WEBVTT - Cruising 201 with Professor Pig

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<v Speaker 1>Hey, viewers, Sniffy's Cruising Confessions is an explicit podcast about

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<v Speaker 1>queer sex. Filter dirty words and unfiltered descriptions of sexual activities.

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<v Speaker 1>If hearing about orgies, anonymous sex, kink, fetish, and more

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<v Speaker 1>offends your sensibilities, you might want to skip this. Viewer

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<v Speaker 1>discretion is advised. It's definitely not for kids.

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<v Speaker 2>Put JR pussy, put your put your pussy up, Put

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<v Speaker 2>JR pussy put put Jo busy.

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<v Speaker 3>Welcome to Sniffy's Cruising Confessions. I'm Gabeln Sadez and I'm

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<v Speaker 3>christodtison Rosso.

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<v Speaker 4>Each week we explore the sublime world of queer sex, cruising,

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<v Speaker 4>and relationships.

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<v Speaker 3>We talked to queer folks of all kinds.

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<v Speaker 1>We'll ask some questions, swap sex stories, share intimate revelations,

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<v Speaker 1>and provide practical advice that you can use at home.

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<v Speaker 1>Let Jo put joust job put job.

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<v Speaker 3>So, Chris. I would love to kick us off with

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<v Speaker 3>a question. I think I know the answer.

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<v Speaker 1>Okay, but have you had any fun cruising experiences since

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<v Speaker 1>our last season.

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<v Speaker 4>I've had some great cruising experiences. I've also been traveling

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<v Speaker 4>a lot since we've last wrapped up, been in Mexico

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<v Speaker 4>a few times, Florida a couple of times. I've had

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<v Speaker 4>some good times. Let's just say I've had fun.

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<v Speaker 3>What about you? Have you been cruising? Yeah, but like

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<v Speaker 3>oddly it's been like dryer for me since the last season.

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<v Speaker 4>Do you think that your dry spell has anything to

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<v Speaker 4>do with you being on this podcast? Like, do you

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<v Speaker 4>think that folks are afraid to approach you because they're

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<v Speaker 4>afraid it's gonna come here at the roundtable?

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<v Speaker 3>I would hope not. I would hope not. This is

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<v Speaker 3>a desperate sos.

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<v Speaker 1>If you've been trying to fucking you haven't because you

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<v Speaker 1>think I'll talk about you on this podcast, please approach

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<v Speaker 1>me anyway.

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<v Speaker 3>I probably will. But yeah, No, it's a you know,

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<v Speaker 3>a mixture of like depression and work. Really okay, I

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<v Speaker 3>think that's it cool co co cool.

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<v Speaker 1>Yeah, you know, because I was like a slut and

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<v Speaker 1>the November came around, I was like depressed for a

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<v Speaker 1>few months.

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<v Speaker 3>Yeah, none of that Mexican. Then I felt galvanized and

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<v Speaker 3>then I was like, well I have to fuck because

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<v Speaker 3>of not me?

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<v Speaker 5>Who?

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<v Speaker 2>Right?

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<v Speaker 3>You know what I mean?

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<v Speaker 1>Like that, it's it's a it's a radical act, heavy burden.

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<v Speaker 1>It's responsibility. Well, now that we've gotten that out of

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<v Speaker 1>our system, I am really excited to dive. In last season,

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<v Speaker 1>one of our most popular episodes was our Cruising one

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<v Speaker 1>oh one episode with Leo Herrera, who taught us all

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<v Speaker 1>about the basics of cruising and some of the ways

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<v Speaker 1>beginners can make the most of their cruising experience.

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<v Speaker 4>But cruising is such a rich and yes hot subject.

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<v Speaker 4>There are so many brilliant thinkers who've expanded our understanding

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<v Speaker 4>of all the complexities of cruising.

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<v Speaker 3>And today we will be talking with one.

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<v Speaker 1>Joel Florencio is a professor of Gender Studies and Chair

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<v Speaker 1>of Sex, Media and Sex Cultures at Lynnshipping University in Sweden.

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<v Speaker 1>His research focuses on the body, media technologies and sex

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<v Speaker 1>in contemporary culture.

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<v Speaker 4>As a writer and researcher, he's covered everything from kim

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<v Speaker 4>sex culture to ancient Roman sex. His new book, co

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<v Speaker 4>written with artist Liz Rosenfeld, is called Crossings Creative Ecologies

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<v Speaker 4>of Cruising.

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<v Speaker 1>We have lovingly been calling him Professor Pig while prepping

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<v Speaker 1>for this episode. Please welcome to the Sniffy's Cruising Confessions podcast.

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<v Speaker 1>Joel Florencio. Joel, how are you hey?

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<v Speaker 2>I'm great. Thank you excited about this?

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<v Speaker 3>Yeah, thank you so much for calling in.

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<v Speaker 1>You've written about sex, pigs, and chem sex, and now

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<v Speaker 1>your new book with Lizrae Folk is focused on cruising.

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<v Speaker 1>I think one of the things that we've all enjoyed

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<v Speaker 1>most about your work is that you are in academic

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<v Speaker 1>but you also put your own experiences with sex and

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<v Speaker 1>cruising and porn into your work. How much of your

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<v Speaker 1>day is spent cruising or looking at sexual media and

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<v Speaker 1>how much is spent writing about those experiences.

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<v Speaker 2>Let me tell you I have a very bad work

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<v Speaker 2>life balance because those things tend to mix into one another.

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<v Speaker 2>When I'm doing research, I'm mostly looking at porn, sex media,

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<v Speaker 2>talking about it, reading about it, which is also not

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<v Speaker 2>different from my leisure time watching porn is maybe, I mean,

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<v Speaker 2>more than half of my day these days. To me,

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<v Speaker 2>the world is always like something that I'm part of

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<v Speaker 2>rather than something I observe from the out side. That's

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<v Speaker 2>really where kind of my work starts from. And I

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<v Speaker 2>think that kind of honesty is valuable. There's a lot

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<v Speaker 2>of value in trying to acknowledg where you're coming from.

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<v Speaker 2>And that's where I come from, and that's where my

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<v Speaker 2>questions come from, and it makes sense to tell my

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<v Speaker 2>readers this is what happened. So here's the questions that

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<v Speaker 2>I now have about it.

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<v Speaker 1>Your work sort of touches on this idea of porn

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<v Speaker 1>or sex media as a kind of queer archive, like

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<v Speaker 1>an historical archive, And I'm curious in your work, what

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<v Speaker 1>do you think porn or sex media can tell us

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<v Speaker 1>that maybe other historical documents might not be able to.

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<v Speaker 2>That's a really good question because a lot of our histories,

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<v Speaker 2>if you think of like histories of homosexuality, you know,

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<v Speaker 2>there are histories of activism, there are histories of you know,

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<v Speaker 2>heroic figures, but you know, most fagots were not engaging activism.

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<v Speaker 2>Most fagots were looking for dick no correct. So there

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<v Speaker 2>needs to be a kind of an understanding that if

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<v Speaker 2>we want to tell the histories of homosexuality, we cannot

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<v Speaker 2>grasp everything that homosexuality has been if we're only looking

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<v Speaker 2>at activist records, or even the flip side of that is,

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<v Speaker 2>you know, court records, criminal records, and medical records, which

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<v Speaker 2>is basically the sources of like the history of sexology.

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<v Speaker 2>What is left is you know, trash, smutty culture that

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<v Speaker 2>is historically really have no value for most of academic disciplines,

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<v Speaker 2>but you can learn a lot, you know. I have

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<v Speaker 2>this project now called The Europe That Get Born Built,

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<v Speaker 2>and it's looking at at post war dirty magazines and

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<v Speaker 2>their circulations across Europe and how important they were to

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<v Speaker 2>shape a kind of a shared gay European imaginary, much

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<v Speaker 2>more than activist magazines, much more than like activist rhetoric.

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<v Speaker 2>It was, you know, the dirty pigs that made the

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<v Speaker 2>facts come together in more than one sense.

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<v Speaker 3>Right, Thank you to the pigs.

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<v Speaker 1>Thank you to the pigs so much. I would love

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<v Speaker 1>for you to tell us about your new book. You're

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<v Speaker 1>recently in New York for a reading with your co

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<v Speaker 1>author Liz Rosenfeld, So tell us a bit about how

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<v Speaker 1>this project keep a life and how it's been sharing

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<v Speaker 1>this book.

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<v Speaker 2>I've known Liz. We met in Berlin twenty seventeen. Maybe

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<v Speaker 2>from the first moment we met. We just started talking

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<v Speaker 2>a lot about sex and cruising and kind of bonded

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<v Speaker 2>over that as well as kind of bitching a lot

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<v Speaker 2>about things we didn't like in in cruising spaces and

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<v Speaker 2>kind of sex places more generally, and at some point

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<v Speaker 2>we were like babes, I think we need to write

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<v Speaker 2>a book, of course, as you do as you do.

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<v Speaker 2>I mean, I'm an academic and I'm obviously like, okay,

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<v Speaker 2>how can I turn this into work? And you know,

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<v Speaker 2>and Liiz has been doing performance and video work on

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<v Speaker 2>cruising for many years. Liz and I are very close friends.

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<v Speaker 2>We never fucked, but we're very close friends, and we

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<v Speaker 2>kind of approach this book as like the two of

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<v Speaker 2>us cruising each other.

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<v Speaker 4>How did you decide on the voice of the book? Right, Like,

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<v Speaker 4>how did you decide that this is the way that

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<v Speaker 4>we were going to tell these stories.

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<v Speaker 2>It's written the first person. You never really know who

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<v Speaker 2>really is writing, whose stories belong to whom Obviously some

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<v Speaker 2>puns you can guess. But it's this kind of collective

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<v Speaker 2>voice that we think is also very much the kind

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<v Speaker 2>of the voice of cruising. You know, when people get

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<v Speaker 2>together in a room or in a park and just

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<v Speaker 2>become something that is kind of more than one. And

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<v Speaker 2>we really wanted it to like the product of both

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<v Speaker 2>our minds and very different life experience that overlap in

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<v Speaker 2>any ways to kind of produce these these different voice,

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<v Speaker 2>perhaps queerer voice, And that's a faggot in the transmask faggot.

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<v Speaker 2>So that felt to us that kind of pointed the

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<v Speaker 2>book in the direction that we wanted, which was kind

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<v Speaker 2>of this idea that spaces of cruising gout actually spaces

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<v Speaker 2>of like openness and possibility. It's about, you know, opening

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<v Speaker 2>yourself to others. It's also like somehow like a baby, right,

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<v Speaker 2>and so the baby has to have both DNA's right, Yeah,

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<v Speaker 2>so that voice is really our authorial DNA of each

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<v Speaker 2>of us kind of mixed together.

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<v Speaker 1>Reading it felt like when you're in a dark room

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<v Speaker 1>and you're touching someone and then you think you're still

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<v Speaker 1>touching them, but you realize that someone else, someone else,

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<v Speaker 1>and you're kind of like, this feels great too.

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<v Speaker 2>It's precisely that there's something quite beautiful about our kind

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<v Speaker 2>of willingness to reach out to strangers and to bodies

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<v Speaker 2>that we don't know. So, yeah, you got it, we

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<v Speaker 2>got it.

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<v Speaker 1>Yes, How does your own cruising story begin? What was

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<v Speaker 1>the first time you went out and were like, all right,

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<v Speaker 1>let me get my toes in and see what this

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<v Speaker 1>is about.

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<v Speaker 2>Okay. So I was kind of a baby faggot born

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<v Speaker 2>in a very rural part of Portugal, you know, like

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<v Speaker 2>the nearest even gay bar was was in Lisbon, which

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<v Speaker 2>is like an hour and a half away drive. So

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<v Speaker 2>I was entering a public toilet somewhere in rural Portugal

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<v Speaker 2>and realizing that something was going on, and I kind

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<v Speaker 2>of trying to make sense of what was going on,

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<v Speaker 2>and then soon joining it. So it was kind of

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<v Speaker 2>very organic. I hadn't I didn't even know what cruising

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<v Speaker 2>exactly was. I just kind of grasped it. So maybe

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<v Speaker 2>there's this kind of baby faggot radar that was like, oh,

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<v Speaker 2>there's more people doing things that you will enjoy, and

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<v Speaker 2>it was really extremely formative. Obviously, part of it was

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<v Speaker 2>already happening online through like chat rooms. Thank god that

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<v Speaker 2>was dial up internet by dance, so there was ways

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<v Speaker 2>of meeting people. But to me, the most exciting and

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<v Speaker 2>the most thrilling were finding myself in places where these

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<v Speaker 2>like spaces of sex and spaces of something else like

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<v Speaker 2>collapse into one another. So you know, train stations, I

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<v Speaker 2>love trading stations, I love truck stops, you know, restrooms

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<v Speaker 2>in shopping malls and you know Portugal in general, but

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<v Speaker 2>by that time had very very small kind of gay scene,

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<v Speaker 2>but this stuff was everywhere, so that's really how it

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<v Speaker 2>kind of started. It was a lot to like throwing

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<v Speaker 2>myself into the deepend in that sense.

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<v Speaker 1>One of the things we found intriguing about your writing

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<v Speaker 1>is your assertion that cruising is very important to queer

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<v Speaker 1>history in terms of our origin story. Could you talk

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<v Speaker 1>a little bit about cruising and how we understand it historically,

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<v Speaker 1>because I think the term feels new, but this sort

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<v Speaker 1>of practice feels old.

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<v Speaker 2>The term itself, you know, not very certain where it

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<v Speaker 2>comes from. I know that it was being used in

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<v Speaker 2>New York in the early twentieth century, nineteen twenties at least,

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<v Speaker 2>but yeah, the practice itself, whether I was named, that

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<v Speaker 2>was very much widespread throughout European history. Michael Rokee has

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<v Speaker 2>a book called Forbidden Friendships from ninety six that really

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<v Speaker 2>focuses on this. Sodomy was so widespread in Florence in

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<v Speaker 2>the fourteen hundreds that they had to create a special

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<v Speaker 2>police called u Fichudela note, which is at the Office

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<v Speaker 2>of the Right, whose job was just going around kind of,

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<v Speaker 2>you know, calm down the sodomites. So they have records

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<v Speaker 2>and that's how we know. Just in the space of

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<v Speaker 2>what like seventy years between fourteen thirty two and fifteen

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<v Speaker 2>oh two, at least seventeen thousand men in Florence were

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<v Speaker 2>accused of sodomy. Three thousand were convicted. That was a

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<v Speaker 2>huge portion of the male population in Florence. You know,

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<v Speaker 2>some people argue that the vast majority of men in Florence,

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<v Speaker 2>at one point or another will have engaged in sodomy.

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<v Speaker 2>So this was happening, you know, in the outskirts of

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<v Speaker 2>the city, in drinking spaces, in gardens all over, right,

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<v Speaker 2>not in the center, but at kind of the edges

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<v Speaker 2>of the city. And what is also interesting about this

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<v Speaker 2>is that this was always places that were also populated

0:11:08.600 --> 0:11:12.439
<v Speaker 2>by sex workers, the poor, all the degenerates. Right, they

0:11:12.520 --> 0:11:16.719
<v Speaker 2>had this incredible power to be a political risk. The

0:11:16.800 --> 0:11:20.840
<v Speaker 2>city wanted to regulate sodomy because sodomy created a challenge,

0:11:20.920 --> 0:11:23.960
<v Speaker 2>to say, the family, and like inheritance, so very much

0:11:24.040 --> 0:11:27.920
<v Speaker 2>like an economic challenge. What happens if like an aristocrat

0:11:28.320 --> 0:11:32.520
<v Speaker 2>starts like fucking a working class young man on the streets,

0:11:33.320 --> 0:11:35.520
<v Speaker 2>what kinds of allegiances can be forged?

0:11:35.559 --> 0:11:35.760
<v Speaker 3>There?

0:11:36.720 --> 0:11:39.000
<v Speaker 2>Could someone in the kind of an upper class start

0:11:39.040 --> 0:11:41.520
<v Speaker 2>paying more attention to these young men with whom they

0:11:41.559 --> 0:11:45.960
<v Speaker 2>were engaging in sodomitic relationships and perhaps pay us attention

0:11:46.080 --> 0:11:47.640
<v Speaker 2>to the family, to the wife, and to this kind

0:11:47.640 --> 0:11:51.800
<v Speaker 2>of material duty of reproducing, of sharing inheritance, etc. So

0:11:51.920 --> 0:11:54.040
<v Speaker 2>that this was a real problem at the level of

0:11:54.559 --> 0:11:57.079
<v Speaker 2>economics of the city and of wealth. It was a

0:11:57.160 --> 0:11:58.640
<v Speaker 2>threat to the maintenance of you know, the kind of

0:11:58.679 --> 0:12:01.880
<v Speaker 2>class system of Florence too. It's also very related to

0:12:01.960 --> 0:12:04.400
<v Speaker 2>what like Sam Delaney writes in Times Square Red, Times

0:12:04.400 --> 0:12:07.680
<v Speaker 2>Square Blue, when he's writing about being in a place

0:12:07.760 --> 0:12:11.280
<v Speaker 2>with someone who's not like you, maybe recognizing something of

0:12:11.360 --> 0:12:13.679
<v Speaker 2>you in this person who is different from you can

0:12:13.760 --> 0:12:17.880
<v Speaker 2>completely kind of disrupt the ways in which society is structured.

0:12:18.080 --> 0:12:21.040
<v Speaker 2>You see similar things like this. For instance, in like

0:12:21.120 --> 0:12:23.720
<v Speaker 2>post war Italy and France, lots of people who went

0:12:23.760 --> 0:12:27.080
<v Speaker 2>to political organizing meetings for like homosexual movement, not because

0:12:27.120 --> 0:12:29.960
<v Speaker 2>they were really kind of pure political beings, but because

0:12:29.960 --> 0:12:32.559
<v Speaker 2>they wanted to fuck so because these were spaces where

0:12:32.559 --> 0:12:35.679
<v Speaker 2>he could cruise. You know, May sixty eight, the birth

0:12:35.760 --> 0:12:39.640
<v Speaker 2>of these like revolutionary communist movements in Paris. I mean

0:12:39.720 --> 0:12:42.199
<v Speaker 2>they write about it. You know, we went for the politics,

0:12:42.240 --> 0:12:45.400
<v Speaker 2>but we really also went for the dick. Those two

0:12:45.480 --> 0:12:47.920
<v Speaker 2>things that are not separable. We shouldn't be ashamed of

0:12:48.040 --> 0:12:50.800
<v Speaker 2>talking about them, and we shouldn't be ashamed of how

0:12:50.960 --> 0:12:55.760
<v Speaker 2>sex can be a great gateway drug into like radical politics.

0:12:55.840 --> 0:12:59.280
<v Speaker 1>These mentaling systems of power and class difference through economy.

0:13:00.640 --> 0:13:04.559
<v Speaker 3>Yeah, that's so fascinating right throughout history.

0:13:04.640 --> 0:13:06.000
<v Speaker 1>First of all'm struck by the fact that there were

0:13:06.040 --> 0:13:08.240
<v Speaker 1>women's sex workers in the spaces where gay men we're

0:13:08.280 --> 0:13:08.960
<v Speaker 1>fucking in Florence.

0:13:09.040 --> 0:13:10.760
<v Speaker 3>I think we've put an end to the women in

0:13:10.800 --> 0:13:12.000
<v Speaker 3>gay spaces debate.

0:13:12.120 --> 0:13:15.800
<v Speaker 2>When gays stopped being faggots and started being gays. We

0:13:15.960 --> 0:13:18.000
<v Speaker 2>forget about who we came from and who was there

0:13:18.120 --> 0:13:22.280
<v Speaker 2>with us when we started making concessions in order to

0:13:22.400 --> 0:13:26.720
<v Speaker 2>gain fuller political citizenship and political participation. That the dominant

0:13:26.920 --> 0:13:30.160
<v Speaker 2>movement thought that we would have to clean ourselves from

0:13:30.160 --> 0:13:33.600
<v Speaker 2>associations without the groups, and that I think was a mistake.

0:13:34.040 --> 0:13:36.440
<v Speaker 2>As you can see from what's happening today right they're

0:13:36.440 --> 0:13:37.240
<v Speaker 2>coming for all of us.

0:13:37.520 --> 0:13:40.319
<v Speaker 1>Something that struck me was a crazy roup cruising opens

0:13:40.400 --> 0:13:44.200
<v Speaker 1>us queers a delicious portal to time. The sentence really

0:13:44.320 --> 0:13:47.960
<v Speaker 1>stuck with me, and I'm wondering what you think spending

0:13:48.160 --> 0:13:51.080
<v Speaker 1>a lot of time in a cruising space can teach

0:13:51.160 --> 0:13:52.520
<v Speaker 1>us as queer people.

0:13:52.960 --> 0:13:55.920
<v Speaker 2>Yeah yeah, yeah yeah. In the you know, straight world,

0:13:56.200 --> 0:13:58.280
<v Speaker 2>it's the time of work, the time of you know,

0:13:58.640 --> 0:14:03.920
<v Speaker 2>being productive society. It's the time of social reproduction bringing

0:14:04.360 --> 0:14:07.160
<v Speaker 2>more people into the world. It's the time of being born,

0:14:07.400 --> 0:14:10.360
<v Speaker 2>going to school, finding the love of real life, marrying,

0:14:10.440 --> 0:14:12.480
<v Speaker 2>having children, retiring, all of that. So this is a

0:14:12.559 --> 0:14:15.520
<v Speaker 2>kind of very strict idea of what time is and

0:14:16.000 --> 0:14:16.800
<v Speaker 2>how time should go.

0:14:17.280 --> 0:14:17.400
<v Speaker 1>Well.

0:14:17.440 --> 0:14:21.680
<v Speaker 2>I think it's interesting about queer sex sculptures, including cruising,

0:14:22.000 --> 0:14:24.520
<v Speaker 2>is how it's like time that you are wasting. It's

0:14:24.560 --> 0:14:28.000
<v Speaker 2>not productive, there's no profit at the end. It can

0:14:28.040 --> 0:14:30.600
<v Speaker 2>be time that you waste simply because you can't score too.

0:14:30.760 --> 0:14:33.000
<v Speaker 2>You know, you just turn up and you spend like

0:14:33.160 --> 0:14:35.600
<v Speaker 2>you know, time in a place and then maybe the

0:14:35.680 --> 0:14:38.360
<v Speaker 2>thing you want that is not there, but maybe you

0:14:38.520 --> 0:14:40.600
<v Speaker 2>just went there as well for the thrill of it.

0:14:40.800 --> 0:14:42.640
<v Speaker 2>You just maybe went there to watch it is something

0:14:42.720 --> 0:14:45.280
<v Speaker 2>quite beautiful too, just to be there and to to

0:14:45.400 --> 0:14:48.160
<v Speaker 2>kind of be in that space. I mean, I love

0:14:48.200 --> 0:14:51.400
<v Speaker 2>seeing people fuck, like whole festival. Last year, there was

0:14:51.440 --> 0:14:53.280
<v Speaker 2>this one night it was quite late, I don't know,

0:14:53.480 --> 0:14:56.760
<v Speaker 2>early morning. I just sat outside the cruising area just

0:14:57.080 --> 0:15:01.760
<v Speaker 2>hearing people having orgasms. You know, that was something so

0:15:02.240 --> 0:15:06.120
<v Speaker 2>beautiful about this. It was just like a whole crowd

0:15:06.200 --> 0:15:09.720
<v Speaker 2>of people just screaming, and not just guys. You know,

0:15:09.800 --> 0:15:13.480
<v Speaker 2>it was really a whole kind of diversity of screams

0:15:13.560 --> 0:15:16.440
<v Speaker 2>of pleasure, and it was just people were lost in

0:15:16.840 --> 0:15:19.400
<v Speaker 2>their own pleasure, in the pleasure of people, the people

0:15:19.440 --> 0:15:21.520
<v Speaker 2>they were with. So that's kind of what I think

0:15:22.080 --> 0:15:25.480
<v Speaker 2>what losing oneself in these temporalities really kind of allows

0:15:25.600 --> 0:15:28.400
<v Speaker 2>you to experience to kind of maybe allowing yourself to

0:15:28.480 --> 0:15:32.840
<v Speaker 2>like be taken off the righteous temporal path. You know,

0:15:33.000 --> 0:15:36.280
<v Speaker 2>certainly anyone who's like, you know, a good boy would

0:15:36.320 --> 0:15:38.560
<v Speaker 2>be you know, sleeping, ready to go to work.

0:15:38.960 --> 0:15:41.160
<v Speaker 3>Yeah, but other good boys could be you know, like.

0:15:41.960 --> 0:15:43.760
<v Speaker 2>Other good boys could be taking those loads.

0:15:43.840 --> 0:15:45.200
<v Speaker 3>You know, that was not a good boy that I

0:15:45.240 --> 0:15:47.080
<v Speaker 3>thought you were talking about. There's two types boys.

0:15:50.120 --> 0:15:52.000
<v Speaker 1>All Right, we're going to take a quick break, but

0:15:52.040 --> 0:15:54.280
<v Speaker 1>when we come back, we'll hear some more practical advice

0:15:54.320 --> 0:15:56.640
<v Speaker 1>from Juao about making the most of your cruising.

0:15:56.360 --> 0:15:58.400
<v Speaker 3>Experience and get a few hot stories out of him.

0:15:58.440 --> 0:15:59.680
<v Speaker 3>So stay tuned. Will be right back.

0:16:04.880 --> 0:16:07.400
<v Speaker 4>Now we've heard about Draw's new book, Crossings the creative

0:16:07.480 --> 0:16:09.680
<v Speaker 4>colleges are cruising, and we know that job does a.

0:16:09.720 --> 0:16:10.840
<v Speaker 3>Lot of his own research.

0:16:11.240 --> 0:16:13.560
<v Speaker 1>So in this act we are going to pump Professor

0:16:13.600 --> 0:16:17.080
<v Speaker 1>Florencio over his likes, dislikes, and best practices when it

0:16:17.120 --> 0:16:17.760
<v Speaker 1>comes to cruising.

0:16:18.200 --> 0:16:20.960
<v Speaker 3>What is your ideal cruising experience.

0:16:21.360 --> 0:16:25.600
<v Speaker 2>I like cruising that happens in unexpected places, which comes

0:16:25.640 --> 0:16:27.960
<v Speaker 2>with each challenges, especially if you're the bottom, you know.

0:16:28.520 --> 0:16:31.280
<v Speaker 2>I like the thrill of figuring it out, the glances,

0:16:31.320 --> 0:16:34.080
<v Speaker 2>the thrill of the chase, is it is it not?

0:16:35.040 --> 0:16:37.760
<v Speaker 2>It's kind of like building up of sexual tension. And

0:16:37.880 --> 0:16:40.080
<v Speaker 2>when this is happening in places where other people are

0:16:40.120 --> 0:16:41.880
<v Speaker 2>there but they don't even know that is happening, that's

0:16:41.920 --> 0:16:44.280
<v Speaker 2>quite a turn on. And I think there's something more

0:16:44.400 --> 0:16:48.480
<v Speaker 2>more open in these places rather than say going to

0:16:48.720 --> 0:16:51.480
<v Speaker 2>a leather night, Robert night this or that night, or

0:16:51.600 --> 0:16:53.720
<v Speaker 2>like this club is for this, this club is for that.

0:16:54.280 --> 0:16:58.080
<v Speaker 2>That can make cruising very regimented with too many rules

0:16:58.120 --> 0:17:00.760
<v Speaker 2>and regulations and who can come in, who can't come in,

0:17:00.920 --> 0:17:03.520
<v Speaker 2>who can fuck with whom? Public spaces to me are

0:17:03.560 --> 0:17:05.720
<v Speaker 2>really the the ideal place.

0:17:06.280 --> 0:17:08.760
<v Speaker 4>You've done a lot of traveling, and you've done a

0:17:08.800 --> 0:17:11.520
<v Speaker 4>lot of research on cruising space is what has been

0:17:11.640 --> 0:17:14.440
<v Speaker 4>your favorite cruising spot, like your hidden gym.

0:17:14.960 --> 0:17:18.480
<v Speaker 2>There's parks that I very much like. I mean Hampstead

0:17:18.520 --> 0:17:21.879
<v Speaker 2>Heat in London is one of those classic ones. George

0:17:21.920 --> 0:17:24.800
<v Speaker 2>Michael was there was arrested there, so no places with history.

0:17:25.000 --> 0:17:28.040
<v Speaker 2>I like to my places with history, you know, commune

0:17:28.080 --> 0:17:32.959
<v Speaker 2>with the spirit of our ancestors and hasn't hide in Berlin,

0:17:33.080 --> 0:17:35.840
<v Speaker 2>another park has a quite nice cruising area that is

0:17:35.880 --> 0:17:38.640
<v Speaker 2>actually quite mixed in the sense of you know, it's

0:17:38.680 --> 0:17:40.879
<v Speaker 2>not just there's lots of trade there. There's lots of

0:17:40.920 --> 0:17:43.959
<v Speaker 2>people who don't go to gay spaces who go there

0:17:44.000 --> 0:17:45.760
<v Speaker 2>for cruising, and I think that's really kind of one

0:17:45.800 --> 0:17:47.720
<v Speaker 2>of the reasons why I like this. You know, you

0:17:47.760 --> 0:17:50.280
<v Speaker 2>don't need to pay money to go cruise. Cruising is

0:17:50.359 --> 0:17:53.320
<v Speaker 2>like a ride, you know almost places like light like

0:17:53.520 --> 0:17:55.639
<v Speaker 2>parks really give you that experience.

0:17:56.080 --> 0:17:58.320
<v Speaker 3>All Right, we've heard about some of your cruising likes.

0:17:58.560 --> 0:18:00.680
<v Speaker 4>What are some of your dislike It's like, what type

0:18:00.680 --> 0:18:02.320
<v Speaker 4>of behavior do you not like to see when you're

0:18:02.359 --> 0:18:03.240
<v Speaker 4>in cruising spaces?

0:18:04.359 --> 0:18:08.480
<v Speaker 2>Yeah, I don't like very hot spaces. I think you know,

0:18:09.000 --> 0:18:11.240
<v Speaker 2>we've been like fighting for our rides or whatever. For

0:18:11.359 --> 0:18:14.159
<v Speaker 2>such a long time, a cruising space needs to be

0:18:14.240 --> 0:18:19.399
<v Speaker 2>air conditions. It's the least. I'm a girl of a

0:18:19.480 --> 0:18:22.439
<v Speaker 2>certain age by now, I don't. I don't put myself

0:18:22.520 --> 0:18:26.639
<v Speaker 2>to really hot places. They still have not discovered their

0:18:26.680 --> 0:18:29.440
<v Speaker 2>conditioning in Germany. But I was at lab perhaps the

0:18:29.600 --> 0:18:32.800
<v Speaker 2>most infamous, filthiest gay male sex club that I've ever

0:18:32.880 --> 0:18:35.680
<v Speaker 2>been here. We know her. Yeah, I was in full run.

0:18:35.720 --> 0:18:38.280
<v Speaker 2>But the place was packed and I did is like

0:18:38.680 --> 0:18:42.240
<v Speaker 2>massive like with of paupers, and it was so hot

0:18:42.480 --> 0:18:45.720
<v Speaker 2>I almost fainted. I had to run out to like

0:18:45.840 --> 0:18:51.400
<v Speaker 2>get fresh air, like no. But apart from you air conditioning,

0:18:51.800 --> 0:18:53.359
<v Speaker 2>there's lot of behaviors I don't like, you know, I

0:18:53.400 --> 0:18:56.560
<v Speaker 2>don't like abuse. You sadly see it a lot. I

0:18:56.720 --> 0:18:59.600
<v Speaker 2>wish people didn't bring things we don't like to see

0:18:59.640 --> 0:19:02.280
<v Speaker 2>in the world world into these spaces. We see these

0:19:02.359 --> 0:19:05.200
<v Speaker 2>kinds of you know, ways of dealing with people that

0:19:05.400 --> 0:19:07.600
<v Speaker 2>you know, people are not like disposable object. And I

0:19:07.680 --> 0:19:10.560
<v Speaker 2>think it's important that we, you know, remember that even

0:19:10.640 --> 0:19:12.680
<v Speaker 2>in our own kind of fantasies, that there is a

0:19:12.680 --> 0:19:16.760
<v Speaker 2>space between fantasy and and reality, and you don't treat

0:19:16.800 --> 0:19:20.720
<v Speaker 2>people like shit. Cruising etiquette is something that we developed

0:19:20.840 --> 0:19:23.560
<v Speaker 2>and that we should really be proud of. And if

0:19:23.600 --> 0:19:25.360
<v Speaker 2>we forget about it, you should go back to gay

0:19:25.400 --> 0:19:28.320
<v Speaker 2>school too to remember it, to re learn it. You know,

0:19:29.040 --> 0:19:33.520
<v Speaker 2>there's ways of rejecting someone's advancing without being a dig

0:19:34.000 --> 0:19:36.600
<v Speaker 2>At our best. We were doing like instent politics before

0:19:36.640 --> 0:19:38.840
<v Speaker 2>can sin become a thing for everyone else? You know,

0:19:39.040 --> 0:19:42.159
<v Speaker 2>we had ways of saying yes and no, not definitive

0:19:42.359 --> 0:19:44.800
<v Speaker 2>right that at every moment you can say, Okay, this

0:19:44.920 --> 0:19:46.720
<v Speaker 2>is enough, but this is not no longer for me,

0:19:46.920 --> 0:19:48.639
<v Speaker 2>or something like that. And we knew all of that

0:19:48.800 --> 0:19:51.560
<v Speaker 2>without without even nuttering words with developers are doing all

0:19:51.600 --> 0:19:54.520
<v Speaker 2>of that without turning it into you know, laws of

0:19:54.600 --> 0:19:56.840
<v Speaker 2>how to do this or that, and you should be

0:19:56.880 --> 0:19:58.280
<v Speaker 2>proud of that, and you should deploy it a lot,

0:19:58.400 --> 0:19:59.320
<v Speaker 2>a lot more so.

0:19:59.400 --> 0:20:02.240
<v Speaker 1>You talked a lot about your early cruising experiences and

0:20:02.480 --> 0:20:03.879
<v Speaker 1>how you sort of just fell into it.

0:20:03.960 --> 0:20:05.600
<v Speaker 3>You didn't really go seeking it out. It found you.

0:20:06.320 --> 0:20:09.200
<v Speaker 1>So I'm curious during there's early days, was there ever

0:20:09.240 --> 0:20:11.920
<v Speaker 1>a cruising experience or a hookup where you learned something

0:20:11.920 --> 0:20:14.440
<v Speaker 1>about yourself that you didn't know before. You found a

0:20:14.560 --> 0:20:17.399
<v Speaker 1>new kink or fetish, or explored your body in a

0:20:17.480 --> 0:20:19.040
<v Speaker 1>new way where you're like, oh wow, this.

0:20:19.560 --> 0:20:22.800
<v Speaker 2>Yeah, that's one that of all of them, that's really

0:20:22.840 --> 0:20:26.080
<v Speaker 2>memorable to me. Venice two thousand and four, I was

0:20:26.680 --> 0:20:29.159
<v Speaker 2>doing kind of you'rea broad there as an undergraduate student,

0:20:29.880 --> 0:20:31.399
<v Speaker 2>and we were in one of these like you know,

0:20:31.880 --> 0:20:34.680
<v Speaker 2>silly small clubs of Venice because there's not many, and

0:20:34.760 --> 0:20:37.040
<v Speaker 2>so everyone goes to the same and somehow I kind

0:20:37.080 --> 0:20:39.200
<v Speaker 2>of hooked up with this guy and then you kind

0:20:39.240 --> 0:20:42.239
<v Speaker 2>of walk out together and you know, Venice at night,

0:20:42.280 --> 0:20:45.240
<v Speaker 2>there's nobody on the street, and obviously what you think

0:20:45.320 --> 0:20:47.200
<v Speaker 2>there's nobody on the street, you just want to fuck.

0:20:48.280 --> 0:20:51.520
<v Speaker 2>So we just we walked in, we just leaned against

0:20:51.680 --> 0:20:54.960
<v Speaker 2>a wall. It just like started fucking. It was a

0:20:55.000 --> 0:20:58.160
<v Speaker 2>little like courtyards, and half way through we start hearing

0:20:58.240 --> 0:21:02.040
<v Speaker 2>giggling and so look up. That was like like two

0:21:02.200 --> 0:21:05.640
<v Speaker 2>or three girls, like, you know, their early to mid twenties,

0:21:05.680 --> 0:21:09.639
<v Speaker 2>I guess, at the window, just watching and having the

0:21:09.760 --> 0:21:12.800
<v Speaker 2>time of their lives. And that really turned me on

0:21:12.960 --> 0:21:15.960
<v Speaker 2>so much. Yeah, I was like, okay, yeah, I kind

0:21:16.000 --> 0:21:17.800
<v Speaker 2>of like being watched, and so we kind of started

0:21:17.840 --> 0:21:23.120
<v Speaker 2>performing for the audience, and you know, that was good.

0:21:23.280 --> 0:21:24.879
<v Speaker 3>I love that. I hope you've got great reviews for

0:21:24.960 --> 0:21:26.240
<v Speaker 3>the performance, truly.

0:21:26.440 --> 0:21:28.879
<v Speaker 2>Yeah, the performers, you know what I mean?

0:21:29.000 --> 0:21:37.320
<v Speaker 1>Yeah, exactly, Yeah, best courtyards for cruising, please take a tour. So, Joe,

0:21:37.440 --> 0:21:39.320
<v Speaker 1>I don't know if you have been seeing the same

0:21:40.280 --> 0:21:42.040
<v Speaker 1>and the places that you've lived, but I do feel

0:21:42.040 --> 0:21:45.679
<v Speaker 1>like in the US we're seeing younger generations voicing these

0:21:45.680 --> 0:21:49.880
<v Speaker 1>sort of anti sex impulses, usually criticizing cruising and people

0:21:49.920 --> 0:21:52.000
<v Speaker 1>who spend a lot of time hooking up and looking

0:21:52.040 --> 0:21:55.000
<v Speaker 1>for sex right, wasting time. As you sort of mentioned,

0:21:55.240 --> 0:21:58.000
<v Speaker 1>they've used sex as a sort of non productive, actively

0:21:58.080 --> 0:22:02.000
<v Speaker 1>harmful thing. I mean, obviously they're gradations and complications to this,

0:22:02.240 --> 0:22:04.240
<v Speaker 1>but it does seem like there's this sort of anti

0:22:04.400 --> 0:22:09.080
<v Speaker 1>sex swing happening right, particularly targeting sex media and public cruising.

0:22:09.520 --> 0:22:11.879
<v Speaker 1>So what is one thing that you wish younger people

0:22:12.119 --> 0:22:14.680
<v Speaker 1>would know about cruising before criticizing it.

0:22:14.880 --> 0:22:17.640
<v Speaker 2>I love to talk about this, and they talk about

0:22:17.840 --> 0:22:20.639
<v Speaker 2>the zoomers or the dimmer careers, you know, with a

0:22:20.760 --> 0:22:24.760
<v Speaker 2>kind of approach to the fear of sex that is happening.

0:22:24.840 --> 0:22:29.520
<v Speaker 2>But it's also not just them. I mean, hello, Larry Kramer, y, Yeah,

0:22:29.600 --> 0:22:30.879
<v Speaker 2>I know if I can say this, but you know,

0:22:31.000 --> 0:22:33.600
<v Speaker 2>but Larry Kramer did very many good things, but also

0:22:33.800 --> 0:22:36.239
<v Speaker 2>you know Larry Kremer Andrew Sullivan, they are queers. They

0:22:36.440 --> 0:22:39.600
<v Speaker 2>have had positions on sex and promiscuity that are very

0:22:39.720 --> 0:22:43.439
<v Speaker 2>much along the lines of what these young kids are saying.

0:22:43.920 --> 0:22:46.800
<v Speaker 2>So I don't think it's necessarily generational. I think it

0:22:46.920 --> 0:22:51.119
<v Speaker 2>manifests generationally because there is such a general cultural panic

0:22:51.200 --> 0:22:55.600
<v Speaker 2>around sex because of the Internet. And this is something

0:22:55.640 --> 0:22:57.639
<v Speaker 2>that happens all the time. It happened when you know,

0:22:57.760 --> 0:23:01.560
<v Speaker 2>the printing press was invented, it happened when photography was invented,

0:23:01.600 --> 0:23:04.800
<v Speaker 2>when cinema was invented. Every time visual technologies are developed

0:23:04.800 --> 0:23:07.760
<v Speaker 2>that make access to images or to to kind of

0:23:08.000 --> 0:23:10.840
<v Speaker 2>content as we call it these days, more easily, and

0:23:10.920 --> 0:23:14.119
<v Speaker 2>what democratized then the fear of sex. Sex is going

0:23:14.160 --> 0:23:15.639
<v Speaker 2>to be seen by more people. What is it going

0:23:15.720 --> 0:23:20.000
<v Speaker 2>to do to them? With the Internet and digital culture alongside,

0:23:20.119 --> 0:23:23.600
<v Speaker 2>you know, very important conversations that we need to continue

0:23:23.600 --> 0:23:26.199
<v Speaker 2>to have around like consent. There's a kind of an

0:23:26.240 --> 0:23:29.760
<v Speaker 2>unfortunate flip sight to that, which is that younger people

0:23:30.280 --> 0:23:33.240
<v Speaker 2>are being told about sex as primarily a site of

0:23:33.840 --> 0:23:37.399
<v Speaker 2>harm and a side of risk. I encountered this a

0:23:37.480 --> 0:23:41.159
<v Speaker 2>lot like teaching undergraduates in the UK especially, no one

0:23:41.280 --> 0:23:44.119
<v Speaker 2>knows how to do sex. And in the UK, I

0:23:44.240 --> 0:23:47.560
<v Speaker 2>mean it's ridiculous how little young adults know when they

0:23:47.600 --> 0:23:50.840
<v Speaker 2>come to university, especially the straight kids. The fear they

0:23:50.920 --> 0:23:55.800
<v Speaker 2>had of sex and they're born was unbearable. They couldn't

0:23:55.800 --> 0:23:58.560
<v Speaker 2>even talk about it to each other because there was

0:23:58.560 --> 0:24:01.440
<v Speaker 2>scared of being like Judge. There's you know, slots. It's

0:24:01.520 --> 0:24:04.640
<v Speaker 2>not all gen Zers that think like this, and I've

0:24:04.680 --> 0:24:07.720
<v Speaker 2>spoken to many gen Zers who are completely different and

0:24:07.800 --> 0:24:10.960
<v Speaker 2>are a lot more open with their sexuality. But the

0:24:11.080 --> 0:24:15.560
<v Speaker 2>dominant discourse around sex is that you know that sex

0:24:15.920 --> 0:24:19.560
<v Speaker 2>is always primarily a site where we will be harmed,

0:24:20.240 --> 0:24:22.480
<v Speaker 2>rather than thinking about sex as a place where you

0:24:22.520 --> 0:24:25.359
<v Speaker 2>are allowed to feel pleasure, where you're allowed to experiment,

0:24:25.480 --> 0:24:28.119
<v Speaker 2>where you're allowed to learn about yourself and your body.

0:24:29.160 --> 0:24:31.159
<v Speaker 2>Learn about how to be with other people in very

0:24:31.240 --> 0:24:34.119
<v Speaker 2>vulnerable positions is something really important. That's how what it

0:24:34.240 --> 0:24:36.920
<v Speaker 2>means to be with people growing up. I learned a

0:24:37.000 --> 0:24:40.960
<v Speaker 2>lot from you know, my early twenties, late teens, early twenties,

0:24:41.000 --> 0:24:43.119
<v Speaker 2>from people who are in their thirties right. They were

0:24:43.200 --> 0:24:45.480
<v Speaker 2>the guys who taught me a lot about sex, what

0:24:45.600 --> 0:24:49.280
<v Speaker 2>sex can be of good things and difficult things about sex,

0:24:49.359 --> 0:24:52.000
<v Speaker 2>the messy stuff about sex. And I learned all of

0:24:52.080 --> 0:24:54.400
<v Speaker 2>that through them. And that's kind of something we've done

0:24:54.720 --> 0:24:57.880
<v Speaker 2>since we've existed as like a culture or a community,

0:24:57.920 --> 0:24:59.800
<v Speaker 2>if you want to call it that. It kind of

0:25:00.080 --> 0:25:03.119
<v Speaker 2>to each other things. And I don't want to be

0:25:03.280 --> 0:25:05.720
<v Speaker 2>like sounding like an old fag, but because of the

0:25:05.800 --> 0:25:07.840
<v Speaker 2>ways in which sex has been the platform so much,

0:25:07.880 --> 0:25:10.400
<v Speaker 2>you can't have sex talk, you can't have sex images

0:25:10.600 --> 0:25:13.960
<v Speaker 2>in social media. Content is so restricted to specific places.

0:25:14.160 --> 0:25:17.520
<v Speaker 2>If your main point of contact with the world is

0:25:17.920 --> 0:25:20.280
<v Speaker 2>a smartphone in our computer, there's a lot in not

0:25:20.400 --> 0:25:25.160
<v Speaker 2>getting between that and the fear mongering around sex, which

0:25:25.760 --> 0:25:28.920
<v Speaker 2>comes from very genuine places of concern. It just reduced

0:25:29.000 --> 0:25:30.280
<v Speaker 2>sex to this really bad thing.

0:25:30.840 --> 0:25:32.600
<v Speaker 1>Okay, So before we let you go, I do have

0:25:32.800 --> 0:25:35.480
<v Speaker 1>one last question, and I think we've kind of addressed it.

0:25:35.840 --> 0:25:38.399
<v Speaker 1>The US and several European countries are going through a

0:25:38.520 --> 0:25:41.159
<v Speaker 1>lavender scare style moral panic. We've seen it before, we

0:25:41.240 --> 0:25:44.600
<v Speaker 1>are unfortunately seeing it again. We're seeing laws targeting everything

0:25:44.640 --> 0:25:47.760
<v Speaker 1>from queer books to poppers in the US now. So

0:25:48.000 --> 0:25:50.600
<v Speaker 1>my final question for you is, how do you cruise

0:25:50.640 --> 0:25:52.480
<v Speaker 1>when the empires on the verge of collapse.

0:25:52.920 --> 0:25:55.879
<v Speaker 2>RFK Junior really did come for poppers, and I mean,

0:25:55.960 --> 0:25:58.760
<v Speaker 2>and it's likely that he's coming for prep with the

0:25:58.880 --> 0:26:02.439
<v Speaker 2>defunding of HI programs. I have a hope for this moment, right,

0:26:02.920 --> 0:26:05.840
<v Speaker 2>this kind of right wing turn, this like radical right

0:26:05.920 --> 0:26:09.480
<v Speaker 2>wing turn, will help our gay brothers remember that they

0:26:09.560 --> 0:26:13.080
<v Speaker 2>are and have always been faggots, and that perhaps we

0:26:13.200 --> 0:26:16.639
<v Speaker 2>kind of can go back to the moment where we

0:26:16.800 --> 0:26:19.600
<v Speaker 2>were in solidarity and in the same places with other

0:26:19.640 --> 0:26:21.119
<v Speaker 2>people who are not, you know, just the gay men,

0:26:22.040 --> 0:26:24.920
<v Speaker 2>like the particular kind of you know, good gay man

0:26:25.240 --> 0:26:27.879
<v Speaker 2>when they came for the paupers. I posted something on

0:26:27.960 --> 0:26:30.639
<v Speaker 2>Blue Sky along their lives of that's it. Finally the

0:26:30.680 --> 0:26:32.520
<v Speaker 2>guys are going to become politicized now.

0:26:33.520 --> 0:26:33.760
<v Speaker 1>You know.

0:26:34.960 --> 0:26:37.439
<v Speaker 2>Don't take the fucking poppers away from us. I can

0:26:37.520 --> 0:26:39.600
<v Speaker 2>only see one solution, which is that we kind of

0:26:39.720 --> 0:26:43.159
<v Speaker 2>realize that the people who left behind in order to

0:26:43.240 --> 0:26:46.520
<v Speaker 2>become middle class white gay men, that they remember that

0:26:46.640 --> 0:26:49.320
<v Speaker 2>we are now all in the same both or that

0:26:49.440 --> 0:26:51.960
<v Speaker 2>the things that they are coming for also affect those

0:26:52.000 --> 0:26:55.119
<v Speaker 2>of us with privileged lives. And so I hope that

0:26:55.320 --> 0:26:58.160
<v Speaker 2>this makes us think about the choice that we've made,

0:26:59.000 --> 0:27:01.520
<v Speaker 2>and that we really evered openness to the very spaces

0:27:01.560 --> 0:27:04.480
<v Speaker 2>of cruising that we go to and maybe, you know,

0:27:04.600 --> 0:27:06.840
<v Speaker 2>maybe this is the spaces of cruising, like once again

0:27:06.880 --> 0:27:08.080
<v Speaker 2>you can kind of build a movement.

0:27:08.600 --> 0:27:09.920
<v Speaker 1>I love that you mentioned that, and I you know,

0:27:09.960 --> 0:27:11.960
<v Speaker 1>I think during the sixties and seventies, so many of

0:27:12.680 --> 0:27:15.560
<v Speaker 1>the galvanizing movements happened when, like you know, I think

0:27:15.600 --> 0:27:17.440
<v Speaker 1>of Canada a bathhouse was attacked.

0:27:18.200 --> 0:27:19.000
<v Speaker 3>I think of the US.

0:27:19.200 --> 0:27:22.359
<v Speaker 1>Everybody in that era described stonewall as like the messy,

0:27:22.800 --> 0:27:23.800
<v Speaker 1>grimy bar.

0:27:24.440 --> 0:27:26.760
<v Speaker 3>Where you went to go do disgusting things.

0:27:26.960 --> 0:27:29.680
<v Speaker 1>So it's like those places are always the site of

0:27:29.720 --> 0:27:32.000
<v Speaker 1>galvanizing movements. And you know, I kind of hate that

0:27:32.359 --> 0:27:36.440
<v Speaker 1>we're back in this moment in some cyclical way, but yeah,

0:27:36.440 --> 0:27:37.760
<v Speaker 1>it does give me hope. I think you're right.

0:27:38.119 --> 0:27:40.080
<v Speaker 2>People don't know about this. I mean, the Catalans are

0:27:40.080 --> 0:27:42.160
<v Speaker 2>really proud of this because they say, we're really where

0:27:42.200 --> 0:27:45.800
<v Speaker 2>it started, not Stone. Like the first protest, the first

0:27:45.920 --> 0:27:49.480
<v Speaker 2>LGBT protests in Spain, it was in Barcelona in nineteen

0:27:49.520 --> 0:27:53.440
<v Speaker 2>thirty three, and it's a bunch of like transsex workers, yeah,

0:27:53.600 --> 0:27:59.320
<v Speaker 2>who are like walking the streets near a Urhino Public Urhino,

0:28:00.080 --> 0:28:03.439
<v Speaker 2>and and something happened there that the next day all

0:28:03.480 --> 0:28:09.040
<v Speaker 2>these these like trans hookahs uh went down marched down

0:28:09.080 --> 0:28:12.920
<v Speaker 2>to the public urinal in protest. This is the thing

0:28:13.119 --> 0:28:15.840
<v Speaker 2>we have always organized around around these places of sex

0:28:15.920 --> 0:28:17.520
<v Speaker 2>because they were so important to us in the case

0:28:17.560 --> 0:28:20.719
<v Speaker 2>of sex workers, for their own livelihoods too. And if

0:28:20.800 --> 0:28:23.840
<v Speaker 2>that's what it takes it, then that's what it takes.

0:28:24.640 --> 0:28:27.040
<v Speaker 2>Though it's sad that the gays, the gays, you know,

0:28:27.080 --> 0:28:29.360
<v Speaker 2>I'm not talking about the facts, im talking about the guy. Yeah,

0:28:29.440 --> 0:28:32.919
<v Speaker 2>that the gays are like, oh shit, fuck they came

0:28:32.960 --> 0:28:35.399
<v Speaker 2>for paupers, like, yeah, they came for everyone else before before,

0:28:35.480 --> 0:28:36.159
<v Speaker 2>you you know, but.

0:28:37.680 --> 0:28:43.840
<v Speaker 3>Mind first they came for the poppers and I did not. Well,

0:28:44.120 --> 0:28:46.040
<v Speaker 3>thank you so much for joining us today, Joe. We

0:28:46.240 --> 0:28:48.440
<v Speaker 3>really really appreciate having so much like you. Thank you,

0:28:48.520 --> 0:28:49.920
<v Speaker 3>thank you. This has been such a treat.

0:28:50.720 --> 0:28:52.800
<v Speaker 4>When we come back, we're gonna hear an actual cruising

0:28:52.800 --> 0:28:54.160
<v Speaker 4>compassion from one of our listeners.

0:28:54.400 --> 0:28:54.920
<v Speaker 3>Stay tuned.

0:28:55.600 --> 0:29:05.440
<v Speaker 5>Yeah, a few weeks ago, I visited a guy's place

0:29:05.640 --> 0:29:09.120
<v Speaker 5>and he said his boyfriend and all his friends are

0:29:09.160 --> 0:29:14.480
<v Speaker 5>out partying. So we hooked up and in the aftercare

0:29:15.280 --> 0:29:19.200
<v Speaker 5>his boyfriend and all their friends came over and I

0:29:19.480 --> 0:29:24.000
<v Speaker 5>was the after party until eight am. Oh I got

0:29:24.040 --> 0:29:28.960
<v Speaker 5>there at ten pm. Oh for ten hours I was

0:29:29.040 --> 0:29:29.719
<v Speaker 5>taking loads.

0:29:30.240 --> 0:29:30.520
<v Speaker 2>Wow.

0:29:31.880 --> 0:29:36.080
<v Speaker 3>And that's the story. Oh, that's that's I mean, what

0:29:36.160 --> 0:29:36.440
<v Speaker 3>a true.

0:29:36.720 --> 0:29:39.440
<v Speaker 4>And what's interesting is that he said in the aftercare

0:29:40.400 --> 0:29:42.000
<v Speaker 4>I became the after party.

0:29:42.400 --> 0:29:44.240
<v Speaker 3>And that doesn't feel like much of a soft landing.

0:29:44.520 --> 0:29:47.120
<v Speaker 1>No, you know what, if you're doing something that requires

0:29:47.160 --> 0:29:51.320
<v Speaker 1>aftercare taking, like several loads for many hours afterwards, is

0:29:51.680 --> 0:29:52.240
<v Speaker 1>very bold.

0:29:52.680 --> 0:29:53.600
<v Speaker 3>It's very daring.

0:29:54.640 --> 0:29:57.800
<v Speaker 4>I love the eagerness though, right, like, yeah, you're not thirsty,

0:29:58.600 --> 0:30:01.320
<v Speaker 4>thirsty because she I mean, I'm I do love.

0:30:01.400 --> 0:30:02.960
<v Speaker 1>How to sink to the story was They're like, I'm

0:30:03.000 --> 0:30:05.480
<v Speaker 1>just going to share with you in Olympian feat of

0:30:05.840 --> 0:30:07.920
<v Speaker 1>load taking and that we'll speak for itself.

0:30:08.000 --> 0:30:08.240
<v Speaker 2>Correct.

0:30:08.360 --> 0:30:09.480
<v Speaker 3>I don't need to add frills.

0:30:09.560 --> 0:30:11.200
<v Speaker 1>You didn't need to know names, We didn't need to

0:30:11.240 --> 0:30:13.120
<v Speaker 1>know who was wearing, what, where it happened.

0:30:13.240 --> 0:30:17.280
<v Speaker 3>Do you think the boyfriend pre planned this with his boyfriend? Honestly?

0:30:17.680 --> 0:30:20.120
<v Speaker 1>Okay, I was hooking up a couple that I knew

0:30:20.320 --> 0:30:23.400
<v Speaker 1>once and one of them was like, hey, come over,

0:30:23.680 --> 0:30:26.120
<v Speaker 1>my boyfriend's out. You should come fuck and then the

0:30:26.200 --> 0:30:28.120
<v Speaker 1>boyfriend was like, Hey, so and so told me you're

0:30:28.120 --> 0:30:30.240
<v Speaker 1>coming over. How would you feel if I happened to

0:30:30.320 --> 0:30:32.200
<v Speaker 1>show up a half hour earlier? And I was like,

0:30:32.320 --> 0:30:34.520
<v Speaker 1>I don't mind that, but I do feel like i'd

0:30:34.560 --> 0:30:35.920
<v Speaker 1>be lying to your boy you know what I mean?

0:30:35.960 --> 0:30:38.120
<v Speaker 1>If I come over and I'm like, oh, it's just us, Oh,

0:30:38.440 --> 0:30:40.160
<v Speaker 1>oh my god, there's your boyfriend.

0:30:41.440 --> 0:30:43.040
<v Speaker 3>I'm not trying to act, you know what I mean.

0:30:43.920 --> 0:30:45.800
<v Speaker 3>Like if we're role playing, that's one thing, but I'm sad,

0:30:45.880 --> 0:30:47.160
<v Speaker 3>you know what I mean, Like I need a rate

0:30:47.320 --> 0:30:49.800
<v Speaker 3>for that kind of performance, truly.

0:30:50.560 --> 0:30:53.160
<v Speaker 1>So I do definitely think there could have been a

0:30:53.240 --> 0:30:56.720
<v Speaker 1>bit of a subterfuge or a bit of a mislead there.

0:30:57.240 --> 0:30:58.840
<v Speaker 1>But if you're open to it and you're down, then

0:30:58.920 --> 0:31:02.480
<v Speaker 1>you know what happy accident? Right, Well, thank you so

0:31:02.600 --> 0:31:03.600
<v Speaker 1>much for submitting that story.

0:31:03.640 --> 0:31:06.120
<v Speaker 3>I wish I was you. I wish I had that stamina.

0:31:06.360 --> 0:31:08.280
<v Speaker 4>If you want to hear your own cruising confessions on

0:31:08.320 --> 0:31:10.680
<v Speaker 4>an upcoming episode of this podcast, you can call our

0:31:10.720 --> 0:31:14.560
<v Speaker 4>Cruising Confessions hotline at three zero two two one nine

0:31:14.720 --> 0:31:18.080
<v Speaker 4>three eight nine eight. That's three zero two two one

0:31:18.280 --> 0:31:21.520
<v Speaker 4>nine three eight nine eights. Yes, please do Colin we

0:31:21.640 --> 0:31:25.000
<v Speaker 4>cannot wait to hear from you. All right, So this

0:31:25.160 --> 0:31:26.160
<v Speaker 4>was such a great episode.

0:31:28.280 --> 0:31:29.040
<v Speaker 2>It was so good.

0:31:29.360 --> 0:31:30.040
<v Speaker 3>Professor Pig.

0:31:30.360 --> 0:31:35.160
<v Speaker 1>Professor Pig, he's such a smart person and the way

0:31:35.440 --> 0:31:39.120
<v Speaker 1>he manages to take these like really esoteric ideas about

0:31:39.160 --> 0:31:41.280
<v Speaker 1>like the politics of fucking and queerness and all these

0:31:41.360 --> 0:31:43.680
<v Speaker 1>historical stories and then just kind of smash it down

0:31:43.720 --> 0:31:45.240
<v Speaker 1>into like a little sloody.

0:31:45.080 --> 0:31:47.280
<v Speaker 3>Into this little thing. Yeah, no, that's exactly I felt

0:31:47.280 --> 0:31:49.200
<v Speaker 3>the same point. Yeah, I was like, great, give me

0:31:49.280 --> 0:31:50.440
<v Speaker 3>that slutty little nugget.

0:31:50.600 --> 0:31:50.800
<v Speaker 2>Yeah.

0:31:53.040 --> 0:31:54.360
<v Speaker 3>And this is why we're friends.

0:31:55.440 --> 0:32:00.719
<v Speaker 1>This is why we are friend's co hosts, wives, sisters.

0:32:01.520 --> 0:32:04.440
<v Speaker 3>Yeah, we are our own polycule. We're a polycule of two.

0:32:05.320 --> 0:32:05.760
<v Speaker 3>I love it.

0:32:06.720 --> 0:32:08.560
<v Speaker 1>All right, Well, we do want to thank our guests today,

0:32:08.600 --> 0:32:11.400
<v Speaker 1>Professor Joel Florencio. You can get his books, including his

0:32:11.520 --> 0:32:15.560
<v Speaker 1>new one Crossings Creative Ecologies of Cruising wherever books are sold,

0:32:15.600 --> 0:32:18.680
<v Speaker 1>and please do buy them at a bookstore. Sniffy's Cruisy

0:32:18.680 --> 0:32:21.560
<v Speaker 1>Confessions is directed by Adam Barron, produced by Amanda Kuper

0:32:21.640 --> 0:32:24.480
<v Speaker 1>and Cameron Femino, and executive produced by Eli Martin.

0:32:24.680 --> 0:32:27.400
<v Speaker 4>Cruising Confessions is presented by Snippy's The Ultimate Map based

0:32:27.440 --> 0:32:30.720
<v Speaker 4>cruising platform for gay by curious people Ready to cruise,

0:32:30.920 --> 0:32:32.640
<v Speaker 4>check out the map at snippies dot com and fall

0:32:32.720 --> 0:32:33.960
<v Speaker 4>snitches at Snippy's app.

0:32:34.240 --> 0:32:37.320
<v Speaker 3>Cruisers are a community. Do your part in keeping us safe.

0:32:37.480 --> 0:32:40.440
<v Speaker 1>Learn more about protecting your sexual health at Healthy Sexuals

0:32:40.560 --> 0:32:40.959
<v Speaker 1>dot com.

0:32:42.520 --> 0:32:45.040
<v Speaker 2>Put Jo put put Jo put, Joe put