1 00:00:00,080 --> 00:00:01,240 Speaker 1: First of all, you don't know me. 2 00:00:02,240 --> 00:00:05,600 Speaker 2: We all about that high school drama. Girl Drama, Girl, 3 00:00:05,680 --> 00:00:06,400 Speaker 2: all about them. 4 00:00:06,360 --> 00:00:09,440 Speaker 3: High school queens. We'll take you for a ride, and 5 00:00:09,560 --> 00:00:13,800 Speaker 3: our comic girl sharing for the right tea Drama, Queens 6 00:00:14,560 --> 00:00:16,439 Speaker 3: Up Girl Fashion, Butch your tough girl. 7 00:00:16,560 --> 00:00:17,480 Speaker 4: You could sit with us. 8 00:00:17,520 --> 00:00:21,239 Speaker 1: Girl Drama, Queens Drama, Queens Drama, Queens Drama, John the 9 00:00:21,320 --> 00:00:23,319 Speaker 1: Queens Drama Queens. 10 00:00:24,280 --> 00:00:25,800 Speaker 4: Well, Hey, gang, welcome back. 11 00:00:26,200 --> 00:00:28,360 Speaker 2: Hey, thanks for joining us. 12 00:00:28,680 --> 00:00:31,680 Speaker 5: You've got joy and I Today Rob is out, but 13 00:00:32,200 --> 00:00:35,559 Speaker 5: we've got some good questions from the ladies, so it 14 00:00:35,600 --> 00:00:36,279 Speaker 5: kind of feels fun. 15 00:00:36,320 --> 00:00:37,400 Speaker 4: It's like a little girls. 16 00:00:37,200 --> 00:00:41,279 Speaker 2: Chat, it is, I know. Yeah, welcome to the club. 17 00:00:41,800 --> 00:00:43,160 Speaker 2: Cozy up. I hope you're ready. 18 00:00:43,320 --> 00:00:46,000 Speaker 5: Courtney asks, could you please tell us about the process 19 00:00:46,520 --> 00:00:49,040 Speaker 5: of making the opening song for the podcast. It makes 20 00:00:49,040 --> 00:00:50,599 Speaker 5: me smile every time I hear it. 21 00:00:51,040 --> 00:00:54,040 Speaker 4: Thank you all. I've loved listening every week. That's so sweet. 22 00:00:54,280 --> 00:00:57,000 Speaker 2: That's really sweet, Thanks Courtney. You know I was just 23 00:00:57,040 --> 00:01:01,080 Speaker 2: goofing around. I mean, who knows. There is no process. 24 00:01:01,200 --> 00:01:04,800 Speaker 2: It's just like ideas hit and you follow them down 25 00:01:04,840 --> 00:01:08,080 Speaker 2: a weird trail. And yeah, I wish I had a 26 00:01:08,080 --> 00:01:10,800 Speaker 2: specific process. I mean, I know I had once I 27 00:01:10,840 --> 00:01:16,360 Speaker 2: started writing the idea of it that I wanted to 28 00:01:16,360 --> 00:01:19,800 Speaker 2: be fun. I wanted to be short and just give 29 00:01:19,840 --> 00:01:23,160 Speaker 2: everybody a feeling of like good happy energy before they 30 00:01:23,400 --> 00:01:27,240 Speaker 2: we want before we launched into each episode, and I 31 00:01:27,319 --> 00:01:30,399 Speaker 2: remember sending you guys like a track and saying, can 32 00:01:30,440 --> 00:01:32,640 Speaker 2: you voice note in your phone a couple of these 33 00:01:32,720 --> 00:01:35,360 Speaker 2: lines that you iconic lines that you set on the show, 34 00:01:35,400 --> 00:01:38,399 Speaker 2: so we can incorporate that. Yeah, and we put it 35 00:01:38,440 --> 00:01:42,759 Speaker 2: together pretty fast. My friend Ron and Yellow, who spends 36 00:01:42,840 --> 00:01:47,960 Speaker 2: most of his time producing Bruce Springsteen's records, took a 37 00:01:48,000 --> 00:01:50,520 Speaker 2: break could beget to help the Drama Queens because he 38 00:01:50,680 --> 00:01:53,240 Speaker 2: loves us and I've worked with him for so long, 39 00:01:53,320 --> 00:01:56,040 Speaker 2: and so he also has just been around Wntree Hill 40 00:01:56,080 --> 00:01:58,320 Speaker 2: and it was really fun to rope him in. He 41 00:01:58,480 --> 00:02:02,400 Speaker 2: was my co composer the Notebook musical that I had 42 00:02:02,600 --> 00:02:05,080 Speaker 2: created with him, so it was really fun to sort 43 00:02:05,080 --> 00:02:07,600 Speaker 2: of bring that family dynamic back in. 44 00:02:08,560 --> 00:02:08,800 Speaker 4: Yeah. 45 00:02:08,880 --> 00:02:10,200 Speaker 2: I can't think of anything else. 46 00:02:10,240 --> 00:02:10,600 Speaker 4: You know what. 47 00:02:10,639 --> 00:02:13,480 Speaker 5: I remember that was really fun. When we were thinking 48 00:02:13,520 --> 00:02:17,280 Speaker 5: about the nostalgia of the show and going back to 49 00:02:17,320 --> 00:02:20,600 Speaker 5: the early aughts and all the things that influenced us. 50 00:02:20,680 --> 00:02:21,919 Speaker 4: I remember some of our. 51 00:02:21,840 --> 00:02:25,600 Speaker 5: References, like for what you were doing with the music, 52 00:02:25,720 --> 00:02:29,040 Speaker 5: for how we designed the photo shoot, you know, around materials, 53 00:02:29,080 --> 00:02:32,480 Speaker 5: and we were like, think, bring it on, think pep rallies. 54 00:02:32,760 --> 00:02:37,320 Speaker 5: You know, I found yes Julian's letterman jacket, and I think. 55 00:02:37,080 --> 00:02:40,040 Speaker 2: That like the cheer element, Yes, the. 56 00:02:40,080 --> 00:02:43,160 Speaker 5: Cheer element with the claps and the beat, I feel 57 00:02:43,200 --> 00:02:47,799 Speaker 5: like really built. And when you sent us the original 58 00:02:49,280 --> 00:02:51,240 Speaker 5: or I guess the working draft if you will, of 59 00:02:51,280 --> 00:02:53,840 Speaker 5: your track, we were like, yes, it feels like a 60 00:02:53,880 --> 00:02:56,560 Speaker 5: Pep rally, Like it feels like we're getting everybody together 61 00:02:56,720 --> 00:02:57,720 Speaker 5: for something. 62 00:02:57,800 --> 00:02:59,320 Speaker 2: Which is the feeling of the show. I mean, that 63 00:02:59,440 --> 00:03:01,480 Speaker 2: was that's when Hill you're at the high school, you're 64 00:03:01,520 --> 00:03:03,960 Speaker 2: at the pop rally for the game. Yeah, that's a 65 00:03:03,960 --> 00:03:05,799 Speaker 2: good point. Thanks for reminding me of that. Yeah. 66 00:03:05,919 --> 00:03:06,720 Speaker 4: Yeah, I loved it. 67 00:03:06,760 --> 00:03:08,919 Speaker 5: And I loved that we you know, got to work 68 00:03:08,919 --> 00:03:12,000 Speaker 5: with Kenny for the video. I loved that we got 69 00:03:12,000 --> 00:03:15,280 Speaker 5: to do a benefit for the kind campaign. Like the 70 00:03:15,320 --> 00:03:17,560 Speaker 5: whole thing just felt awesome. 71 00:03:18,280 --> 00:03:22,959 Speaker 2: Yeah, that was that was great. Thanks Courtney. Okay, Nyc Flora, 72 00:03:23,200 --> 00:03:25,919 Speaker 2: you're asking. Okay, she says, I'm currently watching One Tree 73 00:03:26,000 --> 00:03:30,040 Speaker 2: Hill for the first time, so fun, and as I watch, 74 00:03:30,240 --> 00:03:33,959 Speaker 2: I have been creating a one Tree Hill relationship map 75 00:03:34,080 --> 00:03:37,400 Speaker 2: on TikTok. What I need to see this? So she's 76 00:03:37,480 --> 00:03:41,560 Speaker 2: mapping out who each character sleeps with in season six, 77 00:03:41,960 --> 00:03:45,680 Speaker 2: she's asking does Brook eventually sleep with Owen? I couldn't decide, 78 00:03:45,800 --> 00:03:48,240 Speaker 2: so I decided to pull the audience on TikTok, and 79 00:03:48,280 --> 00:03:52,440 Speaker 2: the audience is very torn. Some of the girlies think 80 00:03:52,520 --> 00:03:56,760 Speaker 2: he never got what was beneath the clothes, and others 81 00:03:56,800 --> 00:03:59,760 Speaker 2: think they did sleep together, which is why Brook was 82 00:03:59,800 --> 00:04:02,080 Speaker 2: so set when Millie slept with Owen. What do you 83 00:04:02,120 --> 00:04:04,480 Speaker 2: guys think? Oh, was this not decided? I kind of 84 00:04:04,480 --> 00:04:05,560 Speaker 2: thought we already knew this. 85 00:04:06,240 --> 00:04:07,800 Speaker 4: Yes, m Well. 86 00:04:08,160 --> 00:04:10,920 Speaker 5: One of the things I appreciated about their storyline was 87 00:04:10,960 --> 00:04:16,160 Speaker 5: that Brooke really seemed to, you know, delay jumping into 88 00:04:16,200 --> 00:04:19,479 Speaker 5: the physical aspect of their relationships, so she would suss 89 00:04:19,520 --> 00:04:23,520 Speaker 5: out the emotional one. But they definitely were a couple 90 00:04:24,040 --> 00:04:24,760 Speaker 5: for a while. 91 00:04:25,360 --> 00:04:27,719 Speaker 2: Yeah, And so I don't know. 92 00:04:27,760 --> 00:04:30,880 Speaker 5: I think when you're in your mid twenties and you're 93 00:04:30,880 --> 00:04:35,480 Speaker 5: in a relationship, an exclusive relationship with someone, you're probably 94 00:04:35,600 --> 00:04:36,240 Speaker 5: leaving together. 95 00:04:36,560 --> 00:04:38,840 Speaker 2: Yeah, I guess that's the assumption. I think. 96 00:04:38,880 --> 00:04:43,279 Speaker 5: Yeah, but we never saw them together in that way 97 00:04:43,320 --> 00:04:46,200 Speaker 5: on camera, so it is really interesting. It's kind of 98 00:04:47,240 --> 00:04:50,880 Speaker 5: it's definitely hard to know for sure, but I. 99 00:04:51,200 --> 00:04:53,479 Speaker 2: Say yes, yes, yeah, I think so. 100 00:04:53,680 --> 00:04:53,920 Speaker 1: Yeah. 101 00:04:55,080 --> 00:04:56,800 Speaker 2: Okay, well I'll ask you this other one because it's 102 00:04:56,800 --> 00:04:58,600 Speaker 2: from Lisa and it's for you, and she says, if 103 00:04:58,600 --> 00:05:00,599 Speaker 2: Brooke could have a sister, who would you want to 104 00:05:00,600 --> 00:05:01,080 Speaker 2: play her? 105 00:05:01,760 --> 00:05:05,479 Speaker 5: Oh my gosh, it would have been fun for Brooke 106 00:05:05,520 --> 00:05:07,680 Speaker 5: to have a sister, you. 107 00:05:07,640 --> 00:05:10,560 Speaker 2: Know what, I older or younger? 108 00:05:11,080 --> 00:05:14,479 Speaker 5: I mean maybe either I feel like Brooke gives big 109 00:05:14,520 --> 00:05:19,000 Speaker 5: sister energy though, yeah, or maybe I just feel that 110 00:05:19,040 --> 00:05:22,520 Speaker 5: way and I'm projecting. But you know, working on Grays, 111 00:05:22,800 --> 00:05:26,480 Speaker 5: I work with this wonderful cast and working with Camilla 112 00:05:26,600 --> 00:05:30,120 Speaker 5: Ludington for so long the internet has told us we 113 00:05:30,160 --> 00:05:34,320 Speaker 5: need to play sisters. Oh, and being in actual physical 114 00:05:34,320 --> 00:05:37,680 Speaker 5: space together, we're just like, oh, we absolutely should do that. 115 00:05:39,120 --> 00:05:43,640 Speaker 5: And very sweetly, someone recently said to us. They were like, 116 00:05:43,680 --> 00:05:46,200 Speaker 5: oh my god, you guys should play sisters on the 117 00:05:46,240 --> 00:05:47,560 Speaker 5: next season of White Lotus. 118 00:05:47,560 --> 00:05:49,280 Speaker 4: They've never had like. 119 00:05:49,440 --> 00:05:52,640 Speaker 5: Sisters on the show sisters, and we were like, wait 120 00:05:52,680 --> 00:05:56,840 Speaker 5: a second, that would be so cool. So, whether it's 121 00:05:56,960 --> 00:06:00,159 Speaker 5: you know, a really twisty, turney show like that, or 122 00:06:00,560 --> 00:06:03,720 Speaker 5: something I would love to play her sister at some point. 123 00:06:04,000 --> 00:06:04,640 Speaker 2: That's awesome. 124 00:06:05,160 --> 00:06:11,039 Speaker 5: Yeah, yeah, okay, CALLI asks, how did you pass the 125 00:06:11,080 --> 00:06:14,400 Speaker 5: time on set when you were waiting for scenes? Oh goodness, 126 00:06:14,440 --> 00:06:20,320 Speaker 5: Oh we knit, we read, we wrote, we ate, We 127 00:06:21,720 --> 00:06:23,640 Speaker 5: sat in our trailers and watched movies. 128 00:06:23,920 --> 00:06:27,520 Speaker 2: We sat around and talked to each other. If anybody 129 00:06:27,520 --> 00:06:30,600 Speaker 2: brought their dog to set, we'd go play with dogs. Yeah, 130 00:06:30,680 --> 00:06:31,839 Speaker 2: there were a lot of options. 131 00:06:32,040 --> 00:06:35,440 Speaker 4: I never have watched a movie in a trailer. 132 00:06:35,480 --> 00:06:37,640 Speaker 2: I don't think really well. 133 00:06:38,120 --> 00:06:42,200 Speaker 5: I remember kind of trying in early days. But the 134 00:06:42,560 --> 00:06:45,560 Speaker 5: conundrum for me of the wait times on set is 135 00:06:45,600 --> 00:06:47,240 Speaker 5: you never really know how long they're going. 136 00:06:47,200 --> 00:06:49,000 Speaker 4: To be, because they'll tell you they. 137 00:06:48,920 --> 00:06:51,440 Speaker 5: Need five minutes, and twenty five minutes later you still 138 00:06:51,480 --> 00:06:54,520 Speaker 5: haven't done anything. But then they'll tell you a turnaround's 139 00:06:54,560 --> 00:06:56,719 Speaker 5: going to take thirty minutes and it only takes nine. 140 00:06:57,440 --> 00:07:01,000 Speaker 5: So there's so much kind of hurry up wait that 141 00:07:01,160 --> 00:07:04,560 Speaker 5: for me, really getting into things that then I felt 142 00:07:04,600 --> 00:07:06,599 Speaker 5: like I had to get pulled out of work was 143 00:07:06,680 --> 00:07:09,920 Speaker 5: so hard, And I think that's why I really got 144 00:07:09,920 --> 00:07:13,800 Speaker 5: in the habit of using my spare minutes on set 145 00:07:13,880 --> 00:07:16,720 Speaker 5: to just pour through all my news articles in a 146 00:07:16,800 --> 00:07:20,400 Speaker 5: day because they're shorter and in a way I could 147 00:07:20,480 --> 00:07:23,720 Speaker 5: almost read more but feel less like I was being, 148 00:07:24,600 --> 00:07:26,239 Speaker 5: you know, cut off in the middle of something. 149 00:07:26,280 --> 00:07:29,680 Speaker 2: If that makes it interesting, Yeah, it does, I kind of. 150 00:07:29,920 --> 00:07:32,480 Speaker 2: For me, it's a bit of the opposite. I really 151 00:07:34,120 --> 00:07:36,720 Speaker 2: it helps me stay in the moment of the scene 152 00:07:37,320 --> 00:07:40,040 Speaker 2: if I'm not thinking too hard about the scene when 153 00:07:40,080 --> 00:07:44,000 Speaker 2: I'm not shooting it. Yeah, So doing something that is 154 00:07:44,080 --> 00:07:47,680 Speaker 2: completely different than the scene, So like even just relaxing 155 00:07:47,720 --> 00:07:50,880 Speaker 2: into a movie knowing they're going to knock on my 156 00:07:50,880 --> 00:07:53,640 Speaker 2: door at anytime, I could be interrupted. It's fine, but it 157 00:07:53,800 --> 00:07:55,880 Speaker 2: just kind of completely takes me out of it. So 158 00:07:55,960 --> 00:07:58,440 Speaker 2: then every time we go to shoot from a different angle, 159 00:07:59,640 --> 00:08:03,119 Speaker 2: I've I've sent my nervous system and my body into 160 00:08:03,160 --> 00:08:06,880 Speaker 2: a relaxed, completely different space. So I come back and 161 00:08:06,920 --> 00:08:11,160 Speaker 2: it feels fresh every time. So I really whether I'm writing. 162 00:08:12,040 --> 00:08:14,200 Speaker 2: I did used to like to write on set a lot, 163 00:08:14,200 --> 00:08:16,280 Speaker 2: but I don't do that much anymore because it's just 164 00:08:16,320 --> 00:08:20,400 Speaker 2: feels like too much problem solving. I'm already problem solving 165 00:08:20,400 --> 00:08:23,320 Speaker 2: on set, understanding my character and the choices and blocking 166 00:08:23,400 --> 00:08:26,400 Speaker 2: and all that. So yeah, I really love to just 167 00:08:26,480 --> 00:08:28,240 Speaker 2: get my trailer and turn on a show or a 168 00:08:28,280 --> 00:08:33,160 Speaker 2: movie and relax and disassociate. That's so cool, funny. 169 00:08:33,200 --> 00:08:36,880 Speaker 5: Yeah, I feel like I've moved away from it because 170 00:08:36,880 --> 00:08:40,360 Speaker 5: I'd always just start to get really engrossed in something 171 00:08:40,400 --> 00:08:41,920 Speaker 5: and then they'd be like, we're ready for you. 172 00:08:41,880 --> 00:08:43,600 Speaker 4: And I'd be so bummed. 173 00:08:44,040 --> 00:08:49,440 Speaker 5: So I've found that I need shorter. I want to 174 00:08:49,520 --> 00:08:51,320 Speaker 5: get lost in something, but I need it to be 175 00:08:51,360 --> 00:08:57,360 Speaker 5: shorter so I don't feel so frustrated out of it. Yeah, yeah, amazing, 176 00:08:57,440 --> 00:08:59,479 Speaker 5: which is so silly in particular. 177 00:08:59,559 --> 00:08:59,920 Speaker 4: I guess. 178 00:09:01,040 --> 00:09:06,000 Speaker 5: Oh, this is a good question, Kirsty cursed. If you 179 00:09:06,080 --> 00:09:08,839 Speaker 5: could live in any movie or TV show, which one 180 00:09:08,840 --> 00:09:09,280 Speaker 5: would it be? 181 00:09:10,000 --> 00:09:12,920 Speaker 2: Oh gosh, I mean there's so many I've never seen, 182 00:09:13,040 --> 00:09:15,160 Speaker 2: so I'm sure there's going to be a better answer 183 00:09:15,160 --> 00:09:19,760 Speaker 2: than whatever I give. If I could live in any 184 00:09:21,440 --> 00:09:23,000 Speaker 2: I don't know. It's like I want to say something 185 00:09:23,040 --> 00:09:25,360 Speaker 2: like a period piece, like a Pride and Prejudice or something. 186 00:09:25,440 --> 00:09:28,360 Speaker 2: But also life was kind of gross back then, and 187 00:09:28,440 --> 00:09:31,079 Speaker 2: there was not a lot of good medical care and 188 00:09:31,360 --> 00:09:36,320 Speaker 2: women were not treated well. Yeah, I don't know how 189 00:09:36,400 --> 00:09:39,839 Speaker 2: much has changed really, but in that regard, In that regard, 190 00:09:40,200 --> 00:09:42,839 Speaker 2: but yeah, I don't know if I really want to 191 00:09:43,040 --> 00:09:46,040 Speaker 2: want to live in that time period another time period. 192 00:09:47,040 --> 00:09:50,280 Speaker 2: This is kind of tough. I'm running through the I'm 193 00:09:50,320 --> 00:09:52,760 Speaker 2: running through in my mind all of the possibilities of 194 00:09:52,800 --> 00:09:55,040 Speaker 2: like what shows have I watched recently? I don't do 195 00:09:55,040 --> 00:09:55,720 Speaker 2: you have an answer? 196 00:09:56,200 --> 00:09:56,800 Speaker 4: I don't know. 197 00:09:57,679 --> 00:10:00,000 Speaker 2: I think this is the thing is that I love 198 00:10:00,080 --> 00:10:02,680 Speaker 2: of living in the real world, so I would like 199 00:10:02,760 --> 00:10:05,199 Speaker 2: to visit some of these other places, but I actually 200 00:10:05,280 --> 00:10:08,360 Speaker 2: don't want a reality that exists inside one of these 201 00:10:08,559 --> 00:10:11,120 Speaker 2: TV shows or movies. That's the reason I like it 202 00:10:11,160 --> 00:10:13,000 Speaker 2: is because I can visit it and then go away. 203 00:10:13,600 --> 00:10:16,160 Speaker 5: Yeah, totally, I agree with that. And I also think 204 00:10:17,600 --> 00:10:20,280 Speaker 5: so much of a great TV show or a movie 205 00:10:20,480 --> 00:10:26,560 Speaker 5: is the story of conflict or you know, some crazy 206 00:10:26,600 --> 00:10:28,920 Speaker 5: thing is happening, like you think about Back to the 207 00:10:28,960 --> 00:10:33,840 Speaker 5: Future or Mission Impossible. I'd love to do those movies. Yeah, yeah, 208 00:10:33,840 --> 00:10:38,600 Speaker 5: I wouldn't. I wouldn't necessarily want to live it feels 209 00:10:38,600 --> 00:10:39,559 Speaker 5: a little high stress. 210 00:10:40,720 --> 00:10:58,559 Speaker 2: Yeah, hmm, thanks. So Chloe wants to know. She's wondering 211 00:10:58,880 --> 00:11:02,360 Speaker 2: how the scenes where a character's facing a mirror and 212 00:11:02,400 --> 00:11:04,600 Speaker 2: it's an up close shot, how do you get the 213 00:11:04,640 --> 00:11:07,199 Speaker 2: shot without the cameras showing up in the mirror. This 214 00:11:07,240 --> 00:11:09,800 Speaker 2: is a cool question. Is it done with a stunt 215 00:11:09,800 --> 00:11:12,040 Speaker 2: double is the back of the head and the actual 216 00:11:12,080 --> 00:11:17,520 Speaker 2: actor is the quote reflection? Oh, that's an interesting puzzle. Well, 217 00:11:17,600 --> 00:11:21,240 Speaker 2: I very rarely have I seen one that's straight on 218 00:11:21,600 --> 00:11:24,439 Speaker 2: like that, And in that case, it's a CGI situation 219 00:11:24,840 --> 00:11:26,720 Speaker 2: as far as I've ever seen, where they have to 220 00:11:26,760 --> 00:11:29,920 Speaker 2: like segi out the camera. Usually they tilt the mirror 221 00:11:30,440 --> 00:11:33,080 Speaker 2: and the actor looks at a mark that is not 222 00:11:33,200 --> 00:11:36,440 Speaker 2: their face. But because the mirror is tilted and the 223 00:11:36,480 --> 00:11:39,400 Speaker 2: angle of the camera behind them, it looks as though 224 00:11:39,400 --> 00:11:41,720 Speaker 2: the actors looking at themselves in the mirror when they're not. 225 00:11:41,880 --> 00:11:44,480 Speaker 4: Actually, yeah, that's the thing. 226 00:11:44,520 --> 00:11:50,520 Speaker 5: It's there's always a camera over your shoulder. But very often, 227 00:11:50,600 --> 00:11:54,000 Speaker 5: I mean they'll literally ball up like painters tape. Let's say, 228 00:11:54,200 --> 00:11:56,760 Speaker 5: you know, I'm facing the mirror and the camera's over 229 00:11:56,800 --> 00:11:57,600 Speaker 5: my left shoulder. 230 00:11:58,000 --> 00:11:58,719 Speaker 4: They'll ball up. 231 00:11:58,720 --> 00:12:00,600 Speaker 5: A little painter's tape on the left side of the 232 00:12:00,600 --> 00:12:03,640 Speaker 5: mirror to just jut it off the wall at a 233 00:12:03,679 --> 00:12:08,040 Speaker 5: slight angle where you can't tell, but it tilts it 234 00:12:08,400 --> 00:12:10,720 Speaker 5: a little more towards the actor and a little away 235 00:12:10,720 --> 00:12:13,880 Speaker 5: from the camera, and then it might look like we're 236 00:12:13,880 --> 00:12:16,480 Speaker 5: centered in the mirror, but we're actually off, you know, 237 00:12:16,880 --> 00:12:18,400 Speaker 5: to a little to the right. 238 00:12:18,800 --> 00:12:20,200 Speaker 2: Usually you can't see yourself. 239 00:12:20,840 --> 00:12:23,320 Speaker 5: Yeah, sometimes you can see yourself and sometimes you can't. 240 00:12:23,720 --> 00:12:26,600 Speaker 5: But also very often the camera is just out of 241 00:12:26,679 --> 00:12:30,040 Speaker 5: frame and they've put like a longer lens on, so 242 00:12:30,120 --> 00:12:34,200 Speaker 5: it's actually further back than it looks and it's out 243 00:12:34,200 --> 00:12:37,280 Speaker 5: of the shot, but the you know, the lens is 244 00:12:37,360 --> 00:12:38,760 Speaker 5: zoomed in to the actor. 245 00:12:39,320 --> 00:12:42,240 Speaker 2: I always find those scenes to be hard when you're 246 00:12:42,240 --> 00:12:45,479 Speaker 2: supposed to be looking at yourself and having an experience 247 00:12:45,600 --> 00:12:49,560 Speaker 2: some kind of scare or an emotional experience or whatever, 248 00:12:49,760 --> 00:12:55,199 Speaker 2: to be looking at an object or a mark instead 249 00:12:55,200 --> 00:12:57,480 Speaker 2: of actually being able to make eye contact with yourself 250 00:12:57,520 --> 00:13:00,720 Speaker 2: and see your physicality or whatever. And so you have 251 00:13:00,800 --> 00:13:03,920 Speaker 2: to imagine that you're looking at yourself when you can't 252 00:13:03,960 --> 00:13:08,200 Speaker 2: see yourself, and then have an emotional reaction because at 253 00:13:08,280 --> 00:13:10,559 Speaker 2: least when you're shooting with another actor, you've got somebody 254 00:13:10,600 --> 00:13:14,200 Speaker 2: else to look at to react to. It's truly acting 255 00:13:14,200 --> 00:13:15,520 Speaker 2: with a wall. It's so strange. 256 00:13:15,840 --> 00:13:18,920 Speaker 5: Yeah, it really makes me think about the actors who've 257 00:13:18,960 --> 00:13:23,760 Speaker 5: done just full films in CGI likes, you know, the 258 00:13:23,800 --> 00:13:26,280 Speaker 5: actors in Avatar who literally are just on a sound 259 00:13:26,320 --> 00:13:28,560 Speaker 5: stage and like suit a lot. 260 00:13:28,400 --> 00:13:30,520 Speaker 2: Of the Marvel stuff too. You're like acting to a 261 00:13:30,520 --> 00:13:33,480 Speaker 2: monster a Jurassic Park. They don't exist. You're just covered 262 00:13:33,520 --> 00:13:36,160 Speaker 2: in dots looking up at strings. 263 00:13:36,360 --> 00:13:40,760 Speaker 5: Yeah, so crazy. It's a very weird thing. You kind 264 00:13:40,760 --> 00:13:45,200 Speaker 5: of have to. You have to dissociate from reality a 265 00:13:45,240 --> 00:13:49,720 Speaker 5: little bit and just be sort of emotions in a 266 00:13:49,800 --> 00:13:50,360 Speaker 5: skin suit. 267 00:13:50,400 --> 00:13:53,360 Speaker 2: It's very good imagination. 268 00:13:55,120 --> 00:13:58,320 Speaker 5: Okay. Chris wants to know if you have a ritual 269 00:13:58,360 --> 00:14:00,400 Speaker 5: you like to do on the weekends or did you 270 00:14:00,440 --> 00:14:01,360 Speaker 5: have any growing up. 271 00:14:02,120 --> 00:14:04,600 Speaker 2: I mean, I guess we do watch I Love Lucy 272 00:14:04,640 --> 00:14:06,440 Speaker 2: a lot. I think that ends up on in the 273 00:14:06,480 --> 00:14:11,080 Speaker 2: house on Saturdays or Sundays when we're cleaning or just 274 00:14:11,120 --> 00:14:14,920 Speaker 2: sitting around or cooking or something. It's a nice background show. 275 00:14:15,000 --> 00:14:17,079 Speaker 2: But otherwise nothing in particular. 276 00:14:17,640 --> 00:14:21,360 Speaker 5: No, Yeah, I don't know for me. I mean it 277 00:14:21,440 --> 00:14:25,720 Speaker 5: really depends. You know, we all have to travel so 278 00:14:25,840 --> 00:14:29,360 Speaker 5: much for work and so you get out of a routine. 279 00:14:30,240 --> 00:14:34,000 Speaker 5: But if I'm home with my family, it's like we 280 00:14:34,040 --> 00:14:36,280 Speaker 5: want to get outside. I want to get the kids 281 00:14:36,280 --> 00:14:39,600 Speaker 5: outside running around, you know, get in the woods, go 282 00:14:39,640 --> 00:14:43,440 Speaker 5: on a hike, play, you know, go swimming. Whatever's sort 283 00:14:43,480 --> 00:14:49,960 Speaker 5: of accessible. Yea, if I'm home, you know, like visiting 284 00:14:50,080 --> 00:14:53,480 Speaker 5: in California. I love to get together with friends on 285 00:14:53,560 --> 00:14:56,240 Speaker 5: Saturdays for brunch. I'm always at a flea market on 286 00:14:56,360 --> 00:14:59,480 Speaker 5: Sundays like those are the things that I love to do. 287 00:14:59,560 --> 00:15:03,000 Speaker 5: But I think my rituals and routines are more dependent 288 00:15:03,080 --> 00:15:08,600 Speaker 5: on place than they are on any kind of schedule. 289 00:15:09,600 --> 00:15:12,560 Speaker 2: I do try and rest on the weekends. I will 290 00:15:12,600 --> 00:15:17,880 Speaker 2: say that because it's no matter where I am, Inevitably 291 00:15:17,960 --> 00:15:20,120 Speaker 2: during the week there's a lot of work to be done. 292 00:15:20,400 --> 00:15:23,720 Speaker 2: So I know some people really love to use the 293 00:15:23,760 --> 00:15:27,120 Speaker 2: weekends as like their adventuring time and going out to 294 00:15:27,160 --> 00:15:28,760 Speaker 2: do a bunch of stuff with friends and clean the 295 00:15:28,760 --> 00:15:31,000 Speaker 2: house and all that stuff. But I don't know, do 296 00:15:31,000 --> 00:15:33,840 Speaker 2: you find that you prefer to just know that you 297 00:15:33,880 --> 00:15:36,080 Speaker 2: don't have anything on the calendar on the weekends, or 298 00:15:36,080 --> 00:15:37,120 Speaker 2: do you like to adventure? 299 00:15:37,760 --> 00:15:42,120 Speaker 5: Yeah, I think it's really a seesaw for me because 300 00:15:43,120 --> 00:15:46,040 Speaker 5: I love being able to do something, you know, see 301 00:15:46,080 --> 00:15:48,520 Speaker 5: something I've wanted to see, or be with friends I 302 00:15:48,520 --> 00:15:51,440 Speaker 5: haven't seen in a while. But I also I just 303 00:15:51,840 --> 00:15:55,160 Speaker 5: I do find that I need rest in ways that 304 00:15:55,280 --> 00:16:00,960 Speaker 5: I maybe ignored before. And so yes, sometimes I just 305 00:16:01,480 --> 00:16:03,840 Speaker 5: want to have a rat day and do nothing and 306 00:16:03,920 --> 00:16:06,320 Speaker 5: lay on the couch and just watch TV and stay 307 00:16:06,320 --> 00:16:07,280 Speaker 5: in my pajamas. 308 00:16:07,400 --> 00:16:10,800 Speaker 2: Oh yeah, it's so nice. 309 00:16:11,000 --> 00:16:11,200 Speaker 4: Yeah. 310 00:16:11,240 --> 00:16:13,040 Speaker 2: I mean, rest can look like a lot of things, 311 00:16:13,120 --> 00:16:15,120 Speaker 2: whether you're doing it that way, or if I go 312 00:16:15,200 --> 00:16:17,320 Speaker 2: for walks, or I mean sometimes meeting a friend for 313 00:16:17,440 --> 00:16:22,880 Speaker 2: lunch can be RESTful if it's the right person. Yeah, totally, yeah, Yeah, 314 00:16:23,000 --> 00:16:28,840 Speaker 2: thanks Chris. Yeah, okay, ladies, asking, are you a tidy house, 315 00:16:29,200 --> 00:16:33,960 Speaker 2: messy car type of person, messy home, tidy car type 316 00:16:33,960 --> 00:16:37,800 Speaker 2: of person? Or I guess the extras would be tidy 317 00:16:38,080 --> 00:16:44,840 Speaker 2: tidy home, tidy car, messy home, messy car. I didn't, Yeah, 318 00:16:45,680 --> 00:16:46,360 Speaker 2: what are you so? 319 00:16:48,160 --> 00:16:53,440 Speaker 5: I am very organized, and I definitely am a person 320 00:16:53,480 --> 00:16:57,520 Speaker 5: who will install set up like I like to make 321 00:16:57,800 --> 00:17:03,200 Speaker 5: space feel beautiful. But with in that, I definitely have 322 00:17:03,400 --> 00:17:08,000 Speaker 5: that sort of neuro spicy thing where I wind up 323 00:17:08,000 --> 00:17:12,040 Speaker 5: making piles, and if the piles sit for too long 324 00:17:12,119 --> 00:17:16,200 Speaker 5: then they just sort of exist. So I'm really trying 325 00:17:16,200 --> 00:17:21,399 Speaker 5: to work on not letting like a little pile of 326 00:17:21,440 --> 00:17:25,159 Speaker 5: books and papers just sit on the table for no reason, 327 00:17:25,359 --> 00:17:25,560 Speaker 5: you know. 328 00:17:26,160 --> 00:17:27,680 Speaker 2: Yeah, the doom piles. 329 00:17:28,040 --> 00:17:28,280 Speaker 3: Yeah. 330 00:17:28,320 --> 00:17:31,840 Speaker 5: The phrase that I've been sort of using as a 331 00:17:31,880 --> 00:17:35,600 Speaker 5: mantra is don't touch it twice. 332 00:17:35,720 --> 00:17:39,240 Speaker 2: Yeah, I've heard a version of that, which is put 333 00:17:39,960 --> 00:17:43,600 Speaker 2: don't put it down, put it away. There's the same 334 00:17:43,680 --> 00:17:45,560 Speaker 2: kind of thing like don't touch it twice. 335 00:17:46,080 --> 00:17:46,399 Speaker 4: Yeah. 336 00:17:46,440 --> 00:17:48,679 Speaker 5: For some reason, the don't put it down put it away, 337 00:17:48,720 --> 00:17:54,399 Speaker 5: I get there's something about maybe it's the alliteration. I 338 00:17:54,400 --> 00:17:57,640 Speaker 5: don't know, but don't touch it twice is so clear 339 00:17:57,720 --> 00:17:59,960 Speaker 5: to me because then I'm like, well, yeah, then I 340 00:18:00,000 --> 00:18:01,000 Speaker 5: I'm literally. 341 00:18:00,680 --> 00:18:01,720 Speaker 4: Wasting half my time. 342 00:18:02,040 --> 00:18:04,439 Speaker 5: Yeah. If I put this down and then I have 343 00:18:04,480 --> 00:18:07,680 Speaker 5: to put it somewhere else, I've doubled the amount. 344 00:18:07,400 --> 00:18:09,520 Speaker 4: Of time I've had to touch this thing. That's stupid. 345 00:18:10,600 --> 00:18:14,399 Speaker 5: So it helps me just kind of do what I 346 00:18:14,440 --> 00:18:15,480 Speaker 5: need to do a little bit. 347 00:18:17,720 --> 00:18:19,959 Speaker 2: That's so funny. My brain splits it where I'm like, 348 00:18:20,600 --> 00:18:24,080 Speaker 2: I'm okay touching it twice, but the putting it away 349 00:18:24,280 --> 00:18:25,960 Speaker 2: part of it goes, Okay, I'm going to put it 350 00:18:26,000 --> 00:18:29,080 Speaker 2: into the room where it belongs. So I'm only doing so. 351 00:18:29,200 --> 00:18:31,040 Speaker 2: But I think I'm splitting the work in half so 352 00:18:31,080 --> 00:18:33,359 Speaker 2: it doesn't feel like I'm wasting time because it's still 353 00:18:33,359 --> 00:18:34,880 Speaker 2: the same amount of work. I still have to walk 354 00:18:34,880 --> 00:18:38,560 Speaker 2: into that room and put it away, but I'm just 355 00:18:38,600 --> 00:18:42,119 Speaker 2: going to do the putting away part in a separate activity. 356 00:18:42,119 --> 00:18:44,480 Speaker 2: When I'm in that room putting everything away that I 357 00:18:44,520 --> 00:18:45,600 Speaker 2: had put in that room. 358 00:18:45,760 --> 00:18:47,639 Speaker 4: That yeah, that was going to be by question. 359 00:18:47,800 --> 00:18:50,960 Speaker 5: Do you organize sometimes what I do, especially if I've 360 00:18:51,680 --> 00:18:53,520 Speaker 5: you know, been on location and I'm coming home and 361 00:18:53,560 --> 00:18:56,679 Speaker 5: I have all this unpacking to do, I will I 362 00:18:56,720 --> 00:19:01,200 Speaker 5: will do a sort of organize my piles very specifically, 363 00:19:01,240 --> 00:19:04,280 Speaker 5: like all of this is work for office space. All 364 00:19:04,320 --> 00:19:06,479 Speaker 5: of this needs to go in the bathroom, all of 365 00:19:07,119 --> 00:19:09,359 Speaker 5: you know, all of these items of clothing need to 366 00:19:09,400 --> 00:19:11,760 Speaker 5: go on hangers, and then these items of clothing need 367 00:19:11,800 --> 00:19:14,800 Speaker 5: to be folded, and I'll get everything organized like that, 368 00:19:15,160 --> 00:19:18,040 Speaker 5: and then I'll go pile by pile and actually do it. 369 00:19:18,200 --> 00:19:20,240 Speaker 2: Yeah. Yeah, there's a lot of that too. 370 00:19:20,600 --> 00:19:21,560 Speaker 5: Yeah. 371 00:19:21,640 --> 00:19:24,320 Speaker 2: Yeah, well, well I have been keeping my cars pretty clean. 372 00:19:24,359 --> 00:19:26,439 Speaker 2: I have to say that's been one one thing that 373 00:19:26,520 --> 00:19:29,120 Speaker 2: makes life a little bit easier and makes me feel good. 374 00:19:29,119 --> 00:19:31,880 Speaker 2: It's like doing your nails, you know. When my daughter's like, hey, 375 00:19:31,880 --> 00:19:34,080 Speaker 2: can so and so get a ride home? I'm like, yes, 376 00:19:34,200 --> 00:19:36,040 Speaker 2: and I'm not embarrassed. Get in the car. 377 00:19:36,440 --> 00:19:38,840 Speaker 4: Yeah, look at me adult ting. 378 00:19:40,960 --> 00:19:43,560 Speaker 2: Oh thanks friends, thanks for joining us. Yeah, you can't 379 00:19:43,560 --> 00:19:44,600 Speaker 2: wait to see you next week. 380 00:19:44,760 --> 00:19:48,760 Speaker 5: Also, now that we're really down this organizing rabbit hole, 381 00:19:49,440 --> 00:19:51,239 Speaker 5: what are you all doing at home? Send us your 382 00:19:51,240 --> 00:19:53,480 Speaker 5: tips and tricks. I want to know what sort of 383 00:19:53,600 --> 00:19:54,440 Speaker 5: hacks you've. 384 00:19:54,280 --> 00:19:54,880 Speaker 4: Come up with. 385 00:19:55,200 --> 00:19:57,879 Speaker 2: I want a list of all the things you've purchased 386 00:19:57,920 --> 00:20:01,920 Speaker 2: on Amazon or Wayfair or whatever that help you organize. Friends, 387 00:20:02,160 --> 00:20:03,359 Speaker 2: tell us what you're doing. 388 00:20:03,640 --> 00:20:05,640 Speaker 5: Oh, my container store list is very good. 389 00:20:07,080 --> 00:20:09,120 Speaker 2: It's very you can ever go on the container store. 390 00:20:09,760 --> 00:20:10,560 Speaker 2: I check that out. 391 00:20:10,720 --> 00:20:13,520 Speaker 4: Oh, my goodness. 392 00:20:12,720 --> 00:20:15,840 Speaker 5: The container store for me. I love the container Store 393 00:20:15,840 --> 00:20:17,320 Speaker 5: like I love a public library. 394 00:20:17,920 --> 00:20:23,120 Speaker 2: Oh it makes me live so good. Yeah, what makes 395 00:20:23,160 --> 00:20:27,560 Speaker 2: you feel alive? Friends? Tell us tell us you soon. Hey, Hey, 396 00:20:27,600 --> 00:20:28,480 Speaker 2: thanks for listening. 397 00:20:28,600 --> 00:20:30,800 Speaker 5: Don't forget to leave us a review. You can also 398 00:20:30,880 --> 00:20:33,560 Speaker 5: follow us on Instagram at Drama Queen's o. 399 00:20:33,640 --> 00:20:37,840 Speaker 2: T h or email us at Drama Queens at iHeartRadio 400 00:20:37,920 --> 00:20:42,560 Speaker 2: dot com. See you next time. We all about that. 401 00:20:42,600 --> 00:20:43,560 Speaker 4: High school drama. 402 00:20:43,600 --> 00:20:45,399 Speaker 2: Girl, Drama Girl, all about. 403 00:20:45,119 --> 00:20:48,359 Speaker 3: Them high school queens. We'll take you for a ride 404 00:20:48,359 --> 00:20:51,679 Speaker 3: at our comic girl sharing for the right teams. 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