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Speaker 1: First of all, you don't know me.

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Speaker 2: We all about that high school drama, Girl drama, girl,

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Speaker 2: all about them.

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Speaker 3: High school queens.

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Speaker 2: We'll take you for a ride, and our comic girl

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Speaker 2: shared for the right teams Drama, Queens, l girl Fashion,

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Speaker 2: but your tough girl, you could sit with us Girl Drama,

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Speaker 2: Queens Drama, Queens Drama, Queens Drama, Drahna Queens Drama Queens.

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Speaker 4: You guys, we're with our favorite.

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Speaker 3: Colin Moss is here just stuffing everybody.

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Speaker 4: Just get out of my lane.

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Speaker 3: I'm here to win.

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Speaker 5: Jump pay McReady is not to be messed with.

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Speaker 3: Can I give you a jersey that says that please please?

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Speaker 1: I would love it?

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Speaker 3: Oh? Okay, So this is a big sad episode and

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Speaker 3: Colin's here to make it better.

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Speaker 6: So thank god because we just wept through six queer us.

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Speaker 3: Okay, Sophia, tell him, tell him what we watch.

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Speaker 6: Guys, we watched season six, episode twenty two, Show Me

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Speaker 6: How to Live. It aired May fourth, two thousand and nine. Colin,

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Speaker 6: do you want to hit your little your little chat

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Speaker 6: icon and read us the synopsis?

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Speaker 1: You know I do. Brooke and Haley throw Peyton a

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Speaker 1: baby shower while Sam grows closer to Victoria, Lucas and

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Speaker 1: Jamie bond while working on Peyton's car, and Nathan learns

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Speaker 1: that NBA Scouts will be at his next game. Meanwhile,

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Speaker 1: Antoine and Lauren go on a date that goes all

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Speaker 1: We're wrong. Directed by James Lafferty.

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Speaker 5: James's first episode, There we Go.

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Speaker 3: That's crazy. How old was he in two thousand and nine?

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Speaker 4: Like twenty two was he?

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Speaker 1: It's like, it's insane seeing everybody this the episodes, I mean,

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Speaker 1: and especially like especially the dudes for some reason, because

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Speaker 1: like and I'm not I'm not blowing smoke, but you

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Speaker 1: ladies are have are very unchanged to me.

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Speaker 4: I mean, more smoke, please, thank you?

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Speaker 5: You go right ahead.

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Speaker 1: Well, I mean it's it's true, but I mean, and

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Speaker 1: I look at like all these dudes in there awkward

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Speaker 1: still like we're still becoming phase.

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Speaker 3: So yeah, I liked this episode because everybody had something

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Speaker 3: to do, and even though it was really like everybody

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Speaker 3: was doing something a little different, especially Brooke and her

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Speaker 3: spy wardrobe and the Dunkin Donuts commercial.

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Speaker 6: It's like the full head scarf and.

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Speaker 4: The loved it.

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Speaker 3: But I was like, all right, well now that that's out,

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Speaker 3: of the way she could focus on her dramatic arc

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Speaker 3: of trying to adopt a child.

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Speaker 4: Loved it.

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Speaker 5: I loved it.

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Speaker 1: Troubled Sam.

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Speaker 3: I know. Yeah, having everybody have their own storyline is

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Speaker 3: always really fun. And I love the Boys Apartment. We

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Speaker 3: do this thing on the show Colin where we give

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Speaker 3: honorable mentions and I can't tell you how many times

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Speaker 3: the Boys in the Apartment has gotten the honorable mention.

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Speaker 1: Yeah, the couch dwellers. Yeah, it's just.

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Speaker 4: The realist part of the show.

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Speaker 3: You know, Sophia's trying to adopt a teenager and who

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Speaker 3: knows what Peyton's doing, you know, and the boys are

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Speaker 3: just eating pizza playing video games.

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Speaker 5: It's so nice, Yeah.

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Speaker 6: Especially with some people in their early twenties, which our

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Speaker 6: characters are supposed to be. Like Brooke Davis runs this giant,

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Speaker 6: multi million dollar company, and Nathan's in the NBA, and

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Speaker 6: everybody's buying houses, and like even even you guys like

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Speaker 6: Lucas and Peyton are just.

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Speaker 5: Living in a house.

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Speaker 6: His mom was like, you can have this kid, I'm

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Speaker 6: going off on a yacht. Like it's so silly, And

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Speaker 6: thank god we've got some boys who are roommates ordering pizza,

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Speaker 6: cause you know, we were all trying to figure out

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Speaker 6: like how to be and pay rent and stuff, and.

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Speaker 4: We didn't know, we didn't know anything.

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Speaker 5: And I love that.

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Speaker 6: I love that we have some characters that are based

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Speaker 6: in reality.

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Speaker 1: Yeah, the truth of arrested development and.

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Speaker 3: Well, you know, is it even arrested. It's actually like normal,

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Speaker 3: a natural progression.

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Speaker 1: Yeah, that's exactly what I was doing in twenty two

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Speaker 1: and only you know, I always I think there is

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Speaker 1: this implication that that some paraphernalia had just been set

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Speaker 1: down before the camera had us, Like, I don't like

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Speaker 1: it often, like.

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Speaker 3: Yeah, that's fun. I wonder what, like what were junks

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Speaker 3: goals in high school? Like did he ever have a

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Speaker 3: crush on someone? We didn't see a lot of junks, Yeah,

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Speaker 3: like secrets. So what was the backstory that you created

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Speaker 3: in your head?

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Speaker 1: Okay? I I wish that I was that thoughtful back then.

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Speaker 1: Sometimes I could make something up right now.

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Speaker 4: You were like, I'm just here for the craft service.

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Speaker 5: I love it here.

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Speaker 3: What do you want me?

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Speaker 1: What do you want me to say? Flippantly? Okay? I

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Speaker 1: mean I'm sure junk. Did you know there's like and

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Speaker 1: and I think I think I did just have like

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Speaker 1: this Junk was just like anyone just smng something because anything.

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Speaker 1: There was one thing of like a brief element of

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Speaker 1: me showing a picture and I don't remember of whom

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Speaker 1: two to the guys saying, oh, it's this girl I

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Speaker 1: met at camp. She lives in Canada. And you know,

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Speaker 1: it was the It was the bullsh I love that thing.

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Speaker 1: That junk just has this imaginary this imaginary girlfriend somewhere.

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Speaker 3: But by the way, that happens until my wedding, everyone

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Speaker 3: was like, Okay, Hillary, I'm sure you have a boyfriend.

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Speaker 3: And that was the first time anyone met Jeffrey. They

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Speaker 3: were like, oh, he's real crazy. It's been a decade.

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Speaker 3: People do that all the time. We bought it totally normal. Okay, well, Peyton,

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Speaker 3: all she's ever wanted to do since high school is

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Speaker 3: Mary Lucas Scott and have his baby.

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Speaker 4: And here we are. It's gonna kill her.

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Speaker 5: Yeah, what is that metaphor?

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Speaker 3: Girl?

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Speaker 4: I don't know the thing that you want is going

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Speaker 4: to kill you? Kill you weird.

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Speaker 1: Set your sight's low, Like just be like Junk and

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Speaker 1: just let life happen.

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Speaker 5: Just be along for the ride.

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Speaker 6: You know what I love And this This is what

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Speaker 6: I was starting to expand on when I realized I

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Speaker 6: was no longer even on the zoom. I was just

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Speaker 6: talking to myself. But the container for this episode and

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Speaker 6: probably the reason that I sobbed the whole thing opening

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Speaker 6: the show on you, like Michael Keaton in my life.

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Speaker 6: I was like, oh, good look and this sort of

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Speaker 6: beautiful thing like we always did these season enders, you

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Speaker 6: know that that had a big story, and this for you,

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Speaker 6: I thought it was just so impactful and God, you're

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Speaker 6: so good sitting like trying to keep it together talking

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Speaker 6: to that video camera.

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Speaker 5: And James did such a good job with this episode, like.

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Speaker 6: You can feel the container of Peyton's experience doing what

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Speaker 6: you're doing on screen with that box for the baby,

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Speaker 6: and I love that it turns in meaning for Lucas

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Speaker 6: thanks to Jamie. He's like, your whole life's in that box.

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Speaker 6: I wish I had one of those. And he gets it,

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Speaker 6: he gets what you're doing and it shifts everything. But

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Speaker 6: this this sort of sad happy duality you played so

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Speaker 6: beautifully and I and I think you guys designed you know,

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Speaker 6: the whole episode around it so well. I mean, even

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Speaker 6: the baby shower, It's like happy and it's really sad

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Speaker 6: all the same time.

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Speaker 3: It was Peyton's saying goodbye to everyone, right.

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Speaker 5: Well, and that's why I kept sobbing.

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Speaker 3: I was like, oh god, it was a cool way

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Speaker 3: to see everyone, to see like our friends from the

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Speaker 3: River Court, to see you know, Haley and Nathan. If

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Speaker 3: you ever want a mom and dad fix like, go

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Speaker 3: to them.

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Speaker 4: Make sure you.

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Speaker 3: Pick the best best friend. These are the songs you're

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Speaker 3: gonna listen to.

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Speaker 4: It really was.

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Speaker 3: A way for Peyton to touch on everything because I mean,

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Speaker 3: in my mind filming this, let's just get to the

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Speaker 3: behind the scenes start. In my mind filming this, they're

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Speaker 3: gonna kill me, right, Is that what you thought, Colin?

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Speaker 4: Were you? Like, they're killing those chicks. She's dead me.

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Speaker 1: It's done, and they're letting her do it. You know,

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Speaker 1: they're letting her do it poetically.

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Speaker 3: Yeah, we're just gonna put her on a raft, push

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Speaker 3: her down the river.

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Speaker 4: She's gonna be fine.

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Speaker 3: Peyton is saying goodbye to everyone because we were in

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Speaker 3: contract renegotiations and this is a this is a signal

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Speaker 3: to Hillary, you're dead, babe, Like we're done.

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Speaker 4: And I was just you.

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Speaker 3: Know, you get the script and You're like.

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Speaker 5: Huh, You're like, oh, this is what it's like.

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Speaker 3: We discussed in the last episode how when Chad and

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Speaker 3: I were shooting the last episode, that's when they announced

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Speaker 3: that the show was coming back, but they had not

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Speaker 3: offered either of us contracts, and it was basically them

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Speaker 3: being like, we're good, you can leave, and we were

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Speaker 3: just like.

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Speaker 4: Well, right, cool story.

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Speaker 3: So then, well I finished filming and I was like,

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Speaker 3: you know what I'm gonna do in this situation. I'm

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Speaker 3: gonna go back home to Stirling Park and I'm probably

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Speaker 3: gonna go kiss some dudes from high school and have

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Speaker 3: a couple of beers, and then I'm gonna figure out

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Speaker 3: a plan. And so remember we had our Southern Gothic Productions,

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Speaker 3: the production company that I started down there, Yes, yes, yes,

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Speaker 3: and you had just made a movie with Nick Austin

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Speaker 3: and I, you know, like we were doing fun stuff.

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Speaker 3: But I had, before social media, a production web page.

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Speaker 3: Remember when we had like vlogs, yep, the world of

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Speaker 3: the vlog.

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Speaker 1: I remember when people hadlogs.

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Speaker 5: Yes, yeah.

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Speaker 3: So I was like, I'm just I'm going to post

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Speaker 3: a vlog because news has been out that the show's

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Speaker 3: getting picked up.

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Speaker 4: But I'm not.

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Speaker 3: So I posted a video that you know, has like

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Speaker 3: so many views on the internet at this point where

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Speaker 3: I was like, I have no control over the creative

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Speaker 3: and I'm really sad. I love Peyton, I'm not coming back,

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Speaker 3: but still watching the show.

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Speaker 4: It was a big deal.

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Speaker 5: It was a really big deal.

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Speaker 4: And it dispelled those rumors of.

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Speaker 3: Someone and someone had gone to the press and put

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Speaker 3: out all these rumors that I wasn't coming back because

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Speaker 3: I was demanding lots of money and being difficult, when

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Speaker 3: in reality, I was willing to take less money so

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Speaker 3: that all the other actors could get favored nations and

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Speaker 3: get paid more.

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Speaker 4: And so I was but heard about that.

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Speaker 3: So I put out this video and then I get

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Speaker 3: this script and I'm like, what, okay, fine, I'm gone,

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Speaker 3: like what more do you.

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Speaker 4: Want for me?

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Speaker 3: So James is directing, and he's you know, twenty two,

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Speaker 3: maybe twenty three years old.

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Speaker 4: If we were twenty.

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Speaker 3: Six when this happened, how much younger is James four

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Speaker 3: four years?

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Speaker 5: Right?

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Speaker 4: All right?

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Speaker 3: So he's twenty two and he's doing a beautiful job,

226
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Speaker 3: and I see how important it is to him and

227
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Speaker 3: how much we need to keep the drama at Bay like,

228
00:11:45,040 --> 00:11:46,960
Speaker 3: we just need to show up and do our jobs.

229
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Speaker 3: And so Chad comes and he's ready to cry, and

230
00:11:49,800 --> 00:11:51,520
Speaker 3: I show up and I've got to cry and everything

231
00:11:51,640 --> 00:11:56,040
Speaker 3: seeing and our boss finally crawled out from under his

232
00:11:56,200 --> 00:11:59,160
Speaker 3: rock and came to set in the middle of Peyton

233
00:11:59,240 --> 00:12:03,439
Speaker 3: having to do the video confessionals, and it's not lunch break,

234
00:12:03,679 --> 00:12:04,920
Speaker 3: it's not any kind of break.

235
00:12:05,080 --> 00:12:06,520
Speaker 4: And I hear, all.

236
00:12:06,480 --> 00:12:09,040
Speaker 3: Right, we're gonna be taking a twenty minute break, and

237
00:12:09,080 --> 00:12:12,600
Speaker 3: I'm just like, oh no, and he calls me into

238
00:12:12,640 --> 00:12:15,959
Speaker 3: the kitchen set and you guys don't remember that set, right, Yeah,

239
00:12:16,040 --> 00:12:18,960
Speaker 3: the walls go up, they go up like nine feet,

240
00:12:19,040 --> 00:12:21,400
Speaker 3: but then it's just open air so you can hear

241
00:12:21,559 --> 00:12:28,200
Speaker 3: every conversation. I get my ass chewed for twenty to

242
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Speaker 3: thirty minutes for everybody to hear you're gonna take that

243
00:12:32,080 --> 00:12:34,440
Speaker 3: video down, You're gonna take how dare you?

244
00:12:34,440 --> 00:12:36,120
Speaker 4: You're gonna take video down?

245
00:12:36,640 --> 00:12:39,320
Speaker 3: And I'm just like, you know, I'm not I'm not

246
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Speaker 3: gonna take it down.

247
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Speaker 4: I'm not gonna do any of it.

248
00:12:42,160 --> 00:12:44,280
Speaker 3: And so against the background of Peyton having to do

249
00:12:44,320 --> 00:12:48,120
Speaker 3: all this very sad stuff is just bedlam going on.

250
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Speaker 4: And I was like, okay, all right, I want to

251
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Speaker 4: go to the boys set. I want to eat pizza.

252
00:12:53,480 --> 00:12:55,920
Speaker 3: I want to pick up whatever paraphernalia the boys have

253
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Speaker 3: on their set because everything seems so much safer over there.

254
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Speaker 6: Can I get a slice and a water gun? Like

255
00:13:01,920 --> 00:13:02,960
Speaker 6: I want to get out of here?

256
00:13:04,200 --> 00:13:05,840
Speaker 5: Give me there?

257
00:13:06,320 --> 00:13:10,280
Speaker 3: It was crazy, and so watching this episode back, I'm like,

258
00:13:10,520 --> 00:13:12,880
Speaker 3: we did a really good job for this much crazy.

259
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Speaker 6: We did a really good job. And you know what's wild?

260
00:13:15,520 --> 00:13:18,600
Speaker 6: Like God, you talking about that? It gives me chills.

261
00:13:19,280 --> 00:13:22,000
Speaker 4: The public ass chewing is always did you ever get

262
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Speaker 4: one of those.

263
00:13:22,400 --> 00:13:24,679
Speaker 1: Colored not not on that show?

264
00:13:26,600 --> 00:13:26,960
Speaker 4: They feel?

265
00:13:27,200 --> 00:13:29,760
Speaker 1: I mean, it's just just I mean what what what

266
00:13:29,840 --> 00:13:33,000
Speaker 1: could I do on that show that weren't I mean.

267
00:13:33,960 --> 00:13:37,800
Speaker 4: No, but ask for more for some other I mean.

268
00:13:38,240 --> 00:13:41,920
Speaker 1: No, not like that? And how how she? And just

269
00:13:42,000 --> 00:13:43,640
Speaker 1: how sorry?

270
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Speaker 4: You were a safe boy?

271
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Speaker 6: You sure were, And it was interesting because you guys

272
00:13:48,600 --> 00:13:52,439
Speaker 6: were obviously having your storyline, but with all of us

273
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Speaker 6: girls with you. This episode was really when it hit

274
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Speaker 6: me that this was like happening. We were trying to

275
00:14:00,480 --> 00:14:04,080
Speaker 6: to do things as a block. We were you know,

276
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Speaker 6: we had learned, which was obviously the network's nightmare. We

277
00:14:08,200 --> 00:14:10,079
Speaker 6: learned the lessons not to say that we were ever

278
00:14:10,120 --> 00:14:12,480
Speaker 6: gonna get paid what they did. But like we were like, oh,

279
00:14:12,480 --> 00:14:14,640
Speaker 6: if the Friends cast negotiated as a.

280
00:14:14,559 --> 00:14:18,440
Speaker 4: Group, well guys, we're just like friends would be on.

281
00:14:20,040 --> 00:14:21,480
Speaker 1: The coffee shop.

282
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Speaker 5: Guys. You know you would have been Chandler.

283
00:14:24,920 --> 00:14:27,840
Speaker 3: Okay, you're so funny, but like.

284
00:14:29,720 --> 00:14:32,440
Speaker 6: When things were happening behind the scenes and you were like, oh,

285
00:14:32,480 --> 00:14:36,040
Speaker 6: they're gonna they're they're going to like blow up the plan.

286
00:14:36,200 --> 00:14:39,280
Speaker 6: There are people who've blown up our plan, and and

287
00:14:39,480 --> 00:14:42,560
Speaker 6: particularly for you and I like this is when you

288
00:14:42,600 --> 00:14:44,320
Speaker 6: know Brook and Peyton and me and.

289
00:14:44,280 --> 00:14:47,680
Speaker 1: You like people as in other cast members that blew

290
00:14:47,680 --> 00:14:47,920
Speaker 1: it up.

291
00:14:48,240 --> 00:14:49,760
Speaker 5: I'm just gonna keep it classy.

292
00:14:49,840 --> 00:14:53,920
Speaker 6: But you know, uh we we Hillary and I were

293
00:14:53,960 --> 00:15:00,040
Speaker 6: so enmeshed, and during this episode it hit me and

294
00:15:00,040 --> 00:15:03,480
Speaker 6: and being there for our boss saying all the terrible

295
00:15:03,480 --> 00:15:06,960
Speaker 6: things in the open air that like I was like,

296
00:15:07,000 --> 00:15:09,880
Speaker 6: oh my god, this is really happening, Like she They're

297
00:15:09,960 --> 00:15:13,040
Speaker 6: really this isn't like a tactic that like is this

298
00:15:13,160 --> 00:15:15,520
Speaker 6: really gonna be real? They're not really gonna let them leave,

299
00:15:15,600 --> 00:15:19,800
Speaker 6: Like this can't be real. And I remember sitting in

300
00:15:19,800 --> 00:15:21,760
Speaker 6: that baby shower with you and just being like, but

301
00:15:21,960 --> 00:15:26,000
Speaker 6: you make everything better for me, And we were having

302
00:15:26,000 --> 00:15:31,520
Speaker 6: this like insanely surreal experience where we were grieving on

303
00:15:31,720 --> 00:15:35,040
Speaker 6: camera and having to be like, it's gonna be okay,

304
00:15:35,200 --> 00:15:36,560
Speaker 6: but it's never going to be okay.

305
00:15:37,040 --> 00:15:40,320
Speaker 5: And and yeah, like we didn't know if Peyton.

306
00:15:40,120 --> 00:15:42,880
Speaker 6: Was even going to live, like, you know, were they

307
00:15:42,960 --> 00:15:44,960
Speaker 6: going to do the dirty thing? When like, you know,

308
00:15:45,040 --> 00:15:47,240
Speaker 6: somebody on a cop show does something bad and then

309
00:15:47,240 --> 00:15:48,360
Speaker 6: they get shot and they die.

310
00:15:48,880 --> 00:15:51,280
Speaker 4: Is that how it worked, Colin? Is that how it works?

311
00:15:51,760 --> 00:15:55,600
Speaker 4: You get to kill a long and actors? No, No,

312
00:15:55,640 --> 00:15:56,360
Speaker 4: I don't get I don't.

313
00:15:56,880 --> 00:16:00,520
Speaker 1: She doesn't kill anybody. It was almost me in season

314
00:16:00,560 --> 00:16:04,120
Speaker 1: one of Lot about our banks and not not Adina Porter.

315
00:16:04,280 --> 00:16:05,440
Speaker 4: Who'd you piss off?

316
00:16:05,920 --> 00:16:07,880
Speaker 1: I've I've No, I didn't.

317
00:16:08,040 --> 00:16:08,640
Speaker 4: Good for you?

318
00:16:09,080 --> 00:16:11,600
Speaker 1: I did I did something that kept me around. I

319
00:16:11,600 --> 00:16:12,600
Speaker 1: don't know good.

320
00:16:12,720 --> 00:16:15,400
Speaker 4: Yeah, you're lovely, that's what it is.

321
00:16:15,720 --> 00:16:16,680
Speaker 1: That's I'm lovely.

322
00:16:17,000 --> 00:16:20,480
Speaker 3: But isn't it crazy how your behavior behind the scenes

323
00:16:20,880 --> 00:16:23,640
Speaker 3: or just like the circumstances you're wrapped up in affect

324
00:16:23,640 --> 00:16:25,520
Speaker 3: what happens to your character because it's like do we

325
00:16:25,560 --> 00:16:26,320
Speaker 3: want more of this?

326
00:16:26,440 --> 00:16:27,520
Speaker 4: Do we want less of this?

327
00:16:28,320 --> 00:16:32,800
Speaker 3: They kept Junk around for nine years, like yeah, Junk

328
00:16:32,840 --> 00:16:34,320
Speaker 3: could have died at any moment.

329
00:16:34,360 --> 00:16:35,800
Speaker 4: We were killing all sorts of people.

330
00:16:36,360 --> 00:16:42,560
Speaker 1: Jump Junk almost disappeared like season three years season season

331
00:16:42,600 --> 00:16:46,280
Speaker 1: two or three. And I found out because I went

332
00:16:46,320 --> 00:16:49,960
Speaker 1: to I was going, I was delivering a grip or

333
00:16:50,080 --> 00:16:53,200
Speaker 1: electric equipment equipment to one of the stages and was

334
00:16:53,240 --> 00:16:56,000
Speaker 1: asking for you know, I don't remember how I got

335
00:16:56,000 --> 00:16:58,520
Speaker 1: a script, going I get a script. I was looking

336
00:16:58,560 --> 00:17:02,600
Speaker 1: and I started seeing that Fergie was showing up in

337
00:17:02,800 --> 00:17:05,640
Speaker 1: episodes without me, and it was always smoking fire right,

338
00:17:05,880 --> 00:17:10,000
Speaker 1: it was always Fergy and Junk. I was like, funs

339
00:17:10,000 --> 00:17:13,040
Speaker 1: in this episode, and and I'm not just okay, let's kids.

340
00:17:13,080 --> 00:17:17,239
Speaker 1: He's going on this little adventure. That's cool. And but

341
00:17:17,800 --> 00:17:20,240
Speaker 1: after a while it was just silence, and so I

342
00:17:20,400 --> 00:17:24,760
Speaker 1: emailed and I said, hey, just curious, like if if

343
00:17:24,880 --> 00:17:26,760
Speaker 1: things have run their course, they've run their course. I

344
00:17:26,840 --> 00:17:30,439
Speaker 1: just I would like to be apprized. And and the

345
00:17:30,560 --> 00:17:32,800
Speaker 1: response came back like, yeah, I don't know that we

346
00:17:32,920 --> 00:17:38,040
Speaker 1: have really a a solid point of view for your character.

347
00:17:38,400 --> 00:17:40,800
Speaker 1: I don't know this and that, and then and then

348
00:17:40,880 --> 00:17:42,800
Speaker 1: the the final blow.

349
00:17:42,640 --> 00:17:50,439
Speaker 7: The and there's this age difference, and you know, you

350
00:17:50,480 --> 00:17:55,359
Speaker 7: don't really it's hard to sell you as things.

351
00:17:55,359 --> 00:17:56,720
Speaker 3: You failed two grades.

352
00:17:56,800 --> 00:17:58,360
Speaker 4: Guys, what do you want from him?

353
00:17:58,520 --> 00:18:00,400
Speaker 5: Yeah, there was trying.

354
00:18:00,480 --> 00:18:04,439
Speaker 1: Things are happening physiologically with you. No, I mean that

355
00:18:04,600 --> 00:18:09,200
Speaker 1: was not said aloud, but but but I wrote back.

356
00:18:09,320 --> 00:18:12,000
Speaker 1: I said, okay, I said, Okay, I get it. I said,

357
00:18:12,040 --> 00:18:14,720
Speaker 1: but how about I said what I said, I've never

358
00:18:14,760 --> 00:18:18,080
Speaker 1: been established as a high school student. I said, I've

359
00:18:18,119 --> 00:18:20,640
Speaker 1: been at the River Court games. I said, you never

360
00:18:20,680 --> 00:18:22,880
Speaker 1: see me in the hallways with a backpack, You never

361
00:18:23,080 --> 00:18:26,040
Speaker 1: like total I'm not in class. I said, what if

362
00:18:26,080 --> 00:18:28,720
Speaker 1: I'm like the kind of weird older guy at the

363
00:18:29,080 --> 00:18:31,560
Speaker 1: at the River Court that just they can't let go

364
00:18:31,600 --> 00:18:33,520
Speaker 1: of high school and they only and can only have

365
00:18:33,520 --> 00:18:35,640
Speaker 1: the high school friends that like to play ball away.

366
00:18:35,680 --> 00:18:37,439
Speaker 1: That was like, what if I'm the guy that that

367
00:18:37,560 --> 00:18:39,159
Speaker 1: gets the beer? What if I'm I'm the guy that

368
00:18:39,200 --> 00:18:44,320
Speaker 1: gets the beer? What if I'm the guy yourself? And

369
00:18:44,400 --> 00:18:47,679
Speaker 1: I was like, and I did that and I said that,

370
00:18:47,720 --> 00:18:50,000
Speaker 1: and he's like, well, yeah, I'll think about it. And

371
00:18:50,040 --> 00:18:52,280
Speaker 1: so when I got when they brought me back, I

372
00:18:52,600 --> 00:18:55,880
Speaker 1: was kind of rolling with that assumption, like Okay, that's

373
00:18:55,920 --> 00:18:58,879
Speaker 1: who I am, And it gave me some perspective. But

374
00:18:58,960 --> 00:19:01,560
Speaker 1: then they put me in prom and then then they

375
00:19:01,560 --> 00:19:03,879
Speaker 1: had me graduating. I'm like, but I thought I was

376
00:19:03,920 --> 00:19:05,680
Speaker 1: the guy. I thought it was cool.

377
00:19:05,680 --> 00:19:06,800
Speaker 5: I thought I was the weird dude.

378
00:19:06,880 --> 00:19:08,960
Speaker 3: By the way, I remember that guy from high school,

379
00:19:08,960 --> 00:19:11,760
Speaker 3: the guy that buys beer for the freshman, right.

380
00:19:11,680 --> 00:19:15,880
Speaker 1: Yeah somebody's older brothers. Yeah, friend and yeah.

381
00:19:15,960 --> 00:19:18,800
Speaker 3: I went home for my book tour and he showed

382
00:19:18,920 --> 00:19:21,960
Speaker 3: up and I was like, You're still buying beer forever?

383
00:19:22,400 --> 00:19:23,360
Speaker 5: This is incredible?

384
00:19:23,760 --> 00:19:25,040
Speaker 3: Is who you were forever?

385
00:19:25,840 --> 00:19:28,040
Speaker 1: Love that guy that hangs out outside the Kroger, just

386
00:19:28,080 --> 00:19:28,800
Speaker 1: waiting for him.

387
00:19:28,880 --> 00:19:30,800
Speaker 4: Yeah, hey, you need something, you need anything? I was

388
00:19:30,800 --> 00:19:34,280
Speaker 4: just going inside anyway. I never do the Kroger.

389
00:19:34,640 --> 00:19:34,840
Speaker 1: Oh.

390
00:19:35,080 --> 00:19:35,920
Speaker 4: I loved it.

391
00:19:36,160 --> 00:19:38,320
Speaker 5: Yeah, I know this that. It was saddish.

392
00:19:38,920 --> 00:19:42,160
Speaker 1: It was so everybody was almost crying. It was sad

393
00:19:42,200 --> 00:19:45,160
Speaker 1: and sweet, and and it reminded me what a good

394
00:19:45,520 --> 00:19:51,440
Speaker 1: what a good little actor. Jackson was too. My boys

395
00:19:51,480 --> 00:19:53,479
Speaker 1: are acting now, and I'm trying, how old was Jackson?

396
00:19:53,520 --> 00:19:54,520
Speaker 1: Do you think when we shot that?

397
00:19:55,240 --> 00:19:56,120
Speaker 5: I think he's just eight.

398
00:19:56,920 --> 00:19:57,440
Speaker 1: He was eight.

399
00:19:57,760 --> 00:20:00,600
Speaker 4: He was six when he started, so he was eight here, right, yeah.

400
00:20:00,440 --> 00:20:05,800
Speaker 1: Okay, yeah, but he was great and all that. And Hillary, Yeah,

401
00:20:05,840 --> 00:20:11,400
Speaker 1: y'all you handled out just beautifully, especially knowing about this

402
00:20:11,800 --> 00:20:15,120
Speaker 1: open air reaming that God, oh happened.

403
00:20:15,560 --> 00:20:18,199
Speaker 3: Well, you know what a terrible temper I have, And

404
00:20:18,280 --> 00:20:21,320
Speaker 3: so just like you know how much strength it takes

405
00:20:21,359 --> 00:20:25,679
Speaker 3: to not tap into a terrible temper, the restraint just

406
00:20:25,840 --> 00:20:30,120
Speaker 3: for a Southern woman to not go nuts.

407
00:20:30,160 --> 00:20:33,080
Speaker 6: Especially when somebody's standing in front of you, like pushing

408
00:20:33,119 --> 00:20:34,080
Speaker 6: the big red button.

409
00:20:34,600 --> 00:20:38,000
Speaker 3: Oh my god, sitting at that kitchen table. And I

410
00:20:38,040 --> 00:20:41,000
Speaker 3: want to say it was Steve Allen again that like

411
00:20:41,400 --> 00:20:45,840
Speaker 3: shuffled through the window was like a broom, right, just

412
00:20:45,920 --> 00:20:49,680
Speaker 3: like just like get up, just to like be like, oh,

413
00:20:49,720 --> 00:20:51,919
Speaker 3: I didn't know you guys were having a serious conversation.

414
00:20:52,200 --> 00:20:55,159
Speaker 3: Like that was always the card he would play, like oops,

415
00:20:55,200 --> 00:20:57,159
Speaker 3: I had no idea something was going on anyway.

416
00:20:57,240 --> 00:20:59,960
Speaker 4: Do you hear the head Taketos like service right now?

417
00:21:01,000 --> 00:21:03,800
Speaker 3: I mean, he was so wonderful doing stuff like that

418
00:21:03,960 --> 00:21:06,240
Speaker 3: all the time. And so I got out of this

419
00:21:06,320 --> 00:21:08,800
Speaker 3: ass reaming. But can you imagine if it had been

420
00:21:08,840 --> 00:21:12,760
Speaker 3: any other director than James, like sweet baby James. No,

421
00:21:13,640 --> 00:21:15,959
Speaker 3: they totally took advantage of the fact it was his

422
00:21:16,000 --> 00:21:18,280
Speaker 3: first episode to be like, hey, we got to take

423
00:21:18,280 --> 00:21:20,879
Speaker 3: a thirty minute ask chewing break can you just stand

424
00:21:20,920 --> 00:21:23,880
Speaker 3: by and lose thirty minutes of shooting time.

425
00:21:23,800 --> 00:21:26,080
Speaker 5: Go outside and find something to stare at.

426
00:21:26,320 --> 00:21:27,000
Speaker 4: Yeah, here's a.

427
00:21:26,920 --> 00:21:30,600
Speaker 1: Ball, and then proceed as if it didn't happen and

428
00:21:31,240 --> 00:21:33,199
Speaker 1: do the repair work that's necessary.

429
00:21:33,280 --> 00:21:36,520
Speaker 3: Yeah, go hit your mark, say the words now, good luck,

430
00:21:37,000 --> 00:21:40,080
Speaker 3: we're on your tighter coverage. It was such a good

431
00:21:40,160 --> 00:21:43,720
Speaker 3: learning experience, but he kept the I mean I think

432
00:21:43,720 --> 00:21:46,200
Speaker 3: that would have thrown anybody else, and because he didn't

433
00:21:46,240 --> 00:21:48,520
Speaker 3: have anything to compare it to, it was just like, Okay,

434
00:21:48,560 --> 00:21:51,600
Speaker 3: we're going to go now, and was great. I mean,

435
00:21:51,640 --> 00:21:55,240
Speaker 3: he was so calm that you couldn't help but be calm.

436
00:21:55,840 --> 00:21:58,800
Speaker 3: All right, yeah, well that's done.

437
00:22:00,040 --> 00:22:03,760
Speaker 6: And I think there was really something too about having

438
00:22:03,800 --> 00:22:07,920
Speaker 6: one of us sort of holding the container together during

439
00:22:07,920 --> 00:22:12,600
Speaker 6: that because the whole experience was so surreal, and I

440
00:22:12,640 --> 00:22:15,600
Speaker 6: think everyone was at different stages of like this isn't

441
00:22:15,640 --> 00:22:21,760
Speaker 6: really happening right, like they're with us and and to it.

442
00:22:21,840 --> 00:22:24,560
Speaker 6: I actually think it worked in our favor to have

443
00:22:24,640 --> 00:22:28,399
Speaker 6: it be one of us running the show instead of

444
00:22:28,440 --> 00:22:34,399
Speaker 6: like an adult who we had to pretend like the

445
00:22:34,560 --> 00:22:38,440
Speaker 6: things were normal with. I think there I think there's

446
00:22:38,520 --> 00:22:43,000
Speaker 6: some there's obviously a lot of emotion in the undercurrents

447
00:22:43,119 --> 00:22:46,280
Speaker 6: of the episode that you can see that plays really beautifully.

448
00:22:46,760 --> 00:22:49,760
Speaker 6: But I think part of the reason that the episode

449
00:22:49,880 --> 00:22:51,920
Speaker 6: as sad as it is, also feels like a hug

450
00:22:52,480 --> 00:22:56,359
Speaker 6: is because we were in a safe container with our friend.

451
00:22:56,960 --> 00:22:57,920
Speaker 4: Yeah for sure.

452
00:23:10,960 --> 00:23:14,080
Speaker 3: And then you know, even the conversations that Nathan like

453
00:23:14,160 --> 00:23:16,000
Speaker 3: the boy relationships on their show.

454
00:23:16,080 --> 00:23:18,440
Speaker 4: I love so much, Nathan and Lucas together.

455
00:23:18,520 --> 00:23:20,760
Speaker 6: In the garage, leaning on the comet.

456
00:23:22,280 --> 00:23:26,520
Speaker 4: Broing out being guys? Is that how guys really talk?

457
00:23:26,640 --> 00:23:30,080
Speaker 1: Colin Just dudes being dudes, be and dudesby.

458
00:23:29,840 --> 00:23:32,760
Speaker 6: And dudes, except we sing it and you get to

459
00:23:32,800 --> 00:23:34,720
Speaker 6: be more of a dude if you're in a gage.

460
00:23:38,480 --> 00:23:40,000
Speaker 1: Oh you mean non theater guys.

461
00:23:40,080 --> 00:23:40,320
Speaker 3: Yeah, I.

462
00:23:43,280 --> 00:23:45,960
Speaker 4: Mean you weren't a total jock growing up. You don't

463
00:23:45,960 --> 00:23:47,800
Speaker 4: know how bros get down.

464
00:23:48,280 --> 00:23:55,600
Speaker 1: I played soccer. Uh uh, that's how bros get down.

465
00:23:56,119 --> 00:23:56,399
Speaker 4: Yeah.

466
00:23:56,680 --> 00:24:00,480
Speaker 1: Over the comet it is, I mean, I believe it. Yeah,

467
00:24:00,520 --> 00:24:01,640
Speaker 1: my dad was a real man.

468
00:24:02,080 --> 00:24:04,800
Speaker 3: You only need one, you know, you just have that

469
00:24:04,880 --> 00:24:07,080
Speaker 3: one shining example and then for the whole rest of

470
00:24:07,080 --> 00:24:11,200
Speaker 3: your life you can grow out. And Nathan and Lucas

471
00:24:11,440 --> 00:24:14,280
Speaker 3: had Uncle Keith who taught them to brow out.

472
00:24:14,800 --> 00:24:16,639
Speaker 4: Did you film with Craig?

473
00:24:16,840 --> 00:24:24,560
Speaker 1: I did rarely, I've filmed. He was I remember I

474
00:24:24,640 --> 00:24:28,000
Speaker 1: was working Club Trick when he when he was dating

475
00:24:28,920 --> 00:24:39,200
Speaker 1: what's uh his character was dating? Yeah jewels, yes, jewels.

476
00:24:39,840 --> 00:24:42,840
Speaker 1: But yeah, Craig was great. Who was my guy on set?

477
00:24:42,960 --> 00:24:45,280
Speaker 4: Just like, who is your elder bro?

478
00:24:46,000 --> 00:24:50,280
Speaker 1: I mean Mike rail h He's not that elder. I

479
00:24:50,280 --> 00:24:55,600
Speaker 1: mean I don't know, you know, I mean who I

480
00:24:56,359 --> 00:25:00,080
Speaker 1: loved and I honestly got like the only person that

481
00:25:00,080 --> 00:25:05,959
Speaker 1: that like made me a little nervous was Berry, like

482
00:25:06,240 --> 00:25:08,879
Speaker 1: just cause you know, I'm like, that was the that

483
00:25:09,040 --> 00:25:11,679
Speaker 1: was the face that I knew, and that and was

484
00:25:11,760 --> 00:25:15,920
Speaker 1: the season vetter I'd loved Lonesome Dove and and war

485
00:25:16,040 --> 00:25:24,200
Speaker 1: Games and and and Northern Exposure totally was like Maurice's here.

486
00:25:24,600 --> 00:25:26,960
Speaker 1: They have gone forward, you know whatever?

487
00:25:27,720 --> 00:25:28,160
Speaker 4: I love?

488
00:25:28,800 --> 00:25:32,719
Speaker 3: Is there a prequel somewhere where you're playing Young whitey, Like, please,

489
00:25:32,880 --> 00:25:33,879
Speaker 3: that's gotta happen.

490
00:25:34,280 --> 00:25:35,240
Speaker 5: I would please.

491
00:25:36,040 --> 00:25:41,680
Speaker 3: We're doing a prequel Young White and Camilla Camilla coming Home?

492
00:25:42,080 --> 00:25:46,119
Speaker 1: Oh yeah, yeah yeah.

493
00:25:46,400 --> 00:25:48,320
Speaker 4: Oh that's got my wheels turned.

494
00:25:48,840 --> 00:25:55,439
Speaker 1: And one one mentor Michael Dinner. I'm just I just

495
00:25:55,560 --> 00:25:57,480
Speaker 1: put the name out there, not really I just it

496
00:25:57,600 --> 00:26:00,200
Speaker 1: was just the one director that wasn't should.

497
00:26:00,040 --> 00:26:03,439
Speaker 3: Remember from our show or just in life?

498
00:26:03,680 --> 00:26:05,879
Speaker 1: Did he direct our show once? Didn't he?

499
00:26:06,480 --> 00:26:06,920
Speaker 5: I don't know.

500
00:26:07,400 --> 00:26:10,920
Speaker 4: I don't know that name. Well, then we've missed out.

501
00:26:11,320 --> 00:26:12,040
Speaker 4: We missed out.

502
00:26:12,560 --> 00:26:16,359
Speaker 3: Okay, so we've got ten minutes left with you because

503
00:26:16,359 --> 00:26:17,080
Speaker 3: you're going to do something.

504
00:26:17,080 --> 00:26:17,840
Speaker 4: Are you want to do something?

505
00:26:17,840 --> 00:26:18,240
Speaker 5: Fun?

506
00:26:19,040 --> 00:26:23,160
Speaker 1: I'm going to go it's uh my, my boy. Emmett

507
00:26:23,280 --> 00:26:25,880
Speaker 1: is turning eight tomorrow, so we're going to his school

508
00:26:26,240 --> 00:26:29,840
Speaker 1: and we were doing that slide show celebrating our boy

509
00:26:30,200 --> 00:26:32,320
Speaker 1: at Montassory School thing.

510
00:26:32,720 --> 00:26:35,159
Speaker 4: Is he the one who's doing a Christmas Carol? Is

511
00:26:35,160 --> 00:26:35,760
Speaker 4: he acting?

512
00:26:36,040 --> 00:26:36,680
Speaker 1: That was Louie?

513
00:26:36,720 --> 00:26:37,840
Speaker 3: They both that was Louie.

514
00:26:37,920 --> 00:26:38,760
Speaker 4: Okay, Louie.

515
00:26:39,000 --> 00:26:42,240
Speaker 1: Louie did a Christmas Carol? And Emmett right now is

516
00:26:42,320 --> 00:26:45,720
Speaker 1: working on he's got a recurring role in this show

517
00:26:45,760 --> 00:26:51,000
Speaker 1: that's shooting in Charlotte. He's got The Hunting Wives he's

518
00:26:51,040 --> 00:26:51,800
Speaker 1: working on that.

519
00:26:53,080 --> 00:26:57,400
Speaker 6: He's doing that show Britney Snow, Yeah, he's Britney's son.

520
00:26:58,200 --> 00:27:00,080
Speaker 1: Fun. That's crazy.

521
00:27:00,480 --> 00:27:03,600
Speaker 6: Oh my god, I can't wait to text her after this.

522
00:27:03,840 --> 00:27:07,199
Speaker 3: You guys, we have infiltrated every production in the Southeast,

523
00:27:07,520 --> 00:27:08,679
Speaker 3: like boy.

524
00:27:09,920 --> 00:27:13,479
Speaker 1: Exciting, really wild. So it was it was interesting watching

525
00:27:13,560 --> 00:27:17,160
Speaker 1: Jackson on this and thinking about the parallels and Jackson

526
00:27:17,160 --> 00:27:20,680
Speaker 1: having got started at six and and this stuff. Em

527
00:27:20,680 --> 00:27:23,919
Speaker 1: it's done some like he's done an indie feature and

528
00:27:24,000 --> 00:27:26,040
Speaker 1: the indie short and stuff, but this is like the

529
00:27:26,080 --> 00:27:30,880
Speaker 1: first like big scale thing that he's done. And Louie

530
00:27:30,880 --> 00:27:34,679
Speaker 1: has done a couple of things. Now yeah, and I

531
00:27:34,720 --> 00:27:36,400
Speaker 1: don't know if it's the right thing.

532
00:27:37,040 --> 00:27:40,240
Speaker 4: And look at Barbara's kids. I mean, you and your

533
00:27:40,240 --> 00:27:41,520
Speaker 4: wife are both actress like.

534
00:27:41,480 --> 00:27:45,160
Speaker 1: Barbara's kids like that that is that is that I

535
00:27:45,160 --> 00:27:49,640
Speaker 1: think is a singular thing. I mean that they're they're

536
00:27:49,720 --> 00:27:55,400
Speaker 1: amazing and and I think that that's and they they're

537
00:27:55,400 --> 00:27:59,920
Speaker 1: probably an exception to the rule. Like there's just well adjusted,

538
00:28:00,600 --> 00:28:01,400
Speaker 1: but so are you.

539
00:28:01,440 --> 00:28:07,639
Speaker 3: That's why everyone calls you for their projects because you.

540
00:28:06,600 --> 00:28:07,640
Speaker 4: You just bring up.

541
00:28:09,080 --> 00:28:12,000
Speaker 3: Yeah, you bring a little bit of glimmer to everything

542
00:28:12,200 --> 00:28:16,679
Speaker 3: that you do. It makes everything feel full on our

543
00:28:16,760 --> 00:28:18,840
Speaker 3: show when your character is there. And I know you

544
00:28:18,920 --> 00:28:21,760
Speaker 3: lend that to other productions that you're a part of.

545
00:28:22,080 --> 00:28:24,840
Speaker 3: And so if there was a storyline in this episode

546
00:28:24,840 --> 00:28:27,840
Speaker 3: you want to junk to infiltrate which one we talked,

547
00:28:27,880 --> 00:28:31,720
Speaker 3: We got Nathan with the NBA. We've got Brooke trying

548
00:28:31,800 --> 00:28:36,119
Speaker 3: to get this teenager to be her daughter. We've got

549
00:28:36,520 --> 00:28:40,880
Speaker 3: Peyton's gonna down her. Go if it loves you, it

550
00:28:40,920 --> 00:28:48,360
Speaker 3: will come back. Which storyline is Junk inserting himself in?

551
00:28:49,720 --> 00:28:52,000
Speaker 4: What if we find out that Junk is Sam's dad?

552
00:28:53,440 --> 00:28:58,720
Speaker 1: There you go, that's it. That's all right, you just

553
00:28:58,760 --> 00:29:01,120
Speaker 1: answered it for me? And who was?

554
00:29:01,320 --> 00:29:01,400
Speaker 3: So?

555
00:29:01,560 --> 00:29:06,200
Speaker 1: I saw in the credits of this that that Juliette

556
00:29:06,240 --> 00:29:11,080
Speaker 1: Cesario plays Sam plays birth mom and Juliette Juliette was

557
00:29:11,120 --> 00:29:13,080
Speaker 1: a theater friend of mine in Wilmington. But I never

558
00:29:13,080 --> 00:29:15,280
Speaker 1: saw her in the episode, so they must they must

559
00:29:15,320 --> 00:29:15,960
Speaker 1: have cut her.

560
00:29:16,680 --> 00:29:18,960
Speaker 4: Well, they show her in other episodes.

561
00:29:18,760 --> 00:29:22,479
Speaker 6: Okay, they only really show Sam and then me and

562
00:29:22,520 --> 00:29:25,800
Speaker 6: Sam and then in this episode me watching her. So

563
00:29:25,840 --> 00:29:29,280
Speaker 6: it's a lot of like looking in over her shoulder.

564
00:29:29,760 --> 00:29:32,200
Speaker 6: There's a cute little diner scene of them sitting in

565
00:29:32,240 --> 00:29:35,360
Speaker 6: the Dixie grill, but Sam's facing camera and you're and

566
00:29:35,440 --> 00:29:37,160
Speaker 6: Juliette is facing Sam.

567
00:29:37,720 --> 00:29:39,160
Speaker 5: So it's a lot in the back of her head.

568
00:29:39,240 --> 00:29:41,640
Speaker 6: Sweet angel, she like really came in and did a

569
00:29:41,640 --> 00:29:45,400
Speaker 6: lot of work to be in mostly mos scenes.

570
00:29:45,800 --> 00:29:48,280
Speaker 3: It's a missed opportunity, because all I could think is

571
00:29:48,720 --> 00:29:51,760
Speaker 3: what a mom. This lady is making this child come

572
00:29:51,920 --> 00:29:56,560
Speaker 3: alone at night, bring her own bags in, whear it up,

573
00:29:57,000 --> 00:29:57,760
Speaker 3: pick her up?

574
00:29:58,640 --> 00:30:01,160
Speaker 1: This is like this is like before for Uber and

575
00:30:01,280 --> 00:30:04,680
Speaker 1: before and when I was I was just wondering.

576
00:30:06,080 --> 00:30:08,800
Speaker 5: When you're like why didn't I drive her to that house.

577
00:30:08,880 --> 00:30:13,000
Speaker 1: You're like, bye, And she walks out the door, and

578
00:30:13,000 --> 00:30:14,680
Speaker 1: then you see her at walking and You're like, is

579
00:30:14,680 --> 00:30:15,920
Speaker 1: she is she walking?

580
00:30:16,040 --> 00:30:18,880
Speaker 5: Walking? Yeah?

581
00:30:19,040 --> 00:30:19,880
Speaker 4: By the way, I love that.

582
00:30:19,960 --> 00:30:22,560
Speaker 6: Brooks like, I'm gonna love you forever. You always have

583
00:30:22,600 --> 00:30:25,320
Speaker 6: a home here. I'm always gonna do what's best for you.

584
00:30:25,400 --> 00:30:27,320
Speaker 6: I'm like, but you can't give a kid a ride?

585
00:30:27,720 --> 00:30:33,200
Speaker 4: No, but like, who made this decision? Much money? Would

586
00:30:33,240 --> 00:30:33,880
Speaker 4: you have paid?

587
00:30:33,920 --> 00:30:36,720
Speaker 3: Though? If when she got to the house, the door

588
00:30:36,760 --> 00:30:39,600
Speaker 3: opens and it's Junk with his arm around her, Mom

589
00:30:39,800 --> 00:30:42,280
Speaker 3: like this, I.

590
00:30:42,240 --> 00:30:43,480
Speaker 1: Know you come back to haunt me.

591
00:30:44,200 --> 00:30:48,240
Speaker 3: Yeah, I love incredible.

592
00:30:49,000 --> 00:30:51,000
Speaker 4: Yeah, it's my boyfriend. He brought some pizza over.

593
00:30:52,480 --> 00:30:53,440
Speaker 5: We're gonna hang out.

594
00:30:54,600 --> 00:30:55,920
Speaker 4: I mean skills.

595
00:30:56,000 --> 00:30:58,920
Speaker 3: Date got infiltrated by this Chuck kid who has such

596
00:30:58,960 --> 00:31:00,200
Speaker 3: good comedic timing.

597
00:31:00,320 --> 00:31:01,200
Speaker 5: He is so funny.

598
00:31:01,320 --> 00:31:07,200
Speaker 1: Michael may Great, who went on to play Lee the

599
00:31:07,240 --> 00:31:10,840
Speaker 1: brother of the youngest brother of Lee Norris and myself

600
00:31:11,520 --> 00:31:17,960
Speaker 1: and blood dun't signed my name God Tim Tyson, the

601
00:31:18,080 --> 00:31:20,360
Speaker 1: Tim Tyson memoir that got made into a movie with

602
00:31:21,160 --> 00:31:22,000
Speaker 1: Rick Schroeder.

603
00:31:22,600 --> 00:31:24,200
Speaker 5: But then the Treo Gang.

604
00:31:25,560 --> 00:31:28,320
Speaker 1: But it was crazy. Yeah, like that we played siblings

605
00:31:28,360 --> 00:31:31,760
Speaker 1: in this. We were horrible horrible family were the Teal

606
00:31:31,800 --> 00:31:35,920
Speaker 1: brothers who were awful and racist and did committed murder.

607
00:31:36,920 --> 00:31:40,320
Speaker 1: But yeah, but fun fact about checking.

608
00:31:40,600 --> 00:31:43,000
Speaker 6: I love that Michael May's start comes in this episode.

609
00:31:43,080 --> 00:31:45,960
Speaker 6: And this is also the inception of I Got Chucked,

610
00:31:47,040 --> 00:31:50,240
Speaker 6: which which really was, you know, a piece of verbiage

611
00:31:50,280 --> 00:31:52,680
Speaker 6: that lasted for a long time on our show, and

612
00:31:52,720 --> 00:31:55,120
Speaker 6: I loved it. And I love that Michael May just

613
00:31:55,320 --> 00:31:57,640
Speaker 6: committed even as a little boy. He was like, you

614
00:31:57,680 --> 00:32:00,080
Speaker 6: want me to be the worst, Okay, I'll do it.

615
00:32:00,120 --> 00:32:04,480
Speaker 6: I'll manage to be cute, even with a little chucky

616
00:32:04,560 --> 00:32:05,560
Speaker 6: ventriloquist doll.

617
00:32:05,720 --> 00:32:07,520
Speaker 5: You're gonna love me and you won't know why.

618
00:32:08,440 --> 00:32:11,440
Speaker 1: Yeah, and you and they were already they were like

619
00:32:11,560 --> 00:32:15,040
Speaker 1: already kind of whispers of the what was what led

620
00:32:15,120 --> 00:32:18,120
Speaker 1: up to a very special episode because you know, when

621
00:32:18,120 --> 00:32:20,480
Speaker 1: she's like his mom, which was thrown away as a

622
00:32:20,720 --> 00:32:23,160
Speaker 1: as a joke in this episode, but then yeah, it

623
00:32:23,240 --> 00:32:26,600
Speaker 1: comes into this like he's from this horrible, abusive family

624
00:32:26,720 --> 00:32:29,560
Speaker 1: and that happens a little bit.

625
00:32:30,640 --> 00:32:33,880
Speaker 3: Yeah, Alison Moune really did just make a little joke

626
00:32:33,880 --> 00:32:35,200
Speaker 3: about drinking drinking mommy.

627
00:32:36,240 --> 00:32:38,040
Speaker 1: Yeah, we got to hang with this kid whose mom's

628
00:32:38,080 --> 00:32:39,040
Speaker 1: not around, because.

629
00:32:39,560 --> 00:32:42,520
Speaker 4: Oh my god, it goes dark.

630
00:32:43,480 --> 00:32:46,640
Speaker 3: Beware the seeds that are sown in tree Hill, they

631
00:32:46,640 --> 00:32:49,840
Speaker 3: grow and grow. All right, what else haven't we hit

632
00:32:49,880 --> 00:32:52,600
Speaker 3: in this episode? How do we feel about Victoria?

633
00:32:52,760 --> 00:32:55,800
Speaker 6: I have seven pages of notes for this episode.

634
00:32:55,960 --> 00:32:57,200
Speaker 4: This episode was massive.

635
00:32:57,320 --> 00:32:58,080
Speaker 5: I watched it.

636
00:32:58,000 --> 00:33:00,680
Speaker 6: On set last night waiting for dark. So all my

637
00:33:00,760 --> 00:33:02,400
Speaker 6: goats are on the back of sides.

638
00:33:03,320 --> 00:33:06,080
Speaker 1: I'm sorry above taking us down too many rabbit trails.

639
00:33:05,880 --> 00:33:06,520
Speaker 4: No, babe.

640
00:33:06,640 --> 00:33:09,360
Speaker 3: I honestly, this episode was so heavy and I really

641
00:33:09,360 --> 00:33:11,880
Speaker 3: did cry a lot because I think it's every mother's

642
00:33:12,240 --> 00:33:16,520
Speaker 3: or father's, just anybody's worst nightmare to leave your kids.

643
00:33:17,000 --> 00:33:20,120
Speaker 3: And as a mom, and I must you know, I'm

644
00:33:20,160 --> 00:33:22,280
Speaker 3: by myself a lot because my husband works out of town.

645
00:33:23,160 --> 00:33:26,400
Speaker 3: The horror of having to leave a message like that

646
00:33:26,480 --> 00:33:28,800
Speaker 3: behind is really heavy. And then like the horror of

647
00:33:28,920 --> 00:33:33,680
Speaker 3: like what Brooke is going through a finally loving someone

648
00:33:33,720 --> 00:33:37,360
Speaker 3: and then being like cool, but I found my birth mom,

649
00:33:37,600 --> 00:33:40,160
Speaker 3: so I'm gonna go to her house in the dark.

650
00:33:41,120 --> 00:33:44,360
Speaker 3: You know, it just hurts so bad. So I needed

651
00:33:44,400 --> 00:33:45,680
Speaker 3: the rabbit holes Colin.

652
00:33:46,040 --> 00:33:47,640
Speaker 5: She needed some levity, sir.

653
00:33:48,320 --> 00:33:52,040
Speaker 1: Well, I'm glad. I'm glad to provide. Yeah it was.

654
00:33:52,080 --> 00:33:57,160
Speaker 1: But yeah, there's like this show was like more intricately

655
00:33:58,720 --> 00:34:01,800
Speaker 1: thought out than I remember sometimes, Like I mean I was,

656
00:34:01,920 --> 00:34:05,520
Speaker 1: it was coming in and out as I did. I

657
00:34:05,560 --> 00:34:10,160
Speaker 1: was not always aware of what had been happening for

658
00:34:10,200 --> 00:34:12,080
Speaker 1: a long time, and I wasn't aware of the kind

659
00:34:12,080 --> 00:34:16,080
Speaker 1: of the continuity that was going on and and necessarily

660
00:34:16,080 --> 00:34:19,839
Speaker 1: of all the dynamics that had evolved. And so it's

661
00:34:19,960 --> 00:34:22,120
Speaker 1: it's interesting anytime I go back and look at it,

662
00:34:22,239 --> 00:34:25,440
Speaker 1: just what just in some time we'll do to one's

663
00:34:25,480 --> 00:34:28,839
Speaker 1: perception of something like that. But it was, it was,

664
00:34:28,920 --> 00:34:31,880
Speaker 1: it was well done, and you guys do such a

665
00:34:31,880 --> 00:34:32,560
Speaker 1: beautiful job.

666
00:34:33,360 --> 00:34:34,360
Speaker 4: Nice baby.

667
00:34:34,680 --> 00:34:37,040
Speaker 3: Yeah, I mean we're old people now, so watching the

668
00:34:37,080 --> 00:34:41,680
Speaker 3: show is so like what in the world, Like, what

669
00:34:41,800 --> 00:34:43,040
Speaker 3: are we doing here?

670
00:34:43,560 --> 00:34:44,400
Speaker 1: And it's also that.

671
00:34:46,280 --> 00:34:48,839
Speaker 4: This was a one Yeah, Nathan Scott's going to get

672
00:34:48,840 --> 00:34:49,759
Speaker 4: to the NBA.

673
00:34:50,239 --> 00:34:52,759
Speaker 3: I mean that was We always joke about how We're

674
00:34:52,760 --> 00:34:56,359
Speaker 3: all doing different movies at any given time, you know,

675
00:34:56,400 --> 00:34:58,440
Speaker 3: like somebody's doing a rom com and someone's doing a

676
00:34:58,440 --> 00:35:00,960
Speaker 3: horror movie and it's all in the same episode. And

677
00:35:01,000 --> 00:35:04,600
Speaker 3: so Nathan is doing like like a Jordan commercial.

678
00:35:04,880 --> 00:35:07,160
Speaker 4: He's like shoes sports.

679
00:35:07,640 --> 00:35:14,800
Speaker 1: Just remember the like like the Burgess Jenkins played the coach.

680
00:35:15,480 --> 00:35:19,000
Speaker 1: And that was from my hometown from Winston Salem, North Carolina,

681
00:35:19,160 --> 00:35:21,919
Speaker 1: went to went to Summit School where I went.

682
00:35:22,120 --> 00:35:25,000
Speaker 4: You guys knew each other back home barely.

683
00:35:24,760 --> 00:35:27,000
Speaker 1: Like we went to We went to school together. He

684
00:35:27,040 --> 00:35:27,920
Speaker 1: was a little older.

685
00:35:28,320 --> 00:35:29,200
Speaker 3: Were you enemies?

686
00:35:30,480 --> 00:35:34,319
Speaker 1: No, but my brother created my brother, Jonathan Moss did

687
00:35:34,480 --> 00:35:38,840
Speaker 1: like Burgess teacher still teaches acting and Winston Salem and stuff,

688
00:35:38,960 --> 00:35:44,000
Speaker 1: and and was got some kind of higher profile roles

689
00:35:44,040 --> 00:35:46,840
Speaker 1: than some of the ones that I started off getting.

690
00:35:47,040 --> 00:35:49,240
Speaker 1: And my brother like would try to create this rivalry.

691
00:35:49,239 --> 00:35:56,040
Speaker 1: He's like, you hear what Burgess Jenkins has done? Yeah,

692
00:35:56,080 --> 00:35:59,520
Speaker 1: we're going he'd lived. We went to this Eastern party

693
00:35:59,520 --> 00:36:01,759
Speaker 1: at a friend house and old family friends. He's like,

694
00:36:01,800 --> 00:36:03,680
Speaker 1: you know who lives next door? He's like Burgess Jinkins,

695
00:36:03,680 --> 00:36:05,440
Speaker 1: He's gonna go have a word with him. If this

696
00:36:05,480 --> 00:36:08,040
Speaker 1: is in our adulthood of stops.

697
00:36:08,440 --> 00:36:11,160
Speaker 3: Please do have you guys seen each other at conventions?

698
00:36:11,200 --> 00:36:13,960
Speaker 1: Since no, no, he doesn't come.

699
00:36:14,400 --> 00:36:15,879
Speaker 4: We need to negotiate that.

700
00:36:16,000 --> 00:36:20,440
Speaker 3: We need to make that happen because I love a

701
00:36:20,480 --> 00:36:21,719
Speaker 3: hometown rivalry.

702
00:36:22,040 --> 00:36:24,120
Speaker 1: Well, I can't fight him. He's much bigger than I.

703
00:36:24,400 --> 00:36:26,640
Speaker 3: Well, Patton Oswald and I are from the same town,

704
00:36:26,640 --> 00:36:28,120
Speaker 3: and I'm gonna kick his ass.

705
00:36:28,280 --> 00:36:31,600
Speaker 1: So all right, I'll fight Burgess if you fight Patton.

706
00:36:32,040 --> 00:36:36,120
Speaker 3: We should have like a cage match in just hometown

707
00:36:36,200 --> 00:36:41,280
Speaker 3: fights like Supermarket parking lot and the Kroger.

708
00:36:42,520 --> 00:36:45,600
Speaker 6: Yeah, but you're only allowed to open handed slap, like

709
00:36:45,680 --> 00:36:46,320
Speaker 6: no punching.

710
00:36:46,520 --> 00:36:48,000
Speaker 4: Yeah, yeah, yeah, that's a good rule.

711
00:36:48,040 --> 00:36:49,200
Speaker 5: Fights. Yeah.

712
00:36:49,320 --> 00:36:51,480
Speaker 4: God, this is going to be the best convention ever.

713
00:36:52,080 --> 00:36:55,799
Speaker 6: We adore you, thank you, thank you for giving us

714
00:36:55,800 --> 00:36:56,360
Speaker 6: your morning.

715
00:36:56,760 --> 00:37:10,160
Speaker 8: We love absolutely what a joint.

716
00:37:11,160 --> 00:37:14,359
Speaker 5: That's sweet man, sweet sweet man.

717
00:37:14,960 --> 00:37:17,919
Speaker 3: He's a good time. The last convention I was at,

718
00:37:18,040 --> 00:37:21,720
Speaker 3: I always end up in like a booth with Collins somewhere,

719
00:37:21,760 --> 00:37:25,760
Speaker 3: and we like the pictures that show up the next

720
00:37:25,840 --> 00:37:28,360
Speaker 3: day are just like what were we talking about?

721
00:37:28,520 --> 00:37:32,640
Speaker 4: Because the giggle fits, like the sweats and the giggle fits.

722
00:37:32,320 --> 00:37:35,719
Speaker 3: And just yeah, yeah, he's a good person to stay

723
00:37:35,800 --> 00:37:38,520
Speaker 3: up and just like talk with till two o'clock in

724
00:37:38,520 --> 00:37:38,880
Speaker 3: the morning.

725
00:37:38,960 --> 00:37:41,200
Speaker 6: Oh, I love that. I was on set. I got

726
00:37:41,200 --> 00:37:42,400
Speaker 6: home at six point thirty.

727
00:37:42,120 --> 00:37:45,480
Speaker 5: This morning because we're on Avery nights.

728
00:37:44,560 --> 00:37:47,440
Speaker 6: And we hit that point around three.

729
00:37:47,239 --> 00:37:49,279
Speaker 5: Am where.

730
00:37:50,760 --> 00:37:53,600
Speaker 6: Two of our actors were outside like doing something really serious.

731
00:37:53,719 --> 00:37:56,160
Speaker 6: We were all trying to be quiet upstairs in this

732
00:37:56,200 --> 00:38:02,480
Speaker 6: like remote cabin house no and me and my sweet coworker,

733
00:38:02,560 --> 00:38:07,600
Speaker 6: Amaya's mom made eye contact and we both just started

734
00:38:07,680 --> 00:38:08,760
Speaker 6: choking on our laughter.

735
00:38:08,880 --> 00:38:10,240
Speaker 5: And then all the kids are done.

736
00:38:10,760 --> 00:38:16,680
Speaker 6: We were rolling on the floor just like crying tears.

737
00:38:16,160 --> 00:38:19,040
Speaker 5: Laughing, and I was like, oh my god, and it.

738
00:38:19,000 --> 00:38:21,640
Speaker 6: Really reminded me of like our overnights in Wilmington.

739
00:38:21,840 --> 00:38:22,440
Speaker 4: Oh my god.

740
00:38:22,520 --> 00:38:24,200
Speaker 3: Well, when we shot at the cabin, remember we would

741
00:38:24,200 --> 00:38:26,960
Speaker 3: get in trouble for that. Paul director was so mad.

742
00:38:28,320 --> 00:38:31,759
Speaker 3: We were like, God, knock it off. Giggle fits all right,

743
00:38:31,760 --> 00:38:34,040
Speaker 3: So walk me through these seven pages of notes, because

744
00:38:34,320 --> 00:38:36,080
Speaker 3: I know that you did your homework, and I want

745
00:38:36,120 --> 00:38:37,839
Speaker 3: to honor your homework well, and.

746
00:38:37,840 --> 00:38:40,040
Speaker 6: I know you want to avoid talking about this episode

747
00:38:40,040 --> 00:38:41,320
Speaker 6: because it's emotional.

748
00:38:40,920 --> 00:38:43,719
Speaker 3: And it's it's you know what it is. It's and

749
00:38:43,760 --> 00:38:45,520
Speaker 3: it was nice to have culin here to kind of

750
00:38:45,560 --> 00:38:50,080
Speaker 3: like soften it because I don't want to ruin it

751
00:38:50,160 --> 00:38:51,799
Speaker 3: for the fan base and be like, this is the

752
00:38:51,800 --> 00:38:53,240
Speaker 3: bullshit that happened.

753
00:38:53,320 --> 00:38:54,640
Speaker 4: You know, all of season six.

754
00:38:56,320 --> 00:38:59,120
Speaker 3: But I can look at it as a forty one

755
00:38:59,160 --> 00:39:01,680
Speaker 3: year old woman and be like, that is a twenty

756
00:39:01,760 --> 00:39:06,320
Speaker 3: six year old who's having to deliver some really serious

757
00:39:06,840 --> 00:39:10,000
Speaker 3: subject matter for any woman at home. Like, we're also

758
00:39:10,120 --> 00:39:13,080
Speaker 3: carrying the weight of experience. So anyone who's watching the

759
00:39:13,120 --> 00:39:17,279
Speaker 3: show who's dealt with pregnancy loss or fertility problems, or

760
00:39:17,320 --> 00:39:18,919
Speaker 3: death or like the loss of a mother.

761
00:39:19,040 --> 00:39:21,440
Speaker 5: I mean, we know how heavy it is toss so many.

762
00:39:21,320 --> 00:39:23,239
Speaker 3: Problems into that, and so you have to deliver a

763
00:39:23,280 --> 00:39:24,919
Speaker 3: performance that's respectful.

764
00:39:25,120 --> 00:39:26,359
Speaker 4: I couldn't phone it in.

765
00:39:27,120 --> 00:39:30,280
Speaker 3: Meanwhile, I've got a grown ass man being an idiot,

766
00:39:30,719 --> 00:39:33,560
Speaker 3: and you and I can't We can't look at each

767
00:39:33,640 --> 00:39:38,080
Speaker 3: other without bursting into tears. Oh my god, Sophia, this

768
00:39:38,120 --> 00:39:40,400
Speaker 3: whole episode, every time you and I made eye contact,

769
00:39:40,440 --> 00:39:40,719
Speaker 3: it was.

770
00:39:40,640 --> 00:39:42,640
Speaker 5: Like, you just don't do it, don't do it, don't

771
00:39:42,640 --> 00:39:43,880
Speaker 5: you do it. I know we started.

772
00:39:43,920 --> 00:39:46,319
Speaker 6: I remember starting to add that in because it was

773
00:39:46,360 --> 00:39:48,719
Speaker 6: like they were just like, please stop crying, and we

774
00:39:48,719 --> 00:39:51,719
Speaker 6: were like, but we can't. Yeah, because it is that

775
00:39:51,800 --> 00:39:52,560
Speaker 6: thing like.

776
00:39:54,000 --> 00:39:54,400
Speaker 4: It.

777
00:39:54,880 --> 00:39:58,600
Speaker 6: I felt that that sort of visceral sense.

778
00:39:58,400 --> 00:40:01,200
Speaker 5: Memory watching it same because.

779
00:40:02,320 --> 00:40:04,640
Speaker 6: You know, for me playing Brook, she's like, my best

780
00:40:04,680 --> 00:40:07,719
Speaker 6: friend can't leave, and I'm sitting there going, you're not

781
00:40:07,800 --> 00:40:11,359
Speaker 6: really gonna leave, right, like they are fighting with us

782
00:40:11,880 --> 00:40:12,640
Speaker 6: because you.

783
00:40:12,560 --> 00:40:16,800
Speaker 5: Know, again, it's been a long time.

784
00:40:17,120 --> 00:40:19,359
Speaker 6: And one of the things that really bothers me about

785
00:40:19,440 --> 00:40:22,239
Speaker 6: any drama that ever went down on our show is

786
00:40:22,440 --> 00:40:24,960
Speaker 6: we've all grown up. We ride really hard for each other.

787
00:40:25,080 --> 00:40:28,640
Speaker 6: Oh yeah, you know. It really is that sort of

788
00:40:28,640 --> 00:40:31,040
Speaker 6: family dynamic of like I might have been mad at

789
00:40:31,160 --> 00:40:33,040
Speaker 6: this person or that person, or you might have been

790
00:40:33,040 --> 00:40:35,000
Speaker 6: mad at this person or that person for something, but

791
00:40:35,080 --> 00:40:37,440
Speaker 6: like we can talk about it. Nobody else is ever

792
00:40:37,440 --> 00:40:39,760
Speaker 6: allowed to talk about anybody or will come.

793
00:40:39,600 --> 00:40:40,160
Speaker 5: For them, you know.

794
00:40:40,239 --> 00:40:44,200
Speaker 6: Yeah, And I want to be respectful of the fact that,

795
00:40:44,239 --> 00:40:45,360
Speaker 6: like people are very.

796
00:40:45,200 --> 00:40:46,560
Speaker 5: Different than they were then.

797
00:40:46,760 --> 00:40:49,640
Speaker 3: Oh my god, we're all like totally grown up. And

798
00:40:49,680 --> 00:40:53,920
Speaker 3: I think now, you know, Hillary Burton at forty one

799
00:40:54,000 --> 00:40:56,680
Speaker 3: years old is on a job and they say, babe.

800
00:40:56,880 --> 00:40:58,239
Speaker 4: Ride's over right.

801
00:40:58,880 --> 00:41:01,800
Speaker 3: I don't care because I've got a husband and kids

802
00:41:01,800 --> 00:41:04,760
Speaker 3: in a life. But when you're twenty six, the job

803
00:41:04,960 --> 00:41:07,680
Speaker 3: is your life. And it felt so fadal.

804
00:41:08,040 --> 00:41:10,120
Speaker 6: Yes, but I also want to go ahead and say, like,

805
00:41:10,239 --> 00:41:13,000
Speaker 6: you're you're being a big person. I know, I know

806
00:41:13,080 --> 00:41:17,799
Speaker 6: we're all trying to do that, but it's not just

807
00:41:17,840 --> 00:41:20,560
Speaker 6: because you have a life, and it's not just because

808
00:41:20,600 --> 00:41:23,400
Speaker 6: we were younger and knew less then. It's also because

809
00:41:23,440 --> 00:41:26,600
Speaker 6: what happened was just really dumb and it was very

810
00:41:26,640 --> 00:41:32,839
Speaker 6: hard to have a plan amongst us and have that

811
00:41:32,920 --> 00:41:37,640
Speaker 6: plan be betrayed. Yeah, like that was really hard and

812
00:41:37,680 --> 00:41:40,640
Speaker 6: really hurtful, and to watch people.

813
00:41:40,400 --> 00:41:42,000
Speaker 5: Be casualties of it.

814
00:41:42,120 --> 00:41:46,360
Speaker 6: The surrealism of this episode was like, oh my god,

815
00:41:46,520 --> 00:41:50,440
Speaker 6: our characters are what ifing and we're really what ifing.

816
00:41:51,080 --> 00:41:55,280
Speaker 6: And one of the things I will say, like, looking back,

817
00:41:55,480 --> 00:41:58,640
Speaker 6: I'm really proud of us. I'm really proud of the

818
00:41:58,640 --> 00:42:00,839
Speaker 6: way we showed up. I'm really out of you. I'm

819
00:42:00,840 --> 00:42:03,840
Speaker 6: proud of the way you performed in this episode. And like,

820
00:42:04,360 --> 00:42:07,600
Speaker 6: it wasn't lost on me that there was this really

821
00:42:07,680 --> 00:42:10,480
Speaker 6: beautiful parallel and we talked about it with Colin for

822
00:42:10,520 --> 00:42:14,360
Speaker 6: a second, with the boys in the garage, with James

823
00:42:14,440 --> 00:42:18,040
Speaker 6: and Chad leaning on that comet and having this talk

824
00:42:18,160 --> 00:42:21,239
Speaker 6: and James and one of the things I loved about

825
00:42:21,280 --> 00:42:24,239
Speaker 6: what he did is you know, Chad shared the heaviness

826
00:42:24,960 --> 00:42:28,080
Speaker 6: and James went whoa and just let it hit him

827
00:42:28,480 --> 00:42:31,280
Speaker 6: and sat there and they didn't really talk for a minute,

828
00:42:31,840 --> 00:42:35,880
Speaker 6: and it felt real. The double entendre was really clear,

829
00:42:36,320 --> 00:42:38,880
Speaker 6: and you and I were having the same experience, like

830
00:42:39,480 --> 00:42:41,360
Speaker 6: the chemistry between.

831
00:42:41,120 --> 00:42:46,120
Speaker 5: Us and the emotion in that dress.

832
00:42:45,800 --> 00:42:49,080
Speaker 6: Fitting scene for your baby shower. I was like, Oh,

833
00:42:49,120 --> 00:42:52,560
Speaker 6: that's that's just us, Like we're doing a dialogue, but

834
00:42:52,640 --> 00:42:54,319
Speaker 6: that's us, Yeah.

835
00:42:54,040 --> 00:42:59,040
Speaker 5: Trying to cope with this. And we were twenty six,

836
00:42:59,120 --> 00:43:01,160
Speaker 5: like we were kids. This was wild.

837
00:43:01,280 --> 00:43:03,319
Speaker 6: We did have a boss who would come on set

838
00:43:03,360 --> 00:43:05,880
Speaker 6: and scream at us, and the workplace is just not

839
00:43:05,920 --> 00:43:10,560
Speaker 6: supposed to be like that. And the thing I'm proud

840
00:43:10,600 --> 00:43:14,120
Speaker 6: that we took away is the way we show up

841
00:43:14,520 --> 00:43:17,040
Speaker 6: for each other, the way we show up for our crews, Like,

842
00:43:17,520 --> 00:43:19,799
Speaker 6: you know, we did this crazy overnight last night, and

843
00:43:20,320 --> 00:43:23,239
Speaker 6: I love everybody I'm working with on this movie, and

844
00:43:23,320 --> 00:43:26,040
Speaker 6: you know, there were conversations about like, well, we might

845
00:43:26,080 --> 00:43:29,080
Speaker 6: have to force everybody tomorrow, and you know, Sophia, you're

846
00:43:29,120 --> 00:43:31,120
Speaker 6: number one on the call sheet and are you willing

847
00:43:31,200 --> 00:43:33,640
Speaker 6: to do it? And I was like, I don't do

848
00:43:33,719 --> 00:43:37,840
Speaker 6: forced calls without pulling my department heads and everybody was

849
00:43:37,920 --> 00:43:39,520
Speaker 6: like what, And I was like, I.

850
00:43:39,520 --> 00:43:40,000
Speaker 5: Don't do that.

851
00:43:40,680 --> 00:43:42,960
Speaker 6: I want to hear from the crew. If it helps

852
00:43:43,000 --> 00:43:44,920
Speaker 6: them to come in early tomorrow, I'll suck it.

853
00:43:44,960 --> 00:43:45,520
Speaker 5: Up and do it.

854
00:43:46,000 --> 00:43:49,239
Speaker 6: And if it doesn't, I absolutely will refuse because I'm

855
00:43:49,280 --> 00:43:51,279
Speaker 6: now in a position of power where I can do that.

856
00:43:51,760 --> 00:43:54,160
Speaker 5: Yeah, And like you and I learned to show up.

857
00:43:54,080 --> 00:43:57,120
Speaker 6: For our people because of the way nobody can showed.

858
00:43:57,000 --> 00:43:57,880
Speaker 5: Up for us.

859
00:43:58,560 --> 00:44:04,239
Speaker 6: And I'm proud of of like a bad sorry, I'm

860
00:44:04,280 --> 00:44:08,279
Speaker 6: really proud of like what we learned to make out

861
00:44:08,280 --> 00:44:08,640
Speaker 6: of this.

862
00:44:09,640 --> 00:44:12,440
Speaker 5: And watching this.

863
00:44:12,360 --> 00:44:15,560
Speaker 6: Episode last night and like sobbing onto my sides and

864
00:44:15,600 --> 00:44:19,200
Speaker 6: taking seven pages of notes, I was like, thank fucking god, Daphne.

865
00:44:18,920 --> 00:44:20,320
Speaker 5: Is so funny as Victoria.

866
00:44:20,440 --> 00:44:22,840
Speaker 6: Like I really needed the levity because I just cried

867
00:44:23,000 --> 00:44:24,040
Speaker 6: at every other scene.

868
00:44:24,640 --> 00:44:30,240
Speaker 5: But like, yeah, I don't know the.

869
00:44:28,840 --> 00:44:33,040
Speaker 6: The weird way that our lives and our storylines often

870
00:44:33,080 --> 00:44:39,600
Speaker 6: were blurred on our show, Yeah it is special, and yeah,

871
00:44:39,680 --> 00:44:40,120
Speaker 6: I don't know.

872
00:44:40,320 --> 00:44:42,160
Speaker 5: This just made me really proud.

873
00:44:42,080 --> 00:44:44,760
Speaker 3: Well, because they ripped everything away from you in this episode,

874
00:44:44,760 --> 00:44:47,120
Speaker 3: because not only is it like okay, oh my best

875
00:44:47,120 --> 00:44:51,080
Speaker 3: friend is going to die, it's now this little actress

876
00:44:51,160 --> 00:44:54,040
Speaker 3: that I have been really forming a bond with over

877
00:44:54,040 --> 00:44:54,879
Speaker 3: the last has it been.

878
00:44:54,920 --> 00:44:55,640
Speaker 4: Year two years?

879
00:44:55,640 --> 00:45:00,400
Speaker 3: I mean it's been a long time, and she's Lee

880
00:45:00,880 --> 00:45:02,560
Speaker 3: and Austin.

881
00:45:02,200 --> 00:45:04,720
Speaker 4: Who your character had been working with, is gone.

882
00:45:04,960 --> 00:45:09,160
Speaker 3: And just the level of loss, it's not just storyline,

883
00:45:09,160 --> 00:45:13,000
Speaker 3: like when you lose a character, the actor behind it

884
00:45:13,040 --> 00:45:16,160
Speaker 3: also loses a friend and a confidant and like a teammate,

885
00:45:16,360 --> 00:45:20,280
Speaker 3: and there's real grief and loss there. And so we're

886
00:45:20,320 --> 00:45:23,120
Speaker 3: teasing the Peyton loss, but the Sam loss is happening

887
00:45:23,120 --> 00:45:26,080
Speaker 3: in real time. And watching Ashley and you cry together

888
00:45:27,040 --> 00:45:29,960
Speaker 3: made me feel bad that you had so many layers

889
00:45:30,239 --> 00:45:32,560
Speaker 3: of loss in this episode. I'm like, this chit can't

890
00:45:32,560 --> 00:45:36,520
Speaker 3: get up off the mat, like let her up, let

891
00:45:36,560 --> 00:45:39,239
Speaker 3: me up, please, there's no light at the end of

892
00:45:39,239 --> 00:45:40,879
Speaker 3: the tunnel for book Davis.

893
00:45:41,360 --> 00:45:44,200
Speaker 6: Yeah, and I will say, like what a testament to

894
00:45:44,320 --> 00:45:50,719
Speaker 6: Daphne right, because she is so heartfelt and heartbreaking and

895
00:45:51,000 --> 00:45:53,399
Speaker 6: manages to be so funny, Like I made a note

896
00:45:53,480 --> 00:45:57,600
Speaker 6: and I was like I die over her being like, well,

897
00:45:57,640 --> 00:46:01,479
Speaker 6: don't hate me, because I'm resourceful background checking this woman and.

898
00:46:01,520 --> 00:46:02,759
Speaker 5: We should we should.

899
00:46:02,480 --> 00:46:06,000
Speaker 6: Sue about this scary or her credits for all of it,

900
00:46:06,120 --> 00:46:08,440
Speaker 6: like and and you know, the moment of like you

901
00:46:08,520 --> 00:46:11,880
Speaker 6: are trying to shop with me, you know, it's I

902
00:46:11,960 --> 00:46:14,279
Speaker 6: loved it because we loved that, you know, a few

903
00:46:14,280 --> 00:46:18,560
Speaker 6: episodes ago. There's so much great humor, and I actually

904
00:46:18,600 --> 00:46:22,640
Speaker 6: think that's what eviscerates you more in the end, when

905
00:46:22,760 --> 00:46:26,160
Speaker 6: when I'm sobbing into my drawings of Sam and she

906
00:46:26,600 --> 00:46:29,040
Speaker 6: is like she's been crying and she's trying to be

907
00:46:29,080 --> 00:46:31,880
Speaker 6: there for me, It's like, oh man, this is this

908
00:46:32,000 --> 00:46:38,040
Speaker 6: is really rocking everybody's world. And it was like even

909
00:46:38,120 --> 00:46:42,799
Speaker 6: for me, the parallel of Sam reminding me so much

910
00:46:42,800 --> 00:46:46,880
Speaker 6: of Peyton and like me me putting that little anarchy

911
00:46:46,920 --> 00:46:50,239
Speaker 6: symbol on her bag, like that was for.

912
00:46:50,200 --> 00:46:53,279
Speaker 4: You, you know, and.

913
00:46:53,200 --> 00:46:55,200
Speaker 6: Like I know the fans know that, like I know

914
00:46:55,320 --> 00:46:57,600
Speaker 6: that they get the Easter egg, but I was just

915
00:46:57,719 --> 00:46:59,560
Speaker 6: like that was for me.

916
00:46:59,680 --> 00:47:01,400
Speaker 5: That was big you to our boss.

917
00:47:02,120 --> 00:47:04,200
Speaker 6: I was like, oh you want me to be upset,

918
00:47:04,239 --> 00:47:06,280
Speaker 6: I'm gonna I'm gonna put it right on screen.

919
00:47:08,040 --> 00:47:10,359
Speaker 5: And it was like, I don't know, this was.

920
00:47:10,360 --> 00:47:13,520
Speaker 6: Just this episode was big and it was heavy. Yeah,

921
00:47:13,560 --> 00:47:15,879
Speaker 6: but it's another one that reminds me where I'm like, oh,

922
00:47:15,880 --> 00:47:18,640
Speaker 6: I know why everybody always says that the female friendships

923
00:47:18,640 --> 00:47:19,520
Speaker 6: were the love story.

924
00:47:20,120 --> 00:47:23,799
Speaker 3: Yeah, dude, we'd I mean, in these moments, we didn't

925
00:47:23,840 --> 00:47:27,200
Speaker 3: give a shit about the boys, you know, like you're

926
00:47:27,239 --> 00:47:29,600
Speaker 3: like Julian who, I'm like, I don't know, Lucas is

927
00:47:29,640 --> 00:47:30,920
Speaker 3: in the homage, Like.

928
00:47:31,400 --> 00:47:35,920
Speaker 4: I don't It's whatever, They're somewhere, they're here. I just

929
00:47:35,960 --> 00:47:36,920
Speaker 4: want to have a wedding.

930
00:47:37,200 --> 00:47:42,240
Speaker 3: God. It was so fun to see how proud Daphne

931
00:47:42,719 --> 00:47:46,680
Speaker 3: slash Victoria was of you, Like watching her watch you.

932
00:47:47,200 --> 00:47:52,040
Speaker 3: It's obviously, you know, the character's Victoria is recognizing something

933
00:47:52,080 --> 00:47:54,839
Speaker 3: in her daughter that she'd somehow missed that everyone else

934
00:47:54,840 --> 00:47:57,800
Speaker 3: can say but she had somehow missed. But I'm watching

935
00:47:57,920 --> 00:48:01,960
Speaker 3: Daphne the actor also be like like, go, baby, go,

936
00:48:02,680 --> 00:48:06,400
Speaker 3: you're doing it. You know, Brook's the moral compass of

937
00:48:06,440 --> 00:48:10,239
Speaker 3: the show, and it's a lot of weight. It's a

938
00:48:10,239 --> 00:48:14,480
Speaker 3: lot of weight to have to carry, and you know,

939
00:48:14,719 --> 00:48:18,480
Speaker 3: I don't like that you We're gonna have to carry

940
00:48:18,520 --> 00:48:22,480
Speaker 3: more of it as Peyton left. But I also the

941
00:48:22,520 --> 00:48:24,719
Speaker 3: same way Peyton's like, yeah, you'll take care of my baby.

942
00:48:24,880 --> 00:48:27,239
Speaker 3: That's kind of how I felt like tree Hill was

943
00:48:27,280 --> 00:48:29,200
Speaker 3: a baby to me, And I was like it's gonna

944
00:48:29,200 --> 00:48:31,319
Speaker 3: be fine, Like, I know you guys have this.

945
00:48:32,000 --> 00:48:33,279
Speaker 4: It's fine.

946
00:48:33,520 --> 00:48:37,160
Speaker 5: Yeah, I mean it's not.

947
00:48:38,280 --> 00:48:42,200
Speaker 6: But I think you know to your point what you

948
00:48:42,200 --> 00:48:46,080
Speaker 6: were saying to Colin earlier, like the distance is pretty

949
00:48:46,120 --> 00:48:47,920
Speaker 6: profound because.

950
00:48:49,520 --> 00:48:50,719
Speaker 5: You look back and you're like.

951
00:48:50,760 --> 00:48:55,120
Speaker 6: Man, no matter what was happening, Like we did really

952
00:48:55,160 --> 00:48:58,400
Speaker 6: good work. We made people feel seen, like this episode

953
00:48:58,440 --> 00:48:59,200
Speaker 6: is beautiful.

954
00:48:59,760 --> 00:49:02,760
Speaker 3: I've had some days of work where I'm like, oh,

955
00:49:02,840 --> 00:49:06,279
Speaker 3: I cannot muster up any Fox right now, Like I

956
00:49:06,320 --> 00:49:08,840
Speaker 3: got the kids stuff, I gotta Warriort, Like I just

957
00:49:09,760 --> 00:49:13,200
Speaker 3: really struggling. And I go back and I watch twenty

958
00:49:13,200 --> 00:49:18,359
Speaker 3: six year old US like deal with Insanity, and I'm like.

959
00:49:18,640 --> 00:49:22,560
Speaker 4: Oh, well maybe we yeah, we can handle that, big deal,

960
00:49:22,800 --> 00:49:23,440
Speaker 4: big whoop.

961
00:49:24,840 --> 00:49:28,200
Speaker 3: I is Hailey the only person that doesn't know at

962
00:49:28,200 --> 00:49:29,399
Speaker 3: this point that Peyton's gonna die.

963
00:49:29,480 --> 00:49:31,920
Speaker 4: Haley and Mia are just like what, I don't what

964
00:49:31,920 --> 00:49:32,560
Speaker 4: what do we miss?

965
00:49:33,000 --> 00:49:33,239
Speaker 1: Well?

966
00:49:33,280 --> 00:49:37,840
Speaker 6: No, because remember they come over, they bring in whenever

967
00:49:37,880 --> 00:49:40,680
Speaker 6: that was a few episodes ago. Last episode, they bring

968
00:49:40,719 --> 00:49:43,359
Speaker 6: the recording studio to you, and Haley's like Brook told

969
00:49:43,400 --> 00:49:47,000
Speaker 6: me everything. Oh really yeah, And it's so weird because

970
00:49:47,040 --> 00:49:50,040
Speaker 6: you guys don't talk about it, no, and they kind

971
00:49:50,080 --> 00:49:54,080
Speaker 6: of pretend they don't know, but I guess I don't

972
00:49:54,080 --> 00:49:56,000
Speaker 6: know because you know, our our boss loved to read

973
00:49:56,000 --> 00:49:58,800
Speaker 6: the message boards and people were probably like, hello, why

974
00:49:59,320 --> 00:50:01,200
Speaker 6: is everyone else acting like this is normal? So they

975
00:50:01,520 --> 00:50:05,759
Speaker 6: did this like throwaway line between Haley and Peyton in

976
00:50:05,880 --> 00:50:07,800
Speaker 6: like the bedroom at Lucas's house.

977
00:50:07,880 --> 00:50:12,200
Speaker 5: But I'm like, wa, I'd almost.

978
00:50:11,960 --> 00:50:16,120
Speaker 4: Rather she didn't know at all, because why why.

979
00:50:15,920 --> 00:50:17,040
Speaker 5: Are we talking about it?

980
00:50:17,040 --> 00:50:18,040
Speaker 4: It's so bizarre.

981
00:50:18,280 --> 00:50:23,120
Speaker 3: Yeah, she sees the death box in the garage. Listen,

982
00:50:23,160 --> 00:50:25,399
Speaker 3: She's gonna be fine, Peyton's gonna be fine. She's gonna

983
00:50:25,400 --> 00:50:30,160
Speaker 3: be fine. I like that someone's compartmentalizing. That's an important

984
00:50:30,160 --> 00:50:31,960
Speaker 3: thing to have in a friend group. Is the one

985
00:50:31,960 --> 00:50:34,320
Speaker 3: person that's like, guys, seck it up, we're fine.

986
00:50:34,600 --> 00:50:40,239
Speaker 6: Well, anyway, Mia in this episode does the thing that

987
00:50:40,560 --> 00:50:42,680
Speaker 6: you're always great at, which is like, absolutely not, We're

988
00:50:42,680 --> 00:50:45,360
Speaker 6: not doing this anymore. You'll crack a joke, and she

989
00:50:45,520 --> 00:50:48,000
Speaker 6: does it with her elf camera because we didn't have

990
00:50:48,040 --> 00:50:49,880
Speaker 6: iPhones yet, and she's like, everybody.

991
00:50:49,520 --> 00:50:51,040
Speaker 4: Smile, no crying for the picture.

992
00:50:52,040 --> 00:50:55,160
Speaker 3: A number of selfies in this episode, because it starts

993
00:50:55,160 --> 00:50:59,240
Speaker 3: with the selfie of Millie sending it yes to mouth

994
00:51:00,120 --> 00:51:02,120
Speaker 3: was kind of an awkward selfie because we didn't do

995
00:51:02,280 --> 00:51:03,000
Speaker 3: those back then.

996
00:51:03,160 --> 00:51:05,320
Speaker 4: We didn't have the forward facing camera.

997
00:51:05,600 --> 00:51:06,320
Speaker 5: Flip phone.

998
00:51:06,840 --> 00:51:11,080
Speaker 3: Yeah, we didn't have that, so you couldn't see what

999
00:51:11,120 --> 00:51:13,400
Speaker 3: you looked like until you flipped the phone back around

1000
00:51:13,400 --> 00:51:15,080
Speaker 3: and saw your grainy little screen.

1001
00:51:15,800 --> 00:51:19,680
Speaker 4: Loving it, loving it well. I love that Nathan is

1002
00:51:19,800 --> 00:51:21,400
Speaker 4: keeping basketball alive on the show.

1003
00:51:21,640 --> 00:51:25,080
Speaker 3: I love that he and Haley are just steady soundboards

1004
00:51:25,080 --> 00:51:28,640
Speaker 3: for everybody else who's a freaking nightmare. I love that

1005
00:51:29,440 --> 00:51:33,120
Speaker 3: Peyton is really utilizing all the technology at our disposal

1006
00:51:33,760 --> 00:51:36,600
Speaker 3: in order for us to get ad sales, Like what

1007
00:51:36,680 --> 00:51:38,920
Speaker 3: do we think we got from like the camcorder and

1008
00:51:39,000 --> 00:51:40,760
Speaker 3: like the iPod touch or whatever.

1009
00:51:41,600 --> 00:51:42,560
Speaker 5: That so funny.

1010
00:51:43,160 --> 00:51:45,720
Speaker 4: By the way, one hundred Songs to Save Your Life

1011
00:51:46,440 --> 00:51:49,239
Speaker 4: is the name of the playlist that our boss put

1012
00:51:49,360 --> 00:51:52,680
Speaker 4: on that iPod he gave me after the maxim shoot. No,

1013
00:51:52,920 --> 00:51:54,840
Speaker 4: so even that was like A.

1014
00:51:57,160 --> 00:51:58,840
Speaker 5: I was like, oh, I love that title.

1015
00:51:59,280 --> 00:52:01,600
Speaker 4: No, we don't. We don't love that title.

1016
00:52:02,920 --> 00:52:06,000
Speaker 6: Well you know what I will say too, Speaking of

1017
00:52:06,080 --> 00:52:10,399
Speaker 6: like when you need levity, I am so a They're

1018
00:52:10,440 --> 00:52:12,880
Speaker 6: just so fun to watch, but be I'm so thankful

1019
00:52:12,920 --> 00:52:17,640
Speaker 6: for the levity of Alison and antoine storyline.

1020
00:52:18,239 --> 00:52:20,240
Speaker 5: Miss Lauren and Skills.

1021
00:52:19,800 --> 00:52:23,720
Speaker 6: Are so fun to watch together, and a kid being

1022
00:52:23,760 --> 00:52:27,799
Speaker 6: their foil is such a good choice. It's like, I

1023
00:52:27,840 --> 00:52:30,280
Speaker 6: think that's part of what I really like about this

1024
00:52:30,560 --> 00:52:33,560
Speaker 6: period in time, if I if I take myself out

1025
00:52:33,560 --> 00:52:36,719
Speaker 6: of the reality of behind the scenes, I like that

1026
00:52:37,239 --> 00:52:42,239
Speaker 6: brooks whole storyline is intergenerational female family relationships.

1027
00:52:42,320 --> 00:52:43,239
Speaker 5: Yeah, romantic.

1028
00:52:44,080 --> 00:52:48,839
Speaker 6: I like that Lauren and Skills are falling for each

1029
00:52:48,840 --> 00:52:53,440
Speaker 6: other and the whole thing surrounds like her being this

1030
00:52:53,560 --> 00:52:56,920
Speaker 6: teacher so clearly she cares about kids and him wanting

1031
00:52:56,960 --> 00:53:00,399
Speaker 6: to be a dad, and then this, you know, nightmare Boy,

1032
00:53:00,560 --> 00:53:05,319
Speaker 6: Like it's it's like these atypical love stories. Yeah, and

1033
00:53:05,360 --> 00:53:09,239
Speaker 6: I really really I appreciate a lot of that, and

1034
00:53:09,520 --> 00:53:13,239
Speaker 6: I think that they they managed to put humor into

1035
00:53:13,239 --> 00:53:17,080
Speaker 6: an episode that could have just been so second all around,

1036
00:53:17,840 --> 00:53:20,640
Speaker 6: and James made it work as the director, Like, yeah,

1037
00:53:20,680 --> 00:53:27,120
Speaker 6: it flows. It doesn't feel like these are two different movies.

1038
00:53:27,280 --> 00:53:30,200
Speaker 6: It just feels like everybody's going through different things in

1039
00:53:30,239 --> 00:53:30,760
Speaker 6: their life.

1040
00:53:31,280 --> 00:53:32,680
Speaker 5: There was a soft touch to.

1041
00:53:32,680 --> 00:53:34,640
Speaker 4: The issue of how it is though.

1042
00:53:34,880 --> 00:53:37,399
Speaker 3: It's like in our group of friends, one of us

1043
00:53:37,520 --> 00:53:39,719
Speaker 3: is thriving and one of us is dying at any

1044
00:53:39,760 --> 00:53:43,000
Speaker 3: given point, and that's just how it goes. And miss

1045
00:53:43,120 --> 00:53:46,200
Speaker 3: Lauren is such a welcome addition to our show. I

1046
00:53:46,280 --> 00:53:49,520
Speaker 3: don't think I remember. I didn't remember how spunky and

1047
00:53:49,560 --> 00:53:54,360
Speaker 3: like spicy she was. Yeah, and I love that she's

1048
00:53:54,480 --> 00:53:57,319
Speaker 3: this teacher that has kind of a wicked sense of

1049
00:53:57,400 --> 00:54:01,120
Speaker 3: humor and is not afraid to be frisky and this

1050
00:54:01,200 --> 00:54:02,040
Speaker 3: shit gets it.

1051
00:54:02,560 --> 00:54:04,680
Speaker 5: Yeah, I like it refreshing.

1052
00:54:04,960 --> 00:54:07,759
Speaker 6: So all of that just felt I don't know, it

1053
00:54:07,840 --> 00:54:09,320
Speaker 6: just felt so great.

1054
00:54:10,120 --> 00:54:10,799
Speaker 5: Ooh.

1055
00:54:10,840 --> 00:54:16,799
Speaker 6: And speaking of these sort of parental relationships, like in

1056
00:54:16,840 --> 00:54:19,920
Speaker 6: the way that you see these parallels with Nathan and

1057
00:54:20,000 --> 00:54:23,480
Speaker 6: Lucas and Brook and Peyton, I really like that when

1058
00:54:23,880 --> 00:54:27,080
Speaker 6: Brooke is also dealing with Victoria.

1059
00:54:27,760 --> 00:54:30,719
Speaker 5: Yeah, you in your time.

1060
00:54:30,520 --> 00:54:36,239
Speaker 6: Capsule for the baby are calling up your history with

1061
00:54:36,280 --> 00:54:39,160
Speaker 6: your own dad and your own parents, and the Peyton

1062
00:54:39,239 --> 00:54:45,480
Speaker 6: and Larry parallel to Peyton and Lucas's kid and Lucas, Like,

1063
00:54:46,160 --> 00:54:48,120
Speaker 6: I don't know, there was just a lot that felt

1064
00:54:48,160 --> 00:54:50,960
Speaker 6: really just felt really special.

1065
00:54:51,239 --> 00:54:52,799
Speaker 4: It was a well written episode.

1066
00:54:53,239 --> 00:54:56,840
Speaker 3: When Peyton is telling her child, Hey, I need you

1067
00:54:56,960 --> 00:55:00,160
Speaker 3: to be kind to your parent, I need you to

1068
00:55:00,160 --> 00:55:03,239
Speaker 3: be patient with your parents. Please love him for me,

1069
00:55:03,960 --> 00:55:06,600
Speaker 3: there's a part of that where it's like, is Brooke

1070
00:55:06,719 --> 00:55:08,960
Speaker 3: looking at her mom in a different light?

1071
00:55:09,520 --> 00:55:09,719
Speaker 4: You know?

1072
00:55:09,960 --> 00:55:12,239
Speaker 3: Is it like, do I need to be kinder to

1073
00:55:12,360 --> 00:55:17,640
Speaker 3: this person? And you know, acknowledge that she's putting so

1074
00:55:17,880 --> 00:55:18,960
Speaker 3: much effort in I.

1075
00:55:18,960 --> 00:55:19,959
Speaker 4: Don't know what it's for.

1076
00:55:20,560 --> 00:55:23,000
Speaker 3: I don't know what her motive is, but like, is

1077
00:55:23,120 --> 00:55:24,560
Speaker 3: kindness the way.

1078
00:55:24,680 --> 00:55:26,800
Speaker 6: Are you going to make space for people to change?

1079
00:55:27,000 --> 00:55:27,120
Speaker 1: Oh?

1080
00:55:27,160 --> 00:55:29,200
Speaker 3: My god, kids don't know how much power they have

1081
00:55:29,320 --> 00:55:32,440
Speaker 3: over us. They have no idea.

1082
00:55:33,000 --> 00:55:33,799
Speaker 5: I would love to know.

1083
00:55:33,840 --> 00:55:36,200
Speaker 6: Because Bill Brown wrote this episode and it is so

1084
00:55:36,440 --> 00:55:39,279
Speaker 6: well done, part of me wants to be like, dude,

1085
00:55:39,320 --> 00:55:41,400
Speaker 6: what what phase of life were you in?

1086
00:55:41,600 --> 00:55:42,719
Speaker 5: What was going on in your life?

1087
00:55:42,760 --> 00:55:42,960
Speaker 4: Yeah?

1088
00:55:43,000 --> 00:55:44,799
Speaker 3: Was he already able to do this?

1089
00:55:45,400 --> 00:55:50,879
Speaker 4: I mean, I'm sure he was more mature than we were. Yeah.

1090
00:55:51,040 --> 00:55:52,600
Speaker 4: Really good episode, God.

1091
00:55:52,600 --> 00:55:53,760
Speaker 5: Really really good episode.

1092
00:55:53,880 --> 00:55:55,560
Speaker 4: For all the shit that went on behind the scenes.

1093
00:55:55,600 --> 00:55:57,160
Speaker 3: I just want to make it very clear that I

1094
00:55:57,200 --> 00:56:00,000
Speaker 3: loved this episode for what I got to do with you,

1095
00:56:00,080 --> 00:56:02,000
Speaker 3: for what I got to do with Chad, for what

1096
00:56:02,040 --> 00:56:04,719
Speaker 3: I got to see you know everybody else do in

1097
00:56:04,760 --> 00:56:08,759
Speaker 3: their scenes, like being able to be a grown up

1098
00:56:08,840 --> 00:56:12,879
Speaker 3: and say that I love the product. I didn't love

1099
00:56:12,920 --> 00:56:16,399
Speaker 3: the experience, but I really loved the thing. Yeah, let's

1100
00:56:16,400 --> 00:56:17,279
Speaker 3: take it a long time.

1101
00:56:18,680 --> 00:56:22,360
Speaker 6: But I think on that note, like it's not lost

1102
00:56:22,360 --> 00:56:24,239
Speaker 6: on me when we look back at our history, like

1103
00:56:24,280 --> 00:56:27,239
Speaker 6: we all went through a lot of really awful in

1104
00:56:27,320 --> 00:56:32,040
Speaker 6: our show, and we've protected it, and we've protected a

1105
00:56:32,080 --> 00:56:37,080
Speaker 6: lot of people because we know that the thing we

1106
00:56:37,200 --> 00:56:42,319
Speaker 6: made was really magical. And I don't know, I don't

1107
00:56:42,320 --> 00:56:43,719
Speaker 6: know what I want to say about that other than

1108
00:56:43,800 --> 00:56:45,560
Speaker 6: I just want to acknowledge it's not lost on me.

1109
00:56:45,640 --> 00:56:48,000
Speaker 5: I know that's special. What's our honorable mention?

1110
00:56:49,120 --> 00:56:52,120
Speaker 3: What's our special honorable mention? In such a big, wild,

1111
00:56:52,160 --> 00:56:53,960
Speaker 3: weird episode. I'm looking at my notes.

1112
00:56:54,360 --> 00:56:57,000
Speaker 6: I mean, I was going to say you first of all,

1113
00:56:57,000 --> 00:56:58,799
Speaker 6: but I know you'll hate that because you don't like

1114
00:56:59,040 --> 00:57:01,680
Speaker 6: I don't like. So then I was going to say,

1115
00:57:01,920 --> 00:57:07,440
Speaker 6: maybe my honorable mention is Daphne trying to shop with me,

1116
00:57:07,520 --> 00:57:11,240
Speaker 6: because that was that was quite funny and I needed

1117
00:57:11,280 --> 00:57:12,200
Speaker 6: I needed the humor.

1118
00:57:12,719 --> 00:57:18,080
Speaker 4: I have Brooks designs written on here. That meant a lot.

1119
00:57:18,440 --> 00:57:34,160
Speaker 3: That was cool, That was really cool. Next episode? Are

1120
00:57:34,200 --> 00:57:36,960
Speaker 3: we having a wedding? What are we doing next episode?

1121
00:57:37,360 --> 00:57:42,720
Speaker 6: I think we are babe forever and.

1122
00:57:42,680 --> 00:57:49,120
Speaker 3: Almost always, let's go to the lake the party.

1123
00:57:50,040 --> 00:57:51,040
Speaker 4: Do we have a wheel?

1124
00:57:51,120 --> 00:57:53,959
Speaker 3: Let's spin a wheel? Now, sure to the lake, Let's

1125
00:57:54,040 --> 00:57:58,160
Speaker 3: do it? How about whatever the answer is, it's culin

1126
00:57:58,520 --> 00:57:59,520
Speaker 3: slash junk.

1127
00:57:59,640 --> 00:58:06,800
Speaker 5: Love it, no, it is. This is actually so perfect.

1128
00:58:09,240 --> 00:58:12,760
Speaker 3: This week's most likely, too, is most likely to crash

1129
00:58:12,800 --> 00:58:13,320
Speaker 3: a wedding?

1130
00:58:14,400 --> 00:58:15,840
Speaker 4: Haven't we done that with him?

1131
00:58:16,360 --> 00:58:20,680
Speaker 6: I mean it's Cullen, Yeah, and Junk would also do it.

1132
00:58:22,400 --> 00:58:26,720
Speaker 6: And I do think we perhaps may have all done

1133
00:58:26,800 --> 00:58:28,120
Speaker 6: that a time or two.

1134
00:58:29,120 --> 00:58:32,880
Speaker 4: Wilmington that what is it? The Hyatt or the Hilton

1135
00:58:32,960 --> 00:58:33,640
Speaker 4: right there on the river.

1136
00:58:33,840 --> 00:58:34,720
Speaker 5: Hilton on the river.

1137
00:58:35,240 --> 00:58:37,520
Speaker 3: You hear a dance party happening, and it's like.

1138
00:58:37,520 --> 00:58:39,040
Speaker 4: I can't not go in there.

1139
00:58:39,120 --> 00:58:39,960
Speaker 1: Guy. You know what.

1140
00:58:40,160 --> 00:58:44,440
Speaker 6: I was just reading this article yesterday on Bill Murray

1141
00:58:44,640 --> 00:58:47,560
Speaker 6: and his like, don't give a.

1142
00:58:47,880 --> 00:58:52,400
Speaker 3: Magic We're getting there, And one of like the quotes.

1143
00:58:52,000 --> 00:58:54,680
Speaker 6: In it from somebody who knows him, was like, oh, yeah,

1144
00:58:54,680 --> 00:58:57,200
Speaker 6: he'll if he ever sees a wedding, he's crashing.

1145
00:58:57,600 --> 00:59:00,800
Speaker 4: Yeah yeah, So.

1146
00:58:59,760 --> 00:59:02,720
Speaker 3: Okay, that's the phase that we're entering right now, is

1147
00:59:02,800 --> 00:59:06,600
Speaker 3: the wedding crash phase. Watch out, everybody, hold on to

1148
00:59:06,720 --> 00:59:07,960
Speaker 3: your dinner plates.

1149
00:59:08,040 --> 00:59:11,680
Speaker 4: We're coming. We're coming, all right, We'll see you guys

1150
00:59:11,720 --> 00:59:14,000
Speaker 4: at the wedding. Hey, thanks for listening.

1151
00:59:14,120 --> 00:59:16,360
Speaker 6: Don't forget to leave us a review. You can also

1152
00:59:16,440 --> 00:59:19,440
Speaker 6: follow us on Instagram at Drama Queen's ot.

1153
00:59:19,520 --> 00:59:24,200
Speaker 3: H or email us at Drama Queens at iHeartRadio dot com.

1154
00:59:24,480 --> 00:59:25,520
Speaker 4: See you next time.

1155
00:59:26,720 --> 00:59:30,120
Speaker 2: We all about that high school drama Girl Drama Girl,

1156
00:59:30,200 --> 00:59:30,960
Speaker 2: all about them.

1157
00:59:30,840 --> 00:59:33,840
Speaker 5: High school queens Forever. We'll take you for a ride

1158
00:59:33,920 --> 00:59:34,800
Speaker 5: at our comic.

1159
00:59:34,600 --> 00:59:38,760
Speaker 2: Girl Shared for the Right Teams, Drama Queens, my co

1160
00:59:39,080 --> 00:59:41,560
Speaker 2: up girl Fashion with your tough girl, you could sit

1161
00:59:41,600 --> 00:59:45,400
Speaker 2: with us Girl Drama Queens, Drama Queens, Drama Queens, Drama,

1162
00:59:45,480 --> 00:59:47,800
Speaker 2: Drama Queens, Drama Queens