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Speaker 1: What's your favorite kind of salad?

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Speaker 2: My favorite kind probably chicken chicken salad. Love it?

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Speaker 1: Well? What, oh chicken salad?

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Speaker 2: How was that confused?

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Speaker 3: I meant like a real salad, not like take a

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Speaker 3: bunch of leftovers and put mayonnaise on it and then

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Speaker 3: I have some food.

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Speaker 2: It is a type of salad. What kind of a

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Speaker 2: judge are you? What's going on right now? Can I

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Speaker 2: enjoy this?

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Speaker 1: I can't handle it.

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Speaker 3: My pantsitude tight for this fucking bullshit. Now, Hey, everybody,

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Speaker 3: I'm gonna shove you toe.

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Speaker 4: And I'm Jordan Carlos and welcome to Adulting from w

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Speaker 4: NYC Studios.

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Speaker 1: This episode is a special one. First off, we're staying in.

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Speaker 3: The studios and we could talk to Irish comedian Ashling

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Speaker 3: b her show This Way Up just hit Hulu, and

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Speaker 3: it is amazing. She's doing this stand up, she's doing

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Speaker 3: the hosting, she's doing all the things.

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Speaker 1: She is booked and busy, but she here with us.

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Speaker 1: I can't wait.

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Speaker 4: Then we answer your adult in questions with the man

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Speaker 4: behind the air hoorn, DJ Don Will.

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Speaker 3: And also we sit down with Christian Banda who produces their.

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Speaker 1: Live show and Jordan, can I just say you we

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Speaker 1: got some questions.

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Speaker 2: Okay, you ready to do this?

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Speaker 1: I'm always ready. But are we recording?

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Speaker 4: Joe?

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Speaker 1: Okay?

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Speaker 2: Whoa? So?

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Speaker 1: I mean everyone freezes up? So I know, like, where

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Speaker 1: do we started.

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Speaker 4: In This Way Up? Was there anything that was like

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Speaker 4: to there? Was it was too sensitive for you to

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Speaker 4: talk about? Or did you work your way through?

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Speaker 5: No?

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Speaker 1: I definitely worked my way through.

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Speaker 6: There's a lot of I mean, what I will say

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Speaker 6: about the show is as opposed to stand up, I've

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Speaker 6: decided to not pull out the bits of the show

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Speaker 6: which are from my life and from not so Yes,

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Speaker 6: for anyone who's just listening in, I have a new

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Speaker 6: show out on Hulu. Let's call it This Way Up. Basically,

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Speaker 6: I wrote this article about years ago about my dad's

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Speaker 6: suicide and it's not something I'd talked about before at all,

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Speaker 6: and the thing kind of went viral and it was

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Speaker 6: quite a taboo subject that nobody talks about. And in

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Speaker 6: a way, the shows a little bit of my comedy

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Speaker 6: response to the people who got in touch because I

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Speaker 6: couldn't get back to everyone. There was no physical way

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Speaker 6: I could get back in touch with the amount of people, and.

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Speaker 3: So Irish and English people are better at making sad

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Speaker 3: things funny.

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Speaker 1: I don't know.

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Speaker 6: Maybe it's where maybe we're really okay with it. So

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Speaker 6: my show people have started describing couple of shows as

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Speaker 6: sad comms, and I've never described Got It as a

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Speaker 6: comedy that deals with issues, but like, no big deal

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Speaker 6: for me, and I think and stand up. We naturally

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Speaker 6: we see how do I deal with the things that

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Speaker 6: are coming into my head all the time and make

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Speaker 6: it funny because it's not our job to do ted

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Speaker 6: talks like hey guys, now, it's the time I actually

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Speaker 6: talked about something properly that the jokes are over and

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Speaker 6: so but I think that maybe in the UK and

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Speaker 6: Ireland that's where our sentiment is within sitcom writing. So

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Speaker 6: I kind of hate when people are like, oh, it's

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Speaker 6: another sad com. You're like, no, it's a comedy, just

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Speaker 6: sad everyone to stop being uncomfortable. So, for example, if

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Speaker 6: you look at the office, the UK office is way

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Speaker 6: darker the American office, and both of them exist in

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Speaker 6: their both amazing forms, but they're not a direct copy

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Speaker 6: of each other. And Steve Carell puts warmth and like

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Speaker 6: you love him hope, and where Ricky Gervais they really

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Speaker 6: push into the hopelessness.

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Speaker 1: Even that area of London where it's set in.

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Speaker 6: This slough, there's a hopeless but there's an element of

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Speaker 6: hopelessness and that which they find funny and I find

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Speaker 6: hilarious as well. But it is I think it's a

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Speaker 6: comfort with it.

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Speaker 1: Have you ever had a breakdown before?

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Speaker 6: Well, see, this is the question. That's what the show

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Speaker 6: is sort of about. So for me, I and genuinely

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Speaker 6: this is like because someone said to me, oh, you know,

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Speaker 6: you can have a press answer if you want. But

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Speaker 6: one thing I sort of I suppose felt I lost

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Speaker 6: a little bit was a little bit of privacy or

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Speaker 6: my own private stories. And so with the show it

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Speaker 6: is fiction and but there are little treads of everything there.

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Speaker 6: And the problem is the more profile we all get,

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Speaker 6: what bits do you protect or even like, what bits

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Speaker 6: do you discuss with your family, your partners, your friends

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Speaker 6: that suddenly you're like, oh, no, I'm fencing that off

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Speaker 6: actually yeah, And it's hard because that's the opposite of

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Speaker 6: what you want to do as a standard.

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Speaker 1: It is, especially if you're like us.

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Speaker 6: We're storytellers about our lives.

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Speaker 1: And for me with this, it's.

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Speaker 6: The one thing that I'm like, you know what, I'm

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Speaker 6: gonna maybe protect how much of my life and my

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Speaker 6: shows this because I've made a fictional character to deal

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Speaker 6: with the different things that are in that and that's

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Speaker 6: maybe that's okay. And I hate maybe that I've gotten

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Speaker 6: to that stage this year in particular, but a lot

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Speaker 6: of my life has been problem to have though. Yeah, yeah,

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Speaker 6: my god, yeah, so you have to protect you.

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Speaker 3: What I love about you on social media is like

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Speaker 3: you're an advocate for everybody. So it's like, you know,

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Speaker 3: you can still I feel like have a piece of

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Speaker 3: you out there and people know what your heart is,

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Speaker 3: but they don't have to know everything you've been, yes.

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Speaker 6: Which I think maybe. So here's a little bit of information.

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Speaker 6: These two people. I don't know that long, but I

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Speaker 6: became so fond of you and genuinely you can just

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Speaker 6: tell people soul straight away. I first met Michelle. We

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Speaker 6: were doing our mini Netflix specials out in Atlanta, and

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Speaker 6: there was the twelve of us in total. Yeah, and

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Speaker 6: we were on the same run of nights and I

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Speaker 6: hadn't had a great month that year, not that you

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Speaker 6: would have known that, and I'd gone from London, my

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Speaker 6: pals little baby had passed away and I'd gone from

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Speaker 6: like literally the funeral to London to la trying to

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Speaker 6: test out my set in front of Americans fifteen minutes ah,

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Speaker 6: and then into Atlanta, and I just felt really.

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Speaker 1: Wiggy and just odd and overwhelmed.

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Speaker 6: Yeah, and I think I might have been one of

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Speaker 6: the last people to kind of get attached to the

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Speaker 6: Netflix show, so I didn't know too far in advance.

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Speaker 6: But I was also really just really highly strung, and

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Speaker 6: I wasn't sleeping when I got there, and I was

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Speaker 6: convinced there was a ghost in our hotel, which I

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Speaker 6: didn't tell you at the start because I felt like, oh,

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Speaker 6: I think people will judge me if I'm like, hi, guys,

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Speaker 6: does any of you have a ghost in your hotels?

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Speaker 1: Probably an expensive ghost because it was the W Yeah, exactly,

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Speaker 1: I was.

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Speaker 6: I was a bit like the W as a ghost problem,

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Speaker 6: and that's you know, people are paying for this.

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Speaker 2: Ws are very new, probably built that plantation.

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Speaker 1: That's happening. Oh my god. And I couldn't bloody hear it.

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Speaker 6: It was in the pipes.

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Speaker 2: I mean, I'm not going to jump in on this.

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Speaker 1: Opens is going to play that go That was a good.

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Speaker 6: Move not to jump in, But yeah, Yeah, it's hard

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Speaker 6: because I love singing in groups, but I really think

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Speaker 6: I should not sing there.

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Speaker 3: I could not tell that you were going through any

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Speaker 3: I mean everybody.

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Speaker 6: We wouldn't, but because we're in a nervous energy. And

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Speaker 6: also we've been kept in the hotel and rightly so

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Speaker 6: for like the two days and we'd go in and

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Speaker 6: but like but we were yeah, a little bit your

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Speaker 6: hotel in a new town. Then you got brought to

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Speaker 6: do like the press bits and your hair and makeup

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Speaker 6: tests and try out your set. And I decided because

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Speaker 6: when I get nervous, it's I speak a lot anyways,

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Speaker 6: but my words sometimes don't come out that fast. And

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Speaker 6: I was also very aware as a foreign country, and

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Speaker 6: there weren't that many say foreign immigrants on the bill,

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Speaker 6: and that I was talking.

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Speaker 1: You know, you just it's not your home territory, especially

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Speaker 1: in Atlanta.

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Speaker 6: Yeah, and you're not sort of known or you're just

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Speaker 6: and sometimes people do need a while to acclimatize your voice.

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Speaker 3: And it was just and E actually a woman one, Yeah,

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Speaker 3: like hojo, what is this bit?

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Speaker 1: Just deal?

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Speaker 2: I feel at this time I won't jump in.

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Speaker 6: Yeah, it's not so woke of us all to know

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Speaker 6: when and when we cannot jump in. I feel like Michelle,

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Speaker 6: you can jump in on everything. It's great.

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Speaker 1: They go every direction they do.

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Speaker 6: I remember just in particular and again you wouldn't have

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Speaker 6: noticed it, and in the in the same way, but

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Speaker 6: you just never know when like a little hey or

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Speaker 6: connection with someone can sort of make their day. And

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Speaker 6: you and Sabrina Julie's were just so, hey, bitch, what's

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Speaker 6: going on to me? And it was just and everyone

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Speaker 6: wasn't lovely with someone just extra being like just so nice.

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Speaker 6: And you've done that at a few gigs, are like

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Speaker 6: I remember I died at this one gig when I

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Speaker 6: was in New York and you were like, those people.

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Speaker 1: Fuck them.

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Speaker 2: I do that gig the whole time my life.

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Speaker 6: And I was like, you know, because sometimes you just

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Speaker 6: need and that it takes a slight moment out of

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Speaker 6: someone else's day, but can just mean the world in

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Speaker 6: a moment like that.

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Speaker 1: You're like, oh, thank you.

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Speaker 2: You know.

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Speaker 6: So that's absolutely we do.

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Speaker 1: For each other.

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Speaker 2: Absolutely. Yeah.

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Speaker 3: I mean everyone thinks like that, but you're an international

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Speaker 3: comedian and so you know, it's it's one thing.

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Speaker 1: My poop just hit the mic. It's one thing like

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Speaker 1: poop and I was like, that's what my poop hit

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Speaker 1: the mic, My poop with the mic. Oh score for me.

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Speaker 2: Ashley's like, what are these American expressions? And that's when.

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Speaker 3: It is like this ship hit the fair public radio stuff,

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Speaker 3: you know. But no, I feel like going to another

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Speaker 3: comedy club. It feels like you're going to another school, you.

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Speaker 1: Know what I mean.

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Speaker 3: You're the freshman everywhere else as a senior. So I

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Speaker 3: have been to a lot of different schools. I'm the

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Speaker 3: only child, and I just I always love when somebody

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Speaker 3: was like, it's so it's so easy to be nice

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Speaker 3: to people.

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Speaker 1: Yeah. Bye. Also, that's not the first time we met.

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Speaker 3: The first time we met was at UCB show in

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Speaker 3: La I remember, and I remember I was writing a list,

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Speaker 3: not like my jokes, but things I had to do

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Speaker 3: and I will never forget. You were just like, you

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Speaker 3: shouldn't write lists because you're beat yourself up and not

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Speaker 3: getting to them.

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Speaker 1: I'm like, are you in my mind?

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Speaker 2: That's an amazing nugget funny.

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Speaker 6: Yeah, Well, so there's gonna be an element of focus

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Speaker 6: to writing lists, which is great when you just need

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Speaker 6: to get stuff out of our head. But if we

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Speaker 6: write too many lists sometimes on our to do list. Basically,

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Speaker 6: what you're setting yourself up for is an element of

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Speaker 6: a getting your dopamine rush from writing the thing down,

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Speaker 6: not from achieving the thing, and also setting yourself up

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Speaker 6: to like, oh, look at the things I didn't get

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Speaker 6: to this day, rather than just some days going what

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Speaker 6: can I just manage and give myself a break to

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Speaker 6: get through and you'll remember if it's important enough.

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Speaker 3: Yeah, okay, So we have some questions we want you

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Speaker 3: to answer about adulting.

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Speaker 6: Qick one, Oh, give me an accent and I'll just

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Speaker 6: doing an accent just for a bit of fun.

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Speaker 2: Minnesota, Minnesota?

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Speaker 1: Is that where they talk like that? Do they talk

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Speaker 1: about like Minnesota?

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Speaker 2: That's okay?

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Speaker 6: So guys, what age do we start buying slash drinking

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Speaker 6: wine that is more than fifteen dollars?

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Speaker 1: Ooh ooh thirty?

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Speaker 4: I tried early at like twenty three, and don't maintain

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Speaker 4: that early a cheaper yeah dollars.

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Speaker 2: I didn't have the money for it.

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Speaker 1: Yeah, get that two buck chuck.

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Speaker 3: You are right, yeah, thirty, because you should be making

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Speaker 3: decent money at thirty at least have your own toilet.

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Speaker 6: I wonder is that one of those things where you're like,

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Speaker 6: wine should cost more than fifteen dollars, but that's actually

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Speaker 6: not a lie.

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Speaker 3: If you want to try an organic blend or something

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Speaker 3: from another year, yeah, we don't have to always get

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Speaker 3: something in the same year, you know what I mean?

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Speaker 4: Come on, now, you know what when you go deep

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Speaker 4: on it, like if you want to get an organic

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Speaker 4: blend or something min all inspired.

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Speaker 1: Just go fetish Spanish accent.

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Speaker 6: Okay, so I'm going to be from a Valicia is.

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Speaker 2: Okay?

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Speaker 1: Okay?

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Speaker 6: How do you know if you can actually afford something?

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Speaker 6: Or if he says, blurge, oh oh my god, actually

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Speaker 6: are you? I know that's a good question. It's like

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Speaker 6: Marie Condo, isn't it? Does it spark joy?

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Speaker 1: Honey?

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Speaker 3: I should have had that phrase when I was just

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Speaker 3: when I stand Yeah.

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Speaker 2: Does it spark joy? Spark joy?

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Speaker 3: Yes, I'm trying to make it work, Like the vacuum

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Speaker 3: cleaner that's fault.

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Speaker 1: I just keep going in it.

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Speaker 2: Does not work.

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Speaker 6: It's kind of like keeping three bad chargers for nokis.

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Speaker 6: You don't earn anymore except three pen.

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Speaker 4: I've heard if you have six times the amount in

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Speaker 4: your account, then you can buy that.

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Speaker 1: That's a lot of amount.

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Speaker 6: The law of abundance says, don't behave like it's not

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Speaker 6: going to come in, you know. Then the poop hits

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Speaker 6: the mic hashag poop it's Mike hashtag poop hashag hits a.

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Speaker 1: Thank you so much for being here.

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Speaker 6: Please watch my show. It's on Hulu. Hold best way up.

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Speaker 1: Yeah, do it now.

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Speaker 2: I'm gonna watch it once Ie get home. You're not no,

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Speaker 2: I am You're not.

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Speaker 1: Look at him? Does it like he has anything else

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Speaker 1: to do?

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Speaker 2: All right, all right, Michelle, it's that time for what

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Speaker 2: you gotta go to break?

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Speaker 1: Yes, please, let's go. I gotta go pee. This adult

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Speaker 1: diaper is not working.

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Speaker 3: Welcome back to Adulting, everybody, and uh Jordan, this is

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Speaker 3: very exciting. So people listen to the podcast, they come

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Speaker 3: to the show, they know the people that help us

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Speaker 3: make the podcast and the live show a good one.

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Speaker 3: But we never get to sit down and talk to

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Speaker 3: our homeboys that help us make Adulting the spectacular show

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Speaker 3: that it is.

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Speaker 2: It's true, Yes, it's true. It's time to get a

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Speaker 2: little bts Behind the scenes.

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Speaker 3: We got DJ Don Will and the ones and twos

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Speaker 3: with us and one of our favorite producers who's out

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Speaker 3: there in the front lines, getting the questions from people

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Speaker 3: the audience, yea, and all the other stuff that needs

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Speaker 3: doing and stuff.

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Speaker 2: I'm the glue man. Yes, that's.

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Speaker 1: Christian Banda is the glue man.

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Speaker 2: Yeah, weird. Immediately regret give myself that kind of question.

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Speaker 3: What has been most like some of your most memorable

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Speaker 3: situations during these adulting shows.

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Speaker 4: Yea, Banda good, don uh calming Michelle down has been.

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Speaker 4: I feel like I feel like I'm here trying to

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Speaker 4: like all right, Michelle Center.

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Speaker 2: I feel like I'm like one of your crystals.

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Speaker 1: Please.

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Speaker 5: I really enjoy being like in the close proximity to

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Speaker 5: the guests, Like it's just so much fun to see

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Speaker 5: them like in that moment. Like I know the people

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Speaker 5: who listen to the podcast can't see the facial expressions,

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Speaker 5: that can't see like exactly what's happening. So just like

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Speaker 5: watching people react to the like the questions, to the

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Speaker 5: energy in the room is super fun for me.

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Speaker 2: I done.

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Speaker 4: Some of your answers though, are like kind of they're

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Speaker 4: not like out of the field, but they're very surprising

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Speaker 4: to me, Like your whole philosophy about life and things

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Speaker 4: like that, and some of your experiences I have to say,

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Speaker 4: are like they catch you by surprise, they catch the

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Speaker 4: audience by surprise.

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Speaker 5: I love them, you know. Like, where did you grow

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Speaker 5: up though? I grew up in Cincinnati, Ohio. Okay, see,

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Speaker 5: born and raised. I was there for eighteen years before

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Speaker 5: I went to North Carolina for school, and I went

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Speaker 5: back to Ohio for a year.

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Speaker 2: Then I moved to DC, and then I moved here.

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Speaker 1: Okay, but you're from a big family, right.

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Speaker 5: Big family? Yeah, I got a lot of cousins. I

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Speaker 5: got one sister who has a lot of children. So

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Speaker 5: it's a lot of women in my family.

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Speaker 4: That's why Don always knows when to talk.

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Speaker 2: Nobody knows you speak with Spuck until you see not her.

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Speaker 2: You know what I'm saying.

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Speaker 1: Who did you want to be when you came to

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Speaker 1: New York?

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Speaker 2: Oh man, that's a fantastic question. Were you DJ before

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Speaker 2: you came to New York?

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Speaker 5: No, I moved to New York. I was just rapping

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Speaker 5: and making beats. Okay, gotcha, Yeah, just specific rapping, making beats.

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Speaker 5: I wasn't in any way, shape or form involved in

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Speaker 5: the comedy world at all.

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Speaker 2: Yeah, how'd you find your way? Like? How'd that happen?

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Speaker 2: Me and White it's Wyatt.

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Speaker 5: I met Wyatt and we started doing shouting at the

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Speaker 5: screen together, and then that just kind of made its

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Speaker 5: way into Hey, why don't you DJ? My comedy show?

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Speaker 5: And then I made a lot of relationships through that.

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Speaker 5: Yeah your night train?

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Speaker 2: Yeah? And what do you think?

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Speaker 5: I mean, like, you're in both worlds. I do music,

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Speaker 5: I make rap songs. I thought about doing stand up.

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Speaker 5: Me and Michelle did a show before Actually We're out

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Speaker 5: totally story.

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Speaker 1: It was fucking beautiful.

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Speaker 2: Yeah. I talked about being depressed in Paris of all places. Oh,

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Speaker 2: you do it right.

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Speaker 4: Yeah, if you're gonna be I mean you're gonna be

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Speaker 4: depressed anywhere, you know what I'm saying.

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Speaker 3: Wow, Well there's that thing too, right, Like there's a

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Speaker 3: thing where you have all the things you're supposed to

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Speaker 3: have and you still feel like why is why do

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Speaker 3: I still feel sad?

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Speaker 1: Why is this not enough? Is there something wrong with me?

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Speaker 5: And that's exactly like part of what it was. The

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Speaker 5: other part was just not wanting to come back to this.

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Speaker 5: Did you feel that way while walking around along the

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Speaker 5: sand looking at you know, God?

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Speaker 1: This is how to tell you all the things he

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Speaker 1: knows from magnets with the.

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Speaker 2: Flag gras on the side, little black cat on your shoulder,

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Speaker 2: and like that.

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Speaker 5: It was exactly I had on the striped shirt like today,

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Speaker 5: I'm like, oh, yeah, man, that is a French ass Navy.

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Speaker 2: Shirt right there.

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Speaker 3: I can't, but I did think that story was powerful

385
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Speaker 3: because a lot of black men will not be vulnerable

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Speaker 3: on stage and talk about feeling.

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Speaker 1: Weak or you know, sad, or that anything is wrong

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Speaker 1: with them, you know what I mean.

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Speaker 3: And so for me and I go to shows all

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Speaker 3: the time, and I feel like I always know what

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Speaker 3: someone's gonna say.

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Speaker 6: I had no idea what you're going to say because I.

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Speaker 1: Only know you as a DJ.

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Speaker 3: Like I call him the black Wilson from Home Improvement

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Speaker 3: because I even know he had last.

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Speaker 1: Later, it was.

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Speaker 5: Definitely like one of those moments where like I feel

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Speaker 5: like me and Michelle got close and then yeah, I

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Speaker 5: came to the the meatball party.

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Speaker 3: You got a meatball party invitation? After at the Stormteller's show.

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Speaker 2: She's like, Oh, he's real, He's for real, He's give

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Speaker 2: them meat meat all worthy me. Did you bring any

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Speaker 2: meatballs yourself?

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00:17:13,760 --> 00:17:15,280
Speaker 1: I brought. That's the follow up.

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Speaker 5: Well, some people do, and some people just buy him

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Speaker 5: on the way. It's a little don't bring glue man.

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Speaker 5: Glue man's bringing the meatballs.

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Speaker 2: I'm ready, I'm ready.

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Speaker 4: I'm stowing on my invote and thousand old are you?

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Speaker 4: I am twenty seven going on twenty eight?

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Speaker 1: Of course you're going on twenty eight?

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Speaker 2: Yeah next month or so?

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Speaker 1: Oh good for you, thank you? And where are you from?

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Speaker 2: I grew up in western Massachusetts? Shutout four one three?

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00:17:39,880 --> 00:17:42,080
Speaker 2: But uh, what do you miss? The world?

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Speaker 4: One talks about the western part of nobody care? I

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Speaker 4: care the Berkshires. Thank your first gen American. My mom's

418
00:17:54,840 --> 00:17:56,679
Speaker 4: from Tanzania, my dad's from Malwi.

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Speaker 2: Get in line. Yeah, oh how unique?

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Speaker 3: What was it like fucking being first generation in western Massachusetts?

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Speaker 3: Did they go there because a lot of family was

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Speaker 3: there and they thought the streets were paid with gold?

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Speaker 1: Because that's what happened with my super family.

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Speaker 3: Know, a lot of people move with their family. I mean,

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Speaker 3: you're American, but a lot of people that have parents

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Speaker 3: from the places they move with people that say no, no,

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Speaker 3: it's cool, you can come, your kids can go to school.

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Speaker 1: And so you have like a community there for sure.

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Speaker 2: New England has like a heavy East African population. Oh,

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Speaker 2: Haitian as well.

431
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Speaker 4: Yeah, I didn't even know that, but like growing up

432
00:18:35,720 --> 00:18:38,680
Speaker 4: there was a constant identity crisis because you'd go home

433
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Speaker 4: in here Swahili and like eat all this African food.

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Speaker 4: Then you go to like basically a public private school

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Speaker 4: with a whole bunch of white people.

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Speaker 2: So it's like I was always trying to find my center. Right,

437
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Speaker 2: it was tough.

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Speaker 1: I feel like you're doing a good job.

439
00:18:52,640 --> 00:18:54,280
Speaker 2: Now, thank you. It took a while.

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Speaker 1: I mean it never stops, so I will say that, Okay.

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00:18:57,400 --> 00:19:00,600
Speaker 2: I found Banda at MTV, Like I really, I literally

442
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Speaker 2: found him almost him.

443
00:19:07,040 --> 00:19:12,960
Speaker 4: Was like the cubicle over and he was always like

444
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Speaker 4: peering over and seeing like what we were doing on

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Speaker 4: the other side of the wall, right, band you're in

446
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Speaker 4: not so many words, but yes I was. Yeah, Jordan,

447
00:19:22,600 --> 00:19:26,560
Speaker 4: I worked on uncommon sense together with God uh and

448
00:19:27,520 --> 00:19:29,440
Speaker 4: my man's kept in touch, which meant a lot to

449
00:19:29,560 --> 00:19:36,320
Speaker 4: me to have like a black successful just like reach

450
00:19:36,359 --> 00:19:38,480
Speaker 4: out to young man because we all got to stick together.

451
00:19:39,400 --> 00:19:47,119
Speaker 4: Just thank you, Donald Trump. And I remember, I mean

452
00:19:47,160 --> 00:19:50,480
Speaker 4: we're speaking about vulnerability if you don't mind, Christian, Yeah,

453
00:19:50,520 --> 00:19:51,720
Speaker 4: I remember you reached out to me in.

454
00:19:51,680 --> 00:19:52,520
Speaker 2: A pretty low point.

455
00:19:53,680 --> 00:19:54,520
Speaker 1: What was a low point.

456
00:19:55,040 --> 00:19:56,760
Speaker 4: I wasn't getting any work. I didn't feel like I

457
00:19:56,840 --> 00:19:59,840
Speaker 4: was good at any sort of production. It's just like

458
00:20:00,040 --> 00:20:02,520
Speaker 4: four months and nothing. I was depressed as hell doing

459
00:20:02,560 --> 00:20:05,080
Speaker 4: odd jobs. And then like I texted Jordan and I

460
00:20:05,200 --> 00:20:07,080
Speaker 4: was like, hey man, it's been like a month or two,

461
00:20:07,119 --> 00:20:08,920
Speaker 4: and I was like, can you just like talk to me?

462
00:20:10,200 --> 00:20:11,560
Speaker 4: I need someone to talk to.

463
00:20:11,800 --> 00:20:12,000
Speaker 6: Yeah.

464
00:20:12,040 --> 00:20:14,119
Speaker 4: I was like that, And to Jordan's credit, He's like,

465
00:20:14,160 --> 00:20:16,440
Speaker 4: I'm gonna call you a ten thirty sharp brother, and

466
00:20:16,520 --> 00:20:18,159
Speaker 4: I was like that meant the world to me. So

467
00:20:18,280 --> 00:20:20,959
Speaker 4: you're like Eastern time, Yeah, some time you're driving back

468
00:20:20,960 --> 00:20:22,879
Speaker 4: from DC, and you went through it like we just

469
00:20:22,920 --> 00:20:25,520
Speaker 4: had the realist convoever, and then you were like, hey,

470
00:20:26,080 --> 00:20:28,360
Speaker 4: me and Michelle were like trying to make this adulting

471
00:20:28,359 --> 00:20:30,680
Speaker 4: show of thing, so if you want to come through

472
00:20:30,760 --> 00:20:32,720
Speaker 4: and help out, you are more than welcome.

473
00:20:32,880 --> 00:20:34,720
Speaker 2: Yeah. Man, the rest is history.

474
00:20:34,800 --> 00:20:38,520
Speaker 3: As they said, Yeah, all right, cool, What are your

475
00:20:38,600 --> 00:20:40,800
Speaker 3: least favorite parts of the show, and then we'll get

476
00:20:40,800 --> 00:20:41,800
Speaker 3: into questions.

477
00:20:42,359 --> 00:20:45,200
Speaker 1: The least favorite part.

478
00:20:45,720 --> 00:20:50,879
Speaker 5: What my least favorite part is probably the most asine

479
00:20:51,119 --> 00:20:53,760
Speaker 5: silly shit, But it's hard for me to sometimes read

480
00:20:53,800 --> 00:20:54,919
Speaker 5: the handwriting on the questions.

481
00:20:55,119 --> 00:20:59,360
Speaker 2: Yeah, so I try to like urge legibility. I really

482
00:20:59,400 --> 00:20:59,960
Speaker 2: do for you all.

483
00:21:00,000 --> 00:21:02,359
Speaker 4: There's a lot of hannibal lecters out there, though. You

484
00:21:02,400 --> 00:21:04,840
Speaker 4: know when you get those weird ones, that's like when

485
00:21:05,480 --> 00:21:10,119
Speaker 4: in December when the vegetables fail in my cellar, I wonder,

486
00:21:10,280 --> 00:21:11,400
Speaker 4: You're like, what the fuck?

487
00:21:12,359 --> 00:21:13,880
Speaker 1: All right, let's just go to you know what I need?

488
00:21:14,080 --> 00:21:16,119
Speaker 1: I need to break. Give me a break. I need

489
00:21:16,200 --> 00:21:18,920
Speaker 1: a break. Yeah, can you break me off a piece?

490
00:21:20,000 --> 00:21:22,720
Speaker 2: I have no command over that, but I will break

491
00:21:22,760 --> 00:21:23,800
Speaker 2: you off a piece of the kitchen.

492
00:21:23,920 --> 00:21:42,560
Speaker 7: Oh god, alright, let's get some questions pop at.

493
00:21:39,600 --> 00:21:42,479
Speaker 2: Yeah, let the millennial answer all these questions.

494
00:21:42,520 --> 00:21:46,280
Speaker 4: Oh, come on, I'm getting there into How early is

495
00:21:46,440 --> 00:21:51,520
Speaker 4: too early for an adult to go to bed? If

496
00:21:51,560 --> 00:21:54,200
Speaker 4: you're in bed by like nine, I'm almost jealous, Like

497
00:21:54,520 --> 00:21:56,520
Speaker 4: I feel like that's early as hell. That means like

498
00:21:56,600 --> 00:22:00,040
Speaker 4: your life is right, like everything before double digit so

499
00:22:00,080 --> 00:22:02,880
Speaker 4: you get a smooth eight to nine hours waking up refreshed.

500
00:22:02,920 --> 00:22:05,600
Speaker 2: I'm looking at you, silly. I hate that shit. My

501
00:22:05,680 --> 00:22:07,280
Speaker 2: wife goes to bed at nine thirty.

502
00:22:07,560 --> 00:22:09,720
Speaker 4: She's got like she's got glasses at the tip of

503
00:22:09,760 --> 00:22:12,680
Speaker 4: her nose, reading like the newest New York Ten's bestseller.

504
00:22:13,080 --> 00:22:14,680
Speaker 2: She's like, can you just stump? I need you to

505
00:22:14,720 --> 00:22:16,800
Speaker 2: do the composting. You can take out the trash and cokakaka.

506
00:22:17,000 --> 00:22:20,320
Speaker 4: You know, like she every night nine thirty boom, and

507
00:22:20,400 --> 00:22:22,440
Speaker 4: she's up by six thirty even on the weekend.

508
00:22:22,560 --> 00:22:26,040
Speaker 3: Wow, got care every day is different from me. But

509
00:22:26,200 --> 00:22:29,320
Speaker 3: ten o'clock it's got ten's the latest at this point. Yeah,

510
00:22:29,320 --> 00:22:32,000
Speaker 3: because babies wake up at like four or five or six,

511
00:22:32,320 --> 00:22:34,120
Speaker 3: So I don't know what the fuck is going to happen.

512
00:22:34,240 --> 00:22:36,440
Speaker 2: I do one thirty keeps me on the edge where

513
00:22:36,480 --> 00:22:36,920
Speaker 2: I got to be.

514
00:22:37,560 --> 00:22:38,080
Speaker 1: Thirty am.

515
00:22:38,280 --> 00:22:40,399
Speaker 2: Yeah, I feel like I feel like a don't be

516
00:22:41,480 --> 00:22:42,000
Speaker 2: absolutely not.

517
00:22:43,680 --> 00:22:44,200
Speaker 1: What about you?

518
00:22:44,520 --> 00:22:46,879
Speaker 3: You you know it's so cute but okay. So we

519
00:22:46,960 --> 00:22:48,560
Speaker 3: were hanging out at the house one time. It was

520
00:22:48,600 --> 00:22:50,760
Speaker 3: a barbecue. You started sneezing a lot.

521
00:22:51,200 --> 00:22:51,400
Speaker 5: Yeah.

522
00:22:52,119 --> 00:22:53,159
Speaker 1: I was like, what's going on?

523
00:22:53,680 --> 00:22:55,680
Speaker 3: I was like, are you alwership to fine? And you

524
00:22:55,760 --> 00:22:59,040
Speaker 3: were like, oh, this is my bedtime when I start sneezing.

525
00:23:00,040 --> 00:23:10,480
Speaker 2: Wait, wait, that's just short circuited.

526
00:23:10,640 --> 00:23:14,040
Speaker 5: Explain yourself, like, I feel like my my respiratory system

527
00:23:14,080 --> 00:23:14,920
Speaker 5: starts to shut down.

528
00:23:15,440 --> 00:23:17,439
Speaker 1: That's satisfying. I was just laughing.

529
00:23:18,119 --> 00:23:18,480
Speaker 2: Was funny.

530
00:23:18,560 --> 00:23:22,760
Speaker 3: Nineties epipenans answer the question before we get to real public.

531
00:23:24,320 --> 00:23:28,240
Speaker 5: Go don what's the perfect response slash answer for when

532
00:23:28,280 --> 00:23:31,200
Speaker 5: your parents ask when you're getting married slash having a baby?

533
00:23:32,040 --> 00:23:34,120
Speaker 3: Oh, none of your business? Exactly what are you gonna

534
00:23:34,160 --> 00:23:35,680
Speaker 3: have one? When are you gonna pay for one? Because

535
00:23:35,680 --> 00:23:37,240
Speaker 3: everybody's just like when you have a kid. Who we

536
00:23:37,320 --> 00:23:38,680
Speaker 3: were trying to have kids. I'm like, when you pay

537
00:23:38,760 --> 00:23:39,160
Speaker 3: for a bitch?

538
00:23:39,400 --> 00:23:40,840
Speaker 2: Exactly? I would.

539
00:23:40,880 --> 00:23:43,359
Speaker 5: I would pretty much answer that question with whatever your

540
00:23:43,400 --> 00:23:45,280
Speaker 5: parents worst furious just like with them.

541
00:23:45,359 --> 00:23:46,960
Speaker 1: Oh that's what I used to say. I'm like, what

542
00:23:47,080 --> 00:23:48,000
Speaker 1: are your funeral plans?

543
00:23:48,119 --> 00:23:48,239
Speaker 8: Right?

544
00:23:48,280 --> 00:23:48,600
Speaker 2: Exactly?

545
00:23:50,840 --> 00:23:54,080
Speaker 1: If you asked about my future by your O gosh, bitch,

546
00:23:54,880 --> 00:23:56,680
Speaker 1: how do you know if the love you have for

547
00:23:56,800 --> 00:23:59,400
Speaker 1: your partner is permanent romantic love?

548
00:24:02,119 --> 00:24:02,879
Speaker 2: You have to go through it.

549
00:24:03,000 --> 00:24:08,199
Speaker 4: Something has to happen, Yeah, something, yeah, Yeah, the stakes

550
00:24:08,440 --> 00:24:10,240
Speaker 4: need to be a little bit higher than a rom com.

551
00:24:10,400 --> 00:24:13,159
Speaker 2: I think she got on the wrong train, you.

552
00:24:13,200 --> 00:24:15,240
Speaker 4: Know, like I feel like it has to be like

553
00:24:15,480 --> 00:24:19,960
Speaker 4: maybe then a parent dies something like that.

554
00:24:20,200 --> 00:24:20,600
Speaker 2: You got it?

555
00:24:20,920 --> 00:24:24,720
Speaker 3: That's when you know, I say, first thought, last thought

556
00:24:25,160 --> 00:24:27,320
Speaker 3: is this person? Your first thought in your last is

557
00:24:27,359 --> 00:24:29,360
Speaker 3: this person your first phone call, your last phone call.

558
00:24:29,720 --> 00:24:31,800
Speaker 5: I think it's like who do you want to tell,

559
00:24:32,000 --> 00:24:34,000
Speaker 5: like your good news and bad news? Like who's the

560
00:24:34,040 --> 00:24:37,640
Speaker 5: person you want to talk first phone call? Yeah, that's right, first.

561
00:24:39,000 --> 00:24:39,920
Speaker 1: Okay, next question?

562
00:24:40,200 --> 00:24:42,440
Speaker 5: All right, how long do you have to wait before

563
00:24:42,480 --> 00:24:44,720
Speaker 5: you start living stuff over a bf's apartment?

564
00:24:44,840 --> 00:24:47,679
Speaker 2: Low key claiming, Oh.

565
00:24:47,640 --> 00:24:50,879
Speaker 3: It depends how many times a week you fucking how

566
00:24:50,920 --> 00:24:53,640
Speaker 3: many times a week you are there, because you're gonna

567
00:24:53,760 --> 00:24:55,240
Speaker 3: need a toothbrush.

568
00:24:54,760 --> 00:24:55,879
Speaker 1: For your walk a ship.

569
00:24:56,440 --> 00:24:57,159
Speaker 2: Yeah, you're gonna need that.

570
00:24:57,800 --> 00:24:58,600
Speaker 1: I would say three.

571
00:24:58,480 --> 00:25:00,800
Speaker 8: Weeks, three weeks, and if you you come back, if

572
00:25:00,800 --> 00:25:03,560
Speaker 8: you're three to six weeks, if you're there a lot

573
00:25:03,640 --> 00:25:05,040
Speaker 8: and you leave something there and you come back and

574
00:25:05,080 --> 00:25:07,359
Speaker 8: your ship's moved, you might want to check into that

575
00:25:07,440 --> 00:25:09,840
Speaker 8: relationship really, Like if you come.

576
00:25:09,800 --> 00:25:11,520
Speaker 1: Back in your stuff at your place.

577
00:25:11,600 --> 00:25:17,720
Speaker 5: Yeah, but like if you come back in like that

578
00:25:17,880 --> 00:25:20,760
Speaker 5: that toothbrushes in a cupboard tucked away? Yeah, or you

579
00:25:20,840 --> 00:25:23,880
Speaker 5: know what I'm saying, like like your whatever fucking sandals

580
00:25:23,920 --> 00:25:25,959
Speaker 5: are just under the bed as opposed to where all

581
00:25:26,000 --> 00:25:27,159
Speaker 5: the other shoes are, you.

582
00:25:27,200 --> 00:25:28,119
Speaker 2: Might want to check in with that.

583
00:25:28,840 --> 00:25:30,639
Speaker 4: I was such a dirty ass pigpen when I was

584
00:25:30,920 --> 00:25:33,560
Speaker 4: single that no one wanted to leave stuff at my place.

585
00:25:35,200 --> 00:25:39,520
Speaker 2: Yeah, so everything you don't want to leave, nothing over

586
00:25:42,680 --> 00:25:44,440
Speaker 2: your hands on his shirt.

587
00:25:45,000 --> 00:25:48,720
Speaker 4: Next question, Okay, your paycheck does not come with instructions.

588
00:25:49,240 --> 00:25:51,520
Speaker 4: What can we do as adults to stop living pay

589
00:25:51,640 --> 00:25:53,160
Speaker 4: check to pay check?

590
00:25:53,280 --> 00:25:53,520
Speaker 1: Dude?

591
00:25:53,560 --> 00:25:58,440
Speaker 3: That's the government, man, that's the that's the fucking that's America.

592
00:25:58,600 --> 00:26:01,280
Speaker 3: That's it's it's like rogue.

593
00:26:01,960 --> 00:26:05,920
Speaker 2: But how is it like? Guys?

594
00:26:06,000 --> 00:26:08,960
Speaker 3: You need you you take rogain to have hair, and

595
00:26:09,000 --> 00:26:10,640
Speaker 3: the minute you stop taking it, you lose your hair.

596
00:26:10,720 --> 00:26:12,440
Speaker 3: It's like they make us dependent on them.

597
00:26:12,560 --> 00:26:13,080
Speaker 1: You know what I mean?

598
00:26:13,160 --> 00:26:16,240
Speaker 3: If you you have to learn how to save for yourself,

599
00:26:16,680 --> 00:26:18,520
Speaker 3: you know, you have to understand the system in order

600
00:26:18,520 --> 00:26:20,680
Speaker 3: to beat the system. And you know you could still

601
00:26:20,800 --> 00:26:22,320
Speaker 3: like play by the rules, but you got to like

602
00:26:22,400 --> 00:26:24,840
Speaker 3: save your money because you can't make money and all

603
00:26:24,880 --> 00:26:25,640
Speaker 3: of a sudden have money.

604
00:26:25,680 --> 00:26:26,879
Speaker 1: That's not how it works here.

605
00:26:26,920 --> 00:26:28,320
Speaker 4: You know, it's got to scale back. You got to

606
00:26:28,320 --> 00:26:30,760
Speaker 4: think about all the things that you buy. Your Hulus,

607
00:26:30,800 --> 00:26:33,000
Speaker 4: your Netflix is I'm on black Mirry guess to check

608
00:26:33,000 --> 00:26:35,520
Speaker 4: it out. But like all those things that you spend

609
00:26:35,560 --> 00:26:37,880
Speaker 4: money on that that is just draining in a year

610
00:26:37,920 --> 00:26:39,639
Speaker 4: by year that could be like a trip or like

611
00:26:39,760 --> 00:26:42,240
Speaker 4: could just be could save you on a rainy day.

612
00:26:42,520 --> 00:26:45,200
Speaker 4: You know, I will say this just as a practical application,

613
00:26:45,520 --> 00:26:47,280
Speaker 4: I use an app called Digit and Digit tip.

614
00:26:47,800 --> 00:26:50,240
Speaker 2: You have Digit, right, So Digit like just takes.

615
00:26:50,040 --> 00:26:52,840
Speaker 4: A little bit of your money every day and compounds

616
00:26:52,840 --> 00:26:54,600
Speaker 4: it and puts it in a savings account for a

617
00:26:54,680 --> 00:26:55,080
Speaker 4: rainy day.

618
00:26:55,240 --> 00:26:57,960
Speaker 5: I have Digit, I have acorns. Digit is actually saved

619
00:26:58,000 --> 00:27:01,000
Speaker 5: my ass. Like, I want to say, the youngest one here.

620
00:27:01,560 --> 00:27:03,800
Speaker 1: You have your money, make money. I just make a

621
00:27:03,840 --> 00:27:04,280
Speaker 1: lot of money.

622
00:27:04,760 --> 00:27:13,560
Speaker 2: Yeah, that's another way to do it. That's an airhorn time.

623
00:27:13,640 --> 00:27:16,240
Speaker 4: Okay, the producer, we have two minutes left, by the way,

624
00:27:16,440 --> 00:27:17,640
Speaker 4: that's oh my god.

625
00:27:17,840 --> 00:27:19,800
Speaker 2: Okay, we get it. You're a producer on the Daily Show.

626
00:27:19,840 --> 00:27:28,800
Speaker 2: We understand that somebody's dick jump. All right? Should I

627
00:27:28,800 --> 00:27:30,199
Speaker 2: read this one? All right?

628
00:27:30,400 --> 00:27:33,040
Speaker 4: When do I stop buying Applebee's gift cards and start

629
00:27:33,119 --> 00:27:34,760
Speaker 4: giving real gifts to my friends?

630
00:27:35,160 --> 00:27:35,800
Speaker 1: Now? Never?

631
00:27:37,320 --> 00:27:37,560
Speaker 7: Never?

632
00:27:39,920 --> 00:27:41,280
Speaker 1: I love that Margarita?

633
00:27:41,440 --> 00:27:45,320
Speaker 3: Yeah, oh win like three apps of twenty dollars. Apple

634
00:27:45,680 --> 00:27:51,720
Speaker 3: is alright, you're doing it, yes, Bottle, Target's great, is not.

635
00:27:51,840 --> 00:27:54,639
Speaker 4: I'm not mad at Traket is all hit mall. You

636
00:27:54,680 --> 00:27:56,480
Speaker 4: can go to Target and then go to apple Bee's, right, across.

637
00:27:56,920 --> 00:27:59,040
Speaker 1: I don't think I haven't done that last week.

638
00:27:59,440 --> 00:28:01,800
Speaker 4: This is a good Oh you're going away for the weekend.

639
00:28:02,000 --> 00:28:05,000
Speaker 4: How many pairs of underwear does one pack?

640
00:28:08,400 --> 00:28:08,600
Speaker 8: Yeah?

641
00:28:08,600 --> 00:28:10,879
Speaker 1: You always overpack because you don't know what kind of

642
00:28:10,960 --> 00:28:11,320
Speaker 1: day you're.

643
00:28:11,200 --> 00:28:12,960
Speaker 2: Gonna have more than one.

644
00:28:16,240 --> 00:28:19,840
Speaker 1: Inside out. Oh no, no, oh, we neither.

645
00:28:28,880 --> 00:28:30,520
Speaker 2: Split some underwear in your suitcase. Person.

646
00:28:30,880 --> 00:28:34,359
Speaker 1: What is your favorite thing about becoming an adult? Not

647
00:28:34,480 --> 00:28:35,120
Speaker 1: giving a fuck?

648
00:28:35,280 --> 00:28:35,480
Speaker 5: Yeah?

649
00:28:36,200 --> 00:28:40,240
Speaker 3: I used to give a fuck about what everyone thought,

650
00:28:40,960 --> 00:28:42,920
Speaker 3: what they expected from me, what I was supposed to

651
00:28:42,960 --> 00:28:45,440
Speaker 3: look like, what I was supposed to sound like, you know,

652
00:28:45,880 --> 00:28:48,720
Speaker 3: as a comedian, as a woman, as a partner, as

653
00:28:48,760 --> 00:28:50,840
Speaker 3: a daughter. I don't give a fuck, Like I am.

654
00:28:51,080 --> 00:28:53,320
Speaker 2: Just me all around.

655
00:28:53,840 --> 00:28:56,400
Speaker 4: I like being able to treat my family, like get

656
00:28:56,440 --> 00:28:58,200
Speaker 4: my mom some dinner, or like walk through the mall

657
00:28:58,280 --> 00:28:58,840
Speaker 4: with my sister.

658
00:28:59,160 --> 00:29:00,320
Speaker 2: She'd be like I like those. She will be like,

659
00:29:00,320 --> 00:29:01,120
Speaker 2: all right, I'll give them for you.

660
00:29:01,560 --> 00:29:05,040
Speaker 1: Like I feel like that was Oh my god, Pedro

661
00:29:05,200 --> 00:29:11,040
Speaker 1: from the family.

662
00:29:12,240 --> 00:29:14,480
Speaker 2: Wait are you going around? What's up? Real quick?

663
00:29:14,760 --> 00:29:18,440
Speaker 5: One of my favorite things is like understanding what my

664
00:29:18,920 --> 00:29:21,560
Speaker 5: parents they're going through at this age in their life.

665
00:29:21,600 --> 00:29:23,160
Speaker 1: You know what I'm saying, Like, right, they're people. Now

666
00:29:23,200 --> 00:29:24,680
Speaker 1: they're not just like mom and dad.

667
00:29:24,920 --> 00:29:25,400
Speaker 2: Yes, so I can.

668
00:29:25,520 --> 00:29:26,960
Speaker 5: I can call my mom And it's not the same

669
00:29:27,000 --> 00:29:28,880
Speaker 5: conversation as when I was sixteen. Now it's just kind

670
00:29:28,920 --> 00:29:30,240
Speaker 5: of like two adults. Shit.

671
00:29:30,560 --> 00:29:32,640
Speaker 2: There's definitely like a power and love respect there, but

672
00:29:32,720 --> 00:29:33,520
Speaker 2: it's it's more like.

673
00:29:33,640 --> 00:29:36,240
Speaker 4: I almost to what you're saying. I almost wanted to

674
00:29:36,240 --> 00:29:39,120
Speaker 4: ask my parents how they lost their virginity. But I'm like,

675
00:29:41,360 --> 00:29:42,480
Speaker 4: oh god, I never want to.

676
00:29:42,640 --> 00:29:44,480
Speaker 1: Want to know what is wrong with you?

677
00:29:44,720 --> 00:29:44,880
Speaker 4: You know?

678
00:29:45,960 --> 00:29:49,520
Speaker 2: I mean, that's what this podcast is about. Michelle is

679
00:29:49,560 --> 00:29:50,320
Speaker 2: trying to figure that out.

680
00:29:50,360 --> 00:29:51,440
Speaker 1: How weird you were? Yes?

681
00:29:52,320 --> 00:29:56,120
Speaker 2: What made me this way? Why are these parts all

682
00:29:56,280 --> 00:29:59,240
Speaker 2: simple like this? But but I love it?

683
00:30:00,160 --> 00:30:00,560
Speaker 1: For help?

684
00:30:00,680 --> 00:30:01,520
Speaker 2: Or is he joking?

685
00:30:01,720 --> 00:30:01,760
Speaker 4: No?

686
00:30:01,960 --> 00:30:06,680
Speaker 2: Haven't you no wonder you never?

687
00:30:10,160 --> 00:30:13,520
Speaker 3: Oh my god, Brandon, please get a question before it

688
00:30:13,800 --> 00:30:14,840
Speaker 3: throw up and forget.

689
00:30:15,080 --> 00:30:17,520
Speaker 2: My favorite part of being an adult is that I

690
00:30:17,600 --> 00:30:21,760
Speaker 2: can reach things that are high up. Now is that weird?

691
00:30:23,880 --> 00:30:24,200
Speaker 2: What are you?

692
00:30:24,320 --> 00:30:25,240
Speaker 1: Tom Hanks Big?

693
00:30:25,440 --> 00:30:27,280
Speaker 2: This is so ridiculous.

694
00:30:29,200 --> 00:30:32,640
Speaker 1: Too many cookies. Thank you guys for being here. This

695
00:30:32,760 --> 00:30:33,920
Speaker 1: has been amazing, dope.

696
00:30:33,920 --> 00:30:36,040
Speaker 2: Thanks for having us. Don Will Christian Banda.

697
00:30:35,920 --> 00:30:39,520
Speaker 3: On the ones and threes and fours, You're don any words.

698
00:30:39,920 --> 00:30:41,880
Speaker 3: The most adult thing you guys want to do for

699
00:30:42,000 --> 00:30:42,960
Speaker 3: yourselves this year?

700
00:30:43,320 --> 00:30:47,600
Speaker 5: Oh man, I want to take a trip. I haven't

701
00:30:47,640 --> 00:30:50,360
Speaker 5: taken a trip in a while, like a vacation trip. Yeah,

702
00:30:50,560 --> 00:30:53,280
Speaker 5: like a personal vacation trip I haven't done in Where

703
00:30:53,280 --> 00:30:53,720
Speaker 5: do you want to go?

704
00:30:54,560 --> 00:30:55,000
Speaker 2: I don't know.

705
00:30:55,600 --> 00:30:57,280
Speaker 1: Good, You'll be happy anywhere you go.

706
00:30:57,400 --> 00:30:58,800
Speaker 2: I want to put a TV in my bedroom.

707
00:30:58,840 --> 00:31:01,360
Speaker 3: I feel like, yes, my thirteen incher with like a

708
00:31:02,400 --> 00:31:04,800
Speaker 3: I attached vhsigger than that.

709
00:31:06,640 --> 00:31:12,760
Speaker 1: VPR. All right, this isn't nineteen eighty two. All right,

710
00:31:12,840 --> 00:31:14,600
Speaker 1: thank you guys, You're awesome.

711
00:31:14,840 --> 00:31:23,400
Speaker 2: Alright, y bye, love you, Michelle. What a great show.

712
00:31:24,760 --> 00:31:27,080
Speaker 1: Yeah, it was a great show. We answered so many questions.

713
00:31:27,720 --> 00:31:29,080
Speaker 1: They just would not stop a coming.

714
00:31:29,280 --> 00:31:29,480
Speaker 4: Yeah.

715
00:31:29,600 --> 00:31:32,280
Speaker 3: We also talked to Ashlen b who has such an

716
00:31:32,320 --> 00:31:34,960
Speaker 3: amazing powerful story.

717
00:31:35,240 --> 00:31:36,760
Speaker 2: Yes, I mean her sense of humor.

718
00:31:37,040 --> 00:31:38,560
Speaker 1: Is she the Irish Julia Roberts?

719
00:31:38,640 --> 00:31:39,239
Speaker 3: I who?

720
00:31:41,680 --> 00:31:45,160
Speaker 2: God? Yeah, I did because the gauntlet was thrown and

721
00:31:45,240 --> 00:31:49,800
Speaker 2: I will take that. Hey honey, yeah, oh Texas.

722
00:31:50,160 --> 00:31:53,520
Speaker 4: Yeah, okay, let's do the credits, huh please. Adulting was

723
00:31:53,560 --> 00:31:56,400
Speaker 4: produced by Blakeney Shick and O'delia Rubin. The Adulting team

724
00:31:56,440 --> 00:31:59,920
Speaker 4: includes Johanna saltarof Paula Schumann, Joe Ploored, he can zem

725
00:32:00,200 --> 00:32:03,400
Speaker 4: At Haberd, George Wellington, and Irene Trudell. And the live

726
00:32:03,440 --> 00:32:05,280
Speaker 4: show is produced by Christian Banda.

727
00:32:05,600 --> 00:32:08,560
Speaker 3: Our theme music is by Isaac Jones, with additional music

728
00:32:08,680 --> 00:32:09,880
Speaker 3: by DJ Donwill.

729
00:32:10,040 --> 00:32:12,480
Speaker 4: In addition to the production team whose names you hear

730
00:32:12,640 --> 00:32:14,480
Speaker 4: at the end of like every episode, there's a whole

731
00:32:14,480 --> 00:32:17,000
Speaker 4: bunch of people at WNYC stud Days who help bring

732
00:32:17,080 --> 00:32:18,480
Speaker 4: adulting to you each week.

733
00:32:18,600 --> 00:32:22,760
Speaker 3: That's right, Emily Mann, Holly Saint, John Sarah Sandbach.

734
00:32:22,680 --> 00:32:27,320
Speaker 4: Kim Milwaukie, Millie Christy de Vaux, Ashley Lusk, Caroline.

735
00:32:26,920 --> 00:32:31,680
Speaker 3: English, Sharpaharlou Andrea Latimer, Theodora Cuslin.

736
00:32:31,600 --> 00:32:37,120
Speaker 4: Bianca Brady, Jennifer Hulahan, Roussel, Camille Ortiz and Rsa Robinson.

737
00:32:37,440 --> 00:32:39,920
Speaker 1: And if you liked this episode, go on and rate

738
00:32:40,040 --> 00:32:41,680
Speaker 1: us a writer, a review or both.

739
00:32:41,760 --> 00:32:45,520
Speaker 3: You got options, and subscribe wherever you get your podcasts.

740
00:32:45,840 --> 00:32:46,560
Speaker 2: My gosh, where's it?

741
00:32:46,600 --> 00:32:48,520
Speaker 3: Wisdom, Michelle, don't feel like you have to do it

742
00:32:48,560 --> 00:32:52,440
Speaker 3: all all the time. You're fine do one thing out

743
00:32:52,520 --> 00:32:55,840
Speaker 3: of time and that's cool. No one's putting those expectations

744
00:32:56,240 --> 00:32:59,920
Speaker 3: on you except you. I like that yeah, and that's

745
00:33:00,080 --> 00:33:03,280
Speaker 3: okay if people don't like you, what where.

746
00:33:03,200 --> 00:33:04,520
Speaker 1: Is this going now nowhere?

747
00:33:05,480 --> 00:33:22,200
Speaker 2: Okay? Oh god, that was That was the crowd. I

748
00:33:22,360 --> 00:33:25,080
Speaker 2: know it was felt very hot the Colisseum, but it

749
00:33:25,160 --> 00:33:28,200
Speaker 2: was this hot breath in the end. Yes,