WEBVTT - 2 | Tomshanigans

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<v Speaker 1>The Red Weather is a work of fiction. Any resemblance

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<v Speaker 1>to actual persons or events reflects the adaptation of real,

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<v Speaker 1>publicly available materials for creative and legal reasons. The content

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<v Speaker 1>of this podcast is the sole responsibility of Red Weather

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<v Speaker 1>LLC and does not reflect the views of responsibilities of

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<v Speaker 1>iHeartMedia or its affiliates. Previously on The Red Weather, in

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<v Speaker 1>nineteen ninety five, my neighbor and a trainer disappeared from

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<v Speaker 1>a commune, and back then I lied to everybody.

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<v Speaker 2>An a trainer was at a party in downtown Sebasketball.

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<v Speaker 2>There are a lot of witnesses that said Anna she

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<v Speaker 2>had a fight with her boyfriend.

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<v Speaker 1>I was with Anna's sister Willow that night, but we

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<v Speaker 1>were actually in the woods. We were on the Tender Hearts.

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<v Speaker 3>Property, the most weed I've ever seen in my life,

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<v Speaker 3>and Willow burned it down to the ground intentional.

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<v Speaker 2>I'm not sure does that answer things or does that

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<v Speaker 2>does create more questions?

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<v Speaker 4>Right?

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<v Speaker 1>I mean, that's kind of my whole with this podcast,

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<v Speaker 1>That's what I want to find out. My dad has

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<v Speaker 1>this story he tells from when he was a teenager.

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<v Speaker 1>One night, his friends told him to get in the car.

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<v Speaker 5>Friends of mine that I grew up with.

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<v Speaker 6>Said, hey, we have a girl that's living away from

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<v Speaker 6>here who.

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<v Speaker 5>Is willing to take us on.

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<v Speaker 6>And said, oh, yeah, yeah, come on, let's go. And

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<v Speaker 6>I said, oh, well sure, you know, I jumped in

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<v Speaker 6>the car and there were three or four of us.

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<v Speaker 1>They were all going to see Sally Chase, an older

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<v Speaker 1>married woman who wanted to party with him while her

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<v Speaker 1>husband was out of town. They parked the car and

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<v Speaker 1>walked through the woods to go to a farmhouse.

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<v Speaker 6>It was raining, started raining real light.

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<v Speaker 5>But this house is up on the top of the hill.

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<v Speaker 1>And side note, even though this really happened, this story

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<v Speaker 1>in my imagination is animated. Specifically, it looks like the

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<v Speaker 1>cover of a Hardy Boys novel or any old timey

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<v Speaker 1>book or movie poster with a haunted house or a

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<v Speaker 1>spooky farmhouse. Anyway, when my dad and his past and

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<v Speaker 1>they definitely called each other pal got close to Sally

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<v Speaker 1>Chase's porch, gunshots rang out.

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<v Speaker 6>You're just one of light and window, and all of

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<v Speaker 6>a sudden, this guy yells out, oh.

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<v Speaker 5>Did you should it bit you to come around her?

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<v Speaker 1>In my wife boom boom. Sally's husband was there yelling

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<v Speaker 1>and brandishing a shotgun, so one of my dad's friends

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<v Speaker 1>falls to the ground, screaming in pain. The shots kept coming,

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<v Speaker 1>and understandably, my dad panicked.

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<v Speaker 6>And I turned and I ran as fast as I

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<v Speaker 6>could out of there, not thinking of anybody else but surviving.

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<v Speaker 6>As I'm running, I come up to his.

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<v Speaker 5>Field on ahead of me and said, okay, right through there,

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<v Speaker 5>and I run.

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<v Speaker 1>He ran headlong into a fence in the dark, cut

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<v Speaker 1>up his forehead.

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<v Speaker 6>I jump over the fence and they finally found a

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<v Speaker 6>place in another road that I could come out one.

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<v Speaker 1>Blood was dripping down his face. He made it to

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<v Speaker 1>the road. He flagged down a car as soon as

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<v Speaker 1>he got in. The man who picked him up was concerned.

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<v Speaker 1>My dad was embarrassed, scared and didn't know what to say.

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<v Speaker 1>But the driver had a very important, very telling question.

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<v Speaker 6>They said, you haven't worn up see Sally Chase for it.

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<v Speaker 6>I said not, I'm talking about man.

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<v Speaker 1>My dad denied it, but the guy persisted, you were

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<v Speaker 1>up season Sally Chase.

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<v Speaker 5>Vers goes, damn man, that guy up.

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<v Speaker 6>There's crazy. He shot to my buddies. At least and

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<v Speaker 6>he said, no, no, that's a joke, is what It was.

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<v Speaker 1>A setup, a prank, one of these small town rituals

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<v Speaker 1>that had been going on for years. So the guy

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<v Speaker 1>gave my dad a ride into town where all his

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<v Speaker 1>friends were waiting for him, laughing and welcoming him to

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<v Speaker 1>the club of Sally Chase Survivors, which was always this

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<v Speaker 1>kind of funny story straight out of something like the

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<v Speaker 1>movie Porky's Some nineteen fifties Boys Will Be Boys romp.

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<v Speaker 1>But when I consider this story now, this memory, I

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<v Speaker 1>have a hard time wrapping my head around what my

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<v Speaker 1>dad was thinking. He was going to sleep with some

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<v Speaker 1>random married woman in a farmhouse. Did he believe this

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<v Speaker 1>woman was so excited to cheat on her husband that

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<v Speaker 1>she just invited a group of teenage boys sight unseen

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<v Speaker 1>to her house. Was going to be some kind of orgy?

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<v Speaker 1>Were they going to take turns? Did he really think

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<v Speaker 1>this through? No, of course not. He just went along

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<v Speaker 1>with his friends, because when you're a teenager, you don't

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<v Speaker 1>think these things through. You're caught up in a moment

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<v Speaker 1>in your age, in your friend group. You're completely in

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<v Speaker 1>a bubble. Your hormones are going crazy, your priorities are

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<v Speaker 1>completely messed up. It's not that different from what my

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<v Speaker 1>friends and I were doing the night that Anna Trainer disappeared,

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<v Speaker 1>just like my dad's story. When I think back and

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<v Speaker 1>I try and remember my worldview, it just doesn't make

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<v Speaker 1>any sense. We were out there for some kind of revenge,

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<v Speaker 1>and there was a sex and porn element that is

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<v Speaker 1>super fuzzy and makes me uncomfortable to even think about,

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<v Speaker 1>let alone talk about into a microphone. It was just

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<v Speaker 1>like my dad, this adolescent misadventure that if you look

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<v Speaker 1>back with any perspective, you can't help but question your motivations,

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<v Speaker 1>your intelligence, and even maybe your moral compass. The difference is,

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<v Speaker 1>of course, that for my dad it all worked out.

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<v Speaker 1>His crazy Night in the Woods was a joke and

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<v Speaker 1>he was fine. They could laugh about it. They even

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<v Speaker 1>went on to play the same prank on my dad's

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<v Speaker 1>brother and other friends. But my Crazy Night in the

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<v Speaker 1>Woods ended with a fire that burned four houses and

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<v Speaker 1>one hundred acres, And after that night, Willow's sister Anna

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<v Speaker 1>was never seen again. I am actor and filmmaker writer

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<v Speaker 1>Strong This is the Red Weather. Before she killed herself,

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<v Speaker 1>my friend Willow had let me out of a promise

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<v Speaker 1>to keep a secret about the night her sister Anna disappeared.

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<v Speaker 1>I'd gone back to my hometown to talk with reporters, police, family,

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<v Speaker 1>and other people from our lives. My friend Chris joined me.

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<v Speaker 1>He was also in on the promise, but I had

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<v Speaker 1>barely begun the process when Chris and I discovered that

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<v Speaker 1>our versions of this promise were pretty different. Why would

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<v Speaker 1>we be arrested because Willow accidentally started the fire?

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<v Speaker 3>Accidentally started a fire that that is not at all

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<v Speaker 3>would happen?

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<v Speaker 4>What are you talking about?

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<v Speaker 1>What are you talking? I'm talking with the pinkiesware. Turns

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<v Speaker 1>out Chris was with her, and she'd started the fire

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<v Speaker 1>intentionally to burn down a barn full of cannabis, which

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<v Speaker 1>back then we would have called pot or marijuana or

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<v Speaker 1>if you're my parents.

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<v Speaker 5>Grass that's what you called it. So I still call it, yes,

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<v Speaker 5>I don't.

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<v Speaker 1>Know, Yeah, I feel like growing up, you guys always

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<v Speaker 1>called it grass or dope, called a magic plants, magic plants.

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<v Speaker 7>Well, we just called it magic plants for you guys,

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<v Speaker 7>you little guys.

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<v Speaker 8>You know.

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<v Speaker 1>In any event, coming forward to the cops suddenly felt

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<v Speaker 1>like a bigger deal. I'd already scheduled to sit down

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<v Speaker 1>with Sheriff Maldonado, the lead investigator from Anna's case, I

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<v Speaker 1>was set to meet him at his house.

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<v Speaker 4>Would you be willing to sit down with me?

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<v Speaker 9>Uh?

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<v Speaker 4>Sure, I can come to you.

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<v Speaker 1>It's just a couple of microphones and a recorder, you know.

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<v Speaker 10>Okay, yeah, yeah, yeah, that sounds good.

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<v Speaker 5>I'll try to find what notes I might have.

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<v Speaker 1>Chris and I took the time to walk the woods

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<v Speaker 1>behind my parents' house where we were the knight that

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<v Speaker 1>Anna disappeared, yeh, finding out we had different versions of

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<v Speaker 1>that night. It seemed important to retrace our steps, all right.

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<v Speaker 1>So the rat hole used to be Yeah, there see

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<v Speaker 1>the bones of it. Yeah, the rat hole was a

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<v Speaker 1>for it. My brother and I made, well, really, my

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<v Speaker 1>dad made it and we helped. I probably nailed a

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<v Speaker 1>couple of boards. But it was every kid's dream come true.

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<v Speaker 11>Which was a two story building that had no windows

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<v Speaker 11>or doors, but the only way you get in was

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<v Speaker 11>through a trapdoor underneath.

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<v Speaker 5>It took me a long time to knock it down.

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<v Speaker 1>When did your dad take it down? I actually don't know.

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<v Speaker 1>I mean it was after we moved.

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<v Speaker 6>Out, probably ten to fifteen years ago. I don't remember.

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<v Speaker 6>Just in fact, the parts are still there. I never

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<v Speaker 6>took them away. I didn't what to do with it,

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<v Speaker 6>because when they had the septic redone, they just took

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<v Speaker 6>all the old sheptic concrete threw it down there too.

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<v Speaker 1>It was this crumbling molding mess. But when we were kids,

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<v Speaker 1>it was the best. We put a carpet inside, we

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<v Speaker 1>spray painted the walls, and it was where we set

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<v Speaker 1>the stage for our knight. Didn't consult us, just took

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<v Speaker 1>it down. It's like, what was our plan? It was

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<v Speaker 1>Halloween nineteen ninety five. I was with Chris, our friends Connor,

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<v Speaker 1>Ryan and Willow. We were fifteen. We didn't have cars,

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<v Speaker 1>didn't have good flashlights, we didn't have a clue, but

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<v Speaker 1>we had the rat hole, some rope, a fake dead body,

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<v Speaker 1>and maybe the worst idea in the world. At the time,

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<v Speaker 1>we thought we were doing the right thing, something noble.

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<v Speaker 1>We were trying to save Anna's reputation. And the interesting

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<v Speaker 1>thing about that is I didn't even really know Anna

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<v Speaker 1>that well. I mean, I was intimidated by Anna. She

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<v Speaker 1>was older man, she was the coolest. When Chilo knew

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<v Speaker 1>her a little bit better. I think she just was

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<v Speaker 1>kind of lost at that time, and I.

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<v Speaker 11>Regret looking back on it, my lack of understanding what

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<v Speaker 11>she was going through and.

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<v Speaker 1>You were in love with her. We all had a

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<v Speaker 1>massive crush on Rose and I barely even talked to her.

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<v Speaker 3>But whatever, I was anything with a pulse and boob Okay,

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<v Speaker 3>fuck off, I wasn't in teen magazines and on television.

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<v Speaker 1>At fall. Anna was going through a rough time. Likes.

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<v Speaker 1>She and Willow grew up in the Tender Hearts, the

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<v Speaker 1>collective through the woods from Me, so they were homeschooled

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<v Speaker 1>up until high school, and then she wanted to go

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<v Speaker 1>to the same high school as everyone in Sebastopol, the

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<v Speaker 1>public school. Anily, she went from being a commune kid

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<v Speaker 1>out in the sticks to suddenly having this much more regular,

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<v Speaker 1>all American high school experience, and by all accounts, it

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<v Speaker 1>didn't go well.

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<v Speaker 11>You know, I think she at that time was going

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<v Speaker 11>through a lot of stuff that.

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<v Speaker 5>I don't think we could really relate.

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<v Speaker 1>To or understand. You know, my brother tried to go

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<v Speaker 1>to Annilie's freshman year.

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<v Speaker 11>He only lasted two weeks after coming off of being homeschooled.

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<v Speaker 5>Yeah, walking into.

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<v Speaker 11>That was yeah awful.

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<v Speaker 5>Yeah, God, I don't know. I still have nightmares about it.

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<v Speaker 1>This was a girl who never set foot in the classroom.

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<v Speaker 1>She'd never done a book report, let alone dealt with

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<v Speaker 1>the kind of social pressure of a typical American high school.

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<v Speaker 1>You have to remember this was the nineteen nineties. No

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<v Speaker 1>one wanted to actually be weird, to actually be different.

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<v Speaker 1>If you didn't shop at Hot Topic, listen to Tupac

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<v Speaker 1>and Nirvana, you probably weren't going to be popular. And

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<v Speaker 1>I know there are a lot of hippie kids everywhere,

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<v Speaker 1>but that usually meant kids who smoked pot and listened

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<v Speaker 1>to the Grateful Dead. It did not mean kids who

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<v Speaker 1>would say, find roadkill, skin it and eat it. Ryan

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<v Speaker 1>remembers that I remember.

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<v Speaker 12>Her actually bringing that to school and it being cooked,

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<v Speaker 12>and like people trying it.

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<v Speaker 4>I think I might have tried.

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<v Speaker 9>A little bit of it. Actually, well yeah, she never.

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<v Speaker 1>Tried something, but it was I thought it was either

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<v Speaker 1>possum or squirrel.

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<v Speaker 9>Okay, okay, yeah.

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<v Speaker 1>But Anna wanted a more normal life. She wanted to

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<v Speaker 1>be in town, so even though rough, she stuck it

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<v Speaker 1>out and things did get better for a time. She

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<v Speaker 1>made friends. For better or worse, she discovered drinking and drugs,

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<v Speaker 1>and by her junior year she had a boyfriend, Mick Bowden.

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<v Speaker 1>He was the ultimate town kit. He got good grades,

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<v Speaker 1>had money, He had his own car and Acura Integra.

0:12:19.160 --> 0:12:22.640
<v Speaker 2>Look, my understanding was that Anna and Mick were a

0:12:22.640 --> 0:12:23.760
<v Speaker 2>little star crossed.

0:12:24.000 --> 0:12:26.880
<v Speaker 1>This is Monica Tremblaine. She's the local reporter who covered

0:12:26.880 --> 0:12:29.120
<v Speaker 1>the case originally and was helping me connect the dots.

0:12:29.520 --> 0:12:32.800
<v Speaker 2>Definitely, it was surprising that they dated it in the

0:12:32.840 --> 0:12:33.400
<v Speaker 2>first place.

0:12:33.920 --> 0:12:38.679
<v Speaker 1>Huck, I'm hated me too, hated. Mick and Anna were

0:12:38.679 --> 0:12:41.400
<v Speaker 1>together for a year or so, and after they broke up,

0:12:41.440 --> 0:12:45.920
<v Speaker 1>Anna got a reputation she was well, now you say

0:12:46.120 --> 0:12:48.600
<v Speaker 1>sex positive, but that wasn't really a thing.

0:12:48.880 --> 0:12:51.320
<v Speaker 13>Yeah, there was some she gave head to some guy

0:12:51.720 --> 0:12:55.040
<v Speaker 13>in the dark room or a couple guys in the dark.

0:12:54.960 --> 0:12:57.120
<v Speaker 1>Room or something, and the fact that she had done

0:12:57.160 --> 0:12:57.480
<v Speaker 1>that was.

0:12:57.520 --> 0:13:03.720
<v Speaker 5>Enough of a story to tell to everybody, I guess. Yeah.

0:13:03.920 --> 0:13:05.959
<v Speaker 9>Yeah.

0:13:06.559 --> 0:13:13.200
<v Speaker 11>She had a reputation of being very sexually open, which

0:13:13.679 --> 0:13:16.640
<v Speaker 11>I remember was unjustified.

0:13:16.840 --> 0:13:18.319
<v Speaker 5>Well, I mean, it just always annoyed me.

0:13:18.400 --> 0:13:21.800
<v Speaker 11>Because it was only because she was a woman, and

0:13:21.840 --> 0:13:25.640
<v Speaker 11>that whole idea, the concept of somebody being a slut only.

0:13:25.440 --> 0:13:26.679
<v Speaker 5>Applies to a woman.

0:13:26.880 --> 0:13:30.560
<v Speaker 1>And eventually there was a tape Shiloh had actually seen.

0:13:30.600 --> 0:13:33.800
<v Speaker 5>It was it a VHS No, I think it was on.

0:13:34.920 --> 0:13:37.120
<v Speaker 5>It was like one of those little tiny.

0:13:37.200 --> 0:13:41.920
<v Speaker 1>D mini DV things. This is the infamous yurt party tape.

0:13:42.040 --> 0:13:43.840
<v Speaker 1>And if you don't know what a yurt is, you've

0:13:43.840 --> 0:13:46.560
<v Speaker 1>clearly never been on an Iowasco retreat or been a

0:13:46.559 --> 0:13:50.240
<v Speaker 1>teenager in northern California. They're semi permanent tents.

0:13:50.360 --> 0:13:54.199
<v Speaker 13>It starts out and everybody's dancing. There's like music playing.

0:13:54.920 --> 0:13:58.920
<v Speaker 13>She was there with a couple guys and it started

0:13:58.920 --> 0:14:02.120
<v Speaker 13>getting you know, more like sexy dancing. And I remember

0:14:02.320 --> 0:14:08.080
<v Speaker 13>like she had this like like one piece on, and

0:14:08.120 --> 0:14:10.760
<v Speaker 13>I remember what I can see in the video that

0:14:11.559 --> 0:14:14.120
<v Speaker 13>you know, he's trying to like take her shirt off.

0:14:14.320 --> 0:14:19.200
<v Speaker 13>Like they started kissing and making out and grinding and yeah.

0:14:19.000 --> 0:14:21.320
<v Speaker 11>And they were all making out in the bed together.

0:14:21.800 --> 0:14:25.400
<v Speaker 11>It was like, yeah, the two guys and her.

0:14:25.760 --> 0:14:28.640
<v Speaker 1>As you can imagine, like most small towns, if something

0:14:28.680 --> 0:14:31.840
<v Speaker 1>scandalous went down at a party, everyone knew about it.

0:14:32.160 --> 0:14:36.520
<v Speaker 1>And somehow apparently Mick got a hold of this tape.

0:14:36.720 --> 0:14:39.200
<v Speaker 1>What's he gonna do because there was no online couldn't download.

0:14:39.280 --> 0:14:40.760
<v Speaker 1>Is he gonna make copies of the tape?

0:14:40.800 --> 0:14:41.160
<v Speaker 4>I guess?

0:14:41.280 --> 0:14:44.720
<v Speaker 1>Or just show people in them out a screening today?

0:14:44.920 --> 0:14:47.440
<v Speaker 1>This would be called revenge porn, but back then it

0:14:47.480 --> 0:14:50.040
<v Speaker 1>didn't have a name. It was just ruining Anna's life.

0:14:50.600 --> 0:14:53.080
<v Speaker 1>And Willow wanted us to protect her sister. She wanted

0:14:53.160 --> 0:14:56.280
<v Speaker 1>us to help, so we got our little trip together. Okay,

0:14:56.520 --> 0:15:01.000
<v Speaker 1>but this is where I remember ducking down from the headlights, right,

0:15:01.080 --> 0:15:03.880
<v Speaker 1>and I had the Louisville Slugger. I had a baseball bat.

0:15:04.560 --> 0:15:05.480
<v Speaker 1>Wait we had a bat?

0:15:05.920 --> 0:15:07.400
<v Speaker 4>Yeah, for pure defense.

0:15:07.520 --> 0:15:10.040
<v Speaker 1>I know we had fireworks, but not a bat. Definitely,

0:15:10.600 --> 0:15:14.360
<v Speaker 1>you were on the path. No, No, because I remember

0:15:14.800 --> 0:15:17.440
<v Speaker 1>me and Connor we were ducking down. Do you remember

0:15:17.440 --> 0:15:19.560
<v Speaker 1>there used to be like a huge fern right here.

0:15:20.000 --> 0:15:22.400
<v Speaker 1>We were behind that. No, no, you were definitely on

0:15:22.400 --> 0:15:24.520
<v Speaker 1>the path. How much you want to bet? I don't

0:15:24.520 --> 0:15:25.200
<v Speaker 1>need to remember.

0:15:25.480 --> 0:15:28.440
<v Speaker 3>Connor will back me up on this. I'm not because

0:15:28.480 --> 0:15:29.600
<v Speaker 3>you're scared you're gonna lose the bet.

0:15:29.680 --> 0:15:32.520
<v Speaker 1>No, let's just bet on it. Okay, fine, Connor lives

0:15:32.520 --> 0:15:35.040
<v Speaker 1>in England now, he's a professor of sociology.

0:15:35.280 --> 0:15:36.160
<v Speaker 9>No, Chris is right.

0:15:36.320 --> 0:15:39.040
<v Speaker 14>Really, Yeah, you were dealing with rigging up the dummy

0:15:39.280 --> 0:15:40.520
<v Speaker 14>Bucky Bucky.

0:15:40.680 --> 0:15:42.760
<v Speaker 9>Yes, that's right. Yeah.

0:15:42.840 --> 0:15:44.800
<v Speaker 1>Our idea was to get Mick out to the woods

0:15:45.000 --> 0:15:47.280
<v Speaker 1>and distract him long enough to grab the yurt tape

0:15:47.280 --> 0:15:49.960
<v Speaker 1>from his car. But in order to do that, and

0:15:50.040 --> 0:15:53.600
<v Speaker 1>here's where fifteen year old logic takes over, we decided

0:15:53.640 --> 0:15:56.560
<v Speaker 1>to not only lure him out, but also to scare

0:15:56.600 --> 0:15:59.880
<v Speaker 1>the crap out of him. Because it was Halloween. My

0:16:00.120 --> 0:16:03.040
<v Speaker 1>family was really big into Halloween, so we threw parties

0:16:03.080 --> 0:16:05.480
<v Speaker 1>with Haunted Walks of the Woods, and we were the

0:16:05.480 --> 0:16:07.640
<v Speaker 1>family that did the Haunted House at our grade school.

0:16:08.080 --> 0:16:10.960
<v Speaker 1>We used to make our own masks and creatures, and

0:16:11.200 --> 0:16:14.200
<v Speaker 1>we had a lot of props, including a fake dead

0:16:14.200 --> 0:16:15.800
<v Speaker 1>body we called Bucky.

0:16:16.000 --> 0:16:16.240
<v Speaker 5>Yeah.

0:16:16.240 --> 0:16:18.240
<v Speaker 11>But then we had it on a noose I think,

0:16:18.920 --> 0:16:21.080
<v Speaker 11>and then it was like, you know, you could swing

0:16:21.120 --> 0:16:23.400
<v Speaker 11>it down, so when people walked by, we would drop

0:16:23.440 --> 0:16:26.880
<v Speaker 11>it in front of them, right, and that would scare people.

0:16:27.440 --> 0:16:30.400
<v Speaker 1>Is that body still up in the pony house?

0:16:30.480 --> 0:16:34.200
<v Speaker 5>I see, I just came across the gams.

0:16:34.400 --> 0:16:36.640
<v Speaker 1>So we made our plan to get the your tape

0:16:36.720 --> 0:16:40.080
<v Speaker 1>exactly the way you would plan a haunted maze. Nick

0:16:40.680 --> 0:16:43.640
<v Speaker 1>ideally pulls up, gets out of the car, sees the

0:16:43.720 --> 0:16:45.840
<v Speaker 1>light on in the rat hole. Oh what's that? I

0:16:45.920 --> 0:16:48.400
<v Speaker 1>must go over towards there, walk down this path.

0:16:49.000 --> 0:16:49.840
<v Speaker 4>How did we get it?

0:16:49.960 --> 0:16:51.440
<v Speaker 1>Even get him out here in the first place.

0:16:51.560 --> 0:16:53.680
<v Speaker 14>WILLI set it up? Yeah, she told Mick to meet

0:16:53.720 --> 0:16:56.640
<v Speaker 14>him there. Well, do you remember what she told him? No,

0:16:58.040 --> 0:16:59.880
<v Speaker 14>but I know we put hay bails.

0:17:00.280 --> 0:17:02.720
<v Speaker 1>That was to divert Mick from the Tender Hearts driveway.

0:17:02.840 --> 0:17:05.760
<v Speaker 1>We knew he'd dead end by the rat hole where

0:17:05.760 --> 0:17:08.240
<v Speaker 1>Willow was waiting, So she gets him in the rat

0:17:08.240 --> 0:17:12.560
<v Speaker 1>hole and she lights off. The eighties, sixties m sixties

0:17:12.560 --> 0:17:16.600
<v Speaker 1>were loud, completely illegal fireworks someone had procured from Chinatown.

0:17:16.760 --> 0:17:19.399
<v Speaker 14>So we would go into Chinatown and we would stock

0:17:19.480 --> 0:17:23.760
<v Speaker 14>up on firecrackers with different sizes and power. It was

0:17:23.800 --> 0:17:26.520
<v Speaker 14>the sixties and the eights, and these were like the

0:17:26.560 --> 0:17:28.479
<v Speaker 14>big daddies, right, These are the ones that would make

0:17:28.520 --> 0:17:30.080
<v Speaker 14>a really big.

0:17:30.040 --> 0:17:35.520
<v Speaker 1>Boom, basically cherry bombs, pop pop, douchebag Nick pieces pants.

0:17:35.600 --> 0:17:38.879
<v Speaker 3>Okay, hopefully comes back down this path where you and

0:17:38.920 --> 0:17:40.960
<v Speaker 3>O'Ryan have bucket.

0:17:41.560 --> 0:17:44.600
<v Speaker 1>Once Mick came back out of the rat hole, Oriyan

0:17:44.680 --> 0:17:47.440
<v Speaker 1>and I would drop Bucky, scaring the crap out of

0:17:47.520 --> 0:17:49.639
<v Speaker 1>him and buying more time for Connor and Chris to

0:17:49.720 --> 0:17:53.639
<v Speaker 1>rifle through his car and hopefully find the tape. The tape,

0:17:53.760 --> 0:17:58.200
<v Speaker 1>the YRT tape that was the play that was That's

0:17:58.240 --> 0:18:09.800
<v Speaker 1>not what happened. As much as our friend Connor helped

0:18:09.880 --> 0:18:12.680
<v Speaker 1>us remember some things, I wish we hadn't called him

0:18:13.000 --> 0:18:15.920
<v Speaker 1>because after we talked, Chris refused to meet Sheriff Maldonado

0:18:16.000 --> 0:18:16.199
<v Speaker 1>with me.

0:18:16.640 --> 0:18:19.560
<v Speaker 9>Do you know the actual like legal technicalities.

0:18:20.000 --> 0:18:22.000
<v Speaker 1>I've looked up as much as I can. I asked

0:18:22.240 --> 0:18:25.800
<v Speaker 1>chat GPT. But you know, look, we didn't start the fire.

0:18:26.400 --> 0:18:28.440
<v Speaker 14>Wait, so you're planning to sit down with the sheriff.

0:18:28.800 --> 0:18:34.840
<v Speaker 14>He's a retired sheriff whatever, an officer of the law. Yeah,

0:18:34.880 --> 0:18:36.800
<v Speaker 14>and tell him that you lied to him thirty years ago.

0:18:38.160 --> 0:18:38.440
<v Speaker 9>Yeah.

0:18:38.560 --> 0:18:41.200
<v Speaker 1>I mean, I don't think we even committed a crime.

0:18:41.400 --> 0:18:44.320
<v Speaker 1>I'm still going to talk to him. There's zero chance

0:18:44.320 --> 0:18:45.960
<v Speaker 1>that this isn't beyond the statute delimitration.

0:18:46.040 --> 0:18:47.760
<v Speaker 9>That's what I'm man.

0:18:47.920 --> 0:18:49.560
<v Speaker 1>Just come with me. We just tell him the truth.

0:18:49.640 --> 0:18:50.920
<v Speaker 1>We've already made progress.

0:18:50.960 --> 0:18:51.520
<v Speaker 4>Oh my gosh.

0:18:51.560 --> 0:18:54.320
<v Speaker 3>The moldy old pager, the dog dug up and your

0:18:54.359 --> 0:18:55.600
<v Speaker 3>parents kept in a garage.

0:18:55.640 --> 0:18:57.920
<v Speaker 5>It's something, It is something, but.

0:18:57.840 --> 0:18:59.920
<v Speaker 1>I'm not going Chris was talking about a pager weed

0:19:00.080 --> 0:19:03.600
<v Speaker 1>found After we walk the property, Chris and I went

0:19:03.640 --> 0:19:05.320
<v Speaker 1>through some of the stuff in my parents' garage.

0:19:05.880 --> 0:19:06.520
<v Speaker 4>I swear my.

0:19:06.560 --> 0:19:09.960
<v Speaker 8>Parents have been throwing anything away for fifty years.

0:19:10.760 --> 0:19:14.840
<v Speaker 3>What is this creepy boxing, dirty children?

0:19:15.560 --> 0:19:16.800
<v Speaker 5>This is Cookie's collection.

0:19:16.960 --> 0:19:19.359
<v Speaker 1>We had a golden Retriever named Cookie. She's somewhat of

0:19:19.359 --> 0:19:23.000
<v Speaker 1>a legend. According to family lore. The only thing that

0:19:23.080 --> 0:19:26.200
<v Speaker 1>Cookie ever did wrong was she would steal kids' shoes

0:19:26.240 --> 0:19:26.960
<v Speaker 1>and bury them.

0:19:27.160 --> 0:19:29.520
<v Speaker 7>You guys could take your shoes off to go on

0:19:29.520 --> 0:19:32.879
<v Speaker 7>the trampoline and after having a lot of fun, coming

0:19:32.960 --> 0:19:35.520
<v Speaker 7>back and you don't have your shoes, or you're missing.

0:19:35.240 --> 0:19:38.320
<v Speaker 1>One, and many a kid went home without a shoe.

0:19:38.560 --> 0:19:42.000
<v Speaker 7>I don't know how many years later you finally followed her.

0:19:42.680 --> 0:19:44.080
<v Speaker 5>While there was still follows her.

0:19:44.160 --> 0:19:47.199
<v Speaker 1>She went all the way down in the meadow. I

0:19:47.240 --> 0:19:50.960
<v Speaker 1>had she dug up.

0:19:51.359 --> 0:19:55.240
<v Speaker 3>Old Jordan, British la gear.

0:19:55.680 --> 0:19:56.520
<v Speaker 4>Is this the Patriot?

0:19:56.800 --> 0:19:59.159
<v Speaker 1>It was green? Of course it didn't turn on.

0:19:59.320 --> 0:20:01.439
<v Speaker 5>Look is that yours?

0:20:01.600 --> 0:20:01.800
<v Speaker 2>No?

0:20:01.960 --> 0:20:05.720
<v Speaker 1>I never had a colored one pager of color colored Patriot?

0:20:05.840 --> 0:20:09.440
<v Speaker 9>Karen, So, I mean that could be anybody's.

0:20:09.720 --> 0:20:11.720
<v Speaker 1>I know, it's kind of crazy. Just find it a

0:20:11.760 --> 0:20:14.240
<v Speaker 1>pager when we know Anna had one out here. I

0:20:14.320 --> 0:20:17.520
<v Speaker 1>was so excited by the prospect of finding a clue

0:20:17.560 --> 0:20:20.719
<v Speaker 1>that I was making this random object fit the story,

0:20:21.280 --> 0:20:24.280
<v Speaker 1>but regardless, it was a cool relic of the time.

0:20:24.440 --> 0:20:26.960
<v Speaker 5>It's bigger than I remember them being. Wow, look at that.

0:20:27.119 --> 0:20:30.439
<v Speaker 1>I hadn't seen a pager in thirty years, let alone

0:20:30.640 --> 0:20:38.320
<v Speaker 1>held one. I told Chris he didn't have to come

0:20:38.359 --> 0:20:40.520
<v Speaker 1>with me, and that I wouldn't say his name. Hi,

0:20:40.840 --> 0:20:41.760
<v Speaker 1>Sheriff Maldonado.

0:20:42.000 --> 0:20:43.760
<v Speaker 5>Hey, yeah, come on it. Hi.

0:20:44.000 --> 0:20:46.240
<v Speaker 1>He lives in Katti about thirty five minutes away.

0:20:46.440 --> 0:20:47.119
<v Speaker 4>Is it?

0:20:47.160 --> 0:20:47.920
<v Speaker 1>Is it Sheriff Still?

0:20:47.920 --> 0:20:49.280
<v Speaker 15>I don't know if it was one of those those

0:20:49.320 --> 0:20:53.360
<v Speaker 15>titles like president or yeah, it's Sheriff's.

0:20:54.400 --> 0:20:58.240
<v Speaker 1>Maldonado's in his seventies, but he looks younger. We took

0:20:58.240 --> 0:21:00.640
<v Speaker 1>a seat at his dining room table while his two cats,

0:21:00.800 --> 0:21:04.560
<v Speaker 1>both of them long haired and silver, roamed around us.

0:21:05.080 --> 0:21:06.560
<v Speaker 1>I felt like I had a lot to film in

0:21:06.600 --> 0:21:10.199
<v Speaker 1>on who I was, what I was doing, why, But

0:21:10.240 --> 0:21:13.119
<v Speaker 1>then I also had some more basic questions, do you

0:21:13.160 --> 0:21:14.480
<v Speaker 1>remember me at all?

0:21:15.400 --> 0:21:17.800
<v Speaker 5>Kind of just remembered your kids in general. You know,

0:21:18.400 --> 0:21:20.080
<v Speaker 5>we knew one of you was an actor. You're part

0:21:20.080 --> 0:21:21.000
<v Speaker 5>of the younger.

0:21:20.880 --> 0:21:23.399
<v Speaker 10>Crowd, I think the sister right, yeah, Willow. And there

0:21:23.440 --> 0:21:25.280
<v Speaker 10>was something because it was Halloween.

0:21:26.640 --> 0:21:28.760
<v Speaker 1>It was a scarecrow yeah, we had this dead.

0:21:28.960 --> 0:21:31.280
<v Speaker 4>Yes, yeah, exactly, that was us.

0:21:33.040 --> 0:21:36.040
<v Speaker 1>I actually can't remember what I told the Sheriff's department

0:21:36.080 --> 0:21:39.000
<v Speaker 1>back in nineteen ninety five, and I wasn't sure what

0:21:39.040 --> 0:21:40.040
<v Speaker 1>Mick told him at the time.

0:21:40.200 --> 0:21:45.280
<v Speaker 10>A few younger guys all that seemed like what high Town,

0:21:45.600 --> 0:21:47.400
<v Speaker 10>My old partner, Fred.

0:21:47.240 --> 0:21:49.200
<v Speaker 5>High Tower, I'd call Tom Shannigans.

0:21:49.880 --> 0:21:51.640
<v Speaker 1>What's that like Shenanigans.

0:21:51.840 --> 0:21:56.000
<v Speaker 5>Yeah, but Fred, he wasn't. He was.

0:21:56.560 --> 0:21:56.800
<v Speaker 9>It was.

0:21:57.920 --> 0:22:02.199
<v Speaker 10>It's not a stutter, it's a he mixed the words up.

0:22:02.240 --> 0:22:05.720
<v Speaker 10>He blend him together, you know, like pursuitable. He said

0:22:05.760 --> 0:22:08.840
<v Speaker 10>once suspectful.

0:22:08.320 --> 0:22:08.960
<v Speaker 5>Was a classic.

0:22:09.359 --> 0:22:13.639
<v Speaker 10>Red was trying for Tomfoolery and Shenanigan's.

0:22:13.680 --> 0:22:16.720
<v Speaker 5>But you know, just never came out right.

0:22:17.720 --> 0:22:19.520
<v Speaker 10>A lot of our job in a situation like this

0:22:20.359 --> 0:22:23.000
<v Speaker 10>with juveniles, a lot of the job is pulling out

0:22:23.280 --> 0:22:24.160
<v Speaker 10>the kid's stuff.

0:22:24.680 --> 0:22:26.880
<v Speaker 1>It didn't feel like that to us at the time.

0:22:27.480 --> 0:22:28.879
<v Speaker 1>It felt like life or death.

0:22:29.280 --> 0:22:31.160
<v Speaker 9>I remember hearing screams from the car.

0:22:31.359 --> 0:22:33.840
<v Speaker 1>We never considered that Mick might have a friend with him,

0:22:34.400 --> 0:22:38.600
<v Speaker 1>So when his accurate pulled in, Travis Washman was with him,

0:22:38.720 --> 0:22:41.359
<v Speaker 1>and while Mick did get out and walked to the

0:22:41.440 --> 0:22:43.640
<v Speaker 1>rat hole, Travis waited in the car.

0:22:43.560 --> 0:22:45.600
<v Speaker 9>And then Chris ran at him. He was trying to

0:22:45.600 --> 0:22:46.120
<v Speaker 9>get him out.

0:22:46.240 --> 0:22:50.359
<v Speaker 1>Oh the dude, kill me, nick. I remember actually being

0:22:50.480 --> 0:22:54.000
<v Speaker 1>really scared, thinking these older guys were gonna beat us

0:22:54.080 --> 0:22:57.240
<v Speaker 1>up or kill us if they got us. Pure chaos

0:22:57.240 --> 0:23:01.720
<v Speaker 1>and mayhem. I was with O'Ryan and someone was dressed

0:23:01.760 --> 0:23:04.520
<v Speaker 1>as a mine. Ryan and me, we were both mines.

0:23:04.840 --> 0:23:07.919
<v Speaker 1>Part of the confusion was the costume factor. Before we

0:23:08.040 --> 0:23:11.560
<v Speaker 1>enacted this whole plan, we'd gotten dressed up in costume

0:23:11.600 --> 0:23:16.120
<v Speaker 1>and walked around downtown Sebastopol. Connor's costume was an easy joke.

0:23:16.200 --> 0:23:18.760
<v Speaker 9>He said he was going to be the scariest thing

0:23:19.040 --> 0:23:22.439
<v Speaker 9>in the world. Yeah, yeah, yeah, what was it? A lawyer?

0:23:22.840 --> 0:23:27.399
<v Speaker 9>That's right. So he just he just wore like a

0:23:27.400 --> 0:23:29.120
<v Speaker 9>suit and die, right right right.

0:23:29.400 --> 0:23:32.160
<v Speaker 1>Ryan and I cobbled together some makeup and hair gel

0:23:32.200 --> 0:23:35.320
<v Speaker 1>that my parents had. We had white faces and mohawks.

0:23:35.680 --> 0:23:39.000
<v Speaker 1>We called ourselves psycho mimes, and you were like, what

0:23:39.080 --> 0:23:42.800
<v Speaker 1>the Phantom of the Opera, Phantom.

0:23:42.440 --> 0:23:44.359
<v Speaker 4>Of the Coffee Chapera had.

0:23:44.680 --> 0:23:49.040
<v Speaker 3>I had a Starbucks barised that green apron, and then

0:23:49.040 --> 0:23:50.080
<v Speaker 3>I had a phantom mask.

0:23:50.840 --> 0:23:53.240
<v Speaker 1>I feel you're judging eyes, Yeah, I'm not quite getting

0:23:53.400 --> 0:23:55.199
<v Speaker 1>Starbucks was a new exciting thing. It was the go

0:23:55.320 --> 0:23:56.080
<v Speaker 1>go nineties.

0:23:56.560 --> 0:23:59.679
<v Speaker 3>We all had more hair and it was fine.

0:24:00.000 --> 0:24:01.880
<v Speaker 1>Willa wore the same thing she always did, a pair

0:24:01.920 --> 0:24:05.080
<v Speaker 1>of fairy wings, right, because she was a nymph, no,

0:24:05.160 --> 0:24:07.359
<v Speaker 1>a dryad. Is there a difference.

0:24:07.520 --> 0:24:12.160
<v Speaker 4>Yeah, yeah, they're tree spirits like a or river spirits.

0:24:12.280 --> 0:24:14.240
<v Speaker 1>That is next level.

0:24:14.680 --> 0:24:15.440
<v Speaker 4>Whatever she had made.

0:24:15.480 --> 0:24:20.240
<v Speaker 1>Regardless, Willow was a flying pixie thing with wings. And yes,

0:24:20.359 --> 0:24:22.680
<v Speaker 1>I'm aware that the one girl and our group of friends,

0:24:22.800 --> 0:24:25.960
<v Speaker 1>the muse of this podcast with a fantasy sounding name,

0:24:26.200 --> 0:24:29.200
<v Speaker 1>was quite literally dressed as a manic pixie dream girl.

0:24:29.800 --> 0:24:30.720
<v Speaker 4>But it's the truth.

0:24:31.119 --> 0:24:33.360
<v Speaker 3>She wore wings even later in life.

0:24:33.119 --> 0:24:35.600
<v Speaker 1>And it was like her go to so in costume.

0:24:35.960 --> 0:24:40.119
<v Speaker 1>In the dark, we were scattered, separated in the woods,

0:24:40.119 --> 0:24:42.640
<v Speaker 1>no light. Travis and Mick looking for us.

0:24:43.080 --> 0:24:46.000
<v Speaker 3>Willow and I ended up in that barn at the

0:24:46.040 --> 0:24:47.120
<v Speaker 3>Tender Hearts property.

0:24:47.280 --> 0:24:50.440
<v Speaker 1>When I talked to Maldonatto, I relayed Chris's story as

0:24:50.440 --> 0:24:51.320
<v Speaker 1>if it was my own.

0:24:51.480 --> 0:24:54.760
<v Speaker 5>There was weed in the bar.

0:24:54.960 --> 0:24:56.640
<v Speaker 3>I mean, this wasn't just a shit, my friend.

0:24:56.680 --> 0:24:59.280
<v Speaker 1>This was a barn, right, so you're done with weed?

0:24:59.480 --> 0:25:01.400
<v Speaker 1>And it was hanging.

0:25:01.800 --> 0:25:05.120
<v Speaker 5>Yeah, they were drying it out. Oh yeah, I guess yeah.

0:25:05.160 --> 0:25:08.800
<v Speaker 3>So Willow like gets to her feet and she's like

0:25:09.960 --> 0:25:15.160
<v Speaker 3>freaking out, but she's not crying. She's syperventilating. She's breathing

0:25:15.640 --> 0:25:18.080
<v Speaker 3>in and out, trying to almost catch her breath, like

0:25:18.119 --> 0:25:20.159
<v Speaker 3>she was having a panic attack or something it was.

0:25:20.640 --> 0:25:24.560
<v Speaker 1>And she started gathering hay into a pile, and I'm like.

0:25:24.560 --> 0:25:26.320
<v Speaker 10>Willa, Willo, woo woo, Willow, Willow, Willow, what.

0:25:26.240 --> 0:25:28.040
<v Speaker 3>Are you doing. We wouldn't stop.

0:25:28.240 --> 0:25:31.280
<v Speaker 1>Calmed down, calm down, Let's get out of here. And

0:25:31.359 --> 0:25:34.840
<v Speaker 1>she pulls out her lighter that we had for the fireworks.

0:25:35.040 --> 0:25:35.520
<v Speaker 5>Swoosh.

0:25:36.240 --> 0:25:41.920
<v Speaker 3>Immediately the thing goes up, and then seconds later all

0:25:42.000 --> 0:25:44.479
<v Speaker 3>of the weed is up in flames, and we get

0:25:44.560 --> 0:25:46.800
<v Speaker 3>them get the hell out of there, because we're lucky

0:25:46.840 --> 0:25:48.000
<v Speaker 3>to not burn to death.

0:25:48.160 --> 0:25:52.399
<v Speaker 1>But we never told you, any of you any of

0:25:52.400 --> 0:25:55.760
<v Speaker 1>that we at the time, we just said that we

0:25:55.760 --> 0:25:58.480
<v Speaker 1>were at my friend's house and we watched the shining

0:25:58.560 --> 0:26:03.600
<v Speaker 1>and we went to bed. So I'm hoping that some

0:26:03.680 --> 0:26:06.520
<v Speaker 1>of this, any of this might be helpful, you know,

0:26:06.560 --> 0:26:11.800
<v Speaker 1>at least if I'm coming forward, at least then you'll

0:26:11.840 --> 0:26:13.479
<v Speaker 1>know you'll have part of the truth.

0:26:18.000 --> 0:26:20.440
<v Speaker 5>Are you expecting applause.

0:26:21.920 --> 0:26:24.280
<v Speaker 1>No, I mean, I'm I'm just trying to.

0:26:24.200 --> 0:26:26.679
<v Speaker 10>Because I'm not sure what you I'm not sure what

0:26:26.720 --> 0:26:29.560
<v Speaker 10>you want to do here. If this is about you

0:26:29.600 --> 0:26:32.880
<v Speaker 10>getting something off your chest, I don't know, honoring your

0:26:32.920 --> 0:26:36.399
<v Speaker 10>dead girlfriend. If you really want to get into this,

0:26:36.440 --> 0:26:40.680
<v Speaker 10>if you want to really get into this thing, then

0:26:40.680 --> 0:26:41.520
<v Speaker 10>you got to do it right.

0:26:42.720 --> 0:26:45.840
<v Speaker 1>Got to call Lachlan Grace. Lachlan is the current Sonoma

0:26:45.880 --> 0:26:46.560
<v Speaker 1>County sheriff.

0:26:47.080 --> 0:26:48.680
<v Speaker 10>Get her on board, you get her to sign off,

0:26:48.720 --> 0:26:49.840
<v Speaker 10>then we're really talking here.

0:26:50.240 --> 0:26:53.600
<v Speaker 1>Admitting I lie to the current sheriff felt like a

0:26:53.600 --> 0:26:54.240
<v Speaker 1>bigger risk.

0:26:54.760 --> 0:26:59.440
<v Speaker 10>I spent over a year on and a trainer, interviews, photos,

0:26:59.480 --> 0:27:04.639
<v Speaker 10>we had clothing, her mom had letters, books, and you

0:27:04.720 --> 0:27:07.800
<v Speaker 10>don't want to see all that, all of it. If

0:27:07.840 --> 0:27:10.800
<v Speaker 10>you want to move past, you want to get beyond

0:27:10.840 --> 0:27:12.360
<v Speaker 10>the Tom Shannigans and let's go.

0:27:13.160 --> 0:27:14.359
<v Speaker 5>But you've got to talk to Lucky.

0:27:15.160 --> 0:27:18.479
<v Speaker 1>Yeah, Well, I guess, I'm I guess My question is

0:27:19.160 --> 0:27:21.000
<v Speaker 1>could I be charged with the client.

0:27:23.160 --> 0:27:24.240
<v Speaker 5>You gotta talk to Luckily?

0:27:34.119 --> 0:27:34.280
<v Speaker 4>Well?

0:27:34.280 --> 0:27:36.600
<v Speaker 9>Did you even know about the your tape?

0:27:36.760 --> 0:27:39.320
<v Speaker 1>After I talked to Maldonado, I called Monica to catch up.

0:27:39.760 --> 0:27:41.960
<v Speaker 9>No, I mean I knew there were rumors about Anna.

0:27:42.800 --> 0:27:46.560
<v Speaker 9>I knew about a mixtape, a mixtape, a haunted tape.

0:27:47.240 --> 0:27:50.240
<v Speaker 2>This was over at Annaly and there was this mixtape

0:27:50.280 --> 0:27:52.760
<v Speaker 2>with songs. But then the story was it was a

0:27:52.760 --> 0:27:55.639
<v Speaker 2>ghost tape and her voice by her voice beyond the grave.

0:27:55.920 --> 0:27:57.879
<v Speaker 1>I never heard about that, all right, But let's just

0:27:57.920 --> 0:28:01.159
<v Speaker 1>for a second, if Mick did have video, if he

0:28:01.200 --> 0:28:02.760
<v Speaker 1>was trying to blackmail Anna.

0:28:03.200 --> 0:28:05.760
<v Speaker 9>Or wait, writer, do you want it to be here?

0:28:07.080 --> 0:28:07.240
<v Speaker 1>No?

0:28:09.560 --> 0:28:11.520
<v Speaker 9>Okay, they looked at Mick.

0:28:12.280 --> 0:28:14.120
<v Speaker 2>He had somebody with them every step of the way

0:28:14.320 --> 0:28:17.560
<v Speaker 2>the party, driving Travis home, he was looking for Anna,

0:28:17.880 --> 0:28:20.640
<v Speaker 2>but he dropped Travis off at his house. He got

0:28:20.680 --> 0:28:23.359
<v Speaker 2>the patremna, he drove try to pick her up from

0:28:23.440 --> 0:28:25.880
<v Speaker 2>Jennifer Street payphone, and she never showed.

0:28:25.760 --> 0:28:27.360
<v Speaker 4>And the fire started.

0:28:27.960 --> 0:28:31.120
<v Speaker 1>Do you do you think, like I really really think

0:28:31.160 --> 0:28:32.400
<v Speaker 1>that Mick couldn't kill there.

0:28:33.160 --> 0:28:36.960
<v Speaker 15>It's stretch, I guess, but like, isn't it a stretch

0:28:37.040 --> 0:28:37.600
<v Speaker 15>to think.

0:28:37.640 --> 0:28:39.600
<v Speaker 3>Anyone could kill anyone?

0:28:40.280 --> 0:28:43.080
<v Speaker 1>Monica asked me if I wanted it to be Mick,

0:28:43.680 --> 0:28:48.080
<v Speaker 1>and I realized I kind of do, oh me, Jill.

0:28:48.640 --> 0:28:52.880
<v Speaker 2>Even if Mick managed to meet up with Anna then

0:28:53.000 --> 0:28:56.280
<v Speaker 2>murder her in twenty minutes, couldn't have getten rid of

0:28:56.280 --> 0:28:58.440
<v Speaker 2>the body and driven her car all the way to SFO.

0:29:01.000 --> 0:29:04.160
<v Speaker 9>Not without help, right, not without help. And we know

0:29:04.520 --> 0:29:06.040
<v Speaker 9>he was with the rest of the night.

0:29:06.320 --> 0:29:10.440
<v Speaker 1>Out of respect for privacy and legal reasons, we've had

0:29:10.440 --> 0:29:11.920
<v Speaker 1>to edit one of the names that came up in

0:29:11.960 --> 0:29:12.600
<v Speaker 1>some interviews.

0:29:12.920 --> 0:29:15.520
<v Speaker 2>Really, look, the only time that it didn't make sense

0:29:15.800 --> 0:29:20.080
<v Speaker 2>was the time that he was with us, So in anything,

0:29:20.840 --> 0:29:22.280
<v Speaker 2>you just helped to clear his name.

0:29:22.640 --> 0:29:25.080
<v Speaker 1>I never heard make drive away, So I stayed alone

0:29:25.120 --> 0:29:28.520
<v Speaker 1>in the woods for a while, I mean maybe an hour,

0:29:29.040 --> 0:29:32.920
<v Speaker 1>it felt like forever, and finally I heard Oryan calling

0:29:33.000 --> 0:29:37.360
<v Speaker 1>out and we found each other. And then we found Willow.

0:29:37.120 --> 0:29:37.680
<v Speaker 4>On the road.

0:29:37.960 --> 0:29:40.760
<v Speaker 9>How did you get to kind of Drakes? We walked

0:29:41.360 --> 0:29:42.960
<v Speaker 9>that's like four.

0:29:42.920 --> 0:29:44.960
<v Speaker 1>Yeah, four miles maybe maybe even five.

0:29:45.200 --> 0:29:46.720
<v Speaker 9>Yeah, And Chris and I were on the road too.

0:29:47.000 --> 0:29:47.840
<v Speaker 4>Oh really, you guys.

0:29:48.000 --> 0:29:49.400
<v Speaker 1>I thought you guys were still in the woods.

0:29:49.680 --> 0:29:52.320
<v Speaker 3>No, we met back up with you guys, walked back

0:29:52.400 --> 0:29:52.880
<v Speaker 3>and we.

0:29:52.760 --> 0:29:56.440
<v Speaker 1>Watched the sunrise and Connors we did. Yeah, we heard

0:29:56.480 --> 0:29:59.040
<v Speaker 1>science and we hid in the bushes whenever a car

0:29:59.080 --> 0:30:02.000
<v Speaker 1>went by. We knew there might still be a fire going,

0:30:02.080 --> 0:30:04.320
<v Speaker 1>but we had no idea how big it was.

0:30:04.640 --> 0:30:09.200
<v Speaker 14>I do remember that that's where we stopped and watched

0:30:09.520 --> 0:30:13.400
<v Speaker 14>the sunrise come up, and we were just I just

0:30:13.800 --> 0:30:16.760
<v Speaker 14>the we were so emotionally charged.

0:30:17.040 --> 0:30:18.440
<v Speaker 9>It was like we were doing amphetamines.

0:30:18.520 --> 0:30:22.640
<v Speaker 14>We basically had that level of sort of insane energy.

0:30:23.200 --> 0:30:25.600
<v Speaker 9>And then there was just this pause on the side

0:30:25.600 --> 0:30:27.600
<v Speaker 9>of the road after an intense night like that.

0:30:27.640 --> 0:30:30.440
<v Speaker 12>It's just kind of like, you know, I'll sing this

0:30:30.520 --> 0:30:32.840
<v Speaker 12>song and it kind of like lightens the mood a

0:30:32.880 --> 0:30:34.760
<v Speaker 12>little bit, you know, Revity.

0:30:35.760 --> 0:30:38.920
<v Speaker 1>Yeah, A cool part about being friends with Oryan is

0:30:38.920 --> 0:30:41.760
<v Speaker 1>that whenever we hike and we've gone on backpacking trips

0:30:41.800 --> 0:30:43.320
<v Speaker 1>together since we were ten years old.

0:30:43.680 --> 0:30:44.600
<v Speaker 9>He sings, Yeah.

0:30:44.680 --> 0:30:48.760
<v Speaker 12>Challa Days was a rare Counting Crows song off of

0:30:49.280 --> 0:30:50.200
<v Speaker 12>a demo tape.

0:30:50.240 --> 0:30:52.120
<v Speaker 1>I think it also like because it was like this

0:30:52.240 --> 0:30:55.160
<v Speaker 1>deep cut, you know, it was like it wasn't oh yeah,

0:30:55.120 --> 0:30:58.040
<v Speaker 1>it was initially released, so it felt like sort of

0:30:58.040 --> 0:31:00.640
<v Speaker 1>a secret that only we knew, you know, Like it

0:31:00.680 --> 0:31:02.320
<v Speaker 1>was like it was kind of like this our song.

0:31:03.000 --> 0:31:05.680
<v Speaker 9>And then it's also I guess about a small town

0:31:06.040 --> 0:31:06.320
<v Speaker 9>in the.

0:31:06.320 --> 0:31:08.280
<v Speaker 1>Vein of like round here, and a lot of this

0:31:08.600 --> 0:31:11.440
<v Speaker 1>where is about like a girl in a small town

0:31:11.520 --> 0:31:12.240
<v Speaker 1>and it feels like it.

0:31:12.240 --> 0:31:16.800
<v Speaker 9>Could be about Sebastopol. It does, right, Yeah, totally all right?

0:31:16.960 --> 0:31:19.680
<v Speaker 9>Could you sing it the whole thing?

0:31:20.040 --> 0:31:22.440
<v Speaker 5>Yeah?

0:31:22.680 --> 0:31:26.320
<v Speaker 9>For the podcast? Yeah, like you're gonna put this on iHeartRadio.

0:31:28.200 --> 0:31:30.680
<v Speaker 9>Oh my god, that's gould be good. It just has

0:31:30.720 --> 0:31:33.800
<v Speaker 9>to be you.

0:31:33.920 --> 0:31:37.400
<v Speaker 8>Mary Jane says, it's all right. She's just around the

0:31:37.520 --> 0:31:42.520
<v Speaker 8>corner from the main line and any Dane Now, it's

0:31:42.600 --> 0:31:46.240
<v Speaker 8>all Rightey standing on the precipice of big.

0:31:46.000 --> 0:31:51.560
<v Speaker 1>Time not Willow didn't talk almost the whole time until

0:31:51.760 --> 0:31:54.880
<v Speaker 1>she stopped and made us all promise to stick to

0:31:54.920 --> 0:31:59.200
<v Speaker 1>the same story. It was cold, I remember shivering, and

0:31:59.440 --> 0:32:01.240
<v Speaker 1>the sun took forever to come on.

0:32:02.160 --> 0:32:04.080
<v Speaker 5>But it was beautiful for.

0:32:04.080 --> 0:32:07.560
<v Speaker 1>All the insanity of that night. It's it's weirdly a positive.

0:32:07.160 --> 0:32:12.960
<v Speaker 5>Memory, falling falling down.

0:32:21.800 --> 0:32:22.440
<v Speaker 9>This is Lachlan.

0:32:22.800 --> 0:32:25.720
<v Speaker 4>Yeah, Hi, Sheriff Lachlin. This is right or strong.

0:32:25.840 --> 0:32:28.200
<v Speaker 1>I got in touch with Grace Lachlin. You know, since

0:32:28.200 --> 0:32:30.920
<v Speaker 1>my goal is to like document this entire process from

0:32:30.960 --> 0:32:31.800
<v Speaker 1>start to finish.

0:32:31.960 --> 0:32:33.240
<v Speaker 4>I I'm actually.

0:32:33.040 --> 0:32:36.000
<v Speaker 1>Recording this call right now, which I hope is okay,

0:32:36.000 --> 0:32:38.440
<v Speaker 1>and I'm happy to stop if you no, no, no, no,

0:32:38.480 --> 0:32:39.160
<v Speaker 1>you know what I want you?

0:32:39.240 --> 0:32:40.200
<v Speaker 9>I want you to record it.

0:32:40.240 --> 0:32:42.719
<v Speaker 16>I want actually, I want you to be sure to

0:32:42.760 --> 0:32:44.000
<v Speaker 16>include this in your podcast.

0:32:44.040 --> 0:32:44.960
<v Speaker 4>Okay, yeah, okay.

0:32:45.080 --> 0:32:47.360
<v Speaker 16>The Trainer case was wobble for my time, but you know,

0:32:47.400 --> 0:32:49.920
<v Speaker 16>I looked into it, spoke with Sheriff Maldonado, and he

0:32:50.000 --> 0:32:54.040
<v Speaker 16>let me know that you had information right, right right.

0:32:54.120 --> 0:32:55.920
<v Speaker 1>And now you're coming into this.

0:32:55.880 --> 0:32:58.920
<v Speaker 16>With microphones and a whole news story like some night

0:32:59.040 --> 0:32:59.760
<v Speaker 16>on a horse.

0:33:00.040 --> 0:33:02.560
<v Speaker 4>Oh no, I don't think I'm going to. Actually I'm

0:33:02.600 --> 0:33:03.000
<v Speaker 4>just trying to.

0:33:03.880 --> 0:33:05.760
<v Speaker 16>But the thing is, you are on record you made

0:33:05.840 --> 0:33:09.760
<v Speaker 16>false statements. That's documented in nineteen ninety five. That's obstruction

0:33:09.840 --> 0:33:13.600
<v Speaker 16>of justice. I can warrant charges. I'm lucky for you,

0:33:14.320 --> 0:33:16.160
<v Speaker 16>frankly lucky for me because I don't want the hassle.

0:33:16.200 --> 0:33:18.040
<v Speaker 16>It's wall past the statute of limitations.

0:33:18.240 --> 0:33:20.200
<v Speaker 4>Okay, okay, yeah, I mean okay.

0:33:20.440 --> 0:33:24.760
<v Speaker 16>And most importantly this is there's what we call good

0:33:24.760 --> 0:33:28.680
<v Speaker 16>faith in mitigation. So you come clean, now, you come forward,

0:33:28.720 --> 0:33:31.560
<v Speaker 16>no bullshit, no lying, and you want to help that

0:33:31.560 --> 0:33:38.240
<v Speaker 16>goes along way. So if you want, I can. Oh,

0:33:39.200 --> 0:33:41.760
<v Speaker 16>I'll take a look see what I can pull from

0:33:41.800 --> 0:33:43.920
<v Speaker 16>this file. Is there something you want in particular?

0:33:44.320 --> 0:33:44.800
<v Speaker 5>All of it?

0:33:45.040 --> 0:33:48.360
<v Speaker 1>Of course, that was my real answer. I wanted to

0:33:48.360 --> 0:33:52.080
<v Speaker 1>see all the evidence, but I knew I should be specific,

0:33:52.520 --> 0:33:55.400
<v Speaker 1>precise if I was ever going to get the Sheriff's

0:33:55.440 --> 0:33:59.040
<v Speaker 1>department on my side, I had to start slow. Maldonado

0:33:59.120 --> 0:34:00.680
<v Speaker 1>and Monica changed perspective.

0:34:01.560 --> 0:34:02.560
<v Speaker 5>Wheat isn't news.

0:34:03.480 --> 0:34:05.560
<v Speaker 10>Even with a fire that big, we could we could

0:34:05.560 --> 0:34:09.200
<v Speaker 10>smell it. But knowing it was the sister. When I

0:34:09.239 --> 0:34:12.000
<v Speaker 10>hear that, now, all I can think about is that

0:34:12.080 --> 0:34:15.480
<v Speaker 10>she was protecting her Maybe she was protecting her parents

0:34:15.600 --> 0:34:18.919
<v Speaker 10>or whatever you want to call them. When she keeps

0:34:18.920 --> 0:34:21.799
<v Speaker 10>that a secret, she's protecting her mom, And no, I

0:34:21.840 --> 0:34:22.880
<v Speaker 10>think I mean, I think.

0:34:22.719 --> 0:34:26.120
<v Speaker 1>She was protecting us or protecting herself. Well for notting

0:34:26.160 --> 0:34:27.200
<v Speaker 1>a bunch of wheat on fire.

0:34:28.000 --> 0:34:28.479
<v Speaker 5>What's worse.

0:34:28.520 --> 0:34:31.719
<v Speaker 10>Your sister has gone missing, and you're a fifteen year

0:34:31.760 --> 0:34:33.120
<v Speaker 10>old kid who get a barn on fire.

0:34:33.960 --> 0:34:34.839
<v Speaker 5>You're worried about that.

0:34:35.080 --> 0:34:38.680
<v Speaker 10>Now you're worried about your mom, who's been out here

0:34:38.680 --> 0:34:41.520
<v Speaker 10>in the woods worshiping trees, singing the demons and dancing

0:34:41.520 --> 0:34:42.160
<v Speaker 10>in the circles.

0:34:42.239 --> 0:34:44.000
<v Speaker 1>Well, I don't think that's what they were doing.

0:34:43.920 --> 0:34:46.560
<v Speaker 5>You know what I mean? We knew they weren't on

0:34:46.719 --> 0:34:47.200
<v Speaker 5>Kum Bay.

0:34:47.640 --> 0:34:51.680
<v Speaker 15>Butterflies out there Wow, we went back for years, but

0:34:51.680 --> 0:34:52.520
<v Speaker 15>they had an alibi.

0:34:52.520 --> 0:34:54.120
<v Speaker 1>I mean they were for that night.

0:34:54.160 --> 0:34:55.320
<v Speaker 4>They were at the seance.

0:34:55.840 --> 0:34:57.520
<v Speaker 5>That's what we thought too at first.

0:34:57.840 --> 0:35:01.759
<v Speaker 1>Yeah, god, I'd love to Maldonado said that there were

0:35:01.920 --> 0:35:04.279
<v Speaker 1>there are that There are transcripts in the file of

0:35:04.320 --> 0:35:07.520
<v Speaker 1>his interviews with el Rick Light and Mick Bowden.

0:35:08.080 --> 0:35:10.359
<v Speaker 9>Yeah all right, yeah, I'll take a look. See if easy.

0:35:10.520 --> 0:35:12.719
<v Speaker 4>Thank you, Thank you so much, I really do it.

0:35:19.960 --> 0:35:23.279
<v Speaker 1>Nostalgia is such a trap. It's so powerful. It can

0:35:23.320 --> 0:35:26.200
<v Speaker 1>make your eyes well up just from holding a pager.

0:35:27.120 --> 0:35:29.960
<v Speaker 1>It can make songs from your teens sound better. The

0:35:29.960 --> 0:35:34.040
<v Speaker 1>more nostalgia draws you in, the more it just warps

0:35:34.040 --> 0:35:39.120
<v Speaker 1>your perception of reality. It can replace reality. Hey, how's

0:35:39.160 --> 0:35:41.719
<v Speaker 1>it going that night? I call my wife Alex back

0:35:41.719 --> 0:35:42.160
<v Speaker 1>in La.

0:35:42.360 --> 0:35:45.680
<v Speaker 7>Well, I'm definitely not very good at this kind of

0:35:45.680 --> 0:35:50.960
<v Speaker 7>annoying everybody, like you know, I'm just I'm so attached

0:35:51.000 --> 0:35:52.640
<v Speaker 7>to this thing, this.

0:35:52.960 --> 0:35:54.279
<v Speaker 9>Night for you.

0:35:56.719 --> 0:35:58.640
<v Speaker 1>When I went into this, I knew I needed to

0:35:58.680 --> 0:36:02.320
<v Speaker 1>stop thinking like a fifty But I also need to

0:36:02.320 --> 0:36:05.160
<v Speaker 1>stop thinking like a forty five year old high on nostalgia.

0:36:05.600 --> 0:36:08.080
<v Speaker 14>As my wife put it right, So you don't want

0:36:08.080 --> 0:36:09.800
<v Speaker 14>your mid life crisis to be a podcast.

0:36:10.200 --> 0:36:12.239
<v Speaker 4>No, exactly, exactly.

0:36:12.960 --> 0:36:16.680
<v Speaker 1>Not every little thing from back then has big important meaning.

0:36:16.800 --> 0:36:21.280
<v Speaker 1>Even if I have big important feelings, Sometimes kid stuff

0:36:21.400 --> 0:36:24.319
<v Speaker 1>is just kid stuff. I needed to come at this

0:36:24.360 --> 0:36:27.719
<v Speaker 1>as objectively as possible. I needed to cut off nostalgia,

0:36:28.000 --> 0:36:30.799
<v Speaker 1>let go of expectations, my ego, and try and learn

0:36:30.840 --> 0:36:33.279
<v Speaker 1>as much as I could, and for now that man,

0:36:33.400 --> 0:36:37.040
<v Speaker 1>ignoring my personal feelings for someone like Mick, even Willow,

0:36:37.480 --> 0:36:40.400
<v Speaker 1>and just listening to someone like Maldonado.

0:36:40.600 --> 0:36:42.480
<v Speaker 10>Yeah, it was only a few days before their TenderHearts

0:36:42.520 --> 0:36:46.280
<v Speaker 10>alibi Philip Art came crashing all the wind him.

0:36:46.840 --> 0:36:49.160
<v Speaker 1>What are you saying that they weren't at the sounds.

0:36:49.239 --> 0:36:53.960
<v Speaker 5>Well, not all of them. We got to get you

0:36:54.000 --> 0:36:57.960
<v Speaker 5>up to speed, man, We got to get you up speed.

0:36:59.040 --> 0:37:01.520
<v Speaker 1>If some are all all of the Tender Hearts had lied,

0:37:01.560 --> 0:37:04.880
<v Speaker 1>if their alibi had come crashing down. This was actually

0:37:04.960 --> 0:37:07.839
<v Speaker 1>exactly what I wanted to hear, because it meant that

0:37:07.880 --> 0:37:11.600
<v Speaker 1>staying with this project, staying with Anna's case, was finally

0:37:11.640 --> 0:37:16.400
<v Speaker 1>going to move beyond me, my Tom Shanigans, and my nostalgia.

0:37:17.320 --> 0:37:19.319
<v Speaker 1>It meant it was time to confront one of the

0:37:19.320 --> 0:37:23.480
<v Speaker 1>most intriguing and mysterious aspects of Anna and Willow's life.

0:37:24.360 --> 0:37:27.200
<v Speaker 1>It was time for me to look into the tender hearts.

0:37:50.600 --> 0:37:53.880
<v Speaker 1>The Red Weather is an iHeart podcast hosted by writer Straw,

0:37:54.320 --> 0:37:57.719
<v Speaker 1>sound engineering, editing and mixing by Bo Milkins, Produced by

0:37:57.760 --> 0:38:02.520
<v Speaker 1>Tess Bartholomey. Executive producers at iHeartRadio Trevor Young and Matt Frederick,

0:38:02.800 --> 0:38:06.960
<v Speaker 1>Associate producer Bo milkis Original score by Kyle Morgan.

0:38:09.320 --> 0:38:10.200
<v Speaker 4>If you're enjoying the.

0:38:10.120 --> 0:38:11.959
<v Speaker 1>Show, please remember to leave a review and rating.

0:38:12.320 --> 0:38:13.000
<v Speaker 4>Thanks for listening.