1 00:00:02,080 --> 00:00:05,480 Speaker 1: Welcome back to another exciting episode of Alchemy this I'm 2 00:00:05,519 --> 00:00:09,800 Speaker 1: your host, Kevin polog Yes, that Kevin Pollock. Well, let's 3 00:00:09,800 --> 00:00:11,920 Speaker 1: not get off on the wrong pilm. Okay, No, I 4 00:00:12,119 --> 00:00:14,040 Speaker 1: find it best to get off on the left foot. 5 00:00:14,640 --> 00:00:18,000 Speaker 1: It's easier to claim. But I digress. Hey, before we 6 00:00:18,200 --> 00:00:24,200 Speaker 1: introduce our met firsts our alchemists, let's let's uh, speaking 7 00:00:24,239 --> 00:00:28,880 Speaker 1: of getting off, let's give congratulations to our very un Vanessa, right, 8 00:00:32,320 --> 00:00:36,520 Speaker 1: who has given birth to a beautiful baby girl whose name, 9 00:00:36,600 --> 00:00:42,280 Speaker 1: oddly is Joey Greer. Yeah, well, of course you do. 10 00:00:42,400 --> 00:00:45,960 Speaker 1: I think it's a great name. Alright, Speaking of which, 11 00:00:46,200 --> 00:00:48,600 Speaker 1: lets we start the show. Stick out your tongue because 12 00:00:48,680 --> 00:00:52,880 Speaker 1: Joey grahams here, one bagel and a Greer schmer. Please, 13 00:00:53,200 --> 00:00:56,920 Speaker 1: what would you do right now after winning a one 14 00:00:57,000 --> 00:01:01,080 Speaker 1: million dollar lottery? What's the first thing to do? Um? Oh, 15 00:01:01,200 --> 00:01:04,280 Speaker 1: ship under your head? Uh, let's blow it all cocked. 16 00:01:04,600 --> 00:01:08,000 Speaker 1: Let's blow it all right. I was by undershirts unders 17 00:01:11,000 --> 00:01:17,680 Speaker 1: how many million dollars? Then you'd sell them? No life, 18 00:01:17,959 --> 00:01:20,360 Speaker 1: lifetime you can change your shirt every single day and 19 00:01:20,400 --> 00:01:22,080 Speaker 1: have a brand new one. No, I'd wear the one 20 00:01:22,160 --> 00:01:26,800 Speaker 1: till it's done. Because you were raised properly, gonna have 21 00:01:26,840 --> 00:01:29,480 Speaker 1: an amen, because the good Reverend Heney has the floor 22 00:01:29,840 --> 00:01:32,880 Speaker 1: Reverend Jim and Tammy fame. How would you like to 23 00:01:32,920 --> 00:01:36,920 Speaker 1: be greeted at the pearly gates with an acceptance letter 24 00:01:39,200 --> 00:01:43,399 Speaker 1: like a former letter? Well like que the door opening 25 00:01:43,520 --> 00:01:47,240 Speaker 1: and that's a good sign. That's a real good sign. Envelope. 26 00:01:50,080 --> 00:01:53,840 Speaker 1: Hey there's Craig Kakowski Ko. What's your earliest memory of 27 00:01:53,880 --> 00:01:58,480 Speaker 1: your Halloween costume? And why were you crying? Probably because 28 00:01:58,480 --> 00:02:01,280 Speaker 1: it was a store bought Luke ska Walker, which was 29 00:02:01,320 --> 00:02:04,360 Speaker 1: like a plastic bib with a picture of Luke Skywalker on. 30 00:02:04,680 --> 00:02:08,680 Speaker 1: That's not really a costume. A costume. Walker doesn't wear 31 00:02:08,760 --> 00:02:12,040 Speaker 1: a picture of himself. Yeah, you went out as propaganda? Yes, 32 00:02:13,200 --> 00:02:17,320 Speaker 1: and last but may disease camel make cocon your cuscush 33 00:02:17,400 --> 00:02:21,639 Speaker 1: If you think of leash, it's mark Hello, gagster riches 34 00:02:22,160 --> 00:02:26,560 Speaker 1: uh today appropriately? What would your name be if you 35 00:02:26,600 --> 00:02:30,960 Speaker 1: were a super popular porn star? Um? Is this one 36 00:02:30,960 --> 00:02:32,360 Speaker 1: of those ones where I have to use like my 37 00:02:32,440 --> 00:02:35,600 Speaker 1: street name and all that because necessarily because if I 38 00:02:35,639 --> 00:02:38,320 Speaker 1: did that version, as I found out in middle school, 39 00:02:38,360 --> 00:02:44,720 Speaker 1: my porn name would be thunder Pounds, right, always so great. 40 00:02:44,720 --> 00:02:46,280 Speaker 1: I don't know. I don't know. My dog was named 41 00:02:46,280 --> 00:02:49,680 Speaker 1: thunder My in. The maiden name in my family was Pounds. 42 00:02:49,840 --> 00:02:57,280 Speaker 1: Mine is Rascal willow Brook. Let's go around. That's soft 43 00:02:57,320 --> 00:03:01,120 Speaker 1: core to me. Yeah, anybody else want to be Sarah 44 00:03:01,160 --> 00:03:10,839 Speaker 1: South Sarah Bummer? Please, that's very Chicago, it is. Let's 45 00:03:10,840 --> 00:03:17,840 Speaker 1: see Allegriano South of the Buddher. Let's all right, let's 46 00:03:17,880 --> 00:03:21,079 Speaker 1: get to our first scene. All of today's scene suggestions 47 00:03:21,120 --> 00:03:23,160 Speaker 1: are gathered from our listener emails. If you'd like to 48 00:03:23,200 --> 00:03:26,440 Speaker 1: submit yours, please write to the podcast at your name 49 00:03:26,560 --> 00:03:29,280 Speaker 1: here at alchemy this dot com. That's your name here 50 00:03:29,760 --> 00:03:33,400 Speaker 1: at alchemy this dot com. Our first team comes to 51 00:03:33,600 --> 00:03:37,240 Speaker 1: us from Angelique, who wrote, I work in a greenhouse 52 00:03:37,360 --> 00:03:39,920 Speaker 1: eight hours a day listening to garbage until your new 53 00:03:39,960 --> 00:03:44,360 Speaker 1: episode is released? What does that sound like? Garbage? Here 54 00:03:44,480 --> 00:03:48,440 Speaker 1: is a real challenge. A bunch of backwoods moonshiners are 55 00:03:48,480 --> 00:03:51,440 Speaker 1: trying a new recipe. They don't realize how potent it is, 56 00:03:51,840 --> 00:03:55,080 Speaker 1: and all black out. They wake up, only to find 57 00:03:55,160 --> 00:04:02,600 Speaker 1: out they've somehow become secret agents that could have gone anywhere. Yeah, 58 00:04:02,680 --> 00:04:07,440 Speaker 1: I was almost worried. I'm worried now. I pray my 59 00:04:07,600 --> 00:04:10,760 Speaker 1: cackle is heard across the whole forty two acres of greenhouse. 60 00:04:10,880 --> 00:04:15,280 Speaker 1: That's a big green Dear Lord, much love, Angelique Savoy. 61 00:04:17,600 --> 00:04:21,440 Speaker 1: You won't shape out the short all right. I thought 62 00:04:21,480 --> 00:04:23,600 Speaker 1: you're gonna witness the whole thing. Oh come on, I 63 00:04:23,720 --> 00:04:26,400 Speaker 1: want to make sport out. Good night's clean and clear 64 00:04:26,560 --> 00:04:30,520 Speaker 1: and that nic that's real, nice shipper, good hanky. You 65 00:04:30,640 --> 00:04:32,840 Speaker 1: won't good at this. Oh here, of course I want 66 00:04:32,880 --> 00:04:36,920 Speaker 1: to get some of that fire cook taking big old 67 00:04:37,040 --> 00:04:41,520 Speaker 1: stiff one and pass it over to Jingle. Jingle, you 68 00:04:41,640 --> 00:04:45,479 Speaker 1: gotta give something to Jangle. Go on now, Jangle wants zip, 69 00:04:46,200 --> 00:04:49,560 Speaker 1: buddy Dangle. Just take a sip. Okay, Jingle gonna take 70 00:04:49,600 --> 00:04:52,520 Speaker 1: a sit up right now? When did Jingle start talking 71 00:04:52,560 --> 00:04:57,440 Speaker 1: to him? Just to Jangle? Just sip Jingle minds. Jingle's 72 00:04:57,480 --> 00:05:00,400 Speaker 1: own business, and you should do the same, all right, Jingle, 73 00:05:00,400 --> 00:05:03,960 Speaker 1: I don't want to saying anything about Yeah, that's a 74 00:05:04,000 --> 00:05:10,440 Speaker 1: good plause. Oh that's good. Take a poll, Stinky, I 75 00:05:10,560 --> 00:05:14,960 Speaker 1: don't know about this fellas. You come on, work What 76 00:05:15,080 --> 00:05:18,160 Speaker 1: works for Jingle ain't necessarily gonna work for old Stinky. 77 00:05:18,520 --> 00:05:20,640 Speaker 1: Come on now, ain't trying to peer pressure. No, I 78 00:05:20,720 --> 00:05:22,640 Speaker 1: mean it feels like a peer pressure and me it's 79 00:05:22,680 --> 00:05:24,720 Speaker 1: one of them situations like I've seen in the movie 80 00:05:24,800 --> 00:05:27,480 Speaker 1: where like the one kid doesn't want the marijuana, but 81 00:05:27,600 --> 00:05:29,640 Speaker 1: all the other kids at the party having hold on 82 00:05:29,760 --> 00:05:36,880 Speaker 1: the same. Look fellas, I ain't I don't want to 83 00:05:37,080 --> 00:05:39,680 Speaker 1: discuss semantics, but what we are doing in this day 84 00:05:39,680 --> 00:05:43,080 Speaker 1: and age is significantly more illegal. Then come on, come 85 00:05:43,600 --> 00:05:47,080 Speaker 1: all right, and and ceramics get nothing to do that. 86 00:05:47,240 --> 00:05:50,800 Speaker 1: Here's the truth of the matter. We gather every day 87 00:05:50,960 --> 00:05:53,679 Speaker 1: like this, and we passed the jug. We come around 88 00:05:53,760 --> 00:05:56,120 Speaker 1: to you, and you've got some kind of excuses to 89 00:05:56,240 --> 00:06:00,320 Speaker 1: not take a poll. Well, jingles one room while you 90 00:06:00,440 --> 00:06:02,479 Speaker 1: don't take your You want to know I don't take 91 00:06:02,520 --> 00:06:07,800 Speaker 1: a pull. It's what happens when I drink moonshine, blackout. Terrible, 92 00:06:08,000 --> 00:06:13,160 Speaker 1: terrible things happen. All right, fine, I'll drink it right 93 00:06:13,240 --> 00:06:17,040 Speaker 1: now and something good, maybe it'll happen. Are something bad's 94 00:06:17,040 --> 00:06:19,720 Speaker 1: gonna happen. By the way, it's gonna make a couple 95 00:06:19,839 --> 00:06:22,960 Speaker 1: more spins around the circle here, So I don't know 96 00:06:23,040 --> 00:06:25,400 Speaker 1: how strong is it. We might all black out after one. 97 00:06:25,640 --> 00:06:29,160 Speaker 1: I am the way it's gonna happen. Just take a sip, 98 00:06:29,279 --> 00:06:37,040 Speaker 1: stinking right. No, that's a good one. Easy. Does what 99 00:06:37,240 --> 00:06:43,760 Speaker 1: you do? Girl? Shrinking the rift of the joke? Well, 100 00:06:43,800 --> 00:06:46,080 Speaker 1: that's why you black out, stinking this is what happened. 101 00:06:46,200 --> 00:06:53,840 Speaker 1: That's good news. I got another judge. I don't feel 102 00:06:53,920 --> 00:06:59,800 Speaker 1: so good. You know you're taking one of you're drinking 103 00:07:01,200 --> 00:07:06,159 Speaker 1: gerber gerber? How much that jug you drink? I can't 104 00:07:06,279 --> 00:07:19,760 Speaker 1: feel my face Just backwash maner jug kind. He's drinking 105 00:07:19,760 --> 00:07:37,120 Speaker 1: the whole thing too. Please, h one, this was holy 106 00:07:38,400 --> 00:07:41,800 Speaker 1: not not all of it went in his mouth? Much 107 00:07:42,160 --> 00:07:45,320 Speaker 1: gonna say very little? How did any of that get 108 00:07:45,400 --> 00:07:50,520 Speaker 1: in your mouth? Swallowed? Almost almost? That's what the cows? 109 00:07:50,640 --> 00:07:53,800 Speaker 1: So all right, jingle is gonna nurse hiss like a 110 00:07:53,960 --> 00:08:03,320 Speaker 1: fine sip in tequila. Give me that. Let me ten 111 00:08:03,400 --> 00:08:12,920 Speaker 1: hours later? God, what did we do? Wait? What the hell? 112 00:08:12,960 --> 00:08:14,920 Speaker 1: What the hell am I wearing a suit? Why are 113 00:08:15,040 --> 00:08:18,920 Speaker 1: you where we all get these suits? The hill? Wait 114 00:08:18,960 --> 00:08:21,800 Speaker 1: a minute, look out the window. They're dripping on the 115 00:08:21,880 --> 00:08:24,280 Speaker 1: other side of the road. Window. I thought we were 116 00:08:24,320 --> 00:08:28,000 Speaker 1: in the woods. What the hell? Not not only are 117 00:08:28,040 --> 00:08:29,680 Speaker 1: we in a building, but we're in a building in 118 00:08:29,760 --> 00:08:34,000 Speaker 1: another country. Oh, how can we tell it's another Because 119 00:08:34,040 --> 00:08:36,720 Speaker 1: you're drowning on the road side of the room. Maybe 120 00:08:36,760 --> 00:08:38,880 Speaker 1: we're on the other side of a building. He's got 121 00:08:38,960 --> 00:08:41,079 Speaker 1: a good boy. We can be on the wrong side 122 00:08:41,120 --> 00:08:44,040 Speaker 1: of the building. Oh man, oh god, I can't be 123 00:08:44,160 --> 00:08:47,280 Speaker 1: in the city. I'm a woods guy. I don't do this. 124 00:08:47,480 --> 00:08:49,320 Speaker 1: You don't look like a woods guy in that suit. 125 00:08:49,679 --> 00:08:52,520 Speaker 1: You look like a city man in that suit. Me 126 00:08:52,679 --> 00:08:58,440 Speaker 1: jenem and I'm so sorry. My name is Agent two, 127 00:08:59,040 --> 00:09:04,920 Speaker 1: Agent two two like the number. That's exactly right, Agent two, 128 00:09:05,080 --> 00:09:10,760 Speaker 1: as in the number between one and three. I'm confused 129 00:09:10,840 --> 00:09:13,920 Speaker 1: how you wind up being agent too. I can't imagine 130 00:09:14,000 --> 00:09:18,160 Speaker 1: you being anything but confused given your current situation. So 131 00:09:18,240 --> 00:09:24,040 Speaker 1: why don't I begin the explanations? Now? Your name formerly 132 00:09:24,280 --> 00:09:29,360 Speaker 1: stinky and is now Agent three hundred four, three hundred 133 00:09:29,360 --> 00:09:32,960 Speaker 1: and four. They're quite a few of us, and you, sir, 134 00:09:33,120 --> 00:09:37,360 Speaker 1: I believe, went by the handled Jingle Jangles Jingle's name, right, 135 00:09:37,720 --> 00:09:40,200 Speaker 1: You're going to have to work on that. Your agent 136 00:09:40,240 --> 00:09:45,480 Speaker 1: three hundred and seven, three oh seven three away? Does 137 00:09:45,520 --> 00:09:47,760 Speaker 1: that make me three away? Its three or four? And 138 00:09:47,800 --> 00:09:50,880 Speaker 1: they went to three? Oh so wan the number. I'm sorry, 139 00:09:51,040 --> 00:09:54,240 Speaker 1: you're actually what formerly was your name? I'm trying to 140 00:09:54,320 --> 00:09:57,840 Speaker 1: find it in the records. I don't see red Rick 141 00:09:59,360 --> 00:10:05,559 Speaker 1: Red Yeah, your agent nine hundred four four yes, yes, yes. 142 00:10:05,880 --> 00:10:12,520 Speaker 1: And lastly, Calm Doll, Calm Doll, let's see Calm Doll. Ah, 143 00:10:15,400 --> 00:10:19,880 Speaker 1: that's my name is that's too Oh sorry, you're still 144 00:10:19,920 --> 00:10:26,439 Speaker 1: agent in training. You haven't been assigned in number agents, 145 00:10:26,640 --> 00:10:32,400 Speaker 1: just an agent training. Wait a minute, agents. The seven 146 00:10:32,600 --> 00:10:40,840 Speaker 1: is confused. Part of her Majesty's secret the sectional character 147 00:10:40,960 --> 00:10:46,719 Speaker 1: of James Bond w seven year. Yeah, that's none you 148 00:10:46,800 --> 00:10:51,600 Speaker 1: like the Timothy Dalton. Yes, there are group meetings. There 149 00:10:51,640 --> 00:10:55,360 Speaker 1: are seven of you actually in the world. You meet 150 00:10:55,400 --> 00:10:57,400 Speaker 1: on Thursdays if you'd like to gather and speak to 151 00:10:57,480 --> 00:11:01,839 Speaker 1: others of Timothy don't. Did we time travel back to 152 00:11:01,920 --> 00:11:05,959 Speaker 1: the times of kings and queens if there's a Majesty, No, 153 00:11:06,160 --> 00:11:12,319 Speaker 1: there's currently a royal family. It traveled. Now, you traveled 154 00:11:12,360 --> 00:11:15,920 Speaker 1: a great distance, that's true, but not tough timescially a 155 00:11:16,040 --> 00:11:19,599 Speaker 1: great distance I assume just across the sea, right, you 156 00:11:19,679 --> 00:11:23,400 Speaker 1: pretty much did hop the pond. Yes, that's the extent 157 00:11:23,480 --> 00:11:26,959 Speaker 1: of it. I'm real confused, Like, how did I don't 158 00:11:27,000 --> 00:11:30,079 Speaker 1: remember anything where we asleep when we got on the plane. Well, 159 00:11:30,160 --> 00:11:35,520 Speaker 1: here's a story you're more familiar with, given your geographic locations, 160 00:11:35,640 --> 00:11:37,959 Speaker 1: where you all came from, where you were raised. You 161 00:11:38,160 --> 00:11:41,560 Speaker 1: have friends in the village, in the marketplace. Talk about 162 00:11:41,640 --> 00:11:56,520 Speaker 1: alien the ducttions. Yeah, that's that's us secret. Well alien 163 00:11:56,559 --> 00:12:00,320 Speaker 1: in the sense that I'm not American. Yeah, alien hate 164 00:12:00,360 --> 00:12:04,040 Speaker 1: that kind of alien. Right. Well, if I may, I'm 165 00:12:04,080 --> 00:12:05,920 Speaker 1: gonna get you. You're sort of a chip off the 166 00:12:06,000 --> 00:12:09,880 Speaker 1: old block. If you know what I'm saying. You were 167 00:12:10,000 --> 00:12:15,000 Speaker 1: the dismissed cousin America number two. I got a question 168 00:12:15,080 --> 00:12:17,439 Speaker 1: for you. What is it three or them? And and 169 00:12:17,520 --> 00:12:21,640 Speaker 1: our time is in our very brief time, very brief. 170 00:12:21,840 --> 00:12:23,760 Speaker 1: Wait a minute, now, I got two questions for you. 171 00:12:23,920 --> 00:12:27,080 Speaker 1: Question one is how long were we out? Uh? Sixty 172 00:12:27,400 --> 00:12:34,160 Speaker 1: two hours hours? That's almost a year. Holy god, oh 173 00:12:34,280 --> 00:12:39,319 Speaker 1: my god. Didn't we do anything real dangerous and cool? Yet? No, 174 00:12:39,600 --> 00:12:43,600 Speaker 1: you've pretty much been out and then clothed. I mean, 175 00:12:43,679 --> 00:12:46,600 Speaker 1: this suit could not be more finely tailored. It really 176 00:12:46,679 --> 00:12:51,640 Speaker 1: does look nice. It is comfortable from top man. From 177 00:12:52,120 --> 00:12:55,120 Speaker 1: did you see top man top man? That's clever. No, 178 00:12:55,400 --> 00:13:01,760 Speaker 1: you see the Her Majesty's secret her right, the Queen mom, 179 00:13:02,440 --> 00:13:04,560 Speaker 1: the queen, not the Queen, the Queen mum. So you're 180 00:13:04,600 --> 00:13:08,520 Speaker 1: saying that somebody has the CIA's knocks list and we 181 00:13:08,640 --> 00:13:11,559 Speaker 1: gotta find it. Is that, right, listen, trainee, let me 182 00:13:11,679 --> 00:13:14,959 Speaker 1: ask this question. So now we've we've given more proof 183 00:13:15,000 --> 00:13:17,520 Speaker 1: as to why you have been assigned numb hold on. 184 00:13:17,640 --> 00:13:19,319 Speaker 1: I just want to know. Do I have to get 185 00:13:19,360 --> 00:13:23,400 Speaker 1: a team together over and steal some stuff from Langley? 186 00:13:23,880 --> 00:13:26,400 Speaker 1: Is that what I gotta do? No? No, no, we're 187 00:13:26,440 --> 00:13:29,000 Speaker 1: still allies with America, all right? Because look if I 188 00:13:29,040 --> 00:13:30,840 Speaker 1: got to get a correct team of one guy who 189 00:13:30,920 --> 00:13:34,839 Speaker 1: knows how did computers, another French guy who's good with knives, right, 190 00:13:35,080 --> 00:13:37,560 Speaker 1: and I gotta get everyone together, and then I gotta 191 00:13:37,600 --> 00:13:40,040 Speaker 1: find out why my team died. Do you think we 192 00:13:40,160 --> 00:13:44,480 Speaker 1: got put into the Impossible mission force? I don't know, man, 193 00:13:44,559 --> 00:13:47,079 Speaker 1: I'm spit on here all right. Apparently I have a trainee, 194 00:13:47,160 --> 00:13:49,719 Speaker 1: but I don't want to, you know, miss anything. I'm 195 00:13:49,760 --> 00:13:51,959 Speaker 1: here to answer all your questions. And the answer to 196 00:13:52,040 --> 00:13:55,360 Speaker 1: your first one is you will be assembling new one. Okay? 197 00:13:55,480 --> 00:14:00,400 Speaker 1: Oh crazy? So I'm making a robot then? Not yet? Also, 198 00:14:00,520 --> 00:14:07,800 Speaker 1: we had a fifth friend. Good news, he's been sent 199 00:14:07,880 --> 00:14:12,360 Speaker 1: out on his first mission. Now I'm knock on, just 200 00:14:12,559 --> 00:14:18,559 Speaker 1: knock on the door. Okay, who is it? What do 201 00:14:18,679 --> 00:14:22,240 Speaker 1: I say? Just tell I'm not opening the door. The door. 202 00:14:22,760 --> 00:14:26,720 Speaker 1: The butterfly sings. The butterfly sings only when the wing 203 00:14:26,840 --> 00:14:29,000 Speaker 1: that's the ground, touch the ground, so the sounds. So 204 00:14:29,160 --> 00:14:31,120 Speaker 1: the sound goes all the way up, goes all the 205 00:14:31,120 --> 00:14:33,160 Speaker 1: way up, touch it down, touch it down, and no 206 00:14:33,280 --> 00:14:37,880 Speaker 1: one knows no on the whisper. Whisper goes all the way. 207 00:14:39,920 --> 00:14:41,760 Speaker 1: It sounds like there's two people out there. I'm not 208 00:14:41,840 --> 00:14:44,920 Speaker 1: opening the goddamn door. You're supposed to come alone all 209 00:14:45,000 --> 00:14:48,000 Speaker 1: the way. Let me finish. Okay, here dies the person 210 00:14:48,080 --> 00:14:50,720 Speaker 1: start from the beginning, and I'm not finished yet. Okay, 211 00:14:56,680 --> 00:15:01,440 Speaker 1: are you finished? That's something? Hey, I gotta go. Okay, 212 00:15:01,520 --> 00:15:03,520 Speaker 1: I gotta go. I gotta go. And I opened the door. 213 00:15:03,600 --> 00:15:07,960 Speaker 1: If there's another person out there, I'm gonna kill you. Yeah, 214 00:15:08,000 --> 00:15:10,920 Speaker 1: no one else out here. I'm gonna I mean I 215 00:15:11,080 --> 00:15:14,360 Speaker 1: have I'm opening the door in my hand for the 216 00:15:14,440 --> 00:15:18,400 Speaker 1: money is for you. Be nobody else there, No, sir, 217 00:15:18,600 --> 00:15:21,640 Speaker 1: don't spend it anywhere. Okay, well, just don't spend it 218 00:15:21,640 --> 00:15:27,200 Speaker 1: anywere don't spend Who are you? That's my shadow? Okay, 219 00:15:27,240 --> 00:15:29,720 Speaker 1: well come in quick before the shadow follows you. Okay, Hey, 220 00:15:30,040 --> 00:15:32,760 Speaker 1: what goes on in here? What goes on? And have fun? 221 00:15:33,440 --> 00:15:36,560 Speaker 1: Who was that my shadow? All right, well, we do 222 00:15:36,600 --> 00:15:38,360 Speaker 1: a lot of drugs. When we'll make the drugs over 223 00:15:38,400 --> 00:15:41,160 Speaker 1: in this corner over here, we'll package the drugs in 224 00:15:41,200 --> 00:15:45,400 Speaker 1: this corner. Here, we market the drugs in this corner 225 00:15:45,520 --> 00:15:48,560 Speaker 1: over here, in this final corner, we just send it 226 00:15:48,600 --> 00:15:52,480 Speaker 1: out to these These are our salesman. Alright, guys, now 227 00:15:52,560 --> 00:15:58,480 Speaker 1: we'll focus up because when we're selling drugs, we're selling drugs, right, okay, 228 00:15:58,560 --> 00:16:01,920 Speaker 1: Well the things driving me crazy? Andy, okay, Tom, okay, 229 00:16:02,000 --> 00:16:04,280 Speaker 1: now great, just come up here. Tell me how if 230 00:16:04,280 --> 00:16:05,640 Speaker 1: I was a guy who wanted drugs that would you 231 00:16:05,680 --> 00:16:08,360 Speaker 1: tell them me? Hey, would you like to purchase some 232 00:16:08,440 --> 00:16:10,760 Speaker 1: drugs from me? Alright? Anyone know what was wrong about that? 233 00:16:11,280 --> 00:16:14,440 Speaker 1: He used the wood drugs? Okay, good, good point, But 234 00:16:14,480 --> 00:16:19,360 Speaker 1: there's a major issue. He engaged in the selling of them. 235 00:16:20,040 --> 00:16:24,160 Speaker 1: Very very good. I don't think I know you. Who 236 00:16:24,200 --> 00:16:28,760 Speaker 1: are what's your name? Keith? Keith? Keith? Very nice suit. 237 00:16:29,200 --> 00:16:34,120 Speaker 1: Uh yeah, So because this guy wants to sell to 238 00:16:34,240 --> 00:16:37,520 Speaker 1: the high class, that's rat I'm here to represent the reach. 239 00:16:38,240 --> 00:16:40,240 Speaker 1: Wait a minute, why's he got that ere piece in? 240 00:16:40,400 --> 00:16:43,080 Speaker 1: Then maybe he's deaf? Are you deaf? No? I got 241 00:16:43,160 --> 00:16:48,880 Speaker 1: you security out? All right? Well, sub coda fucking norc 242 00:16:50,280 --> 00:16:53,360 Speaker 1: are you sub called to fucking noc not some kind 243 00:16:53,400 --> 00:16:59,880 Speaker 1: of fucking no? No, we called accaid. He's a bro. 244 00:17:00,760 --> 00:17:05,560 Speaker 1: I mean, you know, I'm from Kentucky, so sometimes slip 245 00:17:05,640 --> 00:17:07,480 Speaker 1: out and in and out of Kentucky because I'm not 246 00:17:07,680 --> 00:17:10,560 Speaker 1: completely proud necessarily. Now do you see the division that's 247 00:17:10,600 --> 00:17:14,320 Speaker 1: happening within the within the sales scene? Do you feel that? Yeah? 248 00:17:14,720 --> 00:17:18,160 Speaker 1: I like being accused. That's cool. Let's stay cohesive. Yeah, 249 00:17:18,640 --> 00:17:22,040 Speaker 1: because we gotta hit these quotas. Who quotas for this? 250 00:17:22,320 --> 00:17:26,600 Speaker 1: U cool? Okay? Our quotas right now for selling cocaine? Yeah, 251 00:17:27,280 --> 00:17:29,280 Speaker 1: we gotta move about two. We were going to use 252 00:17:29,359 --> 00:17:32,600 Speaker 1: code words, okay, okay, okay, so instead of cocaine, we're 253 00:17:32,680 --> 00:17:36,200 Speaker 1: using white powder? Right? Is that good? Or it was 254 00:17:36,200 --> 00:17:42,040 Speaker 1: a little on the nose? Alright? All right? All right? 255 00:17:43,720 --> 00:17:46,159 Speaker 1: I love that. See we can have fun. We can 256 00:17:46,240 --> 00:17:49,160 Speaker 1: have fun. Anybody have any Okay, who wants Let's put 257 00:17:49,240 --> 00:17:51,520 Speaker 1: up some code names for cocaine. Huh, what do we got? 258 00:17:51,600 --> 00:17:54,800 Speaker 1: What do we got? I liked I've always like yeah, yo, 259 00:17:55,160 --> 00:18:02,480 Speaker 1: yeah yo one buggers cool. Yeah, how about some but 260 00:18:02,800 --> 00:18:07,080 Speaker 1: but but number number stuff that not? Do we not 261 00:18:07,240 --> 00:18:10,440 Speaker 1: like that but stuff? I mean I like it, but 262 00:18:10,680 --> 00:18:14,320 Speaker 1: I don't know if I would call it cocaine. Okay, okay, 263 00:18:14,600 --> 00:18:19,280 Speaker 1: fair but stuff anything else? Um, just tapping on the nose. 264 00:18:19,520 --> 00:18:24,000 Speaker 1: Tapping on the nose, right, I find that to be helpful. Yeah, 265 00:18:24,040 --> 00:18:27,680 Speaker 1: I mean, I'm I'm pretty sure Gerbert's fine, right, guys. 266 00:18:30,600 --> 00:18:34,320 Speaker 1: He's in the field, so he's all right. He has 267 00:18:34,359 --> 00:18:36,960 Speaker 1: plenty of support in the field, okay, because you know, 268 00:18:37,040 --> 00:18:40,480 Speaker 1: we're stuck together for a long time. I mean, we're family, 269 00:18:40,560 --> 00:18:42,479 Speaker 1: and we don't like the idea that one of our 270 00:18:42,520 --> 00:18:44,879 Speaker 1: famili has been Oh no, we'll give you progress reports 271 00:18:44,880 --> 00:18:47,160 Speaker 1: as they came in. But I needed this point though. 272 00:18:49,880 --> 00:18:51,520 Speaker 1: We all got knocked in our heads and forgot our 273 00:18:51,560 --> 00:18:54,120 Speaker 1: training and somehow we are just left to the wilderness 274 00:18:54,160 --> 00:18:56,120 Speaker 1: and we gotta piece things together and they get back 275 00:18:56,160 --> 00:18:59,440 Speaker 1: to CIA in Langley. Are the three of you surprised 276 00:18:59,480 --> 00:19:04,440 Speaker 1: at all that still a trainee as the ranking three 277 00:19:04,520 --> 00:19:08,040 Speaker 1: oh four on this family here? Uh, I'm I'm pretty 278 00:19:08,119 --> 00:19:11,879 Speaker 1: comfortable with him still being a trainee. Okay, good, I mean, honestly, 279 00:19:11,920 --> 00:19:13,520 Speaker 1: me too. If I'm not ready, I ain't ready, but 280 00:19:13,520 --> 00:19:15,440 Speaker 1: I just want to make sure I got it down. Yeah, 281 00:19:15,480 --> 00:19:18,879 Speaker 1: you definitely got it down, and you're not ready. So 282 00:19:19,000 --> 00:19:21,639 Speaker 1: I just need one quick thing. I'll go around quickly 283 00:19:22,000 --> 00:19:27,199 Speaker 1: answer as as the first thing that pops into your head. Alright, ready, alright, 284 00:19:27,359 --> 00:19:30,359 Speaker 1: three or four, We'll start with you. If I said yellow, 285 00:19:30,520 --> 00:19:41,680 Speaker 1: you'd say river, very good, pink, what perfect green in 286 00:19:42,920 --> 00:19:46,600 Speaker 1: uh huh? And the trainee. Finally, if I say black, 287 00:19:46,960 --> 00:19:58,840 Speaker 1: you say, all right, man, I was just fucking with 288 00:19:58,960 --> 00:20:03,840 Speaker 1: you this time. We know that we got to give 289 00:20:03,840 --> 00:20:07,160 Speaker 1: the badges back. No, no, no, no, there's no reason 290 00:20:07,200 --> 00:20:10,960 Speaker 1: to give the badges back. Your majesty, Your majesty, Your majesty, 291 00:20:12,359 --> 00:20:15,960 Speaker 1: what farting in on me and my private chambers. I'm sorry, 292 00:20:15,960 --> 00:20:19,600 Speaker 1: your majesty. We just have an Asians who are in 293 00:20:19,680 --> 00:20:24,600 Speaker 1: your service some what Asans in your lovers? Yes? Right, 294 00:20:24,640 --> 00:20:26,440 Speaker 1: I know I've always had agents in my service. What 295 00:20:26,520 --> 00:20:30,639 Speaker 1: did you do? The problem with these just irresponsible? They 296 00:20:30,680 --> 00:20:32,280 Speaker 1: are not able to be molded into the thing that 297 00:20:32,359 --> 00:20:33,560 Speaker 1: we need for them to do. Or you don't know 298 00:20:33,680 --> 00:20:36,680 Speaker 1: what I'm saying. Look, there's there's several operatives in the 299 00:20:36,760 --> 00:20:39,480 Speaker 1: field at the moment right now that have invaded a 300 00:20:39,600 --> 00:20:44,640 Speaker 1: drug smuggling cartail within London. Right, We've been invading drug 301 00:20:44,760 --> 00:20:47,160 Speaker 1: smuggling cartels in London for a long time. I don't 302 00:20:47,200 --> 00:20:49,040 Speaker 1: see what the problem is with this forever reason to 303 00:20:49,080 --> 00:20:52,000 Speaker 1: believe that one of the operators have been turned turned 304 00:20:52,000 --> 00:20:58,720 Speaker 1: into a turned into into a toad, like into a 305 00:20:58,800 --> 00:21:02,240 Speaker 1: drug dealer. Yes, yeah, they've they've turned into this penally. 306 00:21:02,280 --> 00:21:04,240 Speaker 1: The streets had been flattered with some kind of shine. 307 00:21:05,280 --> 00:21:09,200 Speaker 1: Oh well, well we must do something to neutralize. And 308 00:21:09,240 --> 00:21:11,280 Speaker 1: if we're going to do anything, you know, it's send 309 00:21:11,320 --> 00:21:13,359 Speaker 1: in those new agents three or four, three oh seven 310 00:21:13,480 --> 00:21:16,399 Speaker 1: nineties something or other and that trainee. Have them go 311 00:21:16,600 --> 00:21:19,680 Speaker 1: kill that one showing the trainee IM and the train 312 00:21:20,080 --> 00:21:21,959 Speaker 1: let the trainee, you know, we just bring the trainee 313 00:21:21,960 --> 00:21:31,000 Speaker 1: to me. I'm afraid we're out of time. Maybe we 314 00:21:31,080 --> 00:21:36,159 Speaker 1: can come back to that one day. Oh please, I 315 00:21:36,240 --> 00:21:38,560 Speaker 1: want to just meet the trainees somewhere down the line yet, 316 00:21:42,840 --> 00:21:46,560 Speaker 1: are scene to come from? Jeremy Johnson who I was 317 00:21:46,600 --> 00:21:50,120 Speaker 1: listening to you on a run in a not yet 318 00:21:50,240 --> 00:21:54,520 Speaker 1: springtime Minnesota when an idea hit me. An aspiring actress, 319 00:21:54,880 --> 00:21:56,840 Speaker 1: Well that's going to be a good one today. Aspiring 320 00:21:56,840 --> 00:21:59,520 Speaker 1: actress who couldn't quite cut. It turned to be a 321 00:21:59,680 --> 00:22:03,919 Speaker 1: nine on one operator. She never quite kicked the performing bug, however, 322 00:22:04,040 --> 00:22:09,359 Speaker 1: and uses her calls as her personal spotlight. She behaves 323 00:22:09,400 --> 00:22:13,560 Speaker 1: in a manner of inappropriate um to her present job, 324 00:22:13,680 --> 00:22:17,760 Speaker 1: more appropriate to the theater, but wildly not terribly helpful 325 00:22:17,800 --> 00:22:19,760 Speaker 1: to others. Keep up a good work and make it 326 00:22:19,800 --> 00:22:23,400 Speaker 1: look so damn crazy and fun. I left to myself 327 00:22:23,480 --> 00:22:27,719 Speaker 1: on my trip through Italy. Well done, Jeremy Johnson. Uh 328 00:22:28,000 --> 00:22:31,760 Speaker 1: so glad. As you understand, we've had some some complaints. 329 00:22:32,560 --> 00:22:35,320 Speaker 1: I don't understand how a single complaint can be coming. 330 00:22:35,480 --> 00:22:39,719 Speaker 1: I'm let me play this tape back for you, okay, 331 00:22:40,080 --> 00:22:44,080 Speaker 1: Oh sure, Oh god, oh God, help me please? I 332 00:22:44,240 --> 00:22:48,480 Speaker 1: wish I could. How much danger are you in? I 333 00:22:48,520 --> 00:22:50,239 Speaker 1: don't know. I'm looking to close it right now here. 334 00:22:50,880 --> 00:22:58,520 Speaker 1: I'm scared to know if I feel safe. They're probably 335 00:22:58,520 --> 00:23:02,320 Speaker 1: outside of my dorgree. You're pretty Oh my god, he's 336 00:23:02,320 --> 00:23:06,200 Speaker 1: talking about my doll collection. Hopefully talk about talking about me, 337 00:23:08,240 --> 00:23:11,280 Speaker 1: pretty pretty doll. He's pretty talking about please just said 338 00:23:13,280 --> 00:23:20,160 Speaker 1: and seen. Okay, So as you can see, h you're 339 00:23:20,240 --> 00:23:22,280 Speaker 1: not being as helpful as we thought you might be 340 00:23:22,400 --> 00:23:25,000 Speaker 1: when we hired you. You know, in retrospect. Listening to that, 341 00:23:25,119 --> 00:23:27,680 Speaker 1: I totally agree with you, but now having to shed 342 00:23:27,800 --> 00:23:30,240 Speaker 1: the light on it, I go over the list again. 343 00:23:30,320 --> 00:23:32,439 Speaker 1: The first thing you say is what is the nature 344 00:23:32,520 --> 00:23:35,280 Speaker 1: of your call? Okay, yeah, let me write that down. 345 00:23:35,960 --> 00:23:39,240 Speaker 1: Well it's no that's been written for you. Where where 346 00:23:39,800 --> 00:23:45,359 Speaker 1: didn't script? We'll provide you with a new one chief 347 00:23:45,440 --> 00:23:48,840 Speaker 1: sort to interrupt these. I don't know what they are. 348 00:23:48,880 --> 00:23:51,680 Speaker 1: I think they look like Shakespearean quotes are being left 349 00:23:52,280 --> 00:23:56,400 Speaker 1: laminated on my door. Actually, if you could just hand 350 00:23:56,440 --> 00:23:59,720 Speaker 1: that to me, all right, Yeah, so there was a 351 00:24:00,040 --> 00:24:03,080 Speaker 1: laminated those sides, Well they were laminated. I was making 352 00:24:03,119 --> 00:24:07,200 Speaker 1: photo copies. See, I'll tell you what, if you wouldn't mind, 353 00:24:07,400 --> 00:24:10,800 Speaker 1: I'd like you to shadow another nine one one. If 354 00:24:10,880 --> 00:24:13,480 Speaker 1: it's really I feel like I'm ready for prime time. 355 00:24:13,760 --> 00:24:16,680 Speaker 1: I don't need to again. These they're the kind of 356 00:24:16,960 --> 00:24:20,200 Speaker 1: verbiage that gets you in trouble. Watch how it's done 357 00:24:20,280 --> 00:24:23,520 Speaker 1: by another professional and see if you can adapt. All right, 358 00:24:23,600 --> 00:24:27,119 Speaker 1: all right, all right, hi, good, good, good to see you, Larry. 359 00:24:27,320 --> 00:24:32,000 Speaker 1: This is glad. You know what you're you're doing. You know, 360 00:24:32,119 --> 00:24:34,320 Speaker 1: just you're being here is really is really helping people. 361 00:24:34,920 --> 00:24:37,440 Speaker 1: It makes them makes them feel better. I'm sure. Um, yeah, 362 00:24:37,520 --> 00:24:39,160 Speaker 1: so if you if you want to just yeah, I'm 363 00:24:39,200 --> 00:24:41,320 Speaker 1: just I'm just gonna start taking some calls and you'll 364 00:24:41,359 --> 00:24:43,760 Speaker 1: see how it's done. Okay, okay, you see how his 365 00:24:43,840 --> 00:24:46,320 Speaker 1: board is lit up. That means he has income and go, okay, 366 00:24:46,560 --> 00:24:49,120 Speaker 1: note on one. What's your emergency? Oh god, oh god, 367 00:24:49,160 --> 00:24:51,159 Speaker 1: there's a fire? Okay, sir, I'm gonna need you to 368 00:24:51,200 --> 00:24:54,879 Speaker 1: calm down and tell can we can we just one moment? 369 00:24:55,240 --> 00:24:59,280 Speaker 1: Could you could? Could you hold one second? I'm sorry, 370 00:24:59,320 --> 00:25:05,080 Speaker 1: could you hold him? I guess, sir? Please, the scriptals 371 00:25:05,160 --> 00:25:07,240 Speaker 1: I have says this starts with what is the nature 372 00:25:07,280 --> 00:25:10,160 Speaker 1: of your call? Okay, I don't want to be said, 373 00:25:10,240 --> 00:25:12,720 Speaker 1: what is your emergency? Yeah, but I'm just trying to 374 00:25:12,760 --> 00:25:14,920 Speaker 1: stick to script. If we're improvising here, I'm fine with that. 375 00:25:15,000 --> 00:25:17,480 Speaker 1: I just need to know. Okay, I apologize it, didn't 376 00:25:17,480 --> 00:25:20,840 Speaker 1: mean to improvise it. I'm gonna take them off. Hold okay, okay, okay, 377 00:25:20,880 --> 00:25:25,240 Speaker 1: thank you glad. I'm sorry. Okay, sir? What is your address? 378 00:25:25,600 --> 00:25:28,880 Speaker 1: What is my address? Yes? Where are you located? Seventeen 379 00:25:28,960 --> 00:25:31,800 Speaker 1: forty five Wave and seventeen forty five Waveland. Okay, I'm 380 00:25:31,840 --> 00:25:36,400 Speaker 1: like the porn start like the porn start great, Seve Waveland, 381 00:25:36,520 --> 00:25:39,360 Speaker 1: I'm writing that down at We're we're dispatching. We're dispatching 382 00:25:39,440 --> 00:25:44,959 Speaker 1: a fire truck out there, Sorr. Are you in an 383 00:25:44,960 --> 00:25:47,639 Speaker 1: area where you can be? Were you getting ventilation? Are 384 00:25:47,640 --> 00:25:50,879 Speaker 1: you in danger of the fire? Should you? Uh? How ventilated? 385 00:25:50,920 --> 00:25:52,359 Speaker 1: Does it need to be? Sorry? I'm sorry? Could you 386 00:25:52,400 --> 00:25:54,480 Speaker 1: just put them on a hold first second? Could you? What? 387 00:25:54,760 --> 00:25:57,119 Speaker 1: Could you? You know what? This is actually harder than 388 00:25:57,160 --> 00:26:00,639 Speaker 1: I expected, its avation, this call, in particular, I was 389 00:26:00,720 --> 00:26:02,680 Speaker 1: trained when I was younger that in case of fire, 390 00:26:02,840 --> 00:26:05,400 Speaker 1: you stopped dropping rolling. I didn't want to interrupt because 391 00:26:05,520 --> 00:26:08,119 Speaker 1: I'm shadowing you, but maybe you should tell him to 392 00:26:08,119 --> 00:26:11,119 Speaker 1: stop drop and roll, glads. The truth of matter is 393 00:26:11,200 --> 00:26:14,320 Speaker 1: you did, in fact interrupt. I need you to silent. 394 00:26:15,359 --> 00:26:17,960 Speaker 1: I am like a fly on the wall. I'm gonna 395 00:26:17,960 --> 00:26:20,399 Speaker 1: I'm gonna take him off hold right now. Thank you. Okay, 396 00:26:20,440 --> 00:26:23,760 Speaker 1: So the roof, the roof, the roof's on fire. Uh 397 00:26:23,960 --> 00:26:26,880 Speaker 1: do you have any water? We don't need any water. 398 00:26:27,320 --> 00:26:32,600 Speaker 1: Let let it burn, Let it burn. All right, we're 399 00:26:32,600 --> 00:26:34,880 Speaker 1: sending somewhere. Someone is on the way. Puts on the way, 400 00:26:35,240 --> 00:26:41,440 Speaker 1: the fire department, get the loud sirens. Okay, okay, would 401 00:26:41,440 --> 00:26:43,080 Speaker 1: you like? What do you mean they're just sending me? 402 00:26:43,119 --> 00:26:45,760 Speaker 1: Why can't with the whole department go? There's one guy 403 00:26:45,880 --> 00:26:48,400 Speaker 1: is gonna go to the fire. You're a fireman, yeah, 404 00:26:48,440 --> 00:26:50,120 Speaker 1: but we just should all go. Look, I'm not gonna 405 00:26:50,119 --> 00:26:51,879 Speaker 1: go to the fire. If it's just me, I'm not 406 00:26:51,920 --> 00:26:53,760 Speaker 1: gonna go. Well we're gonna dress draw zone. Who goes 407 00:26:53,800 --> 00:26:55,760 Speaker 1: to the fight and you just picked me out of nowhere, 408 00:26:56,200 --> 00:26:58,000 Speaker 1: you know what I mean, just because you're a trainee. 409 00:26:58,520 --> 00:27:01,479 Speaker 1: Come on, come on, this is should noble. You can 410 00:27:01,520 --> 00:27:03,520 Speaker 1: get in there and do the fire. Put it down 411 00:27:04,480 --> 00:27:08,240 Speaker 1: fineaven right or whatever you want your hand like point 412 00:27:08,640 --> 00:27:12,359 Speaker 1: like the port so it's a huge warehouse District five. 413 00:27:12,480 --> 00:27:14,600 Speaker 1: Whatever I was off, I'll know the fire when I 414 00:27:14,800 --> 00:27:19,840 Speaker 1: see it. There's no I'm not gonna go to that's 415 00:27:19,840 --> 00:27:22,040 Speaker 1: on fire. I know wanted you know what a building 416 00:27:22,080 --> 00:27:24,040 Speaker 1: looks like when it's on fire. Why would you need 417 00:27:24,160 --> 00:27:26,520 Speaker 1: us to go? Because this is great. If I'm gonna 418 00:27:26,520 --> 00:27:27,840 Speaker 1: be doing with this, I'm not gonna go. I'm not 419 00:27:27,880 --> 00:27:33,720 Speaker 1: gonna Pie's gonna drive, so he'll be drive and you're 420 00:27:34,000 --> 00:27:38,480 Speaker 1: call come on, spots going with you? Yeah, dumb dog. 421 00:27:38,960 --> 00:27:42,760 Speaker 1: Dumb dogs. That dog's gonna hump everything. You don't say 422 00:27:42,840 --> 00:27:46,000 Speaker 1: that about a Dalmatian. It's in bred. Man, that dog 423 00:27:46,200 --> 00:27:49,600 Speaker 1: is dumb. We should not be using dalmatians. Am I 424 00:27:49,640 --> 00:27:52,760 Speaker 1: the only one who thinks that? Yes, yes, you are 425 00:27:52,840 --> 00:27:56,000 Speaker 1: the only one. Thing that you're the only one. Come on, man, alright, 426 00:27:56,080 --> 00:27:58,920 Speaker 1: strap on here we go? Do you want me to 427 00:27:59,000 --> 00:28:02,440 Speaker 1: strap onto the white canda? Can't I get a seat? 428 00:28:02,600 --> 00:28:05,600 Speaker 1: I want to put my coffee on the seat. That's nuts. 429 00:28:05,800 --> 00:28:12,240 Speaker 1: Come on, man, it's nuts. Come on, give me a 430 00:28:12,280 --> 00:28:17,360 Speaker 1: seat if I gotta go, come on that man, put 431 00:28:17,400 --> 00:28:24,639 Speaker 1: your fucking boots on. Man to report a problem. Um, 432 00:28:24,800 --> 00:28:29,159 Speaker 1: there is a fireman outside of my apartment spraying my 433 00:28:29,359 --> 00:28:34,520 Speaker 1: windows chopped out. I'm just shouting to jump out, yes, 434 00:28:34,640 --> 00:28:40,760 Speaker 1: ma'am that I believe he was given nine. Yes, the 435 00:28:41,040 --> 00:28:47,200 Speaker 1: fire is actually there's a fire. I'm gonna need you 436 00:28:47,280 --> 00:28:50,400 Speaker 1: to come man. I'm gonna put you on hold for 437 00:28:50,440 --> 00:28:55,600 Speaker 1: a second. Okay, gladys you're up? Oh me? Okay, okay, 438 00:28:55,680 --> 00:29:00,080 Speaker 1: how do I look? Fine? Okay? Answer the phone? What 439 00:29:00,360 --> 00:29:02,880 Speaker 1: you look fine? To answer the phone? Okay? Fine, thank you. 440 00:29:03,080 --> 00:29:06,760 Speaker 1: I appreciate this woman seems very distraught about a fire. 441 00:29:06,800 --> 00:29:08,440 Speaker 1: Down the street from her. I'm just gonna need you 442 00:29:08,520 --> 00:29:11,400 Speaker 1: to talk her down the scene with this woman, if 443 00:29:11,440 --> 00:29:15,760 Speaker 1: she's going crazy, well, I think you can do it. Okay, fine, Hello, 444 00:29:15,920 --> 00:29:20,640 Speaker 1: what is the nature of your call? Fi? Fire? Ma'am? 445 00:29:20,680 --> 00:29:22,680 Speaker 1: I'm listening as close as I can, but I don't 446 00:29:22,720 --> 00:29:27,400 Speaker 1: have patience. Get the kids. Get I'm sorry. I'm gonna 447 00:29:27,480 --> 00:29:32,560 Speaker 1: have to let you go. We'll just don't forget the computer, 448 00:29:33,280 --> 00:29:36,320 Speaker 1: all right, ma'am, I'm gonna have to let you go. Well, 449 00:29:36,440 --> 00:29:39,160 Speaker 1: I think I saw that one. Everybody that's just hung 450 00:29:39,280 --> 00:29:43,360 Speaker 1: up on her. That's that's her again. That's that blinking 451 00:29:43,480 --> 00:29:45,920 Speaker 1: light right now. I don't think I want to answer that. 452 00:29:46,480 --> 00:29:50,840 Speaker 1: It's just the screaming. People think me anxious. How are 453 00:29:50,880 --> 00:29:53,160 Speaker 1: you are you still there? I'm still alone? Oh gosh, 454 00:29:54,080 --> 00:29:56,960 Speaker 1: that was your bad. There's a woman screaming. Now, there's 455 00:29:56,960 --> 00:29:59,800 Speaker 1: a woman screaming. That woman is at seventeen fifty nine Waveland. 456 00:30:00,000 --> 00:30:03,600 Speaker 1: You sure, yes, because she's really bothering me. The fire 457 00:30:03,680 --> 00:30:05,800 Speaker 1: isn't bothering you anymore. It's I've gotten used to it. 458 00:30:06,880 --> 00:30:09,440 Speaker 1: I'm getting calm. I'm gonna I'm just gonna go to 459 00:30:09,480 --> 00:30:14,760 Speaker 1: sleep now. Oh no, it's carbon monoxide. Sleep. No, it's fine. Okay, 460 00:30:14,880 --> 00:30:17,480 Speaker 1: it's very peaceful here. Okay, would you would you like 461 00:30:17,640 --> 00:30:22,400 Speaker 1: a lullaby? Yes? Okay, let's clear her up. Oh, mom's 462 00:30:22,480 --> 00:30:28,520 Speaker 1: gonna buy you lock whisper. Everything's gonna be real good. 463 00:30:29,560 --> 00:30:33,640 Speaker 1: You're not my mom. Listen, I wasn't practicing a song. Up. 464 00:30:34,080 --> 00:30:36,880 Speaker 1: Let me do my vocal warm ups. Manny mumbling mines. 465 00:30:37,120 --> 00:30:39,000 Speaker 1: I'm making men music in the night. Okay, here we go, 466 00:30:40,240 --> 00:30:47,040 Speaker 1: go to sleep, Go to sleep. My comis you won't 467 00:30:47,080 --> 00:30:51,360 Speaker 1: get I'm going to sleep so peaceful and warm, and 468 00:30:52,600 --> 00:30:57,200 Speaker 1: got another one. Glad it's time. Hang up. I think 469 00:30:57,240 --> 00:31:00,760 Speaker 1: he was asleep. I've lulled him a bye bye bye. Yeah, 470 00:31:00,760 --> 00:31:03,560 Speaker 1: an emergency calling. You put him to sleep? Oh my god, 471 00:31:03,760 --> 00:31:06,960 Speaker 1: is that not the right thing to do? Um? Everyone 472 00:31:07,000 --> 00:31:09,800 Speaker 1: here new Frank It was a good guy. And uh 473 00:31:10,800 --> 00:31:15,680 Speaker 1: what what the corner found obviously was him? Um? It 474 00:31:15,800 --> 00:31:19,200 Speaker 1: was only described in the reports as a human chicken nugget, 475 00:31:19,480 --> 00:31:23,960 Speaker 1: very burnt human chicken nugget, And um, I was disrespectful 476 00:31:24,000 --> 00:31:28,640 Speaker 1: for that. Was gonna keep bringing it up too? Well? Yeah, 477 00:31:28,840 --> 00:31:35,560 Speaker 1: you know, as one of his only relatives alive, I 478 00:31:35,680 --> 00:31:37,720 Speaker 1: think it's appropriate that we all know what the corner said, 479 00:31:37,800 --> 00:31:42,240 Speaker 1: and he was your brother and um a part of 480 00:31:42,280 --> 00:31:45,520 Speaker 1: all the corners notes as well, didn't mention that he 481 00:31:45,600 --> 00:31:52,080 Speaker 1: had large nipples, which would be impossible looking for leftover 482 00:31:52,200 --> 00:31:55,200 Speaker 1: chicken nugget. I feel like to understand, I understand just 483 00:31:55,440 --> 00:31:58,400 Speaker 1: just the corners noting is the idea that that that's 484 00:31:58,400 --> 00:31:59,920 Speaker 1: all that was left with him was the size of 485 00:32:00,040 --> 00:32:02,560 Speaker 1: the chicken nugget, or like it was just one of 486 00:32:02,600 --> 00:32:04,760 Speaker 1: his nipples left and it was like a chicken nugget 487 00:32:04,800 --> 00:32:06,840 Speaker 1: sized nipple. I mean, all I know is what the 488 00:32:06,880 --> 00:32:09,440 Speaker 1: corner said. And if we look at the size of 489 00:32:09,520 --> 00:32:11,640 Speaker 1: the casket, we can feel you've spent too much time 490 00:32:11,720 --> 00:32:15,040 Speaker 1: talking in the corner. Well, the corner was kind enough 491 00:32:15,080 --> 00:32:19,040 Speaker 1: to um let me hang out with him, Kendall, why 492 00:32:19,040 --> 00:32:21,959 Speaker 1: don't you let some I just just if we look 493 00:32:22,000 --> 00:32:23,320 Speaker 1: at the size of the casket, I think we just 494 00:32:23,320 --> 00:32:26,160 Speaker 1: sen three inch by three inch casket and it can 495 00:32:26,240 --> 00:32:28,320 Speaker 1: fit the other five people that died in the fire 496 00:32:28,440 --> 00:32:31,360 Speaker 1: in there. But I don't know why there's there's fenty 497 00:32:31,440 --> 00:32:38,400 Speaker 1: mustard next to the favorite Let me open please, Oh 498 00:32:38,480 --> 00:32:46,719 Speaker 1: there it is, okay, great chicken nugg break chicken nuggets. 499 00:32:46,720 --> 00:32:52,400 Speaker 1: That's Frank. What happened here? Where is your brother? This 500 00:32:52,600 --> 00:32:56,440 Speaker 1: is not funny. Died in the fire? Okay? And are 501 00:32:56,480 --> 00:32:58,360 Speaker 1: we all happy? Huh? Are we all happy? Who got? 502 00:32:58,520 --> 00:33:03,040 Speaker 1: Who got a Christmas? Is anybody get that nugget? I 503 00:33:03,080 --> 00:33:08,960 Speaker 1: mean it does look frankly, don't chicken? Do you know 504 00:33:09,040 --> 00:33:11,800 Speaker 1: which one of the six is frank? That one? Because 505 00:33:11,840 --> 00:33:15,280 Speaker 1: it looks like a boots, like a very like boots. 506 00:33:15,680 --> 00:33:21,040 Speaker 1: Can they all kind of look like boot? That that's cannibalism. 507 00:33:21,200 --> 00:33:24,440 Speaker 1: That boot was tasting cannibalism, Like, get a ring full 508 00:33:24,520 --> 00:33:27,160 Speaker 1: out of your mouth. It's chicken. Wait, this is a chicken. 509 00:33:27,440 --> 00:33:29,479 Speaker 1: There's a gold ring in there. That's frank. They come 510 00:33:29,520 --> 00:33:33,400 Speaker 1: with the prize. No, no, I thought that that really 511 00:33:33,600 --> 00:33:42,280 Speaker 1: was frank. Oh I'm so sorry for what is this? 512 00:33:43,240 --> 00:33:45,040 Speaker 1: Can we all sit back down for a second? Please 513 00:33:45,520 --> 00:33:49,280 Speaker 1: sit back down, please? I don't know. Frank tastes like 514 00:33:49,320 --> 00:33:55,400 Speaker 1: a chicken. Don't you believe me? Yeah? Yeah? This number one? Yeah? 515 00:33:56,040 --> 00:33:57,280 Speaker 1: Wait wait wait wait wait wa wa wait hold on, 516 00:33:57,400 --> 00:34:01,520 Speaker 1: let me get my notes. Um, what's the nature of 517 00:34:01,720 --> 00:34:05,280 Speaker 1: this call? This call is five friends of mine, just 518 00:34:05,440 --> 00:34:07,600 Speaker 1: eight chicken nuggets that we thought were chicken nuggets, but 519 00:34:07,640 --> 00:34:12,759 Speaker 1: they were actually are bunn I told Dian, how does 520 00:34:12,800 --> 00:34:16,120 Speaker 1: it make you feel like I just like I just 521 00:34:16,200 --> 00:34:18,040 Speaker 1: thought he was eating a chicken nugget night at a person? 522 00:34:18,120 --> 00:34:23,680 Speaker 1: How do we please send help? What we will? What 523 00:34:23,800 --> 00:34:26,320 Speaker 1: can I set help? Write to you? Sir? What's your address? 524 00:34:27,600 --> 00:34:33,239 Speaker 1: Seventeen sixty one, Waveland seventeen thirty three, Waveless sixty one. 525 00:34:34,640 --> 00:34:38,440 Speaker 1: But alright, guys, strapped up? Alright, this is right gear scenario. 526 00:34:38,520 --> 00:34:40,960 Speaker 1: We get guys eating people over at the Uh. What 527 00:34:41,040 --> 00:34:44,640 Speaker 1: the hell is it called? What the word fire? No? No, no, 528 00:34:44,760 --> 00:34:49,040 Speaker 1: no no. What's the word I'm looking for? No no, no, 529 00:34:49,200 --> 00:34:51,600 Speaker 1: no someone else house? No no no. It's like a nickname. 530 00:34:52,520 --> 00:34:57,560 Speaker 1: No no, no, no, no no no. It's a good man. 531 00:34:57,960 --> 00:35:02,200 Speaker 1: It's a globalism for the thing. What the fund is? Close? 532 00:35:03,160 --> 00:35:06,920 Speaker 1: Big boys, big know? What the hell is it? Uh? Okay? 533 00:35:07,280 --> 00:35:11,520 Speaker 1: Location location tours sounds like the first word. It's the 534 00:35:11,560 --> 00:35:17,640 Speaker 1: first word and number. It sounds like sounds like rug. Right, oh, 535 00:35:18,320 --> 00:35:22,839 Speaker 1: it sounds like right, Tim's house, Tim's house? Not can't 536 00:35:23,000 --> 00:35:25,680 Speaker 1: it does sounds like google? TAM's house. Does sound like 537 00:35:25,960 --> 00:35:27,759 Speaker 1: make sure to put in those shells in the shocking. Okay, 538 00:35:27,760 --> 00:35:30,080 Speaker 1: we're using live ammunition. Boys, you understand what I'm saying, 539 00:35:30,080 --> 00:35:34,000 Speaker 1: we're going in. Hot, We're going in. Alright, we're strapping up, 540 00:35:34,040 --> 00:35:37,840 Speaker 1: strapping up, strapping down. Alright, what everyone's strapped on? What 541 00:35:38,080 --> 00:35:40,520 Speaker 1: hell are we listening to? The trainee? Yeah, I don't know. 542 00:35:40,760 --> 00:35:42,799 Speaker 1: I don't know why we're listening to the training. All right. 543 00:35:42,840 --> 00:35:44,320 Speaker 1: Now we're going What the hell's the name of the 544 00:35:44,360 --> 00:35:51,879 Speaker 1: place we kind of need to know? Yeah, funeral home. Oh, 545 00:35:54,320 --> 00:35:57,879 Speaker 1: I think we'll drive around. We'll know what it is home. 546 00:35:57,960 --> 00:36:02,239 Speaker 1: We're google home, all right? It um something else? I 547 00:36:02,320 --> 00:36:05,839 Speaker 1: was supposed to say, Sure, maybe we can think about 548 00:36:05,840 --> 00:36:08,799 Speaker 1: it in the drive. Yeah, I'm sure, it's fine. Let's 549 00:36:08,800 --> 00:36:12,520 Speaker 1: do it. Okay, let's go. You gonna drive. I don't 550 00:36:12,560 --> 00:36:16,960 Speaker 1: know why did no one move, barely listening to the training? 551 00:36:17,480 --> 00:36:21,239 Speaker 1: We're doing this, Yeah, we're doing this. I'm not I'm 552 00:36:21,239 --> 00:36:23,279 Speaker 1: not part of the team. If we bring the dog, 553 00:36:23,400 --> 00:36:28,839 Speaker 1: do you? Yes, chihuahua? Alright, make no sense? Alright? Make 554 00:36:28,880 --> 00:36:33,879 Speaker 1: sure in bread? It is? There? Is it? All dogs 555 00:36:33,880 --> 00:36:37,480 Speaker 1: are in bread, A lot of them. Sure, that's great, man, 556 00:36:37,760 --> 00:36:40,760 Speaker 1: I have seen I've seen it go down. It's disgusted. 557 00:36:41,239 --> 00:36:42,799 Speaker 1: Do you have you figured out where we're gone? Yes, 558 00:36:42,880 --> 00:36:45,799 Speaker 1: we're going to the funeral home. Yeah, alright, that really 559 00:36:45,880 --> 00:36:49,520 Speaker 1: is what you're trying to think about. Yeah, they're eating 560 00:36:49,560 --> 00:36:51,680 Speaker 1: dead bodies, Like I don't know, it doesn't seem like 561 00:36:51,760 --> 00:36:53,440 Speaker 1: something that we got to deal with. Why don't we 562 00:36:53,480 --> 00:36:56,640 Speaker 1: just go to McDonald's. Hey, they got nuggets. That's what 563 00:36:56,760 --> 00:36:58,320 Speaker 1: you all want to do? Yeah, they want to just 564 00:36:58,360 --> 00:37:03,600 Speaker 1: say effort, we're not gonna take the call, and then 565 00:37:06,280 --> 00:37:10,080 Speaker 1: he yeah, hi, welcome, McDonald's gonna take you. Yeah, what 566 00:37:10,160 --> 00:37:12,960 Speaker 1: do you guys want? I'd like a Frank when we're 567 00:37:13,000 --> 00:37:18,960 Speaker 1: Frank can culture of the mind, please Frank? Thank all right? Yeah, 568 00:37:19,000 --> 00:37:24,360 Speaker 1: two francs to Franc's. We don't have hot dogs? What 569 00:37:24,719 --> 00:37:26,600 Speaker 1: they don't have hot dogs? No? No, no women? Frank 570 00:37:26,680 --> 00:37:30,320 Speaker 1: like that. It was a dumb joke about a fan. 571 00:37:30,520 --> 00:37:34,839 Speaker 1: I was thinking, how would I know that? Because see, hey, 572 00:37:34,920 --> 00:37:39,080 Speaker 1: hey Mr McDonald's man, Yeah, assistant manager. Oh why is 573 00:37:39,080 --> 00:37:42,719 Speaker 1: he working the drive? Is because there's not somebody's can 574 00:37:42,800 --> 00:37:45,960 Speaker 1: call out three people called that's roight people. That's rough. 575 00:37:46,080 --> 00:37:48,600 Speaker 1: You never you ever have an insight joke with somebody? Sure, 576 00:37:48,920 --> 00:37:52,160 Speaker 1: yeah I got one run now okay, ready, yeah, shoes. 577 00:37:54,480 --> 00:37:56,600 Speaker 1: I don't know what I mean, but it's probably Sorry, 578 00:37:57,480 --> 00:37:59,960 Speaker 1: great that's great. You guys are okay, so you know 579 00:38:00,239 --> 00:38:03,200 Speaker 1: a couple of yeah, yeah, all right, I'm going next 580 00:38:03,280 --> 00:38:08,400 Speaker 1: door and what else? Uh huh. It's a kind of 581 00:38:08,920 --> 00:38:11,480 Speaker 1: lining up behind you. Yeah, I mean I was. I 582 00:38:11,600 --> 00:38:14,719 Speaker 1: wasn't hungry when I go off. Called Gladys over. Not 583 00:38:14,760 --> 00:38:19,839 Speaker 1: even want to dis beatchee if she wants anything. Hold 584 00:38:19,880 --> 00:38:24,200 Speaker 1: on one second, let me just oh, hey, hey, you 585 00:38:24,280 --> 00:38:26,560 Speaker 1: know who this is? Automatically? I mean I not know, 586 00:38:26,920 --> 00:38:29,479 Speaker 1: not enough to know your name, but I've heard that voice. 587 00:38:29,600 --> 00:38:33,800 Speaker 1: Is this an emergency? You know? It's nature? What's the 588 00:38:33,920 --> 00:38:36,400 Speaker 1: nature if your call? Nature of mc call is I'm 589 00:38:36,440 --> 00:38:39,960 Speaker 1: trying to get your order? You want to take me 590 00:38:40,000 --> 00:38:41,680 Speaker 1: out to eat? Yeah? No, I really do. I want 591 00:38:41,719 --> 00:38:45,719 Speaker 1: to know what your orders? Okay McDonald's. Come on, we 592 00:38:45,800 --> 00:38:47,640 Speaker 1: can go somewhere better than that. Look, you want someone 593 00:38:47,640 --> 00:38:50,040 Speaker 1: for McDonald's or not sure? Sure, I'll get a whopper. 594 00:38:50,880 --> 00:38:52,600 Speaker 1: It's a all right, yeah, I mean you're going to 595 00:38:53,520 --> 00:38:55,560 Speaker 1: hold on one second. I just kind of put something 596 00:38:55,640 --> 00:38:59,120 Speaker 1: over there, this bell that keeps bringing at me. There 597 00:38:59,200 --> 00:39:02,880 Speaker 1: we go, Gladys. What does a call from Britain? You 598 00:39:03,000 --> 00:39:06,719 Speaker 1: gotta take it? Okay? All right? Fine, fine, you don't 599 00:39:06,760 --> 00:39:09,160 Speaker 1: recognize the Ring. I didn't recognize the ring, but I 600 00:39:09,320 --> 00:39:13,160 Speaker 1: really like Shakespeare. Where for art thou is the problem? 601 00:39:14,000 --> 00:39:19,360 Speaker 1: Oh yeah, we're a group of former moonshiners turned secret agents, 602 00:39:19,440 --> 00:39:27,080 Speaker 1: and that overseas there's Corgis everywhere. I don't know what 603 00:39:27,239 --> 00:39:31,600 Speaker 1: the is going on. The queen wanted us to kill 604 00:39:31,680 --> 00:39:34,600 Speaker 1: our friend, and then an entire plot ensued. But we 605 00:39:34,680 --> 00:39:37,080 Speaker 1: didn't do that. We wound up. We're all back together 606 00:39:37,160 --> 00:39:39,360 Speaker 1: and better for it. I'm sure we make sure that 607 00:39:39,440 --> 00:39:41,759 Speaker 1: the trainee even has an opportunity to tell us that 608 00:39:41,840 --> 00:39:46,239 Speaker 1: the Corgies are inbred? Mat Can I do that? I'm sorry, 609 00:39:46,280 --> 00:39:48,680 Speaker 1: I'm having a hard time hearing. Everybody is a speaker phone. 610 00:39:48,800 --> 00:39:52,600 Speaker 1: Rule of threes, buddy rulers, Yeah, I mean those. I 611 00:39:52,640 --> 00:39:55,360 Speaker 1: mean look at the way they look, man, that ain't natural. 612 00:39:55,600 --> 00:39:57,840 Speaker 1: There's no wolf in the wild like that. I couldn't 613 00:39:58,320 --> 00:40:04,239 Speaker 1: go to send a crack team of firefighters. What a 614 00:40:04,320 --> 00:40:16,440 Speaker 1: great button. Our third and final today comes from Summer, 615 00:40:16,960 --> 00:40:22,239 Speaker 1: who wrote Howdy from Texas, Oh Boy, listeners. Since day 616 00:40:22,320 --> 00:40:25,120 Speaker 1: one here, I shame your podcast during my lunch hour 617 00:40:25,200 --> 00:40:27,319 Speaker 1: at work, and some days it is the only thing 618 00:40:27,400 --> 00:40:31,439 Speaker 1: that helps me retain what little sanity I have left. 619 00:40:31,800 --> 00:40:37,640 Speaker 1: I haven't seen idea simply titled driving test gone wrong. 620 00:40:38,280 --> 00:40:40,480 Speaker 1: Once again, thanks for your great work and hope you 621 00:40:40,600 --> 00:40:45,359 Speaker 1: all have a beautiful day. Sincerely, Summer. Okay, so it's 622 00:40:45,400 --> 00:40:50,400 Speaker 1: in first gear now, all right? And then you know again, 623 00:40:50,480 --> 00:40:53,640 Speaker 1: we could have taken out an automatic car. No, I well, 624 00:40:53,680 --> 00:40:55,600 Speaker 1: this is the way cars were supposed to be driven. 625 00:40:55,640 --> 00:40:57,719 Speaker 1: So this is it's the only one we have with 626 00:40:57,800 --> 00:41:00,239 Speaker 1: the stick shifts. So that's fine. There are seven others 627 00:41:00,320 --> 00:41:04,000 Speaker 1: we could choose if you're not comfortable fund a car 628 00:41:04,200 --> 00:41:07,360 Speaker 1: is a car ready to start? Were you taught with 629 00:41:08,440 --> 00:41:12,880 Speaker 1: I was, yes, I was actually my grandfather. It's a 630 00:41:12,920 --> 00:41:16,560 Speaker 1: fun out on the outskirts of town over by Brumbick. Yeah, 631 00:41:17,560 --> 00:41:21,600 Speaker 1: and there's a but it's about sixteen acres of farmland 632 00:41:21,840 --> 00:41:25,680 Speaker 1: and uh wide swaths of hills and whatnot. And there's 633 00:41:25,680 --> 00:41:29,000 Speaker 1: actually this a really nice lake right by it, like cruisers. 634 00:41:29,160 --> 00:41:31,600 Speaker 1: Would you like to just maybe drive us over there? 635 00:41:33,040 --> 00:41:34,799 Speaker 1: I mean, yeah, I don't, I don't mind. I mean 636 00:41:34,840 --> 00:41:37,040 Speaker 1: you know how to get back there to eight hours drive? 637 00:41:37,080 --> 00:41:40,399 Speaker 1: I don't want doing it and strap in. So part 638 00:41:40,440 --> 00:41:42,879 Speaker 1: of the reason how that was just being out there's 639 00:41:42,880 --> 00:41:45,040 Speaker 1: a kid, was that there was all this wildlife and 640 00:41:45,600 --> 00:41:50,520 Speaker 1: the fauna, which some people mistakenly think of as yeah, 641 00:41:50,600 --> 00:41:53,200 Speaker 1: we maybe want to pull away from the lighte okay, Uh, 642 00:41:53,440 --> 00:41:55,959 Speaker 1: I just want to finish the story. And uh, there 643 00:41:57,320 --> 00:42:01,280 Speaker 1: there was all this wildlife and fauna. People think faina 644 00:42:01,719 --> 00:42:05,880 Speaker 1: is is dear, but it's not. Faina is actually fan leaves. 645 00:42:08,640 --> 00:42:12,560 Speaker 1: That's an eight winner. Let's go around, not how driving works, 646 00:42:13,160 --> 00:42:15,520 Speaker 1: and um, you're in front of him, I understand. I 647 00:42:15,560 --> 00:42:17,400 Speaker 1: just don't want to talk about up on the clunch. 648 00:42:17,680 --> 00:42:22,239 Speaker 1: Go ahead. And so there was this family deer and 649 00:42:22,440 --> 00:42:25,600 Speaker 1: the deer that was so beautiful. And actually, you realize 650 00:42:25,680 --> 00:42:28,680 Speaker 1: this is a test, right that I'm conducting. I understanding, 651 00:42:28,880 --> 00:42:32,359 Speaker 1: and you pass or fail? Right now? It's not going well? Right, 652 00:42:32,400 --> 00:42:34,840 Speaker 1: But if I pause the test, then how can I 653 00:42:34,960 --> 00:42:39,480 Speaker 1: be crazy? So, uh, let me get that Hello, Hey, 654 00:42:39,600 --> 00:42:41,719 Speaker 1: how's the test going? In the middle of the test 655 00:42:41,800 --> 00:42:44,480 Speaker 1: him and called me later, Oh sure, sure, sure, Kylie, 656 00:42:44,600 --> 00:42:49,719 Speaker 1: love you. Okay, So let's not take calls during the test. 657 00:42:49,760 --> 00:42:51,440 Speaker 1: I understand I wasn't driving, so I didn't think that 658 00:42:51,480 --> 00:42:52,839 Speaker 1: was a problem, right, But I need you to drip. 659 00:42:52,920 --> 00:42:57,040 Speaker 1: I understand, Just go around. He's not gonna go around. 660 00:42:57,239 --> 00:42:59,600 Speaker 1: And so one of the craziest things about the deer 661 00:43:00,239 --> 00:43:04,680 Speaker 1: is Skype. Yeah, I guys Skype text and uh that 662 00:43:04,760 --> 00:43:07,640 Speaker 1: one second. I know the boxes should be delivered tuesday, 663 00:43:08,160 --> 00:43:15,960 Speaker 1: and it was just so beautiful to see you. I 664 00:43:16,040 --> 00:43:18,719 Speaker 1: am just coming the back. Yeah, this is not a pull, 665 00:43:18,760 --> 00:43:21,680 Speaker 1: so don't worry. Okay, but there's another guy in the front. 666 00:43:21,840 --> 00:43:23,320 Speaker 1: I know. I told you it's not a pulse, so 667 00:43:23,360 --> 00:43:25,719 Speaker 1: don't worry to just get what does he have a break? Uh, 668 00:43:26,040 --> 00:43:29,680 Speaker 1: just it's I'm doing a driving test. Just get in, okay, 669 00:43:30,320 --> 00:43:33,440 Speaker 1: So I have no problem with this. By if it 670 00:43:33,560 --> 00:43:36,480 Speaker 1: helps what was your name again? My name is Jergger. 671 00:43:36,680 --> 00:43:40,920 Speaker 1: That's right. If it helps Jergger, then get his driver's license. 672 00:43:41,280 --> 00:43:44,480 Speaker 1: We appreciate your assistance. You don't have your license yet. No, 673 00:43:44,680 --> 00:43:47,759 Speaker 1: I'm taking the test. Okay, but you're on here's an 674 00:43:47,840 --> 00:43:53,040 Speaker 1: uber driver, so I am. He's enterprising. Where where so 675 00:43:53,200 --> 00:43:54,759 Speaker 1: you know where he's going? Let's go there? You got 676 00:43:54,800 --> 00:43:56,360 Speaker 1: my address? Yeah, but we first got to go to 677 00:43:56,480 --> 00:44:00,400 Speaker 1: the lake first and about eight hour driving then head back. Okay, 678 00:44:00,440 --> 00:44:09,160 Speaker 1: I'm okay with that. Just go around. Hold on Jesus great, No, 679 00:44:09,360 --> 00:44:11,440 Speaker 1: it should if it's laminated, and then you can just 680 00:44:11,520 --> 00:44:15,080 Speaker 1: put it in the desk, and so I'm telling the 681 00:44:15,120 --> 00:44:19,160 Speaker 1: story about my grandfather's property or I grew up and 682 00:44:19,200 --> 00:44:22,520 Speaker 1: why I'm driving stick shifting. It's just huge property, you know, 683 00:44:22,880 --> 00:44:27,640 Speaker 1: tony somewhat acres and rolling hills, beautiful cool trees, and 684 00:44:27,719 --> 00:44:30,640 Speaker 1: there's just fantastic lake and next to lake where there's funa, 685 00:44:30,680 --> 00:44:34,160 Speaker 1: and people think the fauna is it's dear, what do 686 00:44:34,239 --> 00:44:39,040 Speaker 1: you think? Fauna? Animals, flora, flora's plants and funa. That's wrong, 687 00:44:39,160 --> 00:44:44,000 Speaker 1: that's wrong. No, no, no, that's wrong. I grew up. 688 00:44:44,040 --> 00:44:46,520 Speaker 1: I grew up on all large property. Did you pay 689 00:44:46,560 --> 00:44:48,440 Speaker 1: attention when you grew up on the farm the way 690 00:44:48,480 --> 00:44:51,080 Speaker 1: you're paying attention now to these, of course, instructions of 691 00:44:51,200 --> 00:44:54,880 Speaker 1: driving the car. Of course, so you didn't know anything. 692 00:44:54,920 --> 00:44:56,160 Speaker 1: Oh I knew a lot. I know how to take 693 00:44:56,200 --> 00:44:59,000 Speaker 1: your lamps and the fauna. I'll tell you what. Why 694 00:44:59,000 --> 00:45:01,120 Speaker 1: don't you continue telling your story. I'm gonna drive this 695 00:45:01,239 --> 00:45:04,160 Speaker 1: gentleman to where he needs to go. You have failed 696 00:45:04,200 --> 00:45:07,440 Speaker 1: this test. Wait wait wait, wait, it's okay. No wait, 697 00:45:07,480 --> 00:45:09,719 Speaker 1: we can take it again. No no, I gotta take 698 00:45:09,760 --> 00:45:13,560 Speaker 1: it now. No no, no, no, okay, listen, no listen, 699 00:45:14,000 --> 00:45:16,240 Speaker 1: this is a bowie knife. Okay, This is a fucking 700 00:45:16,680 --> 00:45:19,320 Speaker 1: Bowie knife. It's my granddad's. Okay, he got this in 701 00:45:19,400 --> 00:45:21,560 Speaker 1: World War two. He didn't fight. Hold on a second, 702 00:45:23,040 --> 00:45:25,600 Speaker 1: all right, yeah, draw me to hold the knife for 703 00:45:25,719 --> 00:45:28,520 Speaker 1: one second, thank you, And okay, where'ld you like to go? Sir? 704 00:45:28,880 --> 00:45:32,919 Speaker 1: It's hot? You get the addresses? Sorry, given the knie back. Okay, 705 00:45:34,080 --> 00:45:37,200 Speaker 1: Now he got this knife. Okay, you got the knife 706 00:45:37,239 --> 00:45:40,240 Speaker 1: in World War two. He didn't fight in the war. Okay, 707 00:45:41,120 --> 00:45:45,720 Speaker 1: all right here, Bowie knife were invented, yeah, by David Bowie. 708 00:45:45,880 --> 00:45:48,440 Speaker 1: I think I know that. Okay, it's Jim Jim Bowie, 709 00:45:48,680 --> 00:45:50,600 Speaker 1: Jim Booe, Jim Bowie. Then what do we call the 710 00:45:50,600 --> 00:45:58,560 Speaker 1: Bowie knife? Look out the tug boat man. Now look, 711 00:45:58,880 --> 00:46:01,600 Speaker 1: it's an eighteen wheel of chug voted scaring meat and 712 00:46:01,719 --> 00:46:03,359 Speaker 1: all my mirrors. Now look, I gotta take this test 713 00:46:03,400 --> 00:46:05,399 Speaker 1: and I gotta make sure I pass it today. Okay, 714 00:46:05,760 --> 00:46:07,680 Speaker 1: then just ease up on the clutch and give it 715 00:46:07,719 --> 00:46:10,480 Speaker 1: a little gas and let's get going. Let me just 716 00:46:10,560 --> 00:46:15,120 Speaker 1: finish the story. So now I was saying I used 717 00:46:15,120 --> 00:46:17,719 Speaker 1: to go around there and I used just the fun 718 00:46:19,080 --> 00:46:22,080 Speaker 1: that word. I mean, if you don't know what it means, 719 00:46:22,200 --> 00:46:24,960 Speaker 1: I know what it means it's a fan plant. Okay. 720 00:46:25,520 --> 00:46:29,400 Speaker 1: So my my granddam migam on my cos we'd all 721 00:46:29,440 --> 00:46:31,680 Speaker 1: go out there and we'd hunt the deer, and there's 722 00:46:31,719 --> 00:46:37,080 Speaker 1: this beautiful family of of of the Florida's Florian's Florian. 723 00:46:37,760 --> 00:46:40,680 Speaker 1: It's it's a grouping of deer's all right, Yeah, no, 724 00:46:40,800 --> 00:46:42,560 Speaker 1: I don't think that it is. I grew up on 725 00:46:42,640 --> 00:46:45,279 Speaker 1: twenties about acres in the land, all right, And so 726 00:46:45,480 --> 00:46:48,360 Speaker 1: they would all go there's about maybe about fifty to 727 00:46:48,520 --> 00:46:51,120 Speaker 1: sixty hundred heads of the deer that. Would you ever 728 00:46:51,160 --> 00:46:53,080 Speaker 1: hear anyone in your family refer to you as the 729 00:46:53,320 --> 00:46:56,919 Speaker 1: Fredo carlone of the family. No, no, no, one wasn't 730 00:46:56,920 --> 00:47:03,160 Speaker 1: telling him. Okay, so up, maybe you're tying. No, I'm stick. No, 731 00:47:03,840 --> 00:47:08,880 Speaker 1: it's just a left left. Just stop the car. Hello, Hi, 732 00:47:09,920 --> 00:47:13,040 Speaker 1: how's the test going. I'm in the middle of it. 733 00:47:14,680 --> 00:47:20,920 Speaker 1: Everything that's right, that's right, okay, alright, let's get you 734 00:47:20,920 --> 00:47:23,279 Speaker 1: away from this house. Let's get you away from this 735 00:47:24,440 --> 00:47:26,080 Speaker 1: I'm not letting you off. I'm not gonna give you 736 00:47:26,200 --> 00:47:29,239 Speaker 1: what I think we know what's happening is burning. Okay, 737 00:47:29,280 --> 00:47:31,080 Speaker 1: now let me just just give me the interstate here. 738 00:47:31,440 --> 00:47:34,480 Speaker 1: So uh, I pull off to this up on my house. 739 00:47:35,000 --> 00:47:38,160 Speaker 1: All right, So now think about this. Huh when you're 740 00:47:38,160 --> 00:47:41,040 Speaker 1: skin into the air, what's the first thing? You're an 741 00:47:41,040 --> 00:47:47,880 Speaker 1: emerge lane? Here, go around my hazards, draw on. Now, 742 00:47:48,320 --> 00:47:51,280 Speaker 1: what do you think happens. I've never had a student 743 00:47:51,400 --> 00:47:56,960 Speaker 1: driver pull over on a freeway merge before, so thank 744 00:47:57,000 --> 00:48:00,560 Speaker 1: you for that. I personally never experienced it. There's no 745 00:48:00,800 --> 00:48:02,680 Speaker 1: way for you to pass this test, so if you 746 00:48:02,680 --> 00:48:04,680 Speaker 1: wouldn't mind, Oh God, I need you to go to 747 00:48:04,760 --> 00:48:07,680 Speaker 1: the backseat to let me get this general. I need. 748 00:48:07,840 --> 00:48:12,000 Speaker 1: I need to pass this. I need to understand my wife. 749 00:48:12,040 --> 00:48:15,239 Speaker 1: I'd like to understand your wife, Scott. She's got this. 750 00:48:15,440 --> 00:48:18,439 Speaker 1: She's got bad feet, souls, and she can't drive. There's 751 00:48:18,480 --> 00:48:21,480 Speaker 1: too squshy severtimes. She touched the pedal, the pedal goes 752 00:48:21,520 --> 00:48:24,400 Speaker 1: into her foot in Yes, so I got to be 753 00:48:24,480 --> 00:48:27,239 Speaker 1: the one to drive on her feet. Yes, So I 754 00:48:27,440 --> 00:48:31,200 Speaker 1: gotta pass this. Okay, I gotta pass this. You don't understand, 755 00:48:31,400 --> 00:48:33,120 Speaker 1: all right, I do understand. I don't want to be 756 00:48:33,160 --> 00:48:37,200 Speaker 1: in There's something else I understand. There's no way you 757 00:48:37,280 --> 00:48:39,880 Speaker 1: could see into the future to a time when you 758 00:48:39,960 --> 00:48:43,080 Speaker 1: will pass this test. That's how far off and distant. 759 00:48:43,280 --> 00:48:46,319 Speaker 1: That's not true. My grandfather. Here have this necklace, Oh 760 00:48:46,400 --> 00:48:50,080 Speaker 1: my god, a tooth. Yes, And inside this tooth, inside 761 00:48:50,120 --> 00:48:53,279 Speaker 1: this tooth, the whistle. Yes. If you blow it hard enough, 762 00:48:53,320 --> 00:48:55,520 Speaker 1: you can see the future. Right, that's what That's what was. 763 00:48:56,440 --> 00:48:58,440 Speaker 1: There's a whistle in the tooth. You blow, you see 764 00:48:58,480 --> 00:49:15,000 Speaker 1: the future grew eight things that wouldn't we are three 765 00:49:15,120 --> 00:49:19,960 Speaker 1: or four? Here? A three four is scared? What's going on? 766 00:49:20,640 --> 00:49:22,839 Speaker 1: Agent three? Oh, cheven, I don't know how the hell 767 00:49:22,960 --> 00:49:26,839 Speaker 1: this happened, but somehow we just jumped into this car 768 00:49:27,000 --> 00:49:33,239 Speaker 1: with two breaks seven. Agent nine, I knew we were 769 00:49:33,320 --> 00:49:36,919 Speaker 1: time traveling. Can you see into the future for me? Yeah? 770 00:49:38,080 --> 00:49:40,399 Speaker 1: What was? What was the thing? The fact they're still 771 00:49:40,560 --> 00:49:48,960 Speaker 1: telling that dear story. Okay, and you haven't passed the tests. No, no, 772 00:49:49,200 --> 00:49:51,960 Speaker 1: we all know that you haven't passed the test and 773 00:49:52,120 --> 00:49:58,840 Speaker 1: found our animals. Oh god, I don't know what he 774 00:49:58,840 --> 00:50:00,600 Speaker 1: said was true at the very I don't know if 775 00:50:00,640 --> 00:50:02,440 Speaker 1: we can trust any of that. Then what are you 776 00:50:02,480 --> 00:50:04,920 Speaker 1: talking about? Man? Fun? Did you not see that? Do 777 00:50:05,200 --> 00:50:08,319 Speaker 1: not see what you got? Did you see it? I'm 778 00:50:08,440 --> 00:50:10,719 Speaker 1: waiting for us to pull away. He's up on the cluck. 779 00:50:11,280 --> 00:50:13,120 Speaker 1: I just piss, give it a little bit of gay. 780 00:50:14,440 --> 00:50:20,840 Speaker 1: I'm sure the trusp kind uts will have patience. He's 781 00:50:20,920 --> 00:50:23,360 Speaker 1: laying on it pretty good. You know that's what that is. 782 00:50:23,640 --> 00:50:26,719 Speaker 1: That's a communication. He's not being a dick, he's not 783 00:50:26,960 --> 00:50:30,960 Speaker 1: being a juror. He's communicating. I'd like you to get going, 784 00:50:31,120 --> 00:50:33,520 Speaker 1: please piss myself. So I think the best thing we 785 00:50:33,600 --> 00:50:35,799 Speaker 1: can do is just wait for me to dry out 786 00:50:35,960 --> 00:50:38,200 Speaker 1: and then we'll continue. George, why don't you just pull 787 00:50:38,239 --> 00:50:41,520 Speaker 1: around that car? A man, I got to hear the 788 00:50:41,640 --> 00:50:44,560 Speaker 1: end of this story. You get you hit out. You 789 00:50:44,640 --> 00:50:47,399 Speaker 1: can hear that story. Yeah, I got that. I got 790 00:50:47,480 --> 00:50:50,399 Speaker 1: one of them a little satellite microphones like they got 791 00:50:50,440 --> 00:50:52,879 Speaker 1: at the football game. So that's really cool. I can't 792 00:50:52,880 --> 00:50:58,560 Speaker 1: hear everything. You are going to come back, and if 793 00:50:59,120 --> 00:51:03,200 Speaker 1: it's not about you, name the deer. I never skinned 794 00:51:03,200 --> 00:51:06,640 Speaker 1: a deer before. I don't know why we don't just 795 00:51:06,719 --> 00:51:08,480 Speaker 1: get out and get into his car and we'll be 796 00:51:08,520 --> 00:51:10,919 Speaker 1: able to hear it much better, you know what. Let's 797 00:51:10,960 --> 00:51:14,520 Speaker 1: get out and get into it. And I know what 798 00:51:14,600 --> 00:51:16,400 Speaker 1: you're thinking. What you're thinking, how can you make a 799 00:51:16,520 --> 00:51:20,560 Speaker 1: bone soup with just hair? Right? But if you oh, hey, hey, 800 00:51:20,640 --> 00:51:22,520 Speaker 1: can we help you guys. Yeah, well from the truck 801 00:51:22,640 --> 00:51:25,880 Speaker 1: that's been honking this whole time. Wait, we're trying to 802 00:51:25,920 --> 00:51:28,759 Speaker 1: communicate that we wanted to go around student driver and 803 00:51:28,880 --> 00:51:31,759 Speaker 1: he's just having a tough day. Yeah, but I just 804 00:51:31,880 --> 00:51:33,719 Speaker 1: wanted to let you know we're really into your whole 805 00:51:34,120 --> 00:51:36,480 Speaker 1: the whole story there, the deer in the skin and 806 00:51:36,640 --> 00:51:38,960 Speaker 1: all that. But if you wouldn't mind, could you could 807 00:51:39,000 --> 00:51:42,360 Speaker 1: you tell it while moving? I don't think that'd be safe? 808 00:51:42,680 --> 00:51:45,800 Speaker 1: Is that right? Don't be very very safe? People people 809 00:51:45,920 --> 00:51:48,200 Speaker 1: talk and drive all the time. On a second, it's 810 00:51:48,200 --> 00:51:51,160 Speaker 1: actually the texting and driving works we're not happy about. 811 00:51:51,480 --> 00:51:54,160 Speaker 1: I know you're supposed to do that on Saturday, I 812 00:51:54,239 --> 00:51:56,160 Speaker 1: got a sign in my cab says I'm not supposed 813 00:51:56,160 --> 00:51:58,880 Speaker 1: to legally. I gotta have that sign in there. Okay, 814 00:51:58,960 --> 00:52:00,920 Speaker 1: I'm not I'm not a cab driver. There are now 815 00:52:01,040 --> 00:52:03,160 Speaker 1: four of us who would rather drive than you, So 816 00:52:03,320 --> 00:52:05,719 Speaker 1: could you get everyone wants to jump on my lap 817 00:52:05,800 --> 00:52:07,239 Speaker 1: and drive. I think there's one more thing you can 818 00:52:07,280 --> 00:52:15,480 Speaker 1: actually just get out here Noway it's it's my house 819 00:52:15,560 --> 00:52:17,319 Speaker 1: is on fire, so I think it maybe you guys 820 00:52:17,320 --> 00:52:19,000 Speaker 1: in the truck and give him a ride. Oh yeah, 821 00:52:20,120 --> 00:52:23,279 Speaker 1: if you wouldn't mind giving me one to terrific. All right? 822 00:52:23,360 --> 00:52:27,279 Speaker 1: Let me just in this Uber five stars, clean car, 823 00:52:27,440 --> 00:52:30,279 Speaker 1: good conversation, all right, and good luck to you and 824 00:52:30,480 --> 00:52:35,439 Speaker 1: the three stars for you? Three stars? Man? What white? 825 00:52:35,520 --> 00:52:38,960 Speaker 1: Three stars? When you're leaving the ride? All right, I'm 826 00:52:39,040 --> 00:52:46,279 Speaker 1: changing her to four? Okay, okay, three stars? What you 827 00:52:46,360 --> 00:52:48,920 Speaker 1: said you were going to do? What I'm calling nine 828 00:52:49,000 --> 00:52:53,680 Speaker 1: on one? Excuse me? What's your Could you state the 829 00:52:53,760 --> 00:52:56,640 Speaker 1: emergency that you're having right now? I don't know if 830 00:52:56,680 --> 00:52:59,640 Speaker 1: this is an emergency, but oh you might have missed 831 00:52:59,719 --> 00:53:02,920 Speaker 1: DIA then no, Well I I intentionally dial nine one one. 832 00:53:02,960 --> 00:53:05,160 Speaker 1: But I'm in a car. I'm on an Uber ride 833 00:53:06,040 --> 00:53:10,360 Speaker 1: with a student driver. He's he's an adult male in 834 00:53:10,480 --> 00:53:13,960 Speaker 1: his thirties who's trying to get his driver's license. There's 835 00:53:13,960 --> 00:53:16,200 Speaker 1: a driving instructor here in a couple of truckers. It's 836 00:53:16,200 --> 00:53:18,800 Speaker 1: a lot of exposition. Just get to the Carrol, this 837 00:53:18,920 --> 00:53:25,239 Speaker 1: is what's happening. Okay, Uh, what's your emotion right now? 838 00:53:25,520 --> 00:53:29,800 Speaker 1: My emotion is confusion. Okay, that doesn't sound like an emergency. 839 00:53:29,840 --> 00:53:32,279 Speaker 1: I'm so sorry, But you've misused dynam one one. So 840 00:53:33,160 --> 00:53:37,200 Speaker 1: you're going to get a bill for missuson. Thank you. Bye. Okay, gladys, 841 00:53:37,280 --> 00:53:38,800 Speaker 1: you see what you did wrong on that call? That 842 00:53:38,920 --> 00:53:41,200 Speaker 1: wasn't an emergency? Boss? Can you help me out here 843 00:53:41,239 --> 00:53:43,560 Speaker 1: with this. You're not supposed to decide what's an emergency. 844 00:53:43,680 --> 00:53:45,440 Speaker 1: That's not part of the job. He said he was. 845 00:53:45,920 --> 00:53:49,840 Speaker 1: Didn't even let him get to what it was. But 846 00:53:49,960 --> 00:53:53,600 Speaker 1: that guy is still in I think he's asleep. He's 847 00:53:53,640 --> 00:54:01,680 Speaker 1: not bothering anybody. He's in a fire. A Frank, Fine, Frank, 848 00:54:01,960 --> 00:54:04,400 Speaker 1: wake up, Frank, Frank, Frank, I'm not gonna wake up. 849 00:54:04,640 --> 00:54:06,560 Speaker 1: There's no way I've seen the future. He's as good 850 00:54:06,600 --> 00:54:08,400 Speaker 1: as a chicken nugget. How did you see the future? 851 00:54:08,480 --> 00:54:11,759 Speaker 1: Blew in a whistle with the world. Put your hold 852 00:54:11,880 --> 00:54:23,440 Speaker 1: Kentucky moon Shine Bridge. Oh that series. That's what happens 853 00:54:23,480 --> 00:54:27,680 Speaker 1: when you don't finish your meal. Also, let's thank all 854 00:54:27,760 --> 00:54:32,000 Speaker 1: of our wonderful alchemists today and blessings and good tidings 855 00:54:32,040 --> 00:54:38,120 Speaker 1: to our own Vanessa Raglan. Yeah with a baby girl. Um, 856 00:54:38,960 --> 00:54:42,239 Speaker 1: congratulations to the whole family. Uh, Joey Gray, where can 857 00:54:42,320 --> 00:54:46,759 Speaker 1: people find you other than visiting Vanessa Raglan? Uh? You 858 00:54:46,880 --> 00:54:49,279 Speaker 1: can find me the Westside Comedy Theater right every second 859 00:54:49,320 --> 00:54:52,680 Speaker 1: and fourth Wednesday, nine o'clock. Bear supply Pretty Pretty Pony 860 00:54:52,840 --> 00:54:57,560 Speaker 1: every first Thursday of the month and uh Dynasty Typewriter 861 00:54:57,680 --> 00:55:00,200 Speaker 1: to check it out dot com. Well, thank you for that. 862 00:55:01,400 --> 00:55:05,320 Speaker 1: It's Joey right, yes, but it's Jeffy Greeber on the Instagram, 863 00:55:05,800 --> 00:55:09,759 Speaker 1: the instagram James Heeney. Hi. You can find me at 864 00:55:09,880 --> 00:55:12,160 Speaker 1: the real James Heeney dot com. I found that it's 865 00:55:12,160 --> 00:55:14,600 Speaker 1: a nice little hub that has all the information you 866 00:55:14,680 --> 00:55:17,440 Speaker 1: could need about me. Security is hidden somewhere in there. 867 00:55:17,520 --> 00:55:22,120 Speaker 1: Also check out James uh instagram doing some art. Yeah, 868 00:55:22,360 --> 00:55:25,799 Speaker 1: some great you're doing fan art of our show. I'm 869 00:55:25,840 --> 00:55:28,480 Speaker 1: a big fan. I'm a big fan. I don't know 870 00:55:28,560 --> 00:55:30,760 Speaker 1: my Instagram handle. I think it's probably the real James Heeney. 871 00:55:32,080 --> 00:55:34,920 Speaker 1: I think that's just it's automatically locked in. I just 872 00:55:35,000 --> 00:55:38,880 Speaker 1: clicked the button. Yeah, you sound like um one of 873 00:55:38,920 --> 00:55:41,000 Speaker 1: the people on Instagram who has like a hundred and 874 00:55:41,040 --> 00:55:46,120 Speaker 1: fifty million followers. But I don't know unless it's changed, 875 00:55:46,160 --> 00:55:47,560 Speaker 1: I can't. I just hear that all the time. I 876 00:55:47,680 --> 00:55:51,040 Speaker 1: don't know what my Instagram name is, you do? I 877 00:55:51,160 --> 00:55:56,280 Speaker 1: just yeah. In terms of people promoting themselves, get terrible 878 00:55:56,320 --> 00:56:03,400 Speaker 1: way to promote Oh, that's a good point. Three different 879 00:56:03,440 --> 00:56:08,480 Speaker 1: Twitter handles at Orange Ducks Improv for improv shows, at Craigslist, 880 00:56:08,560 --> 00:56:11,920 Speaker 1: Peacast for movie podcast, and at Kikowski for just my 881 00:56:12,040 --> 00:56:15,440 Speaker 1: general vibe. Sweet look up the general vibe a shap 882 00:56:15,960 --> 00:56:19,680 Speaker 1: Mark Gagliardi. Yes, thank you so much for Johnny. It's 883 00:56:19,719 --> 00:56:21,680 Speaker 1: my pleasure. Thanks for having me back. Where can people 884 00:56:21,719 --> 00:56:24,600 Speaker 1: find you? I'm on Twitter at Mark Gags. You just 885 00:56:24,760 --> 00:56:27,480 Speaker 1: put out something on social media, though very much delayed 886 00:56:27,520 --> 00:56:30,040 Speaker 1: when people are hearing, very much delayed. Yes, as we 887 00:56:30,200 --> 00:56:32,400 Speaker 1: went to air, or as we went to as we 888 00:56:32,440 --> 00:56:34,640 Speaker 1: started recording, I found out Blood and Treasure just got 889 00:56:34,680 --> 00:56:38,520 Speaker 1: a season two Treasure, So please thank you everybody that's watching, 890 00:56:38,520 --> 00:56:40,680 Speaker 1: please keep watching Blood Treasure on CBS Tuesday nights at 891 00:56:40,680 --> 00:56:44,760 Speaker 1: ten o'clock. Yes, thank you for that. And our genius producer, 892 00:56:44,880 --> 00:56:48,080 Speaker 1: we missed him. So your friend did a lovely, lovely job. 893 00:56:48,239 --> 00:56:52,759 Speaker 1: But Doug Bain back in the helm, thank you so 894 00:56:52,960 --> 00:56:55,319 Speaker 1: much for all of all that you do for us. 895 00:56:55,960 --> 00:56:59,359 Speaker 1: Honestly and truly, you are more important to me than 896 00:56:59,480 --> 00:57:03,400 Speaker 1: most of the Alchemists. You know, it's known reason to 897 00:57:03,600 --> 00:57:07,960 Speaker 1: name names. And our post sound design artist Raphael Britto, 898 00:57:09,560 --> 00:57:14,719 Speaker 1: producer Sophie Lictorman and it's lastly, I heart media. I 899 00:57:14,840 --> 00:57:16,680 Speaker 1: encourage all of you to write a review, tell everyone 900 00:57:16,720 --> 00:57:18,800 Speaker 1: you've ever met, and write to us at your name 901 00:57:18,840 --> 00:57:22,120 Speaker 1: here me this dot com. That's your name here at 902 00:57:22,120 --> 00:57:24,880 Speaker 1: alcumy this dot com. Until next time, all friends, I'm 903 00:57:24,960 --> 00:58:01,120 Speaker 1: Kevin Pollock, your host. Don't forget to the boy