1 00:00:00,720 --> 00:00:04,120 Speaker 1: I am all in again. 2 00:00:17,239 --> 00:00:20,560 Speaker 2: H I am all in again with Scott Patterson and 3 00:00:20,840 --> 00:00:22,320 Speaker 2: iHeartRadio Podcast. 4 00:00:22,680 --> 00:00:25,200 Speaker 1: Hey everybody, Scott Patterson, I Am all in Podcast, one 5 00:00:25,239 --> 00:00:30,000 Speaker 1: of the productions iHeart Radio Media iHeart Podcast. We are 6 00:00:30,360 --> 00:00:37,479 Speaker 1: recapping season three, episode nineteen keg Max exclamation points everywhere. 7 00:00:37,479 --> 00:00:44,600 Speaker 1: We have a very special guest. Julie Whitner is an actress, comedian, writer, singer, singer. 8 00:00:44,640 --> 00:00:47,240 Speaker 1: We're going to talk about that who. We're going to 9 00:00:47,280 --> 00:00:49,120 Speaker 1: talk about everything, but we're really going to talk about 10 00:00:49,120 --> 00:00:52,760 Speaker 1: that who is in one episode to get more girls, 11 00:00:52,800 --> 00:00:55,520 Speaker 1: but has which is one more than most people on 12 00:00:55,640 --> 00:00:59,400 Speaker 1: planet Earth. Let me tell you that has worked on 13 00:00:59,480 --> 00:01:03,440 Speaker 1: multiple ta film ROAs throughout her career, including Kaminski Method. 14 00:01:04,920 --> 00:01:08,080 Speaker 1: Do you have any Michael Douglas stories? Yes, we're Gonjpez 15 00:01:08,240 --> 00:01:13,440 Speaker 1: Versus Lopez Gray's Anatomy, and has done voiceover work for 16 00:01:13,800 --> 00:01:17,280 Speaker 1: If You Give a Mouse a Cookie and The Tom 17 00:01:17,280 --> 00:01:20,440 Speaker 1: and Jerry Show. She was one of the stars Hall 18 00:01:20,480 --> 00:01:23,360 Speaker 1: of Moms who confronted Laurel I in the town Square. 19 00:01:24,160 --> 00:01:25,440 Speaker 1: Welcome Julie Wittner. 20 00:01:25,560 --> 00:01:28,240 Speaker 3: Hi, Hi, thanks for having me here. 21 00:01:28,400 --> 00:01:32,640 Speaker 1: We've got it. Nice to meet you. Nice and we 22 00:01:32,840 --> 00:01:36,560 Speaker 1: are let's see let's see April twenty nine, two thousand 23 00:01:36,600 --> 00:01:40,080 Speaker 1: and three. It's when in this episode air Laine and 24 00:01:40,200 --> 00:01:42,399 Speaker 1: her band get a big gig at a local party, 25 00:01:42,400 --> 00:01:45,959 Speaker 1: but all goes wrong when Dean and Jess, or depending 26 00:01:45,959 --> 00:01:48,280 Speaker 1: on who yarre it all goes right when Dean and 27 00:01:48,360 --> 00:01:53,240 Speaker 1: Jess get into a big fight. Meanwhile, Max finally ends 28 00:01:53,280 --> 00:01:57,240 Speaker 1: things with Laurel I for good after the kiss. In 29 00:01:57,320 --> 00:02:02,840 Speaker 1: one of television's most awkward scenes, Luke and Nicole stay 30 00:02:03,160 --> 00:02:07,400 Speaker 1: at the inn and gets and and things get awkward. 31 00:02:08,120 --> 00:02:09,760 Speaker 3: So many awkward moments, and. 32 00:02:09,720 --> 00:02:14,360 Speaker 1: There was that's that's defining term for the episode. Chris 33 00:02:14,400 --> 00:02:21,120 Speaker 1: Long directed Dan Palladino wrote it, Julie, what do you 34 00:02:21,120 --> 00:02:22,320 Speaker 1: think of this episode? Overall? 35 00:02:22,639 --> 00:02:26,240 Speaker 2: Oh my gosh, I mean, so many fun moments, so 36 00:02:26,560 --> 00:02:28,000 Speaker 2: many awkward moments. 37 00:02:29,480 --> 00:02:33,480 Speaker 3: I have some favorites, but uh yeah, I loved it. 38 00:02:33,639 --> 00:02:36,080 Speaker 3: I mean I love all. 39 00:02:35,919 --> 00:02:39,360 Speaker 2: The episodes I've seen of this show, and this one 40 00:02:39,919 --> 00:02:40,840 Speaker 2: was no exclusion. 41 00:02:42,040 --> 00:02:45,160 Speaker 1: Well, Lane, Lane in her band big gig. You know, 42 00:02:45,200 --> 00:02:49,440 Speaker 1: they're playing the party. It's a lot of pressure, so. 43 00:02:49,520 --> 00:02:53,680 Speaker 2: Much pressure, so much pressure that she ends up doing 44 00:02:53,720 --> 00:02:54,639 Speaker 2: some naughty things. 45 00:02:56,040 --> 00:02:59,320 Speaker 1: Do you here's a question for you, right, yes, do 46 00:02:59,400 --> 00:03:02,640 Speaker 1: you think they Avrakowski was a bit out of character 47 00:03:03,040 --> 00:03:07,200 Speaker 1: being jealous over Young Chew because it kind of hit 48 00:03:07,280 --> 00:03:11,880 Speaker 1: me like, wow, where did this come from. He's like 49 00:03:11,960 --> 00:03:17,000 Speaker 1: the coolest customer in the world, right, good guy, clearly 50 00:03:18,960 --> 00:03:23,320 Speaker 1: adores Lane. But you know, all of a sudden, he's 51 00:03:23,400 --> 00:03:25,280 Speaker 1: kind of in her face, like what is this young 52 00:03:25,360 --> 00:03:28,560 Speaker 1: Chew thing? Like it's some big deal when he always 53 00:03:28,720 --> 00:03:31,560 Speaker 1: understood what it was. Right. Do you think it was 54 00:03:31,600 --> 00:03:33,440 Speaker 1: a little bit of an overreaction on his partner. 55 00:03:33,480 --> 00:03:33,679 Speaker 3: Yeah. 56 00:03:33,680 --> 00:03:39,840 Speaker 2: I was just wondering why he it bothered him so much, Like, right, he. 57 00:03:39,880 --> 00:03:41,080 Speaker 3: Knows how she feels. 58 00:03:41,840 --> 00:03:45,560 Speaker 2: Maybe he's just over it that she's not coming clean 59 00:03:45,600 --> 00:03:47,560 Speaker 2: with him, but like, what is what are the stakes 60 00:03:47,600 --> 00:03:48,200 Speaker 2: in it for him? 61 00:03:49,120 --> 00:03:52,800 Speaker 1: Right? His little little heart, his little heart going to 62 00:03:52,840 --> 00:03:53,360 Speaker 1: get crushed. 63 00:03:53,560 --> 00:03:57,200 Speaker 2: His little heart is very sad. And I'm said about it, 64 00:03:57,240 --> 00:04:01,640 Speaker 2: but I felt bad for Young Chew. I was like, oh, no, 65 00:04:02,000 --> 00:04:04,200 Speaker 2: he was so patient. I left how he was just 66 00:04:04,200 --> 00:04:06,600 Speaker 2: sitting there with his arm around an empty chair. 67 00:04:06,920 --> 00:04:10,160 Speaker 1: Yeah, yeah, that young true stuff was hysterical. Did you 68 00:04:10,240 --> 00:04:13,400 Speaker 1: see how when Zach approached him to talk to him, 69 00:04:13,800 --> 00:04:17,000 Speaker 1: Young Cheo gotten a karate stance. I didn't know. 70 00:04:19,520 --> 00:04:21,280 Speaker 3: I didn't notice that that's starts. 71 00:04:21,360 --> 00:04:25,760 Speaker 1: I got ready martial arts. It was funny, all right. 72 00:04:25,800 --> 00:04:28,400 Speaker 1: So the band's rehearsing, they can't come up with a name. 73 00:04:28,920 --> 00:04:31,920 Speaker 2: The names are too long, the names are too short, 74 00:04:32,279 --> 00:04:33,159 Speaker 2: the names are. 75 00:04:33,160 --> 00:04:36,840 Speaker 1: Yeah, it's just kind of kind of funny. And I 76 00:04:36,839 --> 00:04:40,320 Speaker 1: can relate to that. I started bands in third grade, 77 00:04:41,200 --> 00:04:44,880 Speaker 1: and and we named ourselves the Unknowns, which is the 78 00:04:45,080 --> 00:04:48,400 Speaker 1: stupidest name you could have for a band, but true, 79 00:04:48,480 --> 00:04:54,760 Speaker 1: but honest, that's who we were, real, honest, authentic unknown, 80 00:04:56,320 --> 00:04:58,159 Speaker 1: tempting someone to make us fans. 81 00:04:58,360 --> 00:05:00,880 Speaker 3: Yeah, we had a band for our theater. Our theater 82 00:05:00,960 --> 00:05:03,000 Speaker 3: had a band. We were called Brando's Pants. 83 00:05:04,320 --> 00:05:06,240 Speaker 2: And the reason it was Brando's Pants is one of 84 00:05:06,279 --> 00:05:09,560 Speaker 2: the band members had an actual pair of Brando's pants 85 00:05:09,600 --> 00:05:12,239 Speaker 2: that he used as a curtain where we would rehearse. 86 00:05:13,040 --> 00:05:15,320 Speaker 2: So we were joking one day, Someone's like, well, obviously 87 00:05:15,400 --> 00:05:17,040 Speaker 2: we're Brando's pants, and it's stuck. 88 00:05:17,760 --> 00:05:21,280 Speaker 1: So somebody in the plate, not Brando's actual pants, but. 89 00:05:21,320 --> 00:05:23,520 Speaker 3: Somebody Brando's actual pants. 90 00:05:23,520 --> 00:05:25,599 Speaker 1: How did somebody in the cast have a pair of 91 00:05:25,960 --> 00:05:27,599 Speaker 1: Marlon Brando's actual pants. 92 00:05:27,640 --> 00:05:30,440 Speaker 3: I don't recall he I don't know if it was 93 00:05:30,480 --> 00:05:31,200 Speaker 3: an auction or. 94 00:05:31,160 --> 00:05:34,000 Speaker 2: What it was, but they were they were gigantic and 95 00:05:34,040 --> 00:05:35,160 Speaker 2: they were his pants. 96 00:05:35,440 --> 00:05:41,760 Speaker 1: Yeah, oh that is hysterical. Yeah, Brando's pants. Can I 97 00:05:41,880 --> 00:05:43,159 Speaker 1: use that? I want to use that? 98 00:05:43,640 --> 00:05:43,960 Speaker 3: Why not? 99 00:05:44,320 --> 00:05:45,479 Speaker 1: I really like that. 100 00:05:45,760 --> 00:05:46,840 Speaker 3: Yeah, and if. 101 00:05:46,760 --> 00:05:50,120 Speaker 2: You start your band again, yeah, we were a classic 102 00:05:50,279 --> 00:05:51,359 Speaker 2: classic rock band. 103 00:05:51,440 --> 00:05:55,599 Speaker 3: But yeah it covers. But yeah, Brando's pants. 104 00:05:56,040 --> 00:05:59,240 Speaker 1: That's interesting. We're going to talk about that. But we 105 00:05:59,279 --> 00:06:01,679 Speaker 1: gotta we gotta get do this like Gilmore girls stuff. 106 00:06:02,320 --> 00:06:06,520 Speaker 1: Let you're talking about the music, all right, So you 107 00:06:06,560 --> 00:06:10,400 Speaker 1: know this is a lot of Jess and Dean and 108 00:06:10,520 --> 00:06:13,680 Speaker 1: Rory stuff and band stuff and it's all kind of 109 00:06:14,839 --> 00:06:18,240 Speaker 1: putting the blender there at that party, somebody flips the 110 00:06:18,360 --> 00:06:25,719 Speaker 1: switch and man, it all just starts spinning, right yeah Jess, Wow. 111 00:06:25,360 --> 00:06:27,960 Speaker 3: Wow, what is going on? Port chat? I feel like 112 00:06:28,040 --> 00:06:29,279 Speaker 3: he really needs some help. 113 00:06:29,360 --> 00:06:34,600 Speaker 1: He you you tried, I try, you tried, you try, 114 00:06:34,720 --> 00:06:37,440 Speaker 1: you try, you try, and then you know, you put 115 00:06:37,480 --> 00:06:40,239 Speaker 1: you put your best effort in. But man, he misses 116 00:06:40,279 --> 00:06:41,039 Speaker 1: forty one. 117 00:06:40,960 --> 00:06:43,200 Speaker 3: Days and he's surprised. 118 00:06:43,960 --> 00:06:48,400 Speaker 1: I was disappointed in Lawrence Hilton. Jacob's not giving him 119 00:06:48,680 --> 00:06:50,880 Speaker 1: a chance to catch up. I want I wanted him 120 00:06:50,880 --> 00:06:52,840 Speaker 1: to give it, give him a chance to catch up. 121 00:06:53,040 --> 00:06:54,400 Speaker 3: Yeah, I thought it was that he was a little 122 00:06:54,440 --> 00:06:55,360 Speaker 3: harsh at the end. There. 123 00:06:55,440 --> 00:07:00,000 Speaker 1: It's very harsh. Yeah, like like the kids, the kids 124 00:07:00,080 --> 00:07:03,599 Speaker 1: in a bind. You know, he's got to work a 125 00:07:03,640 --> 00:07:06,440 Speaker 1: couple jobs. He doesn't have to, but he wants to 126 00:07:06,520 --> 00:07:09,880 Speaker 1: because he's you know, but boy, you don't take school 127 00:07:09,960 --> 00:07:13,760 Speaker 1: seriously and stars Hall. Look in Connecticut, now that's a 128 00:07:13,760 --> 00:07:17,400 Speaker 1: big deal, you know, like other states, not it doesn't matter, 129 00:07:17,440 --> 00:07:17,920 Speaker 1: but like. 130 00:07:17,920 --> 00:07:21,040 Speaker 2: Connecticut, California, they would just be like whatever, dude. 131 00:07:21,000 --> 00:07:25,400 Speaker 1: Right, they'd offer you a cigarette or something, you know, 132 00:07:25,600 --> 00:07:28,960 Speaker 1: smoke on your way out. No, that's actually not true. 133 00:07:29,040 --> 00:07:34,280 Speaker 1: California is very rigorous. Not cigarettes, no, No, well different 134 00:07:34,320 --> 00:07:41,080 Speaker 1: maybe a different kind pre rolled what But Connecticut there, 135 00:07:41,160 --> 00:07:43,480 Speaker 1: you don't mess around in Connecticut. You don't mess around 136 00:07:43,520 --> 00:07:44,320 Speaker 1: in a Connecticut. 137 00:07:44,560 --> 00:07:47,040 Speaker 3: Education is very important. 138 00:07:47,320 --> 00:07:49,440 Speaker 1: You know, you're in the Northeast. You don't mess around. 139 00:07:49,480 --> 00:07:52,320 Speaker 1: They'll just they'll just hit the ejector button on you. 140 00:07:52,360 --> 00:07:57,000 Speaker 1: Like Massachusetts, New Jersey, New York, Connecticut, you do not 141 00:07:57,280 --> 00:08:02,960 Speaker 1: mess around in public schools anyway. Yeah, So there you 142 00:08:03,000 --> 00:08:06,280 Speaker 1: go by Jess And uh, he's not taking it too well. 143 00:08:06,400 --> 00:08:10,360 Speaker 1: As a seventeen year old wouldn't take it very well. 144 00:08:11,720 --> 00:08:13,320 Speaker 1: And poor Rory right. 145 00:08:15,280 --> 00:08:15,600 Speaker 2: Going on. 146 00:08:15,720 --> 00:08:18,520 Speaker 3: She just knows he's he's in a pissy mood. 147 00:08:18,960 --> 00:08:25,320 Speaker 1: Any any any you know he uh he inappropriately he 148 00:08:25,400 --> 00:08:28,600 Speaker 1: gets it too aggressive with her, you know, in a 149 00:08:28,800 --> 00:08:33,319 Speaker 1: in a situation that is that is not terribly romantic 150 00:08:33,600 --> 00:08:37,240 Speaker 1: and way that was. That was that was a tough 151 00:08:37,280 --> 00:08:37,960 Speaker 1: scene to watch. 152 00:08:38,080 --> 00:08:38,800 Speaker 3: It was intense. 153 00:08:38,960 --> 00:08:44,240 Speaker 1: Yeah, that's very intense, unexpected. Well, well, what did you 154 00:08:44,240 --> 00:08:47,800 Speaker 1: think of the Dean and Jess fight. Did you enjoy that? 155 00:08:48,120 --> 00:08:50,200 Speaker 1: I was well done, well done. 156 00:08:50,280 --> 00:08:52,040 Speaker 3: Well done? Yeah, I was. 157 00:08:52,160 --> 00:08:54,439 Speaker 2: I was scared. I was scared for the house. I mean, 158 00:08:54,440 --> 00:08:56,480 Speaker 2: we knew that was going to happen, right, he wrapped 159 00:08:56,559 --> 00:08:58,040 Speaker 2: up all that. But I do want to know how 160 00:08:58,120 --> 00:09:00,800 Speaker 2: the it wasn't a ya drow it was a Himmel, right, 161 00:09:01,600 --> 00:09:03,080 Speaker 2: I do want to know how the himmel. 162 00:09:03,360 --> 00:09:05,160 Speaker 3: Was it a Himmel that got broke? 163 00:09:05,200 --> 00:09:10,160 Speaker 1: That the punch, the entire that entire storyline was just 164 00:09:10,200 --> 00:09:11,520 Speaker 1: a set up for that one joke. 165 00:09:11,840 --> 00:09:14,360 Speaker 2: Yeah, but that's how I would be at a party 166 00:09:14,360 --> 00:09:16,719 Speaker 2: by de party. Well, first of all, mom, Dad, I 167 00:09:16,760 --> 00:09:18,160 Speaker 2: never had a party in the house, but that's how 168 00:09:18,200 --> 00:09:20,400 Speaker 2: I would be. I'd be like, don't don't drop anything, 169 00:09:20,480 --> 00:09:22,560 Speaker 2: don't don't break anything. 170 00:09:23,120 --> 00:09:24,000 Speaker 3: But yeah, of course the. 171 00:09:24,240 --> 00:09:27,440 Speaker 2: Himmel gets broken and oh man, the parents sitting there 172 00:09:27,960 --> 00:09:31,440 Speaker 2: watching them clean up. But yeah, I thought the fight 173 00:09:31,559 --> 00:09:35,240 Speaker 2: was was very well done and realistic. 174 00:09:35,600 --> 00:09:40,240 Speaker 1: I thought Lane's drunken call to her mother was was 175 00:09:40,480 --> 00:09:47,640 Speaker 1: terrific acting and really funny, very funny. And I thought 176 00:09:47,679 --> 00:09:51,480 Speaker 1: the band stuff was really good, really funny. 177 00:09:52,120 --> 00:09:55,679 Speaker 2: I loved Rory introducing the band like just digging, digging 178 00:09:55,720 --> 00:09:58,199 Speaker 2: a hole, right, right, like. 179 00:09:58,240 --> 00:09:59,800 Speaker 3: Get out, just get just leave. 180 00:10:02,200 --> 00:10:06,040 Speaker 1: Jess wants to leave. He's just being mopey. He's angry, 181 00:10:06,200 --> 00:10:08,280 Speaker 1: he's hurt. He doesn't know what to say to her. 182 00:10:09,160 --> 00:10:14,280 Speaker 1: He can't tell her what happened. He's full of shame and. 183 00:10:14,840 --> 00:10:15,680 Speaker 3: So much shame. 184 00:10:16,000 --> 00:10:17,520 Speaker 1: The poor kid, poor. 185 00:10:17,559 --> 00:10:21,760 Speaker 3: Kid, well you know, but okay. 186 00:10:21,520 --> 00:10:24,160 Speaker 1: But she handled it very well, you know, calling him 187 00:10:24,240 --> 00:10:28,760 Speaker 1: Grandpa and mister grumpy. Yes, she's what's up, mister dark Cloud? 188 00:10:28,800 --> 00:10:31,000 Speaker 1: You know this guy. She's just trying to get her 189 00:10:31,640 --> 00:10:36,400 Speaker 1: right and you know, yeah, of course she has to 190 00:10:36,440 --> 00:10:39,360 Speaker 1: stay there for Wayne and support her, and that's what 191 00:10:39,440 --> 00:10:39,880 Speaker 1: this is. 192 00:10:40,800 --> 00:10:42,679 Speaker 3: I love how she stands her aground. 193 00:10:42,800 --> 00:10:46,040 Speaker 2: I love how she knows what's right and what's wrong, 194 00:10:46,280 --> 00:10:48,720 Speaker 2: and she knows how to be a good friend. Everybody 195 00:10:48,800 --> 00:10:52,360 Speaker 2: needs a Rory as your best friend and as Sookie 196 00:10:52,360 --> 00:10:52,960 Speaker 2: as your best friend. 197 00:10:53,000 --> 00:10:55,600 Speaker 3: You need you need both those characters as your best friend. 198 00:10:55,920 --> 00:11:01,439 Speaker 1: M m hmm. Well, I like the drunken call to mom. 199 00:11:01,760 --> 00:11:04,640 Speaker 1: I don't. I guess in the next episode we're going 200 00:11:04,720 --> 00:11:07,839 Speaker 1: to have to see how her mother reacts to that. 201 00:11:07,920 --> 00:11:09,719 Speaker 1: I hope we get to see how her mother that. 202 00:11:09,880 --> 00:11:14,640 Speaker 1: You know, the the repercussions of this phone call could 203 00:11:14,640 --> 00:11:18,840 Speaker 1: be an entire episode. Yeah, And it looks like Dave 204 00:11:19,120 --> 00:11:25,920 Speaker 1: Rigowski is done with this arrangement. He's out. 205 00:11:26,800 --> 00:11:27,440 Speaker 3: Is this Max? 206 00:11:28,280 --> 00:11:33,480 Speaker 1: No No, David, No No Dave Dave David Galski the 207 00:11:33,559 --> 00:11:37,720 Speaker 1: character of Dave Yes, the band member who Adam Brody 208 00:11:37,800 --> 00:11:41,920 Speaker 1: who breaks up with Lane Oh at the party because 209 00:11:41,920 --> 00:11:45,240 Speaker 1: he's like done with the young Choo thing. I'm trying it. 210 00:11:45,320 --> 00:11:47,280 Speaker 1: I want to do the party stuff and then move on. 211 00:11:47,520 --> 00:11:49,080 Speaker 3: Let's just do the party stuff. 212 00:11:49,400 --> 00:11:51,360 Speaker 1: Yeah, but he's done. 213 00:11:51,960 --> 00:11:52,559 Speaker 3: He's done. 214 00:11:52,720 --> 00:11:55,400 Speaker 1: He's like, I can't, I can't, I can't do this anymore. 215 00:11:55,679 --> 00:11:57,360 Speaker 3: He's like, I can't be in this for the both 216 00:11:57,360 --> 00:11:59,200 Speaker 3: of us. You're in or you're out right. 217 00:11:59,360 --> 00:12:04,800 Speaker 1: It's like and he understands the situation, you know, it's 218 00:12:04,920 --> 00:12:09,000 Speaker 1: just a big night for him. The band's debuting, right, 219 00:12:09,800 --> 00:12:11,880 Speaker 1: is this their first gig? I think it might be 220 00:12:11,880 --> 00:12:12,320 Speaker 1: their first one. 221 00:12:12,400 --> 00:12:15,000 Speaker 3: Yeah, it's their first one. Why is Young Chuw even there? 222 00:12:15,720 --> 00:12:18,719 Speaker 1: Because that's the only way that Lane could get out 223 00:12:18,720 --> 00:12:23,520 Speaker 1: of the house. If if missus Kim sees Young Chew 224 00:12:23,559 --> 00:12:26,600 Speaker 1: and we're going out on a date, Mommy, mama, Mama, 225 00:12:26,640 --> 00:12:30,400 Speaker 1: she calls her mama, then it's cool. So he's the front. 226 00:12:30,440 --> 00:12:32,800 Speaker 1: He's just the front, and he doesn't mind being the front. 227 00:12:32,840 --> 00:12:35,760 Speaker 1: He's so in love with her. Okay, but yeah, heck 228 00:12:35,800 --> 00:12:39,320 Speaker 1: of a fight. And the episode ends on that fight, 229 00:12:40,120 --> 00:12:43,959 Speaker 1: the cops breaking up, and Lane heaving into the bushes 230 00:12:44,000 --> 00:12:49,360 Speaker 1: as we as. At my high school parties are the 231 00:12:49,360 --> 00:12:51,760 Speaker 1: ones that I attended, there was there was always a 232 00:12:51,760 --> 00:12:56,520 Speaker 1: couple of people heaving in the bushes. So boy, did 233 00:12:56,559 --> 00:12:58,280 Speaker 1: the memories came flooding back. 234 00:12:58,760 --> 00:13:01,520 Speaker 3: Did you have somebody helping you holding your digit? Have 235 00:13:01,640 --> 00:13:02,839 Speaker 3: long hair holding your hair? 236 00:13:03,120 --> 00:13:05,559 Speaker 1: I never got out of control. 237 00:13:06,720 --> 00:13:07,199 Speaker 3: Me neither. 238 00:13:07,720 --> 00:13:11,800 Speaker 1: No, No, I was not that guy. No, I would 239 00:13:11,800 --> 00:13:15,400 Speaker 1: have I'd sip on a beer, you know, and that 240 00:13:15,440 --> 00:13:16,199 Speaker 1: would be about it. 241 00:13:17,280 --> 00:13:20,000 Speaker 2: I'm sort of still like that, like two SIPs, three 242 00:13:20,040 --> 00:13:23,200 Speaker 2: SIPs of a beer, and I'm drunk. No, oh really, 243 00:13:23,440 --> 00:13:25,800 Speaker 2: I have no tolerance at all. 244 00:13:27,040 --> 00:13:29,040 Speaker 1: I used to get SIPs of beer from my dad 245 00:13:29,080 --> 00:13:32,400 Speaker 1: when I was like eight or nine. He would drink 246 00:13:32,520 --> 00:13:35,120 Speaker 1: he would drink Rolling Rock out of these green bottles, 247 00:13:35,640 --> 00:13:37,920 Speaker 1: and you know, he'd pour a little bit in the 248 00:13:37,960 --> 00:13:41,000 Speaker 1: glass and I'd have some Yeah. Right, yeah. 249 00:13:41,040 --> 00:13:42,599 Speaker 2: My parents were like that too, They were like, do 250 00:13:42,640 --> 00:13:44,480 Speaker 2: you want to taste it? And I think that's why 251 00:13:44,480 --> 00:13:46,000 Speaker 2: I never had a fascination with. 252 00:13:45,920 --> 00:13:48,439 Speaker 1: It, right exactly, Oh yeah, this taste good. 253 00:13:48,520 --> 00:13:51,080 Speaker 2: Or man, I don't like this, you know, but yeah, 254 00:13:51,400 --> 00:13:56,720 Speaker 2: not not super protective about about that, which maybe is. 255 00:13:56,720 --> 00:13:57,240 Speaker 3: A good thing. 256 00:13:57,440 --> 00:13:59,720 Speaker 1: In the late eighties, there was a there was a 257 00:13:59,760 --> 00:14:03,080 Speaker 1: bar in New York City called Peggy Suits since burned down. 258 00:14:04,480 --> 00:14:06,839 Speaker 1: I went there a lot, and I tasted a lot 259 00:14:06,880 --> 00:14:09,840 Speaker 1: of my dad's beer in there, so to speak. 260 00:14:12,280 --> 00:14:18,439 Speaker 2: You're sitting at the bar school next to him. You 261 00:14:18,440 --> 00:14:20,720 Speaker 2: would get a flight of beers and you would talk 262 00:14:20,720 --> 00:14:27,640 Speaker 2: about the the undertones of the. 263 00:14:26,400 --> 00:14:30,360 Speaker 1: Was a great club because they wouldn't allow they wouldn't 264 00:14:30,360 --> 00:14:35,720 Speaker 1: allow Wall Street types in. They wouldn't allow anybody from 265 00:14:35,720 --> 00:14:39,440 Speaker 1: Long Island. Then it was just neighborhood. It was the 266 00:14:39,480 --> 00:14:41,480 Speaker 1: neighborhood bar who. 267 00:14:41,360 --> 00:14:44,000 Speaker 3: Allowed twelve year olds to sit with their parents. 268 00:14:45,400 --> 00:14:48,280 Speaker 1: There was there was a there was a bouncer there 269 00:14:48,360 --> 00:14:53,960 Speaker 1: named Bernard who was six foot nine and he ran 270 00:14:54,000 --> 00:14:56,400 Speaker 1: a tight ship. Let me tell you so, it was 271 00:14:56,440 --> 00:14:59,400 Speaker 1: a great Bartygo playpool and have a beer with your friends, 272 00:15:00,600 --> 00:15:03,000 Speaker 1: and then it burned down. We're all very sad. Oh well, 273 00:15:03,680 --> 00:15:06,360 Speaker 1: you know this was this was an episode for the kids. 274 00:15:07,000 --> 00:15:10,720 Speaker 1: You know, this was Rory drama, Rory Jess Dean drama, 275 00:15:10,800 --> 00:15:16,480 Speaker 1: Lane drama, comedy, good stuff. It almost like it could 276 00:15:16,520 --> 00:15:19,720 Speaker 1: be its own show. Right. You wouldn't really need the 277 00:15:19,760 --> 00:15:23,000 Speaker 1: adults at all. You wouldn't need Laurel I, you wouldn't 278 00:15:23,080 --> 00:15:25,040 Speaker 1: need Luke, you wouldn't need any of the people. Dare 279 00:15:25,120 --> 00:15:29,680 Speaker 1: I said. It's blasphemy. I know, but but that could 280 00:15:29,720 --> 00:15:32,200 Speaker 1: exist in its own universe, especially on the CW network. 281 00:15:32,840 --> 00:15:37,160 Speaker 1: I wonder if they ever approached Amy and said, you 282 00:15:37,200 --> 00:15:39,640 Speaker 1: want to write a show just for the kids, it'd be. 283 00:15:39,600 --> 00:15:41,800 Speaker 2: Like just a bottle episode where it would just be 284 00:15:41,920 --> 00:15:46,480 Speaker 2: like very focused on this one, right, this one. 285 00:15:46,600 --> 00:15:48,600 Speaker 3: We just could watch the rehearsal. 286 00:15:48,440 --> 00:16:01,920 Speaker 1: For the entire all right, let's go to the end, 287 00:16:02,160 --> 00:16:04,360 Speaker 1: all right, because there's stuff happening at the end. Oh, 288 00:16:04,480 --> 00:16:08,160 Speaker 1: so much stuff, lots of stuff. Laurel's got a layoff 289 00:16:08,200 --> 00:16:14,200 Speaker 1: an employee, and so she gives that not so pleasant 290 00:16:14,240 --> 00:16:16,480 Speaker 1: test to Michelle. He doesn't want to do it because 291 00:16:16,960 --> 00:16:20,800 Speaker 1: the employee has puppies that Michelle bought and is now 292 00:16:20,840 --> 00:16:23,520 Speaker 1: taken care of, and he's just going all noodlely only 293 00:16:24,120 --> 00:16:27,200 Speaker 1: on the puppies. So he doesn't want to fire the guy. 294 00:16:27,680 --> 00:16:31,520 Speaker 1: Laurele I offers to have Luke and Nicole stay at 295 00:16:31,520 --> 00:16:36,000 Speaker 1: the end before they go skiing. Can you see Luke skiing? 296 00:16:37,920 --> 00:16:44,880 Speaker 1: Is he a ski skier? I mean fishing, yes, skiing. 297 00:16:45,160 --> 00:16:47,080 Speaker 3: I feel like he'd get up on some skis. 298 00:16:48,080 --> 00:16:50,480 Speaker 1: I almost feel like he wouldn't want to do it 299 00:16:50,560 --> 00:16:53,160 Speaker 1: in case he got injured and then he couldn't run 300 00:16:53,200 --> 00:16:53,920 Speaker 1: his diner. 301 00:16:54,520 --> 00:16:59,040 Speaker 2: Do you think he thinks like that much forward? Do 302 00:16:59,080 --> 00:17:01,120 Speaker 2: you think he was worried getting hurt? I feel like 303 00:17:01,120 --> 00:17:03,640 Speaker 2: he's like a strong, big guy like I don't you 304 00:17:03,680 --> 00:17:07,040 Speaker 2: think did he did? Did he worry about getting hurt often? 305 00:17:07,400 --> 00:17:10,639 Speaker 1: I don't know. I don't It's just I don't know. 306 00:17:10,760 --> 00:17:13,280 Speaker 1: It just seems for me it was like skiing. But 307 00:17:13,359 --> 00:17:15,680 Speaker 1: I think I think he's doing it because she wants 308 00:17:15,720 --> 00:17:16,160 Speaker 1: to do it. 309 00:17:16,359 --> 00:17:18,200 Speaker 3: Oh yeah, right. 310 00:17:18,160 --> 00:17:21,119 Speaker 1: Because Nicole, Nicole wants to do it. But what you know, 311 00:17:21,280 --> 00:17:23,720 Speaker 1: waking up at five am and she's going to drive 312 00:17:23,760 --> 00:17:25,080 Speaker 1: from where's she driving. 313 00:17:24,760 --> 00:17:25,480 Speaker 3: From New York? 314 00:17:25,680 --> 00:17:27,679 Speaker 1: I think it was New York City and she's going 315 00:17:27,760 --> 00:17:30,719 Speaker 1: to drive up there and then they're going to go skiing. Well, uh, 316 00:17:31,000 --> 00:17:32,879 Speaker 1: you know, it's a it's it's it's a it's a 317 00:17:32,960 --> 00:17:38,879 Speaker 1: vibe vibe and so Laurel I has to come in 318 00:17:38,920 --> 00:17:41,600 Speaker 1: to their room. She didn't realize that, you know, she 319 00:17:41,800 --> 00:17:47,280 Speaker 1: offered Luke the room. This is after my proudest moment 320 00:17:47,840 --> 00:17:50,960 Speaker 1: in film, uh, with the butt scene. 321 00:17:51,160 --> 00:17:52,880 Speaker 3: Yes, that was a great scene. 322 00:17:53,080 --> 00:17:57,840 Speaker 1: I mean the fact that you know this, I had 323 00:17:57,840 --> 00:18:04,920 Speaker 1: an opportunity to star in a butt scene. It's it's 324 00:18:05,040 --> 00:18:08,240 Speaker 1: it's a proud moment for me and I'll carry it 325 00:18:08,280 --> 00:18:09,040 Speaker 1: with me forever. 326 00:18:09,320 --> 00:18:11,720 Speaker 3: Yes, And they did not make it uncomfortable for you. 327 00:18:11,720 --> 00:18:14,080 Speaker 1: At all, just an honor. 328 00:18:14,400 --> 00:18:16,480 Speaker 2: There was a lot of that in this episode, right, 329 00:18:16,480 --> 00:18:19,960 Speaker 2: There was a lot of like taking your picture, making 330 00:18:19,960 --> 00:18:24,400 Speaker 2: you a comfortable looking the picture right right, looking at 331 00:18:24,400 --> 00:18:26,560 Speaker 2: your butt, camera shots of your butt. 332 00:18:26,800 --> 00:18:29,159 Speaker 1: Right, She just like with a flash on, just like 333 00:18:29,520 --> 00:18:32,440 Speaker 1: takes a picture of me tells me, I got forty 334 00:18:32,480 --> 00:18:38,240 Speaker 1: mile a bad road under my eyes. Yes, she's a charmer. 335 00:18:40,880 --> 00:18:43,000 Speaker 3: Was the real was the real film in there? Well? 336 00:18:43,040 --> 00:18:45,359 Speaker 2: It was a digital camera, right, it was like her 337 00:18:45,359 --> 00:18:46,359 Speaker 2: first digital camera. 338 00:18:46,640 --> 00:18:48,240 Speaker 1: I guess maybe. Yeah. Yeah. 339 00:18:48,640 --> 00:18:49,679 Speaker 3: Was it a bad picture of you? 340 00:18:50,000 --> 00:18:53,040 Speaker 1: I don't know, I mean probably. I mean the chances 341 00:18:53,080 --> 00:18:55,359 Speaker 1: are very good that it was not a good picture. 342 00:18:56,280 --> 00:19:00,560 Speaker 2: Okay, So Melissa mccarth, so uzuoki and or a liar 343 00:19:00,800 --> 00:19:03,000 Speaker 2: talking about your butt with you sitting. 344 00:19:02,640 --> 00:19:06,440 Speaker 3: There, You took you you were very calm, You took 345 00:19:06,480 --> 00:19:07,280 Speaker 3: it very well. 346 00:19:08,440 --> 00:19:10,000 Speaker 1: I thought Lou handled it very well. 347 00:19:10,440 --> 00:19:12,160 Speaker 3: Yes, Lou handled it very well. 348 00:19:13,280 --> 00:19:15,679 Speaker 1: He handled it better than Scott would have handled it. 349 00:19:17,280 --> 00:19:20,800 Speaker 1: I'll tell you that much, all right. And then Michelle 350 00:19:20,840 --> 00:19:24,719 Speaker 1: comes in, Well we already we are. Now we got 351 00:19:24,760 --> 00:19:28,239 Speaker 1: the puppies names, the chow puppies he adopted were po 352 00:19:31,520 --> 00:19:35,400 Speaker 1: And now we get to see another side of Michelle, Right, 353 00:19:35,480 --> 00:19:38,960 Speaker 1: we get to see this, you know, the antithesis of 354 00:19:39,040 --> 00:19:40,359 Speaker 1: what we normally see. 355 00:19:40,720 --> 00:19:42,440 Speaker 3: Yeah, he's freaking out. 356 00:19:42,600 --> 00:19:46,280 Speaker 1: Hates people, he's so overwhelmed, loves puppies. 357 00:19:49,800 --> 00:19:55,600 Speaker 3: Yeah, they've become his children, they've become right, Yeah. 358 00:19:55,320 --> 00:19:59,480 Speaker 1: I mean the one eighty the personality, the change in 359 00:19:59,520 --> 00:20:05,480 Speaker 1: personnel from dealing with people. They are all stupid, they 360 00:20:05,480 --> 00:20:07,760 Speaker 1: are all idiots. I don't want to deal with these mornes. 361 00:20:07,880 --> 00:20:10,560 Speaker 1: Then then you've got puppies, and then we see which 362 00:20:10,600 --> 00:20:13,680 Speaker 1: is the real Michelle Julie is there one? 363 00:20:14,119 --> 00:20:18,000 Speaker 3: I think that's just, you know, two sides of I know. 364 00:20:18,000 --> 00:20:19,680 Speaker 1: I meduality of man. 365 00:20:21,600 --> 00:20:27,119 Speaker 2: So many who would choose animals over people like this, 366 00:20:27,640 --> 00:20:30,159 Speaker 2: so I don't think it's uncommon. 367 00:20:30,480 --> 00:20:33,479 Speaker 3: And they've they've you know, they've dug a little they 368 00:20:33,800 --> 00:20:35,960 Speaker 3: dug a little hole in his soft, little gushy center. 369 00:20:36,760 --> 00:20:37,400 Speaker 3: We found it. 370 00:20:39,800 --> 00:20:43,800 Speaker 2: He's a Mentos all right, Yeah, he's he's got a 371 00:20:43,840 --> 00:20:45,879 Speaker 2: soft gushy center for animals. 372 00:20:46,359 --> 00:20:49,520 Speaker 1: All right, Well okay, now we have and he has 373 00:20:49,560 --> 00:20:55,600 Speaker 1: no softness or gushiness for people. Oh there's a nothing 374 00:20:55,640 --> 00:21:01,200 Speaker 1: but Steele. So lorele I offers Luke a free night 375 00:21:01,200 --> 00:21:04,000 Speaker 1: at the end with Nicole to help us with our 376 00:21:04,960 --> 00:21:08,200 Speaker 1: ski trip. Yes, why don't you just stay here Friday night? 377 00:21:08,680 --> 00:21:11,399 Speaker 1: He doesn't, He doesn't tell her that he's going to 378 00:21:11,440 --> 00:21:16,919 Speaker 1: take her up on that. She walks in at an 379 00:21:16,960 --> 00:21:19,879 Speaker 1: opportune moment, because it could have been an opportune moment 380 00:21:20,400 --> 00:21:22,680 Speaker 1: on the two of them, and there's Luke on the bed. 381 00:21:22,720 --> 00:21:23,879 Speaker 1: What are you doing here? You know this kind thing? 382 00:21:24,000 --> 00:21:27,080 Speaker 1: All right? She's turned down service she's offering, and what 383 00:21:27,200 --> 00:21:31,159 Speaker 1: an awkward position everybody is in. 384 00:21:32,680 --> 00:21:34,679 Speaker 3: And that scene was so long. 385 00:21:35,320 --> 00:21:39,960 Speaker 2: Yes, we just felt every awkward moment. 386 00:21:40,720 --> 00:21:41,639 Speaker 3: It was so good. 387 00:21:41,920 --> 00:21:43,440 Speaker 1: And she had to you know, of course she had 388 00:21:43,440 --> 00:21:47,120 Speaker 1: to double down on it and stay and just not leave, 389 00:21:47,480 --> 00:21:50,280 Speaker 1: just to try to prove that it's not bothering her 390 00:21:50,320 --> 00:21:52,800 Speaker 1: at all. Right, so funny. 391 00:21:53,520 --> 00:21:54,600 Speaker 3: And you guys, I mean it. 392 00:21:54,600 --> 00:21:56,840 Speaker 2: Was so awkward for you too, for both of you, 393 00:21:56,920 --> 00:21:59,200 Speaker 2: and you're just sitting there going please. 394 00:21:58,920 --> 00:21:59,439 Speaker 1: Please go. 395 00:22:01,040 --> 00:22:04,119 Speaker 3: Right, no, no, no, this is my job. 396 00:22:04,680 --> 00:22:07,800 Speaker 1: And you know what, I almost finished her sentence for 397 00:22:08,040 --> 00:22:10,960 Speaker 1: because the writing was so good. When she finally turned 398 00:22:10,960 --> 00:22:13,880 Speaker 1: down the bed sheet, she shoot him off the bed. 399 00:22:14,440 --> 00:22:16,960 Speaker 1: She rolled down the sheets and she goes, now you 400 00:22:17,000 --> 00:22:23,840 Speaker 1: two are ready to yes, do whatever you're gonna do. 401 00:22:24,840 --> 00:22:27,640 Speaker 3: I love that she's like making it. She's like straight corners, 402 00:22:27,760 --> 00:22:31,679 Speaker 3: nice and tight. Straight. Course, she just can't stop the 403 00:22:31,800 --> 00:22:35,080 Speaker 3: verbal diarrhea. It was just like, you can't stop funny. 404 00:22:35,200 --> 00:22:38,200 Speaker 1: It's so funny. That was That was a great scene, 405 00:22:38,440 --> 00:22:40,639 Speaker 1: Such a good scene. That a great scene. 406 00:22:41,040 --> 00:22:46,280 Speaker 2: Yeah, and your date, Nicole, Right, Nicole, Nicole, She's just. 407 00:22:46,160 --> 00:22:51,080 Speaker 3: Like, I, right, I don't want to be here right now. 408 00:22:51,200 --> 00:22:53,200 Speaker 2: But in the beginning she's like, sure, come on in, 409 00:22:53,400 --> 00:22:55,159 Speaker 2: thank you, Like she doesn't know it's going to be 410 00:22:55,200 --> 00:22:55,800 Speaker 2: so awkward. 411 00:22:55,880 --> 00:22:56,160 Speaker 3: Right. 412 00:22:56,680 --> 00:23:01,919 Speaker 1: Nicole is very good at making her territory, I believe, 413 00:23:03,119 --> 00:23:06,920 Speaker 1: because she she wasn't going to back off one inch, 414 00:23:07,040 --> 00:23:11,840 Speaker 1: and she wasn't going to help Lorelei with her awkward situation. 415 00:23:12,040 --> 00:23:14,200 Speaker 1: She was just going to sit there and look at her, 416 00:23:15,760 --> 00:23:18,560 Speaker 1: you know, which was probably the thing that was making 417 00:23:18,560 --> 00:23:22,399 Speaker 1: her the most nervous. Very funny, all right. So we 418 00:23:22,520 --> 00:23:28,680 Speaker 1: have the Booster Club and the Max Medina Laureley situation. 419 00:23:29,040 --> 00:23:33,960 Speaker 1: More awkward stuff. So lrel I gets this letter from 420 00:23:34,040 --> 00:23:39,200 Speaker 1: Chilton asking her to be more involved in her daughter's school. 421 00:23:40,000 --> 00:23:43,040 Speaker 1: So she shows up in a meeting, they make her treasurer, 422 00:23:43,720 --> 00:23:50,480 Speaker 1: and they talk about the graduation party being on a yacht. 423 00:23:51,920 --> 00:23:54,800 Speaker 1: And then Max shows up to the meeting and talks 424 00:23:54,840 --> 00:23:59,679 Speaker 1: to laurle I like any other person there, playing it cool, 425 00:24:00,119 --> 00:24:06,560 Speaker 1: he says, later, but and and then so Laura I 426 00:24:06,600 --> 00:24:09,080 Speaker 1: can't get his attention, can't you know, get him to 427 00:24:09,080 --> 00:24:11,520 Speaker 1: give her a little private glance or a smile or 428 00:24:11,520 --> 00:24:15,680 Speaker 1: a look, and he's just like nah. He's like Humphrey Bogart, 429 00:24:15,840 --> 00:24:20,200 Speaker 1: just like nope. And then she's doing a walk and 430 00:24:20,320 --> 00:24:25,280 Speaker 1: talk with Suki and uh. She tells Suk the next 431 00:24:25,359 --> 00:24:30,879 Speaker 1: day he was playing it cool. Even though they kissed 432 00:24:31,400 --> 00:24:36,240 Speaker 1: at that speech event, she doesn't know actually what she's feeling. 433 00:24:36,359 --> 00:24:39,720 Speaker 3: So, and this is one of my favorite scenes. 434 00:24:40,080 --> 00:24:42,000 Speaker 1: Is talk about It. Talk about So. 435 00:24:42,800 --> 00:24:45,560 Speaker 2: I'm a big fan of Suki and Melissa McCarthy and 436 00:24:45,600 --> 00:24:50,520 Speaker 2: it's the back and forth between them and Suki playing this. 437 00:24:50,560 --> 00:24:53,400 Speaker 3: Game that Lauraai is just like no. 438 00:24:53,600 --> 00:24:55,640 Speaker 2: She's like, you didn't maybe you didn't really kiss him, 439 00:24:55,880 --> 00:24:57,639 Speaker 2: it was just in your all, in your head. And 440 00:24:57,680 --> 00:25:01,320 Speaker 2: she's giving examples and she's so forcing this issue. 441 00:25:01,359 --> 00:25:04,159 Speaker 3: And then till Laura I gets you know, she's like stop, 442 00:25:04,280 --> 00:25:05,840 Speaker 3: it happened. It really happened. 443 00:25:06,480 --> 00:25:10,399 Speaker 2: And there's a line that Sukie says where she's like, 444 00:25:11,520 --> 00:25:13,080 Speaker 2: I'm not gonna be able to recreate it. But it's 445 00:25:13,119 --> 00:25:17,400 Speaker 2: like okay, what She's like, okay already or something. And 446 00:25:18,040 --> 00:25:21,360 Speaker 2: I watched that moment twenty times. I'm not I'm not exaggerating. 447 00:25:22,119 --> 00:25:24,760 Speaker 3: It's so funny. I don't know if she. 448 00:25:24,720 --> 00:25:27,159 Speaker 2: Says, oh this is She goes, okay, calm down, but 449 00:25:27,200 --> 00:25:30,360 Speaker 2: she says calm down in like this growl, and then 450 00:25:30,480 --> 00:25:32,720 Speaker 2: looks down and then glances back. 451 00:25:32,520 --> 00:25:36,280 Speaker 3: Up at Laura, I like, have you forgiven me? 452 00:25:36,359 --> 00:25:38,320 Speaker 2: I don't know what was going through her head, but 453 00:25:38,400 --> 00:25:40,600 Speaker 2: it is such an incredibly funny moment. 454 00:25:42,119 --> 00:25:46,600 Speaker 3: Go back and watch it. It's amazing. But anyway, I 455 00:25:46,680 --> 00:25:46,919 Speaker 3: love that. 456 00:25:47,000 --> 00:25:48,560 Speaker 2: I love that, you know. And then they're like, the 457 00:25:48,560 --> 00:25:50,720 Speaker 2: only thing that's going to cure this is just having lunch. 458 00:25:50,800 --> 00:25:54,760 Speaker 2: But it's that moment between them where they have their 459 00:25:54,760 --> 00:25:58,680 Speaker 2: own agenda. I just think it's brilliant, brilliant writing, as 460 00:25:58,720 --> 00:25:59,320 Speaker 2: all of it is. 461 00:25:59,359 --> 00:26:04,080 Speaker 1: But so then at the next Booster club meeting and 462 00:26:04,160 --> 00:26:07,080 Speaker 1: Laurel is looking around for Max a little bit he's 463 00:26:07,080 --> 00:26:12,040 Speaker 1: not there. And then Max is replaced by a woman 464 00:26:12,440 --> 00:26:16,159 Speaker 1: who is the head of the drama department, and Laurel 465 00:26:16,359 --> 00:26:20,320 Speaker 1: is a bit crestfallen. Then Paris shows up because they 466 00:26:20,359 --> 00:26:24,000 Speaker 1: give Paris a few minutes to tell them why this 467 00:26:24,240 --> 00:26:28,680 Speaker 1: yacht club idea is a very bad idea, and true 468 00:26:28,680 --> 00:26:32,679 Speaker 1: to form, Paris walks in and delivers the goods and 469 00:26:32,960 --> 00:26:35,280 Speaker 1: tells them they're all stupid and they're all going to 470 00:26:35,320 --> 00:26:37,840 Speaker 1: get they're all going to get sued and it's going 471 00:26:37,840 --> 00:26:40,680 Speaker 1: to end up in tears. Walks away, and then they 472 00:26:40,800 --> 00:26:43,399 Speaker 1: just go back to their conversation about about the yacht, 473 00:26:44,000 --> 00:26:47,480 Speaker 1: like you knows. 474 00:26:46,920 --> 00:26:49,399 Speaker 3: Like you know what happened. They literally watched her. They 475 00:26:49,440 --> 00:26:50,520 Speaker 3: looked kind of interested. 476 00:26:50,600 --> 00:26:53,760 Speaker 2: She gave this amazing speech, you know, I think it 477 00:26:53,840 --> 00:26:56,960 Speaker 2: was like almost a sixty second speech, very confident. 478 00:26:57,040 --> 00:26:58,760 Speaker 3: Walks out, and then they just turned back as if 479 00:26:58,800 --> 00:26:59,600 Speaker 3: she was never there. 480 00:27:00,359 --> 00:27:02,879 Speaker 1: It's so good, so good, so. 481 00:27:04,440 --> 00:27:05,919 Speaker 3: Good, hilarious. 482 00:27:15,280 --> 00:27:19,959 Speaker 1: So Laurel I leaves the meeting to go to the bathroom. 483 00:27:20,320 --> 00:27:22,280 Speaker 1: Another little scene with the janitor was do you know 484 00:27:22,320 --> 00:27:24,879 Speaker 1: where the bathroom is? It points behind me, but she 485 00:27:25,000 --> 00:27:26,720 Speaker 1: knows where Max is. Af she goes, no, I think 486 00:27:26,720 --> 00:27:34,400 Speaker 1: I'm gonna go this way, like right, She's so nervous 487 00:27:34,440 --> 00:27:37,639 Speaker 1: that she's got to explain herself to the jenitor. But 488 00:27:39,000 --> 00:27:41,240 Speaker 1: she finds Max. He's in his room, he's grading papers 489 00:27:41,240 --> 00:27:48,240 Speaker 1: and he's eating a he's eating a sandwich, right, and uh, 490 00:27:48,480 --> 00:27:51,520 Speaker 1: you know, let the awkward. This was like the Olympics 491 00:27:51,520 --> 00:27:54,520 Speaker 1: of awkward. I mean, if you were like having a competition, 492 00:27:54,600 --> 00:27:57,040 Speaker 1: who can be the most awkward, the most awkward scene. 493 00:27:57,600 --> 00:28:01,760 Speaker 1: I think this would be it. Talk about this scene? 494 00:28:01,920 --> 00:28:04,280 Speaker 1: How did this scene hit you? Have you ever been 495 00:28:04,320 --> 00:28:05,440 Speaker 1: in this situation, by. 496 00:28:05,359 --> 00:28:08,560 Speaker 4: The way, I mean, I think I've been in situations 497 00:28:08,600 --> 00:28:12,679 Speaker 4: where where you you weren't sure how someone feels or 498 00:28:12,760 --> 00:28:15,240 Speaker 4: it's the relationship is done, and then you're in the 499 00:28:15,320 --> 00:28:18,000 Speaker 4: room with them and you don't know if it's I've 500 00:28:18,000 --> 00:28:22,120 Speaker 4: been in that situation, but I've never pursued it. 501 00:28:22,200 --> 00:28:24,240 Speaker 3: And I've been as honest as Laura l I was. 502 00:28:24,320 --> 00:28:27,160 Speaker 2: She's like, you're ignoring me and getting He's like, stick, 503 00:28:27,359 --> 00:28:31,240 Speaker 2: keep your distance, and she keeps getting closer, and. 504 00:28:30,640 --> 00:28:34,600 Speaker 3: You know she is. She really was pushing. 505 00:28:35,040 --> 00:28:38,880 Speaker 2: And I just thought the choreography of the whole thing, 506 00:28:38,920 --> 00:28:40,560 Speaker 2: the dance of the whole thing, I thought was so 507 00:28:40,640 --> 00:28:45,000 Speaker 2: well done with Max, like, you know, keeping the distance 508 00:28:45,080 --> 00:28:51,880 Speaker 2: the football player distance or no basketball player. 509 00:28:49,880 --> 00:28:51,640 Speaker 3: One basketball player distance. 510 00:28:51,720 --> 00:28:53,560 Speaker 1: Like a really large basketball player. 511 00:28:55,240 --> 00:28:57,680 Speaker 2: Ten feet and putting like furniture in front of him, 512 00:28:57,720 --> 00:28:59,640 Speaker 2: and anytime she got closer, he would move the furniture 513 00:28:59,640 --> 00:29:02,640 Speaker 2: in front of him. I just thought it was hilarious, 514 00:29:02,680 --> 00:29:07,480 Speaker 2: well done, so uncomfortable, and I wasn't I wasn't expecting 515 00:29:07,560 --> 00:29:09,800 Speaker 2: him to to stand his. 516 00:29:09,760 --> 00:29:13,480 Speaker 1: Ground so much he said, no, she turned man, you 517 00:29:13,640 --> 00:29:16,160 Speaker 1: turn a guy down. Who's that in love? 518 00:29:17,720 --> 00:29:20,560 Speaker 3: But here she is saying I might be interested again. 519 00:29:20,720 --> 00:29:25,479 Speaker 1: But it's he's protecting his widow heart. Yeah, he got broken. 520 00:29:25,800 --> 00:29:27,600 Speaker 3: So many broken hearts in this episode. 521 00:29:27,600 --> 00:29:32,719 Speaker 1: A lot of broken hearts here. You know, there's there's, there's. 522 00:29:32,800 --> 00:29:35,720 Speaker 1: Rory's heart is broken. Just his heart is broken. Young 523 00:29:35,800 --> 00:29:38,600 Speaker 1: Chow's going about to get a broken heart. Lane's heart 524 00:29:38,640 --> 00:29:45,320 Speaker 1: gets broken, David Galski's busting hearts. He's done. Uh who else? 525 00:29:45,520 --> 00:29:53,200 Speaker 1: Uh it looks okay, looks good. 526 00:29:53,360 --> 00:29:53,920 Speaker 3: He's fine. 527 00:29:54,080 --> 00:29:57,800 Speaker 1: Michelle's good. He found his puppies, so his heart's good. Uh, 528 00:29:58,600 --> 00:30:03,600 Speaker 1: Sukie's good. Who's who's good? Paris is just you know, 529 00:30:03,680 --> 00:30:04,080 Speaker 1: she's just. 530 00:30:05,400 --> 00:30:07,320 Speaker 3: Paris doesn't have a heart, so she's fine. 531 00:30:07,400 --> 00:30:11,280 Speaker 1: Exactly, No, she does. 532 00:30:10,080 --> 00:30:16,480 Speaker 3: She does. I love that character. She's just absolutely love it. 533 00:30:16,760 --> 00:30:24,240 Speaker 1: She's got an inconvenient living situation. You know, Dean's good, 534 00:30:25,720 --> 00:30:30,280 Speaker 1: Lindsay's good. But everybody else, I mean, it's like their 535 00:30:30,360 --> 00:30:32,920 Speaker 1: hearts are bleeding. Man. 536 00:30:33,240 --> 00:30:37,520 Speaker 2: Yeah, a lot of jilted lovers, A lot of jilted lovers. 537 00:30:37,160 --> 00:30:39,760 Speaker 1: In this lots of them, you know, but he he 538 00:30:39,800 --> 00:30:42,760 Speaker 1: gets you know, Max gets real, said like, you had 539 00:30:42,760 --> 00:30:45,640 Speaker 1: your shot. It's a hell of a thing to say 540 00:30:45,640 --> 00:30:49,400 Speaker 1: to somebody, but you know it's true. You know what 541 00:30:49,520 --> 00:30:52,560 Speaker 1: He's like, what is this? You had your shot? You 542 00:30:52,600 --> 00:30:57,720 Speaker 1: know you there's like no duelovers here. I mean this 543 00:30:57,800 --> 00:31:02,200 Speaker 1: guy sent her a thousand days, right, I mean it 544 00:31:02,320 --> 00:31:06,600 Speaker 1: was not only did he take a shot, he took 545 00:31:06,640 --> 00:31:10,200 Speaker 1: his best shot of his life. He will never do 546 00:31:10,240 --> 00:31:14,640 Speaker 1: that again, he will never lay his heart so bare 547 00:31:14,800 --> 00:31:18,600 Speaker 1: for anyone else again. Because he thought for sure she 548 00:31:18,800 --> 00:31:19,800 Speaker 1: was going to say yes. 549 00:31:20,640 --> 00:31:27,680 Speaker 3: But if she got that close mm hm and said no, 550 00:31:27,840 --> 00:31:29,000 Speaker 3: then what's going on? 551 00:31:29,320 --> 00:31:31,440 Speaker 1: Like why did she why did she say no? What 552 00:31:31,520 --> 00:31:33,440 Speaker 1: was the justification? Do you remember? Do you recall? 553 00:31:33,640 --> 00:31:37,040 Speaker 3: I don't. I don't recall. I mean, is it because 554 00:31:37,040 --> 00:31:39,000 Speaker 3: of Luke? Do you think she knows deep. 555 00:31:38,800 --> 00:31:39,440 Speaker 2: Down in her heart? 556 00:31:39,600 --> 00:31:43,240 Speaker 1: Well, of course it's Luke, but of course. 557 00:31:43,760 --> 00:31:45,320 Speaker 3: But she's not ready to say that. 558 00:31:45,560 --> 00:31:47,320 Speaker 1: I mean, you're not going to let the best butt 559 00:31:47,400 --> 00:31:51,000 Speaker 1: and stars hollow just walk away? Right right? 560 00:31:51,680 --> 00:31:51,920 Speaker 3: Yeah? 561 00:31:52,960 --> 00:31:58,040 Speaker 1: You know? So yeah, what was the what was the rationale? 562 00:31:58,360 --> 00:32:01,520 Speaker 3: But and if so, then why she's still Is it 563 00:32:01,640 --> 00:32:02,440 Speaker 3: just she doesn't? 564 00:32:02,720 --> 00:32:04,960 Speaker 2: Is it that thing where you're like, I don't want him, 565 00:32:04,960 --> 00:32:07,280 Speaker 2: but I don't want I still want him to want me. 566 00:32:07,400 --> 00:32:08,880 Speaker 3: But I don't want him, but I still want him 567 00:32:08,920 --> 00:32:14,120 Speaker 3: to want me. Is it that because women can sometimes 568 00:32:14,160 --> 00:32:14,600 Speaker 3: feel like that. 569 00:32:15,400 --> 00:32:19,720 Speaker 1: Maybe it was because Rory, she thought Laura, I thought 570 00:32:19,760 --> 00:32:24,840 Speaker 1: her daughter. She just wanted to get Rory through children. 571 00:32:26,120 --> 00:32:28,480 Speaker 1: You know, she just wanted her daughter to be successful. 572 00:32:28,520 --> 00:32:31,880 Speaker 1: I think she chose Rory over Max. 573 00:32:32,000 --> 00:32:34,280 Speaker 3: I thought, then why now go after it again? 574 00:32:35,320 --> 00:32:38,680 Speaker 1: Because Rory's graduating and now she's going to be an 575 00:32:38,680 --> 00:32:42,440 Speaker 1: empty nester, and now she can take care of Now 576 00:32:42,480 --> 00:32:45,120 Speaker 1: she can focus on her left. Like from the time 577 00:32:45,240 --> 00:32:50,480 Speaker 1: Rory was born, it's just been nothing but Rory. Rory, Rory. 578 00:32:50,960 --> 00:32:53,400 Speaker 1: This kid is not going to have my life. I'm 579 00:32:53,400 --> 00:32:56,160 Speaker 1: going to make my kids successful. We're going to be 580 00:32:56,160 --> 00:33:00,920 Speaker 1: best friends. She's going on to do great things because 581 00:33:00,920 --> 00:33:04,680 Speaker 1: she Lorelai feels that inside herself. She feels the greatness 582 00:33:04,680 --> 00:33:10,800 Speaker 1: inside her that was, you know, through her actions, however 583 00:33:10,840 --> 00:33:14,800 Speaker 1: you want to explain it, that Glory was ripped away 584 00:33:14,800 --> 00:33:17,360 Speaker 1: from her at a very young age, and she had 585 00:33:17,400 --> 00:33:20,920 Speaker 1: to raise this child and now she realizes that, you 586 00:33:20,920 --> 00:33:23,920 Speaker 1: know her, the meaning of her life is this child 587 00:33:24,760 --> 00:33:29,480 Speaker 1: and the safety and the nurturing and the development and 588 00:33:29,520 --> 00:33:33,320 Speaker 1: the education of this child and loving this child. So 589 00:33:33,400 --> 00:33:38,960 Speaker 1: I think she could. She was so focused on this 590 00:33:39,040 --> 00:33:42,160 Speaker 1: she couldn't possibly, you know, get in that other lane 591 00:33:42,240 --> 00:33:46,480 Speaker 1: or share that with Max. You know. She didn't want 592 00:33:46,520 --> 00:33:49,440 Speaker 1: to take a chance. She didn't want to disrupt what 593 00:33:49,600 --> 00:33:52,640 Speaker 1: she'd been doing for I guess fourteen years up to 594 00:33:52,680 --> 00:33:56,920 Speaker 1: that point, six fifteen years. Yeah, I mean, I understand that. 595 00:33:58,080 --> 00:34:01,120 Speaker 1: I understand that. I don't think. I don't think it 596 00:34:01,160 --> 00:34:03,680 Speaker 1: was a looke thing. I think it was a I 597 00:34:03,720 --> 00:34:09,920 Speaker 1: think it was a Rory thing. It's a I cannot 598 00:34:10,360 --> 00:34:15,040 Speaker 1: I cannot get out of this. I have committed to 599 00:34:15,040 --> 00:34:17,680 Speaker 1: my daughter. I am not jeopardizing that. I am not 600 00:34:17,760 --> 00:34:21,000 Speaker 1: compromising that, even though I feel so strongly for you. 601 00:34:21,080 --> 00:34:22,680 Speaker 1: So it was a selfless act. 602 00:34:23,640 --> 00:34:26,360 Speaker 3: Yeah, So then that makes sense. 603 00:34:26,120 --> 00:34:29,720 Speaker 1: If really kind of admirable and honorable act, you know. 604 00:34:29,800 --> 00:34:31,640 Speaker 2: And then it makes sense that him coming back and 605 00:34:31,680 --> 00:34:34,759 Speaker 2: she's like, now I feel like maybe I can make 606 00:34:34,840 --> 00:34:37,560 Speaker 2: some choices for me, right since Rory is. 607 00:34:37,520 --> 00:34:38,160 Speaker 3: On her way. 608 00:34:38,520 --> 00:34:47,360 Speaker 1: Right, Yeah, well, well, you know, sometimes feelings changing. Yeah, 609 00:34:47,360 --> 00:34:50,839 Speaker 1: it was meant to be, it would be right, Yeah, 610 00:34:50,880 --> 00:34:54,520 Speaker 1: all right, well could have been. And I think it's 611 00:34:54,560 --> 00:34:59,239 Speaker 1: important for the show. This could have been, would have 612 00:34:59,280 --> 00:35:04,000 Speaker 1: been maybe should have been that never happened to, of course, 613 00:35:04,520 --> 00:35:08,240 Speaker 1: leave it open for the storytelling for yes, Luke and Laurel, 614 00:35:08,440 --> 00:35:13,040 Speaker 1: but not in Laurelized mind, right, just in the mind 615 00:35:13,080 --> 00:35:16,760 Speaker 1: of the show, in the in the storyteller. Great stuff, 616 00:35:16,760 --> 00:35:21,360 Speaker 1: great stuff, all right? Final thoughts, Final thoughts. 617 00:35:22,960 --> 00:35:24,520 Speaker 3: Yeah, I loved the episode. 618 00:35:24,840 --> 00:35:29,040 Speaker 4: I definitely was looking forward to, like when I was 619 00:35:29,120 --> 00:35:31,680 Speaker 4: reviewing it, I was looking forward to watching the next. 620 00:35:31,440 --> 00:35:34,200 Speaker 2: Episode to see how all this was going to resolve itself, 621 00:35:34,640 --> 00:35:41,600 Speaker 2: right Lane's mom, I'm looking forward to that, And yeah, 622 00:35:41,600 --> 00:35:42,080 Speaker 2: how about you. 623 00:35:43,160 --> 00:35:45,600 Speaker 1: I enjoyed it. I thought it had some funny moments, 624 00:35:45,600 --> 00:35:51,960 Speaker 1: that it was moving forward, It was well paced, you know, 625 00:35:52,600 --> 00:35:57,120 Speaker 1: it showed it showed ordinary people and extraordinary circumstances, and 626 00:35:57,160 --> 00:36:01,200 Speaker 1: sometimes extraordinary people and very extra ordinary circumstances. 627 00:36:01,280 --> 00:36:03,400 Speaker 3: So I will say this, it's interesting. 628 00:36:03,960 --> 00:36:06,399 Speaker 1: It's good forty minutes of entertainment, that's for sure. Yeah. 629 00:36:06,440 --> 00:36:10,439 Speaker 2: Absolutely, And this and watching this episode, like all the 630 00:36:10,520 --> 00:36:15,279 Speaker 2: Gilmore Girls episodes, is I'm child free, and I am 631 00:36:15,400 --> 00:36:19,239 Speaker 2: child free by choice, and watching this show back then 632 00:36:19,360 --> 00:36:20,879 Speaker 2: and now is. 633 00:36:20,880 --> 00:36:23,040 Speaker 3: One of the few shows that I go, huh. 634 00:36:23,080 --> 00:36:25,560 Speaker 2: I second, I like think about my choice because their 635 00:36:25,640 --> 00:36:30,319 Speaker 2: relationship is so incredible that it actually makes me have 636 00:36:30,400 --> 00:36:32,160 Speaker 2: a little thumb or have me go O, how I 637 00:36:33,200 --> 00:36:38,359 Speaker 2: would have liked that, you know, like, but it's it's 638 00:36:38,400 --> 00:36:42,120 Speaker 2: just interesting. It's like and I didn't realize Amy Stroman 639 00:36:42,200 --> 00:36:43,439 Speaker 2: Palladino was child free. 640 00:36:43,440 --> 00:36:45,200 Speaker 3: Also, I didn't realize that so. 641 00:36:45,440 --> 00:36:48,640 Speaker 1: Very recently, as is Kelly Bishop, as is Lauren Graham 642 00:36:48,880 --> 00:36:49,319 Speaker 1: as is. 643 00:36:49,800 --> 00:36:50,040 Speaker 3: Yeah. 644 00:36:50,080 --> 00:36:54,280 Speaker 2: I mean, it's it's amazing and they they the writing 645 00:36:54,320 --> 00:36:58,840 Speaker 2: about this relationship is just so incredibly beautiful. And yeah, 646 00:36:58,920 --> 00:37:01,680 Speaker 2: I just wrote I was just a book actually with 647 00:37:01,719 --> 00:37:05,440 Speaker 2: a yeah about it's a child It's a humor forward 648 00:37:05,520 --> 00:37:08,880 Speaker 2: child free lifestyle guidebook called not Moms. 649 00:37:09,560 --> 00:37:10,160 Speaker 1: That's great. 650 00:37:10,480 --> 00:37:12,879 Speaker 3: Yeah, and it'll be available on Amazon soon. 651 00:37:13,000 --> 00:37:16,440 Speaker 2: So yeah, so I'm very into this, you know, the 652 00:37:17,080 --> 00:37:20,600 Speaker 2: relationship between mothers and daughters and mothers and sons. 653 00:37:20,640 --> 00:37:23,440 Speaker 3: And I loved this episode. 654 00:37:24,080 --> 00:37:27,239 Speaker 1: All right, A couple minutes here to go. But I 655 00:37:27,239 --> 00:37:30,320 Speaker 1: don't know about the music side. What's the singing all about? 656 00:37:30,440 --> 00:37:32,480 Speaker 1: That you had a band? What you did covers? What 657 00:37:32,520 --> 00:37:33,600 Speaker 1: did you do? Tell me? Tell me? 658 00:37:33,680 --> 00:37:36,760 Speaker 3: Actually, I yeah, we did some covers. 659 00:37:36,800 --> 00:37:41,040 Speaker 2: I was I was actually trained belconto, which is opera style. 660 00:37:41,600 --> 00:37:45,200 Speaker 2: Oh okay, singing, but I was in I did musical theater. 661 00:37:45,880 --> 00:37:48,040 Speaker 2: That's how I started in this business. And then I 662 00:37:48,080 --> 00:37:50,520 Speaker 2: was in a theater company. We had this band. I 663 00:37:50,600 --> 00:37:54,200 Speaker 2: do a show sometimes called miscast here in Los Angeles, 664 00:37:54,200 --> 00:37:57,040 Speaker 2: which singers sing songs that they would never be cast in. 665 00:37:57,120 --> 00:37:57,880 Speaker 3: It's really fun. 666 00:38:00,040 --> 00:38:03,440 Speaker 2: So yeah, I still sing a little bit, but mostly 667 00:38:04,000 --> 00:38:04,520 Speaker 2: on camera. 668 00:38:05,120 --> 00:38:08,480 Speaker 1: Is your vocal warm up more than five minutes? 669 00:38:09,440 --> 00:38:09,480 Speaker 3: No? 670 00:38:10,239 --> 00:38:11,759 Speaker 1: Do you do a vocal warm up? 671 00:38:12,080 --> 00:38:15,440 Speaker 3: Always? Yeah? Always? For singing. Yeah, you've got to protect 672 00:38:15,520 --> 00:38:16,400 Speaker 3: the vocal cords. 673 00:38:16,480 --> 00:38:18,480 Speaker 1: Yeah, you really do, right, I do it too. 674 00:38:18,520 --> 00:38:20,120 Speaker 3: For voiceover, I do a lot of voiceover. 675 00:38:20,320 --> 00:38:23,200 Speaker 1: Yeah you have to. Yeah, so you So you do 676 00:38:23,280 --> 00:38:25,760 Speaker 1: like a five minute quickie kind of a thing, and it's. 677 00:38:25,640 --> 00:38:31,640 Speaker 3: Good sometimes sometimes driving to the session or sometimes at 678 00:38:31,640 --> 00:38:34,840 Speaker 3: home if I'm all warm up quick. 679 00:38:34,640 --> 00:38:40,880 Speaker 1: Before Yeah, okay, all right, well fascinating. Well look, thanks 680 00:38:40,880 --> 00:38:46,160 Speaker 1: for coming on. We're out of time, but enjoyed chopping 681 00:38:46,160 --> 00:38:49,040 Speaker 1: it up with you, Julie, and come back anytime. 682 00:38:49,600 --> 00:38:50,320 Speaker 3: Thank you. 683 00:38:50,520 --> 00:38:55,960 Speaker 1: Thanks for be well, Julie, whitting everybody, and to you 684 00:38:56,040 --> 00:38:58,040 Speaker 1: out there, the best fans on the planet. Keep the 685 00:38:58,120 --> 00:39:01,040 Speaker 1: cards and letters coming. We appreciate all the emails too, 686 00:39:01,080 --> 00:39:04,080 Speaker 1: and all the d ms and all the chat rooms 687 00:39:04,120 --> 00:39:08,400 Speaker 1: and everything you do to keep this show going. Not 688 00:39:08,520 --> 00:39:10,560 Speaker 1: that it needs a lot of help, because man, it's 689 00:39:11,000 --> 00:39:13,959 Speaker 1: it's just growing and growing and growing and growing every year. 690 00:39:14,400 --> 00:39:17,640 Speaker 1: What a phenomenon. Great to be a part of it. 691 00:39:17,719 --> 00:39:24,040 Speaker 1: And remember where you lead, we will follow. Stay safe 692 00:39:24,080 --> 00:39:56,279 Speaker 1: everyone everybody else. For guests, follow us on Instagram at 693 00:39:56,600 --> 00:40:00,759 Speaker 1: i Am all In podcast and email us at Gilmore 694 00:40:00,760 --> 00:40:12,760 Speaker 1: at iHeartRadio dot com.