> 0:30:53.680
<v Speaker 1>just came as a surprise to me that she didn't

0:30:53.800 --> 0:30:57.440
<v Speaker 1>say like no, like it's not the same, like you're

0:30:57.480 --> 0:31:00.840
<v Speaker 1>still a white man. Yeah, I guess it's like when

0:31:00.920 --> 0:31:03.760
<v Speaker 1>he said that, I think that it was like, and

0:31:03.840 --> 0:31:07.520
<v Speaker 1>now that issue is resolved, it doesn't seem like they

0:31:07.600 --> 0:31:11.200
<v Speaker 1>really talked about it. I don't know, but um, anyway,

0:31:11.240 --> 0:31:14.400
<v Speaker 1>So my point is I really enjoyed seeing any time

0:31:14.920 --> 0:31:19.680
<v Speaker 1>she experienced, you know, for the most part, racism sexism, etcetera.

0:31:20.120 --> 0:31:23.840
<v Speaker 1>She challenges it and it's just a really cool thing

0:31:24.080 --> 0:31:26.920
<v Speaker 1>to see in a movie. I also wanted to talk

0:31:26.960 --> 0:31:32.160
<v Speaker 1>about the idea of like femininity and how that's an

0:31:32.240 --> 0:31:36.480
<v Speaker 1>expectation of like especially for jewels. That was interesting for

0:31:36.560 --> 0:31:38.840
<v Speaker 1>me because that was the one part was not my

0:31:38.960 --> 0:31:42.040
<v Speaker 1>background at all. It was to an extent where it's

0:31:42.080 --> 0:31:44.280
<v Speaker 1>like because I think it was my dad wanted a boy,

0:31:44.520 --> 0:31:45.960
<v Speaker 1>and so my mom was like, I would just treat

0:31:46.000 --> 0:31:48.000
<v Speaker 1>her like a little dude. It's the same ship. So

0:31:48.160 --> 0:31:50.560
<v Speaker 1>like I grew up a tomboy for that reason, because

0:31:50.560 --> 0:31:52.720
<v Speaker 1>I would watch sports with my dad. I would watch wrestling.

0:31:53.120 --> 0:31:56.240
<v Speaker 1>I was super aggressive. My brother had my mom's personality

0:31:56.240 --> 0:31:58.000
<v Speaker 1>where he was very patient and calm, and I was

0:31:58.080 --> 0:32:01.400
<v Speaker 1>just a lunatic, like I just came out of the

0:32:01.480 --> 0:32:05.400
<v Speaker 1>womb in insane person smashing bottles. But like it was

0:32:05.880 --> 0:32:07.640
<v Speaker 1>so it was like me and my dad got along.

0:32:07.680 --> 0:32:09.520
<v Speaker 1>But as soon as I got close to puberty and

0:32:09.560 --> 0:32:11.600
<v Speaker 1>my parents tried. Obviously they failed, but they were like,

0:32:11.760 --> 0:32:14.000
<v Speaker 1>you can't talk to men outside the classroom. You can

0:32:14.080 --> 0:32:15.920
<v Speaker 1>only talk to them in like an educational setting in

0:32:15.920 --> 0:32:19.400
<v Speaker 1>about school. Obviously, I lied straight to their face right away,

0:32:20.320 --> 0:32:22.960
<v Speaker 1>it was just it was like this weird thing where

0:32:23.760 --> 0:32:26.960
<v Speaker 1>like I used to like wear baggy overalls like and

0:32:27.040 --> 0:32:29.040
<v Speaker 1>then on top of it, I would wear sports jersey

0:32:29.160 --> 0:32:31.480
<v Speaker 1>like that was my m O. And then it wasn't

0:32:31.600 --> 0:32:35.160
<v Speaker 1>until like I guess my hormones started kicking in and

0:32:35.280 --> 0:32:37.960
<v Speaker 1>I wanted attention for men that I was like, ah, ship,

0:32:38.080 --> 0:32:40.120
<v Speaker 1>I can't dress like you anymore. And then I started

0:32:40.200 --> 0:32:44.640
<v Speaker 1>like re eating like teen Vogue and like trying to

0:32:44.720 --> 0:32:46.800
<v Speaker 1>do the face makeup that they told you to do,

0:32:46.960 --> 0:32:52.960
<v Speaker 1>and it was just god awful. Oh yeah, it didn't

0:32:53.040 --> 0:32:56.640
<v Speaker 1>make sense. God, I used to I still have like

0:32:57.040 --> 0:32:59.280
<v Speaker 1>just like all these members of like a specific issue

0:32:59.280 --> 0:33:01.240
<v Speaker 1>of teen Vogue where it like would tell you what

0:33:01.400 --> 0:33:05.000
<v Speaker 1>shape your body was, and it was like three of

0:33:05.160 --> 0:33:07.640
<v Speaker 1>like the same shape. And then it was like garbage,

0:33:07.920 --> 0:33:11.000
<v Speaker 1>like a pile of garbage. And the end you're like, oh, okay,

0:33:11.080 --> 0:33:14.880
<v Speaker 1>well that's me there. I am feeling scene. Hey, you

0:33:15.160 --> 0:33:20.040
<v Speaker 1>play the Obo so well. I should I should have

0:33:20.120 --> 0:33:23.120
<v Speaker 1>asked my Obo and Stark Toorker for a body image advice.

0:33:23.800 --> 0:33:27.640
<v Speaker 1>It's like, no, you and your crushed lung or dope, great,

0:33:28.520 --> 0:33:31.120
<v Speaker 1>um a curvy spine. What you need is an a

0:33:31.280 --> 0:33:36.120
<v Speaker 1>line skirt and it's fine, but no. So like in

0:33:36.240 --> 0:33:38.640
<v Speaker 1>the first scene that we meet Jewels in like, her

0:33:38.720 --> 0:33:41.200
<v Speaker 1>mother is taking her bra shopping and she keeps saying like,

0:33:41.280 --> 0:33:44.560
<v Speaker 1>oh these bras, will you know, booster cleavage and like,

0:33:44.760 --> 0:33:48.400
<v Speaker 1>and then Jewels has no interest in presenting as feminine

0:33:48.720 --> 0:33:52.160
<v Speaker 1>or like, you know, wearing quote unquote girly things or

0:33:52.280 --> 0:33:55.320
<v Speaker 1>like lacey bras or anything like that, so she goes

0:33:55.400 --> 0:33:59.120
<v Speaker 1>over to the sports bra section and this sort of

0:33:59.160 --> 0:34:02.240
<v Speaker 1>sets up an ongoing struggle between her and her mother

0:34:02.320 --> 0:34:05.239
<v Speaker 1>throughout the movie where her mom, you know, wants her

0:34:05.280 --> 0:34:08.880
<v Speaker 1>to be more feminine, wants her to be girlier, doesn't

0:34:09.000 --> 0:34:14.480
<v Speaker 1>like that she plays soccer foot football. Um, but she

0:34:14.640 --> 0:34:18.520
<v Speaker 1>doesn't like forbid Jewels from playing it like Jesse's parents do. Um.

0:34:18.600 --> 0:34:20.200
<v Speaker 1>But she's just like, oh, you know, if you just

0:34:20.320 --> 0:34:22.880
<v Speaker 1>like dressed differently, you know, boys would like you. And

0:34:23.480 --> 0:34:25.840
<v Speaker 1>Jules meanwhile, is just like, I don't care about that,

0:34:26.080 --> 0:34:27.480
<v Speaker 1>Like I'm gonna wear what I want to wear. I

0:34:27.520 --> 0:34:30.600
<v Speaker 1>don't feel the need to present as super super feminine

0:34:30.800 --> 0:34:32.840
<v Speaker 1>in like the clothes I wear and like my hairstyle

0:34:32.960 --> 0:34:34.759
<v Speaker 1>and things like that. And it seems like part of

0:34:34.760 --> 0:34:37.480
<v Speaker 1>the reason Jules's mom puts up with it is because

0:34:37.600 --> 0:34:42.800
<v Speaker 1>Jules's dad feels so differently, where like Jules's dad is

0:34:43.080 --> 0:34:47.239
<v Speaker 1>very supportive of Jules playing soccer, I think partially because

0:34:47.320 --> 0:34:49.600
<v Speaker 1>he really likes soccer, so he's like, oh, yeah, this

0:34:49.640 --> 0:34:53.000
<v Speaker 1>works out is a common interest, and that's it seems

0:34:53.120 --> 0:34:55.880
<v Speaker 1>like part of the reason why Jules gets to continue

0:34:55.920 --> 0:34:58.600
<v Speaker 1>playing in a way that Jess doesn't, because Jess doesn't

0:34:58.640 --> 0:35:02.120
<v Speaker 1>really have a parental ally until the very end. I'm

0:35:02.520 --> 0:35:05.399
<v Speaker 1>wondering how you both felt about this, But I felt

0:35:05.400 --> 0:35:09.520
<v Speaker 1>like the way that Jules's mom forced femininity and and

0:35:09.880 --> 0:35:12.400
<v Speaker 1>I think kind of a very stereotypically hetero form of

0:35:12.440 --> 0:35:15.759
<v Speaker 1>femininity fed right into like the way that this movie

0:35:15.880 --> 0:35:20.799
<v Speaker 1>deals with like queer panic. Because Jules's mom, it comes

0:35:20.880 --> 0:35:23.000
<v Speaker 1>up with her, I feel like, almost more so than

0:35:23.120 --> 0:35:25.120
<v Speaker 1>any other character, and it comes up with a lot

0:35:25.160 --> 0:35:28.840
<v Speaker 1>of people. There's a moment at the climax of the

0:35:28.920 --> 0:35:34.399
<v Speaker 1>movie where Jules's mom gets so upset thinking that Jess

0:35:34.480 --> 0:35:38.040
<v Speaker 1>and Jules are queer and they're together that she crashes

0:35:38.120 --> 0:35:42.840
<v Speaker 1>a wedding, which is like, that's bananas. There's the moment

0:35:43.000 --> 0:35:46.440
<v Speaker 1>where she hears Jess and Jules arguing and the way

0:35:46.520 --> 0:35:49.280
<v Speaker 1>the scene is presented him like, is they're actually arguing

0:35:49.320 --> 0:35:52.920
<v Speaker 1>about a boy. So it's okay, and I don't love

0:35:52.960 --> 0:35:56.560
<v Speaker 1>how that's presented, but they're actually arguing over Joe. But

0:35:56.640 --> 0:35:59.239
<v Speaker 1>there's a lot of like mishearing mishaps in this movie,

0:35:59.320 --> 0:36:02.680
<v Speaker 1>and Jules's mom things they're arguing about their relationship. She

0:36:02.800 --> 0:36:07.239
<v Speaker 1>goes downstairs and bursts into tears. Uh, And it's like

0:36:07.680 --> 0:36:11.520
<v Speaker 1>freaking out with Jules's dad. That see, I thought was

0:36:11.600 --> 0:36:16.160
<v Speaker 1>a little bit better. The climactic wedding crash er queer

0:36:16.239 --> 0:36:19.719
<v Speaker 1>panics seemed seemed a little bit out of nowhere because

0:36:19.800 --> 0:36:22.560
<v Speaker 1>Jules's mom in kind of like two thirds through the

0:36:22.640 --> 0:36:25.000
<v Speaker 1>movie is like, actually, I like soccer and I want

0:36:25.040 --> 0:36:27.759
<v Speaker 1>to understand it and I respect your choices. But then

0:36:27.880 --> 0:36:30.839
<v Speaker 1>freaks out again. But so that was a little weird.

0:36:30.880 --> 0:36:35.320
<v Speaker 1>But but the first time she significantly panics thinking that

0:36:35.600 --> 0:36:39.719
<v Speaker 1>Jules is queer, um, she at least contextualizes it and

0:36:39.840 --> 0:36:42.600
<v Speaker 1>explains part of the reason why she's so nervous. And

0:36:42.800 --> 0:36:47.320
<v Speaker 1>she cites George Michael and how George Michael was treated

0:36:47.360 --> 0:36:50.719
<v Speaker 1>in the media for being gay and she worries that

0:36:51.640 --> 0:36:53.760
<v Speaker 1>and it's a silly example, but the way she explains

0:36:53.800 --> 0:36:56.840
<v Speaker 1>it does make sense in like panicked mom logic of

0:36:57.000 --> 0:37:01.759
<v Speaker 1>like I've seen someone who I like, George Michael, be

0:37:02.040 --> 0:37:04.920
<v Speaker 1>abused in the media for being gay, and what if

0:37:05.000 --> 0:37:08.799
<v Speaker 1>that happens to my kid? And that's sort of when

0:37:08.840 --> 0:37:10.759
<v Speaker 1>she said it that way, I was like, Okay, that

0:37:11.040 --> 0:37:13.400
<v Speaker 1>is like a really good move by this movie to

0:37:13.920 --> 0:37:18.400
<v Speaker 1>contextualize the panic a little bit. She's still wrong, but

0:37:18.480 --> 0:37:21.440
<v Speaker 1>at least we understand a little bit better why. I

0:37:21.560 --> 0:37:23.600
<v Speaker 1>also got the sense though, that that was only part

0:37:23.680 --> 0:37:26.000
<v Speaker 1>of her reasoning for being so upset by it, which

0:37:26.040 --> 0:37:28.720
<v Speaker 1>we learned later when she yells, get your lesbian feet

0:37:28.719 --> 0:37:32.640
<v Speaker 1>out of my shoes, like, there's still certainly some like

0:37:33.160 --> 0:37:35.520
<v Speaker 1>homophobia there and it might not be the worst case

0:37:35.560 --> 0:37:38.600
<v Speaker 1>we've ever seen, but like she regardless, she is a

0:37:38.719 --> 0:37:41.279
<v Speaker 1>very upset by her thinking that she might have a

0:37:41.360 --> 0:37:43.839
<v Speaker 1>daughter who is a lesbian. Yeah, she's and I think

0:37:43.880 --> 0:37:46.759
<v Speaker 1>she would be upset about that, you know today, like

0:37:46.840 --> 0:37:50.719
<v Speaker 1>even if you know, like, yeah, she still has her

0:37:50.760 --> 0:37:53.080
<v Speaker 1>own hang ups because get your lesbian feet out of

0:37:53.120 --> 0:37:57.400
<v Speaker 1>my shoes, like okay, Well, she's also she's problematic in

0:37:57.520 --> 0:38:02.480
<v Speaker 1>other ways because she does a few microaggressions towards Jess,

0:38:02.640 --> 0:38:05.920
<v Speaker 1>where like whenever she first meets Jess, when they're in

0:38:06.040 --> 0:38:09.280
<v Speaker 1>like Jules's room, she learns her name and she's like, oh, Jess,

0:38:09.440 --> 0:38:11.960
<v Speaker 1>is that Indian, basically saying like that doesn't sound like

0:38:12.000 --> 0:38:15.719
<v Speaker 1>an Indian name, Like what what I don't understand? And

0:38:15.800 --> 0:38:18.040
<v Speaker 1>then she says something like I hope you teach my

0:38:18.160 --> 0:38:21.000
<v Speaker 1>daughter a bit about your culture, you know, to respect

0:38:21.040 --> 0:38:23.879
<v Speaker 1>your elders. And then she says, Oh, you're a lucky girl,

0:38:24.000 --> 0:38:25.920
<v Speaker 1>because I expect that your parents are fixing you up

0:38:25.960 --> 0:38:28.200
<v Speaker 1>with a handsome young doctor soon, aren't they. So just

0:38:28.360 --> 0:38:33.160
<v Speaker 1>like taking stereotypes that she knows about Indian culture and

0:38:33.320 --> 0:38:37.880
<v Speaker 1>just assuming that they apply to Jess. And this is

0:38:37.920 --> 0:38:40.400
<v Speaker 1>an example of a time where like Jess doesn't challenge it,

0:38:40.560 --> 0:38:42.640
<v Speaker 1>but it makes perfect sense. Why, Like you don't want

0:38:42.640 --> 0:38:45.120
<v Speaker 1>to like your friend whose mom you've just met, you're

0:38:45.120 --> 0:38:47.800
<v Speaker 1>not going to like necessarily stand up and be like, um, actually,

0:38:48.360 --> 0:38:50.600
<v Speaker 1>here's all the things that are problematic about everything you

0:38:50.760 --> 0:38:53.360
<v Speaker 1>just said. So that like tracked for me, But it

0:38:53.719 --> 0:38:56.320
<v Speaker 1>just like, I mean, this is all to say that

0:38:56.640 --> 0:38:58.560
<v Speaker 1>I think all the characters in this movie are like

0:38:58.960 --> 0:39:02.840
<v Speaker 1>characterized very well. They feel like real people. Thought and

0:39:03.080 --> 0:39:06.480
<v Speaker 1>time was put into developing them. So even though like

0:39:06.680 --> 0:39:11.920
<v Speaker 1>Jules Mom is problematic in many ways, the movie handles

0:39:12.000 --> 0:39:14.880
<v Speaker 1>it in such a way where we the audience realize

0:39:14.920 --> 0:39:18.160
<v Speaker 1>what she's saying is problematic, wherein a lot of movies

0:39:19.120 --> 0:39:23.200
<v Speaker 1>that care and time isn't bothered with at all. So,

0:39:23.480 --> 0:39:26.120
<v Speaker 1>I mean, there are people like her, like like Jules Mom,

0:39:26.239 --> 0:39:29.480
<v Speaker 1>like we've met them. But yeah, it's just I find

0:39:29.520 --> 0:39:32.759
<v Speaker 1>it interesting that each of these characters, problematic though they

0:39:32.800 --> 0:39:35.680
<v Speaker 1>may be, are still developed in such a way by

0:39:35.800 --> 0:39:39.320
<v Speaker 1>like the writers that they're used to like demonstrate the

0:39:39.560 --> 0:39:42.640
<v Speaker 1>biases and the microaggressions and stuff like that a character

0:39:43.040 --> 0:39:46.439
<v Speaker 1>or a person like Jess would experience. So I thought

0:39:46.480 --> 0:39:50.279
<v Speaker 1>that was all handled very well. Let's take a quick break.

0:39:50.320 --> 0:39:52.200
<v Speaker 1>I have to go score some more goals and then

0:39:52.239 --> 0:39:59.200
<v Speaker 1>we'll be right back. I wanted to talk a little

0:39:59.200 --> 0:40:01.000
<v Speaker 1>bit about the I mean, I don't have that much

0:40:01.040 --> 0:40:02.960
<v Speaker 1>to say because I'm not super critical of it, but

0:40:03.640 --> 0:40:08.000
<v Speaker 1>just saying that the team dynamic um inside of the

0:40:08.360 --> 0:40:11.400
<v Speaker 1>team that Joe coaches that Chess and Jewels are a

0:40:11.480 --> 0:40:15.839
<v Speaker 1>part of is like a really positive community. They're all

0:40:16.160 --> 0:40:18.880
<v Speaker 1>generally very supportive of each other. They'll like dig get

0:40:18.920 --> 0:40:21.200
<v Speaker 1>each other sometimes, but it's in a very friendly way

0:40:21.680 --> 0:40:23.640
<v Speaker 1>most of the time. There's a scene that I really

0:40:23.800 --> 0:40:27.520
<v Speaker 1>liked where Mel, the captain of the team Jewels, and

0:40:27.600 --> 0:40:32.240
<v Speaker 1>a few other teammates ask Jess questions about her culture

0:40:32.600 --> 0:40:35.440
<v Speaker 1>because they just don't know, Like they don't understand why

0:40:35.560 --> 0:40:38.440
<v Speaker 1>is she not allowed to play soccer? What like like

0:40:38.560 --> 0:40:40.759
<v Speaker 1>what are the cultures rules around dating? Like they just

0:40:40.880 --> 0:40:44.640
<v Speaker 1>don't know. So they ask in a way that I thought,

0:40:44.719 --> 0:40:46.560
<v Speaker 1>and I mean, I'm not told, but it seems like

0:40:46.920 --> 0:40:50.680
<v Speaker 1>like a very respectful conversation. They asked respectfully she answered,

0:40:50.719 --> 0:40:52.719
<v Speaker 1>and they're like, okay, we know. And I was like,

0:40:53.800 --> 0:40:56.920
<v Speaker 1>that's good. That seems like how that should go, especially

0:40:56.960 --> 0:41:00.800
<v Speaker 1>when you contrast that with how Jewels is. Um approaches

0:41:01.000 --> 0:41:04.440
<v Speaker 1>those same sort of topics where she's like making assumptions

0:41:04.520 --> 0:41:05.879
<v Speaker 1>and then being like, well, this is how it must

0:41:05.920 --> 0:41:07.719
<v Speaker 1>be for you. So I already know everything and I

0:41:07.760 --> 0:41:09.880
<v Speaker 1>don't need to ask questions because I got this, and

0:41:10.000 --> 0:41:12.440
<v Speaker 1>it's just like, yeah, so I think I agree that.

0:41:12.520 --> 0:41:16.360
<v Speaker 1>I think those were handled better, and yeah, I enjoyed

0:41:16.600 --> 0:41:19.080
<v Speaker 1>that scene. I also like the scene where um she

0:41:19.239 --> 0:41:21.600
<v Speaker 1>has to get back to her wedding like her sister's

0:41:21.640 --> 0:41:23.880
<v Speaker 1>wedding at the end, so her teammates are helping her

0:41:23.960 --> 0:41:28.640
<v Speaker 1>put on Yeah that I still I don't know how

0:41:28.680 --> 0:41:32.200
<v Speaker 1>to wear one of those things, but everyone on the

0:41:32.280 --> 0:41:36.960
<v Speaker 1>team did so. But it's like even that to put

0:41:37.000 --> 0:41:42.840
<v Speaker 1>it on me. It's not sweet though that it feels

0:41:42.840 --> 0:41:44.839
<v Speaker 1>weird as an adult to have your mom come behind

0:41:44.920 --> 0:41:46.799
<v Speaker 1>you because she has to put it on, like she's

0:41:46.840 --> 0:41:48.200
<v Speaker 1>putting it on. That's how she knows, like you know

0:41:48.360 --> 0:41:52.480
<v Speaker 1>some people. So it's just a very like like but

0:41:52.680 --> 0:41:54.960
<v Speaker 1>pottery scene from Ghost where my mom was just wrapping

0:41:55.000 --> 0:41:57.160
<v Speaker 1>her arms around me and like folding a sorry, and

0:41:57.360 --> 0:42:02.759
<v Speaker 1>I was like, this is uncomfortable. So that's great. Oh

0:42:02.960 --> 0:42:07.359
<v Speaker 1>that's a beautiful just go staying with your own mom

0:42:08.920 --> 0:42:10.839
<v Speaker 1>with the same song playing in the background, the whole

0:42:12.200 --> 0:42:17.080
<v Speaker 1>fully unchained melody. Another thing I wanted to talk about

0:42:17.440 --> 0:42:23.040
<v Speaker 1>is this is a movie about women's sports, A woman

0:42:23.120 --> 0:42:29.759
<v Speaker 1>in sports Goals Kicking. This is to say that there

0:42:29.960 --> 0:42:34.960
<v Speaker 1>are not that many movies about female athletes women playing sports.

0:42:35.160 --> 0:42:39.200
<v Speaker 1>A few examples include, aside from Bennett, like Beckham, a

0:42:39.280 --> 0:42:43.279
<v Speaker 1>league of their own, stick it, bring it on, whip it.

0:42:43.400 --> 0:42:46.400
<v Speaker 1>A lot of them have it. And then because you

0:42:46.560 --> 0:42:50.839
<v Speaker 1>get say, well, I guess if you replace it with her,

0:42:51.239 --> 0:42:57.440
<v Speaker 1>that would be bad, never mind it being the sport

0:42:57.800 --> 0:43:05.719
<v Speaker 1>or the the ball. Gotta Kick it Up is another one.

0:43:06.040 --> 0:43:10.160
<v Speaker 1>An they've got like Blue Crush, Million Dollar Baby, Girl, Fight,

0:43:10.480 --> 0:43:13.640
<v Speaker 1>Love and Basketball, She's the Man I Tania, And then

0:43:13.719 --> 0:43:17.080
<v Speaker 1>a few lesser known ones that I found out via

0:43:17.239 --> 0:43:23.600
<v Speaker 1>a very thorough Google search, like Gracy Personal Best Ice, Princess,

0:43:23.800 --> 0:43:28.719
<v Speaker 1>The Cutting Edge, Princess Rules never lesser known. Well, if

0:43:28.800 --> 0:43:31.239
<v Speaker 1>these are like Disney Channel originals, which I feel like

0:43:31.320 --> 0:43:34.000
<v Speaker 1>some of these are, I don't know what they are. Um,

0:43:34.120 --> 0:43:38.080
<v Speaker 1>Double Team is another one. So this is like roughly

0:43:38.239 --> 0:43:42.279
<v Speaker 1>twenty movies throughout the course of history that are well

0:43:42.360 --> 0:43:44.520
<v Speaker 1>known enough that they show up in a Google search,

0:43:45.480 --> 0:43:49.360
<v Speaker 1>versus like eight thousand movies about men playing sports. So

0:43:50.040 --> 0:43:52.440
<v Speaker 1>I mean we see this all the time, where like

0:43:52.600 --> 0:43:57.920
<v Speaker 1>biopics of them are about men much fewer or about women. Um,

0:43:58.360 --> 0:44:01.160
<v Speaker 1>you know, movies about the mill Terry, almost all of

0:44:01.239 --> 0:44:04.360
<v Speaker 1>them feature male characters, know them about women in the military.

0:44:04.360 --> 0:44:06.880
<v Speaker 1>So it's like, and that's a media issue where I

0:44:07.000 --> 0:44:10.600
<v Speaker 1>feel like that The counter argument that I can hear

0:44:11.040 --> 0:44:14.240
<v Speaker 1>my cousin saying is like, well, people don't watch women's

0:44:14.239 --> 0:44:17.520
<v Speaker 1>sports as much. But that is like snake eating its

0:44:17.560 --> 0:44:21.600
<v Speaker 1>own tail. A game, it's a movie. I'm not bend

0:44:21.600 --> 0:44:25.160
<v Speaker 1>it like Beckham. Wasn't just like a filmed soccer match, right,

0:44:26.200 --> 0:44:29.880
<v Speaker 1>And it's like if young women don't see female athletes

0:44:30.080 --> 0:44:34.160
<v Speaker 1>depicted on screen in the like celebratory way that it

0:44:34.360 --> 0:44:36.680
<v Speaker 1>is and bend it like Beckham when they're younger, then

0:44:36.719 --> 0:44:41.120
<v Speaker 1>they're probably less likely to want to play that sport,

0:44:41.200 --> 0:44:43.719
<v Speaker 1>like that's a proven thing over and over. Why does

0:44:43.760 --> 0:44:47.200
<v Speaker 1>so many little girls want to be princesses? Because that's

0:44:47.239 --> 0:44:49.600
<v Speaker 1>what they see. And so it's like if they see

0:44:49.600 --> 0:44:53.319
<v Speaker 1>other stuff, then of course, you know, the cultural landscape

0:44:53.360 --> 0:44:58.160
<v Speaker 1>will gradually shift. And so maybe I wouldn't hate sports

0:44:58.280 --> 0:45:03.359
<v Speaker 1>balls so much if there were movies of women doing

0:45:03.400 --> 0:45:05.600
<v Speaker 1>it more. Well, you would have liked hoop goals more.

0:45:05.800 --> 0:45:09.920
<v Speaker 1>If I had been, I would have been slamming hoop goals.

0:45:11.600 --> 0:45:15.680
<v Speaker 1>We've been kicking the basketball. Gotta kick it up, Gotta

0:45:15.760 --> 0:45:19.840
<v Speaker 1>kick that basketball up into the air for crying out loud. Also,

0:45:20.200 --> 0:45:23.040
<v Speaker 1>a lot of the movies that I named are about

0:45:23.239 --> 0:45:25.640
<v Speaker 1>sports that I would say are at least perceived to

0:45:25.719 --> 0:45:30.680
<v Speaker 1>be more feminine because it's either dancing, figure skating, gymnastics.

0:45:31.160 --> 0:45:33.400
<v Speaker 1>A couple of them are like we dominated sports right,

0:45:33.480 --> 0:45:36.160
<v Speaker 1>A couple of them are like League of their Owners baseball,

0:45:36.400 --> 0:45:38.640
<v Speaker 1>A couple of them are about boxing, some of them

0:45:38.680 --> 0:45:40.960
<v Speaker 1>about basketball. But yeah, I feel like, if you're going

0:45:41.040 --> 0:45:46.040
<v Speaker 1>to have a mainstream movie about women doing a sport

0:45:46.680 --> 0:45:51.040
<v Speaker 1>that is commercially successful, chances are it's like cheerleading or

0:45:51.560 --> 0:45:55.160
<v Speaker 1>like figure skating or something that we as a society

0:45:55.239 --> 0:45:58.880
<v Speaker 1>already are okay with women doing. I think the ones

0:45:58.920 --> 0:46:00.719
<v Speaker 1>like Bennett, like Beckham, or a League of their own,

0:46:00.760 --> 0:46:02.960
<v Speaker 1>or more outliers like even though they were, you know,

0:46:03.000 --> 0:46:06.399
<v Speaker 1>they're popular movies. They hold up, but they're not the rule.

0:46:07.040 --> 0:46:09.759
<v Speaker 1>So I don't know. Yeah, I think I tend to

0:46:09.880 --> 0:46:14.000
<v Speaker 1>not like sports movies very much, especially like I nothing

0:46:14.040 --> 0:46:16.440
<v Speaker 1>will ever make me enjoy a boxing movie, except I

0:46:16.560 --> 0:46:21.680
<v Speaker 1>didn't really enjoy Girl Fight. I like sports movies, and

0:46:21.880 --> 0:46:24.960
<v Speaker 1>maybe it's because I grew up watching it. Honestly, I

0:46:25.040 --> 0:46:27.160
<v Speaker 1>was thinking about it. Have there been more movies about

0:46:27.400 --> 0:46:32.800
<v Speaker 1>dogs in sports? Because of all the Airbud sequels. I

0:46:32.920 --> 0:46:37.160
<v Speaker 1>bet there are more Airbud movies than there are movies

0:46:37.280 --> 0:46:40.080
<v Speaker 1>featuring female athletes. I've for sure seen a movie about

0:46:40.120 --> 0:46:44.400
<v Speaker 1>a monkey playing hockey called m v P most valuable

0:46:44.480 --> 0:46:50.560
<v Speaker 1>primate more than movies about women playing sports. That said

0:46:50.680 --> 0:46:53.279
<v Speaker 1>highly recommended that mates are going to grow up to

0:46:53.320 --> 0:46:56.279
<v Speaker 1>play hockey because they got exposed to it. I mean,

0:46:56.360 --> 0:47:00.520
<v Speaker 1>and that's why there's so many professional monkey hock players

0:47:00.719 --> 0:47:04.719
<v Speaker 1>right now, because media is influential. I keep saying it.

0:47:05.440 --> 0:47:08.080
<v Speaker 1>It is a two thousand feature film that sparked the

0:47:08.239 --> 0:47:11.439
<v Speaker 1>m v P franchise. The film's title character, it's Jack

0:47:11.560 --> 0:47:16.280
<v Speaker 1>is a chimpanze. What else does you play in future movies?

0:47:16.480 --> 0:47:21.640
<v Speaker 1>Oh my god? Okay, okay, m v P two is skateboarding,

0:47:21.920 --> 0:47:27.480
<v Speaker 1>most vertical private, but that the last one is X

0:47:27.600 --> 0:47:31.560
<v Speaker 1>game themed, most extreme print. That's that's m XP. It's

0:47:31.600 --> 0:47:33.759
<v Speaker 1>kind of a different but it's the third one. We

0:47:33.800 --> 0:47:38.560
<v Speaker 1>already know. It's a proven product. Okay, well now, oh

0:47:38.680 --> 0:47:41.560
<v Speaker 1>and it is up an extension of the Airbud franchise.

0:47:41.640 --> 0:47:45.680
<v Speaker 1>That makes sense. Well, thank goodness for you know, animals

0:47:45.719 --> 0:47:49.359
<v Speaker 1>and sports and all the representation that they get. Um.

0:47:50.080 --> 0:47:53.680
<v Speaker 1>I wanted to talk about the love Triangle. Yeah, I

0:47:54.000 --> 0:47:57.400
<v Speaker 1>would argue that it kind of has no place in

0:47:57.480 --> 0:48:00.080
<v Speaker 1>this movie. I don't like that it's there. I it

0:48:00.560 --> 0:48:02.800
<v Speaker 1>why it's there. It's it's a way to heighten the

0:48:02.920 --> 0:48:06.680
<v Speaker 1>tension of the story and to introduce more conflict, but

0:48:07.160 --> 0:48:09.640
<v Speaker 1>to me, it just kind of cheapens the whole narrative

0:48:09.840 --> 0:48:13.920
<v Speaker 1>because so it's Joe is their coach. They both develop

0:48:14.000 --> 0:48:16.640
<v Speaker 1>an interest in him, which to me makes sense. You know,

0:48:17.080 --> 0:48:21.560
<v Speaker 1>he's cute, he's respectful of them. He like, if you

0:48:21.640 --> 0:48:25.160
<v Speaker 1>watch Million Dollar Baby, Clint Eastwood is over here being like, oh,

0:48:25.200 --> 0:48:28.360
<v Speaker 1>I don't teach girls because I don't think they're people.

0:48:28.560 --> 0:48:30.960
<v Speaker 1>And I feel like this similar thing happens in Girl Fight,

0:48:31.040 --> 0:48:35.360
<v Speaker 1>where like male sporty mentors are like reluctant to teach

0:48:35.480 --> 0:48:38.960
<v Speaker 1>girls how to sport, but in this movie, he's just like, Yep,

0:48:39.120 --> 0:48:40.680
<v Speaker 1>this is my job and I'm fine with it, and

0:48:40.680 --> 0:48:43.360
<v Speaker 1>I'm respectful of all the women on this team. So

0:48:43.480 --> 0:48:46.520
<v Speaker 1>that was nice to see. So at least attracts why

0:48:46.600 --> 0:48:49.800
<v Speaker 1>they would be interested in him, because he's you know,

0:48:50.239 --> 0:48:53.000
<v Speaker 1>nice to them and he's respectful of them. But they

0:48:53.080 --> 0:48:56.200
<v Speaker 1>both have a crush on him, and it drives a

0:48:56.239 --> 0:49:00.319
<v Speaker 1>wedge between their friendship, which is like his just become

0:49:00.360 --> 0:49:04.960
<v Speaker 1>such a lazy writing move. Yeah, it's just and it's

0:49:04.960 --> 0:49:08.000
<v Speaker 1>not even like the joke character that I had a

0:49:08.080 --> 0:49:10.360
<v Speaker 1>particular issue with I thought it was like, in some

0:49:10.600 --> 0:49:15.960
<v Speaker 1>ways positive to see a man fully comfortable with and

0:49:16.080 --> 0:49:19.279
<v Speaker 1>acknowledging the skills of a woman is equal to his own.

0:49:19.760 --> 0:49:22.360
<v Speaker 1>Like I think that there was like that's a generally

0:49:22.440 --> 0:49:24.720
<v Speaker 1>good thing to see, especially in a sports movie. I'm guessing,

0:49:25.680 --> 0:49:28.840
<v Speaker 1>but I don't know, like that they're all the scenes

0:49:29.040 --> 0:49:31.640
<v Speaker 1>between Jess and Jewels, they just felt like a little

0:49:31.719 --> 0:49:33.560
<v Speaker 1>weird of like I don't I don't know if they're

0:49:33.680 --> 0:49:36.480
<v Speaker 1>like that whole Cure Nightley bursting onto a balcony and

0:49:36.560 --> 0:49:43.279
<v Speaker 1>going you bid. And also I'm like, would Jesse have

0:49:44.160 --> 0:49:46.440
<v Speaker 1>kissed her coach at a club? I mean maybe, I

0:49:46.520 --> 0:49:48.920
<v Speaker 1>don't know. It just felt it did feel like a

0:49:49.000 --> 0:49:53.239
<v Speaker 1>little cheap. And with the wide array of things like

0:49:53.400 --> 0:49:57.960
<v Speaker 1>issues this movie addresses, there's also more interesting from a

0:49:58.000 --> 0:50:00.640
<v Speaker 1>story point, more interesting things for them to have been

0:50:00.680 --> 0:50:04.480
<v Speaker 1>in conflict about. I don't know. I kind of liked

0:50:04.520 --> 0:50:07.120
<v Speaker 1>it just because I've seen that happen with my friends

0:50:08.080 --> 0:50:10.520
<v Speaker 1>a couple of times, like two good girlfriends in college,

0:50:10.560 --> 0:50:14.080
<v Speaker 1>like gotten to like almost an exact parallel situation, and

0:50:14.239 --> 0:50:17.000
<v Speaker 1>just like this is gonna sound however it's gonna sound,

0:50:17.040 --> 0:50:20.720
<v Speaker 1>but like when you're not what's represented as a standard

0:50:20.760 --> 0:50:23.400
<v Speaker 1>of beauty, I would say, and you don't know how

0:50:23.480 --> 0:50:26.080
<v Speaker 1>to Like I didn't know how to make my body attractive,

0:50:26.160 --> 0:50:28.960
<v Speaker 1>you know, especially like previously having been overweight. And then

0:50:29.000 --> 0:50:30.759
<v Speaker 1>like if you're Indian, you've got all this hair coming

0:50:30.800 --> 0:50:31.920
<v Speaker 1>in and you don't know how to get rid of

0:50:31.960 --> 0:50:33.719
<v Speaker 1>it because your mom's like, who's seeing you anyway? And

0:50:33.719 --> 0:50:37.200
<v Speaker 1>I'm like everyone, moms, every goddamn locker room, help me,

0:50:40.680 --> 0:50:42.680
<v Speaker 1>and like being super selfconscious bout my body. And then

0:50:42.760 --> 0:50:44.360
<v Speaker 1>like this weird thing at the end where it's like

0:50:44.440 --> 0:50:46.719
<v Speaker 1>the coach picks the brown girl like to me like

0:50:46.920 --> 0:50:50.040
<v Speaker 1>blew my mind, where it's like, yeah, get it. Bit

0:50:50.239 --> 0:50:53.440
<v Speaker 1>like I I didn't think of it that way. Yeah, well,

0:50:53.640 --> 0:50:56.640
<v Speaker 1>I did appreciate that. I liked that, you know, you see,

0:50:56.719 --> 0:51:01.400
<v Speaker 1>like an interracial romantic relationship represented and positive way. It

0:51:01.440 --> 0:51:05.839
<v Speaker 1>shouldn't be groundbreaking for film. It was. But I guess

0:51:06.040 --> 0:51:08.040
<v Speaker 1>what I didn't like is that the fact that these

0:51:08.160 --> 0:51:11.920
<v Speaker 1>two women are in conflict with each other over a man.

0:51:12.600 --> 0:51:14.200
<v Speaker 1>That's the part of it that kind of bugged me.

0:51:14.360 --> 0:51:17.160
<v Speaker 1>And but again, I mean it's those things do play

0:51:17.200 --> 0:51:20.600
<v Speaker 1>out in real life all the time, where so it's

0:51:20.640 --> 0:51:23.279
<v Speaker 1>not unheard of or it's not even that it's unrealistic.

0:51:23.400 --> 0:51:25.600
<v Speaker 1>But I think it was just an easy choice, where,

0:51:25.680 --> 0:51:27.520
<v Speaker 1>like Jamie with You said, with all the other things

0:51:27.600 --> 0:51:30.400
<v Speaker 1>that this movie explores in terms of like, you know,

0:51:30.600 --> 0:51:33.040
<v Speaker 1>just being one of the few women of color on

0:51:33.120 --> 0:51:36.720
<v Speaker 1>this team of mostly white girls. You know, the pressure

0:51:36.880 --> 0:51:41.600
<v Speaker 1>of her family. There's like sources of conflict a bunch

0:51:41.640 --> 0:51:44.200
<v Speaker 1>of times, and Jewels never really says any right, Like

0:51:45.080 --> 0:51:48.239
<v Speaker 1>how that triangle with shoehorned in though, is a bit odd. Yeah.

0:51:48.560 --> 0:51:50.160
<v Speaker 1>I don't know if it was like a studio note

0:51:50.239 --> 0:51:52.560
<v Speaker 1>to like we need more drama or something like that,

0:51:52.719 --> 0:51:56.080
<v Speaker 1>but um, yeah, I just feel that it was a

0:51:56.160 --> 0:51:59.759
<v Speaker 1>little unnecessary. I think that there was enough sources of

0:52:00.000 --> 0:52:02.960
<v Speaker 1>pension and conflict in the movie already that that didn't

0:52:03.000 --> 0:52:06.840
<v Speaker 1>need to be there. Um limitless. Yeah, So I don't know.

0:52:07.440 --> 0:52:10.680
<v Speaker 1>Um really good on the Pinky character because I like

0:52:10.880 --> 0:52:13.960
<v Speaker 1>the relationship that Dress has with her sister too. That

0:52:14.160 --> 0:52:16.600
<v Speaker 1>felt like for the I mean Pinky, I feel like,

0:52:16.719 --> 0:52:19.560
<v Speaker 1>is um that's just as older sister who's getting married.

0:52:19.560 --> 0:52:21.799
<v Speaker 1>I feel like she's like a little more cartoony than

0:52:21.920 --> 0:52:24.520
<v Speaker 1>most of the characters we came across in this movie

0:52:25.400 --> 0:52:29.680
<v Speaker 1>where like she's she's a very big personality, but like

0:52:29.800 --> 0:52:31.840
<v Speaker 1>at the same time and it she reminds me of

0:52:32.200 --> 0:52:34.880
<v Speaker 1>my cousin not where she's like this big personality and

0:52:35.040 --> 0:52:37.840
<v Speaker 1>like doesn't have a filter, but also is kind of

0:52:37.920 --> 0:52:40.720
<v Speaker 1>traditional in the way she's like choosing to go about

0:52:40.760 --> 0:52:44.279
<v Speaker 1>her life where she is getting married to someone her

0:52:44.320 --> 0:52:47.080
<v Speaker 1>parents approve of. She loves him, it's what she wants

0:52:47.120 --> 0:52:49.520
<v Speaker 1>to do, this is the life she wants. And then

0:52:49.600 --> 0:52:54.120
<v Speaker 1>she's also like super loud and very opinionated, and there's

0:52:54.120 --> 0:52:56.759
<v Speaker 1>a lot of different elements of her parents seem to

0:52:56.840 --> 0:53:00.560
<v Speaker 1>approve of Pinky's choices more than they do of Jesse's.

0:53:01.160 --> 0:53:04.000
<v Speaker 1>Oh sure, yeah, but but also Pinky is like by

0:53:04.080 --> 0:53:07.359
<v Speaker 1>far the more outgoing, and like Pinky and Jess are

0:53:07.400 --> 0:53:10.160
<v Speaker 1>in conflict a number of times in this movie, one

0:53:10.239 --> 0:53:15.400
<v Speaker 1>time when Pinky's fiance's family thinks that Jess is gay

0:53:16.640 --> 0:53:19.799
<v Speaker 1>and then cancel the wedding and then to be fair,

0:53:19.960 --> 0:53:23.000
<v Speaker 1>I mean, one of the good things I liked about

0:53:23.160 --> 0:53:26.360
<v Speaker 1>Jesse's family is they do like acknowledge that she is

0:53:26.719 --> 0:53:30.320
<v Speaker 1>a generally honest person and believe her when she's like, no,

0:53:30.640 --> 0:53:34.240
<v Speaker 1>that's they misunderstood, that's not what was happening, and they're like, okay,

0:53:34.480 --> 0:53:38.440
<v Speaker 1>well you're honest, and they funked up, and but but

0:53:38.560 --> 0:53:42.279
<v Speaker 1>Pinky is so mad. But later on that's resolved and

0:53:42.760 --> 0:53:46.640
<v Speaker 1>Pinky helps Jess sneak away and play soccer a couple

0:53:46.760 --> 0:53:49.759
<v Speaker 1>different times. She covers for her a lot. Yeah, and

0:53:50.080 --> 0:53:53.160
<v Speaker 1>and but it would have read me out and goddamn heartbeak,

0:53:53.719 --> 0:53:59.440
<v Speaker 1>really did he know you were doing comedy? So who

0:53:59.520 --> 0:54:02.279
<v Speaker 1>knew my best friend in high school? And then a

0:54:02.320 --> 0:54:05.000
<v Speaker 1>couple of you know, culture friends in high school. Okay,

0:54:05.360 --> 0:54:09.719
<v Speaker 1>but like no one inside the family absolutely not. Yeah,

0:54:09.800 --> 0:54:11.840
<v Speaker 1>so I guess Pinky is not as much of anarc

0:54:11.920 --> 0:54:15.160
<v Speaker 1>as your brother, what because think you? I mean? But

0:54:15.400 --> 0:54:18.120
<v Speaker 1>but she is kind of selectively. She She's like the

0:54:18.200 --> 0:54:21.120
<v Speaker 1>kind of character that as long as, like what Jesse

0:54:21.200 --> 0:54:23.760
<v Speaker 1>is doing is not in conflict with what she wants,

0:54:24.080 --> 0:54:27.319
<v Speaker 1>she'll go along with it. But if something like if

0:54:27.400 --> 0:54:29.279
<v Speaker 1>Jesse's soccer got in the way of her wedding, which

0:54:29.320 --> 0:54:32.200
<v Speaker 1>it does, Pinky's like, no, you're coming to my wedding,

0:54:32.320 --> 0:54:35.080
<v Speaker 1>Like what are you talking about? And the whole third

0:54:35.120 --> 0:54:37.319
<v Speaker 1>act of the movie is like or like the very end,

0:54:37.800 --> 0:54:40.600
<v Speaker 1>were just goes to the wedding, then the soccer game,

0:54:40.640 --> 0:54:44.520
<v Speaker 1>then the wedding again is done. I forgot exactly how

0:54:44.640 --> 0:54:50.400
<v Speaker 1>that like sequence plays out, but it's Jess basically decides, no,

0:54:50.560 --> 0:54:53.600
<v Speaker 1>I'm gonna I'm going with like the duty I feel

0:54:53.640 --> 0:54:55.440
<v Speaker 1>toed to my family, or I'm going to the wedding,

0:54:55.960 --> 0:54:59.040
<v Speaker 1>and her dad is pushing for that because there's like

0:54:59.120 --> 0:55:01.200
<v Speaker 1>that whole phone seene where Jess is like, that's the

0:55:01.280 --> 0:55:03.680
<v Speaker 1>day of my game, and he's like, yeah, you're going

0:55:03.760 --> 0:55:07.719
<v Speaker 1>to the wedding, And then Tony is the one who's like,

0:55:07.880 --> 0:55:10.279
<v Speaker 1>you have to go in Socca and blah blah blah,

0:55:10.960 --> 0:55:13.799
<v Speaker 1>and Jess is like, I can't. And then Jess's dad

0:55:13.920 --> 0:55:17.040
<v Speaker 1>comes in. He's like what's going on? And Tony's like

0:55:17.160 --> 0:55:21.920
<v Speaker 1>Socca and and then Jesse's dad is the one who's

0:55:22.000 --> 0:55:27.560
<v Speaker 1>like soccer, you know, and and so her dad is

0:55:27.640 --> 0:55:30.560
<v Speaker 1>the one who's hiding that Jess has gone from both

0:55:30.600 --> 0:55:34.040
<v Speaker 1>her sister and her mother until Jess gets back. There

0:55:34.200 --> 0:55:36.719
<v Speaker 1>is an element of and it did again. It's like

0:55:36.760 --> 0:55:40.239
<v Speaker 1>this movie does so well generally that it's like not

0:55:40.480 --> 0:55:44.359
<v Speaker 1>the biggest deal. But if we're getting like nitpicky, both

0:55:44.520 --> 0:55:48.880
<v Speaker 1>Jesse's dad and Jules's Dad end up for their respective

0:55:48.960 --> 0:55:53.520
<v Speaker 1>storylines being the good guy of the family, which is

0:55:53.600 --> 0:55:55.960
<v Speaker 1>kind of a trope I feel like, comes up. I

0:55:56.320 --> 0:55:58.520
<v Speaker 1>can't think of it, but like there is you know,

0:55:58.680 --> 0:56:01.239
<v Speaker 1>like the mothers of both of those families are the

0:56:01.360 --> 0:56:04.080
<v Speaker 1>stricter ones. They're they're harder on their daughters. They're more

0:56:04.120 --> 0:56:07.839
<v Speaker 1>critical of them. The dads are critical and we'll back

0:56:07.920 --> 0:56:10.080
<v Speaker 1>the mom's up, but are usually the ones who go

0:56:10.239 --> 0:56:13.759
<v Speaker 1>behind the scenes and are like, but it's okay, I'm

0:56:13.840 --> 0:56:18.080
<v Speaker 1>the nice one. And that happens with I mean Jules Dad.

0:56:18.080 --> 0:56:20.440
<v Speaker 1>I don't think at any point is made to seem

0:56:20.680 --> 0:56:25.160
<v Speaker 1>strict in any way. He's just like soccer rules. In fact,

0:56:25.200 --> 0:56:27.759
<v Speaker 1>he says something like, um, you know, if our daughter

0:56:28.080 --> 0:56:32.600
<v Speaker 1>is more interested in playing football than chasing boys, Um

0:56:32.680 --> 0:56:35.640
<v Speaker 1>over the moon about that, which you know is we

0:56:35.719 --> 0:56:37.360
<v Speaker 1>can unpack that where it's like, well, what if she

0:56:37.440 --> 0:56:40.480
<v Speaker 1>did want to chase boys and you know, explore her sexuality?

0:56:40.600 --> 0:56:44.480
<v Speaker 1>What's wrong with that? Dad? But um, but like his

0:56:44.600 --> 0:56:46.799
<v Speaker 1>character is like, I mean, he's barely a character at

0:56:46.880 --> 0:56:51.360
<v Speaker 1>least just as Dad, we get some context, feels he

0:56:51.440 --> 0:56:54.200
<v Speaker 1>feels right because he was was it, a cricket player,

0:56:55.160 --> 0:56:57.040
<v Speaker 1>So yeah, I like that the story gives him a

0:56:57.040 --> 0:56:59.520
<v Speaker 1>little bit more context for why he's sort of trying

0:56:59.560 --> 0:57:02.440
<v Speaker 1>to protect her um and things like that, because he

0:57:02.600 --> 0:57:05.200
<v Speaker 1>also had experienced a lot of racism when he tried

0:57:05.239 --> 0:57:08.040
<v Speaker 1>to play cricket they kicked him out. Because Yeah, I

0:57:08.200 --> 0:57:11.239
<v Speaker 1>I noticed that too about the parents, that both of

0:57:11.280 --> 0:57:14.799
<v Speaker 1>the mothers were way less chill, just like we're trying

0:57:14.880 --> 0:57:18.080
<v Speaker 1>to either like suppress their daughters in some way where

0:57:18.120 --> 0:57:20.600
<v Speaker 1>they like, you can't play soccer, or trying to like

0:57:20.880 --> 0:57:23.920
<v Speaker 1>force an idea of femininity onto them. I feel like

0:57:24.040 --> 0:57:28.200
<v Speaker 1>they were extra upset when because both families at one

0:57:28.240 --> 0:57:32.240
<v Speaker 1>point or another think that their daughter is queer with

0:57:32.600 --> 0:57:36.480
<v Speaker 1>the other character um. And yeah, the way like Juels

0:57:36.600 --> 0:57:39.120
<v Speaker 1>mom handles it, there's like she crashes the wedding, like

0:57:39.200 --> 0:57:42.600
<v Speaker 1>you said, like screams about shoes. And then there's a

0:57:42.680 --> 0:57:45.400
<v Speaker 1>scene after that in the car where she's like, you know,

0:57:45.880 --> 0:57:49.840
<v Speaker 1>you're a lesbian and she's like, uh, just because I

0:57:49.920 --> 0:57:53.360
<v Speaker 1>wear khakis and play sport doesn't make me a lesbian.

0:57:53.440 --> 0:57:57.280
<v Speaker 1>But like, also Jules's tone during that scene is a

0:57:57.360 --> 0:58:01.200
<v Speaker 1>little problem. Yeah, so seam plays out, yeah, because then

0:58:01.240 --> 0:58:04.680
<v Speaker 1>she says like there's like a pause and once joelss

0:58:04.760 --> 0:58:07.480
<v Speaker 1>mom realizes and this happens with both families once they

0:58:07.560 --> 0:58:11.240
<v Speaker 1>realized that their daughters aren't gay, and they're like, oh,

0:58:12.120 --> 0:58:17.840
<v Speaker 1>gay people are fine. It's yeah, yeah, I another storation

0:58:17.960 --> 0:58:19.360
<v Speaker 1>til I'm gonna make it real quick. I was in

0:58:19.840 --> 0:58:21.880
<v Speaker 1>high school and like, there was this girl bowling my

0:58:21.960 --> 0:58:24.360
<v Speaker 1>friend by like spreading rumors about her being a Lots fan.

0:58:24.640 --> 0:58:26.040
<v Speaker 1>So I thought it would be funny if I came

0:58:26.080 --> 0:58:28.720
<v Speaker 1>onto her because she was homophobic. So I did that,

0:58:29.440 --> 0:58:31.320
<v Speaker 1>and then it turns out it wasn't just her that

0:58:31.400 --> 0:58:33.400
<v Speaker 1>was homophobic. It was a whole bunch of people that

0:58:33.480 --> 0:58:39.360
<v Speaker 1>are homophobic. I accidentally got myself semi gay bash when

0:58:39.400 --> 0:58:40.760
<v Speaker 1>I was walking down the hallway and I was like,

0:58:40.840 --> 0:58:47.000
<v Speaker 1>I'm not actually, yeah, that isn't the high school things

0:58:47.040 --> 0:58:49.720
<v Speaker 1>to happen to, Like, I know what I'll do, and

0:58:49.840 --> 0:58:52.920
<v Speaker 1>then it's like, no, everyone's paid full, everyone and everybody

0:58:53.040 --> 0:58:56.800
<v Speaker 1>here to help it. I was like, oh no, god,

0:58:57.000 --> 0:59:00.880
<v Speaker 1>that's the words there the way scene with just and

0:59:00.960 --> 0:59:02.480
<v Speaker 1>her mom at the end, it is kind of like

0:59:02.560 --> 0:59:05.840
<v Speaker 1>played for laughs where um or no sorry Jules and

0:59:05.880 --> 0:59:09.520
<v Speaker 1>her mom not to me Ja names uh, but you know,

0:59:09.640 --> 0:59:12.080
<v Speaker 1>Jule says, besides being a lesbian. It's not that big

0:59:12.120 --> 0:59:15.680
<v Speaker 1>a deal. And then her mom is you know, goes

0:59:15.720 --> 0:59:18.800
<v Speaker 1>full hypocrite once she realizes her daughter is straight, Thank

0:59:18.880 --> 0:59:23.120
<v Speaker 1>god is She's like, oh yeah, there's nothing wrong with it. Uh,

0:59:23.280 --> 0:59:25.680
<v Speaker 1>and they're all like t he he he wear straight?

0:59:28.680 --> 0:59:30.920
<v Speaker 1>But then oh, so the last thing I wanted to

0:59:31.080 --> 0:59:35.040
<v Speaker 1>talk about was so the way they deal with female queerness.

0:59:35.280 --> 0:59:38.560
<v Speaker 1>This movie comes out in the weird place. It's not

0:59:38.760 --> 0:59:42.440
<v Speaker 1>totally bad, but it's weird. It's not fully accepted. But

0:59:42.720 --> 0:59:47.920
<v Speaker 1>we also have Tony, who is a queer male character

0:59:48.840 --> 0:59:51.800
<v Speaker 1>who I forgot about his storyline, but it is I

0:59:51.840 --> 0:59:54.919
<v Speaker 1>feel like it is fully realized within the movie. There's

0:59:54.920 --> 0:59:58.000
<v Speaker 1>just so much going on, but Tony is the one

0:59:58.360 --> 1:00:01.280
<v Speaker 1>boy on the soccer team that Jess plays on at

1:00:01.320 --> 1:00:05.320
<v Speaker 1>the beginning who is not horrible to her and it's

1:00:05.400 --> 1:00:07.360
<v Speaker 1>nice to her and they get along and everyone thinks

1:00:07.400 --> 1:00:08.840
<v Speaker 1>he has a crush on her, but it turns out

1:00:08.920 --> 1:00:12.880
<v Speaker 1>he just respects her. The twist is he's gay and

1:00:12.960 --> 1:00:17.040
<v Speaker 1>he respects her. So, I mean, I liked that scene

1:00:17.040 --> 1:00:19.960
<v Speaker 1>where he you know, and just Jess as being like,

1:00:20.440 --> 1:00:22.440
<v Speaker 1>you know where she's coming from, and she's like kind

1:00:22.440 --> 1:00:25.080
<v Speaker 1>of grasping at straws and just wants to stop disappointing

1:00:25.120 --> 1:00:27.040
<v Speaker 1>her family, and she's like, so do you like me?

1:00:27.280 --> 1:00:29.200
<v Speaker 1>We should we should just want we should just get married,

1:00:29.840 --> 1:00:33.400
<v Speaker 1>and in a way that if Tony were interested in her,

1:00:33.480 --> 1:00:36.880
<v Speaker 1>would probably have been very hurtful of, like, well, I've

1:00:36.960 --> 1:00:40.240
<v Speaker 1>decided to settle here. I am, I've done it. But

1:00:40.320 --> 1:00:43.840
<v Speaker 1>then Tony is like, no, I just respect you. Also,

1:00:44.760 --> 1:00:48.160
<v Speaker 1>I'm gay. That's I mean. Jess is like, oh, that's

1:00:48.360 --> 1:00:51.919
<v Speaker 1>you know, she's fine with it. Then there, But she's

1:00:51.960 --> 1:00:54.080
<v Speaker 1>the only character, as far as we know, who knows

1:00:54.160 --> 1:00:56.880
<v Speaker 1>about him being gay. He's the only person that he

1:00:57.000 --> 1:00:59.800
<v Speaker 1>comes out too. So I think that if more people

1:01:00.360 --> 1:01:03.720
<v Speaker 1>like in Jessice community knew about it, I feel like

1:01:03.840 --> 1:01:06.800
<v Speaker 1>the movie might have handled it similarly to how like

1:01:07.000 --> 1:01:11.160
<v Speaker 1>female queerness is perceived. So I think in general, yeah,

1:01:11.160 --> 1:01:14.600
<v Speaker 1>I mean it's this is like characters in two thousand

1:01:14.680 --> 1:01:16.960
<v Speaker 1>two responding to queerness in the way that a lot

1:01:17.000 --> 1:01:19.960
<v Speaker 1>of people in two thousand two would have responded to that.

1:01:20.600 --> 1:01:24.720
<v Speaker 1>But yeah, it's I think it's interesting and positive that

1:01:25.400 --> 1:01:29.200
<v Speaker 1>Jess is still very respectful of him, and you know,

1:01:29.320 --> 1:01:31.840
<v Speaker 1>he comes out to her and she's just like great,

1:01:32.080 --> 1:01:35.280
<v Speaker 1>it doesn't change their friendship at all or anything like that, Like, yeah,

1:01:35.320 --> 1:01:38.080
<v Speaker 1>I thought that all was handled very well. Yeah. And

1:01:38.160 --> 1:01:42.040
<v Speaker 1>then there's that the last minute scene with him where

1:01:42.480 --> 1:01:46.000
<v Speaker 1>he says because he is so supportive of Jess his

1:01:46.080 --> 1:01:49.040
<v Speaker 1>soccer career and doesn't think that her parents will ever

1:01:49.160 --> 1:01:52.400
<v Speaker 1>support it, and so he's like, I'll marry her, you know,

1:01:52.600 --> 1:01:54.560
<v Speaker 1>and the last things like I'll marry her. And I

1:01:54.720 --> 1:01:57.920
<v Speaker 1>was so nervous because two thousand two, I was so

1:01:58.240 --> 1:02:01.960
<v Speaker 1>nervous that she was going to outand same same I

1:02:02.120 --> 1:02:04.400
<v Speaker 1>was like, So I was like, oh my god, I

1:02:04.440 --> 1:02:06.439
<v Speaker 1>feel like in two thousand two people wouldn't have thought

1:02:06.440 --> 1:02:09.640
<v Speaker 1>of as much of that. But she doesn't. She just

1:02:09.800 --> 1:02:13.720
<v Speaker 1>says nice try Tony, like I need to beat tell

1:02:13.760 --> 1:02:15.600
<v Speaker 1>the truth, and then she tells the truth about herself.

1:02:15.680 --> 1:02:17.680
<v Speaker 1>I was just there was a moment where it's like,

1:02:17.720 --> 1:02:21.520
<v Speaker 1>oh my god, so sad. The same but she doesn't.

1:02:21.600 --> 1:02:31.160
<v Speaker 1>Another another win, another character doing a just basic decency. Yeah,

1:02:31.520 --> 1:02:36.840
<v Speaker 1>exactly his character. Also, like the big tournament at the end,

1:02:37.120 --> 1:02:39.360
<v Speaker 1>all of the guys that she had been playing with

1:02:39.440 --> 1:02:41.680
<v Speaker 1>in the park show up to that game to watch.

1:02:42.200 --> 1:02:45.920
<v Speaker 1>Most of them are like, you know, very toxic masculinity. Bros.

1:02:46.000 --> 1:02:49.240
<v Speaker 1>And they're like, oh, women playing soccer there boobs and

1:02:49.400 --> 1:02:51.160
<v Speaker 1>oh how do they even do it? And they're like

1:02:51.720 --> 1:02:55.400
<v Speaker 1>just like really over sexualizing and objectifying all the players

1:02:55.480 --> 1:02:58.760
<v Speaker 1>on the team, and uh, Tony says something like can't

1:02:58.760 --> 1:03:01.640
<v Speaker 1>you just see them as footballer? Like again, feminist icon,

1:03:01.800 --> 1:03:06.840
<v Speaker 1>queer icon um. But an earlier scene shows a bunch

1:03:06.920 --> 1:03:09.720
<v Speaker 1>of pinkies friends watching the men play soccer in the

1:03:09.800 --> 1:03:13.520
<v Speaker 1>park and then similarly objectifying them and like, oh, look

1:03:13.560 --> 1:03:16.440
<v Speaker 1>at his like sticks pack, and yeah, i'd I want

1:03:16.480 --> 1:03:19.120
<v Speaker 1>to wank him off, And then Jess calls them a

1:03:19.200 --> 1:03:24.560
<v Speaker 1>bunch of which sorry I did laugh that. Yeah, she

1:03:24.720 --> 1:03:29.160
<v Speaker 1>does slut shame her sister's friends, which you know, is

1:03:29.240 --> 1:03:33.040
<v Speaker 1>not the best thing that's ever happened. It's not. It

1:03:33.120 --> 1:03:35.240
<v Speaker 1>feels so bad when you think someone's like on your

1:03:35.320 --> 1:03:38.600
<v Speaker 1>level of creep. Like there was a hot bartender at

1:03:38.680 --> 1:03:40.640
<v Speaker 1>the bottom of the theater and I turned to another

1:03:40.720 --> 1:03:43.200
<v Speaker 1>girl and I was like, that dude is so smoking hot.

1:03:43.240 --> 1:03:45.000
<v Speaker 1>I would totally funk him. And then she was just

1:03:45.120 --> 1:03:50.040
<v Speaker 1>like oh, and I was like, oh no, that is

1:03:50.560 --> 1:03:53.240
<v Speaker 1>literally every time I'm like I have a crush on someone.

1:03:53.280 --> 1:03:55.120
<v Speaker 1>And then Caitlin's like, show me a picture and then

1:03:55.160 --> 1:03:58.520
<v Speaker 1>I do, and then she's like, Okay, it's like I

1:03:58.680 --> 1:04:03.080
<v Speaker 1>need to dine. Oh I didn't even want to run

1:04:03.120 --> 1:04:06.360
<v Speaker 1>into traffic and get hit by a car. I'm sorry,

1:04:06.520 --> 1:04:09.800
<v Speaker 1>I'm so many tepid. Okay, it's from you. When I

1:04:10.040 --> 1:04:13.200
<v Speaker 1>hit you with the visual, it's so it's so unchilled.

1:04:14.200 --> 1:04:18.400
<v Speaker 1>We'll post it on our Instagram. No, I don't. I'm

1:04:18.440 --> 1:04:22.400
<v Speaker 1>never going to show you anyone. I'm never ever well.

1:04:22.440 --> 1:04:26.240
<v Speaker 1>I it's you know, what we all taste is subjective

1:04:26.560 --> 1:04:29.600
<v Speaker 1>and you can like whoever you want. Mine's kind of bad,

1:04:29.680 --> 1:04:33.120
<v Speaker 1>I'll say it. Mine's weird. It's all over the place.

1:04:33.600 --> 1:04:36.880
<v Speaker 1>Does anyone have any other thoughts about the movie? But

1:04:37.040 --> 1:04:42.800
<v Speaker 1>it's like back, a's interesting that a movie about women

1:04:42.840 --> 1:04:47.560
<v Speaker 1>playing sports does have a title where a man's name

1:04:47.840 --> 1:04:51.520
<v Speaker 1>is in the title that, yeah, is that really him?

1:04:51.600 --> 1:04:55.240
<v Speaker 1>At the end like yeah, I think I feel like

1:04:55.320 --> 1:04:58.760
<v Speaker 1>they get like archived footage or something, and I don't

1:04:58.800 --> 1:05:03.280
<v Speaker 1>know it's a hologram. Um. I do want to say

1:05:03.560 --> 1:05:06.040
<v Speaker 1>that there is a clip of Mia Hamm playing soccer

1:05:06.320 --> 1:05:10.600
<v Speaker 1>in the movie, and the clip of soccer, Yeah, she

1:05:10.760 --> 1:05:14.600
<v Speaker 1>and I share the same birthday. Um, so we are

1:05:15.320 --> 1:05:21.640
<v Speaker 1>sisters twins or Twin Sisters Birthday Twin is Patrick Swayzey. Yeah,

1:05:21.920 --> 1:05:25.320
<v Speaker 1>I guess overall, like I like this movie a whole lot,

1:05:25.680 --> 1:05:27.480
<v Speaker 1>just on a base level of it being like a fun,

1:05:27.760 --> 1:05:31.360
<v Speaker 1>entertaining movie, and then also, you know, watching it through

1:05:31.440 --> 1:05:35.440
<v Speaker 1>the Bechtel cast lens, I really enjoy that it explores

1:05:35.640 --> 1:05:37.960
<v Speaker 1>a lot of different things that we tend to talk

1:05:38.000 --> 1:05:41.480
<v Speaker 1>about movies not paying any attention to. So the fact

1:05:41.520 --> 1:05:45.840
<v Speaker 1>that this movie addresses like the concept of femininity and

1:05:46.080 --> 1:05:50.720
<v Speaker 1>different things about sexuality, different things about racism, and all

1:05:50.920 --> 1:05:53.600
<v Speaker 1>kinds of things that most movies just completely gloss over

1:05:53.840 --> 1:05:57.040
<v Speaker 1>or don't pay any attention to or don't care about addressing.

1:05:57.480 --> 1:06:00.400
<v Speaker 1>I really like all of that, and I like that

1:06:00.560 --> 1:06:04.880
<v Speaker 1>it's effectively about a woman who is kind of she's

1:06:04.920 --> 1:06:07.280
<v Speaker 1>got a struggle where she wants to pay respect to

1:06:07.320 --> 1:06:11.240
<v Speaker 1>her family and honor them in their wishes, but also

1:06:11.800 --> 1:06:14.400
<v Speaker 1>has the agency to like do her own thing, and

1:06:14.520 --> 1:06:16.720
<v Speaker 1>too she wants to pursue her own goals and make

1:06:16.760 --> 1:06:23.440
<v Speaker 1>her own choices. But yeah, it's just I think it's

1:06:23.480 --> 1:06:27.680
<v Speaker 1>a great movie where you know, women are driving the narrative, Um,

1:06:28.360 --> 1:06:33.440
<v Speaker 1>women are challenging different things, women have agency, women are

1:06:33.680 --> 1:06:43.000
<v Speaker 1>kicking ass and kicking balls. So yeah, I don't know.

1:06:43.280 --> 1:06:46.120
<v Speaker 1>And then, um, really quick, does this movie past the

1:06:46.160 --> 1:06:51.880
<v Speaker 1>Bactel test one? Yeah, we don't even need to get

1:06:51.960 --> 1:06:55.000
<v Speaker 1>into citing specific scenes because it's basically if there are

1:06:55.040 --> 1:06:59.320
<v Speaker 1>two women talking in the movie. Almost every significant female

1:06:59.360 --> 1:07:02.520
<v Speaker 1>pairing in this movie v it passes at one point,

1:07:02.600 --> 1:07:07.200
<v Speaker 1>and usually especially between Jess and Jules, passes significantly because

1:07:07.240 --> 1:07:10.080
<v Speaker 1>they talking about they want to stop talking about soccer.

1:07:11.840 --> 1:07:14.720
<v Speaker 1>Jess and her sister, Pinky, Jess and her mom, Um,

1:07:15.000 --> 1:07:18.280
<v Speaker 1>Jules and her mom. Yeah, Jess and jules mom. Every

1:07:19.960 --> 1:07:23.120
<v Speaker 1>it's great. Yeah, it's great. I'm always on the lookout

1:07:23.160 --> 1:07:26.240
<v Speaker 1>for movies that pass all four of the following test

1:07:26.440 --> 1:07:29.919
<v Speaker 1>the Bechtel test, the DuVernay test, the Vito Rosso test,

1:07:30.000 --> 1:07:35.280
<v Speaker 1>and the Maco Morey test. This movie passes all for Yeah,

1:07:35.520 --> 1:07:40.280
<v Speaker 1>that's wonderful, because you've got um so Bechtel tests we've

1:07:40.280 --> 1:07:45.200
<v Speaker 1>already discussed um. The Duverney test requires that characters who

1:07:45.280 --> 1:07:48.200
<v Speaker 1>are people of color have fully realized lives rather than

1:07:48.440 --> 1:07:52.960
<v Speaker 1>service scenery for white stories, so this movie passes that

1:07:53.080 --> 1:07:57.520
<v Speaker 1>test with flying colors. The Maco more test requires that

1:07:57.720 --> 1:08:00.800
<v Speaker 1>there's at least one prominent female character who has her

1:08:00.800 --> 1:08:04.320
<v Speaker 1>own narrative arc which is not about supporting a man's story,

1:08:04.640 --> 1:08:08.080
<v Speaker 1>passes that test with flying colors. The Veto Russo test,

1:08:08.600 --> 1:08:11.840
<v Speaker 1>the movie passes if it contains a character that is

1:08:11.920 --> 1:08:15.920
<v Speaker 1>identifiably lgbt Q. So we've got that in Tony. Character

1:08:16.000 --> 1:08:18.839
<v Speaker 1>is not solely or predominantly defined by their sexual orientation

1:08:18.920 --> 1:08:21.200
<v Speaker 1>or gender identity, which I would say is true for

1:08:21.360 --> 1:08:24.479
<v Speaker 1>Tony too. And this is where it is a little tricky.

1:08:24.560 --> 1:08:27.000
<v Speaker 1>The character must be tied into the plot in such

1:08:27.000 --> 1:08:30.479
<v Speaker 1>a way that their removal would have a significant effect.

1:08:30.800 --> 1:08:34.760
<v Speaker 1>I think, so, yeahs Hers, Yeah, he's the one that

1:08:35.040 --> 1:08:37.000
<v Speaker 1>makes her at the end of the wedding. He's pivotal

1:08:37.120 --> 1:08:42.360
<v Speaker 1>to that. And then right, okay, yeah, so it passes off. Hurrah.

1:08:45.120 --> 1:08:47.479
<v Speaker 1>Well with that, let's rate it on our nipple scale. Well,

1:08:47.600 --> 1:08:50.640
<v Speaker 1>we we rate the movie based on its portrayal of

1:08:50.760 --> 1:08:55.000
<v Speaker 1>women zero to five nipples. I'm going to give this

1:08:56.040 --> 1:09:00.400
<v Speaker 1>like a a four and half. I think I think

1:09:00.600 --> 1:09:05.320
<v Speaker 1>certain characters and how they handle the topic of queerness,

1:09:05.720 --> 1:09:10.320
<v Speaker 1>specifically jewels and jewels is mom I think could be

1:09:10.400 --> 1:09:12.160
<v Speaker 1>handled a little bit better. And I think that's if

1:09:12.200 --> 1:09:15.599
<v Speaker 1>this movie was rewritten today. Those problems would be solved

1:09:15.600 --> 1:09:18.479
<v Speaker 1>because this is an extremely progressive movie, and there's also

1:09:18.520 --> 1:09:20.719
<v Speaker 1>a few I feel like I should have said earlier

1:09:20.720 --> 1:09:24.160
<v Speaker 1>there are a few um queer slurs that go unchallenged

1:09:24.200 --> 1:09:29.040
<v Speaker 1>in the movie. Where the racial slurs are challenged, the

1:09:29.160 --> 1:09:33.240
<v Speaker 1>queer slurs are not. Yes, and then also like a

1:09:33.280 --> 1:09:36.599
<v Speaker 1>half nipple off for the fact that the movie has

1:09:36.680 --> 1:09:40.240
<v Speaker 1>this love triangle that doesn't need to be there. Yeah,

1:09:40.280 --> 1:09:41.400
<v Speaker 1>I don't know. I feel like it just kind of

1:09:41.720 --> 1:09:45.519
<v Speaker 1>cheapens it a little bit. But overall, it's really cool

1:09:45.720 --> 1:09:48.800
<v Speaker 1>to see a movie about a woman of color. We

1:09:48.920 --> 1:09:53.040
<v Speaker 1>get all the context of her family. Great movie, great characters.

1:09:53.479 --> 1:09:55.840
<v Speaker 1>Female characters are very well written and well developed. We

1:09:56.040 --> 1:09:58.240
<v Speaker 1>so rarely see this. The fact that it's written and

1:09:58.360 --> 1:10:03.920
<v Speaker 1>directed by an Indian woman is amazing. I'm so glad

1:10:03.960 --> 1:10:06.400
<v Speaker 1>that this movie exists. And if you haven't seen it,

1:10:06.800 --> 1:10:09.519
<v Speaker 1>check it out. A sap so four and a half

1:10:09.600 --> 1:10:14.120
<v Speaker 1>nipples I'm going to give to to Jess, one to Jewels,

1:10:14.720 --> 1:10:19.000
<v Speaker 1>one to Pinky, and a half nipple to Tony Cool.

1:10:19.720 --> 1:10:22.040
<v Speaker 1>I'm I'll go with four and a half as well.

1:10:22.120 --> 1:10:23.400
<v Speaker 1>Let me let me see if I can do this

1:10:23.520 --> 1:10:29.480
<v Speaker 1>in sports terms. Okay, I'd say this soccer ball fumbles

1:10:30.400 --> 1:10:36.840
<v Speaker 1>female queerness, but really dunks in every other card uh huh,

1:10:38.360 --> 1:10:46.240
<v Speaker 1>time out. I like this. The only penalty would be

1:10:47.520 --> 1:10:52.360
<v Speaker 1>what I already said was a fumble in conclusion in okay,

1:10:52.400 --> 1:10:56.360
<v Speaker 1>and now I'm canceling. We're in overtime now and overtime

1:10:56.920 --> 1:11:02.080
<v Speaker 1>fifth quarter. I would say that in all series is

1:11:02.120 --> 1:11:03.680
<v Speaker 1>when I when I saw this movie when I was

1:11:03.760 --> 1:11:09.919
<v Speaker 1>a teenager, demonstrates the importance of portraying every culture possible

1:11:10.120 --> 1:11:13.400
<v Speaker 1>in film and in mainstream film, because I know, I

1:11:13.640 --> 1:11:18.320
<v Speaker 1>for sure didn't grow up around many Indian people at all,

1:11:18.400 --> 1:11:20.880
<v Speaker 1>and I learned stuff from this movie. And I learned.

1:11:21.120 --> 1:11:23.679
<v Speaker 1>I mean, it was like this was my first exposure

1:11:23.720 --> 1:11:25.840
<v Speaker 1>to a culture I wasn't familiar with, and it's done

1:11:25.880 --> 1:11:30.599
<v Speaker 1>so responsibly and respectfully that I think if more cultures

1:11:30.640 --> 1:11:33.160
<v Speaker 1>were portrayed in this way in film, the world would

1:11:33.160 --> 1:11:36.080
<v Speaker 1>just be a better place. I really like this movie,

1:11:36.240 --> 1:11:39.120
<v Speaker 1>and I'm happy that we we can keep watching it

1:11:39.200 --> 1:11:42.080
<v Speaker 1>and feeling happy about watching it without feeling guilty about

1:11:42.120 --> 1:11:45.840
<v Speaker 1>watching it. Yeah, So four and a half nipples. Giving

1:11:46.360 --> 1:11:49.960
<v Speaker 1>two to Jess, I'll give one to Jewels, give one

1:11:50.080 --> 1:11:54.320
<v Speaker 1>to Pinky, and then I give one. I'll give my

1:11:54.439 --> 1:11:56.680
<v Speaker 1>last half one to Jess's mom because I like her.

1:11:57.800 --> 1:12:00.880
<v Speaker 1>I would say, well, I'm going to be biased, so

1:12:00.920 --> 1:12:04.679
<v Speaker 1>I'm gonna give four point eight nipples. Yeah, I'm gonna

1:12:05.080 --> 1:12:07.439
<v Speaker 1>give it a handicap for the time period, just because

1:12:07.479 --> 1:12:09.080
<v Speaker 1>this is the first movie where I got to see

1:12:09.160 --> 1:12:13.160
<v Speaker 1>someone represent what it feels like my story on screen.

1:12:13.280 --> 1:12:15.640
<v Speaker 1>And it's like it was everything to me, you know,

1:12:16.080 --> 1:12:18.280
<v Speaker 1>like it was just the coolest movie and I loved

1:12:18.320 --> 1:12:20.760
<v Speaker 1>it like top to bottom. You know, yeah, I also

1:12:20.800 --> 1:12:25.479
<v Speaker 1>want to see your exact story on screen, like that

1:12:25.560 --> 1:12:29.720
<v Speaker 1>would be such a fun movie to watch. Who are

1:12:29.760 --> 1:12:33.599
<v Speaker 1>you giving your nips to? Um? Give two to Jess,

1:12:34.240 --> 1:12:39.360
<v Speaker 1>one to her mom, one to Karen Nightly how much

1:12:39.360 --> 1:12:41.080
<v Speaker 1>does that like me? So too? And then I have

1:12:41.240 --> 1:12:48.600
<v Speaker 1>point eight left. I'll give point eight to Tony, you know,

1:12:48.720 --> 1:12:51.800
<v Speaker 1>because it was like a great character who like feminist icon,

1:12:51.880 --> 1:12:56.280
<v Speaker 1>queer icon killing it? It? Give us a Tony spin off? Serious?

1:12:56.880 --> 1:12:59.800
<v Speaker 1>Where is it? Where is it? So? Thank you so

1:12:59.880 --> 1:13:03.439
<v Speaker 1>much for being here, so so much fun, yea. Where

1:13:03.520 --> 1:13:06.320
<v Speaker 1>can people find you online? Do you have anything you'd

1:13:06.360 --> 1:13:08.080
<v Speaker 1>like to plug? Are you sure they can find me

1:13:08.120 --> 1:13:10.800
<v Speaker 1>on Twitter? At at suba s U b h A

1:13:11.080 --> 1:13:14.519
<v Speaker 1>H and my Instagram. I'm sorry, is that supa? It's

1:13:14.640 --> 1:13:24.639
<v Speaker 1>cub was a choice that I rehoosed to take back

1:13:27.160 --> 1:13:30.000
<v Speaker 1>And um, Saturday at seven pm, there's a show at

1:13:30.000 --> 1:13:32.720
<v Speaker 1>the Hollywood Improv. It's the writers of The Jim Jeffrey Show.

1:13:32.760 --> 1:13:35.479
<v Speaker 1>So you should come to that. Awesome quite nice. Great.

1:13:35.600 --> 1:13:38.839
<v Speaker 1>You can follow the backtel Cast on Twitter, Instagram, Facebook,

1:13:38.840 --> 1:13:41.680
<v Speaker 1>where you can go to our website backtel cast dot com.

1:13:42.160 --> 1:13:45.240
<v Speaker 1>You can write and review us on iTunes. Give us

1:13:45.479 --> 1:13:47.840
<v Speaker 1>five nips, give us a goal, score a bunch of

1:13:47.960 --> 1:13:50.400
<v Speaker 1>goals on us or for us I don't know, or

1:13:50.560 --> 1:13:53.680
<v Speaker 1>dunk on us. Dunk please don't dunk on us. We're

1:13:53.760 --> 1:13:57.840
<v Speaker 1>drive so hard. Basically, give us five stars is what

1:13:57.960 --> 1:14:00.599
<v Speaker 1>we're saying. And um, you can subscribe to our Matreon.

1:14:01.040 --> 1:14:03.120
<v Speaker 1>It is five dollars a month and you get to

1:14:03.640 --> 1:14:08.280
<v Speaker 1>bonus episodes every single month. This month, we have incredible

1:14:08.280 --> 1:14:11.360
<v Speaker 1>stoo coming out soon. Yes, so enjoy it. Yes, please do,

1:14:11.960 --> 1:14:19.960
<v Speaker 1>and otherwise go penalty scoring in overtime. Bye bye