1 00:00:04,400 --> 00:00:05,039 Speaker 1: I'm Buzzsnight. 2 00:00:05,080 --> 00:00:07,240 Speaker 2: I'm the host of the Take of a Walk podcast 3 00:00:07,440 --> 00:00:11,480 Speaker 2: Music History on Foot, and welcome to another edition of 4 00:00:11,520 --> 00:00:15,240 Speaker 2: This Week in Music History for the week of January sixth, 5 00:00:15,760 --> 00:00:19,439 Speaker 2: and we go to the music history desk to my 6 00:00:19,520 --> 00:00:24,640 Speaker 2: dear friend, a longtime radio pro, programming pro and fan 7 00:00:24,960 --> 00:00:27,000 Speaker 2: of music, mister Harry Jacobs. 8 00:00:27,040 --> 00:00:29,560 Speaker 1: Hello, Harry, I appreciate being a lot for the ride. 9 00:00:29,720 --> 00:00:32,680 Speaker 2: All right, So, how does the opening of the year 10 00:00:32,760 --> 00:00:36,479 Speaker 2: look in terms of happenings in music history. 11 00:00:36,720 --> 00:00:39,680 Speaker 3: Beginning of January and seventy sixth I when you think 12 00:00:39,680 --> 00:00:41,600 Speaker 3: about this for a second, think about, you know, in 13 00:00:41,640 --> 00:00:45,360 Speaker 3: the history of live albums, what the biggest ones would 14 00:00:45,400 --> 00:00:49,560 Speaker 3: be in our lifetime. January of nineteen seventy six. Peter 15 00:00:49,640 --> 00:00:52,520 Speaker 3: Frampton's Frampton Comes Alive came out this week. 16 00:00:52,520 --> 00:00:53,960 Speaker 1: What a way to start that year. 17 00:00:55,160 --> 00:00:59,400 Speaker 3: Huge album, arguably one of the you know, Rolling Stone 18 00:00:59,440 --> 00:01:02,000 Speaker 3: I think how to number three of their live albums 19 00:01:02,000 --> 00:01:02,560 Speaker 3: of all time. 20 00:01:02,880 --> 00:01:05,679 Speaker 1: Not a bad way to start nineteen seventy six, So 21 00:01:05,959 --> 00:01:07,119 Speaker 1: I'll never forget it. Harry. 22 00:01:07,240 --> 00:01:11,880 Speaker 2: I was at the University of Dayton in Dayton, Ohio 23 00:01:13,120 --> 00:01:16,440 Speaker 2: and working on the radio there at a station called WVUD, 24 00:01:16,640 --> 00:01:20,920 Speaker 2: which was owned by the university, a commercial college FM station, 25 00:01:21,040 --> 00:01:24,440 Speaker 2: which was a rarity. So I was just beginning to 26 00:01:24,480 --> 00:01:28,520 Speaker 2: work there as a student but also as a paid 27 00:01:28,640 --> 00:01:33,680 Speaker 2: full timer. And then Frampton Comes Alive comes out. Mind 28 00:01:33,720 --> 00:01:40,400 Speaker 2: you big Midwest act. Certainly, Peter Frampton, he exploded beyond 29 00:01:40,440 --> 00:01:44,480 Speaker 2: the Midwest certainly with this album. But as someone who 30 00:01:44,560 --> 00:01:49,200 Speaker 2: was manning the request line phones and when Frampton Comes 31 00:01:49,200 --> 00:01:53,760 Speaker 2: Alive came out, man, those wonderful folks from Ohio, they 32 00:01:53,800 --> 00:01:57,559 Speaker 2: would call and request, you know, lines on my face, 33 00:01:57,840 --> 00:01:59,000 Speaker 2: Frampton comes Alive. 34 00:02:00,160 --> 00:02:01,200 Speaker 1: Something's happening. 35 00:02:01,720 --> 00:02:05,880 Speaker 2: It was just it was the album and it was 36 00:02:05,960 --> 00:02:09,360 Speaker 2: an amazing thing to sort of witness in real time 37 00:02:09,560 --> 00:02:13,320 Speaker 2: as we were playing it for the folks of that Dayton, 38 00:02:13,320 --> 00:02:14,120 Speaker 2: Ohio area. 39 00:02:14,919 --> 00:02:17,760 Speaker 3: Album got a lot of play on rock radio and 40 00:02:17,800 --> 00:02:19,560 Speaker 3: pop radio too. I remember, you know, I grew up 41 00:02:19,639 --> 00:02:22,280 Speaker 3: in New England where you are now, but I remember 42 00:02:22,440 --> 00:02:25,320 Speaker 3: on you know pro FM and JB one O five 43 00:02:25,520 --> 00:02:28,360 Speaker 3: listening out of Providence, even you know the Boston stations 44 00:02:28,400 --> 00:02:30,480 Speaker 3: playing show Me the Way and Baby I Love Your Way, 45 00:02:30,520 --> 00:02:32,560 Speaker 3: and the rock station's doing it as well. 46 00:02:32,600 --> 00:02:33,720 Speaker 1: It was pretty incredible. 47 00:02:34,200 --> 00:02:36,880 Speaker 2: It was a monster and it's so nice seeing everything 48 00:02:36,919 --> 00:02:42,919 Speaker 2: come full Circle ending twenty twenty four for Peter Frampton 49 00:02:43,240 --> 00:02:45,160 Speaker 2: getting into the Rock and Roll Hall of Fame. 50 00:02:46,320 --> 00:02:47,800 Speaker 1: I was fortunate to be able to. 51 00:02:47,720 --> 00:02:50,799 Speaker 2: Sort of watch and cover that there in the press 52 00:02:50,880 --> 00:02:56,400 Speaker 2: room and to see the joy with Peter Frampton up there, 53 00:02:57,320 --> 00:03:01,800 Speaker 2: certainly playing with Keith Urban, which was pretty amazing, and 54 00:03:01,919 --> 00:03:06,079 Speaker 2: also being there because he was inducted by the one 55 00:03:06,080 --> 00:03:09,639 Speaker 2: and only Roger Daltrey. It was a magical moment, Harry, 56 00:03:09,680 --> 00:03:10,680 Speaker 2: for sure. 57 00:03:10,919 --> 00:03:13,240 Speaker 3: You know, And it was one of those songs I 58 00:03:13,240 --> 00:03:15,280 Speaker 3: hadn't I knew. Keith Urban, by the way, was a 59 00:03:15,280 --> 00:03:17,480 Speaker 3: really good guitar player. I had no idea until I 60 00:03:17,520 --> 00:03:21,760 Speaker 3: saw them walk through. Do You Feel Like We Do Together? 61 00:03:21,919 --> 00:03:25,000 Speaker 3: Is a great clip. I had no idea he was 62 00:03:25,240 --> 00:03:27,440 Speaker 3: bigger in the Midwest than anywhere at the beginning either. 63 00:03:27,480 --> 00:03:29,799 Speaker 1: That's an interesting fact. 64 00:03:30,320 --> 00:03:32,800 Speaker 2: Yeah, I think maybe it goes back Harry too, that 65 00:03:33,160 --> 00:03:37,800 Speaker 2: you know, Humble Pie had those sort of interesting pockets 66 00:03:37,840 --> 00:03:42,280 Speaker 2: of audience there. There was certainly East coast, West coast 67 00:03:42,280 --> 00:03:47,600 Speaker 2: eventually for you know, Humble Pie, but I think some 68 00:03:47,680 --> 00:03:50,480 Speaker 2: of that really caught on in the Midwest as well, 69 00:03:50,520 --> 00:03:55,200 Speaker 2: because the Midwest still to this day loves to rock 70 00:03:55,240 --> 00:03:55,640 Speaker 2: and roll. 71 00:03:56,120 --> 00:03:58,400 Speaker 3: Yeah, absolutely good and you know, I was wondering what 72 00:03:58,480 --> 00:04:01,080 Speaker 3: was going on with his health. Obviously, people that saw 73 00:04:01,120 --> 00:04:03,320 Speaker 3: that clip would see him sitting down. Anyone that's seen 74 00:04:03,360 --> 00:04:05,920 Speaker 3: him knows that he plays sitting down. He's got an 75 00:04:05,960 --> 00:04:13,840 Speaker 3: autoimmune disease. It's called inclusion body myocytis, and it's a 76 00:04:13,920 --> 00:04:16,760 Speaker 3: degenerative thing, you know, with his nerves, and it's caused 77 00:04:16,800 --> 00:04:20,160 Speaker 3: problems with him, you know, being able to stand up 78 00:04:20,200 --> 00:04:22,440 Speaker 3: and even playing sometimes can be difficult for him. 79 00:04:22,760 --> 00:04:23,800 Speaker 1: Great to see him though, on. 80 00:04:23,760 --> 00:04:26,359 Speaker 3: The you know, getting inducted and then getting to play 81 00:04:26,400 --> 00:04:29,080 Speaker 3: with with Keith on that legendary song. 82 00:04:29,560 --> 00:04:30,000 Speaker 1: Yeah, it was. 83 00:04:30,080 --> 00:04:33,120 Speaker 2: It was a wonderful thing to witness and great to 84 00:04:33,120 --> 00:04:36,920 Speaker 2: see his happiness after it all went down, just kind 85 00:04:36,920 --> 00:04:41,360 Speaker 2: of watching in awe with Keith urban to his side 86 00:04:41,400 --> 00:04:44,719 Speaker 2: and Daltrey doing his comedy stick. 87 00:04:45,320 --> 00:04:45,880 Speaker 1: That's right. 88 00:04:46,200 --> 00:04:49,359 Speaker 3: Well anyway, nineteen seventy six, eleven million copies of that, 89 00:04:49,440 --> 00:04:51,440 Speaker 3: and that remained on the charts for a long time 90 00:04:51,640 --> 00:04:53,720 Speaker 3: over the years, so it did really. 91 00:04:53,520 --> 00:04:56,200 Speaker 1: Well in nineteen seventy five. 92 00:04:56,640 --> 00:05:01,239 Speaker 3: This week, a thousand Zeppelin fans cause about thirty thousand 93 00:05:01,279 --> 00:05:04,400 Speaker 3: dollars in damage to the Boston Garden well waiting for 94 00:05:04,440 --> 00:05:05,480 Speaker 3: tickets to go on sale. 95 00:05:06,040 --> 00:05:08,000 Speaker 1: It was a rush for tickets the band. 96 00:05:08,040 --> 00:05:11,800 Speaker 3: The band was playing on February fourth in Boston, and 97 00:05:12,920 --> 00:05:14,799 Speaker 3: you know, there was a little damage to the garden 98 00:05:14,800 --> 00:05:17,680 Speaker 3: and Kevin White canceled that show at the Garden. 99 00:05:18,640 --> 00:05:20,560 Speaker 2: And what is it when you think about it, as 100 00:05:20,600 --> 00:05:24,080 Speaker 2: someone who grew up in the Boston area, Harry how 101 00:05:24,880 --> 00:05:28,240 Speaker 2: mayor Kevin White always had to come to the rescue 102 00:05:28,279 --> 00:05:32,039 Speaker 2: of something or the shutdown of something. You know that 103 00:05:32,160 --> 00:05:34,840 Speaker 2: was going on at the Boston Garden. So I hadn't 104 00:05:35,120 --> 00:05:39,320 Speaker 2: remembered this particular moment that you'd talk about there. But 105 00:05:39,880 --> 00:05:42,080 Speaker 2: then when you think about it and thinking about how 106 00:05:42,680 --> 00:05:46,160 Speaker 2: mayor White had to keep the peace and you know, 107 00:05:46,360 --> 00:05:50,880 Speaker 2: provincial Boston. Not surprising that that all went down. 108 00:05:51,120 --> 00:05:54,440 Speaker 3: The People's Republic of Boston under Kevin White, as far 109 00:05:54,480 --> 00:05:56,080 Speaker 3: as I'm concerned, But yeah, he had to come to 110 00:05:56,120 --> 00:06:00,000 Speaker 3: the rescue and do his thing. And in nineteen sixteen, 111 00:06:01,040 --> 00:06:05,640 Speaker 3: while the Beatles were filming Let it Be, George Harrison 112 00:06:06,040 --> 00:06:06,720 Speaker 3: left the Beatles. 113 00:06:06,760 --> 00:06:07,320 Speaker 1: Did you know this? 114 00:06:07,480 --> 00:06:12,280 Speaker 3: He was frustrated by the Dynamics in particular, wasn't pleased 115 00:06:12,279 --> 00:06:15,280 Speaker 3: with McCartney and the way he dominated the band. 116 00:06:15,480 --> 00:06:18,320 Speaker 1: Is that something you were familiar with not to this degree. 117 00:06:19,160 --> 00:06:23,800 Speaker 2: It came to light in greater detail watching the amazing documentary, 118 00:06:23,880 --> 00:06:27,800 Speaker 2: and sort of you could kind of see how George 119 00:06:27,839 --> 00:06:30,320 Speaker 2: sort of felt a little bit like, what. 120 00:06:30,360 --> 00:06:32,400 Speaker 1: Am I a hired hand or something? You know. 121 00:06:32,480 --> 00:06:35,719 Speaker 2: He didn't feel like he was being heard to him. 122 00:06:35,720 --> 00:06:39,159 Speaker 2: It didn't feel like a collaboration. So I knew there 123 00:06:39,240 --> 00:06:43,600 Speaker 2: was tension, we all did, but the documentary certainly did 124 00:06:43,839 --> 00:06:46,960 Speaker 2: put a light on it in a different way. 125 00:06:46,560 --> 00:06:47,839 Speaker 1: Crazy story. 126 00:06:48,000 --> 00:06:52,080 Speaker 3: Two other things of importance happened this week January tenth. 127 00:06:52,640 --> 00:06:58,159 Speaker 3: RCA introduced the forty five, which they claimed would revolutionize music, 128 00:06:58,920 --> 00:07:02,440 Speaker 3: including offering the most I can't laugh. And while I'm 129 00:07:02,480 --> 00:07:06,480 Speaker 3: reading this, offering the most durable and highest fidelity format 130 00:07:06,560 --> 00:07:08,919 Speaker 3: at the time, think about that the forty five is 131 00:07:08,960 --> 00:07:11,160 Speaker 3: the highest fidelity format. 132 00:07:11,520 --> 00:07:13,960 Speaker 1: Have come aways, haven't we? I think so? Yeah. 133 00:07:13,960 --> 00:07:15,400 Speaker 2: And then all of a sudden, when you had to 134 00:07:15,440 --> 00:07:18,080 Speaker 2: get those little adapters to put in the forty five 135 00:07:18,160 --> 00:07:21,360 Speaker 2: to make sure that it went into the proper spindle, 136 00:07:22,040 --> 00:07:26,800 Speaker 2: you know, And you occasionally see some I don't know, 137 00:07:27,160 --> 00:07:31,240 Speaker 2: I guess some person who finds themselves a little too 138 00:07:31,280 --> 00:07:34,040 Speaker 2: cool for the room, who is wearing one of those 139 00:07:34,080 --> 00:07:36,560 Speaker 2: adapters around their neck. Have you ever seen one of 140 00:07:36,560 --> 00:07:38,800 Speaker 2: those that someone wears as a fashion statement. 141 00:07:39,520 --> 00:07:42,200 Speaker 3: I have, But what I've also seen is someone wearing 142 00:07:42,240 --> 00:07:44,880 Speaker 3: it as a T shirt, a big logo on a 143 00:07:44,880 --> 00:07:45,520 Speaker 3: T shirt. 144 00:07:46,240 --> 00:07:47,480 Speaker 1: So I'm okay with that. 145 00:07:47,600 --> 00:07:50,600 Speaker 2: The fashion statement around the neck maybe is a bit 146 00:07:50,680 --> 00:07:52,440 Speaker 2: much for me, But who am I to say? 147 00:07:52,720 --> 00:07:54,760 Speaker 3: So? You're talking to like the same way Flavo Flave 148 00:07:54,800 --> 00:07:58,120 Speaker 3: wears his clock, These people wear the forty five, yes, sir? 149 00:07:58,520 --> 00:07:59,720 Speaker 1: Around there? All right? 150 00:08:02,120 --> 00:08:04,320 Speaker 3: On that note, I got one more pop culture item 151 00:08:04,360 --> 00:08:07,480 Speaker 3: for you, and that'll be the end of this week. 152 00:08:07,920 --> 00:08:11,840 Speaker 3: In nineteen ninety four, Nancy Kerrigan was attacked in Detroit. 153 00:08:12,480 --> 00:08:15,280 Speaker 3: It was later linked to Tanya Harding. Do you remember 154 00:08:15,320 --> 00:08:17,520 Speaker 3: the guy that was in the middle of that. Remember 155 00:08:17,520 --> 00:08:18,680 Speaker 3: the guy? Remember? 156 00:08:18,920 --> 00:08:22,480 Speaker 2: Oh, when you tell me, I'm going to say, yes, 157 00:08:22,640 --> 00:08:23,440 Speaker 2: I know who that is. 158 00:08:23,840 --> 00:08:24,840 Speaker 1: Jeff Galilee. 159 00:08:25,520 --> 00:08:29,880 Speaker 3: Yes, whacked Nancy Kerrigan from Stoton, Mass. 160 00:08:30,920 --> 00:08:35,440 Speaker 1: Whatever happened to Jeff Galilee. That's a really good question. 161 00:08:35,559 --> 00:08:39,640 Speaker 3: I was going to say the same thing about Tanya Harding. 162 00:08:39,920 --> 00:08:44,960 Speaker 2: It is probably available as one of those people selling 163 00:08:45,040 --> 00:08:47,360 Speaker 2: videos or whatever to his fan base. 164 00:08:48,000 --> 00:08:49,640 Speaker 1: I can't I can't imagine that. 165 00:08:49,640 --> 00:08:53,160 Speaker 2: Because he was so maligned for his crime, Jeff Galuley 166 00:08:53,360 --> 00:08:55,720 Speaker 2: changed his name to Jeff Stone. 167 00:08:55,920 --> 00:08:57,880 Speaker 3: By the way, this could have been what Bill Buckner 168 00:08:57,920 --> 00:09:00,600 Speaker 3: should have done after the nineteen eighty six Matt's Game. 169 00:09:00,640 --> 00:09:02,240 Speaker 3: He should have just changed his name and that would 170 00:09:02,280 --> 00:09:04,960 Speaker 3: be the end of that. But Galulei made the right 171 00:09:05,000 --> 00:09:08,280 Speaker 3: play by the way. He served his sentence and then 172 00:09:08,440 --> 00:09:10,000 Speaker 3: changed his name to Jeff Stone. 173 00:09:10,040 --> 00:09:16,079 Speaker 1: And now it looks like used cars and other various 174 00:09:16,160 --> 00:09:17,520 Speaker 1: businesses in that ilk. 175 00:09:17,720 --> 00:09:19,480 Speaker 2: He had enough of the name and he had to 176 00:09:19,559 --> 00:09:19,960 Speaker 2: change it. 177 00:09:20,040 --> 00:09:20,640 Speaker 1: My god. 178 00:09:20,960 --> 00:09:25,079 Speaker 2: Well, Harry, thanks for putting this all together for this 179 00:09:25,160 --> 00:09:28,440 Speaker 2: week in music history and pop culture, and Jeff Galulei 180 00:09:28,760 --> 00:09:32,240 Speaker 2: for the week of January sixth on taking a Walk, 181 00:09:32,240 --> 00:09:35,920 Speaker 2: and please check out Taking a Walk on the iHeartRadio app, 182 00:09:35,960 --> 00:09:38,880 Speaker 2: Apple Podcasts, or wherever you get your podcast